Los Serrano - Temporada 5 Completa - HD 1080 de Aquellas_Maravillosas_Series - Dailymotion

Aquellas_Maravillosas_Series

El amor vive sus momentos más complicados en el entorno de la familia Serrano. Lucía y Diego se separan, manteniendo las distancias hasta que se reparen las heridas en sus corazones, mientras que sus amigos Fiti y Candela se divorcian. Al mismo tiempo, a la familia llega Choni, que se convertirá en una más dentro del grupo de familia y amigos.

Transcript

00:00:00The life of the mountain people

00:00:30The life of the mountain people

00:01:00The life of the mountain people

00:01:01And we came back here

00:01:01But now it's a very sad house.

00:01:04And my father, more than a father, seems like a zombie.

00:01:06Honestly, ever since Lucía left, this house is a disaster.

00:01:09What did Guille say?

00:01:11What did you hear?

00:01:12I've heard that before, haven't I?

00:01:13Have you heard that name?

00:01:14You heard it, didn't you?

00:01:15Throw a euro there

00:01:15No, Dad

00:01:16Throw in a euro

00:01:16Guille, I'll explain it to you 50 times

00:01:19One euro is the fine my father issued

00:01:21For saying the name Lucia in this house

00:01:23At first she would call to see how we were doing.

00:01:26Dad, Lucia

00:01:27Tell him I'm not here, I'm not here

00:01:29But it's like you're not there

00:01:30But if you're here, don't mess things up...

00:01:33He called me

00:01:37Hey, dad

00:01:39Lucia

00:01:40How am I supposed to tell you that I'm not going to talk to Lucia?

00:01:48But Dad, please

00:01:49But how long are we going to be like this with Lucía?

00:01:50Look, we're going to be like this until we have to be.

00:01:52We have lived our whole lives without Lucia

00:01:53And nothing has happened to us.

00:01:54In other words, we haven't managed very well.

00:01:55So much Lucia, so much Lucia

00:01:56I'm getting nervous with so much Lucia

00:01:57Do you know what I'm saying?

00:01:59From now on

00:01:59For whoever says the word Lucia

00:02:00One euro fine

00:02:01And so you listen to me

00:02:02But...

00:02:03Yes, a one euro fine, no kidding.

00:02:04Maba

00:02:06Dad

00:02:06The one whose name you do not want mentioned

00:02:09There's the phone, if you want to get on it.

00:02:11Dad

00:02:12Hey, no

00:02:15Well, there you have it.

00:02:16They tell me no.

00:02:17Until I stop calling

00:02:19My man, there's no milk either.

00:02:20Okay, I'll collect it later.

00:02:22Now I'm going to...

00:02:24I'm going over there to the living room for a moment...

00:02:25Let's see some papers from the tavern

00:02:27That

00:02:27Now

00:02:30Let's watch the infomercial.

00:02:32Juan Curro, really

00:02:34We are more alone than ever.

00:02:35Why don't they lend us a hand?

00:02:36Let's see you guys

00:02:38And now I think there are breakfasts

00:02:42Carmen usually says

00:02:44God is tightening his belt

00:02:45But it doesn't drown

00:02:46I did not know

00:02:47What did that mean?

00:02:48Until I opened the door

00:02:49Hello

00:02:51Marcos

00:02:52That?

00:02:53The famous dwarf brothers live here.

00:02:55Hey?

00:02:56As funny as ever, dude

00:02:57I'm so glad to have my older brother home

00:03:00Maybe now that he's come

00:03:02We're starting to come out of the worst streak

00:03:04We mountain folk have lived

00:03:05As far as I remember

00:03:06On a platform at the station

00:03:10Under the scorching sun

00:03:12You were talking about a skyscraper in the sky of New York

00:03:15Come soon to see the sea

00:03:17And you send a postcard

00:03:19I already knew that day was the end

00:03:22Now I have much more

00:03:23Now I have much more

00:03:25Red, black, a stop, a couple, finally luck

00:03:30Bring an ace and a crystal to look through.

00:03:32And a wall to hang it on.

00:03:34Seven smiling faces in this ID photo

00:03:38My stories weren't about tales made by chance.

00:03:43Nobody told me that fate would give me this opportunity.

00:03:49One plus one equals seven

00:03:54Who would have thought?

00:03:59That it was so easy to be happy

00:04:02Okay, what's up, are you reading?

00:04:13Six months in Catalonia, all he knows how to say is

00:04:15What's up, are you reading?

00:04:16I'm a person, dude, okay?

00:04:17Ah, man, they read, me too.

00:04:18What's up, are you reading?

00:04:19Hey, where's Dad?

00:04:21Uh, uh, what's left of him is there

00:04:24What remains of him

00:04:26Yeah

00:04:27But, but, but, but, but, but, but, but, son, but, how?

00:04:32How will you let us know? Hugs, damn it.

00:04:34How are you? How are you?

00:04:36Good, good, good

00:04:37And how are you?

00:04:38I'm fine, fine, I'm, well, I'm, I'm fine, yes, that's it

00:04:41So what, so what, so what?

00:04:43Hasn't Eva come?

00:04:44No, no, not Eva, she hasn't come.

00:04:45He's with the faculty, that's it, and nothing, what?

00:04:47Hey, how long are you going to stay?

00:04:49Well, I don't know, we'll see.

00:04:50Dad, take it easy, you have

00:04:52Ah, but that

00:04:53From almonds

00:04:54Ah, I have some almonds.

00:04:55No, no, I haven't showered.

00:04:57But now I'm going upstairs, taking a shower, and coming back downstairs, and we'll chat, okay?

00:05:00I'm glad to see you

00:05:00Come on, now get down, okay?

00:05:07Have you become a grandfather?

00:05:09Is this always the case?

00:05:11No way, no way

00:05:11If today is okay

00:05:12Come on, at least he's gotten up, whether you like it or not.

00:05:14Also, he's sleeping in our room now.

00:05:16It gives me a bad feeling.

00:05:17Yes, yes

00:05:18That you don't know what it is

00:05:19So, you leave the pajamas alone and they stand up on their own.

00:05:21So, I've already had to put my earplugs in my nose.

00:05:24Curro, it's true

00:05:25It's really cheap, mate.

00:05:26Marcos, what are we going to do?

00:05:29Well, for now let's clean this up a bit.

00:05:31I don't know how I can live like this.

00:05:33That's how things have been since he left.

00:05:35Lucia

00:05:37Well, how is Lucia?

00:05:40Fed up, Mom

00:05:41You're really getting on my nerves, please.

00:05:42I'm not 15 years old.

00:05:44I'm old enough to make my own decisions

00:05:47Older?

00:05:48Ha!

00:05:49You've been a fool your whole life

00:05:50And it still is.

00:05:51Well, well, I do

00:05:53Let's talk later

00:05:54Okay, Lucia?

00:05:55Okay, sorry.

00:05:55That's what it seems to you

00:05:57If I were you, I wouldn't go in.

00:05:58To everyone

00:05:59Look, Mom, you're offending me.

00:06:01And you're going to make me really angry.

00:06:02Yes, you're going to make me really angry.

00:06:03Yes, you're going to make me really angry.

00:06:03Just a moment

00:06:04Let's see, what's going on here?

00:06:05What's going on?

00:06:06Yeah

00:06:06Look, Candela

00:06:07I had forgotten what it was like to live with my mother

00:06:09But some things never change.

00:06:10Yes, yes, of course.

00:06:11And because you can't stand me

00:06:13You take it and wing

00:06:13You're going to Barcelona

00:06:14To Barcelona?

00:06:15Yeah

00:06:16Well, I applied for a place at the Montessori school.

00:06:19For the next school year?

00:06:22What course are you coming for?

00:06:23For next week?

00:06:25Yeah

00:06:25Okay, Candela

00:06:26I wanted to tell you.

00:06:27But an urgent vacancy has opened up.

00:06:28And they've told me I have to be there the day after tomorrow.

00:06:30That?

00:06:32Day after tomorrow?

00:06:33Mom, it's clear I'm not leaving

00:06:34Shh, shh, shh!

00:06:35You, calm down.

00:06:36You and I will talk later.

00:06:37Mom, I'm not leaving.

00:06:38What do you mean I'm not leaving?

00:06:39What do you mean I'm not leaving?

00:06:39What's happening?

00:06:40What's happening?

00:06:41You don't have to come with me.

00:06:42Okay, okay

00:06:42Seriously, what a great thing!

00:06:44The time he has a problem

00:06:47Well, let's hit the road!

00:06:48Problems with me, to Barcelona

00:06:51Problems with Sergi, at Santa Justa

00:06:53Problems with Diego, back to Barcelona again

00:06:55Okay, so what now?

00:06:57Where are you going to run away to?

00:06:59Poor Diego.

00:07:00He must have felt so relieved.

00:07:02No, Carmen

00:07:02Carmen, don't go too far

00:07:04Because that's not all.

00:07:05Fix it, Candela

00:07:06If my mother was born understanding

00:07:07And it evolves with understanding

00:07:09For you, understanding is

00:07:11Saying amen to everything

00:07:13And not with me, daughter

00:07:15Not with me

00:07:16Come on, Joli

00:07:25He's going to Barcelona

00:07:26No to Mars

00:07:27Besides

00:07:28Are you going to come and visit us?

00:07:30TRUE?

00:07:31No, but

00:07:32But, but

00:07:32Geez, your mother didn't

00:07:33That's how she told you

00:07:34Yes, me too.

00:07:34Look

00:07:37I don't know

00:07:38Try to have a dialogue

00:07:39Tell him you're halfway through the course

00:07:41What if you leave?

00:07:42You're going to be completely disoriented

00:07:44That's how they come to their senses.

00:07:45One minute, please

00:07:46Poor Guille

00:07:49Put it in the circus

00:07:51And the rumors are growing.

00:07:52Can you tell your mother?

00:07:53What's wrong with him?

00:07:54That?

00:07:54Has it been proposed

00:07:55To annoy everything from the mountains

00:07:56Or what?

00:07:57Damn, dude, I'm sorry.

00:07:58But it's true

00:07:59It seems like he's doing it on purpose.

00:08:00Tete, please listen to me

00:08:03You have to stay

00:08:03Until the end of the school year

00:08:04At least

00:08:05How should I know?

00:08:05Tell him what Valdano told you

00:08:06Otherwise you'll get lost.

00:08:07But he won't let me speak.

00:08:08But I don't care.

00:08:09It won't let you speak

00:08:09He has to let you.

00:08:10And that's even more

00:08:12You can stay home

00:08:12Perfectly with us

00:08:13What are you saying, Guillermo?

00:08:15What do you mean, what am I saying?

00:08:16Let's see

00:08:16Your mother has chosen to live her life, okay?

00:08:18But you have everything here.

00:08:19You have your friends

00:08:20To your boy

00:08:21To your people

00:08:22You have your house

00:08:24Do you think your father would let me?

00:08:29Of course

00:08:29Yes, but if you're family, bro

00:08:31I am a mountain woman

00:08:33Of course

00:08:35Please, tete

00:08:39If you leave I'll die

00:08:42And I, and I

00:08:45Okay, I'll leave you now, I'm going to go see my colleagues, alright?

00:08:56Which I have repeated again

00:08:57I don't know if you know that

00:08:58By now they must be two heads taller than the rest of the class

00:09:00Come on

00:09:01Today has been more difficult

00:09:04They've been punished by us for a week.

00:09:07We're cracking up at them

00:09:09Are you here?

00:09:11Hey!

00:09:12To the ship!

00:09:13What a joy!

00:09:14How much has come!

00:09:18How are you?

00:09:20Eve?

00:09:20Where is Eva?

00:09:21Don't tell me he hasn't come

00:09:21She stayed there with the faculty and all that

00:09:25Sure, sure

00:09:26That the rodizo in pollor puts

00:09:27No?

