- hace 3 días
Raquel que llegó a Santa Justa para realizar una sustitución ve como su contrato de profesora de literatura se acaba y decide que lo mejor es marcharse de la ciudad. Pero Marcos se resiste a perder a su amor y se escapa de casa con ella, aunque la historia no acabará muy bien para el joven. Estamos seguros que con la marcha de Raquel las cosas van a cambiar, ahora Eva ya no tendrá que soportar ver al chico que le gusta tonteando con su profesora, así que tendremos que esperar para ver que pasa de nuevo entre Marcos y Eva. Pero Marcos no fue el único que sufrió cambios en su vida amorosa ya que Santiago harto de que Fiti y su hermano Diego se burlaran de él y de su soltería decidió contratar los servicios de una mujer de compañía para que se hiciera pasar por su novia. Sin embargo, Fiti se encargará de desmoronar todo, cuando descubra la verdadera vida de "Pili", la nueva novia de Santiago.
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00:00:00MUSIC
00:00:01I know that my brother Marcos loves me very much
00:00:25and takes me to school and takes care of me
00:00:27But when he sees a girl he likes
00:00:29Suddenly it's as if I turn back
00:00:31invisible to him
00:00:32Hello
00:00:35Can I sit here with you?
00:00:43Can I call a gentleman to tell me where to stand?
00:00:45You?
00:00:46Sit there, buddy.
00:00:47Okay, I'm going to talk to my teacher.
00:00:49The strange thing is that now
00:00:53The person she's looking at is her literature teacher.
00:00:56and looks at her a lot
00:00:57in a strange way
00:00:58like when you look at a cake
00:01:02that you're dying to eat but they won't let you.
00:01:04What a coincidence, right?
00:01:06Yes, it seems so.
00:01:08I was looking forward to seeing you
00:01:14You see me every day in class.
00:01:17No, not yet, but alone
00:01:19Alone
00:01:21Donkey
00:01:26Donkey
00:01:28Yes, nothing, don't sit there, go on
00:01:29And look ahead, you'll get dizzy.
00:01:31Raquel
00:01:33Raquel is a pretty girl
00:01:36But I don't think it's that funny.
00:01:37like for my brother
00:01:38He was smiling like an idiot the whole time.
00:01:40How's everything?
00:01:44Okay, fine
00:01:45big
00:01:47And you?
00:01:48How are you?
00:01:51Well, bad, to be honest.
00:01:52Because
00:01:54Because
00:01:54Because I miss you so much
00:01:57Ours, well
00:01:59What happened between us
00:01:59It has been very important to me
00:02:01Well, you are very important to me, Raquel.
00:02:03Well, and that
00:02:05To you I
00:02:07I'd like to get back together with us.
00:02:09How are you?
00:02:20Did he kiss her?
00:02:21I can't believe it, I can't believe it
00:02:23Auntie, but he kissed her on the bus
00:02:24How awesome!
00:02:25It's like a road movie
00:02:27And how romantic the teacher-student relationship is!
00:02:30Yes, very romantic
00:02:32Look, I have goosebumps.
00:02:34Well, what's it to you?
00:02:35Hey?
00:02:37Hey, Eva
00:02:38You like a Marcos
00:02:41And it's a Marcos that your brother likes
00:02:44Right?
00:02:44That's why you're acting so crazy
00:02:46You say, auntie, what a load of rubbish
00:02:47Yeah, nonsense
00:02:48I didn't catch you
00:02:50No
00:02:51That you are him
00:02:52A station platform
00:02:58Under the scorching sun
00:02:59You were talking about a skyscraper
00:03:01From the sky of New York
00:03:03Come soon to see the sea
00:03:05And you send a postcard
00:03:06I already knew that day was the end
00:03:10Now I have much more
00:03:13Red, black, stop and even
00:03:16Finally, luck!
00:03:17Bring an ace and a crystal to look through.
00:03:20And a wall to hang it on.
00:03:22Seven smiling faces
00:03:23Smiling in a passport photo
00:03:25My stories weren't about tales.
00:03:28Made by chance
00:03:31Nobody told me that destiny
00:03:35I was giving this opportunity
00:03:37One plus one equals seven
00:03:41Who would have thought?
00:03:44That it was so easy
00:03:48I don't know, happy
00:03:50What a drag!
00:03:59What do we have first thing in the morning?
00:04:02Tomatoes
00:04:02Another coffee
00:04:03Hello
00:04:05Hello
00:04:06Hi how are things?
00:04:07Good morning, coffee
00:04:08I've prepared some toast for you.
00:04:13And now I'll make you some orange juice, okay?
00:04:15Oh, and take these vitamins.
00:04:17Let's see if they cheer you up.
00:04:18Oh, that must be Raúl
00:04:23Vitamins to lift your spirits?
00:04:30Yeah
00:04:31No, yes, vitamins are very good.
00:04:33But I think that's what you have to lift up
00:04:34It's something else entirely.
00:04:35Don't be a slut, Africa
00:04:37What do you want me to do, aunt?
00:04:38It's not that easy
00:04:39Hey!
00:04:40Here we are, giving it our all, huh?
00:04:44What are you doing here?
00:04:46Come on, let's see if there's any grain left, Africa
00:04:47Cereals, cereals
00:04:49Oh
00:04:50Hey, what's wrong with you?
00:04:53Do you have a face?
00:04:55Nothing, I just can't get Raquel out of my head, man.
00:04:58It's just that yesterday
00:04:59He kissed me yesterday
00:05:01Well, I kissed her, actually, on the bus
00:05:04I don't know, I think there's a rapprochement, you know?
00:05:09That it's loosening
00:05:10Well, look, actually, Raúl, I don't even know what I think or if I love myself, no
00:05:16I don't know anything, Raúl
00:05:18What a novelty
00:05:20Pass me a little toast
00:05:21I think you never know what a woman is thinking.
00:05:24But we already know what a guy wants
00:05:26And hey, your stepbrother, before being a stepbrother, is an uncle
00:05:30And?
00:05:31So if you want to make him breakfast, you do it.
00:05:33But then you take him to bed, like in a sexy way
00:05:35Topless, for example
00:05:37But as if it were the most normal thing in the world
00:05:39Marcos, that aunts are weird
00:05:41Look, a woman is capable of getting into your bed topless telling you she's cold.
00:05:45And let it be true that he's cold, you know?
00:05:48Okay, here's today's coupon
00:05:49And let go of the chicken, I'm sure I touched it.
00:05:52Damn, that wouldn't be bad at all, would it?
00:05:53That's how we got out of poverty
00:05:54You should see how hot those little creatures are getting.
00:05:57Or that a larger ship is crashing into them, huh?
00:05:59Who is it?
00:05:59Done, done, daughter
00:06:00Dirma, my old lady!
00:06:01Hey!
00:06:02You!
00:06:03Come on!
00:06:04Let the pigs roam the streets!
00:06:06Come on!
00:06:07Let's scald the mustache hairs!
00:06:09Come on, man!
00:06:09So much fuss, so much fuss!
00:06:11Come on!
00:06:11And I opened a tavern!
00:06:12And a brothel!
00:06:13What's up, Santi?
00:06:14What's happening?
00:06:14What's happening?
00:06:15I haven't been going around working myself to the bone.
00:06:17With a tea and a capel
00:06:19Come on!
00:06:20People come here to consume!
00:06:21When it's over, it's off to the street
00:06:22But say no, Diego, say no
00:06:24But there were the kids kissing.
00:06:27The thing is, of course, that's for Santi
00:06:28It's pornography, at least.
00:06:30Pornography, my foot!
00:06:32No, if nothing happens, it's normal.
00:06:33And you seem to have forgotten all about making advances, haven't you?
00:06:36Do you know if I'm helping out or not?
00:06:40Ah, of course, of course
00:06:40I didn't remember the mess with Grandma
00:06:43That must have been an orgy of debauchery.
00:06:45You are an idiot
00:06:47Calm down, Santi, man, Fiti's right, damn it
00:06:49You're getting on in years, Santiago, you're getting on in years
00:06:51And we all need someone by our side
00:06:54Otherwise, you'll end up an old maid.
00:06:56No, no, he already dressed the saints in religious garb, right?
00:06:59Piece of that symbol, the Lurdites
00:07:01What do you think?
00:07:03What does "unfortunate" sound like?
00:07:04I can't have my things
00:07:07Your things, right?
00:07:08Your things that are basically manual labor
00:07:10Fiti, damn it, Santiago has his self-respect, doesn't he?
00:07:15There it is, man, there it is
00:07:16Amalú, who is going to start handing out communion wafers as a father
00:07:18Calm down, Santi, man, calm down
00:07:20We're telling you this with all the love in the world.
00:07:21We would like you to have someone close by who loves you
00:07:24Starting a family, being happy, you know, the usual stuff.
00:07:27The classic
00:07:28So you know
00:07:30I already have someone.
00:07:33What do you mean you have someone?
00:07:36What do you mean you have someone?
00:07:37So, how long have you had someone?
00:07:38So, since when?
00:07:39Well, look, for about six months now
00:07:42Oh, really?
00:07:45So you have a girlfriend?
00:07:46And what's its name?
00:07:49The little one?
00:07:49The little one, her name is, her name is Pili
00:07:54And she's a lady through and through.
00:07:57Yes, Pili, right?
00:08:02Yeah, I have a lot of hair too.
00:08:04By mouth
00:08:04Look, you're really getting on my nerves, end of story.
00:08:08Santi, you know me, Santi, damn it
00:08:10That I am mostly skeptical
00:08:12I won't believe it until I see it.
00:08:13Santi, Santi
00:08:14That?
00:08:29Please, Maritere, I have my reputation to protect.
00:08:31Door?
00:08:33Get lost, kid
00:08:34You embarrass me too.
00:08:35Guys, are you okay?
00:09:02Yeah
00:09:03Sure?
00:09:03Yes, yes, yes
00:09:04Sure, with the warning, huh?
00:09:07Are you okay now?
