- hace 2 días
Marcos comenta a Raúl la situación personal de Raquel y éste acaba dejando en evidencia a su amigo. La profesora de Literatura mantiene las distancias con Marcos, pero en un momento de necesidad pide a su alumno que cuide de su hijo durante unas horas. Marcos aprovecha el momento para acercarse a Raquel, pero ella le rechaza. Mientras, Curro se enamora de Sara, una compañera de clase, y para estar junto a ella, acepta el papel de doncella en la obra de teatro escolar. El niño es incapaz de confesar a su padre que va a interpretar un papel de mujer. Cuando la familia empieza a detectar síntomas de la transformación de Curro, Diego empieza a preocuparse por la orientación sexual de su hijo menor.
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TVTranscripción
00:00:00The drawing we are doing of Sara is called Portrait
00:00:13Sara is new this year
00:00:16I think she's the most beautiful girl I've ever seen
00:00:19Since she's been here, I like coming to school much more.
00:00:22One day she didn't come because she was sick and I became very sad
00:00:26Although the truth is that I don't talk to her much.
00:00:30Because when he greets me, my mouth goes dry and I freeze up.
00:00:34I don't know, it's all very strange.
00:00:36My father says he wants to be with Lucia for the rest of his life
00:00:41Well, the same thing happens to me with Sara.
00:00:44I want to walk her home and watch cartoons together.
00:00:48Do your homework and always be like that
00:00:51I think it's going to be what happens to older people.
00:00:54That I've fallen in love
00:00:55But I'm sure he doesn't like me.
00:00:59All the girls like Nicholas
00:01:01He has at least three girlfriends
00:01:03Donkey, you have a very nice shirt.
00:01:08Thank you
00:01:09She smiled at me
00:01:10And he also told me he likes my shirt
00:01:13If I never take it off again
00:01:15Maybe she'll end up being with me.
00:01:17Furthermore, if Lucia fell in love with my father
00:01:20Why wouldn't Sara fall in love with me?
00:01:22A station platform
00:01:25Under the scorching sun
00:01:27You were talking about a skyscraper in the sky of New York
00:01:30Come soon to see the sea
00:01:32And you send a postcard
00:01:34I already knew that day was the end
00:01:37Now I have much more
00:01:41Red, black, stop in pairs
00:01:44Finally, luck brings an ace and a crystal to look through.
00:01:47And a wall to hang it on.
00:01:49Seven smiling faces in one ID photo
00:01:53My stories weren't about tales made by chance.
00:01:58Nobody told me that fate would give me this opportunity.
00:02:05One plus one equals seven
00:02:09Who would have thought?
00:02:14It was so easy to be happy.
00:02:17Come on, we're walking on eggshells.
00:02:30It had to be a woman.
00:02:33How are you going to park there, ma'am?
00:02:39They don't even know what a shopping cart is.
00:02:40Take the wheel and I asked you to be constant.
00:02:49The next time you have an errand to run
00:02:52I'm coming by taxi
00:02:53No, man, nobody can stand this
00:02:56Well, the taxi really had to go.
00:02:58Because retirees have plenty of time
00:02:59You just can't drive, man.
00:03:03Tell me, don't worry, I'll get the hams.
00:03:06And on top of that, he was talking on the phone.
00:03:08Are you going to tell me how I should drive?
00:03:11Can I tell you how to style your hair?
00:03:12We've gone too far
00:03:13Of course we've gone too far
00:03:14Why don't you stop talking?
00:03:15It's a parrot.
00:03:16This is not the street
00:03:17Water in the milk, damn it...
00:03:19So what do you do now?
00:03:20Let's see
00:03:20I'll fix this, man.
00:03:21Don't scare him, don't be scared, ma'am
00:03:24Don't be scared, man
00:03:26Okay, now that you can
00:03:31It just can't be.
00:03:47Good morning, officer
00:03:58You just turned onto a street where you're not allowed to.
00:04:00Look at me, look at me, look at me, I'll explain, I'll explain
00:04:06It's just that, this is an absence
00:04:09What to take grandma to the hospital
00:04:11Because it was the probe most likely to break
00:04:14And the last time he wrecked my car, he made a mess of it.
00:04:16I spent a week, a whole week cleaning it
00:04:19Documentation?
00:04:20Oh, yes, yes
00:04:21Okay
00:04:22Is your license expired?
00:04:32Yeah, yeah, well, I'm on it, eh
00:04:34I'm letting it go one day at a time, but come on, that's enough...
00:04:36Expired seven years ago
00:04:37This means the license will be withdrawn.
00:04:39And I advise you not to drive without it.
00:04:40The penalty could be much higher
00:04:42From man to man
00:04:45We could forget this small detail
00:04:50Can you tell me what he's doing?
00:04:53Well, with an alternative solution
00:04:56I don't know what offends me more
00:04:59If you try to bribe me
00:05:00Or what do I do with a five euro note?
00:05:02Well, now with the euros and the pesetas
00:05:04So that it didn't happen
00:05:05I don't know if it's 500.
00:05:06Or 15 thousand, eh, eh, eh
00:05:10Wait here
00:05:12What are you doing there? What are you doing there?
00:05:19What have you heard from people?
00:05:21Either you get on board or you stay here
00:05:22I prefer to walk.
00:05:24Well, go on walking.
00:05:24Okay, fine.
00:05:25Very well, agreed
00:05:26Good morning
00:05:29Good morning
00:05:30Hey, work
00:05:31That's not the shirt you were wearing yesterday.
00:05:33You like it a lot
00:05:34Guys, you like it a lot
00:05:35But no, you can go there, sweetie
00:05:36Chanta, you can do a little...
00:05:37Changuille!
00:05:38Stay here, stay still
00:05:39Come on, he just had breakfast
00:05:40Well, I'm not hungry.
00:05:41Well, it doesn't matter, it ends
00:05:42Well, since Lucia left
00:05:43This is hilarious
00:05:44He's going to come in and think you're all anorexic.
00:05:46No, that's not it.
00:05:47I assure you
00:05:47Tete, Dad is okay.
00:05:49Just stop it, okay?
00:05:51Already
00:05:51Oh, damn
00:05:52The theme
00:05:53Madam, you have to drive the steering wheel gently.
00:05:55That with Parkinson's it can't be
00:05:57Until next time I'm walking
00:05:59What's up, Santi?
00:06:00Nothing, this idiot has had his driver's license taken away
00:06:03What have you done, Tito?
00:06:05Well, nothing, but it had expired and I got caught.
00:06:07Expired, it says
00:06:09But it was a ration book.
00:06:11So what happens?
00:06:12You have to go out again now
00:06:13Well
00:06:13Oh!
00:06:15Joke!
00:06:15You need to re-examine!
00:06:18Are we going to have to do your brain transplant in Switzerland?
00:06:22Dona
00:06:22Do you want to go to school feeling warm?
00:06:24Hey?
00:06:25Okay, Santi
00:06:26And what happened to the hams?
00:06:27But how am I going to pick up the hams with Doña Rogelia?
00:06:30Look, he doesn't have his reputation.
00:06:32Look, I told him I'd take him, okay?
00:06:33Anywhere
00:06:34Walking Mister Serrano like in the movie
00:06:36That's Mrs. Chabela.
00:06:37Well, Santi
00:06:39How do you prepare for the driving test the same way you prepare for the English test?
00:06:42What are my, what are my!
00:06:43What are my, what are my!
00:06:43What are my, what are my!
00:06:44Hey! Hey! Hey! Hey!
00:06:45Do you also want to go to school warm?
00:06:47You know what I'm saying?
00:06:49I'm going to get the hams right now!
00:06:50But you don't have a driver's license, or you don't have one!
00:06:52You don't have a driver's license!
00:06:53Remember, you don't have a driver's license!
00:06:54So what!
00:06:54They're not going to catch me again, are they?
00:06:56What a coincidence!
00:06:57And if they catch me, they've caught me!
00:06:58Go to hell!
00:06:58Santi, Santi!
00:06:59Listen to me, don't be a fool!
00:07:00If they catch you again, you'll go to jail!
00:07:02They're not messing around now!
00:07:03So get your driver's license!
00:07:04I can't get it off!
00:07:06Well, then, because Carmen will accompany you.
00:07:07The hams have to be here
00:07:09I'd rather die!
00:07:11It's not like this woman got her driver's license back when horse-drawn carriages were still around!
00:07:14Oh yes!
00:07:14I remember now!
00:07:15Because you were pulling one!
00:07:17Muja!
00:07:18But Santi!
00:07:18No, Carmen should take you!
00:07:20Let him swallow that favor!
00:07:21That's really bad for me!
00:07:22Okay, fine.
00:07:23But first we stopped to get life insurance.
00:07:26I don't want to leave these poor kids without an inheritance.
00:07:29Come on, now!
00:07:31I drive better than you
00:07:32Far better!
00:07:35So, how's it going?
00:07:36Do they send us sports programs too?
00:07:38Very good
00:07:38Yeah?
00:07:39Even those in the south end
00:07:40They're quiet, they ask questions
00:07:42Hey, about the questions
00:07:44It's much better if they come to your table
00:07:46Not that you go
00:07:46Okay?
00:07:47Ah, okay, okay
00:07:48Yeah
00:07:48It's best to remove them from their environment.
00:07:49And also because they can pull the mirror trick on you
00:07:52Know?
00:07:53The thing about the little mirror?
00:07:54Yes, well
00:07:55Put a small mirror on the floor when you're wearing a skirt
00:07:57To see what they catch and...
00:07:58Know?
00:07:59I don't believe it
00:08:00Chucky and Raúl are specialists.
00:08:02Raul?
00:08:03Isn't Raúl your son?
00:08:04Yeah
00:08:05That's why I'm telling you.
00:08:06Hello
00:08:06Hello
00:08:06Hello
00:08:07What fat people?
00:08:11This aunt
00:08:11I mean, your mother
00:08:12The new
00:08:13He can't allow it, man.
00:08:15If it were a callus, no
00:08:16But...
00:08:16One day he tells me about his life
00:08:18And the other day...
00:08:19As?
00:08:19As?
00:08:19Ah, about...
00:08:23Nothing, it turns out the girl in the bathroom was her.
00:08:25The one in the bathroom?
00:08:27Yeah
00:08:27Does the pi...
00:08:28And what did he do?
00:08:30Was she dressed?
