Los Serrano - 5x07 - El reparto de África - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

José Luis, el hermano de Lourditas, decide conquistar a Lucía. Fiti y Santiago, que no están dispuestos a permitir que el recién llegado se salga con la suya, informan a Diego del tipo de hombre que es José Luis. El "empresario" hostelero intenta sin mucha fortuna evitar que su ex-mujer y su nuevo pretendiente entablen una estrecha amistad. Decidida a olvidar definitivamente a Raúl, África se declara a Marcos pero éste, que realmente no siente nada por la chica, alega que no puede salir con ella ya que supondría una traición a su mejor amigo. Poco después, África busca a su ex-novio para pedirle que no se interponga entre ella y Marcos. Tras pasar juntos el fin de semana en la casa rural, Guille difunde en clase el rumor de que Teté y él ya "se han estrenado". Teté se convierte rápidamente en el centro de las miradas y críticas de sus compañeros. Al ver a su novia tan afectada, Guille intentará reparar su error.

Transcript

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00:01:00I would have liked you to get a job that pays more than you do, right? I don't know.

00:01:03Well, even being in the workshop with Fiti, I feel calm.

00:01:06Me too, you know? I also feel very calm there, having José Luis in the workshop, very calm.

00:01:12Sometimes we do things we don't want to do because we don't know how to say no.

00:01:16Like what happened to Fiti with my uncle Santiago when he asked him to bring his brother-in-law José Luis into the workshop.

00:01:21Being a mechanic in the workshop is a very honorable and very nice job, isn't it, Fiti?

00:01:25And very difficult, very difficult, huh? You have to be good. You have to have a fifth sense to know what's wrong with the baby.

00:01:31Yes, yes, yes, but he gets it, he gets it. He gets it for his own good, right, José Luis?

00:01:34Yes, yes, he gets it, he gets it.

00:01:35Well, he does get it all. He's the smartest kid around.

00:01:38The strange thing is that Lourdes had always said that her brother was studying to be a notary.

00:01:43And of course, a notary wearing overalls didn't sit well with more than one person.

00:01:47Forgive me for interjecting, but it just doesn't make sense to me.

00:01:51Because, I mean, what Lourdes says is right, José Luis.

00:01:54So, you've been studying like crazy and now you're suddenly working like a day laborer.

00:01:57Forgive me, but I think it's strange.

00:01:59It's not that unusual, is it?

00:02:01No, no, no. Not me, of course not.

00:02:03No, no, it's not strange. Besides, a change of scenery was good for me because...

00:02:06For the first time in their lives, Fiti and my uncle Santi, who always see everything as strange, didn't see what was strange as strange.

00:02:11No, no, just a moment. I'm going to tell you something, Santi.

00:02:14Hey?

00:02:15And that was very strange.

00:02:16Well, we're at fault.

00:02:17Sing it, Traviata.

00:02:18Damn it, sing it, Traviata, let the notary come to the workshop, sing it, Traviata.

00:02:21Let's tell the truth, say that he's a criminal and a crook, and put an end to this farce.

00:02:24But whatever you want, I'm interested and it breaks her heart.

00:02:27But don't you see how much he loves her?

00:02:29Look at the way they're looking at him.

00:02:30And if you think it's Saint Teresa of Facuta.

00:02:33Okay, fine, but let me tell you something, okay?

00:02:34Since I messed things up, I'm not going to take the fall, you're going to take it.

00:02:40What? What are you whispering about?

00:02:42Hey?

00:02:43Were you talking about me? About me? About me?

00:02:44Premature ejaculation? Huh?

00:02:46Well, so you know.

00:02:47In other words, being faithful to one's wife is not a bad thing.

00:02:50It's not bad.

00:02:50And I haven't been able to because Lucia is still my wife.

00:02:53Do you understand that?

00:02:53Sure, sure.

00:02:54Do you understand?

00:02:54And what I'm going to do, what I'm always going to do, is respect her, help her, and protect her.

00:02:59like the apple of my eye.

00:03:00That's it, like the girl, like the girl.

00:03:02And it was to protect Lucía, the apple of his eye, that my father got involved in

00:03:06a mess that made him so embarrassed he couldn't be happier.

00:03:08Because?

00:03:08Because there are no papers.

00:03:09On a station platform, under the blazing sun, you were talking about a skyscraper in the sky

00:03:16from New York.

00:03:17Come soon to see the sea and send a postcard.

00:03:20I already knew that day was the end.

00:03:25Now I have much more.

00:03:28Red, black, stop and even, finally luck brings an ace and a crystal to look through and a wall

00:03:34to hang seven smiling faces on a passport photo.

00:03:39My stories were not about tales made by chance.

00:03:46Nobody told me that destiny was giving me this opportunity.

00:03:52One plus one equals seven.

00:03:56Who would have thought?

00:03:58That it was so easy to be happy.

00:04:14Well, I'm running to the workshop where Lurditas' brother comes to work.

00:04:17I'm going to show you the whole thing.

00:04:18Is Lurditas' brother going to work in the workshop?

00:04:20Yes, yes, yes.

00:04:21And so?

00:04:22I wasn't preparing positions for notary.

00:04:26That one has...

00:04:27Yes, yes, yes, I was studying for notary positions and such.

00:04:32But come on, I was overwhelmed studying all day, going back and forth.

00:04:35In the end, it turned out to be a wild year.

00:04:37And it's there.

00:04:38So come on.

00:04:39I'm running off, I'm taking the new jumpsuits with me.

00:04:41Okay.

00:04:42Yes, and everything.

00:04:43Hello.

00:04:44Good morning.

00:04:49Lucy, I don't expect a firecracker from a marching band, but a good morning, hello.

00:04:54Yeah, sorry, it's just that I'm not giving off a very good vibe this morning.

00:04:56Look, you've been like this for a few days, huh?

00:05:01And you can say whatever you want, but you've been like this ever since Diego made that attempt.

00:05:04Because of Diego?

00:05:05Look, please, Candina, don't talk nonsense.

00:05:06Oh my God.

00:05:07By Diego.

00:05:08It's true.

00:05:10Okay, fine, it's not because of Diego.

00:05:11Why is that then?

00:05:14I don't know.

00:05:15Come on, Lucia, we know each other.

00:05:16Diego's situation has, at the very least, upset you.

00:05:20And how could it not upset me?

00:05:22Because, damn it, damn it, it just doesn't make sense to me that he's sleeping with a woman now.

00:05:26I mean, I wasn't expecting that.

00:05:28Already.

00:05:28Well, let me tell you something, you were Oscar-worthy in the role of the understanding ex-wife.

00:05:34I just couldn't believe it.

00:05:35Yes, okay, Candela, but what do you want me to do?

00:05:37Let's see.

00:05:38I'm not like him when it comes to jealousy.

00:05:40He's started a real row with Sergi, damn it, it's not even remotely possible.

00:05:44I would like to do something similar.

00:05:45Maria, I'm with you.

00:05:46Well, that's it, and look at him now.

00:05:47It's the first one launched.

00:05:49And the thing is, I couldn't care less whether I finish or not, because, well, you know

00:05:52which I couldn't care less about.

00:05:54But the fact is, it was launched, right?

00:05:55And then he comes to me with little details.

00:05:57And here I am, like a fool, not noticing a guy since my separation.

00:06:01No, Lucia, it's not a race either, okay?

00:06:03Look, Candela, I'm serious, if Diego is going to be rushed to come.

00:06:06He finds out through the topic of choirs or jealousy.

00:06:09I swear he'll find out this time.

00:06:11Look.

00:06:11Let's see.

00:06:12Hello.

00:06:13Hello.

00:06:19What is the photo from the excursion?

00:06:30Yes, look at them.

00:06:31I put my fingers in it, it makes me hysterical.

00:06:33Look, that's the first stop we made, right before we arrived.

00:06:35Well, the freak show, right?

00:06:38Look, here's my more eco-conscious side, planting a pine tree.

00:06:41Oh, is that your sexiest side?

00:06:43You're not bad looking either, are you, little girl?

00:06:45Okay, come here.

00:06:45Good morning.

00:06:46What are you doing?

00:06:47What are you doing in front of the girl?

00:06:48Oh my God, what are you doing?

00:06:51Oops!

00:06:52What is this from the cobilla?

00:06:52What is this?

00:06:57A photo?

00:06:58A photo.

00:06:59You feel a little self-conscious, don't you?

00:07:00Curro, Curro, son, you see, I need to talk to your brother and sister for a moment.

00:07:04Come on, go to your room and do a few things.

00:07:06Okay, great.

00:07:09What do you do together in bed?

00:07:11Somarranos!

00:07:12Did you say that, you pig?

00:07:13Yes, yes, yes, I said that, you pig, yes, I said that, you pig.

00:07:16I've already been through this, this is a disaster, please.

00:07:19But, but, but don't you realize you're just little kids, okay?

00:07:21Little children don't do these things.

00:07:23But what things, Diego?

00:07:24Don't freak out, can't you see we're just messing around?

00:07:26Practically!

00:07:26You can't be joking around, no.

00:07:28Don't realize that joking around is bad, don't joke around.

00:07:30It's a dirty-eyed look, just leave it.

00:07:31Guille, did you say I'm having a dirty-eyed attack?

00:07:33Yes, Dad.

00:07:33So, you're telling me I have a dirty look.

00:07:35But not with a dirty look, Diego, with a filthy look.

00:07:36But it's not like we got into bed just to take the picture.

00:07:38Was it a joke?

00:07:42Is this a joke?

00:07:43Well yes.

00:07:43So, yeah, but, so you guys don't...

00:07:46No.

00:07:47No, Diego.

00:07:48Besides, you haven't seen the pajamas Guille is wearing, it's impossible.

00:07:51I don't know what's wrong with my pajamas either, I don't know.

00:07:52I don't know what's wrong with the pajamas either, because they're pajamas, well, not really, but it's normal, I buy them myself, you know.

00:07:56Shut up, it's not about pajamas!

00:07:58For God's sake, it's a matter of you two not even being able to be together in bed, not even jokingly, do you understand?

00:08:02Don't you understand? Is that clear?

00:08:04At least until you get married.

00:08:05Is that clear?

00:08:06Well, this photo will stay here at home, let's not go out there in case someone sees it and misinterprets it.

00:08:10Because this photo is open to misinterpretation.

00:08:18Imperialism could be defined as the practice of domination by powerful nations.

00:08:22over others that are not.

00:08:25The 19th century is, par excellence, the 19th century.

00:08:28Okay, if you listen, fine, because I...

00:08:29And it certainly is.

00:08:30But the kiss with Africa was silly, man, there's nothing to it.

00:08:32It was during this period that Europeans carried out the division of Africa.

00:08:36The partitioning of Africa? What bastards those Europeans are.

00:08:39When was Africa divided up?

00:08:41Too late, too late because they already did it, Raúl.

00:08:42They did it, they did it, and it was a dirty trick...

00:08:44Because, damn it, Africa belongs to Africans, okay?

00:08:49And the imperialists are sons of bitches.

00:08:51Raúl, Raúl, I was really angry too when I found out about all this, but you have to hold your tongue, okay?

00:08:56Okay?

00:08:58Poor thing.

00:08:58That?

00:09:00Poor thing, what do you mean, poor thing?

00:09:02Elena, Raúl and I are no longer together.

00:09:04Come on, I don't think I need to remind you why we broke up.

00:09:08So I don't think it's a reason to get so worked up, because Marcos and I don't give in to...

00:09:11Okay, so I'll fight anyone for Africa.

00:09:13Okay, Raúl, that's very clear.

00:09:15Enough.

00:09:15Okay, but Africa isn't going to be colonized by me, and neither is it.

00:09:17Okay, just drop it, alright Raúl?

00:09:17No, you're being a fool.

00:09:19Okay, Raúl, Marcos, to the hallway.

00:09:23Right now.

00:09:25Wait a moment.

00:09:25Don't push, okay?

00:09:33Don't push, don't push, don't push.

