Los Serrano - 5x15 - Qué mal está Occidente - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

Un encuentro accidental con Antonio Lobato provoca que Fiti se lance a invitar a Diego y Santiago a Australia para ver juntos el Gran Premio de Fórmula 1. Sin embargo, unas fuertes turbulencias durante el vuelo obligan al piloto a efectuar un aterrizaje forzoso en un lugar bien distinto. Por otra parte, Choni y José Luis intentan convencer a Diego y Santiago para que les dejen montar un pequeño espectáculo musical en el local que regentan, pero Diego se niega. Tras el viaje de los hermanos Serrano a Australia, José Luis aprovecha el vacío de poder en la taberna para sacar algún dinero con la actuación. Mientras tanto, Teté pide ayuda a Raúl para elegir un buen regalo con el que sorprender a Guille. El joven se percata de que su chica y Raúl se traen algo entre manos y su "mirada sucia" hará el resto.

Transcript

00:00:22The Feast of Saint Justa

00:00:47Lately my house feels like a hotel

00:00:48And although my uncle Santi and Lurditas have already returned home

00:00:51Raúl and Fiti don't seem to be in much of a hurry about that.

00:00:53Have you forgotten or what?

00:00:55Damn, by Saint Justa, the gift everyone loves so much

00:00:58The raffle has been a huge success

00:01:01This is for you, Teté

00:01:02This is for a working stiff

00:01:05Okay, Teté, darling.

00:01:06Okay, Fiti, let's focus.

00:01:10Stop acting foolish

00:01:11But how could you even think of giving a scooter to a child?

00:01:13But you don't know that these things are the devil's work.

00:01:15But don't you see that it's dangerous?

00:01:16Stop fucking around, expansions

00:01:17Besides, look, that's how Fernando Alonso started

00:01:20Damn, yes

00:01:21Speaking of Fernando Alonso

00:01:24The best Formula 1 game

00:01:34The truth is that with Fiti at home

00:01:36This is non-stop

00:01:37My father's face doesn't look like his own.

00:01:40But for me, it's going to be

00:01:41Because Fiti doesn't bring him gifts.

00:01:43Like in May

00:01:46Will you stop playing?

00:01:47I see you

00:01:48We need to close a little bond

00:01:49But already

00:01:51It's out of control

00:01:52It's completely out of control

00:01:53And he doesn't even listen to me.

00:01:54He takes me for a fool.

00:01:55In other words, you have to pay

00:01:55But then

00:01:57What are you saying?

00:01:57It's much better to leave it alone.

00:01:59Leave it?

00:02:00Look, look, look

00:02:00Look what he does with coffee

00:02:01Just leave it.

00:02:02At the mercy of caffeine

00:02:03Look at the huge swig he's taking!

00:02:04He drinks the coffee down like a stream.

00:02:05That a dog might give him

00:02:07That it's accelerated

00:02:08And if he doesn't give a damn

00:02:08What's a dog going to give us that we don't?

00:02:09So, we're going to talk

00:02:12But sometimes with friends

00:02:15We have to give in and support them

00:02:16Even if we don't like it

00:02:17Because that's what friendship is all about.

00:02:19Well, Kiki

00:02:20It's not the best time for equality

00:02:21It's not the best time

00:02:22No, because he's going through a rough patch.

00:02:23Look, no

00:02:23But Lucia, please

00:02:25You're not seeing it

00:02:25What a bad streak!

00:02:26She's so hot!

00:02:26If it's uploaded

00:02:27If it's grown

00:02:28Look, Fiti is going through a rough patch

00:02:29In their own way

00:02:29With a little patience

00:02:31What we need to do now

00:02:32It's support and friendship.

00:02:33That's what they do to you.

00:02:34And that's what friendship is all about.

00:02:38My father is like Alonso

00:02:39The number one

00:02:40And for a friend like Fiti

00:02:42It is capable of going to the end of the world

00:02:45On a platform at the station

00:02:47Under the scorching sun

00:02:49You were talking about a skyscraper

00:02:51From the sky of New York

00:02:52Come soon to see the sea

00:02:54And you send a postcard

00:02:56I already knew that day was the end

00:03:00Now I have much more

00:03:04Red, black, stop and even

00:03:06Finally, luck brings an ace

00:03:07And a glass to look through

00:03:09And a wall to hang it on.

00:03:11Seven smiling faces

00:03:13In a passport photo

00:03:14My stories didn't speak

00:03:17Of stories made by chance

00:03:21Nobody told me that destiny

00:03:24I was giving this opportunity

00:03:28One plus one equals seven

00:03:31Who would have thought it?

00:03:35That it was so easy to be happy

00:03:50No, no, no, no

00:04:09You have uncles with beards

00:04:10I always finish all the rugby.

00:04:12Are you feeling better?

00:04:13I'm always better.

00:04:14A bad streak can happen to anyone.

00:04:16Well, look how pretty that jacket is!

00:04:18Pretty, huh?

00:04:20Look at your boy, the little one

00:04:22What a hit with the scooter

00:04:23Just like his father

00:04:24He looks just like his father

00:04:25Be careful, son

00:04:27You're going to thank me

00:04:27Seriously, Fiti

00:04:28Leave him alone, damn it.

00:04:29If they're made of rubber

00:04:30Pussy

00:04:31Let him enjoy it.

00:04:32That life will give him a lot of hardships later.

00:04:34Look, little worker

00:04:35Leave the king of writing

00:04:36Okay, now on to another one

00:04:37Guille

00:04:38Stop doing me a favor

00:04:39You're going to fall

00:04:40Do me a favor

00:04:40What if it falls

00:04:41Get up, damn it!

00:04:42If he will have to tan

00:04:43That he's in a effeminate way

00:04:45Come on

00:04:46Guille

00:04:46Show your father

00:04:47Who is the king of writing

00:04:48Let's see, little worker

00:04:49Main and very important

00:04:51I mean

00:04:52You need to know

00:04:53Riding a skateboard in style

00:04:54Okay?

00:04:55Then you arrive

00:04:55You get on the skateboard

00:04:56Okay?

00:04:57So what you have to do

00:04:58It's like taking a leap

00:04:59Bending the knees

00:05:00And remain completely vertical.

00:05:02Against the force of gravity

00:05:03How are you?

00:05:04Oh well, whatever.

00:05:06Okay?

00:05:06Look, it would be like this.

00:05:08And three

00:05:09Oh!

00:05:10He has killed himself

00:05:12Guille

00:05:13Which bar?

00:05:14Are you OK?

00:05:15Come on, let's go to the emergency room

00:05:16Let's go to the emergency room

00:05:16What is man?

00:05:17That's nothing.

00:05:18What do you mean it wasn't the end?

00:05:19I'm going to tell you something

00:05:20But okay, honey.

00:05:21Diego, Diego

00:05:21Come on, come on, darling

00:05:23Come, come, come, come

00:05:24Come, come, come

00:05:25What do you mean it's nothing?

00:05:26The boy has killed himself

00:05:27That with a little bit of...

00:05:29What's happening?

00:05:31He's really screwed up.

00:05:40But seriously, what is this?

00:05:42Well, what else could it be?

00:05:43What's it going to be?

00:05:44Because this is a Toledo night of fiti

00:05:46No Christian can stand this

00:05:47Please

00:05:48I sing to the forty

00:05:49Lucia, I sing to the forty

00:05:50I'll sing them to you...

00:05:51Oh, oh, oh, oh, oh

00:05:52No, I scream, little miracle

00:05:54Don't make so much noise, Diego

00:05:56Please

00:05:56And don't worry

00:05:57I'll pick this up later

00:05:58Don't pick anything up, thanks.

00:06:00Take it, take it

00:06:01Take it yourself

00:06:03Tranquillity

00:06:06Lucía, Sanjo

00:06:08I confit and Sanjo

00:06:09My name is Diego

00:06:10That Sanjo

00:06:10And Sanjo from Sanjo?

00:06:12Hey, hey, I want to see you there

00:06:12I don't

00:06:14Toast and milk

00:06:15Good morning

00:06:15Come on

00:06:16Good morning

00:06:18Let's see, you're not messing things up.

00:06:20That the fiti thing is normal

00:06:21The breakup

00:06:22The mismatch that it has

00:06:24The separation

00:06:25Excuse me, but that's not normal

00:06:26In other words, a breakup

00:06:27People seem depressed.

00:06:28Go down, it's over

00:06:28Feeling down

00:06:29It's like me

00:06:31I'm not giving you any more details

00:06:32Because...

00:06:32And what's with all that mess?

00:06:33My sister is about to arrive

00:06:35Okay, Mom

00:06:36I'll pick it up.

00:06:37Don't worry

00:06:37Oh, by the way

00:06:38Didn't I tell you that Auntie is coming to fly today?

00:06:40Yeah

00:06:40Who encouraged her?

00:06:41Does the nun chirp?

00:06:42Yes, yes, daughter, yes

00:06:43She has gone out to the convent

00:06:44So that the doctors can see it.

00:06:45Because she has a very delicate heart

00:06:47Very damned

00:06:48Ma'am, forgive me, but I have to open the tavern.

00:06:49Because I'm very busy

00:06:50Yes, of course, work comes first.

00:06:51And now he apologizes.

00:06:51For God's sake, what did I tell you?

00:06:52Don't get on the scooter

00:06:53Look, look, he looks like Donald

00:06:56Okay

00:06:57How are you?

00:06:58Does your lip hurt, daughter?

00:06:59Well, a little bit, yes

00:07:01And he also talks like Donald Duck.

00:07:03Oh, it's here.

00:07:04Aunt Sofia is here!

00:07:05I ask you to behave, please

00:07:07She's very frail, really.

00:07:09And she's been in the convent since Franco

00:07:11It was a bugle

00:07:13Pussy

00:07:14Hello

00:07:15Hello

00:07:16Oh, hello, hello

00:07:17Sofia, we were waiting for you, daughter

00:07:19Oh, how are you?

00:07:21This is Diego, right?

00:07:23Well, no, no

00:07:23Oh, no, it's not Diego.

00:07:24No, no, not at all.

00:07:25He's, look, he's a friend of my daughter and my son-in-law.

00:07:29Yes, it's Fiti.

00:07:31And that he's here, well, it's due to a circumstance.

00:07:33I'll tell you about it.

00:07:34Happens

00:07:34Come on in

00:07:35Come inside

00:07:36Look, here, to the left, is the kitchen

00:07:38Come in, I'm going to introduce you

00:07:40Aunt Sofia is here

00:07:44From Lucía, my daughter

00:07:45Sure, sure

00:07:46Clear

00:07:47And look, look, the children

00:07:48Curro

00:07:49Curro

00:07:50She's having tea, that's the girl.

00:07:52And no, not this one, this one is not his son.

00:07:54Well, he's the son of

00:07:55Son of the one you wanted to be my son-in-law

00:07:58But no

00:07:58And his name is Raúl

00:08:00His name is Raúl

00:08:01And there, Guille

00:08:02Guille, who has had a minor accident

00:08:04That's why

00:08:04He looks like an epheme

00:08:08And what did you say your name was?

00:08:11Guillermo

00:08:13Guillermo

00:08:14As?

00:08:15Sister, call him Donald

00:08:16If the kid likes it

00:08:19Eli, you dick!

00:08:20Hey, hey, hey!

00:08:21That mouth

00:08:22But very pretty

00:08:22Yes, yes

00:08:23Hey, you see, it happens

00:08:25Come this way

00:08:25What you will see

00:08:26Because we have the rooms upstairs

00:08:28But here is the living room

00:08:29The living room

00:08:30What's going on, man?

00:08:32Nothing, woman

00:08:33Nothing, just give her a little gift

00:08:34And that's it.

