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  • hace 2 días
Tras llevar a cabo una acertada inversión en Benidorm, Fiti se hace rico y decide adquirir una vivienda a la altura de su nuevo nivel económico. El mecánico acude a una inmobiliaria donde conoce a Lidia, una bella mujer que le introduce en las sofisticadas costumbres de los millonarios, un selecto ámbito en el que no tienen cabida Santiago y Diego. Raúl se separa de sus amigos cuando Lola, la intrigante y misteriosa vecina de la pandilla, le convence para que se mude a su piso. Poco después, la joven somete al hijo de Fiti a una prueba de fuego, renunciar a ver un partido del Mundial junto a sus amigos para estar con ella. José Luis se ve involucrado en un turbio negocio cuando acepta ocultar durante unos días un anillo robado. Poco después, Choni descubre dicha joya y cree que su novio pretende pedir su mano. Ante la imposibilidad de aclarar el malentendido, el hermano de Lourditas trata de recuperar el anillo y frenar los acelerados planes de boda de Choni.

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00:00:10Subscribe to the channel!
00:00:30He leaves his car without any problem and everything is sorted, right?
00:00:32What are you telling me?
00:00:33Just kidding, okay?
00:00:34This plane ticket to go to Australia
00:00:35Let's watch the Formula 1 Grand Prix
00:00:37But statistics say that flying is the safest mode of transportation.
00:00:42Here comes the wave! Here comes the wave!
00:00:44Just a moment, just a moment, please, please
00:00:45We have to go to Formula 1
00:00:47Let's see Fernando Alonso, Fernando Alonso
00:00:50Take this! Take this!
00:00:51He's going crazy, haven't you seen him? Like a motorbike!
00:00:54Not that ice! You come here!
00:00:55We're here faithfully, things are happening that will piss you off
00:00:57Come on, come on, come on!
00:00:59Come on, come on!
00:01:00Red Eagle, Delta Cobra
00:01:02Red Eagle, Delta Cobra
00:01:04We have a 4-4-2 in 27 with Pradillo
00:01:08Guys, he's already picking up that paper.
00:01:10And while you're at it, could you clean up the whole roadway a bit?
00:01:14I know, we threw this paper away, didn't we?
00:01:16And who is the authority here?
00:01:17Do you have anything for us?
00:01:19No, kid, you're a troublemaker!
00:01:20The river is dry!
00:01:21Come on, Hagi, Hagi, Hagi!
00:01:23Do you think we don't suck on dates?
00:01:29Damn, this is hairspray!
00:01:31What was this?
00:01:31Well, I have, I have...
00:01:33No no...
00:01:34Yes, the...
00:01:35Forty-five minutes to...
00:01:38Twelve...
00:01:39Time here, on the peninsula
00:01:41Oh!
00:01:42Oh!
00:01:42Yes!
00:01:44I... I didn't know you were like this.
00:01:47Here
00:01:48I mean, I was looking at the undercarriage
00:01:51From the car, from the car
00:01:52What's up, kids?
00:01:55We're worried about you, Fiti, we're worried about you
00:01:57The bear and I are going to the avenues
00:01:59But who are you?
00:02:00We are Andrés and Fernando, friends of your father, of yours
00:02:03If I cover your part
00:02:05And my father's side, huh?
00:02:07What's happening?
00:02:08So we'll become partners
00:02:11And we made a fortune.
00:02:12You get crazy, Fiti, you get crazy, you get crazy
00:02:15What, old man?
00:02:17Should I sell the workshop and put up the cash?
00:02:18You're taking your time, Fiti
00:02:20Isn't that beautiful?
00:02:22This is my workshop, my wife who left me
00:02:24600,000
00:02:26That is, 100,000,000
00:02:28Let fate decide my future
00:02:30What's happening?
00:02:31I face and I invest
00:02:32My club?
00:02:33Well, I'll put it in a bank.
00:02:34That's it
00:02:38Face!
00:02:38Another expensive one!
00:02:39Hey?
00:02:40Or in other words
00:02:41Investment
00:02:42Or in other words
00:02:43Host!
00:02:44José Luis, for whatever you send chatunga
00:02:46Look, we're already getting there with my sister and me chatunga.
00:02:47Hey, hey, hey
00:02:48Okay?
00:02:49I trust in myself that I will make you
00:02:50The number one
00:02:51Hey?
00:02:52Dad
00:02:52From the point of view of losing dignity with Diego again
00:02:56But the mark that man has left on me, has left a very deep impression.
00:02:58Hey?
00:02:59I'm very sensitive, and when a man understands me...
00:03:01Do you understand me?
00:03:02Yeah
00:03:03Well, now he's got me married
00:03:04Clear
00:03:05He's got me married
00:03:10Son and I are nothing, we just had a one-night stand, a quick fling.
00:03:14pam pum no commitment.
00:03:16I'm coming with a tantrum and a rage that I have to let out.
00:03:18Girl, I have a really bad eye for men, a really bad eye, they treat me very badly.
00:03:21This would go really well with a little wine, which not only lets me hang out during the move,
00:03:26Instead, he sends me an S or S to my mobile phone so that I can go to the post office to pick up a package for him.
00:03:30Come on, I'm not going to die on this earth now.
00:03:32That's life, we've only been separated for a while.
00:03:36Oh, what a pain that little guy is!
00:03:38If you want their things, look, go find them in the street!
00:03:42Don't ever look him in the face again as long as you live.
00:03:44Now I live off what Choni earns and I'm not ashamed because I love this woman.
00:03:50And if instead of being the school principal she were the birch tree, I would love her even more.
00:03:54This man is very good at charming people.
00:03:56This is a peak, a fucking peak.
00:03:58I present to you Dolores, Raúl, Alex and Chucky.
00:04:00Hello, what's up?
00:04:01How lucky you are.
00:04:03Oh, really?
00:04:04Well, coming home to find people there must be wonderful.
00:04:07What you need to do is loosen up a little, to start letting your hair down.
00:04:11And dress up a bit, I don't know, go out and maybe you'll meet someone and if you
00:04:15If you like it, then you go for it.
00:04:16Hi guys.
00:04:17Hello.
00:04:18Ah, Dolores.
00:04:21Lola.
00:04:22Call me Lola.
00:04:23What makes you think I'm Jack, isn't it?
00:04:25The Boston Strangler.
00:04:26No, Jack the Ripper.
00:04:28Also?
00:04:29And then I blurted it out.
00:04:30Where are you going, to the bottom of the river?
00:04:33That?
00:04:33Wow!
00:04:34That?
00:04:34Afri, your friend in the monda.
00:04:35How lovely, huh.
00:04:36Who the hell do you think you are to take my job?
00:04:39Okay, Africa, calm down, alright?
00:04:40No, Raúl, it's not just the job, it's everything, okay?
00:04:43The religious story being told in the tavern is my story.
00:04:46I told her.
00:04:47And on top of that, she's wearing my t-shirt.
00:04:49Well, I liked it so much that I bought one just like it, but I didn't think it would bother you.
00:04:55Yes, it bothers me.
00:04:56Look, sweetheart, stop with the nonsense because I've seen through you, okay?
00:04:59I know exactly where you're going with this; you're trying to take everything that's mine.
00:05:04My job, my boyfriend, my t-shirt, my hair, everything.
00:05:06Hey, stop, stop, stop, stop, sorry, beautiful, but let's clear things up.
00:05:10I only took what you didn't want.
00:05:12What have I told you?
00:05:13What have I told you, you old codger?
00:05:15They're asking for a reason, don't put a lid on it.
00:05:16Hey, Santi.
00:05:17Santi, damn it, we're not going to go broke over four little Mexicans.
00:05:20In Santa Justa everything remained the same as always.
00:05:22Because, as my father says, it would take a tsunami for things to change here.
00:05:27It's not money, I mean, the "panchitos" aren't money.
00:05:29Well, what did the father say?
00:05:30What did the father say?
00:05:31What did the father say?
00:05:32Money is made brick by brick.
00:05:34Until one day the tsunami arrived when we least expected it.
00:05:40Fiti, Fiti, Fiti, what's wrong, for God's sake?
00:05:42Fiti, which has been taken from us, Fiti, which has been taken from us.
00:05:46What's happening?
00:05:46What happened?
00:05:48What happened?
00:05:48That?
00:05:49Things haven't turned out as we expected.
00:05:52Don't touch me!
00:05:52Oh, God!
00:05:53That?
00:05:53Have you lost everything?
00:05:54Have you lost everything?
00:05:55Don't worry, brother.
00:05:56Don't worry, look, it's all the same to me whether I work for two or four.
00:05:59I support you in whatever you do.
00:06:00Yes, that's right.
00:06:01We spoke with José Luis, okay?
00:06:02And we do something, we put together whatever.
00:06:04Although sometimes, when it seems like you're about to get caught in a downpour...
00:06:07You've lost absolutely nothing.
00:06:09Absolutely nothing.
00:06:10This is what I'm left with.
00:06:12Look at it, damn it, see what happens.
00:06:13Let's go, and let's go, and let's go.
00:06:16That?
00:06:16There, there, there.
00:06:17You, you, you, you don't rush anything, son.
00:06:19You don't rush into anything.
00:06:19From around here?
00:06:20One million euros.
00:06:22A million euros or so.
00:06:24One million euros?
00:06:25Dad, how many children?
00:06:26Well, a shepherd, jump out for me.
00:06:30What you get is money.
00:06:32And that was exactly what had happened to Fidi.
00:06:34That overnight he was going to go from being a mechanic to being as rich as those who
00:06:38They appear in the magazines that read the good movie.
00:06:41Very good!
00:06:41Very good!
00:06:42Very good!
00:06:43Very good!
00:06:43Very good!
00:06:44Very good!
00:06:44Very good!
00:06:45Very good!
00:06:46Very good!
00:06:46And jam for everyone!
00:06:47And all thanks to the same old roosters!
00:06:49Very good!
00:06:50The best bottle of wine in the house!
00:06:51Come on, hurry up!
00:06:52Very good!
00:06:53Good, everyone's happy.
00:06:55What I don't know is why my father says that money doesn't buy happiness.
00:06:58Come on, a few words!
00:06:59What a man!
00:07:00What a man!
00:07:01What a man!
00:07:02What a man!
00:07:03I, I, I, I have no shortage of eloquence, but right now nothing comes to mind.
00:07:07No wonder, Fiti, it's no wonder.
00:07:09Hey Fiti, now that you're rolling in it, aren't you going to forget about the poor people, huh?
00:07:12No, no, no.
00:07:13Also, I really want to dedicate this to you.
00:07:15I'm touched.
00:07:17And no, José Luis.
00:07:17No, no, no.
00:07:18Money isn't going to change me, okay?
00:07:19But it certainly did change.
00:07:21As Carmen says, where money comes in, friends go out.
00:07:25Fiti!
00:07:25Health!
00:07:26Come on!
00:07:26Cheers to everyone!
00:07:56Mister!
00:07:57My stories weren't about events made by chance; nobody told me that destiny would give me this opportunity.
00:08:11One plus one equals seven, who would have thought?
00:08:17It was so easy to be happy.
00:08:22Very good.
00:08:32Good day, huh?
00:08:33What's up, buddy?
00:08:35Okay, let's see something, Guille.
00:08:37This morning fussiness that's coming.
00:08:39Oh, we SJKs performed at the end-of-year party!
00:08:41That?
00:08:42Back to the cliques again?
00:08:43No, no, no.
00:08:43JFK again?
00:08:45No, no, no.
00:08:45Let's see!
00:08:46It's SJK!
00:08:46Well, whatever it's called, whether it's JF, IPCO, or PVC, right now it's all the same, it doesn't matter what it's called
00:08:52the group.
00:08:53Let me remind you of something, Guille, we're in the middle of exams, and exams and music don't mix.
00:08:56Why? Because traditional exams, and I'm saying this to you too, require a little bit of
00:09:00Dedication and isolation in solitude are important.
00:09:02Well, I've already spoken to my mother, and she said she thinks it's a great idea.
00:09:06Did you talk to your mother and she said she thought it was great?
00:09:08Well, I was thinking exactly the same thing, that is, dedication, isolation in solitude, and a little bit of recreation.
00:09:14Okay, fine.
00:09:16I understand why my mother loves you so much, Diego.
00:09:21Guille, come here for a moment.
00:09:24Oh, Guille, for God's sake, man, for God's sake, don't make those gestures at me.
00:09:27I want to tell you something, when you talk to Lucia, please let me know, please let me know.
00:09:31No, tell me, because you're making me look ridiculous in front of people, I mean, you're embarrassing me, son, you're embarrassing me
00:09:35I evidence.
00:09:38What's happening down below?
00:09:42Here's the basket, put it here, and you put this here.
00:09:45Oh, have you seen how many things Fiti has brought us?
00:09:48Oh, this looks like the Rich Hotel.
00:09:50Why, for God's sake, man?
00:09:51No, damn it, with what I've eaten in this house, and with what you've had to put up with from me.
00:09:56No, no, no, Fiti, man, you know I appreciate it, but what I want to tell you is that
00:09:59Have you seen Santi?
00:10:01Oh, churros!
00:10:02Well, we can freeze them.
00:10:04Brother, don't count your chickens before they hatch, we still have to unload on the table.
00:10:08Okay, okay, okay, okay, if it opens a little later today, it's fine, it's fine if it doesn't open at all.
00:10:12Damn, let's take advantage of the fact that this happens to us every day.
00:10:14That's precisely why, not everyone gets lucky; some of us have to work hard.
00:10:20Wow, what a cool phone!
00:10:22Sure, they gave it to me as a gift from the bank. I put my money in the bank, not like others, but I
00:10:25They gave it to you inside the mattress, and that's what happens when you get gifts.
00:10:28Yes, damn it, but this is the real estate agency, right?
00:10:32Which real estate agency? Fiti, Fiti, I know you, you're not thinking of buying an apartment, so there's no rush.
00:10:37Fiti.
00:10:37That's enough, enough of abusing the Serrano NGO, damn it.
00:10:40Yeah?
00:10:41Hi how are things?
00:10:42Yes, it's me.
00:10:44I'll stop by in a little while, okay? No problem.
00:10:48Okay.
00:10:49Will you come with me?
00:10:50Well, I don't know if I can, Fiti, I don't know if I can.
00:10:52Yes, sorry, sorry, yes.
00:10:53Okay, go with him.
00:10:54Okay.