00:09:35Well, go out.

00:09:37Stay still.

00:09:38Don't even touch each other, okay?

00:09:40Let's see, what's going on with you guys?

00:09:42You guys were messing around during the hike and you're still at it, going on and on and on, right?

00:09:45Can you tell me what's going on with the division of Africa?

00:09:49You don't want to talk, that's fine by me, you're grown up.

00:09:52But in class, keep an eye on things, okay?

00:09:53A lot of control, because I don't intend to tolerate a single silly thing.

00:09:58I'm serious, okay?

00:10:00Come inside.

00:10:02Come inside.

00:10:03We have to move on now.

00:10:15What, wedge?

00:10:16Hey?

00:10:17How was the workshop?

00:10:18What if it doesn't come?

00:10:19But how are you going to do it, Santi, man?

00:10:21For God's sake, a guy who's good at studying to be a notary will be great at mechanics because it's easier.

00:10:25Also, I did a little work in a workshop, you know, to get some knobs and stuff done.

00:10:29No problem.

00:10:29So tell us, how are you, how are you Fiti?

00:10:31As the boss, I mean, what?

00:10:32Well, then...

00:10:33No, because...

00:10:34Can you tell me what you're doing here?

00:10:36Having a coffee, otherwise I'm not a person, Fiti.

00:10:38Person?

00:10:39You told me you'd be out for five minutes and I've been waiting for you for two hours, you stupid Lava.

00:10:42What are you doing?

00:10:43No insults, okay?

00:10:44I haven't had my coffee and I'm in a really bad mood.

00:10:46Come on, my old lady, with what the little one is costing me now.

00:10:51Well...

00:10:51What did you call me?

00:10:52Hey?

00:10:53What did you call me?

00:10:54No, no, sorry, repeat that.

00:10:55Let's see, let's see.

00:10:55Do you repeat that?

00:10:56No, repeat that.

00:10:57Don't ever call me that again.

00:10:58Okay, calm down, calm down, things can be sorted out by talking.

00:11:02Hey, I have an explanation for José Luis's delay.

00:11:04If he has it, if he has it, well, I've been there all morning, the Washington Libra.

00:11:08So, what's the explanation?

00:11:09Well, I have a problem.

00:11:11Do you have a problem?

00:11:12Ah, a sleep problem and I haven't slept well at night.

00:11:14And if I don't sleep, well, I can't answer, you understand?

00:11:16That's why I'm having a coffee, so I can function.

00:11:18Already.

00:11:19And why don't you tell me about Washington?

00:11:20Because you tell me about Washington first thing in the morning and I'll do the workshop for you, damn it.

00:11:24He's right, damn it, sleep is important.

00:11:26No way.

00:11:27Sleep is essential.

00:11:27Sleep is fundamental, isn't it?

00:11:29Well, now he'll be able to sleep as much as he wants, because he's going straight to unemployment.

00:11:33Are you firing me?

00:11:34I am saying goodbye.

00:11:35No, are you firing me?

00:11:36No, you're firing me.

00:11:37José Luis, I need you.

00:11:38No, no, no.

00:11:38Nothing, yes, yes.

00:11:39But what have you brought me into the workshop for?

00:11:41Santi, dude, for God's sake.

00:11:42Give it another chance, Fiti, give it another chance.

00:11:45Give it to me, Lurdita.

00:11:46She is so excited that he will stay in Santa Justa and have a job.

00:11:50Don't fire him.

00:11:50He's just a pimp and a shameless opportunist.

00:11:52Hang in there, Fiti, hang in there.

00:11:53Do it.

00:11:54Do it for our friendship.

00:11:55Fiti.

00:11:57I'm just too nice.

00:11:58I'm too good.

00:11:59Look, look, look, a turd there.

00:12:01Look what a beautiful place.

00:12:04Look how lovely, Elena is alive.

00:12:06It's good, huh?

00:12:07What is this?

00:12:09Okay, okay, leave the photo.

00:12:11Leave the photo.

00:12:11Pass it on, pass it on, pass it on.

00:12:17Hey, you're so cute, you're in bed with a girl.

00:12:20Let's see, let's see, let's see.

00:12:21Look.

00:12:21Look, man, but...

00:12:22But who told you to put on your pajamas, huh?

00:12:25What happened, Guillermín?

00:12:26What happened?

00:12:27Tete asked you to get into his bed and you messed up again, huh?

00:12:31Of course, and to avoid any danger, I put on my pajamas and all.

00:12:35Okay, that's it, right?

00:12:36Damn, he put me in my pajamas because it was cold.

00:12:38Yes, sure.

00:12:39It was cold and there...

00:12:40Why are you so upset when happy things happen, huh?

00:12:42The thing is...

00:12:43Oh, come on, I'm right there...

00:12:45So what if you're there?

00:12:46I'll give you a little bit of an answer.

00:12:47Okay, hold on, people.

00:12:48Stop, there are boys who mature late in their sexuality.

00:12:51No problem.

00:12:51My old man told me.

00:12:52Well, that's what's going to happen to him.

00:12:54Because look, she's happy in bed and nothing's happening...

00:12:56Who said anything at all?

00:12:58In other words, I haven't said anything at all.

00:13:00But seriously, did something happen or not?

00:13:03With those pajamas, I don't believe it, huh?

00:13:05From there, from there, there's no going back.

00:13:08No, no, no, seriously.

00:13:10Did it happen or not?

00:13:11Well, a guy doesn't talk about these things, but something happened and that's it.

00:13:14But stop, stop, stop.

00:13:16Are you serious?

00:13:21Look, for example, you're going to start with this one.

00:13:24The owner drove down a goat path and wrecked the undercarriage, okay?

00:13:27So here's the tool and the cart.

00:13:33Car, huh?

00:13:35To diagnose the underside of a car, you have to look first.

00:13:37Like the car?

00:13:38This car, come on, I want to see you knock it down.

00:13:41Okay, damn it, Fiti, I'm going to lie down there.

00:13:42Hey?

00:13:44Come on.

00:13:44Okay, okay, okay.

00:13:48So I don't get my new jumpsuit dirty, right?

00:13:50Oh, my love.

00:13:52Yes, so you're going to be working with your toes, right?

00:13:55Ah, it's the other way around.

00:13:56Turn around.

00:13:57No, I knew it, not like that...

00:13:59Come on, shoot.

00:14:01And this is so you can see down there.

00:14:03Plug it in there with the alligator clip.

00:14:04Come on.

00:14:05Okay.

00:14:06Slow down, okay?

00:14:07Come on, and if someone comes, you'll help them.

00:14:09Dale.

00:14:09Okay?

00:14:10Come on, I'm here.

00:14:10Come on, I'm going to get a coffee, because waiting for you in the end...

00:14:14It focuses a little, because...

00:14:15Santi is going to mark me absent.

00:14:17There you are.

00:14:18Okay.

00:14:19See you later.

00:14:20Until now.

00:14:20Hello.

00:14:36Hello.

00:14:38Hello, excuse me.

00:14:39I came to wash the car and I don't see anyone around.

00:14:41Isn't Citi there?

00:14:47Well no.

00:14:49He's gone...

00:14:50He's gone to get a coffee.

00:14:52But hey, I'll take care of whatever you want, okay, beautiful?

00:14:54The car.

00:14:59Ah, the car.

00:15:00That.

00:15:00Yeah, you wanted to wash it, right?

00:15:03You've got quite a machine, huh, chatunga?

00:15:06Hey, look.

00:15:07Okay, you can spare us the "chatunga" and "bonita" comments.

00:15:11That's not the deal, is it?

00:15:12Already.

00:15:13You're acting like an emancipated woman, aren't you?

00:15:15Well, look, these are the ones I like.

00:15:17Strong women, with character.

00:15:19The female female.

00:15:21Well, look, I think I'll bring the car in to be washed another day, when Citi is there.

00:15:24Whatever you say, beautiful lady, but come on, if you want I'll wash it for you, okay?

00:15:27Tss, let's see what you're thinking.

00:15:29The car, I mean.

00:15:31So much.

00:15:34Let me open it for you.

00:15:36Still.

00:15:37And you touch it, the car.

00:15:42Be careful when you go out.

00:15:45Peaceful.

00:15:47Go for it!

00:15:49No, nobody's coming, go ahead.

00:15:50Be careful with the bollards.

00:15:56See you later, beautiful.

00:15:59No, in the end, this workshop is going to be my thing, you'll see.

00:16:01He hasn't put me on.

00:16:04Just a moment, let's talk now.

00:16:05What did you put on me?

00:16:06Raúl, damn it, what did he put on me?

00:16:07Damn, you're going to hear yourself, damn.

00:16:09I have nothing to hear, okay?

00:16:10I already saw you eating in Africa's snout.

00:16:11It was a load of rubbish, Raúl, man.

00:16:12We'd been having shots, okay?

00:16:14And besides, she's already confused about the separation, okay?

00:16:17But there's nothing between us, Raúl.

00:16:19Okay, let me go.

00:16:20Let go, damn it!

00:16:22Hey, you had more than just kisses with Eva when she was my girlfriend.

00:16:26And I forgave you.

00:16:27How are you doing, Raúl?

00:16:44Good.

00:16:46You?

00:16:48How is it?

00:16:51Marcos, dude, tell me the truth, dude.

00:16:53But tell me the truth, I beg you.

00:16:55Do you like my...?

00:16:57Do you like Africa?

00:16:58But no way.

00:17:00No way?

00:17:00No way.

00:17:01Africa is a pain now, man.

00:17:02No, no, oh my god, what are you saying?

00:17:03Africa is a canyon.

00:17:05So, it's okay.

00:17:06She's an aunt who...

00:17:07I mean, I like to eat, but since I...

00:17:11He is very intelligent and I am very fond of him.

00:17:14But he's not my type, Raúl.

00:17:15Really?

00:17:17Raul, uncle.

00:17:17Even if I were your type, you would respect me.

00:17:20Of course you'd respect yourself, Raúl, man.

00:17:22You are not my colleague.

00:17:23That's a treacherous backstabbing...

00:17:25With colleagues' exes.

00:17:26Respect.

00:17:27Sorry, man.

00:17:32Sometimes I go crazy.

00:17:35But that kiss...

00:17:36Forget about the kiss now.

00:17:39It was just a silly thing to do.

00:17:42Hey?

00:17:42Oh really.

00:17:43Neither I want anything to do with Africa, nor does Africa want anything to do with me.

00:17:46I want everything with Marcos.

00:17:48But let's see, Africa.

00:17:50If you've known Marcos for a long time

00:17:52and you had never noticed him before.

00:17:54AND?

00:17:55What's happening?

00:17:56If I think about it rationally, Marcos, he's the kind of guy I like much more than Raúl.

00:18:01You understand?

00:18:01The thing is, he was my friend's boyfriend and I was his friend's girlfriend.

00:18:05So it really was never the right time.

00:18:07But I think deep down I've always liked it.

00:18:09If you get mad at Marcos, he's going to have a terrible time.

00:18:12Poor Raúl.

00:18:13What are you telling me?

00:18:14Look, Bonita, forgive me for a moment, but let's not get confused, Raúl is not exactly a victim.

00:18:18Okay, yes.

00:18:19That he has destroyed everything of yours.

00:18:20But Raúl is still in love with you.

00:18:23Okay, so what do I do?

00:18:24What I do?

00:18:25What do I do if I fall in love with Marcos?

00:18:26What can't I do?

00:18:27Do I have to put up with it because I went out with Raúl first?

00:18:29And do you think Marcos likes you?

00:18:35Don't know.

00:18:36I don't know because right now he's avoiding me.

00:18:39And I don't know if that's good or bad.

00:18:41Because it could be because he likes me and the guy is scared shitless, and it could be that he doesn't like me at all and doesn't know how to tell me.

00:18:46The usual thing with guys.

00:18:47The usual thing with guys.

00:18:48You understand?

00:18:49But what's happening?

00:18:49I have to check it because I can't stay like this.