00:08:35You have it

00:08:35Cadiñocito and domanticoso

00:08:37Raúl, dude, don't laugh

00:08:39Okay, come on

00:08:40Another little cut for the chest

00:08:41Calm down, calm down

00:08:43You've already got three, man.

00:08:43You drink your coffee like water.

00:08:45I wonder if we'll no longer be able to drink coffee.

00:08:46Hey, girl

00:08:50Look, look

00:08:52How are you?

00:08:53Okay, new jacket

00:08:54How beautiful

00:08:55Nothing to worry about, you'll get through everything.

00:08:56You look unwell, huh?

00:08:58You're the one who looks unwell.

00:09:00Yes, I know.

00:09:01Your old man again?

00:09:03When not?

00:09:05Looking for work

00:09:07Is it really that bad?

00:09:10Hey, my nephew is here

00:09:12Beautiful

00:09:13See you later

00:09:14Hello handsome

00:09:14Hello good

00:09:15Don't talk about what he likes about arriving at the tavern

00:09:17With this party thing

00:09:18Halfway down the street, blocked

00:09:19Leave it, let them cut

00:09:20The Santa Justa festivities

00:09:21It has always been a blessing

00:09:22For the tavern

00:09:23Here they are

00:09:24Romeo and Juliet of Santa Justa

00:09:25It looks great, doesn't it?

00:09:27Soni

00:09:27What, manager?

00:09:28Has she already brought it out with a bowling pin?

00:09:29For parties, huh?

00:09:31Well, no, no

00:09:32Things are really messed up, Fiti

00:09:33If you don't appear on TV here

00:09:34You are nobody

00:09:35I don't even sing in the shower anymore

00:09:37Let's see, let's see

00:09:38José

00:09:38José, please

00:09:40AND?

00:09:42Clear

00:09:43Damn, well here

00:09:45Is this the tavern?

00:09:46Hey?

00:09:46The tavern or the nightclub?

00:09:48No, no, no

00:09:49This tavern says

00:09:50No, no, no

00:09:50Okay, Fiti

00:09:52You said it.

00:09:53This is a tavern

00:09:54And in the tavern that is made

00:09:55Well, they have beers

00:09:56They're talking about football.

00:09:57He eats ham

00:09:58They eat ham, that's it, that's it

00:09:59We're talking about Choni, Diego

00:10:01I mean, from my sister

00:10:02From your sister-in-law, damn it

00:10:03No

00:10:04Then what happens, happens

00:10:07There is no color

00:10:10That's Lucia

00:10:11That's Lucia

00:10:12Since what happened happened

00:10:13He has me

00:10:13No idea

00:10:15Fiti has me in a bad mood

00:10:16In filaica

00:10:17Don't get worked up about it

00:10:18It's a lie

00:10:19What I'm telling you

00:10:19What am I?

00:10:20Letter to the Maccabees

00:10:21Alexander of Macedonia

00:10:22Philip's son

00:10:23Dale, I don't know you've come back

00:10:24Take your hand out of your mouth

00:10:25What a chili pepper

00:10:26Silence over there

00:10:30Guillermo Serrano, continue

00:10:33Guille, Guille, come on

00:10:34He's not very smooth-talking.

00:10:36Guille, come on, let's go

00:10:38Take your hand away, man

00:10:39That you can't be seen

00:10:39That pretty mouth

00:10:41Guillermo Serrano

00:10:42I have the patience of Job.

00:10:44But I warn you

00:10:44That it is not infinite

00:10:52Alexander of Macedonia

00:10:55Quintin's trail

00:10:56And from...

00:10:57Guillermo

00:10:57Where from?

00:10:58Where from?

00:11:01He deprived Adiós

00:11:02Dey of the Fishes

00:11:03Guille, beautiful

00:11:04I'm not berating you

00:11:05Kings of the Maccabees

00:11:06Hey?

00:11:06That's it

00:11:08Oh, son, for God's sake!

00:11:09But what happened to you?

00:11:10Careful!

00:11:10Dear Mother!

00:11:11Carmen de Mayrera!

00:11:12Silence, please

00:11:13But what happened to you?

00:11:15Forgive me, darling

00:11:15That I haven't realized

00:11:18They are doing you a favor by really taking care of you.

00:11:19If you're with me

00:11:24I'm just so fed up, damn it

00:11:28Poor thing, but oh well, he'll be better tomorrow

00:11:30Yes, but until then I need my myths.

00:11:34My myths are...

00:11:35Which myths are better?

00:11:37A little juice

00:11:39Now?

00:11:40I can't because...

00:11:42Jolly, because I've arranged to go shopping with Jolly and I have to go

00:11:45Okay

00:11:46Okay

00:11:47See you later

00:11:48See you later

00:11:54That?

00:11:55You've put ATT donuts on it

00:11:56It's just that I'm...

00:11:57But very funny, really

00:11:59You can't take a joke, that kid is crazy

00:12:01No, no, no, no, no!

00:12:03It's open

00:12:05That's a ball, egg.

00:12:09Did something happen?

00:12:11Hey?

00:12:11Did something happen?

00:12:12No, no, nothing, nothing, nothing

00:12:16Fourteen of morcole

00:12:17Fourteen of morcole

00:12:18Yes, there's a real pain, there's a real pain in there.

00:12:20Turning the barnacle

00:12:21Fupum, pum, pum

00:12:22They place a vine in the water

00:12:23You exhaust me too, Santi

00:12:24But you need support, so let's...

00:12:26Hey, pirates

00:12:27This flat little night

00:12:28And a Chuck Norris movie, no question.

00:12:31Decaffeinated

00:12:31He needs to be decaf.

00:12:33What are you doing, what are you doing? I'm so pissed off about this.

00:12:36What are you doing with the coffee maker? Stay still!

00:12:38I'm making your coffee maker a load, Diego, damn it, the one you call watery, we look like tourists here.

00:12:41The coffee was good.

00:12:42Don't worry, I'll make your coffee now.

00:12:44Hey, one thing, Fiti, what happened to Chus Norris, that makes me feel a little sorry for him.

00:12:49Well, it's okay, damn it.

00:12:50Look, we played that F1 game I was playing last night, man, it's awesome.

00:12:54There's a realism to it, man.

00:12:55Realism, that's what I need in that van.

00:12:57Let's see when you mess with her.

00:12:58Well, I'm on it, damn it.

00:13:00If you spend more time here, what else can you do?

00:13:03Stop bothering me, damn it, and give me the coffee already, I've already filled it for you.

00:13:06Give him coffee, give him coffee.

00:13:08You'll see how he ends up turning our heads into two beach balls.

00:13:11I went in.

00:13:13I just had an accident.

00:13:14But what has happened to you, my little dove?

00:13:15So, I braked, felt a jolt, and...

00:13:17Damn this land, what a useless place!

00:13:20What's up, you useless thing!

00:13:21What's up, you useless thing!

00:13:21Did anyone who heard about this never see a car in their entire life?

00:13:24I don't know where the steering wheel is and where the brake is, damn it.

00:13:27The wolf cub, where's the F1?

00:13:30Shall we give someone a scare?

00:13:31Yeah.

00:13:33Lucy, Lucy, Lucy!

00:13:34Oh, Chony, I'm sorry, but I have class.

00:13:36And where is Lurdita Arliss?

00:13:37I don't know what, I just wanted to talk to you for a moment, but it's very important, Lucia.

00:13:40With me?

00:13:40Yeah.

00:13:42Just a minute, tell me.

00:13:44Lucia, I want to sing in the tavern.

00:13:49Do you want to sing in the tavern?

00:13:50Very well, and I tell him so.

00:13:52I've already told her, Lucia, but she said it can't be.

00:13:54And I think, Lucia, that he told me that mostly for your sake, so as not to be rude to you.

00:13:58Well, I don't think so.

00:13:59But if you want, we can talk about this another time, okay?

00:14:01Lucia, I completely understand that you will be bothered by the fact that I have

00:14:05harried around your man.

00:14:06But there are things that must be overcome, Lucia.

00:14:08Look, Chony, I don't know what you're talking about.

00:14:10But if it's any consolation, it's all sorted out, okay?

00:14:12Oh, really?

00:14:13Okay, then explain to me why Diego says he doesn't want to.

00:14:21Look, I'm really sorry.

00:14:22We'll talk about this another time.

00:14:23Yeah.

00:14:24I have classes now.

00:14:25Yeah.

00:14:25I'm closing you down.

00:14:27Door.

00:14:29Excuse me.

00:14:38Let me explain.

00:14:39Look, for us, Formula 1 is the biggest thing there is, the absolute greatest.

00:14:43especially for me.

00:14:44Besides, I'm in the trade.

00:14:45You don't say.

00:14:45Are you involved in competition?

00:14:47Okay, come on, my little piritos.

00:14:47I have what is a neighborhood engine workshop.

00:14:50Oh ok.

00:14:50You, the workshop, you set foot in it less than the Knight Rider car.

00:14:53Be quiet.

00:14:53Okay, let's talk a little bit about the accident, since Mr. Lobez won't have anything better to do.

00:14:57Lobato, Mr. Lobato.

00:14:58Wolf Cub.

00:14:59Don't worry, my little dove, about the accident.

00:15:01Because it's all written here in the report.

00:15:02And this gentleman is Mr. Lobato, who is a Formula 1 journalist.

00:15:07Anyway, I don't really know, I don't remember if I turned on the hazard lights, if I didn't...

00:15:10I couldn't tell you, miss.

00:15:12Ma'am, ma'am.

00:15:13What will he give me?

00:15:14What will the flashing light give me?

00:15:15It's because people are used to normal Formula 1, because there you don't have to use the turn signal.

00:15:18to twist, damn it.

00:15:19That's right.

00:15:20But hey, let's see, whose side are you on?

00:15:22Watch out, Lourita.

00:15:22Careful, Lourita, we're not...

00:15:24In other words, there are no parts here.

00:15:25So, you rear-ended Mr. Lobato, and well, you left his car wrecked.

00:15:28Lourita.

00:15:29Don't worry, okay?

00:15:30I call Fernando, he lets me use his car without any problem and everything is sorted, eh.

00:15:34What are you telling me?

00:15:35Just kidding.

00:15:41Look, I'd be there on the track with Fernando, man, really.

00:15:45And of course, whether you like it or not, there's an intimacy there, isn't there?

00:15:49I mean, we're friends, we have a connection, but as for intimacy, what you're saying...

00:15:54No, just enough, eh, just enough.

00:15:57Hey, I'm outta here.

00:15:58I have to go, it's very late.

00:15:59I'm going to leave you a card, just in case there's any problem with the paperwork.

00:16:02Okay, okay.

00:16:03And for whatever you need.

00:16:05For whatever we want?

00:16:06For whatever you need.

00:16:06Well, put me at your wife and Fernando's feet, okay?

00:16:09This is the greatest thing that has ever happened to me.

00:16:11Come on, you'll see how we fix the car and it starts and everything you want.

00:16:14Bye bye.

00:16:15My car, my car.

00:16:16Yes, yes, now, now.

00:16:19Damn, I don't sit at your feet.

00:16:21Looking for a job is more tiring than actually working.

00:16:23And if I can't understand it, in the end everyone finds a job, everyone.

00:16:28What do I offer in exchange?

00:16:29Two.

00:16:30Two...

00:16:30Two canes.

00:16:32Hey, I think there's a question.

00:16:34Did you bring a resume when you arrived at the tavern?

00:16:36No, Santi already gave me the apron and everything.

00:16:39Oh, really?

00:16:42Hey, Santi!

00:16:45One little thing.

00:16:48With all this mess you have going on with the parties and everything, don't you need someone to lend a hand?

00:16:52in the tavern?

00:16:53I'm looking for a job.

00:16:54That sounds great, beautiful.

00:16:56Well, go ahead, keep scratching around there.

00:16:58Move aside.