00:09:27Yeah

00:09:28Like us

00:09:28Clear

00:09:29Yes, I stain

00:09:30What's happening?

00:09:31What do you plan to do?

00:09:32The grandparents here?

00:09:33No no

00:09:34Grandparents, veterans

00:09:36Well, in Barcelona

00:09:37How are you?

00:09:38What's up?

00:09:38Well, that's it, in Barcelona

00:09:40He looked like a marquis

00:09:41The guy there

00:09:41With his girlfriend

00:09:43Hey?

00:09:43You were lying around all day

00:09:44Watching TV

00:09:45Leaving your belly

00:09:46At home, right?

00:09:47Yeah

00:09:47Well

00:09:47To end this by passing

00:09:49No?

00:09:49You didn't pass either, champ.

00:09:51Hey

00:09:52Tonight

00:09:53Tonight

00:09:54Burn Saint Justa

00:09:55Like the old ones

00:09:55No, no, no

00:09:57We'll leave it for the next day.

00:09:58Okay?

00:09:58What is it, dude?

00:09:58I just got here, dude

00:10:00That my father

00:10:00In addition, there is

00:10:01Oh, right, man.

00:10:02This one looks awful, doesn't it?

00:10:04You see?

00:10:04Okay, so you're already on the other day

00:10:05No?

00:10:06Hey, no, we're going to burn Saint Justa

00:10:08Yeah, crazy

00:10:08Let me decide for you

00:10:10Yeah, damn it.

00:10:11I want to see you at the farm tomorrow, okay?

00:10:14And that we're going

00:10:14If you fail me

00:10:15I'll come and break your neck.

00:10:16I'll be there without fail.

00:10:17Tasting those little blood sausages

00:10:18And as long as the genre is good

00:10:20I'm bringing home a good game

00:10:21For the tablet

00:10:21And bring Diego with you.

00:10:22Pyx

00:10:23I'd like to see it

00:10:24That's going to be more difficult

00:10:25The poor man is suffering

00:10:27Since it stopped

00:10:28Suffering

00:10:29Yes, he is suffering a lot

00:10:30Old lady, but it's Marquito!

00:10:32Hello

00:10:32How are you?

00:10:34Oh, what a surprise!

00:10:35Oh well

00:10:36How are you?

00:10:39Look, my nephew

00:10:40Diego's son

00:10:41If she's going to go to her father

00:10:43Therefore

00:10:43If I look at it

00:10:44I'm watching Diego

00:10:45Bathing naked in the pond

00:10:46Oh my God

00:10:47Rogelio has a farm

00:10:49That used to belong to his father

00:10:51Your grandfather's friend

00:10:52And your father and I

00:10:53When we were kids

00:10:54We were going along with our father

00:10:55And we stayed there for a few days

00:10:56With him and his sister Parine

00:10:58Come on, we won't have

00:10:59Stoned birds four together

00:11:00Well, Santiago

00:11:02I have to go

00:11:03But we'll see each other tomorrow.

00:11:04Try to bring Diego along

00:11:05Pyx

00:11:06Let's see

00:11:06Come on

00:11:07Well, delighted.

00:11:09Well, delighted, Rogelio

00:11:10It happened like this

00:11:11Goodbye, duck

00:11:12Bye

00:11:13Damn, dude

00:11:14Wow, what a level.

00:11:14What a beastly face!

00:11:16Don't touch Rogelio.

00:11:17He's a really good person.

00:11:19What I think

00:11:20You're going on a very long trip.

00:11:21To buy only black pudding

00:11:22Look, Lurdita

00:11:23A well-made black pudding

00:11:24It's the tavern's star dish

00:11:26And besides, what a load of milk

00:11:27It's about my childhood

00:11:28And my brother's

00:11:29My poor little thing

00:11:30How have you seen your father?

00:11:32Well, abandoned

00:11:36He's got a massive depression.

00:11:37And how it covers it up

00:11:38Well, they can't treat him.

00:11:39Not even with barbiturates

00:11:40Not with anything.

00:11:41Nothing, nothing, nothing

00:11:42The one who left it there

00:11:43Abandoned

00:11:45It can't get back on its feet.

00:11:46Thrown

00:11:46Like a mangy dog

00:11:48In the ditch of life

00:11:49Santiago, Santiago

00:11:50You know that in front of me

00:11:51To speak ill of Lucia

00:11:52No, uh

00:11:52Just calm down

00:11:53You'll see, he'll come back in the end.

00:11:54She's got an objection

00:11:55Lucia

00:11:56You can't even imagine

00:11:57Put something here in your stomach

00:11:58From seeing him suffer

00:11:59He suffers a lot.

00:12:00Really

00:12:00He suffers a lot.

00:12:01Of course, because he's his brother.

00:12:03And he loves her.

00:12:03So, what about you?

00:12:06You're doing well, aren't you?

00:12:08Why aren't you leaving well?

00:12:09With this angel

00:12:10That has fallen from the sky

00:12:11For me

00:12:12Well, then

00:12:13It will be very nice, Santiago

00:12:14Okay, son

00:12:16So what?

00:12:17So what?

00:12:17Have you come to lend a hand?

00:12:18To the family?

00:12:19Of course

00:12:19That's great!

00:12:21Very good

00:12:22Because they need it.

00:12:22That your father is

00:12:23That?

00:12:23What nonsense is that?

00:12:31Are we going to a hotel?

00:12:32Two days?

00:12:33Are you staying on the sofa, woman?

00:12:35Really, Candela

00:12:36Thanks for everything

00:12:36Hey, sorry for the commotion.

00:12:38That I set you up

00:12:39Hey, at school

00:12:40I should have told you

00:12:40The Barcelona thing

00:12:41But it's all happened so fast!

00:12:43Seriously, huh?

00:12:43Yeah, leave it.

00:12:44Because you've had enough, huh, baby?

00:12:45Oh no, no

00:12:46Hey, don't tell him anything

00:12:49A Citi from Barcelona

00:12:50Hello

00:12:53Oh, Eva, forgive me

00:12:53That I didn't know

00:12:54Hi, Cari

00:12:55Help me

00:12:57What are we going to take?

00:12:58Some sheets

00:12:58For these girls

00:12:59Do you want to talk?

00:13:03Come on, get rid of that look on your face.

00:13:04Because it makes me feel guilty.

00:13:05And you make me feel

00:13:06Like shit

00:13:07Don't talk to me like that

00:13:08You are like this

00:13:10Because you have to come

00:13:10And the 14-year-old girls

00:13:12They live with their mothers

00:13:13Well, that depends.

00:13:14From what the mothers do

00:13:15Sorry?

00:13:16Nothing

00:13:16No, nothing.

00:13:17You said it depends

00:13:18From what the mothers do

00:13:19Well, I'm not a doll.

00:13:19So you can take me

00:13:20From here to there, Mom

00:13:21Look, first you separated from Dad

00:13:26We had to leave

00:13:27From Barcelona

00:13:28At people's house

00:13:28That we didn't know each other at all

00:13:29We complain

00:13:32No, Mom

00:13:35We adapt

00:13:36And it wasn't easy at all.

00:13:37Well, that was three years ago.

00:13:40I'm from here now.

00:13:41My friends are here

00:13:43And to my family

00:13:44And I don't want to leave.

00:13:44Because I can't stay

00:13:46And finish the course here

00:13:47Let's see

00:13:54In the hypothetical case

00:13:56That you stayed here

00:13:58Would you behave like a person

00:14:01Adult and responsible?

00:14:02That is to say

00:14:03Would you study even if no one told you to?

00:14:05Would you come back on time?

00:14:06Wouldn't you do anything stupid?

00:14:07Above all, you wouldn't do anything stupid?

00:14:09Yeah

00:14:09Of course

00:14:10Good

00:14:14Okay

00:14:16Well, you can stay here.

00:14:17Until the end of the course

00:14:18No, Mom

00:14:19Thanks a lot

00:14:20Okay, let's see now

00:14:22How do we solve this with your grandmother?

00:14:24Because with the anger

00:14:25That I've had with her

00:14:25No, but I don't love myself

00:14:27To meet with grandma

00:14:27I want to go home

00:14:32To our house

00:14:33With Diego

00:14:33With Curro

00:14:35And with Guille

00:14:35If it goes well for me, Tete

00:14:37The thing is, I don't know

00:14:39If Diego is going to want to

00:14:39I'll call you on the phone

00:14:40And he doesn't even answer me.

00:14:41Okay, then you leave him a message.

00:14:42And you tell him it's very important.

00:14:44Please make peace with him

00:14:45If it's no problem for me, darling

00:14:47Well

00:14:52Come on, let's do it now

00:14:54What you make me do

00:15:03Dad, it's her

00:15:13Lucia?

00:15:16Yes, she

00:15:17No, you're not going to get it.

00:15:18Hey, Dad

00:15:26Hi, Diego

00:15:28I am Lucia

00:15:29How are you?

00:15:31It's been a long time, hasn't it?

00:15:31What, listen

00:15:33I wanted to ask you something

00:15:34But

00:15:34It's not a thing

00:15:37That can be said over the phone

00:15:38So call me

00:15:40I hope you're well

00:15:42Bye

00:15:43Hey, I wanted to ask you something

00:15:49But

00:15:49It's not a thing

00:15:51That can be said over the phone

00:15:52So call me

00:15:54I hope you're well

00:15:57Bye

00:15:57Something that can't be said over the phone

00:16:21That, that, that, what does it mean?

00:16:23Well, that's something you can't say over the phone.

00:16:25Grogui, what are you doing here?

00:16:26Go for a walk

00:16:27Come on, come for a walk

00:16:28The 73 times you've posted the message

00:16:30He's always said the same thing

00:16:31He has to ask you something

00:16:33And coming from her

00:16:34It can't be good.

00:16:35Santi

00:16:35Don't spread rumors, you're wrong.

00:16:37Damn, Fiti

00:16:38Diego

00:16:38Mark today's date in red on the calendar

00:16:42Something you'll never forget in your life

00:16:43Grogui, have a beer

00:16:45What are you saying, Fiti?

00:16:46What are you saying?

00:16:46Ta-da!

00:16:47Lucía wants to get back together with you.

00:16:48Look, Fiti, let's see

00:16:50About those kinds of stories

00:16:52I haven't allowed a single joke.

00:16:53This is not something to joke about, Fiti

00:16:54No games, no

00:16:55Careful, I'm not playing around.

00:16:56Let me tell you

00:16:57I'm at home

00:16:58Giving myself some armpit water

00:16:59I'm going out, and listen to you

00:17:00Asking Lucia please

00:17:02Make peace with me

00:17:03He wants to go home

00:17:03Let's see, let's see, let's see

00:17:04Wait, I don't quite understand.

00:17:05So, Teté was telling Lucía

00:17:07That...

00:17:08What did Lucia say?

00:17:09Well, you weren't answering his phone.

00:17:11But I was going to try.

00:17:12And at that moment

00:17:13I'm sending you a message

00:17:14It's true that he sent me a message

00:17:15I've shown it to you

00:17:16He sent me a message

00:17:17But what are you doing here?

00:17:19Get out of here, man.

00:17:20Go away, it's a private matter.

00:17:21Pussy

00:17:21But it can't be.

00:17:22That can't be.

00:17:23It just can't be

00:17:23You said it.

00:17:24It just can't be

00:17:24So don't get your hopes up.

00:17:26Hey?

00:17:26How are you?

00:17:27You're going to fold these.

00:17:28It's to turn around

00:17:28Turn

00:17:29Santi, don't go down that road.

00:17:30Damn, Lucía is a good aunt

00:17:31Fuck

00:17:32Well, they've had problems.

