Los Serrano - 5x16 - ¿Tú te crees que la policía es tonta? - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

En este episodio Fiti se reinventa. Se plantea dejar el mundo de la mecánica para convertirse en agente de policía. Todo empieza cuando el padre de África deja el coche patrulla en su taller para una reparación. Además, las continuas discusiones con su padre llevan a África a abandonar el hogar familiar. En su afán por recuperar su cariño, Raúl decide compartir piso con su ex-novia. Sin embargo, cuando la pareja encuentra un apartamento que se adecúa a sus posibilidades económicas, descubren que Álex se les ha adelantado. En el instituto las cosas están calientes. Tras la marcha de Candela, un inspector de educación se presenta en el colegio exigiendo el nombramiento de un nuevo director en la mayor brevedad. Animadas por sus respectivos maridos y sin desearlo realmente, Lucía y Lourditas compiten entre sí por asumir la dirección del centro escolar.

Transcript

00:00:09Hey, buddy! See that one in white? The one who looked mean to me? Well, that's the bad guy.

00:00:17Lately, Fiti spends all day at home with me. And what we do most is watch cop movies.

00:00:22which are their favorite.

00:00:23On all tracks.

00:00:24Don't pick anything up, Mom, we'll do it tomorrow.

00:00:26OK.

00:00:26Come on!

00:00:28Fiti, what are you doing like that? But anyway, we're not going to get there, we're not going to get there, Santiago, get dressed, please.

00:00:32Are you kidding me? Now we have to dress up to see Santi? Well, I'm going to get dressed up.

00:00:36Something new, huh?

00:00:37He saw it for just a moment. Look, just a little bit. Now's when the detectives...

00:00:40Fiti says he likes them because he enjoys guessing who the bad guy is. But of course, if he watches the same movie...

00:00:45If I get it right three times in a row, I can do it too.

00:00:47He's seen it a thousand times, as you know it perfectly, and he told it to the child another thousand times.

00:00:50Come on, Curro, to bed. Come to bed.

00:00:52What should we read, woman? Well, it's almost over. Read a little bit.

00:00:55I don't know who's more of a kid, you know?

00:00:56And the truth is, it's great. Because being with Fiti is like having a friend my own age.

00:01:01Fiti, let's go now, come on, stop messing around and let's go, come on.

00:01:04Mom, duty calls, man. I can see from the fruit salt that it's a light dinner.

00:01:08Basanti is a tiny suckling pig.

00:01:10I hope she doesn't use kidneys because I feel so awful.

00:01:13He's not improving, huh? I mean, he's not improving, he's not improving. He's in terrible shape, Fiti is in terrible shape.

00:01:16But you're really going on about Fiti, aren't you? When he's nervous, it's because he's nervous. And when he's calm, it's because he's calm.

00:01:20don't worry.

00:01:20I want to leave him alone.

00:01:26But Dad couldn't read the clues. The problem wasn't that Fiti was lying around doing nothing, but everything.

00:01:33On the contrary, he should start doing things.

00:01:35Currito, pay attention to the play, huh? We'll discuss the end of the movie tomorrow.

00:01:38As Carmen says, when a priest thinks he's a cardinal, everything ends badly.

00:01:43Goodbye, son of God, lady.

00:01:44Do you see that one in white who looks mean?

00:01:46Yes, he has a face.

00:01:47Well, he's the bad guy.

00:01:48He's the bad guy.

00:01:49On a station platform, under the blazing sun, you were talking about a skyscraper in the New York sky.

00:01:57Come soon to see the sea and send a postcard.

00:02:00I already knew that day was the end.

00:02:05Now I have much more.

00:02:08Red, black, stop, odd.

00:02:10Finally, luck brings an ace, a crystal to look through, and a wall to hang it on.

00:02:15Seven smiling faces in a passport photo.

00:02:19My stories were not about tales made by chance.

00:02:26Nobody told me that destiny was giving me this opportunity.

00:02:32One plus one equals seven.

00:02:36Who would have thought?

00:02:40It was so easy to be happy.

00:02:54Freshly stabbed.

00:02:54Well, he's done everything, huh?

00:02:55Very good, very jao, very jao.

00:02:57Very good.

00:02:59So what? Do you like it?

00:03:00Yes, yes.

00:03:01Does she look pretty?

00:03:02Very good, very good, Santi.

00:03:03Really, very good, very...

00:03:04Well, I understand it perfectly, you know?

00:03:05But come on, it turned out really nice.

00:03:06Yes, yes.

00:03:08Lurdita, who lets loose.

00:03:10Don't you have a nude photo here in a guy's living room and he's been doing sadomasochistic stuff that you

00:03:13Does it poop?

00:03:13With all due respect, Fiti.

00:03:14He is a martyred saint and he has shoveled.

00:03:16Yes, Fiti, it's San Felipe.

00:03:18They skinned the poor man alive and then poured salt on his wounds.

00:03:21They really did some nasty things to the man.

00:03:23One thing, Lurdita, when people start swearing, it's a terrifying thing.

00:03:27Hey, what I really love is the dollhouse.

00:03:30Oh, really?

00:03:30You can tell she's good, right?

00:03:31Yes, good.

00:03:32Come on in, it's old, it's lived in, it has history.

00:03:35Not like those with fascicles, which are clearly bad.

00:03:38No, yes, it's the one with the fascicles.

00:03:41Ah, well, doesn't it really look old?

00:03:43It seems to me, well, what Lucía says is that she doesn't like collections at all.

00:03:48In other words, what collections are...

00:03:49No, no, no, no, what he means is that I like the ones that are pretty, like this one.

00:03:53This one, yes.

00:03:54What I don't understand is how people can buy those world-class edales.

00:03:57Well, we have that one in the room.

00:04:00And the one with the little shoes too.

00:04:02Santi, will you come with me to get dinner?

00:04:04And you all, go sit down.

00:04:05You're at home, right?

00:04:06Thank you, thank you, Roditas.

00:04:08Cover my mouth!

00:04:10You're crowning yourself, I'm staying here, I'm going to spend the time.

00:04:13No, no, leave it, leave it, don't say anything else, leave it.

00:04:15Here are some killer little kidneys, yes.

00:04:17Go on, smell it, smell it.

00:04:18Yes, rich, yes, I feel like they did it here.

00:04:21Not here?

00:04:23What's wrong, Juliá?

00:04:25Don't you like kidneys?

00:04:26Yes, I love them, here they are.

00:04:28A lot, all my life.

00:04:29Lifetime.

00:04:30The only thing is that they don't have much salt, because of blood pressure.

00:04:32No, no, don't worry, we'll add salt to it right now, like we did to Saint Ambrose.

00:04:41But, daughter, how did you come up with the idea of eating kidneys?

00:04:44Oh, I'm not going to fix it for you, please, Mom.

00:04:46But how do you expect me to do things with the food after all the times I messed up with it?

00:04:50home?

00:04:50And what's the house like?

00:04:52The house is very, very, very, what?

00:04:59Very, very, Mom.

00:05:01Ah, I see.

00:05:02Hello good morning.

00:05:04Be careful, you guys, okay?

00:05:06Hello, Fri.

00:05:07Are you going on a trip?

00:05:08Uh, no.

00:05:10I'm leaving home.

00:05:12That?

00:05:15Boys, to school, boys.

00:05:25Sit down, darlings.

00:05:27Come on.

00:05:27No, but it's not bad.

00:05:30Another argument with your father?

00:05:31I just can't take it anymore, she thinks I'm 15 years old.

00:05:34Well, I don't know if running away from home is the same as being 12, is it?

00:05:38Look who went to speak.

00:05:39And she left home before you.

00:05:40And we treated her like a queen.

00:05:42No, no, but I didn't run away, I left, and I even told him so.

00:05:45Lucia's face, always going on about the same things, asking what you're doing dressed like that, that you're not ready to arrive,

00:05:50He's not the guy who calls you so much, but oh well.

00:05:51Which boy?

00:05:52Nobody, Raúl, is an example.

00:05:55Ah.

00:05:56So what are you going to do?

00:05:58Where are you going to live now?

00:05:59Well, look, I have no idea, I don't know, I'm calling Elena to see if she's picked it up from me.

00:06:02Okay, but you can stay here.

00:06:08Well, what can I say?

00:06:08Being the way you are, Eva's best friend, with all the things you've done together in this life,

00:06:13You know that you've slept at his house and...

00:06:15Raúl, Raúl, Raúl, darling, we know who África is.

00:06:19Come on, stay here.

00:06:20Oh really?

00:06:21Yeah.

00:06:22Thank you so much, Lucia, thank you so much.

00:06:24I'm going to look for a house with someone right away, to see what I can rent, that's another thing, but anyway,

00:06:27I won't be long.

00:06:28Well, don't worry, we'll find a way.

00:06:30Don't even think about staying, okay?

00:06:31Come on, let's go, let's go.

00:06:32Yes, we've sorted it out.

00:06:36Hey.

00:06:37That?

00:06:38Why don't we look for an apartment together?

00:06:41What are you saying? Just to do me a favor?

00:06:42No, no, no, really, seriously, look, first of all, you and I are fine,

00:06:47You know what? We already know each other.

00:06:48And I have nowhere to go either, if I don't have a house, if I'm renting here in the Fondal Peine.

00:06:53The Africa thing is good.

00:06:53But hey, Raúl shouldn't think that just because Africa is here, Castile is vast.

00:06:56No, no, no, this isn't Fondal Peine, eh?

00:06:58You see? You see it, don't you?

00:07:00You see it, you see how I can't keep living here, huh?

00:07:02They're clipping the wings of my freedom, like these people are slicing ham.

00:07:05Come on, I'm hungry.

00:07:08Brogi!

00:07:10Brogi, the barrel!

00:07:11Because you'll never save them from the verdict, caliche.

00:07:14That?

00:07:14Santi, damn it, what's the ending?

00:07:15If you want to entertain yourself with this nonsense, that's your business, but don't keep the kid entertained.

00:07:19Okay, okay, quietly, quietly, quietly.

00:07:21Are you understanding me?

00:07:22Look closely at these streets, maquilidad, because you'll never see them again.

00:07:27Be quiet!

00:07:28My father has taught me how to kill!

00:07:30Raise your hand, French.

00:07:31What's wrong, kid?

00:07:33How are you?

00:07:34Living here for a while, watching TV.

00:07:36Will you sit with me for a moment?

00:07:38We talked about a little thing.

00:07:41It seems serious.

00:07:42What's happening?

00:07:44Don't you have to go to the Canary Islands with your mother?

00:07:47No, no, no, no way, no way.

00:07:50Okay, let's see how I can tell you this, contact.

00:07:53What contact?

00:07:54I'm your father, damn it, from Sempucha.

00:07:57Well, it's intact.

00:08:01I'm leaving home, Dad.

00:08:03I'm becoming independent.

00:08:07Raúl, that I...

00:08:09I'm going to tell you something.

00:08:11I know I've been swinging around a lot lately.

00:08:13But I'm getting my act together and going back to being the same old dad; it's better.

00:08:16No, no, no, Dad.

00:08:17But you're great, I'm delighted with you.

00:08:20But I'm not getting any younger.

00:08:23And then after what happened to Mom...

00:08:25And to be staying at Diego's house as a guest, well...

00:08:28Fuck.

00:08:32Come on, you're going, don't be like that, Dad, man.

00:08:34If the world doesn't end.

00:08:36But why isn't he here...

00:08:36Hey, sorry.

00:08:37But why isn't he here...

00:08:38Hey, Jesus.

00:08:39Why aren't the 2005 files in order?

00:08:42What chaos, my goodness.

00:08:43That way nobody can find anything.

00:08:44That way there's no one to correct it.

00:08:45At least you have your own little office, handsome.

00:08:48Okay, okay, okay.

00:08:50Candelaria Blanco?

00:08:51In the Canary Islands.

00:08:52Yeah.

00:08:53Vacation?

00:08:54Permanent.

00:08:56But she is not the director of the center.

00:08:58It was, it was, yes.

00:08:59And who are you?

00:09:00I am the new education inspector.

00:09:08And wouldn't you like a little coffee?

00:09:10It's not very good, it's not all that great.

00:09:11But come on, you add a little sugar and you can't even tell.

00:09:14Oh, what if I add cups?

00:09:17Here it goes.

00:09:19How long have you been in this situation?

00:09:22Very little, very little.

00:09:23Very little, very little.

00:09:24Since we all pitched in, it's not noticeable, right?

00:09:26You can't tell at all, can you?

00:09:27No, it's not noticeable at all.

00:09:28Well, I'm sorry.

00:09:29But they can't continue like this.

00:09:31They need to appoint a director now.

00:09:33What a coincidence.

00:09:34We were just talking about that.

00:09:35About that?

00:09:36Yes, we should do it now, right?

00:09:37Right now, yes.

00:09:38Well, do it as soon as possible, because otherwise you risk missing the concert.

00:09:44You understand me, right?

00:09:47Hey, hey, hey, hey.

00:09:48Is it delicious or will it not appeal to...?

00:09:49No, no, no, no, no way, no way, no, no way.

00:09:52Well, but in a way it does have to do with her.

00:09:55She's left home.

00:09:57His father, who's a troublemaker, you know.

00:10:00Clear.

00:10:01And do you think that way, maybe you can get her back?

00:10:04Well, I don't know.

