Los Serrano - 5x11 - Las de Caín - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

Determinado a poner punto y final a su relación con la hermana de Fiti, Diego retrasa su decisión cuando la madrina de Choni cae enferma. Se presta entonces a acompañarla al pueblo, lugar en el que él es presentado como el novio y futuro esposo de Choni. La llegada de Inés, una deslumbrante profesora de baile provoca un gran revuelo entre los alumnos de la escuela. Con la excusa de incorporar un número de baile en las actuaciones de la banda, José Luis se apresura en contratarla como coreógrafa. Sin embargo, esta iniciativa no agrada a Helena y África, dos de las integrantes del grupo. La fuerte atracción que Inés ejerce sobre Boliche hace que éste se anime ponerse a dieta y hacer ejercicio de forma inmediata.

Transcript

00:00:07Music

00:00:10I'm not going to be annoying, okay, this Choni girl, kid.

00:00:13Come on, don't let him fall in, not even underwater, or he might drown.

00:00:15No, Guille, Guille, if you don't like her, then just ignore her, okay?

00:00:18And you too, Curro.

00:00:19Okay, so what?

00:00:20Guille and I can't stand Choni.

00:00:22And we are traumatizing ourselves with the trauma of living with her.

00:00:25Agacito, dinner's ready.

00:00:26Hey, just a minute, it's still early, isn't it?

00:00:30Let's go to my father, that's better.

00:00:31But what for?

00:00:33You all go ahead and have dinner, because I'll have dinner with your father later.

00:00:35I like having dinner with Dad, so I'm going to wait for him.

00:00:38Curro, don't be annoying, I'm telling you it's time for dinner.

00:00:41Hey, please, and you, Guille, damn it, turn it off in Barcia-style already.

00:00:43Since Choni has been living here in our house, it no longer feels like our house.

00:00:46Now the house is hers and she rules everything.

00:00:49Hey, by the way, Choni, when are you saying you're going back to your homeland?

00:00:53I do whatever the creature tells me to.

00:00:55Look, I'm telling you that we'd better get along a little better because, you know.

00:01:01Do we already know what?

00:01:03Your father told us so.

00:01:06We got married.

00:01:12You're kidding, right?

00:01:14He asked me to, and we're going to the altar.

00:01:17No, nor that I don't have to say it again.

00:01:19Let's go to dinner now, let's pay for that.

00:01:21Come on.

00:01:22It was the worst news I had ever received in my life.

00:01:25Even worse than when Dad and Lucia told us they were going to separate.

00:01:29Hey, do yourself a favor, come on, help us with the bag, come on.

00:01:34What's wrong with you?

00:01:34Have you already counted?

00:01:36Yes, what's wrong? Have you passed?

00:01:37Uh, no.

00:01:38No, no, we've stayed here with the video game.

00:01:41Hey, what about you, Curro?

00:01:43What are you doing there?

00:01:44So, I'm telling him to come to dinner and he keeps saying no and no.

00:01:47Damn, Diego is very spoiled, Cezagal is very badly behaved.

00:01:51No, sorry, Choni isn't very spoiled.

00:01:52Choni was the most horrible mother in the world.

00:01:55And if nobody gave us a hand, it was going to be up to us.

00:01:59On a station platform, under the blazing sun,

00:02:03You were talking about a skyscraper in the sky of New York.

00:02:07Come soon to see the sea and send a postcard.

00:02:10I already knew that day was the end.

00:02:15Now I have much more.

00:02:18Red, black, stop, odd, finally luck brings an ace and a crystal to look through

00:02:23and a wall to hang it on.

00:02:25Seven smiling faces in a passport photo.

00:02:29My stories were not about tales made by chance.

00:02:36Nobody told me that destiny was giving me this opportunity.

00:02:42One plus one equals seven.

00:02:45Who would have thought?

00:02:49That it was so easy to be happy.

00:03:09Marcos, Marcos, Marcos, come on, man, the others have already arrived.

00:03:16Marcos, come on, man, we have to record.

00:03:18Damn it, shut up.

00:03:19Look what this one came up with.

00:03:22Marcos.

00:03:22I'm coming, I'm coming, I'm coming.

00:03:23Come on.

00:03:32Okay, fine.

00:03:32Ah, Chucky, come on, come on, come on, wake up a little.

00:03:35Always me, man.

00:03:36Come on, let's get a little more energetic, gentlemen, we're asleep, aren't we?

00:03:42Hey, hey, hey, hey, wait a minute, Chucky, we can't start playing until my dad gets up, he's going to...

00:03:47kills.

00:03:48Don't worry, I'll take care of your father.

00:03:50Well, folks, I've spoken to my friend, the bowling guy, and he told me that the sooner we record the

00:03:54Model, the little bowling pins come out before the summer, huh?

00:03:57Yes, and the sooner they come out, the more bowling we get and the more money we'll have for interrail, to go further afield.

00:04:01Anything to get to know Europe.

00:04:03Shall we begin?

00:04:04Yes, let's start now, come on, let's go.

00:04:06No, no, no, not you, not you, not you.

00:04:07You don't need to play on the demo, okay?

00:04:09So why have I come here?

00:04:10Because you're very eye-catching, Chucky.

00:04:13A little bit of this, please.

00:04:15This is me, huh?

00:04:16I don't know why my voice is so raspy until the early hours of the morning.

00:04:18What happened?

00:04:19I've been feeling humorous.

00:04:20If it sings like a crow.

00:04:22Hey, watch what you say, he's my uncle, Chucky.

00:04:24And she sings well.

00:04:28Come on, you've already screwed up.

00:04:29It seems that things are going better.

00:04:30And it's thin too.

00:04:31Come on, guys.

00:04:33Prepared, with war, with hope, with strength.

00:04:37One, two, one, two, three, four.

00:04:52Now that you've left me, God help you.

00:04:59I leave my heart in front of a fool.

00:05:20Stop, stop, stop, stop, stop, stop, stop, the shot has been ruined.

00:05:23Stop.

00:05:24For God's sake, Diego, you're not listening to us.

00:05:27Yes, Chony, Chony, I'm listening to you precisely for that reason, because I'm listening to you and it's very early and you're going

00:05:31to wake up the whole neighborhood.

00:05:32We don't want to hear you, we just want to sleep.

00:05:34Do you understand or not?

00:05:35You understand, right?

00:05:36Marcos, are you listening to me?

00:05:38Marcos, come outside for a moment, we need to talk.

00:05:40Do me a favor.

00:05:41Excuse me, I'm going to talk to my son, Marcos, for a moment.

00:05:44Come on, you guys come out too, come on, get out.

00:05:45Come on, let's go.

00:05:50Come on, Marcos, let's see.

00:05:52I promise you, I truly promise you that I said it was very early.

00:05:56But Chony doesn't pay attention to the person.

00:06:00You talk about me behind my back.

00:06:01What's happening?

00:06:02That it's all my fault.

00:06:03Of course, I don't make him take it.

00:06:04Well yes.

00:06:05Curro, what's with this nonsense?

00:06:08No, don't pay any attention to him, woman, that's not it.

00:06:11Marcos, leave us alone for a moment.

00:06:16If the kid says it, there must be a reason.

00:06:19If I don't know why, the animosity he has towards me, him and the other one, the other one too.

00:06:22No, woman, they don't dislike you, don't talk nonsense, please.

00:06:25Yes, they have me, Diego, and you don't love me either.

00:06:28If nobody loves me.

00:06:29It seems like I'm just a burden in this world.

00:06:32No, no, no, please, Chony, don't even joke about that, okay?

00:06:35In other words, you're not superfluous in this world, you're doing very well in this world, you're doing very well.

00:06:38Come on, go on, go on, continue with the model if you want, calmly, come on, nothing's wrong.

00:06:43Let's see, Diego, do you love me?

00:06:46Come on, woman, they're waiting for you, everyone's there waiting for the model, that's it.

00:06:49But tell me, Diego, tell me.

00:07:01Come on, baby, hurry up, I already have my voice all over mine.

00:07:15Honestly, I'm about as eager to go to the congress as I am to have both my legs stuffed in, you know?

00:07:19Hey, Churri, don't exaggerate.

00:07:21Come on, I'd trade places with you right now.

00:07:23There in the big hotel in Zamora, with my fellow teachers.

00:07:26Should I tell you about my day?

00:07:28Yes, well, your days are hectic, don't tell me about it.

00:07:30There, in the Serrano tavern, which must be like a holiday park.

00:07:35Really.

00:07:36When you're being sarcastic, it means I don't find it funny at all, darling.

00:07:39Okay, okay, hey, hey, hey, hey, hey.

00:07:41What's happening?

00:07:42What are you doing out tonight? Aren't you even going to give me a kiss?

00:07:46Come on, come here.

00:07:49Hey, take care, okay?

00:07:51Hey, and behave yourself.

00:07:53We'll see.

00:07:55See you later.

00:07:56See you later.

00:07:59Man, drug addict.

00:08:00How are you?

00:08:00What's happening?

00:08:01Here it is, arm.

00:08:02Tete, your boy!

00:08:04Hello.

00:08:05Had we arranged to meet?

00:08:07No.

00:08:08Uh, well, Lucia, I've come to talk to you.

00:08:13With me?

00:08:13Uh-huh.

00:08:14Okay, tell me, will you give me a little kiss?

00:08:16Just kidding, huh?

00:08:17Thank you.

00:08:19Mmm, well, what's up, Choni and my dad are getting married.

00:08:29That?

00:08:30But let's see if they can't get married.

00:08:32Your father is married to my mother.

00:08:34But where did you get that stuff from, huh?

00:08:36Choni told us yesterday.

00:08:38Well.

00:08:39I'm amazed.

00:08:40And what does your father say?

00:08:41I don't know, we haven't spoken to him yet because it's pointless to talk to him.

00:08:45He's like he's been abducted, he does everything she asks, everything she wants.

00:08:50I don't know, please, Lucia, you have to help us, I don't know, talk to him.

00:08:55I, Guille, know that we are separated and your father can do whatever he wants.

00:08:57Please, Lucia, talk to him.

00:08:59Well, talk to him.

00:09:01Well, we'll see.

00:09:03Please.

00:09:08Okay, I'll talk to him.

00:09:09But I don't know what he's going to tell me, Guille, this is very strange, son.

00:09:12Thank you.

00:09:12Come on.

00:09:16What is my sister-in-law worth?

00:09:18Did I have to tell the children?

00:09:19I swear to you, Candela, I don't understand anything.

00:09:21I don't understand anything at all about the story between Diego and Choni.

00:09:25But she doesn't realize that he's blackmailing her.

00:09:28Well, my sister-in-law is a specialist in blackmail, you know.

00:09:30Well, maybe he'll even take him to the orchard, you know.

00:09:37Where are you going?

00:09:40When should I go talk to Diego?

00:09:41Because this can't be, damn it.

00:09:49That?

00:09:56Hello.

00:09:56Hello, Lucia.

00:09:58Nothing, I'm just going to launch the kids to fame.

00:10:00We've formed a small group and we're recording.

00:10:02How are you?

00:10:03How are you?

00:10:03Well, look, it's going to be a no.

00:10:04But good luck, eh?

00:10:06Thank you.

00:10:10Come on.

00:10:13Hello.

00:10:13Hey Lucia, how are you?

00:10:14Leave me alone, don't touch me.

00:10:17Take it.

00:10:18Don't come near me.

00:10:20Do you want to take it right now?

00:10:21Let's see, let's see, let's see, let's see.

00:10:23What's happening?

00:10:23What's going on?

00:10:24Well, here's the kid who doesn't listen to me at all.

