Los Serrano - 5x18 - La culpa fue del centollo - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

Tras descubrir que Lourditas se está “serranizando”, Santiago está absolutamente convencido de que su tosco carácter es una nefasta influencia en su mujer. El mayor de los Serrano decide entonces convertirse en un hombre fino y distinguido con la inestimable ayuda de Carmen. Curro, por su parte, prepara para el colegio una redacción sobre cómo se conocieron Diego y Lucía. Sin embargo, los recuerdos de la pareja sobre ese momento clave de su vida no coinciden exactamente, situación que sumerge a Diego en una profunda crisis. Animado por José Luis, Raúl inicia una rápida carrera como modelo de barrio y Fiti, preocupado por el bajo rendimiento escolar de su hijo, muestra su desacuerdo ante esta actividad profesional. Al no contar con el beneplácito paterno, Raúl busca el apoyo y la comprensión de José Luis, su representante y “gurú”.

Transcript

00:00:12In the Serrano family, there are always many arguments, but some topics are even more controversial.

00:00:35One of the things that most intrigues the Serrano family is what women see in the

00:00:40men, that is, what they see in men.

00:00:52Since everyone tells their own story, no one agrees.

00:01:00Be careful, not always, remember Charles of England.

00:01:02Listen carefully, he's been taken over by the mafia!

00:01:08No, no, no, we focus on other things; we like to take things slowly, to think about it more...

00:01:12I'll just tell you one thing, Lucia, whether it's because of what beauty is, or because of what

00:01:15These things either hit you suddenly, I mean, really, and you just jump in...

00:01:19Come on, Lucia!

00:01:20Like me, like me, on the first day, from the very first day, right?

00:01:23And you were drooling quite a bit.

00:01:25And what about you? You had a silly look on your face when you were 15 years old, constantly staring at Lucia.

00:01:29Even Father noticed!

00:01:31Man, father, you're spending a lot of time with your mother now.

00:01:32Well, sometimes it goes a little slow, huh?

00:01:34You meet someone and you fall in love little by little, of course you do.

00:01:37Luciana, it either hits you suddenly, or it doesn't, and forgive me.

00:01:40I think there are some things that are better left unsaid, because otherwise, you might end up having problems.

00:01:45that to my father.

00:01:46What a shock he was going to get for finding out more than he wanted to know.

00:01:50She was crazy about me.

00:01:52On a station platform, under the blazing sun, you were talking about a skyscraper in the New York sky.

00:01:59Come soon to see the sea, and send a postcard.

00:02:03I already knew that day was the end.

00:02:07Now I have much more.

00:02:11Red, black, stop and stop, finally luck brings an ace and a crystal to look through.

00:02:16And a wall to hang it on.

00:02:18Seven smiling faces in a passport photo.

00:02:22My stories were not about tales made by chance.

00:02:28Nobody told me that destiny was giving me this opportunity.

00:02:35One plus one equals seven.

00:02:39Who would have thought?

00:02:42That it was so easy to be happy.

00:03:00Santi, wake up.

00:03:01That scares me so much.

00:03:02Thank you, then.

00:03:03Come on, let's go to bed.

00:03:05Ah, yes.

00:03:06I have to get up early tomorrow, a supplier is coming to the bar.

00:03:09Well, why don't you go to Grogi and that way you can stay in bed a little longer?

00:03:12Grogi, don't talk to me about Grogi.

00:03:13Come on, don't talk to me about Grogi.

00:03:14In Grogi, to distinguish white wine from red, you have to look at the label.

00:03:18Oh, Santi.

00:03:20The fabada you prepared for dinner was so good.

00:03:24And I've already noticed that you've repeated it three times, you rascal.

00:03:27It's just that, it's just that, it's just that you do everything so well.

00:03:30And you're so beautiful.

00:03:32Oh my God.

00:03:34Oh.

00:03:35Oh, sorry.

00:03:38This, this is going to be the fabada.

00:03:40Don't look at me like that.

00:03:42But if nothing happens, Santi.

00:03:44There is trust.

00:03:45Oh, you're so good.

00:03:48I don't deserve you, I don't deserve you.

00:03:50Oh, but how handsome.

00:03:57You too, promita.

00:03:58Uh, yes.

00:04:01I've eaten fabada too.

00:04:04Okay, come on, off to bed.

00:04:17Good morning.

00:04:18Hello.

00:04:19Good morning.

00:04:20Good morning, sir.

00:04:21How awful.

00:04:22Oh, damn.

00:04:23Mom, let's see if you can start sparing us this spectacle already.

00:04:26Oh, look at her.

00:04:27What do you prefer, that we fight or what?

00:04:28No, but damn, I'm the only parent in my class who's kissing each other all the time.

00:04:31You're going to traumatize me here.

00:04:32A trauma from a schoolgirl, I'm going to believe that.

00:04:34But how?

00:04:34Okay, but how are we going to create a topic?

00:04:36Come on, everyone to the collection.

00:04:36Come on, come on.

00:04:37Come on, let's go.

00:04:38Come on, let's go.

00:04:39What is the child studying?

00:04:41Mr. Fernandez, that's more like it.

00:04:42Hey, look at the horns.

00:04:43Look at their horns, huh?

00:04:44Yes, I've seen it, I've seen it.

00:04:45What's up, Santi?

00:04:46Did something happen to you, guys?

00:04:47Do you look scared?

00:04:48Nothing, nothing, nothing.

00:04:49Nothing, nothing.

00:04:50Mommy, what are you going to do this afternoon?

00:04:52Well, I've arranged to meet the girls.

00:04:53But are you still seeing each other?

00:04:54Yes, yes, yes.

00:04:55Weren't they doing a little bit wrong with the sugar thing?

00:04:57Yes, yes, but we'll meet up.

00:04:58What I don't know is where we're going to go, because the Suecia cafeteria has closed and since Ángela is

00:05:03So, we can't go too far either.

00:05:04Clear.

00:05:05So I don't know.

00:05:06Hey, why don't you go to the traverna, right, Diego?

00:05:07That's not it.

00:05:08Then they spend the whole afternoon there with two women and give the place a bad image, those four grandmothers.

00:05:13But what do you see?

00:05:13Hey, ignore it, lady.

00:05:15Don't pay any attention to this guy.

00:05:16Of course, I didn't pay any attention.

00:05:17Come on, let's go, Mom.

00:05:18Nobody can stand him.

00:05:19What do you call her?

00:05:20It does not consume.

00:05:20The one that doesn't consume?

00:05:21Yes, tell me, son.

00:05:23Yes tell me.

00:05:23I have to do a reaction for Lurditas about how you and Lucía met.

00:05:27Come on, intimately.

00:05:29What are you saying?

00:05:29Isn't that an animal?

00:05:30How can Lurditas ask that?

00:05:32No, man, that ref...

00:05:33Surely what he's asking is how Lucia and I fell in love, right?

00:05:36Yes, that's it.

00:05:37Well, you see.

00:05:39Son, it's reminding me of you.

00:05:41I'm going to tell you from the beginning, you'll see.

00:05:43I mean, I've known Lucía practically my whole life from the neighborhood.

00:05:46We knew him from the neighborhood and, well, later from school.

00:05:48Ah, yes, but the spark.

00:05:50The spark was at the parties we organized in the tavern, remember?

00:05:52What a father was on a killing spree.

00:05:53And I convinced him not to leave her.

00:05:55No, well, well, it was the era of disco music and we took everything as...

00:05:58And what hairstyle did you have?

00:06:00Dad, have you ever had hair?

00:06:02But, but, but, but, oh, what the child said, but you heard it, hair.

00:06:05Did I have hair? Excuse me, no, not hair, I had a mane.

00:06:08She had a mane of hair, but one thing.

00:06:09Don't be fooled, he's very worn out now, but back then, he was a real looker.

00:06:13And he had a magnet, a magnet for women.

00:06:15The magnet, figurine, call it X, but yes, I had it, I remember, come on, I'm remembering

00:06:19as if I were seeing it now, when your uncle, Fiti and I were going.

00:06:25It was the end-of-high-school party, I've said it.

00:06:28Hey, the tavern looks good, hey, hi, a deck.

00:06:31Tonight we're going out with the gang, Dieguito.

00:06:34Do you see her?

00:06:39Look, there it is, there it is.

00:06:41She's with your sister, Fiti.

00:06:42Santi has to say one thing, and that's it, so it will be useful to you forever.

00:06:46You respect my sister, okay?

00:06:47And we all try to respect her, but she's the one who won't let us.

00:06:51Well, I was very much in love with Lucia, from the first time I saw her in the neighborhood.

00:06:54And it was my turn, you know.

00:06:56In other words, it had to happen sooner or later, because there was something very special.

00:06:59There was something very special between us.

00:07:01Shyness, dude.

00:07:04Piralo, brother.

00:07:05Piralo.

00:07:05I can't think of anything, Santi, I can't think of anything.

00:07:07Let me have the corn, man, don't let it go to waste.

00:07:08Well, Diego, listen, I'm feeling really fed up and we've been going around in circles for ages.

00:07:12And now it's time to hunt.

00:07:13See you later, okay?

00:07:14See you later.

00:07:14I knew that night was the night.

00:07:16So, I mustered up my courage and went there.

00:07:19And you, dude? Did you keep Choni?

00:07:21With Choni?

00:07:22Look, let's just leave it at that.

00:07:23Don't even bring Choni into the newsroom.

00:07:25That was your father, yes, brother.

00:07:29Lucia.

00:07:31Diego.

00:07:32Lucia.

00:07:34Diego.

00:07:36Shall we vary?

00:07:37Okay.

00:07:47There was nothing more to say.

00:07:48In other words, words were unnecessary.

00:08:09Everything was clear between us.

00:08:10And that very night, my son, the flame is finally our reward.

00:08:15Well, it was love at first sight, just like in the movies.

00:08:17Yes, son, yes.

00:08:18No beating around the bush.

00:08:19Love at first sight, yes.

00:08:21In other words, people think that only happens in movies.

00:08:23Well, no, it happens in real life too.

00:08:25It's just that it's real.

00:08:26And you, dude, didn't you get any action?

00:08:27Hey?

00:08:29Write it down from your father, he already has enough.

00:08:30And buzzing.

00:08:33Good morning.

00:08:35Well, it's just a way of saying something, because good morning at this hour.

00:08:38Okay, okay, I'm off to work.

00:08:39Hey, Bomero!

00:08:41What's happening?

00:08:42We don't have to go to class today either, right?

00:08:43Well, guys, staying up all night every day is proving to be harder than I thought.

00:08:47I'm starting to admire even Pocholo and everything.

00:08:50Well, Pocholo.

00:08:52Okay, see you later.

00:08:53Goodbye, friends!

00:08:55Go away!

00:08:56Forget, my loves, that you ever met me.

00:08:57Vadracho!

00:08:58I'm not going to break your brown one!

00:09:00But I wouldn't fall!

00:09:01You're right, Cari!

00:09:03Hey?

00:09:03Hey!

00:09:04It's José Luis!

00:09:05He's still alive!

00:09:06Will you rub one on me?

00:09:07Yeah!

00:09:12Hey!

00:09:12Hey, nephew!

00:09:13What's happening?

00:09:14Family!

00:09:15It's so nice to see you all again, isn't it?

00:09:17How are you?

00:09:17No, well, well, what a shack, right?

00:09:19What a riding school.

00:09:21José Luis, we thought he wasn't coming back.

00:09:24Some business ventures that have kept me away for a while.

00:09:26Already.

00:09:27Do you think the chorero thinks the same?

00:09:29No no.

00:09:30Well, couple stuff.

00:09:31We haven't spoken to him like adults, have we?

00:09:33Like civilized people and all that, in the end, well, you know...

00:09:35That's life.

00:09:36We've only been separated for a while.

00:09:39Let's screw with the little guy!

00:09:41If you want his things, look, go find them in the street!

00:09:45Well, the thing is...

00:09:47I'm currently homeless and I thought that...

00:09:50I don't know.

00:09:50You wouldn't mind taking a friend for a few days, would you, Raúl?

00:09:54No way.

00:09:56We have no rooms available.

00:10:00Very good.

00:10:02So you're going to leave me stranded, right?

00:10:04Like a dog in the street, going hungry and cold.

00:10:06You guys forget so quickly, huh?

00:10:08Who got you bowling pins?

00:10:10When you wanted something, who did you call?

00:10:12Very good.

00:10:14I know, I know who I can count on.

00:10:16See you later.

00:10:16Girls, yeah, it's just one night.

00:10:18That's what I like, damn it, that's what I like.

00:10:19That there be consensus.

00:10:21Come on, have a coffee.

00:10:22Chatunga.

00:10:25Raúl, what has he done now?

00:10:26No, nothing, nothing.

00:10:27I haven't done anything.

00:10:28That's the problem, it does nothing.

00:10:30Come on, I haven't been to class for a week.

00:10:32I won't say any more.

00:10:32Are we about to open a case?

00:10:34A week?

00:10:35Are you sure about what you're saying?

00:10:36Man, what am I sure of, Fiti?

00:10:37I thought you might be aware of it.

00:10:38But I want to be informed, Lourdes.

00:10:40I want to be informed.

00:10:41Besides, aren't you going to tell me anything?

00:10:42So, you're in the tavern with me every day.

00:10:44That should be warned, damn it.

00:10:45But I don't want to mix professional and personal matters, Fiti.

00:10:47I've already told you.