00:10:06But if I stay home begging for my allowance like a child, I'm sure I'll lose it.

00:10:11Is that another one?

00:10:12Where are we going to get the figure from?

00:10:15Well, I still have some of what my grandparents gave me.

00:10:18And with something that happens to my mom too, well, for the moment it works.

00:10:21And then, well, I don't know, we'll have to work, right?

00:10:25And a lot.

00:10:33It's just the way of life, isn't it?

00:10:35The chicks leave the nest.

00:10:38What the hell?

00:10:39If you don't have a nest.

00:10:42Is that when you leave?

00:10:43When are you leaving?

00:10:45When will we lay the floor?

00:10:50Don't go too far, okay?

00:10:53Let's see if I don't see you again.

00:10:55Don't worry, man, I'll find an apartment in Santa Justa.

00:10:58To raid your fridge?

00:11:00Fuck.

00:11:01You know you'll always have a room at home, right?

00:11:04Well, when I have a house.

00:11:08You're awesome, Dad.

00:11:13But whatever it takes, okay?

00:11:15Whatever it takes.

00:11:15Moving, odd jobs, money.

00:11:17Well, your mother also makes pasta, right?

00:11:19But, hey, just whistle and that's it.

00:11:23Thank you, Dad.

00:11:30Okay, I'm off, I've stayed in Africa to see the rascals, alright?

00:11:33Pull, pull.

00:11:34See you later.

00:11:41What's wrong, Piti?

00:11:44Nothing.

00:11:46The killer is a bastard.

00:11:48But I had grown fond of it.

00:11:51Lucía, I've thought about it and I believe you should be the director.

00:11:54Ah, no, no, no, no, no.

00:11:55I've just returned to the children and I don't want being the director to take up too much of my time.

00:12:01Hey, why don't you introduce yourself?

00:12:05But what are you saying?

00:12:06No way, man, I'm not cut out for that.

00:12:07That I have no character.

00:12:09My parents are eating me alive.

00:12:11Already.

00:12:12So, you're going to Burundi with just a backpack.

00:12:14You marry Santiago and you're afraid of his parents.

00:12:17And you have much more character than you think.

00:12:19No, man, no, I see you more in the role.

00:12:21And so on.

00:12:22You like your job.

00:12:23He always helps everyone.

00:12:24What more could you ask of a director?

00:12:27What else?

00:12:35Well, he's injured again, you've got to be kidding me.

00:12:37The cattle are lazy.

00:12:39The cattle have very weak hindquarters.

00:12:43Did you see?

00:12:44Hey, calm down, damn it, you're with me.

00:12:48Citi.

00:12:49Hey, Ramón.

00:12:51Look, I came to see if you could give me a hand, mate.

00:12:54Don't do this, man, for God's sake.

00:12:55Pull it in.

00:12:56Hey, dude, and you're messing with the metalhead.

00:12:58I'm going there now.

00:13:00I can't fix the police car for you anymore, Ramón, because we'll both be ruined.

00:13:03Look, Citi, damn it.

00:13:04Citi, now.

00:13:05If none of my colleagues find out, all the better.

00:13:08Look, it's just a minor problem.

00:13:10The front seat, I must have forced it too much and it's stuck.

00:13:15Already.

00:13:16A nighttime skirmish, huh?

00:13:19More or less.

00:13:20No, don't worry, Ramón.

00:13:21I'll sort it out for you.

00:13:22I'll have it clarified in a couple of days.

00:13:25Hey, Citi, one more thing.

00:13:27Tell me.

00:13:29You've probably already heard that Africa has left home.

00:13:35If only...

00:13:36That's just the way of life, Ramón.

00:13:38It's a fact of life.

00:13:39The chicks leave the nest.

00:13:40Well, and the chicks, well, at some point too, damn it.

00:13:43Already.

00:13:45But that...

00:13:46That doesn't console me, Citi.

00:13:48Already.

00:13:50Okay, then two days.

00:13:52Two days, two days.

00:13:53Come on.

00:13:54Thank you.

00:13:54Danle, they've already been exposed, right?

00:13:55Yes sir.

00:13:55Come on, calm down.

00:14:00Don't worry.

00:14:19The siren works great, dude.

00:14:22One thing's for sure, but...

00:14:31Agent Martinez.

00:14:36Okay, let's go to a campsite, at least there's a shower.

00:14:39So, how's it going?

00:14:40Looking for an apartment?

00:14:41One full, Carmen, one full.

00:14:43Horrible, Carmen, horrible.

00:14:45Cheap apartments are tiny, and the ones that are more or less decent are for lottery winners.

00:14:50Wow, how you young people complain!

00:14:52Previously, seven people would fit into one apartment.

00:14:54Well, and with a brazier for the whole house, huh?

00:14:58And well, bathing, well, in the kitchen, in a tub.

00:15:01And when there was water, which wasn't every day.

00:15:05No, I remember that my uncle Antonio, who is, well, Lucia's godfather,

00:15:10Well, he would give us two reales and a joke on Sundays after mass.

00:15:16And that's what we had to make do with, of course.

00:15:19José Luis, who is your manager and representative, well it's normal that you see that Chone, it's very normal.

00:15:23If you want to succeed, you have to tour beyond Mostoles, for God's sake.

00:15:26Yes, but two days away is a lot of days away.

00:15:28Yes, that's true.

00:15:29José Luis, I know him, he's very popular with women and there are a lot of gold diggers out there, Diego.

00:15:32What's happening?

00:15:35Man!

00:15:36Man!

00:15:37Man!

00:15:37A small beer and some snacks, I'm getting hungry.

00:15:40You really don't know how happy it makes me to see you so cheerful, so happy, so joyful, right?

00:15:43Right?

00:15:44Yeah.

00:15:45Well, I was thinking something, man, I was laughing.

00:15:47Do you remember what I wanted to be when I was little?

00:15:50Footballer.

00:15:50A lifelong footballer.

00:15:51No, no, no, before, before.

00:15:52Before?

00:15:53Before?

00:15:54Baker?

00:15:55No, no, agricultural engineer.

00:15:57Ah, yes.

00:15:57No, no, later.

00:16:00After.

00:16:01Not after.

00:16:01Ah, police, police, damn it.

00:16:04And I thought, now that I'm going to start a new life, well, I'll have to do new things.

00:16:08What are the police like?

00:16:09Yeah.

00:16:11Don't you remember when you and I used to play Starkey Hatch?

00:16:13That you were Hatch and I was Starkey the dark one.

00:16:16Yes, yes.

00:16:17And that we hooked up with Charlie's Angels.

00:16:19Yes, yes.

00:16:19But how unhappy you are, Fiti.

00:16:20I also wanted to be the one who messes things up, now I'm the one who cleans up.

00:16:23Ha ha ha!

00:16:23He's shown me his face.

00:16:24He's shown me his face.

00:16:25He's shown me his face.

00:16:25Of course I remember, Fiti.

00:16:26I remember perfectly.

00:16:27I also remind you that we used to play at being woodsmen and we'd go around with a cape and a sword, you understand?

00:16:31So he's a cop, huh?

00:16:33And what do we do with the workshop?

00:16:34That.

00:16:34Well, the workshop, look, the workshop, the workshop, so you know, I opened it because Candela got pregnant

00:16:39And I had to carry the envelope every month.

00:16:41But now that the kid doesn't need me anymore and...

00:16:45Hey, I'll have to do what I've always dreamed of.

00:16:46Yeah.

00:16:47Issue a fine.

00:16:49The workshop doesn't motivate me anymore, Santi.

00:16:51I'm serious, it doesn't motivate me.

00:16:52No, well that's why I'm here with you all day, damn it, in the tavern.

00:16:55Yeah, yeah, it's like you need excuses to come to the tavern.

00:16:57I remind you that Candela, we spent all day here too.

00:17:00Okay, so what I'm getting at is...

00:17:02What do I want to be, a police officer?

00:17:04Are you going to support me as friends, or not?

00:17:07Aren't you stupid?

00:17:09Are you serious?

00:17:10Are you on thin air?

00:17:12Damn, Fiti, being a policeman is really tough, damn it.

00:17:14Anything crazy can happen to you.

00:17:16Look, Fiti, you're not old enough, but come on, I'm not going to be jumping around to...

00:17:19The street chasing criminals, kid.

00:17:20Damn, what about the commissioner's?

00:17:21Ale, the commissioner's, is always in the office.

00:17:24And how is he/she?

00:17:25And how is he/she?

00:17:26It is deteriorated.

00:17:27It's deteriorated because it's always in the office.

00:17:29Can you imagine?

00:17:43Come on, come on, Staski.

00:17:45Do you know what you need?

00:17:46Go out for a bit.

00:17:47I could introduce you to some friends.

00:17:49Twins, boy.

00:17:50Don't insist, kid.

00:17:51I'm not going to let you drive the car.

00:17:55Hey Hagi!

00:17:56Hagi!

00:18:00Do you have anything for us?

00:18:01No, dude, you're a troublemaker.

00:18:03The river is like this.

00:18:04Come on, Hagi, Hagi, Hagi.

00:18:06Do you think we don't suck on dates?

00:18:08We know you're up to something.

00:18:12Are you going to see?

00:18:13I can't say anything more about tonight at the docks.

00:18:18Hagi, Hagi, Hagi.

00:18:19Hagi, why do you always insist on making everything so difficult?

00:18:23I don't know anything, kid, I swear.

00:18:25Oh, no?

00:18:27Perhaps this will refresh your memory.

00:18:32Ha!

00:18:33I told you, Staski.

00:18:34Black hoof.

00:18:37I have made the arrest on behalf of the Santa Justa police.

00:18:44Well, let me tell you something.

00:18:46Yes, I can imagine.

00:18:47But oh well, but oh well.

00:18:48What do you mean, I can imagine it?

00:18:48Viche, shoemaker, blue shoe.

00:18:51Neither you nor cars are.

00:18:52We're here.

00:18:52You're in the damn book of proverbs.

00:18:54Yes, yes.

00:18:54Proverbs are tricky, but they're very wise.

00:18:56Remember that he is very wise.

00:18:57Because we'll see.

00:18:58I see you with your asshole lid next to the butt of the gun.

00:19:00But shooting around with a gun, well, for God's sake.

00:19:04No, Raúl, don't insist.

00:19:05I refuse to see another apartment.

00:19:06One more, one more, one more.

00:19:08Okay?

00:19:08This one looks good.

00:19:09Imagine it's the apartment of your dreams, girl, and you don't see it.

00:19:15Hey, let's shut our mouths.

00:19:18So, what do you think, kids?

00:19:23Okay, okay, okay, okay.

00:19:24It's not all bad.

00:19:25No, the only thing I'm noticing is that the walls are a little thin, aren't they?

00:19:27And maybe I'd need a coat of paint.

00:19:30And then light, what you might call light.

00:19:32So, man, do you know what you want?

00:19:33Know?

00:19:34For one hundred thousand pesetas.

00:19:35What do you mean, one hundred thousand pesetas?

00:19:37But it's a thousand euros.

00:19:38One thousand euros?

00:19:39You told us one hundred thousand pesetas.

00:19:41Listen, daughter, I still get a little confused with this whole euro thing.

00:19:46Okay.

00:19:47Okay, fine, well, thanks.

00:19:48We will continue searching.

00:19:49One moment.

00:19:50Can we talk, just the two of us?

00:19:52Of course, daughter.

00:19:52Thank you.

00:19:53Whatever you want?

00:19:54I have things to do.

00:19:55How beautiful she is.

00:19:56What are you saying?

00:19:57I want this house.

00:19:59But girl, she just told him that he has the walls, I don't know what, the pineapples and the...

00:20:05Ah, okay, okay, well dude, well dude, because it doesn't matter, Africa, it doesn't matter, I mean, we can't afford it.

00:20:10But we got her and then we thought, since we can't do it between the two of us, we'll look for a third person, me

00:20:15As far as I know, there's more to Raúl.

00:20:18Don't move, but that old woman is staring at your ass.

00:20:23Me?

00:20:24But it will be.

00:20:26Okay, wait, wait, move it a little, maybe he'll give us a discount.

00:20:30What are you saying?

00:20:31Collaborate.

00:20:35Well, we like the apartment, you know? I mean, it's very nice, it's very cozy, and the truth is that

00:20:40We do like it, don't we?

00:20:42I'd be delighted, I'd take it, wouldn't I? The only thing is we could talk a little bit about the price.

00:20:50Well, there's no question about the price. Are you interested or not?

00:20:55Yeah.

00:20:56Very well. Do you have a payslip?

00:20:58Yeah.

00:20:59No.

00:20:59What do you mean, no? Not here, but we have two.

00:21:01Look, we don't have them here, we have them at home.

00:21:04Of course, we don't usually bring them like this to all the places we go.

00:21:07Okay, so as soon as you have the payslips, we'll sign the contract, okay?

00:21:11I'll reserve the house for you.

00:21:12Yeah?

00:21:13Yeah?

00:21:15No, come in, come in.

00:21:19So don't put a director in, right?

00:21:21The principal punished you.

00:21:22He punished him.

00:21:24It's heart.

00:21:25What are you plotting?

00:21:26Nothing, Lurdita is determined that I be the new headmistress of the school.

00:21:30What does he deserve?

00:21:31Logical.

00:21:32Ah, that's great.