00:10:26Damn, he's been looking for me all day.

00:10:27Dad, no, that's a lie.

00:10:28What she wants is for me to drink my milk with cream, and I don't like it.

00:10:32Don't add cream or anything, because everything I make has to have fish.

00:10:34But no, that's a lie!

00:10:35Okay, okay, calm down.

00:10:36What's wrong, please? You seem very nervous.

00:10:37Calm down, calm down.

00:10:38Calm down, calm down, calm down.

00:10:38Calm down, come on, that's it, calm down.

00:10:40Remember, so it goes to the diaphragm, okay?

00:10:42Breathe, where, darling.

00:10:42Oh, don't worry.

00:10:43No, not from sorry to deep.

00:10:44That's it, better, right?

00:10:45Don't worry, Zaga is breathing, he's breathing.

00:10:49Hey, Choni, do me a favor and don't add fuel to the fire.

00:10:51Can't you see how nervous the child is?

00:10:52In other words, don't add fuel to the fire, you understand?

00:10:54Diego, you're being rude to me.

00:10:56I...

00:10:56You're being rude to Choni.

00:10:58And you're already in front, because later when we're alone you're fine with being a Choni.

00:11:01Choni, do me a favor.

00:11:02No, no, no, no, you don't need to go, no, calm down, you don't need to...

00:11:05Oh no, I'm the one who's due in March here.

00:11:07But don't worry, I'll get out of the way quickly.

00:11:10May you be very happy.

00:11:13Okay, Curro, grab your things, we're going to school.

00:11:15I'll go with you, come on.

00:11:16Thank you, Lucia.

00:11:16Okay, fine.

00:11:18Hey Diego, this isn't normal, you'll have to talk to her.

00:11:21Lucia, you've taken that little bottle of pills, right?

00:11:23Who?

00:11:23Who's it going to be?

00:11:24Choni, who said she was going to get out of the way, that we are very happy,

00:11:27He's already picked up the bottle with the pills and gone upstairs.

00:11:28Well, yes, I don't know, yes, because...

00:11:30By?

00:11:35Choni!

00:11:36Choni!

00:11:37I'm going to look in the bedroom.

00:11:40Choni, are you there?

00:11:41Choni?

00:11:46Choni, are you there?

00:11:48Choni, is that me, Diego?

00:11:49Open.

00:11:49Happens.

00:11:50Choni, I think they've closed here.

00:11:51Choni, please open the door.

00:11:52Choni.

00:11:53Happens.

00:11:53Nothing, nothing, nothing's wrong.

00:11:54I run.

00:11:55Please wait for me in the room.

00:11:56Come on, let's go.

00:11:58Choni.

00:11:59There he is, he's putting on another stunt.

00:12:01That?

00:12:01Aren't you making a scene?

00:12:02No, come on, Diego, please.

00:12:03Please, she's suicidal, but you don't understand.

00:12:04A suicidal person is a suicidal person, that's what suicidal people do, right?

00:12:06When suicidal people do that.

00:12:07Thank you.

00:12:07Yes, but I'll explain it to you later, but it's a little complicated.

00:12:09Choni!

00:12:10Choni!

00:12:10Choni, you're really there!

00:12:11Choni, choni!

00:12:12Choni, choni!

00:12:14Wasn't it?

00:12:15And?

00:12:15A death rattle.

00:12:17Leave me alone.

00:12:18Leave me alone.

00:12:19Leave me alone.

00:12:20I'll be there!

00:12:21Choni!

00:12:21Oh, my!

00:12:22My shit!

00:12:22You're so stupid!

00:12:24I'll be there!

00:12:25I'll be there!

00:12:26I'll be there!

00:12:27I'll be there!

00:12:27Frame!

00:12:28Excellent?

00:12:30Sorry, sorry, sorry.

00:12:30Sorry, Choni.

00:12:31Lock it up, son.

00:12:31Close, confinement.

00:12:31Let's...

00:12:33Diego, you're being a little paranoid.

00:12:38Shall we go now?

00:12:39Yes, darling, we're leaving now.

00:12:40But you should look at it.

00:12:41Yeah.

00:12:42Bravo.

00:12:42You look at the dialogue.

00:12:44Grab that...

00:12:45Yeah.

00:12:47But, okay, that's enough.

00:12:48Guille!

00:12:49Dude, calm down, your father isn't crazy enough to marry Lanchoni.

00:12:53Wait.

00:12:53Go on, go on, here he comes.

00:12:54Here it comes, here it comes.

00:12:55Okay.

00:12:55It's coming.

00:12:56Come on, come on, come on.

00:13:02Happy Birthday!

00:13:06Happy Birthday!

00:13:08Where we all are!

00:13:12Happy Birthday!

00:13:14Applause, applause, applause, applause, applause, applause, applause, applause, applause, applause, applause, applause, applause, applause, applause, applause, applause, applause.

00:13:18Let's see, let's see!

00:13:22Wow, that's handsome!

00:13:25Hello!

00:13:26The only thing is that it looks a little big, doesn't it?

00:13:30Man, I don't see you as a big bread roll.

00:13:33No, big, I mean, what is big, no.

00:13:35Now that you mention it, I'm a little bit of a tax evader here, buddy.

00:13:38Just a little lonely?

00:13:39But you're more stuffed than the back of your mouth, girl.

00:13:42And what haven't you said?

00:13:43What haven't you said?

00:13:43Well, next time we need to be a little more precise with the size, okay?

00:13:45Because this is your fault.

00:13:47So now you're going to change it for me.

00:13:51But, buddy, if there's no other size, you need to go on a diet.

00:13:54That's a trap, go on a diet.

00:13:55No way, if I don't hear the word "diet" I get so angry...

00:13:57But what happened is that you won't exchange it for me.

00:14:00Guys, please be quiet for a little while, I have to make an announcement.

00:14:04Good.

00:14:05Well, I wanted to tell you that today a new activity begins, aerodance, which is a way of exercising by dancing.

00:14:12And it's great for your health.

00:14:13But, man, that's great, it's exactly what you need.

00:14:15Yes, exercise.

00:14:16It's exercise, I am.

00:14:17She's crazy.

00:14:18But no, look, we can all sign up, that way it's easier for you.

00:14:21Come on, let's go, we'll keep each other company, there, we'll support each other.

00:14:24Healthy, it's very healthy.

00:14:25What needs to be done for oneself at a time.

00:14:26Okay, fine, I'm in.

00:14:27Can it be done for one?

00:14:28See?

00:14:28Look, you can do whatever you want, but I'm not going to bother, I'm not writing it down.

00:14:31Why don't you get in?

00:14:32Well then, great, everyone sign up.

00:14:33Yeah.

00:14:34You're going to love the aerodance, huh?

00:14:36Yes, yes.

00:14:36Okay, guys, let's put on some sandalwood clothes.

00:14:39Wait a minute.

00:14:40Not with anything.

00:14:41You're already draining me!

00:14:42Go, stop me!

00:14:43But one thing is clear.

00:14:45If we end up with bowling alleys featuring this tacky music, then the world is seriously lost.

00:14:48Damn, it's just that between the manager, the style, and the singer...

00:14:52To have killed him.

00:14:53I'm considering performing with a mask.

00:14:55I don't want to make a heart out of it.

00:14:57Hey, why don't we look for performances on our own with the verberechos?

00:15:01Okay, that's enough, right, man?

00:15:02What's wrong with you?

00:15:03Damn, so much complaining, so much complaining.

00:15:04This isn't about art, damn it.

00:15:06It's about money.

00:15:07Okay, what's done is done.

00:15:09Fuck.

00:15:11Guys, it's not so bad.

00:15:12Raúl, that choni is the most tacky thing I've ever seen in my life, my son.

00:15:15Okay, that's enough, right?

00:15:16The chav is my aunt.

00:15:18Okay, fine, sorry, Raúl.

00:15:19Take it easy.

00:15:20Well, we're going to change because we have aerobics class.

00:15:22Do you want it now?

00:15:23See you later.

00:15:24Raul, uncle.

00:15:25That?

00:15:27No, no, Marcos, no, man, no.

00:15:29I mean, you have to have a little respect for people's families, man.

00:15:32Know?

00:15:32And the chav is from my family.

00:15:33Ah, I see, I see.

00:15:34And from mine, too, almost.

00:15:37She doesn't say she's going to marry my father, dude.

00:15:40That?

00:15:40Yeah.

00:15:41Oh really?

00:15:43Did my aunt catch your father?

00:15:46No, I was catching, well, yes, that seems strange because...

00:15:49Why is that strange?

00:15:51Marcos, I'm going to tell you something, man.

00:15:53There's nothing strange about it, okay?

00:15:54In other words, the chav is a Martinez.

00:15:56Do you know what happens to us Martinezes?

00:15:57We've got the Martinez gene, huh?

00:15:59The gene and that characteristic smell that obsesses them.

00:16:02For them and for them, okay?

00:16:05That?

00:16:06Yes, yes, yes, you laugh, laugh, kid.

00:16:08But I'm repeating myself, kid, okay?

00:16:10Your old man is head over heels for my aunt.

00:16:18Diego, can I talk to you for a moment?

00:16:20Yes, yes, yes, of course, yes.

00:16:21I wanted to tell you something this morning, but with all the commotion, I couldn't in the end...

00:16:24Okay, what are you going to say?

00:16:26What a cross to bear...

00:16:28Broky, lunch, come on, disappear.

00:16:29Already.

00:16:33Do you know what the chav said to the children?

00:16:35The choni, no.

00:16:36Are you going to get married?

00:16:37That?

00:16:38What did that chav do to him...?

00:16:39Are we getting married?

00:16:40Did I do it...?

00:16:41It's easy, crazy.

00:16:42I mean, damn it...

00:16:43What's happening?

00:16:44Did he make it up?

00:16:45Well, well, well, well, I'm sure I know, well yes, I probably started it.

00:16:48Did he make it up?

00:16:48You promised him.

00:16:49You promised it to him because he told you he was going to jump off the tower.

00:16:51Why did you promise it?

00:16:52Because you're stupid.

00:16:53Well, but you told me that yourself.

00:16:54I mean, I promised him because otherwise he would jump off the tower.

00:16:56He either promised it or he'd jump.

00:16:57In other words, it was a case of force majeure.

00:16:59Believe me, Lucia, really.

00:17:00You don't throw it away, you're not ashamed.

00:17:01Calcilla, you're a calcilla.

00:17:02What do you say about calcilla?

00:17:03Don't you realize I'm going through decades?

00:17:05And I'm constantly terrified that this woman is going to commit suicide on me.

00:17:07Not what is.

00:17:07Committing suicide, at most he'll drink.

00:17:09You don't understand, Santi, you don't understand.

00:17:11But this woman is suicidal, and suicidal people commit suicide.

00:17:14Look, Diego, for once I agree with your brother.

00:17:16For once.

00:17:16Because this woman is hysterical.

00:17:18And all he wants is to get your attention and manipulate you.

00:17:20Manipulate you?

00:17:21That it's not suicide at all.

00:17:22Is that clear?

00:17:22Nothing.

00:17:23So you guys think Chenny won't commit suicide, right?

00:17:26No way.

00:17:27No way, Diego, please.

00:17:28Don't let yourself be fooled and cut it out once and for all.

00:17:30Cut, cut.

00:17:32That?

00:17:33No, no, no.

00:17:34And if he commits suicide, that is, less responsibility.

00:17:36Look, you're making me nervous, Diego.

00:17:38Your children are your responsibility.

00:17:40And your children are having a hard time.

00:17:42Especially the working stiff.

00:17:45You have another reason.