00:10:51Well, maybe the boy is just a little lost.

00:10:55It's normal, now that he's lost his mother, he might suddenly be a little disoriented.

00:11:00Lourdes, yes, yes.

00:11:01Yes, because I admit that lately, well, I haven't been...

00:11:05I haven't been very focused.

00:11:06As for me, Candela's situation has left me stunned.

00:11:08Yes, I know, Fiti, yes, I know.

00:11:09Yes, I know you've been a terrible experience for me.

00:11:12Oh dear, now I'm getting personal.

00:11:14Yes, Lourdes.

00:11:16I've been neglecting him, but that's over now.

00:11:18Is it over?

00:11:18Very good.

00:11:19Man.

00:11:21One thing, I mean, this whole thing, let's see, the file, that.

00:11:25I mean, what you were saying, I mean, it wouldn't be possible for you to do that, I mean, between you and me...

00:11:31Oh, Fiti, don't put me in this awkward position, okay?

00:11:34At one point, Lourdes didn't either...

00:11:39Okay, fine, but get serious.

00:11:40Get serious, because otherwise, the kid won't even get us out of high school.

00:11:44I'm going to talk to him right now.

00:11:46Hey?

00:11:46And I'm going to tell you that your father is back here again, from head to toe, okay?

00:11:52Hey, daddy, what's up?

00:11:55Damn, Fiti.

00:11:57What's up, man?

00:11:58What's happening?

00:11:58What are you doing here?

00:12:00That?

00:12:00What are you doing here?

00:12:03Oh ok...

00:12:05A little couple thing, your sister who...

00:12:07Okay, I'll tell you later.

00:12:08Yes, you'll tell me, but let's take it one step at a time.

00:12:10My work is piling up.

00:12:11You, ready.

00:12:12Come here for a moment.

00:12:13Me, what's wrong, what's wrong?

00:12:14What's happening?

00:12:16What do you mean, what's going on?

00:12:17You haven't shown up to class for a week.

00:12:19That's what happens.

00:12:20Lurditas hasn't opened a case against you because I emotionally blackmailed her.

00:12:23That high school is playing tricks on you.

00:12:25He doesn't pull a fast one on you.

00:12:28Well, it's meant for me, damn it.

00:12:31That I am to blame for everything.

00:12:32That I haven't been where I was supposed to be.

00:12:34What is it that...

00:12:35Since your mother left, I've been neglecting you, buddy.

00:12:38No, no, no, no, no, no, no, no, no, dad.

00:12:39Let's see, the one who isn't going to class is me.

00:12:41Fuck.

00:12:42Okay?

00:12:42You already have enough on your plate just carrying the canary with dignity, Dad.

00:12:46This is over.

00:12:47This?

00:12:47Is it over?

00:12:48You now have a father 24 hours a day.

00:12:50And I'll be here with you for the rest of your life.

00:12:53Pussy.

00:12:54We need to stand together now.

00:12:55Damn, Raúl.

00:12:56That we have each other.

00:12:57How's it going?

00:12:58Say yes, Citi.

00:12:58Say yes.

00:13:00Excited.

00:13:01Hey?

00:13:01Every time I see things like this, I get a strong urge to be a father.

00:13:03Don't even joke about that, okay?

00:13:05I don't know what you've done to my sister.

00:13:07But you pray I don't find out.

00:13:09Okay, bring it here, I'll hang you up.

00:13:11Sit down, please.

00:13:12Get something cool for your father, damn it.

00:13:14Come on.

00:13:15Whatever you want, tough guy.

00:13:24That?

00:13:26Are you doing the math, brother?

00:13:29Yes, exactly.

00:13:34And you're far from finished.

00:13:37Santi, one thing.

00:13:38Either you leave or you tell me what I know, but stop hanging around, it's bothering me, okay?

00:13:42It's about the donkey, brother.

00:13:44Something that happened last night.

00:13:46Something very serious.

00:13:47That?

00:13:48But promise me, Father, that you won't tell anyone.

00:13:51But look, Santi, of course.

00:13:52I mean, I'm not going to tell anyone.

00:13:53What's happening?

00:13:53Yes, okay.

00:13:54I'll take care of everything.

00:13:55Okay.

00:13:55Bye bye.

00:13:57What's happening?

00:13:58My uncle the archbishop's dinner.

00:14:00The thing is, I have an uncle who's an archbishop, and every year we make him a special dinner.

00:14:03And now it turns out I have to organize everything for tomorrow.

00:14:05Hey, is that what you call your uncle the archbishop?

00:14:09In private, Don José María.

00:14:11But he doesn't know Santiago and it makes me a little uneasy.

00:14:13Because it's so fine.

00:14:15And Santi is so mountain-loving that...

00:14:16Don't worry.

00:14:18Honestly, people from the mountains really rise to the occasion in these situations.

00:14:21Really.

00:14:21But I'm not saying that because of Santiago.

00:14:23I say this for my family.

00:14:24They're all such fussy parents.

00:14:26Wow, so much for protocol and being so refined.

00:14:29It's like you're wearing a corset.

00:14:30That you feel like you're drowning.

00:14:32But look, this time it's going to be much more relaxed with Santi.

00:14:35Yes, because...

00:14:37Because with Santi...

00:14:38It's just that...

00:14:39It's just so natural.

00:14:40Yeah.

00:14:41It's taking away a lot of nonsense from me.

00:14:42She cries a little primly.

00:14:45Well...

00:14:45Que aroche a Luritar.

00:14:47He's passing gas.

00:14:50They are a gas of...

00:14:51I mean, because...

00:14:52I mean, because of a gas of...

00:14:54Hey?

00:14:54A gas.

00:14:55I mean, basically a fart, a whoosh, you know.

00:14:56A gas of gas.

00:14:59AND...

00:15:00Don't drink water, okay?

00:15:01No, no, no, no.

00:15:02She said it was because of the fabada.

00:15:04But I don't believe it.

00:15:05Watch out, Santi, because...

00:15:06So, that's what happens with fabada...

00:15:07It's not to downplay its importance, no.

00:15:09Don't misunderstand me.

00:15:10But these things happen, damn it, we're only human.

00:15:12And the fabada, Santi, the fabada is treacherous, I think it is...

00:15:15No.

00:15:15I believe there was no escape.

00:15:17That it was with will and voluntarism.

00:15:18And what's worse, without remorse.

00:15:20Well, Santi, damn it, you're trustworthy.

00:15:21Come on, you didn't bring it yourself.

00:15:23But come on, by the handful.

00:15:24I do, but she's not well.

00:15:25She can't.

00:15:26But why can't she?

00:15:27Have you ever seen your mother pass gas?

00:15:29I bet you don't!

00:15:29Not my mother.

00:15:30Yes, to my father, all the time.

00:15:31Not my mother, why?

00:15:33Because the women from the mountains don't have flatulence.

00:15:35They have always been very fine.

00:15:37We can be whatever we want.

00:15:38But not them.

00:15:39And what about Lucia?

00:15:40From father or mother?

00:15:41From my mother.

00:15:42Do you see it?

00:15:42You see it, Lucia, don't you?

00:15:44Yes, but I'm not getting into it.

00:15:44But it remains exactly the same.

00:15:45Perhaps, in the long run, it's normal that Lurditas was the first.

00:15:48So, nothing's wrong.

00:15:49But...

00:15:50But I've lost some respect for Lurditas after what I said yesterday.

00:15:54I don't want Lurditas to do these things.

00:15:57Because I believe we have a fine woman for you.

00:16:00Because if I'm from the mountains, I'll have to have a wife without flatulence.

00:16:02Come on, let's go outside.

00:16:03Yes, he's still from the mountains.

00:16:04Come on, let's go outside.

00:16:05Peaceful.

00:16:06These things, a female, from a mountain man, can be.

00:16:08No, it can't be.

00:16:09No, no, no.

00:16:09No, no, no, no, no.

00:16:11What are you doing?

00:16:12You see, brother?

00:16:14Look at her.

00:16:14There, with the little hand.

00:16:16You're organizing something for me.

00:16:24I've been thinking.

00:16:26It is inquisitive, based on precedent.

00:16:28And I've realized something.

00:16:30Okay, enlighten me.

00:16:32Because in all couples, look, in all couples with children,

00:16:35There's always one who plays the good cop and another who plays the bad cop.

00:16:37Yes or no, it's always, mostly like that.

00:16:39AND?

00:16:40Well, in my case it's clear, damn it.

00:16:41Who played the bad cop?

00:16:43So, who was Raúl asking for money from?

00:16:45To me, to his father.

00:16:46And who did he tell that he had failed?

00:16:48Me too.

00:16:48Well, look, please, we even made plans together.

00:16:50to deceive Candela.

00:16:52Really, and how easy it is to play the good cop, right?

00:16:55Yeah.

00:16:56So what now?

00:16:57Well, now it's my turn to play the good, the bad, the ugly, and everything.

00:17:01Okay, fine, but don't go over to the other side, I know you.

00:17:04Lucia, hey, thanks for listening and putting up with my rambling.

00:17:07Wow, don't talk nonsense.

00:17:09Now that we're without a bad cop, I'll be your listening cop.

00:17:12Or not?

00:17:13Are you staying for lunch?

00:17:15Well, no.

00:17:18And I thank you for it as if I were eating.

00:17:20But I'm going to call the kid and I'm going to have lunch with him.

00:17:22Hey, you're a great dad.

00:17:24Yes, well, you see.

00:17:25Hey, come in, Pinfloy!

00:17:27What are we going to eat? What are you going to do with that?

00:17:29You have to tell me about the Lurditas editorial team.

00:17:31about how you and Dad met.

00:17:33Oh, really? Well, tell me.

00:17:34Dad says it was love at first sight, just like in the movies.

00:17:38Love at first sight, sort of, but not exactly.

00:17:43And here we see the actress and model Verónica Rivas,

00:17:45wearing a Dior suit and Marc Jacobs shoes.

00:17:49Hey!

00:17:50Don't you want anything else?

00:17:51I have tortilla, chistorra, ham, chorizo, pork loin.

00:17:54A pork loin that turned out great.

00:17:56Oh, Santi, for God's sake, be quiet.

00:17:57No, you have to eat and spend a little.

00:17:59Santi, Santi, Santi.

00:18:01Look, look at what an elegant dress she's wearing, huh?

00:18:04Yes, yes, it's very elegant now, but remember, at the beginning,

00:18:08I was going to throw a rag.

00:18:09Until she married that businessman.

00:18:11Clear.

00:18:12Ah, but let me tell you something, I believe that style is something you either have or you don't.

00:18:15which has nothing to do with money.

00:18:16Of course it's related.

00:18:17Those who sleep on the same mattress become of the same condition.

00:18:20What are you saying? What are you saying about the mattress?

00:18:23Well, that's just a saying, an old proverb.

00:18:26Look at Cebes, for example, huh?

00:18:28The bearing he has.

00:18:29Yes, that's it.

00:18:30Cebes? What about Cebes? Is the psychic Argentinian?

00:18:32No, no, man.

00:18:34No, the one who was a minister.

00:18:36Look at him, he's really elegant, the way the suit and tie fit him.

00:18:40That's true, yes.

00:18:41He's very handsome.

00:18:43Of course men in suits win.

00:18:45Yes, because I'm not exactly a big deal either, Cebes.

00:18:47The thing is, she's always so impeccably dressed that I don't notice any difference.

00:18:49Yes, yes.

00:18:50What do you have? What do you have that I don't have?

00:18:52Well, look, Santi, to begin with, he's not a mountain man.

00:18:56And from there, well, whatever you want.

00:18:58Oh, Santi, I forgot to tell you that tomorrow we have dinner with my uncle the archbishop.

00:19:02Which archbishop?

00:19:03Is that from the annual dinner?

00:19:05Yes, yes, Santi, I only have one uncle who's an archbishop.

00:19:07So, that's it, dinner with the family and the archbishop.

00:19:09I won't say any more.

00:19:11I'll speak now, okay? Relax.

00:19:14Hey, Dad!

00:19:15Hey, guys.

00:19:16How are you?

00:19:17Hello, what?

00:19:18Wow, what hours.

00:19:20Well, what are those faces like?

00:19:22Pua, trying to make ends meet.

00:19:24The children don't even have enough to eat, Fiti doesn't even have enough to eat.

00:19:26Yeah?

00:19:27Well, you should spend less time gobbling up food and more time contributing here.

00:19:30Hey, please, Fiti, don't disrespect me, because for these people I'm, well, an investment.

00:19:34Yes, on a fixed term.

00:19:35What's happening?

00:19:37You need money to make it to the end of the month, right?

00:19:39What do you think?

00:19:44Well...

00:19:45Very good.

00:19:47I'm looking for a job, okay?

00:19:50Yes, yes.

00:19:51Yes, because a friend, a friend, told me that they need models for a campaign in the neighborhood hypermarket.

00:19:57Well, and you?

00:19:58You, for example, who have the build, could be useful.

00:20:00I can't go to work, I'm a firefighter.

00:20:02Yeah?

00:20:03Why not...

00:20:04Hey, maybe I could.

00:20:06Very good.

00:20:07Look, Raúl, you're not doing too badly, are you?

00:20:09But to go from that to having the looks of a model...

00:20:11Well, this beautiful design had its audience in this house, I remind you.

00:20:16You're such a screamer.

00:20:18Hey, hey, you, Risión, Lenita is right.

