- hace 2 días
La relación de complicidad de Lucía y Candela despierta los celos de Fiti. Junto con Santiago, el mecánico de Santa Justa maquina un plan con el fin de que Lucía se mude a casa de Diego y así recuperar la atención de su mujer, aunque las cosas no serán tan fáciles como parecen. Por otra parte, Diego está convencido de haber superado su separación pero la vuelta a casa de Lucía le hace recordar tiempos pasados. Sin embargo, la naturalidad con la que la pareja sobrelleva la situación hace creer a Diego que puede tener posibilidades con su ex-mujer. Mientras tanto, Teté y Guille continúan con su relación sentimental. El joven piensa que su novia desea dar un paso adelante en el terreno amoroso y para afrontar la embarazosa situación, Guille recurre a su hermano Marcos y a sus amigos para pedir consejo. África sigue hundida tras haberlo dejado con Raúl y éste, que desea recuperar su amor a toda costa, convence a su amigo Marcos para que le escriba unos versos en su lugar y así reconquistar a su amada.
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00:00:00Thank you!
00:00:30And they always want to be alone
00:00:35Just like Uncle Santi Lurita
00:00:37They whisper silly things in my ear
00:00:39And he laughs
00:00:40As if they had told each other the best jokes as children
00:00:42Couples are happy at first.
00:00:55And they live happily ever after.
00:00:56Like in fairy tales
00:00:57But apparently
00:00:59Over time
00:01:00The partridges are running out
00:01:01And the frozen sanjacobos arrive
00:01:03Hello girl
00:01:05What makes some breaded chicken cutlets in the freezer?
00:01:08I'm going to the movies with Lucy
00:01:09To the movies?
00:01:09With Lucy
00:01:10What's happening?
00:01:11Can't I go or what?
00:01:12It's one of those with little signs.
00:01:13You don't have time to read them
00:01:13In the frozen sanjacobos stage
00:01:16The couple no longer look into each other's eyes as much.
00:01:18And often he prefers to be with friends
00:01:21Together
00:01:21We have to go to the movies to read
00:01:22If you'd like to come by for breakfast tomorrow
00:01:26The kids who love it
00:01:27Okay, fine
00:01:28See you later
00:01:29We arrived
00:01:29Come on
00:01:29See you later
00:01:30See you later
00:01:30If we get to the stage of beer and snacks
00:01:41With the friend hanging around on the side
00:01:43Things are like that.
00:01:44Things haven't gone well for the couple.
00:01:45And they have separated
00:01:46I take everything very calmly
00:01:48And with Lucy
00:01:48The same, Britishness
00:01:49You don't understand.
00:01:50The roll
00:01:50But being British with an ex
00:01:52It's not easy when you're still in love.
00:01:54And that's what happened to my father
00:01:56He tells Fiti that in the end he got confused with the English
00:01:59And she ended up shouting
00:02:00Gibraltar is Spanish!
00:02:02This is what I like.
00:02:03A station platform
00:02:06Under the sun
00:02:07The scorching sun
00:02:08You were talking about a skyscraper in the sky
00:02:11From New York
00:02:11Come soon to see the sea
00:02:13And you send a postcard
00:02:15I already knew that day was the end
00:02:18Now I have much more
00:02:22Red, black, stop and even
00:02:25Finally, luck brings an ace
00:02:27And a glass to look through
00:02:28And a wall to hang it on.
00:02:30Seven smiling faces in one ID photo
00:02:34My stories weren't about tales.
00:02:37Made by chance
00:02:39Nobody told me that destiny
00:02:44I was giving this opportunity
00:02:46One plus one equals seven
00:02:50Who would have thought?
00:02:55It was so easy not to be happy.
00:02:59Hi, how was the movie?
00:03:16Well, to see if they killed your wife
00:03:18He made some truly memorable comments.
00:03:20If you had done them aloud
00:03:21It was funny.
00:03:22What were you saying?
00:03:23What were you saying?
00:03:24What were you saying?
00:03:24What were you saying?
00:03:24What were you saying?
00:03:24What were you saying?
00:03:25What were you saying?
00:03:25What were you saying about the movie, Karen?
00:03:26And the killer?
00:03:27Oh, the killer.
00:03:28Oh, please, the killer
00:03:29Oh my God, how bad I am, how bad I am
00:03:30Since they entered
00:03:31He had the face of a killer.
00:03:32It appeared from you
00:03:33We're going to hire that.
00:03:34To give a sugary scare
00:03:35Hey, I'll take you to bed now.
00:03:37Hey, are you coming?
00:03:38No, Karen.
00:03:38Would you like some tea, Lucia?
00:03:40Oh, yes.
00:03:40Please, I'm feeling a bit under the weather.
00:03:41Okay, good night
00:03:44Good night
00:03:45Hey, has this one been shown?
00:03:52But
00:03:52The truth is that I'm the one who has taken the test
00:03:54At this hour
00:03:54Hey, let me tell you something, okay?
00:03:56When I watch the Armenian film
00:03:57You're going to have to convince me.
00:03:58Go on, Lucia
00:04:06So I told him to come for breakfast.
00:04:07Open up, open up, you little worker
00:04:08Well, that's the good vibe you have with Lucia, isn't it?
00:04:11Well yes
00:04:11Yes, I'm feeling good.
00:04:12More than just good vibes
00:04:13I have a British vibe
00:04:14Yes, British like today?
00:04:15What's your dad like?
00:04:16How do I get there?
00:04:17Hello
00:04:18How are you?
00:04:19Hello good
00:04:19Oh, I think I'm getting a nasty shock.
00:04:21I have to do it right
00:04:22What's the matter?
00:04:23Why aren't you married at home, woman?
00:04:24Why aren't you married at home, woman?
00:04:26Man, those blows are really bad, dude, huh?
00:04:28I'm going to take the exam, okay?
00:04:30I think I'm going to stop staying at home
00:04:32What makes you look great?
00:04:33What did he say about the exam?
00:04:35Yeah, no
00:04:35I'm going to give you something warm, okay?
00:04:37Uh-huh
00:04:37Have you had anything to drink?
00:04:41No
00:04:41No?
00:04:42And what do you note?
00:04:43Do you have a fever?
00:04:44I don't think so.
00:04:44Okay, let me see
00:04:45Girls, I don't know, huh?
00:04:50Let's see
00:04:51You're a little hot-headed, aren't you?
00:04:54Man, fever
00:04:54You're freezing!
00:04:55Man, fever, fever, maybe
00:04:56Let's see
00:04:56Lucia
00:04:57I wonder if you're going to infect the class or something.
00:04:59Well, I'm screwed.
00:05:01Fucking
00:05:02Because this is the last straw, man.
00:05:03I find myself marginalized in my own home.
00:05:05But very marginalized
00:05:06Outcast?
00:05:08How marginalized?
00:05:09Damn, because...
00:05:10Candela doesn't give a damn about me.
00:05:12I mean, he's there with his little roll
00:05:14With her little friend and all
00:05:16And I'm acting like I don't exist, Santi.
00:05:18That will be the other one.
00:05:19Lucia
00:05:20He'll stir things up just to annoy people.
00:05:21Because all that's going to do is mess things up and ruin the marriage.
00:05:24That's not it, Santi.
00:05:25That's not it
00:05:26The thing is, my wife and I have been having trouble lately
00:05:28Well, we don't have a single one.
00:05:30Not a single private moment
00:05:31Clear
00:05:32What happened to you
00:05:34It's out of charity
00:05:35They've brought you the plague
00:05:36What do you have to do?
00:05:37To hell with charity
00:05:38You tell her to find a house
00:05:40Santa Pacuasa
00:05:41But you're crazy
00:05:42How should you tell me that?
00:05:43Damn, it's Lucia
00:05:44And?
00:05:45That's precisely why
00:05:46You're ruining your marriage
00:05:47What you say is also true, Santi
00:05:49But...
00:05:50But I can't fire her
00:05:51Okay, you can't kick her out.
00:05:53But it can ruin his life
00:05:56What did we do with my mother-in-law?
00:05:58Do you remember or not?
00:06:00I remember, I remember
00:06:01I'll remember
00:06:02Well, that's not a bad idea, is it?
00:06:05The thing about life being fucked up
00:06:06You can tell that's mine.
00:06:08Good morning, gentlemen
00:06:09Two with milk, Robby
00:06:10Uh, goodbye, not a word about this
00:06:12Okay, please
00:06:14Look, I don't want you to misunderstand me about Fermín
00:06:17But...
00:06:17For me, it's like dealing with you.
00:06:19It's been like getting out of a hole
00:06:20Why has it been like getting out of the hole?
00:06:22But I think that's enough now.
00:06:22How things have evolved
00:06:23Well, I think maybe it's no longer necessary to...
00:06:25Let's see, let's see
00:06:25It's true that you've improved.
00:06:27That your relationship with Lucia
00:06:28It's more normal
00:06:28But anyway, how have you improved?
00:06:29I mean, but oh well
00:06:30From here to Lima we have improved
00:06:31But look
00:06:32I even touch it
00:06:33And nothing.
00:06:34Good British vibes
00:06:35That's fucking awesome
00:06:36Yes, yes
00:06:36But don't get too confident.
00:06:37With the whole British thing
00:06:38It's still very recent
00:06:40And it could be a relapse
00:06:41No, no, I won't relapse
00:06:43Fermín, I won't relapse
00:06:43Hey?
00:06:44No
00:06:44I hope so, I hope so
00:06:45Anyway
00:06:46Nothing about quitting therapy
00:06:47Because therapy ends
00:06:48When the therapist says so
00:06:49Yes, but see
00:06:50That?
00:06:51Therapy
00:06:52Therapy
00:06:52How awful!
00:06:57But it's an Alaskan scratch, man.
00:06:59I'm going to tell you something
00:07:00At their best
00:07:01To mess with the bug
00:07:02What is climatology?
00:07:04Well, when I say bug
00:07:05Because of...
00:07:05Regarding the habitat
00:07:06No offense intended
00:07:07Dude, you're offending me
00:07:08Dude, you bug
00:07:08Bug!
00:07:09Seriously, Santi
00:07:10What a dislike she has for Lucia
00:07:12This is what it's about
00:07:13It's worth returning.
00:07:14To their place of origin
00:07:15What is their place of origin?
00:07:17What place of origin?
00:07:20Damn, well, your brother's house
00:07:21You look like a fool.
00:07:22That way we kill two birds with one stone
00:07:23My brother's house?
00:07:24But what do you want?
00:07:25Should I finish it off?
00:07:26Let's see if fixing your life works.
00:07:27We're going to screw over my brother, huh?
00:07:28Not at all!
00:07:29Damn, but that would be
00:07:30For your brother
00:07:31As if he were playing
00:07:31The lottery jackpot
00:07:32If you're looking forward to it
00:07:33No, Fiti
00:07:34No
00:07:34Nothing at my brother's house
00:07:35Go to the hotel
00:07:36To a hotel
00:07:37In the wee hours of the morning
00:07:39With a creature
00:07:39To a hotel with a bad reputation
00:07:40What are you doing?
00:07:41No
00:07:41Your brother won't allow that.
00:07:43Let me tell you something
00:07:43Lucía is sleeping at the mountain people's house tonight.
00:07:45But I don't see it, Fiti
00:07:46I don't see it.
00:07:46But nothing, nothing, nothing
00:07:48I don't see it.
00:07:48Okay, let's go
00:07:49How many more drinks did you have?
00:07:51How far did I go?
00:07:52What were they?
00:07:53A pair?
00:07:54A couple, yes
00:07:54Or three
00:07:55I've already forgotten
00:07:56Maximum amount
00:07:57Yes, yes
00:07:57The thing is, then I felt like talking
00:07:59And speak
00:08:00And she put up with my nonsense all night.
00:08:02Yes, yes
00:08:02But I wasn't listening to her.
00:08:03Africa doesn't even speak to me
00:08:06But, but, but
00:08:07He's got a thing going on with Marquitos, man.