00:09:09Yeah
00:09:09Okay, everything's fine.
00:09:10Okay, guys, everyone back to your places.
00:09:15Just so you know, I have my exam results from yesterday.
00:09:18Hey, Yoli, where are Tete and Y?
00:09:26Okay, let's see
00:09:28We'll start with you, Yolanda
00:09:29A remarkable, very good
00:09:30Humberto del Pino
00:09:33Outstanding
00:09:34Yeah?
00:09:36Lucia
00:09:36Excuse me a moment
00:09:38Do you remember Ricardo López?
00:09:40Yes, of course, why not?
00:09:41Tede's friend
00:09:41What's happening?
00:09:43Well, nothing.
00:09:43You'll have him here with the little ones for about 15 days for now.
00:09:46And so?
00:09:47Yes, 15 days
00:09:48You're going to jump here
00:09:49Let's see if you learn and study a little.
00:09:50Come on
00:09:51Find a spot and make new friends
00:09:53What's happening?
00:09:55That he hasn't tried anything
00:09:56Neither math, nor language, nor interest that he shows
00:09:59However, when it comes to swagger, he gets top marks.
00:10:02Well, let's see if he gets a little embarrassed here with the younger ones and steps up his game.
00:10:06You often take little sprinkles
00:10:07Yes, thank you very much.
00:10:08All yours
00:10:09I'll stop it for you.
00:10:10Okay, let's see
00:10:13I stayed for 15 days, right?
00:10:14That's 11 working days
00:10:15Ricardo, these things won't do you any good here.
00:10:17This guy is a complete idiot.
00:10:21Okay guys, we were going through Humberto del Pino
00:10:23Outstanding
00:10:24Man, AI and Tete
00:10:26Can someone tell me where you've gone?
00:10:28And what happened to you?
00:10:29Mom, a crack in a scaffold
00:10:30Sorry?
00:10:31If I tell you, you won't believe me.
00:10:34Well, give it a try.
00:10:35Well, look
00:10:36I was walking along San Gervasio street, wasn't I?
00:10:38Suddenly an ambulance
00:10:39Boo, boo, boo, boo
00:10:41Desa un portaville
00:10:42Just as he turned the corner, he suddenly hit a
00:10:44And who was standing in the middle of the street to cross without looking?
00:10:48Well, Maritere
00:10:49I would dive like that, flat on my stomach.
00:10:50And nothing, except for a crack in the scaffolding
00:10:53Let's see, let's see, let's see, let's see
00:10:54Is this true?
00:10:55Well, if you take away the special effects, yes
00:10:57Come on, he saved me!
00:10:58And the truth is that I haven't had the opportunity to thank you before.
00:11:01Thank you very much, Guilla
00:11:02A round of applause for Superman!
00:11:06Okay, guys, let's continue.
00:11:09José María Bellido
00:11:10Hello, are you Santiago?
00:11:14Yeah
00:11:15How are you? I'm Natali
00:11:16Ah, well... well, delighted.
00:11:18Are we leaving? Do you live nearby?
00:11:20No, no, but we're not going to my house
00:11:22Ah, I see.
00:11:24Are you one of those people who likes to do it in public places?
00:11:28Well, it's not a big deal.
00:11:30Nothing's wrong
00:11:30I don't care.
00:11:31The thing is, well
00:11:32The park issue
00:11:33It's a bit chilly, isn't it?
00:11:35No, no, yes
00:11:36No, no, that's not it.
00:11:37Come on, me, me
00:11:37I don't need
00:11:39What I want
00:11:41Come on
00:11:41That sexual services
00:11:43That's not what I want from you
00:11:45It's about...
00:11:47Good morning, Mr. Julian
00:11:50Hello
00:11:50Hello
00:11:51Doña Elena
00:11:52I don't have it all morning
00:11:54So let's see if we can get this going again, shall we?
00:11:57Well, the point is that...
00:12:00To do a kind of...
00:12:02Like...
00:12:02The stewardess
00:12:03A flight attendant, right?
00:12:05That's great!
00:12:06Well, I'll be your stewardess.
00:12:07From the barterana
00:12:07And come on, whatever you want
00:12:08Well
00:12:09Actually
00:12:09What you need to do is
00:12:11Pretend to be my girlfriend
00:12:13No, okay, fine then.
00:12:16As long as they pay me the fee, I'm fine with it.
00:12:18And what's its name?
00:12:19What is the name of the fare?
00:12:20Well, then...
00:12:21One hundred euros per hour
00:12:22One hundred euros
00:12:23And it can't be ten minutes.
00:12:25Because what needs to be done is to go in and out of a place
00:12:27Yeah, handsome
00:12:28But I...
00:12:28Come on, I'm like the parking lot, you know?
00:12:30That I don't do...
00:12:31I don't do fractions
00:12:32Okay, fine.
00:12:32Well...
00:12:33Look
00:12:34Here's the one hundred euros
00:12:36Okay
00:12:36Another thing
00:12:37Couldn't it go a little further...
00:12:39More discreet
00:12:40Especially from mid-thigh down
00:12:42Further...
00:12:44More covered up
00:12:44Yes, yes, yes, yes
00:12:46Come on, I mean...
00:12:47I...
00:12:47What you want is for me to get a look like this...
00:12:49As more...
00:12:50More covered up, right?
00:12:52In other words, to make a splash
00:12:53Very good
00:12:54Well, I'll do it for you.
00:12:55I'm going shopping, that's all.
00:12:56The thing is, of course
00:12:57With this
00:12:59Stretch out a little more
00:13:02Ah, stretch out.
00:13:02Stretch out, stretch out
00:13:03No, no, no
00:13:03I'm going shopping just like you.
00:13:06Oh, really?
00:13:07Oh wow, how exciting!
00:13:08Like the Petty Woman
00:13:10Let me tell you something
00:13:12Petty Woman is my role model in life
00:13:15Hey
00:13:15Hey
00:13:16Educate me
00:13:17Educate me
00:13:18Well, Candela
00:13:19Yes, I knew this was a substitute position.
00:13:21Until Lucia returned
00:13:22Anyway
00:13:24If we needed someone in the future
00:13:25We'd be counting on you, okay?
00:13:26Well
00:13:26OK?
00:13:28Well
00:13:28When you have a little time
00:13:29You go to the administration office
00:13:30And you sign the settlement agreement
00:13:31Sure, sure
00:13:32Clear
00:13:33How are you?
00:13:39Nothing
00:13:40That...
00:13:41I'm leaving
00:13:42As?
00:13:42You're leaving
00:13:43Sorry
00:13:44Where to, Raquel?
00:13:45Look, that's a good thing about its consistency, huh?
00:13:48Look at him, look at him
00:13:49How hard that guy works there every day
00:13:50Pim, pam, pim, pam
00:13:51Everything's like that here
00:13:52I don't know
00:13:54They look like they're going to a funeral.
00:13:55No way, silly
00:13:57That's just out of morbid curiosity.
00:13:58Look, notice, notice
00:14:00I'd love to kiss you, little one.
00:14:03Yes, yes, eat it, eat it
00:14:05Yes, yes, I like it, I like it
00:14:06As?
00:14:10What are you...
00:14:10Are you leaving?
00:14:12From the city
00:14:12And what am I going to do here, Marcos?
00:14:14I don't even have a job.
00:14:15Lessons, but private ones
00:14:17Raúl, Chucky, and I signed up
00:14:21Should I talk to them?
00:14:23Marcos
00:14:23It doesn't matter
00:14:25Yeah
00:14:25Leave her alone
00:14:27Raquel
00:14:27Raquel, please
00:14:28Look, look, look, the guy's getting hot and bothered
00:14:30Oh man, the tub was broken
00:14:33Don't go
00:14:34Marcos
00:14:36It's already decided.
00:14:38I am leaving tomorrow
00:14:39Okay, okay, okay, okay
00:14:49How does your story with the teacher turn me on, dude?
00:14:51It's great!
00:14:51This class is a drag
00:14:56I would undo the prank you're pulling here at the daycare.
00:14:59But it's true
00:15:00We're just so boring.
00:15:02It's been ages since we did anything big
00:15:05Now the deodorant ad gets a bit cheeky.
00:15:07A lighter
00:15:09Some little alarms
00:15:11And the universal flood inside the school
00:15:13Wow, dude, that's a great one!
00:15:17Man, look who's coming
00:15:20He saves girls
00:15:22Look, kid, so you know
00:15:23I haven't saved anyone
00:15:24And besides, look who's going to talk
00:15:25The one who goes around kissing little girls
00:15:26Look, kid, I like the girls
00:15:28The hours of use and the throwaways
00:15:29What's up, baby?
00:15:32You don't even say hello to me
00:15:33Hey, don't let us sign your cast, please, Guille
00:15:39That's it, that's it, but what are you saying, man?
00:15:40Out
00:15:40You can't fool us anymore
00:15:43We know you're good
00:15:44Yes, better than bread
00:15:45Get lost!
00:15:50And you guys are the tough guys in class?
00:15:52Well, the diluted plan, this is one of misery.
00:15:54Guille, it's true
00:15:57You've been acting a bit sentimental lately.
00:16:01But no way, man?
00:16:02Everyone has their crises, right?
00:16:06Children, look what I bring you
00:16:08How beautiful!
00:16:10Oh, how cute!
00:16:12There's your chance
00:16:13Whether you prove that you are in crisis or not
00:16:15Salvanillas
00:16:17Come on, Guille
00:16:18Let's see if we pass the diamond test
00:16:20That cat is so bland and boring.
00:16:23What if you painted it green?
00:16:26The paint is highly toxic.
00:16:27If she paints it and sucks on it, she's definitely going to die.
00:16:30Well, let her die.
00:16:31Does it matter to you?
00:16:33Not me
00:16:33Me neither
00:16:35You're going to meet the cat that arrived from the dead
00:16:38There it is
00:16:48Africa is right
00:16:50I have to do something to get Marcos to notice me
00:16:52Marcos?