00:20:21Hey, stop working and focus on getting your high school diploma and studying.

00:20:27Okay, Dad, but I have to pay for my life.

00:20:29Will you pay for it?

00:20:30Well, if not, I'll have to find a job.

00:20:32I can...

00:20:32I'm not giving you money, damn it, no way.

00:20:35Until you focus on your own thing.

00:20:37Study, go to class.

00:20:38Okay?

00:20:39You've got your head in the clouds.

00:20:41Model.

00:20:43Look, Alex.

00:20:44Look, do you want the model, Alex?

00:20:45You don't want the model because he's a serious and focused guy.

00:20:49And there you were, thinking about model making.

00:20:52Modeling?

00:20:52Is it called model making?

00:20:53Or modeling too.

00:20:56What are you doing, little worker, son?

00:20:58Ending the relationship for the monguitas.

00:21:00Ah, the relationship, the one about how Lucia and I fell in love.

00:21:03Yes, Lucía has also given me subversion.

00:21:06Ah, subversion?

00:21:07Yeah.

00:21:07So, what do you mean by subversion?

00:21:09Ah, well, I see, I see.

00:21:11He probably referred to the meeting and all that.

00:21:13And who else has told you the same thing as me, right?

00:21:14Love at first sight.

00:21:16Well, he says it wasn't absolutely love at first sight.

00:21:20Well, man, I had a good time, I must have said it in other words,

00:21:22But come on, the concept is there, love at first sight.

00:21:23We are looking for...

00:21:24Who says he liked Fiti?

00:21:26What do you mean, Fiti?

00:21:27What can't be?

00:21:28It brings me, it leaves you, go on, leave, leave.

00:21:29Yes, he liked the first one.

00:21:31because he was the most handsome of the group,

00:21:33The truth is that I hadn't paid much attention to Diego until that party.

00:21:44That?

00:21:45My brother looks really handsome today, huh?

00:21:48Shut up, you're embarrassing me, you silly girl.

00:21:50Brother, you see?

00:21:51Did I undress him with my eyes?

00:21:53Okay, don't exaggerate, Santi, don't exaggerate.

00:21:56Come on, if you were smitten with the Fiti, admit it.

00:21:58Well.

00:21:59Is he the cutest guy in school?

00:22:01Neither?

00:22:01No, man, you look cute, but that's it.

00:22:04See?

00:22:05It's a monkey, but that's it.

00:22:08That?

00:22:08What's the matter?

00:22:09God, give it to me from the gut.

00:22:11That's what a great zenith we've had today.

00:22:13No, no.

00:22:15What's happening?

00:22:16But hey, I had a lot more hair, didn't I?

00:22:18You're a magnet, but more hair.

00:22:21Hello, Piti!

00:22:21What's up, tough guy?

00:22:22Okay, home!

00:22:23Okay, home!

00:22:23Come on, come on, come on, come on!

00:22:24The brothers from the mountains who come to Cadiz and there's nothing there.

00:22:26No, please!

00:22:28Ha, how ugly they both are!

00:22:30Like I said, it's not bad, huh?

00:22:32Ha, please!

00:22:33Just because one of the brothers is uglier doesn't mean the other one is cute.

00:22:36Yeah!

00:22:37Yeah!

00:22:38How rude!

00:22:39Although, I don't know, Santiago, with his bull-like appearance, kind of turns me on...

00:22:43Oh, how nice that it won't be seen!

00:22:45That's lovely!

00:22:45Yes, how nice that it won't be seen!

00:22:48Okay, girls!

00:22:49That?

00:22:49Hello!

00:22:50The party's good, huh?

00:22:51Yeah.

00:22:52Do you like how the tavern turned out?

00:22:53Yes, very pretty!

00:22:54We took advantage of the fact that the father was having a slaughter in the village.

00:22:57Yeah.

00:22:57We've fixed it a little.

00:22:59Have you seen him kill a pig?

00:23:00Not me, Santi.

00:23:01Come, come, I'll show you.

00:23:03I'm going to show you how to kill a pig.

00:23:06Oh, my tummy!

00:23:07What's the matter?

00:23:08I don't know, I felt sick.

00:23:09Have you ever sat like this?

00:23:10Yeah.

00:23:10You look very beautiful, Lucia, don't you?

00:23:12Yes, yes, really.

00:23:13So, have you seen Candela around?

00:23:15No?

00:23:16No?

00:23:16Could it have been something you ate?

00:23:18Something weird was wrong, wasn't it?

00:23:19I say so.

00:23:20Well, I don't know, unless it's spider crab?

00:23:22Oh, what did the spider crab eat?

00:23:22Spider crab is very traditional, Lucia, that's for sure.

00:23:24Because the spider crab has...

00:23:25Spider crab?

00:23:26I had already forgotten about the spider crab.

00:23:28So, it's true that he got sick, right?

00:23:29So, now he really has to...

00:23:30I mean, I'm leaving!

00:23:31What have I seen Candela around here?

00:23:32Come on, I'm going to...

00:23:32Now I'm left alone with Lucia.

00:23:35Now I'm all alone, yes.

00:23:36Bye bye!

00:23:38Hey Diego, where's the restroom?

00:23:41Shall I come with you?

00:23:42Oh no, no, no, no.

00:23:43Yes, I'll go with you.

00:23:44No, no, no, yes, yes.

00:23:45Yes, woman, I'll go with you, yes.

00:23:46You were quite the heartthrob, brother.

00:23:48Already.

00:23:49Yes, that's right.

00:23:52I think it was at that moment that I started to notice him.

00:23:54Oh my goodness, it wasn't a good look at first sight, Santi.

00:23:56He hadn't noticed me until the stomach cramp incident.

00:24:00That he liked the date.

00:24:02She wrote it, girl, and I'll take care of it.

00:24:03But no, it's prettier this way.

00:24:05If you're handsome, it's no wonder people fall in love with you.

00:24:08Already.

00:24:08Dad, you were great.

00:24:10No, yes, I'm doing very well now.

00:24:12Don't worry, son.

00:24:14Prepare your snack.

00:24:15Come down, come on, come down.

00:24:16Okay, great.

00:24:17Oh well.

00:24:18Are you going to let him take the notebook without kidnapping him?

00:24:21That your wife has disrespected you.

00:24:23Did she tell you she likes someone else?

00:24:24And on top of that, the child tells him so that he will publish it.

00:24:26I thought Lucio had always loved me, Santi.

00:24:29What's he going to want from you?

00:24:30But you haven't read it.

00:24:31You didn't read it properly; it was clear he liked the date.

00:24:33Abort, abort, she's with you out of pure disgust.

00:24:36Have an abortion, have an abortion, before anyone finds out.

00:24:38Go on, go on, go on.

00:24:39Santi, what was it about a spider crab?

00:24:41But, dude, but have you seen those backs, dude?

00:24:43What arms, torso, what necks, man.

00:24:45They are Raúl.

00:24:47Up, trust me.

00:24:47Melon, come on, without fear, let's go.

00:24:49Hi guys, good morning.

00:24:50My name is Alejandro.

00:24:51Please, will you take off your shirts?

00:24:53I wasn't lacking, man.

00:25:01Hi, how are you, Alejandro?

00:25:02I'm José Luis, okay?

00:25:04Did you remember me?

00:25:05Toñito, the one from the cider house, sent me, eh?

00:25:07No no.

00:25:08Please, sniff the line and move aside.

00:25:09Well, no, better not.

00:25:10No, no, I'm the manager.

00:25:12This is my client.

00:25:13Ah, very good, I'm glad.

00:25:16Hello.

00:25:16This is done, huh?

00:25:17We have it in the button.

00:25:19Yeah?

00:25:19Yes, yes.

00:25:20Very good.

00:25:21Name?

00:25:23Raul.

00:25:23Raúl Martínez.

00:25:24Where are you from, Raul?

00:25:25I'm from here, from here, from the neighborhood, always have been.

00:25:27Can you tell us something about your experience as a model?

00:25:29Hey?

00:25:31Okay, I can, I can, I can, I can.

00:25:34Well, he's just started, but he has extensive experience.

00:25:36He's been moving around London, New York, Paris, and Milan too.

00:25:44Have you walked the runway in London?

00:25:45Yeah.

00:25:46Yes, yes, yes, yes.

00:25:47Well, I was visiting a colleague there.

00:25:50Yes, a model colleague.

00:25:52Languages?

00:25:53French, English?

00:25:55Well, the thing is, you wouldn't think that languages have many job opportunities here.

00:25:59He's been studying at Opening, but since they closed down, he was left halfway through the language course.

00:26:04No, Salma's.

00:26:06What would you highlight about yourself as a model?

00:26:08What makes you different?

00:26:09Tell him, tell him, tell him.

00:26:11Ah, well, maybe, maybe this mole that...

00:26:15Yes, the mole, the mole.

00:26:17It's like Cindy Canfor's, isn't it?

00:26:19As?

00:26:20Damn, Alex.

00:26:21Once...

00:26:22Cindy, huh?

00:26:22Haven't you heard of Canfor?

00:26:24Cindy Canford, huh?

00:26:28Girl, come on, come on, come on.

00:26:33Let's get our act together on the earpiece.

00:26:36I've been calling her for half an hour.

00:26:37Oh, and on top of me coming closer, you call me like a dog.

00:26:40You're right.

00:26:42One thing.

00:26:42That?

00:26:43That theory about mattresses is valid.

00:26:46Which mattresses?

00:26:48The idea that they become of the same condition.

00:26:51I think that's what's happening to my Louritas.

00:26:53That I'm becoming like me with so much mattress.

00:26:57Oh, really?

00:26:57Yes, my little one is getting more like a mountain.

00:27:01And I love her very much.

00:27:03And I don't want her to become like me.

00:27:05That's to your credit, Santiago.

00:27:06Well, she's made of different stuff.

00:27:08He comes from a good family.

00:27:09His father was a notary.

00:27:11His uncle, the archbishop.

00:27:13And he's gone after me instead of Aceves,

00:27:15who is the man she likes.

00:27:17If he married you, is it because he loves you?

00:27:19No, he loves me.

00:27:20He loves me very much.

00:27:21And I love her very much too.

00:27:23But of course, being with me,

00:27:25It looks like it's going to become like a mountain range.

00:27:28So what do you want?

00:27:30Separate?

00:27:31What does it say?

00:27:31You're crazy.

00:27:32This is like the law of Muhammad and the mountain.

00:27:34If the mountain won't come to Muhammad,

00:27:36Muhammad will have to go to the mountain.

00:27:38An archbishop, Aceves, Muhammad?

00:27:40But what do I have to do with all this?

00:27:43Well, let's see if you can give me some lessons.

00:27:46To be like Aceves.

00:27:48No, you're crazy.

00:27:49How are you going to become an Aceves now?

00:27:52Can I and should I?

00:27:53No.

00:27:54Come on, come on, come on, come on.

00:27:56Let me explain, look.

00:27:58I come from here, from my father.

00:28:00Yes, yes.

00:28:01I have to get here, to Aceves.

00:28:04From father to Aceves.

00:28:05And fast.

00:28:06Because his uncle the archbishop is coming tomorrow.

00:28:09Already.

00:28:10Well, no, don't count me in for that crazy idea.

00:28:12No, no, no, no.

00:28:14Please help me.

00:28:15I love my Lulita very much.

00:28:17I love her, I love her very much.

00:28:20But I know I'm not enough for her.

00:28:23Help me improve a little, just a little.

00:28:26Just a few classics.

00:28:27Okay, okay, okay, that's fine, that's fine.

00:28:30Manners, huh?

00:28:30Yes, yes.

00:28:31Let's see if you can stretch yourself, huh?

00:28:32And you're not making snacks for the girls and me, huh?

00:28:35You should see what retired women are like, huh?

00:28:36They take advantage as soon as someone else pays.

00:28:38Well, then.

00:28:39Well, anything for my Lulita.

00:28:40Early tomorrow morning.

00:28:41Classes have begun.

00:28:42There.

00:28:42To Cedes.

00:28:46Now, listen to what I'm telling you.

00:28:47It's over, huh?

00:28:49Don't ever look him in the face again as long as you live.

00:28:52Let's see if it's true.

00:28:52And you find yourself a man who won't make your life miserable.

00:28:54As usual.

00:28:55And you, Richard Wisman.

00:28:56Come on, you have to study engineering

00:28:57to unclog a sink.

00:28:59Yeah, Alex was going to do it, man.

00:29:01But the guy's busy all day now.

00:29:03Of course, because he's focused on his own thing.

00:29:05Let's see if you can learn a little bit from him.

00:29:06What a man, he wouldn't hurt me.

00:29:08What a man.

00:29:08But José Luis was already showing this.

00:29:10A scoundrel.

00:29:12Are you talking about me?

00:29:14But okay, okay, okay, okay.

00:29:16What's the hottest guy on the site doing here?

00:29:18I remind you that my Sabrino lives in this house.

00:29:21No, no, no, no, no.

00:29:22And I'm telling you, he caught me.

00:29:25Yes, yes.

00:29:26Because I know they don't abandon people.

00:29:28like dogs in the street.

00:29:29But to good people,

00:29:31Luck always smiles on the generous.

00:29:33Hey, Raúl?

00:29:34Hey kid, come here, give me a hug.

00:29:36They've caught you!

00:29:37Welcome to the world of models.

00:29:39Have they caught me?

00:29:42In good times.