00:10:55It's very shiny.
00:10:56No, as soon as they take me a little bit.
00:10:58Very good, very good, okay.
00:11:00Goodbye, goodbye, goodbye.
00:11:01Fiti, I'm with you, I think I'm with you.
00:11:03Ah, okay, very good.
00:11:04Well then, let's make some room, because tomorrow we have the World Cup with a barbecue and seafood.
00:11:08I'll provide the theme, and you provide the porch.
00:11:10Hey!
00:11:12Fiti, handsome!
00:11:13Can I have a bite or can I get it wet?
00:11:16Did your brother?
00:11:17That guy's been lucky, the bastard.
00:11:19And he deserved it, Angelico.
00:11:21I've worked like a donkey my whole life.
00:11:24And not like others.
00:11:25Here I am, just lying around all day.
00:11:26And give them all to me.
00:11:27Hey?
00:11:28That's because of me.
00:11:29No, it's because of me, it's because of me.
00:11:31Well, I am worried, you know?
00:11:32Soni, you know better than anyone that I work my tail off to find galas, but of course.
00:11:36Josico, you're not going anywhere like this, I've been telling you for a long time.
00:11:39Also, excuse me for saying so, but you're not giving me the treatment as a woman that I deserve.
00:11:42Neither as a woman nor as an artist.
00:11:43You're missing, you're missing.
00:11:44Missing breakfast every day.
00:11:46It's all talk and no action, my son.
00:11:49Okay, okay, okay.
00:11:50You exactly, all couples progress, all except us, who are living on borrowed time.
00:11:54Well, that's it, that's it.
00:11:56It's happening today, that's it.
00:11:57Don't worry, it won't go beyond today.
00:11:58What do you mean it won't happen today?
00:11:59It won't go any later than today.
00:12:15I'll leave this uncollected, I'll help you later, I'm in a hurry.
00:12:18Nothing, just go here and relax.
00:12:20Yes.
00:12:32How are you?
00:12:35Little angel?
00:12:37José Luis, of course.
00:12:38Yeah.
00:12:39Man, no, you see, it's been a while.
00:12:41Yes, yes.
00:12:42Well, that's fine.
00:12:42Yes, yes, we're fine, yes.
00:12:44Hey, just calling to hang out and chat for a bit, okay?
00:12:47Little angel?
00:12:48Little angel?
00:12:48The one who went to school with you?
00:12:50Yes, no, yes, yes, yes.
00:12:51He was so nice.
00:12:51Yes, yes.
00:12:52Give him my regards.
00:12:53No, my sister, my sister, I don't know what she's saying.
00:12:56Memories, little angel.
00:12:56Yes, yes, yes.
00:12:57Just like always, yes, just like always, the woman.
00:13:00No, well, nothing, yes, well, I've looked at myself for a little while and I'm here, okay?
00:13:04Okay, see you there.
00:13:05Okay, that's all for now.
00:13:08Keep going, keep going, keep going, keep going.
00:13:09Today he invested in me and won.
00:13:12Well, there's an excuse not to invite.
00:13:14It's here, it's here, it's here.
00:13:15No, no, no, no.
00:13:18Raúl, I'm so glad.
00:13:20Yeah.
00:13:22With how badly the poor guy was suffering because of your mother.
00:13:25Look, I'm telling you.
00:13:28We will continue.
00:13:30Well.
00:13:31How cool.
00:13:31It's just that, it's just that, it's just that no, but...
00:13:36Excellent.
00:13:41Well.
00:13:42I'm leaving, I'm running late.
00:13:45Okay, okay, I see, I see.
00:13:47Africa, auntie, don't mess with me, don't mess with me, auntie.
00:13:50Fuck.
00:13:54Damn, cool down, okay.
00:13:55You're like the dog in the manger, aren't you, auntie?
00:13:57Leave the kid alone already, damn it.
00:13:59Now that I was with a wonderful aunt...
00:14:00A great aunt?
00:14:02That's messed up.
00:14:03Afrí, are you coming at me now with jealousy or...?
00:14:06How could I be jealous, Alex?
00:14:07Don't get confused, Raúl can do whatever he wants with his life.
00:14:10Okay?
00:14:10I'm the first one who's happy.
00:14:12Yes, come on, it's a joy to embroider you.
00:14:13Damn, can't you see it?
00:14:15He can understand that Lola has him by the way she does,
00:14:18But to you too.
00:14:19Don't you realize she's crazy?
00:14:23Okay, very good.
00:14:24The tears will come, they will.
00:14:27And if not, time will tell.
00:14:31Well, it's not very big, but it's very bright and has excellent transport links.
00:14:35They have nearby trains.
00:14:36Which nearby trains?
00:14:37I like it.
00:14:38I like it, but...
00:14:39Let's see, it doesn't have anything like more...
00:14:42Hey?
00:14:42Further.
00:14:43A bit.
00:14:44Sorry, sorry.
00:14:44But Fiti, what more could you want?
00:14:45So, why do you want more?
00:14:46Let me explain.
00:14:48Excuse me for explaining this in front of this gentleman,
00:14:50But you're like a snail.
00:14:51You put a snail in the house, a turtle
00:14:53And what's wrong with the snail?
00:14:54What's wrong with him?
00:14:55I ask you, you answer me, I answer you.
00:14:57That which is lost, that which is not found.
00:14:58He won't be telling me anything, man.
00:15:00Relax, I know what I'm doing.
00:15:01Hey?
00:15:01I know what I'm doing.
00:15:02Let's see, what I'm looking for.
00:15:03In other words, I've mostly understood the concept.
00:15:05Anything else.
00:15:06In other words, when you see it...
00:15:07Excuse me, I heard you.
00:15:09Nice to meet you.
00:15:10I'm Lidia, Sales Manager.
00:15:12Ah, yes, yes.
00:15:13A pleasure.
00:15:13Delighted.
00:15:14Ernesto, I'll take care of the gentleman.
00:15:16Thank you, Ernesto.
00:15:17Come on.
00:15:17Thank you.
00:15:18Okay.
00:15:20See you later.
00:15:20See you later.
00:15:21Come on.
00:15:21Yeah.
00:15:22Well.
00:15:23Well, that's it.
00:15:24You're looking for something more like this, aren't you?
00:15:27That is.
00:15:28That is.
00:15:29No.
00:15:29That's one thing, it already looks big.
00:15:31that it can be seen with space.
00:15:33Indeed, it has a great amplitude,
00:15:35There are two floors.
00:15:36And take a look at the design of the stairs.
00:15:39Italian.
00:15:40Italian.
00:15:40Of course, so, always has been.
00:15:41Italians have always been known for this,
00:15:43What is design and melodic song?
00:15:44They're testing it.
00:15:45If you'll excuse us for a moment,
00:15:46If you leave, excuse me a moment, yes.
00:15:48You've seen it, you've seen it.
00:15:49What a shack.
00:15:50Have you seen what a huge living room it is?
00:15:51Fiti, that costs more than you can imagine.
00:15:53Why do you want so much?
00:15:54I mean, why all that?
00:15:55But have you noticed the distance between the TV and the sofa?
00:15:57Damn it, you're not going to come for the penalties, for God's sake.
00:15:58You look so funny, damn it.
00:15:59Okay, that's it, I'll put it on now.
00:16:00And there's a plasma screen that's this big, you'll be blown away.
00:16:02This was it, Lidia, wasn't it?
00:16:05Miss Lidia.
00:16:06We could see this soon.
00:16:08One moment.
00:16:11Well, we can watch this tomorrow, if you want.
00:16:15I'm going to see if I...
00:16:18In other words, if at any given moment I can...
00:16:23Yes, I have a space here, okay?
00:16:25I have a space here, right here.
00:16:28Okay, can I get a post-it note?
00:16:30Clear.
00:16:31Well, the thing is...
00:16:34Thank you.
00:16:36The point is that...
00:16:37I need cash and...
00:16:40I don't know.
00:16:41I had thought that...
00:16:42Maybe you could get me some...
00:16:44A little bit of work for old times' sake, you know.
00:16:47What's happening?
00:16:49Stay still, damn it, Angelito.
00:16:50You make me nervous by looking all around.
00:16:52What's happening?
00:16:52Wait, José Luis.
00:16:54Come on, you're going to do a little job, man.
00:16:56A little job?
00:16:57Take.
00:16:58Save this for me.
00:17:02What is that?
00:17:04Mother, who gave birth to me.
00:17:05No, here, here.
00:17:05You don't want to heal, damn it.
00:17:06Keep it and don't ask questions.
00:17:07Be quiet.
00:17:08Yes, but...
00:17:09You know one thing I don't...
00:17:10I don't want any trouble, Angelito.
00:17:12Take.
00:17:12What brown ones?
00:17:12It's only a couple of weeks.
00:17:13until things calm down a bit
00:17:14that is in turmoil.
00:17:16Already.
00:17:16Let me tell you something, José Luis.
00:17:18With this you can get a good amount of butter.
00:17:20Butter?
00:17:20What the hell is this about it not hitting me?
00:17:22I'll explain it to you, but don't take it the wrong way.
00:17:24Because you take everything the wrong way.
00:17:25Let me explain.
00:17:26Where are we from?
00:17:27We are from Santa Justa.
00:17:28We're more used to what life in the neighborhood is like,
00:17:29Do you understand?
00:17:30And also, and I don't know about the girl, this Lidia.
00:17:32Ah, you've noticed it too.
00:17:34Did you get the gist?
00:17:35Well, how could I not notice, Fiti?
00:17:36that you put the cross one on.
00:17:38No, no, no.
00:17:38No, not me.
00:17:39She to me.
00:17:40You wouldn't believe how she had it.
00:17:41Okay, so what I'm getting at is,
00:17:42That's what I want to explain to you.
00:17:43It's that type of woman
00:17:45They're not for us, Fiti,
00:17:46It's realistic.
00:17:47The girl was, well, stunning.
00:17:49I can imagine.
00:17:50Lots of rice,
00:17:51even a little chicken.
00:17:52Not enough chicken?
00:17:53Not enough chicken?
00:17:54You have to make a decision in life, damn it.
00:17:57Decisions need to be made.
00:17:58and be brave.
00:17:58If I get you to take my advice about Benidorm,
00:18:00Hey?
00:18:00I'm still in the workshop there all day
00:18:02screw-on plate, screw-on plate.
00:18:03Which workshop?
00:18:03Which workshop?
00:18:04If you spent all day here in the tavern.
00:18:08Okay, okay, okay, calm down.
00:18:10I shit on my hand.
00:18:11What's happening?
00:18:12It is not complete.
00:18:13What's up, Fiti?
00:18:14Too much equipment for so little brain.
00:18:16What are you doing, Fiti?
00:18:21Hello, Lidia.
00:18:22Yes, look, listen, I'm...
00:18:25Ah, you've met me.
00:18:28Very good, by...
00:18:29Yes, nothing, I was just thinking
00:18:30See if you could move us around for a little while this afternoon
00:18:32to talk about the qualities
00:18:34of the materials.
00:18:36It can't be this afternoon.
00:18:37Let's see, let's see.
00:18:39Oh, tonight?
00:18:41Oh ok.
00:18:43Okay, perfect.
00:18:44Yes, why not?
00:18:45Why not?
00:18:45Why not?
00:18:48I know an Asian man,
00:18:49a Chinese man,
00:18:50to put it simply...
00:18:53Ah, okay.
00:18:55Okay.
00:18:57To golf.
00:18:58To golf.
00:18:58To golf, of course.
00:18:59Yes, yes.
00:19:00Of course I know where it is.
00:19:02Of course I know where it is.
00:19:03Okay, well, that's all.
00:19:05See you there.
00:19:06Does nine o'clock work for you?
00:19:07Yeah.
00:19:08That it wouldn't be yours
00:19:10and get laid like James Bond
00:19:12with Angelina Jolie
00:19:15I'm going crazy
00:19:19that it hadn't been James D
00:19:21to the Arayos match
00:19:24attacking me, Marí
00:19:27like a fool.
00:19:33Well, you've already seen
00:19:34which has nothing strange about it.
00:19:35In other words, Lurditas,
00:19:36I don't understand why
00:19:36You won't let us sing
00:19:37the end-of-year party.
00:19:38It's just not fair, Lurditas.
00:19:39No, no, no.
00:19:40Well, because...
00:19:41your songs
00:19:41They're a bit...
00:19:43a little radical.
00:19:44No way.
00:19:45to clip the wings
00:19:45of creativity.
00:19:47But let's see, Lurditas,
00:19:48let's see,
00:19:48if we are not revolutionaries
00:19:49So, when are we going to do it?
00:19:50No.
00:19:51My idea was that the songs
00:19:52transmit their own values
00:19:53of youth.
00:19:54For example, look, look
00:19:55what they have chosen
00:19:56other courses.
00:19:57The songs are
00:19:58My friend, my brother.
00:19:59Hey?
00:20:00It's better if I'm on your side.
00:20:02I love Laura.
00:20:05So, if we sing
00:20:06not our lyrics.
00:20:07But if we sing about values, then yes.
00:20:08Of course, Teté.
00:20:09Let's revolutionize with values.
00:20:10Like Jesus Christ.
00:20:12Okay.
00:20:13Well, give us a day.
00:20:14Like one day?
00:20:15Teté, a day for what?
00:20:16The lyrics are what they are,
00:20:17They don't touch each other.
00:20:18Teté, are you listening to me?
00:20:20Man, he must have gone
00:20:21the pot, Churri.
00:20:22Don't you see that she knows
00:20:23to my father?
00:20:23It doesn't produce a large bud.
00:20:24If it's normal.
00:20:25Hey, well, take care,
00:20:25that I understand
00:20:26You're annoyed, huh?
00:20:27Yes, I know, Raúl.
00:20:29It's not that.
00:20:30No, but oh well,
00:20:31So what is it?
00:20:34Oh, it doesn't matter.
00:20:34That's nonsense.
00:20:35It doesn't matter.
00:20:35No, no, it's not nonsense,
00:20:37that's what he's telling me
00:20:39And you're worried, I'm interested.
00:20:42Well, that...
00:20:44that she's your ex.
00:20:46Yeah.
00:20:48And...
00:20:49that I'm the one who's going out with you now.
00:20:52Of course.
00:20:55And...
00:20:56Doesn't it seem a little strange to you?
00:20:58Yeah.
00:20:59Huh? What?
00:21:02Well, that...
00:21:04that you carry with her
00:21:05and not with me.