00:17:33But, but

00:17:34But I knew they would come back

00:17:36Sooner or later

00:17:36Return, return

00:17:37Yes, to return, to return, to return

00:17:39Return, return

00:17:39Go back to what you're being told, Santi

00:17:40I'll come back, let me think for a bit

00:17:42So, let's see

00:17:43Fiti, you're telling me

00:17:44That Lucia

00:17:45What he wants is

00:17:46Which is to say

00:17:47Make peace with myself

00:17:48No, no, no

00:17:49I'm not telling you.

00:17:49I'm sure of it.

00:17:50One hundred percent

00:17:51One hundred percent

00:17:51Clear

00:17:52One hundred percent

00:17:52Okay, so what do I do?

00:17:54What I do?

00:17:54I call her, and if I call her

00:17:56What should I say to him/her?

00:17:56No, no, no

00:17:57Okay, yes, yes

00:17:58That's great that you're meeting up with her, Diego.

00:17:59That you're coming back today

00:18:00Damn it, I'm telling you

00:18:01What are you doing?

00:18:02Take

00:18:03I'll call you.

00:18:05What am I telling you?

00:18:06What am I telling you?

00:18:06Shut up, shut up, shut up

00:18:07Shut up for a bit, man

00:18:08Yeah, fuck

00:18:09Please

00:18:10Leave your message when you hear the signal.

00:18:12Eve

00:18:13Well, I'm Marcos.

00:18:17That, that nothing

00:18:18Only

00:18:19Okay, I know we said

00:18:21That we weren't going to talk for a while

00:18:22But that

00:18:23Nothing, I just wanted to tell you

00:18:24I've arrived in Madrid

00:18:25Okay?

00:18:26That

00:18:26And I haven't told anyone.

00:18:28That

00:18:28We've finished.

00:18:30Okay?

00:18:31Just so you know

00:18:31A little kiss

00:18:32I'll do it to you

00:18:33What's wrong, Marco?

00:18:42Now that

00:18:42I'm blown away by this shit

00:18:45What does the house have?

00:18:45Curro

00:18:46Let's get this over with, man.

00:18:52Here come the CSI guys

00:18:53To take samples

00:18:53And they're blown away.

00:18:54Damn, dude

00:18:55I give up, eh

00:18:56I'm exhausted, brother-in-law.

00:18:57The truth

00:18:58Today

00:18:59Hello, it's true

00:19:00You're brothers-in-law

00:19:00You are TT's boyfriend

00:19:02And you, Eve?

00:19:03I hear

00:19:04Have we tricked you?

00:19:06Brother in law!

00:19:07Come here

00:19:08Guille, Guille

00:19:08You're being a bit of a pain.

00:19:10With the brother-in-law thing already done, right?

00:19:17Did he get angry?

00:19:27Hi, Diego

00:19:28How are you, Lucia?

00:19:29Close

00:19:30Shut it down, shut it down

00:19:31Sit down

00:19:42Sit down, sit down

00:19:42Thank you

00:19:43Well, you look great!

00:19:46Yes ok

00:19:47Okay, fine

00:19:48I made a mom's arm

00:19:49Yeah

00:19:50You're exactly the same as always.

00:19:52Lovely

00:19:54How have these past few months been?

00:20:00Good

00:20:00These months

00:20:01Yeah

00:20:02Good

00:20:03Throwing well

00:20:04Yeah, throwing

00:20:04How are you?

00:20:07Throwing

00:20:07Equal

00:20:08I'm so glad to see you

00:20:12I hope we can finally see each other.

00:20:13Me too

00:20:16I'm so glad to see you too

00:20:17A little wine

00:20:20Perfect

00:20:22So

00:20:23We toast to doing it

00:20:25We provide

00:20:27These are about being clean

00:20:34It's very tiring.

00:20:35Yeah

00:20:35But now

00:20:37Time for bed, okay?

00:20:38Uh-huh

00:20:38See you tomorrow

00:20:40See you tomorrow

00:20:41Marcos, Marcos

00:20:44A vice, a vice

00:20:45Me, me

00:20:47But with tongue

00:20:48Mother

00:20:49Oh

00:20:49Marcos

00:20:55Tell me

00:20:56Do you think things

00:20:58Will things ever be the same again?

00:21:00Like when we were all together

00:21:01Well, I don't know.

00:21:04But I am here

00:21:07Okay, buddy?

00:21:09Hey?

00:21:09Yeah

00:21:10You can't escape

00:21:12No no

00:21:13You, red?

00:21:14No

00:21:14Oh, Marcos!

00:21:17Remove

00:21:17Marcos

00:21:18I have to open

00:21:18No

00:21:19I have to open

00:21:19No, Marcos

00:21:20Hey

00:21:20Okay, fine

00:21:21Time for bed

00:21:22It's tiring

00:21:26See you tomorrow

00:21:28Breaks

00:21:38That's it!

00:21:45No, no, no

00:21:46No no

00:21:47No no

00:21:48Are you staying home tonight?

00:21:50Even you don't believe it.

00:21:51Place

00:21:52I'm bursting

00:21:52Marcos, Marcos

00:21:53The whole team is here

00:21:54Waiting for you at Lou's bar

00:21:55Hey?

00:21:57They haven't been able to change you.

00:21:57Both in Barcelona

00:21:58Come on

00:21:59Get dressed

00:21:59This dress, Raúl

00:22:03Are they offering me anything?

00:22:05Well

00:22:06That's it

00:22:07That's it

00:22:08Like Candelaria

00:22:08I've been wearing it since we resumed

00:22:09The same

00:22:09Little wine

00:22:10I love you very much

00:22:11I love you more

00:22:12How foolish we have been

00:22:13And to

00:22:13Everything that has accumulated for you

00:22:14It's as if

00:22:14Man of little faith

00:22:15What faith?

00:22:16How are they going to give them to the system here?

00:22:18That's not right, man.

00:22:18Here, anywhere

00:22:20Fuck

00:22:20We're going in now

00:22:20It's in the warm-up phase.

00:22:21Otherwise, the panting starts.

00:22:23And cheers for the Virgin!

00:22:24And all

00:22:25Hey

00:22:25Vicky

00:22:26Vicky

00:22:26Hey

00:22:27Hey, congratulations, you little chicks!

00:22:33What the hell came?

00:22:34This needs to be shared among friends.

00:22:35And with Cava

00:22:36No no

00:22:36Fiti

00:22:37Not yet

00:22:38No

00:22:39Okay, okay

00:22:41What has been seen with wine

00:22:42And toasting and that

00:22:42Anyway, he already told her.

00:22:44Me?

00:22:46What did I say to him?

00:22:47Well, that's what I came to tell you

00:22:48Well

00:22:50Well

00:22:52It's not what I thought.

00:22:54But

00:22:55I wanted to let you know I got a job

00:22:56And the day after tomorrow I'm going to Barcelona

00:22:58So

00:22:59Sorry, Lucia

00:23:00Sorry

00:23:00So, you're going to Barcelona

00:23:03Do you mean you're going to live in Barcelona?

00:23:05Yeah

00:23:06Well, I sent a resume to a school

00:23:08And they answered me

00:23:10The thing is

00:23:10It's all very fast.

00:23:11Because a vacancy has become available

00:23:12And they've told me I have to be there the day after tomorrow.

00:23:14Right in Barcelona

00:23:15Little horse like that

00:23:16Well, in Barcelona, Santiago

00:23:18Because I have lived in Barcelona for many years.

00:23:20And there's my daughter Eva.

00:23:20Your daughter Eva is here.

00:23:22And what is not your daughter Eva

00:23:24Because Sergi is there in Barcelona.

00:23:26He's definitely there in Barcelona.

00:23:28And don't be fooled, brother

00:23:30Yeah

00:23:30This

00:23:31He went to Barcelona because of Sergi

00:23:32Because she's very angry

00:23:33Because she is alone

00:23:34Santiago

00:23:35Santiago

00:23:35Don't get so hot.

00:23:36Please

00:23:37Wow, you've really messed things up already.

00:23:38My brother thinks he's very clever.

00:23:39But it's very silly.

00:23:40And he doesn't understand the mass.

00:23:41But that's enough, Santi.

00:23:41That's enough.

00:23:42This is a matter between Lucia and me.

00:23:43Okay?

00:23:43No, thank goodness, Diego

00:23:45Thank goodness

00:23:46Yes, but if Spain is hot, Lucia

00:23:47So, you're going to Barcelona.

00:23:49That's there in Sergi

00:23:50That's strange

00:23:50It's strange.

00:23:51It's strange.

00:23:52It's strange.

00:23:52But that's very strange.

00:23:53I didn't want to talk

00:23:54But I've already said it

00:23:55Okay, that's it.

00:23:55It seems some things never change.

00:23:58Hey?

00:23:59Well, what I wanted

00:24:00It was to talk to you about Teté

00:24:01In private

00:24:03So if you don't mind

00:24:04We're going there

00:24:05And we talked, you and I.

00:24:06In private

00:24:06Yes, okay.

00:24:08He's cheating on me

00:24:11He's cheating on me

00:24:12Wait, damn it

00:24:13He's cheating on me

00:24:17That?

00:24:22Mom, what did she say?

00:24:26Yes?

00:24:28Teté, I'm still thinking

00:24:29This isn't very good.

00:24:30What are you saying, Mom?

00:24:31Because it's really great.

00:24:32What's happening?

00:24:34Nothing

00:24:35Okay, time for bed.

00:24:37You should have seen us

00:24:53It's been like

00:24:55If I see them now

00:24:56There are few of them.

00:24:56To all

00:24:57Okay, fine.

00:24:58Okay, then.

00:24:59It's already happened

00:25:00Calm down.

00:25:01Okay?

00:25:02We sat down for a little while

00:25:03Hey?

00:25:04We sat down for a little while

00:25:05Breathe soundly

00:25:06You calm down

00:25:08That is

00:25:09Now take a little breath.

00:25:11When you show yourself in good condition

00:25:13Tell me what happened

00:25:14That?

00:25:15What happened?

00:25:17For the usual reason, Candela

00:25:18I'm going to talk to Diego.

00:25:19And I end up talking to Orpheus.

00:25:20Ando Nostra

00:25:20Fiti, right?

00:25:22Fiti Santi

00:25:23What they were

00:25:25Diego's choirs

00:25:26You should have seen it

00:25:27It's been spectacular

00:25:28It's been spectacular!

00:25:29I think they've been surpassed

00:25:31In addition

00:25:31And who performed today?

00:25:33The brewers' association?

00:25:34No, leave it.

00:25:35I know.

00:25:36You said Barcelona

00:25:37They said Sergi

00:25:38Mainly

00:25:39If they don't change

00:25:41Lucy, they don't change.

00:25:42Either you take them or you leave them

00:25:43If that's the reason

00:25:44Candela, look

00:25:45And I'm glad this happened

00:25:46Look where

00:25:47Because sometimes doubts come to me

00:25:48And that's how I remember.

00:25:50One of the reasons

00:25:51The reasons I separated from Diego

00:25:52Well yes

00:25:55I would have taken them.

00:25:57And I would have stamped them.

00:25:58At three

00:25:58Come on, brother

00:25:59Let's go home

00:26:00Come on

00:26:01No, I'll tell you.

00:26:02And bring me another aspirin

00:26:03Please, Santi

00:26:03Another aspirin, another aspirin

00:26:04How many have you done now?

00:26:05How many?

00:26:06Santi, I don't know how many I've done

00:26:07But really

00:26:07I prefer to be alone

00:26:08Really

00:26:08Yes, yes, yes

00:26:11Santi, Santi

00:26:12Let's go

00:26:13No, Santi

00:26:13No

00:26:14You have to let yourself go

00:26:14Please leave me alone

00:26:16Let's go

00:26:17Diego, anything

00:26:19We're here, huh?