00:21:32Ah, my daughter, the director.

00:21:34Mom, I said that Lurdita insisted, not that I wanted it.

00:21:37Damn, well thank goodness, because come on, that's the last thing I needed as director.

00:21:40That's true, isn't it?

00:21:41As if we didn't already have enough of a teacher, you know?

00:21:43We have to put up with each other.

00:21:43But a little respect, please.

00:21:45It's true, it would be like living in school already.

00:21:47Well.

00:21:48Man, I'd be thrilled.

00:21:50Well, not me.

00:21:51Not me, what do you want me to say?

00:21:52Because having to call the magpie doesn't make anyone dizzy.

00:21:53What are you saying?

00:21:54What, what, the magpie?

00:21:55Listen to me, listen to me, you're being silly, son.

00:21:57Seriously, listen to me.

00:21:58In other words, there are many people in this world who would be delighted if Lucía were

00:22:01its director.

00:22:02Yes, and I'm telling you this sincerely, Lucia, people really love you, I can tell.

00:22:05I notice it, because you have a very good relationship with the parents and the students.

00:22:09And the magpie, what am I going to call the magpie?

00:22:10I don't see myself.

00:22:11I just can't see myself.

00:22:12But why not?

00:22:13Why not, my little dove?

00:22:14Well, Santi, because I'm very soft and what's needed is authority, not demands.

00:22:17Authority?

00:22:17But what if you have authority?

00:22:18Do you know what you're saying at home?

00:22:19Sure, but it's not because you love me and take care of me.

00:22:21But I think Lucía would do much better, because she has people where she can.

00:22:24Lucia, Lucia, that's what it is.

00:22:25It's a stretch, a stretch.

00:22:26Santiago, please.

00:22:28It was very good.

00:22:28And that is valued, that is valued.

00:22:30Yes, but...

00:22:31But what?

00:22:32But what?

00:22:32Because it's a lot of work.

00:22:34But Candela has always had her free time, hasn't she?

00:22:36Because we all know what the congresses used to do.

00:22:38You didn't work, you didn't work.

00:22:41Santiago, for God's sake.

00:22:42Because a little extra money never hurts, right?

00:22:46Because that costs money, right?

00:22:47It's paid, it's paid, ma'am.

00:22:49Lucia, you have to introduce yourself.

00:22:50The children deserve a good principal.

00:22:52And that's you, Lulitas.

00:22:54I don't know, do you think so?

00:22:57Of course.

00:22:58Oh, how nice, how nice.

00:22:59My daughter is the director.

00:23:02Well, then...

00:23:03Well, I might introduce myself.

00:23:05That's what I like to hear, Palomita.

00:23:07Oh.

00:23:12My daughter.

00:23:14Come on, Santiago, please?

00:23:16But how am I supposed to give you a payroll, man?

00:23:18Don't you see you're illegal?

00:23:20It is also illegal for me not to have a payslip.

00:23:22That's even more in my favor.

00:23:22What would you think if I gave you a payslip after you've been working here for six months?

00:23:26So, what would you think?

00:23:26Nothing.

00:23:27Doesn't your father have a really nice workshop?

00:23:29Well, let him do it, let him take the risk if he wants.

00:23:31On air.

00:23:33Thank you.

00:23:34Are you staying here, man?

00:23:34Go tend the bar.

00:23:36Come on!

00:23:36Leave.

00:23:38Dude, it's sorted.

00:23:39Elena is coming to the apartment with us.

00:23:40How cool!

00:23:41Have you gotten the payslips?

00:23:43Yes, well, I'm almost there, yes, yes.

00:23:44I have them there.

00:23:45What equals?

00:23:45How are you?

00:23:46Well, you're going to love it, we're going to go together, we've found an amazing apartment.

00:23:49What do you say?

00:23:50Well, that's something to celebrate.

00:23:51Because I caught another one with a co-worker.

00:23:53No!

00:23:54On the Santa Justa ring road.

00:23:55No!

00:23:56How cool!

00:23:56We're going to be neighbors, how cool!

00:23:57What do you say?

00:23:58And in what issue?

00:23:59In '97.

00:24:00No!

00:24:00In '97?

00:24:00Well, we can light a fire now, since the firefighters are in the building.

00:24:04Us too in '97?

00:24:05It just can't be.

00:24:07Well, it's certainly beautiful.

00:24:08It has three balconies overlooking the street.

00:24:10It has a light.

00:24:11Wow, wow, that's awesome, man.

00:24:13I'm freaking out.

00:24:13Which floor is it?

00:24:15The third one.

00:24:16Third?

00:24:16Hey!

00:24:17Door to door.

00:24:18Super Neighbors?

00:24:18Yeah?

00:24:19But wait, Alex, who told you this?

00:24:22A lady, well, a horny one and nothing.

00:24:25Staring at my ass all day.

00:24:26No, no, no!

00:24:26I had to stand here for a little while and so on.

00:24:28But you haven't filmed anything, have you?

00:24:29Yes, yes, of course.

00:24:31That old hag is a real bitch!

00:25:00Red Eagle, Delta Cobra.

00:25:03Red Eagle, Delta Cobra.

00:25:04We have a 4-4-2 in 27 Compradillo.

00:25:07Change.

00:25:29Paparegra!

00:25:31Paparegra!

00:25:38Paparegra!

00:25:39Paparegra!

00:25:50I'm in the suspect's tail.

00:25:52It's going to be difficult to catch up to him.

00:25:57Still, standing still.

00:25:58Where are you going, man? Where are you going?

00:25:59This is not choppe.

00:26:00This is ham.

00:26:01Iberian ham.

00:26:03And you have to train yourself to cut it.

00:26:06The veins.

00:26:08The thickness.

00:26:10The fat.

00:26:11That cannot be calculated.

00:26:13The ham tells you so.

00:26:15And you have to know how to listen to it.

00:26:17So listen.

00:26:18But where are you going?

00:26:20Have you heard the ham?

00:26:21No.

00:26:21Well, listen to him.

00:26:22Listen to him and see what he says.

00:26:24Let's see.

00:26:24Okay.

00:26:28Diego, has Lucia told you that they're going to elect a headmistress at the school?

00:26:34Yes, yes, yes.

00:26:35Lucía told me that she mentioned it to Lourdes and encouraged her to apply.

00:26:38And what do you think of her as a director?

00:26:40I was a little undecided.

00:26:41I'm very well.

00:26:41I don't know, she looks great.

00:26:42And me, and me.

00:26:43Having a female director and getting a little extra money at the end of the month is a big plus.

00:26:47Well, a little money, I already had the status.

00:26:49Status, status.

00:26:50And then there are the little gifts, the flattery, and the hams.

00:26:53And what if you don't cast a spell on my child...

00:26:54No, no, it's old-fashioned, that's ugly.

00:26:56Besides, neither you nor I had any hams left over, did we?

00:26:58But honesty.

00:26:59Honesty?

00:26:59There, there.

00:27:01Where are they going to find more honesty than in a religion teacher?

00:27:04I didn't know.

00:27:05You don't...

00:27:06Lucia does not teach religion.

00:27:08Lucia which Lucia?

00:27:09If we're talking about Lourdes here.

00:27:10Oh, but the one running for director is Lucía.

00:27:13Oh, so Lourdes is also running for director?

00:27:15But what's going on?

00:27:16That Lucía wants to take his job.

00:27:18Ham doesn't do anything for me.

00:27:20Can...?

00:27:20No, well listen to him, man, listen to him.

00:27:21Useless!

00:27:22Envy.

00:27:23I'm so jealous of what we have here.

00:27:24What's happening?

00:27:25That the rest of us don't have the right to have status.

00:27:27That?

00:27:27Don't shout.

00:27:28Don't shout.

00:27:28But everyone here is going to be like that, damn it.

00:27:29And calm down.

00:27:30Okay, let's calm down.

00:27:31Let's calm down.

00:27:32Well, in any case it's a matter of two days.

00:27:33In other words, they should show up calmly.

00:27:34And that's it.

00:27:35As far as I remember you, I don't remember you.

00:27:36that the one you choose, the council is with the...

00:27:37Let them come forward, let them come forward and let the people choose them.

00:27:39Well, that sounds great to me.

00:27:40But let me tell you one thing, because...

00:27:43Tranquillity.

00:27:43In other words, whoever wins.

00:27:44What I don't want is bad vibes.

00:27:45In other words, I don't want that when Lucía wins...

00:27:47Lucia? Why would Lucia win?

00:27:49Here are my Lurditas?

00:27:50Milurditas what?

00:27:50Isn't my Lurditas going to win?

00:27:51What's happening?

00:27:52Who can beat Lucia?

00:27:52I'm not saying that.

00:27:53I'm not saying that Lucía is a bad school principal.

00:27:56I'm not saying that.

00:27:56Lurditas is a really good person, damn it.

00:27:58You know it.

00:27:59But, damn it, for a position of responsibility, well, come on, Lucía...

00:28:01What's happening?

00:28:02But Lurditas is stupid.

00:28:03My Lurditas is silly.

00:28:04I said she's stupid, no, no, no, no, no

00:28:06No, no, no, no, listen to me, no.

00:28:07He is innocent.

00:28:08But blessed be innocence.

00:28:09Are you traveling these days?

00:28:10But Santi, but, but don't get angry, Santi, please do me a favor.

00:28:12But I haven't told you anything.

00:28:14Damn, seriously, it's just that...

00:28:19Excuse me, Grogi, is it possible...?

00:29:02Thank you!

00:29:13Thank you!

00:29:16Thank you!

00:29:26Viti...

00:29:28Viti...

00:29:30You've just arrived.

00:29:33Uh, no. Uh...

00:29:34Uh, no, no.

00:29:36Did I hear you come in?

00:29:37Ah, that's it, that's it, yes.

00:29:39But come on, I'd already fallen asleep, you know?

00:29:42Already.

00:29:44Hey Fiti, if you need to talk or anything, you know I'm here for whatever you need.

00:29:50come on.

00:29:50Okay.

00:29:51Well, I heard cooking.

00:29:52Okay, thanks.

00:29:53Come on.

00:29:54Okay.

00:29:54See you later.

00:30:06Fiti, why are you so bundled up? Do you have a fever or something?

00:30:08No, no, no, I'm...

00:30:09No, I'm stressed, yes.

00:30:12Well, you worry me, Fiti, you worry me because lately I've seen you very distracted.

00:30:16I know you're still very recent and very fresh.

00:30:18I mean, let me give you some examples.

00:30:20Last week with the Australia thing, today with being a policeman, Fiti, yes, and you get to me...

00:30:25So many, my God.

00:30:26Damn, Diego, I didn't know I had a curfew either.

00:30:29I stayed working in the workshop because I had work to catch up on, is that wrong too?

00:30:32No, no, no, but it seems normal to me that you have a backlog of work, that you spend all day

00:30:36Lying here watching movies, damn, it's piling up.

00:30:38Your work is piling up.

00:30:39Okay, I'm self-employed, alright?

00:30:41And I manage my time however I want, damn it, I'm annoying about that too.

00:30:45But what are you saying, Fiti?

00:30:46Who said you're annoying?

00:30:47I'm delighted you're here, but come on, you couldn't be more delighted, frankly.

00:30:50It's not bad to know, Diego, it's not bad to know.

00:30:52Well, but I'll say one thing, Fiti, you know that for me you're like a brother, damn it.

00:30:56I'm sorry if I said this, the truth is I didn't mean to...

00:30:58Come on, give me a hug.

00:30:59What? What? No, no, a hug, no, no, me, stop it, stop being such a faggot, damn it.

00:31:03What are you saying, "faggot"?

00:31:03Look, if Lucia doesn't give you affection, don't come here now.

00:31:05What are you saying, you animal? Are you telling me that Lucia doesn't show me affection, damn it?

00:31:07I don't know, I don't know, you come here and harass me all over the bed.

00:31:11Are you harassing me in bed?

00:31:12What are you saying?

00:31:12You're acting very strange, Fiti, you're acting very strange.

00:31:14Are you harassing me in bed?

00:31:15Are you stupid?

00:31:15What's the matter?

00:31:16Okay, let's leave it at that, let's leave it at that because it's weird.

00:31:18Okay.

00:31:19No, it's early and you have a fever, damn it, come on, go to sleep, it'll do you a world of good.

00:31:22Go to sleep, that's all.

00:31:23Yes, come on, come on, relax.

00:31:24And turn it off, go on, when you leave.

00:31:25Yes, I'm turning it off, I'm turning it off now, I'll turn it off when I leave.

00:31:27And I don't...

00:31:28Well.

00:31:44Hello good morning.

00:31:45Hello.

00:31:46A churro?

00:31:47Oh, yes, thank you.

00:31:49Hey, not to butt in, but have you spoken to your father?

00:31:51Yeah.

00:31:52Did you tell him you were here?

00:31:53No.

00:31:54Well, you should tell him.

00:31:55Yeah, but if he finds out, he might come and break down the door.

00:31:59Then you shouldn't tell him.

00:32:01It doesn't matter, as soon as he installs it, I'll just call him and tell him.

00:32:04And it's not going to happen any later than today, I'm telling you, because we've found an apartment that's incredible, you know?

00:32:07Well, yes.

00:32:08Well, we still need to clear one little thing up with Alex and all, but that's it.

00:32:11Hello good.

00:32:12Hello.