00:21:08Brother.
00:21:08What's up, Santi?
00:21:10Do you think that I
00:21:10I lacked ambition
00:21:11in life?
00:21:13Hey?
00:21:14Is there a lack of ambition?
00:21:15Well, kid,
00:21:15But I don't know,
00:21:16I don't think so.
00:21:17Come on, you're so ambitious,
00:21:18Well, like me,
00:21:19neither too much nor too little.
00:21:21We're done, Santi.
00:21:22that you're overthinking it
00:21:23At Fiti's, huh?
00:21:23Just thinking
00:21:24which might be true.
00:21:26If I had had
00:21:27more push
00:21:27and I would have taken more risks,
00:21:29maybe now
00:21:29I would be as rich as him.
00:21:30Okay, Santi,
00:21:32Listen to me, listen to me.
00:21:32Is there anything missing in your life?
00:21:34No.
00:21:34Are you living badly?
00:21:35Neither.
00:21:35Well then, damn it.
00:21:37Well, that's it, son.
00:21:37Don't worry,
00:21:38What are we going to do?
00:21:39At least
00:21:40There is something useful.
00:21:43Yeah.
00:21:44See you later,
00:21:44Josico.
00:21:46Your brother,
00:21:46who doesn't come to eat,
00:21:47Angelic,
00:21:48the little creature.
00:21:48All morning
00:21:49He's been in the unemployment line.
00:21:50But look,
00:21:51at least
00:21:51You can see a change in his attitude,
00:21:53a desire to reform.
00:21:55José Luis,
00:21:56But we've been here.
00:21:57all morning
00:21:57having beers with a friend.
00:21:59Oh, Lurdita.
00:22:00Oh, she's done it to me again.
00:22:01to double-cross your brother.
00:22:02No, no,
00:22:03Wait a minute, Johnny,
00:22:03that maybe it was someone else.
00:22:05Yes, imagine that,
00:22:06Just look at that.
00:22:07Look,
00:22:07that your brother
00:22:07He has no respect for me.
00:22:08Lurdita,
00:22:09He has no respect for me.
00:22:11And on top of that, he didn't even come to eat.
00:22:12above all,
00:22:13He keeps coming back to me with lies.
00:22:15Santiago,
00:22:15please,
00:22:15put a peppermint here.
00:22:16Yeah,
00:22:17I ended up changing it
00:22:18and this week
00:22:18I don't have a guard.
00:22:19We're going to get involved
00:22:20the World Cups
00:22:20Through the vein, kid.
00:22:21Look,
00:22:22I have everything organized here
00:22:23with the round of 16,
00:22:24the Chinese,
00:22:25the beers,
00:22:26all.
00:22:26I mean,
00:22:26as a prince.
00:22:28Well,
00:22:29Who's here?
00:22:29Well,
00:22:30the happy couple.
00:22:32How are you?
00:22:33That,
00:22:34that,
00:22:35I wanted to tell you
00:22:36a little issue,
00:22:37No?
00:22:37That,
00:22:39I mean,
00:22:39that,
00:22:39Well,
00:22:39here, it's like always
00:22:40There has been a little,
00:22:41No?,
00:22:41of overpopulation,
00:22:43You know?
00:22:43That,
00:22:43I mean,
00:22:44I'm delighted,
00:22:44come on,
00:22:45come on,
00:22:46wonderfully here
00:22:47with you,
00:22:47but that,
00:22:48Well,
00:22:48that we have also been
00:22:48talking a little,
00:22:49Lola and I,
00:22:50You know?
00:22:50AND,
00:22:51equal,
00:22:51well,
00:22:51probably,
00:22:52No?
00:22:52We thought it might be a good idea
00:22:54Yeah...
00:22:55That Raúl and I
00:22:56We're going to live together.
00:22:57Check out this exclusive!
00:22:59Excellent,
00:22:59excellent!
00:23:00Congratulations, mate!
00:23:01This,
00:23:02Afri,
00:23:02I hope you don't mind.
00:23:04Me?
00:23:05No way,
00:23:06What does the woman say?
00:23:07Glad to hear it.
00:23:09Congratulations.
00:23:10Thank you.
00:23:11Yeah,
00:23:12It's bad.
00:23:15Well,
00:23:16Just so you know, you're the first woman
00:23:17with whom I am going to live.
00:23:18Oh, really?
00:23:19Yeah.
00:23:19Yeah,
00:23:20Yeah,
00:23:20Yeah,
00:23:21clear,
00:23:21And that's very commendable.
00:23:23because he jumped at three.
00:23:30What do you think,
00:23:31brother?
00:23:32No?
00:23:32No,
00:23:33no,
00:23:33Santi,
00:23:34I studied it for my psychology course.
00:23:35what is it,
00:23:36A chapter is personality and a medium.
00:23:39I mean,
00:23:39the medium,
00:23:40We are in the middle of what is the middle
00:23:41And you might ask yourself,
00:23:42What media outlet is Fiti in?
00:23:44Well,
00:23:45well,
00:23:45Fiti is in the middle of Santa Justa
00:23:47and so,
00:23:47That marks,
00:23:48That's always been the case.
00:23:50I mean,
00:23:50no matter how many millions he has,
00:23:51It's not going to change.
00:23:52I'm telling you,
00:23:52that's not going to change,
00:23:53man.
00:23:53Yeah.
00:23:54Can you see it?
00:23:54Hector?
00:23:56Already.
00:23:57Tell me,
00:23:58tell me,
00:23:58tell me.
00:23:59Yeah.
00:24:00Look,
00:24:00look.
00:24:01Already,
00:24:02already,
00:24:02already.
00:24:02The middle one.
00:24:03I mean,
00:24:03what you said wasn't going to change.
00:24:04We ruled out the stamps.
00:24:06so.
00:24:08Well,
00:24:08Yeah,
00:24:08Something has changed,
00:24:09snap,
00:24:10Well,
00:24:10It's done as promised.
00:24:11It's a paintbrush,
00:24:12That's how it is.
00:24:14And we carry casinos,
00:24:15brother.
00:24:16Do you remember what Father said?
00:24:18of the men who ran casinos?
00:24:40What if Lourdes takes a while to play?
00:24:41No,
00:24:41Better not.
00:24:51Man,
00:24:51Joseico.
00:24:52Hello.
00:24:53How are you,
00:24:54son?
00:24:54How did the interview go?
00:24:56Hey?
00:24:57Inés's interview,
00:24:58I mean, after having everyone in line tomorrow
00:25:00They probably interviewed you.
00:25:01No?
00:25:02Ah,
00:25:02the interview,
00:25:03Yeah.
00:25:03José Luis,
00:25:04Choni knows you haven't been to a job interview.
00:25:08You're a little deceiver,
00:25:09Oh.
00:25:10A little trick?
00:25:11This is what a liar is.
00:25:12but a liar of the miserable word.
00:25:14Well,
00:25:14I'd better leave them alone.
00:25:16What's wrong with you?
00:25:17That you enjoy deceiving me,
00:25:17You enjoy deceiving me.
00:25:18No, Choni,
00:25:19What can I explain to you?
00:25:20No,
00:25:20You don't need to explain anything to me.
00:25:22Look,
00:25:22He's going to explain it to me.
00:25:23No,
00:25:23if you all want me for the same thing.
00:25:24You want me for the same thing.
00:25:25And then,
00:25:26Now that you look at it,
00:25:26I'm not going to tell you anything.
00:25:27I don't care.
00:25:27I don't care.
00:25:28But look how beautiful you look!
00:25:29When you bring out that side of yourself,
00:25:31Hey?
00:25:32But how could I possibly want to deceive you?
00:25:33Are you the one I love most in the world?
00:25:41What do you have back there?
00:25:43Where?
00:25:43Back there.
00:25:44I don't have anything.
00:25:45Show it to me.
00:25:46José Luis,
00:25:46Show me what you have there.
00:25:47Hey,
00:25:48that you hurt me.
00:25:50Hey,
00:25:50Ah,
00:25:50Choni,
00:25:50Choni,
00:25:51Ah.
00:25:52Oh well,
00:25:53No.
00:25:54Hey,
00:25:54No,
00:25:54No,
00:25:55No,
00:25:55No,
00:25:55No,
00:25:55No,
00:25:55No,
00:25:55No,
00:25:55No,
00:25:55No,
00:25:55No,
00:25:56No,
00:25:58Yeah,
00:25:58You don't need to explain any further.
00:26:00Yeah,
00:26:00I'll explain why...
00:26:02José Luis,
00:26:03For God's sake,
00:26:03how beautiful.
00:26:06Yes I want.
00:26:07What do I want?
00:26:08Yes I want.
00:26:09No.
00:26:11My God,
00:26:11How many times have I dreamed
00:26:13with a man to take me to the altar
00:26:14dressed in white
00:26:15And look at that.
00:26:18No,
00:26:18that...
00:26:18Oh,
00:26:19if my mother gave me an uncorked cork
00:26:20a Piperman bottle.
00:26:22No,
00:26:22no,
00:26:22which is not what...
00:26:23No,
00:26:23No,
00:26:24No,
00:26:24wait,
00:26:25No,
00:26:25No,
00:26:26No.
00:26:26Don't tell me any more.
00:26:33How beautiful.
00:26:36I truly believe this house
00:26:38It has many possibilities
00:26:39for decoration.
00:26:40I have to tell you,
00:26:42I love Feng Shui.
00:26:44Ah,
00:26:45well,
00:26:45hey,
00:26:46Well, let's see what I said,
00:26:47women,
00:26:48We had asked him for a portion
00:26:49or half or...
00:26:52You're amazing,
00:26:53Fiti.
00:26:54Okay,
00:26:54I get so annoying
00:26:55about the house
00:26:56I've barely let you speak.
00:26:58I don't know,
00:26:58Tell me a little more about your life.
00:27:00My life.
00:27:02Well,
00:27:03The usual,
00:27:04Hey?
00:27:04A little bit of here,
00:27:05a little bit of that,
00:27:07what it means to move on from the automotive business
00:27:09to the real estate sector.
00:27:10Oh,
00:27:11No,
00:27:11No,
00:27:11No,
00:27:11No,
00:27:12Let's not talk about work,
00:27:13I spend all day talking about work.
00:27:16I don't know,
00:27:17more personal things.
00:27:20more personal.
00:27:23Well, to be honest, things have been a bit hectic lately.
00:27:26So.
00:27:26Yeah?
00:27:27With that mischievous little face you have.
00:27:33Don't believe it,
00:27:34that I
00:27:35He used to be a very focused guy,
00:27:37I mean,
00:27:39until my wife left me for a canary,
00:27:41a Canary Islander who turned out to be from Logroño,
00:27:43But come on,
00:27:43who abandoned me.
00:27:46Go on,
00:27:46go on,
00:27:46I'm not going to bore you with this...
00:27:49Not at all,
00:27:51I know what it means for someone to give to you.
00:27:53You have to be crazy.
00:27:55or blind,
00:27:56to abandon a woman like you.
00:27:59I don't know,
00:27:59Sometimes I think I scare men.
00:28:04What do you think?
00:28:06I don't know,
00:28:07No,
00:28:07come on,
00:28:08that...
00:28:09I think that's what metrosexuality is.
00:28:13It is doing a lot of damage in this country.
00:28:15I think so too.
00:28:17Fiti,
00:28:18There is no intensity to be found anywhere anymore.
00:28:21No.
00:28:24Well, let me tell you something.
00:28:26I'm getting it right now
00:28:28a high
00:28:29of intensity
00:28:30I don't even want to tell you, Lidia.
00:28:33At your place or mine?
00:28:38Waiter,
00:28:39the painful one.
00:29:15What could be sweeter?
00:29:20What could be sweeter?
00:29:22Yes, ma'am,
00:29:22good morning.
00:29:23Good morning.
00:29:25I am happy.
00:29:27Sorry,
00:29:28I haven't gotten you used to these things.
00:29:30Nothing,
00:29:30nothing,
00:29:31my love,
00:29:31nothing.
00:29:32Peaceful.
00:29:33Hey,
00:29:34Choni,
00:29:34that...
00:29:35You know I'm a man of quick tempers,
00:29:37No?
00:29:38That...
00:29:38Well,
00:29:38You don't know me anymore.
00:29:40AND...
00:29:41that...
00:29:42I understand that you might be feeling a little overwhelmed.
00:29:44With all this,
00:29:45Because I made this decision without consulting you.
00:29:59and...
00:30:03Of course, darling.
00:30:05Absolutely sure.
00:30:06My God,
00:30:07my husband.
00:30:08That's intense.
00:30:10Mrs. Salgado.
00:30:13Choni, Choni,
00:30:13Choni,
00:30:14Choni,
00:30:14Choni,
00:30:14chav,
00:30:15There's so much sleeping involved.
00:30:15I'm going to school today for two days like this.
00:30:18So that everyone can see it
00:30:19until my arm falls asleep.
00:30:20No, no, no.
00:30:21Listen,
00:30:21listen,
00:30:21listen.
00:30:22No,
00:30:22listen,
00:30:23Choni,
00:30:24Let's see,
00:30:24one thing,
00:30:24a...
00:30:26one little thing that...
00:30:27Since we don't have a wedding date yet,
00:30:28well...
00:30:29Hey,
00:30:29that we're going to be discreet,
00:30:31No?
00:30:32Nor does he need to find out there
00:30:33half of Spain is ours,
00:30:35No?
00:30:35Clear,
00:30:35Well, if I already know something else, that's fine too.
00:30:37I will not have,
00:30:38but discreet.
00:30:40Choni is going to marry José Luis,
00:30:41the thing is...
00:30:42Yeah,
00:30:42They're driving like crazy.
00:30:44God.
00:30:44Clear,
00:30:45That's perfectly right.
00:30:46I'll accompany you,
00:30:46I'll walk you to the door.
00:30:47Thank you so much,
00:30:48Hey?
00:30:48Thank you.
00:30:48See you later.
00:30:49You know,
00:30:49going out here a little to the right.
00:30:51See you later,
00:30:51thank you.
00:30:52Well,
00:30:52As you all know,
00:30:53I mean,
00:30:54You say nothing,
00:30:54unless they tell you something,
00:30:56Do you understand?
00:30:56Because Lucia told me,
00:30:57that Choni had told him,
00:30:58what he told José Luis,
00:30:59that there has to be discretion
00:31:01And one more thing,
00:31:01Hey?