00:26:20Or anything at all

00:26:21Hey

00:26:23This guy

00:26:25We can't leave him alone.

00:26:25Not a moment

00:26:26Let's see if desperation works.

00:26:27He's going to do something stupid.

00:26:28A silly thing to do

00:26:29Hey

00:26:29He's on aspirin now.

00:26:31Let's see if he gets sick later

00:26:32For another reason

00:26:33Hush, hush

00:26:33Don't say that

00:26:34Yes, that's what my friends said.

00:26:35From Marilyn

00:26:36That he was not capable

00:26:37And then it happened

00:26:37To barbiturates

00:26:38To barbiturates

00:26:39To barbiturates

00:26:41Hey, didn't you have

00:26:44That going to the town

00:26:44What about the black pudding?

00:26:45Of course I had it

00:26:46Of course I had

00:26:47What do I do now?

00:26:47I'll leave you here alone.

00:26:48Yes, and you leave the dead body to me.

00:26:49The brown

00:26:50So what then?

00:26:51So then you take Diego

00:26:53And you take it to the village

00:26:54Hey?

00:26:55Let it get some fresh air

00:26:55Let him eat, let him drink

00:26:56Whatever comes up

00:26:57But think of something else.

00:26:58Good idea

00:26:59Of course, that's a good idea, damn it!

00:27:01And also, look

00:27:01Right now, the three of them

00:27:02We're going to get some black pudding.

00:27:04Are the three of you going for the black pudding?

00:27:05Yes, because I have to go too.

00:27:07For three reasons

00:27:07The first, because Diego

00:27:09He's like my brother.

00:27:10The second reason, because I

00:27:11Damn, I put it in

00:27:12All the birds in the head

00:27:13And the third, because Candela

00:27:14He surely knows.

00:27:15And he's going to cut off my balls

00:27:16So come on

00:27:16The three of them together

00:27:17Road and blanket

00:27:18This guy needs to think

00:27:19On another note

00:27:19He has to go to...

00:27:20Let's talk.

00:27:21Let's go home

00:27:21We take a change of clothes

00:27:22And they're carrying him on.

00:27:23This potato

00:27:30Okay, what's up, man?

00:27:33How are you, man?

00:27:34Hey, how's Barcelona treating you?

00:27:36Good

00:27:36Yeah, dude, dude

00:27:37I had already been told.

00:27:38But I didn't imagine it.

00:27:39It is the symbol of the body

00:27:40I'm coming, I'm coming

00:27:42Hey, that sucks.

00:27:43I'm on duty

00:27:44Are you staying for a few days or not?

00:27:45Yes, yes

00:27:45I'm staying

00:27:45Yeah?

00:27:46So we met up and talked

00:27:47Just a little while

00:27:48Okay

00:27:48Okay?

00:27:49Okay, dude

00:27:49Come on, then

00:27:50Have a good time

00:27:50Careful

00:27:51Pay for your pair of fire

00:27:52See you later

00:27:52Excellent

00:27:53What a mess, right?

00:28:00Have I ever told you

00:28:02My house isn't a giant nightclub, is it?

00:28:03Yeah, dude

00:28:04Yeah, well, if I'm invited

00:28:05From the team, man

00:28:05The thing is, they've invited

00:28:06His colleagues, uncle

00:28:07And they do the same to their colleagues, man.

00:28:09And in the end

00:28:09Look at this amazing party, dude!

00:28:10That's not cool

00:28:12I don't really feel like it.

00:28:13Let's party, okay?

00:28:14And look

00:28:14And I also clean the house

00:28:15Hey, uh, uh

00:28:16You

00:28:17The table, the table, be careful, okay?

00:28:18Uncle, uncle

00:28:19What months ago?

00:28:19I just don't see it.

00:28:20Look at the table

00:28:21Like the...

00:28:21Marcos, uncle

00:28:22Our peers have left

00:28:23Dude, for the first time in the history of the world

00:28:25Dude, calm down a bit

00:28:27Who owns it today?

00:28:29No, no, no, Marcos

00:28:29Okay

00:28:31What's happening?

00:28:38What are you, huh?

00:28:39Already

00:28:39God exists, man.

00:28:41Which?

00:28:43God, who exists

00:28:43There's your proof, man.

00:28:44Look at that peak!

00:28:45That makes me fall in love all over again

00:28:46Hoarse

00:28:47No, no, no, no

00:28:48No, no, no

00:28:49Until the aunt breaks

00:28:51No, no, no

00:28:52So come on, what are you waiting for, man?

00:28:54Let's see, what for?

00:28:55Why, why

00:28:56About what?

00:28:57To get it in, dude

00:28:58To get it in, I

00:28:59Again

00:29:00Clear

00:29:00Come on, love

00:29:02Come on, kid

00:29:03That the kid

00:29:03I turn around, you need me

00:29:04Dude, socialize a little.

00:29:05What have you done, man?

00:29:19That you have scared her away

00:29:20I just smiled at him, that's all.

00:29:21Haven't you said anything?

00:29:24What am I going to say to him?

00:29:25Is this a day off work?

00:29:26No, no, not that.

00:29:27Well

00:29:28Damn, man

00:29:29You're a little bit

00:29:29You're sitting here, huh?

00:29:32Oh, come on!

00:29:33You have to go talk to her

00:29:34Let me introduce myself

00:29:36Then I'll introduce her to you.

00:29:37And then I'll tell you.

00:29:38Oh!

00:29:40On a tray

00:29:40Oh!

00:29:43Yes, I know, I know

00:29:44Okay

00:29:45Hello

00:29:50Hello

00:29:51Hey...

00:29:55Do you study or work?

00:29:58My name is Elena

00:29:58And you?

00:30:04Yes, Diego

00:30:05Pussy

00:30:05You'll see how much fun you have.

00:30:06And they go away

00:30:07All the silly things in your head

00:30:09That

00:30:09Like when we were kids

00:30:11Do you remember, brother?

00:30:12We were there all year round

00:30:13Waiting for the father

00:30:13He brought us here to the farm

00:30:15Do you remember, brother?

00:30:16Do you remember?

00:30:16Yes, I remember, Sandy.

00:30:17I remember

00:30:18Let's sing

00:30:23Like when we were kids

00:30:24Come on, come on

00:30:25Now that we're going slowly

00:30:30Now that we're going slowly

00:30:33We're going to tell lies

00:30:36Tralaras

00:30:36We're going to tell lies

00:30:38Tralaras

00:30:39We're going to tell lies

00:30:42By sea

00:30:45Correna

00:30:45By sea

00:30:48Correna

00:30:49Left

00:30:51Left

00:30:53Left, man

00:30:53Where were you going?

00:30:55Where were you going?

00:30:56Can you tell me where you were going?

00:30:57Look, Sandy

00:30:57You're mostly already touching me

00:30:59Which are the same eggs

00:31:00The GPS is telling you

00:31:01What do I do 20 times on the GPS?

00:31:03What the hell is it?

00:31:04Do you know, GPS?

00:31:05Because of that damn device

00:31:06We've been going around in circles for two hours.

00:31:08I tell him to take her off the hook

00:31:09And it's like you hear it raining

00:31:10I'm going to pee

00:31:11Because I trust the GPS more than I trust you.

00:31:13Damn, you're so stubborn!

00:31:14You have absolutely no idea where to go

00:31:16Trust me, damn it

00:31:17You're an idiot, an idiot.

00:31:19And for trusting you

00:31:20Look, look, look at how my brother is doing

00:31:22And also

00:31:23Who has been to my friend's farm?

00:31:24The GPS fled

00:31:26Hey?

00:31:27You've really gotten on my nerves.

00:31:28I'm going to tell you something

00:31:29Are you going to drive?

00:31:29Of course I behaved myself

00:31:30Look, see if it's closed.

00:31:43Remember, turn

00:31:49Remember, turn

00:31:51Come on, we have to fit, man

00:31:52There has to be room

00:31:52Stay strong, don't force it.

00:31:54Come on, easy.

00:31:55Come on, boat

00:32:25Good morning, Candela.

00:32:30Wow, this is coffee.

00:32:33Mmm, buoy environment.

00:32:34To remove a matte paper.

00:32:36Sayonara. Did he tell you?

00:32:38She loves the smell of coffee in the morning.

00:32:40But the truth is, with a little bit of a Santa Justa accent, right, Mom?

00:32:42Oh, thank you. You're one of a kind, always giving encouragement.

00:32:45Have you packed your bags yet?

00:32:46No, I still have a couple of things left.

00:32:48Okay, enough with the criticism, let's finish it.

00:32:49From here we go to school, from school to Diego's house.

00:32:53And what about?

00:32:55Oh, how awful. My Catalan is really rusty, I mean really rusty.

00:33:02Why are you looking at me like that?

00:33:03Because you're acting strange.

00:33:06Strange?

00:33:07Well, what worries you most this morning is precisely your Catalan accent, isn't it? That's strange.

00:33:11Look, Candela, my classes are in Catalan. That's normal, right?

00:33:14They're not strange either.

00:33:14Yes, yes, yes, it's done.

00:33:17Hey, Lucy.

00:33:18I haven't told you anything before because...

00:33:20Because, well, you know I'm a woman of infinite prudence.

00:33:23And because, on the other hand, I thought you were going to tell me, to be honest.

00:33:27But wait, are you sure about what you're doing?

00:33:30Well, I think I'm safe.

00:33:31But who is one hundred percent sure?

00:33:33Besides, Candela, I can't be rethinking my life for five minutes, can I?

00:33:37That's it.

00:33:39Did the bathroom clean it up?

00:33:40Bathroom supplies?

00:33:41Yeah.

00:33:41And what about the clothes we washed yesterday?

00:33:42I'm sure you've forgotten.

00:33:43No, Mom, I haven't forgotten.

00:33:44Calm down, for God's sake, you're panicking.

00:33:46Listen, I'm going to call Diego very often.

00:33:49But please, for now, tell them that that diet of sausages and frozen pizza isn't for you.

00:33:53Go ahead, Mom.

00:33:54Calm down, I know how to take care of myself.

00:33:58Who knows how to take care?

00:34:00But that's a little girl.

00:34:03Hey.

00:34:03You still have time to come with me and change your mind.

00:34:10Already.

00:34:11And you too?

00:34:33Okay.

00:34:52That?

00:34:52Did we oversleep a little or what?

00:34:55Run, up, up.

00:34:56Get up, get up, get up!

00:34:58Son, I don't think you've ever seen a baby goat.

00:35:00Is my boyfriend there?

00:35:01Your boyfriend.

00:35:02Your boyfriend.

00:35:03Are you looking for Raúl, Fri?

00:35:06Yeah.

00:35:07Hey?

00:35:09Okay, okay.

00:35:12What's in the living room?

00:35:13In the living room?

00:35:14Well, I don't know.

00:35:15We'd have to look into that.

00:35:16Well, it's in the living room.

00:35:17My mother, aunt, my mother.

00:35:18But, Raúl, what do you want, little monster?

00:35:19No, shut up, shut up, shut up.

00:35:21My mother is a real old-fashioned shovel, like the one in Psycho.

00:35:23You know it's better if I don't see you here.

00:35:26Listen, when I tell you now, you go outside and go upstairs, leaving a trail of milk, okay?

00:35:31Is your living room full of naked women?

00:35:33Yes, naked women.

00:35:35You're so horny, girl.

00:35:40Okay, come on, you idiot, tell me.

00:35:41Marcos, what the hell are you doing?

00:35:57Hi, Churri.

00:36:02Look, you, Raúl.

00:36:03What a scene, what a scene, because the football team came.

00:36:07We chatted here until very late and it got late and all that, but...

00:36:11You've got it, what's wrong, Churri?

00:36:14Me?