00:08:31But
00:08:31I was crying
00:08:32And so I went in there, well, and hugged her
00:08:34Because I was...
00:08:35Did you hug her?
00:08:36Yeah
00:08:36Did you hug her?
00:08:36Did you hug her?
00:08:37Did you hug her after hugging him?
00:08:38I mean, from bringing it there an hour ago
00:08:39No no
00:08:40To hug
00:08:40To hug her because she's unwell
00:08:42Know?
00:08:42This...
00:08:43They are separating
00:08:46So, it's a little bit
00:08:48She needs comfort
00:08:49And I was there.
00:08:49I gave it to him
00:08:50AND...
00:08:51But nothing more
00:08:52Hmm?
00:08:54You're stupid.
00:08:54So, you have Willy and you try it
00:08:56Dude, she's not like one of those kids from school, Raúl
00:08:58Precisely
00:08:59This one's already been through the wringer.
00:09:01Please, Marcos
00:09:02This isn't the one from...
00:09:03Hapiris Guinness!
00:09:04I'm ready!
00:09:04No, dude.
00:09:05This one is ready for everything, Marcos
00:09:06Separated women
00:09:08And these are the best ones, man.
00:09:09Are...
00:09:09They are serious women
00:09:11They're so burned out on men
00:09:13As soon as they catch someone who's even slightly sensitive
00:09:14They cling to him
00:09:16Is...
00:09:16It's like ovulating on the 31st day of the month
00:09:18No, the one who is my teacher.
00:09:19Damn, I'm his student.
00:09:21But, dude
00:09:21Haven't you heard of perversions?
00:09:22See?
00:09:25Dude, you've won the lottery!
00:09:26I'll try, Marcos, please.
00:09:28Listen, not a word, to anyone
00:09:30Okay
00:09:31Don't you want anyone to know you're a hard worker?
00:09:33Okay
00:09:34Great
00:09:35But let me tell you something
00:09:36Or you attack
00:09:37Or I'll do it myself
00:09:38Okay?
00:09:39Because I have my bayonet fixed
00:09:40And the cartridges full of love
00:09:41How long?
00:09:42How long?
00:09:43Sara Sara
00:09:44Can I borrow the red pen?
00:09:46He didn't even look at me
00:09:49He's definitely not into me
00:09:51This week we're going to do a little play!
00:09:54But we have very little time to rehearse.
00:09:57So I'm going to assign the characters
00:09:59There are princesses
00:10:01Princes
00:10:02Frogs
00:10:03Forest nomyths
00:10:04Let's see
00:10:05Who wants to be the princess?
00:10:06Sara
00:10:07Come this way
00:10:08The prince?
00:10:09The prince
00:10:10What if I do it?
00:10:11Although I'm very bad at theater
00:10:13Well, I'll try.
00:10:15I want to, teacher
00:10:16Very good, Nicholas, here you go
00:10:18Excellent
00:10:19Nicolás is here.
00:10:20It's an abuse
00:10:21Let's see, the witch
00:10:22Come on, come on, there aren't going to be enough papers for everyone.
00:10:25Hey?
00:10:26The witch
00:10:27They are crazy
00:10:28Better wait for the next one
00:10:29For me, teacher, for me
00:10:30Latest!
00:10:31I!
00:10:33But the last one is the princess's maid.
00:10:36But hey, she's her best friend.
00:10:38She's a wonderful character
00:10:39He sleeps with her; she is his confidante.
00:10:41If she is the maiden...
00:10:43That way I could be with Sara
00:10:48Can I do it, teacher?
00:10:49Sure, if you don't mind, I have no problem with that.
00:10:52Curro is a menace!
00:10:53Sissy!
00:10:54Sissy!
00:10:55Sissy!
00:10:56Sissy!
00:10:57Sissy!
00:10:58Sissy!
00:10:59Come here, Curro, take it
00:11:00Okay, these are the outfits you need to bring.
00:11:07Princess, tell your parents to help you do it, okay?
00:11:11Let's see, this way
00:11:13Oh!
00:11:14The jester, very good
00:11:15The friar
00:11:17And the shepherd
00:11:23I need to take the van in for a service.
00:11:25Here for the boss
00:11:26Bring me the morning, you have it right now
00:11:28So, you're going to make your girlfriend work overtime, right?
00:11:31No way, damn it, I've modernized, it was cheaper and faster and all that
00:11:34Here?
00:11:35Where is this guy?
00:11:36Damn it!
00:11:37Santi!
00:11:38It's about time, man!
00:11:39It's about time!
00:11:40It's about time, it's about time!
00:11:41Yeah!
00:11:42Your mother-in-law has a stick up her sleeve; she doesn't want to double park.
00:11:44And I'm carrying the hams and two apples.
00:11:46That's why I'm telling you, the more you respect the traffic laws, the better.
00:11:48Okay, so what do we do now?
00:11:49You've lost your license, damn it!
00:11:50The license?
00:11:51I'm going tomorrow
00:11:52I examine myself
00:11:53I approve!
00:11:54And that's it!
00:11:55Ha ha ha!
00:11:56And even you, who finds it so easy
00:11:57There it is, man
00:11:58I just got my driver's license and I had to take the theory test twice.
00:12:00It seems you're very clumsy
00:12:02Are you going to compare your brain to mine?
00:12:03Efe, who's going to create a trauma, huh
00:12:04Ana will also say, "I speak Einstein."
00:12:06Crazy Englishman!
00:12:07He was so cute...
00:12:08Riqui, ti, ti, ti!
00:12:10Riqui, ti, ti, ti!
00:12:12Go for it, with the ring!
00:12:14This is in Spanish, right? The day I took the exam, I passed on the first try.
00:12:16The judge congratulated me.
00:12:18What do you think? Careful, careful, he received congratulations from the court.
00:12:21They gave him the cum laude diploma, they gave it to you.
00:12:23Yes sir.
00:12:24If you got your driver's license the year Fraga went swimming in Palomares with the rash.
00:12:28Listen to him, man, they're right.
00:12:30Things aren't like they used to be. You have to go to driving school, you have to take the tests.
00:12:32It's not the same.
00:12:33It's going to cost you, you're a blockhead.
00:12:35With my cap on and my hair still in place.
00:12:37We verified that in a pipe.
00:12:39Okay, what does this signal belong to?
00:12:41A. No overtaking.
00:12:43B. Roadway with priority.
00:12:45C. Congestion.
00:12:46D. There are square fried eggs.
00:12:51You are driving in a lane with a lane signal showing a green arrow.
00:12:56There is a stop sign on the pavement.
00:12:59And in the opposite direction there is an ambulance with the flashing lights on, but not the siren.
00:13:04And to his right, a fire truck.
00:13:06To whom should he give priority?
00:13:10Where did you say the ambulance was going?
00:13:12He didn't pay much attention to me, I guess he was on drugs.
00:13:16Three mistakes.
00:13:22Approved.
00:13:23Three mistakes, three successes, and 37 mistakes.
00:13:26Suspense.
00:13:27Well, you're not letting me concentrate.
00:13:29No, Santi, Santi.
00:13:30Listen and don't be a fool.
00:13:31You have to go to driving school.
00:13:33If you don't have a driver's license, then you have to go to driving school.
00:13:35Listen to him.
00:13:37You don't have a license, you're an idiot.
00:13:39You say, you're never going to get it out of your fucking life.
00:13:43Let this be the last time I see someone being picked up before I end the class.
00:13:56Is that clear?
00:13:57Clear.
00:13:58As I said, the disillusionment over the loss of the colonies was decisive for the Generation of '98.
00:14:06Now I'm really finished.
00:14:07See you tomorrow.
00:14:08Careful, careful, a wall is falling down.
00:14:20And then you can't explain it to us.
00:14:23Wow, you seem happy, don't you?
00:14:25Yes, yes.
00:14:27Well, and I'm glad to see that you're feeling better too.
00:14:30You had a bit of a low mood the other day, didn't you? Don't worry, it's okay. It's normal.
00:14:34I know when a woman is unwell, but I have a special fifth sense for these things.
00:14:39Already.
00:14:40A fifth sense, isn't it?
00:14:42Well, to tell you the truth, all the girls at school come to tell me their troubles and stuff.
00:14:45Well, but not like a gay friend or anything, you know?
00:14:47So, just so you know, if you need a shoulder to cry on, you can count on mine.
00:14:53To cry, to laugh, for whatever you want, Raquel.
00:14:57Raul.
00:14:58Tell me.
00:14:59If you have any questions about art or literature, we can talk whenever you feel like it.
00:15:02Okay.
00:15:03Otherwise, this conversation is over for good.
00:15:06Is that clear?
00:15:10See you tomorrow.
00:15:11See you tomorrow.
00:15:13Raul, what did you say to him if you hadn't said anything before?
00:15:15Dude, Marcos, seriously, do you think everyone's talking about you all day long?
00:15:18I'm asking him some things about literature, metrics, and poetry.
00:15:21Yeah, yeah, that stuff, man, leave me alone.
00:15:25How are you, little one? How's school?
00:15:27Well, today I volunteered to...
00:15:29So, there was nothing left and...
00:15:39And I've made it seem like I don't care and that...
00:15:41Okay, I want to surprise you.
00:15:43At night I am...
00:15:44Sangail Surprise.
00:15:45No, no, no, no, Valmenda tells him that she wants to give him a surprise, but what a surprise!
00:15:51That's attempted murder, Santi.
00:15:53But why are they putting these cakes at such a time, man, we're eating!
00:15:57Look, there goes the father and claps his hands, the uncle.
00:15:59Look, let me tell you something.
00:16:00One of my sons brought me a TV set and told me it was Drakin...
00:16:03Well, I'll give him two slaps that'll knock him off the platform, mark my words.
00:16:06But even Juanito Mandarinas is the most feminine.
00:16:10The thing is...
00:16:14Well, you have to have respect.
00:16:15We have to be respectful because, hey, maybe these people like dressing like that, like...
00:16:19How could a guy like dressing up as a girl, man?
00:16:22How could an uncle like dressing up as an aunt?
00:16:24We guys get dressed from the bottom up.
00:16:26The thing is, they get paid to make a fool of themselves.
00:16:28Ah, yes, yes, he's right, he's right.
00:16:30These people, when they were starting out, had their charm, didn't they?
00:16:32Well guys, you watch a TV show now and it seems like half of Spain is a Drakin.
00:16:36What is a Drakin?
00:16:38Well, like these, son, like these.