00:29:44I told them,

00:29:45Hey, what you need to do is move away from the typical model

00:29:47and bet on a kid from the neighborhood.

00:29:48A different concept,

00:29:49I'm not galactic, I'm just messing around.

00:29:51am...

00:29:51From Santa Justa!

00:29:54I'm going to take it!

00:29:55Yes, no!

00:29:55Yes or no!

00:29:56And in the end, I convinced them.

00:29:58You're a jerk, dude.

00:30:00Dad, what have they taken from me?

00:30:01What have they taken from me?

00:30:02Am I going to be a model, Dad, like Beckham?

00:30:03Stop.

00:30:04Beckham is a footballer.

00:30:06And what about now?

00:30:06And when you're playing, don't you say the same thing?

00:30:08What's up, Fiti?

00:30:09Aren't you happy for the kid or what?

00:30:10No.

00:30:11Because?

00:30:11Because I can't focus.

00:30:14Fuck.

00:30:15Studies come first, Raúl.

00:30:17Yes.

00:30:18Yes, in modeluki.

00:30:19But don't let me see you,

00:30:20Come on, we're not even missing an hour of class.

00:30:22Yes, yes, Dad.

00:30:24But son, I'm happy.

00:30:25I'm glad,

00:30:26But do a little like...

00:30:27prioritize, prioritize.

00:30:29He's going to do it, he's going to do it.

00:30:30Come on, let's celebrate for now.

00:30:31Let's have a few beers, come on.

00:30:32Yes, come on, let's go.

00:30:33Well, I hope to receive congratulations here.

00:30:34I'm sure of it.

00:30:36Bye.

00:30:39But this man is so good at it

00:30:40the deception.

00:30:41The damn thing has a beak.

00:30:43Yes, gold.

00:30:45Golden tongue.

00:30:52How nice, because he's into the relationship.

00:30:54Yes, and about how we met,

00:30:56I love it.

00:30:56Although Lurdita was usually in trouble someday.

00:30:58Yeah, I'm telling you.

00:30:59You already told the child that.

00:31:02Yeah.

00:31:02And you...

00:31:04Come on, I mean, you told him

00:31:05the thing as it was.

00:31:08Come on, so...

00:31:09You told him what happened.

00:31:10In other words, what happened is there

00:31:12and it's as if...

00:31:14In other words, the relationship is like, let's say

00:31:15Well, it's based on real events.

00:31:17So, you told the child the truth.

00:31:19Yes of course.

00:31:20What's happening?

00:31:22Well, Lucia, the thing is...

00:31:25You see, the thing is...

00:31:27Well, I remembered our meeting.

00:31:29I mean, like something very romantic

00:31:30You told it to yourself in a very strange story

00:31:31of vomiting and spider crabs

00:31:33and I don't know what other stories.

00:31:33Well, don't you remember?

00:31:35I got really sick,

00:31:36The dinner made me feel unwell.

00:31:37I went to the bathroom and you came with me

00:31:38that you were more tender than anything.

00:31:40Yes, but what...

00:31:40Lucia, sorry, no.

00:31:41It's not that I was more tender

00:31:42no one's.

00:31:43It's not like the spider crab either.

00:31:44What I told you before, no.

00:31:46The thing is what's behind it,

00:31:47I mean, the substance, you understand?

00:31:48The bottom.

00:31:48The bottom line?

00:31:49Yeah.

00:31:50From the spider crab?

00:31:51Not from the spider crab.

00:31:51What do you want to tell me, Diego?

00:31:53But what I want to tell you, Lucia,

00:31:55It's just that I, from the beginning

00:31:56I was in love with you,

00:31:57but not you from me.

00:31:59So, I went to your place,

00:32:00But you, Escri,

00:32:01You had noticed me

00:32:01even the spider crab thing.

00:32:05Oh well,

00:32:05What else are the specific details?

00:32:06For God's sake, Diego?

00:32:07Excuse me, Lucia, but AIDS.

00:32:09AIDS, it's that I didn't exist for you.

00:32:12Look, I fell in love with you.

00:32:13I'm still in love.

00:32:15That's what matters, or doesn't.

00:32:16Maybe it was by chance.

00:32:19Look, Diego, darling.

00:32:20Good night, go on.

00:32:22Good night.

00:32:27And then there's Fiti, right?

00:32:33Yes, so...

00:32:34that if I go inside

00:32:35me in the bathroom

00:32:36Fiti enters.

00:32:42Good morning.

00:32:46Do you have breakfast?

00:32:47No, I'm going to have breakfast at school.

00:32:49Come on, guys, I'll take you.

00:32:53Bad vibes, huh, daddy?

00:32:54What have you done?

00:32:55Come on, come on, go to school, come on.

00:32:57Come on, little worker.

00:32:58Okay, then.

00:32:59Okay, then.

00:33:01Then.

00:33:02Come on, were you in a bad mood?

00:33:04Your wife?

00:33:04What happened?

00:33:05Well, nothing, so last night

00:33:07Well, we talked.

00:33:11and...

00:33:12Fiti's leap is a real leap.

00:33:13Yeah.

00:33:14You brought up the subject

00:33:14and things got complicated.

00:33:15You should have kept quiet.

00:33:17Already.

00:33:17Well, Lucía liked Fiti

00:33:18It's strange.

00:33:19But why are you breaking it?

00:33:20That's not it.

00:33:21That's not the most important thing.

00:33:22Come on, we can say

00:33:23that Fiti thing

00:33:24Well, it's like a wrapper, isn't it?

00:33:26But the thing is, it goes beyond that.

00:33:27Because Lucia told me

00:33:27that all the problems

00:33:28what was here were

00:33:29due to insecurity,

00:33:30that I am insecure.

00:33:31How unsafe!

00:33:32What insecurity!

00:33:32What the hell.

00:33:33And you've always had

00:33:34a magnet for women.

00:33:34Let's not start with the magnet.

00:33:36I see you coming.

00:33:36Let's not start with the magnet.

00:33:37No, you might be right,

00:33:38Damn it, Santi.

00:33:38Regarding the choirs,

00:33:39about jealousy

00:33:40and all the problems

00:33:41that we have

00:33:41They also come from the fact that I feel

00:33:42It's too big for me.

00:33:43as a woman.

00:33:44That's it.

00:33:44But I thought

00:33:45that you had already accepted that.

00:33:47Fuck.

00:33:47Lucía is quite a woman

00:33:48for you

00:33:49And you've been lucky

00:33:49to grab it.

00:33:50That's great, isn't it?

00:33:52That you live together as a married couple

00:33:53beyond your capabilities

00:33:54because of the one that's coming to you.

00:33:56Yes, but, but

00:33:56That's no way to behave.

00:33:57to work, you understand?

00:33:58No?

00:33:59Give me bread

00:34:00And call me stupid.

00:34:02You understand?

00:34:03That he would really like Fiti.

00:34:04But the one who was lucky

00:34:06and the filly

00:34:06It was you.

00:34:07What luck!

00:34:07What are you saying about filly now?

00:34:08Call it a filly

00:34:09or call it a magnet.

00:34:10Well, that's the problem.

00:34:11That's the problem.

00:34:12That this...

00:34:13Well, it's like

00:34:14a matter of luck.

00:34:15As if I had won the lottery

00:34:16me too...

00:34:17How do you expect me not to feel insecure?

00:34:18In other words, that's where they come from.

00:34:19all the problems.

00:34:20All the crises that we have

00:34:21They come only from me.

00:34:21Only from me.

00:34:22And I'm watching

00:34:23that the next crisis we have

00:34:24Well, we didn't get ahead.

00:34:25Do you understand?

00:34:30Look at this marvel.

00:34:32Premium quality alpaca.

00:34:34A classic, Santiago.

00:34:35Look, smoke blue.

00:34:37Smoke?

00:34:37Precious.

00:34:38But that's like giving honey to a donkey.

00:34:40You need to have a good physique for that.

00:34:41to take it with you.

00:34:42And me with this wreck of a body...

00:34:45Okay, so what?

00:34:46I already look like Cebes.

00:34:49Well, for now you're less yourself.

00:34:50which is something.

00:34:53Santi?

00:34:54You've done me a St. Louis.

00:34:56Hey, baby girl...

00:34:58Shut up!

00:34:59What's happening?

00:35:00Nothing, nothing.

00:35:00We'd better tell you.

00:35:01We'll finish sooner, Santiago.

00:35:03Look, well, nothing.

00:35:04that Santiago wants to arrive

00:35:05at the height of Lurditas

00:35:07and like her

00:35:07what he likes

00:35:08Men are like bees...

00:35:10Well, I want to be like him

00:35:11so that she can be proud of me.

00:35:13Oh, Santiago.

00:35:15A man trying to improve himself?

00:35:18But oh well, but oh well,

00:35:19that you're doing

00:35:20by Lurditas

00:35:20It's a very big thing,

00:35:21very big and very beautiful.

00:35:23Hats off to you.

00:35:25Well, things haven't changed.

00:35:26nor anything,

00:35:26that when you and I...

00:35:27Don't crack it, don't crack that.

00:35:29Hey,

00:35:30It was very nice,

00:35:31It was good that it was brief.

00:35:32brief, but you bear that.

00:35:34Yes, but I know what's going on.

00:35:34when these things are published

00:35:36and they appear in the papers.

00:35:37Look what happened to my brother,

00:35:38that Lucía decided to publish,

00:35:39that he liked Fiti...

00:35:41Fiti?

00:35:41Oh, my daughter,

00:35:42What a treat for men.

00:35:43Well, it's just that my brother,

00:35:44My brother is a real man.

00:35:45Okay, fine.

00:35:46Wow!

00:35:46Oh, come on, get out!

00:35:47Hey, hey, hey, hey, hey.

00:35:49Don't throw me out,

00:35:50that I have many things

00:35:51that contribute to your education.

00:35:53I already have enough.

00:35:54with a butterfly.

00:35:54Come on, get out.

00:35:55And what?

00:35:56Pygmelion.

00:35:57Leave it.

00:35:57That?

00:35:59Well, nothing.

00:36:00Leave him alone.

00:36:01Well, that's it.

00:36:02that I can be

00:36:03your second teacher.

00:36:05She,

00:36:05the teacher of formal gain

00:36:07and I'm wearing the sporty one.

00:36:09Get to the point, Diego.

00:36:10To the point.

00:36:10I'll get straight to the point.

00:36:11Well, that's the point.

00:36:11Shall I tell you the truth?

00:36:12Well, I am

00:36:13very insecure, Fermín.

00:36:15That's the key to the issue.

00:36:16In other words, the problem

00:36:16that I have with Lucia

00:36:17It's because I'm very insecure.

00:36:18I'll explain why.

00:36:20Because I, I,

00:36:20I see myself here.

00:36:22And I see her here.

00:36:23You see the difference.

00:36:24So, she's here and I'm here.

00:36:26That's the problem.

00:36:26And then come the choirs.

00:36:27There it is.

00:36:27Stop with the choruses, okay?

00:36:28No, but the choirs

00:36:29Sometimes they're right.

00:36:30And especially because she publishes it.

00:36:31He's publishing it now.

00:36:33You understand?

00:36:33Well, if you're unsure,

00:36:34First you would need to know why.

00:36:37Let's see,

00:36:38Why did Lucia fall in love with you?

00:36:42Well, I'm not going to lie to you, Fermín.

00:36:44For a spider crab.

00:36:45Yes, yes, yes.

00:36:46Because of a spider crab in bad condition

00:36:47And I won't say any more.

00:36:49Okay, okay,

00:36:49Let's see.

00:36:50Those are the circumstances.

00:36:51Yes, yes, but I'm telling you

00:36:52really

00:36:53why she fell in love.

00:36:54Or better yet,

00:36:54Why is she still in love with you?

00:36:57Now.

00:36:58Now.

00:36:58So, why does he want me now?

00:37:02Well, I don't know, Fermín.

00:37:03Don't know.

00:37:04Well, people love us

00:37:05Because of our qualities, right?

00:37:07Okay, think about yours.

00:37:08Hey?

00:37:09I don't know,

00:37:09What does Lucia like about you?

00:37:11What are you like?

00:37:12Well, kid,

00:37:13Well, I am, well,

00:37:14like everyone else.

00:37:15What do you want me to say?

00:37:15So, we're going,

00:37:17that I am a normal person

00:37:18like everyone else.

00:37:19Look.

00:37:20Let's see.

00:37:23Let's see if this helps you.

00:37:25What is it?

00:37:26It's a personality test.

00:37:28You're already reading a glimpse.

00:37:29Personality test.

00:37:32Sorry, I just don't know...

00:37:33So, if I do these tests,

00:37:34I mean,

00:37:35Will I understand myself?

00:37:36Why does Lucia love me now?

00:37:37No no.

00:37:38That will help you get to know yourself.

00:37:39And knowing you,

00:37:40You will know what your qualities are.

00:37:41And maybe you'll come to understand

00:37:42Why has Lucia fallen in love with you?

00:37:45Already.

00:37:45Well,

00:37:46knowing oneself

00:37:47It's very difficult, isn't it?

00:37:48As Socrates said,

00:37:49only knowledge

00:37:50that comes from within

00:37:52It is true knowledge.

00:37:57Hey,

00:37:58Wasn't this Socrates the Greek one?

00:38:00Who was brushing the students?

00:38:02Among other things, I say.

00:38:03Among other things.

00:38:04Of course.

00:38:05No no.