00:36:15Hey?

00:36:15Nothing.

00:36:18I'm going to wash up, okay, I'm wearing yesterday's underwear.

00:36:22What do you say?

00:36:23If it weren't for the GPS, we'd be in Chechnya right now.

00:36:26You're so stubborn.

00:36:27He's the big-headed one, he's the big-headed one.

00:36:29The problem is that the roads have changed a lot.

00:36:33The farm is still the same.

00:36:35Hey, Diego?

00:36:36Hey?

00:36:41Come on, Diego, you're going to have a good time here, aren't you?

00:36:43With his little blood sausage, his little wine, his such and such.

00:36:46The problems in Santa Justa, there.

00:36:47And here we are to have some fun, right?

00:36:49Do you remember when we were kids and we used to run around here playing and frolicking with Rogelio and the sticks?

00:36:54The sticks!

00:36:55Do you remember?

00:36:58Go out, Diego.

00:36:59Damn, I always have to be the one to pick her up, Santi.

00:37:01Because?

00:37:01Because I say so.

00:37:02Two, three, four, five, six, seven, eight, nine and ten.

00:37:07I'm coming!

00:37:13Damn, Amparines, you hid really badly.

00:37:16Already.

00:37:17Come on, give me a kiss.

00:37:21Leave.

00:37:23Bye bye.

00:37:23How are you, Marta?

00:37:26How are you, Marta?

00:37:27How are you, Marta?

00:37:29How are you, Marta?

00:37:30How are you, Marta?

00:37:31How are you, Marta?

00:37:33And what could have happened, Amparines?

00:37:34Because I would be thrilled to see her.

00:37:35Well, don't worry, man, you're going to see it.

00:37:38Rogelio told me that he lives here with him.

00:37:40She probably already has a ton of kids and is a real handful.

00:37:44That's for sure.

00:37:45A little kiss.

00:37:46Well, that's it, that's all.

00:37:55Hey Marco, I'd stay and help you, man, but you know what?

00:37:58No, no, don't worry, man.

00:37:59No, go away, go away.

00:38:01Okay, let's go.

00:38:01Bye.

00:38:01Elena?

00:38:09Elena?

00:38:11Elena?

00:38:13Elena?

00:38:14Elena?

00:38:14And that's why my name is Elena with an H.

00:38:16Elena?

00:38:17On the Tuella side.

00:38:19Hey, did you see the coolest one?

00:38:20Watch out for Maré's horse.

00:38:22How cool.

00:38:23Work, work, work.

00:38:24Are you standing there in your pajamas?

00:38:25Come on, we've fallen asleep.

00:38:27Come on.

00:38:27Okay.

00:38:27Come on, go ahead.

00:38:28See you later.

00:38:28See you later, work.

00:38:29Wake up, Guille, okay?

00:38:30Hey, has Raúl's mother left yet?

00:38:33Ra's mother...?

00:38:34Yes, yes, yes, yes, yes, yes, of course.

00:38:35So, Raúl's mother has already left, yes.

00:38:37And Raúl too.

00:38:40If you don't mind, it's because we don't have to go to school.

00:38:43Ah, yes, yes.

00:38:44Sorry.

00:38:44I'll go with you.

00:38:45Sure, sure.

00:38:49Nothing, see you later, buddy.

00:38:50See you later, it was a pleasure, huh?

00:38:56Guille.

00:38:58Guille.

00:38:58The countryside depresses me too, damn it.

00:39:00Everything you want is very nice.

00:39:01There are only bugs around, nothing ever happens.

00:39:04Seen and goodbye, Santiago, but I already thought you weren't coming.

00:39:07The promised debt.

00:39:09Look, look, look who brought you here.

00:39:11Oh, hello.

00:39:12Rogelio, damn it, it's me, Diego.

00:39:15Damn, Diego, I didn't even know you existed, for crying out loud.

00:39:18Come here, you bastard.

00:39:19How are you?

00:39:20Amparines, look, he hasn't come anymore.

00:39:22How are you, Amparines?

00:39:23Of course, it's coming out now.

00:39:24Look, you're still a kid.

00:39:26Well, a kid, you don't stay.

00:39:27Diego!

00:39:27Look.

00:39:28How are you, Amparines?

00:39:30How long?

00:39:32Amparines is inclusive.

00:39:34And no cow-donkey thing, she's already having a nap.

00:39:38No, it's already done, man.

00:39:40Santiago.

00:39:41Oh, how nice.

00:39:41Wow, you look so handsome!

00:39:44Well, handsome, no.

00:39:45What a huge workshop!

00:39:46Long time no see, huh?

00:39:47You're doing great, huh?

00:39:48Well.

00:39:49That?

00:39:49Did you get married, Amparines?

00:39:51She's getting married.

00:39:52Many have been tempted, but I've already put them off.

00:39:55Amparines is where she should be from here, at home, with her brother, right Diego?

00:39:59Oh no, oh, this, this is the real Spain, man, at least there's some text here.

00:40:04Be quiet, be quiet, be quiet, be quiet.

00:40:06Okay, if you want, let's take a walk around the farm, and while we're at it, you can choose the pig for me, right?

00:40:09Well, what we talked about yesterday.

00:40:11What we talk about now too, right?

00:40:12Come on, let's go, you have a lot to tell me.

00:40:14Yes, of course, of course.

00:40:15So, how's it going?

00:40:17Yes, hello, how are you?

00:40:18Hey, what?

00:40:19That?

00:40:20Look, Camila, I hate goodbyes, so we're not saying anything.

00:40:24I teach the class normally, and at the end, when I finish, I tell them that I'm giving myself a point.

00:40:27Okay, please, I'll pay you tonight.

00:40:31Business!

00:40:35The, the, the...

00:40:37Lucía, we're going to miss you a lot.

00:40:39Well, so what...

00:40:43And I'm really sorry we didn't take full advantage of being sisters-in-law and all that...

00:40:46Okay, okay, we're not going to say it with a tear in our eye, I just got here, okay?

00:40:49Come on, now you all kiss her.

00:40:50He's going to have his sandwich.

00:40:51I'm going to kill you.

00:40:52Kill.

00:40:53Suki!

00:40:57Suki of what?

00:40:58We'll talk later, you and I.

00:41:02What's wrong with him?

00:41:03No, nothing, the snooze is fine, it's regulating or something.

00:41:07I'm going to the bathroom, okay?

00:41:08Okay.

00:41:27Frame!

00:41:28Let's see.

00:41:30What are you doing here, dude?

00:41:31Well, there you have it, here I am, I've come.

00:41:34Bowling alley, do me a favor, man.

00:41:35Dude, come here, come here.

00:41:36Why don't you tell Raúl to go out, but without Lucía finding out, like...

00:41:40Hey?

00:41:40Raul, go outside.

00:41:43Because?

00:41:43Come out, Lucia, I can't get there any earlier.

00:41:46I've already seen you.

00:41:46Because it already has a bit of my sister's hair.

00:41:48What's happening?

00:41:49He lost a molar before he was here, something like that.

00:41:53What's up, dude?

00:41:53Will you come in and say hi to your family?

00:41:54No, no, no.

00:41:55Because?

00:41:55Why not, come on, go on.

00:41:57What's up, Marcos, dude?

00:41:59A bit gray, huh?

00:42:01Grispao.

00:42:02Yeah.

00:42:02Maybe it's because this morning I deleted your girlfriend's messages so badly you wouldn't believe it.

00:42:05That's true, and you've really gone overboard, haven't you, Marcos?

00:42:07Sit down.

00:42:08What did you want, man?

00:42:09Hey?

00:42:10What did you want?

00:42:10Did she catch you with that woman?

00:42:11I was heading straight to the living room.

00:42:12Okay, okay, okay, Marcos, dude.

00:42:13But there are other ways, you know?

00:42:15You could...

00:42:16You could have tripped him up.

00:42:18Trongo?

00:42:20Okay, okay, it's fine.

00:42:24Thank you.

00:42:26You are welcome.

00:42:28What do I say now?

00:42:30Because I have something to say to Africa.

00:42:34Well, tell him, tell him...

00:42:35Tell him that the morning confuses you.

00:42:37Dude, tell him he won't say it and he'll be perfectly fine with it.

00:42:39Yes, and you hook up with another girl and you're perfectly fine with it.

00:42:41No, no, no, no, not so wide, no, not so wide.

00:42:42No, no, no, no, no, this time it's not just my fault, man.

00:42:45Know?

00:42:45Dude, I practically went to ask him for the time, you know?

00:42:48Marcos, dude, he jumped on my neck, you know?

00:42:53Okay, yeah, dude, that's a jerk.

00:42:55What did you want me to do to him?

00:42:55Well, I don't know, but I don't understand you.

00:42:57Well, dude, I'm a Martinez, Marcos.

00:42:59Know?

00:43:00She's a stunner and Martínez is even more of a stunner...

00:43:03Well, marzipan.

00:43:05You know, man, it's a perfect storm.

00:43:07Eat, dude.

00:43:08Don't mess with me, no, no.

00:43:12Afri!

00:43:13Afri!

00:43:14One moment.

00:43:16Am I going to talk to her?

00:43:17Yeah.

00:43:17Okay, what should I come up with?

00:43:19Marzipan.

00:43:20Luck.

00:43:24Well, we can...

00:43:25Talk.

00:43:29Well, look at this one, how beautiful.

00:43:32Go over there, so they can see you.

00:43:33Go over there.

00:43:35You'll see more beautiful pigs than these in your life, man.

00:43:38Is it wrong?

00:43:40No, it's just a bit unpleasant for the sense of smell, but I'm getting used to it, right?

00:43:44This one, who is not a country man.

00:43:46But my brother and I are having such a great time.

00:43:49Look, look how downcast I am and how well we're getting through this now, huh?

00:43:52Of course, because when you see the people you care about again, it's a feeling of hope, right?

00:43:55Okay, Rogelio, how's the business?

00:43:58The business is very simple, Santiago.

00:44:00You choose a pig for me and we'll kill it for you, start it for you, heal it, and take it to the tavern.

00:44:05No, Rogelio, we've already talked about that.

00:44:08We are very happy with the suppliers.

00:44:09We're only interested in black pudding.

00:44:12You'll tell me this when you try our products.

00:44:15For now, go ahead and choose the pig you like best.

00:44:17Amparines, come this way.

00:44:19Let's prepare these gentlemen, get out of here, pig.

00:44:21Let's prepare some trays with household items for these gentlemen.

00:44:25You'll see.

00:44:26I'm going to give him his first baby food, you'll see.

00:44:28Yes, it has the flavor, which is the fifth, not the flavor.

00:44:30Yes, a stickler, so what do you like, black pudding?

00:44:33Okay, brother, let's say it.

00:44:35Look, look, look at this beautiful thing.

00:44:39And that's the one in the background?

00:44:41I had to look in time.

00:44:43The animal, yes.

00:44:44It seems like he understands you, but I can't explain who can kill a heat.

00:44:48I am Genaro.

00:44:52The butcher.

00:44:55Look, Africa, I need to talk to you because something very strange happened this morning.

00:45:00Yeah.

00:45:01And as my friend, I owe you an explanation.

00:45:03And I'm going to give you that explanation I owe you.

00:45:07Good.

00:45:08I don't know what happened to me.

00:45:12I was confused.

00:45:13I was just confused.

00:45:14Confused?

00:45:14Yeah.

00:45:15Confused why?

00:45:18Well, more than confusion, it was like a...

00:45:23Like a mental breakdown, you know?

00:45:25He was like he was possessed.

00:45:26Tell me something, Marcos.

00:45:28That?

00:45:29Did you take any drugs last night?

00:45:30No.

00:45:31No.

00:45:32Yes, or yes.

00:45:34That's what...