00:16:40Uncles who dress as aunts.
00:16:42What were you telling me?
00:16:44I...
00:16:45Nothing, nothing, I don't remember anymore.
00:16:47Hey, hey, Currito, son, change your shirt, it smells a little like goat.
00:16:52Okay.
00:16:53So I told Jean Manuel to stop sending me messages once and for all.
00:16:57And please, stop sending me songs.
00:17:00She leaves them recorded on my answering machine, but they're just spinsters.
00:17:03Hey, you go home, I'm going to...
00:17:06I have to ask one thing, no doubt about it.
00:17:08Damn it, Marcos, I was talking to you.
00:17:10It's about time, really.
00:17:11Raquel, I'd like to talk to you because I'm a little confused that you haven't spoken to me for two days and...
00:17:30And after what happened the other day in the bathroom, well, no, no, no...
00:17:32And what happened the other day in the bathroom, according to you?
00:17:37Perhaps you've drawn the wrong conclusions.
00:17:39Nothing happened.
00:17:42But I can see that you can't be trusted.
00:17:44That?
00:17:46You took advantage of a moment of weakness to...
00:17:49To score a point, right?
00:17:52I don't know what you're talking about, ma'am. What?
00:17:54Look, I already know how kids your age are.
00:17:57And I'm your teacher.
00:17:58And I'm not going to risk my taxes or my reputation just because you want to act tough with your buddies.
00:18:09If Raúl told you something, it really is...
00:18:11From now on we'll talk about class stuff, period.
00:18:15How's the figure? He's doing a great job, huh?
00:18:19What are they working on?
00:18:21To Raquel?
00:18:22To Raquel?
00:18:23What are you saying, Raúl? You're crazy, aren't you?
00:18:24Hey, but if you have it crazy, you'll...
00:18:25Well, I had it easy, I swear, I had it, but I made the decision, you know?
00:18:28It's as small as it needs to be.
00:18:30You're crazy?
00:18:36Isn't smoking prohibited?
00:18:39Yes, but he dumped me.
00:18:41Already.
00:18:42Well, take the mirror out of your shoe, go on.
00:18:46If this is the thing about... it's the Moonwalker thing, the Michael Jackson thing.
00:18:50No, it's a person.
00:18:52Hey buddy, what's up? How's your Latin hand coming along, huh?
00:18:54Yes, I have to tell you something, right, Bocas?
00:18:56Do you want a Bocas?
00:18:57This guy doesn't understand anything.
00:18:59Hey, so this is how you repay me, man.
00:19:01We're friends, right?
00:19:02Hey, do you know anything about Michael Jackson?
00:19:09Well, this is something we've gone over a thousand times, something you all should know, which is what to do in case of an accident.
00:19:14I suppose none...
00:19:15Good afternoon.
00:19:16Good afternoon.
00:19:17Good afternoon.
00:19:19Santiago.
00:19:20No, no.
00:19:21Let the retirement home confront.
00:19:24That's enough, okay?
00:19:25It looks like we have a new student in class.
00:19:26Not a student at all.
00:19:27I'm here to review.
00:19:29Well, if you want to sit in the back.
00:19:31Okay.
00:19:32Well, anyway, this group is taking the exam tomorrow, if you want to prepare with another group.
00:19:37No, no, no, I'll show up tomorrow too, I've had some bureaucratic problems, okay?
00:19:41Very good.
00:19:42We were talking about what to do in case of an accident.
00:19:44Do you have any questions?
00:19:45Doubts?
00:19:46None.
00:19:47Come on, go on, go on.
00:19:48The first thing we have to do, remember, is in case of an accident, the first thing to do is check if they are breathing
00:19:52and if so, we place him in the supine position.
00:19:55Ah.
00:19:56Santiago.
00:19:57Me?
00:19:58In a supine position.
00:19:59Good.
00:20:00She has been arrested.
00:20:01Santiago.
00:20:02Santiago, the point is to save it, not to wall it off, okay?
00:20:03I thought it was a swollen doll.
00:20:04Hey, please.
00:20:05Santiago, Santiago.
00:20:06De cubito supino means bocarrillo.
00:20:07Okay, let's go.
00:20:08What we have to do first is massage three times and then blow air in.
00:20:09Come on.
00:20:10Santiago, Santiago.
00:20:11The air only once.
00:20:12And please.
00:20:13Santiago, Santiago.
00:20:14De cubito supino means bocarrillo.
00:20:16Okay, let's go.
00:20:17What we have to do first is massage three times and then blow air in.
00:20:19Come on.
00:20:20Santiago, Santiago.
00:20:21Breath only once, mouth to mouth.
00:20:22OK?
00:20:23We repeat, massage three times and blow air in.
00:20:25Come on, Santiago, even Chucky has done better.
00:20:27Chucky has met his match here, like disgust with the shit he eats.
00:20:28Hey, show some respect.
00:20:29Either way, you've just finished off the heriluz.
00:20:30However, he no longer suffers.
00:20:32What are you saying?
00:20:33Do you think I'm going to play Superman on the road when I could just call an ambulance?
00:20:37So, what are we paying... for?
00:20:38No, no, no, no.
00:20:39No, no, no, no, no.
00:20:40No, no, no, no, no, no, no, no.
00:20:41No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:20:42Yes, how disgusting is the crap he eats.
00:20:44Hey, show some respect.
00:20:45Either way, you've just finished off the heriluz.
00:20:48However, he no longer suffers.
00:20:50Get up, what are you saying?
00:20:52Do you think I'm going to play Superman on the road when I could just call an ambulance?
00:20:55So why do we pay at the exit? What for?
00:20:58Come on, man.
00:20:59Well, Santiago, anyway. I think it's a bit weak.
00:21:02Why don't you take three home to review?
00:21:04Well, what technique, what technicians, nothing, man. This is a joke, a joke!
00:21:09I don't remember, in a video.
00:21:11Hello, isn't this Marcos? He just arrived.
00:21:23Ah, a little kiss from mom.
00:21:25Ah, okay. So, a kiss.
00:21:27A little kiss from her father too.
00:21:28What? Okay, fine, yes, yes, yes. Alright, we'll talk tomorrow.
00:21:32Take good care of yourself and give a kiss to Dad. Bye.
00:21:37How is your father?
00:21:38Good. Well, the doctors say that maybe he can go for a walk tomorrow if he feels like it.
00:21:46And you?
00:21:47Good.
00:21:50Yeah.
00:21:54And you?
00:21:57I'm fine, it's going to be normal.
00:21:58No, no, no. What's wrong with the new teacher?
00:22:02Be careful, kid, I've been eyeing you up.
00:22:05What? Seriously, Marcos? Every time you walk by he stares at your butt.
00:22:10Well, thinking about it, it's normal.
00:22:12No, I already know what happened, you spoke with Raúl, right?
00:22:14Well, just ignore it because it's all in his head.
00:22:17Okay, okay, okay.
00:22:18Have you seen The Graduate?
00:22:20The movie, the one about that older woman who gets involved with the young guy.
00:22:24Clear.
00:22:25Clear!
00:22:26Sure, dude, that's it, that's it, that's it.
00:22:28Because Raquel could be one of those teachers who have an affair with a student every year,
00:22:31as well as those sexual fantasies that you horny teenagers have, like you.
00:22:35Ah, well maybe that's how outgoing teenage girls, like you, cool off.
00:22:39As?
00:22:39Okay, I'm driving in a lane with a lane signal that has a green arrow.
00:23:01There's a stop sign on the pavement, on the ground, I guess.
00:23:05And in the opposite direction there is an ambulance with the flashing lights on, but not the audible signal.
00:23:10In that direction, to the right, of course.
00:23:13And I find myself facing the toothpick holder.
00:23:18And where were the firefighters?
00:23:20Where?
00:23:21The firefighters are on the right.
00:23:25But to my right, with the ambulance.
00:23:31Let's see.
00:23:33The C, the C, the C.
00:23:35The C, the C.
00:23:37Let's see.
00:23:38Which is it?
00:23:40The C.
00:23:42You know what I'm saying?
00:23:43This whole driver's license thing is a business.
00:23:45Damn, it's a business.
00:23:46My parents don't pay me much for it, otherwise...
00:23:49Do you know why?
00:23:51Because they make it difficult.
00:23:53And what for?
00:23:54So that driving schools, the CGT union, and their partners can line their pockets.
00:23:58Or what do you think?
00:24:00Santiago, you have a problem.
00:24:02Dude, let's face it.
00:24:06You're not going to pass that exam tomorrow.
00:24:09What are you saying, kid?
00:24:11And stop serving these beers, you're too young and it costs money.
00:24:14Well, that's where I'm going with this, Santiago.
00:24:16Money, money?
00:24:18Equal...
00:24:18For a small fee, I can make sure you pass tomorrow.
00:24:22Hey?
00:24:22I'll do the test for you and give it to you in the middle of the exam.
00:24:29What are you saying, kid?
00:24:31Are you going to make the tea for me?
00:24:33And on top of that, I'm going to pay you.
00:24:34What do you think you are, kid?
00:24:36I don't allow anyone to do anything for me in life.
00:24:39I've earned everything myself, without cheating, through the sweat of my brow.
00:24:44How much?
00:24:45How much are we talking about?
00:24:46Nothing, a little something, a pittance, no...
00:24:52Three hundred.
00:24:53Three hundred, three hundred, three hundred, three hundred...
00:24:55Three hundred is almost fifty thousand pesetas.
00:24:58What do you think you are, that you can fool me?
00:24:59To the finish line, Tomás, you sack of shit, man.
00:25:03Well, it's up to you.
00:25:08Think about it.
00:25:09Don't let your father think.
00:25:10Come on, get out, get out of here, get out.
00:25:16Man, move forward, opposite direction.
00:25:28What a drag, right?
00:25:30Damn, dude, I can't find the lyrics here.
00:25:33Man, that amazing singer-songwriter-poet.
00:25:35Touch yourself, won't you?
00:25:36I can play, it's just that I can't get the lyrics out.
00:25:39The lyrics?
00:25:40Did I do something wrong to you?
00:25:41I've done you wrong.
00:25:42I made you two, didn't I?
00:25:42Okay, I don't know, write about something you know.
00:25:47Clear.
00:25:49Do you know much about students who fall in love with their teachers?
00:25:54Guys, are you going down to see the moon?
00:25:56Okay, last one's a pancake!