00:17:46Look, I agree with you there because there it is.

00:17:49And also, one thing has to be cut.

00:17:50It doesn't get cut, that's it.

00:17:52Swear it to me right now.

00:17:53No, no, swearing is not allowed because it's a very serious matter.

00:17:54But I promise you.

00:17:54No, no, no, I promise you I'll settle this matter today.

00:17:57Today.

00:17:58Today, today.

00:17:58Today, tell me.

00:18:00Today.

00:18:00I promised I'd take care of it myself.

00:18:02Okay.

00:18:03And you leave me alone.

00:18:04Come on, bowling, man,

00:18:05You're going to love the Aerodans.

00:18:06Aerodans, aerophagic.

00:18:07It's giving me...

00:18:08Come on.

00:18:10Come on, come on, guys.

00:18:11No, because there are very few of us.

00:18:13Well, we can't wait any longer,

00:18:14So I'm going to let the monitor know.

00:18:16But guys, can't you see this is a mistake?

00:18:18That there are only women.

00:18:19Well, and López.

00:18:22Okay, fine, but don't be a pain, okay?

00:18:24Look, you need to lose weight.

00:18:25And to lose weight you have to sweat, there's no other way.

00:18:26Well, I couldn't care less about the subway.

00:18:27This doesn't make it worth it, man, it doesn't make it worth it.

00:18:30Yes, it's worth it, Bruno, look.

00:18:32It's worth it.

00:18:33Hi guys.

00:18:35Here's Inés introducing you.

00:18:36Well, that's great, a lot of people are signing up.

00:18:38The aerodance teacher.

00:18:40Good morning, guys.

00:18:41How are you?

00:18:42Okay, but what about those comments?

00:18:44What are you all talking about so much?

00:18:45Okay, quiet, please.

00:18:46Take good care of her, okay?

00:18:48Come on, let's dance.

00:18:51Thank you.

00:18:53Okay, guys.

00:18:55Okay, let's begin.

00:18:57Spread out a bit around the classroom.

00:18:59Very valuable, go ahead.

00:18:59There, don't give in.

00:19:02Yes, heh.

00:19:03Come on.

00:19:04Follow me, okay?

00:19:06Butterfly.

00:19:09Up you go, boys.

00:19:13Stretching well.

00:19:16We're going back upstairs.

00:19:18There.

00:19:21We pulled our left leg.

00:19:24We collect.

00:19:25Right leg.

00:19:28Very good.

00:19:30Okay, let's get started.

00:19:32One, two, three, four, five, six, seven, eight.

00:19:37One, two, three, four, five, six, eight.

00:19:40Let's see, let's see, let's see.

00:19:41I want to know from you.

00:19:43What's going on here?

00:19:45Nothing, this guy doesn't dance and he's smoking a joint here that you can't even see.

00:19:49You don't dance.

00:19:50No, that one rolls.

00:19:52Okay, okay, don't worry.

00:19:54What is your name?

00:19:55Hey, José María.

00:19:56Come on, José María, come on.

00:19:57Poliche, for your friends.

00:19:59Yes, come on, come on.

00:20:00Let's dance.

00:20:01Come on, we're calm, okay?

00:20:03Hey, honey.

00:20:05Come on, let's keep going, guys.

00:20:10Shall we begin?

00:20:11Just like before, stretching well upwards.

00:20:16We collect.

00:20:18We'll pick it up upstairs.

00:20:20Very good.

00:20:22Stretching well to the left.

00:20:24There.

00:20:26We collect.

00:20:27Right.

00:20:29Very good.

00:20:30And listen up, guys, we're starting again.

00:20:33One, two, three, four, five, six, seven, eight.

00:20:38One, two.

00:20:40What's happening?

00:20:41I'll make a little beer, come on, I'm drier than a bone.

00:20:45Man, Fiti.

00:20:46Hey?

00:20:48You see, Fiti, I wanted to talk to you about something that's very difficult for me to talk about, but well, it's something that

00:20:54We need to talk to him.

00:20:55And if we have to talk about it, well, I'd rather we talk about it, because if we have to talk about it, well...

00:20:57But you don't understand, they're getting you into a mess and you don't understand.

00:21:00What my brother wants to tell you is that he's going to tell your sister to go to hell.

00:21:04See how easy that is?

00:21:05That's not it, that's not it.

00:21:06That's not it.

00:21:06No no.

00:21:06Of course that's it, don't be a coward, man, don't be a coward.

00:21:08That's not it, I can't get nervous, Santi.

00:21:10I'll tell Fiti.

00:21:10Well, yes, that's it.

00:21:11Yes, that's it.

00:21:12The thing is, as Santi said, it doesn't look good.

00:21:14You understand?

00:21:14But hey, you want to leave my sister, right?

00:21:17Damn, Fiti, you've got me by the throat.

00:21:18And on top of that, she's told the children we're getting married, and Lucía has found out that...

00:21:21It's the worst.

00:21:22Okay, I told him what I told him, but I told him for the reason I told him.

00:21:24He told her, for what reason he told her, to avoid a bloodbath and because you told him

00:21:27you said.

00:21:27Hey?

00:21:28And my brother has already done quite a lot, he's already done quite a lot.

00:21:31And I can't take it anymore, Fiti.

00:21:31He can't.

00:21:32I can't take it anymore, I can't take it anymore.

00:21:33I'm sorry, really.

00:21:34And I wouldn't want you to get annoyed.

00:21:36I have enough of an ordeal on my plate.

00:21:37Don't get mad at me, Fiti, please, but understand me.

00:21:40No.

00:21:42I would like it more than you and my sister.

00:21:45But I know that's impossible, damn it.

00:21:47You've already done more than anyone else could have, that's all.

00:21:49So you understand.

00:21:51But how could I not understand, Diego?

00:21:52Damn, I also see my sister doing much better.

00:21:55You take care of your own things, I'll handle the rest.

00:21:57Thank you so much, Fiti, damn it.

00:21:59Thank you.

00:21:59Okay, okay, let's not let anything happen, damn it.

00:22:01Let me check out the service.

00:22:06Santi, Santi.

00:22:08You're coming with me to dinner tonight, okay?

00:22:10I'm afraid to tell him alone, you understand?

00:22:12Don't worry, brother.

00:22:13I'll hold it and you give it to her.

00:22:15Okay.

00:22:15If she faints, I'll finish her off.

00:22:17Or I'll give it to her first and then you hold it, you know that?

00:22:19Oh, well, also, also.

00:22:20Oh, well, that too.

00:22:36No, the music.

00:22:39No, the music.

00:22:39Everyone please leave.

00:22:41Everyone leave.

00:22:55Don't worry, this is just a power outage. Come on, go outside, please.

00:22:59Let's see, what a husband.

00:23:02So, are you feeling better?

00:23:04I've been a bit out of shape, you know?

00:23:07No, I already know.

00:23:08That's why I didn't want to sign up for this.

00:23:10Yes, but that's not it, son.

00:23:12Look, you need to live a healthy life, do some exercise, lose some weight.

00:23:18It's not that easy, this is constitutional.

00:23:21Yes, and mine too, and look at me, I was a chubby little girl when I was little, you know?

00:23:25Come on, now.

00:23:26Yes, really, what happens is that you need a little willpower, motivation.

00:23:32How to motivate?

00:23:34Well, in my case, I fell in love with my sports teacher.

00:23:37And look, I said lose weight and I lost weight.

00:23:39Do you have any motivation?

00:23:43Well...

00:23:43Well, maybe so.

00:23:46Nothing, nothing, don't worry, it's fine.

00:23:48He needs to take a little more care of himself.

00:23:50Come on, give him this energy boost and he'll recover.

00:23:53Thank you very much, Inés.

00:23:54Thanks, Fede.

00:23:55Careful.

00:23:55Be careful, yes.

00:23:56Hey Inés, listen, this Eurodance thing, it was amazing, I loved it, but come on.

00:24:01Yes, yes, a very...

00:24:02No, I'm glad.

00:24:04Guys, good news.

00:24:06Yes, yes, he's spoken to my friend who's into bowling, he's listened to the demo and he loved it.

00:24:12Jesus.

00:24:14But what is this monument?

00:24:15She is the Eurodance teacher.

00:24:17She comes for three days to give us dance classes.

00:24:19Dance classes?

00:24:20Yeah.

00:24:21Yes, yes.

00:24:21Hey, huh?

00:24:22Hey.

00:24:25Excuse me, miss, do we know each other?

00:24:28Uh, no, no.

00:24:29José Luis.

00:24:31Agnes.

00:24:31Nice to meet you.

00:24:32So you're the dance teacher, right?

00:24:35Yes that's how it is.

00:24:36Very good.

00:24:36No, it's just that I was thinking you'd be perfect for us because you're exactly what we need.

00:24:40Yes, you see, we have a music group, something nice, elegant.

00:24:44Precious.

00:24:45It's not bad, it's not bad, it's not bad.

00:24:47And the thing is, my friend, the one who arranges the bowling, told me we need to bring a

00:24:50a little bit of dancing, a little bit of dancing,

00:24:51That's what choreography is, right?

00:24:53Did he say that?

00:24:54Yes, yes, yes.

00:24:55Yes, that's what he said, yes, yes.

00:24:56Yes, because it seems that since Operación Triunfo, playing like that without music is just not the norm...

00:25:00Unclear.

00:25:01Oh really?

00:25:01Yes, yes, seriously, yes.

00:25:03Look, I also wanted to tell you something.

00:25:04I've come to talk to you about this because we need to hire a choreographer.

00:25:09Damn, look.

00:25:10Clear.

00:25:11Could it be you?

00:25:12Well, I don't know.

00:25:14You set the price, yes, yes.

00:25:15No, you set the price.

00:25:16Whichever one you want.

00:25:16Well, I usually charge by the hour, but...

00:25:19By the hour, by fractions, however you want.

00:25:21Come on, I'm giving it to a park, not to you.

00:25:22Take a degree.

00:25:24Agnes.

00:25:25My name is Inés.

00:25:26Okay, when do we start?

00:25:27Well, tomorrow.

00:25:28Does that sound good to you?

00:25:29Yes, come on.

00:25:30See you tomorrow.

00:25:31Tomorrow.

00:25:31See you tomorrow.

00:25:32Tomorrow.

00:25:34What a coincidence, dude!

00:25:35What a coincidence, no coincidence at all.

00:25:36Are you stupid or what?

00:25:37Hey?

00:25:38Since when do musicians dance?

00:25:41Shh!

00:25:42This, all in good fun, okay?

00:25:43Now I know you're going to screw up my plan.

00:25:45You're my hero, man.

00:25:46Yes, yes, yes.

00:25:49One five and you go home, handsome.

00:25:51Five.

00:25:52One, two, three, four and five home.

00:25:55And now I count to twenty.

00:25:57Come on, little house.

00:25:58How are you at Parcheesi?

00:25:59I'm going to get a peppermint tea because I fancy a little glass.

00:26:02Brother.

00:26:02Come on.

00:26:03Show courage.

00:26:04Porta with this woman, they're going to give us the sum.

00:26:06A little bit of support, Santi.

00:26:08Don't you see that I have no presence in any?

00:26:09So, playing Parcheesi.

00:26:11Presence in the game of Parcheesi, you are missing.

00:26:12You're missing.

00:26:12Okay, fine, fine, fine, fine, fine.

00:26:14I'll tell you now, look.

00:26:16I'm crazy about peppermint.

00:26:18Come on, whose turn was it?

00:26:19Wait a moment, Chony, I wanted to tell you something before we continue.

00:26:22It's a very important thing, so listen to me carefully.