00:45:34Someone slipped something into my drink and I didn't realize it, and that's what made me...

00:45:38Son, what a friend I have.

00:45:44Hello.

00:45:47Hello.

00:45:50What are you doing here?

00:45:51Nothing, I just wanted to see you again.

00:45:55And that since this morning I've stopped thinking about you.

00:45:59Yes, yes.

00:46:01Me neither.

00:46:03Uh, no, no, no, Elena.

00:46:04Dude, tone it down a bit, my mom might come.

00:46:05Your mother again?

00:46:06But what's happening?

00:46:07It's stalking you.

00:46:07No, no, my mother works here.

00:46:10My mother has a position of responsibility here, you know?

00:46:12I mean, they know me here, auntie.

00:46:13I know.

00:46:14Benchmark.

00:46:15I promise you, I promise you that I will never kiss you again in my life.

00:46:18Well, kisses yes.

00:46:19Because?

00:46:20Because there is affection, but no language.

00:46:21No no.

00:46:22Okay?

00:46:23Don't worry.

00:46:23Marcos, what the hell is wrong with you, dude?

00:46:31No, no, no.

00:46:35I kill.

00:46:37I kill.

00:46:38Okay, guys, you have to promise me one thing.

00:46:40And that's because you're going to take care of it.

00:46:41Come here.

00:46:42All.

00:46:43Is that clear?

00:46:45Let's come here.

00:46:47I'm going to miss myself and everything, you know?

00:46:51Lucia.

00:46:53Look.

00:46:53You know, well, I care about you a lot.

00:46:58And, well, among other things, you were my first love.

00:47:01And those things make us forget, don't they?

00:47:03And, well, I love you.

00:47:05Well, they're not going to crush you, man.

00:47:07Hey, pen.

00:47:08Hey, pen, dude.

00:47:08What do you do?

00:47:10I don't want her to leave.

00:47:13Yeah, not me either, worker.

00:47:14But I can't convince her.

00:47:15That's right.

00:47:16And then we'll see the handles back home?

00:47:19That?

00:47:20Happy?

00:47:21Hey?

00:47:23A rich man, I've changed him, Rogerio.

00:47:27I'm warning you, you're not going to convince me.

00:47:29Our deal was only with the...

00:47:30with the black puddings.

00:47:32A little more spoon-cooking?

00:47:33No, I'm already satisfied.

00:47:34Satisfied?

00:47:36I know how to leave you satisfied, I really do.

00:47:38Dude, you're looking at another business, but look at the food, I also have goats, you know?

00:47:41A beautiful egg, you know, you've seen it.

00:47:43Amparine, pick all this up, go on, and bring the fruit.

00:47:46Come on, I'll help you.

00:47:47Where are you going?

00:47:49Sit down, man.

00:47:49In this house, guests don't work.

00:47:51Pyx.

00:47:52Yes, go ahead.

00:47:52I'll help you.

00:47:53Come on, Aro.

00:47:56How's your Amparine?

00:47:58She looks strange, doesn't she?

00:47:59You've seen it.

00:47:59You seem very comfortable with the stranger, Amparine.

00:48:02And you know how bad-tempered I am.

00:48:03My brother is the one with the bad temper.

00:48:04You'll see how he finds out we're flooded.

00:48:07Well, I'll let you know.

00:48:11He told me he knows how to satisfy me, he really does.

00:48:15What do you think he meant?

00:48:17Well, maybe he meant that he's going to give you a little foot massage.

00:48:20Don't mess around, come on, Diego.

00:48:21No, no, no, no, no, don't laugh, don't laugh because Amparine doesn't go that way, man.

00:48:24That's not the way to go, damn it.

00:48:25I'm not getting married, I know about this stuff, damn it.

00:48:27This will knock all your nonsense out of you, Diego.

00:48:29No, don't give it to me, don't give it to me because you're very clever.

00:48:31You know everything, don't you?

00:48:32You also knew we were going back home, didn't you?

00:48:34Diego, you're coming with me now, okay?

00:48:37I want to show you something.

00:48:40Well, now...

00:48:42Fiti, who Amparine says wants to show us something.

00:48:44Okay, okay, I'm going to show you something.

00:48:46I'm going to tell you one thing, and only one thing.

00:48:48Diego, you're screwed.

00:48:53Can?

00:48:54Yeah.

00:48:56Oh, Marcos, well done!

00:48:57Hello.

00:48:58What are you doing here in Santa Justa?

00:49:00You see.

00:49:00I've spoken to Eva and she hasn't told me anything.

00:49:01Well, nobody has told me anything.

00:49:04I didn't know that.

00:49:05Are you staying long?

00:49:07I don't know, I don't know yet, to be honest.

00:49:09Thank you, my little hat.

00:49:11My love.

00:49:12So, how was Barcelona?

00:49:13How is my little girl?

00:49:14Okay, it's there.

00:49:15Hey, wait a minute, I'm going to put this in.

00:49:16You know I'm moving in tomorrow, right?

00:49:18Well, I didn't know that, to be honest.

00:49:19Yes, I'm staying until the end of the school year.

00:49:21Then I'm going back to Barcelona.

00:49:23Okay, little hat, help yourself, okay?

00:49:27What's happening?

00:49:29Well, since you don't know that you're going to have a mother-in-law to bore you to death, because I'm moving to Barcelona.

00:49:34And I plan to be at your house every day, bothering you all.

00:49:39Are you kidding me, you idiot?

00:49:40Well, for God's sake, Marcos, right?

00:49:41What's the matter?

00:49:46Nothing.

00:49:47Well, I'm leaving, I have to go.

00:49:51I've arranged to meet the grogu who's alone in the tavern.

00:49:53Okay, but I'll give it to you, come on.

00:49:54It's good to see you, huh?

00:49:56Burrito!

00:50:02Alpi tells me, wait, wait, I'm going to go for it, okay?

00:50:04And then I'll introduce her to you.

00:50:06And what introduced you to her?

00:50:07Ah, at five in the morning, while I was kissing everyone.

00:50:12I mean, honey, we usually see Marcos for a little while, we never see him.

00:50:15Hey, Marcos!

00:50:16Raúl, Raúl, what?

00:50:19We need to talk about something.

00:50:21One thing?

00:50:24What thing?

00:50:24One thing, sit down.

00:50:28Shit, you know about yesterday, shit, shit.

00:50:30What I do?

00:50:31Think, think, Raúl, think.

00:50:33Deny it, deny it, that's it, deny it.

00:50:35Okay, babe, okay, don't look at me like that, damn it, you're scaring me.

00:50:39Raul.

00:50:42Marcos kissed me.

00:50:45Come on, damn it, that's it, okay, fuck.

00:50:48So what?

00:50:48Did he kiss you?

00:50:50Twice.

00:50:55But little kisses like that...

00:50:57Screw-on.

00:51:00I can't believe you.

00:51:01I think he's losing it.

00:51:11A beer, babe.

00:51:12But hey, Raúl, it doesn't bother you.

00:51:15What bothers me?

00:51:16Does it bother me?

00:51:17Churri, of course it bothers me.

00:51:18Damn it, what do you want me to do, go there now and make a scene in the middle of the tavern out of jealousy?

00:51:22Hey?

00:51:23You're a pig, dude, and a swine.

00:51:25And I won't break your face because...

00:51:27Raúl, relax.

00:51:27Calm down, calm down, leave me alone...

00:51:29Marcos, so what am I supposed to do now?

00:51:32Because I imagine that at some point I will see Eva.

00:51:34What I do?

00:51:34I can't pretend like nothing happened.

00:51:36So, what face does he make at Eva now, huh?

00:51:38Tell him, what face does he make?

00:51:39Sure, what do I have to do?

00:51:40Should I tell him or not?

00:51:41Does he tell her or not?

00:51:42Well, tell her whatever you want, okay, Africa?

00:51:45Because Eva and I have broken up.

00:51:47Are you going calmly?

00:51:51Marcos, dude, wait.

00:51:52We're screwed, Marcos.

00:51:53Marcos, uncle, uncle, uncle.

00:52:23Marcos, uncle, uncle, uncle.

00:52:27C'est pas pourquoi je t'aime, je t'aime

00:52:33C'est l'amour, c'est l'amour

00:52:36Je ne sais pas pourquoi je t'aime, je t'aime

00:52:43C'est l'amour, c'est l'amour

00:52:56Je ne sais pas pourquoi je t'aime, je t'aime

00:53:24Currito, what are you doing there in silence?

00:53:27Nothing

00:53:27Oh, oh, oh, oh, oh, oh

00:53:31Okay, tell me

00:53:34What's the matter?

00:53:36Nothing, tell me about it

00:53:37Nothing, nothing

00:53:38Why do I have such bad luck with mothers?

00:53:43Decided

00:54:06We'll take this grain from Luritas and the kids

00:54:08And we came here to spend 15 days

00:54:10Hey, Diego?

00:54:11I don't know, Santi, I don't know

00:54:12I don't know, I don't know

00:54:13But if this gives you life, man

00:54:15What gives him life is Lamparines, who has me in his sights.

00:54:17We're back again

00:54:19No, Fiti, damn it, no, no

00:54:20What's wrong with you is that you're looking with a dirty gaze

00:54:23What a dirty look, damn it!

00:54:24Are you telling me?

00:54:25Damn, she put her tits in your face

00:54:27He told you that he was going to leave you satisfied.

00:54:28Well, yes, that's true, that has happened.

00:54:30Do you know why?

00:54:31Because she has always been very outgoing and flirtatious.

00:54:33But from that to things escalating, well, no.

00:54:35Well, we have to take things to the next level, we're taking things to the next level

00:54:37Because she's very resourceful

00:54:39And you always liked it

00:54:40But I liked Santi when I was 12.

00:54:42But don't realize that I'm not there, damn it, I'm not there

00:54:44That my wife is going to leave me for good.

00:54:46I'm going to lose her forever, damn it

00:54:48But do you believe that I can

00:54:49But not with Lamparines or Julia Robes, damn it!

00:54:51Diego, I'm going to tell you something, okay?

00:54:53Damn, at least you got rid of the big stuff.

00:54:55Damn, he hasn't gotten laid in six months.

00:54:58It can't be good.

00:54:58I love Lucía very much

00:55:00But, but, where is Lucia?

00:55:01Road to Barcelona

00:55:02And Lamparines, where is Lamparines?

00:55:04Lamparines is there

00:55:05There, there

00:55:07Look, to put it bluntly

00:55:08One nail drives out another.

00:55:09And the depression and sadness that you have

00:55:11I don't think it's depression or sadness.

00:55:12I think you have a traffic jam there.

00:55:14What we were talking about

00:55:15But, but, but, but, but

00:55:16Look, but look how pig Fiti was!

00:55:17But what is it attacking?

00:55:17What is the traffic jam saying?

00:55:18This isn't a physical thing, no

00:55:19The body is relieved, you're right about that.

00:55:21This is from the soul.

00:55:22Does the concept of the soul ring a bell, Fiti?

00:55:23Does the concept of the soul ring a bell for you?

00:55:26I have, Fiti

00:55:27Okay, okay, let's leave it at that.

00:55:30Let's leave it at that, or we'll end up in trouble.

00:55:31We fell asleep

00:55:32But I'm going to say one thing first.

00:55:33There won't be anything in Tramparines and me

00:55:36Because?

00:55:36Because I'm not up for it.

00:55:37And neither did she.

00:55:38Diego

00:55:39Diego

00:55:41Streets like whores, street

00:55:42Diego

00:55:44Open it, please

00:55:45Where is he, man?

00:55:47He knows we're here.

00:55:48See what he wants

00:55:49Too good to know what you want

00:55:51Don't fall for it, damn it!