00:25:57That!
00:25:58That's not fair!
00:25:59No, seriously, there's a goldmine there.
00:26:01Students falling in love with their teachers?
00:26:03It's like life in reverse.
00:26:04Life's upside down, you see what it is.
00:26:12That's cool, isn't it?
00:26:14Yeah.
00:26:15And that's all I can think of, to be honest.
00:26:19Patience, wait.
00:26:22We can think of things that are the other way around.
00:26:25What if it snows in summer?
00:26:27Well.
00:26:30It starts snowing in the middle of summer.
00:26:32And always with you on my mind?
00:26:37Let's see, I mean, let's see, let's see.
00:26:47It's cool.
00:26:50He insisted, I looked in the mirror and there...
00:26:54And there...
00:26:56And there's nobody there.
00:26:58No, there's nobody there.
00:27:00And there, there, there I am not.
00:27:03Over there...
00:27:03I look in the mirror and you're not there.
00:27:07No, you, you.
00:27:09I.
00:27:10Marcos, you, Marcos.
00:27:11Ah.
00:27:11I look in the mirror and Marcos isn't there.
00:27:16No, slow, I don't know what I know.
00:27:17I don't know if I think it's over there, right?
00:27:20Me, cool.
00:27:21Miss, I'm going to have to hire you as an assistant, huh?
00:27:23I don't know if we make a good couple when we're together, huh?
00:27:28Sing it, go on.
00:27:30I still don't know it very well.
00:27:31Oh well, it doesn't matter.
00:27:32Open the window and hang your problems out in the sun
00:27:45Swimming through the streets talking about you
00:27:49To gaze into the rain and drink in a new song
00:27:56Play cards using your love letters
00:28:02To remove the rooftops the color of solitude
00:28:06Send an email to the moon
00:28:09And the moon answers
00:28:11No
00:28:13Life in reverse
00:28:15You see what it is
00:28:17And while I have you on my mind
00:28:21Always thinking of you
00:28:22Count to three
00:28:24And you never know what's going on
00:28:28Life in reverse
00:28:30Thinking with your feet
00:28:32And while dancing with the ideas
00:28:36Laugh for yourself
00:28:38Crying for no reason
00:28:40In trouble
00:28:42You wouldn't believe it.
00:28:44Life in reverse
00:28:46Life in reverse
00:28:51Marco, dude, you saw Eva's ass in the shower
00:29:01Look, it's 960, don't come here with a little butt...
00:29:03But how disgusting, huh?
00:29:04How disgusting, huh?
00:29:04What a wretched ear, but he's a wretch, but...
00:29:06Have you seen anything?
00:29:08Not at all, Dad, I mean, I was there with my ID and my guitar, I couldn't...
00:29:11Look, look, Guille, Guille, you have no manners, my son, you have no manners
00:29:15What are knuckles for?
00:29:16To knock on the door
00:29:17But they're also there for other reasons you wouldn't like.
00:29:19Okay, Dad, sorry, but...
00:29:21Don't lose him, please!
00:29:23I'm not promising her forgiveness, okay?
00:29:24This kid is really stupid.
00:29:26Come on, pull, pull, let's go downstairs, the girl is having breakfast
00:29:29I'll give it to him, right?
00:29:29I'll give it to him, give it to him, give it to him, give it to him
00:29:30Huh? Huh? Where are you, kid?
00:29:49But Curro, what are you doing here?
00:29:53And what about my skirt?
00:29:54Nothing, nothing, I'm not going to...
00:29:55Hang on a minute
00:29:57She's still wearing it.
00:29:59Let me have it, please, that's what it says one day, please
00:30:02Curro
00:30:03Why do you want my skirt and no lies?
00:30:08We're going to put on a play at my school.
00:30:10And I play the maid.
00:30:12As a maiden, you?
00:30:17What's wrong, are there no girls in your class or what?
00:30:19It was the last piece of paper left.
00:30:21Already
00:30:22And what does your father say?
00:30:25My father doesn't know.
00:30:26Don't tell him, please.
00:30:28He just doesn't like Draquinas.
00:30:29And if I tell her, I'm sure she won't let me work with Sara.
00:30:33Sara?
00:30:36Who is Sara?
00:30:37Account
00:30:37The prettiest girl in class
00:30:39So, what do you like?
00:30:41Yes, but I'm sure she likes Nicholas.
00:30:44It's what runs the fastest
00:30:45And they all say he's more handsome.
00:30:47But I know that girls don't just focus on that.
00:30:49We notice so many other things, really
00:30:52Yes, that's why you turned down bowling.
00:30:54Hey, that's not true, okay?
00:30:56Besides, I wouldn't have liked bowling even if I were handsome.
00:30:59Well, we're not talking about me.
00:31:01Come on, I'm going to help you.
00:31:03If I don't know you're going to look like a drag queen
00:31:05You're going to be lucky because I still have things left.
00:31:08And last year's performance
00:31:10Come on, start telling me
00:31:11Good morning, good morning everyone
00:31:13Please take a seat
00:31:14Please come in.
00:31:15Forward
00:31:17Those who are already seated can start putting
00:31:21Their names on the forms
00:31:24Come in, please, have a seat
00:31:29What's up, buddy?
00:31:33That?
00:31:43The first
00:31:44The first
00:31:45This is the sixth time and it keeps getting worse.
00:31:47Okay, the exam starts now.
00:31:50They have 45 minutes
00:31:51There is one lane of traffic.
00:32:03Damn, the one in the ambulance and the firefighter
00:32:05Blanket eggs
00:32:07They've added a police car
00:32:09Ah, this is C
00:32:11Yes, yes, yes
00:32:11I remember, I remember
00:32:12The answers have been changed
00:32:14They're going to catch them, they're going to catch them
00:32:17I already have four mistakes
00:32:20And the one about the weight of the truck
00:32:23What the hell do I care?
00:32:25If I'm not going to be a truck driver
00:32:26Boy, boy
00:32:36There it is
00:32:39Cinema?
00:32:41What 100?
00:32:42300
00:32:43What do you mean, 300?
00:32:48Cape
00:32:48Okay, fine, go ahead
00:32:50Up to 8
00:32:51Show me the pasta
00:32:54Do you know what's happening?
00:33:04You have to go to the ticket office.
00:33:05Everything is more expensive.
00:33:06Give me 100 more
00:33:06Well
00:33:08He's better than your father
00:33:10TRUE?
00:33:11Pear, pear, pear
00:33:14TRUE?
00:33:25Pear, pear
00:33:29No.
00:33:30No.
00:33:31No.
00:33:32No.
00:33:33No.
00:33:34No.
00:33:35No.
00:33:36No.
00:33:37Wait.
00:33:59No.
00:34:01No.
00:34:02No.
00:34:03No.
00:34:06No.
00:34:07No.
00:34:09No.
00:34:10No.
00:34:14There.
00:34:20No.
00:34:24No.
00:34:26No.
00:34:28What's going on here? What have they done?
00:34:40Uh, no, no, nothing.
00:34:42They've done something.
00:34:43He was leaning towards him.
00:34:44He just keeps staring.
00:34:47He keeps looking and looking again.
00:34:49What are you saying? What are you saying?
00:34:50Are you stupid?
00:34:51Leave me alone.
00:34:53Are you stupid?
00:34:53Please leave the room. You are suspended.
00:34:55No, but you can't get a meniscus.
00:34:56Man, that's a lie, because they don't taste perfect.
00:35:00Please leave the room. You are suspended.
00:35:01But will you come with me? Please.
00:35:04Come on, you go, kid. You go, do a little of what you have to do.
00:35:06I forgive you.
00:35:08What youth!
00:35:09What a bad opinion!
00:35:10Are you still like this? What do you have to wear?
00:35:13Come on, the little ones are waiting for us.
00:35:14Can you help me with the suit?
00:35:15Well, if you want to feel good, I can paint you.
00:35:21You wouldn't want me to go into the girls' bathroom, would you?
00:35:23Curro, are the girls going to this bathroom?
00:35:26That won't sting, will it?
00:35:41No.
00:35:42It's just that I'm worried it will stay with me forever.
00:35:44No, it takes away the time.
00:35:45Do you like it?
00:35:53I don't know.
00:35:54Do I look younger like this?
00:35:55Not much.
00:35:56Make it and stick with this.
00:35:59Shh!
00:35:59Shh!
00:36:00Shh!
00:36:01Shut up!
00:36:03And now? For more girls?
00:36:05Hey, what's up? Are there any girls here?
00:36:07No!
00:36:07She lives in the girls' bathroom, right? Why?
00:36:10Come on!
00:36:11No.
00:36:12So, we're not going to.
00:36:13So, that kid isn't yours, man.
00:36:15But why not? I mean, it could be...
00:36:17Why not?
00:36:18Because when women give birth they end up like a cow.
00:36:21Damn, look at my mother.
00:36:22He spat on me and that was it, like a turd.
00:36:23Your mother was with a barrel before she had you, Chucky.
00:36:28Bye bye.
00:36:28Hey, show some respect, huh?
00:36:30But that's not the important thing.
00:36:32The important thing is that a divorced woman is a gift.
00:36:36But a divorced woman with a child is a sure thing.
00:36:40She is defenseless.
00:36:42He needs a father.
00:36:44He's looking for someone.
00:36:45To whomever.
00:36:46Desperate.
00:36:48Sniffing, dude.
00:36:50So, what does it have to be today?
00:36:51Hey, look, don't yell at me, okay?
00:36:55And what do you want me to do?
00:36:56I've told you a thousand times to call me a day in advance.
00:36:58What are you waiting for, kid?
00:37:00Look, the guy who went and helped the kid out,
00:37:02He wins the jackpot.
00:37:04Be grateful that I let you be yourself in the beginning.
00:37:07Well, folks, let's see how a professional acts, shall we?
00:37:10And then we'll talk.
00:37:12Go away!
00:37:13Well yes.
00:37:14Well, if you can't get your lawyer, I...
00:37:16It's not my fault.
00:37:17What do you want me to do?
00:37:20Look, let's leave it at that, yes.
00:37:21Yes, let's leave it at that.
00:37:22I'm going today.
00:37:23Yes.
00:37:24That...
00:37:24That...
00:37:25Sorry, yes.
00:37:30Yes, I can today.
00:37:31The sooner we finish this, the better.
00:37:34Okay?
00:37:35If we meet at eight thirty at your lawyer's office.