00:17:01One says, "How do you find us? Tete is searching things and they kill us in her room."

00:17:04Well, you should look for evidence.

00:17:06That?

00:17:09Evidence.

00:17:10Ah, tests.

00:17:11Yeah.

00:17:12Look, look, look, look.

00:17:13The newspaper, the newspaper.

00:17:14Look, to be honest, this business of checking things over, Tete, doesn't seem entirely appropriate to me.

00:17:18What does it say about me there?

00:17:19Look, let's go to my granddaughter's room, it's quieter.

00:17:23And cleaner.

00:17:25It'll definitely be cleaner too.

00:17:26At least yes.

00:17:28What's the matter?

00:17:28I think this heart thing has come loose.

00:17:30Oh, come on, Sofia, woman.

00:17:31I'm really hanging on.

00:17:32No.

00:17:33Let me take a look at it for you.

00:17:34Oh, oh, but close the door.

00:17:36Oh, the door.

00:17:37But we're alone, woman.

00:17:38Goes.

00:17:39Let's see.

00:17:41Come on.

00:17:41Let me see you.

00:17:43Let's see.

00:17:45Dude, cover yourself up, you know the truth, the nun.

00:17:47See, woman?

00:17:47But if you have...

00:17:48But if you have the suction cups, great.

00:17:50I think I'm going to have to ask my mom to get me to see a psychoanalyst now.

00:17:54Don't touch them anymore, because if you touch them, that's when they might fall off.

00:17:58And don't touch the Holter monitor they put on you either.

00:18:00Look, let's go downstairs, let's go downstairs, I'm going to prepare something hot for you.

00:18:04No, Carmen.

00:18:04That way you'll calm down, don't let them touch your suction cups.

00:18:06And you're free.

00:18:07No.

00:18:07You're going to get your holter upset.

00:18:09Because all you do is play and play.

00:18:11Are you nervous?

00:18:12I understand.

00:18:14Disgust.

00:18:15Anymore.

00:18:18I just saw things a boy should never see.

00:18:21Okay, let's keep looking for evidence.

00:18:22That?

00:18:24Evidence.

00:18:25Ah, tests.

00:18:25That?

00:18:26No, you know you're completely paranoid.

00:18:28I'm leaving.

00:18:28I need to forget about all this.

00:18:30Wait.

00:18:39Let's hear it, drumroll please, because Fiti is here with the mother of all surprises.

00:18:43Go ahead, parrot, to the lathe.

00:18:44Take.

00:18:45Okay, let's take it one step at a time.

00:18:46Santi, I gave you this gift on your birthday.

00:18:48What did you give me?

00:18:49Well, it's rubbish, like poking a stick.

00:18:51Indeed.

00:18:52Oh really?

00:18:53Disgusting.

00:18:54It's just a figure of speech, Grogi, damn it.

00:18:56Leave him alone, Grogi.

00:18:56And what did I give you, Diego?

00:18:57Same thing, right?

00:18:58The same.

00:18:58Nothing.

00:18:59Well, today I'm going to be crowned.

00:19:02Ta-da!

00:19:03Look.

00:19:04This plane ticket to go to Australia.

00:19:06Let's watch the Formula 1 Grand Prix.

00:19:08What do you mean, Australia?

00:19:09What are you saying?

00:19:10Do you want to go to Australia?

00:19:11To Formula 1?

00:19:12Damn, but we don't have the dude's card.

00:19:14If that's an "open sesame" to get into the bosses, damn.

00:19:17We called her and went into the kitchen.

00:19:19No, but it's a brilliant idea.

00:19:21So, when is this going to happen?

00:19:23We're going out tonight.

00:19:25Are you stupid?

00:19:26You...

00:19:27Hey?

00:19:27Do you think we're going to Australia like someone going to Cuenca?

00:19:30It does not apply.

00:19:30What's wrong? Are you going to leave me stranded now?

00:19:32Okay, Fiti.

00:19:33Here, here. Listen for a little while.

00:19:34First, we are in the week of the festival.

00:19:35Okay, fine. Nothing's going to happen.

00:19:36But anyway...

00:19:37Formula 1 will have to wait a little while.

00:19:38And then if you get a little closer, damn it.

00:19:40We feed Melo.

00:19:40We take the Barcelona road.

00:19:41I mean, please, please, damn it.

00:19:43The Greeks say so.

00:19:44Carpe Diem, fuck it.

00:19:45The Greeks.

00:19:45The Greeks don't have a tavern like ours, packed to the brim.

00:19:48And don't you see the commotion there's?

00:19:50But hey, how can you leave me hanging when I really need a little bit of expansion?

00:19:53Pussy?

00:19:53And a little bit of therapy.

00:19:54And you guys are off on an adventure, damn it.

00:19:56Adventure?

00:19:57Adventure here.

00:19:58The one we have with black pudding and hams.

00:20:00Okay, very good.

00:20:00Well, you're leaving me alone, aren't you?

00:20:01Well, that's it.

00:20:02I'm just going to leave.

00:20:03Listen to me, Fiti.

00:20:04No problem.

00:20:05Damn, that's appreciated.

00:20:06It's truly appreciated.

00:20:07In other words, the idea is appreciated.

00:20:09It's great that Formula 1 goes to Australia, but why not go to Australia? I don't know.

00:20:12Of course, now we have to win.

00:20:12No, no, no, no, no.

00:20:13We're crazy.

00:20:14Are we crazy or what?

00:20:16Nobody here is going to Australia.

00:20:17Do you want entertainment?

00:20:19Well, buy yourself a monkey, damn it.

00:20:21Buy it yourself, but I already have plenty.

00:20:23Okay, fine, fine. Calm down.

00:20:28Raúl, Raúl.

00:20:30What's wrong with you?

00:20:30You can't wait a moment.

00:20:32Hey...

00:20:33Let's go inside.

00:20:36Okay, tell me.

00:20:38Well, I just can't decide.

00:20:39I don't know whether to buy Guille the cool socks or the jacket.

00:20:42Except the jacket costs 180 euros.

00:20:44Cool socks?

00:20:45No.

00:20:46Don't be cheap.

00:20:47Oh my god, auntie.

00:20:47Buy him the jacket.

00:20:50I don't know.

00:20:51The thing is...

00:20:51Auntie, don't be so narrow-minded.

00:20:52Go for it.

00:20:53Well, if you really want it, it shows on your face.

00:20:54Yes, but it seemed like too much to me.

00:20:57No, Raúl, don't tempt me.

00:20:59Well...

00:21:01What have you done?

00:21:02Hang on a minute.

00:21:09Well, yes, you buy it.

00:21:10Now we just have to see if he can see his size.

00:21:12Yes, yes, yes.

00:21:13There was some of mine.

00:21:14Yes, but the guilla is quite a bit smaller.

00:21:16Well, he's grown quite a bit, isn't he?

00:21:18Oh, no way.

00:21:19It seems that way, but then it's deceiving.

00:21:21I'm telling you, come on, the guts are medium or even small.

00:21:24Yeah?

00:21:25You're going to tell me about it.

00:21:34Yeah.

00:21:35How are you?

00:21:35What a nasty little bug, Lucia.

00:21:37You have an exemplary family.

00:21:39A husband who loves you.

00:21:41And a little house.

00:21:43It is a haven of peace.

00:21:45Lucia!

00:21:46Oh my God! This is it!

00:21:47What is it?

00:21:48Oh, Choni.

00:21:48What did this do?

00:21:50Heaven, calm down.

00:21:51Heaven, calm down.

00:21:51What have you stolen from me?

00:21:53What's wrong, daughter, for God's sake?

00:21:54What have they done to you?

00:21:55What have they done to you?

00:21:56Did they do something to you?

00:21:56What has he done to you?

00:21:56Well, damn it, steal my purse with everything inside.

00:21:58No.

00:21:58My mobile phone, my keys, my wallet, my model, everything.

00:22:02Okay.

00:22:02What happened to me?

00:22:04Because I have the heart and I see the Lord ahead of time.

00:22:06Calm down, aunt.

00:22:07Sit down.

00:22:08Sit down and the important thing is that they haven't done anything to you.

00:22:09Clear.

00:22:22Okay?

00:22:23If you don't mind, let me make a quick call, José Luis.

00:22:27Oh.

00:22:28That's outrageous, I can't stand it, you shameless person, I really can.

00:22:31Okay, but relax, you're going to have a heart attack.

00:22:34Oh, yes.

00:22:35But if it gives me, if it gives me, if it gives me.

00:22:39Oh my God, Josico, take it for me.

00:22:42Oh, sister, forgive me for not greeting you, you're here on vacation.

00:22:44No.

00:22:45Give me a little hug.

00:22:46Oh.

00:22:48Take it, damn it.

00:22:49Well, she'll believe it, but when I was a kid I wanted to leave, nun.

00:22:52Oh, really?

00:22:53Yeah.

00:22:53And why didn't you make up your mind?

00:22:55Well, look, because before I knew it, someone from the neighborhood had already unsealed it for me.

00:22:59And then, well, you get used to it.

00:23:01And what a thing it is, it just kept going.

00:23:03Unsealed?

00:23:04No, and that's it.

00:23:05What I'm telling you, Chos.

00:23:06No no.

00:23:07He won't take it.

00:23:08Choni, beautiful, I don't have any chamomile tea.

00:23:10A mint tea?

00:23:11Don't worry, queen.

00:23:12It's already passing.

00:23:14It doesn't work for your aunt.

00:23:15I am very nervous.

00:23:16Wait.

00:23:17I don't know what this man has a mobile phone for, or what he has anything for.

00:23:20And my brother, that they are not for.

00:23:23Okay, look, you're staying for dinner.

00:23:24And then you try again?

00:23:25Okay?

00:23:26Really, queen.

00:23:26Thank you so much.

00:23:27I wouldn't want to be a bother.

00:23:32Lucy, Diego.

00:23:33For you.

00:23:37Peaceful.

00:23:37Better.

00:23:38What a scare!

00:23:39If the clothes fit me afterward.

00:23:40Tell me.

00:23:40Yes, it's me, Diego, yes.

00:23:42No, wait, it's one thing.

00:23:43I'm not going to dinner because something unexpected has come up.

00:23:46We're going to Australia.

00:23:49Hey.

00:23:50Do you want to stop putting out the rods of serving me?

00:23:52No, no, no, Alvar, Australia.

00:23:53That?

00:23:53No, no, mainland Australia.

00:23:54I mean, Australia...

00:23:55Let him wait.

00:23:56That.

00:23:57Yes, yes.

00:23:58Listen to me.

00:23:59I know how strange that is.

00:24:00Chiti wanted to watch the races.

00:24:01Alonso's, who spoke with Lobato.

00:24:04Tell the girls.

00:24:06Thus, Africa and Elena.

00:24:08I couldn't leave you a message earlier because your phone is out of coverage.

00:24:11Neither dad nor milk.

00:24:12No, don't worry about the tavern, Santi is already talking.

00:24:15The girls will take care of everything.

00:24:16Ah, just be careful, don't confuse the big bump with the small backpack.

00:24:20I'll call you later when we land, okay?

00:24:22Don't put the red blood sausage on the griddle.

00:24:25Thank you.

00:24:25Okay, a kiss, sorry.

00:24:26Thank you, the onion.

00:24:27Goodbye, a kiss, darling.

00:24:28Hey.

00:24:30Daughter.

00:24:30That?

00:24:31Is something wrong?

00:24:33No, Diego, they're going to Australia.

00:24:36To Australia?

00:24:38Australia.

00:24:38To Australia?

00:24:38Now?

00:24:39And my brother?

00:24:40Also.

00:24:41My brother too?

00:24:42Yes, your brother too, yes.

00:24:43Oh, how fast.

00:24:44My Fiti has always been very determined.

00:24:45You know what I'm saying?

00:24:46You're staying here for the night.