00:16:55So, properly placed
00:16:56Marcos
00:16:57Hello
00:17:00Hello
00:17:01Will you stay for a while?
00:17:10No, leave her alone.
00:17:11Leave her alone, she's broken
00:17:13It's broken
00:17:16How are you?
00:17:20Do you like my new t-shirt?
00:17:23Damn, it's sucked later, girl
00:17:24Raquel leaves
00:17:27Can you pass me the sweater? I'm cold.
00:17:34What's leaving?
00:17:36Where?
00:17:38And when?
00:17:39Tomorrow
00:17:39But you still don't know where
00:17:42What a bohemian she is
00:17:43Marcos, no
00:17:50I don't want you to get angry, but
00:17:52Maybe it's the best thing that could happen to you
00:17:55It's driving you crazy
00:17:58Me too
00:17:59I don't know
00:18:01I think yours is an impossible love.
00:18:03Damn, impossible loves
00:18:05I mean
00:18:06I'm getting a little fed up already
00:18:07Why do you say that?
00:18:10Because it's already happened to me once.
00:18:11I mean, no, no
00:18:14I don't want it to happen to me again.
00:18:15And if?
00:18:23What if I go with her?
00:18:28I don't know, Marcos
00:18:29I suppose that
00:18:30You have to do what you feel.
00:18:32You only live once, right?
00:18:34I mean
00:18:35I am 17 years old
00:18:36If I don't do it now
00:18:37When am I going to do it?
00:18:38Well, I'll just throw caution to the wind.
00:18:40And Easter Saint
00:18:41So, I'm leaving.
00:18:42Yeah
00:18:44Yes, it's decided.
00:18:45I've decided, I'm leaving
00:18:46Thank you so much
00:18:48What was Santi?
00:18:56That he called
00:18:56He's coming with his girlfriend
00:18:57That's over there
00:18:58What do you say?
00:18:58Okay, okay, wait a minute
00:18:59I won't believe it until I see it, okay?
00:19:01What surprises me is...
00:19:01It's just that he hasn't told me anything.
00:19:02Because I am his brother
00:19:03And why haven't you introduced me to him before?
00:19:04No, you see, Marcos
00:19:05He hasn't introduced you to him.
00:19:06Like here
00:19:07Something's fishy, man.
00:19:08In other words, if it were Claudia Schiffer
00:19:09Well, I wouldn't have rubbed it in his face anymore.
00:19:10It's so you can be with your brother
00:19:12Imagine it
00:19:13Come on, at least one-armed.
00:19:15To look and cross oneself
00:19:16Fiti, no, don't be a beast
00:19:18Do me a favor
00:19:18Don't be a beast, for God's sake.
00:19:19Not a beast, damn it, realistic
00:19:21Your brother is very nice
00:19:22But come on
00:19:22It has less sesapí than the caponata hen
00:19:24Fiti, do yourself a favor
00:19:27We know each other
00:19:28Let's not start with the giggling
00:19:29Let's not start with the giggling
00:19:30Okay, I get you
00:19:31No giggling
00:19:32No, but nobody giggles
00:19:33Even if it's just Vizca
00:19:34Or a bad callus
00:19:35In other words, it's worse than hitting your father with an insulated baton.
00:19:39Do yourself a favor, do yourself a favor
00:19:40Shut up already
00:19:40Okay, okay
00:19:41Go ahead, go ahead
00:19:44Come on
00:19:45Hello
00:19:47Hello
00:19:48Here I am, an employee
00:19:50Hi how are things?
00:19:51Hello
00:19:51Fiti
00:19:51How are you?
00:19:52Delighted
00:19:52Hi how are things?
00:19:53And my brother Diego
00:19:55How are you?
00:19:56We finally meet
00:19:57Delighted
00:19:57Yes, well, would you like something to drink?
00:20:00A ham sandwich
00:20:01Or the stuffed
00:20:03Or maybe have a drink.
00:20:04A gin and tonic
00:20:05A gin and tonic
00:20:06Give him a gin and tonic
00:20:08I'll have a gin and tonic.
00:20:09Very good, man
00:20:11Hey, this is really nice, huh, Santi?
00:20:14This is where I spend my time in the living room
00:20:16Pili, Pili
00:20:22What were we wondering?
00:20:23How long have you been together now?
00:20:27Six months
00:20:27Yes, yes
00:20:28The 15th
00:20:29It's the 15th, isn't it?
00:20:30Six months
00:20:31Yeah
00:20:31Okay, okay
00:20:32Well, the thing is that
00:20:33Your face sounds like water to me.
00:20:35No?
00:20:35You wouldn't happen to be from the neighborhood, would you?
00:20:37No no
00:20:37He's not from the neighborhood
00:20:38So it can't sound familiar to you
00:20:40Okay, we're leaving.
00:20:41We're running late.
00:20:42We have to have dinner.
00:20:44Are you going to have dinner at this hour?
00:20:46Yes, dinner time!
00:20:46Dinner
00:20:47Come on, let's go
00:20:48Well, we hope.
00:20:49Come on
00:20:51Come on
00:20:53Come on
00:20:54Come on
00:20:55Wow!
00:21:00Nothing
00:21:00See you later, eh
00:21:01Bye
00:21:02Hey, well
00:21:06She's really good, isn't she?
00:21:07It's as good as cheese, isn't it?
00:21:08Yes, yes
00:21:09Too good
00:21:12It seems to me that it is
00:21:12And he drinks more than the fish in the Christmas carol
00:21:16Cartan
00:21:402, 2, 3, 2, 3
00:21:40And he drinks more than the fish in the house
00:21:41The paint is highly toxic.
00:21:54If he paints it and sucks on it, he's definitely going to die.
00:22:02There's your chance.
00:22:03You need to be shown whether you're in crisis or not.
00:22:06Save girls.
00:22:11Subscribe to the channel!
00:22:42To have sex with her.
00:22:44You don't realize that he's in love with Raquel, that he doesn't care about me, he doesn't care, he doesn't care.
00:22:49Oh, daughter, Eva, I'm a little more positive, woman, you always expect the worst.
00:22:53I don't know, aunt, I don't know, I don't know what to do, I don't know anything.
00:22:56Well, not you, but I am.
00:23:01Let's calm down.
00:23:03You live under the same roof, right?
00:23:07And you go to sleep at the same time.
00:23:12And you sleep wall to wall.
00:23:16Yes, so what?
00:23:18Then let the wall be gone, let the barriers be gone.
00:23:21In your bed or in theirs.
00:23:23That's the question.
00:23:23How am I supposed to do that, aunt?
00:23:26What are you talking about?
00:23:27And she's leaving tomorrow.
00:23:28So, no, no.
00:23:29Well, if he's leaving tomorrow, when will it be, darling?
00:23:32Tonight, tonight is your big chance.
00:23:33Don't waste it.
00:23:35Today you can make her choose you instead of her.
00:23:39Today can be a great day.
00:23:40My daughter, your husband has a gift for laundry.
00:23:43Yeah?
00:23:44Yes, when you were in America, I was a mathematician.
00:23:47Every load of laundry I did, I ruined.
00:23:48Ah, Mom.
00:23:49Excuse me.
00:23:49Seriously, look, you're such a gossip, aren't you?
00:23:51You're a little more like cava.
00:23:52A little more cava, because I like it that way.
00:23:54Oh, Guille, Guille, Guille, Guille.
00:23:56Sorry.
00:23:57Well, let me introduce you to today's hero.
00:23:59Otherwise, Tete will get run over.
00:24:00Come on, give your grandma a little kiss.
00:24:02Ah, delicious.
00:24:04Deep down, he really has a heart of gold.
00:24:06That's what's wrong with him.
00:24:07It's great.
00:24:08Hello.
00:24:09Guille is so nice, isn't he?
00:24:11It's just that I've been talking to him a lot lately.
00:24:13And he gave me some very good advice about Fermín.
00:24:15Okay, okay, you can tell him later.
00:24:16Then you tell him.
00:24:17Let's see.
00:24:18Breaking news.
00:24:18Happens.
00:24:19Santiago, maid girlfriend.
00:24:22What does it say?
00:24:23Yeah.
00:24:23Oh well.
00:24:24Okay, okay.
00:24:25Girlfriend, girlfriend.
00:24:26Girlfriend, girlfriend, girlfriend, girlfriend.
00:24:28So, it seems they've been dating for six months.
00:24:30But let me tell you something, I mean, well, she's a total knockout.
00:24:34I'm presenting it in an improved way, I mean.
00:24:36And do you know her?
00:24:37Well, he showed up at the tavern with her.
00:24:39And I've seen him very much in love, haven't I, Fiti?
00:24:40Is Santiago in love?
00:24:41In other words, you have to see it.
00:24:43And you didn't know her, I mean?
00:24:44No.
00:24:44Didn't I tell you anything, Daniel?
00:24:45No, no, no.
00:24:46Well, I do think it's strange, because in six months he's already had time to...
00:24:49Yes, yes, yes, yes.
00:24:49Very rare, very rare.
00:24:50In my opinion, there's something fishy going on here.
00:24:52I mean, I don't know about cats, but wild boar.
00:24:54Because you can't deny that Santiago has the face of a wild boar, right?
00:24:58No, no, no, that's enough, that's enough.
00:25:03But what a wild boar face.
00:25:04No, no, Santiago hasn't said anything, he hasn't said anything, because he's a very discreet guy.
00:25:07Well, quite misguided, I'd say.
00:25:10Why don't you call him and invite him to dinner?
00:25:11But what now?
00:25:12Yeah, sure, dude.
00:25:13Will I be unable to get him to sleep with that worry?
00:25:15There's nothing to say, what's that like?
00:25:16Call him, call him, call him.
00:25:17Come on, call him, call him.
00:25:18Call him, call him, call him.
00:25:18Call him, call him, call him.
00:25:20The Nigerian doctor, with whom we apparently have, I don't know if, Antonio, some problems...
00:25:25Hey!
00:25:26Santi, what are you doing? Is he with Pili?
00:25:28Santi!