00:38:10Number,

00:38:11No.

00:38:13No no.

00:38:16No no.

00:38:18No no.

00:38:19No no.

00:38:21No no.

00:38:44We sat down and waited for it to come up.

00:38:47What should go up?

00:38:47Let the fuse rise.

00:38:49Oh, no.

00:38:53That?

00:38:54Very good.

00:38:55Good?

00:38:55Very good, isn't it?

00:38:56Good.

00:38:58Look.

00:38:59Raul, I'm going to tell you something.

00:39:02You're not doing badly.

00:39:03Thank you.

00:39:04No, because you're not doing badly.

00:39:05You're not great now either.

00:39:07No, I'm telling you this, do you know why?

00:39:08Because there are a lot of good-looking guys out there.

00:39:09So we need to find something that makes you different, that makes you special.

00:39:14Something that makes you stand out from the rest, you know what I mean?

00:39:16Well, the mole, right?

00:39:17Is a mole no longer worth a mole?

00:39:18No, not the mole.

00:39:19What do you mean, no?

00:39:19No, sit down, Raúl.

00:39:20No, not the mole, man.

00:39:21No, not the mole, okay?

00:39:24How am I supposed to launch you to stardom with a mole there?

00:39:26Polka dots are out of fashion.

00:39:27That needs to be operated on.

00:39:29Operate it?

00:39:29Yes, operate on it.

00:39:30He needs surgery, he needs to go to the doctor.

00:39:32Operate it.

00:39:32And a trail, you crazy guy.

00:39:33No, no, no, no, José Luis, no, man, no.

00:39:35No, no, no, no.

00:39:36Well, fame comes at a price.

00:39:37Fame comes at a price, and then you get a minor surgery.

00:39:39Look, I'm going to do something for you, Raúl.

00:39:40Let's see their faces.

00:39:41Models spend more time in operating rooms than on the catwalks.

00:39:44And be thankful you're a guy and don't need a boob job, otherwise...

00:39:46Yes, that's true, but...

00:39:47Hello.

00:39:49Hello.

00:39:51Highlights?

00:39:53Yeah, you like them.

00:39:55I'm going to the bathroom.

00:39:57Come on.

00:39:58I like them.

00:39:58It's because it's super accounting-friendly.

00:39:59The boring one.

00:40:00Know?

00:40:00Well, if not, it's a can of rum.

00:40:01Let's see, Raúl.

00:40:02Do you think the bathroom is yours?

00:40:03What's happening?

00:40:04Didn't you leave any empty space with all that cream?

00:40:06Let's see.

00:40:06Well, well, what you've done is amazing, man.

00:40:07Hey, one thing, girls, one thing.

00:40:10Raúl needs the bathroom more than the two of you.

00:40:12Okay?

00:40:13Sure, sure.

00:40:13Let's see, Raúl, one little thing.

00:40:15We take care of things around the house ourselves; this gentleman here doesn't have the guts.

00:40:18Why get involved?

00:40:18One more thing, Africa.

00:40:20Tell me.

00:40:20I am his manager and my role is to try to get Raúl to focus on his career.

00:40:24And that these kinds of domestic problems don't affect him.

00:40:26Okay?

00:40:26So tell me anything you need.

00:40:31Now, get to your task.

00:40:33I can't stand him.

00:40:36Hey, isn't tonight your uncle's meeting with the archbishop?

00:40:38That's what I mean, for example, I don't feel like it at all.

00:40:41Now that I was feeling so comfortable.

00:40:43But look, it's going to be a dinner, a casual dinner, mainly so that Santi feels more comfortable.

00:40:48Speaking of Santi, I'm going to call him.

00:40:52Hey, do you know that bangs look good on you?

00:40:54You look less lurditas.

00:40:57Be quiet.

00:40:59Santi.

00:41:01Yes, look, I was thinking that dinner is going to be an informal dinner.

00:41:05Well, I don't know, maybe a small salad and something to snack on.

00:41:07You could bring some cold cuts from the tavern.

00:41:08Chistorra, for example.

00:41:10Chistorra.

00:41:10But how can we serve chistorra to the bishop?

00:41:13Didn't you say he blesses the Latin mass?

00:41:15How can you bless a chistorra sausage?

00:41:17That's not appropriate.

00:41:18But what does that have to do with anything?

00:41:20Man, no, yes, yes, yes, it has something to do with it.

00:41:22We'll have to add something, something more to bless.

00:41:24Seafood.

00:41:25Oh, not today, no seafood, it's a hassle to eat.

00:41:27No, man, Santi, something more.

00:41:29I wonder if my uncle will start eating it with cutlery and embarrass you.

00:41:32Exposed?

00:41:33I'm going to serve him a seafood feast fit for a bullring.

00:41:37Oh!

00:41:38Nothing, nothing, I have to go, little dove.

00:41:42I need to learn about seafood and Latin.

00:41:44What are you saying, Santiago?

00:41:45I mean, the other way around.

00:41:46But in Latin it is no longer very restricted.

00:41:48No, no, what do my little Lurditas say?

00:41:49That this archbishop, who doesn't speak proper Spanish, still teaches Latin.

00:41:53Okay, but it'll just be a short phrase, right?

00:41:55I don't bow down to anyone.

00:41:57Wear archbishop's robes or a diving suit.

00:42:00Fire is fought with fire.

00:42:02And Latin, with Latin.

00:42:04Well, I don't know Latin.

00:42:05I wouldn't say, daughter, I wouldn't say.

00:42:06Well, that's fine.

00:42:08Then we'll get into some basic expressions.

00:42:10Let's see, for example, if you give me something and I reciprocate with something else,

00:42:16Well, that's called a procuo kit.

00:42:18Kit for ass.

00:42:19But how am I going to tell that to the bishop?

00:42:20What kind of Latin are you teaching me, ma'am?

00:42:23Oh, chorri!

00:42:24Damn it, be careful!

00:42:25Damn, I can't manage without giving it to him.

00:42:27Could you teach me Latin so I can bless the table?

00:42:29He's about to kill himself.

00:42:31Can?

00:42:33Pay a little attention, children, because I wanted to ask you some questions.

00:42:38You'll see.

00:42:40Fermín has asked me to do some tests, some personality tests.

00:42:43I mean, you already know what the typical personality tests about personality and all that are.

00:42:48You understand what I'm saying, right?

00:42:51Well, I've been thinking about it a lot, so it almost interests me more.

00:42:56Besides what the test says, which interests me, I'm interested in knowing the opinion of people who live there.

00:42:59next to me.

00:43:00That's it, I don't know if I'm explaining myself well.

00:43:02Do you understand?

00:43:04So, what would you say about me?

00:43:06I honestly don't know, I see you as a normal father, with your normal bad temper.

00:43:12And if you're risking the toilet brush, be careful.

00:43:13No, no, no, no, no, no, for God's sake, mate, let him express himself, express yourself, son, express yourself.

00:43:17So, come on, what you've said is that you see me, so, that I'm in a bad mood, but

00:43:21Not much malice either, so, no...

00:43:23I like him as a father.

00:43:25Yes, thank you, son, really, it's always the same with you, right?

00:43:28But if you don't mind, think a little more, I mean, why do you like me as a father?

00:43:33Investigate, investigate a little bit into your head.

00:43:34Hey, please stay still.

00:43:36You just can't concentrate for even a minute.

00:43:38Hey, but I remind you that you came in here while we were doing our homework and interrupted us.

00:43:42I was interrupted from doing my homework, well, okay, fine, do your homework out there,

00:43:45Come on, get out of here, won't you?

00:43:46And I'm left talking to the working guy man to man, come on, both of you out.

00:43:49No, no, you're at a really bad age and you can't concentrate, come on, get out.

00:43:53We'll get you somewhere else.

00:43:53No, if you kick us out on top of that, we're done.

00:43:54I heard you, eh, we'll talk, you and I, we'll talk.

00:43:58Where were we, son?

00:44:00Because I like you.

00:44:01That's exactly it.

00:44:02Okay, then, if you're okay with it, let's do one thing.

00:44:04I'm going to take the test and then I'll show you the results.

00:44:07And so, to see what you think.

00:44:12No, don't mess with me, I come here and you have Groby alone behind the bar.

00:44:16This is how you take care of the mountain people's business.

00:44:18There are only four cats.

00:44:19Daddy! Daddy, daddy, daddy, daddy! I'm a model!

00:44:22Well, what have you done to yourself? Have you faded your hair?

00:44:24I'm a model now. Look at this amazing photo. Check out the cover, huh.

00:44:27Look.

00:44:28So, this is a Gallumbo catalog, isn't it?

00:44:30And socks, and socks.

00:44:32A bit of a scam, don't you think?

00:44:33Okay, here you go. For everyone.

00:44:36Groby and Santiago. You have socks over there.

00:44:38And this waste?

00:44:39Well, since it's the first time we've worked with this brand, they've paid us in spices.

00:44:43But then, when they give us a contract, they give us money and all that.

00:44:46Dad, what am I going to do? No, scholarship!

00:44:48No, scholarship! Says the new booty.

00:44:51Fiti, well, I, I, I, what did I tell you?

00:44:53I told you to stop all that modeling and focusing on your elbows, didn't you tell yourself that?

00:44:57No, no, no, no, daddy, what you mostly told me was not to miss class.

00:45:00I never missed class; I did this in my free time.

00:45:02Fiti, this is just the beginning, huh? The takeoff.

00:45:05Raúl, Raúl is going to be the pioneer of a new style of top model, a kid from the neighborhood, close to the

00:45:08People, right?

00:45:09To normal kids?

00:45:10Yes, someone that someone will identify with, you know what I mean?

00:45:14Raúl, with me as your manager, we'll go to the stratosphere, Fiti.

00:45:17Look, damn it, little eye, fuck, you sold the boy a load of rubbish, why? To get you out of trouble?

00:45:22chop?

00:45:23Yes or no?

00:45:24Fiti, Fiti, seriously, how come you're always thinking about money, money, money?

00:45:27The kid is excited and I want to give him a hand, damn it.

00:45:30Look, buddy, I'm just telling you one thing, if you miss even one day of class, you hear?

00:45:34Forget about modeling, is that clear?

00:45:36That's clear.

00:45:38It's nice how you support me.

00:45:41See you later.

00:45:42Well, they look good, but these colors aren't very holly-like.

00:45:50Okay, what? What did he say? What am I like? What number did I get?

00:45:53You got a seven.

00:45:54Ah.

00:45:55And here it says that number seven is the ringleader.

00:45:58The ringleader? What do you mean, the ringleader? Come on, you're not being deceitful, are you?

00:46:01No, Dad, ringleader, leader, boss. The phrase that defines you here is "fight for what I believe in."

00:46:08Yes, that's fine, son. It's fine because that's just who I am. I mean, I fight, and I fight even harder for what I believe in.

00:46:11I think so. Very good, very good, very good.

00:46:13Well, yes.

00:46:14And you also get the number nine here. And nine is a mediator. Few things in life are worth upsetting about.

00:46:21Well, because it's true. I mean, for the few days we're going to live, well, sometimes you have to be moderate.

00:46:25Yes, I fight hard. I fight hard... Well, it depends on the circumstances. I fight hard.

00:46:29But you also get a three.

00:46:31Oh, and a three too.

00:46:32Organizer.

00:46:33Well, yes. Yes, because I fight, I mediate, and I organize. Well, that's it, isn't it?

00:46:37Dad, you also get a five.

00:46:39A five?

00:46:40Yes. The one who hesitates. I like to be sure before acting.

00:46:45Yes. Well, having a doubt, as long as it's timely, isn't a bad thing. Doubts, well...

00:46:49But that can't be right, son, because...

00:46:51Okay, let's see. Concentrate, because Fermín told me I only had to get one number.

00:46:54He can't get all those numbers out.

00:46:56I don't know, those are the numbers I get.

00:46:58Okay, check the accounts while I call Fermín.

00:47:02Double-check, because you might not be there... I don't know, maybe you've made a mistake.

00:47:04No, no, I don't think so, huh? But just in case.

00:47:07Let's see.

00:47:11Yes, Fermín, Diego, Diego on the phone. Yes.

00:47:13You'll see that I'll mention something to you...

00:47:16It's not important, okay?

00:47:17But you'll see that we're doing the test and I'm getting several numbers.

00:47:21What a silly thing to say, right?

00:47:23Since that's impossible, yes.

00:47:26No, no, no, no, we haven't made a mistake in the sums because Curro is doing it.

00:47:29And his job as...

00:47:31No, you'll see what happens to me.

00:47:33In other words, he told me a series of numbers and I identify with all of them.

00:47:36I mean, I fight, I mediate, I organize, I doubt, because I doubt, you know I doubt.

00:47:42Okay, fine.

00:47:44Well, thank you very much, Fermín.

00:47:47Fernando, thank you.

00:47:51What did Dad tell you?

00:47:53Well, he's going to give me another test, but this time something more professional.

00:47:56In other words, for older, more professional people and all that.

00:47:59I mean, someone who's already at a certain level, you know?

00:48:01And he told me that with that, well, he does think it will turn out well for me.

00:48:04Okay, much better.

00:48:06Yes, better.

00:48:10Hey, hey, hey! Who wants to see my video? Who wants to see my video?

00:48:12Hello good.

00:48:13What video? A movie?

00:48:14No, Auntie, no. My videobook. My videobook. Mine.

00:48:17A video book of Raúl to present to agencies and society.