00:37:37And goodbye.
00:37:44Answering machine.
00:37:44Marcos.
00:37:49Yeah?
00:37:50You see, it's just that...
00:37:51I have a problem, don't you?
00:37:54That?
00:37:54That?
00:37:55That?
00:37:56I can't find a kangaroo and...
00:37:58And I don't know, could your sister stay with the child this afternoon?
00:38:03Well, not for another two hours.
00:38:05Already.
00:38:06I need it now.
00:38:07Well.
00:38:12So, who are we leaving you with today?
00:38:14That...
00:38:15If you want, if you want, I'll keep him.
00:38:18I have a free afternoon.
00:38:19If you trust me, what is it?
00:38:21No?
00:38:21I don't want to complicate things for you.
00:38:25Well, don't be silly, if I...
00:38:28I don't know.
00:38:29That way I earn a few bucks and, well, besides, I get along well with him, come on.
00:38:32After what I told you yesterday, look, I'm sorry, it's just that I've been a bit upset lately.
00:38:39and I pay for it with the first thing that comes along.
00:38:42Yeah, well, it's okay.
00:38:44I'm sorry.
00:38:45The child will only be here for two hours and then I'll pay you.
00:38:48Besides, it won't give you any problems.
00:38:49Don't worry, okay?
00:38:51I'll take care of him and then we'll talk about the money and you, you, you, you do it.
00:38:56You too can be as beautiful as me.
00:38:58I wish I were as beautiful as you.
00:39:01If you want, you can become a princess.
00:39:03Well, the cholesterol command strikes again.
00:39:06Unless we make a black pudding salad.
00:39:08Unless Lucia is there, right?
00:39:09This is a disaster.
00:39:11Look at how everything is.
00:39:11Okay, calm down, calm down, woman.
00:39:13It's afternoon, let's go to the market and you can buy all the greenery you needed.
00:39:17Dad.
00:39:17That?
00:39:18Rod did some very strange things.
00:39:20Well, not now, Guilla.
00:39:21Not now, now, come on, lend a hand and put it on the table, go on.
00:39:24But don't you happen to have some fresh barley juice around here?
00:39:27Look, look.
00:39:28Guess who passed the theory test on the first try?
00:39:31Well no.
00:39:32Me, damn it, me, not a single mistake, not a single mistake.
00:39:34Very good.
00:39:35Come on, let's go.
00:39:37Raúl took it out today too, right?
00:39:38Raul.
00:39:39Capu.
00:39:40Don't tell me, my poor thing, with all the studying I've done, what a shame.
00:39:43My God, that's another 40,000 pesetas.
00:39:46So I'm telling you, this whole driver's license thing is a business you're ruining.
00:39:48Kids these days just don't study, they don't study.
00:39:51They think things come easily, and you can't go through life like that, man.
00:39:54And that's the theory.
00:39:56You'll see, the practical one is more complicated.
00:39:57The practical one?
00:39:58For those of us who know how to drive, it's a piece of cake.
00:40:00But no, Santi, no, that's even worse, you have to learn a bunch of nonsense.
00:40:05I'm telling you this because I was a driving instructor.
00:40:07So, you know about cars, what's that?
00:40:08No, my old lady.
00:40:10Well, my husband knows everything, right?
00:40:12Come on, she knows how to make paella better than me.
00:40:14Just talk, right, Fiti?
00:40:15Hey Fiti, couldn't you give me a rundown?
00:40:19To review.
00:40:21I don't know, man, I'm really busy right now, but I might check my schedule and maybe I'll have a little free time this afternoon.
00:40:26Come on, Fiti, don't play hard to get.
00:40:27Give the man a once-over, find yourself a...
00:40:28A review, you say.
00:40:30And for this man to prove what he needs, it takes a miracle.
00:40:34Dale.
00:40:35Do it.
00:40:50That?
00:40:52Which of your children would you say is the most normal?
00:40:57Well, look, Guille, the truth is, I work.
00:41:00Yes, but Marcos is a singer-songwriter and you...
00:41:02Well, you know perfectly well what you are, I'm not going to tell you because you know it perfectly well.
00:41:05So, frankly, I work.
00:41:07Curro, right?
00:41:07Yeah.
00:41:08Very good.
00:41:08Well, today I saw him in the girls' bathroom, putting on lipstick, wearing makeup like a clown.
00:41:17Well, but I'd be better off playing.
00:41:19Have you ever played at putting on makeup?
00:41:21No.
00:41:22Me neither.
00:41:24Dad, I work like a trout.
00:41:27Look, I'm going to give you one...
00:41:28Don't even joke about that, okay, Guille?
00:41:30Not even as a joke.
00:41:31Well, Dad, you tell me.
00:41:32In the girls' bathroom, while putting on makeup, one of two things is either a snob or on her way to becoming one.
00:41:36But how do you do your makeup?
00:41:41So, like Drakin?
00:41:44Drakin?
00:41:45Yeah, well damn, guys who dress up as girls.
00:41:47Drakuin, dad.
00:41:47Ah, Drakuin, that's right.
00:41:49Yes, yes, but that's not the worst part.
00:41:51I caught her earlier telling her aunt that she wanted to be as pretty as her.
00:41:57Dad, if you start like this, I don't want to tell you how you'll end up.
00:42:01Look, you have to do something now while we still have time.
00:42:03Ah, no, no, no, no, no, no, no, no, no, no, no.
00:42:07Guille, look, Guille, I know you, look, one thing, don't you even touch Curro.
00:42:10And what's wrong with you is that you're envious, that's what's wrong with you.
00:42:12Look, Dad, it's up to you, but when your little boy becomes the new Johnny Candy Man, it'll be your fault.
00:42:19What's more, are you doing anything now?
00:42:22Or we lose Curro forever.
00:42:30I have to wear the suit all the time.
00:42:32Of course, otherwise you won't get into character, as I said today, another day already, teacher.
00:42:37I'll start. You can be like me too.
00:42:40I wish I were as pretty as you. That's it.
00:42:43And shall we rehearse again?
00:42:45I think I know it well. If you want, we can study yours.
00:42:48And I play the lead role.
00:42:50We could have dinner in the park now.
00:42:52Okay.
00:42:53I start when it gets dark.
00:42:56Look, Hicielo, thousands of stars have come to light our way.
00:42:59Now's the time I have to kiss her.
00:43:03What do I do? Where do I kiss her?
00:43:06How are movies made?
00:43:11Curro, it was your turn. I'm going to kiss you.
00:43:14I thought you weren't finished yet.
00:43:16Okay, I'm going to the bathroom. Will you wait for me?
00:43:20Okay. That way I can review as well.
00:43:25You are the most beautiful of all the stars.
00:43:28I wish I were as beautiful as you.
00:43:31God.
00:43:31Raúl, Raúl, out.
00:43:38Uncle, uncle, uncle, uncle.
00:43:39How do you treat your friends?
00:43:40Raúl, please.
00:43:41Hey!
00:43:41Raúl, relax.
00:43:42I'm taking care of you.
00:43:43Relax, dude. I told you that offering yourself as a goat never fails.
00:43:45Hey, dude.
00:43:46Uncle.
00:43:47Raul is coming.
00:43:47Did you nail it?
00:43:48He's amazing.
00:43:49Raul.
00:43:49You nailed it.
00:43:50Not even in his prime, not even in Spartacus Santo.
00:43:52What are you doing?
00:43:52Not even the condelequy on the yacht.
00:43:54Raúl, no.
00:43:54You're the fucking boss. Yes, sir.
00:43:56You're the fucking boss.
00:43:57Let's see what we have here.
00:43:59There aren't any pictures of the child, at least there aren't any pictures of the husband, right?
00:44:02No, that's not bad.
00:44:03Poetry, poetry, more poetry.
00:44:05This girl's a bit of a mat, isn't she?
00:44:07Okay, nothing, just nonsense.
00:44:09Hey, dude!
00:44:10What is this?
00:44:12Raul.
00:44:13A videotape.
00:44:14Come on, put down the videotape.
00:44:16Listen to me, Marcos.
00:44:17Why would someone hide a videotape?
00:44:18Huh? Huh? Huh?
00:44:19Will one of you answer again?
00:44:20No, I don't know.
00:44:21Is she a hairy-haired woman?
00:44:23Come on, Raúl, what are you saying?
00:44:24Do you want to release the video tape?
00:44:26Uncle, uncle, uncle.
00:44:27Are you sure this woman films herself having sex?
00:44:30She probably has a twin sister, dude.
00:44:31This gives us unlimited possibilities, man.
00:44:33No, no, no.
00:44:34Don't mess with me.
00:44:36Damn, this chick really knows how to handle her kid.
00:44:51Gaby, she may be morimbia, but...
00:44:53Raúl, you...
00:44:55I mean, Gaby, Gaby, Gaby, Gaby, Gaby.
00:44:57It's okay, right?
00:44:58Hey?
00:44:59It's okay, that's fine.
00:44:59We'll change that now, right?
00:45:01Okay, so what?
00:45:03When are we going to have the driving lesson?
00:45:06Look, this afternoon, if you want.
00:45:07Made.
00:45:08Okay.
00:45:12I was thinking, I mean...
00:45:14Well, I'm also going to start thinking about the things we did as children, right?
00:45:19Especially that phase where you dress up as a girl, right?
00:45:22And you put on some little skirts and then you're made up with lipstick and...
00:45:27Well, that's normal, I mean, that's not unusual, right?
00:45:30I mean, I'm saying that children do those things during that phase, right?
00:45:34What's normal?
00:45:36No, don't mess with me, Diego, don't mess with me that you...
00:45:38No, no, no, no, no, not me, not me, not me, not me, no.
00:45:41But it happens, I mean, it happens.
00:45:42At that stage, children do it because it happens.
00:45:44Children do that at that stage, right?
00:45:47Well, they do.
00:45:49Boris was a regular.
00:45:51But not me, not me, Diego, not me.
00:45:53Well, but it's not that unusual.
00:45:55For example, Becan, to name just one, likes to play football with his wife's panties on.
00:45:59That?
00:45:59That?
00:46:00What you heard, that is, that Becan likes it with his wife's panties on, he likes it because apparently the guy concentrates, he concentrates more.
00:46:05And she does her job better because she thinks about herself.
00:46:07When she's wearing her panties, well, she thinks about her, she understands.
00:46:09And by the way, one thing, nobody is saying anything about Becan around here.