00:18:51Because that's how I'm going to explode.

00:18:54Bye bye.

00:18:59So an impure act could be having sex in an elevator, right?

00:19:03We are inspired, hairy one.

00:19:04And will Lourdes practice sex in her impure act?

00:19:06Well, it depends on the time and place.

00:19:08It depends on the time.

00:19:09Yes, only in marriage, right?

00:19:11Yes, within the sacrament, of course, yes.

00:19:14Because the Catholic Church only approves of sex within marriage.

00:19:17But what if you don't get married?

00:19:19Well, if you don't...

00:19:20If you don't get married, you explode.

00:19:22Oh, what are you saying?

00:19:23No, man.

00:19:23No, the human body is what you accustom it to.

00:19:25And you can endure a lot, son.

00:19:27Hang in there.

00:19:27Well, in this class there is more than one who hasn't been able to stand it.

00:19:32In this class there are a couple who have already walked the path of impure acts, huh?

00:19:35Sin!

00:19:37What are you saying?

00:19:38Oh.

00:19:39What name can't be?

00:19:40If you are still very young, and who are you even talking about?

00:19:43I'm sure Patricia, I know she's a real loose woman.

00:19:46But, Lurditas, for example, my dad says that some boys are much more precocious than others in their sexuality, right?

00:19:51In fact, in this very class, right?

00:19:53There are guys who go there to experience a little bit of pleasure...

00:19:55It's a lie!

00:19:56Hey?

00:19:57Are you telling me a little white lie?

00:19:59No.

00:20:00Rogues.

00:20:03What's wrong with you?

00:20:05What's wrong with you?

00:20:05That?

00:20:07Tantilize yourself?

00:20:07Hey man, but if we see them they might get sick.

00:20:09Relax.

00:20:10Besides, dude, nobody knows that the ones who did it are Teteito, dude.

00:20:13What you need to do with my brother-in-law is keep him on a short leash, you'll see how he responds.

00:20:26He doesn't seem like a bad kid, does he? Because if he's going to be a sucker, he'll be sharp.

00:20:29Hey Citi, who's that smart guy you have in the workshop? A guy downstairs?

00:20:33The little one.

00:20:34Yeah.

00:20:34Lurditas' brother.

00:20:36Lurditas's brother? The notary?

00:20:38The notary.

00:20:39And what do you do with the monkey?

00:20:40Well, he probably stopped studying and got a job.

00:20:42Well, he's an idiot, I'm fed up with this nonsense.

00:20:44Hey, hey, no offense, what are you doing with my family?

00:20:46Well, he was family, but he's a disgrace. The moment I arrived, he looked at me and started...

00:20:50I be pretty, I be cute and...

00:20:51Chatunga? Did he call you chatunga?

00:20:53But anyway, that notary is a pig, because he's no good, I'm going there right now.

00:20:56I sing to the forty-plus.

00:20:56Okay, okay, Diego, you don't need to have the offended husband thing either, that's not necessary either.

00:21:00Lucia, forgive yourself, I remember, but I am still your husband.

00:21:03And besides, no, yes, it's also offensive to treat the lady like that, yes, it's offensive.

00:21:07Diego, I'll take care of my own things, okay?

00:21:08Okay, okay, okay, calm down, I'm the one who has to take care of this, I'm going to

00:21:12Just to say a few things, okay?

00:21:13You'd better, because otherwise, not a single woman will come to your workshop.

00:21:16Sure, sure.

00:21:17Okay, see you later.

00:21:18Excuse me, Lucia.

00:21:18Goodbye, goodbye, Lucia.

00:21:20Are you fucking idiot or what's wrong with your cunt?

00:21:22Let's see, he'll know, from how much he'll already know how to consume.

00:21:24Which consumer and what the hell?

00:21:25I'm going to shit on everything.

00:21:26Fiti, you're already telling this guy to watch out, to watch out for Lucía, because if he gets near her,

00:21:30who has to deal with me.

00:21:31Diego, I'm coming.

00:21:32This was bound to happen, damn it, it was obvious this guy was going to mess with me, and besides

00:21:37I've come out of being a criminal, damn it.

00:21:39Well, he's going to apologize.

00:21:42But he's going to apologize right now.

00:21:44Damn, seriously, like DVD said, Tete and Guille slept together.

00:21:50Tete and Guille?

00:21:51Yeah.

00:21:51Take!

00:21:52With luck, trunk.

00:21:53Okay, see you later.

00:21:53What's up, guys?

00:22:12Why are you looking at me like that?

00:22:17Yoli, what's wrong?

00:22:18Why did you say my name?

00:22:20No, not at all.

00:22:21No, not for any reason.

00:22:22Why are they looking at me like that?

00:22:23Because they say it's you and Guille, well, that you and Guille are the ones from the events

00:22:32impure.

00:22:34That?

00:22:35But, but that's a lie.

00:22:37But let's see how...

00:22:38Guille, Guille!

00:22:40Guille!

00:22:41Tell me.

00:22:43Haven't you heard?

00:22:45Uh, no.

00:22:46About what?

00:22:49Go inside and apologize politely.

00:22:51Understood?

00:22:52Yes, yes, you've already told me 30,000 times.

00:22:54Well, yes, but you seem a little lacking in understanding.

00:22:56Okay?

00:22:57And you've already gone too far.

00:22:58Here it is.

00:22:59And I can be very good, but I can also be very bad.

00:23:01Okay, little one?

00:23:02As?

00:23:05Are you withdrawing right now, Fiti?

00:23:06Well, it's up to you.

00:23:08Okay, okay, okay, okay, I take it back.

00:23:10Come on, go in there, by yourself.

00:23:12Okay?

00:23:13And as if it were your doing, huh?

00:23:14Yes, man, yes, he's a pain.

00:23:21Forward.

00:23:22Come on, come here.

00:23:25Little Jose!

00:23:27Hey kid!

00:23:27But what is this?

00:23:28Is this the chatonga?

00:23:30Nothing, I just came to apologize to Lucia.

00:23:33And so?

00:23:35No, it's just that this morning in the workshop, well, maybe it was the first day and it just came out

00:23:39the student's little roll with the little roses, the little batadas.

00:23:43And maybe I've been a little rude to Lucia, haven't I?

00:23:46Maybe a little, yes.

00:23:48Already.

00:23:48That's a bit, son, but with how polite you are.

00:23:52But he's the nicest guy there is.

00:23:54Was she really rude to you?

00:23:56Let nothing happen.

00:23:57Louritas, nothing.

00:23:58Oh, oh, oh, your little jokes are so university.

00:24:01Hey, seriously, he's the perfect guy.

00:24:03If it weren't for that, well, it's wrong of me to say this as her sister, but...

00:24:06Thank you, Louritas.

00:24:07No no.

00:24:08She looks at me with kind eyes.

00:24:10Well, there's anyone who knows you, really, you know?

00:24:12That's what makes me angry, because now Lucía and Candela will also get a bad impression of you.

00:24:16No, don't worry, Louritas, because first impressions don't tell me anything.

00:24:20And you, Lucia?

00:24:21Well, look, this isn't going to end like this, okay?

00:24:23I'm inviting you to dinner tonight.

00:24:24No.

00:24:24Yes, yes, yes.

00:24:25No, no.

00:24:25Okay, let's have a...

00:24:26Let's have a drink, okay.

00:24:27No, man, don't bother.

00:24:28Yes, yes, yes, yes.

00:24:29I don't want you to be left with that impression of me.

00:24:31Yes, woman.

00:24:32Yes, yes.

00:24:32Go ahead, give him a chance to redeem himself.

00:24:35Go for it, Lucia, okay?

00:24:37Look at his kind and repentant face.

00:24:40Come on, woman.

00:24:40And have you been waiting long?

00:24:49No, no, not at all, five minutes, nothing.

00:24:51I knew you were coming from playing just now and I need to talk to you about something, Marcos.

00:24:56Now?

00:24:57Yeah.

00:24:58I really need to take a shower, because I get really dirty and all that.

00:25:01Oh, well don't worry, just take a shower, I'll wait for you.

00:25:07Okay, you'll wait for me, right?

00:25:09Yeah.

00:25:09Very good.

00:25:16Marcos, calm down, calm down, it's me.

00:25:19Africa, damn it, but I told you I showered and was leaving.

00:25:21Yes, yes, yes.

00:25:22The thing is, I need to talk to you, man, because I need to know.

00:25:27Marcos, let me have the gel, come on.

00:25:32Dad, I'm taking a shower.

00:25:34Come on, don't be a pain, I don't have all night.

00:25:35Go on, open it.

00:25:39Don't close yourself off, the shower is very humid.

00:25:52Okay, Dad.

00:25:56Marcos, you like me, because I like you.

00:25:59I like you.

00:26:06You don't like me, do you?

00:26:09Look, Africa, let's just say you're a great aunt and all, but...

00:26:15So, if you're talking about a relationship, man, you're Raúl's ex and I'm Emma's ex.

00:26:20Well, and especially because of Raúl, Africa, it can't be, it can't be.

00:26:23Because of Raúl?

00:26:26By Raúl.

00:26:31This one is really good.

00:26:32A guy walks into the pharmacy and asks, "Do you have any ampoules?"

00:26:35And he says he's waking me up at home.

00:26:37I only went upstairs because I needed to go to the bathroom.

00:26:38Okay, go to the bathroom and I'll get some miruitas, okay, Lucia?

00:26:40No, no, no, I just want to hear that I'm going home.

00:26:43Go on, go on, go on, you're going home.

00:26:45The night is young, Lucia.

00:26:46And I still have the best jokes.

00:26:47Let's see, José Luis.

00:26:49I've never heard so many jokes or drunk so many beers.

00:26:51Come on, come on.

00:26:52And so every night is non-stop.

00:27:01Okay, I'm going.

00:27:02Okay, I think it's great that you're going home, Lucia, but will you forgive me?

00:27:05So you do forgive yourself?

00:27:06Sure?

00:27:11No, fuck it!

00:27:13Haven't I told you that we don't bring perandrucar into the house?

00:27:16Oh, but Lucia...

00:27:17I'm sorry, I was peeing and I went upstairs and we slammed the door and it fell.

00:27:22Don't worry, nothing's wrong.

00:27:23So, what about you guys?

00:27:25Did you get along well?

00:27:26Yes, yes, yes, pretty good, isn't it?

00:27:27Well, with a whole bunch of jokes.

00:27:29Yes, of course, a lot is known.

00:27:30They are his only distractions.

00:27:31Since she has no other...

00:27:32Have you had dinner, son?

00:27:33Well, we've had a few snacks.

00:27:35Well, now, every owl is an olive tree, it's not the right time.

00:27:38I'll pick this up.

00:27:39And I'm going to the bathroom.

00:27:41I'm going home.

00:27:42Okay, see you tomorrow, Lucia.

00:27:44You, to the sofa.

00:27:51Lucia, breakfast.

00:27:58Is something wrong, Tite?

00:28:01No, no, I'm going to school.

00:28:03Okay, without breakfast?

00:28:05Oh, hello!

00:28:06See you later, see you later, darling.

00:28:08Hello.

00:28:11No, I'm saying that...

00:28:13Look, if I don't come to see my daughter, she won't come, okay?

00:28:16I've brought you little croissants, look.

00:28:18Lucy, your mother!

00:28:21Oh, hello.

00:28:22Hello, daughter.

00:28:23But hey, you look awful.

00:28:25What's happening?

00:28:26What did you do on a night out partying?

00:28:28Yes, man, from one party to another, what you'd call a party.

00:28:30A real odyssey, mother.

00:28:32Yes, she went out last night with Lurdita's brother, who apparently is a star.

00:28:35Ah, he's such a pain, I've never met another like him in my life.

00:28:39He started telling jokes, Mom, he told me everything that Spanish comedians do and what's happening in other parts of the world.

00:28:43Lurditas' brother, the notary.

00:28:46The notary? I'm telling you, not even the boss can finish.

00:28:47Come on, how do you know that?