00:32:12Yes, yes.

00:32:13Hey, Dad, listen to me, Uncle Santiago just called, he's not coming to pick you up, that

00:32:16go on your own.

00:32:18And you haven't said anything else?

00:32:19Yes, you're renewing your driver's license.

00:32:22He's going to renew his car...

00:32:23Yes, yes, yes, yes.

00:32:24Has something happened, Diego?

00:32:25No, Santi, he has a temper.

00:32:26He has a temper, and because he has a temper, he says things he doesn't mean.

00:32:29Already.

00:32:30AND?

00:32:30Well, the topic of running the school came up.

00:32:33The little urditas came out.

00:32:34I told him...

00:32:37She understood, she implied that we are going to...

00:32:39That's what it was.

00:32:40I'm sure he misunderstood something.

00:32:41So, that...

00:32:42I told him.

00:32:42Diego, for God's sake, did you want to finish a sentence?

00:32:45Well, Santi thinks that...

00:32:47I told her that Urditas isn't very smart when it comes to you.

00:32:50But seriously, how could you say such a horrible thing to her?

00:32:52Well, because bearded people always say stupid things.

00:32:54Ma'am, please do me a favor, okay?

00:32:55Although the truth is that the Urditas...

00:32:57Well, the poor thing isn't very...

00:32:59But anyway, I...

00:33:00Look, you call him right now and apologize.

00:33:03Okay, okay.

00:33:03Because what you said is horrible.

00:33:04Yes, yes, you're right.

00:33:05But it's not horrible either, is it?

00:33:06It's true, the little urditas is a bit short, it's okay.

00:33:08He probably won't say anything.

00:33:09But seriously, what is this?

00:33:10What is this?

00:33:10You said it too, damn it.

00:33:11I didn't say that.

00:33:12Who has come out of this child?

00:33:17The one who called Lurditas stupid.

00:33:18Of course he said it.

00:33:19I haven't said anything.

00:33:20I haven't said anything.

00:33:21Did you say that?

00:33:22No, no, he said that.

00:33:26No, no, no.

00:33:27No, no, no.

00:33:28No, no, no.

00:33:29No, no, no.

00:33:31No, no, no.

00:33:33But what is this?

00:33:34Does the TV in your room give you any information?

00:33:36No, no, no, dude.

00:33:37I cannot accept this.

00:33:38Let it be something.

00:33:38But deep down it's a selfish gift, Alex.

00:33:40Alés, will you ever invite us over to your house to watch a movie?

00:33:42That I should have to treat you guys, dude.

00:33:43My house is your house.

00:33:46Well, that's what I wanted to get to.

00:33:48Share the house with us, Alex.

00:33:50Damn, if you had told me sooner, man.

00:33:52But I am committed to my co-worker.

00:33:54You are honored.

00:33:55That's to your credit.

00:33:56Because your people should always come first.

00:33:59Let's get that out of the way.

00:34:00You should always be loyal to the people.

00:34:01But who are your people, Alex?

00:34:03We are your people.

00:34:04Yes, yes, but I can't.

00:34:05He was there first.

00:34:06He was there first.

00:34:06No, no, Alex.

00:34:07It wasn't there before.

00:34:08Before, who was there? Us.

00:34:09Because?

00:34:10Because we saw the apartment in the morning.

00:34:12And when did you see her?

00:34:12In the afternoon, eh.

00:34:13Ah, but that doesn't matter.

00:34:14No, no, it's not the same.

00:34:15It's not the same, Alex.

00:34:16It's not the same.

00:34:17Look, the house is like an aunt.

00:34:20Okay?

00:34:21Hey?

00:34:21I'll get there first.

00:34:22I'll hook up with her.

00:34:23Then you come along and he gives you puppy-dog eyes.

00:34:25Whose aunt is she legally?

00:34:26Hey?

00:34:26If you take it, you'll be a traitor.

00:34:28Dude, deep down, I'm the one who's showing off.

00:34:31I'm offering to share it with you.

00:34:33Right, Afri?

00:34:35Yes, of course, of course.

00:34:36Okay, it's not a very good example, but there it is.

00:34:41No, no, no.

00:34:42Don't try to hit on me, man.

00:34:42We don't step on each other's toes, man.

00:34:44No, no.

00:34:45And besides, there's no room for us.

00:34:47So, the three of us and Elena in a two-bedroom apartment,

00:34:49No, it can't be done.

00:34:50Elena, Elena, Elena is not doing badly with her parents either.

00:34:53Raúl, that's true.

00:34:56It's true.

00:34:56Better than us, guys, is...

00:34:58And look at the difference, huh?

00:34:59Notice the difference.

00:35:01We are willing to abandon Elena to live with you.

00:35:04And you're not willing to leave even a hose-kicker who's neither your friend nor anything of yours.

00:35:08Yeah, man, that's the difference.

00:35:10Besides, I don't want to live with friends, dude.

00:35:12That with friends come problems.

00:35:13And even more so if they are insolvent friends.

00:35:15Oh my, oh my, oh my, oh my, what she told us!

00:35:19Well...

00:35:21Nothing, nothing, nothing, okay, okay, it's fine.

00:35:23But how can nothing be wrong?

00:35:24No, Africa, man, nothing's wrong.

00:35:26If he doesn't want to, then he doesn't want to, and that's it.

00:35:27You know what? I'd rather lose a house than a friend today, okay?

00:35:30That's it, forgotten, that's it.

00:35:32Don't worry.

00:35:33Okay, thank you very much.

00:35:35Nothing, man.

00:35:35Ah, as I tell you one thing, I'll tell you another.

00:35:37The TV's staying here, okay?

00:35:38Being a good friend is one thing, being an idiot is quite another.

00:35:40Come on.

00:35:46Good morning, Santi.

00:35:48Santi.

00:35:52Santi, I wanted to tell you something.

00:35:53Come on, I wanted to apologize because I messed up yesterday, you understand?

00:35:57In other words, I don't measure.

00:35:58In other words, I get heated, I run away with my tongue, and I don't think before I speak.

00:36:00And that's it, I hope you'll forgive me, man.

00:36:03Let's see, Lurditas is just as prepared as Lucía.

00:36:07Humans.

00:36:08Humás, humás, yes, yes.

00:36:09Because Lurditas, apart from her teaching degree, has a guitar course and has been teaching for three years.

00:36:14of ceramics to the parish.

00:36:15Damn, you know more than I do.

00:36:17What the hell?

00:36:17We need noble, noble and clever people, Santi, noble and clever.

00:36:20Where are you going, man?

00:36:20I feel like I'm standing still.

00:36:22Did you hear that, ham?

00:36:23Yeah.

00:36:24And what did he say to you?

00:36:25Nothing.

00:36:25Well, keep listening.

00:36:27Envy, lots of envy.

00:36:29No, Santi, I'm not envious, no, I'm not envious, Santi, don't...

00:36:32Let's see, I'm not envious.

00:36:34All I want is for you and me not to be angry.

00:36:37So, just tell me what I have to do to fix it and that's it, and we'll fix it.

00:36:40Tell Lucia not to show up.

00:36:42Santi, damn it, how am I going to tell him that?

00:36:44That's her business, I can't get involved, you understand.

00:36:46But, since what she says is gospel, because she has you under her thumb, right?

00:36:49He has you under his thumb.

00:36:50I understand her, I don't like her, but I understand her.

00:36:51Because Lucía is the way she is.

00:36:53We're already watching it.

00:36:54So, what's Lucia like?

00:36:55Well, she's ambitious, very ambitious, and always wants more and more.

00:36:58Yes, more and more, always, always, always.

00:37:00Because Lurdita is running for director for a noble cause, but she isn't.

00:37:03She wants power.

00:37:04Yeah.

00:37:04Or don't you know her?

00:37:06But you're stupid, Santi.

00:37:08I mean, how come I don't know her?

00:37:09You know perfectly well that Lucía is a cachopán, a cachopán.

00:37:12Of course, that's why she abandoned a family.

00:37:15Hey?

00:37:15Yes, because it's a cachopán.

00:37:16You went too far there, Santi.

00:37:17You've gone way too far there.

00:37:18Hurts?

00:37:18What you said, yes, it hurts.

00:37:20Hurts?

00:37:20Does it hurt when he messes with your people?

00:37:22Yes, it hurts when he messes with your people.

00:37:23And how is it that this mark doesn't hurt me?

00:37:24I'm going to tell you something.

00:37:24Do you know what's going to happen now?

00:37:25He's going to run and he's going to win.

00:37:26He's going to win.

00:37:27Yes, yes.

00:37:27Because Lurdita has nothing to do with Lucía.

00:37:29Lurdita is next to Lucía.

00:37:30Luzia, I'm even more stuck.

00:37:32He says, let it go.

00:37:32Come on.

00:37:35I think he's already spoken to me.

00:37:36I haven't spoken to you yet, so you can pass the message on to me later.

00:37:38Hey?

00:37:39Where are you?

00:37:40I'm sneaking in, I won't make it, man.

00:37:42Hey, look at the loan slip quadrant for me, please.

00:37:44Yes, yes, yes, dude.

00:37:45Hey, the keys, the keys, the keys, the keys, the keys, the keys, the keys.

00:37:48Okay.

00:37:49Fuck.

00:37:50How are you, Delly?

00:37:51Uh, well.

00:37:52Hey, pick this up for me a little.

00:37:54Well, don't be cheeky, mate.

00:37:55Okay, see you later.

00:37:56See you later, monster.

00:38:01He's forgotten something.

00:38:03Hey!

00:38:04What's happening?

00:38:05We are friends of Alex.

00:38:06How are you?

00:38:06Look, he's Chus, Chus, Chus.

00:38:08And I, Rabón.

00:38:09What's up, man?

00:38:10Yes, but Alex has gone to work.

00:38:12Yes, yes, we found him there on the stairs.

00:38:14I told you to wait for him here.

00:38:15Excuse me, but he's not coming until this afternoon.

00:38:17Yes, but there's no rush, okay?

00:38:18We have supplies here, let's go.

00:38:20Would you like a little beer?

00:38:21No, no, I mustn't.

00:38:22Yes, yes, give me one.

00:38:24Okay.

00:38:26The thing is...

00:38:26Hey, we don't mean to bother you, okay?

00:38:28No, you're not bothering us, okay?

00:38:29Get comfortable.

00:38:30Take what you need, okay?

00:38:32But please don't make too much noise, I need to rest, okay?

00:38:35Come on, let's turn the music down.

00:38:37The music?

00:38:38It's a joke, damn it.

00:38:40Hey, Kelly's a real stunner, man.

00:38:41This is a tremendous love nest, huh?

00:38:43What is it like to be a firefighter?

00:38:45Wow, there's been some sweat going on here, huh?

00:38:47To the gym.

00:38:48If you want a little bit of booze, of...

00:38:51Sure, I told you I can't see, thanks.

00:38:52Well.

00:38:53Hey, it's nothing, we'll see each other often, man.

00:38:55I'm so glad to hear this, I love your house.

00:38:56Dude, uuuh, uuuh, firefighter kisses, of course, man.

00:38:59Mother, uncle.

00:39:00Mother, uncle, what a house.

00:39:02Look, look, look.

00:39:03No way!

00:39:05What a mess that's been made, the flu had already reached the expected one.

00:39:10But what kind of festival is this?

00:39:11Hey, they've already knocked on the door, man.

00:39:13Where is that jerk?

00:39:14Who?

00:39:15Alex?

00:39:15Fuck.

00:39:16Hey Nuria, beautiful, how are you?

00:39:17No, don't worry, ours is coming, okay?

00:39:18No, it's just that I'm fed up.

00:39:20Where is all the money you owe me?

00:39:21Let's see, Alex doesn't even have...

00:39:22Oh no, well you'll have to explain to me how the hell he managed to pay for this house.

00:39:25Okay, okay, we'll explain it to you, but we'll explain it outside later, okay?

00:39:27No, no, not later, no.

00:39:28I'm leaving without him returning the six months' rent he owes me.

00:39:32He always does the same thing, damn it.

00:39:33He pays the bail and then puts a penny back in.

00:39:35And you can be careful now.

00:39:37Uh, you know...

00:39:39Sorry, man.

00:39:44Yes, Guas, hey, it's me.

00:39:47Look, keep at it, okay?

00:39:48I have to do some paperwork and stuff here, okay?

00:39:52That...

00:39:53No, damn it, I'm not in the tavern.

00:39:54Come on, come on.

00:39:55And live life.

00:39:57See you later.

00:40:24Guys, he's already picking up that paper.

00:40:29And while you're at it, could you clean up the whole roadway a little?

00:40:33I don't know, we usually throw this paper away.

00:40:34That?

00:40:35We usually throw this paper away.

00:40:37And who is the authority here?

00:40:38I don't?

00:40:39So come on.

00:40:39By hook or by crook.

00:40:42Come on.

00:40:43Look, look, look, look.

00:40:45Since you're at it.

00:40:46Help this lady with the bags we're going to carry, okay?

00:40:50Thank you, officer.

00:40:51That's what we're here for, ma'am.

00:41:02Okay!

00:41:06Okay!

00:41:06Hey!

00:41:08And the S.

00:41:08Instead of fussing so much, she should cover the portions, they're going to dry out.

00:41:12Well.

00:41:15What does Santiago say?

00:41:16Yes, I've heard that before.