00:24:49It's true?

00:24:49It's been much better than yes.

00:24:50Sure.

00:24:51Don't tell me.

00:24:52I, Lucia, would not want to cause any trouble.

00:24:54No, no, no.

00:24:55Which is much better.

00:24:55However, you have no keys and nothing.

00:24:57Girl, you have such a big heart.

00:24:59You're being so good to me, queen.

00:25:01Now let me tell you something.

00:25:03Here you'll have chavs for your whole life.

00:25:05I'm telling you how it is.

00:25:06Come on, come on.

00:25:07Sit down.

00:25:08Calm down.

00:25:09I'm going to make you the chair.

00:25:11Australia is very far away, isn't it?

00:25:13Yes, yes, no.

00:25:14And that you hire them.

00:25:16Because I say so, that's it.

00:25:18Why aren't you threatening me with "enough"?

00:25:19Why aren't you threatening me with "enough"?

00:25:20Man, I know you.

00:25:21You're leaving, don't tell me that.

00:25:22Damn it...

00:25:24You build me a house and hire me for the party.

00:25:26Sit down, go on, sit down.

00:25:27Yes, because there's going to be a lot of trouble later.

00:25:28Why aren't you throwing me a party?

00:25:30And the ice, be careful with the ice.

00:25:32No?

00:25:32As?

00:25:35What are you saying, girl?

00:25:37That?

00:25:39That?

00:25:40You pay for it?

00:25:41Yes, please, pass the billions.

00:25:43That's why you should wear the billions.

00:25:44You didn't travel much, did you, Santi?

00:25:46Hey, guys.

00:25:47Eh, eh, eh.

00:25:47We're going to Australia, damn it.

00:25:49Okay, Alonso.

00:25:50Alonso.

00:25:52Alonso.

00:25:53Yeah.

00:25:53The big cock.

00:25:54With the tavern.

00:25:56The tavern was packed to the rafters.

00:25:57This will go down in history.

00:26:00Straight into adventure.

00:26:01Hey, don't you feel a little flutter in your stomach?

00:26:04Yes, yes, we're noticing it, Fiti, we're noticing it, yes.

00:26:07Now that's what I call carpe die, damn it.

00:26:08And I'm going to tell you something, eh.

00:26:10You guys are my best friends and I'm going to Australia with you, okay?

00:26:14And one more thing.

00:26:15Candela has made history.

00:26:17Alonso.

00:26:18Alonso.

00:26:19This will do Fiti a world of good, man, he really needed an expansion, something.

00:26:22Do you understand?

00:26:23Abroad.

00:26:24To the foreigner, what story?

00:26:25Of course I don't like it.

00:26:27Remember that I went to Portugal, to Puerto Vallas.

00:26:29And I didn't like it.

00:26:29Yes, yes, yes.

00:26:30And to Giusto.

00:26:31He hasn't left Giusto's business.

00:26:32But hey, trips are always good, man.

00:26:34We need to open our minds, loosen our filters, get some oxygen...

00:26:36Well, they wouldn't know other things.

00:26:39You're not getting anywhere, Santi, you're not getting anywhere.

00:26:44Come on, come on, come on, come on, we're not going.

00:26:47Santi.

00:26:48Yeah.

00:26:48You seem a little tense, don't you?

00:26:50Yeah, yeah, you see I get anxious.

00:26:52How much longer until Australia?

00:26:53No, no, I don't know, I don't know.

00:26:55Well...

00:26:55About twenty hours.

00:26:57Twenty hours.

00:26:58A little hole, a little hole.

00:26:59See?

00:27:00I shit on the Greeks.

00:27:13Hi, Cari.

00:27:14How are you?

00:27:16Good.

00:27:16Hey, do you look unwell?

00:27:17Did you sleep well?

00:27:18More or less.

00:27:19Oh, but your swelling is going down.

00:27:21If you say so.

00:27:22How cool.

00:27:24Kids, come on, I need to take a shower.

00:27:26Hey, Raúl, don't be cheeky.

00:27:27That?

00:27:28Don't be cheeky.

00:27:29Okay, no problem, you're going to shower with me.

00:27:31Yeah.

00:27:32You wish.

00:27:33You'd like it too, don't you think?

00:27:34Yes, yes, whatever you say.

00:27:37Hey, can you tell me what's going on with you and Raúl?

00:27:40That?

00:27:41What do you mean, what?

00:27:41Well, I don't know, Tete, maybe you have something to tell me, right?

00:27:45What are you saying, kid? What are you saying?

00:27:47It's slipping away from you, isn't it?

00:27:48The truth is that some people don't like the place.

00:27:54Santi, relax, you're going as a group.

00:27:56Give me a little help, man.

00:27:59One little assist, brother, yes, yes, yes.

00:28:01It just didn't happen, it didn't happen.

00:28:03And Confiti was being a nuisance.

00:28:04Well, that's it, take advantage of the fact that you've been to the bathroom, close your eyes, relax.

00:28:08It's really fast-paced, isn't it?

00:28:09He has worshipped you, he deserves a good whack with a stick.

00:28:12We're stuck here and we have to abandon the tavern.

00:28:15Stop thinking about the tavern, Grogui and the girls are there and everything will be alright.

00:28:18It's worthless.

00:28:19Relax, yes, yes, okay.

00:28:20You've weighed us down.

00:28:21It's not valid.

00:28:21Let me remind you of one thing, we are here because of friendship.

00:28:23Because, let's see, who took the visitors out of the convent?

00:28:25Who?

00:28:26Citi.

00:28:26Citi was always there.

00:28:27Santi, yes.

00:28:28And now it's our turn.

00:28:30Paying them, please.

00:28:30Okay, that's it.

00:28:31Whoever you are, holidays are an adventure and a chance to relax.

00:28:34Relax.

00:28:35Peace of mind, because you have...

00:28:36Oh, oh, oh, oh!

00:28:37I'm so pissed off.

00:28:38Fuck.

00:28:40What a strong smell of cologne.

00:28:41Fiti, what have you put on?

00:28:42What's happening?

00:28:42They give her some armpit water in the bathroom, which lacks nothing.

00:28:45Everything related to personal hygiene is covered.

00:28:47Very good, very good.

00:28:48Sit down, sit down.

00:28:49What is this now?

00:28:50They are here.

00:28:51What's it going to be?

00:28:52What's it going to be, Santi?

00:28:53Damn, the food, damn.

00:28:55Honestly, what a small world.

00:28:56What a small world.

00:29:00There's no five-fork fold, we're on a plane, right?

00:29:02I don't know if I can eat this, since I'm trying to conceive.

00:29:05I don't know if it's meat or fish.

00:29:07Well, look...

00:29:08Furri, surri!

00:29:11Hey...

00:29:12That?

00:29:13That?

00:29:14That?

00:29:16Shut up if I'm going to eat it now, don't be annoying.

00:29:18He's being very annoying.

00:29:19No, if it's salty I can't eat it.

00:29:20Because it might ruin my sperm.

00:29:23But the sperm is going to wreck your belt.

00:29:25Loosen it up a bit, damn it.

00:29:26It's still!

00:29:27Let me have it!

00:29:29Let me have it!

00:29:30Let me have it!

00:29:31Let me have it!

00:29:32What kind of image are we projecting of Spain!

00:29:33Oh my God!

00:29:34What kind of image are we projecting of Spain!

00:29:35Excuse me!

00:29:37A small glass of milk, right?

00:29:39Come on, Raúl, please.

00:29:40We'll have breakfast in the street, come on, go ahead.

00:29:41Relax a little, okay?

00:29:42You're being really annoying, dude.

00:29:43Not heavy, no, Raúl.

00:29:44What is it that Gillantes...

00:29:45Guillantes asked me if you and I were bringing anything.

00:29:47You can smell it, Raúl.

00:29:56Milk?

00:29:57Good morning!

00:29:59Good morning!

00:30:00Good morning!

00:30:01Good morning!

00:30:03Good morning!

00:30:03Hello!

00:30:04Oh well!

00:30:04What kind of face do you have?

00:30:06He hasn't slept much lately, has he?

00:30:08Oh, I'm not surprised, son!

00:30:09With that crazy little night...

00:30:10Your father in Australia...

00:30:13My sister...

00:30:14The theft of Choni...

00:30:16Hey, Choni isn't going to stay, is she?

00:30:18That's not something you say.

00:30:20And besides, he's only spent one night here.

00:30:22Yes, the last time was the same and then what happens, happens.

00:30:25Corro is right, this house does look like Iraq.

00:30:27Yeah, mate, you see, everyone comes in here and nobody can kick them out.

00:30:29If Choni said Raúl, if it's just damn.

00:30:32Good morning!

00:30:33Good morning!

00:30:33Hello gorgeous.

00:30:35Would you like a coffee?

00:30:36Another thing?

00:30:37I feel bad, because I've already bothered a lot.

00:30:39No, woman.

00:30:40Okay, fine, while we wait for José Luis I'll have one.

00:30:42Come on.

00:30:43Well, look at it, it's already there.

00:30:45What should I get you?

00:30:45Honey, ever since the robbery, I'm really scared to go out alone.

00:30:48Clear.

00:30:48I told him to come and accompany me, okay?

00:30:50I'm going to open it.

00:30:52How polite, right?

00:30:53It looks like a different person.

00:30:54Go on.

00:30:55Pay attention to how you are, you look like Adam.

00:30:58Good morning, how are you?

00:30:59Enjoy!

00:31:00Do you know where you spent the night?

00:31:01Well, I'm looking for bowling alleys for you, Choni.

00:31:03All night long, going from bar to bar, you have no idea how things are.

00:31:07Hey, we're leaving now, we don't want to bother you anymore.

00:31:10Thank you so much for this, Lucia.

00:31:11You have enough to deal with, daughter.

00:31:12With the house and now with the tavern.

00:31:14Let's go.

00:31:14What's happening with the tavern?

00:31:16No, it's Santiago and Diego...

00:31:19Because they've been given a surprise trip.

00:31:21But are you closing the tavern now during the party?

00:31:23No, no, no, not at all.

00:31:24Grogy is left in charge, helped by some of Raúl's friends.

00:31:26Grogy?

00:31:27Yes, come on, and we'll leave now.

00:31:29Come on.

00:31:30Doña Carmen, I thank you for the coffee as if I had already drunk it.

00:31:32Nothing, woman.

00:31:33Lucia, woman, sorry for the apologies, okay?

00:31:34Be careful.

00:31:35Yeah.

00:31:36Come on.

00:31:37Thanks for everything.

00:31:38And what about you?

00:31:38The mobile phone didn't turn on at night.

00:31:40Please.

00:31:41That's nice.

00:31:42Look, look, look.

00:31:43Australia is said to be one of the most advanced countries in the world.

00:31:46Okay.

00:31:47And that the majority of the population lives on 3% of the land.

00:31:50Just 3%?

00:31:51Yeah.

00:31:52And why is that?

00:31:53Because they don't have water.

00:31:54Oh, really?

00:31:54We're going to have water.

00:31:56We're going to have a bad time there.

00:31:57It's Santi with Alonso at the top of civilization and the standings.

00:32:01Shut up already.

00:32:02I weighed myself with the guide.

00:32:03All I want is to arrive.

00:32:05I'm so nervous I'm freaking out.

00:32:08How much longer?

00:32:10A few hours, Santi.

00:32:11A few hours.

00:32:12A few hours?

00:32:12But where is Australia?

00:32:13An army lost its lighter.

00:32:15Look, here they say that those who got lost were a British expedition in 1800.

00:32:20Okay, shut up already.

00:32:20Heavy.

00:32:21I just put up with it.

00:32:22Okay.

00:32:23Don't hold back, damn it.

00:32:25No ship is passing, it is in service.

00:32:27But statistics say that flying is the safest mode of transportation.