00:08:09I don't know
00:08:11It's not a saint
00:08:11What about, Chucky?
00:08:12Well, maybe saint
00:08:13That Marcos
00:08:14He's your typical guy
00:08:15That we aunts like to have close by
00:08:16Especially in a separation
00:08:19Let's see
00:08:19And to be that typical guy
00:08:21The one we aunts like so
00:08:22What needs to be done?
00:08:23Nothing needs to be done.
00:08:23You just have to be sensitive
00:08:25Like Mark
00:08:26Damn Marcos
00:08:28That's what we aunts like.
00:08:29The sensitive boys
00:08:31And that they understand us
00:08:32But
00:08:33But, but
00:08:34In other words, Marcos
00:08:35Sensitive to what?
00:08:37Sensitive is
00:08:38Well, he's got that thing going on.
00:08:40Singer-songwriter
00:08:40And who is that singer-songwriter?
00:08:43Okay, so how can we do this?
00:08:45Break the thing
00:08:45Let's see, you son of a pile driver
00:08:48And you'll see that life soon
00:08:49What pile driver?
00:08:50No, but we have to make a mess of things.
00:08:52I've tried to make you something refined and elegant
00:08:53In the place where it will be least noticeable
00:08:55Let's see
00:08:56That board
00:08:58Do you see her?
00:08:59This
00:08:59Yes, block it there
00:09:00With the wrench
00:09:01Yeah I know
00:09:01Oh, well, now that it's
00:09:05That?
00:09:05Here
00:09:06We, you say
00:09:07Us
00:09:09Santi
00:09:10That
00:09:10That I wanted
00:09:12The DVD of Spain Malta
00:09:14To watch it again
00:09:15Something nice is going to happen
00:09:16And you?
00:09:18Well, I just had a couple of hours
00:09:19And since I was sleepy
00:09:20I've come to lie down
00:09:20But anyway, I was just leaving.
00:09:21Churri
00:09:22We were here thinking about having dinner tonight, all of us friends.
00:09:27No?
00:09:28Santi has been providing the Iberian ham for a long time, and we provide the house.
00:09:31Okay, fine.
00:09:33A long time ago
00:09:35And if Santi brings the Iberian ham
00:09:36Okay, fine, I'm leaving.
00:09:38Come on
00:09:39Why do I have to make dinner, huh?
00:09:42Because?
00:09:43Because?
00:09:43Damn it, don't be a cheapskate
00:09:44If we do it for your brother
00:09:46Damn, he's coming for dinner and he's already brought his wife along.
00:09:48Damn, Fiti
00:09:49Damn, nothing.
00:09:50We've already talked about it, haven't we?
00:09:51Well, that's it
00:09:51Let's see
00:09:52If we can break this
00:09:54Nothing
00:09:57What's been brewing, huh?
00:09:59It has taken shape
00:09:59No, this isn't moving, huh?
00:10:01Come on
00:10:01Throw the hammer like this
00:10:04Giving it a little bit
00:10:06Just a little bit, just a little bit
00:10:08Hit it hard there.
00:10:08If it's gay
00:10:09Come on
00:10:10Come on!
00:10:12Come on!
00:10:12Come on!
00:10:13Come on!
00:10:14Come on, come on, come on, come on!
00:10:15Tampa, Tampa!
00:10:16Tampa, Tampa!
00:10:16Tampa, Tampa!
00:10:16Tampa, Tampa!
00:10:17Tampa!
00:10:17Tampa!
00:10:18Tampa!
00:10:19Tampa!
00:10:19Tampa!
00:10:20Tampa!
00:10:21Tampa!
00:10:21Tampa!
00:10:22In the kitchen!
00:10:22In the kitchen!
00:10:23In the kitchen!
00:10:23Above!
00:10:23Below!
00:10:24Where!
00:10:24Where!
00:10:24In the kitchen and...
00:10:26Marcos, is he a singer-songwriter?
00:10:28Okay
00:10:28And?
00:10:29So what?
00:10:30No, tell me, what's wrong with being a singer-songwriter?
00:10:32No, trick, why?
00:10:33To be a singer-songwriter, one has to be sensitive.
00:10:34And that's why neither you nor I will ever be singer-songwriters
00:10:37Well, let me tell you something, kid.
00:10:38I'm not a singer-songwriter because I mostly don't sing.
00:10:42But what about the lyrics?
00:10:43What about the letters?
00:10:45Well, man, lyrics are poetry.
00:10:47Chucky, dude, what the hell, you already know
00:10:48I'm a die-hard fan of neudas, man, I learned from the master
00:10:51Stop messing with me, dude, stop messing with me
00:10:54Well, you can laugh, kid, but why don't I get involved, man?
00:10:56If I were to start, huh?
00:10:58If I put my mind to it, man, I'd crush it.
00:11:00He was killing it, and I'm a very sensitive guy, Chucky
00:11:03Damn, my sensitivity seems to come out through my skin pores.
00:11:05I can definitely feel it, man.
00:11:07Come on, that sounds great to me
00:11:08You don't have to convince me, buddy.
00:11:09I don't care if you're sensitive or a block of stone.
00:11:12Okay, but you have to really get to her.
00:11:14Because otherwise, returning the log is a bad bucket
00:11:17Well, I'm going to get to the potato, kid.
00:11:19Because I'm a sensitive guy, you know?
00:11:20For sensitive, I
00:11:21And to understand it, I too.
00:11:22Right now
00:11:23Where is?
00:11:24Right here
00:11:25Come on, let's go!
00:11:27Come on
00:11:27Hey, let's see if there are any of these little monsters around, huh?
00:11:34Since you separated us, I'm the first
00:11:35Hey, well, I'd be delighted, no problem at all.
00:11:38Come on, the relationship we have now, Lucia and I
00:11:39They're like civilized British women, aren't they, Lucia?
00:11:42Oh yes, thank you
00:11:44Hey, I'm feeling really bad, but it's a bit cold.
00:11:47That means she's out of sorts.
00:11:49Because things are heating up, huh?
00:11:50Hey, well, I'm feeling a little off too.
00:11:52Also, dove
00:11:53Look, yes, I'll warm you up now.
00:11:55They're a little less, aren't they?
00:11:57Yes, I'm telling you.
00:11:59This has been going on ever since I broke one, it hasn't stopped.
00:12:01Look, look
00:12:02Even the smart one has changed it
00:12:03Look at the knife
00:12:03Jesus!
00:12:04Hey, thanks
00:12:05Hey, Catela, this is freezing!
00:12:06Fiti, this is frozen
00:12:08And also everything
00:12:09Yes, there's a damp patch, Fiti
00:12:11It fits me well
00:12:12Oh, that's true
00:12:12There is humidity
00:12:13Come on
00:12:13Well, if there's humidity
00:12:14It's all gone to hell.
00:12:15And with the slit, what's it doing in the street?
00:12:17Look, look, look
00:12:1818 degrees and falling
00:12:19And going down?
00:12:20Yeah
00:12:20I don't understand, because it was perfectly fine.
00:12:22Fiti, a Chavista, let's see if...
00:12:24Okay?
00:12:24Yes, well, it's not
00:12:25Jesus!
00:12:25Jesus!
00:12:26Yes, thanks
00:12:26I'm sorry
00:12:27Marcos, Marcos, Marcos, uncle
00:12:28And don't look at me, please, man
00:12:29I have to write the lyrics to the song for my sweetheart
00:12:32Uncle Marcos, what...
00:12:33I have to show her that I'm sensitive
00:12:34They can't see a way to grab it
00:12:36Marcos, I'm begging you, man
00:12:37What are you doing?
00:12:39The fool?
00:12:41What's for dinner?
00:12:42Vegetable puree
00:12:42Hey, what's up, it is what it is, man
00:12:45Come on, Raúl, help me with the dishes, mate.
00:12:47Stay for dinner
00:12:47Marcos, listen to me, man
00:12:49Some of your singer-songwriter tricks, you know?
00:12:51That is, rhyme and verse
00:12:53And all that crap
00:12:53What rhymes, what verse, Raúl
00:12:54If all you have to do is
00:12:55Expressing your feelings, you know?
00:12:57Putting your feelings into words
00:12:59That's it, man.
00:12:59Guille!
00:13:01Dinner's ready!
00:13:01In other words, what I feel
00:13:05Let him write it, come on.
00:13:08That
00:13:08Well, put like that, it's not really the same.
00:13:11I mean, it sounds easy, right?
00:13:12That
00:13:13Okay, try it, let's see.
00:13:13Tell me
00:13:14What do you feel for Afri?
00:13:16Me, for Africa?
00:13:17Milk of things
00:13:18Come on, I mean
00:13:19I'm from Africa, dude.
00:13:21I feel
00:13:22Milk of things
00:13:24That sounds really bad
00:13:25Well, we need to clarify a little.
00:13:27How to nuance?
00:13:28To clarify, eh, then
00:13:29To qualify, no
00:13:30Okay, close your eyes
00:13:31Close your eyes
00:13:33Let's see
00:13:34Imagine you are
00:13:35Very close to Africa, huh?
00:13:38What do you see?
00:13:38Hey?
00:13:39What do you see there?
00:13:40Her eyes
00:13:41That
00:13:41And well, and...
00:13:44And the eyelashes
00:13:46Hey?
00:13:47Uh-huh
00:13:47AND...
00:13:50And a complaint that has...
00:13:51That sounds really, really bad.
00:13:53I don't work, please.
00:13:54Guillermo
00:13:55Look, either you come down for dinner or you're going to kill yourself.
00:13:57Dude, I feel the same way, Marco, you know?
00:14:03I mean
00:14:03The feeling is there, man, you know?
00:14:06But then, dude
00:14:07I mean, when it comes to extroverting him, dude
00:14:09I get a...
00:14:11The wall, dude
00:14:12And not extroverted, dude.
00:14:13In other words, I don't express anything
00:14:15I don't express it, man.
00:14:16Hey, no, no, no
00:14:17Don't let yourself get down, man.
00:14:18It's not okay to give up.
00:14:19That's not it.
00:14:20We gotta try, man
00:14:21You have to put in the hours.
00:14:21And that's it, man.
00:14:22What's happening?
00:14:23What's happening?
00:14:24Come on
00:14:24How disgusting, but what is this?
00:14:25Come on, I'm not zero at all
00:14:26Yes, yes
00:14:27Sit down
00:14:29Of course, why shouldn't I go to dinner?
00:14:32Yes, if I'm hungry
00:14:33How are you?
00:14:36I don't think so, do you?
00:14:37Damn, man
00:14:38I'm feeling guilty
00:14:39She's dying, Lucia
00:14:41About the blow, man
00:14:42I hadn't counted on that.
00:14:43Bravo, let's hope he leaves soon.
00:14:45But what I wanted
00:14:46What? Did we find anything?
00:14:48Hey?
00:14:48No, look, what are we going to give?
00:14:49Well yes
00:14:50We have absolutely no idea what could happen to this thing, do we?
00:14:54Oh my God!
00:14:56It's true
00:14:56Nothing, 37, 2
00:14:59But what do you mean, nothing?
00:15:00For God's sake, Lucia, I mean, 37.2 is a fever
00:15:02In other words, anything above 37 is a fever
00:15:04Yes, but what's more, this is being sidelined
00:15:06I don't know what we're going to do
00:15:06How are you going to sleep here tonight with this cold?
00:15:08Here? Here?
00:15:09Here, you say? Here?
00:15:10No, no, impossible.
00:15:11Come on, no.
00:15:12We're going to catch double pneumonia
00:15:14He's not going to the other side
00:15:15Please, Fiti, I'll just put on a coat and that's it.
00:15:16I'm not going to start looking for a hotel now.
00:15:18A hotel? How are you going to find me a hotel?