00:31:01Well,
00:31:02Okay.
00:31:02I mean,
00:31:03that we can't just go around saying it.
00:31:04Let's see,
00:31:05I'll explain it to you again.
00:31:06I mean,
00:31:06Say it around,
00:31:07evil.
00:31:07Give them the opportunity to tell you about it.
00:31:08good.
00:31:09And to say that you already know it,
00:31:10bad too,
00:31:11That's bad.
00:31:11What if they tell people about it?
00:31:13If they talk about it out there,
00:31:15that,
00:31:15already.
00:31:16Well, let me think about it.
00:31:17because I'm lost.
00:31:17I'm lost too.
00:31:19They brought more things yesterday,
00:31:20No?
00:31:20More things.
00:31:21Attention,
00:31:21family,
00:31:23my sister is getting married.
00:31:27Good,
00:31:28good.
00:31:29good,
00:31:30good,
00:31:30good.
00:31:31Congratulations,
00:31:31boy.
00:31:32Good.
00:31:33That's the wedding of the century,
00:31:34kid.
00:31:36I'm going to the pantry for a moment,
00:31:38just in case.
00:31:39Come on.
00:31:40Come on.
00:31:43That?
00:31:44Take.
00:31:44That?
00:31:45No way?
00:31:45Did you become a playboy?
00:31:47Did you see that, man?
00:31:47Did you see?
00:31:48In two days.
00:31:49My sister is getting married,
00:31:50I'm making a fortune,
00:31:51My son is going to live with his girlfriend.
00:31:52Fuck,
00:31:53And on top of that, I become a playboy.
00:31:54Don't mess with me,
00:31:54This is non-stop.
00:31:55It's non-stop.
00:31:56Get out,
00:31:57It is needed,
00:31:57Pussy,
00:31:57We're going to take care of it.
00:31:58Come on.
00:31:59How much,
00:31:59from the beginning?
00:32:00Yeah.
00:32:00The Golf Club.
00:32:01The Golf Club is a place,
00:32:02male,
00:32:03but a class,
00:32:04a style,
00:32:04a level that makes you shit yourself.
00:32:06And maybe the dinner cost 100 euros.
00:32:11They spend it because they're worth it.
00:32:12Haven't you tried a wine like this?
00:32:13in your fucking life?
00:32:14No, no, no.
00:32:16No.
00:32:16He's eating posh.
00:32:17A bit posh.
00:32:18A bit posh.
00:32:19No way,
00:32:20Not posh at all.
00:32:20I'll be rolling in it now.
00:32:22But I'm not posh.
00:32:23I know my origins,
00:32:24I know where I come from
00:32:25And where am I going?
00:32:25And I'm late, too.
00:32:27Where are you going?
00:32:29I'm going to the Golf Club.
00:32:31That Lidia is going to introduce me
00:32:32to a financial advisor,
00:32:33I don't know what.
00:32:34Come on, guys.
00:32:35I'll take one of these doughnuts, okay?
00:32:37Yeah.
00:32:37Thank you, thank you.
00:32:38Thanks, good.
00:32:39See you later.
00:32:39Yeah, yeah, yeah, yeah, I've got you, yeah.
00:32:42I know what you're thinking.
00:32:43Let's go outside.
00:32:50What's left for us?
00:32:52Well, I think there's not much left.
00:32:55Well, I'm going to take this with me.
00:32:56And this.
00:32:57Okay.
00:33:09I almost broke my back here
00:33:10For life, man.
00:33:13And what I'm going to miss
00:33:14It's this sofa.
00:33:15Come on, Raúl,
00:33:16that you're not going to Alaska.
00:33:17If we're going to live next door to each other.
00:33:20Already.
00:33:23Well, Afri.
00:33:26Okay, Raúl.
00:33:31Hope everything goes really well, okay?
00:33:35Thank you.
00:33:38Raul, can you help me with this?
00:33:40Yes, yes.
00:33:41Clear.
00:33:45Hey, we'll see you this afternoon, right?
00:33:47Can you play for the national team?
00:33:48I'll be waiting for you at home.
00:33:49Okay.
00:33:50Sure, sure, sure.
00:33:51Yes, well, yes, also,
00:33:52Hey,
00:33:54Lola doesn't have a TV or anything.
00:33:55Well, even if I did,
00:33:56What the hell,
00:33:56It has to be worldwide, you know?
00:33:57That this...
00:33:58World!
00:34:00Well, that's it.
00:34:01I later...
00:34:03Hey!
00:34:05Thanks love.
00:34:16I feel sorry for you, to be honest.
00:34:17Come on, come on,
00:34:18go on,
00:34:18if we're going to keep him here
00:34:19all day like this.
00:34:21Hey, look,
00:34:22I was thinking,
00:34:24Now that Raúl has left and all,
00:34:27So we could negotiate
00:34:28A little bit of use of the sofa, right?
00:34:31It seems to me that Raúl
00:34:32We're not going to see much of him.
00:34:33We're here.
00:34:34Do you think Raúl
00:34:35Is he going to miss a World Cup match?
00:34:37I'm just saying that Lola,
00:34:38however her ovaries feel
00:34:39Don't come.
00:34:40Raúl is not coming.
00:34:43So you want to start investing,
00:34:45No?
00:34:45Fruitful?
00:34:45Well, yes, well,
00:34:46to try a little bit,
00:34:47Let's see if we get lucky, shall we?
00:34:48Uh-huh.
00:34:49And tell me,
00:34:50What's your wallet like?
00:34:51My wallet?
00:34:53Well, the one my father gave me.
00:34:54when I finish my military service.
00:34:57A forward-thinking father.
00:34:58Look,
00:34:58I handle two types of information.
00:35:00The one I give to customers
00:35:02and then the one I give her
00:35:03to friends.
00:35:03One moment.
00:35:06What are you doing?
00:35:07What are squatting people doing?
00:35:08Are they moving?
00:35:10I say that it will be
00:35:11that is measuring
00:35:11the distance there is
00:35:12from the ball to the hole.
00:35:13I'm just saying, you know?
00:35:22Very well, yes sir.
00:35:24Very, very, very good.
00:35:25Very, very, very good, huh?
00:35:25Have you seen it?
00:35:26Very good, very good.
00:35:28Very good.
00:35:31Three knocks.
00:35:32Three.
00:35:33Take note.
00:35:33Verdi.
00:35:34Verdi.
00:35:35The singer.
00:35:36He must be very Catholic.
00:35:37because he likes it a lot
00:35:38my little Lurdita.
00:35:38No, no, no, no, no, no, no, no, that's not it, Verdi.
00:35:40No, no, Verdi in golf.
00:35:42Verdi, Fiti, tell him what Verdi is in golf.
00:35:44Verdi in golf.
00:35:45What about golf?
00:35:45That.
00:35:45You just saw that.
00:35:47It's doing one less hit than the pair of me.
00:35:49That.
00:35:50Look, I know some high-risk stocks
00:35:52but they have a very high profitability.
00:35:54I would suggest you make a small investment,
00:35:55which is a trial run.
00:35:57A test run?
00:35:57And we start with 100 euros?
00:36:01I like you, your friend.
00:36:03I think 30,000 would be fine.
00:36:0630,000, 30,000, good, good.
00:36:08Well, or 60, damn, it'll be for money.
00:36:10Is that settled?
00:36:11Okay?
00:36:12Are you crazy?
00:36:14Are you crazy?
00:36:14Are your siblings about to get married?
00:36:15I'm here throwing the bowling pins.
00:36:18Yes, yes, yes, let's go, Santi.
00:36:20Let's hear from them.
00:36:21That's blinding, Fiti, that's blinding.
00:36:23Yes.
00:36:24Okay, let's go to number 14, which is the next one, okay?
00:36:26Come on, let's go, let's go.
00:36:31Hey, let's see if the Fiti stretches out a bit.
00:36:33Of course, and have a proper wedding.
00:36:35Because a sister doesn't get married every day.
00:36:38It's going to get stretched, my brother is very generous.
00:36:40Pay attention to what I have planned for the suit.
00:36:42Oh, let's see.
00:36:44What do you have?
00:36:47There was no 98, 99, 2000.
00:36:51I don't have the 2004 one, but I've ordered it by mail.
00:36:54But the 8000 number, you didn't know anything about it until yesterday.
00:36:57Oh, daughter, I've been waiting for this moment for so long.
00:36:59I am happier.
00:37:02Well, the only thing I've missed is the little detail, but Angelico the little snout, how was I supposed to know?
00:37:07And what is it?
00:37:09They should have asked for my hand in marriage the way they asked for my mother's.
00:37:11Oh, on your knees?
00:37:12No, with a machete and guitars and singing me a Murcian jota.
00:37:18But Chani, that was from another era, wasn't it?
00:37:20Yes, but even though I may seem very modern, I'm very traditional.
00:37:23And me with a jota from Murcia and I get goosebumps all over.
00:37:28Congratulations, José Luis.
00:37:29What a joy, huh?
00:37:30Why don't you publish the news?
00:37:31They might announce it, right?
00:37:32How beautiful!
00:37:33Hey, what a nice ring you gave her, huh?
00:37:36Yeah, you like it, huh?
00:37:37Yes, yes, it's very fine.
00:37:38Well, you know, I'm not entirely convinced, am I?
00:37:41I've seen something like that in the store and then in my hand, it was like...
00:37:44I've just come to the jewelry store, which has brought in an Italian collection.
00:37:47Which is something, an elegance, well, that's how Italians are, right?
00:37:50Yeah.
00:37:51I was thinking, Choni, maybe I'll take it for a moment and we can exchange it.
00:37:54Get out of here!
00:37:56That one stays there in my hand.
00:37:58Yes, I know we don't have a penny, darling, and it can't be very expensive.
00:38:01But your intention to make me your wife, that's what matters, my love.
00:38:05The phone, the phone, the phone.
00:38:08Yeah?
00:38:09Man?
00:38:11Hey Angelito, what's wrong?
00:38:13Yeah?
00:38:15The ring?
00:38:16Well, the ring is, well, well, where is it supposed to be? Where else would it be?
00:38:21I've already bought two.
00:38:23Already.
00:38:25Hey, shouldn't you haggle a bit more, man, and not sell it like that to the first person who comes along, because then...
00:38:30Unclear.
00:38:33At eight o'clock at my house.
00:38:35Well no, it's not going to be possible because, damn it, I'm playing for the national team today and no.
00:38:39No, no, no, no, no, no, no, no, I said that.
00:38:41Hey, we haven't left you, relax, no, no, no, no, no.
00:38:44Okay.
00:38:45At eight o'clock, at eight o'clock.
00:38:47Fuck.
00:38:50Let's eat!
00:38:51Chony, Chony, Chony.
00:38:52You're going to scare me to death.
00:38:55Hey, but just one thing, Jocico.
00:38:57Tell me.
00:38:58Why is the inscription in German?
00:39:02In German?
00:39:04Well, because German is, is, is the language of love, Chony.
00:39:08The German.
00:39:09Oh, the language of love, I could eat you up.
00:39:13Nenico, come and eat!
00:39:15We're already going down.
00:39:17Well, I refuse to sing in a sloppy way.
00:39:19But it's not sloppy, Guilla, it's just adapting the lyrics a little.
00:39:22Sure, well, what do I know, instead of rhyming, I get carried away with "idiot," so let's rhyme,
00:39:27I'm losing my mind over...
00:39:28Cool, my great cool.
00:39:31Look, Guilla, we have to be realistic, man, what matters is going out and singing.
00:39:34Well, no, I've got you...
00:39:35Do you know why?
00:39:36Because we have attitude, you know what that is?
00:39:38Attitude.
00:39:39Hey, man, we have an image, we owe it to the public.
00:39:42That's exactly why, Guilla, that's the problem.
00:39:43If we don't have an audience, what's the point of all this attitude, man?
00:39:46Sure, Guilla, I haven't played in months, man.
00:39:49Do you know what I'm talking about?
00:39:50Do whatever you want.
00:39:51But I refuse to invent a song for Boy Scouts.
00:39:53Perhaps you're very good at it, Tetés, but I'm not.
00:40:02No, no, don't look at us, okay?
00:40:04We are scientists.
00:40:05But pure, too.
00:40:10And you weren't planning to tell me?
00:40:13But no, it was nothing.
00:40:14Churri, what happened to Elena was an accident.
00:40:16Of course, the chalk bullets, right?
00:40:17Raúl, I've told you a thousand times that Spanish music is going downhill!
00:40:22Sorry, sorry, I know I'm being a pain.
00:40:24No, no, but I'm a disaster too, Churri.
00:40:28Do you know what's wrong with me?
00:40:30Ever since I found out about Elena last night, I haven't been able to get it out of my head and I
00:40:34She's driving me crazy, dude.
00:40:35No, but that's already happened.
00:40:36Okay, Churri?
00:40:37It's over.
00:40:40Don't you want to?
00:40:41I'm not doing this myself, you know?
00:40:45More than Elena and Afri.
00:40:48Together?
00:40:49Very good.
00:40:50Of course, silly.
00:40:54And what would you do for me?
00:40:55For you?
00:40:57I'd give my all for you, I'd get your name tattooed, do you want me to get your name tattooed?
00:41:02Your NIF?
00:41:03Should I put your NIF here, on my chest?
00:41:05No, I want you to stay with me this afternoon.
00:41:08This afternoon?
00:41:09Today, here?
00:41:10Yeah.
00:41:11And we ordered, and we had dinner, and...
00:41:18Yes, yes, of course.
00:41:20Sure, sure, sure, yes, yes, yes, sure.
00:41:24Relax, Santi, damn it, we'll talk to Fiti later, but we weren't going to make a scene, were we?
00:41:28Manu, what are you doing?
00:41:29Don't look, don't look.
00:41:30That?
00:41:30But they are being followed.
00:41:35No, Santi, damn it, that's the one who carries the sticks, Cádiz.
00:41:37Cádiz?
00:41:38Yeah.
00:41:39Well, get this Cádiz away from me, it's making me nervous.
00:41:41Hey, hey, kid, one thing.
00:41:43I mean, yes, no, Santi, you don't need to follow us.
00:41:46We didn't come here to play golf, we came here to get some fresh air and that's it.
00:41:49Don't worry, sir, it's my job.
00:41:51Ah, so it's your...
00:41:51Well, we were just discussing how, since Sebe left professional golf,
00:41:56In other words, the big competition, well, we're already a little out of sorts.