00:55:56Look

00:55:56It seems he's gone

00:55:58For today

00:56:00Let's see

00:56:01To avoid continuing with this

00:56:03If you leave me tomorrow

00:56:06A second alone with her

00:56:07Os capo

00:56:08To both of them

00:56:09Is that clear?

00:56:10Look at that

00:56:11Time for bed

00:56:12Time for bed

00:56:13Damn, Diego

00:56:20You're such a playboy

00:56:22Go away, box!

00:56:23Go to sleep, Diego!

00:56:24Let's leave them alone!

00:56:25Let's leave them alone!

00:56:25Don't push me!

00:56:26Let's leave them alone!

00:56:27Let's leave them alone!

00:56:27What's up, dude!

00:56:28Let's leave them alone!

00:56:29Be quiet!

00:56:56Good morning.

00:57:02Hello.

00:57:23What's the matter?

00:57:26Come on, what's wrong with you?

00:57:30What else could you expect?

00:57:32Because I feel guilty, Candela, because I do everything wrong.

00:57:38I try...

00:57:40I don't know, that...

00:57:41I hurt the people I love and...

00:57:44No, Lucy, don't be silly, okay?

00:57:46Don't make a big deal out of it; you're not doing anything to him.

00:57:48No, Candela, that's how it is.

00:57:49I try to do things right, but it doesn't matter.

00:57:51I always mess things up, and I always mess them up even more.

00:57:53I stop seeing Diego so he doesn't suffer, and he goes and suffers even more.

00:57:56And not only that, but on top of that we have to put up with the children.

00:57:58No, let's see.

00:57:59This is like a snowball that won't pay off, and I don't know what to do with the kids anymore.

00:58:01Don't beat yourself up.

00:58:02Don't beat yourself up.

00:58:03You're not in a good mood either, are you?

00:58:04Well, don't put too much pressure on yourself.

00:58:05Yes, Candela, but you can't be the mother of children for two and a half years.

00:58:08And after I stopped being his mother, damn.

00:58:11I just see them at school in passing, and that's all.

00:58:14And that's not it.

00:58:15Clear.

00:58:16And that's not being a mother.

00:58:17No no.

00:58:18After everything these kids have been through, damn it, we both know it.

00:58:21Do you know what Curro told me yesterday?

00:58:23What did Curro tell you?

00:58:25And why were you so unlucky with mothers?

00:58:32Fuck.

00:58:36Open it!

00:58:40Grandmother!

00:58:48Oh, hello, Candela.

00:58:49Hello.

00:58:50Daughter, what...

00:58:54Well, I don't want us to be angry.

00:58:56So...

00:58:58Give me a kiss and go to Barcelona with my blessing.

00:59:01Very!

00:59:04Very!

00:59:05Very!

00:59:06Very!

00:59:07Very!

00:59:08Very!

00:59:09Very!

00:59:11Very!

00:59:13Very!

00:59:14Very!

00:59:15Very!

00:59:16Very!

00:59:17Very!

00:59:18Very!

00:59:19See you later, come on.

00:59:20Very!

00:59:21Very, let it go, exalt it!

00:59:22And we're going after the pig.

00:59:23Very good!

00:59:25Ah!

00:59:26Ah!

00:59:27Okay, so what do you do with the pig?

00:59:29Do you give it anesthesia or something before killing it?

00:59:30or something before having to say that an outbreak of angina is a massacre

00:59:37The slaughter, as it always goes, has been very intense, damn, my brother already has it difficult, I don't know.

00:59:45It won't come off, not even with hot water, it doesn't need to be removed, doesn't she realize that

00:59:54If he lets himself go a little with her, he'll get a really good high.

00:59:58What we're going to do is, if he doesn't want to, he doesn't want to because he's obsessed with Lucia, but

01:00:03Lucia's not here, damn it, Lucia's not here, and he needs to keep living and he has no energy, and what else matters?

01:00:08energy in life the bench not caliqueño there you have it amparines caliqueño high self-esteem

01:00:15If he doesn't want to, what can we do? We can't do anything. If we can, we can and we must, we have to.

01:00:20to encourage leaving him alone, damn it, if Amparines looks how he's handling it, he's handling it very well, he's always liked it

01:00:25My brother used to be very, very, very handsome, so here we are.

01:00:30sorry, sorry, wait, my stomach got upset when I mixed the

01:00:37Orange with the coffee and that's it, I'm going to go lie down in the room for a moment, you guys stay here with

01:00:41amparines

01:00:44Amparines, why don't you go with Diego? He might need something in his room, I don't know, maybe he wants

01:00:52being alone

01:00:52protection without sugarcoating

01:00:56I mean, he's putting on a show.

01:00:58He's putting on a show.

01:01:00I'm going there so you can go and see if he needs water and take care of him.

01:01:04You understand that everything needs to be explained, women.

01:01:06come

01:01:09Hey Amparines, hi, how are you? Good, what are you doing? What are you doing? No, calm down Amparines, calm down

01:01:26Leave it.

01:01:26Diego, don't say anything, just get naked.

01:01:29But how am I going to get naked, woman? Can we talk about this or not? No, no, no, this can't be.

01:01:33yes you can

01:01:34give yourself

01:01:36dándate patamarines tópate

01:01:40I think I've been locked out here, damn it

01:01:43Open up, you bastards, open up!

01:01:45Open up, you bastards!

01:01:47Don't worry, Amparines, I'll come out here.

01:01:49peaceful

01:01:50I want the door downstairs, open it for me

01:01:52There's your brother giving it his all.

01:02:02But what a pig!

01:02:04no way

01:02:05Santi Santi

01:02:06Hey, I'm going through this holocaust of the bug that I'm going through

01:02:09belindre is a belindre

01:02:11Pussy

01:02:13She put it in the microwave and it exploded.

01:02:19I swear to you

01:02:21Hey

01:02:22that

01:02:24Why would you miss this?

01:02:27Yes, the truth is that I do miss it a little.

01:02:29Hey, forgive me for what happened yesterday, I was a little rude.

01:02:34Okay

01:02:35Well, especially with you, Afri

01:02:36I'm sorry

01:02:37Hey, no, no, don't worry.

01:02:38I understand.

01:02:39Hey

01:02:42I understand it too.

01:02:44Well, I hope nothing bad happens, even though we've separated, but it'll pass.

01:02:48Okay

01:02:51I'm not the first, I won't be the last

01:02:55But why?

01:02:59Hey

01:03:00I don't know

01:03:01because already

01:03:02I don't know

01:03:03Eva is there in her city with her friends, and she's speaking Catalan all day long.

01:03:08And I don't speak Catalan.

01:03:09Well

01:03:12because

01:03:13Because Eva is at university all day and I was home alone, and by the time I got there I was already drunk, even in a bad mood

01:03:20And no, it didn't work.

01:03:24But boy, did we end up on good terms, huh?

01:03:26no

01:03:27I just don't like to talk about it much because it's recent and because

01:03:32Well

01:03:33It's normal.

01:03:34It's normal that you don't feel like it, but

01:03:36Just so you know, Raúl and I are here to listen and support you whenever you feel like talking about it.

01:03:41I'm going to

01:03:42Now let's see

01:03:43Yeah

01:03:44I guess everything's working out, but wow

01:03:47No

01:03:49you had to see yourself

01:03:54and you to me

01:03:55Hey

01:03:56No, I look, eh eh eh

01:03:57Elena, this can't be happening!

01:03:59What's wrong? Didn't you like it?

01:04:00yes yes yes yes

01:04:02if you like baby

01:04:03I like them a lot if you are a

01:04:05a stunner, but even though no, even though no, even though no

01:04:08Do you have a girlfriend?

01:04:10Hey?

01:04:11Hey?

01:04:12Isn't that right?

01:04:15You're the typical guy who has a girlfriend and goes around charming other women.

01:04:18No, no, no, you say no, that I don't make anyone fall in love.

01:04:22Yes, me too.

01:04:23no no no no not you either not you either

01:04:25No, you're mistaken or something, it's just that this was one night, Elena, you know.

01:04:32Damn, I know that my sesapil thing is something that's just there

01:04:36Yes, she knows, but from that to love, Elena

01:04:39I was just a one-night stand, wasn't I?

01:04:43Yes, yes, it's not you.

01:04:46Yes, it's me.

01:04:47Elena, you know, I mean

01:04:51that you're too good for me

01:04:53Do you know if I don't deserve you?

01:04:56But I have to decide.

01:04:58and I've decided that I love you

01:04:59Okay, let's have a kiss

01:05:00No

01:05:01Elena no no

01:05:02no

01:05:04no

01:05:05It's over

01:05:06Okay, don't come back to school.

01:05:08What I'm telling you, Santiago, is that there's no need to butcher it like Genaro does; he's an artist with a knife.

01:05:25And Lamparines, where is he?

01:05:27Have you seen my sister?

01:05:29I?

01:05:31Where could she have gone? Didn't you see her the whole time?

01:05:33no women who get lost more than twelve or thirteen

01:05:36I'm telling you

01:05:37That gets lost, right?

01:05:38Well, I'm going to see if I can find it, damn it.

01:05:40Here goes

01:05:41We waited when I was watching

01:05:43He's taking all the accumulated trash.

01:05:45It's already being sold by the fifth of the afternoon

01:05:47What's this about the boat and the fifth?

01:05:49What do you mean, what?

01:05:51Diego and Lamparines calmly carry on the entire massacre in the room.

01:05:55You could really see it on them.

01:05:57Calm, aren't they?

01:05:59I hate everything I see about that

01:06:01I'll kill them

01:06:03those from Lamparines

01:06:05Well, that's because I have my wife in mind and I don't take her off my list.

01:06:09I can't get it out of my head, and you can call me before.

01:06:11If you want lamps

01:06:13They call you Lamparines.

01:06:15Genaro

01:06:18I get it right all the way through

01:06:20Which Genaro?

01:06:21at the most?

01:06:22Does he find out about Lamparines?

01:06:23What are you telling me, Lamparines?

01:06:24that generates a tobio

01:06:25Well, something like that.

01:06:26Some of us guys aren't very lucky.

01:06:29coder?

01:06:30Is this guy capable of killing us?

01:06:32I would never wear the most expensive one in my life.

01:06:35me?

01:06:36You'd better not get caught.

01:06:38Lamps

01:06:39man who chungulo

01:06:40Look what I've done

01:06:42I've dragged the door

01:06:43And I'm going to drag them both away.

01:06:44Idi! That'll kill her!

01:06:46We already know! We already know!

01:06:47You're going to have to put me in.

01:06:49There were no three left before!

01:06:51Amparrine!

01:06:53Come on!

01:06:54Tell him he respected you because of your death!

01:06:56Tell him!

01:06:59Oh, my son of...

01:07:00You've killed me!

01:07:02Oh!

01:07:03Son of a bitch!

01:07:03Son of a bitch, son of a bitch!

01:07:05You've baffled me!

01:07:06I told you so!

01:07:06I won't give up!

01:07:07Habbo, save lives, man!

01:07:09We're here before he wakes up!

01:07:10Amparrine!

01:07:11Tell Rogelio we have an emergency!

01:07:13They're already calling me for the black pudding at the tavern!

01:07:15Everything was great!

01:07:16Everything is great, Amparine!

01:07:17Goodbye, Amparine!

01:07:17God!

01:07:18And, Diego!

01:07:18That?

01:07:19That I...

01:07:20You are the only man I would stay with for the rest of my life.

01:07:24Thank you very much, Amparine.

01:07:25Thank you.

01:07:26Diego, let's go!

01:07:27Come on, shoot!

01:07:28Runs!

01:07:29Runs!

01:07:38The skin on the device has already come down!

01:07:40Totieso!

01:07:41I'm going to leave you speechless if you don't shut up now!

01:07:43Well, well, well!

01:07:44Well, well, well!

01:07:48Hey!