00:48:20I'm putting it up now. What a job, mate.

00:48:21Go take a look, I'll be right back. Let me know what you think.

00:48:29Well, we've done a great job.

00:48:30Yeah?

00:48:31You don't know, look, look.

00:48:47Being a top model isn't going to change me.

00:48:50When people tell me that models are conceited, I tell them, no, I will never stop being me

00:48:55same.

00:48:56I'm not a top model.

00:48:59I'm from Santa Justa.

00:49:05I'll never turn my back on my neighborhood. Even if I don't live here in the future, not a chance.

00:49:09I plan to visit my family every year.

00:49:12Bolí, damn it.

00:49:13At Christmas.

00:49:15Dream of me as yours, just as I dream of you as mine.

00:49:18And here you find me reading poetry.

00:49:22People think that being a model is just about having perfect measurements and being incredibly handsome.

00:49:26And I tell them, no.

00:49:27We also have to take into account... the intellectual aspect, mostly.

00:49:35And in this mutual dreaming.

00:49:38My main beauty secret is being happy.

00:49:42Although true happiness lies within.

00:49:48I believe that all important people are those who do... something different.

00:49:54I don't know.

00:49:55The one who built the Eiffel Tower, for example.

00:49:57It's not the name of the turkey that built the Eiffel Tower.

00:49:59And Leonardo da Vinci, whom everyone knows for the famous code he deciphered.

00:50:03Well, what I contribute to the world is...

00:50:06the tiger's gaze.

00:50:08I don't know if tomorrow I'll be here, or in Milan, or in New York.

00:50:12But wherever I am, I will always give my best.

00:50:33Okay, so what?

00:50:35Raul.

00:50:35Yeah.

00:50:37Let's see if you're going to lose your mind a little.

00:50:39I mean, it's great that you're excited about being a model, but you're not one yet.

00:50:44What do you mean, no?

00:50:46What do you mean, no?

00:50:46Look, what's this?

00:50:48This is a catalog of underwear, Raúl.

00:50:50And socks, and socks.

00:50:51Look, everyone's here.

00:50:53Raúl, Raúl.

00:50:55If they haven't even given you any money.

00:50:58What do you think, firefighter?

00:51:05Okay, okay.

00:51:06Nothing, nothing, you guys read each other.

00:51:07You can laugh your heads off if you want.

00:51:09No, no, no, no, we'll talk later.

00:51:11We'll talk when I'm up there.

00:51:13We'll talk, we'll talk.

00:51:14In the face of conflict, he gets angry easily, somewhat easily, rarely, never.

00:51:22Man, never, never, well, not really.

00:51:24With some ease, this is going to be easy.

00:51:26A piece of paper, huh, brother.

00:51:27That's not the leaves.

00:51:28A role played by Lucia.

00:51:29A role played by Lucia.

00:51:30Let's see about Lucia.

00:51:32I'm taking it away from you.

00:51:32Remove.

00:51:33What is this?

00:51:34Pussy.

00:51:35A test of Cosmopolitan.

00:51:36What did you get?

00:51:37What did you get?

00:51:38Mine always comes out bold and affectionate.

00:51:39It's not a Cosmopolitan quiz, it's a psychological test, a serious test, a professional and private test.

00:51:45And with Fermín's guarantee.

00:51:46And I emphasize that it's private.

00:51:47And with feministism.

00:51:48And keep a closer eye on Lucia.

00:51:50Well, what kind of keen eye is that, Santi?

00:51:52What I need to do is stop listening to the choirs, for God's sake.

00:51:55And I have to do things for myself, think for myself.

00:51:58And how do you do that by knowing yourself from the inside?

00:52:00And how do you do that in private?

00:52:01Bring it here.

00:52:02I defend my ideas when I am convinced of them.

00:52:04Regardless of what others think.

00:52:07Always.

00:52:07Have you always scored?

00:52:09No?

00:52:11What, what, what, what did I say to you?

00:52:13Man, eh, damn it, right?

00:52:14Sure, yes, well, yes.

00:52:15I say so.

00:52:16But you know what I mean, which is that I let myself go, that I have to do this myself.

00:52:18Just give it to me.

00:52:19But don't you see that we're helping you?

00:52:20Come on, put it on sometimes.

00:52:21Come on, put it on sometimes.

00:52:21No, no, yes, yes, sometimes.

00:52:23Sometimes.

00:52:24Next question.

00:52:25I have a feeling that something is wrong inside me.

00:52:28They really got you there, huh?

00:52:29Yeah.

00:52:30That's where the test is spot on.

00:52:31Here, yes, always.

00:52:31No, no, no, since the test is mine, Fiti, put rarely.

00:52:34Put it on rarely.

00:52:36Don't get rebellious, man, the whole place knows you, like you were born.

00:52:40It's nailed, so defeat yourself and always put it in.

00:52:43Yes, always.

00:52:43Besides, damn it, we've always put positive ones, now we have to put negative ones, we have to compensate.

00:52:47This is how it works.

00:52:48Well, yes, it does for me.

00:52:49I consider myself a person with a strong temperament, but with a soft heart.

00:52:52No.

00:52:53Diego, please.

00:52:54Diego, please, take this seriously, otherwise it's useless to us, damn it.

00:52:57You've got plenty of temper, damn it.

00:52:59No, I have a weak temperament.

00:53:01Fiti, even Santi tells me so.

00:53:02The man who is weak-tempered tells me so.

00:53:03I'm telling you, but I don't believe it.

00:53:05So, yeah, that's it.

00:53:06No, no, well no, well no, well no, we'll put an X.

00:53:10But what the heck, what the heck, this isn't a lottery, but, I hear, I'm realizing

00:53:13I'm doing the test with the choirs; it's a solution.

00:53:16How can I claim to have a personality if I don't?

00:53:18How can it be that I have no personality?

00:53:19I don't have it.

00:53:20Boss, in the temperament section you have to put if...

00:53:23Go, go, since it's unanimous, even Rogi says so, Posi, go on, Posi, bring it.

00:53:28Okay, so where do we put the wall?

00:53:29What am I doing for them?

00:53:30I'm listening to Rogi and the choir members, it's over, we're being patient.

00:53:33Leave it for a little while.

00:53:35Let him go.

00:53:36Let's fix the tea for him and see if he can at least taste it.

00:53:39Does anything come up for me?

00:53:40Let's see.

00:53:41See if the solutions are on the back, like in the, like Polita.

00:53:46I told him to bring something simple from the tavern, but nothing.

00:53:49He's set his mind on burning seafood, so whatever, burning seafood.

00:53:52Say yes, Santiago, we have to take care of our in-laws, okay, sir?

00:53:54Hey, you really thought I was going to make this dinner today, huh?

00:53:57Here you can eat the best of the best.

00:53:59It wasn't going to be a cuaitos interruptos.

00:54:05What a cure, by the way.

00:54:06I shit on the other color.

00:54:08And now, who's going?

00:54:10So, the old woman, the old woman.

00:54:13Look at that elegant suit!

00:54:16It's made with capers.

00:54:17Made of alpaca, Santi, made of alpaca.

00:54:19Okay.

00:54:20Don José María, you can bless the table whenever you want.

00:54:23Santiago, the host, should do better.

00:54:27Yes, yes, I'll bless it.

00:54:29No, I'll do it myself, Santi.

00:54:31No, no, I remember a very good blessing we used to do when I was an altar boy.

00:54:35Was...

00:54:37Cristus Onibus Scurriculumes Trapezius.

00:54:42I translate it.

00:54:44Saint Colmi Saint Damian, who were pages of Christ.

00:54:47Bless these brews, for these savages are going to eat them.

00:54:51Amen.

00:54:52Amen.

00:54:54Santiago.

00:54:56He called the archbishop a savage.

00:54:59The important thing about prayer is the message.

00:55:03How are things in the United States, Don José María?

00:55:07With your hand, Santi.

00:55:08With the hand.

00:55:08Yes, yes, with a little practice, you'll see with your aunt.

00:55:12In Boston, the community is a bit unsettled.

00:55:15That's what happens in neighborhood communities, they're always messing things up.

00:55:19No, no, no, no, no.

00:55:22Santi, would you mind passing me the lemon, please?

00:55:24Ah, yes, of course.

00:55:26I'll give you the lemon and you give me the butter.

00:55:28And we do a quickie.

00:55:35Is it possible, worker?

00:55:36Yeah.

00:55:37Well, I'm very happy because Lurditas has already told me that she really liked your writing, huh?

00:55:42Come on, she liked it so much she's going to send you another one.

00:55:46But he did send us a drawing.

00:55:49No, but he just called me to tell me that he's going to send you another draft.

00:55:53So, just concentrate.

00:55:54In other words, no drawings, but yes to writing.

00:55:56And he told me about the writing process.

00:55:57They'll all tell you about it tomorrow at school.

00:55:59But the issue is how my mother sees my father.

00:56:02But it needs to be included with all the details.

00:56:04In other words, why does he love my father, why has he loved my father, why does he still love him?

00:56:08In other words, all the details.

00:56:09The writing style is nice, it's a nice topic, isn't it?

00:56:12Dad.

00:56:12That?

00:56:13That writing style is for you, right?

00:56:18Yes, son, yes.

00:56:19No, no beating around the bush.

00:56:20But you give it to yourself first, right?

00:56:22So yes, I want that wording for my private use.

00:56:26Because, you see, let me tell you.

00:56:27It's just that lately, I've been a bit confused about the other writing project.

00:56:32Well, I still have a little bit left...

00:56:33But a heady mess, not a stomach mess, right?

00:56:35No, from the head, from the head.

00:56:36Not from the gut, no.

00:56:36As for my stomach, for now, I'm fine.

00:56:38And that's why I'm doing all these personality tests that Fermín sent me.

00:56:41Do you understand?

00:56:42Fernando, Dad.

00:56:44That's it, sorry, kid.

00:56:45Fernando, Fernando.

00:56:46And I'm here all day long...

00:56:48Go ahead, I'll hit you with the personality tests, like I said, but dude, I'm not feeling myself.

00:56:51In other words, I'm confused, I'm lost.

00:56:52I tell you this with confidence.

00:56:54I don't know, I'm...

00:56:55So, you want me to find out why Lucia is in love with you.

00:56:59That's right, son, that's right.

00:57:01You've hit the nail on the head, yes sir.

00:57:01That's what I want you to find out, yes.

00:57:02That.

00:57:03Okay, well I'll ask him.

00:57:04Ah, very good.

00:57:04But I tell you it's a reaction for Gurditas.

00:57:07Truly, my son, you admire me.

00:57:10That's what I want you to do.

00:57:11Very good, son.

00:57:11Look, I'm going to tell you something.

00:57:12If everyone were like you, life would be, but much simpler.

00:57:15Easier to get from here to Lima.

00:57:16Thank you very much, son.

00:57:17I'm walking, huh?

00:57:17Okay, see you later.

00:57:18He's still there with the drawings.

00:57:25Here, Drogi, so that the box balances.

00:57:27Nice.

00:57:27Thanks, man.

00:57:28See you tomorrow.

00:57:28Good night.

00:57:33Hey, Dad!

00:57:33What's happening?

00:57:34Well, you don't know, you don't know, you don't know what happened to me.

00:57:36Well, what do you want the money for now?

00:57:38Hey, no, no, no.

00:57:39I'm never going to ask you for money again in my life.

00:57:41Dad, they've picked me to march in the parade.

00:57:44I'm going to walk in the parade!

00:57:45Hey, José Luis told me that one of these guys is going to be there, that a

00:57:48Model hunters like these, you know?

00:57:49But never just any model hunter.

00:57:50The guy who manages Beckham is coming, huh?

00:57:51They're going to launch me like a Sputnik.

00:57:55José Luis, you say, right?

00:57:56Yes, José Luis.

00:57:57Let's see, son.

00:57:58Let's see.

00:57:58I told you, huh?

00:58:00The first thing to study is that you will not miss class.

00:58:02Did I tell you or didn't I tell you?

00:58:03Yeah, well, yes, yes.

00:58:04Because it's just one day, Dad.

00:58:05Really, it's just one day.

00:58:06And wait, it's not over yet, okay?

00:58:07I'm going to do the tiger's gaze, Dad.

00:58:10Your gaze.

00:58:11Your gaze has led you to the world of models.

00:58:13It's a tribute.

00:58:14Hey?

00:58:14What do you think?

00:58:15What do I think?

00:58:18It's nonsense.

00:58:20That's what it seems to me.

00:58:21I thought you'd be happy about it.

00:58:25And since you were going to be proud of me.

00:58:27Look at Alex, your friend, damn it.

00:58:29Look at how it focuses, what needs to be focused.

00:58:31You need to have your head screwed on right, damn it.

00:58:33You're not a child anymore.

00:58:34Damn, if you like Alex so much, why don't you adopt her?

00:58:37Yeah, dude.

00:58:37Fuck.

00:58:37Nonsense!

00:58:38Do you know what's wrong with you?

00:58:39Hey?

00:58:39That you didn't believe in me.

00:58:41Did you think I wouldn't be able to do this modeling thing?

00:58:42And it really pisses you off to admit you were wrong.

00:58:44For once I actually excel at something, huh?

00:58:46You don't support me.

00:58:47And do you know why?

00:58:48Hey?

00:58:48Because if you succeed and I leave here, you'll be left all alone.

00:58:50And you don't like that anymore.