00:28:49Oh, how do I know? Well, because it's obvious, isn't it?

00:28:52Well, and because he also works in Fiti's workshop, which is always a good thing to know.

00:28:55So why do they say he's a notary?

00:28:57It's very strange, isn't it?

00:28:58Yes it is.

00:28:59Could it be that the family is trying to show off?

00:29:03Could it be that he tells them what they want to hear?

00:29:05Because yes indeed, she has a way with words, Mom, that could sell her anything and go to the North Pole.

00:29:09Hey, girl, what a character.

00:29:10Let's see if you can introduce me to her.

00:29:12Because I've always been very curious, yes.

00:29:14Very curious.

00:29:15No gossip, huh?

00:29:16No.

00:29:16But curious, yes.

00:29:17Yeah.

00:29:18Yeah.

00:29:29Study, we have an exam.

00:29:32Can't.

00:29:34Go on, study.

00:29:37It's because he likes me.

00:29:40Marcos told me he likes it.

00:29:43Okay, and he also told you that it can't be.

00:29:46Is it that you're out of film?

00:29:48Go on, study.

00:29:50But I don't think it's fair that we can't be together and like each other because of Raúl.

00:29:54It's idiotic.

00:29:55But not for Marcos.

00:29:56The last thing I want in this life is to hurt Raúl.

00:30:00But, damn it, we have to be a little more generous.

00:30:08You still like Raúl, don't you?

00:30:11Why do you still like it?

00:30:14Because I have nothing to do, Afri.

00:30:18Raul is crazy about you.

00:30:19Raúl is like the dog in the manger who neither eats nor lets others eat.

00:30:22Stop, stop.

00:30:26Do you know what I think I'm going to do?

00:30:29I'm going to speak frankly with Raúl.

00:30:31No, Afri.

00:30:32No.

00:30:32You're going to leave it in ruins.

00:30:34And Alina, but she has to understand.

00:30:37Yes, I think he'll understand.

00:30:39Shh.

00:30:40Shh.

00:30:41Shh.

00:30:42Shh.

00:30:42Let's see.

00:30:43Nurdés.

00:30:44So, what's wrong?

00:30:45Come on.

00:30:46God bless him.

00:30:48It makes me a little embarrassed.

00:30:51Let's see.

00:30:52Well, that...

00:30:53I don't know if it's a rumor or true, but they say that in Lucia's class, there are two children who have already met in a biblical sense.

00:31:00Like two children?

00:31:01Two boys?

00:31:02I don't know, Fernando.

00:31:03I suppose boy and girl, for God's sake.

00:31:04There is only one couple in Lucia's class.

00:31:08Hey?

00:31:09Gillette?

00:31:10What name?

00:31:11No?

00:31:11I know my daughter, she's not into that yet.

00:31:13Well, well, it's not that strange anyway, is it?

00:31:14Anyway, it's not that unusual.

00:31:15Let's see.

00:31:16The age of initiation into sex in Spain is 17 years old.

00:31:19I started at 20, so there has to be one who's 14, purely statistically speaking.

00:31:23Hush, hush, for God's sake, because I'm available for someone else.

00:31:25By that logic, to compensate for my situation, did someone have to have started before preschool?

00:31:29Well, I'm right, right in the middle.

00:31:34At 17, with Fiti.

00:31:36Looking at it, really, from this distance, it seems a bit much to spend your whole life with just one man.

00:31:40Listen, well I've only been with Santiago and I don't plan on being with anyone else.

00:31:43That's how it has to be.

00:31:44A total surrender to a single man.

00:31:46Well, if you're doing well with just one, fine, but if not it's a real bummer, because if you separate, you know what happens?

00:31:52Ah, you shouldn't separate.

00:31:54I mean, under normal circumstances.

00:31:56Unless there is a case of mistreatment or something like that.

00:31:58Okay, okay, if you don't mind, I'm going to go talk to the class, okay?

00:32:01We talked about sex, about adolescence, to see how they breathe, okay?

00:32:04And to see if the "chubby" thing has any basis, okay?

00:32:07Yes, that sounds good to me.

00:32:09Oh no, please, I don't feel like teaching.

00:32:11Come on, I'll go with you.

00:32:12Hey Lucia, I'm really excited that you and Joselito have hit it off.

00:32:22Since he doesn't have any friends here, you'll see what a good boy he is.

00:32:26Very good boy and very helpful.

00:32:29Sure?

00:32:30Yes, Santi, yes, we have to tell Diego, because he's your brother and because his wife is in danger, damn it.

00:32:36His ex-wife.

00:32:37Well, I don't care, damn it, you're a pain in the ass.

00:32:38Diego, wait, wait, wait, Santi wants to tell you something.

00:32:43But here, stop this, come on.

00:32:45I'm coming.

00:32:47Let's see.

00:32:49That?

00:32:52Well, you see, brother, my brother-in-law and your ex-wife went out partying yesterday.

00:32:58That idiot Lucía went out partying, but what does he say...

00:33:00That in a threat, that Lucía, who was furious with him, almost killed him, but...

00:33:03Come on, if he called her a chatunga, how did he get mad at her?

00:33:05Yes, yes, yes, Diego, but...

00:33:08It turns out I told him to apologize.

00:33:10Then he apologized, one thing led to another, and they saw him stay.

00:33:14Well, man, that's because of Lucia's kindness, because Lucia, you know how good she is sometimes, well, she seems a bit silly, poor thing.

00:33:19And I would like to give him a chance, which I shouldn't give him, I shouldn't give him any chance at all.

00:33:23Yes, yes, yes, Diego, but...

00:33:25It's more serious than that.

00:33:26More serious.

00:33:27Oh, no, no.

00:33:30Are we back to the choirs again?

00:33:31No no.

00:33:31I'm not going in, don't you understand?

00:33:33I'm not going in, that little guy isn't Lucia's type of man, but you haven't noticed.

00:33:37So, Lucía is always more into tall men, and this one doesn't reach her, I mean, he doesn't reach her.

00:33:40Hey, to the nipples.

00:33:40What she says about nipples, what are the nipples saying?

00:33:42No, no, I don't mean that.

00:33:43I mean, the danger doesn't come from that direction.

00:33:47The danger is because...

00:33:48It's because of the other thing.

00:33:50On the other hand.

00:33:51What other one?

00:33:52Tell him.

00:33:56Look, Diego, nobody will find out about this, we broke my wife's heart.

00:34:01Diego, the little guy is a sausage.

00:34:04Is a little boy a sausage?

00:34:04Diego, Diego.

00:34:05A criminal, a full-fledged criminal.

00:34:07If you don't know what I'm talking about, what a notary is.

00:34:10Who do you think stole your father's painting?

00:34:13The father's painting?

00:34:14Be quiet?

00:34:14Damn, he touched my hand.

00:34:15But I'm getting sick.

00:34:18What are you doing staring, Grody?

00:34:19What are you doing staring?

00:34:19Let's see.

00:34:20Raúl, one moment.

00:34:22I'd like to talk to you.

00:34:24With me?

00:34:24Yes, yes.

00:34:25And I was thinking that maybe we could go out for dinner or something tonight, because...

00:34:29Not really here...

00:34:31No, no, no, not here.

00:34:32We'd better go out for dinner, of course.

00:34:33Sure, yes, okay.

00:34:34Okay.

00:34:35I had loved it.

00:34:36I'll pick you up around eight.

00:34:38Okay, okay.

00:34:39Okay.

00:34:41Bye.

00:34:43What kind of carts do you have, man?

00:34:44What did he tell you?

00:34:45Dude, he wants us to go out to dinner so we can talk.

00:34:47What day is today?

00:34:48Chucky, I'm going to get it tattooed on my forehead.

00:34:49It's the best day of my life.

00:34:51Twenty-eight.

00:34:52Twenty-eight, I'm going to...

00:34:53Twenty-eight?

00:34:55Twenty-eight.

00:34:56Twenty-eight.

00:34:58Yeah.

00:34:58Holy shit, I think it was a twenty-eight, but...

00:35:01Clear.

00:35:02Of course, man, it's our anniversary.

00:35:04What a coincidence.

00:35:05Chance?

00:35:06Chance?

00:35:06Chucky, do you really think he's going to invite me to dinner on our anniversary, just by chance?

00:35:12Why else would it be?

00:35:14Dude, Chucky, where's that romanticism, please?

00:35:16In fact, he told me that he wants to talk to me about something important, okay?

00:35:20And on our anniversary, no less!

00:35:23What will it be about?

00:35:23What do Brazilian women want to do?

00:35:25Same here, man.

00:35:26He's stupid, Chucky, come on, man, let's see, okay?

00:35:29So, on our anniversary, you can only say one thing to me, okay?

00:35:34Does he want to come back to me?

00:35:38Yes, yes, yes, dude, I know my girl, okay?

00:35:40That's just how she is, you know?

00:35:41She...

00:35:42Yeah, dude.

00:35:48Look at him, look at him, eating the candy, did a guy do it for him?

00:35:51This is an impressive...

00:35:53No, dude, dude, dude.

00:35:55Let's think for a bit, because now we're here to talk about Lucia.

00:35:57So, you don't read me, I have to bring it up and I'm not clear on it as a loologie.

00:36:00I'll bring this up for you right away.

00:36:01Fiti.

00:36:03Hey!

00:36:05Come on, let the car speak.

00:36:08Watch out, damn it.

00:36:10Sorry.

00:36:12What's happening?

00:36:14Hey, little one, what saint do you think is taking Lucía out for drinks?

00:36:17And so on.

00:36:18What did you call me?

00:36:19Nothing.

00:36:20Nothing, I haven't called you.

00:36:21Let's see.

00:36:22It seems the problem is that you went out with Lucia last night.

00:36:25Yeah.

00:36:26And Lucia is my wife.

00:36:27Ex.

00:36:29Ex, Mrs., Diego.

00:36:30But hey, that's none of your business, okay?

00:36:33In other words, to you, as if you were the Blessed Virgin Mary.

00:36:36In other words, something that can be seen but not touched.

00:36:38I've warned you.

00:36:40I take down the club and I'm not responsible.

00:36:42So, you're threatening me.

00:36:44Okay, call it X.

00:36:47To be specific.

00:36:48Look, with Lucía you're not going to leave a security perimeter of about 100, 150 meters.

00:36:54That's not enough, Citi.

00:36:55200.

00:36:56I don't see him much.

00:36:56No, no, he's out of the neighborhood, he can't come to the workshop.

00:36:59No, okay, sorry, 175.

00:37:01Okay, Mom, are you going to see where you're taking me?

00:37:02Well, look, since we're here, introduce me to Lurditas's brother.

00:37:06Oh, Mom.

00:37:07No, no, no, not even no.

00:37:09He's such a pain.

00:37:10Come on, come on, Lucia.

00:37:11Come on, woman, it doesn't cost you anything.

00:37:13I want to meet him; my curiosity has been piqued.

00:37:15So, come on, let's go.

00:37:17No, Mom.

00:37:17Come on, let's go.

00:37:18That's not something.

00:37:18And if he starts with so many jokes, will you remember me?

00:37:21It's less than 300 meters away, just a day's walk.

00:37:23I'll break your leg.

00:37:24Yes, yes, yes.

00:37:25You heard me.

00:37:25You heard me right.

00:37:26Not like paranoia.

00:37:28Yes, yes.

00:37:28Can you tell me what the three of you are doing here?

00:37:31Have you all gone mad or what?

00:37:32Nothing, Lucia, it seems your ex isn't taking the breakup very well, you know?

00:37:38Lucia, can we talk for a moment, please?

00:37:40Please.

00:37:42Wait a moment, Mom.

00:37:43Lucia, you're getting yourself into trouble.

00:37:53How could you even think of going out for a drink with this guy?

00:37:54This guy doesn't...

00:37:55But you told me yourself, that he called you a chatunga.

00:37:57Diego apologized to me.

00:37:59Besides, that's my business.

00:38:00Yes, okay.

00:38:01It's my business.