00:15:19If you want to come to my house, Lucia
00:15:21Home
00:15:21No no
00:15:23Come on, no, there's no room
00:15:24You won't be comfortable there
00:15:26Fuck
00:15:26Hey, why?
00:15:28Diego, why don't you go to your house?
00:15:30What do you think?
00:15:31Ah, well, that's perfect for me.
00:15:32Perfect
00:15:34Hey?
00:15:39What are you doing, Santi?
00:15:40I mean, no, no, no
00:15:41I've seen you
00:15:41Here's where the little hand comes in
00:15:42In other words, if my wife is sick
00:15:43He comes to my house without a second thought.
00:15:44And that's it? Why?
00:15:45Because we have a British and civilized relationship
00:15:47And that's it, right, Lucia?
00:15:47Diego, I don't want to bother you.
00:15:49But there's no problem.
00:15:51There is no discomfort.
00:15:51Lucia, accept
00:15:52It's clear I did it from the heart.
00:15:53But, but, but, of course
00:15:54No, no, no, let's not talk about it anymore.
00:15:55You can come home peacefully
00:15:56And that's it.
00:15:56And nothing happens
00:15:57But if it doesn't matter, Diego
00:16:00I'm really staying
00:16:01In the middle, Diego, I was happy
00:16:02Listen to me
00:16:03And am I in my bedroom?
00:16:05In my bedroom
00:16:05I mean, I sleep in the living room
00:16:07Let's be technical
00:16:08No problem
00:16:08Hello
00:16:09Hello
00:16:10We're staying here tonight to sleep.
00:16:11Because the heating has broken down
00:16:13At Candela's house
00:16:13Oh really?
00:16:15Hello, Lucia
00:16:16Hello my love
00:16:17Are you going to stay overnight?
00:16:19Hey, buddy, don't bother me.
00:16:20Lucía has a bad cold
00:16:22Come on, come on
00:16:22I want, my love
00:16:23The thing is, I don't want to stick it to you.
00:16:24Oh, never mind.
00:16:25Okay, let's go
00:16:26Let's go to the room, Lucia
00:16:27Come on, everyone go to sleep, okay?
00:16:28Come on
00:16:29Time for bed, okay?
00:16:31How cool that you're staying!
00:16:33I'm going to change the sheets, okay?
00:16:38No, no, Diego
00:16:38Seriously, please.
00:16:39Don't be silly, it's not necessary
00:16:41Oh, no
00:16:42No, I just thought that, well
00:16:44Okay, well, that's it.
00:16:45Well then, change
00:16:46And I'll bring you a little milk
00:16:47With a splash of cognac
00:16:48Oh, I've really gone on and on.
00:16:49What am I really giving you?
00:16:50No, woman, no, don't talk nonsense
00:16:52Man, please
00:16:52Come on, get into bed
00:16:54I'll take you up now, you know?
00:16:55Thank you
00:16:55Nothing, Churri, don't worry
00:17:02This is studied thoroughly.
00:17:04And we'll get started on it tomorrow.
00:17:05My first concern is Lucia
00:17:07With the bad cold he has
00:17:08On pilgrimage, the poor thing
00:17:10Well, a bit of a pilgrimage
00:17:12He's at home
00:17:13Well, or what used to be his house
00:17:14For a long time
00:17:15Look, but I don't know if it was a good idea.
00:17:17Let him go there, huh?
00:17:18They have everything very recent.
00:17:19They can get confused
00:17:20No, you leave them alone
00:17:21If they get confused
00:17:22How should I know?
00:17:22Better for them
00:17:23Hey, why don't we go to the little branch?
00:17:25You and I give each other good warmth.
00:17:27Hey?
00:17:31What are you doing up?
00:17:32No, nothing
00:17:33I'm going to make myself something warm.
00:17:35It's a rip-off
00:17:36But do bundle up, okay?
00:17:37You're not going to catch a cold
00:17:39Look, it's a baby.
00:17:41Wait, Churri
00:17:44Churri
00:17:48Come here
00:17:50That's really how we warm up from zero, buddy.
00:17:54Yes, honey, just wait a moment.
00:17:55I'm going to call Lucia
00:17:56I'm going to call Lucia for a moment
00:17:57Leave it alone, man
00:17:57Stop being Lucia
00:17:58I really want to
00:17:59But anyway, Cari
00:18:00Wait a moment
00:18:01It's what's really worrying me.
00:18:02Oh well
00:18:03But you just saw Lucia
00:18:05What a drag, please.
00:18:06Lucy
00:18:07How are you doing?
00:18:09Oh, well
00:18:09Well, he's going to suck the fabric
00:18:11But here he's treating me like royalty
00:18:14Yes, yes
00:18:17I'm going to take care of myself.
00:18:18I promise you
00:18:18Oh my God
00:18:20I'm going to school tomorrow.
00:18:21Don't worry, okay?
00:18:23Okay, see you later, bye
00:18:24Oh my God!
00:18:27Work, work
00:18:27Come on, son
00:18:28Son, what are you doing?
00:18:28Come on, go to sleep
00:18:29Come on, let's go
00:18:29Come on, darling
00:18:31Until tomorrow, my love
00:18:32If you need anything
00:18:34Call me, okay?
00:18:35Propetido
00:18:36Okay, see you tomorrow
00:18:38Nice and warm
00:18:41Why is it cheap?
00:18:42No, no, no
00:18:43It burns a lot
00:18:44I'm going to blow
00:18:45It burns a lot
00:18:45Leave him alone, Diego
00:18:52Leave it here first.
00:18:53Yes, I put it on.
00:18:53Because it's already fried
00:18:54Yeah
00:18:54Okay
00:18:55Okay
00:18:55My God
00:18:57My God
00:18:58Go to the cabaret
00:18:59Yes, sure, right?
00:19:01Yes, sure.
00:19:01Are you OK
00:19:02Well, if you need anything
00:19:03You call me
00:19:03You know where I am
00:19:04Okay
00:19:04What are you doing, woman?
00:19:08But please, man
00:19:08Let me help you
00:19:09I'm here, the pillow
00:19:12Quietly
00:19:12That's the best one, isn't it?
00:19:14Okay, let's go
00:19:14Thank you very much, Diego.
00:19:19You are welcome
00:19:21It has been a pleasure
00:19:22A pleasure
00:19:23Jesus
00:19:27I was going to the bathroom
00:19:31And I went to bed.
00:19:32I'm sleepy
00:19:32Mille!
00:19:34Come
00:19:34Let's see
00:19:37With breast
00:19:38Keep your hands still
00:19:39Keep your hands still
00:19:40With breast
00:19:40Did you hear me?
00:19:41How many are we giving
00:19:42Good night?
00:19:42She already knew them.
00:19:43Good night
00:19:43Very good
00:19:44In other words, everyone to their own room
00:19:45And off to sleep
00:19:45And just enough nonsense
00:19:47I'm a very light sleeper.
00:19:48Do you understand?
00:19:50How did Dad see him?
00:19:51Good
00:19:52Well, that's it, son.
00:19:53Take a rest
00:19:54Good night
00:19:55That?
00:20:05Did I sell out my bed tonight?
00:20:07Ille!
00:20:08Time for bed
00:20:08Uh, uh
00:20:09Hey, good night, bro
00:20:11See you tomorrow
00:20:23You don't laugh enough, do you?
00:20:39Enough nonsense, okay?
00:20:56I'm a very light sleeper.
00:20:57Amen
00:20:58Everything?
00:20:58Subscribe to the channel!
00:21:28Subscribe to the channel!
00:21:58Huh? Why do you think I told you that?
00:22:00Damn, girl!
00:22:01Look, I was planning to go, too, but...
00:22:03...you saw the mess my father made of me. I mean, if he catches us, he'll kill us.
00:22:05Look, Guille, don't give me that story. Your father wouldn't have caught us in a million years.
00:22:09That was down here.
00:22:10Mastic, for once we could do it...
00:22:12Good, hello.
00:22:15Sweets, Mom!
00:22:17Sweets of all colors, of all flavors, but...
00:22:19You can have breakfast, right, Curro?
00:22:21Yeah.
00:22:21To help everyone with their shopping.
00:22:23Come on.
00:22:23The kids go crazy, huh?
00:22:26Sweets, Mom, they work wonders.
00:22:27Yes, yes.
00:22:28Don't play dumb, you know very well that's not it.
00:22:31Oh, how much better off you'd be here.
00:22:33And not stumbling around.
00:22:35Mom, I'm not a mess. I'm a divorced woman.
00:22:37Many others.
00:22:38Like many.
00:22:39And happy.
00:22:40Do you have a sign here that says "under oppression"?
00:22:42Yes, I see it.
00:22:42Put it on.
00:22:43No?
00:22:43Here, Lucia.
00:22:44What love.
00:22:48Good morning.
00:22:50How are you?
00:22:50Good morning.
00:22:50Hello, right, Diego?
00:22:51Nothing, I just came to do the shopping.
00:22:53I've been feeling a little better and I said, well, let's spend it.
00:22:55Oh dear, oh dear, but are you really feeling better?
00:22:57Yeah.
00:22:57Yes, I haven't found myself completely, but much better.
00:22:59Hey, the whole "joking with milk" thing isn't going to be all it's cracked up to be.
00:23:02It's not going to be everything, it's not going to be everything.
00:23:04Look, Dad, I've brought everything.
00:23:05Because of chocolate, light, fries, even hard doughnuts.
00:23:08But hard doughnuts, but this is a big deal, man.
00:23:10That's awful, hard doughnuts.
00:23:11Sacred nothing, Lucia.
00:23:12Oh, really?
00:23:13Well, look, Lucia, I'm going to eat purple.
00:23:15I'm going to turn green from eating this.
00:23:17Start preparing it, start preparing it.
00:23:19Very good.
00:23:21Okay, can anyone tell me what kind of sentences these are?
00:23:30Rooms.
00:23:31They are very heartfelt, very elegant sentences, and in English, very sharp.
00:23:42Can you give us an example, please?
00:23:45Poor thing, I'm delighted.
00:23:48Well, but better than Toronto's, man.
00:23:51Yes, the one with the cat, what the hell.
00:23:52What the hell, dude?
00:23:56All night long, man, working my fingers to the bone to make that damn little song
00:24:00and I haven't been able to come up with a single verse.
00:24:03Well, I know, man, keep at it, don't give up, just keep at it.
00:24:07No, Marcos, man, no, he can keep insisting all his life, man, I'm not made for poetry.
00:24:11Well, then do it in prose.
00:24:12That?
00:24:13Marcos, dude, you're not listening to me, no, it has to be in writing, she won't let me talk to her.
00:24:16Prose, Raúl, is written.
00:24:21Where do you put it?
00:24:22What I'm good at is drawing paper.
00:24:27Okay, tomorrow we'll continue with the conditions for prayers.
00:24:34What's happening?
00:24:43Hey man, could you take the plunge and make me that little song?
00:24:49No, you.
00:24:50You're kidding, right?
00:24:51No.
00:24:52No, look, no, to make a song, you have to have feelings, you understand?
00:24:56And I don't have those feelings for Africa, I have others, but not those.
00:24:59Okay, well, that's to your credit, man, that's to your credit, okay?
00:25:01But borrow mine, man, because mine are this big, Marcos.
00:25:04Raúl, no way, dude.
00:25:05Marcos, please, please, I'm only asking this, man, please, that's all I'm asking, I'm not asking for anything else, please, man, please.
00:25:10But if I happen to be doing you favors one day, I'll remind you that I recently kissed your girlfriend, okay?
00:25:13No, I'm just doing you a favor.
00:25:15Okay, fine, okay, that's true, but that's there and I owe you that one, okay?
00:25:18No, no, no, I'm going to pay you for that one.
00:25:20No, no, no, no, you can ask me for whatever you want, whenever you want, and I'll do it, even if it costs me my life, man, okay?
00:25:25I may not do anything else, but I was grateful, yes, grateful, Marcos.
00:25:27Listen, man, writing a song isn't easy, okay?