00:25:29Yes, of course, who has he been with? Pili.
00:25:31Hey, we're all here, we've come to have a drink.
00:25:35Santi, what a racket the radio is making!
00:25:37What a radio, man!
00:25:38What a radio station!
00:25:39I'm here in a bar having a little dance!
00:25:45Santi!
00:25:46Santi!
00:25:47I'm Candela!
00:25:49Hey, come over for dinner, we want to meet Pili.
00:25:51Hey, we've already had dinner.
00:25:55I'm coming, baby! I'm coming!
00:25:57I'm here on the dance floor!
00:26:01Hey, Santiago, it's Carmen.
00:26:03Well, am I going to pay for everyone or what?
00:26:05Well, congratulations, huh?
00:26:07And don't let go of it, because miracles don't happen every day.
00:26:10Hey, Toni!
00:26:11Yes, yes, another one for me!
00:26:13Santi!
00:26:15Hey, congratulations, but you kept that quiet.
00:26:18We look forward to seeing you for dinner tomorrow.
00:26:19Well, well, we'll see, we'll see.
00:26:22I'll tell Pili, let's see what she says.
00:26:24Sorry, but I'm on the track and I can't hear you well.
00:26:27Hey, that's great, tomorrow without fail, okay? Please.
00:26:30I'm so happy, so, so, so, so happy, okay?
00:26:32Okay, okay. Goodbye!
00:26:34I'm an idiot, an idiot, an idiot.
00:26:53Marco is leaving tomorrow with Raquel and I haven't done anything to stop it.
00:26:56I have to do something.
00:26:57Oh, oh, oh, oh, oh, oh.
00:27:05Eva, is something wrong? Are you okay?
00:27:08No, I've pulled a muscle in my shoulder and it hurts a lot.
00:27:12Hey.
00:27:13Can you take a look at it for me, please?
00:27:22This is still broken, huh?
00:27:23Yeah.
00:27:25Hey.
00:27:26Let's wake up Taté, right?
00:27:31No, if he's more than asleep, he'll die.
00:27:34Look, it's here.
00:27:36Hey?
00:27:38Yeah.
00:27:39There.
00:27:40There.
00:27:40There.
00:27:41Do you see it?
00:27:41I think it's cold, huh?
00:27:43I'm feeling a bit off, I don't know.
00:27:46Why don't you come in here and give me a little warmth, please?
00:27:50Is it true, what?
00:27:51I'm very cold.
00:27:53Please.
00:27:54That?
00:27:54That?
00:27:54Around there.
00:27:59God.
00:28:00Come.
00:28:02My God.
00:28:08My God.
00:28:11Hey, now.
00:28:12Is it better?
00:28:23Yeah
00:28:23Okay
00:28:24I'm going to the bathroom
00:28:27Can I have a little massage first?
00:28:33Go on
00:28:33Let's see if this goes away.
00:28:36I just don't know
00:28:37Look, nothing's wrong with him, I'll show you, look
00:28:40And you'll see, you sit here
00:28:44And you hit me with this, okay?
00:28:50Coconut stick
00:28:51It's very good
00:28:52I knew it...
00:29:06Luis
00:29:06Can you start a little further down and slide down?
00:29:15Maybe the contract because you have it
00:29:18It probably starts further down, you know?
00:29:20It's mine, of course.
00:29:20Yeah
00:29:21Like this, like this, like this, like this
00:29:22Oh, so
00:29:25Oh, how nice!
00:29:31Marcos
00:29:36Marcos
00:29:38Can you come here for a moment, please?
00:29:52Good evening, Eva
00:29:53Good night
00:29:55The thing is...
00:29:58But what were you doing?
00:30:03Did I catch you having sex with your sister?
00:30:06Dad, isn't that what it is?
00:30:07But what do you mean it's not that?
00:30:09What do you mean it's not that?
00:30:09What have I seen in you?
00:30:10That I was following you around like a little dog
00:30:12Like a little dog with the girl by its side
00:30:13Can I explain, please?
00:30:14What are you going to explain to me, Marcos?
00:30:15Oh my God, I caught you red-handed!
00:30:16What have you been hanging out with, Marcos?
00:30:20Coconut oil, Dad
00:30:21Because Eva was cold
00:30:22And the cold, well, gave him a muscle spasm.
00:30:23A muscle spasm, a muscle spasm
00:30:24Look, really
00:30:26I don't know what to do with you, Marcos
00:30:27This looks like the decline of the Roman Empire.
00:30:29I don't know what to do with you.
00:30:30I'll take you to a psychologist.
00:30:31And I thought you understood.
00:30:32But you haven't understood.
00:30:32And I understood.
00:30:33No, no, no, no
00:30:34You haven't understood.
00:30:34I'm going to...
00:30:35Let's see, Marcos
00:30:37There are rules in this house
00:30:38And while you live here
00:30:40If you don't comply
00:30:41I am not your father
00:30:42You are not my son
00:30:42Okay?
00:30:43And you leave home
00:30:44Have you heard it?
00:30:46You're leaving home
00:30:46Good morning, sweetheart
00:30:57Have you seen what a beautiful day we have today?
00:31:00Yes, a very nice day, let's go
00:31:01For me it's a very beautiful day
00:31:02But very nice, let's go
00:31:04But hey, what's wrong with you?
00:31:06Are you having a bad day or what?
00:31:08Hey, what happened last night?
00:31:09Did I hear you shouting like a madman?
00:31:11And it was a miracle I didn't throw any punches.
00:31:13Lucia
00:31:15I'm going to tell you.
00:31:16I wasn't going to tell you.
00:31:18So...
00:31:18But yes, I'm going to tell you.
00:31:19Because you need to know.
00:31:21But first I'm going to give you a little pill
00:31:23Seem to you?
00:31:23Which pill?
00:31:24Lucia, what little pill?
00:31:25I'm not in a bad mood, man.
00:31:26I'm being very serious.
00:31:27Very serious things are happening in this house.
00:31:28But very serious
00:31:28Please sit down
00:31:29Very serious things
00:31:30Yes, very serious.
00:31:32Last night I caught Marcos and Eva in bed
00:31:35What do you mean, the bed?
00:31:38In bed
00:31:38In bed
00:31:39So, your daughter lying face down, naked
00:31:41And Marcos on top of her, straddling her
00:31:43Straddling her
00:31:44Well, but...
00:31:48Did something happen?
00:31:48There has to be an explanation for this, right?
00:31:50Yes, there is an explanation.
00:31:51Of course there's an explanation
00:31:52The explanation is copulation.
00:31:53They were copulating, Lucia
00:31:55Copulating
00:31:55Damn, I saw it.
00:31:56They were copulating
00:31:57And rubbing
00:31:57And rubbing
00:31:59With oil
00:32:00An oil
00:32:01An oil
00:32:01And with animals
00:32:02With animals
00:32:03With oil and animals
00:32:04Good morning
00:32:07Good morning, good morning
00:32:08Hello good morning
00:32:09Eve
00:32:12What happened to Marcos last night?
00:32:14Well, something that should never have happened
00:32:16By?
00:32:19What's happening?
00:32:20Are massages prohibited in this house or what?
00:32:24Mom, I have a muscle spasm in my shoulder
00:32:26And I asked Marcos to give me a massage
00:32:27That's it
00:32:28The thing is, Diego
00:32:30I must have interpreted it differently
00:32:31From what I can see
00:32:32Because I don't know
00:32:33He took Marcos out of the room
00:32:34And it's left my neck in terrible shape
00:32:35Look
00:32:35Look
00:32:36Let's see
00:32:38Oh
00:32:39I'm the one who has this wrong.
00:32:40Go on
00:32:41Above
00:32:42I take advantage of a hot shower
00:32:43And I'll give you some cream later, okay?
00:32:44Okay
00:32:45Well
00:32:52Well, then
00:32:53Yes, he has a muscle spasm.
00:32:55But, sorry
00:32:55But if you have a muscle spasm
00:32:56There's no need to wake up either
00:32:58I say, man
00:32:58No, it's true
00:32:59How do we give the massage?
00:33:00With the guatini robe
00:33:02With the collar turned up
00:33:02So, you think that
00:33:05I've misinterpreted it
00:33:06As
00:33:06Yeah
00:33:07Yeah
00:33:08You've misinterpreted it
00:33:09Okay, then
00:33:11Well, nothing.
00:33:12After that I was talking to Marcos
00:33:14And I told him that in this house
00:33:15There were some rules
00:33:16And rules that had to be followed.
00:33:17That if they didn't comply
00:33:18Grab the door
00:33:18And leave
00:33:19And that his father would have told me
00:33:20And my son would have.
00:33:20And I told him so.
00:33:21And I told him so.
00:33:21Why did I tell him?
00:33:22Because I'm an animal
00:33:22An animal
00:33:23And a pig
00:33:24Okay, okay, okay
00:33:25That's why I'm a pig, fuck it
00:33:26Okay, okay
00:33:26Don't beat yourself up either
00:33:28This can be fixed.
00:33:29You go up
00:33:30You talk to Marcos
00:33:31You apologize
00:33:32And that's it.
00:33:33Hm?
00:33:33That's how...
00:33:34Is it that easy?
00:33:35Why not?
00:33:36Well yes
00:33:37Yeah
00:33:37Dad, Marcos has left home
00:33:41And he left this note
00:33:42I don't know where she's gone.
00:33:43Dad, you haven't decided for me yet.
00:33:45Let me mess with Marcos
00:33:46Take it, for God's sake.
00:33:53Grab it
00:33:53Sea...
00:33:55Marcos
00:33:56Marcos
00:33:57No, Marcos is not at home
00:34:00He left his mobile phone behind.
00:34:01He's gone
00:34:02I bring you
00:34:03Where is this cold?
00:34:26Hello, what's up?
00:34:26Hello, what's up?
00:34:27How are you?
00:34:28I should probably open it, shouldn't I?
00:34:45Raquel, please open the door for me
00:34:46I can't take it anymore.
00:34:47Raquel
00:34:49But...