00:32:30It's true, that's what the statistics say.

00:32:32Fiti says so.

00:32:32I've ordered the most insurance in the world.

00:32:33I've never ordered more secure shoes in my entire life.

00:32:36And shut up already, man.

00:32:37Shut up already.

00:32:38I'll put up with it, I have everything I need, damn it.

00:32:41What was that?

00:32:43The turbulence, Santi, damn it.

00:32:44Hacksaw.

00:32:47Here comes the wave!

00:32:48Here comes the wave!

00:32:50Fiti, this is weird, huh?

00:32:51This is weird, damn it.

00:32:52This is normal in the industry, damn it.

00:32:56There it goes, there it goes.

00:32:57There goes the little beneíto.

00:32:58There goes the little beneíto.

00:33:00There it goes, here it goes, here it goes.

00:33:06Here it is.

00:33:08Here it goes, here it goes.

00:33:10Here it goes, here it goes.

00:33:11Here it is.

00:33:11And I didn't even know my son.

00:33:13My poor son!

00:33:15Diego, Diego, Diego, Diego, this is serious.

00:33:19No, no, no.

00:33:21What's happening?

00:33:22We're going to land.

00:33:24We're going to land.

00:33:25Let's take a road.

00:33:27A dirt road!

00:33:35There's the beer samurai.

00:33:39Beautiful, I want to have a drink and a beer.

00:33:48Well, buying a few things to decorate the tavern for Choni's concert tonight

00:33:53Sorry, from the Choni

00:33:54Choni, Choni, yes

00:33:56Tonight, Santiago hasn't said anything to me.

00:33:59What do you mean no, damn it, Grogui, yes, eh?

00:34:02No

00:34:03If he told you, yes, yes

00:34:05No

00:34:05Remember that yes

00:34:07Listen, kid, either you pay more attention to what Santiago is saying or I'll see you in the street, okay?

00:34:11Come on

00:34:11I'll take care of all this.

00:34:14Hey, hey, José Luis, listen, what's up, I mean, when is that?

00:34:16If we haven't prepared anything, or rehearsed anything, or done anything, or anything

00:34:19Yeah, yeah

00:34:20The thing is, you know what? This place just isn't up to par, you know?

00:34:23It has bad acoustics, you guys have a lot of power, huh?

00:34:25So tonight we're going to do it with an electric piano, period.

00:34:28But I have, I have a little something for you, eh

00:34:33Hey, what is this nonsense?

00:34:35Well, to give it a traditional touch, something typical of the Spanish tavern

00:34:38Yes, a typical cheap thing to do

00:34:42The other thing is that you have no idea about the international market.

00:34:45Guys, the future lies with foreigners, huh?

00:34:47They're the ones with the money for these businesses

00:34:49There's only one thing to do.

00:34:51Give them what they expect and a little something delicious

00:34:54Sure, very good, very good

00:34:55But come on, you're planning to open a party venue with three waiters, right?

00:34:58Because you're clearly in trouble.

00:34:59Don't worry, I'm going to pay you.

00:35:00If it's not for that, José Luis, if we're not capable of anything more

00:35:04That's right?

00:35:05You nailed it, you nailed it

00:35:06Look, and that's where you guys come in.

00:35:08Do you want to earn some money?

00:35:10Well, that's not even a question.

00:35:11No

00:35:13Hey, you're being paranoid, man.

00:35:15But no, dude, I'm not paranoid

00:35:17They were locked in the bathroom and...

00:35:18Damn, he told her what he told her

00:35:20But, Gigi, dude, you're talking about Tete, right?

00:35:22No, man, no, no

00:35:23And on top of that, it happened again this morning, you know?

00:35:25Again, she's noticing everything.

00:35:26Damn it, it's my house, it's my bathroom

00:35:28Gigi, Gigi, the blow has affected you, huh?

00:35:30You're not watering yourself

00:35:31Please, you tell him, you scoundrel.

00:35:32Tell him yourself

00:35:33No, I'm not seeing another naked nun.

00:35:35I'm going to grab one naked, I don't know.

00:35:37You, you, you, Gigi, Gigi

00:35:39So, you're saying there's horns, right?

00:35:42Yeah

00:35:43Well, the one who definitely needs to know is...

00:35:45Tete and Raúl

00:35:48Please don't play dumb.

00:35:50Yolanda, don't make it any harder for us.

00:35:52Besides, we've already found out about...

00:35:55About the little secret

00:35:56Ah, you already know that

00:35:59Fuck

00:36:01Now then, Yoli

00:36:03But, Gigi, please don't tell Tete anything, he'll kill me

00:36:06No, no, calm down, calm down

00:36:14No, no, don't worry.

00:36:15We attempted an emergency launch

00:36:16Please leave me the boarding pass steps and instructions anytime

00:36:20If you have any questions or problems, I'd be very happy to help you.

00:36:24Please...

00:36:26The boarding pass doesn't want it, so

00:36:27Get out of the way! Get out of the way!

00:36:28Let's keep it here!

00:36:30Okay, wait.

00:36:33Wait, doctor.

00:36:34Damn, you do this to me for everything, you son of a bitch.

00:36:36For killing us.

00:36:37But what do I know, what do I know? We almost didn't make it, Fiti.

00:36:39How are you, Santi? Are you okay?

00:36:41Alive.

00:36:42Hey, this is Australia.

00:36:44It's full of migrants.

00:36:45No, damn it, it's going to be Australia.

00:36:46They must have taken a shortcut, don't mess with me.

00:36:48Ah, Australia isn't next to a desert, but man, it's unbearably hot here.

00:36:51And stench, stench, it smells bad here.

00:36:53Yes, it smells, it smells.

00:36:54No, no, it doesn't smell good.

00:36:55It doesn't smell like a march.

00:36:55Okay, where are we?

00:36:57Please.

00:36:58No, no, let me put it in, okay.

00:37:01Please.

00:37:02A telephone.

00:37:03Wait, let's see.

00:37:04Where?

00:37:05Fine.

00:37:06Where?

00:37:07Oh, Tanae Airport.

00:37:09In China?

00:37:10Are we in China?

00:37:11In China?

00:37:12Tanae Airport, India.

00:37:14Ah, ah, come on.

00:37:16Thank you.

00:37:17Welcome.

00:37:19Where?

00:37:20Of course, for a reason, for a reason they are gypsies.

00:37:23We're in India, Karu, she's already calling me.

00:37:25And this can't be Australia, it was impossible.

00:37:26How could this be Australia if the people aren't Australian?

00:37:29So...

00:37:29Don't you think it smells strange in here?

00:37:31It smells bad.

00:37:32It smells bad.

00:37:33It smells bad.

00:37:33Yes, it smells strange.

00:37:34It smells strange.

00:37:35It smells bad.

00:37:35It's because of the diet, isn't it?

00:37:36Because of the spices.

00:37:38Fiti.

00:37:38Spices that mix everything together, and with different spices and such.

00:37:42Look how they throw.

00:37:43They exploit them.

00:37:43These people are exploited here.

00:37:44Poor.

00:37:44Fucking capitalism, Diego.

00:37:45Fucking capitalism.

00:37:46It's fucking capitalism.

00:37:47Capitalism, whatever species you want to call it.

00:37:48I am the one who smells bad.

00:37:50I screwed you over.

00:37:51I shit myself because of the plane's tail.

00:37:53Did I screw you over?

00:37:53But for Santi's sake, for God's sake.

00:37:55What image are we projecting from Spain?

00:37:56But please, Santi, damn it, please.

00:37:58That's turbulence.

00:37:59Everything else is nonsense.

00:38:00Look at the big cheeks.

00:38:01Look at the big cheeks.

00:38:02Tito Scocillo.

00:38:04Put the clothes, the suitcase, they've got it on a nail.

00:38:05Now, because how embarrassing.

00:38:07Wait.

00:38:07Lady, lady.

00:38:09Lady, please.

00:38:11Let's see if we can.

00:38:12Wait.

00:38:13Yeah.

00:38:13Yes, please.

00:38:15Look, we have a problem here with my friend.

00:38:20Pantalo.

00:38:21We need pants that are lined up.

00:38:23Can we see?

00:38:24Can we see?

00:38:24No, don't tell me.

00:38:25Can we see?

00:38:27Can we see?

00:38:27Hold on for a minute.

00:38:28I'll be back, okay?

00:38:29One minute.

00:38:29I'm sorry.

00:38:31I'll see what I can do.

00:38:32Pantalo, pantalo.

00:38:32Whatever you see around you.

00:38:38Lucia, Lucia.

00:38:39Hello, Jenny.

00:38:40Hello.

00:38:41I've come again to thank you, Lucia.

00:38:43It really wasn't necessary.

00:38:45Of course it was needed.

00:38:45No.

00:38:46I was at home, they were changing the locks, and I thought, well, I'll do a few things.

00:38:49paparajotes a la Lucía.

00:38:50Some what?

00:38:51Some paparajotes.

00:38:52This is a typical sweet from my adopted homeland, Murcia.

00:38:55This is light, this doesn't contain anything.

00:38:56This contains flour, a sprinkle of cinnamon, a lemon leaf, and nothing else.

00:39:00This is pure bliss and you deserve no less.

00:39:02Sonny, you didn't have to bother, really.

00:39:04Of course.

00:39:05Of course I did have one.

00:39:06Sonny knows when she has done things wrong and when she needs to apologize.

00:39:09And besides, you and I have to get along.

00:39:11I have a feeling that you and I are worth more together than you'll find anywhere.

00:39:16Well, maybe.

00:39:17I don't know what to tell you, to be honest, Sonny.

00:39:19Of course.

00:39:19I will also make an effort.

00:39:21So, I don't know, I'll leave it at that and we'll leave it close.

00:39:23Come on, I'll open it for you.

00:39:24This is for breakfast, for a snack, for whatever you want.

00:39:26They're delicious.

00:39:27You'll wear it the way you like.

00:39:29To the sweetheart, I'm closing you down.

00:39:31Come on.

00:39:33Sonny.

00:39:34Can you see yourself here?

00:39:35Well, I've come to bring Lucia a little cake.

00:39:38And you?

00:39:38Well, I've come to ask Luguitas for some theater costumes for tonight.

00:39:41For tonight?

00:39:42For tonight, Sonny, for tonight.

00:39:44Do you know, silly?

00:39:46That?

00:39:47I managed to speak with Diego and he says yes, there will be a performance after all.

00:39:50Don't tell me.

00:39:50Yeah.

00:39:51Oh, don't tell me, what a joy that makes me.

00:39:52This was Lucia's doing, right?

00:39:54Well, sure, yes.

00:39:55Oh, what a sweetheart, I could just eat her up, I'm going to be talking to her and she hasn't said a word.

00:39:58Yes, no, no, no, Sonny, there's no time now.

00:40:00It's a song tonight.

00:40:01Well, even if it's just to tell him that...

00:40:02Sonny, you and I are going to buy a dress with more ruffles than a car dealership.

00:40:07You have to look very beautiful and give your best for your fans tonight.

00:40:11That is true.

00:40:12Santa Justa is going to find out that a star has been born today.

00:40:15Ole.

00:40:15Hey, what are you doing?

00:40:18What did you ask for, Tati? A tablecloth here?

00:40:20It's not a tablecloth.

00:40:21It's a typical garment from around here, damn it.

00:40:23Her name is Dotti, I think I walked.

00:40:24Uh, no, no, no, nor, what?

00:40:26I wouldn't even put this on the road.

00:40:27But go on, go on, Santi, think a little bit.

00:40:29Are you going to travel all the way to Australia with your pants soiled?

00:40:31Uh, the image we're going to project with Alonso, huh?

00:40:33Don't you, dude?

00:40:33Damn, I'm going out right now and buying those pants.

00:40:36No, Tati, what have you done?