00:25:29You can't write a song lightly, no.
00:25:31Okay, but Marcos, that's Africa, man, Africa is pure inspiration, you know?
00:25:36Dude, look, look, look, you look at her, dude, and you'll definitely get inspired.
00:25:40Marcos, Marcos, don't leave me in the lurch, man, please, my life depends on it, Marcos, Marcos, please, please.
00:25:46Is that a yes?
00:25:47No.
00:25:48Yes, yes, it's a yes, man, thanks, Marcos, man.
00:25:50I knew you wouldn't let me down, why? Because you're a true friend, Marcos, man, one of those who's been around forever...
00:25:54Don't suck up to me, man.
00:25:56Thanks, Marcos.
00:25:56Please wait a moment, listen to me for a minute, please.
00:26:03Careful, Guillermito, don't talk to me, I'm going to tell your dad to catch you.
00:26:06Why did you say that to him?
00:26:08There are no things of ours.
00:26:10Boy.
00:26:11Hey, what's up, man?
00:26:15Uncle, grandpa, I have one of my own, but if I tell you, you can't tell anyone, okay?
00:26:20In other words, it's a secret between you and me.
00:26:22Dude, I'm a vault.
00:26:24Well, dude, look, it turns out that yesterday T.T. and Lucia were coming to my house to sleep over, right?
00:26:30Because the heating had broken down at Cantera's house, I don't know what, I don't know how to guide.
00:26:34Well, but when we were going to sleep, T.T. told me to go to his bed.
00:26:41What do you think that means?
00:26:42That you went to his bed.
00:26:43What a bastard, what a bastard, man, that's crystal clear.
00:26:48What do you want, Mambo?
00:26:49And you think so?
00:26:50Of course, Guille, I believe it and so does anyone who hears you, mate.
00:26:53It's an indecent proposal, come on.
00:26:56But like a top of a pine tree, man.
00:26:58Yeah, man, it seems so, but...
00:27:00I'm not entirely sure, I don't know.
00:27:05Anyway, this is just between you and me, don't tell anyone, okay?
00:27:07But of course I'm not telling anyone, Guille.
00:27:10Now, T.T.'s message is crystal clear.
00:27:13He asked you to have sex, damn it.
00:27:16But you're safe.
00:27:19And I told him, but Guille, don't overthink it, and it's obvious.
00:27:22Sure, it won't be obvious, dude, but Maritere is asking for marzipan.
00:27:25And Guille is scared shitless.
00:27:26That's intense.
00:27:27And so strong, damn it, that I was already warming up, getting ready for the mambo.
00:27:33And she's going to sing to me and she tells me that she's worried about Lucia and that she's going to call her.
00:27:36Don't mess with me, it already ruined my mood all night.
00:27:38He has a gift.
00:27:39Lucía has a gift for messing with other people.
00:27:42No, that's not it, Santi.
00:27:44I was pondering.
00:27:45I was pondering this last night, taking advantage of the fact that I had a terrible case of insomnia,
00:27:50I was pondering this, and I came to the conclusion, you know what?
00:27:53Well, that...
00:27:54Well, they have a connection.
00:27:56Complicity?
00:27:56Complicity?
00:27:58So, they talk to each other, laugh together, and have a good time.
00:28:01Let's see if they're going to be there.
00:28:03You're an idiot.
00:28:03How will the rivers be?
00:28:04Well, uh, uh, no offense, okay?
00:28:06Look what happened to the fishmonger.
00:28:07His wife left him for the woman from the haberdashery, and now she's become a haberdasher herself.
00:28:10But what the hell does the fishmonger's wife have to do with this?
00:28:12What the hell does that have to do with anything?
00:28:13Don't mess with me, Santi.
00:28:14No, don't get angry, man.
00:28:15I hear you, I hear you.
00:28:17Well, that's what I was getting at.
00:28:19I believe that what's happening between my master and me is that there's no longer any complicity.
00:28:23In other words, she prefers to be with her friends because she doesn't have as much fun with me as she used to.
00:28:26Come on, it's mostly a couple's problem, Santi.
00:28:28I don't think so, but you've always been very funny like this.
00:28:32Look, but that was before, at the beginning.
00:28:34At first, it was good.
00:28:35At first Candela was laughing her head off at me.
00:28:37I opened my mouth and ha, ha, ha, ha, ha.
00:28:39Well, and if I did the Arabian Nights thing, I can't even imagine.
00:28:42One Thousand and One Nights.
00:28:44What's that?
00:28:46No, neither.
00:28:47No, it was just stupid things we did when we were dating.
00:28:49Well, it was infallible, it made him stop being angry and everything else went away.
00:28:53Well, do it, do it now.
00:28:55One thousand and one?
00:28:56I don't know.
00:28:57Well, at some point, it's about the love of humor, isn't it?
00:29:01Well now, come on, let's succeed.
00:29:03The one I don't know if he's going to succeed is Diego.
00:29:06I'm not sure why you had to let that woman into your house.
00:29:09Because it was a case of force majeure, because there were tenths.
00:29:12There were tenths of a degree and the house was completely frozen.
00:29:14So he couldn't just leave the poor woman there abandoned with that blow, right?
00:29:18Yes, yes, yes.
00:29:19So, how's the experience been?
00:29:21Well, imagine, the boys are thrilled, absolutely thrilled.
00:29:25I'm asking you about your experience, Diego.
00:29:27Ah, I wonder about my experience.
00:29:28Well, my experience was good.
00:29:29An experience, in a British style, with respect and education that are definitely present.
00:29:34Respect and education, good.
00:29:35And how do we deal with our feelings?
00:29:37Feelings?
00:29:38So, you're asking me how we handle feelings.
00:29:40Feelings? Hey, we handle feelings well.
00:29:43Yes, and what does that mean?
00:29:45What does what I've told you about feelings mean?
00:29:47Could you repeat the question? Sorry, why not?
00:29:50Do you still love her?
00:29:51Whom?
00:29:52To Lucia?
00:29:52I?
00:29:55Me.
00:29:56Between you and me, Fermín, well, man, when there's been affection, something always remains.
00:29:59Yeah?
00:30:00Just something.
00:30:01It says something, it says quite a lot, doesn't it?
00:30:06Okay.
00:30:07A lot.
00:30:08I love her very much.
00:30:10I think I'm going to love her all my life.
00:30:12That's where I wanted to see you, Diego.
00:30:13That's where I wanted to see you.
00:30:14And with such strong feelings, didn't you think it was risky to bring her into the house?
00:30:17No, no, no, no, no, no.
00:30:19Risky, no.
00:30:19You'll see why, because I've told you there's an emotion involved, right?
00:30:21But just as there is emotion, there is also restraint.
00:30:23In other words, what I was telling you, well, what Britishness is in the fullest sense of the word.
00:30:27Britishness.
00:30:28Already.
00:30:30Don't you believe me?
00:30:32No.
00:30:32That's not it, Diego.
00:30:33It's a confusing situation, isn't it?
00:30:35And, in short, I didn't want to throw away all the work we've done during this time.
00:30:39No, don't worry, Fermín, we're not throwing anything away.
00:30:41Come on, just trust me, I mean, I'm in control and I don't confuse things.
00:30:44I mean, let me tell you, I mean, I'm in control and I don't confuse things, okay?
00:30:46Okay, okay, but if anything happens these days, if you have any questions, okay?
00:30:49Will you call me, okay?
00:30:50Of course, of course, whatever happens, nothing bad will happen.
00:30:52But I'll call you if anything happens, come on, but I don't think anything will happen.
00:31:03What's up, Rano?
00:31:04What's happening?
00:31:05Yeah, dude, let's go, shall we?
00:31:06No, come on, what's wrong?
00:31:08Now, Marcos, dude, stop messing around, man.
00:31:10Give me that little letter you wrote for Afri.
00:31:12I just don't know if you're going to like it.
00:31:13But how could I not like it, Marcos, man, you're the fucking master of composition.
00:31:16He's the Joaquín Sabina of Santa Justa.
00:31:19This?
00:31:19Repair.
00:31:20Okay, me, me, me, me.
00:31:23Let's see.
00:31:24I know that beneath your feet there are some feet...
00:31:26Under your skin.
00:31:28I know that under your skin.
00:31:29Ah, okay, okay, damn, no, I was saying that, damn, at first it's a bit weird, isn't it?
00:31:32Because underfoot, well, like you're giving him a hard time or something.
00:31:34Well, I had one and they're a real pain, you know?
00:31:36No, sir, go on.
00:31:37Okay.
00:31:38I know that beneath your skin is softer skin, that your gaze has a tear behind it.
00:31:44That your gaze has a tear behind it.
00:31:46What's happening?
00:31:48No, dude, I mean, the skin behind the skin thing, I see it, because since she's white and all, well, of course, because it peels when the sun hits it and then it stays like a baby's tail, and cool.
00:31:59But about the tear, dude, I mean, you see it as glassy eyes or something.
00:32:05No, no, no.
00:32:07No, what I mean, Raúl, is that she hides her feelings, you know? That she covers them up.
00:32:11What lid?
00:32:12That covers.
00:32:13Raúl pretends to be something he's not.
00:32:14Don't mess with me, he's bluffing.
00:32:17No.
00:32:18No, go on, keep going.
00:32:20Keep going and see if you can push it.
00:32:21That on the other side of your smile the sun fits faster and dreams are untrained.
00:32:26Yes, brand new.
00:32:27Unused, unreleased.
00:32:29Yeah.
00:32:29Okay, so that's the first verse.
00:32:32Hey?
00:32:33You don't like it, do you?
00:32:36It's weird, Marcos, dude.
00:32:38Nothing, dude.
00:32:39No, no, no, no, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay.
00:32:44Do you like it?
00:32:47Yeah.
00:32:47Well, that's it, man, that's it.
00:32:48In other words, if what matters here is that you like it, then you're the one who understands.
00:32:51That's it.
00:32:52Okay, are you going to see me?
00:32:54Well, of course.
00:32:55He's going to write it out in my handwriting and I'll put it in his backpack.
00:32:57Hey.
00:32:59Well, thanks, man.
00:33:00But let's see, how do I know if it's the rising or the falling?
00:33:04What I do know is that it doesn't work.
00:33:06What time?
00:33:07Well, I'll wait for you at the goalkeeper's.
00:33:08Legend has it that on Sirocco nights...
00:33:25Legend has it that on Sirocco nights a stunning princess used to dance like this, wildly.
00:33:34No, no, no, no, that move is better.
00:33:49He needs to move more, and always.
00:33:51That's right, mommy, mommy.
00:33:51You kiss too.
00:33:56Now I'll get some small bottles.
00:33:59Sorry, huh?
00:33:59Now...
00:34:00Sorry.
00:34:01Are you going to see if you won't?
00:34:01Are you going to see if you won't?
00:34:02Are you going to see if you won't?
00:34:10Uncle.
00:34:11He found a letter.
00:34:13I'm leaving, man, okay?
00:34:14Not to put you under pressure, but...
00:34:15No, you stay here, we'll see how she reacts, okay?
00:34:17No, but no, no, no.
00:34:18Yes, yes, yes, Raúl, I'm not staying.
00:34:19Yes, yes, please.
00:34:20No, Raúl, Raúl, no.
00:34:21No, Raúl.
00:34:51That?
00:34:53That's what I say.
00:34:55What's happening?
00:34:56Take this from me.
00:35:01Song for Africa.
00:35:03By Raúl Martínez.
00:35:05Did Rol write a song for you?
00:35:07No, he hasn't written a song for me.
00:35:09He wrote the song for me.
00:35:10She's beautiful.
00:35:11Marcos.
00:35:13Marcos, come here, please.
00:35:16Dude, I'm so confused.
00:35:18Because?
00:35:19Super pretty.
00:35:20Look what Raúl wrote to me.
00:35:26That?
00:35:33Yes, that's not bad, is it?
00:35:36What's not wrong?