00:41:59Because we're more into contact sports, especially football, right, Santi?
00:42:02Santi!
00:42:06Santi!
00:42:09Let's see, that position.
00:42:11Crouch down.
00:42:12Crouch down.
00:42:13Legs open, knees bent, butt out.
00:42:17Okay, go ahead and explain it to me, I already, I already get it, I already get it.
00:42:20Okay, that's it, swing and hit.
00:42:29Fiti hasn't moved.
00:42:34The stick, the stick, which I think is wrong in terms of balance, huh?
00:42:41Look, pay attention, look at the footwork and see if you can figure out what you did wrong.
00:42:46Hey?
00:42:53Let's see if Fiti is right about the balancing.
00:42:57Common sense, if nothing else, this.
00:43:05For me, honestly, this way, it has to get stuck at the precise moment.
00:43:18Santi, damn it!
00:43:19Santi, for God's sake!
00:43:20You can't even pee in peace here.
00:43:23This site may be very nice, but it's not exactly ready, is it?
00:43:28Well, folks, that's all.
00:43:29I, I'll continue with my walk.
00:43:31Hey, here's a little ball.
00:43:37He's going through a really bad patch, you know? Really bad.
00:43:43But they have found the ball.
00:43:44Come on, let's go, let's go there.
00:43:49Let's see, this little tump of yes is very easy.
00:43:51You have to do the following.
00:43:53You follow Choni to the bathroom.
00:43:54She is going to take off her ring to wash her hands.
00:43:56And while one distracts, the other takes off the ring.
00:43:58Easy peasy, huh?
00:44:00Yeah, so why don't you ask him?
00:44:01I've already told you.
00:44:03I want to have an inscription added to the ring.
00:44:05And if I ask him, well, it's awkward.
00:44:07Or doesn't it look ugly?
00:44:07Of course, of course, José Luis.
00:44:09It's rude of you to ask him for it, but it's not rude of us to ask him for it, is it?
00:44:12Look, let's just leave it at that...
00:44:13No, wait a minute, wait a minute, wait a minute, wait a minute.
00:44:15Okay, okay.
00:44:17What do you want?
00:44:18I'll buy you whatever you want.
00:44:19What do you want?
00:44:20Ask?
00:44:21Some colored pencils?
00:44:23Socks from the Chinese store?
00:44:24What do you want?
00:44:24Look, just leave it.
00:44:24We're not the type to interfere in private property.
00:44:27No, no.
00:44:27You're wrong.
00:44:29I'm not telling you to get involved anywhere.
00:44:32Hey, you're all petty bourgeois.
00:44:34That's what you are.
00:44:35Spoiled bourgeois women.
00:44:56Hey, what do you want?
00:44:57Give me everything.
00:44:58Everything, everything, everything.
00:44:59Give me everything you have, quickly.
00:45:01Give me, give me money, a ring, a watch.
00:45:04Ring too, give it to me, quickly.
00:45:07Oh, Josico.
00:45:09No, this is a traffic jam, a dangerous traffic jam, miss.
00:45:12Josico, you're on fire.
00:45:16Damn it, what have I sown, what have I sown, damn it.
00:45:20This has been a failure.
00:45:21Yes, this is what I do to escape the routine.
00:45:24Of course, of course, you fool.
00:45:26What are you doing, Toni?
00:45:27A little bit of fantasy.
00:45:29If you're into the forbidden, like me.
00:45:31Toni, Toni, no, no, chatunga, chatunga.
00:45:32Hey, hey, they might see us, woman.
00:45:34Don't tell me it doesn't turn you on.
00:45:35Yes, morbid curiosity, yes, but...
00:45:36Oh, tell me something in German, you're driving me crazy, crazy, crazy.
00:45:39Hopefully, Toni, I'll get home soon.
00:45:40Spring water.
00:45:41Irmán is very good with friendship.
00:45:43Clear.
00:45:43It's a bit cheesy.
00:45:44A little sentimental?
00:45:44But he's the one who wouldn't sing this even at a dinner table, Joli.
00:45:46Okay, then go ahead and write it yourself since you're so smart, come on.
00:45:49Well, it's very nice, I don't know what you see wrong with it.
00:45:51Thank you, Carmen.
00:45:52Hi guys.
00:45:53I'm bringing some things from the supermarket.
00:45:54Look, pretty ones.
00:45:55That's lovely.
00:45:56Do you want to see what we're writing?
00:45:57Yes, let's see.
00:45:59Let's see how the lyrics go, let's see.
00:46:04Well, how lovely this little bird on the branch thing is.
00:46:07TRUE?
00:46:07Yeah.
00:46:07No, it's just that this girl, Joli, is very sensitive.
00:46:10See?
00:46:11Well, this is beautiful, something cheerful and youthful.
00:46:14That's life, isn't it?
00:46:17Just a moment, please.
00:46:24Let's see, Tete.
00:46:25Do you really expect us to go out tomorrow and sing about the little bird on the branch?
00:46:28Well, it's not so bad either.
00:46:29It will not depend on the context.
00:46:31But, Tete, please, it's that it suits you that the nova neither of birds nor of context.
00:46:34Let's get down to business.
00:46:35I think if we go on stage and sing it in a weird way, so that no one understands us,
00:46:38as if we were alternative.
00:46:40I think it works well, if the important thing is to go on stage and sing.
00:46:42Yes, well, just so you know, I'm not singing tomorrow.
00:46:56Hey, Chukin, if we're bothering you, just say so, okay?
00:46:59No, no, I'm already here with this crazy thing, well.
00:47:03Hey!
00:47:04Damn, we thought he wasn't coming.
00:47:06No, well, in the end I'm not going to stay for the game.
00:47:10But it's the World Cup.
00:47:11Yeah, no, but I have a ton of things to organize.
00:47:13There we have it, you know?
00:47:14And I also want to move into the new house.
00:47:18Sure, dude, hey, come on, are you waiting for me until the World Cup?
00:47:20Yes, I know, but well, later on, you know?
00:47:23It's also a bit disappointing, man, because we always get knocked out in the quarterfinals, you know?
00:47:27And there's no reason to suffer, you know?
00:47:30But I have to be global, man.
00:47:31Okay, fine, let's talk, okay?
00:47:35Okay, if they score a goal, if you want, you can send me a text message, okay?
00:47:39Come on, let's...
00:47:41Lives over there.
00:47:46Where is he holding it?
00:47:48No, no, he won't miss this one.
00:47:50I didn't give up anymore, no.
00:47:51That's a world championship, man!
00:47:52That's what...
00:47:56Oh, my child, how we will remember these moments when you come into our autumn days.
00:48:03What's wrong with you? Why are you acting so strange?
00:48:06Take a shower.
00:48:07I?
00:48:08Because?
00:48:09Well, and...
00:48:10And why not?
00:48:11Hey?
00:48:11Let's take a bath together, shall we?
00:48:13We are alone, there is nobody here.
00:48:14With those pumas, that unbridled passion, huh, chatunga?
00:48:17Oh, but what a capacity for recovery, my son, for God's sake.
00:48:21We've been together for two days, and you've got me going crazy.
00:48:23Yeah.
00:48:23Hey, but take off your ring first, okay?
00:48:25Don't let it get damaged or anything.
00:48:27Of course, of course, son, you're on point.
00:48:29Come on, I can't wait any longer, chatunga.
00:48:31Luis, you won't believe who I ran into on the street.
00:48:39Angelito, damn it, what are you doing here?
00:48:42She is Choni.
00:48:44Nice to meet you.
00:48:44She's my girlfriend.
00:48:46She's my girlfriend.
00:48:47Come on, we love each other very much.
00:48:49That sounds great, girlfriend.
00:48:51In your mouth.
00:48:52Yeah.
00:48:53Let's go there.
00:48:55Well, you have to go to golf with your bowels full and your pee ready, right?
00:48:57Golf is, therefore, an elegant and refined sport.
00:49:00Well, how refined, elegant, and a pain in the ass.
00:49:02Because, frankly, between Real Madrid and Barcelona,
00:49:04And some guy giving him his little ball, well, there's no comparison, man.
00:49:06And besides, they're all snobs.
00:49:07And first, your advisors.
00:49:09What do you want, Santi?
00:49:10But you spilled the whole ball.
00:49:12I'm not going to water.
00:49:13Don't run it, okay?
00:49:14Don't run it, okay?
00:49:15Well, anyway, there's a story.
00:49:16Your advisor is very well-groomed and all, but, dude, he's good too.
00:49:18But what?
00:49:19He's a genius, really.
00:49:21In the world of the stock market, he's a star.
00:49:23But I gave him five million and he's going to invest it in one of those pills, huh?
00:49:28Give me another one, come on.
00:49:28I'm going to give you another beating, but, look, but, Fiti, but, really, how could you even think of that?
00:49:31For God's sake, don't you realize that the word itself says it?
00:49:33One pill, one pill.
00:49:35Of hostility, or pastil, of hostility, you understand?
00:49:36Be careful, Fiti, be careful, you've gotten yourself into a huge mess.
00:49:38And let's see what...
00:49:39Wait, wait.
00:49:40Why not?
00:49:43No.
00:49:48Damn, damn.
00:49:50Already.
00:49:51Yes, this is Fructuoso Martínez speaking.
00:49:54Oh, hello, gorgeous.
00:49:56How are you?
00:49:56Well, here I am, and yes, the stock market has closed.
00:50:02But forever?
00:50:05Ah, ah, I didn't hear you properly.
00:50:07Yes, yes, yes.
00:50:09As?
00:50:11Well, he's lost everything.
00:50:12That?
00:50:13The agaricia rompenta.
00:50:14God, 10 million?
00:50:16Fuck.
00:50:16That I've earned another 10 million.
00:50:19As?
00:50:20Yeah.
00:50:20That you've earned another 10 million today.
00:50:23Yes, yes, yes, yes, well, okay, but this guy is a monster.
00:50:26A wild beast?
00:50:27The advisor?
00:50:29Yeah.
00:50:30Tonight.
00:50:32Okay, okay, okay.
00:50:33The golf club, dinner.
00:50:34Very good, perfect, perfect.
00:50:35Just a moment, just a moment.
00:50:36We have a World Cup match tonight, damn it, with a barbecue.
00:50:40It's just not going to be possible, Diego.
00:50:42The thing is, this stuck-up guy, the advisor, has to take a shuttle flight.
00:50:45And it has to be tonight.
00:50:46Okay, another day, alright, champ?
00:50:47Okay, okay, okay.
00:50:48Yes, okay, okay, okay.
00:50:49No problem.
00:50:50Okay.
00:50:51Well, I'll get in touch with you around 9.
00:50:54Fiti, they leave you the fishing rod.
00:50:56Okay, okay, okay, okay, okay.
00:50:57Me alone, me alone in the end.
00:50:591-0, the game kicks off.
00:51:02No, not now, not now, not now, not now!
00:51:04Come on, come on.
00:51:05Oh, the game has already started.
00:51:08And Raúl?
00:51:10Has he not come or what?
00:51:11No, he hasn't come, but wait until the first game starts.
00:51:14Come on, Captain, you're safe!
00:51:15It's internal in the case of the wise man from Hortaleza.
00:51:17Raúl receives the ball in midfield.
00:51:19Antonio López doubles the ball and receives it.
00:51:21He leaves it for Seth who turns and passes to Puyol.
00:51:24A long pass that he eventually intercepted.
00:51:26Oops!
00:51:26The Barça captain has not arrived.
00:51:28Spain will take it out.
00:51:30It's a throw-in.
00:51:32Yeah I know.
00:51:34But, but it's the World Cup, isn't it?
00:51:36Hey?
00:51:36Not for Reyes, who is in good control.
00:51:43Raul.
00:51:44Raul.
00:51:47Hey, no, no, this isn't a load-bearing wall, okay?
00:51:50No, no, no, not at all, not at all.
00:51:51Can you help me with this box?
00:51:52Sure, woman, tell me.
00:51:54That's why I'm telling you.
00:51:55What do you know about what's happening?
00:51:55I'm worried about the walls, aunt.
00:51:56Well, we might end up drilling there.
00:51:59And then let's do a slow one.
00:52:00There it is, Raúl!
00:52:01Hey?
00:52:02Oh, sorry, sorry, man, it's just that I felt like it.
00:52:05But are you okay?
00:52:06Uh, yes, yes, yes, very good.
00:52:08Very good.
00:52:11Hey, Raúl is all alone with this!
00:52:14Churri.
00:52:15That?
00:52:17Did you know?
00:52:18No, I'm not feeling very well, you know?
00:52:20No?
00:52:20No.
00:52:21Because?
00:52:22No, I have something, you know?
00:52:24My whole body feels it,
00:52:26more specifically here in what is the pit of the stomach.
00:52:28Could that be gas?
00:52:30No, I wish, no way, worse, worse.
00:52:32It's like, you know?
00:52:33Something just came to me, you know?
00:52:37It grabs me here like...
00:52:38They'll have it in the pit of their stomach.
00:52:41Hey?
00:52:41No, no, no.
00:52:43Yes, but then it goes up, you know?
00:52:44And it goes down.
00:52:45And it's something that...
00:52:47Oh, ah.
00:52:48Stay, shall I bring you a soul?
00:52:49No, no, no, no, no.
00:52:50No, no, that won't work for me.
00:52:52This is like a family thing, you know?
00:52:55Look, I'll go down to the pharmacy instead.
00:52:58And I buy my medicine there, you know?
00:53:00I already know her, I know.
00:53:02Well, no, be careful.
00:53:03Okay, let's see.
00:53:07What kind of game are we playing in LASIK?
00:53:09Run, you were taking too long!
00:53:14And Lola?
00:53:15How come he hasn't come?
00:53:16Uh, no, I was just tired of the boxes.
00:53:19And what aren't boxes, right?
00:53:21So, what's up? How's it going?
00:53:22Zero, zero, dude!
00:53:23Zero, zero?
00:53:25What a bastard!
00:53:30All the girls in town were after him.
00:53:32Hey?
00:53:33And he did nothing.
00:53:34Hey, nothing.
00:53:34Every afternoon to church.
00:53:35Help me with catechism.
00:53:37He was a really good person.
00:53:38No, you can see it in the cartoon.
00:53:39because of what a good person he is.
00:53:41And what do you do now, Angelito?
00:53:42What are you doing?
00:53:43He has become self-employed.
00:53:45Autonomous.
00:53:46And maybe he's in a hurry
00:53:47and we're here entertaining you.