00:46:11Diego, Diego, Diego, Diego, listen to me for something.
00:46:14Look, let me tell you, okay?
00:46:15If you're a football star and earn a billion a year,
00:46:18And if you want to wear your wife's or whoever's panties, well, that's fine, it's okay because you're a peculiar guy.
00:46:24But if you're a nobody and you come to work wearing your wife's panties, then you're a total faggot, damn it.
00:46:30Now that I'm interested, are you going to work wearing Lucia's panties too?
00:46:33No, no, not me, no, not me, no, no, no, no.
00:46:36But I'm talking about work.
00:46:38What job does Lucia's underwear have?
00:46:40No, not Lucia's, she wears other people's panties.
00:46:43Come on, let me explain, I caught the boy dressing up as a girl, come on.
00:46:47And Guillermo said that at school, they saw her putting on makeup, like...
00:46:52And, and, and, and, frankly, I'm worried because I don't know what to think.
00:46:55You don't know what to think, damn it.
00:46:58It's perfectly clear.
00:47:00Look, I don't want to talk, but...
00:47:01Campe, for someone who was aiming well, don't worry.
00:47:04We still have time to straighten things out, right?
00:47:06I don't know, I don't know, these ages are really tough.
00:47:08But, Fiti, what ages? For God's sake, he's a kid, he's a little kid.
00:47:11What ages? What ages, Fiti? What ages?
00:47:12Well, the truth is, very good, very good, it doesn't point at the kid, huh?
00:47:18No.
00:47:19Well, everything, one thing.
00:47:21Have you ever looked through his things?
00:47:24No, not me.
00:47:25Well, my God, let's see what it is.
00:47:27That's not the first thing a responsible father has to do, man.
00:47:30Already.
00:47:30Go into his room, take a look around, see how he's breathing, kid.
00:47:34Yeah.
00:47:34Look, me, me with my Raúl, at eight years old, look, I caught him with his dirty little magazine.
00:47:42Hey?
00:47:42Then, one feels more at ease.
00:47:45You know, you have a normal kid.
00:47:47Naked, dude!
00:47:48He probably films himself naked doing dirty things.
00:47:50Raul, Raul, you're definitely a normal person.
00:47:52Look, look at the child, it's all your fault.
00:47:54Give me the tape.
00:47:54No, no, no, I won't give it to you.
00:47:55Give me the tape, I won't give you the tape.
00:47:56Raúl, get out, get out of here.
00:47:57Go away.
00:47:58Long.
00:47:58Marcos.
00:47:58I'm not leaving.
00:48:01If you don't give me the tape, I'm not leaving.
00:48:03Host.
00:48:05Host.
00:48:07How's the kitchen coming along?
00:48:08The kitchen, the kitchen, the kitchen.
00:48:12Let's see, Gaby.
00:48:13Let's see, Gaby.
00:48:14We're going to see a conflict, huh?
00:48:15Yes, yes, yes, yes.
00:48:16No, no, yes, yes, yes.
00:48:17Come on, run away, run away, run away.
00:48:19Come, come, come, don't cry.
00:48:21Come, come.
00:48:22Hey, little thing.
00:48:23But what?
00:48:24Did you put the clown spray on it?
00:48:25Yeah.
00:48:26He pooped, didn't he?
00:48:28AND...
00:48:29Look, look, look.
00:48:31Hey, well...
00:48:31Listen, I'm going to sleep with him because...
00:48:32Yes, yes, yes, no, no.
00:48:34Raul.
00:48:35We cried.
00:48:35Raul.
00:48:38Raul.
00:48:39The pacifier.
00:48:40The pacifier.
00:48:41Where's the pacifier?
00:48:41The pacifier.
00:48:42The pacifier.
00:48:43Look.
00:48:43The pacifier.
00:48:44The pacifier.
00:48:44The pacifier, the pacifier.
00:48:45Here, here it is, here.
00:48:47Thank you.
00:48:49Hey Raquel, what's up...
00:48:52How was your meeting?
00:48:55Meeting?
00:48:55Yeah.
00:48:57Well...
00:48:58Well, a disaster.
00:49:01A disaster.
00:49:02Everything I suggested to my husband and...
00:49:05My ex-husband and his lawyer denied it to me.
00:49:10But the worst part isn't the money, it's that...
00:49:13It's as if he were a stranger.
00:49:17I looked at him and thought, but what if...
00:49:19We loved each other just a little while ago and...
00:49:22I guess relationships are like that.
00:49:28Well...
00:49:29Raquel, neither...
00:49:30Don't overthink it, okay?
00:49:32Equal...
00:49:33I'm sure you haven't eaten anything.
00:49:34No, no, no.
00:49:35I'm going to prepare something, okay?
00:49:37No, no, no, Raquel.
00:49:41One thing I'll tell you, okay?
00:49:42A.
00:49:45Yeah.
00:49:46In other words, the...
00:49:47The uncle...
00:49:49He...
00:49:49This...
00:49:50He doesn't deserve you.
00:49:52He doesn't deserve you.
00:49:53In other words, he doesn't deserve a single tear from you.
00:49:55It's over.
00:49:57Don't suffer anymore because of him.
00:49:57Okay.
00:50:05Out.
00:50:05Yes, my love.
00:50:06I'm coming now, my love.
00:50:09Gaby.
00:50:10Gaby, don't cry, okay?
00:50:11I'm coming with you now.
00:50:11Go for it, go for it.
00:50:12Come on, Peque, keep playing.
00:50:14Oh, listen.
00:50:14Come on, go, go.
00:50:21And so?
00:50:22Nothing, just a noise.
00:50:23AND...
00:50:24And can I help you with dinner?
00:50:26Okay, please.
00:50:28Go to first.
00:50:30And onward.
00:50:31Relax, Fiti.
00:50:32I know how it's done.
00:50:36What is this?
00:50:36What's this thing you've got in your car, man?
00:50:38The lucky dice.
00:50:39Come on, please, drive.
00:50:41Of luck.
00:50:44Okay, okay, okay, okay, okay.
00:50:46What's happening?
00:50:46Suspended.
00:50:47Hey?
00:50:48And the seatbelt?
00:50:49Oh ok.
00:50:51Colorable impact.
00:50:52Sure, sure.
00:50:53Only colorable.
00:50:54Oh, mother.
00:50:56Okay, fine.
00:50:56Come on, put on your seatbelt.
00:50:57Please.
00:51:00Put it in first gear and go forward.
00:51:08Suspended.
00:51:09That?
00:51:10What's happening?
00:51:10Both hands on the steering wheel.
00:51:12So what does that have to do with knowing how to drive well or badly?
00:51:15I'm very sorry, but I don't make the rules.
00:51:17The rules.
00:51:18The rules.
00:51:20Oh my God.
00:51:23Suspended.
00:51:23Suspended for what reason?
00:51:24Because he didn't look in the rearview mirror when he turned.
00:51:26He's getting on my nerves.
00:51:29Suspended.
00:51:30Suspended again, why?
00:51:31The crosswalk that hasn't stopped and there are pedestrians waiting there.
00:51:35I shit on.
00:51:36Well, this is serious.
00:51:37Suspended.
00:51:38Suspended again?
00:51:39Yes, again.
00:51:40Because he pulled over without using his turn signal.
00:51:42Go away, man.
00:51:44You know what I'm saying?
00:51:45Fuck the class.
00:51:47Okay, very good.
00:51:49Suspended for disrespecting the examiner, which is me.
00:51:52And that is serious.
00:51:52Screw this little class, man.
00:51:54Okay, my old lady.
00:51:57To the one who stays on the ground, ready?
00:51:59Are you a smart aleck?
00:51:59Go fuck yourself, chalau.
00:52:01What are you, a chalau?
00:52:02Yes, you do!
00:52:03Go on, get the car up, you hick.
00:52:05Are you a hick?
00:52:06Will you find out when I try the first one?
00:52:08Are you going to find out?
00:52:09Let's see if it's true, let's see if it's true.
00:52:11We'll see about that.
00:52:13Well, he knew him at Isti.
00:52:15He was a really handsome guy, he had a motorcycle, that kind of thing.
00:52:20I was a bit of a thug.
00:52:22I liked heavy metal music, motorcycles, and...
00:52:26Oh really?
00:52:26Yeah.
00:52:27I can't believe it.
00:52:28Yes, yes.
00:52:29And then we got married.
00:52:30Since we had been dating for so long, well, I don't know, it was what had to happen.
00:52:35And if you weren't convinced, why did you do it?
00:52:39Well, because sometimes things aren't so simple and...
00:52:45And I loved him.
00:52:46Stay still, stay still, stay still, stay still!
00:52:48Okay, two things.
00:52:49In other words, the first one is that you don't take the tortilla.
00:52:52Okay.
00:52:54And the second reason is because...
00:52:56Don't try to date someone and start over.
00:53:00Passed.
00:53:03When...
00:53:03When I tell them I'm getting a divorce and that I have a child, I give them the shock of their lives.
00:53:08Oh, girl, but you're not scary, come on...
00:53:11So, you don't...
00:53:13You scare people, no...
00:53:14Already.
00:53:15You're not scary, are you?
00:53:17When you're a little older, you'll realize that not everything is so easy.
00:53:21Well, the truth is that...
00:53:25I have a little experience because, well...
00:53:30I had a terrible time with a girl and...
00:53:32I've been smitten with her for a long time and...
00:53:35And it was an impossible story and...
00:53:37Don't say that.
00:53:39Now there is no such thing as impossible love.
00:53:40Yeah?
00:53:44Ah, well then I won't have a bad time again.
00:53:46What's this about a...
00:53:48One thumbtack sticks in, sticks another thumbtack in?
00:53:50Almost.
00:53:51One nail drives out another.
00:53:54Yes, you really are a sticky finger.
00:53:59Well...
00:53:59It's gotten a bit late, hasn't it?
00:54:03Sorry.
00:54:04Leave.
00:54:05And it's because I...
00:54:07And tell me...
00:54:08How much do I have to give you?
00:54:10No.
00:54:11Leave it.
00:54:12No, no, no.
00:54:13Yes, yes.
00:54:13If you're coming tomorrow, I don't want to feel bad.
00:54:16But what are you going to pay me with money?
00:54:19EITHER...
00:54:20Fifteen, fifteen.
00:54:22Fifteen, sorry.
00:54:23Fifteen, fifteen hours.
00:54:24No?