00:35:36It's the nicest thing anyone has ever said to me.
00:35:40It's brutal.
00:35:41It's so brutal that I'd say she copied it.
00:35:43If it weren't for the fact that it's clear he's talking about me.
00:35:47Of course not, he's talking about here because he says so very clearly here, right?
00:35:50Your name was born in a distant desert.
00:35:52And everything else.
00:35:54And Africa, of course.
00:35:55And there are a lot of parallels, aren't there?
00:35:57It's as if for the first time I'm seeing myself from the inside.
00:36:01As if he knew me very well.
00:36:04Clear.
00:36:06Because it takes a long time, Africa.
00:36:08It takes a long time, and that's normal, right?
00:36:10God, how beautiful.
00:36:14What a mess, damn it.
00:36:16Okay, mess, why?
00:36:17Because I had already decided never again.
00:36:20Never again with Raúl, never in my life.
00:36:22Because he's a pig and a brute.
00:36:25But now he seems like a different person.
00:36:27But I think Raúl, who is sensitive at heart.
00:36:30Already.
00:36:30He wears armor, but that's all he is.
00:36:33You think?
00:36:35So what do I do?
00:36:36I'm talking to him.
00:36:37Yeah.
00:36:39Marcos.
00:36:40That?
00:36:41I'm talking to him.
00:36:42Yes, yes, speak, speak, speak.
00:36:44Talking and talking...
00:36:48Do you talk to him?
00:36:49I don't know, I don't know.
00:36:54What are you doing?
00:37:08Don't worry, Diego, I'm just going to take this.
00:37:14But Diego, for God's sake, there's trust.
00:37:16I don't know, it was already over.
00:37:18Well, here are the clean, ironed towels.
00:37:22Thank you, thank you.
00:37:24Best answering machine.
00:37:39Hey, Fermín, Fermín, it's me, Diego.
00:37:42No, you told me your name and asked if I had any questions.
00:37:44Well, now I have some doubts.
00:37:45But it's not a doubt, not too much.
00:37:47A normal question, really.
00:37:48Okay, call me when you can.
00:37:49Call me, okay?
00:37:50Thank you.
00:37:50Thank you.
00:37:54Marcos.
00:38:02Hey?
00:38:03Can I ask you a question?
00:38:05About what?
00:38:07Well, about... about the first time.
00:38:09The first time for what?
00:38:11About the first time you rode a bike without training wheels.
00:38:14Okay, man, okay.
00:38:18Dude, about your first time.
00:38:20That?
00:38:20How was it?
00:38:21I don't know.
00:38:21What's it to you?
00:38:22Watch out, and Marcos, trunk.
00:38:23Look, at school they told us that if we have questions about sex, well, we should...
00:38:26We asked our family.
00:38:28But I can't tell Dad because A, he gives me a headache and B, he confuses me more than he clarifies things.
00:38:31I mean, I can't.
00:38:32Well, you're right about that.
00:38:33Okay, what are your questions?
00:38:39Okay, shoot.
00:38:39Let's see.
00:38:41Is it difficult?
00:38:42Difficult?
00:38:43Uh-huh.
00:38:43No, man, it's instinctive.
00:38:45In other words, the animals do it without any problem.
00:38:47Thank you very much, Marcos?
00:38:48Eye and trunk, I'm not going to ask you to do it like the animals.
00:38:51As?
00:38:52To do it like the animals...
00:38:53To do it?
00:38:53To do it?
00:38:53Guille, you and you aren't thinking, are you?
00:39:00No, man, no.
00:39:00No, no, come on, absolutely not, not right now, but come on...
00:39:03No, not right now, not ever.
00:39:04I mean, in a while, when you're 14, Guille, but with these things...
00:39:08Yes, in a while.
00:39:09But it has to happen someday, right?
00:39:10Yes, some.
00:39:11Okay, let's get to the point.
00:39:12Let's see.
00:39:14Does it hurt for girls the first time?
00:39:17Yeah.
00:39:18Yes, a little, but if you're careful, then.
00:39:22Be careful.
00:39:22Okay, but be careful, right?
00:39:24Yes, less.
00:39:25Okay.
00:39:26And the first time you do it, I mean, how long do you have to be there?
00:39:29So, how many times...?
00:39:32Okay, let's see, yes, now.
00:39:35There is no set time...
00:39:37I mean, you're there, man, the best thing is for her to, well, and for both of you to be happy.
00:39:43Already.
00:39:44So, how do I know if she's happy?
00:39:47Because I ask him.
00:39:47Well, no, Guille, there are no silent films, I mean, you can ask him, and besides, they make noises, you know?
00:39:52Know?
00:39:53They get a little...
00:39:53Hey?
00:39:56What, what?
00:39:56Hey, don't you even think about doing that, okay?
00:39:58You're all just kids, Guille.
00:40:00But, Marcos, no, calm down, calm down, you already told me that, no.
00:40:02Okay, I'll repeat it for you.
00:40:03Okay.
00:40:04And one thing, when you do it, in a while, okay?
00:40:08Always.
00:40:09Always use a condom, okay?
00:40:11Always use a condom.
00:40:12Always.
00:40:15Through the answering machine.
00:40:16Fermín, it's me again.
00:40:17Hey, you won't see that I had left you some messages and stuff, but it was just in case you picked them up, that's why I'm going to call you.
00:40:22That's about a few questions, well, a few questions I've asked you, so, well, call me when you can, okay?
00:40:28Uh, it's urgent.
00:40:30Thank you.
00:40:30See you later.
00:40:38Are you nervous, Diego?
00:40:40No, I'm not nervous, I'm not nervous.
00:40:41Did Santi tell you when he was coming back or not?
00:40:43He said nothing.
00:40:44Oh, for God's sake.
00:40:45And Fiti?
00:40:45Did Fiti tell you that he spends all day here drinking beers and he's not here today?
00:40:48Where has he gone?
00:40:49I have no idea.
00:40:51Today it's just you and me.
00:40:56Hey, hey, Brogui, will you see a...
00:40:58One thing I wanted to mention to you.
00:41:00Yes, boss.
00:41:01Close the tap, damn it, close the tap, man, do me a favor.
00:41:03Yes, you see, uh...
00:41:05Forgive me because you told me I was nervous.
00:41:07Yes, I'm nervous.
00:41:07I told you no, but I am nervous.
00:41:09And why?
00:41:09You might be wondering, and I'll answer that for you.
00:41:10I have a friend, a very close, very dear friend, really very dear, who has a doubt that is gnawing at him.
00:41:17What's bothering him?
00:41:18One doubt, yes, gnaws at him.
00:41:19In other words, he has a nagging doubt.
00:41:21But it's separate.
00:41:22Like you?
00:41:23Like me, like me.
00:41:24But anyway, I don't think I have anything to do with this.
00:41:25I mean, I mean, come on, with this, like I said, he's a friend of mine, right?
00:41:28So what's wrong with my friend?
00:41:29So, what his wife wants.
00:41:31I mean, come on, yes, he loves her.
00:41:32And why did they separate?
00:41:34Well, guys, she's separated because we already broke up with her.
00:41:36Okay, sorry.
00:41:37No, thanks.
00:41:37Nothing, I mean, it's good, it's sad.
00:41:39It's sad, or separations are always sad.
00:41:41Okay, so this friend I was telling you about...
00:41:42The thing is, this friend's wife has come back home.
00:41:45He's back...
00:41:45Due to circumstances, it has happened to me a few days ago, calmly.
00:41:48Then my friend is starting to notice.
00:41:50My friend is starting to notice.
00:41:51Well, that's pretty good already.
00:41:55The boys notice everything, in everything.
00:41:57For example, and this is what was bothering my friend.
00:41:59The other day, just calmly, well, the guy was, well, in his fourth year and he was peeing.
00:42:02I mean, with the...
00:42:03Yeah, what peeing is, guys, you know what peeing is, right?
00:42:06And then she goes and goes in.
00:42:07To pee?
00:42:08No, no, no, no, no, no.
00:42:09No, not to pee.
00:42:09And he went in, well, he went in, he was passing by, he went in, something else, right?
00:42:12So what does he do? What does he do?
00:42:13Is he leaving?
00:42:13No, he's not leaving.
00:42:14She's not leaving.
00:42:15No, no, no.
00:42:15It stays the same as when they were married, as normal as ever.
00:42:18But I don't see it as normal to go in when someone else is peeing.
00:42:21Well, what do you know about marriage?
00:42:22If you...
00:42:23Forgive me, forgive me, forgive me, forgive me.
00:42:24Rory, I'm sorry.
00:42:25I get worked up.
00:42:26Speaking of this thing about my friend, how he suffers, well, I get excited.
00:42:28Don't worry, Diego.
00:42:29Thank you.
00:42:30Okay, I'll continue telling you how the story went.
00:42:32So, well, of course, I mean, my friend, the guy thinks,
00:42:35If she goes in there, she's just peeing on their husbands, well, well, that must mean she's very comfortable.
00:42:40Please, she seems to be trying to tell me, it seems to me, that's the impression I get when my friend told me about it.
00:42:45It's like, well, nothing has changed here, everything is the same as before.
00:42:48No? Don't you think...?
00:42:49Well, I suppose so.
00:42:50No, I suppose not.
00:42:51I suppose that's not an answer.
00:42:52Sorry, Gobi, but it's an answer.
00:42:53We have to get involved here, damn it.
00:42:54Yes or no?
00:42:55Yeah.
00:42:55Yes, sure, yes, sure, right?
00:42:57Sure.
00:42:57You're sure?
00:42:58Sure.
00:42:58Sure?
00:42:59Sure.
00:43:00Good.
00:43:02Okay, well done, Gobi.
00:43:03Very good.
00:43:04Okay, so, I'm going to tell my friend that...
00:43:06that you, that we think that means that it is...
00:43:09that he is very comfortable and that...
00:43:11that there may be possibilities.
00:43:12I'm going to tell him.
00:43:14Tell him.
00:43:15You tell him.
00:43:20Sweetie, I'm here.
00:43:28Legend has it that on Sirocco nights, a princess...
00:43:33I don't remember what the princess looked like...
00:43:34Okay, okay, okay.
00:43:35Don't remind me, okay?
00:43:36Quite short.
00:43:37But that's really funny.
00:43:38I haven't given it that much of a time.
00:43:40Oh, really?
00:43:40Look how nice.
00:43:42Why was it for that?
00:43:43You have to do it, but completely.
00:43:44Because I haven't seen it all because...
00:43:46In that way?
00:43:47Legend has it that...
00:43:49Madam, we're leaving now, more tomorrow.
00:43:51Ah.
00:43:52Tomorrow?
00:43:52What do you mean, more tomorrow?
00:43:54Yes, apparently the problem is in a downpipe that runs through our room.
00:43:57It's going down, and quite a lot.
00:43:58It's going down, and quite a lot.
00:43:59Are you counting?
00:44:01Quite...
00:44:02Downpipe.
00:44:03Well, if they want something...
00:44:05Well, uh, no...
00:44:05God!
00:44:07I shit on my fucking skull!
00:44:08Hey!
00:44:08Come here!
00:44:09But what have you done, you wretches?
00:44:11Relax, okay?
00:44:11But what do you mean, "calm"?
00:44:12They've smashed us to bits, babe.
00:44:14Downhill and bad.
00:44:15Quite a lot and going down.
00:44:16You need us, sir.
00:44:17Do you need us?
00:44:18I need to open your heads right now.
00:44:20Don't be a beast.
00:44:21These gentlemen know what they're doing.
00:44:22Did he get sick?
00:44:23But what do they know?
00:44:24We know, sir.
00:44:25You know about dancing.
00:44:26We know about downpipes.
00:44:27It's a downturn and bad.
00:44:29Significant drop in water level.
00:44:30Good downpipe, huh?
00:44:31Good drainage and don't get me worked up.
00:44:33But where did these guys come from?
00:44:34They are a company that has been recommended to me.