00:26:25Chony, in the game of Parcheesi, that is, two pieces of different colors cannot be together in the same square.

00:26:29In other words, in the same house.

00:26:31Yes, that's good.

00:26:31Okay, and since they can never, ever be together in the same house, that is, in the same box, well, one

00:26:37He has to leave.

00:26:38You understand?

00:26:39Of course, yes, yes, that's what parcheesi is all about.

00:26:41And life, Chony, life.

00:26:44Because what is life if not a giant board of Parcheesi?

00:26:46What a character you are, you're a philosopher.

00:26:49Okay, I'll take this one.

00:26:53Who will this woman be?

00:26:54A six.

00:26:56A six, shot twice.

00:26:57How with six?

00:26:58A six, look at it.

00:27:03Actually, you see, I want to tell you, I was trying to tell your sister what I have to say.

00:27:08The thing is, I can't get going, guys, I just can't get going, because what's wrong with you?

00:27:13A disgrace, I say, a disgrace, thank goodness you didn't say anything to him.

00:27:16But what's going on?

00:27:17What's happening?

00:27:18Chony.

00:27:19What's happening?

00:27:22The godmother who is dying.

00:27:23What are you telling me, Fiti, the godmother?

00:27:25Oh my God, what happened?

00:27:27Aunt Asunción?

00:27:28Aunt Asunción, yes, they called us, she's seriously ill, she's seriously ill.

00:27:31Oh, don't tell me, for God's sake, then take me to the village right now.

00:27:33Yes, yes, right now.

00:27:33We took the car key down to my house and we're leaving.

00:27:35Oh, Diego, for God's sake, come with me, don't leave me alone at this moment, because of what I want.

00:27:38Take what you have to take.

00:27:39But the godmother, what happened?

00:27:41Yes, Diego is coming with us.

00:27:42He's coming with us.

00:27:43You're already causing trouble.

00:27:44My brother doesn't have to go with your sister to any town.

00:27:46What he needs to do is cut her out.

00:27:47But how? How is he going to break up with her now?

00:27:49Damn, our godmother was like our mother, for crying out loud.

00:27:52This is not the time, damn it.

00:27:53It's not the right time, well, okay, I'll wait.

00:27:54If I wait for that moment, but I don't see the town happening.

00:27:57I don't see it, I don't see it, I don't see it.

00:27:58It's not that he doesn't see it.

00:27:59Diego, please, please, Diego.

00:28:01You've done everything you could, you've made a hell of an effort and I thank you for it.

00:28:05I'm just asking for a little more, damn it, it's not for my sister, it's for me, fuck it, it's

00:28:08a very bad moment.

00:28:10She is the godmother.

00:28:12And there are no more relatives in the village.

00:28:16Hello.

00:28:17Okay, I'll grab a change of car keys and we'll go, please.

00:28:20What's happening?

00:28:22Fiti's godmother, Choni's godmother, who is very ill.

00:28:25Am I sorry, Choni?

00:28:26Yeah.

00:28:27You're going to wash my face.

00:28:30Yeah, we absolutely have to go to the village, right?

00:28:33Oh, so you're going to the village too?

00:28:35Yes, let's go.

00:28:35Ah, of course.

00:28:36You haven't spoken to Choni about what we said, have you?

00:28:38What did we say?

00:28:40What you promised, Diego.

00:28:41But of course, since you don't like to swear, because for you swearing is a very serious thing.

00:28:45I don't know why we're talking about these things, I don't know how I can decide against you.

00:28:49Excuse me, Lucia, you're mistaken.

00:28:50So, I've kept my promise, right?

00:28:52Have I fulfilled it?

00:28:52Oh really?

00:28:53So, you've broken up with her.

00:28:54Yes, I broke it, I broke it.

00:28:55I promised and I broke it.

00:28:56And that's it, I've broken up.

00:28:57So why are you going to the village with her?

00:28:58Why don't we go to the village?

00:28:59He's asking me that.

00:29:00Why are we going to the village?

00:29:00Let's go to the village...

00:29:01Well, for me she's with Fiti, Lucía.

00:29:02Good heavens, it's a tough pill to swallow and you have to be there.

00:29:04As friends, we have to be there for each other.

00:29:05Oh, I was walking around with my mobile phone turned off.

00:29:07You tell him, okay?

00:29:08Okay, yes, Fiti.

00:29:08Don't worry.

00:29:09Yes, I'm sorry.

00:29:09Come on, let's go, otherwise I won't get to say goodbye.

00:29:11My godmother is giving me something.

00:29:13See you later.

00:29:30Oh, Candela, thank God I've arrived.

00:29:32Something has happened.

00:29:33What happened?

00:29:34Fiti's godmother has become very ill.

00:29:37Fiti's godmother?

00:29:37Aunt Asunción?

00:29:38Yes, and he's been calling you, but you couldn't be reached.

00:29:40They've all gone back to the village.

00:29:41Fiti, Choni, Santi, Diego, everything is there.

00:29:46Is something wrong?

00:29:48No, nothing, it just makes me really angry that Fiti hasn't been able to find me.

00:29:50because my phone battery died.

00:29:51Since I didn't bring a charger...

00:29:52No, it's okay.

00:29:53Okay, so what do I do?

00:29:54You'll have to go to the village, won't you?

00:29:55Yes, the truth is that...

00:29:56Okay, we're leaving now, alright?

00:29:58What do you mean we're leaving?

00:29:59Shall we go?

00:30:01Hey Lucia, you're going to come with me, right?

00:30:03Oh no, Candela, for God's sake, don't do that to me, Choni is here.

00:30:06And?

00:30:07Well, what's he going to think, that I'm going to bother him?

00:30:10Do you know? Do you know that Diego has broken up with her?

00:30:12Look, Lucia, you have to come with me, please.

00:30:17Yes, please.

00:30:19Okay, okay, well, if you think it's a good idea...

00:30:22Okay.

00:30:23Thank you.

00:30:23But something's wrong with you.

00:30:25No.

00:30:28Fuck.

00:30:29But your phone didn't have a dead battery.

00:30:31Kitty, how are you?

00:30:33Well, we're covered in grease, honey, we've broken down here on the road.

00:30:37Yes, yes, no, very serious, very serious, a very big stick.

00:30:42Look, it's bad luck that our car broke down under these circumstances.

00:30:46Okay, come on, calm down, calm down.

00:30:47Choni, this is over now, don't worry, this is going to end soon.

00:30:51Oh, Diego, my dear, thank goodness you're here, otherwise I wouldn't have been able to stand today, you know?

00:30:56Come on, let's go, let's go, let's go.

00:30:57Okay, then I'll see you in town.

00:31:00Okay, okay, honey, thanks, okay?

00:31:02See you later.

00:31:03Candela is coming.

00:31:05Kid, Fiti, go see if you can go with that, we won't get there all day.

00:31:08Don't let her get too close, or else things will happen.

00:31:11Shut up, shut up, shut up, I've got enough on my plate...

00:31:13What's wrong, Fiti?

00:31:14Ah, the mission sleeve, a load of rubbish, nothing.

00:31:17Kid, you idiot, we've been here all night.

00:31:20Uh, low blood pressure, uh, vitamins C, 8, 24...

00:31:24Liche, you've already left my usual sandwich.

00:31:26No, no, no, I don't want it, I don't want it.

00:31:27If today for breakfast, a small apple.

00:31:29I mean, you're really messed up, I'm not messed up, dude, what's wrong?

00:31:32So I've started a diet, what's the big deal?

00:31:34Let's see, for breakfast, a small piece of fruit.

00:31:36For lunch, we had grilled chicken and stuff like that.

00:31:38And for dinner, nothing, there is no dinner, it's over.

00:31:41And that change, but yesterday you said you didn't want to know anything about diets.

00:31:43Well, yesterday I had no motivation at all.

00:31:47Motivation.

00:31:48This motivation!

00:31:48Go ahead, go ahead, tell us, tell us.

00:31:50Okay, okay.

00:31:53That...

00:31:55That I've fallen in love with Inés.

00:32:04Hey.

00:32:06Hey.

00:32:07You see, look, my friend Elena and I have been discussing the matter here.

00:32:11And the idea of doing choreographies and silly things with the group, we're not so sure about it.

00:32:15That music is pretty tacky to start doing little dances.

00:32:18Besides, where have you ever seen instrumentalists in a band start dancing?

00:32:22Well, you're right there.

00:32:23What reason, what reason, what reason, what reason does Marcos have, man?

00:32:26José Luis has already said it very clearly.

00:32:28A musical base is added there, okay?

00:32:30And a little bit of synthesis there, and we do it on a loop, you know?

00:32:35Look, let's see, if there's no choreography there's no gig, okay?

00:32:38And if there's no gig, there's no money.

00:32:39And if there's no money, there's no trip.

00:32:41Yes, but we just don't believe it.

00:32:43Well no.

00:32:44That guy is a pervert.

00:32:45As soon as he saw Inés, he made it all up.

00:32:48How are you going to invent it, aunt?

00:32:50Africa, you've got a paranoia there.

00:32:53How is he going to invent it?

00:32:54Yes, man, yes, the dancing thing.

00:32:55Damn, it's trending.

00:32:57Is it a trend?

00:32:58Is it a trend?

00:32:59No, look, we're going to create a democratic reputation.

00:33:01We voted for it and that's it.

00:33:02Let's see, votes in favor of the choreography.

00:33:06No, I'm not sure about him.

00:33:08Well, three against two, man, I think that's choreography.

00:33:10Hi guys.

00:33:11Hello.

00:33:12That?

00:33:12Are you coming to class?

00:33:13Come on, let's go to class.

00:33:14Of course, Inés.

00:33:16Please.

00:33:21Poor friends.

00:33:28Good morning, guys.

00:33:29How are you?

00:33:34Come on.

00:33:35Come on.

00:33:36Yeah I know.

00:33:38So, how's it going?

00:33:38José Mari, how are you?

00:33:39Okay, okay.

00:33:40Very good.

00:33:40Yes, I've even gone on a diet, yes.

00:33:42Wow!

00:33:42Yeah.

00:33:43That's great, isn't it?

00:33:43Well then, come here and dance with me.

00:34:07José Mari, are you okay?

00:34:10José Mari, are you okay?

00:34:17Lower the mortilla and it's going to give us a shock.

00:34:18Yes, what's going on there?

00:34:19Come on, let's start dancing.

00:34:21Yes, nothing.

00:34:28Choni, I'm just saying, maybe you don't need to give the town crier so much information about our relationship and all that.

00:34:32No?

00:34:32It's not necessary, it's not necessary.

00:34:33Under the current circumstances, it is not necessary.

00:34:35Come here with your brother, won't you?

00:34:36Yeah.

00:34:37Yes, yes, you go with...

00:34:41Cousin.

00:34:45How is the godmother?

00:34:48Come on, come on, someone's presence.

00:34:49Okay, okay, okay.

00:34:53It's not necessary, it's not necessary.

00:35:20Just wait until he finds out, it's a million.

00:35:22You'll see, just leave it, just leave it.

00:35:24How funny.

00:35:26Just as I was finishing.

00:35:27But what happened?

00:35:29Well, nothing much, really...

00:35:30The other day he had a feast of torrijas, which he loves so much.

00:35:33But why do you even let them taste them?

00:35:34That's why her blood sugar is through the roof.

00:35:36Well, that's what happened, cousin.

00:35:37Choni.

00:35:38If I'm here, this won't happen.

00:35:45It's so nice that you came.

00:35:46We're not coming, we're not coming.

00:35:47But what if the godmother is like our mother?

00:35:49And you are already like children.