00:54:24That's already the most...
00:54:25No?
00:54:27Have?
00:54:28Yes I have.
00:54:29Here.
00:54:31Well, tomorrow...
00:54:32The kangaroo is coming back tomorrow.
00:54:33I mean, I...
00:54:35Come on.
00:54:36See you tomorrow.
00:54:36Okay.
00:54:38Give a kiss to...
00:54:40Come on, on your behalf.
00:54:42Good night.
00:54:43Bye.
00:54:47According to the latest studies from Harvard's BMS, sexual identity is becoming more established...
00:54:52Sexual identity...
00:54:54Yeah.
00:54:57Diego, darling, it's me.
00:54:59Lucia, how are you?
00:55:00How are you?
00:55:00How are you?
00:55:01How's everything?
00:55:02Good.
00:55:03Well, the truth is that everything remains the same.
00:55:06Well, and you?
00:55:06Okay, well, okay, let's see, like...
00:55:08In other words, fine, as always.
00:55:10Oops, sorry.
00:55:12No, nothing, yes, that...
00:55:15Diego, that's strange, is something wrong?
00:55:17No, no, no, no, no, nothing's wrong, woman, nothing's wrong, it's...
00:55:21Diego, is something wrong?
00:55:23Yes, yes, it does happen, you'll see.
00:55:24The thing is...
00:55:25I'm very worried about Curro.
00:55:28With Curro?
00:55:29Has this ever happened to you...?
00:55:30But wait, with Curro or with Guille?
00:55:32With Curro, with Curro, I mean, I'm not going to know which son it is, well, with Curro, with Curro.
00:55:35This is, you see, I don't know how to explain it to you, but...
00:55:39That...
00:55:39That lately she's been dressing in T.T. clothes.
00:55:44AND...
00:55:44Wait, wait, and she told him that she wants to be as pretty, I mean, she told him, listen, as pretty, as pretty as her.
00:55:50But hey, they'd be playing, don't worry about it.
00:55:53There's surely a more normal and simple explanation.
00:55:55No, yes, yes, it probably has a logical and simple explanation, yes, but...
00:55:58But I'm going to tell you something else.
00:55:59I mean, at school, I mean, they caught him at school...
00:56:02Applying makeup.
00:56:05Putting on makeup, that is, putting on makeup, lipstick and everything, that is, with everything.
00:56:10Well, I think that's going to be funny.
00:56:11Well, I don't find it funny at all, but how can you find it funny that the child is wearing makeup at school?
00:56:14I mean, it's something that, well, I don't find funny at all.
00:56:16Hey Diego, don't get all extreme, okay?
00:56:18Curro is still little.
00:56:19Yes, that's what I thought, but look, I actually have it...
00:56:22Look, notice, sexual identity is definitively established, Lucia, between the ages of six and eight.
00:56:30Can you tell what you're reading?
00:56:31Yes, page 206 of a book is called Your Children and Sex, in volume one, which they just updated this year.
00:56:37Diego.
00:56:37So, I'm saying she'll be reliable, like it sounds to say that she...
00:56:40Diego, let me speak, okay?
00:56:42Okay, fine, I understand you've read that and that's great, but maybe he's seen something on TV, you know how impressionable children are at that age.
00:56:50Maybe he's confused.
00:56:51Yes, yes, I may be confused, yes, yes.
00:56:54I don't know, I'm worried that the kid is having a hard time, aren't I?
00:56:56And...
00:56:57And another thing, Lucia, that I was going to tell you, that...
00:57:01Well, Fiti, I mean, Fiti told me to rummage through his things.
00:57:05Look, Diego, that's a no-go.
00:57:06You know that with children you have to talk directly about things, let him tell you.
00:57:10Lucia, yes, talking, talking, well yes, you're very good at that, but frankly, I'm not...
00:57:16That...
00:57:16I would really like you to be here and I miss you a lot, Lucia.
00:57:20I miss you too.
00:57:22Thank you.
00:57:24Diego.
00:57:26Diego.
00:57:27Lucia!
00:57:28Lucia!
00:57:29Diego, I can't hear you.
00:57:30Diego.
00:57:31I love you too, Lucia.
00:57:51How was yesterday?
00:57:55Yesterday.
00:57:55Nothing, well, nothing, I did babysitting.
00:58:00So, how are you doing, my dear friend? Have you succeeded yet?
00:58:03Hey, you didn't charge her for babysitting, did you? She might think you're a freeloader.
00:58:08And when your relationship is official, tell him to approve me for literature, because I'm family too.
00:58:12Hey, what's up? Comedy festival with Eva?
00:58:14Auntie, you're very funny, but...
00:58:15Why don't you shut up for a bit?
00:58:17No way, come on, seriously.
00:58:23Come on, seriously.
00:58:24How's it going with her?
00:58:25What's up?
00:58:26Marcos, well, I don't know, since it's outside of class, at his house, I don't know, you must have talked, right?
00:58:36To speak, what you might call speaking...
00:58:38What do you mean?
00:58:42Hey, Marcos, seriously, you're not going to tell me that...
00:58:50Tell me.
00:58:53Who?
00:58:54There won't be anything between you and that aunt, right?
00:59:00Listen, whatever's between Raquel and me is none of your business, you know?
00:59:06But don't worry, if there's anything official, we'll let you know, okay?
00:59:10And I'm almost going to leave, it's getting late.
00:59:13See you later, sister.
00:59:22But what are we looking for, Santa?
00:59:25Well, well, well, well, women's clothing and lipstick, makeup and things like that.
00:59:29Well, any clue.
00:59:30Find your pen, I'm going to check the auction, come on.
00:59:33You know, any clue.
00:59:37Santi!
00:59:38There is still hope.
00:59:40For a football dessert.
00:59:41From bécal.
00:59:45He doesn't really like football.
00:59:47He likes good-looking guys.
00:59:48Look how it doesn't have a dessert from Monoburgos or Puyol.
00:59:51You already know.
00:59:52Yes, but keep looking.
00:59:54Go on, keep looking.
01:00:00Santi!
01:00:02God.
01:00:03Okay, okay, okay, okay.
01:00:06Well.
01:00:06Dad, what are you doing here?
01:00:11Nothing, son, nothing.
01:00:12I wanted to talk to you.
01:00:15Sit here, sit here.
01:00:17Look, son, I wanted to talk to you about...
01:00:20Well, above all, above all, about bees and flowers.
01:00:28Leave the bees alone, man.
01:00:29This guy knows Latin.
01:00:30Well, do you remember a documentary we watched?
01:00:33It was a monkey movie, where there was a monkey man who stood on top of the female monkey.
01:00:44And then when I was on top of the female monkey, well, they kind of moved around and stuff.
01:00:51And that, well, and it seemed like they liked it.
01:00:54So, that...
01:00:55So, men and women are the same.
01:00:58What do monkeys and men have in common?
01:01:03A lot.
01:01:04They have a lot, a lot of work.
01:01:04It has a lot to do with it.
01:01:06You might not understand now, because you're small,
01:01:08But when you're a little older, and maybe, for example,
01:01:10There are those things you see in class because you like someone,
01:01:12And then those things...
01:01:15You like someone, huh?
01:01:19But tell us, it's not a big deal.
01:01:21It's happened to everyone, see you?
01:01:22And that person you like is a...
01:01:26I mean, I mean, that...
01:01:27What's the name of that person you like?
01:01:30I'm just embarrassed.
01:01:32But, but I work, for God's sake, I don't want to cut corners,
01:01:34I'm your father, you can tell me anything.
01:01:36Anything.
01:01:38Anything.
01:01:39For example, dressing up as a girl and putting on makeup,
01:01:44That has to do with...
01:01:45Currito!
01:01:49This kid hasn't turned out well.
01:01:51Damn it, Santi, for fuck's sake.
01:01:53No, no, no, I didn't have enough.
01:01:55With one son a singer-songwriter and another a mobster,
01:01:57And for the one time I manage to get it right, damn it...
01:01:59These are things professionals do.
01:02:01But what are you saying, Santi?
01:02:02But you, you, you, you are stupid.
01:02:04But, for God's sake, the child is eight years old,
01:02:05How to see a professional?
01:02:07Of course, of course, I'm referring to the windbag,
01:02:09Do you see the psychologist?
01:02:10Come on, I'll go with you.
01:02:12This will be resolved right now.
01:02:14Come on.
01:02:15Yeah.
01:02:17Hello.
01:02:17Marco Serrano.
01:02:23What is the Greek canon of beauty?
01:02:30Hey...
01:02:3190, 60, 90.
01:02:32Very creative.
01:02:38You're a little clueless, aren't you?
01:02:41Well, it's just that yesterday I had to stay up late doing some work.
01:02:45And I can't study much, but...
01:02:48Already.
01:02:50So you'll get it ready for tomorrow, okay?
01:02:54We continue.
01:02:56Eva Capdevila.
01:02:57Archaic Greek styles.
01:03:02Well, I don't know.
01:03:04But, well, I'll prepare it for you tomorrow.
01:03:06I finished very late yesterday too.
01:03:21Finished.
01:03:21See you tomorrow.
01:03:22Dude, you're my idol.
01:03:34I'm going to put your name on my bathrobe,
01:03:35to see you every day.
01:03:36That?
01:03:37I had never in my life seen a teacher postpone a question.
01:03:39My mother had given you a zero, I mean, right off the bat.
01:03:41Yes, but Raquel is different.
01:03:44Yeah, sure.
01:03:45Hey, what little job did you do for him yesterday?
01:03:48Noel, I didn't do anything, okay?
01:03:49Nothing happened, it's impossible.
01:03:50Impossible, make no mistake, Marcos.
01:03:52What I just saw here today is impossible.
01:03:53Know?
01:03:54Dude, you've got it broken, talking to her in code.
01:03:55Please, Marcos.
01:03:57It's time to bring out your secret soul.
01:04:00Draw your weapon.
01:04:02The secret soul.
01:04:03Clear.
01:04:06The guitar.
01:04:09But hey, you're out of your mind.
01:04:11Do you really think this is a CEAC ad, Raúl?
01:04:13She's an adult aunt.
01:04:14And you're just a kid and you have a lot to learn, Marcos.
01:04:16Okay?
01:04:17Dude, do you know what your mistake is?
01:04:19Do you have them idealized?
01:04:21Dude, they like it as much as we do.
01:04:23Or more.
01:04:24Or much more.