00:44:35Trustworthy people.
00:44:36But how can we trust them?
00:44:37Good heavens, they're like Pepe Jotaro and Otilio in a Moorish version.
00:44:39Come on, let's go!
00:44:40Out on the street!
00:44:41Out!
00:44:41It's over!
00:44:42Pinti, don't be racist.
00:44:43But what racist?
00:44:44Honey, I don't care if they're Moors,
00:44:45that they are from Calatayú,
00:44:46but they're messing with us.
00:44:48We're being ripped off!
00:44:49Alright, let's see if others don't get caught!
00:44:50Down and bad, quite a lot and down.
00:44:51You know what? Don't mess with me.
00:44:53What the hell is the radiator gasket in the living room?
00:45:01I say, let's go.
00:45:02That's what I imagine.
00:45:03Damn, you don't have to study that much.
00:45:04The damp patch is on the other side.
00:45:16A beer, please.
00:45:21Have you come?
00:45:22Yeah.
00:45:24No, well, I wasn't really sure.
00:45:27Thank you.
00:45:28But come on...
00:45:29I'm very happy.
00:45:34Did you like the song?
00:45:35Yeah.
00:45:37Yeah?
00:45:38But I don't understand anything.
00:45:41Damn, I knew she was weird.
00:45:43No, no, no.
00:45:43Yes, the song is perfect.
00:45:46Yeah?
00:45:47You're the weird one.
00:45:50I don't know, Raúl, you're throwing me off.
00:45:53Because one day you're capable of writing a song like that,
00:45:55with that sensitivity,
00:45:56and another day...
00:45:58You are able to take bromide.
00:46:01Okay, fine, fine.
00:46:02Let's not dwell on it any longer.
00:46:04Okay?
00:46:05You keep the song.
00:46:07Remember this.
00:46:09Okay.
00:46:13You have no idea how much I've missed you in the cold.
00:46:16Can I have a kiss?
00:46:21If you recite it to me.
00:46:24That?
00:46:25The song.
00:46:28Recite it to me.
00:46:29The...
00:46:31Well, but don't think I know it all.
00:46:34No, nothing happens at first.
00:46:36The first verses.
00:46:36Hey...
00:46:37Let's see...
00:46:46You...
00:46:49You...
00:46:49You have the skin...
00:46:53under the other one.
00:46:58AND...
00:46:58And that's why...
00:47:00The tear.
00:47:02You're kidding, right?
00:47:04Yeah.
00:47:05Clear.
00:47:07Clear.
00:47:08Auntie, if you already know me, you already know what my motto is.
00:47:11I love humor.
00:47:12Yes, but I don't want humor right now.
00:47:14I want you to recite the song to me.
00:47:15The song?
00:47:17Yeah.
00:47:18Yes, uh...
00:47:21Damn, right now...
00:47:25Holy shit, right now...
00:47:26Can you believe I don't remember very well right now?
00:47:28It was, uh...
00:47:30Not even from the first verse?
00:47:31It doesn't come to me.
00:47:32Well, yes, no, of course.
00:47:33I mean, the idea is there, you know?
00:47:37Because the idea is there, you know?
00:47:39But what is the...
00:47:40Every single word...
00:47:42Hey...
00:47:44But come on, this, honey, is an inspiration, you know?
00:47:46It comes to you and you write it on paper, you know?
00:47:49You didn't write that, did you?
00:47:51Of course, Africa.
00:47:52How can you say that?
00:47:53Oh my God.
00:47:55Raul, you didn't write the song.
00:47:57Who wrote it?
00:47:57No, no, no.
00:47:58Africa, Africa.
00:47:59Look at me, I wrote it myself.
00:48:01Marcos has helped me a little.
00:48:06Marcos, the song was written by Marcos, it was Marcos.
00:48:09Are you an idiot or what's wrong with you, dude?
00:48:12No, you know what's happening?
00:48:13I'm the idiot for believing you because I've fallen for it again.
00:48:15Africa, no, Africa.
00:48:15You know what I'm saying?
00:48:16Go to hell, you bastard.
00:48:17Africa, no.
00:48:26Oh no, I see you.
00:48:27Excellent.
00:48:28They're not going to work for you.
00:48:29No, no, no, wait, wait, Dad, this is good.
00:48:31Which?
00:48:32No, no, no, no, no, no, no, no, no, no, no, it's done.
00:48:35No, no, besides, no, besides, no, it's too late.
00:48:38Come on, come to sleep, it's very late.
00:48:40Come on, you think it's really good.
00:48:42Come on, come here and sleep.
00:48:42A little kiss and off to sleep.
00:48:43Oh, oh, what a guy.
00:48:48Are you coming to my bed tonight?
00:48:49Yes or no?
00:48:54Yes, yes, I think so
00:48:56Are you going to stay for more days?
00:48:59Don't know
00:49:00Come on, I'm feeling great
00:49:02Come on, work, don't get too sleepy, come on, go to sleep
00:49:04Come on, it's always the same, isn't it?
00:49:06Always the same
00:49:07Thanks for giving us politics like this, huh?
00:49:15And Currito is right.
00:49:16I'm doing great here
00:49:17Yes, you really enjoyed being here, Italy
00:49:21Honestly, he's very comfortable there.
00:49:23Oh, do you mind if I put on a little...
00:49:26No, no, no
00:49:27Relax, no, no, no problem at all
00:49:30Hey, do you know what I'm thinking?
00:49:32I fancy a little wine
00:49:33A little wine?
00:49:36Okay, okay
00:49:37Yeah?
00:49:37Actually, well, I have...
00:49:39I'll bring it now.
00:49:40Children, go to sleep
00:49:44Hey, hey, hey, it's him, Dad!
00:49:58Damn it, answering machine
00:49:59Fermín, can you tell me what you would get a mobile phone for?
00:50:02Forgive me, forgive me, Fermín
00:50:05But I have to tell you, I'm restless.
00:50:06I'm restless, that is to say, I'm confused and restless.
00:50:08Okay, let me tell you.
00:50:10Lucía does things that I don't understand.
00:50:12And I see that my Britishness is wavering, you understand?
00:50:17He doesn't explain it well.
00:50:17I'll tell you in person.
00:50:19But let me explain.
00:50:20So I don't interpret
00:50:21And I falter
00:50:23Do you understand?
00:50:24Okay, so when you can, call me.
00:50:26Thank you very much, Fermín
00:50:27Goodbye, Fermín
00:50:28Fermín, goodbye
00:50:29Hello
00:50:38Well, tonight we're going to have dinner in the capital
00:50:41What is it where it's warm?
00:50:42Look, look how I tell it to myself
00:50:43Hey, Fiti, I was just thinking
00:50:46That thing about the broken radiator gasket in the living room
00:50:52How did you come up with that?
00:50:53That?
00:50:54Well, what do I know, it's logical.
00:50:55Logic for whom?
00:50:57Logic, well, logic for everyone, darlings
00:50:59It's the classic breakdown
00:51:00It's the classic breakdown
00:51:01A radiator breaks down
00:51:02Well, it will be the meeting
00:51:03Look, we played three-legged
00:51:05And to one of the others
00:51:06Fiti, you saw it, right?
00:51:08Hey?
00:51:09I've charged your radiator.
00:51:10But oh well, but oh well
00:51:12How am I going to damage the radiator?
00:51:13What for?
00:51:13I wonder if I'm going to end up taking the fall for these two handymen.
00:51:16No
00:51:16Fiti
00:51:17Well yes
00:51:22Yes, it was me.
00:51:24Do you know why?
00:51:26Well, because I couldn't find a single moment to be alone with you, you know?
00:51:28And also
00:51:29I just couldn't think of it.
00:51:30No, no, I can't believe it.
00:51:31That?
00:51:32But have you done anything to get rid of Lucia?
00:51:33But you're a brainless idiot.
00:51:34No, no, there's no need to insult me either.
00:51:35No, no, don't insult yourself, no.
00:51:36The good thing is that I don't crack your head open.
00:51:38But how could you even think of that, Fiti?
00:51:39Well, because he was all jealous, honey.
00:51:40Damn, because I was an outcast in my own home.
00:51:42Since she came, they've been together every day.
00:51:43Pee, pee, pee
00:51:44And hahaha
00:51:45And...
00:51:46Fiti, but how can you be so childish?
00:51:47I've been putting up with your buddies my whole life
00:51:48With the great matches and the exciting moves
00:51:50You understand?
00:51:51And for once a friend of mine comes over to my house
00:51:52Because the girl is going through a separation and needs help
00:51:54I just can't explain it.
00:51:55Okay, fine, that wasn't good.
00:51:56That it hasn't been good
00:51:57I admit it, I've messed up.
00:51:58That's it
00:51:58Well, look, he's perfectly fine with me acknowledging it, you know?
00:52:02Now I don't have to explain to you.
00:52:03Because you're going to sleep in the living room
00:52:04Hey, hey, hey, to the living room
00:52:05Hey, what's that over there in Siberia?
00:52:06Oh, and one more thing, uh
00:52:13And take that away, it stinks
00:52:15It sucks, doesn't it?
00:52:20Very good
00:52:20It's good, huh?
00:52:28Oh my goodness, we've finished the bottle!
00:52:30Because it's really good, really delicious
00:52:32It's delicious!
00:52:33It's good, yes, it's nice you and me here, hand in hand, right?
00:52:36Yes, hand in hand, colleagues.
00:52:38Diego, for God's sake, take off those big shoes!
00:52:43Please
00:52:44The big shoes? Why do I have to take off my big shoes?
00:52:46Why? Why?
00:52:47Well, it's midnight
00:52:48And you've been with them all day
00:52:49Come on, make yourself comfortable
00:52:50What are you doing?
00:52:51Come here, bring it, I'll help you
00:52:52Come in, so you can be comfortable
00:52:54Yes, man
00:52:56But what if your blood isn't circulating?
00:52:57But if you cannot be told
00:52:58But Lucía is a woman
00:52:58Is my blood circulating?
00:53:00No, please
00:53:01But anyway, Lucia
00:53:03But Diego, but man
00:53:04You're even wearing your jacket.
00:53:06But what an obsession, seriously, with those big shoes
00:53:07But what an obsession
00:53:08That's good, Lucia
00:53:09Oh, sorry, I went too far, I'm a pain in the ass
00:53:13Lucia, a little
00:53:14Not stupid
00:53:17What a joke, I'm delighted!
00:53:19But...
00:53:19No, no, what is it?
00:53:20I'm going
00:53:21Get out of the way, get out of the way, get out of the way
00:53:21Man!
00:53:24Oh ok
00:53:25And besides, you know I'm delighted.
00:53:29So...
00:53:30Well
00:53:30Forgive me, forgive me
00:53:44Good night
00:53:48Good night
00:53:49Good night
00:54:19Always use a condom, okay?
00:54:44Oh, hello
00:55:10Good morning
00:55:10Fights, lovers
00:55:17Come, please, I swear
00:55:18What is it that...
00:55:18It's that we don't have it
00:55:19Look, Leche, I was waiting for you until all hours.
00:55:21But of course, the kid pooped again, didn't he?
00:55:22No, no, I didn't shit myself, okay?
00:55:23I'm a last-minute bromeliad
00:55:24A last-minute bromeliad?
00:55:26What was more important, not the problem itself
00:55:27No, okay, look, I swear
00:55:27He watered it today, okay?
00:55:28I'm going tonight, I swear.
00:55:29Please, Tete
00:55:30Already
00:55:30Hello good
00:55:32Hello good
00:55:33Hello good
00:55:34Hello good
00:55:35Fight, my love
00:55:36Good morning
00:55:39Lucia, I'm making you some toast.
00:55:40See?
00:55:41Happens
00:55:42Hey, good morning
00:55:46Hey Lucia, if you want, we can go to the Chinese restaurant tonight.
00:55:53And then we'll keep telling jokes, okay?
00:55:55No, darling, because...