00:38:01Very well, yes, yes.

00:38:03I just want to protect you.

00:38:05Protect myself from what?

00:38:06From the uncles?

00:38:07While I'm safe at home, you're sleeping with the first woman you meet.

00:38:10But how could I do it with the first woman I meet?

00:38:12What bothered you?

00:38:15I mean, I was trying...

00:38:16Did it bother you?

00:38:17No.

00:38:17Did it bother you?

00:38:18No, no, no, sorry.

00:38:19I didn't say it bothered me.

00:38:20No, it doesn't bother me.

00:38:20What bothers me are injustices and arrogance.

00:38:23Diego, please, you three come here acting like thugs,

00:38:26Tell José Luis that if he goes out with me you're going to break his legs, for God's sake.

00:38:29No, no, no.

00:38:29Come on.

00:38:30That's it, Santi, he jumps.

00:38:31You already know him.

00:38:31He skips, doesn't he?

00:38:32Well, look, I'm going to make one thing perfectly clear.

00:38:35You and I are free, right?

00:38:36Okay.

00:38:37Well, everyone does what they want and with whom they want.

00:38:41Is that clear?

00:38:42Yeah.

00:38:42That's it.

00:38:45How could that happen to him?

00:38:46José Luis, excuse me, would you like to come and have lunch with us, with my mother and me?

00:38:49Let me introduce you.

00:38:49Yes of course.

00:38:50My mother, José Luis.

00:38:51Pleased to meet you, ma'am.

00:38:52Likewise.

00:38:52I was looking forward to meeting you.

00:38:53Oh, really?

00:38:53Likewise.

00:38:54Well, we're going alone and you accept my invitation.

00:38:57Well.

00:38:57Yeah?

00:38:59We'll wait for you outside, we'll be more comfortable there.

00:39:00Okay, very good, yes, yes.

00:39:03Well, that's it, I'm going to get changed because ten minutes have already passed and after this nothing.

00:39:09Okay, that's it.

00:39:12I'm not going to take the fall again after today, okay?

00:39:14I'd rather smash his head in.

00:39:17Good.

00:39:18Does anyone else want to tell us something about what sexuality is like in adolescence?

00:39:24I'm telling you, this talk about sexuality right now is not normal.

00:39:26They do it for us, for that shit that me and I slept together.

00:39:31Valdano?

00:39:32Yes, look, my dad says that the society we live in stifles sexual desire in adolescence

00:39:38which is right at its peak.

00:39:41That?

00:39:41This part...

00:39:43What's going on?

00:39:43Very good, God.

00:39:45And on top of everything else, this is all because of what you said to Lourdes.

00:39:47That?

00:39:48You'd get the school's attention because of us.

00:39:50Last name.

00:39:52Please keep your comments out loud.

00:39:53No, you see, Fernando, we weren't talking about this.

00:39:57So, let's keep quiet and participate, okay?

00:40:00Okay, Yoli, tell me how you experience sexuality at this stage of adolescence.

00:40:05Sexuality, me?

00:40:06Yeah.

00:40:06Ask that friend.

00:40:07What does it taste like to you?

00:40:08What have they done to you?

00:40:09Okay, that's enough.

00:40:10Well, it's a lie that I'm telling him, you tell him.

00:40:13Okay, that's enough.

00:40:15That's it.

00:40:16Leave her alone, okay?

00:40:17We didn't do anything, it's all a lie.

00:40:19Guillén, go with me outside, come on.

00:40:26Come on, calm down.

00:40:31The truth is, I don't understand where they could have gotten it from.

00:40:34I don't understand.

00:40:37That's it.

00:40:37This surveillance is useless.

00:40:40Just to make fools of ourselves in front of others.

00:40:43Because, let's say, if my brother-in-law wants to scam them, how are we going to find out?

00:40:46Okay, how?

00:40:47As?

00:40:47If we don't listen...

00:40:48I don't know, Santi, I don't know, I don't know, it's not heavy, man.

00:40:51I'm not going to leave Lucía and her mother with this criminal.

00:40:54For example, speaking of the criminal, what a family he has in-laws, man.

00:40:56But what do you want me to do?

00:40:58I've been dealt a bad hand.

00:41:00But your wife chose it all by herself.

00:41:02She chose it herself.

00:41:03Diate, what?

00:41:03He has very strange tastes.

00:41:04What the hell are you saying?

00:41:05Stay still, what?

00:41:06Lucía does this out of rebellion, because she is annoyed with the other Lucía, with Lucía Béis.

00:41:10That's why he does it.

00:41:10She does it to mess with you, to mess with you!

00:41:11It does everything!

00:41:12Stop hitting me, it's making me nervous, damn it!

00:41:16Watch out.

00:41:17And the old woman?

00:41:18What did the old woman know?

00:41:19Is she going to a nice neighborhood, the little rascal?

00:41:22I don't know, what did he know?

00:41:23Don't you know?

00:41:24Ladies, you can't be here, okay?

00:41:26No, but it's just for a moment, we're...

00:41:27No, no, no, no, no, no.

00:41:30No, no, no, no, no.

00:41:30No, no, no, no, no, no.

00:41:30No, no, no, no, no, no, no, no.

00:41:31No, no, no, no, no, no, no, no, no.

00:41:32No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no

00:42:02of the members here at the mall.

00:42:04What's up? You're fans.

00:42:06Man, fans, that's what you'd call fans.

00:42:08I say this because I approached him and asked him for a bus.

00:42:10No way, we're sick of hearing it.

00:42:12My dog loves them, he really likes them.

00:42:16And she plays them for us again and again.

00:42:18Right, daughter?

00:42:20True, true.

00:42:24Although I have an idea, Mom,

00:42:26Is there that much fandom?

00:42:28Well, look, they're going to get fed up with choirs.

00:42:30Let's buy the latest CD right now.

00:42:32I don't know that I don't see Diego.

00:42:34Come on, I imagined it would be more like that.

00:42:36Not a romantic ballad, like "El Puma," right?

00:42:38With the carding and all that.

00:42:40No, no, no, not him, not him.

00:42:42The choirs, the traditional choirs.

00:42:46Here it goes.

00:42:48What's happening?

00:42:50You won't believe it,

00:42:52who left my wallet at the workshop, in the overalls.

00:42:54Come on, don't worry, I'll pay for the next one.

00:42:56Come on, Teté. Relax, woman, it was just a hoax.

00:42:58Since we're on the subject, where did it come from?

00:43:00Some people have made it up.

00:43:02Well, that's the least of it.

00:43:04I mean, I'm saying that, well, we haven't lied anymore, period.

00:43:08Yes, but look how upset the girl is.

00:43:10No, I understand her, because for them to say those things when he's lying...

00:43:12I agree with Lourdes, it's a very unpleasant thing.

00:43:14What needs to be done is to find those responsible and make them repent.

00:43:20Yes, but who are responsible?

00:43:22Well, I don't know, but the first ones to say it were...

00:43:26Well, we just said that, well, there were people in class who already, that...

00:43:36But we didn't give names, come on.

00:43:38Yes, but you're thinking of someone, aren't you?

00:43:40Who were you thinking of?

00:43:42Did someone ask you a question?

00:43:44Ah, you're not going to answer.

00:43:46That seems very good to me.

00:43:48Home for a day of reflection.

00:43:50And I will speak with each of your parents.

00:43:52We have a super important exam.

00:43:53Oh, I'm sorry.

00:43:54No, please.

00:43:55To recovery.

00:43:56My mother will kill me.

00:43:57Well, you should have thought of that before, Bellido.

00:43:59Because attacking people's honor like this, just for fun.

00:44:02Okay, fine, that's enough.

00:44:03They're not to blame for anything, okay?

00:44:05I have been everything.

00:44:06As?

00:44:07Yeah, dude, damn it, it's just that...

00:44:09They saw the photos from the trip and laughed their heads off at my pajamas, but...

00:44:11I didn't say anything to them either.

00:44:13They believed it and I didn't deny it, okay?

00:44:15Fireman, son.

00:44:21You have them like a fireman.

00:44:23To class?

00:44:24What are you doing, Lucia?

00:44:25What are you doing, Lucia?

00:44:26What are you doing, Lucia?

00:44:27He's talking to my brother-in-law.

00:44:28Oh, no, no, sorry.

00:44:29No, no, no.

00:44:30Yours, yours.

00:44:31No no.

00:44:32I don't...

00:44:33Sorry, huh?

00:44:34And the old woman?

00:44:35The old woman who's laughing at him?

00:44:36That woman is out of her mind.

00:44:38What are you doing?

00:44:39The sack!

00:44:40The old woman.

00:44:41What does the old woman matter?

00:44:42Do you want to know where Lucia is?

00:44:43What's happening?

00:44:44Look.

00:44:45How beautiful!

00:44:46How beautiful!

00:44:47Wait.

00:44:48But she's dressed...

00:44:49Oh, please!

00:44:50Please, otherwise...

00:44:51Which is very beautiful.

00:44:52Clear.

00:44:53What do you think?

00:44:54Both...

00:44:55Is this okay?

00:44:56Don't tell me that...

00:44:57No, well, but this red is fine.

00:44:59This one is discreet.

00:45:00This one is discreet.

00:45:01Put it on over your head, let's see...

00:45:02I'll put it on over my head, right?

00:45:03But what about above?

00:45:04Let's go to the fitting room!

00:45:05Clear!

00:45:06Clear!

00:45:07And you advise us and they're going to...

00:45:08Okay?

00:45:09What have they put in the fitting room?

00:45:10That?

00:45:11I don't know, but let's see if they mess this up.

00:45:13We're going there.

00:45:22Where are they?

00:45:23Oh, yes.

00:45:30Ah!

00:45:31Pervert!

00:45:32Okay!

00:45:33Okay!

00:45:34No problem!

00:45:35No problem!

00:45:36Don't worry, nothing's wrong.

00:45:37No problem.

00:45:38I like it better...

00:45:39Thinner.

00:45:41Santi, Santi, let's go.

00:45:42Okay, ma'am.

00:45:43I've seen them snooping around the plus sizes.

00:45:45And they came when they spotted me in the fitting room.

00:45:48Okay, okay, okay.

00:45:49How quickly these changes happen.

00:45:50Little girl.

00:45:51Do you want a beer?

00:45:52No.

00:45:53Hey, Fiti.

00:45:54Fiti.

00:45:55Fiti.

00:45:56Tell me.

00:45:57Why did Marcos and Raúl fight on the excursion?

00:46:00For Africa.

00:46:01For Africa?

00:46:02How so, through Africa?

00:46:03Hasn't he told you anything?

00:46:04Yes, he told me...

00:46:06Ta-da!

00:46:07Hey?

00:46:08Isn't that cool?

00:46:09And this?

00:46:10It's for my girlfriend.

00:46:11For your girlfriend?

00:46:12For Africa?

00:46:13What for? Have you returned?

00:46:14No, well, not yet.

00:46:15Tonight.

00:46:16Are you coming back tonight?

00:46:17Yes, it's our anniversary.

00:46:18And she told me to go out to dinner to sort things out.

00:46:20That's so cool, dude!

00:46:21Come here!

00:46:22How handsome!

00:46:24Isn't that cool?

00:46:25And Marcos?

00:46:26What about Marcos?

00:46:27That...?

00:46:28No, no, no.

00:46:29That's all cleared up now.

00:46:31Yes, no, it's just that I got really jealous because...

00:46:34Because, well, Africa and he shared a little kiss.

00:46:36Well, a make-out session.

00:46:38But as friends.

00:46:39A friendly make-out session?

00:46:40Yes, no, no.

00:46:41You know, I was annoyed with Marcos at first.

00:46:43But then he explained everything to me.

00:46:44Because she was there, well...

00:46:46She's sensitive and needs affection because of the separation, you know?

00:46:50But it was all in good fun, you know?

00:46:52Absolutely nothing.

00:46:53Absolutely nothing.

00:46:54Do these things happen, Mom?