00:58:54I'll take the bad cop.

00:58:57Mother of two.

00:59:02The spider crab is good, huh?

00:59:05They wanted to give it to me from a farm.

00:59:07But I bought the most expensive one.

00:59:09The spider crab is very good.

00:59:10Especially if you manage to get some meat in your mouth.

00:59:13A little more wine, José María?

00:59:15Please.

00:59:15That.

00:59:16Vino, vine y vinzi.

00:59:18You know you're messing around with Latin, huh, brother-in-law?

00:59:20Some peas.

00:59:21You never know when they'll come in handy.

00:59:23Sure, sure.

00:59:24But right now, for God's sake.

00:59:26Do you want to stop eating with your hands?

00:59:27Well, a little bit of manners, woman.

00:59:29Lourdes, this time Santiago you're right.

00:59:33We have guests.

00:59:35Adela.

00:59:36I don't care.

00:59:38In this house, spider crab is eaten properly.

00:59:42Our Lord never said how to eat spider crab.

00:59:46You understand me now.

00:59:48I mean, from now on in this house, manners are going to be more...

00:59:51Come on, no more dirty talk.

00:59:53Hey, Lourdes?

00:59:55Lourdes, Santiago.

00:59:56Lourdes.

00:59:58Can you tell me what's wrong?

00:59:59Nothing for me.

01:00:00Nothing for me.

01:00:00So what's with all this talk about Latin and seafood and whatever else?

01:00:03Santiago, you're acting very strange, aren't you?

01:00:05You're acting very strange.

01:00:06And all because they wanted to be as stuck-up as my family.

01:00:09Daughter.

01:00:11That's it.

01:00:12There, I've said it.

01:00:14Santi, you're doing terribly, aren't you?

01:00:15Because I like you just the way you are.

01:00:16Serrano y natural.

01:00:17And not trying to be what you are not.

01:00:19But Lourdes.

01:00:20No, but not Lourdes.

01:00:21First, spider crabs are eaten with your hands.

01:00:23And two, prawns in this house too.

01:00:25Hey?

01:00:26And me first, Santi.

01:00:27Because from today onwards I'm going to be natural.

01:00:29Like you.

01:00:30Hey?

01:00:30And I'm going to stop being so stuck-up.

01:00:33But Lourdes, I just don't like you like this.

01:00:38But Santi?

01:00:40Well, you used to be classy, you didn't eat with your hands and you didn't pass gas in front of me.

01:00:45I don't like you like this.

01:00:52Okay?

01:00:56Okay?

01:01:08Stop, stop, stop, stop, stop, stop, stop, stop, stop, stop, stop, stop, stop, what are we doing, Raul?

01:01:13What are we doing, huh?

01:01:14Put a little effort into it, damn it, okay?

01:01:17Come on, let's see, give me the tiger's gaze, give it to me, give it to me, give it to me, give it to me, come on, let's go.

01:01:23What are you doing, Raúl, for God's sake?

01:01:24What are you doing?

01:01:25That's not staring at a tiger, that looks like the gaze of a woman, that tomorrow is your chance, that

01:01:28Raúl is marching tomorrow.

01:01:31Look, José Luis, I've been thinking about it and I really don't want to stare at the tiger.

01:01:36As?

01:01:37Well, no, this was mostly a tribute I had prepared for my old man, you know?

01:01:42And that I've had a problem with him and that I can't do it, I can't do it.

01:01:46Raul, do you know that there are hundreds of models out there with better physiques than you?

01:01:50You see.

01:01:51Tomorrow you're going to meet some guys with almost perfect measurements.

01:01:53We'll have to do something to stand out, won't we?

01:01:55Yes, yes, yes, yes, I know, well yes, well I know.

01:01:58You know, José Luis, this doesn't work without feeling, you know?

01:02:01In other words, the tiger's gaze either comes from within you or it doesn't.

01:02:04Well, we'll have to do something, won't we?

01:02:05Yeah.

01:02:10That's it.

01:02:12That's it, Raúl.

01:02:14I've got it now.

01:02:17Paris catwalk, 1996.

01:02:19Parade to the great Alberto Uccarini.

01:02:21Hey?

01:02:22Does that ring a bell?

01:02:23Yes, Juan, the rain, right?

01:02:24What does Raúl say, please?

01:02:26Model, Raúl, model.

01:02:27What are we talking about?

01:02:28Yes, yes, yes, no, no.

01:02:29Well, the issue is as follows.

01:02:30Uccarini did something in that fashion show that launched him onto the cover of the best magazines in the world.

01:02:36Look.

01:02:38That!

01:02:38Do you see it?

01:02:41How does your body feel?

01:02:42Because that's what you have to do tomorrow.

01:02:44What? That?

01:02:44That.

01:02:45No.

01:02:45What do you mean, no?

01:02:46What do you mean, no?

01:02:46No, no, no, no.

01:02:47I don't do that, man, I can't do that, no.

01:02:49It's not that you can't, it's that you can and you should, okay?

01:02:52Listen to me, trust me.

01:02:53If you do that tomorrow, if you do that tomorrow at the parade, Raúl, your ceiling is at infinity.

01:02:59Yeah?

01:03:00Because you're worth it.

01:03:02I won't say any more, because you're worth it.

01:03:05Because I'm worth it.

01:03:14Diego, haven't you tried spider crab?

01:03:17No, it's because of the diet, because of not gaining weight and all that.

01:03:22I'm coming, I'm coming. Leave it, Lucia, it'll be easy.

01:03:31Well, have you had dinner?

01:03:33Didn't you have anything for dinner, Fabisco?

01:03:34They were nice to have dinner with, very nice.

01:03:36You're there, Lucia, right?

01:03:37I'll ask you with Lucia, it doesn't matter.

01:03:40Okay, we have guests.

01:03:43I'll bring you some dishes right now.

01:03:47Seafood, in Latin, is eaten by the clergy and the nobility.

01:03:51Well, I'm not exactly a Catholic either, but maybe a spider crab leg and a couple of prawns would be good...

01:03:55Yes, it's very good.

01:03:57Thank you, Mom.

01:03:57Don't you feel like eating either, Diego?

01:03:59I ate it, no, the poor thing.

01:04:01How is he going to eat? How is he going to eat with what he has?

01:04:04He is grateful that he is here in person.

01:04:06Santi, don't get involved, please, okay?

01:04:08What's wrong, Diego?

01:04:09Why are you like this now?

01:04:10Let's see.

01:04:10Is it because of a new Lurditas editorial?

01:04:12Something like...

01:04:15Why is my mother still in love with my father?

01:04:17Before then.

01:04:18What kind of topics are you putting on for children these days?

01:04:20I'll explain later, if you don't mind.

01:04:21Yes, you can explain it to me later.

01:04:22And for now, don't interfere and don't involve the child, okay?

01:04:25But now, what relationship, what relationship?

01:04:26We didn't find out.

01:04:28You shut up, you're the one to blame.

01:04:31It all stems from the fact that she liked you.

01:04:33That's why you're without my brother.

01:04:34Shut up, Santi, please be quiet.

01:04:35Oh, old lady, I didn't know.

01:04:37It's not that.

01:04:38Please, Lucia, don't listen to my brother, and you, Fiti, don't listen to him either, okay?

01:04:41If that's the case, I know you, brother, that you have a grudge.

01:04:44Hey, Diego, one thing, okay?

01:04:46Even though Lucía has an interest, hey, it's there, she has it,

01:04:49But I respect your relationship, that's as clear as day.

01:04:52But hey, this is incredible, Fiti, what's your deal?

01:04:54Hey, don't get so squeamish now, okay?

01:04:58That you liked my brother, that if it had been up to him, well...

01:05:01No, really, this is too much, that's enough, okay?

01:05:02Everyone's going to have an opinion about our marriage.

01:05:05Wait a moment, Lucia.

01:05:06No, wait, because things are getting out of hand.

01:05:08In other words, that's not it, that's not it.

01:05:09It's not being understood, no, that's not it.

01:05:11Yes, that's it, you have a grudge, you're just like your father.

01:05:14You keep covering, covering, covering, until you burst, and when you burst, you splash.

01:05:17No, Santi, that's not it, I'm telling you, I don't splash.

01:05:19The problem is that I don't know anything, I mean, I don't know why my wife fell in love with me.

01:05:22I don't know why she's still in love with me, I don't know anything, nothing, don't you understand?

01:05:25Look, brother, I know you're holding a grudge.

01:05:29No, Santi, you don't know me, but I don't even know myself,

01:05:32that I am incapable of making a tea about my personality,

01:05:34That means I'm an enigma, an unfathomable thing, a black hole, that's what I am.

01:05:38And I'm lost, because I'm lost, damn it.

01:05:46Well, all things considered, my snout wasn't such a big deal after all.

01:06:03Lita.

01:06:06Santi, Santi.

01:06:08Santi, that's me, that was it, that was it.

01:06:13Already!

01:06:14It's with the air!

01:06:15What is this?

01:06:15Yours, damn it.

01:06:17Calm down, calm down.

01:06:17Yes, sir, Diego.

01:06:19That breakfast, that one's a real gem, man.

01:06:22Okay, let's get one thing straight.

01:06:23I've brought you breakfast so the children don't have to see this deplorable spectacle.

01:06:27because this spectacle is deplorable.

01:06:28And what are you doing here, you wretch, instead of being at home sleeping with your wife?

01:06:31Yes, last night, I couldn't talk because there were so many people, but now that she'll be alone, now, you know?

01:06:37Hey?

01:06:38And what about you?

01:06:39Have you spoken to yours?

01:06:40No, no, no, because he fell asleep right away and I couldn't go, don't you understand?

01:06:44Ah, I give advice I wouldn't want for myself, brother.

01:06:47Seriously, what a pair of idiots.

01:06:49I have a wife and I'll be here having breakfast with you.

01:06:52Are you giving bread to someone who has no teeth, man?

01:06:54Already.

01:06:54Shut up, everything that happens to my brother is your fault, pretty boy.

01:06:58Leave them sooner, that's not it.

01:06:59Now I'm going to be blamed for having sex appeal, but damn...

01:07:01Don't talk about sex appeal because, okay, we're having problems with our women,

01:07:05But you've really messed up with your son, because you've really messed up.

01:07:08Well, I was going to talk to Lucía, but because of your stupid brother,

01:07:11Now I'm left without the listening policeman, you know?

01:07:13You've done it, you've done it to your son.

01:07:16Well, it seems he doesn't feel supported by me when it comes to modeling.

01:07:21And it pisses me off a lot, a lot, because the bastard has a good heart.

01:07:24I was going to pay homage to the tiger's gaze and everything on the catwalk.

01:07:27Anyway, it's not a big deal.

01:07:28So, you told him things nicely, well,

01:07:30And now it's his turn to decide, that's all.

01:07:32Okay, I'll let him crash.

01:07:33No way, man, no.

01:07:34No, not really.

01:07:35No, man, if you have to be there, then be wherever you have to be to support, that's all.

01:07:38But you have to support your children so they don't crash and burn and so they aren't left behind.

01:07:42And what do you know about that topic? Eight is enough now?

01:07:44I know this because of my father, whom I have as an example.

01:07:46Father abandoned me, he was always there.

01:07:47And sometimes with an unloaded belt, I'm not denying it, but always there, without giving up.

01:07:52Right, brother?

01:07:53True, true, Santi, true.

01:07:56Okay, let's see, organization, attend to me.

01:07:59I'm going to talk to Lucia.

01:08:00And you, please, sort yourself out with Lulitas.

01:08:03And another thing, Santi, clean yourself up.

01:08:06Cleanse yourself, for God's sake, so that you won't even be reconciled with your father.

01:08:08Clean yourself up.

01:08:12Hey, Lucia, did you wake me up?

01:08:16Yes, he got up, but went back to his room.

01:08:19She's sick, she says she felt something was wrong with her dinner yesterday or something like that.

01:08:22Daddy, look, I'd rather you kiss each other and traumatize us.

01:08:27You understand me?

01:08:28I mean...

01:08:30If I understand you.

01:08:36Ah, Lucia.

01:08:37Oh, don't pass, don't pass, Diego.

01:08:38It's nothing, woman, relax.

01:08:40Come on, it's okay.

01:08:41Don't go in, leave it alone.

01:08:42This has gone to the belt of the night.

01:08:43Okay, come on.

01:08:44Oh my goodness, please.

01:08:46Come on.

01:08:46Don't stay here anymore.

01:08:47But don't talk nonsense, nothing's wrong.

01:08:49Peaceful.

01:08:50Yes, I'm fine, really.

01:08:51I'm sure you're okay, I'm sure.

01:08:55Sure, my God, apart from fixing it, I'm fine, yes.

01:08:57Wherever you sit, you look beautiful.

01:09:02What are you laughing at?

01:09:03What are you laughing at?

01:09:07Did you want to know why I was in love with you?

01:09:10Because?

01:09:12That's why.

01:09:13And why?

01:09:21Twenty years ago the same thing happened to me with a cento, me.

01:09:23And you were there all night, I screamed at you from me.

01:09:26Don't step aside, it only has one moment.

01:09:28Taking care of myself.

01:09:30That's why.

01:09:32And besides, as always, you're going to treat me with the same tenderness,

01:09:34Well, I'll never stop being in love with you.

01:09:41Yes, but...

01:09:41Oh, Diego, for God's sake, stop being so insecure.

01:09:44It's obvious I'm crazy about you, wherever you are.