01:07:50What a difference, right!

01:07:51Diego!

01:07:51I?

01:07:52By?

01:07:53For the parines, huh?

01:07:54Why would that be?

01:07:54For the parines, huh?

01:07:56Tell him!

01:07:56If his rhythm has changed.

01:07:58See how good it was for you to vent?

01:08:00What a relief!

01:08:01Look at that, what a relief!

01:08:02What, there was no catharsis, man?

01:08:04An improvement?

01:08:05What do you mean, no?

01:08:06See, Santi?

01:08:07What it means to risk your life for...

01:08:08Well...

01:08:09And then?

01:08:10Why is he smiling so much?

01:08:12Because?

01:08:12Will he not like strong emotions?

01:08:14No, that's not it.

01:08:16Okay, let me explain.

01:08:17So, I...

01:08:18I had given up on myself.

01:08:19In other words, myself, evicted.

01:08:21And of course, now with this business with the parines, well, I've realized...

01:08:24Well, it seems women still have an interest in me.

01:08:26And that's fine.

01:08:27Of course they fall in love with you, damn it.

01:08:29But the parines were already eating out of your hand.

01:08:31He's always been the handsome one in the family.

01:08:34It can have the parines and the one who...

01:08:36Already.

01:08:38Now let's see if he can answer it on his own.

01:08:40Hello.

01:08:41Come on.

01:08:42Hello.

01:08:43Come in, I was here with the child doing homework.

01:08:48Had you already left?

01:08:52No, no, I haven't left.

01:08:54The thing is...

01:08:55What should I keep?

01:08:57I'm not going to Barcelona.

01:09:00Who are you going to go to?

01:09:01Yeah.

01:09:02Hey, one thing, Lucia.

01:09:03If it's because of what I told you the other day, about Sargito.

01:09:05No, no, no, let me explain.

01:09:07Because then I thought about it and I...

01:09:08I don't know who, I have no right.

01:09:10Because you and I are separated.

01:09:11I say no, that's not why.

01:09:13It's for the children.

01:09:13I want to be close to them and dedicate a little more time to them.

01:09:16If you don't think so...

01:09:17No, no, no, no, it goes the other way around, that seems fine to me.

01:09:20So, it's for the children, which I think is great.

01:09:22Yeah.

01:09:23And there's one thing I'd like to make clear, and that is...

01:09:27Let's see if we can approach this with a little more naturalness.

01:09:30This...

01:09:31It...

01:09:32Baby, no, yes...

01:09:33You say we should say it more naturally.

01:09:35I think it's great.

01:09:36I mean, let's make everything simpler, come on, I think...

01:09:39Like, you want to say it as friends.

01:09:40Yes, come on, I'd like to be your friend.

01:09:42And you?

01:09:42Me too.

01:09:43I would like to be your friend too.

01:09:44No, I say this because...

01:09:46Well, when feelings are involved, things can sometimes get a little difficult.

01:09:50What comes out?

01:09:51No, not anymore.

01:09:52No, no, no.

01:09:53No.

01:09:53No, it's precisely now, during the trip, that they're turning over this story of so many feelings in their minds.

01:09:57Things get more difficult, and it's true that it's hard, it's hard at first, but

01:10:00Time passes and it costs less, less and less, and it stops costing anything.

01:10:04all of that.

01:10:05In other words, in the end, well, girl, it's not so bad being alone.

01:10:08I mean, no...

01:10:09Yes, of course.

01:10:10But.

01:10:11Yes, it's not so bad either.

01:10:13It's just a matter of getting used to it, isn't it?

01:10:14Yeah.

01:10:15From...

01:10:15Well, that's it, but it's good that we both agree because if more is done

01:10:18easy.

01:10:18Yes, because we do this, as you said, more naturally and that seems very...

01:10:22good.

01:10:22Well.

01:10:22Yeah.

01:10:23That I don't have to go home to correct exams and stuff.

01:10:26Sorry.

01:10:30Okay, see you later.

01:10:31Yeah.

01:10:31See you later, guys.

01:10:32Goodbye, Lucia.

01:10:33See you later.

01:10:45Thank you.

01:10:50Yes, I don't know why I'm not wearing one, because...

01:10:52I need them often.

01:10:54I need them often.

01:10:55Oh.

01:10:56I'm sorry.

01:10:58Me too...

01:11:00The thing is...

01:11:00I hate being...

01:11:03Being so prone to falling in love.

01:11:07Already.

01:11:08You just got ripped off, didn't you?

01:11:11One more.

01:11:12You know what?

01:11:14Do you know what's happening?

01:11:15That the son is bad, he always gets me hooked on those typical scoundrels and... well.

01:11:21Well, the same thing happens to me, if that's any consolation.

01:11:25Look, my boyfriend, for example, is like that.

01:11:28A disaster.

01:11:29Okay.

01:11:31But I love him.

01:11:33Well, be careful.

01:11:36Hey, you're not from this school, are you?

01:11:41Do I swear?

01:11:42Do I swear?

01:11:43Where are they?

01:11:44Guille!

01:11:44Marcos!

01:11:45Marcos, Marcos is not there, eh?

01:11:47Ah, but you'll see.

01:11:48Well, I'll tell you anyway, it doesn't matter.

01:11:50I'll tell him later.

01:11:51I don't know if you've noticed, but in recent months I've been...

01:11:54evil.

01:11:56No beating around the bush.

01:11:57I've been feeling quite unwell.

01:11:58But I'm not doing badly anymore.

01:11:59So you don't have to worry anymore, because everything is going to be alright.

01:12:02In other words, that this ship has a captain again.

01:12:06Welcome, captain!

01:12:07Ah, okay.

01:12:08Very good.

01:12:09Marcos, son, you see, I was telling your brothers...

01:12:11One moment.

01:12:13Since the three of you are here.

01:12:15Hey...

01:12:16That Eva and I have separated.

01:12:33But, Marcos, son, how could you not warn us?

01:12:36Give me a hug, damn it.

01:12:37What a joy!

01:12:38What a joy!

01:12:38Come on, let's go!

01:12:41God, don't throw me like that!

01:12:43No, hold on.

01:12:44Hold on, it just happened to be very close.

01:12:45Okay, fine.

01:12:46Marcos, Marcos, Marcos, they haven't been able to change you so much, so much, so, so...

01:12:50Ah!

01:12:50That?

01:12:51That?

01:12:52That?

01:12:53That?

01:12:53Don't be fooled, brother.

01:12:55Don't be fooled, brother.

01:12:57that she's going to Barcelona with Sergi

01:12:59because she's homesick

01:13:00and because she is alone.

01:13:01Not hot, not hot.

01:13:08Wait.

01:13:10Already.

01:13:12Hey, weren't you supposed to go to the black pudding place?

01:13:15Fuck.

01:13:15Okay, okay, okay, okay, okay, excuse me.

01:13:17Didn't you have to go to the black pudding stand in the village?

01:13:22What a fool!

01:13:25Hey, weren't you supposed to go to the black pudding place?

01:13:27How are you doing?

01:13:28Isn't he laughing yet?

01:13:29Neck!

01:13:37How could I open it?

01:13:38I don't know, Santi, I don't know.

01:13:39I don't know, I don't know.

01:13:40I don't know about you, this thing that gives life, man.

01:13:42This is what gives life to...

01:13:44The little amparo, right?

01:13:45Like that.

01:13:48From there!

01:13:49Let's sing.

01:13:50Like when we were trios, huh?

01:13:51Come on, come on.

01:13:51Come on.

01:13:54Now that we're on the subject...

01:13:56Damn, how terrible!

01:13:58Go on!

01:14:00Let's sing.

01:14:01Just like when we were kids, huh?

01:14:02Let's sing, come on, brother.

01:14:04Hey...

01:14:05Let's sing!

01:14:07Elena Rivera joins the class today.

01:14:18What is this woman doing here?

01:14:19Lorena's cousin.

01:14:20A vulture that you'd hallucinate.

01:14:22He eats the women like they're shrimp.

01:14:24Hello, what's coming to your house?

01:14:28Are you going to finish me off, son?

01:14:29Did he see you're not dead and come to finish you off?

01:14:30No, Santi, don't be a donkey, damn it.

01:14:31Don't be a donkey because I don't like it when you're a donkey.

01:14:33And I'll explain it to you 50 times.

01:14:35We're going to be friends, we're going to be friends.

01:14:36And we treat it naturally.

01:14:38Naturally.

01:14:39Well, this morning I woke up feeling natural.

01:14:40And I said, I'm going to have breakfast with them.

01:14:42What the hell?

01:14:44Why didn't you tell me you had a girlfriend?

01:14:45Come on, my Edema.

01:14:46And don't look at me.

01:14:46You, you, you, you, you, you are stupid.

01:14:49The curse of life's sugar.

01:15:04Take!

01:15:06Certín!

01:15:08Hello.

01:15:09And you stick to it?

01:15:10Hold on tight!

01:15:11And don't cry, man, you're having a baby girl.

01:15:13A man never cries.

01:15:15Well, the best thing is for us to stop making tea.

01:15:16Come on, man, and stop with the nonsense.

01:15:20Yes, come on.

01:15:24Son, what a fusion!

01:15:26And Diego?

01:15:27Where is?

01:15:27He's already gone home.

01:15:29Home?

01:15:30But seriously, what's wrong with him?

01:15:31Is he sick?

01:15:32The thing is, watching it makes you want to shit yourself.

01:15:33That.

01:15:34What a load of crap!

01:15:35What a load of crap!

01:15:35Please.

01:15:36I honestly believe, Diego, that you are somatizing.

01:15:39It's a sub-onization.

01:15:40Sodomizing?

01:15:41Sodomizing, Fermín!

01:15:42Sodomizing!

01:15:43Nothing, I just came to tell you this, I'm going to class.

01:15:45Is something wrong?

01:15:46No.

01:15:46No, no, no, no, nothing.

01:15:48No, no, no, no, nothing.

01:15:48That?

01:15:49Here again?

01:15:50Yes, yes.

01:15:50We're going to be colleagues.

01:15:53I am the horniest girl in the class.

01:15:55I am outraged.

01:15:56I can't believe what pigs you guys are, damn it.

01:15:59Afri, I...

01:16:00I'm going to the bathroom.

01:16:01I'm so scared he'll...

01:16:03That Africa.

01:16:03Of remembrance.

01:16:04That's it.

01:16:06That's it.

01:16:06We've already messed up in the past.

01:16:08A small cargo.

01:16:09Dad, I'm going to shit myself.

01:16:10He's turning around with a sock on.

01:16:12That...

01:16:12I've screwed up, Dad.

01:16:14We're going to the doctor.

01:16:15Don't you know you might catch salmonella from that bad food and you're leaving us?

01:16:20No!

01:16:20It's the bathroom!

01:16:21I can't do it, Fiti.

01:16:23I can't get it to work.

01:16:24Isn't it hard for you to tell me you love me?

01:16:27The birds are pulling at me, damn it.

01:16:28You interpreted, you interpreted.

01:16:30But we hadn't agreed that it couldn't be done in Africa.

01:16:32We hadn't agreed that you weren't even going to look at her.

01:16:34That wasn't what we had agreed on.

01:16:35Yes, yes.

01:16:36I know what I've been able to do, Dad.

01:16:37Really.

01:16:38But she's a psychopath, damn it.

01:16:39He has to fix my balls.

01:16:40Don't you realize that the lime of life, the lime of life is your curse?

01:16:44Don't give it to me and I'll finish you off.

01:16:46Pussy.

01:16:47You already had to bring up the curse thing.

01:16:48Don't you realize that the lime in your life is your curse?

Los Serrano - 5x01 - ¿Quién puede matar a un cerdo? - HD 1080

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Los Serrano - Temporada 5 Completa - HD 1080

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