00:46:55They pass by, they pass by.

00:46:56The girl was in need of affection at one point.

00:46:58That doesn't mean anything.

00:46:59Clear.

00:47:00If I knew that wasn't the case...

00:47:01I knew that my afi could never have stopped loving me.

00:47:03Damn, what we have is a chemical thing.

00:47:07Just like yours, right?

00:47:09That's not so easy to get over, Mom.

00:47:10Just like our sweetheart, don't deny it.

00:47:12The sexual attraction we have is insurance against separations, you know that?

00:47:15No, no, no.

00:47:16Okay, I'm going to get changed because I'm taking her to Chinese dinner.

00:47:18Hey, wait, wait.

00:47:19The Chinese guy?

00:47:20No.

00:47:21The Chinese man swims.

00:47:22Reconciliations at home.

00:47:23Because of what might happen next.

00:47:25Hey, we'll leave these little crabs for the boy and his girlfriend.

00:47:29But no, why?

00:47:30Yes, yes.

00:47:31We had dinner at the tavern, that's all.

00:47:32What name?

00:47:33Yes, yes.

00:47:34Mommy, please, please.

00:47:35Mommy, please.

00:47:36That would be the final straw for me, wouldn't it?

00:47:37For me.

00:47:38Okay, fine.

00:47:39Okay.

00:47:40Okay.

00:47:41That's it.

00:47:42That's it.

00:47:43That's it.

00:47:44You don't owe me.

00:47:45You don't owe me.

00:47:46You don't owe me.

00:47:47You don't owe me.

00:47:48What are you going to throw at me, Raúl?

00:47:49Please.

00:47:50I was saying we were going to make fools of ourselves.

00:47:51You don't owe me.

00:47:52Look, Diego.

00:47:53This whole choir thing is getting out of hand.

00:47:55But, but...

00:47:56What's happening?

00:47:57What are you doing now, keeping watch?

00:47:58Okay, Lucia.

00:47:59Listen to me, because this has...

00:48:00What are you doing staring, Brogui?

00:48:01Go away.

00:48:02Go away.

00:48:03There is an explanation for this.

00:48:04And it's not the choirs, I swear.

00:48:05Aren't they choirs?

00:48:06Oh, aren't they the choirs?

00:48:07No.

00:48:08Well, I'm all ears.

00:48:09Let's see what the explanation is.

00:48:10What's up, Fiti?

00:48:11Come on, now.

00:48:12Sorry, Santi, but I have to tell him.

00:48:13Yes, go ahead and try it.

00:48:14I'm tense.

00:48:15But I'm going to tell you that my brother's brother-in-law, that is, Santi's brother-in-law, that is, Lurditas' brother...

00:48:19He's a criminal, damn it.

00:48:21A mobster, a thief, a crook, and a grasshopper.

00:48:23Yes, yes, in short, he is an undesirable person.

00:48:26So, for God's sake, don't go near him, Lucia.

00:48:27Don't go near him.

00:48:28Look, Diego, don't tell me stories that will keep me awake at night, because I don't believe a word you say.

00:48:30Excuse me, these aren't scary stories, it's true, the guy is a criminal.

00:48:35Damn it, Santi, tell him, for God's sake.

00:48:39See?

00:48:40Let's see.

00:48:41Can someone tell me what's going on here?

00:48:42The thing is, I can't have friends even though I'm separated.

00:48:44Hey?

00:48:45That every time I have a friend, the milk choruses and dances will begin.

00:48:47There are no choirs, Lucia, there are no choirs.

00:48:49How would you like me to explain it to you, please?

00:48:51The thing is...

00:48:52If you don't believe me...

00:48:53What a mess.

00:48:56What a mess.

00:48:57Now it turns out she's stuck on the choir thing and nobody can get her out of it.

00:49:00That's better.

00:49:01Because everyone will find out about my brother-in-law's situation.

00:49:04And my little curls are going to end up finding out and she's going to be traumatized.

00:49:08Stop with the nonsense about traumas and all that crap, damn it.

00:49:10Let me think for a moment.

00:49:11Wait.

00:49:12This is like the story of Peter and the Wolf.

00:49:15Peter.

00:49:16Peter.

00:49:17I don't care.

00:49:18He doesn't listen to what we tell him.

00:49:20So we have to prove it to him with facts.

00:49:22With facts?

00:49:23What do you mean?

00:49:24Well, we have to anticipate the circumstances, damn it.

00:49:26In other words, before he proves it to himself, we'll prove it to him.

00:49:29Hey?

00:49:30We're going to rob him.

00:49:31Come on.

00:49:32Wait.

00:49:33There are no choirs, Lucia.

00:49:34Good heavens, there are no choirs.

00:49:35That's what the choirs tell you.

00:49:36But you don't want to understand.

00:49:37Okay, okay, okay.

00:49:38I don't want to understand it.

00:49:39I don't want to understand it.

00:49:40Don't argue.

00:49:41Please don't argue.

00:49:42Lucia.

00:49:43That's the kind of person he is.

00:49:44That's just how it is.

00:49:45In other words, where there are embers, there has been a flame.

00:49:48And the flame, well, it burns.

00:49:49What do you want me to say?

00:49:50You already understand me.

00:49:51But, Fiti, what are you saying?

00:49:52What are you saying?

00:49:53That...

00:49:54Let's see, Lucia.

00:49:55Let's see.

00:49:56Here's one thing that's clear.

00:49:58And the best thing that can happen to this man in life is to get along with you.

00:50:02Of course.

00:50:03Okay.

00:50:04What's wrong with him?

00:50:05Because he's jealous.

00:50:06I!

00:50:07He's a little jealous.

00:50:08But this is normal.

00:50:09You know that's normal with exes.

00:50:10No.

00:50:11If finally someone recognizes it.

00:50:13Someone.

00:50:14But no.

00:50:15Excuse me, Lucia.

00:50:16I don't know what Fiti is saying.

00:50:17I'm not jealous.

00:50:18I'm not jealous of you.

00:50:19What I'm telling you is that this you is a criminal.

00:50:20There's no need to insist.

00:50:21There's no need to insist.

00:50:22Lucia.

00:50:23And don't get annoyed.

00:50:24Don't annoy me.

00:50:25And that's it.

00:50:26To prevent this from becoming entrenched, what we're going to do is have dinner.

00:50:28Let's organize a dinner.

00:50:29All.

00:50:30All.

00:50:31Our female relatives.

00:50:32José Luis.

00:50:33All.

00:50:34No hard feelings.

00:50:35Okay, Fiti.

00:50:36Sorry.

00:50:37What the hell are you saying?

00:50:38It's like riding a bike.

00:50:40When you fall, the best thing to do is get back on the bike as soon as possible.

00:50:43By bike.

00:50:44And now pedal.

00:50:45The bike?

00:50:46The bike.

00:50:47The bike of life.

00:50:53Guille.

00:50:54I'm going to the tavern because I have a dinner date.

00:50:56Eat those beans I've prepared.

00:50:57Leave.

00:50:58I'm in a bit of a hurry.

00:50:59This tea.

00:51:00Hello.

00:51:01You've finished me off.

00:51:02Were you that noise?

00:51:03What slap?

00:51:04His granddaughter has left my son speechless.

00:51:05Oh my god.

00:51:06What did you do to him?

00:51:07He's right that...

00:51:08What have you done?

00:51:12What happened?

00:51:13What happened?

00:51:14What happened?

00:51:15Hey?

00:51:16Hello.

00:51:19We're finished.

00:51:22Did you hear that noise?

00:51:24What slap? Did your granddaughter slap my son?

00:51:26Oh my God. What could you have done to him?

00:51:28You're right. What have you done? What happened? What happened?

00:51:31Hey?

00:51:35You mountain folk are not on the right track these days.

00:51:39You are not.

00:51:42Lady...

00:51:43No.

00:51:43River crabs. The house specialty from southern Argentina.

00:51:50This is the best thing you'll ever taste in your life.

00:51:52Raúl, you didn't need to bother.

00:51:54Honestly, I just wanted us to meet up to talk a little.

00:51:57Sure, okay, and we're going to talk, we're going to talk. Now.

00:51:59Sit down.

00:52:01This needs to be eaten while it's hot.

00:52:03Let's see.

00:52:05Small plate.

00:52:08Take.

00:52:09No, man, no. But what if this doesn't last?

00:52:10No, this is way too much. Really, no. I'm not even with crabs.

00:52:13Yes. No, woman. Because once you start eating this, you won't be able to stop.

00:52:18Go ahead, give them a try. You're going to be blown away by how good this place is.

00:52:20Me, Raúl, uh...

00:52:25Tea from...

00:52:26I don't know how it works.

00:52:30I had...

00:52:30Said of staying.

00:52:32Because I'd like us to talk about...

00:52:35Alba, how did it make you feel?

00:52:38That's the bad thing about crabs, you always end up with a little stain.

00:52:40Don't worry, this is very easy, okay?

00:52:42As long as it's not...

00:52:43Okay, let me see.

00:52:48What were you saying?

00:52:52Well, I suppose you can already guess where this is going.

00:52:56Piom, piom!

00:52:58I have some idea.

00:53:00Ah, yes, well look, much better.

00:53:02Well, mainly because of the date, Churri.

00:53:04You thought I didn't remember.

00:53:06About what?

00:53:06It catches me completely off guard.

00:53:10Hang on a minute.

00:53:16Hello!

00:53:17I am the Care Bear.

00:53:20Can I have a hug?

00:53:27Happy anniversary, Churri.

00:53:29You have made me the happiest man in the world.

00:53:32I know I do silly things sometimes, but...

00:53:35But it's not because I don't love you.

00:53:37Because...

00:53:38You are the one I will love most in my entire life.

00:53:43And I will always love you.

00:53:45Really.

00:53:50Aren't you saying anything?

00:53:51Hey?

00:53:56You wouldn't happen to have a little herbal liqueur, would you?

00:53:59Yes, daughter, yes.

00:54:00Suddenly the choirs have become creative.

00:54:02They basically put me to work sewing like I was Dione.

00:54:04They all started there as...

00:54:06Well, that's talent, huh?

00:54:07Let's see if you're going to open this for me so I can write the story.

00:54:09Because then telling it...

00:54:11Anyway, in the end they backed down.

00:54:13Well, it was Fiti who backed down.

00:54:15Wait.

00:54:15How are you?

00:54:16How are you?

00:54:17How are you?

00:54:18How are you?

00:54:19Yeah?

00:54:20Hey, Mom!

00:54:22Yes, yes, of course I remember Aunt Eugenia.

00:54:25Yeah.

00:54:25Mother?

00:54:26Mother?

00:54:27Hey, I'll call you later.

00:54:29Okay, fine.

00:54:31See you later.

00:54:31Hello.

00:54:32Hello, Lucia.

00:54:32How are you?

00:54:33Hello.

00:54:34That's a cool phone you have, isn't it?

00:54:36At ease?

00:54:36Yeah.

00:54:37Well, it has a camera and all the bells and whistles in the world.

00:54:41Here it is.

00:54:42The corpus delicti.

00:54:43Yeah?

00:54:44The mobile phone.

00:54:47Okay, Fiti.

00:54:49Are you saying we should take Lucia's phone away and pin the blame on Jose Luis?

00:54:55Of course, damn it.

00:54:56Clear.

00:54:56It's the only way to protect your wife.

00:54:59With facts.

00:55:00Because words don't help him understand.

00:55:02I don't see it, Fiti.

00:55:04I don't see it.

00:55:05Because Lucia finds out here.

00:55:06We just didn't reload it.

00:55:07We've already been embarrassed enough this morning.

00:55:08I don't see it, huh?

00:55:09Don't you see it?

00:55:10Don't you see it, damn it?

00:55:10But if the plan is perfect, what will he find out?

00:55:13The plan is perfect, damn it.

00:55:14Look, we take her mobile phone out of her bag.

00:55:18And we put it in his backpack.

00:55:21Damn, it can't fail.