00:41:17Well, tell him I'll cover them up when he calls the beer guys, because he's going to have

00:41:20to put the fishing rods in tap water.

00:41:21Tell him.

00:41:22Go.

00:41:23What does it say that I already...

00:41:24I heard it!

00:41:25Tell him to call the beer people when he does the warehouse inventory.

00:41:29Tell him!

00:41:30Well, tell him that I already...

00:41:32Tell them to charge me.

00:41:33No, no, no, that...

00:41:33Just a moment, I'll charge you.

00:41:35Two seventy.

00:41:36Two seventy.

00:41:37Excuse me.

00:41:37Thank you so much.

00:41:38Bye bye.

00:41:39Good morning.

00:41:40What's up, Lurditas?

00:41:41How are you?

00:41:42Is something wrong?

00:41:43No, no, no, nothing's wrong, no.

00:41:46Good morning, Palomita.

00:41:47Good morning.

00:41:48That?

00:41:49How are those elections going?

00:41:50We need to put up posters or speak through a megaphone.

00:41:53What nonsense is he talking about?

00:41:55Foolishness?

00:41:55Do we have to win those elections?

00:41:57What do you want?

00:41:58Should my sister-in-law win it?

00:42:00Santiago.

00:42:02Was there someone who got angry with Diego?

00:42:04Honestly, he's so good to you.

00:42:05Ah, yes.

00:42:06It's really good, isn't it?

00:42:07That's why we've been lacking it.

00:42:08Do you know what he said?

00:42:09That Lucía would be a better director than you.

00:42:11That's what he said!

00:42:12Well, that's normal, because she's a woman and he loves her.

00:42:14Besides, it's true, listen, Lucia is smarter than me.

00:42:16That's how we go through life.

00:42:17Get more complicated, huh?

00:42:18That's how we go through life.

00:42:19Not at all.

00:42:20We have to win those elections.

00:42:21To really hit the lips.

00:42:23Yes, miss.

00:42:24Because, Santiago, I don't like that attitude of yours at all, okay?

00:42:26That's called envy.

00:42:27But that is a very ugly sin.

00:42:29Rogi.

00:42:30Look at the guy who's yelling that we have to go for the goods, but that he should go outside.

00:42:33Well, that way nobody can hear the ham.

00:42:44Man, firefighter.

00:42:44What do we give pleasure to?

00:42:45May I come in?

00:42:46Yes, yes, yes.

00:42:49Africa, look who's come to visit us.

00:42:52Hello.

00:42:55I came to tell you that, well, if the idea of living with me is still on, then that's it, I have

00:43:00a gap.

00:43:01What has a hole?

00:43:02Well, I don't know, Africa is still standing.

00:43:04Because last time you told us...

00:43:06What did he tell us?

00:43:07He told us to go to hell.

00:43:08Yes, well, I know, but they've left me stranded without giving me any explanation.

00:43:12And no, I can't pay for the apartment myself.

00:43:15So yes, you're tripping over each other.

00:43:16Damn, I want to see it.

00:43:18I can't believe it.

00:43:19First he despised us, and now he comes to bless us.

00:43:21Come on, please, man, I've already paid two months' deposit.

00:43:23And now he wants his insolvent friends to pull his chestnuts out of the fire.

00:43:28Do you know what we call Elena?

00:43:31Elena?

00:43:31Elena, whom I bought a shawl from her parents on the coast, what happened, she's rolling in it.

00:43:36Hey, hey, hey, hey, hey, why don't you and I live together, Elena?

00:43:39Damn, she's got money, right?

00:43:40And it's a guarantee.

00:43:42That's true, cool.

00:43:44Hey, hey, hey!

00:43:44No, no, no, no, no!

00:43:45What are you saying?

00:43:46You're an idiot, no, no, you can't do this to me.

00:43:48Okay, damn it, although there's no need to find anything, I just want to see which is the last box.

00:43:51But the good box is already gone, all that's left is the 10 euros and the photo frame

00:43:54from Hello Kitty.

00:43:55Fuck!

00:43:57Hey, my dad will fix your car, for a whole year, parts and labor included.

00:44:01And they pay for the check-up too.

00:44:03Okay, fine, you sleep in the living room.

00:44:05Because?

00:44:06Why not?

00:44:07Why should I sleep in the living room?

00:44:08I don't want to sleep in the living room, why do I have to?

00:44:10Um, Elena's phone number was...

00:44:126, 4, 2, 2.

00:44:12I sleep in the living room, I sleep in the living room.

00:44:14But if you're not going to sleep badly in the living room, sweetheart, come here.

00:44:24Where are you going, man? Where are you going? Not like that. Not like that.

00:44:28You can't grab the door.

00:44:29So?

00:44:29Yes, I think you were very clever.

00:44:31So, if you want to insult me, you speak to me very nicely, very well.

00:44:34And how do you want me to put the box in?

00:44:35Should I put it in sideways? Because you might like the sideways version, right?

00:44:37Where do we put the grody?

00:44:38In other words, Grody is the lame one.

00:44:39Where are you going? Where are you going?

00:44:41Put this box in, can't you see?

00:44:43I'll put this box in.

00:44:47You've already thrown it away.

00:44:48You've already thrown it away, haven't you?

00:44:49Are you happy now? Are you enjoying it now?

00:44:50A smart one? A smart one!

00:44:52Here we go again with the insults, we're still going with the insults.

00:44:54But it is where you shouldn't...

00:44:55What are you going to say?

00:44:56Aren't you going to talk to me?

00:44:57Are you calling me stubborn?

00:44:58Yes, big-headed.

00:44:59Look, Santi, honestly, I'm fed up with you, I'm fed up with you.

00:45:02Fiti.

00:45:04Fiti?

00:45:05Yes, yes, what is Fiti?

00:45:06Fiti!

00:45:09Fiti!

00:45:10What are you doing dressed like that?

00:45:11Fiti!

00:45:14No, no, listen.

00:45:17But, Fiti, for God's sake, what are you doing dressed like that, you wretch?

00:45:19Don't you see you're making a fool of yourself?

00:45:21It's actually a lorry, with its cap and everything.

00:45:23Take that off, we've already seen it.

00:45:24Take that off, damn it!

00:45:25Get out of the way, take it away from him!

00:45:29Everything alright, mate?

00:45:30Everything's fine, mate.

00:45:31Keep going, keep going!

00:45:32Continue!

00:45:32You're doing well, dude!

00:45:36This is impersonation, Fiti, impersonation!

00:45:38If someone catches you, you'll be in deep trouble.

00:45:40Look at what he told you.

00:45:41Fermiz!

00:45:41This is sickening!

00:45:42Neither sickly nor ill, Santi.

00:45:45It's a crime!

00:45:46Yes, Fiti, it's a crime.

00:45:47And the serious ones.

00:45:48It is serious and punishable.

00:45:49Fiti, Fermín is telling you.

00:45:51That's not even considering the danger you're putting yourself in.

00:45:53Or much worse, that you endanger others.

00:45:55Yeah.

00:45:58You should have seen how people looked at me in the street.

00:46:02Because, let's see, what is a mechanic?

00:46:04What is a mechanic?

00:46:05In other words, a botch, a ñapas, a nobody.

00:46:09Dude, there's a cop over there.

00:46:12A cop is something else entirely.

00:46:13Because there is respect there.

00:46:14There is respect, and that is very important in life.

00:46:16And it shows, it really shows.

00:46:19And why do you think people don't respect you, Fiti?

00:46:21Because?

00:46:21For the usual reasons.

00:46:22Why the same old thing?

00:46:23Because I've always been a fool.

00:46:24Otherwise, why has my candle left me after 20 years?

00:46:27No, no, Fiti, I'm going to tell you.

00:46:28Well, that's not it.

00:46:29So, it's not that either.

00:46:31Damn, you do so many things, so many things.

00:46:33Yes, yes, yes.

00:46:34Okay, tell me one, tell me one.

00:46:35That's what I'm saying, tell him one, tell him one, man.

00:46:36I'm telling you now, because I've already told you.

00:46:38Many things are done well.

00:46:40I'm telling you, I'm telling you.

00:46:43That's it, I've got it, yes, yes, I've got it, yes.

00:46:46You know what you do that's fucking great, man?

00:46:47Advice, you give some damn good advice.

00:46:49I'm telling you this because I'm your friend.

00:46:50And when I was feeling bad,

00:46:52You were already there giving me advice.

00:46:53And very good.

00:46:54And I highly recommend it...

00:46:55And, Fiti, listen to me, look at me.

00:46:57Fiti, listen to me, listen to me.

00:46:58And Formula 1?

00:46:59What happens when we watch Formula 1?

00:47:00Huh? Who can explain this to me?

00:47:02Who can explain this to me?

00:47:03Well, you, you explain it to me well.

00:47:04Because?

00:47:04Because you know about that.

00:47:06Otherwise, how am I going to understand Formula 1?

00:47:07Nothing, I'm not going to understand anything because I...

00:47:09Yes, well, if I don't explain it to you,

00:47:10Lobato too, because it's a bit technical.

00:47:12Well, that's it.

00:47:13In other words, Lobato, no, not Lobato.

00:47:15You know about that, that.

00:47:16Okay, I'll explain it to you, hams and you explain it, spark plugs, okay?

00:47:20Look, Fiti, we all get disappointed, right?

00:47:23But we must learn from what happened and overcome it.

00:47:26I'm sure you're right, Fermín.

00:47:29But I don't quite understand you.

00:47:31Wait, Fermín, wait.

00:47:32I'll explain to you what you told me...

00:47:34What needs to be done is to accept and digest it.

00:47:39Right, Fermín?

00:47:40There it is.

00:47:42And another thing I'll tell you,

00:47:43From this moment on, that's where we are.

00:47:45Because?

00:47:45Because you have helped us before,

00:47:47Now we're going to help you.

00:47:48as friends.

00:47:49That's it, that's it.

00:47:51You should be proud of who you are, Fiti, okay?

00:47:54And to get excited about things again, damn it.

00:47:57I understand that better now.

00:47:59And let's forget about playing police officers, of course.

00:48:01Police officers, firefighters, astronauts, all of that.

00:48:03I'm not giving you any more ideas because I don't want to give you any ideas.

00:48:04Get rid of all that.

00:48:05No, no, no.

00:48:06It's over.

00:48:06No, really.

00:48:07If mine...

00:48:07Besides, my thing has always been the workshop, and that's it.

00:48:09Well, that's what I'm saying, damn it.

00:48:11So, how do things get fixed?

00:48:12Speaking through dialogue.

00:48:14What do you want me to repeat?

00:48:17But Santi, don't cross the line, I'll get lost.

00:48:20And you know I get lost.

00:48:20Hey, please, what do you want?

00:48:21Don't behave like children.

00:48:24But anyway, let's see.

00:48:25Lurditas and I don't mind, since we're the ones involved.

00:48:28What difference does it make to us, children?

00:48:30That's it, come on, let's go.

00:48:31Give each other a hug and make peace.

00:48:34Well, if you keep this up, we won't even show up, period.

00:48:36No!

00:48:37What do you want?

00:48:38You have the towel!

00:48:39But what towel, Santiago?

00:48:39There are no towels.

00:48:40Do you think it's on your behalf?

00:48:41No, it's a trick.

00:48:42Is it a trick?

00:48:43Because?

00:48:43Because she is ambitious and hypocritical.

00:48:45Santiago, you're going too far.

00:48:46Santi, be very careful.

00:48:47You're not going to look at what I'm saying, I'm saying it to your face.

00:48:48You're going too far.

00:48:49Look at the airs she was putting on the other day when we showed her the house.

00:48:52He was looking at us like that, looking down at us.

00:48:54That's it!

00:48:55So, that's probably why.

00:48:56In other words, this whole mess is being stirred up.

00:48:58Because Lucía thinks Lurditas has bad taste.

00:49:00That's why we're making such a fuss, damn it.

00:49:04Do you think I have bad taste?

00:49:06Hey, I didn't say that.

00:49:07No, no, no, no.

00:49:08No, no, no, no.

00:49:08She didn't say that.

00:49:10I mean, she...

00:49:11So, you don't...

00:49:12No.

00:49:13No.

00:49:14What Lucía said, what she meant to say, is that she liked it, but I wouldn't buy it.

00:49:20You told me you liked me.

00:49:21But I do like it, Lurditas.

00:49:22The thing is...

00:49:23Well, it's not my style, but whatever.

00:49:27Lurditas.

00:49:27I mean, I can't believe it.

00:49:28We're not going to get angry now over something silly like in the dollhouse.

00:49:31Nonsense?

00:49:32Well, you told me you liked it.

00:49:35What do you see?

00:49:37What do you see?

00:49:37What have you done with Lurditas?

00:49:40Volai no, eh.

00:49:41Volai no.

00:49:42Santi, Santi, listen.

00:49:43Okay!

00:49:44Goat, fly!

00:49:45Are you calling us crazy?

00:49:48At two o'clock inside.

00:49:50One small step for man, and I don't remember the other.

00:49:54But this is going to take forever!

00:49:56The back room is blocked.

00:49:57A fricocete la frente que tiene armario.

00:49:59Okay, thanks.

00:49:59Hey, where do I leave my things?

00:50:00But what do you mean, your things?

00:50:01Well, let's see, I'm going to be here all day, beautiful.