00:34:54I'll fill it up
00:34:56No, no, give me 40
00:34:58But what are you doing here?
00:35:00I've decided I'm going with you
00:35:01But how could you even think of getting in the trunk?
00:35:04Don't you know you could drown or something could happen to you?
00:35:06What can I get you, miss?
00:35:0895 or super?
00:35:10Super
00:35:11Okay, Marcos...
00:35:13Listen to me, Raquel, please
00:35:14Look
00:35:16I couldn't bear to lose you, okay?
00:35:20I know it's impossible in the neighborhood
00:35:22But I don't know, somewhere, I don't know
00:35:23Where they don't know us, then
00:35:25Well, we can start from scratch.
00:35:26No no
00:35:27Look, Raquel, I have nothing.
00:35:28I have the backpack, the guitar, and 30 euros, but
00:35:30But I love you very much
00:35:31And I want to take care of you, Gaby.
00:35:34You're crazy
00:35:37Look, you're heading home right now, Marcos.
00:35:40Give the boy a chance, miss.
00:35:43Which seems sincere to me
00:35:45No need to read, I can't live without you
00:35:51Marcos, it can't be
00:35:53It just can't be
00:35:55Take
00:35:5640, right?
00:36:04Yes, thanks
00:36:05Subenda
00:36:27What is this?
00:36:35You know what? You were crazy, weren't you?
00:36:44Yes, but I enjoyed it.
00:36:54Damn it, Chacho.
00:36:57What a handsome man.
00:37:01He's gone, Finti, he's gone.
00:37:02My boy has left.
00:37:03And you know, it's all my fault, because I'm a caveman.
00:37:07Since I'm traumatized, I think the worst.
00:37:09And when I think the worst, I see shit where there isn't any.
00:37:11If anything has happened to him, I'm jumping off the viaduct.
00:37:12I'll dive headfirst off the viaduct.
00:37:14What's going to happen to him?
00:37:14Hey, well, it's definitely not even around the corner.
00:37:16It's tonight, without further delay, you have it right there.
00:37:18I'm sure she's with my boyfriend.
00:37:19I'll find out, don't worry, I'll find out.
00:37:22Man, look, the playboy of Santa Justa.
00:37:26We've lost our sheets.
00:37:27What's happening?
00:37:28Did the party last until late, or what?
00:37:30I hit it there, I hit it there.
00:37:31Well, imagine, we have the official presentation tonight.
00:37:36Oh, well, I don't know if Pili will be able to go.
00:37:40Oh, no?
00:37:41And why?
00:37:43Because he has to work.
00:37:45Oh, he works nights.
00:37:47And what does he do for a living?
00:37:49Businesses, which he already has, I don't know.
00:37:52And what business, Santi?
00:37:54Well, business as usual.
00:37:57I'm not asking him for explanations.
00:37:58What are they telling us, Santi?
00:38:00You don't know what your girlfriend does for a living.
00:38:03Because that's very strange.
00:38:04We're already dealing with the weirdo!
00:38:05We're already dealing with the weirdo!
00:38:07First of all, if I don't have a girlfriend.
00:38:08Then, if not, that's all it does.
00:38:10You can't leave people alone.
00:38:11Hey Santi, Santi, listen, man, calm down.
00:38:13We say this mainly because the girl was excited for him to come over, and well,
00:38:17that we would introduce her to him and all that.
00:38:18But what's truly important to me is that you're happy.
00:38:21Come on, I'm going to shit a load, a hug.
00:38:22Come on, a hug.
00:38:23Come on.
00:38:24Come on, calm down.
00:38:25Okay, I'll ask Pili if we can go.
00:38:35Oh, by the way, I have to go to the market.
00:38:40We are in the singular.
00:38:41How strange, isn't it?
00:38:46Because he was also at the market yesterday.
00:38:48Queer?
00:38:50The male has a strange nose.
00:38:52This doesn't add up for me, you know?
00:38:55But nothing.
00:39:05Guillermo Serrano, chosen student of the month.
00:39:07Guillermo Serrano saved my life.
00:39:18This has something to do with you, Maritere.
00:39:20Clear.
00:39:21Yes, the technician's boss.
00:39:22What do you like?
00:39:23Yes, yes, I like it so much I'm about to throw up.
00:39:25But let's see, I was the one who unscrewed the wall bars in the gym.
00:39:28I was the one who stole the Plinton.
00:39:30I was the one who cut off the legs of the teacher's chair.
00:39:32Even though I appeared in this shitty newspaper for saving a stupid woman like you.
00:39:35Okay, let's see.
00:39:37But look who's here.
00:39:38Mother Teresa with her followers.
00:39:43Bless me, Father.
00:39:45What's wrong with you? Are you all idiots or what?
00:39:48Look, Serrano, the other day you said you were going to do the lame prank.
00:39:52And we're still waiting for it.
00:39:54It's true.
00:39:54What happened to that cat that came from Mars?
00:39:56Yes, we haven't seen her around here.
00:39:58I don't know, but come on, I'm sure I painted it.
00:40:00Come on, I painted it for her.
00:40:01It's worth it.
00:40:02Because if you want to act tough...
00:40:03Hi guys.
00:40:05I have some bad news for you.
00:40:07I just came from taking the mother cat to the vet, she's been very sick.
00:40:12Because as good Christians we have to take care of the sick.
00:40:14And boys?
00:40:15What happened to him?
00:40:16Well, I don't know.
00:40:17The paint is highly toxic.
00:40:19If you paint it and it sucks on it, it's definitely going to die.
00:40:22One question, Lurditas.
00:40:24Yes tell me.
00:40:25What color was the cat?
00:40:26What do you mean, what color?
00:40:27With its little gray head, its little white body, pure, immaculate.
00:40:32Well, what kind of question is that?
00:40:34You didn't dare, huh?
00:40:36But what will happen to the puppies?
00:40:37Because if his mother isn't there...
00:40:42Holidays in Benidorm.
00:40:44Enjoying a light dinner.
00:40:46What is this?
00:40:48What's it going to be, woman?
00:40:49Well, your life, my life, our life.
00:40:52We like to have light dinners.
00:40:53And that last summer we spent 15 days in Benidorm.
00:40:56But what?
00:40:57Are we going to a competition or a family dinner?
00:40:59I don't know, because I'm kind of freaking out.
00:41:03Let's see if we're going to fail.
00:41:04Let's see if we're going to fail.
00:41:06You don't know Grandma, do you?
00:41:07He asks about everything.
00:41:08Well, and Candela.
00:41:09Candela is a harpy.
00:41:10He's definitely going to catch us.
00:41:11No, no, no.
00:41:12Like you.
00:41:12In other words, whatever you say.
00:41:13But I don't know, I say that if we're going to invent things, we could be a little more original.
00:41:17Because of the holidays in Benidorm...
00:41:21What's happening?
00:41:22What's happening with holidays in Benidorm?
00:41:24Well, that's pretty intense, isn't it?
00:41:25It's called tacky.
00:41:27I think, I don't know, we could say that we've gone to Menorca.
00:41:32Yeset is now headed to Menorca.
00:41:35Look.
00:41:36Let's keep it simple, let's keep it simple, otherwise we're going to mess things up.
00:41:41Look.
00:41:42In the afternoons, we like to go for walks.
00:41:45And eat vanilla ice cream.
00:41:50Do you like vanilla ice cream?
00:41:51I love them.
00:41:52Like me.
00:41:53Oh, really?
00:41:54Okay, but then, in the afternoons, vanilla ice cream.
00:41:58And in the morning, chocolate with churros.
00:41:59Just leave it to me, I won't get involved.
00:42:00It's me, Patriz.
00:42:01The thing is, well, then some things piled up on me, some messes and, well, I don't know.
00:42:08There are no women, so you don't feel it.
00:42:10No, it's just that I, I used to be really stupid, you know?
00:42:12I was very prone to falling in love and I was always chasing after guys.
00:42:15And, well, that was my downfall, sort of.
00:42:20Ah.
00:42:22Life, life offers many twists and turns.
00:42:28Okay, let's get down to business.
00:42:30Okay, come on.
00:42:31Here is the date we met and my birthday.
00:42:36Oh, but you're a Scorpio.
00:42:39No, no, I'm not saying this for any particular reason, but I get along really well with Scorpios.
00:42:43I mean, I don't know, well, I can study this stuff about the papers and all that,
00:42:48But we'll also have to, we're going to touch each other a little, right?
00:42:52And be a little affectionate.
00:42:55Hey, it's not like it's necessary.
00:42:58But what do you mean it's not necessary?
00:43:00But we haven't even been at it for six months, so we're already at the peak of it all.
00:43:04No?
00:43:05No, nothing, nothing, come.
00:43:08Get up.
00:43:08So, how are we going to get together?
00:43:11At the waist, by the hand.
00:43:12How can you grab me like this?
00:43:20If you grab me like this, how are you going to kiss me?
00:43:23Give me a kiss.
00:43:24A kiss.
00:43:30You are a kiss.
00:43:31San Diego, honey, you have to cooperate a little, because otherwise your family is going to end up thinking I'm a professional.
00:43:41Let's see.
00:43:42Hold me tight.
00:43:43There.
00:43:45Come here.
00:43:45And give me a good kiss.
00:43:47Wait.
00:43:47Look, I'm going to tell you something.
00:43:53I'm like Pretty Woman.
00:43:55So, take advantage of the fact that I only give tongue kisses to a few clients.
00:43:59Well, that's true.
00:44:01There's no one like you who spends 600 euros.
00:44:05600 euros.
00:44:06600 euros.
00:44:07It's past ten o'clock.
00:44:28I hugged my guitar.
00:44:32I thought I saw your face reflected in my hand.
00:44:39Who chose those notes that were playing in my mind?
00:44:49Someone burned the papers that spoke fearlessly of you.
00:44:56And my life isn't getting any better.
00:45:03Take care, poor thing.
00:45:05I won't tell you, but hey, nothing happened to him.
00:45:09What's happening with Santiago?