01:04:25Okay?
01:04:26So, if you want it, why wouldn't she?
01:04:27If it's normal.
01:04:29Take note.
01:04:30You don't watch one of those soft, stupid things and fall for it, dude.
01:04:33It's sure to fall.
01:04:34Raul, dude, my signal's cutting out, dude.
01:04:35Sorry, I can't hear you at all, man.
01:04:37Listen, Marcos, take the guitar, please.
01:04:39Marcos.
01:04:40Yes, yes, yes, yes.
01:04:40Yeah.
01:04:40He's going to be gay in the end, you'll see.
01:04:43He's going to be gay in the end.
01:04:46Look, look.
01:04:47There, there it is.
01:04:48I've already seen it, don't leave me hanging, I'm fed up with the little hand.
01:04:52How are you, Fermín?
01:04:53We wanted to talk to you.
01:04:54Hello, Diego.
01:04:55Fernando, not Fermín.
01:04:56Yes, well, you see, what we wanted to talk about is Curro.
01:05:02To a really nice guy.
01:05:03Well, at first, yes.
01:05:05Would you like to have a coffee?
01:05:06Yes, come on, yes, yes.
01:05:09Well, the other day I was reading the encyclopedia, I was just taking a look at it.
01:05:13Yeah.
01:05:14I do it quite often.
01:05:14And then comes that chapter where he talks about children and sexual identity, right?
01:05:18Ah.
01:05:19AND...
01:05:20And well, you see, it's just that, I don't know, Curro has been doing some rather strange things lately.
01:05:24I think he's going through a confusing time and I don't know what to do, Fermín.
01:05:29Fernando, well, it turns out our kid's a bit odd.
01:05:34No, nothing, fuck.
01:05:35Let's see, but can we understand what you're talking about?
01:05:37So, she wears little girl clothes, puts on makeup, and I don't know how many other things.
01:05:42Shut up, that's not it, Santi, leave it to me, that's not it.
01:05:45Look, Curro is my son, isn't he?
01:05:48And what worries me is that the kid is suffering, you know?
01:05:51No, Mom, this is just like when a tree grows crooked and you have to straighten it, isn't it?
01:05:56In this case it's the same, if he needs a good beating...
01:05:58What a beating!
01:05:58Will you be quiet and go over there for a bit?
01:06:00Let me, let me explain.
01:06:02I don't care if the kid likes boys or girls.
01:06:05All I want is for her to be happy and to know that she can count on me.
01:06:09Well, what I think is that he's a little disoriented, isn't he?
01:06:13And she wants to tell me something, but I don't know exactly what it is...
01:06:18Santi...
01:06:21Nothing, that...
01:06:26Here, forget what we've told you, forget it, no...
01:06:29Okay, see you later, see you later.
01:06:30You too can be like me.
01:06:33I wish I were as beautiful as you.
01:06:35Bravo!
01:06:38Bravo!
01:06:39Well, that's it.
01:06:42Congratulations to all the actors.
01:06:48Sara?
01:06:49That?
01:06:50We did very well, especially you.
01:06:52I would have liked you to be the protagonist.
01:06:56That way I wouldn't have to kiss Nicolás.
01:06:59But I thought you were with Nicholas.
01:07:02No.
01:07:04I like it a lot.
01:07:05How much?
01:07:07A lot, a lot, but a whole lot.
01:07:09I'm here for you too.
01:07:12So, do you want to be my boyfriend?
01:07:14I already have a boyfriend.
01:07:15I have two boyfriends.
01:07:18But you can be my favorite boyfriend.
01:07:22So, come.
01:07:22Dad, this is Sara, my girlfriend.
01:07:32Ah, well, it was.
01:07:33She's very pretty, son.
01:07:33She's very pretty.
01:07:34Did you know you're gorgeous?
01:07:35Well yes.
01:07:36Go on.
01:07:37And a very good actress.
01:07:38Then we'll treat you to a ham sandwich, a soft drink, and whatever else you'd like at the tavern.
01:07:43This needs to be done within a certain timeframe, okay?
01:07:45Sara, work.
01:07:46Okay, calm down.
01:07:49You have to see it to believe it.
01:07:50And what did you think, that the child was a little... come on, really?
01:07:53Was that you?
01:07:53Did you think about it?
01:07:55Well, no.
01:07:55Well, it isn't, but even if it were, it doesn't matter.
01:07:58What I want is for Curro to be happy.
01:08:01Well, and I'll do anything to make him happy.
01:08:03Well, as much as whatever.
01:08:05Yes, Santi, whatever, whatever.
01:08:07Because parents have to get used to accepting their children just as they are.
01:08:11Not the way we'd like them to be, right?
01:08:12For example, my husband tells me when he's older that he has a boyfriend, right?
01:08:15And that I have to give him two kisses.
01:08:17Hey, well I'll learn and give him two kisses.
01:08:20Well, I don't know if I would give them to him, you know?
01:08:21You would give them to him too because you are his uncle.
01:08:23In other words, I would give them to them.
01:08:24And besides, we are modern people, people of the 21st century.
01:08:26You understand?
01:08:27How late.
01:08:28That?
01:08:28I need to go review the signs because tomorrow I have that practical mindset.
01:08:32Relax, don't get nervous, Santi.
01:08:33Don't get nervous.
01:08:37Look at me, I'm just a fish in a fishbowl, longing to see the sea whenever you want.
01:09:00Count me in, count me in.
01:09:07To give the best that is in me, to bind myself to you.
01:09:14And to tell you that whenever you want, you can count on me.
01:09:20I had been told you played, but I didn't know you were so good at it.
01:09:33Well, nothing.
01:09:35Like music, gentle, the wild beasts, well, it was there.
01:09:38Yes, especially this one.
01:09:40No, seriously, she's very pretty.
01:09:42Did you compose it?
01:09:43Yes, well, it's not finished yet.
01:09:44It's a bit cheesy now, you know?
01:09:46Well, that's what girls like, right?
01:09:48You know that, don't you?
01:09:50I'm sure you've used it a lot, right?
01:09:52No, yes, yes.
01:09:54I'm still really embarrassed to play and sing in front of people.
01:09:59Well, you shouldn't be embarrassed.
01:10:01With a song like that, any girl would fall at your feet.
01:10:04Really?
01:10:07Don't you do one of those silly, soft things?
01:10:09And it'll fall, man, it's bound to fall.
01:10:13Do you get along very well with him?
01:10:15Don't think he gets along with everyone, okay?
01:10:17Oh really?
01:10:17Someone is looking for me.
01:10:23Whoever it is, desperate, sniffing, dude.
01:10:27I'm trying to say something, aren't I?
01:10:30It can't be like that.
01:10:32Damn, what do I do?
01:10:34Dude, they like it as much as we do.
01:10:36Or more, or much more, okay?
01:10:39So, if you want it, why wouldn't she?
01:10:41So that's normal.
01:10:48Marcos, what are you doing?
01:10:49Sorry.
01:10:51I'm going to leave.
01:10:53I got home very late yesterday and my father...
01:10:55My father, you know what?
01:10:56It says I don't study, what's up with that?
01:10:58Well, good night, have a good rest.
01:10:59See you tomorrow.
01:11:00Bye bye.
01:11:17I stopped the car.
01:11:29Suspended.
01:11:31You have stepped onto the shoulder of the road a couple of times.
01:11:34TRUE.
01:11:35Rubio Street, 22.
01:11:38For whatever you need.
01:11:40Thank you.
01:11:40Come on, let's see if you have better luck.
01:11:49Sancuda, macabeo.
01:11:54Look, look.
01:11:56He allowed me to bring him a loin of Salamanca meat.
01:12:00Fly, fly.
01:12:02Don't you like it?
01:12:03Can I get you some ham or a couple of cheeses?
01:12:07You can start whenever you want.
01:12:08Okay, he'll give it back to me later, right?
01:12:12Okay.
01:12:13Well.
01:12:14First, the seatbelt.
01:12:16Otherwise, it's suspended, right?
01:12:19Where is the board?
01:12:22Here it is.
01:12:24Good.
01:12:26Let's go.
01:12:26Okay.
01:12:38No, no, no, no.
01:12:42I haven't seen the notice board.
01:12:43I haven't seen it.
01:12:45My leg cramped and it froze up.
01:12:48The clutch, the clutch is unbalanced too, huh?
01:12:51But what have you done, man?
01:12:53I've gotten you used to putting pressure on you, putting pressure on you and...
01:12:55Well, why don't we turn the car around and keep going, right?
01:13:01I lie wall to wall, throwing into the air the kisses I never gave you.
01:13:12Jumping to the ground without a net, dreaming of doors that will not open for me.
01:13:20And meanwhile, to you we are lost reflections in your window.
01:13:35I feel the girl next door.
01:13:40Just the girl next door.
01:13:43From the next room.
01:14:13For the car.
01:14:35Suspended.
01:14:36You have driven on the shoulder of the road a couple of times.
01:14:39TRUE.
01:14:40Rubio Street, 22.
01:14:41Whenever.
01:14:51Come on, let's see if you have better luck.
01:14:54Cancuda, more hair.
01:14:59Look, look, look.
01:15:01I have taken the liberty of bringing him a loin of Salamanca.
01:15:05Fly, fly.
01:15:07What? You don't like it?
01:15:09Can I get you some jam?
01:15:11A couple of cheeses.
01:15:12You can start whenever you want.
01:15:14Okay, he'll give it back to me later, right?
01:15:17Okay.
01:15:18Well.
01:15:19First, the seatbelt.
01:15:21Otherwise, it's suspended, right?
01:15:25Where is the board?
01:15:27Here it is.
01:15:30Good.
01:15:31Let's go.
01:15:31I haven't seen the notice board.
01:15:49I haven't seen it.
01:15:50I got a leg cramp and it's frozen.
01:15:54The clutch, the clutch is unbalanced too, huh?
01:15:56But he's done it, man.
01:15:58I've gotten you used to putting pressure on you, putting pressure on you and...
01:16:02Well, why don't we turn the car around and keep going, right?
01:16:06I lie wall to wall, throwing into the air the kisses I never gave you.
01:16:17Jumping to the ground without a net, dreaming of doors that will not open for me.
01:16:25I'm that boy next door.
01:16:31And while everyone is there, we are all lost reflections in your window.
01:16:41I feel the girl next door.
01:16:46Just the girl next door.
01:16:49From the next room.
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