00:53:48Come on, Angelito.
00:53:49No way, Josélito.
00:53:50So I feel very comfortable here.
00:53:51Besides, you didn't have anything to say to me.
00:53:55If he wants to hide it,
00:53:57But it shows.
00:53:58It shows.
00:53:59Josico has asked me to marry him.
00:54:02Show it to him.
00:54:03Show it to her, woman.
00:54:03Look.
00:54:04But anyway, how are we going to talk here?
00:54:05Now about the wedding, man?
00:54:06Otherwise, we haven't offered him anything to drink.
00:54:08Oh, that's right.
00:54:09Well, I'm opening a bottle of pipermina right now.
00:54:10No, no, no.
00:54:11Lurditas.
00:54:12Show him the house and, listen,
00:54:13Let her have whatever she wants.
00:54:15Hey, Angelito?
00:54:15They're waiting for us downstairs, Joselito.
00:54:17And these are the ones with the concrete shoes.
00:54:19Yourself, buddy.
00:54:23So, in the end, what's the deal, Angelito?
00:54:25Did you finish the seminar?
00:54:26Choni, choni, choni, choni,
00:54:28What I'm seeing hurts me a lot, you know?
00:54:29Choni.
00:54:30Which?
00:54:31Which?
00:54:31Which?
00:54:32Who do you think you are?
00:54:33Am I supposed to suck my thumb or what?
00:54:34Hey, what's wrong with you?
00:54:35I don't know if it's because of the wedding or what,
00:54:37But I find you acting strange, very strange.
00:54:38Am I acting weird?
00:54:39Am I acting weird?
00:54:40Hey?
00:54:41And those little eyes you were giving Angelito?
00:54:42That?
00:54:43What was going on with that?
00:54:44Hey?
00:54:45What a spectacle, and in front of my sister, seriously?
00:54:47But what are you saying about me giving someone the eye? What about me?
00:54:49Shh.
00:54:50Little eyes, little eyes, little eyes, little eyes.
00:54:52Yes, yes.
00:54:53You say no and I say yes, okay?
00:54:54And we can spend hours and days like this.
00:54:56So if I'm not sure, I don't get married.
00:54:58Choni, come on, give me the ring.
00:55:00The ring?
00:55:01Give me the ring, please.
00:55:02Look, don't tell me twice.
00:55:04Give me the ring, come on.
00:55:06Strip.
00:55:06Damn, they've kept this quiet.
00:55:07They haven't silenced you, they haven't silenced you.
00:55:08Hey guys, what's up?
00:55:12Hey, well, look, maybe you're right and you got something in your eye and I, well,
00:55:17I had thought of something else.
00:55:19And I haven't thought about anything else, not even the sacred ring, José Luis.
00:55:21Hey, hey, hey, that ring is mine.
00:55:26What's up, Santi? Have you joined a gym?
00:55:27To a gym?
00:55:28Which gym?
00:55:30Have I made a decision?
00:55:31Where did you take it?
00:55:37God, what is that?
00:55:38Hey, Santi, for God's sake, you look like you've robbed a bank, damn it.
00:55:40From a bank, my foot.
00:55:41That I am going to invest.
00:55:42But what do you mean you're going to invest?
00:55:43Where are you going to invest?
00:55:43Let's see.
00:55:43That I'm going to invest in as a profession.
00:55:45In a bag.
00:55:46In the same one as that.
00:55:47But you've gone mad.
00:55:48What have I gone crazy about?
00:55:48What have I been thinking, brother?
00:55:50That I have lived my whole life in error.
00:55:51But what mistake?
00:55:52What are you talking about?
00:55:53I'm talking about the fact that I've been behind that bar for 40 years, working from sunrise to sunset.
00:55:57And what good has it done?
00:55:58So that?
00:55:58Let's see, let's see, let's see.
00:55:59Listen to me, listen to me, this is important.
00:56:01In other words, you can't just go looking for a quick buck like that, kid.
00:56:04That's not right.
00:56:05So, you have to earn money little by little, you understand?
00:56:06Money earned from forehead insurance tastes better.
00:56:09It doesn't taste better.
00:56:11It tastes the same.
00:56:11It tastes the same as, but better, without stopping the water.
00:56:15Look, Fiti, this afternoon.
00:56:17In the time it takes to have a beer, he's earned another 10 million.
00:56:20And without moving from here.
00:56:22Are you aware?
00:56:24What are you going to do?
00:56:24Santi, Santi, where are you going?
00:56:26Santi, wait.
00:56:40But penalty, I'm outta here, okay?
00:56:41He's going to throw it to the right, man.
00:56:43No, he's not going to put it in, man.
00:56:45You don't have to put anything in, man.
00:56:47Shh!
00:56:48No!
00:56:49No!
00:56:52No!
00:56:54No!
00:56:58No!
00:56:59No!
00:57:00No!
00:57:01No!
00:57:02No!
00:57:04No!
00:57:05No!
00:57:08No!
00:57:08No!
00:57:08Why don't you calm down a little and give us the ring, huh?
00:57:10Leave me alone, you criminal!
00:57:12Oh well...
00:57:12I was so excited to marry you.
00:57:14If I'm unhappy, I don't know why I get my hopes up.
00:57:16No, no, it's a very long story.
00:57:18Well, I didn't know about the wedding.
00:57:20And you keep quiet, you're a troublemaker!
00:57:21You have to see that, Angelito.
00:57:22You have to see that, huh.
00:57:23Because when the voice of the Lord calls, we must make an effort to follow it.
00:57:25Otherwise, this is a joke.
00:57:26My life is a mess.
00:57:28I have bad luck with all men, and I thought you'd be different.
00:57:31well no.
00:57:31A shirker like all the rest.
00:57:32Johnny, let me explain to you, please, that I did this for you.
00:57:35Let's see, let's see, let's see.
00:57:36I don't want to interrupt, but they're waiting for me downstairs, they're going to warm me up.
00:57:38I'm just not lucky enough to be a nani, either as a woman or as an artist.
00:57:41If men let me shoot and the Chinese pirate me.
00:57:43But, my God, what am I?
00:57:44What am I, do I deserve this?
00:57:45You don't reason.
00:57:46What do you want me to do?
00:57:47You don't reason, huh.
00:57:48That you haven't known how to treat me as I deserve.
00:57:50Look, I'm going to tell you something.
00:57:51See for yourself how much I love you.
00:57:53Nobody will love you.
00:57:55But I don't care.
00:57:56I don't care because you're not going to see me again.
00:57:58Leave.
00:57:58Hey, if you want to leave, go ahead, but give me the ring.
00:58:00Give her the ring, darling, please.
00:58:01And don't say I don't love you.
00:58:02How could I not love you?
00:58:03It's finished now.
00:58:04And you take the ring there and put it on.
00:58:05Bring it, damn it.
00:58:05But hey Johnny, where are you going, my love?
00:58:07To forget you forever.
00:58:09You don't reason with me.
00:58:09Johnny, Johnny, Johnny, Johnny.
00:58:11No, I don't want to.
00:58:11Leave her alone, leave her alone.
00:58:12You have to see that, huh.
00:58:13Okay.
00:58:14With the best features for children.
00:58:19But those Wall Street brokers...
00:58:21These...
00:58:22They only speak English.
00:58:23Me too...
00:58:24Badly.
00:58:25Don't worry.
00:58:26I'll translate for you.
00:58:27You know, this is an opportunity that my advisor gives to very few clients.
00:58:31And Fiti, you have to take advantage of it.
00:58:32Well, that's it.
00:58:34Well, talk more.
00:58:35We'll have to celebrate.
00:58:38Kid.
00:58:39Okay, a little bit more of this.
00:58:41Okay?
00:58:42How are you?
00:58:43I'm fine?
00:58:44You look great.
00:58:46Don't worry.
00:58:47You'll see how everything feeds us.
00:58:49Okay.
00:58:49Fiti!
00:58:50Fiti!
00:58:51Has the advisor arrived?
00:58:53No.
00:58:53That's better.
00:58:54Look what it brings.
00:58:56Careful, keep that?
00:58:57Keep that?
00:58:57Fiti and Cielo should be arriving soon.
00:58:59Better to wait for them at the bar while you...
00:59:02God be with you, ma'am.
00:59:04Well, to those of us who are here.
00:59:05No, no, not those of us who are here.
00:59:06That you're not here for anything.
00:59:07Please keep that.
00:59:08What are you saying?
00:59:09I'm here to invest.
00:59:10This is money.
00:59:10Like yours.
00:59:11No, not like mine.
00:59:12No, Santi, damn it.
00:59:13That's no way to behave, damn it.
00:59:15You can't just come here barging in without anyone inviting you and looking like that.
00:59:18Oh my God.
00:59:18What are you painting?
00:59:19What do you say about looks?
00:59:21Is something wrong with you?
00:59:21No, no, Santi.
00:59:23Nothing's wrong with me.
00:59:23Look, let's do one thing.
00:59:25When they come, I'll talk to them.
00:59:27I'm talking about your thing.
00:59:27And if that's the case, well, damn it, another day.
00:59:29Besides, damn it, what if they speak English and you don't?
00:59:32Neither you.
00:59:33It doesn't bother you.
00:59:34You're denying me.
00:59:35No.
00:59:36You're denying me.
00:59:36I'm not denying it, Santi.
00:59:39Damn.
00:59:42How have you changed?
00:59:43Let's see.
00:59:44Santi, please don't dramatize.
00:59:45And be aware of where you are.
00:59:51Come on.
00:59:52Understand it.
00:59:53Damn.
00:59:54We'll talk tomorrow, okay?
01:00:11Look, look.
01:00:13Shit, shit!
01:00:15Lola, Lola.
01:00:15What's wrong with Lola?
01:00:16What's wrong with Lola?
01:00:17No, no, don't tell him I'm here.
01:00:18I'm not here, I'm not here.
01:00:19Who are you?
01:00:19I must have moved after the World Cup, man.
01:00:22I'm not here, I'm not here.
01:00:26Hey!
01:00:26I'm taking a shower!
01:00:29Hey?
01:00:32Oh!
01:00:33Don't tell me you've run out of hot water at home.
01:00:35Africa, don't mess with me.
01:00:36Please, okay?
01:00:36Quietly, quietly.
01:00:37Please, okay?
01:00:41Where is Raúl?
01:00:42Where is Raúl?
01:00:43He's not here.
01:00:44What do you mean it's not there?
01:00:45Isn't it there?
01:00:47Are you sure he's not there?
01:00:48Sure.
01:00:48And he also knows that if he lets Spain touch the...
01:00:50Hey!
01:00:51But what are you doing?
01:00:51Let's hope it's the World Cup!
01:00:52You don't take her for a fool, do you?
01:00:53Where are you going?
01:00:54Don't touch me!
01:00:55Don't you touch me, okay?
01:00:56I'm telling you to calm down a little, right?
01:00:58I'm very calm...
01:01:01Are you the ones who are nervous?
01:01:04I just want to know...
01:01:06Where is my boyfriend?
01:01:07What is it?
01:01:08What's not there?
01:01:09Isn't it here?
01:01:09What's not there?
01:01:10Isn't it here?
01:01:11What are you doing?
01:01:14What are you doing?
01:01:24Damn, what do I do?
01:01:25What I do?
01:01:28Raul!
01:01:32Raul, come in!
01:01:34Raul!
01:01:36Raúl is not here!
01:01:37No?
01:01:37Hey, would you mind?
01:01:39Sometimes I get embarrassed when people watch me fighting.
01:01:46Hey! No, no!
01:01:47Suri!
01:01:47I already had a president!
01:01:48No, no, no!
01:01:49Listen to me, I was watching the game!
01:01:50I swear!
01:01:51Hey! Listen to me, I was watching the game!
01:01:53Really!
01:01:54Suri! Suri!
01:01:57That?
01:01:58Did I tell you or not?
01:02:06That?
01:02:12Curro, would you like a sandwich?
01:02:15No.
01:02:17Hey, you're always coming, shall we get a sandwich?
01:02:18What are we consuming?
01:02:20Because the brain wears out.
01:02:21Do you understand, son?
01:02:21And when we consume, we have to replenish.
01:02:22But, Dad, we just had dinner.
01:02:24That's true, son. That's true.
01:02:26You're right.
01:02:27Let's call Lucia
01:02:28and we told him how the Viayos heroes were doing.
01:02:33Brother!
01:02:34Brother!
01:02:36No, no, I'll go.
01:02:37Here, speak your foolishness.
01:02:38I'll call you, come on.
01:02:39Yes, yes.
01:02:40Yes, yes.
01:02:41Yes, yes, yes.
01:02:42Come in, come in, come in.
01:02:44What's that?
01:02:44What kind of bruises have I gotten?
01:02:45Okay, what happened?
01:02:47Santi!
01:02:47Santi, don't tell me you've lost all the money!
01:02:49Don't tell me!
01:02:50He denied me!
01:02:51He denied me!
01:02:52Like Saint Peter!
01:02:53Who?
01:02:54Fiti?
01:02:54Or she denies it to us!
01:02:56He denies it!
01:02:57Santi, come on, think a little.
01:02:58That's a mistake, man.
01:02:59A misunderstanding.
01:02:59Fiti doesn't do those things.
01:03:00No, that's not how it is, Fiti.
01:03:01I'm telling you.
01:03:02Fiti can't do that...
01:03:03That?
01:03:04That no longer...
01:03:05I'm not getting married anymore.
01:03:06Damn, what a night.
01:03:08I'm coming, I'm coming, Choni.
01:03:11Come in, come in, Choni.
01:03:13Come in, go on.
01:03:13Don't cry, woman.
01:03:14Don't cry, don't cry for me.
01:03:15Sit down, go on.
01:03:16Oh, forgive me for coming like this without warning, but they didn't know about me getting involved.
01:03:21Okay, calm down.
01:03:21Don't worry, you know?
01:03:22Tell me, what happened?
01:03:24I'm not getting married anymore, Diego.
01:03:25That you were a lie.
01:03:27José Luis's lie.
01:03:29And the ring was stolen.
01:03:31What about the ring?
01:03:31Ugh.
01:03:32That's awful.
01:03:33Well, it's tough.
01:03:34It's tough, Choni.
01:03:35I don't know what to tell you.
01:03:36Come on.
01:03:37Oh, yes, thank you.
01:03:38Thank you.
01:03:39If he's left me a little bed, that solves my problem.