01:09:46No, but I have absolutely no doubts about you, really.

01:09:49If the problem is me, which is that I don't know myself,

01:09:51I haven't the slightest idea that...

01:09:53Look, yesterday I spent all afternoon trying to do these personality tests.

01:09:56And I can't, I can't.

01:09:57Because I think I'm doing terribly, Lucia, I'm doing terribly.

01:10:00Look, Diego,

01:10:02I don't need any test

01:10:04to know that you are the most wonderful man in the world.

01:10:06Okay?

01:10:24Damn, those bodies.

01:10:25Wow, those pecs!

01:10:27Come here, come here.

01:10:28Come here, I'm all set.

01:10:29The mother who gave birth to me.

01:10:30Do you know who's out there?

01:10:31My father? My father?

01:10:33What a father, what a father, Ucarini, the great Ucarini, Alberto Ucarini, I'm out.

01:10:38She is now running a modeling agency

01:10:39And you know what that means.

01:10:41The great Ucarini is going to parade you.

01:10:43Four minutes, guys, huh?

01:10:44Hey, Alejandro, Alejandro, please come here for a moment.

01:10:46Take care of the kid for me.

01:10:47Yes, take care of the kid, put something tight on him.

01:10:50Raúl, Raúl, Raúl.

01:10:52What the hell are you doing, what are you doing?

01:10:53Nothing, nothing, nothing.

01:10:53So concentrate, okay?

01:10:55Ucarini, I'm outside and you have to do what I taught you last night, okay?

01:10:57Look, José Luis, I can't do that.

01:10:58I can't do that, man.

01:10:59That this Ucarini guy has rubber legs, whatever you want,

01:11:01But I can't do it, I'm not going to do it.

01:11:04Raúl, Ucarini is out there

01:11:05And I'm telling you that I want you to do what I taught you last night, okay?

01:11:08This is your big chance, so don't let me down.

01:11:10Repeat after me.

01:11:11I'm worth it, I'm worth it, I'm worth it.

01:11:12That's it, you're number one, remember not to let your moon show too much.

01:11:14Luck!

01:11:15See you later.

01:11:17The breeding that no longer arrived.

01:11:18Dad!

01:11:19Hey, listen to me, listen to me, I've been thinking about it, Dad,

01:11:21If you don't like this, you know what?

01:11:22I don't go out, I don't parade or anything.

01:11:24If you're not going to be proud of me,

01:11:25If you don't support me, Dad, I don't want to be a model anymore, I don't want to be...

01:11:27Kid, be quiet for a moment.

01:11:28Child, let me, yes, I've come here to support you.

01:11:30Damn, how could I not be proud of you?

01:11:31I'm mostly here to see if the tiger's gaze works well, damn it.

01:11:34So...

01:11:35How funny, Dad.

01:11:37I'm there with you until death, okay?

01:11:39Even though I think you're messing things up, okay?

01:11:41And if you crash there, I'll be there picking up what's left, okay?

01:11:45Do you understand me or not?

01:11:47It's just that you're the only one who tells me these things.

01:11:49Go ahead, you.

01:11:50Oh no!

01:11:52Okay, fine, that's enough, don't hug me so much.

01:11:54In three minutes?

01:11:55Yeah.

01:11:55Okay, fine.

01:11:56Okay, okay.

01:11:57Okay, come on.

01:11:58Come on.

01:12:00You're awake, little dove.

01:12:02Look who's arrived.

01:12:04What are you still doing here?

01:12:05I try to cheer up my daughter, that's what I do.

01:12:08That's what I came here for, to apologize to the Ritas.

01:12:10So now, let's try to fix a few things, shall we?

01:12:12You too are here.

01:12:14The thing is...

01:12:14I felt responsible.

01:12:16I wanted to talk alone, with some Ritas.

01:12:18He's been in the room all night, without leaving it.

01:12:23Lurdita!

01:12:24Come on.

01:12:25Are you only going to call her once?

01:12:27Keep trying, man, keep trying.

01:12:30There were few of us and then the grandmother gave birth.

01:12:31Is anyone else out there?

01:12:34Lurdita!

01:12:35Forgive me, because without you I am nothing.

01:12:38Your father used to say that a lot, didn't he?

01:12:39And that famous song.

01:12:41What was it like?

01:12:42Well, I can't concentrate like this.

01:12:45Lurdita!

01:12:46Forgive me, I'm a fool, a brute.

01:12:49And I didn't want you to change and become like me.

01:12:52I won't even take you to shoe school.

01:12:55No, Santi.

01:12:56I won't forgive you this time.

01:12:57You've told everyone my private matters.

01:12:59Daughter, anyone can let one rip.

01:13:02Once myself, during a visit from His Holiness.

01:13:05No, José María, please don't go into details!

01:13:07That's it, that's it, my little Lurditas.

01:13:09But what do you mean, Santi?

01:13:11I am always myself.

01:13:13Well, when I have a breeze, when I eat seafood, and when I say the Lord's Prayer.

01:13:17I will always love you.

01:13:18But, Santi, I've done all this for you.

01:13:20So that you wouldn't feel uncomfortable in your own home.

01:13:23Or do you think I like eating seafood with my hands, with the stench it leaves?

01:13:26But I didn't want you to change.

01:13:28I love you, princess.

01:13:30The one who needs to change is me.

01:13:32I will do whatever you ask.

01:13:34Take advantage, Lourdes.

01:13:34Take advantage of the fact that you have witnesses there.

01:13:36He doesn't have to change anything, right?

01:13:38I like you just the way you are.

01:13:40Serrano.

01:13:41Really?

01:13:41There has to be everything in the Lord's vineyard.

01:13:44Please, could we have a little privacy?

01:13:47Every time I remember it.

01:13:49When His Holiness visits.

01:14:11I am a big fan.

01:14:14That's his. That's mine, Raúl Martínez.

01:14:19My nephew, my nephew.

01:14:21The name is provisional, just as the mole is also provisional.

01:14:26But what a thing, all of life is temporary, isn't it?

01:14:29Yes sir, yes sir, that's the look of the tiger, Martinez.

01:15:08Thanks for watching the video!

01:15:15Do it!

01:15:18Do it!

01:15:37Raul, Raul, son.

01:15:39Do not touch the head!

01:15:40Did I record it?

01:15:42Well, if I'm not that sick, I don't know what you're all doing here.

01:15:44Excuse me.

01:15:44And now I have my own personal doctor.

01:15:47Doctor, is this a doctor?

01:15:48Come on, open it, find one in the studio, at least.

01:15:51Guille, be careful.

01:15:52By the way, one thing, speaking of studies, since you brought it up...

01:15:54Do you have a spoon?

01:15:55Thank you.

01:15:56Do you remember what I told you about the unfathomable hole and how I was there and all that?

01:16:01was there also a black hole?

01:16:02It's over.

01:16:03The black hole is gone.

01:16:04Come on, black, white, and whatever else is needed.

01:16:06In other words, that hole needs to be plugged.

01:16:08In other words, we have to cover up the unfathomability and the black hole.

01:16:14How am I going to do that?

01:16:16Well, knowing me.

01:16:17And you'll all be wondering, how am I going to get to know myself?

01:16:19You're wondering about that, aren't you?

01:16:20Yeah.

01:16:21Why not?

01:16:22Well, I'll answer it.

01:16:24Studying.

01:16:25Very good?

01:16:26Yes, yes.

01:16:27I'm going to take a psychology course that Fermín recommended to me.

01:16:29Fernando, Dad.

01:16:30Fernando, forgive me, son.

01:16:31Fernando.

01:16:31And well, it's a course to acquire self-knowledge, that's it.

01:16:36And why do you need your psychologist?

01:16:39Isn't chatting over a few beers enough for you?

01:16:41No, I know that, Santi.

01:16:43That's pub psychology, and I already know where it's leading me, and I don't.

01:16:46Also, this is a serious course, mind you.

01:16:48So, it's not a silly thing to take, is it?

01:16:49At first it will be difficult, it might be difficult, but...

01:16:51Hey, well, little by little.

01:16:53Because when I was little, Santi, tell him, I used to give.

01:16:54Daba.

01:16:55Until my father took me out of the tavern, I was giving.

01:16:57He was the smartest in the family.

01:16:59And he had a good memory.

01:17:01Yeah.

01:17:01But seriously, what's with the Serrano family's obsession with being refined, huh?

01:17:05Well, I don't know, it seems fine to me, you know?

01:17:07That's how he talks about someone who gets more out of your little one at home.

01:17:09No, no, no. Psychology, psychology.

01:17:11Psychology, what's wrong with you?

01:17:12No, psychology.

01:17:14Hey, and where, Diego?

01:17:15Well, here at the psychology faculty.

01:17:20Another one! Another one! Another one! Another one!

01:17:23Other!

01:17:24Come on, just one more.

01:17:26The tiger's gaze was well done, son, but that's not what's important.

01:17:29Well, the duck's gaze.

01:17:31I'll tell you, that's a family tradition, don't touch that.

01:17:33Well, it's all because of José Luis's damn jump, man, because he was going for it, you know?

01:17:37He was spitting, by the way.

01:17:40Where is José Luis?

01:17:41I'm still waiting for him, José Luis.

01:17:43Hey, where has he gone?

01:17:44I don't know, I have no idea.

01:17:46Let's see...

01:17:51Look at it.

01:17:52Look at it, there it is.

01:17:55That?

01:17:55Fuck.

01:17:57The truth...

01:17:58A brother has to listen to his sister, who's really into it, it's crazy.

01:18:01Okay, put that back up and upload it properly.

01:18:03Okay, okay.

01:18:04No, no, no, not the jump again. No, no, better.

01:18:08It's an emergency, damn it.

01:18:09Turn it up, turn it up.

01:18:10More, more.

01:18:11More, more, more.

01:18:13More, more.

01:18:17I am letting you know that I will be studying psychology next year.

01:18:20And how is your brother doing?

01:18:21Just there, in the tavern, all day long.

01:18:23Well, look closely.

01:18:24He is my brother, the mother who gave birth to the world.

01:18:27I'm here working my tail off while he's living off the fat of the land.

01:18:29After the bullfighter firefighter comes the tavern-psychologist.

01:18:33What your brother is doing is very commendable.

01:18:35By the first mountain man who comes out of the cave.

01:18:37I've brought a friend.

01:18:38Come in, Jaime.

01:18:40Hello good.

01:18:41Hello good.

01:18:42How are you?

01:18:42I just met the nicest aunt from the cloak to the earth.

01:18:45At your brother's university.

01:18:46I think we also need to remember that she's going to university, not daycare.

01:18:49I'm discovering a behavior in Santi that I don't like.

01:18:53I'll leave it in your hands, okay?

01:18:55So he doesn't get bored and all that, you know what I mean.

01:18:57My name is Diego Serrano, I'm 40, almost 50, and very enthusiastic.

01:19:05José Luis, what are you doing?

01:19:07Damn, you're so loose, Choni.

01:19:07Afri, Afri, who has a keen eye and is very tall, has set her sights on him.

01:19:12If we were once something, now it's all forgotten, nothing to forgive, nothing to explain, nothing that in the end

01:19:25eventually.

01:19:26Fiti, are you okay, son?

01:19:28Perfectly fine, I'm perfectly fine.

01:19:30What is this? A brothel?

01:19:31I love you very much.

01:19:32Me too.

01:19:33I love you very much.

01:19:34And by God blessed.

01:19:37Whoever breaks it, pays for it.

01:19:39Be careful about inviting friends over.

01:19:41What a rascal, right? Your first day of exams and here I am skipping class.

01:19:44Guys, what's up?

01:19:45What, what, what are you doing here?

01:19:47What do you mean, what am I doing here?

01:19:48Look, look, look.

01:19:49Don't tell me no, she's not beautiful.

01:19:51But you're so distrustful, Choni.

01:19:54I'm not up for that kind of thing anymore.

01:19:55What's happening?

01:19:57How has it come after spring?

01:19:59You're the one who turned out to be a frog.

01:20:00Oh?

01:20:01Yeah.

01:20:01Did I turn out to be a disappointment?

01:20:02Yes, it turned out to be a dud, yes.

01:20:03Well, I'm going to do something for you, it's reached me here, you know?

01:20:05I'd like to introduce you to Gloria, my teacher from Lucia, Gloria.

01:20:08Glory?

01:20:09Glory, Glory?

01:20:10But, Grandma, what are you doing here?

01:20:12How are you?

01:20:13Dude, what are you doing?

01:20:15I don't know if I'm more excited about the city or the guidebook.

01:20:18I've lost it.

01:20:19No, no, no.

01:20:20I've lost it, José Luis, man.

01:20:21You can't put dams on the sea.

01:20:22Okay, stop crying already, okay?

01:20:24Like a sissy.

01:20:25Lots of love, lots of love in front, and then betrayal behind your back.

01:20:27They're going to expose him, that is, the gossip is going to tell the other one that I'm a fool.

01:20:31One big fool and he'll be the bane of the whole family.

01:20:33I couldn't help it, Lurditas.

01:20:34They've bypassed all the controls.

01:20:37Lurditas, I need to talk to you.

01:20:39Isn't Diego Serrano here?

01:20:41Diego, my little girl is calling you, damn it.

01:20:43How embarrassing, really.

01:20:48Damn, this is hairspray.

Los Serrano - 5x18 - La culpa fue del centollo - HD 1080

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