00:35:52What a joy you gave him when you told him we're getting you married, cousin.

00:35:56Who is it?

00:35:57This?

00:35:58What's this going to be?

00:35:59What is this man?

00:36:01What is this?

00:36:02This is the Choni family's fiancé.

00:36:25Well, that's a nice topic, isn't it?

00:36:27Now we'll use the sequencer.

00:36:34And let's dance.

00:36:35Because the song itself practically begs for a little dancing, right?

00:36:38Well, then, let's dance.

00:36:40I suppose you want something simple, right?

00:36:42Simple, but eye-catching.

00:36:43Yes, I mean, like you.

00:36:45This is for squid.

00:36:46Well, let's leave it to her, she's the professional.

00:36:48Yes, come on.

00:36:49Well, if you want, we can start with something like that, right?

00:36:54Damn, what an ass she's got, perfect for wrapping balls, man.

00:36:57Excuse me?

00:36:58Hey?

00:36:58What are you saying?

00:36:59That?

00:37:00No, no, no, no, no.

00:37:01I can see you there, this must be super difficult, right?

00:37:04No, man, no, no, it's not difficult, it's fine, it's fine.

00:37:06Well, look, Inés, I was thinking about...

00:37:08Well, it's a more... more provocative dance.

00:37:11Provocative?

00:37:11Yes, pulling a little bit of what's hip-related.

00:37:14No.

00:37:15Well, you know what I mean, chatunga.

00:37:18Inés, Inés.

00:37:19Agnes.

00:37:19What, my name is Inés?

00:37:20Yes, yes, yes.

00:37:21Come on, if you don't mind, okay?

00:37:22No, no, I prefer it that way.

00:37:23No, no, I prefer it that way.

00:37:24No, well, come on, let's get started, if you want, okay?

00:37:27Let's begin.

00:37:28Well, start putting the base in.

00:37:29Yes, yes.

00:37:30Yes, go ahead.

00:37:31Okay, I'll put the base in.

00:37:32Well, I don't know...

00:37:34One, two, three, yes.

00:37:36One, two, three, four, five, six, seven and eight.

00:37:39And one, two, one, two, one, two, one, two, three, four, five, six.

00:37:48And we're going to...

00:37:49Oh, son, you are so handsome.

00:37:51Already.

00:37:52Choni has made a great choice.

00:37:53Let's see if he finally settles down.

00:37:55Okay, ma'am, thank you, thank you, ma'am.

00:37:57Thank you, ma'am, thank you.

00:37:57It's a shame that the godmother hasn't been able to meet the children you're going to have.

00:38:00Yes, that's a shame.

00:38:02I'm sorry.

00:38:02Nothing, thank you, it was a pleasure.

00:38:03Bye bye.

00:38:05What a shame, my brother.

00:38:06The anguish she is going through.

00:38:07I know, damn it, because I knew Choni was going to tell her mother.

00:38:10I knew, I didn't know.

00:38:13Thank goodness you've arrived, children.

00:38:15I just gave her the shudder.

00:38:16Oh my God.

00:38:17You must be Choni's fiancé.

00:38:20I?

00:38:20Ah, yes, yes, yes.

00:38:21Yes, yes.

00:38:23He is very weak.

00:38:24Only those closest to you should be allowed in.

00:38:27Come on, Diego.

00:38:28No, no, no, you didn't hear what he said.

00:38:30Only those closest to him have said so.

00:38:32That's exactly why.

00:38:32That's why, to my godmother, you are already like another son.

00:38:35Man, that poor Costa Rican woman is just waiting to meet you so she can die.

00:38:38Come on, let's go.

00:38:38Come, come, Santi, come on, come.

00:38:40Holy Mary, Mother of God.

00:38:42I'm sending you, I'm sending you, and I'm sending you.

00:38:44Yes, yes.

00:38:59Okay, let's see.

00:39:00Either we all get on board or I'm out of this, okay?

00:39:03Yes, yes, there, there.

00:39:04Okay, fine.

00:39:05What's happening?

00:39:06What's happening?

00:39:06Ah, we've gotten a little carried away...

00:39:08No, neither character nor anything, Raúl.

00:39:12Look, just so you know, Inés, these guys didn't come here to dance.

00:39:15They've come to look at your ass.

00:39:16What are you saying?

00:39:17Ah!

00:39:17Come on, let's see, stop the narco-lives, okay?

00:39:20You're right, damn it, you're a bunch of know-it-alls.

00:39:22And you are not a bunch of envious people.

00:39:23Yes, yes, yes, yes!

00:39:25Yeah, yeah, you sound like children!

00:39:27Yes, yes, yes!

00:39:29You have a regal love.

00:39:30Hey, just ignore it, Inés.

00:39:32These are the typical fights between marching bands, like the Paiguelos, Beatles, Las Grecas, you know?

00:39:37But they didn't care.

00:39:38You focus on your art.

00:39:38You dance.

00:39:41Well, look, look, it's going to be a no.

00:39:44It seems I'm not going to dance anymore.

00:39:45And you're going to give your mother a good spanking.

00:39:48Because I'm outta here, okay?

00:39:49I'm off.

00:39:52So until next time, folks.

00:39:55Very good, with a pair.

00:40:00That?

00:40:03Nothing, that...

00:40:14Thank goodness this car has a navigation system.

00:40:16Because otherwise, we won't get here even the day after tomorrow.

00:40:20Hey, Candela.

00:40:21Look, listen to me, this makes me really embarrassed.

00:40:23And Choni is going to think I'm here in a bad mood.

00:40:25Please don't make me come in.

00:40:26Lucia, please, okay?

00:40:28Come on, come on, let's go.

00:40:29Goes.

00:40:33Another message?

00:40:33But who's sending you so many messages, daughter?

00:40:37I'm not leaving, Candela.

00:40:39Lucy!

00:40:44There's a party at his house tonight.

00:40:46Well, you know what I say?

00:40:47His grandmother's going to go, because I'm not going to see this bunch of sickos.

00:40:50I feel embarrassed for the teacher, auntie.

00:40:51I'm sure you've never encountered a bunch of slobs like that in your life.

00:40:59Maybe.

00:41:01Sure.

00:41:02Hey!

00:41:02Hi, girls.

00:41:03Hello.

00:41:04How are you? May I?

00:41:04Clear.

00:41:05Thank you.

00:41:05I think, son, shut your mouth.

00:41:07Uncle.

00:41:07And bring a fishing rod.

00:41:09Yes, yes, please.

00:41:11It's causing quite a stir among men, isn't it?

00:41:13Fuck.

00:41:14Uh, well, I don't know.

00:41:16Hey, seriously, girls, I feel sorry for you, okay?

00:41:18I'm sorry you were left hanging with the class, but...

00:41:20No, don't worry at all, we understand perfectly.

00:41:22Besides, we didn't need the classes either.

00:41:24No.

00:41:25But those are really your colleagues.

00:41:27Of course, right?

00:41:28They are our colleagues.

00:41:30And what's worse, it's been our boyfriends.

00:41:32Excellent.

00:41:33We're a little bit masochistic, okay?

00:41:36We like strong emotions.

00:41:38No, there's no doubt about that, because to be with that José Luis guy, tell me.

00:41:41No no.

00:41:42You need a strong stomach, huh?

00:41:43No, no, no.

00:41:43We haven't been with José Luis.

00:41:44And not with the chubby one either.

00:41:46Although, well, the other two are just as stupid, poor things.

00:41:49Yes, what they did to you was disrespectful.

00:41:51Yes, well.

00:41:52Well.

00:41:52Well, and with us too, you have no idea how much I want to return the favor.

00:41:56Well, look, daughter, you can count on me for anything you need, okay?

00:42:04Hello.

00:42:05I don't hold back anymore, you know?

00:42:07If they're going in sacks, then I'll go in double.

00:42:09Thank you, aunt.

00:42:11Wait, wait, wait.

00:42:12Wait, because maybe you can help us.

00:42:14Do you have anything to do tonight?

00:42:16Uh, no, well, not in principle.

00:42:19Brilliant.

00:42:19Get ready, because tonight we're going out to party.

00:42:22You're beautiful, beautiful.

00:42:23Okay, fine.

00:42:27This lady is already, already dead, huh?

00:42:30There's nothing to do.

00:42:31Okay, let's go.

00:42:32No, we're not leaving.

00:42:33Shut up, shut up for a little while.

00:42:34Be quiet.

00:42:35We are Xoní and Fiti.

00:42:37Godmother.

00:42:44What are you saying, where is my fiancé?

00:42:46Here.

00:42:47Here is Godmother.

00:42:48Here.

00:42:48In Diego.

00:42:49I?

00:42:49His name is Diego.

00:42:50Diego, say hello to the Godmother.

00:42:51Look, look.

00:42:52Look, Godmother.

00:42:53Pleased to meet you, ma'am, pleased to meet you.

00:42:54No, man, not like that.

00:42:55Kiss her, let her feel you.

00:42:56Wait, wait.

00:42:57What do you mean, feel it?

00:42:58Ah, let her feel it.

00:42:59Sorry, man.

00:43:00Excuse me, ma'am, excuse me.

00:43:01Eh, eh.

00:43:03He has always spoken.

00:43:05I don't get it.

00:43:06Since she's pretty clear about her addiction, I don't get it.

00:43:08With the addiction this woman has had her whole life.

00:43:13He says he's going to marry you.

00:43:15I?

00:43:15No.

00:43:16That?

00:43:16Diego, damn it.

00:43:18Yes, of course, tell him yes.

00:43:20Sure, sure, sure.

00:43:22Yeah.

00:43:23Clear.

00:43:31He says he doesn't trust them.

00:43:32Well.

00:43:32It is known that the woman has been cheated on as many times as I have.

00:43:38That?

00:43:39That?

00:43:41Let him swear on the Bible.

00:43:42Let him swear on the Bible, which is his last will.

00:43:45No, no, no, no, no, no.

00:43:46I'm very sorry, but I don't swear.

00:43:48And sorry, Father, it's nothing personal, but I don't swear because it's a very serious matter.

00:43:51No, no, no, no.

00:43:51I've come to this.

00:43:52No.

00:43:53Let's go for a moment.

00:43:55Let's go.

00:44:00Let's go.

00:44:02No, for God's sake, for the love of God, swear that the godmother dies in peace.

00:44:05No, no, I don't swear.

00:44:07And much less falsely.

00:44:08I swear on false or not.

00:44:08Don't swear, brother.

00:44:09And if you swear, you swear it to yourself.

00:44:10And you swear it's a mortal sin.

00:44:12That's deadly.

00:44:13That's how my godmother is.

00:44:14For God's sake, for the love of God, for me, for the friendship that unites us, damn it.

00:44:18If it were your family, I would do it, I wouldn't judge him.

00:44:20Well, the godmother is a wolf.

00:44:23And what about you?

00:44:23Does he love me or not?

00:44:24Because if he loves me, I don't know why there's so much doubt.

00:44:29Thank you, Dima.

00:44:31Today you will be with him in the false one.

00:44:37Are you ready, son?

00:44:39Yeah.

00:44:41Put your right hand on the Bible.

00:44:52Repeat after me.

00:44:55I swear before Almighty God,

00:45:01that I will take Chony Martinez as my wife.

00:45:06What will I have?

00:45:12That I will take Chony Martinez as my wife.

00:45:22The godmother says that now one can die in peace.

00:45:27Already.

00:45:28Okay.

00:45:31Okay, okay, okay.

00:45:34Okay, okay, okay.

00:45:41Okay, okay, okay.

00:45:43Hey, what are you doing here?