00:55:22Besides, do you want your wife to find out once and for all that he's a good shot?

00:55:26Yes, of course, of course.

00:55:27That's it.

00:55:28There is no other way.

00:55:28That's true, isn't it?

00:55:29There's no other option.

00:55:30There's no other option because she's very stubborn.

00:55:32And he doesn't realize he's in danger.

00:55:34But, well, the plan is clear, right?

00:55:36Well no.

00:55:37What do you mean, no?

00:55:38We're going there.

00:55:39And from now on, Raúl is going to be a good boy.

00:55:44And he will always be with you.

00:55:46And it will give you everything you need.

00:55:50Another luxury.

00:55:52Other?

00:55:53Yeah.

00:55:53But this is really intense, honey.

00:55:55Look, that's why.

00:55:55Yes, well, nothing, because I'll put it on for you, okay?

00:55:58But don't tell me later.

00:56:06I can't drink anymore.

00:56:08No?

00:56:09No.

00:56:10I'm going to tell you something very important.

00:56:12Good.

00:56:13Raul.

00:56:17Today is not our anniversary.

00:56:20Oh, no?

00:56:21No.

00:56:22Yeah?

00:56:22No.

00:56:24It's the 28th.

00:56:24Of course, the 28th.

00:56:26June.

00:56:27June?

00:56:29Here it goes.

00:56:32Well, look, all the better for you if you get two presents this year.

00:56:35No.

00:56:35Yes, woman.

00:56:36Well, it will probably have to be smaller because he's already had to break the sticky piggy bank.

00:56:39Hey?

00:56:39No, Raúl, there won't be any more anniversaries.

00:56:43That?

00:56:44Because I'm not coming back to you.

00:56:49So what did you want to talk about?

00:56:51Marcos and I like each other.

00:56:54That?

00:56:54I knew it.

00:56:58I knew it, damn it.

00:57:00And if yesterday I...

00:57:01Shit!

00:57:02I'm sorry, Raúl.

00:57:03No, don't feel that way.

00:57:04They feel nothing.

00:57:06Son of God.

00:57:07Son of God.

00:57:09Raúl, I'm sorry, these things happen.

00:57:12I'm sorry.

00:57:13Do you feel it?

00:57:14How do you feel?

00:57:14And now I'm going to tell you a very, very, very flamenco one.

00:57:20Says...

00:57:21What can you see from Toronto's tallest tower?

00:57:25Bird.

00:57:26All of Toronto!

00:57:29All of Toronto, damn it!

00:57:33Oh, but how funny Josetito has always been.

00:57:35And I'm cracking up like...

00:57:36Go away, the park is passing you by.

00:57:39Tell yourself.

00:57:40Oops!

00:57:41Oops!

00:57:42Oops!

00:57:42Come on.

00:57:43Come on.

00:57:44What's happening?

00:57:45What's happening?

00:57:45Haven't you seen it?

00:57:46Hey?

00:57:47What's happening?

00:57:47Haven't you seen it?

00:57:48You haven't!

00:57:53Clean it!

00:57:54Clean it!

00:57:55Look, he didn't clean it for this, man.

00:57:57What's happening?

00:57:58Haven't you seen it?

00:57:59Because?

00:57:59Fire, fire!

00:58:00Clean it!

00:58:01You have to be...

00:58:02It's like...

00:58:02It's rubbish, man.

00:58:03It's disgusting!

00:58:03It's disgusting, really.

00:58:05It's disgusting.

00:58:05And he told me...

00:58:06And check out Brodiepie for Santi.

00:58:07And it's disgusting, how is it?

00:58:09It's a chicken.

00:58:10Julio would be a chicken.

00:58:11No, no, no.

00:58:12Tell yourself a joke.

00:58:13That's it, damn it.

00:58:14Tell yourself a joke.

00:58:15Come on, fuck it.

00:58:16It's a chicken.

00:58:17It's a chicken.

00:58:18It's a chicken.

00:58:19It's a chicken.

00:58:24Marcos and África are in love.

00:58:26They're head over heels in love.

00:58:33I can't stand this, Mom.

00:58:35Yes, yes.

00:58:36No, no, no.

00:58:38That's not the attitude, okay?

00:58:40Calm down, calm down.

00:58:42Sometimes you have to swallow it.

00:58:43Sometimes you just have to swallow life, okay?

00:58:45You swallow it and that's it, nothing happens.

00:58:47What are you saying, Dad?

00:58:49That's what I'm saying.

00:58:51In this life, love is not a choice, love simply arrives.

00:58:55And it has arrived for Marcos and this girl.

00:58:58And that's it.

00:58:59And that's it.

00:59:00And you have to accept it for two reasons.

00:59:02One for dignity, huh?

00:59:03For dignity.

00:59:04And another one because of my friendship with Marcos, damn it.

00:59:05That bastard is no longer my friend.

00:59:07Yes, yes, yes, he's a friend of yours.

00:59:08No.

00:59:08He's your best friend.

00:59:09No?

00:59:10Yes, he's your best friend, and he's been your best friend since you were little.

00:59:12Like your father and I.

00:59:13And like grandparents.

00:59:14And like your children and his children.

00:59:16Listen to me.

00:59:18I know what I'm saying.

00:59:20Women are not what's important, because women come and go.

00:59:24They are friends.

00:59:25Friends you've had since you were little.

00:59:28And I'll tell you something else.

00:59:29A man who has no friends since childhood, that's not a man.

00:59:31He has no friends or anything.

00:59:32You understand?

00:59:35I think so.

00:59:37You see.

00:59:39That's right.

00:59:39He's been like this ever since he slapped T.T.

00:59:40Because?

00:59:41He doesn't say this mouth is mine.

00:59:43Look at what he's like.

00:59:45He talks a lot, doesn't he?

00:59:46But nothing.

00:59:46Not a peep.

00:59:47What, doesn't say a word?

00:59:47Nobody can get him to tell what happened, because I can't get it out of him, man.

00:59:51Okay, Guille.

00:59:52Tell your father what's wrong.

00:59:54You know what happened, don't you?

00:59:55A man, Fernando, who is going to kill me.

00:59:58But how can he kill you?

00:59:59What have you done, you wretch?

01:00:00What have you done?

01:00:00What has happened to him?

01:00:01I haven't told him anything.

01:00:01Okay, Diego.

01:00:02Relax, okay?

01:00:03Let me explain.

01:00:04Guille has been saying things that aren't true about school.

01:00:08And that has harmed third parties.

01:00:10Who has it harmed?

01:00:12Look, Guille, he's been bragging that he and Tete have had sex.

01:00:17That?

01:00:17It isn't true.

01:00:17What is being boasted about?

01:00:18What is being boasted about?

01:00:19What is being boasted about?

01:00:20What is being boasted about?

01:00:21Diego, Diego, Diego.

01:00:22But what methods are those?

01:00:23The traditional ones, damn it!

01:00:24The traditional ones, but Diego!

01:00:26Let me explain.

01:00:27Sorry.

01:00:29What was the photo, okay?

01:00:30The one where Tete and I were in bed, which I showed to my colleagues.

01:00:33But what did I tell you about the photo?

01:00:34I told you not to take her out of the house because they were going to misunderstand, and your friends have looked at her with dirty eyes.

01:00:39You have dirty eyes!

01:00:40Dad, dad!

01:00:40They've already misunderstood.

01:00:40Dad, dad, dad, dad!

01:00:41It was the other way around, it was the other way around, they saw the photo and started laughing at my pajamas and I didn't want to look like a coward about the sexual acts.

01:00:48Oops!

01:00:49Sexual acts, he said.

01:00:50But what sexual acts?

01:00:51What, you don't have sexualities at your age?

01:00:52No, Fermín?

01:00:53Please tell him.

01:00:53Well, no, that's not it either, huh?

01:00:55That's not it either, because, well, each age has its own sexuality.

01:01:04Well, that's another topic, huh?

01:01:06Well, Guille, I think you're very aware that you've made a mistake, aren't you?

01:01:11Yeah.

01:01:11Hey, Guille?

01:01:12Okay.

01:01:13Well, what you need to do is talk to Tete and apologize.

01:01:15Luxury is!

01:01:15She's already had a bad experience.

01:01:16But I want to, but she doesn't pay attention to me, she doesn't let me get close, she doesn't answer my calls, nothing.

01:01:20How silly!

01:01:20He's so dumb, really, he's dumber than a...

01:01:22Ah!

01:01:23Sorry, sorry, it was just that it was in the red, sorry.

01:01:26Forgive me, son, forgive me.

01:01:29Marcos, Marcos.

01:01:32Last night I met up with Raúl.

01:01:34Yeah.

01:01:34And I told him the whole truth.

01:01:38What truth?

01:01:39The truth.

01:01:41The truth.

01:01:42The fact that you and I liked each other and I thought she would take it well, but she didn't take it well at all.

01:01:49No, no, no, no, no.

01:01:53You can't, no, let's say, you can't take that fin.

01:01:56Guys, I want to talk to you.

01:01:58With both of them.

01:02:00Raúl, I mean, no...

01:02:03I'm sorry.

01:02:05No, Marcos, Marcos, don't apologize, man, there's nothing to forgive, okay?

01:02:09Everyone feels what they feel, and that's it; there's nothing that can be done.

01:02:14If you've fallen in love, then you've fallen in love.

01:02:16Come on, Marcos, seriously, man, relax, nothing's wrong, everything's fine, everything's cleared up.

01:02:23Marcos, dude, don't make this any harder for me, okay?

01:02:26Let's try to take it in stride.

01:02:29Come on, give each other a hug.

01:02:32Come on, give each other a hug.

01:02:32No, man, no, no.

01:02:43Citi, how strange, at eleven in the morning and Luciana shows up, for God's sake.

01:02:47Maybe he thinks he lost his phone somewhere else and he's not coming, he's not coming.

01:02:50But where is he going to lose it? You've got to be kidding me.

01:02:52Well, if I had it here last night, I don't know, just a little patience.

01:02:55He'll surely come soon.

01:02:57Come on!

01:02:58Hello good.

01:02:58Hello.

01:02:59Hey, I must have left my phone here last night.

01:03:01Do you have it around? Have you found it?

01:03:03Did she fly?

01:03:03No no.

01:03:04Did she fly?

01:03:04What do you mean, no?

01:03:06Oh, please, but don't tell me that, Diego.

01:03:08But I had it last time...

01:03:11He has to be here, this is very strange.

01:03:12This is very strange, you say, very strange, very strange indeed...

01:03:15Hey, it would be...

01:03:17It would be very strange if it weren't, well...

01:03:20Because?

01:03:21Lucía, by José Luis.

01:03:22We've already told you that he's a criminal, that he steals and that he swindles.

01:03:25Okay, Fiti, that's enough about this, not again, okay?

01:03:28José Luis has stolen your phone like a piece of junk.

01:03:32Lucia, let's see.

01:03:33Do you want to get your phone back?

01:03:34Of course, I don't need it, Fiti, please.

01:03:36Okay, so, let's do one thing.

01:03:37Let's go to the workshop and clear up any doubts.

01:03:39No, no, no, no, no, no, no.

01:03:40No, man, no, I'm too embarrassed, Fiti, no.

01:03:42How embarrassing? Well, if it's just asking, that's all, it's not a big deal.

01:03:44Okay, but then you'll let me talk, since I know you.

01:03:46Yes, yes.

01:03:47Yes, yes.

01:03:49Hey?

01:03:50That?

01:03:51You're killing yourself working, aren't you?

01:03:52As usual.

01:03:53Come on, get out of the car, we need to talk to you.

01:03:56No, that's not it.

01:03:57Come on, you have to take a look at the...

01:03:59Yes, yes.

01:03:59To the lever.

01:04:00Yes, come on, Lucia.

01:04:00What's happening?

01:04:01Okay, José Luis, well, I've been told that you might have my phone number by mistake.

01:04:07Yes, they've taken it away.

01:04:10I don't know, I mean, I don't know what you're talking about.

01:04:12Don't play the saint now, okay?