00:55:57Why wouldn't we be there? We're leaving now.
00:55:59That?
00:56:00That?
00:56:01That?
00:56:02Yes, we're leaving, Tete, after breakfast.
00:56:04So pack your things
00:56:05But why?
00:56:06Because yes, darling, because they've probably fixed Candela's heating by now.
00:56:09But Lucia, why, huh?
00:56:11But I'm very happy here.
00:56:12Curro, don't be a pain, come on, just leave it.
00:56:14But come on, why do they want to leave if we treat them so well?
00:56:17Because?
00:56:18But work...
00:56:19Curro
00:56:20I'm sorry, Diego, but I left my phone here and I didn't hear your messages until this morning.
00:56:32What happened?
00:56:34What happened?
00:56:36Well, it happened that I let out a scream
00:56:37Gibraltar, Spanish!
00:56:38And to hell with Britishness and everything else
00:56:39In other words, Gibraltar is Spanish!
00:56:40And that's it.
00:56:41No, no, no
00:56:42Sorry
00:56:43No, no, no, laugh, laugh
00:56:44No, no, laugh
00:56:44You're right, I am a clown.
00:56:46I know I can't measure, Fermín, I can't measure
00:56:48And since I don't measure up, I just think everyone is a saint.
00:56:50But do you think I'm going to throw myself on top of Lucia like a monkey?
00:56:54What do you see in her, huh?
00:56:58I felt overwhelmed and left
00:57:00How awful, Candela
00:57:02It was to be expected, Lucia
00:57:04It was like walking into the lion's den
00:57:06The separation is very recent and you're playing with...
00:57:10Hey, but Candela, don't yell at me on top of that!
00:57:12Okay, fine.
00:57:12And what do I tell the poor man?
00:57:14Because he doesn't have it as clear as you do.
00:57:16Do I really understand?
00:57:18I'm telling you, I'm not so sure about that, you know.
00:57:20She's very clear about it
00:57:21He's absolutely certain that he doesn't feel anything for me.
00:57:23Why do you say that?
00:57:24Why do I say that?
00:57:25If he was unable to kiss me
00:57:28I repelled her, Fermín
00:57:29I repelled her
00:57:30That kiss moved me so much that...
00:57:34You got scared
00:57:35If I let myself go...
00:57:38You're letting negativity get the better of you, Diego.
00:57:40No, no, Fermín
00:57:42No, not because of negativity
00:57:43This is realism
00:57:44And it's better that way because...
00:57:46I was already getting my hopes up
00:57:47I told you I wasn't getting my hopes up.
00:57:48But I was making them for myself.
00:57:49Well, that's it.
00:57:51Well, that's it.
00:57:52Now I know this is over
00:57:53This isn't over, Candela
00:57:55Now I know this is over
00:57:57Well
00:57:58You never know that.
00:58:00I have a surprise for you
00:58:02Yeah?
00:58:03What a surprise?
00:58:04Do you like five-star hotels?
00:58:06How was it yesterday with Afri?
00:58:12That's too bad, man.
00:58:12Why is it bad?
00:58:15He caught me
00:58:15What caught you?
00:58:18That?
00:58:18Did you tell him that I had written to him?
00:58:20No, but...
00:58:22I don't know, man.
00:58:22I told him that you had helped me out.
00:58:24Damn, Raúl
00:58:25As?
00:58:25He turned away and left
00:58:26How could he not leave, Raúl, man?
00:58:28Are you stupid or what's wrong with you?
00:58:30Africa is also my colleague
00:58:31Now I'm left...
00:58:32I look like an idiot, don't I?
00:58:33Narcos, dude, I'm sorry
00:58:34I'm sorry, really.
00:58:35What the hell is wrong with Raúl?
00:58:38Sorry, man.
00:58:39I'm sorry
00:58:41No, no, no
00:58:47No, don't take it like that, okay?
00:58:49No...
00:58:50How am I going to take it?
00:58:51Narcos, dude
00:58:52If I'm a lout and a shitty lumberjack
00:58:54That the only thing you're going to do in life is screw up
00:58:56Well, don't worry about me, okay?
00:58:59No...
00:59:01No problem
00:59:02Oh really?
00:59:04Yeah
00:59:04Thank you
00:59:06You see, look, I've lost it
00:59:13I have lost the woman of my life
00:59:15Because we're not even friends anymore.
00:59:19I don't know...
00:59:22I'm going to...
00:59:22I'll talk to her
00:59:23I'll talk to her
00:59:24And I'm sure we can do something, right?
00:59:26Sure, huh?
00:59:27Yeah?
00:59:27Yes, yes, man
00:59:28What should I talk to?
00:59:28Place
00:59:28Yeah?
00:59:29Yeah
00:59:29Okay
00:59:30Tell him, tell him, tell him I didn't know, I didn't know how to get her back, man.
00:59:35I've done everything because I love her very much.
00:59:36Okay, I'll say it.
00:59:37Okay, okay, dude
00:59:37But up there, okay?
00:59:39Goes?
00:59:39Yeah?
00:59:40Yes, yes, man
00:59:41Are we going to class or what?
00:59:43Yeah
00:59:43Tete
00:59:48That?
00:59:50I'm ready.
00:59:52So that?
00:59:54Well, to make it so
00:59:55To do what?
00:59:58Tere
00:59:58But, but, but, but, girl, for God's sake, what are you doing with that?
01:00:02That?
01:00:03What do you do with that?
01:00:03That?
01:00:04That?
01:00:04That?
01:00:04That?
01:00:04That?
01:00:04That?
01:00:04What's that?
01:00:05Nothing, nothing, nothing
01:00:06Give me what we don't do
01:00:06Give me what we don't do
01:00:06Give me what we have.
01:00:10Oh my God
01:00:13Oh my God
01:00:13Dad
01:00:14But you have 14 years of history
01:00:15That?
01:00:15But what were you going to do with this generated data?
01:00:17I promise you nothing, Diego.
01:00:18But what do you mean, nothing, Maritere?
01:00:19But don't betray what I...
01:00:20But what about, Guilla?
01:00:21That I don't...
01:00:22Maritere doesn't do those things.
01:00:23And neither are you, you wretch, because I'll crack your skull.
01:00:25Hey, I'll crack your skull.
01:00:26But, but, but, but
01:00:27Yeah, yeah, yeah, yeah, yeah, yeah
01:00:27It was a misunderstanding, okay?
01:00:29What misunderstanding, misunderstanding?
01:00:30A kiss and half punishment
01:00:31If he has left home
01:00:31Out, out
01:00:32Out!
01:00:36Don't worry, Maritere
01:00:37I know you have nothing to do with this
01:00:40Okay
01:00:52This is a bit too much
01:00:55We don't deserve it, you
01:00:56Well, since I'm leaving you with your suitcases
01:00:59And you already know
01:01:00Anything they want
01:01:01They can dial zero.
01:01:02Thank you
01:01:03Bye
01:01:04Thank you
01:01:04Me too
01:01:07But seriously, have you seen this room?
01:01:08Which is like my apartment
01:01:09Hey, this didn't cost him an arm and a leg, did it?
01:01:12No, don't worry about the money.
01:01:13Fiti invites us
01:01:14It has set its course
01:01:15Fiti?
01:01:16Fiti
01:01:16Oh, who has played me?
01:01:17Because?
01:01:17Because Candela is annoyed with me because...
01:01:19By?
01:01:20For one little thing
01:01:20And to make amends, because I'm bleeding, Diego
01:01:23But has he gone to a hotel?
01:01:24In a five-star hotel, with a couple
01:01:26And where are Lucía and Tete?
01:01:28At the hotel with her
01:01:29But they're not in your house
01:01:30Yes, they were, but they're not, Santi.
01:01:31Guille, now it's yours
01:01:33Please do me a favor
01:01:33But...
01:01:36Has something happened?
01:01:39Let's see
01:01:39What have you done, Diego?
01:01:43Well, last night
01:01:44Last night...
01:01:46Look, I confused the churra with the merino.
01:01:47And I got my foot in it up to my hock
01:01:49He's put it in up to his shin, that is, up to his uvula.
01:01:51I put my foot in the udder and the hock
01:01:53What are you doing, Diego?
01:01:54In other words, speak to us Christians who are in Ascua.
01:01:56Well, that was last night.
01:01:58Let me balance on them, on Lucia
01:02:01And I gave her a kiss
01:02:04I kissed her without permission
01:02:05And he rejected you.
01:02:06And from now on, she will always reject him.
01:02:08Because he doesn't love her.
01:02:08He doesn't love her, he doesn't love her
01:02:09Don't be a wimp, damn it.
01:02:11That?
01:02:12He doesn't love her
01:02:12He doesn't love her, okay, okay, fine, okay.
01:02:13The bad one is right.
01:02:15Santi is right.
01:02:16So, after this, Lucía is going to forget about me forever.
01:02:20You won't believe this, but I've been thinking about God all day.
01:02:25Wow, you look a little tipsy.
01:02:29Well, not at all, huh?
01:02:33Today it's time to enjoy this amazing show.
01:02:34I'm going to get the bathrobes, we're not going for a swim in the pool, but right now
01:02:37What does he say? Are you coming to the pool?
01:02:41Oh, what a shame, I'll just stay and watch TV, there are tons of channels.
01:02:43Well, what I like most are the toilet paper rolls.
01:02:46Like those colognes, those little sachets, with everything
01:02:49A little bit like a stick
01:02:51Another guard, if I don't know him
01:02:52Who's going to reject me?
01:03:04Hey, Guille, we need to talk, why don't you see?
01:03:08Okay, try it on in a hurry
01:03:09Where are you?
01:03:14Okay, okay, I'll be right back, okay?
01:03:15Okay, that's all for now.
01:03:16Hey, Dad
01:03:18I'm going home to study; there's no one here who can concentrate.
01:03:21Okay, fine, go, but go straight away.
01:03:23Straight home, and don't lie to me, Guille, we know each other.
01:03:25And you stay home for two months, huh?
01:03:27Okay, okay
01:03:27Come on
01:03:29Stop it
01:03:31And what has he done now?
01:03:34But what's Guille going to do?
01:03:35Well, the fool, as always.
01:03:36Do you know what the best part of this whole story is going to be?
01:03:40Well, it's over.
01:03:40This story I've had with Lucia
01:03:42We were like that too
01:03:43We were such good friends.
01:03:44So friendly, it's over
01:03:45It's over
01:03:46You'll see how from now on I'll refuse you
01:03:48Because it will say
01:03:49This slobbering guy
01:03:50I can't get rid of it even with hot water.
01:03:52Because?
01:03:53Because love
01:03:54I don't like it
01:03:56To the one who is not in love
01:03:57I don't like it
01:03:57And the slobbering one
01:03:58The slob doesn't talk
01:03:59Don't talk nonsense
01:04:01Don't talk nonsense
01:04:02No, no, you're right.
01:04:02I'll leave your little hand badly.
01:04:04But he's right.
01:04:04It's hitting me with half
01:04:05But he's right.
01:04:05And since he's right
01:04:06Well, I'll give it to her.
01:04:06Do you know what I'm going to do?
01:04:07I'm going to talk to her
01:04:08I'll talk to Lucia and that's it.
01:04:09And I tell him
01:04:09Hey, between her and me
01:04:10Without any pressure
01:04:11There is no pressure.
01:04:12Lucia and I
01:04:12No pressure
01:04:13And that's it.
01:04:14But you're not a fool, are you?
01:04:16I'm going to take you, you drooling idiot, to your brother.
01:04:18Fuck
01:04:18Slimy
01:04:19Goes?
01:04:25I had to escape
01:04:30When I catch my father
01:04:31It kills me
01:04:31Okay, just one minute.
01:04:32Happens
01:04:33We need to talk face to face
01:04:36Hello
01:04:38What a treat, Maritene
01:04:40What a luxury!
01:04:41Can we know?
01:04:41Now that he has come
01:04:42What about condoms?