00:40:37You can't leave here, damn it, we're just passing through.

00:40:39Put it on however you can, like a sarong, like Pocholo.

00:40:42Marillita, be it the hour, even if it's a departure.

00:40:44Damn it all!

00:40:45Exactly, I hear you, try putting on the monometers.

00:40:47Esmervio.

00:40:48Esmervio.

00:40:49Ah!

00:40:50Oh, how are you!

00:40:50What a mess!

00:40:52What a killer immigrant!

00:40:53No, mother!

00:40:54Good, good, good, good!

00:41:01Good, good, good, good!

00:41:02I'm headbanging wonderfully!

00:41:03Thank you!

00:41:04Thank you!

00:41:06Thank you!

00:41:06Thank you very much!

00:41:08Thank you!

00:41:09I'm not going anywhere with this fancy pizza.

00:41:12What are you telling me, you're fashionable?

00:41:14Damn, look what a great partner I have here.

00:41:21God be with you!

00:41:22Come on!

00:41:22It's ours!

00:41:23It's ours!

00:41:25Come on, piss him off!

00:41:25We get lost!

00:41:27That's ours!

00:41:27Come on, we're staying on land!

00:41:29Come on, Santi!

00:41:32Come on!

00:41:37That's intense about the Maritere, man!

00:41:38And they even deliver them to your own home.

00:41:40But to top it all off, those are Beno's horns, mate.

00:41:42What bothers me is that it makes me think I'm being covered up.

00:41:44Did you know?

00:41:45You should give him a taste of his own medicine.

00:41:47Then she would realize what you are going through.

00:41:50Well, maybe this finger needs to learn a lesson.

00:41:54What's happening?

00:41:56You are my friends, right?

00:41:58Clear.

00:41:59Yeah.

00:41:59So you'd do anything for me?

00:42:02Yeah.

00:42:02What's happening?

00:42:03Man, of course, Guille, dude.

00:42:03That's not a question you ask.

00:42:04Obvious.

00:42:05For you, we'll do anything.

00:42:06To the death.

00:42:12Come on, guys, this is real glamour.

00:42:14Damn, the lantern, the pennant.

00:42:16And here tonight supporting.

00:42:17To the death.

00:42:18Hello good.

00:42:20That?

00:42:20How's the tavern coming along, huh?

00:42:22It's like the April Fair.

00:42:23And now, let's put the plush bulls in place and crown ourselves.

00:42:26How funny, how funny.

00:42:28Okay, let's talk about the outfits.

00:42:30This is for my girls, okay?

00:42:33What's up, chatungas?

00:42:34So, perched on the balcony, so the best features are clearly visible, right?

00:42:38You're kidding, I suppose, because I'm not going to wear that even if you pay me.

00:42:41No, no, no, be careful.

00:42:42Be careful, because I'm going to pay you, and very well, you know?

00:42:44Now, if you don't want to, well, we'll skew the deal and there's no money.

00:42:48Africa, aunt, get over what happened to your father.

00:42:50One, bring.

00:42:51And throw it away.

00:42:53And this, this is for my champions, huh?

00:42:56For Oliver and Bendy.

00:42:57Here you go.

00:42:58What do you think?

00:42:59What are you saying, man, José Luis?

00:43:00No, no, I'm not wearing that.

00:43:02I'm going to look like a donkey to you, Jiménez.

00:43:03Raúl, money is money.

00:43:05Plus, you're going to look divine.

00:43:06Hey, prince, isn't this a little small?

00:43:08Small, small.

00:43:09Of course, it's small because it belongs to the school.

00:43:13That's why it's small, huh?

00:43:14So.

00:43:15Better yet, you're putting a little bit of your own stamp on things, huh?

00:43:18Come on, let's go, what are you waiting for?

00:43:19Come on, let's go.

00:43:20I'm going to pull a little bit out of my little bag.

00:43:22Come on, hurry up, I'm going to look for the tourists.

00:43:25I'll be right back.

00:43:26Come on, huh?

00:43:28Oh, humita!

00:43:29Holy shit, look.

00:43:30Good morning, Grogui.

00:43:31You've done a great job leaving the place, haven't you?

00:43:32Hi, yes, the holidays and all that.

00:43:34Hey, Elena.

00:43:36Have you seen Africa?

00:43:37Your daughter?

00:43:38Africa.

00:43:38Yeah.

00:43:39Well no.

00:43:39No, no, no, no.

00:43:40Maybe we can meet up later, but no.

00:43:42If you see her, tell her I'm looking for her, okay?

00:43:44I'll tell him.

00:43:46If you have any problems, we're patrolling around here, for the holidays.

00:43:49Thank you, Ramón.

00:43:54What a day.

00:43:56This Third World thing is curious, isn't it?

00:43:57You know, I didn't expect to meet him.

00:43:59And it's hotter than Toledo in summer.

00:44:01At least you have the undercarriage refrigerated.

00:44:03And don't get so close, damn it, you're hitting me with your whole onion.

00:44:05And what a load of crap, people here fight like crazy.

00:44:07Oh, oh, oh, please, oh.

00:44:09Oh, oh, oh, that's it.

00:44:11Yes, yes, yes, yes.

00:44:15I don't have a passport.

00:44:17That?

00:44:18But what do you mean you're bringing your passport in?

00:44:20But for God's sake, don't mess with me, Santi, please.

00:44:22So many hours wasted.

00:44:23What am I going to...

00:44:24He's going to the bathroom, explain it to him, let's go to the bathroom.

00:44:26What's the problem?

00:44:27In one moment, one minute, one minute, go to the bar.

00:44:30Well, the problem is, we're going to the Tiger, we're going to the Tiger.

00:44:34We'll be right back.

00:44:41There's no way around the Third World, man.

00:44:42He keeps the trash spotless.

00:44:43There is nothing.

00:44:44Okay, okay, look.

00:44:44Damn, where is it?

00:44:45Look, go away, go away.

00:44:46Wait, wait, wait, wait.

00:44:47I'll be right there.

00:44:47I'm already at the bus stop.

00:44:50Santi, go away!

00:44:51Break it!

00:44:52Who is it?

00:44:52Break it!

00:44:55Alright, go!

00:44:56Alright, go!

00:44:56I'll go, I'll go, I'll go!

00:44:58I'll go!

00:44:59I'll go!

00:45:00I'll go!

00:45:00Okay, okay, okay, okay.

00:45:01Okay, calm down, calm down.

00:45:02Calm down, calm down.

00:45:03Santi, calm down, calm down, calm down!

00:45:04Santi, calm down, calm down, let it go!

00:45:06That?

00:45:06Already.

00:45:07Well, me.

00:45:08What's up, bro?

00:45:09Yeah, you've really screwed up, Santi, you've screwed up.

00:45:11Yes, that's no exaggeration.

00:45:15Long live that Spanish folklore, the neckline, the dress, this!

00:45:19I'll go!

00:45:21I'll go, please!

00:45:22I'll go!

00:45:23Well, this is a tavern, a pub, eh?

00:45:26Typical Spanish, flags, eh?

00:45:29Ham!

00:45:29Good, delicious ham!

00:45:31No, no, no, no!

00:45:31No, what are you doing, damn it!

00:45:32No, not at the moment!

00:45:33First, BJ, Manny.

00:45:35And then, ham, eh?

00:45:36Awesome!

00:45:37Hmm!

00:45:38Beauty, girls!

00:45:39Hey, National Product, hello, girls.

00:45:41Hello!

00:45:42Hello!

00:45:42Get out of there, Rogi!

00:45:43Spoil yourself!

00:45:44Well, beer, Spanish wine, eh?

00:45:48Hmm!

00:45:49Ole!

00:45:50How happy, the bastards!

00:45:52Very good!

00:45:52First, with your mission, right?

00:45:54You can get better from whatever you want.

00:45:56And then, crash!

00:45:58Then there's a big star, a Star International, huh?

00:46:00Come on, let's drink!

00:46:01Drinking!

00:46:02Come on, come on!

00:46:03Go for it!

00:46:04Where is it in Cipi-Zape?

00:46:05They're changing me in the bathroom.

00:46:07Fuck!

00:46:10Come on, guys!

00:46:11Come on, hurry up!

00:46:11Come on, almost!

00:46:13The staff is here!

00:46:13Come on, let's go!

00:46:15Get out now!

00:46:15Come on, quick!

00:46:16Come on, let's go!

00:46:17Look what I have here!

00:46:18Come on, let's go!

00:46:18Dude, there wasn't a smaller size for this!

00:46:20No, I took him out of school.

00:46:21Come on!

00:46:22Hey, José Luis!

00:46:22They're stepping on my snack!

00:46:25I swear I'm so mad, I'm going to get pregnant!

00:46:26Well, let it be clear who wears the pants in this house.

00:46:28Come on, let's go!

00:46:29Come on, it smells like money!

00:46:30Come on, let's go!

00:46:32Come on!

00:46:33Come on!

00:46:34Come on!

00:46:35Come on!

00:46:36Come on!

00:46:37Come on!

00:46:38Come on!

00:46:41Come on!

00:46:42Come on!

00:46:44Come on!

00:46:45Come on!

00:46:46Come on!

00:46:47Come on!

00:46:48Come on!

00:46:49Your passport, Santi!

00:46:52The passport!

00:46:53Go for it!

00:46:54Yeah!

00:46:54That!

00:46:56Trail Madrid!

00:46:57Yeah!

00:46:58ZIDAN!

00:46:58Raún!

00:46:59Roberto Carlos!

00:46:59VECA!

00:47:00VECA!

00:47:00Cicillo!

00:47:01And what about...

00:47:02Wait last!

00:47:04No, no PREY!

00:47:05It happened to us!

00:47:05No!

00:47:06With the turbulence!

00:47:08Imagine plots...

00:47:09Of course, la, la, Caucasus!

00:47:11Yes, yes, yes...

00:47:12No, no, wait a moment, wait a moment, please, please.

00:47:17We have to go to Formula 1.

00:47:19Let's see Fernando Alonso, Fernando Alonso.

00:47:21Take this! Take this!

00:47:23Look, you and I will go and we'll start processing things for your brother.

00:47:25Let's go to Australia, you and I, come on.

00:47:27Fitte, you're crazy, but how can we leave my brother here alone?

00:47:30That's outrageous!

00:47:32Don't you want to leave it here?

00:47:33You're wrong.

00:47:34No, forgive me.

00:47:35No, nothing's wrong, nothing's wrong.

00:47:43Yes, yes, okay.

00:47:45Okay, that's all for now.

00:47:47Fitte and my sister are coming here now.

00:47:49Okay, let's review the dish.

00:47:50Let's see, let's see.

00:47:52Peruca.

00:47:54Very good, that's cool.

00:47:55Good.

00:47:56Heels.

00:47:59Wow, those are some serious heels, aren't they?

00:48:00Of course, dude, the bigger the girl, the bigger the scare.

00:48:03Okay, okay, okay, come on, fine.

00:48:04Come on, I'll provide the clothes.

00:48:06Okay.

00:48:08Volunteer?

00:48:11Oh, seriously, my psychonext is going to have a lot of fun with me.

00:48:13Will you shut up already, buddy?

00:48:14Okay, fine.

00:48:15We reviewed the plan.

00:48:16Let's see, when they catch us, you two distract them so that Valdá doesn't get out unseen.

00:48:19OK?

00:48:20Okay, okay.

00:48:21Host!

00:48:22Hey, what's with the fact that the bottel has so many peaks?

00:48:26No, because it means you need to calm down.

00:48:29You got very upset yesterday.

00:48:31And of course it doesn't surprise me.

00:48:33Because with that crazy night...

00:48:36Look how dark it is in here!

00:48:42Guille!

00:48:43What is this?

00:48:44Carmen!

00:48:45Carmen!

00:48:46Carmen!