00:50:04It's not something to take lightly, is it?

00:50:05Wow, what nerve!

00:50:07Your apartment is really cool.

00:50:09Look, Elena, don't look at me like that, okay?

00:50:12Auntie, aunt, we had to help our friend, our friend.

00:50:15We help our colleagues, you know?

00:50:17Besides, don't be silly, we were the smartest ones.

00:50:19Come on, we're not going to pay a penny in rent and we're going to be here all day.

00:50:22I can't believe it, I've finally left home.

00:50:26We should celebrate, shouldn't we?

00:50:27Come on, let's celebrate, shall we?

00:50:29But no, you idiot.

00:50:29A party, a party, we're going to a big party, aren't we?

00:50:32Big party, big party, big party, big party!

00:50:33No, what party? No party at all.

00:50:34No, no.

00:50:35What's better than a dinner just the three of us, and that's it?

00:50:37Hey, what's up?

00:50:37Are all firefighters equally annoying?

00:50:39How many firefighters do you know?

00:50:41Well, I know you and no one else.

00:50:44That's it, the parties happen when you leave the house, not when you arrive, man.

00:50:46Then you have to clean up and that's when the bad vibes start.

00:50:48Don't make that gesture at me, you know it pisses me off.

00:50:51Who's coming?

00:50:53Well, that's when the bad vibes begin.

00:50:59What a party!

00:51:00Just three!

00:51:02Only!

00:51:03Alone, damn it!

00:51:06Alone, damn it!

00:51:09Alone, damn it!

00:51:09So, Diego, are you sure he hasn't called you?

00:51:12Sure?

00:51:12Have I told you 50 times?

00:51:13Well, this is a whistling sound.

00:51:15Oh, look!

00:51:15It's him.

00:51:16Don't talk to me now.

00:51:17Let's see if she hears me saying you're with me and gets her mind off the fat woman.

00:51:20Hi sweetheart!

00:51:22Yes, you could have called earlier.

00:51:24Santi, Santi, there's something I wanted to talk to you about.

00:51:27Yes, but I hadn't spoken to Lutita.

00:51:28The dark chestnut.

00:51:30This is black, bold, and dark.

00:51:32Like the bull that killed Manolete.

00:51:33Santi, please don't be so dramatic.

00:51:35In other words, Luciano meant what he said.

00:51:36Me neither.

00:51:36So, what's the big deal? Who said what?

00:51:38In other words, the price of chicken went up.

00:51:40But I'm fed up with always being in my brother's shadow.

00:51:43Yes, yes.

00:51:44You have always been the intellectual of the family.

00:51:46The handsome one, the young gentleman, the tallest one.

00:51:49And what about me?

00:51:50The loser, and short to boot.

00:51:52Santi, look, I'm going to tell you because you're getting on my nerves.

00:51:55Every time you open your mouth you just talk nonsense.

00:51:56What are you saying?

00:51:57Now, nonsense.

00:51:58Okay?

00:51:58When you talk nonsense, I want us to break up society.

00:52:01It's time for everyone to fly solo.

00:52:03What else did you say? What?

00:52:05I'll buy your share of the tavern.

00:52:07Here you go.

00:52:08300,000 euros.

00:52:11Are you serious?

00:52:12Because I can't believe it.

00:52:13You can't believe it.

00:52:14Well, tell it, tell it.

00:52:16I didn't reach 50 million.

00:52:17I didn't have anything else on hand.

00:52:19Hey, I'll leave you now, this looks really bad, okay?

00:52:20Let's see.

00:52:21Well, what if I don't have the guts to sell you my share, then what?

00:52:24Buy all of mine.

00:52:26But what's going on?

00:52:26You're broke.

00:52:27Because?

00:52:28Because the lizard has melted it all.

00:52:29Okay, stay here!

00:52:30Everyone be quiet!

00:52:32Calm down, calm down!

00:52:32No, no, no!

00:52:33No, no, no, we'll give you whatever you want, but don't shoot us.

00:52:35Please don't hurt yourselves.

00:52:36Okay, better.

00:52:37The first one who moves, I'll fry him.

00:52:38Come on, you, the carb.

00:52:40To the checkout.

00:52:41Bring the money.

00:52:44Stop, damn it!

00:52:45Come on!

00:52:46Come on!

00:52:47Vito, the little bit of money, huh?

00:52:48Quickly.

00:52:49Quickly.

00:52:49Careful.

00:52:50Come on, be careful.

00:52:53Pussy!

00:52:57Well, you'd better put it in the bag.

00:52:59Come on!

00:52:59Put it in!

00:53:00Come on!

00:53:01Come on!

00:53:02Yes, listen.

00:53:04Police!

00:53:12Come on!

00:53:59Attention to all units.

00:54:01To all units.

00:54:02Robbery at 44 Belmed Street.

00:54:04Robbery at 44 Belmed Street.

00:54:06Pussy?

00:54:07What is a tavern?

00:54:09Okay, now calm down.

00:54:11Careful, I'm going to go on a bit.

00:54:12Through that door.

00:54:13Very slowly, very quietly.

00:54:15Stop, police!

00:54:16Drop the weapon!

00:54:17What's happening?

00:54:18Hey?

00:54:18Are you deaf?

00:54:19What did I tell you?

00:54:20Stop, police officer, drop the weapon!

00:54:22Let's go, slowly.

00:54:23There.

00:54:24There, there, there.

00:54:25Now you have it!

00:54:26Come on.

00:54:26Santi, a rope!

00:54:28A rope!

00:54:29Already!

00:54:30Come on!

00:54:30Santi, a rope!

00:54:31Come on, stay still!

00:54:31Stay right there!

00:54:32Stay right there!

00:54:33There!

00:54:33Open your legs!

00:54:34I'm going to get my hands on you.

00:54:35Come on.

00:54:36Fine, you have the right to remain silent.

00:54:39Anything you say can be used against you.

00:54:41Mainly.

00:54:42Come on!

00:54:43You have the right to a lawyer, but for what good will it do you, come on, stay put.

00:54:47Still!

00:54:47There!

00:54:48Watch out, watch out!

00:54:49Be careful with that!

00:54:50Be careful with that!

00:54:51Take it easy aiming, okay!

00:54:52Take it easy and aim!

00:54:52Calm down, calm down, calm down, Fiti!

00:54:53Fiti, calm down!

00:54:54The uniform looks great on you, brother!

00:54:56Yeah.

00:54:57Well, they'll be the only ones who think that.

00:54:59No, Fiti, I wanted to apologize, damn it, you'd be a great cop.

00:55:02But it's awesome.

00:55:02Calm down, Fiti, calm down.

00:55:04How did you find out about Ataco?

00:55:05How did you know?

00:55:07Damn, they said it on the radio, they warned me, and since I have the

00:55:09Ramón's car in the workshop.

00:55:11Who called the police, for fuck's sake?

00:55:13Yes, I would.

00:55:13It was me.

00:55:17Can I leave now?

00:55:18Damn, Grogi, very good, damn.

00:55:20My uncle knew you were a smart guy, Grogi.

00:55:21No, no, no, stay still!

00:55:23Out.

00:55:24All good?

00:55:25Everything's fine, mate, everything's fine.

00:55:27Why didn't you put the regulation handcuffs on them?

00:55:29Because I didn't have them in my hands at that moment, mate.

00:55:32Hey, you're not from the Santa Justa police station, are you?

00:55:35No, no, no, not that one.

00:55:36I'm from San Ambrosio.

00:55:40Saint Ambrose?

00:55:41Yes, Saint Ambrose.

00:55:47Chucky, turn the music down, damn it.

00:55:48We haven't even moved in yet and the neighbors are already going to get angry.

00:55:50Ah, trick, we're laying the foundations of coexistence.

00:55:53Get used to the bad first, and then let them enjoy the good.

00:55:56Ah!

00:55:57Ah!

00:55:58Ah!

00:55:58What are you doing?

00:55:59What a cool apartment, I'm so jealous.

00:56:01Who is that guy talking about Monafri?

00:56:04Hey, I thought I was going to have a better day with my father.

00:56:07Come on, Alex, son, pick some up, go on.

00:56:09And then, and then he goes out and hunts a bear too, and you bring it back to...

00:56:11Chucky!

00:56:12Hey!

00:56:12Music, please!

00:56:15Hello!

00:56:16Who is it?

00:56:17He's an older guy who looks like a walrus, he must be the neighbor.

00:56:20Who is it?

00:56:22Police!

00:56:29How are you? Good evening, agent.

00:56:31Good night.

00:56:31Nothing, just a dinner with friends, but we stopped making noise right away.

00:56:35Where is Africa?

00:56:36That?

00:56:39Hello.

00:56:41What are you doing here? How did you find me?

00:56:44Do you think the police are stupid?

00:56:46Come on, grab your things, we're leaving.

00:56:48No, don't get confused, I'm not going anywhere because I'm of legal age.

00:56:51Africa, don't get me all worked up.

00:56:53Ramón, you can't take it with you.

00:56:55Okay? You can't treat Africa like a...

00:56:58like a cop.

00:56:59That's who you are.

00:57:00But Africa is your daughter.

00:57:01Look, look, child.

00:57:02Every time something bad happens to my daughter, you're there.

00:57:05Well, I'm starting to get more than fed up.

00:57:10Yeah?

00:57:12As?

00:57:14So what are you going to do?

00:57:15What are you going to do, huh?

00:57:16Are you going to throw me in jail?

00:57:17Are you going to throw me in jail?

00:57:19Not you, but your father...

00:57:21Huh? My father?

00:57:23Ignore the crazy guy.

00:57:25Fuck?

00:57:26But my brother is not a criminal.

00:57:28Look at that kind face he has.

00:57:30Chonit, don't worry, you'll see how we get out of this.

00:57:32I believe people are making a mistake.

00:57:34But how are they going to stop the man who prevents the robbery?

00:57:36It was marked.

00:57:37Tragedy was looming.

00:57:38Was it marked?

00:57:38Good night.

00:57:39What happened?

00:57:40How are you, Ramón?

00:57:41Look, the one on the left is the robber.

00:57:43And the one on the right, the one who stole your uniform and your car.

00:57:45Ah, yes, dreadful.

00:57:46Thank goodness it's here because...

00:57:47Just a moment, but a very bad one.

00:57:48And thank goodness Fiti suddenly appeared like a champion.

00:57:50What am I saying?

00:57:51Like a champion.

00:57:51Like a hero.

00:57:52Like a hero.

00:57:52Yeah.

00:57:54Impersonating a law enforcement officer?

00:57:56Misappropriation of a patrol car?

00:57:57Look, with a court-appointed lawyer, two years.

00:58:00Oh, two years!

00:58:01Good heavens!

00:58:02Ramón, Ramón.

00:58:03Look, so you were the one who gave me a ride?

00:58:06From you.

00:58:06You took my car to the garage yesterday.

00:58:09And I didn't have any...

00:58:11Did I sign anything for you?

00:58:13It's your word against a police officer's.

00:58:17Call her at the central office and say we're on our way.

00:58:21Diego, but...

00:58:22What are we going to do?

00:58:23Oh my God, I...

00:58:23No, no, no, no.

00:58:25Choni, I can't think of anything else that isn't right now.

00:58:27But not...

00:58:28Come on, guys.

00:58:29You really don't want me to stay.

00:58:30I'll help you.

00:58:31Oh really?

00:58:31No, no, no.

00:58:32Really.

00:58:33Hey, come on, come on, beautiful Anita.

00:58:35At the same time, it's already stopped rhyming a little.

00:58:37Thrown out with joy.

00:58:40And what about you?

00:58:41It's because the tree trunk has fallen, and I'm practically a local.

00:58:43Well then, let's make it known.

00:58:44That's the reason why I have to leave.

00:58:45Well, he has love, my colleague.

00:58:47Oops!

00:58:47Son, greetings to my colleague!

00:58:49See you later!

00:58:52But you're not counting, Diego, please.

00:58:54Yes, that's what it has given him.

00:58:58Okay, fine, okay, come on, go, go.

00:59:00Yes, no, of course I'm going.

00:59:01Come on, come on.

00:59:01Okay, so far.

00:59:02What's up, Raúl?

00:59:03Tampia, your father and my father.

00:59:05The mother who gave birth to me is so calm in a canary.

00:59:08Fuck!

00:59:08What's happening?

00:59:09Nothing, I understand myself.

00:59:13I'll go with him, okay?

00:59:15See you later.

00:59:18Come on, what are you doing, man?

00:59:19That money is mine!

00:59:20This is a test, sir.

00:59:21What proof?

00:59:22What proof?

00:59:22He's going to get it back.

00:59:23The work of...

00:59:24He's going to get it back.

00:59:25Are you crazy?

00:59:27What do you mean, crazy, man?

00:59:28If your father is a hero.

00:59:29A hero, Raúl.

00:59:30Look how they have it here.

00:59:31Look how they have it.

00:59:32Do you know what's coming to you, Dad, with that cat that's got me so fed up?

00:59:34How did you come up with that?

00:59:35Raul, please stop yelling at me and give me a hug, damn it, I'm going to jail.

00:59:39Give him a hug, Raúl.

00:59:40Give him a hug, damn it.

00:59:41Damn it, Dad!

00:59:43Come on, come on, let's go.

00:59:44Okay, okay.