00:45:45This is a grown-ups' party.

00:45:46Please, Marcos, let us stay.

00:45:48We're not going to get upset, okay?

00:45:49We swear to you, right?

00:45:49Please.

00:45:50And your little brother.

00:45:51Well, that's at Carmen's house.

00:45:54Not a drop of alcohol.

00:45:56Do you know what's wrong with Satia?

00:45:57Which is a narrow one.

00:45:58And I don't really like tight ones.

00:46:00Who, who, who?

00:46:00And in the dance one.

00:46:02Look how upset he is over nothing, Nacho.

00:46:03Man, it's nothing.

00:46:04Be careful there.

00:46:04You're welcome, Marcos.

00:46:05No reason.

00:46:06They've filled their heads with nonsense.

00:46:07but we hadn't done it.

00:46:08No, and I've got those women figured out, you know?

00:46:10What's wrong with them is that they think they're really hot.

00:46:12And not that many are either.

00:46:13Of course not.

00:46:14Not so many are.

00:46:14So many, and with kicks, just like her.

00:46:16Come on, come on.

00:46:17Furthermore, as I'm saying, my body...

00:46:19I don't like it anymore.

00:46:20No, no, not you.

00:46:21Too bad.

00:46:22Yes, yes, it's a shame.

00:46:23because we were convinced that she was delighted.

00:46:25No way.

00:46:26In fact, we ran into her at the tavern.

00:46:28and we convinced her to come.

00:46:29And it cost us the teacher.

00:46:32Go on, look.

00:46:41Oh my God, what is this?

00:46:43But come on, you're right, aren't you?

00:46:45Like this, supported.

00:46:47Hey guys!

00:46:48Hello.

00:46:49Welcome home.

00:46:53Well, God has gone mad.

00:46:55He tells me he doesn't want to swear.

00:46:56and swears on the Bible that he will marry Chotty.

00:46:59No, no, I haven't seen it anymore.

00:47:00What he has seen.

00:47:01No, what's wrong?

00:47:01That you're going to...

00:47:03Hello.

00:47:04Hello.

00:47:05Chotty, thank goodness you're here.

00:47:06Aren't you being harsh?

00:47:08Yes, my love, yes.

00:47:09Hey, I'm sorry I didn't answer your call,

00:47:11But I turned it off.

00:47:12I turned off my phone,

00:47:13I went to bed early, you know?

00:47:13No, no, no, don't worry,

00:47:14that Congress gives you.

00:47:15Good.

00:47:17You're very welcome to join the family,

00:47:18who want to talk to you.

00:47:25The ones of Cain.

00:47:26My brother is going through hell.

00:47:28Is your brother going through hell?

00:47:30Your brother has a lot of nerve.

00:47:31Excuse me for saying so, but that's enough already.

00:47:32I won't allow you to speak ill of my brother, okay?

00:47:34I'm sorry, I have it.

00:47:35My brother is a really good person.

00:47:36and a good man.

00:47:38He's very sincere, come on.

00:47:38He's very sincere.

00:47:40He told me he'd broken up with Choni, right?

00:47:42I don't know what he told you or what he didn't tell you,

00:47:45But if you hadn't left him lying there like a dog,

00:47:46What's happening now wouldn't be happening.

00:47:48Ah, that's it.

00:47:48Now it's my fault, isn't it?

00:47:50Why not?

00:47:50With you?

00:47:55I thought we were here

00:47:57only family members.

00:47:58Choni, leave the boat.

00:48:00Don't worry.

00:48:00Because?

00:48:01Because?

00:48:02Oh.

00:48:03Excellent.

00:48:04Already.

00:48:07Come on, bowling alley, just stop it already.

00:48:08That you've never drunk in your life.

00:48:10I hadn't fallen in love with my life either.

00:48:11Please, bowling.

00:48:13Leave it alone, dude.

00:48:14And what if they catch us?

00:48:15I mean, the one who's going to kill me is my brother, you know?

00:48:17So, the 'on' was what left me.

00:48:19Do you like that one?

00:48:20Of course.

00:48:22That joke is brilliant.

00:48:24Yes, yes, yes.

00:48:24Hey, I wanted to tell you something.

00:48:25Who is it?

00:48:26Even though we haven't started off very well,

00:48:28Just so you know, you're gaining more and more points with me, huh?

00:48:32Oh, really? You don't say.

00:48:33Yeah.

00:48:34Hey, hey, that's why I'm a big joker.

00:48:36Yes, girl, girl, girl, girl.

00:48:39This is for grown-ups, come on.

00:48:41You know the one that says you like blondes more or...?

00:48:44Just a second, I'm going to get one.

00:48:50How's it going? Want to get in?

00:48:53If they come in, girl, I'm telling you.

00:48:55Well, I'm working on the chatungo, huh?

00:48:57Brilliant.

00:48:57Because I believe that if he comes in, everyone else will come in.

00:49:00Do you think they're going to get in?

00:49:01I think so, huh?

00:49:03I think so.

00:49:03But anyway, I'll come back and tell you.

00:49:08Where were the chatungo going?

00:49:10Air, air, air.

00:49:12Air, air.

00:49:14Damn, man, Inés is going all out, she's going to put José Luis in, right?

00:49:18I'm freaking out, Mom.

00:49:19I can't believe it.

00:49:21Well, believe it, look, look, look, look.

00:49:24Yes, it's just that, I don't know, I'm too much woman for just you, aren't I?

00:49:28I don't know, I knew that in the end...

00:49:31The thing is, I'm small but a killer, you know?

00:49:32I can take you on with three like you, you know?

00:49:34But it's just a whim.

00:49:37Go on, José Luis, please tell him.

00:49:39Come on.

00:49:41Well, then...

00:49:42If it's a whim, I'll just go and tell him, right?

00:49:45Yeah.

00:49:47Yeah, obvious.

00:49:50Uncle, uncle, uncle, uncle, uncle, uncle, uncle.

00:49:53He's gone down from Sabero, you know?

00:49:54That?

00:49:55Yes, that aunt...

00:49:56Look, look, look.

00:49:58See?

00:50:00That aunt must be a nymphomaniac or...

00:50:03That?

00:50:04Or nymphomaniac.

00:50:05That?

00:50:05Yes, yes, because he wants to do it with all four of them at the same time.

00:50:08Come on, now.

00:50:09Has it gone down or not?

00:50:11It has gone down.

00:50:12No, that one, that one...

00:50:14I saw it coming, you know?

00:50:19Lucia.

00:50:20No, no, no, no, no, no, please, please.

00:50:23No, no, yes, yes, yes, yes.

00:50:24Yes, yes, yes, yes, yes, yes, yes, yes.

00:50:24Don't be angry with me too.

00:50:26Don't realize that I'm going through hell, a real ordeal.

00:50:29But you deserve it, too, right?

00:50:31Because you are a coward and a weakling.

00:50:33Yes, you're right, Lucia, I am a coward...

00:50:35Yes, yes, yes, when it fogs up, I am, and that's it.

00:50:38You are.

00:50:38And a liar, too.

00:50:39And a liar.

00:50:40But in full words, okay?

00:50:40I'm a liar, an idiot, and disgusting. I feel disgust for myself, disgust, I'm feeling disgust.

00:50:44Disgust, if I gag, when I think of myself I gag so badly I give myself.

00:50:47Okay, fine, calm down.

00:50:48No, yes, I'm calm, I'm calm, but don't you realize, what I am is finished

00:50:51More than calm, finished.

00:50:52Well, I'm dead, if I marry Choni, what about me?

00:50:55I'll kill myself, I mean, I'll commit suicide, and if I don't get married I'm a perjurer and God

00:50:58he

00:50:58It punishes because it is a sin, it is a mortal sin, a mortal sin.

00:51:01Diego, okay, don't exaggerate, you go from one extreme to the other.

00:51:04Don't exaggerate, Lucia, that's just how things are.

00:51:06And it's true that I crossed my fingers when I was swearing, but the fact is that I swore, I mean,

00:51:10I swore to fulfill the last wish of a dying woman, don't you realize that?

00:51:12That cannot be betrayed, it cannot be, because that is perjury and that cannot be betrayed.

00:51:16Okay, relax, because things will clear up eventually, I think.

00:51:20No, Lucia, they're not going to clear up, they're getting darker every day.

00:51:23I don't know how to get out of this, I'm in a pit, I'm in a pit, a bottomless pit

00:51:27And I fall, and I fall into the well, and I fall, and I don't see everything as black, and I keep falling

00:51:31to the well,

00:51:31So, I don't...

00:51:32They are not.

00:51:33Yes, I'm going to have a fit, but I keep falling for it, I mean, I see all this as a bottomless pit.

00:51:36I mean, I'm sorry.

00:51:37Because now we are here.

00:51:38Diego, who has left.

00:51:42Who?

00:51:43My godmother, who has already passed away, Diego.

00:51:47Hug me, darling.

00:51:48Yes, yes, yes.

00:51:49Come on, relax.

00:51:51Calm down, let's go.

00:51:53Come on, come on, let's go.

00:51:54No.

00:51:56You wouldn't believe it, I'm such a bad person, my room is a total orgy, but we...

00:52:00But let's see something, which has told us that everyone is nobody.

00:52:02Come on in!

00:52:03Okay, let's go, let's go, let's go.

00:52:04Come on, come on.

00:52:08Come on, let's get naked, guys.

00:52:10Come on, come on.

00:52:15What's wrong with you, kid?

00:52:16Do you have a micropenis or what's the deal?

00:52:18Yes, yes, yes.

00:52:21No, no, no.

00:52:25This is a dirty trick, man, this is a dirty trick.

00:52:27None of what you're doing to us, huh.

00:52:29Because I will create synergy because of you.

00:52:32Come on, let's have it!

00:52:34Come on, let's take it, let's take it!

00:52:34Hey!

00:52:35Horvalos, because later, eh!

00:52:37Come on, come on, come on!

00:52:38Pull, pull, pull, pull, pull, pull, pull!

00:52:40Wow, he's so young, but he's quite fat!

00:52:42Where are you going?

00:52:43Where are you going, bowling alley, bowling alley?

00:52:44Leave it, leave it.

00:52:47Inés, I love you.

00:52:50I love you so much!

00:52:51There, there, there!

00:52:54Yeah!

00:52:55Don't peel it completely!

00:52:56What a shame.

00:52:58My daughter, you leave no stone unturned.

00:53:00No, it's just that he's at that age.

00:53:02Girls, everyone's upstairs, so whenever you're ready...

00:53:05Oh yes!

00:53:05No, no, no, just a few more minutes.

00:53:07Let them grow.

00:53:08I love you!

00:53:09Oh!

00:53:11I love you!

00:53:13That's intense, girl!

00:53:15The misfortune is very great, very great, very great, and it has felt heavy, we are nothing.

00:53:23Thank you, thank you, thank you.

00:53:29This is a nightmare, I can't take it anymore and I'm going home.

00:53:32No, Diego, you're the fiancé, not until the wake was over.

00:53:35Oh, oh, oh!

00:53:36I loved him so much, I don't know what's going on.

00:53:39Why does it always happen to him when things get bad?

00:53:40I don't see it.

00:53:41Let me go, ma'am, please, I think I'm in trouble.

00:53:45Jacinta is trying to pull me towards action.

00:53:47Relax, stop being silly, this is just part of life.

00:53:50Come on, come on.

00:53:52No, Jacinta?

00:53:53In my town, what we have is that we are very sensitive.

00:53:56Come on, look!

00:53:58Okay, okay, okay, that's enough!

00:53:59Damn it, let me go, goddammit, let me go!