00:48:55Smiles!

00:49:14Smiles!

00:49:17What? Huh? What did I tell you? That it would be a success. I've got a real knack for business, I mean, I'm a total knack for it.

00:49:22Bill Gates.

00:49:23Luis, these guys look like they're in beer, like it's water.

00:49:25Leave them alone!

00:49:26They're being really annoying.

00:49:28Let them get started, let them get started.

00:49:29As night seeks morning. As the breeze seeks the empidantana. As flowers seek the empidantana. As the

00:49:39flowers seeks the empidantana of drinking once.

00:49:43What is this? But an old woman in a saintly way! It looks like a vengeful spirit!

00:49:48Well, I can't believe it. I just can't believe it.

00:49:52I'll let it go, please.

00:49:57Beautiful! Beautiful!

00:50:01Pretty!

00:50:01Beautiful! Beautiful!

00:50:03Pretty!

00:50:06Pretty!

00:50:06Johnny, didn't I tell you that you couldn't sing in the cave?

00:50:08I already am, but nothing. This is unacceptable. I think I've treated you well.

00:50:11And you're treating me like I'm nothing.

00:50:14But no! You can take all this apart now. In no time.

00:50:24Dear ones, um...

00:50:26Darling gentleman. This is finished.

00:50:29It's finished.

00:50:30We're finished.

00:50:32Sorry.

00:50:33Goodbye, goodbye.

00:50:33No, no, no, no.

00:50:35No, no, no, no, no.

00:50:36Hey.

00:50:36Just a moment, just a moment.

00:50:38Wait, wait, wait.

00:50:39Wait, moment.

00:50:40Let's see.

00:50:41We've had, as they say, a little problem.

00:50:44Problem.

00:50:44But, um...

00:50:45But, um...

00:50:46We'll be back in one minute, okay?

00:50:48No, no, no.

00:50:49Just a moment, Johnny.

00:50:49Hey, calm down.

00:50:51Calm, calm, calm, calm.

00:50:53The Star is...

00:50:54She is tired.

00:50:56He's tired.

00:50:56But, um...

00:50:57We'll be right back, okay?

00:50:59We're back.

00:50:59What are you doing to me, Johnny?

00:51:00Please.

00:51:01Look, Lucy didn't know anything.

00:51:02José Luis.

00:51:03Oh my God.

00:51:04And he came and got angry with me.

00:51:05I can't do this to him.

00:51:06Of course I'm leaving, period.

00:51:07But, Johnny, please.

00:51:08Well, Johnny, Johnny, Johnny.

00:51:09Get out of there!

00:51:11Move aside!

00:51:12Hey!

00:51:14Hey!

00:51:15Muane!

00:51:16Muane!

00:51:17Muane!

00:51:19Muane!

00:51:23Muane!

00:51:26Turn it around, Spanish!

00:51:31Already?

00:51:32Not the girl, guys!

00:51:34Hey?

00:51:35What, police?

00:51:42There's nobody here, we're trapped here.

00:51:44And the phones have no coverage.

00:51:46Well, damn it, calm down, it's not a big deal.

00:51:49No, yes, yes, yes, it happens, okay?

00:51:50Yes, yes, it happens, because he doesn't see himself staying overnight here.

00:51:52No, no overnight stay.

00:51:53The sooner we leave, the sooner we're gone.

00:51:56Well, we'll have to kill some time, at least.

00:51:57Are you hungry?

00:51:58I'm starving.

00:52:00I'm not surprised by you, after everything you've said, man.

00:52:02Surrey.

00:52:04Juan Guapacho.

00:52:05What do you mean, Juan Guapacho?

00:52:06What do you say about Juan Guapacho?

00:52:07No, no, how can you ask me for Guapacho, damn it?

00:52:09Pachito brejito, do you know what you're doing?

00:52:11I've received it, you scoundrel.

00:52:12Holy shit, there's only foreign food here, can't you see?

00:52:14Okay, so, what do we order?

00:52:16Okay, what is this?

00:52:17Wait, wait.

00:52:19Hello, hello.

00:52:20Hello, damn it.

00:52:20We are here.

00:52:22A little bit of everything, a variety, something like that.

00:52:25Not much, just enough to snack on.

00:52:28A tasting menu.

00:52:29Tasting menu.

00:52:31Hey?

00:52:31Let's see, let's see, let's see.

00:52:33Let's see, let's see, let's see, let's see.

00:52:43And a tool, come on, a fork, something, a tool, right?

00:52:50No, no, well, nothing, nothing, come on, thank you, thank you, everyone's getting to the point, let's go,

00:52:58With our hands, well, we'll have to get going, that's it.

00:53:19I assure you that we don't usually have these kinds of problems here, no, there aren't many.

00:53:23English people here in Santa Justa, they must have gotten lost.

00:53:25The thing is, everyone likes the Santa Justa festivities.

00:53:29Yes, they have become very international.

00:53:32Well, I'm sorry to tell you that we have to report it to the town hall, and between the fight, the spectacle,

00:53:37They don't have a license, that's going to be a hefty fine, huh?

00:53:42Shit, my father.

00:53:43Thanks for letting me know, Antonio, I owe you one.

00:53:47Come on, get your things.

00:53:49I can't believe it, what a look.

00:53:52Already.

00:53:52Don Ramón, yes, yes, yes, Africa just wanted to get a few coins so you wouldn't be a...

00:53:56carry and have enough for their expenses...

00:53:57Leave it, Raúl, it doesn't matter, just leave it.

00:53:58Yeah.

00:53:59You'd better just leave it.

00:54:00And you and I will talk at home, okay.

00:54:09Lucia.

00:54:11Pretty.

00:54:11Choni, leave me alone.

00:54:13Do you understand?

00:54:14Leave me alone.

00:54:16Nothing, if you would be so kind as to accompany me.

00:54:19Okay, well yes, we're leaving because we'll have to clean this up.

00:54:21I say, tomorrow.

00:54:35You saw it!

00:54:37Not very macho with Indian food, huh.

00:54:38I have the last night like the intercom the whistle.

00:54:40Okay, come on, girl, call now, because I want to go here.

00:54:42Come on.

00:54:43Come on.

00:54:47Nothing, nothing, damn it.

00:54:50Yes?

00:54:53What is it?

00:54:54Hello, let me explain.

00:54:58There's something like you in there.

00:55:01We are...

00:55:02My friend, problem.

00:55:04My friend's problem with...

00:55:06Passport, at one point,

00:55:08kaput.

00:55:11We want to leave.

00:55:13Go! If you don't mind, let's go.

00:55:15Look, there's already a Passport Watch.

00:55:16We are Spanish.

00:55:18Spaniards. Spain.

00:55:20Spain. First world.

00:55:21First world, first world.

00:55:23Let's see if they get angry and we have it.

00:55:25Do you know what's more affectionate?

00:55:27We've arrived.

00:55:29How are you going to follow your consulate?

00:55:31Come in.

00:55:34Let's see if they get upset.

00:55:37Yes, yes, yes.

00:55:43One minute.

00:55:48Look, we're already pretty tight, brother.

00:55:50Remember the pleasure.

00:55:51Calm down, calm down, don't panic, don't panic.

00:56:09Stay put, champ.

00:56:12Okay, Guille.

00:56:14I want you to give me an explanation about what happened yesterday.

00:56:16And above all, that he convinces me.

00:56:18Son, you're old enough now, you know.

00:56:20For that nonsense.

00:56:21I almost gave it to your aunt...

00:56:23Mom, stop.

00:56:24Guille should give it to me.

00:56:25What were you and Valdano doing?

00:56:28Well...

00:56:29We were rehearsing a play.

00:56:31A...

00:56:32A work?

00:56:33But what kind of work are you assigning these kids these days?

00:56:36Guille, that one not only doesn't convince me, it doesn't even fly.

00:56:38So then I'll start thinking about another one.

00:56:40And you're telling me about it now.

00:56:41Come on, run, son.

00:56:44Come on, I'm going home too.

00:56:45Let's see how your aunt is doing.

00:56:47Because the poor thing...

00:56:48He barely even mentions it, huh.

00:56:49Oh, really?

00:56:49Sure, but of course, it's not all right.

00:56:52Hey, Guille.

00:56:53Now that we're alone, could you tell me what happened yesterday?

00:56:56And really.

00:56:59You already know that, don't you?

00:57:02Ah, I see.

00:57:02You liked it when you hadn't realized it until now, right?

00:57:05Aren't they cute?

00:57:06Like that movie with the cowboys and the...

00:57:07Well, no, look, no.

00:57:09It was simply because I wanted you to know how it feels to be cheated on.

00:57:15That?

00:57:15I don't understand.

00:57:16What? I don't understand.

00:57:18Let's see, Tete.

00:57:19I know everything, okay?

00:57:20I know everything.

00:57:21I know I have more horns than Bambi's dad.

00:57:23I know that you and Raúl were trying to pull a fast one on me.

00:57:25But it doesn't work.

00:57:29Okay, I'll put them with Raúl then, right?

00:57:33Don't play innocent, okay?

00:57:35I heard it all very clearly.

00:57:48Damn, man.

00:57:49Not even God is coming.

00:57:51And we've already given six hours here.

00:57:52You've really messed up your life with these people's schedules.

00:57:54Kitty.

00:57:55Nightcap.

00:57:56Nightcap.

00:57:57Nightcap.

00:57:58Hey.

00:57:58We're here like crazy and we're not going to lose Formula 1.

00:58:01Shut up, eh.

00:58:01Let's see if you're going to lose something else.

00:58:03It's over.

00:58:04No more playing the fool.

00:58:06Pussy.

00:58:06I'm going to go there and tell him a few things.

00:58:08Don't go.

00:58:09Don't go.

00:58:10Still.

00:58:11Justo happened to us with something really big.

00:58:13By the police.

00:58:14Shut up, Santi.

00:58:15Don't tell him.

00:58:16Don't tell him.

00:58:16Well, we have to put it together now.

00:58:17They are told.

00:58:18Because otherwise he'll mess things up.

00:58:19But that remained within our circle of trust.

00:58:21That the cycle is broken.

00:58:22I'm going through the same thing again.

00:58:23But let's see.

00:58:24Can you please tell me once and for all what the hell happened there?

00:58:27Let me tell you.

00:58:29In other words, we had a problem at Justo en Finiti.

00:58:32A problem...

00:58:33A very big problem.

00:58:35But the police stopped him, you see.

00:58:38Romulus stuffed himself.

00:58:39And a little baking soda.

00:58:41Hey!

00:58:41We have the right to a phone call!

00:58:43Last time!

00:58:44They're handcuffing me!

00:58:45They're handcuffing me!

00:58:45Calm down, Santi!

00:58:46Calm down, calm down, calm down!

00:58:50Ah!

00:58:51Baking soda!

00:58:54No way.

00:58:55Yes, I'm messing around, yes, I'm messing around.

00:58:57And I'm going to hurt you.

00:58:58A room like this.

00:59:00But with cameras.

00:59:02I have a shovel for coming to America.

00:59:04And he sends me to come to America.

00:59:06America! America!

00:59:08The land of the free!

00:59:09Freedom!

00:59:10I shit on freedom!

00:59:12I shit on freedom!

00:59:14We had a rough time, Viti.

00:59:16And that's why you have to be very careful with customs police.

00:59:18because he has a very bad temper.

00:59:20But can you tell me why you haven't said anything?

00:59:23Why are you keeping it so quiet?

00:59:26Well, that's within our circle.

00:59:29From the circle.

00:59:30From the circle of trust.

00:59:36Hello.

00:59:37Hello.

00:59:37How are you?

00:59:38Did you get angry last night?

00:59:40You can't imagine.

00:59:41I can't stand her anymore.

00:59:43This is a coffee, and you can tell me about it.

00:59:44Okay.