00:59:45Dieguito, come on, get me a beer, it's going to be the last one for a long time.

00:59:47Take it, take it, take it.

00:59:49Take this first, take this.

00:59:50Let it be your time, take it.

00:59:51Here it goes.

00:59:52There you go, damn it, you're suffocating me.

00:59:53Sorry, man, sorry.

00:59:54And anything to snack on, whatever you have?

00:59:56Can we talk for a moment?

00:59:58Tell me.

01:00:01If you leave him alone, I won't leave home.

01:00:04Wow, this one's really good.

01:00:06No, Dad, I'm serious.

01:00:08I promise I won't leave home without your consent.

01:00:11I know you don't understand now, but...

01:00:13But I swear I'm doing it for your own good.

01:00:16Yes, I know.

01:00:19Leave that one with me, I need to talk to him.

01:00:24Go on, wait for me at home.

01:00:33Ah, don't worry, Diego.

01:00:35We'll find you a good lawyer and you'll see how everything turns out fine.

01:00:38Good morning.

01:00:38Hello good morning.

01:00:39Hello, how are you, son?

01:00:40Hey, there's no churro, no toast, nothing.

01:00:43What a funeral face, right?

01:00:46Come on, come on, guys.

01:00:47I invite you to have breakfast somewhere.

01:00:48Thank you.

01:00:49Hello, come on.

01:00:50Come on.

01:00:52Look, he's asleep there.

01:00:55Try to fix it, okay?

01:00:57We have enough to deal with as it is.

01:00:58Okay.

01:00:59Wait for me, I'm going to have breakfast with you.

01:01:00I'm so hungry.

01:01:01Come on.

01:01:05Good afternoon.

01:01:09Is there any news?

01:01:13No.

01:01:18Diego...

01:01:19That?

01:01:24That's it.

01:01:38It's so hard to say things to each other.

01:01:40Life is very scary.

01:01:41Otherwise, I want us to be fighting.

01:01:43Me neither.

01:01:44I don't want to be on bad terms with you either, Santi.

01:01:46Wow, what a load of nonsense, man!

01:01:49Wait, what are you doing here?

01:01:50What is that?

01:01:51Oh well.

01:01:52What's happening?

01:01:54Holy shit!

01:01:57Holy shit!

01:01:57They're letting me go!

01:01:58I bought the churros from the place across the street from the police station.

01:02:00And when is the trial?

01:02:01No trial, no trial, no trial, no charge, nothing.

01:02:03I'm as clean as a baby's bottom.

01:02:05Fiti, but dude, do you realize that?

01:02:07What was born standing up, Fiti, for God's sake?

01:02:09No, no, no, my ex-father-in-law, man, he seems to have a knack for handling this matter.

01:02:12Damn, dude, you gave us quite a scare.

01:02:14We were already thinking of taking you to Calameco on your motorcycle.

01:02:17Hey, hey, hey, and couldn't your ex-father-in-law do anything for my 50 million?

01:02:22Damn, okay, okay, I'm going to have breakfast, because I'm so hungry I'm practically seeing blurry.

01:02:26We talked about that.

01:02:27They don't serve breakfast in prison here.

01:02:34Okay, see you tomorrow.

01:02:38Okay, bye.

01:02:41No.

01:02:42José Luis tells you that tomorrow he's taking the first Talgo train in the morning and coming to see how

01:02:46We're back from the scare.

01:02:48Come on, let me tell you something, I'm really happy.

01:02:49I'm really happy about it.

01:02:50I don't care, I don't care if they're the transport documents, but I want my money now.

01:02:55As?

01:02:56Well, I've arrived and they've lost me.

01:02:58If you return the bag, I'm willing to give you a commission.

01:03:0230 euros.

01:03:06Well, it doesn't say that the hat is a crime.

01:03:09That guy must be a real character.

01:03:10Hey, one thing, Santi.

01:03:13That money wouldn't be dirty money, would it?

01:03:15Of course he was black.

01:03:16Don't mess with me.

01:03:17How embarrassing, how embarrassing.

01:03:18If I practically handed her the money on a silver platter, if Lurditas could have seen how scared I got.

01:03:23Santi, relax.

01:03:24You know that Lurditas wants to scare you, or not, damn it.

01:03:28Thank you, brother.

01:03:29When things get serious, we have to stick together.

01:03:32Yes, yes.

01:03:33Lucia is so curious, as if Lurditas were the headmistress, we, the other siblings...

01:03:38Hand in hand, hand in hand.

01:03:39Hand in hand, hand in hand, hand in hand.

01:03:40Hand in hand, hand in hand, hand in hand.

01:03:41Okay, I'll call again.

01:03:43Let's see if 50 euros works.

01:03:46Okay.

01:03:47Hey.

01:03:49Was Lucia the school principal?

01:03:51Yes, that's the point.

01:03:53Because?

01:03:54Well, I don't know if that's going to be a very good thing.

01:03:56Because the directors have meetings.

01:03:58Yes, meetings.

01:03:59And conventions.

01:04:00Yes, I know.

01:04:00And sometimes they go to the Canary Islands.

01:04:02And sometimes they don't come back.

01:04:03No, that's enough, that's enough.

01:04:04I see you coming, Chony.

01:04:05No, no, no, listen to me.

01:04:07Lucia, I would never do what you're thinking.

01:04:09You understand?

01:04:09Never.

01:04:10No, nothing.

01:04:11And let's see if José Luis comes and you calm down a little, beautiful.

01:04:14I am very calm.

01:04:15A spark of anxiety, but...

01:04:16Lucía is a young woman who is having a very good month.

01:04:19And with so much convention, so much convention, it's bound to have some milestones.

01:04:22You don't scare me, Chony, you don't scare me.

01:04:25Look, however, I see Lurdita as something else.

01:04:29Lurdita is more of a homebody, more of a home person.

01:04:33Old, and therefore less dangerous.

01:04:35I've said it, you don't scare me, Chony.

01:04:37No.

01:04:39Hey!

01:04:40No, damn it, Dad, you're taking a weight off my shoulders.

01:04:43Yeah.

01:04:45Well, why don't you come by later and we'll have a beer?

01:04:48We'll finalize the apartment deal, and then I'll show it to you so you can see it.

01:04:51Okay.

01:04:53Okay, a big kiss.

01:04:54Bye.

01:04:55Hey, hey, hey!

01:04:56God, wing, wing!

01:04:58Dude, man, you have no idea what a night is like.

01:05:01Okay, well, be glad it's over.

01:05:02A new day begins and it's time to do the dishes.

01:05:05Hello.

01:05:06Man, just in time to pack up.

01:05:08Let's see, let's see, let's see, Sergeant, buddy.

01:05:10Let's...

01:05:10Listen to me, Alex, man.

01:05:11Look, there are three of us living here, man.

01:05:12This is a democracy.

01:05:13Loosen up a little.

01:05:14Yes, yes, because there are three of us, I don't want to do the cleaning myself.

01:05:16And this isn't a democracy, this is a pigsty.

01:05:18Okay, you'll have to move some things aside, buddy, because not all the stuff here is mine either, okay?

01:05:21Guys, I'm leaving.

01:05:22But no, no, you're not leaving because you have...

01:05:23I'm leaving this house.

01:05:24I'm going back home with my father.

01:05:27That?

01:05:29I'm sorry, I'm sorry, I'm sorry for getting you into all this mess and now leaving you hanging, but I have to

01:05:34go.

01:05:36Hey, if it's because of the effort I put in picking things up, don't hold it against me.

01:05:40But if that's not it, Alex, I'll help you clean up now, okay?

01:05:45But you can't leave, Africa.

01:05:48Raúl, I can't just leave my house by force, you understand?

01:05:51I need to sort things out with my father, and then we'll see.

01:05:54But you can't, you can't, you can't leave, aunt.

01:05:56You can't leave.

01:05:57Damn it, we're here now, this has to be paid for, Africa, girl, you can't leave, you can't

01:06:03You can go.

01:06:03But wait, I was thinking about Elena, where did you want to stay here, right?

01:06:06Can you have my room?

01:06:08Anyway, I've already slept here tonight.

01:06:09I?

01:06:11I do, but I don't know.

01:06:14Well, problem solved.

01:06:17Problem solved.

01:06:19Raul, don't look at me like that, I'm going to pick up my things.

01:06:25Okay, fine.

01:06:27Thank goodness, thank goodness for yesterday's incident, it was quite a scare, wasn't it?

01:06:31This was all thanks to Saint Philip, wasn't it?

01:06:32My God.

01:06:33Man, he's sent us a sign.

01:06:35Look, I don't know if it was from Saint Philip or from the entire calendar of saints.

01:06:38But look, when things like this happen, you realize that sometimes you fight for real things.

01:06:41foolishness.

01:06:42Because some things are serious.

01:06:43Out of vanity, Lucia, out of vanity.

01:06:44Because, well, being a director has been about pride and vanity.

01:06:47Come on, neither you nor I wanted the job.

01:06:49No, man, listen, I'm partly to blame too, you know?

01:06:52I haven't been very honest with you either.

01:06:54And so?

01:06:57Lurdita, I don't like your dollhouse at all.

01:06:59Scope.

01:07:00But I, and I, Lucia.

01:07:01And me, no.

01:07:03Man, because he wanted to compete with you.

01:07:05Diego is right.

01:07:06You're worth more than me from here to Cuenca, but hey, there's always a way back.

01:07:08And on you go, parrot to the lathe.

01:07:10No way, man, no way, you'd be a great director.

01:07:13Organized, consistent, hardworking.

01:07:15You're constantly keeping an eye on the children, on anything that happens at school.

01:07:18Man.

01:07:18You find out about everything, no, no.

01:07:19No, it's just talk.

01:07:21If I don't want to be a director.

01:07:22The one who was excited was Santi.

01:07:24Man, and look at the disappointment they both felt.

01:07:26What a fight between the brothers, there's nothing uglier, huh?

01:07:28It certainly won't be my fault.

01:07:31What a slut Tomás is!

01:07:34Macedonia.

01:07:35For transit.

01:07:39Africa, in the end, doesn't come to live with us.

01:07:42No way.

01:07:43And so?

01:07:44So he goes back to his father.

01:07:46Let's fix things.

01:07:47Well, be happy for her.

01:07:50But in the end, yes, his father is a cop.

01:07:52He's your typical policeman.

01:07:53But it doesn't have a bad foundation either.

01:07:55Look how well he's treated me.

01:07:57He's not a bad person at heart, and he's also very clever.

01:07:59Look at the medal he's been given for the robbery.

01:08:02He could have gotten himself into serious trouble.

01:08:03That the car and the uniform were his.

01:08:05Cheer up, damn it, you're going to live with your mates.

01:08:08You're going to fly.

01:08:09Yeah, Dad, damn it, but I was mostly doing this for Afri.

01:08:14Yes, little creature.

01:08:15But it's the destiny of the Martinez family, son, that they abandon us.

01:08:18Well, I just don't understand it.

01:08:19If you're super excited about living with us.

01:08:22And there I was, exhausted all morning.

01:08:25Why did it all happen so suddenly?

01:08:26Uh-huh.

01:08:28Hey, I'm saying, this doesn't have anything to do with how well your son-in-law has treated you, does it?

01:08:32Please.

01:08:33Are you going to have to see each other?

01:08:34Oh, no.

01:08:34No.

01:08:35Oh, no.

01:08:36Well no, then I'm paranoid.

01:08:37No, Choni, really.

01:08:38Come on, eat something, you're getting wasted.

01:08:39He really wants the mouth.

01:08:40No.

01:08:40The mouth is green.

01:08:41Africa is very independent.

01:08:43Independent Africa, whatever you want.

01:08:44He's pissed us off.

01:08:45But what's happening, what's happening?

01:08:47This is the generation we are raising.

01:08:48Am I incapable of collaborating on a good cause?

01:08:50Well, technically it would be possible.

01:08:52Yes, but let's see, how much are we talking about?

01:08:54But what do you mean, how much?

01:08:55I don't understand you.

01:08:56Okay, so how much?

01:08:57Let's see, I don't know, 20 euros.

01:08:5820 euros?

01:08:59But what are you saying about 20 euros?

01:09:00But you don't realize that's extortion.

01:09:02You're going down the wrong path, just like everyone else.

01:09:06You're on the wrong track.

01:09:22What I'm telling you isn't happening, not even 20 euros or anything, I'm not going to do it.

01:09:25Listen to me, listen to me.

01:09:26No, listen to me, listen to me.

01:09:27Please, one moment.

01:09:28Guille, please.

01:09:30I'm asking you a favor, damn it.

01:09:31But having Lucía as the new director is a real pain in the neck.

01:09:34No, no, no.

01:09:36That's not what it's about.

01:09:37It's exactly the opposite.

01:09:38Lucía should not be the new director.

01:09:40But then, who's going to be the director?

01:09:44Lurditas.

01:09:46That!

01:09:48Very good, very good, very good.

01:09:50Very good, very good.

01:09:51No, no, no, no.

01:09:53No, but the pasta is still there, right?

01:09:54The money is still there, the money.

01:09:57Dad, I haven't done anything, damn it.

01:09:58I no longer know that you haven't done anything, my son.

01:09:59Excuse me, but I'm not going to give this one to you because I'm not his father, well...

01:10:01Diego, Diego, but you'll treat us to some snacks at the tavern.