00:54:01Okay, okay, okay, okay.

00:54:02Besides, you're acting like fools, man, what's he doing, he's coming, you're all idiots.

00:54:06Yes, calm down, calm down, calm down, calm down, Marquito.

00:54:08This has a ceremonial aspect for the female, you understand?

00:54:11It's like washing the subject without perfuming it.

00:54:13So don't worry, I assure you it's fine.

00:54:15Let's see, I have a question.

00:54:17So, now we need to get organized here.

00:54:20We're not all going to join the chaos.

00:54:21First of all, there is a hierarchy that must be respected here.

00:54:23I am the soloist, you are the choirs.

00:54:25Okay, you're Julio Iglesias and whatever else you want.

00:54:27But let's try to agree a little, shall we?

00:54:29Let's see if we're all going to the same thing, huh?

00:54:31And then there's a lot of homosexuality out there.

00:54:33You say "faggotry."

00:54:34Look, damn it, this is the most manly thing there is.

00:54:36You leave it to me, I'll organize it on site.

00:54:38And come on, let's finish getting all worked up,

00:54:40that this chatunga must be about to fall.

00:54:42You're going to get pumped up.

00:54:44Yeah?

00:54:44You're going to get pumped up.

00:54:45Chatunga!

00:54:46Chatunga, dude!

00:54:55What's happening?

00:54:56Do you want to get on the ship?

00:55:03Hey, what's that?

00:55:05But what...

00:55:06It's the main part,

00:55:07There with their fists in the air.

00:55:09That's awful!

00:55:11Wow!

00:55:13Hey, there it is!

00:55:16Wow, that's intense!

00:55:18Look at that Manchino dove!

00:55:21This ass is full of farts with pacifiers!

00:55:24Hi guys!

00:55:25Hello hello!

00:55:31What's happening?

00:55:33What's happening?

00:55:33You're all very shy, aren't you?

00:55:34Well.

00:55:36How silly!

00:55:37I'm leaving.

00:55:37Hey?

00:55:38And where are you going?

00:55:40That?

00:55:40What's the matter?

00:55:41Aren't you going to get naked?

00:55:42No, not today.

00:55:43Tecate a ti la tía, mirame qué traviesa que es.

00:55:47What a bastard, right?

00:55:48We'll play there, love!

00:55:51Well, Marcos has left, but...

00:55:55But you...

00:55:57Do you want to play with me for a bit?

00:55:58Sure, yes, yes.

00:56:02You're all very covered up, aren't you?

00:56:04Hey?

00:56:05Why don't you teach me something?

00:56:08And I'll even show you the photo from my first communion, you little chatunga.

00:56:10Where do we begin?

00:56:14Hmm...

00:56:14Well, I don't know, let's see...

00:56:16Let's see those butts.

00:56:18Those little butts, kid.

00:56:19Those little butts, kid.

00:56:23The little butts.

00:56:25The little butts.

00:56:26The little butts.

00:56:35Very good.

00:56:38Hey...

00:56:38So smile a little at the camera.

00:56:40Because you have already been immortalized.

00:56:42Which camera?

00:56:43Which camera?

00:56:44Camera, camera, camera!

00:56:45Camera, camera, camera!

00:56:46Camera, camera!

00:56:48Camera, camera!

00:56:48Camera, camera, camera!

00:56:49Where are they?

00:57:08Thank you, Manuel.

00:57:09Thank you, Manuel.

00:57:14Tell me, tell me, Father, tell me.

00:57:16Kids, I know this isn't the most opportune moment, but since we're here, right?

00:57:22We could set the wedding date.

00:57:24Ah, yes.

00:57:24The date...

00:57:24No, no, the date...

00:57:25No, no, no, sorry.

00:57:26I forgave, Father, but with the godmother's body present, I don't see it.

00:57:30Frankly, I don't see it.

00:57:30It's better with the godmother's body present.

00:57:33I'm sure his spirit is among us now.

00:57:36That would be the best way to make her happy.

00:57:38That's it, that's it.

00:57:41So, are you doing well next month?

00:57:43Yes, next month.

00:57:44Look, at the calendar.

00:57:45Look, one's gone, how many more?

00:57:47The fact that?

00:57:48The fact that?

00:57:48Have you seen Diego, the trap they're setting for him?

00:57:51I'm telling you, this one won't work.

00:57:52I'm going to give you a hand.

00:57:53But you're not going to do it, Lucy.

00:57:56Lucy...

00:57:57I would like the 9th, because the 9th is my lucky day.

00:58:00Forgive me, forgive me, Father.

00:58:01I wanted to offer my condolences to Chuni, who hasn't offered them to me.

00:58:04I'm sorry.

00:58:07AND...

00:58:08To you, Diego, the truth is that I don't really know what to say.

00:58:11Already.

00:58:14Oh...

00:58:15Oh...

00:58:16Oh my God.

00:58:18Oh my God.

00:58:21What's wrong? He's my husband.

00:58:23Right, Diego?

00:58:26Cousin, there's an explanation for this, really.

00:58:28Come on, come on.

00:58:28Come on, hurry up.

00:58:29To the car!

00:58:30Stains on the key!

00:58:31Fast!

00:58:32Come on!

00:58:35Come on.

00:58:36To the car!

00:58:37Come on!

00:58:40Come on, come on!

00:58:41Come on, come on!

00:58:42The crash!

00:58:43To that box!

00:58:45Hey!

00:58:46That's the truth!

00:58:46Oh no, not what I've done to myself here!

00:58:47Come on, let's go!

00:58:49Hey!

00:58:50Hey!

00:58:50Open up, open up!

00:58:51Let's go, come on, quickly.

00:58:53Open it, pull, pull, pull!

00:58:59Poor thing, he's got a hangover that you wouldn't believe.

00:59:01She's going to spend all night vomiting.

00:59:03Come on, pen, dude, don't swallow it all at once or you'll choke.

00:59:05Well, if I drown, all the better.

00:59:07What a joke, God.

00:59:08Come on, okay, it's not that big of a deal, it's not that big of a deal.

00:59:10Don't feel bad, pessimism is typical of a bitter, repentant person, but it's okay.

00:59:14How embarrassing, how embarrassing.

00:59:15I will never be able to look Inés in the face again.

00:59:17I want to die.

00:59:18Come on, buddy, let's see, you know I don't lie to you, okay?

00:59:21So yes, you did make a bit of a fool of yourself.

00:59:24Fuck.

00:59:25But it was nothing compared to others, huh?

00:59:28But nothing, nothing.

00:59:29The tondones.

00:59:31The macho men.

00:59:32What a pain we've made of things, huh?

00:59:34I'm very crazy.

00:59:37Dude, man.

00:59:38You have nothing.

00:59:41Go in there, go to the bathroom, go to the bathroom.

00:59:44Johnny, Johnny, damn it, don't yell at me, it's not my fault, damn it.

00:59:48No, no, no, no, no, no, no, no, no, no.

00:59:50You're better off staying there with your family because...

00:59:52Hey,

00:59:53Johnny hung up on me, he's furious.

00:59:57Hey, Fiti, I'm sorry.

00:59:58No, I don't feel it, no.

01:00:00Lucia, I really understand.

01:00:02Well, the kiss thing was violent and all, but I understand it, really.

01:00:05Johnny, don't get like that, damn it, the family will get over it.

01:00:11I'm going to the workshop, if I have to keep the biggest things there.

01:00:13Okay, see you later.

01:00:14See you later.

01:00:17Light, come.

01:00:22Sit there for a moment.

01:00:24Let me tell you something.

01:00:26What's happening?

01:00:29I hooked up with a guy.

01:00:31At the congress.

01:00:33Yes, shut your mouth because I already feel guilty enough, okay, Lucy?

01:00:35Okay, sorry.

01:00:36It's just that it caught me a bit off guard.

01:00:38That is.

01:00:39Ah, of course.

01:00:40Now, that's why you were so absent, and the whole thing with the text messages and...

01:00:45The truth is, I feel like crap, you know?

01:00:46Because in my life...

01:00:48In life...

01:00:48Yes, yes, yes, yes, yes, yes, yes, yes, yes, I know, Candela, well.

01:00:52Calm down, okay?

01:00:55He's a teacher, his name is Julián, he lives in the Canary Islands and...

01:01:01AND?

01:01:05I think I've become attached to him.

01:01:10Look, he came out through the...

01:01:13What's wrong? What are you laughing at, clown? What are you laughing at, huh?

01:01:16Huh? Wait, no, no, you're laughing, you're laughing.

01:01:19Leave it, man, it's not for...

01:01:19No, you don't know what you're laughing at.

01:01:20Well, it's not that big of a deal.

01:01:21Let's see, you fool, that's what I'm saying.

01:01:23And the popularity this has given us, huh? There you have it, there you have it.

01:01:25What popularity?

01:01:26Hey, my party is a vice, isn't it?

01:01:28Look who we have here, they are the kings of the orgy.

01:01:30The Nacho Vidal family, from Santa Justa.

01:01:32Well, the Nacho Vidals...

01:01:34Well, what can I say?

01:01:37What's wrong with you guys?

01:01:39You all seem a little timid, don't you?

01:01:42You don't feel like dancing today.

01:01:45We always have the urge to dance mambo.

01:01:47Xatunga.

01:01:47Damn, I really don't know what discouragement is.

01:01:50Come on, let's go to class because otherwise, he'll go back to the teacup.

01:01:53Hey, girls, girls, 15 bowling pins have come out for the summer, huh?

01:01:56And you, little balls?

01:01:57The dancing can happen whenever you want, okay?

01:02:00See you later.

01:02:01What a nerve, Nacho, what nerve you have.

01:02:03What a load of rubbish...

01:02:04You're not going to scare me with parties.

01:02:05And neither do you, eh?

01:02:06What are you doing here?

01:02:07Already heading to class.

01:02:08Let's go, let's go to class.

01:02:09Let's go to class, come on.

01:02:11Dude, you're awesome, man.

01:02:12No, no, dude, you're my idol.

01:02:14Go on, go on, go with the others.

01:02:17Damn, dude, this guy is so cool, huh?

01:02:19And with force.

01:02:20Come on, let's talk about that town, shall we?

01:02:22Because even more so if you lynch us.

01:02:23Well, no, no, don't remind me, Santi, I still have tachycardia.

01:02:25Seriously, that's awful.

01:02:26What happened to you?

01:02:27We'll tell you later, Broky, give me a double cup of chamomile tea, please.

01:02:29Well, a chamomile tea.

01:02:32Santi, Santi, we'll definitely get there, we'll definitely get there.

01:02:34Who?

01:02:35Choni.

01:02:36The Choni?

01:02:36Yes, Johnny.

01:02:37Contact her and tell her to go to hell once and for all.

01:02:39No, no, no, no, no, no.

01:02:40It's best not to listen to Choni, she's like a siren.

01:02:42There are no sirens or anything like that.

01:02:43The sirens of Ulysses, the sirens of Ulysses.

01:02:45Yes, they were confusing the man when they sang to him.

01:02:47No, no, no, no, no, no, no.

01:02:48They were tying up the man.

01:02:50Ta, ta, ta, ta.

01:02:50I'm going to sing it when I'm forty, but I'll sing it well.

01:02:53Good singing.

01:02:54He beat me.

01:02:55He's beaten me and made me comfortable.

01:02:56Come on, dial again.

01:02:57Now that I'm feeling carried away, I'm going to tell you everything.

01:02:59No, no, no, Santi, listen to me.

01:03:00No, we shouldn't underestimate the siren's song.

01:03:02Don't underestimate them.