01:04:13And we know how you spend your time.

01:04:15Okay.

01:04:15Hey, look, I'm sorry, José Luis, but really, please, it's a real bummer not having my phone, because I have everything I need...

01:04:21Hey, Lucia, I didn't steal your phone, okay?

01:04:23Oh my God, this is amazing.

01:04:25Hallucinatory?

01:04:25Yeah.

01:04:26Look, José Luis, do you know what's happening to you?

01:04:28You no longer have any credibility, okay?

01:04:29And now, with your permission, I'm going to look in your backpack.

01:04:31For God's sake, Fiti, okay, that's enough.

01:04:33Hey, Fiti.

01:04:34Fiti, just leave it there.

01:04:35Fiti, that's mine.

01:04:37Hey, Fiti.

01:04:38Yours?

01:04:38Well, this is amazing, really.

01:04:40That's not it, is it?

01:04:41No, that's not it, Fiti.

01:04:42What men are capable of because of jealousy.

01:04:45Be careful what you said.

01:04:46Because of jealousy?

01:04:47Yes, Lucia, because of jealousy.

01:04:49Hey?

01:04:49Your husband, who is capable of involving those friends just to keep you away from me.

01:04:52It was definitely them.

01:04:53Look, you ask your husband about the mobile phone, you'll see.

01:04:57To my ex.

01:04:58To that one.

01:05:01Hey?

01:05:01Lucia, wait, wait, Lucia!

01:05:03Come on, Pope, come on, damn it, you're going to get it.

01:05:14What's happening?

01:05:18Nothing.

01:05:18Nothing, no...

01:05:20No...

01:05:22Are you still obsessing over Raúl?

01:05:28Yes, well, that too.

01:05:31Also.

01:05:33And what's the first thing?

01:05:36Nothing.

01:05:38No, nothing, no, Marcos.

01:05:40You're not happy that we can be together.

01:05:44Because you like me, right?

01:05:47Come on, you told me you liked me.

01:05:49What's happening?

01:05:52Look, I've gotten myself into a mess, you know?

01:05:57Why not...

01:05:59I haven't known, let's say...

01:06:03I didn't mean to hurt you, you know?

01:06:07I didn't mean to offend you or...

01:06:10So you don't like it.

01:06:12Yes, but...

01:06:17But not.

01:06:18I mean, no...

01:06:19I don't like you the way I'd have to like you to go out with you and...

01:06:25I'm sorry.

01:06:33Very sorry.

01:06:34But you know you have five minutes, right?

01:06:54Are you okay, Tete?

01:06:55It's because of Guilla.

01:07:00He hasn't even been able to come and talk to me.

01:07:04Oh my God.

01:07:05It must be another drill.

01:07:06Okay, you know you have to leave quickly, but in an orderly fashion, right?

01:07:09Come on, let's go.

01:07:10Come on, come on, come on, come on.

01:07:11Come on, let's see you.

01:07:12Hurry up there too.

01:07:14Okay.

01:07:16What you've been standing there for.

01:07:17Come on, go here to the patio.

01:07:18Tete, tete, daughter, come, come, run, run, run, what the hell.

01:07:34Oh, Tete, how beautiful.

01:07:36It's the most romantic thing I've ever seen.

01:07:39Well, apart from the movies.

01:07:41Oh, yes.

01:07:42Today I'm getting emotional.

01:07:44Look, Tete, I'm going to tell you something, okay?

01:07:45The boy must have boasted about something he shouldn't have.

01:07:48Because, girl, well, men are just that cocky, but...

01:07:51But he loves you, okay?

01:07:53And a lot.

01:07:54Hey dude, but you look like a panty, like a liver.

01:07:56And why are you going to stay hard?

01:07:57No, no, no, no, no, no, no.

01:07:59Will you forgive me?

01:08:06Look, bro.

01:08:07Look, bro.

01:08:11Look, bro.

01:08:13How are you?

01:08:15How cute.

01:08:18Yes, but romance with women never fails.

01:08:40Yes, come on.

01:08:41A foosball table?

01:08:41Okay, come on, let's go.

01:08:43What are you coming for?

01:08:43Now, come on, you freak.

01:08:46Goes!

01:08:46I had a heart attack, I had a stroke.

01:08:55Hey, I've checked José Luis's backpack from top to bottom and there's not a trace of him.

01:08:59What do you mean, not a trace?

01:09:00What are you saying?

01:09:00Not a trace?

01:09:00What do you mean, not a trace?

01:09:01It can't be, it can't be.

01:09:02And how are you so sure?

01:09:04It's not one of your things, is it?

01:09:06No, what?

01:09:06Isn't that something...?

01:09:07Police, please.

01:09:09Are you saying, Lucia, realize that you're saying that your ex-husband has robbed you?

01:09:12the mobile?

01:09:12Oh my God.

01:09:13You're subsidizing, huh?

01:09:13You're subsidizing him.

01:09:14You're acting like it's really big of a deal when I say that we, well, we're not that crazy.

01:09:18Hey, hey, hey, just a moment.

01:09:19José Luis told me to ask Diego.

01:09:21And is that what I'm doing?

01:09:22That's it.

01:09:22Me?

01:09:23Why are you asking me?

01:09:23I mean, that little guy is an idiot, a complete idiot.

01:09:27Look, Lucia, I swear, I swear on everything sacred that I don't have the slightest idea

01:09:30Where is the mobile phone?

01:09:31Not even the lightest one.

01:09:34Well, that's my mobile phone.

01:09:36That's my mobile phone.

01:09:36Where are they?

01:09:41The trunk is here.

01:09:43I don't know why it's...

01:09:43Okay, can you explain what all this means?

01:09:59Come on, Diego, come with me.

01:10:01Let's talk.

01:10:06He's clever, José Luis, isn't he?

01:10:08I didn't try to fold it.

01:10:11I assure you that I don't have...

01:10:13Come on, no, I don't know how there are cell phones there.

01:10:15But, Diego, the mobile phone doesn't matter.

01:10:17Do you know what the problem is?

01:10:19That you still want to control me.

01:10:20That's the problem.

01:10:21No, sorry, Lucia, I don't want to control you.

01:10:23No, Diego, please, let's not fool ourselves, okay?

01:10:25It bothers you that I'm dating another guy.

01:10:28And unfortunately, it pisses me off that you're trying to sleep with another guy.

01:10:33Ah, good, good.

01:10:34If it bothers you, fine, fine, fine.

01:10:36That's good.

01:10:36That's good because it means feelings, you understand?

01:10:38But, Diego, no, no, we're getting confused,

01:10:40that we are confusing the present with the past.

01:10:43So I think it's best if we try not to see each other for a while.

01:10:48And we'll see how it goes, because I think it will be in the past.

01:10:50But, Lucia, I don't want to talk.

01:10:51If not, okay, see you later.

01:10:57And I wonder how he did it as a child.

01:11:02I don't know, I don't know, I don't know, I don't know.

01:11:03Damn, I know you guys too.

01:11:07But how could you even think of trying to sell me a phone, huh?

01:11:09Damn, I've lived off this for many years.

01:11:11You're not going to pull that on me.

01:11:12Come on, come on, come on, come on.

01:11:13You don't have that much paper.

01:11:14Neither.

01:11:15Less bragging and more down-to-earth.

01:11:17I want to see how all the pickpockets operate.

01:11:19Let's see.

01:11:19Okay, let's go.

01:11:20I'm a bit out of practice, huh?

01:11:22But let's get on with it.

01:11:23Come on, put this jacket on, Fiti.

01:11:25I?

01:11:26Well, otherwise we can't do it.

01:11:27Are you putting it on?

01:11:27Come on.

01:11:28Come on, let's go.

01:11:29Let's see.

01:11:30Jacket, Fiti, wallet.

01:11:32Okay, several of those, love.

01:11:34Well, see if there's anything there or nothing.

01:11:35What are you going to see?

01:11:36There is nothing.

01:11:36No.

01:11:36It's important that you look at it.

01:11:38There's nothing there, is there?

01:11:38But.

01:11:39Santiago, a stone of sight that then piqui, piqui.

01:11:42We are?

01:11:43Wallet, Fiti, pocket.

01:11:45Yeah.

01:11:45Let's go.

01:11:46Are you writing it down?

01:11:46Yeah.

01:11:48Okay then.

01:11:49Okay.

01:11:50That?

01:11:50Look in your pocket.

01:11:53What's missing?

01:11:55Fuck.

01:11:56He's not here because he's here.

01:11:57Pussy.

01:11:58Come on, go on.

01:11:59He does that to Fiti, who doesn't realize it.

01:12:01You don't do it to me.

01:12:02Oh, no?

01:12:02No.

01:12:05What is this?

01:12:08Did you do it?

01:12:10And you didn't even notice.

01:12:11When you go, I come back, damn it.

01:12:14And let it be known that I am quitting.

01:12:21Goat.

01:12:22Well, this guy's got talent, huh?

01:12:24It's strange, but he has talent.

01:12:26We'll have to make the most of it.

01:12:29I say so.

01:12:34The wallets.

01:12:35Be careful with wallets.

01:12:37Hello good.

01:12:37I can't imagine him with any other aunt than his mother.

01:12:41Hello, Raúl.

01:12:41It's there, huh?

01:12:43Within range.

01:12:43The friend arrives at the fig.

01:12:45Okay, fine.

01:12:46Are you sure, do you think so?

01:12:47I want you to know that I am your friend.

01:12:49As a friend of mine says, the friend arrives at the fig.

01:12:52Quitting smoking is the easiest thing in the world.

01:12:53Look, look, look.

01:12:56I'll bet what he wants and I can go longer without smoking than you.

01:13:01Eight years together.

01:13:02Eight.

01:13:03Eight years is a long time, it sounds simple.

01:13:04Well, it leaves me with a post-it note on the fridge, like.

01:13:06Do you see what happens when we try to be friends?

01:13:08If I'm with someone else, we can still be friends.

01:13:20As?

01:13:21You like a woman.

01:13:22I remind you all that whenever there was a problem.

01:13:25Hermina was there.

01:13:26What can we do?

01:13:27Okay, what?

01:13:27A faggot.

01:13:28So, why is Lucia going to be able to quit smoking and I can't?

01:13:30She gets an erection at the sight that she can.

01:13:32And he achieves everything he sets his mind to, he always succeeds.

01:13:34If you want, I can put on some music for you, okay?

01:13:37Dad.

01:13:37What is Fernanda doing on our sofa?

01:13:39What if you don't sleep at home?

01:13:40It's strange.

01:13:41Queer.

01:13:41I'm so sorry about her.

01:13:42That?

01:13:43That there is no woman.

01:13:45Invite him to the house.

01:13:46Thank you very much, young man.

01:13:48Thank you.

01:13:48Thanks to the ones you have, handsome.

01:13:51They play great music here, don't they?

01:13:53Titi, don't get jealous because you're getting on my nerves.

01:13:56It's the ego.

01:13:57Raúl likes you.

01:13:58We danced, we danced, we danced.

01:14:00Come on, come on, Fermín.

01:14:01Come on, Dani.

01:14:02Let's see, Fermín.

01:14:03Sorry, Fernando.

01:14:04No, I already said it, his name is Fermín.

01:14:06What's wrong with you?

01:14:08Nothing, Mom, the girl and I are going to a hotel until I get it creamed.

01:14:11What could be better than recreating things between Candela and you?

01:14:16He just let me get carried away, didn't he?

01:14:18I say this, then, to create illusions.

01:14:20Know?

01:14:21You understand me?

01:14:22I don't know if I understand you.

01:14:23And?

01:14:24And I don't know if I want to.

01:14:25You understand?

01:14:28In other words, I've left.

01:14:29Why can't I breathe?

01:14:30I will try to find you.

01:14:32There will be no second part.

01:14:35So I don't know...

01:14:37Because?

01:14:43Rzeczy?

01:14:43Thank you.

Los Serrano - 5x07 - El reparto de África - HD 1080

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