01:03:42You're always so good to me, Diego.
01:03:44One moment.
01:03:44Dad, who is Lucia, says what all this commotion is about.
01:03:47Yes, yes, yes.
01:03:48Shut up, shut up.
01:03:50I've done myself good.
01:03:50Yeah.
01:03:51Hi, how are you, darling?
01:03:53How are you?
01:03:54Yeah.
01:03:55Nothing.
01:03:55Very normal.
01:03:56Normal, as always.
01:03:57That's normal.
01:03:59Normal, yes.
01:04:10Oh, hasn't Fiti brought breakfast yet?
01:04:13Well no.
01:04:14He won't bring it, ma'am.
01:04:14He won't bring it.
01:04:15Not even a little heart.
01:04:17I came prepared.
01:04:19Ah.
01:04:19Hey, I'm on my way to school, okay?
01:04:21I have a sound check.
01:04:25I don't know why, Guillermo, but I sense something like a disagreement or something, right?
01:04:30She refuses to sing at the end-of-year party.
01:04:33Why are you refusing to sing at the party?
01:04:34But, but, but, Guille, you can't do that, for God's sake.
01:04:37Do you have an audience?
01:04:38Can't you make a statement?
01:04:38Is that really ugly?
01:04:39But, Dad, they've censored the lyrics and are forcing us to sing something ridiculous.
01:04:42And I refuse.
01:04:43Okay, let's see.
01:04:44Are the others going to sing?
01:04:46They're sellouts.
01:04:47What are they...
01:04:48Come on, Guille, think for a bit.
01:04:49That's a group.
01:04:50And friends should never be left in the lurch, please.
01:04:53Dad, no.
01:04:53It's just that it embarrasses me.
01:04:54You don't know how sentimental she is.
01:04:56Let's see, we sing.
01:04:57Guille, listen to me.
01:04:57It's sung and that's it.
01:04:58In other words, because you have to be there for the tough times and the easy times.
01:05:00Because shame passes, my son.
01:05:01But the friendship remains.
01:05:02And friendship needs to be nurtured.
01:05:03Have you heard?
01:05:04Shame fades, friendship remains.
01:05:05Hello, family.
01:05:06Hello.
01:05:06Hello, Mrs. Carmen.
01:05:07As beautiful as ever.
01:05:08Hello, José Luis.
01:05:09Hey, one thing.
01:05:10If your intention is to talk to Chony, you're going to have a hard time.
01:05:13Yes, I know.
01:05:14Yes, yes.
01:05:14You?
01:05:15Before marriage?
01:05:16Typical, typical.
01:05:18Between us, José Luis.
01:05:20You've got them square, frankly.
01:05:21Come on, we're more than just squares.
01:05:22You have them in cubes.
01:05:23No, no.
01:05:24You don't know the first thing about the mass.
01:05:25In other words, no.
01:05:25That's not the way things are going.
01:05:26No.
01:05:27No, no, no.
01:05:28Hello, chatunga.
01:05:29Please, Diego.
01:05:30Please tell that gentleman that I'm not here.
01:05:33Hey, what do you think?
01:05:34Why don't you go to the meeting room?
01:05:36Yeah.
01:05:37It's going to be better, yes.
01:05:39Chony.
01:05:39Come on.
01:05:46But, my love.
01:05:47My love.
01:05:48Hey?
01:05:49Let's go home and sort it out there, okay?
01:05:51I know that these arguments pass quickly.
01:05:53No, that was before.
01:05:54When I was still under your spell.
01:05:55Not anymore.
01:05:56And there you have it.
01:05:58What are you doing?
01:05:59No, no, no, no, no.
01:06:01No, Chony.
01:06:01No, not this.
01:06:02I told you this keyhole while shooting there in...
01:06:04at the fair with the shotguns.
01:06:07Don't do this to me, woman.
01:06:09Hey?
01:06:09Oh, no?
01:06:10No.
01:06:11No, this is non-refundable.
01:06:12The immersion blender and the microwave are being returned.
01:06:14I don't know, the toaster.
01:06:15But not this.
01:06:16You can't do this to me, okay, my love?
01:06:17Let's get married for a few days, please.
01:06:19Chony.
01:06:20Chony.
01:06:20Hey.
01:06:21You made me give back what I loved most.
01:06:24My dream.
01:06:24Are you going to give it back to me?
01:06:25No, then keep everything else.
01:06:40Santi, whenever you can
01:06:41Take a look at the accounts
01:06:43Damn, cheer up!
01:06:44Please, cheer up!
01:06:45It hurts, brother
01:06:48It hurts more than a bull's horn.
01:06:49Yeah
01:06:51Yes, yes, yes, okay
01:06:52Well, buy it
01:06:53Sure, sure
01:06:55Don't worry
01:06:55Look, let's see
01:06:56Yeah
01:06:56He thinks he's so important
01:06:58He's talking to himself, you know.
01:07:00Okay, see you later, see you later
01:07:01See you later
01:07:02Uh, I wanted to talk to you, actually.
01:07:04Fiti, this is not
01:07:06This is not
01:07:06Don't mess with me, Santi, you're still angry about what happened last night
01:07:11Don't be like that, don't really be like that, okay?
01:07:13You're being a little sensitive
01:07:14Come on, you idiot, damn it
01:07:16Look, look
01:07:17So you can see
01:07:18I bought you
01:07:19A state-of-the-art mobile phone
01:07:22With his earpiece
01:07:23And if...
01:07:24Hey?
01:07:24Here you have it all.
01:07:25Of everything
01:07:27Damn, let bygones be bygones
01:07:28Damn, just get me a beer and that's it
01:07:30No gay stuff
01:07:31The beers
01:07:32I'll give them to my friends.
01:07:33Those who are not friends
01:07:35Not even beers
01:07:36Not even mobile phones
01:07:37Nothing.
01:07:37Eh, eh, eh, eh
01:07:39Santi, watch out, I see you there.
01:07:40But there's a lot of hostility, huh?
01:07:42Listen, there is one.
01:07:43There is hostility, you understand.
01:07:44Damn, my brother is hurting
01:07:46How do you want...?
01:07:47Hurt?
01:07:47Hurt?
01:07:48Look, let's be clear now
01:07:49So much nonsense
01:07:50Nobody invited him to go there
01:07:51Okay?
01:07:52Nor did I invite him
01:07:53Hey?
01:07:54Okay, very good.
01:07:55Why does she have to meddle in things that don't concern her?
01:07:56That's great, fantastic!
01:07:57That's true
01:07:57I don't deny it
01:07:58That's true, I won't deny it.
01:07:59But, but damn it
01:08:00You've done something mean to my brother.
01:08:01An ugly thing that's there
01:08:02Did he do something ugly or not?
01:08:02No, Diego
01:08:03No way, fuck it
01:08:04We all know what your brother is like.
01:08:05He's a really good person.
01:08:06Hey?
01:08:06But then he doesn't know how to behave.
01:08:07And I was there with some very important people
01:08:09Hey?
01:08:09The ones I had to make a good impression on
01:08:10Am I making myself clear or not?
01:08:12Fiti explains it perfectly.
01:08:13Come on, let him explain, come on
01:08:13But he explains it very well.
01:08:15I'm going to tell you something
01:08:15It's much worse to end up on bad terms with Santi.
01:08:17You don't understand that
01:08:18Because Lydia is here for you
01:08:19Any day now he'll tell you
01:08:20Goodbye, good day
01:08:21Goodbye, good day
01:08:21And Santi will always be there
01:08:23Well, it'll always be there
01:08:24Unless you warm it up for me
01:08:25You're getting me all worked up, Fiti
01:08:26You're turning me on too.
01:08:27Do you understand that?
01:08:27You're turning me on
01:08:28Goodbye, Lidia
01:08:29Why me?
01:08:30So, why?
01:08:30But think a little, damn it, Fiti
01:08:32Think a little bit about it
01:08:32Why don't you reason with me?
01:08:34You told him that you do your job
01:08:35But what if I don't do anything?
01:08:36I don't do anything.
01:08:36I dedicate myself to investing and living
01:08:37If that's my thing now
01:08:38God, to reason
01:08:39When he finds out you used to be a mechanic
01:08:41And you spent the whole day here
01:08:42Opening a tavern with the monkey on
01:08:43And without stopping the water
01:08:44Maybe he doesn't find you that funny.
01:08:45Two little things, two little things
01:08:47The first one is that it's very rude.
01:08:48Listening behind the curtains
01:08:49The second one, which seems to me
01:08:51There's envy here.
01:08:52Bad envy, and the green kind, too.
01:08:53But what are you talking about, envy?
01:08:54Did you say envy?
01:08:55Fiti, where are you from?
01:08:57Find out about Santa Justa
01:08:58I'm so jealous!
01:08:59Envy of playing to score
01:09:00It's a pain in the ass
01:09:00Or envy for having become an idiot
01:09:02Explain it to me, let's see.
01:09:03Explain it to me
01:09:03Sure, I'll explain it to you.
01:09:04What I think
01:09:05You two just don't get along well at all
01:09:06But not good at all
01:09:07I hope you're doing great.
01:09:09What's happening?
01:09:10Hey?
01:09:10Even friendship has expiration dates.
01:09:11Like yogurt, is that it?
01:09:13What a bad time, Fiti
01:09:14What a bad time you got rich
01:09:16Ah, very good.
01:09:18Thank you very much, huh?
01:09:19Thank you so much
01:09:20No, nothing's wrong, okay?
01:09:22I turned them off very well by myself
01:09:24Things are going great for me.
01:09:26Damn, that's weird
01:09:27Hey!
01:09:28That little coffee
01:09:30Hey, Chucky
01:09:30Have you ever considered
01:09:32Bring some cookies, churros, or something?
01:09:34Okay, I'll do it then.
01:09:35So you don't get fat
01:09:36Hey, what's the latest on Raúl and the Doppelman?
01:09:38Nothing
01:09:38But she's quite the genius, isn't she?
01:09:41Here goes
01:09:41I saw her for the first time
01:09:42And punch to the street
01:09:43I don't know what
01:09:44Man, I don't know
01:09:45I can understand
01:09:46That she was angry with Raúl
01:09:48But you saw
01:09:49How do I take it with you?
01:09:50They're already something there that...
01:09:52Oops!
01:09:52That's bad!
01:09:53But Raúl has already seen the wolf's ears.
01:09:55And he was going to run away.
01:09:56I'm going to watch that.
01:09:57Man!
01:09:58Hi guys
01:09:59Hey!
01:09:59Hi, how's everything?
01:10:01Are you very interested?
01:10:02Well, yes
01:10:03Because I was worried
01:10:04Well, nothing.
01:10:05Don't worry so much, woman
01:10:06You already worried too much last night
01:10:07Raúl, I just wanted to lend you a hand.
01:10:08Yeah?
01:10:09Well, I think that's what I wanted
01:10:10It was messing around with Lola.
01:10:11Well yes
01:10:13And?
01:10:14Someone had to open your eyes, right?
01:10:16Let's see, Raúl
01:10:17If you hid in the shower
01:10:18So that he wouldn't see you
01:10:20Don't you realize he's trying to separate you from your friends?
01:10:23Could be
01:10:24Guys, Lola is preparing a feast!
01:10:26He asked me to invite you all.
01:10:27Okay?
01:10:28To you too, Africa
01:10:31See you later
01:10:32Bye
01:10:35Hey
01:10:36Well, she may be crazy, but she's not stupid at all.
01:10:38Well, since you asked me.
01:10:39Well, I'll tell you.
01:10:40Because I have to tell you.
01:10:41I mean
01:10:41You remember Pajares and Esteso, right?
01:10:44Well, that's it.
01:10:44I mean
01:10:45When Pajares got over the drama
01:10:47Esteso couldn't stand it
01:10:49Is that what happened to me with my friends?
01:10:53Yeah
01:10:56About three thousand
01:10:58This is what's coming here
01:11:00Come on
01:11:01Bye
01:11:02That
01:11:03That
01:11:03I've had a fight with my friends
01:11:04And I feel terrible.
01:11:06Could it be with the night shift?
01:11:08With Santi and Diego, yes
01:11:10I don't know anymore.
01:11:11Because I have a mess in my head
01:11:12I don't even know if I told them to take the shit anymore.
01:11:14Or she told me to go to hell
01:11:15Don't worry
01:11:16Things happen, that's all.
01:11:18Already
01:11:20Yes, but the thing is
01:11:22It hurts
01:11:22It hurts because they're my friends.
01:11:24And I definitely have that tattooed here, you know.
01:11:27But here I have it
01:11:28What's happening here
01:11:29They just can't stand my success, you know?
01:11:32I mean
01:11:33What the hell
01:11:34What's happening?
01:11:35Does Alonso have to apologize to Sumaker for overtaking him?
01:11:39Well no
01:11:39No
01:11:40Well, if they're my friends, they should be happy about all this.
01:11:42Well, nothing.
01:11:43They don't just make us happy
01:11:46And on top of that, they call me an idiot.
01:11:48What a disgusting life, really.
01:11:50Well
01:11:51Here is the contract
01:11:52Take a look and see what you think.
01:11:54AND...
01:11:55I don't know
01:11:56Take your time
01:11:57Okay
01:12:02That?
01:12:04What do you mean he won't be there?
01:12:06I told you I wanted it for today.
01:12:08I don't care.
01:12:09Don't cry for me
01:12:12Solve
01:12:14Solve it, damn it
01:12:14That's what I pay you for.
01:12:19Good
01:12:19All good?
01:12:22No no
01:12:22The painters
01:12:23It means you have to be on top of things.
01:12:25Or you treat them like this
01:12:26Or you don't understand
01:12:29Well
01:12:30What do you think?
01:12:31Will you hire me?
01:12:32Good, good, good, good
01:12:33I think it's fine.
01:12:35But...
01:12:35Come on
01:12:35That?
01:12:36If you don't mind
01:12:37I'll give it another spin.
01:12:38And this afternoon already...
01:12:39Okay, perfect.
01:12:40Give me more details, okay, okay
01:12:41Don't worry
01:12:43Very good
01:12:43But I even sent her a bouquet of flowers
01:12:45And a bottle of peppermint
01:12:46And he gave them back to me.
01:12:47The broken flowers
01:12:48And the empty bottle
01:12:49Lurditas
01:12:49The empty bottle
01:12:50Oh, have an antelé
01:12:51Cadiño
01:12:51It's going to suit you well
01:12:52I'm desperate
01:12:54I would do anything for her
01:12:55But no...