00:45:14He's taken the day off, hasn't he?
00:45:16Yes, it seems so.
00:45:18Good afternoon.
00:45:18Good afternoon.
00:45:19Hey, give me some change, come on, I've been given these coins and I don't know what to do with them.
00:45:22Dude, they're going to take it out on you, man.
00:45:24Little doors, gentlemen?
00:45:25Come on, let's get it done.
00:45:27There it is.
00:45:29Hey, Paquillo, come here.
00:45:31Paquillo.
00:45:32Hey, you took some peeling stuff from here in the box.
00:45:35What are you telling me, Efe?
00:45:36Well guys, we're short about 600 euros, something like that.
00:45:39600 euros?
00:45:40Well, that's a significant amount.
00:45:42Why did Santi pick us up to go to Marcamadrid?
00:45:44There you go.
00:45:44Hello.
00:45:45Hello.
00:45:46Hey.
00:45:47Hello.
00:45:56Come on, ask me.
00:45:58My mother's first name.
00:46:01Josefa.
00:46:02My father's nickname.
00:46:05What a magnificent monument Santi has found himself!
00:46:08Have you seen?
00:46:09Have you seen how beautiful the girl is?
00:46:10Well, the guy is thrilled.
00:46:12Let's see if we can get them married, Robert.
00:46:14I don't know, man, I don't know.
00:46:15Diego, they don't hit me.
00:46:17They're hitting me, man.
00:46:18Look, look at your brother.
00:46:19Look at that shirt, it looks like a tablecloth.
00:46:21And what clothes she had, what style!
00:46:23And those businesses that everyone knows about.
00:46:25What's happening?
00:46:26Is she a yuppie?
00:46:26Come on, don't mess with me.
00:46:28Sorry, Fiti.
00:46:29What are you implying?
00:46:30Hey?
00:46:30That?
00:46:30Well, that's a gold digger.
00:46:32A gold digger, damn it.
00:46:33She's the typical smart aunt who's looking for a guy with money.
00:46:37You're talking to your brother.
00:46:39Look, you're talking to him about nothing, not business or anything.
00:46:40The thing is, your brother isn't any dumber because he doesn't practice.
00:46:43Hey, Fiti, I won't allow you to talk like that about my brother, or my brother's girlfriend.
00:46:47You're always going on about this nonsense, damn it, Fiti.
00:46:49Always, always.
00:46:49Don't mess with me, don't mess with me.
00:46:50What's wrong with you is that you're envious.
00:46:52It's vidia.
00:46:52Envy?
00:46:53You're just jealous because you're a pain in the ass, Fiti.
00:46:56If he doesn't have a girlfriend, why doesn't he have a girlfriend?
00:46:57If he has a girlfriend, why?
00:47:01Well, Aquillo.
00:47:03Bring some coffees, man.
00:47:05Hey, lend me a little bit of money.
00:47:08For tonight's dinner.
00:47:10To buy some prawns, a little bit of salmon.
00:47:12Do you want more money?
00:47:14No, I'm telling you, but you took about 600 euros that were missing from the till, didn't you?
00:47:18Yes, something is happening.
00:47:20No, nothing's wrong, nothing's wrong, nothing's wrong, nothing's wrong.
00:47:21And what did you buy at Mercamadrid?
00:47:23Nothing, I haven't bought anything.
00:47:25Everything was very expensive.
00:47:27Already.
00:47:28Here, you can manage with 200, you can manage.
00:47:37Did you see?
00:47:38Did you see?
00:47:39Otherwise, he'd never stop making money, damn it.
00:47:41He's fleecing him, damn it.
00:47:43This doesn't make sense to me, it just doesn't.
00:47:44What do you say, Robert?
00:47:46Well, look, I'm going to tell you the truth.
00:47:47And now that I'm looking at her closely, that princess's face seems familiar to me.
00:47:55It sounds familiar.
00:47:56What's up, faithful ones?
00:48:12Let's see.
00:48:15How's it going, huh?
00:48:17Look.
00:48:18Look what you're going to get yourself into, huh?
00:48:20But first, a dental check-up.
00:48:23Let's see.
00:48:24What a pair of fangs!
00:48:26You look like a vampire.
00:48:28Well.
00:48:29Well, I'm going to call you a vampire, okay?
00:48:32Hello.
00:48:32Hello.
00:48:45Bye bye.
00:48:46Hey, it smells a bit strange, doesn't it?
00:48:48Yes, I just farted.
00:48:49Am I making a problem?
00:48:51What are you doing there?
00:48:52Nothing.
00:48:53Go away, you're bothering me, okay?
00:48:57Mine, mine!
00:48:58What's that?
00:49:01Oh!
00:49:01Oh, it's the kittens!
00:49:03How cute!
00:49:05I removed them to take care of them, I really did.
00:49:07Oh!
00:49:09What are you giving them?
00:49:10Milk, right?
00:49:10No.
00:49:12It's cyanide with a laxative.
00:49:14To see how they go from bad to worse while they die.
00:49:17And then I'll make some earmuffs out of its skin.
00:49:27I see, I see.
00:49:29Earmuffs, right?
00:49:30Yes, I knew you couldn't be that bad.
00:49:33Look, since you're good, well...
00:49:35That I love you a little.
00:49:41Well, it might have been a little pathetic.
00:49:43But now you have to understand that's what happens with extreme measures.
00:49:47Well, it didn't do any good, okay?
00:49:50Well, maybe it hasn't served any purpose.
00:49:51We also have to think.
00:49:54I think Aunt Espa must know Latin.
00:49:57Because for your brother to leave everything and run away with her, he must know a lot.
00:50:01I mean, auntie is a lizard, auntie.
00:50:03That's what it is.
00:50:04Damn, Africa is nine years older than him.
00:50:08He's definitely kidnapped him.
00:50:09I don't know.
00:50:10What do you want me to say?
00:50:12Me.
00:50:13The idea of him leaving everything behind and running away with his literature teacher seems super romantic and super exciting to me.
00:50:18That's super romantic.
00:50:21Mother.
00:50:22You've been there the whole time, haven't you?
00:50:26Yes?
00:50:27Well, I think I'm going to start leaving because...
00:50:29Ugh, I'm going to make a mess of his face.
00:50:35What do you think about life?
00:50:36Do you know how worried we are about Marcos and you're not saying anything?
00:50:40Mom, what do you want me to...?
00:50:40What do you want me to...?
00:50:41Look, go to class right now and we'll talk.
00:50:47Mother.
00:50:49Mom, don't tell Diego, please, let him do it.
00:50:52He's going to kill me.
00:51:01Raquel, this is Lucia.
00:51:02I've already left you several messages.
00:51:03Please call me.
00:51:06Please call me, it's important.
00:51:08Diego.
00:51:09That?
00:51:09Diego, uh...
00:51:11Marcos is fine.
00:51:13But wait, how can it be okay?
00:51:14Where is Lucia?
00:51:15How did he go for a walk?
00:51:16What's this about him going for a walk?
00:51:18Tell me where he is and I'll go find him.
00:51:19Diego, don't overwhelm him.
00:51:21You need your time.
00:51:23Your time to think.
00:51:25And I've got it all under control, so don't worry, okay?
00:51:28Okay?
00:51:28Sure?
00:51:29Yeah.
00:51:32It seems Santiago is running late, doesn't it?
00:51:33Yeah.
00:51:34Let's see if he'll regret it.
00:51:36And it's going to spoil the party.
00:51:37Well, uh...
00:51:38There it is.
00:51:39Hey, everyone behave yourselves, please, okay?
00:51:41Make them feel comfortable.
00:51:42Carmen, don't look at the girl like she's a guinea pig.
00:51:45Hey?
00:51:49Hello.
00:51:50How are you?
00:51:51How are you?
00:51:51Hello.
00:51:53Well, we made some flowers.
00:51:54Thank you, that's lovely.
00:51:55Lucia, my wife.
00:51:56Hello.
00:51:56Hello.
00:51:56How are you?
00:51:57Come in, Santi.
00:51:58Come on in, come in.
00:51:59Hello.
00:52:00How are you?
00:52:00Hello.
00:52:01Look, let me introduce you.
00:52:02Carmen, my mother-in-law.
00:52:03Hello.
00:52:04Candela, a friend of...
00:52:05Hello.
00:52:06And Fiti, who already knows him.
00:52:08Yes, yes, yes.
00:52:09She's cute, isn't she?
00:52:12Very cute, huh.
00:52:13Ana Botella, she's adorable.
00:52:16We see her a lot in Menorca, right, Santi?
00:52:20Look, Fiti, another person who doesn't go to the Benidorm Camp.
00:52:24Hey, so what do you think about us all going to Menorca next summer?
00:52:28Of course, and that way we can celebrate your birthday.
00:52:30Because you, you were from August 13th.
00:52:34Ah, yes.
00:52:35I'm funny.
00:52:36But how do you know that?
00:52:38Oh, I know a lot about you guys, don't I?
00:52:40The amount of things I know about them, you see, Santi?
00:52:43Okay, I'm going to find another little hotel.
00:52:46Hey, Pili?
00:52:47Ah, okay, fine, I'll go with you.
00:52:53They make a good couple, don't they?
00:52:55So...
00:52:55Yes, yes, it has energy.
00:52:58How embarrassing.
00:52:59You can, how embarrassing.
00:53:00What's happening?
00:53:01Know?
00:53:02We're having a great time.
00:53:02What do you mean, what's going on?
00:53:04What do you mean, what's going on?
00:53:04Look, look, look at me, sweating like a chicken.
00:53:09I'm making a fool of myself, a complete fool.
00:53:11Trying to introduce my family to a girlfriend who is a prostitute.
00:53:16And they're going to realize, they're going to realize what you are.
00:53:18What are you doing?
00:53:19What are you doing?
00:53:19No, calm down, calm down, calm down, I have a career, I'm going to get it done.
00:53:22Oh my God, oh my God.
00:53:24Santiago, Santiago, take it easy, okay?
00:53:26Let's see something, Santiago.