01:10:04Minimum.

01:10:05No, no, no, no, forget about that.

01:10:07At most, okay, I'll trick you into playing football for free and you'll be all over it.

01:10:11Oh, one more thing.

01:10:12Not a peep from Santi.

01:10:14Okay.

01:10:16Please.

01:10:18Holy shit, Dad.

01:10:20What a rat I am.

01:10:31Damn.

01:10:34Holy shit!

01:10:58Have an abortion, have an abortion, have an abortion

01:11:00Have an abortion, have an abortion

01:11:06Fernando, they're sticking together

01:11:09They're sticking together

01:11:10They kill each other

01:11:14Well, but you know that fighting is a very serious offense

01:11:17Very serious, a very serious offense!

01:11:19You're not that much of a friend!

01:11:23Can't you talk about things?

01:11:25What was happening?

01:11:26It was okay, you're right.

01:11:29It's better to talk things through; fighting is pointless.

01:11:31Furthermore, it can

01:11:33We make peace, I forgive you if you forgive me

01:11:35Me too, if you love me too

01:11:38Dialogue, what I tell them

01:11:40Awesome, Fernando!

01:11:41Okay, okay!

01:11:42Come on!

01:11:48Very good

01:11:51Well

01:11:52That?

01:11:54New evidence has emerged

01:11:55You're going to pull a Colombo on me.

01:11:57You're going to nag me until I give up.

01:11:59No, man, no

01:12:01Don't worry

01:12:02I don't like it when people say that Ramón doesn't pay his debts.

01:12:04How much do I owe you for the car?

01:12:05Come on, come on, come on, no

01:12:07No, damn it!

01:12:08Fuck!

01:12:08Please, please

01:12:09You get me out of his and I'll tear up the bill

01:12:11No, no, not at all.

01:12:12I prefer to pay for it

01:12:14Already

01:12:15Already

01:12:16Given that?

01:12:16And that way you get rid of the kingfishers.

01:12:18For the rest of your life

01:12:19No, no, no

01:12:20I'm not naive.

01:12:21The police aren't stupid

01:12:22But neither did the mechanics

01:12:24And I've been suspecting

01:12:26And I know you took your girl away through blackmail.

01:12:28Yes, yes, that's why you let me go

01:12:30Fiti, Fiti, don't meddle where you're not wanted, okay?

01:12:32But let her go

01:12:33But if Áfries isn't a kid, the one responsible

01:12:35You

01:12:36You don't know what it's like to raise a daughter alone, without a mother.

01:12:41Well, no, I don't know, I don't know, Ramón

01:12:43But my wife has left me, you know?

01:12:45And the fact that my son is leaving now breaks my heart.

01:12:47And it leaves me just as alone as it leaves you.

01:12:49But that's life, damn it.

01:12:51I have to take care of my Afries, don't you understand?

01:12:55But if he's going to leave, sooner or later he's going to leave.

01:12:57The girl is leaving, huh? What are you going to do, keep her for a year?

01:13:00And then they hate you for the rest of their life.

01:13:02Go on

01:13:05Match that, go on

01:13:06Where were you coming from? With 50 euros?

01:13:08That's what it costs me to lift the shutter and turn on the lights in the morning

01:13:13Let's see, would you like a little ramiel? I have some nice and fresh here.

01:13:17Hey, hey, watch out for the wall, okay?

01:13:19Okay, Strongo, you're starting to overwhelm me, huh?

01:13:20Flush the chain, put the lid down, man, it's working fine.

01:13:23Hello

01:13:24Hello

01:13:26I was just passing by the entrance.

01:13:30And I don't know, I've been wondering maybe if I should come live here again.

01:13:35That?

01:13:35If you guess me correctly, of course.

01:13:37Yeah?

01:13:38Yeah!

01:13:41Hey, that's a fun menu, huh?

01:13:43First one, then the other, in a flat for two, which...

01:13:46Okay, okay, okay

01:13:48I'm leaving again, aren't I?

01:13:51No, man, no, stay, it's all the same...

01:13:54Sure?

01:13:55Yeah

01:13:56Auntie, do you realize?

01:13:57Let's live together!

01:14:03Hey, one thing, if Afri comes back, someone has to sleep with someone

01:14:06I don't share a room because I got my own house.

01:14:09Okay, I agree.

01:14:09Come on, me too, we already know each other, that's all

01:14:13This is crazy, we sleep together, right?

01:14:15Yes, come on, leave half of it in the closet, look...

01:14:17What happened?

01:14:27Hey, do you realize what that means?

01:14:30Yeah, the landlady's going to be furious, mate.

01:14:32He clearly told us no more than three people

01:14:34And here we've put what...

01:14:35I mean, as great as you are, Alex, dude

01:14:38You're a good dog, huh?

01:14:40Dude, there, there, there, there are two women who go to sleep there every day.

01:14:44Yeah?

01:14:44In the same room, Alex, and maybe even in the same bed

01:14:47Yeah?

01:14:50Mostrongo, we have to drill into that wall, but already

01:14:52Hey, Raúl is here, Raúl is here...

01:14:54Raúl...

01:14:56Raul, I'll do it because you don't know how to use it properly.

01:15:00I mean, dude, man, cheer up, damn it, we have reasons to be happy

01:15:03We're alive, Fiti's free, you tell him, Choni, woman

01:15:06Hey?

01:15:06Yes, that's it.

01:15:08Choni, a little more oratory, more cheerfulness, because if I tell you to cheer her up, if you don't...

01:15:12It irritates you, look at her, how thin they all are, even mine are.

01:15:15Hello good

01:15:15Hello, hello, hello, hello

01:15:18If you're looking for trouble, you've got nothing to do.

01:15:21Yesterday, yesterday I went too far

01:15:22That's not why, man, no...

01:15:24So, aren't you curious to know who's going to be in charge of Garcilaso?

01:15:27Me, already

01:15:28To me, to me, to me, frankly...

01:15:30Damn, I'll go, yes

01:15:31Well, Lurditas has come out

01:15:33Oh yes, sir! By almost two-thirds of the votes

01:15:36Very good, good job, brother, damn, congratulations, very good

01:15:40Come on, I didn't even believe it, but what the heck, how exciting!

01:15:43Yes, that won't be a problem for either of us, right?

01:15:45No problem?

01:15:46What's the problem, Mom? I'm going to prepare a portion of Iberian ham for you to treat yourselves.

01:15:50Oh, oh, oh!

01:15:51You've adapted to the tavern!

01:15:53The director's husband is inviting her!

01:15:54Yes, sir, here

01:15:55Very good

01:15:55Well, I've certainly made him happy, you know, because he's so generous with Iberian ham.

01:15:58This is the first time I've seen him

01:15:59We're going there now.

01:16:00Very good

01:16:01Very good, congratulations

01:16:02If, if, if, if...

01:16:04And then you can say you weren't prepared

01:16:05No no

01:16:05Two-thirds, absolute majority

01:16:07Yes, yes, yes

01:16:07He doesn't have to make a deal, because he doesn't have to make a deal with anyone.

01:16:09Shall we go to her and ask her to be a shoemaker?

01:16:11Well, that's true, but that's life, you know, sometimes you win.

01:16:13And sometimes you get lost and nothing happens, nothing happens

01:16:15Whoever has beaten her, has beaten her because he deserves it

01:16:17And the one that's worth it is worth it.

01:16:18Okay, okay, okay, come on, let's have that

01:16:20Diego

01:16:20Yeah

01:16:21This is pichic, come on

01:16:22Tell me

01:16:23That wouldn't require a recount.

01:16:25Because we're wondering if there's going to be a protest about that or something.

01:16:27"Cacerolazo" is pronounced "cacerolazo," not "cacerolazo," it's pronounced "cucherazo."

01:16:29No, well, let it be said, I'm telling myself that here

01:16:31Leave it be, Choni, leave it be

01:16:41Well, look, I'm glad Lurditas became director

01:16:45And me, me too

01:16:46No, seriously, I'm glad.

01:16:49Yes, no, if you notice, if you notice how happy you are, let's go

01:16:51No, Diego, it's just that I'm surprised I got so few votes, let me tell you

01:16:56What nonsense.

01:16:57It's not that Lurditas can't do it well; she's going to do it well, that's for sure.

01:17:01But well, people think so badly of me that hardly anyone voted for me.

01:17:05Absolute majority, absolute

01:17:07Two thirds

01:17:10But, but, but will you stop already? You're being annoying about that, aren't you?

01:17:13Okay, okay

01:17:18Leave it on paper, okay? I'm telling you.

01:17:21Come on, just leave it already

01:17:22Oh, I can't.

01:17:24Come on, go on

01:17:25I can't, Santi

01:17:27You didn't want me to be the director, that's why it means more work

01:17:30No, but it's the first day, you have time.

01:17:32I hope they support you a lot in the campaign

01:17:34A lot, a lot, a lot

01:17:36Okay, fine, okay

01:17:38No, no, no, don't take them off

01:17:40That's just how you are.

01:17:42Very director

01:17:44Oh, oh, Santi

01:17:46Santi, what things you say!

01:17:48Oh, you've won me over.

01:17:49You've won me over.

01:17:50You've won me over.

01:17:50Jump there

01:17:59At 4:30 there are 50 who haven't come

01:18:01Don't you find it a little strange that he didn't leave any message, or even warn you or anything?

01:18:05Well, with life, I wanted it to stick to 50 and me being older as ego

01:18:07Well, it's really late, damn it. I've messed up. That's it.

01:18:10I think I've realized that I'll probably never be a mother in my life.

01:18:16And I've prayed, I've prayed, I've prayed, but...

01:18:20Okay, that's enough! Come on, we're sleeping!

01:18:23I present to you.

01:18:24Gurrito, frutu, frutu, gurrito and the rest of the serrano.

01:18:27Maybe we've been a little soft, haven't we, Raúl?

01:18:28You're right. You're right. We have to fight back.

01:18:31That's a counterattack!

01:18:31Yeah!

01:18:32He's teasing me, he's teasing me, he's teasing me, yes.

01:18:34Lurrito!

01:18:36Yes, yes, little dove!

01:18:38Hey?

01:18:39Ah!

01:18:41Ah!

01:18:42Ah!

01:18:43Ah!

01:18:44Ah!

01:18:47Hey, that's enough!

01:18:48Oh!

01:18:49Oh, I think so!

01:18:50No way!

01:18:52I realized!

01:18:53Where are you going, ma'am?

01:18:54There won't be a second part to burn you!

01:18:59Give me a hug!

01:19:01Oh, mother!

01:19:03What are those blows?

01:19:04I was hoping for some little miracle.

01:19:07Woman, the Immaculate Conception thing happened once, but come on, it was weird.

01:19:10I don't believe it will happen again.

01:19:12Because Fermín is a wonderful person.

01:19:13Yes it is.

01:19:14And a gentleman.

01:19:15And an attractive man.

01:19:17Well, but...

01:19:18Imagine him with hair, huh?

01:19:19With hair, Ada.

01:19:20Let's go to the teachers' lounge where there's a lot of buco and a permanent parent.

01:19:23What, Ada? You're dating this guy, you say?

01:19:25No, no, no.

01:19:26As his boyfriend, no, no, no.

01:19:27This is Fiti, the one we have to break.

01:19:30Wow, that's really complete.

01:19:31Well son, your wife has won the lottery.

01:19:33No, no, I'm married.

01:19:35What have you done to us, José Paulino?

01:19:36Where do you see it?

01:19:37Walter del Bierzo is the champion.

01:19:39From El Bierzo?

01:19:39Don't you see that it sounded familiar?

01:19:40It doesn't retain, it doesn't retain.

01:19:41Marina, look no further.

01:19:42This is the father of your child.

01:19:44Was it hard?

01:19:45Yeah!

01:19:46I don't know if this is going to break the Fiti, but it's going to sink us, huh?

01:19:48Santi, this one will sink us.

01:19:49Was it worth it?

01:19:50Yeah!

01:19:51Just as I feel like Flor, I feel like Peja.

01:19:55A little wine would have been perfect for him, wouldn't it?

01:19:57With another standoff, right?

01:19:57I imagine you'll give him a piece of your mind or something, because come on, if I did that to you, I'd be in big trouble.

01:20:00I'm wearing...

01:20:01Well, yes, well look, the one who took you.

01:20:02Yes, that's right.

01:20:04Ah, yes, yes.

01:20:05Oh, what?

01:20:06Look, look.

01:20:06The neighbor.

01:20:07No, man, no, man!

01:20:08They've been like this for two hours, man.

01:20:09Oh, I feel much more at ease now, Raúl.

01:20:12I'm going to call the police.

01:20:15Fiti, Fiti, for God's sake, you're talking to a fish, what are you doing talking to a fish, that's a

01:20:19fish.

01:20:19But how can she be happy with a worm?

01:20:21I mean, I say worm, even worse with a worm, because worms have little worms.

01:20:26Man, he's really good.

01:20:27And she's a cutie, but I don't reconsider.

01:20:30Yeah, I'm telling you, nobody can beat that stubborn guy.

01:20:33Can't.

01:20:34Hey?

01:20:34Can't you what?

01:20:38I've run out of steam, I've dried up.

01:20:40I can't cry.

01:20:44Subtitled by Jnkoil

Los Serrano - 5x16 - ¿Tú te crees que la policía es tonta? - HD 1080

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