01:12:56I don't know what to do.
01:12:57I don't want to hear myself
01:12:58Well, it's no small thing, José Luis.
01:13:00Because of the ring dealings
01:13:01You haven't been on your best.
01:13:01We arrived
01:13:02I know, I know, I know
01:13:03Man, I would never
01:13:03I would have imagined something like that about you.
01:13:07Look, Lurditas
01:13:08I...
01:13:11I'm just not the person
01:13:12What do you think I am?
01:13:13The night has really ruined me
01:13:14The truth
01:13:15It's just that I used to...
01:13:15Oh, brother, brother
01:13:16Brother, I'd rather not know
01:13:17No, no, but I'm not the same as I used to be.
01:13:18Hey?
01:13:19I need a little bit now
01:13:20To get my life back on track
01:13:21Hey?
01:13:22But without her by my side
01:13:23Well, I'm lost.
01:13:25I'm lost, Lurditas
01:13:26I need her
01:13:28Oh, oh, oh
01:13:30I swear
01:13:33I want to change
01:13:34Make her happy
01:13:35I don't want anything else.
01:13:40What's happening?
01:13:42José Luis, what you really want is
01:13:43Marrying Choni
01:13:50Luis Fabiano
01:13:51You can't do this to me
01:13:57Hello
01:13:59I've come to get a corkscrew
01:14:03Didn't you say you have a job interview?
01:14:05Yes, that's what I said.
01:14:12Then wounded
01:14:14It's really addictive, isn't it?
01:14:19Can?
01:14:24Africa
01:14:26Auntie, we couldn't try to carry this
01:14:27With a little more normality
01:14:29Damn, after what you and I have been through, girl
01:14:31It's not that difficult
01:14:32Yes, it is difficult.
01:14:33No, no, no
01:14:35Oh really
01:14:35Look, I thought it was impossible
01:14:36But he was wrong.
01:14:37Africa, we can still be friends.
01:14:39We should remain friends.
01:14:41But I can't be your friend
01:14:43But how can you not be my friend?
01:14:44Given what we've become at this point, Africa?
01:14:48Can't
01:14:49Come on, damn it, fuck
01:14:50We live next door to each other, aunt.
01:14:52Yes, fuck
01:14:52I'm going to be here all day
01:14:53Giving us the stick
01:14:54And asking for the salt
01:14:54And asking for bread
01:14:59No, no, no, no, Africa, no
01:15:00No no
01:15:01Not now
01:15:01Not now
01:15:03Auntie, you can't do this to me
01:15:06Damn, you made it clear to me that you didn't
01:15:07Yes, I know.
01:15:08But the thing is...
01:15:11Couldn't you have done this two weeks ago?
01:15:14A week?
01:15:19I have to go, aunt
01:15:20Are you waiting for me?
01:15:38Soni, woman, cheer up
01:15:39No, if only it were that easy.
01:15:41Excellent
01:15:42I wanted her to enjoy the party a little bit.
01:15:46Mrs. Asunción Martínez
01:15:47Servant
01:15:49Here you are
01:15:52Please sign here
01:15:53Yeah
01:15:58What is it, Chevi?
01:15:59What is it?
01:16:00How exciting!
01:16:00Yes, that's it.
01:16:01Thank you
01:16:05Stiles' girlfriend from 2004
01:16:07The only one I was missing
01:16:15Packed house
01:16:15Guys, I'm so nervous!
01:16:16Come on, man
01:16:17Bowling, no nerves, man
01:16:18We went out, sang, and left.
01:16:19Yes, but we're a car with three wheels.
01:16:21And that's because I'm without the charismatic guy
01:16:22Well, I don't really see it, man.
01:16:23I don't see it.
01:16:25Guille?
01:16:25That?
01:16:26Did you know I was going to abandon you?
01:16:27Guys, I'd rather be a cheesy, bad buddy
01:16:29Guille!
01:16:32Well, let's see, I haven't had time to study these lyrics very well.
01:16:35Anything you can do to lend a hand, okay?
01:16:38There's no need to give the clothes
01:16:39Well, we wanted to liven up this little party with a bit of music.
01:16:44It always cheers the heart, doesn't it?
01:16:46And well, some students have prepared a beautiful song about friendship
01:16:50Well then, here I present to you Santa Junta Blanca
01:17:05A hero in the style of John Wayne
01:17:08A vampire with a lawless angel
01:17:11Al capón, el tatán, terminated
01:17:13And you hated, uncovering my body again
01:17:16Which one will my daddy be?
01:17:18With the hands or with the hands
01:17:23Have an angel king chasing the American dream
01:17:26Impossible!
01:17:29Impossible!
01:17:29I could be for myself
01:17:30Illegal as a discon
01:17:33With angel and born to go
01:17:36I'm going to lose my mind.
01:17:40Who could be yours?
01:17:42Starting from a large scratch
01:17:45Docking me at sea
01:17:48Like a jazz band
01:18:02Sax in the middle, bandana, heel!
01:18:05They live hanging in my room
01:18:08For Chucky's Bride
01:18:10We're dying of love
01:18:11What are they to my palette and me?
01:18:13In the ten o'clock session
01:18:15The world is back
01:18:18In the ten o'clock session
01:18:20If the machines of
01:18:21I travel more than Sofia
01:18:23April
01:18:24What a godfather
01:18:25What could become of you
01:18:28That link like a disc
01:18:30With angel and born to go
01:18:33It's slipping away
01:18:35The glory
01:18:37What could become of you
01:18:38You know what I say, sometimes I think
01:18:39That I have remained in you, just as in my own?
01:18:41That I have remained in you, just as in my own?
01:18:47That I have remained in you, just as in my own.
01:18:48But...
01:18:48Is Fiti's shaving already appearing here?
01:18:50But guys, I don't know, maybe he's just thirsty
01:18:54Hello
01:18:55Hi how are things?
01:18:56Can I get you something?
01:18:57No, thanks
01:18:57I'm meeting Fiti here.
01:18:58Mr. Fructuoso Martinez
01:19:01He doesn't set foot on it again until this sale.
01:19:04Hey Fiti, how are you doing?
01:19:05Well, tiny and stuck to the butt
01:19:07Like tigers
01:19:08What's up, babe?
01:19:09What do you mean, "sweetie"?
01:19:11Okay, Santi
01:19:11I'm with the exhaust pipe of the hamburger
01:19:14But I'm not going to damage it until this afternoon.
01:19:15I have a lot of work
01:19:16Well, you don't...
01:19:18No, of course, Fiti
01:19:19Don't worry
01:19:20Besides, there's no rush, relax.
01:19:22What are you doing dressed like that?
01:19:24What, me?
01:19:25Oh, I hadn't told you.
01:19:26Because I, I, I am a mechanic
01:19:28But always, too
01:19:29He was born with the single-seat car, you know.
01:19:33Okay, would you like a beer?
01:19:34No, no, no
01:19:36Yes, yes
01:19:36And a small portion of pork rinds here
01:19:38No, no, no
01:19:38No, it's just that I'm in a terrible hurry.
01:19:40I've brought you the copies of the contract.
01:19:42I want you to sign them for me.
01:19:43Leave them for me at the office
01:19:44Okay?
01:19:44Okay, okay, I'll stop by.
01:19:45And here they are and...
01:19:47See you later
01:19:47See you later
01:19:48See you later
01:19:54The quality is rubbish
01:19:58Yeah, that's what happens, Fiti
01:19:59Things when you see them up close
01:20:01Even though the facade is very good
01:20:03Sometimes they're not worth it
01:20:04What a facade, man!
01:20:06I'm telling you, I'm telling you
01:20:08Fiti, eh
01:20:10No...
01:20:12You don't want to have a beer
01:20:14Santi
01:20:16Santi
01:20:17Santi, it's because I denied you
01:20:17I have denied you
01:20:19And I know I am not worthy to drink
01:20:21In this house
01:20:21Because I'm not.
01:20:23Let me tell you something
01:20:24From now on
01:20:25Nothing and no one knows how to intervene
01:20:26Among us
01:20:28Not even this bar, damn it
01:20:38Don't kiss me, okay?
01:20:40Don't kiss me, okay?
01:20:41Good night
01:20:41Good night
01:20:58Good night
01:20:59What's that?
01:21:01What's that?
01:21:01I've got a craving to go
01:21:02Some bandurrias
01:21:04Go and see, go and see
01:21:06Let's see
01:21:13Come with me to Vicarage
01:21:17I want to make you my wife
01:21:21Come with me to Vicarage
01:21:25You are the most beautiful.
01:21:29I want to make you my wife
01:21:32I don't want another Maria
01:21:35Come with me to Vicarage
01:21:39How do you want me to continue living?
01:21:42If you tell me no
01:21:44You tell me no
01:21:46If you tell me no
01:21:47You tell me no
01:21:49How do you want me to continue living?
01:22:00BREVOS!
01:22:02This is huge!
01:22:03No, guys, guys
01:22:04This is serious, for real
01:22:06I'm a nervous wreck
01:22:07Let's see
01:22:10This
01:22:12Tony, my love, that
01:22:14Give me, give me your hand
01:22:15No, the other one, the other one
01:22:17This one's from China, but
01:22:20But this is very serious
01:22:22My love
01:22:26Will you marry me?
01:22:30Yeah
01:22:30Yes my love
01:22:32Oh, my love, come on
01:22:49Oh, what a face!
01:22:50What a face that hand has
01:22:52Come on, yes!
01:22:52What a little foot!
01:22:54Hey, kid, listen up
01:22:55It has to be done slowly and gradually.
01:22:57Otherwise, it will get shriveled
01:22:59You, Arguiñal, no, let the kid come here to do sports
01:23:02Come on
01:23:02Sport, that's not sport, it's nothing, man.
01:23:04Look, you've calculated it right there, damn it, he doesn't have a wife
01:23:07Damn, Fiti, I'm completely lost
01:23:09This isn't for me.
01:23:10My thing is a bit more about running the ball into football, let's go
01:23:12We're too old for football now.
01:23:14Even retirees play these games
01:23:15The pensioners, well, I prefer the petacla
01:23:17Look what I'm going to give Jose as a gift.
01:23:18Come on, come on
01:23:21The young man, Don Enrique, the mourner
01:23:24Mariano José de Larra
01:23:26What Letizia gave to Don Felipe for their engagement
01:23:31Soni, woman, I don't know, but I don't think José Luis is much of a reader.
01:23:34Well, neither is the prince, but what's true for that prince is true for mine.
01:23:37Oh, say yes, say yes, Soni, say yes
01:23:40Hey guys, I loved the song, huh
01:23:43Very lively
01:23:44The thing is, that thing about gili, well, you could have said gilipipas
01:23:48Hey, it's the same thing, it means the same thing and it has the same syllable
01:23:50Hey, good morning, family
01:23:54That you sing choruses and dances
01:23:55Oh, how funny, that, and hay and that excess, or what, eh
01:23:59Hey, no, give us a pass, since we haven't seen it, you understand, right?
01:24:01Well, he's done a finger thing or he's done it
01:24:03How was it like that?
01:24:03So, look, look, look
01:24:05Like this, like this, like this
01:24:05Okay, we'll see it later, we have it on video, man.
01:24:08Everyone eat, this is getting cold!
01:24:09Come on
01:24:10Come on, come on
01:24:11Come on, come on
01:24:12Come on, come on
01:24:14Come on, come on
01:24:14Come on, I'm giving José Luis a hard time
01:24:15Oh, thank you.
01:24:16Prawn
01:24:20Come on
01:24:21You can't marry José Luis
01:24:22I'm going to make one thing very clear.
01:24:24Who left him?
01:24:25I
01:24:25Because?
01:24:26Why am I ignoring her?
01:24:28Maybe I went a little overboard, didn't I?
01:24:29No
01:24:30You look very handsome
01:24:31Hello
01:24:33Hello
01:24:33Today you have the opportunity to win a lot, a whole lot of money
01:24:36And in 24 hours
01:24:37I'm not interested
01:24:39I've even given it once.
01:24:40She's with her now.
01:24:41This is the devil, who puts us to the test before the sacrament.
01:24:44I may no longer be tall or rich, but...
01:24:46Santiago
01:24:47Today is my wedding
01:24:48You need to clarify this.
01:24:49And the sooner you clarify it, the better.
01:24:50I have powers
01:24:51Yeah
01:24:52Humor and gel
01:24:52So Tete is back on the market, isn't he?
01:24:55Don't listen to him
01:24:56How could I not listen to him?
01:24:57How could I not listen to him?
01:24:58I have to be sure before I say yes
01:25:00Raul?
01:25:00Uh, yeah
01:25:01Let's see if he doesn't care that I laughed at his face again.
01:25:03And you have Tete there, in the next room, and you're not going to do anything.
01:25:06I'm crazy
01:25:07Crazy, crazy, crazy
01:25:08How is it that she has made me forget all men?
01:25:10These situations are...
01:25:12Can you give me some cream on my back?
01:25:13Yeah
01:25:13But Lucia, on the contrary, what are you doing here?
01:25:15Why didn't you tell me you were coming?
01:25:17Oh
01:25:18Because I wanted to surprise you
01:25:19I have something
01:25:21It's eating me up inside, it's eating me up inside
01:25:23It's bigger
01:25:25Father
01:25:26Did you see?
01:25:27Okay, and now we can
01:25:29The three pillars of humanity
01:25:31My fucking skull
01:25:32Why does it have to be me who says it?
01:25:33Hey, it's just that with the tension I can't do it, auntie
01:25:37Make me...
01:25:38Wasn't Diego acting a little strange?
01:25:39Yes, it's a little bit...
01:25:41There are third parties involved in this marriage
01:25:43As?
01:25:44I like them a lot, Tete
01:25:45I've always liked you
01:25:50No, aunt, I can't do it.
01:25:51No?
01:25:53That's something you see in the movies.
01:25:54Never say never
01:25:56That's not something you say.
01:25:57That's not something you say.
01:25:58Can you tell me what you're doing here?
01:26:00Woman, man, it's that Africa
01:26:01From the family practically
01:26:02That's many years.
01:26:03Have they already said they'll talk now?
01:26:05Or remain silent forever?
01:26:08SALUTE, SEL, SEL, SEL, SEL!
01:26:10SEL, SEL, SEL, SEL, SEL!
01:26:15SEL, SEL, SEL, SEL, SEL!
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