00:53:27Do you want your family to go all the way to Corvejón?
00:53:30How is Corvejón?
00:53:31Shhh, leave it to me.
00:53:33Didn't I tell you I was going on a trip?
00:53:35Well, that's it, huh?
00:53:36Come on, relax and enjoy, enjoy.
00:53:41Oh, the couple, how are they?
00:53:45I came for the fruit.
00:53:46Well, I wanted to make a toast to the joy of having met you all.
00:54:02Because the truth is that I'm a very nice person and it was very important to me that we got along well.
00:54:10Because Santiago, Santiago is the most beautiful thing that has ever happened to me.
00:54:14Because he is a man who is a gift to any woman.
00:54:21Although it may not seem like it, because he keeps his little things to himself.
00:54:25But he has a heart that doesn't fit in his chest.
00:54:31And well, that's it, we've been thinking about it and this summer we're getting married to Cilipet.
00:54:40But hey Santiago, we're letting you know because you didn't know.
00:54:44Okay, okay, Santi.
00:54:49Well, congratulations.
00:54:52Hey Robert, what's up?
00:54:54We're in a mess here.
00:54:57As?
00:54:59Sure, dude!
00:55:00Clear!
00:55:01From the bone-making.
00:55:02What a whore!
00:55:04Damn, of course, of course, I knew it sounded familiar.
00:55:11Okay, okay, okay, come on, let's go.
00:55:15Thanks, partner, I owe you one, I owe you one.
00:55:28Hey Raquel, what is it?
00:55:31Do you think I looked down because I needed something to eat? Are you hungry?
00:55:33No, no, no. Let's see if he falls asleep.
00:55:37Okay.
00:55:39How handsome.
00:55:48Hey, why don't you come here and put me to sleep too?
00:55:55Yeah.
00:56:03Who is it?
00:56:17He's my ex.
00:56:20I'll see what he wants.
00:56:21Take a look.
00:56:31Yeah.
00:56:33Lucia, it's Raquel.
00:56:37Yeah.
00:56:38Yes, he's with me.
00:56:39Already.
00:56:42Yes, I understand.
00:56:43Let's go here, okay.
00:56:45So.
00:56:46Time for bed.
00:56:50How's everything?
00:56:55Good.
00:56:58Okay, everything's fine.
00:56:59Come, come.
00:57:04Happens.
00:57:05Give me a hug.
00:57:07A big, big hug.
00:57:08Billy, I've brought you some apple liqueur, it's good, come on.
00:57:18Hey, wouldn't a herbal liqueur be better?
00:57:21Herbal pomace brandy?
00:57:21No, but try this one, try this one, this, this little strong one.
00:57:26You'll see.
00:57:26A small fort, he says.
00:57:27Be careful.
00:57:2896% alcohol.
00:57:29But, let's see, let's see what you think.
00:57:31Hey?
00:57:37Who were you talking to?
00:57:39Marcos, that's fine.
00:57:40No, no, I was talking to a teacher to whom I lent some material and she has to return it to me.
00:57:45Billy, Santiago told us he has businesses, right?
00:57:49Well, what I have are some businesses.
00:57:54Come on, I'm a businesswoman.
00:57:57Oh, look, that's great.
00:57:58Yes, yes.
00:57:59And what kind of, what kind of company?
00:58:01Well, if it's not indiscreet.
00:58:03No, no, no, no, no.
00:58:04Well, what I do for a living is, I mean, I'm in commerce, right?
00:58:12But what is already the branch, that is, what is linked to the branch, leisure, right?
00:58:18Ah.
00:58:18Well, that is, the outflow and inflow of gross national product.
00:58:22Yes, yes, yes, yes, yes, yes, yes.
00:58:25Well, that's it.
00:58:27Oh, how wonderful!
00:58:28Well, I'd like to propose another toast.
00:58:32Of course, I like the toasts, they liven up the night.
00:58:35Come on, let's see.
00:58:36For a person we just met and already treat as if they were family.
00:58:41Oh, oh, oh!
00:58:42By María del Carmen.
00:58:44Ah!
00:58:44Pili, Pili.
00:58:45By María del Carmen.
00:58:47Pili.
00:58:47Or I should call you Nathalie or Pili de Pilingui.
00:58:52Pili, Pili, stop drinking, okay?
00:58:55Yes, you're not going too far.
00:58:58Well, my friends call me, mame.
00:59:03Suck it, suck it.
00:59:05Now I understand why you got upset, Nathalie.
00:59:08Pili, what do you mean, huh?
00:59:09What do I mean?
00:59:10I mean, the blonde here is pulling the wool over everyone's eyes.
00:59:13Yes, he does have a business.
00:59:15But right next door, at the Venus whiskey bar.
00:59:20Come on, come on!
00:59:22Let's raise a glass to the wedding banquet at the Venus.
00:59:25She told you she's a businesswoman and a hooker.
00:59:28Damn, he wants to take your money, he's going to fleece you, he seems like an idiot.
00:59:32Look, it's nothing personal, okay?
00:59:34But he's my friend, you know?
00:59:35He's my friend and he needs to know the truth, damn it.
00:59:39Well, I'm sorry, really.
00:59:42I've done the best I could.
00:59:50See you later.
00:59:51See you later.
00:59:57Santiago, Santiago!
00:59:59Santiago!
01:00:00Santiago!
01:00:01Santiago!
01:00:02Santiago!
01:00:03Santiago!
01:00:04Santiago!
01:00:05Santiago!
01:00:06Santiago!
01:00:07Santiago!
01:00:08Santiago!
01:00:09Santiago!
01:00:10Santiago!
01:00:11Santiago!
01:00:12Santiago!
01:00:13Santiago!
01:00:14Santiago!
01:00:15Santiago!
01:00:16Santiago!
01:00:17Santiago!
01:00:18Santiago!
01:00:19Santiago!
01:00:20Santiago!
01:00:21Santiago!
01:00:22Santiago!
01:00:23Santiago!
01:00:24Santiago!
01:00:25Santiago!
01:00:26Santiago!
01:00:26Santiago! Santiago!
01:00:26I need to fill up with gas
01:00:35I'll go, if you want.
01:00:37No, why don't you go and buy something to eat?
01:00:41I'm starving to death
01:00:41No
01:00:42Don't die, please.
01:00:45No, I wouldn't know how to live without you.
01:00:52Don't tell me that, Marcos
01:00:53You're an angel
01:01:00Did you know?
01:01:05That I love you
01:01:06I love you very much
01:01:08Well, I'm not about to say anything about it.
01:01:12Wait
01:01:15Give me a kiss
01:01:23Amen
01:01:30Amen
01:01:33Amen
01:01:37Amen
01:01:39Amen
01:01:40What's happening?
01:02:10What's happening?
01:02:40Guille, can I see what you're doing in bed? Come on, get up, the rabbit's here! Let's go!
01:03:02I'm sick.
01:03:04No, no, no, no, no.
01:03:08Lucia! Lucia!
01:03:10Bring some ice in a bag and call the doctor.
01:03:12What's happening?
01:03:13What's happening?
01:03:13The child has a fever of 42 degrees Celsius. He could get meningitis at any moment.
01:03:16But no, for God's sake, 42! Well, to have forty-two stomata is like a lettuce, like, like...
01:03:24It's with the fact of saying that you too are that
01:03:26Diego Diego Diego Diego
01:03:32Come on, and sorry, didn't you hear me? What do you want me to do, go get the toilet brush?
01:03:42What noise is that of the kittens? What kittens?
01:03:50Her mother is sick and beloved two attendees well that's very good whether you worry about
01:04:00The poor animals, that's fine, okay, no dad, that's not okay, I'm coming back
01:04:05a sentimental softie, that's what you're thriving on, there's a melon, don't you
01:04:10Diego, why am I the way I am? I'm a melon. I've run out of friends.
01:04:13Let me tell you something, Guillo, you don't really lose that much, because frankly your little friends,
01:04:17Come on, they're all so ugly, between the fat one, the other one, what's his name? This one who's half-hearted?
01:04:21Dad, I've lost all my friends and I'm an outcast.
01:04:26Well, being ostracized for being good isn't so bad.
01:04:29Look, for example, at historical figures, the good outcasts, the good outcasts,
01:04:32Jesus Christ, for example, besides, Guillo, let me tell you something, you'll see how with time
01:04:36They'll realize they're wrong, because everyone has a heart.
01:04:39Everyone, to our friend, son, let's go.
01:04:43Come on?
01:04:45Thanks, Dad, you've helped us a lot, huh?
01:04:47You're welcome, son.
01:04:51Yes, yes, Marcos, my son, how are you?
01:04:56No, of course, no, no, no, no, no, stay still, stay still, don't move, don't move, I'm coming over there.
01:05:01Dude, look at that one, dude, I never want to see him around here again, in this tavern,
01:05:14In this tavern, he is not an ungrateful person.
01:05:17What, dude, boss?
01:05:18That one, that one.
01:05:21Jerfiti?
01:05:22That?
01:05:23We're just kidding, right?
01:05:24Don't I already have a job?
01:05:25All the way up?
01:05:26Santiago, come on, damn it, come on, let's talk about it.
01:05:34I have nothing to say to you.
01:05:40Okay, Santi, come on, yes, I went too far.
01:05:42I mean, saying things like Mari Carmen, you know, like Natalí, you know, like Pili,
01:05:49Well, no, it wasn't right, but damn it, I did it because it pissed me off that
01:05:55They were pulling your leg, damn it.
01:05:56And what do you know?
01:05:57Whether they were pulling my leg or not.
01:05:59Wait, wait, wait, what do you mean?
01:06:01Did you know he was a teacher, that he was Pilingi?
01:06:04Yes, say it, say it, bitch, bitch, in all caps.
01:06:07And?
01:06:08I've fallen in love with her.
01:06:12In love with love?
01:06:14No, in love with your balls, don't mess with me.
01:06:19Efe, efe, come on, let's lower the tone a little, it's a scandal and all that.