01:04:44What an advantage the fool has, isn't it?
01:04:46That?
01:04:46Like what?
01:04:47That?
01:04:47Let's see, aunt
01:04:48Yes
01:04:48That's really bad, you know?
01:04:49That you have left me
01:04:50How I got out
01:04:50In front of my father
01:04:51I have a feeling it's you.
01:04:52The one you've been wearing for two nights
01:04:52There, come to my bed
01:04:53Come to my bed
01:04:54Me, but
01:04:55But did you think I wanted that?
01:04:58No
01:04:58What is clear
01:05:01It's about the dirty look
01:05:02It's inherited, you know?
01:05:03That?
01:05:04All I wanted was
01:05:05It was sleeping with you
01:05:06Together and cuddled up
01:05:07Normal
01:05:08But explain yourself better
01:05:12Fuck
01:05:13But then why
01:05:16Did you buy the condoms?
01:05:19Hey...
01:05:20Would you have done it?
01:05:24Guille, do you want to?
01:05:27Man, want to?
01:05:29I don't know, from my
01:05:30The only thing I didn't want
01:05:31It was like staying like a toast
01:05:32In front of you
01:05:33How stupid you are
01:05:35Yeah?
01:05:41Yes, it's me, Diego.
01:05:42Open me
01:05:43What should I do, please?
01:05:43My father is killing me.
01:05:44I have to go here
01:05:44I have to go here
01:05:45I have to go here
01:05:45Okay, okay, Diego
01:05:46Go on, Diego, go on
01:05:54This thing is one of meters
01:05:58No
01:05:59Come and talk for a moment
01:06:00Is your mother there?
01:06:01Snap
01:06:01He's in the pool
01:06:03Oh ok
01:06:04No, no, wait here
01:06:05The wait here
01:06:05Sure?
01:06:06Yes, yes, yes
01:06:07There's a hall downstairs.
01:06:07Why wait?
01:06:08No, no, no
01:06:09Ah, okay.
01:06:10Isn't it beautiful?
01:06:13Yeah
01:06:13Well, nothing.
01:06:25Hello
01:06:29Ah, hello
01:06:29How are you?
01:06:31Sorry for the delay
01:06:32No, it's okay.
01:06:33Well, the reason I told you to come is because I think we need to clear some things up, right?
01:06:39Yes, a few
01:06:40Yeah
01:06:40Hello
01:06:41What else, Tua?
01:06:42A tomato juice, please
01:06:44I know what I did wasn't right...
01:06:48The thing about doing the...
01:06:50Well, I mean, about helping Raúl a little with the lyrics to the song
01:06:53Know?
01:06:54Yes, there, I think that's where it is...
01:06:56Raúl loves you, Afri
01:07:00Marcos, leave him alone, seriously
01:07:02No, not yet, but...
01:07:03I just don't want to talk about Raúl
01:07:04Yes, but he doesn't know how to tell you, Afri
01:07:06Do I look like this to you?
01:07:06Yes, yes, you look...
01:07:08As?
01:07:10Like... like the lyrics say, about...
01:07:13The skin and the tear behind
01:07:16You know, I like tomato juice and I never remember to order it, huh?
01:07:29Do you really think I'm like that?
01:07:34Lucito, you're a fucking awesome aunt
01:07:35Okay, you're acting tough, but it's clearly just an act.
01:07:39Happens?
01:07:41Yeah
01:07:42No, everyone notices it.
01:07:45Because they are very clumsy, because they don't know how to look at you
01:07:48Maybe that's it
01:07:53Yes, yes
01:07:57Are you being very affectionate with me?
01:08:00A bit
01:08:01But at some point you add music to the little tear thing
01:08:10Oh well, maybe it'll pass.
01:08:11Well, I'll take your high-speed train and...
01:08:15And I'm good at it up high, huh?
01:08:18No...
01:08:19It's not cool to see you like this, huh?
01:08:21We have to... a little, you know?
01:08:23Let's... let's toast
01:08:25Health
01:08:27Hi, Diego
01:08:31What are you doing here?
01:08:31How are you?
01:08:32Hello
01:08:32How are you, Cinnamon?
01:08:33What's up?
01:08:33What... could I talk to you for a moment?
01:08:35If you don't mind, can you?
01:08:37Tete?
01:08:38That?
01:08:39Hey...
01:08:40Come
01:08:40No, it's just that...
01:08:42Come here, Tete, if it's just a moment, daughter
01:08:43Yes, but...
01:08:46Don't be capricious, come
01:08:47No, that...
01:08:51I wanted to apologize for what happened yesterday.
01:08:53The thing about...
01:08:54The kissing and stuff
01:08:56It shouldn't have happened.
01:08:57Yes, but it happened
01:08:59And if it happened, was it for a reason?
01:09:02Yes of course
01:09:03In other words, it happened, and since it happened, well...
01:09:05Well, of course, there is something like that.
01:09:06Is...
01:09:08I got confused
01:09:09I mean, between the wine and the familiarity and all that, well...
01:09:12I got confused and...
01:09:13Well
01:09:13AND...
01:09:14And nothing more
01:09:15Well, always hot years, Lucia, man.
01:09:18Well, the thing about sexual fasting, well, that also has an influence, right?
01:09:21Because...
01:09:22So, you're a really...
01:09:23I mean, excuse me
01:09:24That...
01:09:25So, you're a very beautiful woman, right?
01:09:27AND...
01:09:27And I, well, am not made of stone.
01:09:28AND...
01:09:29Heated up, wasn't it?
01:09:30Well, a heated moment, put that way
01:09:31It's like...
01:09:32Something any man would have done in those circumstances, right?
01:09:35As...
01:09:35Okay
01:09:35And then...
01:09:37You don't feel anything for me anymore
01:09:39For you?
01:09:42No, nothing, no...
01:09:44Friendship
01:09:44Just friendship, but not
01:09:46No, and that's why I've come, to explain to you that...
01:09:48So you don't think there's something there that isn't.
01:09:49So there are no misunderstandings, right?
01:09:51Come on, relax, I don't feel anything for you.
01:09:53I mean, friendship is fine, but don't get too stressed because...
01:09:56What I don't do
01:09:56Excuse me, just a moment, okay?
01:09:58Dad
01:10:05Hey?
01:10:06But what are you doing here, you wretch?
01:10:08Today you make me think you've come to finish off the mother
01:10:09That I...
01:10:10No, I haven't come to finish things off, Mom.
01:10:11No, no, no, listen to me
01:10:12I've come to do the same as you
01:10:13I've come to clear up a little problem with my girlfriend.
01:10:15Just like you with yours
01:10:15But what do you mean, the same as me with mine?
01:10:17But what are you going to compare it to?
01:10:18Unfortunately, but...
01:10:19No, Mom, but I've been listening to you.
01:10:20I've been listening to you
01:10:21Look, you...
01:10:21You've had a misunderstanding.
01:10:22And you threw yourself on top of Lucia
01:10:23And I have misunderstood
01:10:24And I bought a box of condoms.
01:10:26Hey Guille, what are you doing here?
01:10:29Nothing, that...
01:10:30In other words, she came to her and then I opened the door for her to come in.
01:10:32I've been there and I've called
01:10:33He wanted to come in, so I opened the door for him.
01:10:34Because the time was right.
01:10:35But I haven't heard him.
01:10:35Yes, but he knocked with his knuckles, but very quietly.
01:10:38Like for...
01:10:38Short, because I have a...
01:10:40He hurt himself...
01:10:41Someone told me
01:10:42Hello hello
01:10:43How are you?
01:10:44It was Fiti
01:10:45She fixed the heating.
01:10:47And yes, you can come.
01:10:48And what did you say to him?
01:10:51Daughter, I felt sorry for you.
01:10:52I told her to come for dinner.
01:10:52But on one condition
01:10:54What condition?
01:10:56You're going to love it
01:10:59Legend has it
01:11:04That on Sirocco nights
01:11:07A stunning princess moved like this
01:11:10To both of them
01:11:12Very good
01:11:16It's a pici.
01:11:47Picture of father, Santi.
01:11:49Look, look, look.
01:11:50Well, but that painting was stolen.
01:11:52That?
01:11:53His father had it in the tavern all his life until it was stolen.
01:11:55Why am I going with you?
01:11:56Don't be annoying, tell yourself I'm going to sleep at grandma's.
01:11:59Odds Party in Mogambo.
01:12:01What is this?
01:12:01Tonight, odd-numbered party.
01:12:04He came to tell me that my brother Joselito is arriving today from Salamanca.
01:12:07Yeah?
01:12:08Your brother-in-law, the notary.
01:12:10Joselito.
01:12:12Santiago.
01:12:13But man, man, I really wanted to see it.
01:12:17I've come to offer you a plan.
01:12:18Oh, really?
01:12:18Yeah.
01:12:20A guy from work who has booked a country retreat for this weekend.
01:12:22Do you like the plan or not?
01:12:23Yes, no, end of field, right?
01:12:25Do you go to the shelters?
01:12:27Okay!
01:12:29But what?
01:12:31Currito is going too.
01:12:32Odds Party in Mogambo.
01:12:33So, let's see what happens.
01:12:40And then, their eyes met.
01:12:46So, you no longer see yourself in layers.
01:12:52Well, you should be careful, because you're not at peace.
01:12:54Hey, if I wanted to, I could pick up women like nobody else.
01:12:56Dude, can I do you a favor?
01:12:57I'm not doing you any favors in Africa, mate.
01:12:59I'm not going to get involved in your messes.
01:13:00Why can't I come for dinner?
01:13:01I have a number of rooms that you can't imagine.
01:13:03If I've accumulated a lot of them and tomorrow I have...
01:13:05Lucia, Lucia.
01:13:05If it can't be done, it can't be done.
01:13:08No problem.
01:13:09We'll leave it for another day.
01:13:09Yes, yes, yes.
01:13:10Diego, this is a sign, man.
01:13:13What signal?
01:13:13What does it say about a sign?
01:13:14Let's see, what a sign.
01:13:15God exists.
01:13:15Mogambo, Diego.
01:13:16Uh, sex, bacon, but so red.
01:13:20Who is it, son?
01:13:21They are friends of the opposition.
01:13:27Hey?
01:13:28Yes, I was supposed to leave them some notes and I had forgotten.
01:13:31I haven't told you my name.
01:13:32No.
01:13:33My name is Lucia.
01:13:34Oh, for God's sake.
01:13:35Yeah.
01:13:36And what are you doing?
01:13:37Do you study or work?
01:13:38Father!
01:13:39Father!
01:13:40The picture of my father that has taken me away!
01:13:42You'll be miserable!
01:13:44What are you saying, boss?
01:13:45I closed it properly.
01:13:46This is another apology!
01:13:47Out!
01:13:47Dismissed!
01:13:48But how can he fire me if I don't have a contract?
01:13:50We'll have to tell Grogi to come back.
01:13:52Quietly.
01:13:52It's here.
01:13:53Is it what?
01:13:53Grogi won't be working here again while I'm here.
01:13:55Boy!
01:13:56What is this?
01:13:56Epica by Fel!
01:13:58A real pain, for God's sake.
01:13:59I mean, if it hasn't even surpassed the hour-long run of Lucía Primera, how am I going to mess with another one?
01:14:02Do you understand that?
01:14:03Because we can see each other another day, right?
01:14:04Sure, sure, sure.
01:14:06But what?
01:14:07What the hell?
01:14:08But wasn't this the night when you didn't have children?
01:14:14Hey, what...
01:14:16I didn't think so, son.
01:14:18If you want, we could go to your house and have one last drink there.
01:14:22Do you feel like it?
01:14:23No, no, no, yes, no, no.
01:14:24You say to my house, yes.
01:14:25No?
01:14:26Yes, yes, yes, of course.
01:14:27No, I don't want you to think that either...
01:14:28No, no, no, don't worry.
01:14:30Okay.
01:14:30Okay.
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