01:03:03What else matters is that they hypnotize you with the ananat,

01:03:05They get into your cerebellum and hypnotize you.

01:03:07Everything gets into you because of what you're doing.

01:03:09Look, look at the face, you tangled up.

01:03:10Your sister, look, look how she has it.

01:03:12Distraught, lost, on edge.

01:03:14The mermaid and I don't know what else.

01:03:16I'm sorry, well, I'm sorry.

01:03:17I'm really sorry about Choni,

01:03:18But let's call it a day, dude.

01:03:20But how can you call it a done deal, Fiti, for God's sake?

01:03:21But don't you realize he keeps calling me?

01:03:23He keeps calling me, damn it.

01:03:24Well, go crazy then.

01:03:25Don't worry, I'll take care of talking to her.

01:03:27And leave it good, Tari.

01:03:27Very good, seriously.

01:03:29And the oath?

01:03:30What do you say about the oath?

01:03:31No, no, I swear.

01:03:32No, I swear before the Almighty.

01:03:33No, sir, that's what it was, that's what it was

01:03:35so that the godmother could go in peace to the other world.

01:03:37Clear.

01:03:37And why did he incite you?

01:03:38And why are you good?

01:03:39Because you are good.

01:03:40And since you're a good person, you have to stay calm.

01:03:42Because the Most High notices and understands it.

01:03:45And if not, damn it, I'll take care of it.

01:03:47And the blame and everything.

01:03:48And I answer sooner.

01:03:49He has it.

01:03:50And that's what it is in theory, Fiti?

01:03:51Clear.

01:03:52Well, a big hug, damn it, thank you very much.

01:03:53Okay, fine.

01:03:54That's it, well, very good.

01:03:55How did you perform?

01:03:56No, no, no, because I'm going over something in my mind.

01:03:58I've been mulling something over for a while now.

01:03:59And no, let's see how I can explain it.

01:04:01Come on, let's go, let's go.

01:04:02Of course he comes, come on, come on.

01:04:03Lucia's kiss.

01:04:05I mean, Lucia's kiss, no, I mean,

01:04:07You want me to kiss him because he still likes me.

01:04:09No, yes, no, yes, no.

01:04:12Yes or no?

01:04:12Yes or no.

01:04:13Pay attention to me, pay attention to me.

01:04:14No, sir, no, sir.

01:04:16No, sir, no, sir.

01:04:23Okay, guys, guys, ready for the last class?

01:04:28Inés, can we talk to you for a moment, please?

01:04:31Clear.

01:04:32What's happening?

01:04:33Well, my brother Josemani, who has been traumatized by a trauma.

01:04:35Yes, but last night's singing, you know how it was...

01:04:37Look, the boy gave free rein to his different feelings about you, didn't he?

01:04:40And now, he wants to die.

01:04:43Let's see, where is it?

01:04:44Well, he's barricaded himself in the bathroom, but there's no way to get him out.

01:04:47I'm going to talk to him.

01:05:00Josemari.

01:05:02Josemari, step outside for a moment, I want to talk to you.

01:05:07Josemari.

01:05:11But hey, what about your diet?

01:05:14I've left her.

01:05:15It's just that shame makes me hungry.

01:05:17Yes, that same thing happened to me.

01:05:19Look, the first time I started a diet, I had a terrible relapse.

01:05:23And that's why, out of shame.

01:05:25And what were you ashamed of?

01:05:26Well, look, let me tell you that a party was organized at my school.

01:05:29And well, do you remember the teacher I told you I liked?

01:05:32The sports one.

01:05:33That's the one.

01:05:34Well, he came to the party and, well, I went a little overboard.

01:05:37Come on, I still remember it and I'm so embarrassed I could die.

01:05:40By?

01:05:41Because I spent all night chasing him.

01:05:43And screaming like a crazy woman, I love you, I love you.

01:05:46Well, well, with a drama.

01:05:47And then what happened?

01:05:48Nothing happened.

01:05:49Josemari, because he told me that he understood me perfectly because the same thing had happened to him at my age.

01:05:54Oh really?

01:05:55Really.

01:05:56Come on, go ahead.

01:05:57Throw away that piece of sandwich and let's go to class.

01:06:00Hey, Inés, just one thing, one last little thing.

01:06:02Have you ever thought about dedicating yourself to literature?

01:06:04Literature.

01:06:05You have imagination.

01:06:06Pull, pull, pull, pull.

01:06:07Let's go to class, let's dance a little and unwind.

01:06:18Fuck.

01:06:21Come in, I'll open it, I'll open it for you.

01:06:29How are you?

01:06:30Come on, I'm busy with dinner and all.

01:06:33I'll go ahead, sorry.

01:06:36Pussy.

01:06:38Holy shit, Choni.

01:06:40He keeps calling me.

01:06:42And what does he say to you?

01:06:43Well, that's it, because I'm not answering it, I mean...

01:06:46Come on, come on.

01:06:47Take it for what it is.

01:06:50What are you laughing at?

01:06:52No, nothing, no, it's just that I was thinking about everything today and things happen to us that

01:06:57They look like something out of a movie, huh?

01:06:58Like something out of a horror movie, Lucia?

01:07:00No, no, no, no beating around the bush.

01:07:01I mean, what's been happening to us lately is like something out of a horror movie.

01:07:03That's true, isn't it?

01:07:04Otherwise, you keep laughing, but it's true.

01:07:06No, no, no.

01:07:06No, I'm getting rid of the chamomile tea because otherwise we won't come back.

01:07:08In other words, they didn't come back against us.

01:07:10My poor little thing.

01:07:11Yeah.

01:07:12The truth.

01:07:13So, what did you think of my contribution?

01:07:17A little daring, don't you think?

01:07:20Your comment refers to what came before, to that and that.

01:07:24Daring.

01:07:26No, but...

01:07:27But what?

01:07:29But I found it brief.

01:07:31I mean, more than daring, I mean, in quantity, in quality, I mean, good, good.

01:07:36But I have no complaints, just in terms of quantity, it's meager.

01:07:39It's a little...

01:07:40It seemed brief to me, but it seemed brief to me.

01:07:44I was thinking that maybe we have to do these kinds of stunts all the time to get you to intervene once in a while

01:07:47Every now and then, right?

01:07:48Yes, but...

01:07:50Do you really want me to intervene?

01:07:56I want you to intervene.

01:08:00What do you want?

01:08:09Dad, Lucia.

01:08:10I'm testing the DVD and the Fantastic Four one, and something really weird comes up.

01:08:18Oh, Lucia, Lucia, pornography, the child is watching pornography.

01:08:20No, no, no, no, it's not pornography.

01:08:21Look, Dad, it's Raúl Chucky, José Luis, and the one dressed in frames.

01:08:24But don't look, son, don't look, for God's sake.

01:08:26That's the school's dance teacher.

01:08:28Is that the school's dance teacher?

01:08:29Oh, let me see the tindiquillo.

01:08:30But no, what are you going to watch, man?

01:08:31He's got his whole phone hanging out, but hey, where is it?

01:08:34Here, here, Lucia, turn off the TV, please, turn it off.

01:08:37Take.

01:08:40I just can't believe it.

01:08:42I mean, they're depraved, one more day and I'm going to have an orgy with those guys.

01:08:44It's just that...

01:08:45It's an orgy.

01:08:45An orgy is nothing, son, I don't know why you're asking what an orgy is, it's nothing.

01:08:48Dad, but it was just said that it's an orgy.

01:08:50Did I tell him about an orgy?

01:08:51I said an orgy.

01:08:53I just made it up, it's a word.

01:08:54Sometimes those things happen, I mean, things come to mind but they don't mean anything.

01:08:57In the dictionary, for example, you look up "orgy" and it's not there.

01:08:59Do you really get involved in every mess?

01:09:02Go on, explain to the girl what that means, but properly, okay?

01:09:05Okay.

01:09:05I'm going to open it.

01:09:06Well, an orgy, look, son, an orgy is a feast.

01:09:09In other words, a feast is where many people eat, so they eat from several dishes.

01:09:13Oh, Pamela.

01:09:13Hi, Lucy.

01:09:14Speak?

01:09:15Lucy.

01:09:16I'm not inviting you for a walk, please, I'm going crazy.

01:09:19Okay?

01:09:20I can't even look at Fiti, I see him and I feel so guilty.

01:09:24Come on, calm down, I'm going to get my things.

01:09:35What are you going to do, Pamela?

01:09:36I'm going to talk to Julian and this is over.

01:09:39And what about Fiti?

01:09:40With the performances we had, at least we got some of the travel expenses covered.

01:09:43Now, with what we put in the background, we didn't even get a drop of the crow.

01:09:46Hey Raul, how much money do we have?

01:09:48Well, you'll see what happens when I tell you I have no idea where that money is.

01:09:51So, I don't have dinner at that house anymore.

01:09:52No, look, we've had a season where there's no dinner, no late-night snack, nothing.

01:09:56That?

01:09:56Don't tell me you know it too.

01:09:57I know, I know.

01:09:58It's a lie, it's a lie.

01:10:00They have very short legs.

01:10:02Especially those ones.

01:10:03I have the solution.

01:10:04We're looking for a quick job, man, and one that pays well, and nobody's coming in here.

01:10:08Academy of Fine Arts needs nude model.

01:10:10Well paid, kid.

01:10:12Afri triumphs here, huh?

01:10:14And Elena, well, don't even get me started.

01:10:15We want male models here.

01:10:16So as not to burn you both together and apart, so that I can see you without worrying, I will not try to look for you.

01:10:27There won't be a second part, so you don't get burned...

01:10:32Mom, what are you implying?

01:10:33Let's be clear about things and use dark chocolate.

01:10:36You expect, Lucia, that...

01:10:37I wanted to ask you something.

01:10:40Tell me, yes, yes.

01:10:41Lucia.

01:10:44Guille.

01:10:45Yes, yes, yes, yes.

01:10:47And nothing else?

01:10:47And nothing more.

01:10:48No, nothing more.

01:10:48Sure, Guille.

01:10:51Nothing else.

01:10:52Nothing else.

01:10:53No, Guille's thing.

01:10:54Yeah.

01:10:55Well.

01:10:55I'm an idiot, I'm an idiot.

01:10:57I don't know, the classic thing in these cases is that you forgot the birthday.

01:11:01The mother-in-law's saint.

01:11:02The anniversary.

01:11:03But how could he forget?

01:11:04The anniversary?

01:11:06Anniversary.

01:11:08It's in two days.

01:11:09Lots of Neruda and little substance.

01:11:11Lots of talk about gender equality, lots of progressivism, lots of Chinese movies, and when it comes down to it...

01:11:16as always.

01:11:17Lots of Neruda and little substance.

01:11:19It's very expensive.

01:11:21The saint of the... the apostle to Fiti.

01:11:23And what will that leave for me?

01:11:25What will he leave her?

01:11:27What? How?

01:11:28Can you tell me where you were? Because you had me super worried.

01:11:30Well, at the movies, daughter.

01:11:31In the movies.

01:11:32At the cinema. Seven hours.

01:11:34An act of infidelity has been committed.

01:11:36Wow, we're very tolerant of infidelity here.

01:11:39Fiti, you see, what I really wanted was to talk to you.

01:11:42But how can you wear that? My God, how can anyone go around wearing those underwear? My God,

01:11:46Fiti, for God's sake.

01:11:47Come on, we're lucky roosters. He's been doing what I like for 20 years.

01:11:52Looking for you is better, period, so as not to burn anything.

01:12:01Fiti, you see, what I really wanted was to talk to you.

01:12:01Thank you.

Los Serrano - 5x11 - Las de Caín - HD 1080

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