01:06:22I shout whatever the hell I want, because this is my tavern.
01:06:26Oh dear, what a mess!
01:06:32Damn, Santi, I'm sorry, man, I really did it to help you, I really did.
01:06:36Who are you to help me?
01:06:39Huh? Who are you?
01:06:41Why do you have the right to say at my brother's house whether my girlfriend is a whore or not?
01:06:45Who are you?
01:06:46Hey?
01:06:47Do you know who you are?
01:06:50A gossip.
01:06:51A bore.
01:06:53I'm giving you a shitty life.
01:06:57Demar.
01:06:58Or that sometimes I feel something like that for someone.
01:07:03I mean, dude, forgive me, man, I really...
01:07:06Look, the worst thing that could happen to me in life is to hurt you.
01:07:10Hey, don't worry, really, I'll fix this for you, yes.
01:07:13If that girl matters to you, then she matters to me too, that's it.
01:07:29Look, I'm going to the club, I'm going to the club and I'll talk to her about it, I'll tell her, I'll tell her, damn it.
01:07:35And if I have to get down on my knees, then I'll get down on my knees and tell him.
01:07:39To say what, if this is over.
01:07:41If this was nothing more than a charade for you.
01:07:44I was fed up with you making fun of me.
01:07:48You are right.
01:07:50I am alone.
01:07:52Very lonely.
01:07:53Don't say that, damn it, it breaks my heart, fuck.
01:08:06Besides, why are you so sure it's over?
01:08:11You told her that you love her.
01:08:14Be brave, damn it, have some balls and tell him.
01:08:16Maybe they'll surprise you and she'll love you too.
01:08:19Yeah.
01:08:23You should have seen Guille.
01:08:26She looks even cuter, just like that, cuddling her.
01:08:30Hi, Guille.
01:08:31Hello.
01:08:31Hello.
01:08:32Hello.
01:08:33What's wrong, Sister Serrano?
01:08:34Have you been taking care of the kittens?
01:08:36Have you breastfed them yet, or not yet?
01:08:38Yes, or the little thing, I'm not telling you.
01:08:39Look, Guille, understand this.
01:08:41It's because we owe our existence to hooliganism.
01:08:44And since you've been so nice lately, well, what can I say?
01:08:48What's happening?
01:08:50Hello, Heidi.
01:08:51Have you fed him yet, grandpa?
01:08:54No, go on, why are you going to ask the parish?
01:08:59Okay, guys, we're going to have a lot of them today, got it?
01:09:02I'm going to seal the horseshoe and the aunts' bathroom.
01:09:06Are you in?
01:09:06Okay, guys, take out your geography books and open them to page 39.
01:09:24What's happening?
01:09:25What's happening?
01:09:26What's happening?
01:09:27What did you catch with your little friends?
01:09:28What's happening?
01:09:29No, we're going, we're going.
01:09:30What's happening?
01:09:31What's happening?
01:09:31What's happening?
01:09:32What's happening?
01:09:33What's happening?
01:09:33What did you catch with your little friends?
01:09:41Okay, let's get started.
01:09:48I hope you all know the rivers, because we've already started.
01:09:50I saved your life, didn't I?
01:09:53OK?
01:09:53Well, you owe me one.
01:09:55I need your help with one little thing.
01:09:57Okay, Humberto.
01:09:58I've been told you were looking for me.
01:10:04What did you want?
01:10:05Girls, come out!
01:10:07Mary Poppins?
01:10:08I've called you here to witness one of the biggest pranks in this school.
01:10:13I am going to act on human beings.
01:10:15About human beings?
01:10:16Are you thinking of pulling the girls' pigtails?
01:10:19That's awesome, dude!
01:10:20Not quite.
01:10:22Do you see this?
01:10:23Oh, what are you going to clean?
01:10:24Yes, well, let's just say I'm going to clean someone's guts.
01:10:27I put a few drops of this in that tank.
01:10:30The first person to drink water will be in the bathroom for a year.
01:10:35Look, look.
01:10:37Dude, cheese is poison.
01:10:39Yeah?
01:10:41Viva.
01:10:49Hello.
01:10:50Tete, help me, please, I'm dying.
01:10:58Tete, please.
01:11:00Tete, please don't die.
01:11:01Dude, call an ambulance.
01:11:03Tete, please don't die.
01:11:05Tete, please.
01:11:06Tete, call an ambulance.
01:11:08I'd better call the venemerita, I'm dying.
01:11:09Okay, so what?
01:11:14So you want the baby saver now, huh?
01:11:15Mandy Poppins?
01:11:16Okay.
01:11:17It's still very good.
01:11:18Come on, I'll go.
01:11:24Hey, Richie, what...
01:11:26Thank you.
01:11:26I'm going to think about you, only you, that's all I need to survive.
01:11:55Marcos!
01:11:55Marcos, son.
01:11:58How are you?
01:11:59Are you OK?
01:12:00Yes, yes.
01:12:01Let me see you.
01:12:03Damn, you're freezing.
01:12:04Yes, but I'm fine, Dad, don't worry.
01:12:07I'm sorry for making you come to the leque.
01:12:11But, man, son, I would go looking for you to the ends of the earth.
01:12:15Where did you spend the night?
01:12:20Well, um...
01:12:22Leave it, leave it.
01:12:23Don't give me explanations, because...
01:12:25I understand you.
01:12:27And I understand you because I am your father.
01:12:28I went blind the other day.
01:12:30And since I don't know what, well...
01:12:33I told you I wasn't your father, but that's a lie.
01:12:35I will always be your father.
01:12:36And one thing, Marcos, if I kick you out of the house, don't you leave.
01:12:41Don't go.
01:12:42Thank you, Dad.
01:12:45No, well you don't have to give them to me because I don't deserve them.
01:12:47Because I've behaved like an animal.
01:12:48No, that's not it either.
01:12:49No, no, no, yes, yes, no beating around the bush, Marcos.
01:12:51I behaved like a beast.
01:12:52And why?
01:12:52Because I always think the worst.
01:12:54I'm always thinking the worst.
01:12:55So, all I want is for...
01:12:58Please forgive me.
01:13:00I forgive you.
01:13:01I forgive you, Dad.
01:13:02Thank you, daughter.
01:13:03Oh, and I want you to know that from now on, well, it's all over.
01:13:06In other words, I didn't know there was a muscle contracture.
01:13:08But, and since I saw you, well, with the oil and all that, well...
01:13:11But it's all over now.
01:13:13No more arguments, no more thinking badly.
01:13:14Everything, it's all over.
01:13:15And if your sister has a muscle spasm, well, you can just massage it calmly.
01:13:18You massage it, you massage it, and that's it.
01:13:20I'm serious, I...
01:13:21I trust you.
01:13:23And I will always trust you.
01:13:26OK?
01:13:29Will you trust me as your father?
01:13:32Yes, Dad, yes.
01:13:34Sure, thanks.
01:13:36Come on, give me a hug.
01:13:40Okay, I'll pick this up.
01:13:44And how did you get here?
01:13:46Hitchhiking?
01:13:47Okay, I'll explain it to you later.
01:13:54I'm sorry I'm late, but I got a little confused.
01:14:20No, you forgive me.
01:14:21Yes, I wanted to tell you something.
01:14:24But if you want, I can pay you for this information.
01:14:26But what are you going to pay me, man?
01:14:27What are you going to pay me after the upset you had yesterday?
01:14:30Because you were quite upset, weren't you?
01:14:32Oh, come on...
01:14:33What a shame, isn't it?
01:14:34I had almost believed it already.
01:14:37I didn't want to talk about that.
01:14:39But sit down, woman.
01:14:40I wanted to tell you that...
01:14:44I wish you had believed it.
01:14:50Because I actually believed it.
01:14:53But believe what?
01:14:57That's it.
01:14:58Maybe you and I haven't gone to Verorta.
01:15:00But if you want, we can go on for a year just fine.
01:15:08Because...
01:15:09I don't want to tell you, Pili.
01:15:13And call me better, Mommy.
01:15:16Forgive me.
01:15:17Mommy.
01:15:19That...
01:15:19I mean...
01:15:21Is there any possibility, huh?
01:15:25You and I...
01:15:27Look, look.
01:15:30Santiago, you...
01:15:31You are a good man.
01:15:34But...
01:15:34But I have a job that's there.
01:15:37Look, I don't care about that.
01:15:39I can pay for your withdrawal if you want.
01:15:42But what are you going to dress me in?
01:15:44A salary for life?
01:15:45Like the ad?
01:15:46A good one?
01:15:51No.
01:15:53No.
01:15:55We can't let ourselves...
01:15:57Arriving through romanticism.
01:16:00Because...
01:16:01I'm not Julia Roberts either.
01:16:03Nor are you the frisalero.
01:16:06AND...
01:16:07I don't know.
01:16:09I don't think so...
01:16:10That it wasn't going to turn out well.
01:16:16Well, but we had to leave.
01:16:25Well...
01:16:26Well...
01:16:28I'm leaving.
01:16:32Bye bye.
01:16:33Natalí.
01:16:43If you ever want to change jobs...
01:16:46Stop by the tavern.
01:16:46Dreaming of doors...
01:17:15That they will not open for me.
01:17:18No, the vitamins are fine...
01:17:20But I think what you need to lift me up is something else.
01:17:24And as time passed...
01:17:28Disillusioned...
01:17:29A round of applause for the Supermar.
01:17:35I have to settle...
01:17:37Did I catch you having sex with your sister?
01:17:38There's no signal and no location...
01:17:40If you simply...
01:17:43Are you Santiago?
01:17:44No, it's you.
01:17:45I am Natalí.
01:17:46Ah, well...
01:17:49Meanwhile, the two...
01:17:51We had breakfast, look...
01:17:54And that this summer we're getting married, like Cricipe.
01:18:00Meanwhile, the two of them...
01:18:03We are reflections...
01:18:05Excuse me, but I'm on the track...
01:18:07And I can't hear you well...
01:18:08I'm coming, baby!
01:18:09I'm coming!
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