00:59:44Come on.

00:59:46Hey, Raúl!

00:59:46Hello, Lucia.

00:59:47I wanted to talk to you.

00:59:48Hello, Lucia.

00:59:48Happens.

00:59:50The door is on Earth.

00:59:53Look, Raúl, take a look.

00:59:55I know Choni is your aunt, but yesterday she went way too far.

00:59:58As?

00:59:59As?

01:00:00I also understand that he wants to advance his career, but the circus he put on yesterday at the tavern,

01:00:04Without Diego's consent and deceiving me, I think it's going too far.

01:00:08The costumes and lanterns?

01:00:10That had nothing to do with Emilia.

01:00:12Yes of course.

01:00:13And what about the concert?

01:00:13No, no, Lucia.

01:00:14Really.

01:00:15If she thought you had given her permission.

01:00:17They've been taken for a ride.

01:00:18To her and to us.

01:00:21Already.

01:00:22In other words, she has nothing to do with it.

01:00:23No.

01:00:24So?

01:00:25Well then, talk to the chatungo, Lucia.

01:00:27It seems to me that not everyone has been fooled.

01:00:31Yes, yes, the chatungo, Lucia.

01:00:33Uh-huh.

01:00:33The mother who gave birth to this guy.

01:00:36Yeah.

01:00:38Will you give us a ride?

01:00:39Well, let's see.

01:00:39Yeah.

01:00:40Let's...

01:00:42Good morning.

01:00:42Bye bye.

01:00:45Look, Guille is incredibly annoyed, but as soon as I give him the jacket he'll understand.

01:00:48So...

01:00:49Oh!

01:00:49Raul.

01:00:50What is a jacket?

01:00:51No, aunt.

01:00:52No?

01:00:52Yeah.

01:00:54I've already done it, okay?

01:00:55Well, as soon as I see Guille I'll give it to him.

01:00:56Very good.

01:00:57The truth is, I don't know if she deserves it, because she's furious.

01:01:06Oh!

01:01:07Guille!

01:01:08Look.

01:01:11Guille!

01:01:13Oh!

01:01:31Guille!

01:01:33At least give us a TV so we can watch the races, damn it.

01:01:35Hey!

01:01:35No, no, no!

01:01:36Don't go!

01:01:37Don't go!

01:01:39Don't go!

01:01:41Don't go!

01:01:44Don't go!

01:01:45At least we're here, but we've lost everything...

01:01:45Santi, remember your circle of trust.

01:01:48Screw the circle of trust, huh!

01:01:51Don't go!

01:01:52Don't go!

01:01:53Don't go!

01:01:55Don't go!

01:01:57Wow!

01:01:57What are those gloves for now?

01:01:59Please take off my clothes.

01:02:02The clothes, the clothes!

01:02:03That?

01:02:04That?

01:02:05That?

01:02:13That?

01:02:15It hasn't happened to me.

01:02:16I don't think I know what you're talking about.

01:02:19Damn, my hair stands on end like carp.

01:02:21Imagine us.

01:02:23The worst part is that to this day we still don't know.

01:02:25if the oath was a punishment

01:02:27or goes to who-knows-what.

01:02:31Yes, yes, yes, you laugh, you laugh.

01:02:33But if they stuck a finger in us in the Land of the Free,

01:02:36Go here to find out.

01:02:48There is nothing.

01:03:00adversaries, chances I don't want to be involved in.

01:03:08Calm down, run!

01:03:11Make company!

01:03:13000jud!

01:03:15Don't worry, Lucia, between you and me we'll leave the tavern spotless.

01:03:18Look, Lourita, I don't mean to discourage you, but remember how they left all this yesterday.

01:03:21It looked like some people had passed through there.

01:03:23No, some, others, and the...

01:03:25But God blesses, this is a miracle.

01:03:28Not a miracle, a dream, pinch me, I can't believe it.

01:03:31Oh, Lourita, man.

01:03:33Oh, I hadn't heard.

01:03:35But come in, come in, I'm almost finished.

01:03:37But hey, Choni, you didn't have to...

01:03:39Yes, it was necessary, it was the least I could do, Lucia.

01:03:42And here, the receipt for the must that has already been paid for.

01:03:45But hey, this woman is a saint.

01:03:47Look, Choni, how lucky my Joselito is, beautiful.

01:03:50I don't know if she's a saint, but I certainly don't know what to tell you, no...

01:03:53Excuse me, I'm going to the bathroom, because I've been holding it in since nine o'clock mass.

01:03:58Well, it's freshly washed, but don't be careful when you step on it.

01:04:01Hey Choni, it's nothing, I'm sorry, I think I've been very unfair to you

01:04:05because I thought you were behind the whole mess yesterday.

01:04:08It wasn't me who was unfair, Lucia, I abused you a lot.

01:04:10I know everything.

01:04:12I know it was José Luis's idea and that he was the one who brought all the English people.

01:04:15Well, look, I've done it, I've done this, that's it.

01:04:19You're right.

01:04:20Coffee?

01:04:22Well, I'd rather have a small beer, that's what I'm telling you.

01:04:24I've been up since six.

01:04:27And a small piece of tortilla.

01:04:29Don't heat it up too much, I like it cold.

01:04:37Leave me alone.

01:04:38I wanted to, come on, go out for once.

01:04:41Leave me alone.

01:04:41So cut the crap, do you want to go out?

01:04:44Will you leave her alone now?

01:04:49Guille, it's me.

01:04:50Please leave.

01:04:53What a setting!

01:04:56These horns.

01:04:59Nice blowjob, huh?

01:04:59That's fine, isn't it?

01:05:01I wanted to give you a gift and Raúl was helping me, and that's why it was so secretive.

01:05:04But hey, what would you have thought of me?

01:05:06I can see how much you trust me.

01:05:08If I had known, I wouldn't have given it to you, because you don't deserve it.

01:05:11I'm sorry.

01:05:13But hey, you were acting really strange too.

01:05:16Come on, come here.

01:05:17Two things.

01:05:18First, you're going to apologize to Raúl.

01:05:21And two, next time you make up a story, tell me about it.

01:05:25We are?

01:05:25We are.

01:05:29Besides, I'm never going to cheat on you, dude.

01:05:32And if I put them on you, you won't even notice.

01:05:37Hey, Guille, man, may God preserve your eyesight, because...

01:05:40Because it's been there, they've got it dirtier, guys.

01:05:42Hey guys, whatever you say.

01:05:44So I can get you a new jacket, that's me, please.

01:05:46Hey, let me have another go.

01:05:48Leave me alone.

01:05:54Oh, sorry, I thought my sister was here, huh?

01:05:56No, it's not there, but it happens, it happens.

01:05:58I want to talk to you already.

01:06:00Happens?

01:06:01Yeah.

01:06:03And I bet you know what about?

01:06:05No, I don't get it, do I?

01:06:06No?

01:06:06No.

01:06:07What a mess you made yesterday at the tavern, you rascal.

01:06:09What about me?

01:06:10What did I do?

01:06:11I think I've been giving you very bad information, huh?

01:06:13I wasn't saying anything too bad, I have nothing to do with it.

01:06:15Ah, yes, of course, and the English got there by chance, right?

01:06:17Well, look, it's the same, huh?

01:06:17Yes of course.

01:06:18Tony has a pull that's there, there it is.

01:06:20Already.

01:06:21And you haven't taken any of this, have you?

01:06:24No.

01:06:27Well, a little bit, but come on, almost nothing.

01:06:30It's just about promotion and covering expenses, nothing more.

01:06:32Okay, so we're going to cover expenses.

01:06:34Okay, let's cover it up, let's cover it up, come on.

01:06:36Let me tell you something, okay?

01:06:37Show business has many expenses.

01:06:39Whether it's the electric piano, the decorations, the costumes...

01:06:43The fine that Tony has paid, which also needs to be covered.

01:06:46Anyone would think you two were together, handsome.

01:06:48Well, together, together, not really.

01:06:49Do you really think we're there?

01:06:51José Luis, I don't know, but maybe you don't really want Lurdita to find out about all this.

01:06:56TRUE?

01:07:00I cover it.

01:07:01Come on, I'll cover the fine.

01:07:02I don't know if it will arrive, you know?

01:07:04But...

01:07:05It will come.

01:07:06It will come, yes.

01:07:08Well, that's better.

01:07:09Yes, much better.

01:07:10Far better.

01:07:12Don't mess with me now, okay?

01:07:14Because I'll be watching you.

01:07:16Chatungo.

01:07:17Cachanda.

01:07:19Okay, you're in charge of giving this to my brother, right?

01:07:21Yes, yes, I've got the gist.

01:07:23Remember that, okay?

01:07:29Well, the police in the third world.

01:07:31Beautiful people.

01:07:32And not like those from the land of the free.

01:07:34Okay, okay, okay, where are you going to stop, shall we?

01:07:37Sure, sure.

01:07:37So, what you didn't like about American police officers was...

01:07:41I don't know if it was that intimate, was it?

01:07:43Fiti, Fiti, Fiti, Fiti, be careful.

01:07:46Be careful, you're going too far, you're going too far, huh?

01:07:48Okay, okay, sorry.

01:07:50He didn't know he had put his finger in a sore spot.

01:07:53Look, Fiti.

01:07:54So you can find out what it's like to be in the circle of trust.

01:07:58You break the circle of trust.

01:08:02And I'll break your grispa.

01:08:04Let's calm down, stay calm.

01:08:06To calm ourselves.

01:08:07At least this trip has been much better than the other one, man.

01:08:09Yes indeed.

01:08:10Where will it all end?

01:08:11It's just that the other one went all the way to the ass.

01:08:13But no, no, no, no, no.

01:08:14It's camped out on me, it's camped out on me.

01:08:15Yes, no, no, no.

01:08:15It's camped out on me, it's camped out on me.

01:08:16It's camped out on me, it's camped out on me.

01:08:18It's camped out on me, it's camped out on me, it's camped out on me.

01:08:24I mean, I'm not going to pass up Món Melo, what Món Melo is.

01:08:26In other words, you don't see me as anything more than Món Melo.

01:08:27Take note of what I'm telling you.

01:08:29And neither do I.

01:08:30Not in the caramá either.

01:09:00No, no, no, no.

01:09:01I was expecting you here at least tomorrow, man.

01:09:03No, no, no.

01:09:04But Australia, how are you, darling?

01:09:07Do you know what's going on?

01:09:08No, no, it's just that Australia, Australia is like, it seems far away, but it's not that far away.

01:09:11Here, children, here are some gifts.

01:09:13So, it's much closer to Australia than it seems, but yes, but, I mean, that's why...

01:09:16How are you, how are you, how are you, how are you, little dove, how was the flight?

01:09:18Oh, I forgot about you.

01:09:20With the fear you have of all airplanes.

01:09:21Here, judging by what you see, he's behaved like a champion.

01:09:24This is old.

01:09:26Come on.

01:09:26And this blanket?

01:09:27No, not this.

01:09:29The rag, yes, rag, rag, it's called a rag, a typical rag.

01:09:36That's right, a typical Australian rag, those are the typical Australian rags.

01:09:40Yes, from what are essentially the natives, that is.

01:09:42That's right, native.

01:09:44I'm going inside.

01:09:45Very good, very good.

01:09:46And how do you put it on?

01:09:47Well, it just goes on, I mean, it goes over the shoulders and then any old way...

01:09:53No, no, no, no, no.

01:09:54It needs to be washed.

01:09:55Exact.

01:09:56It's better than washing first, yes.

01:09:57As is the case with native abolitions.

01:09:59Yes, Dad, one thing.

01:10:00This is a rehearsal in Mallorca.

01:10:02It has nothing to do with Australia.

01:10:06Okay, son.

01:10:07Very good.

01:10:08Very well, because the rehearsed one, indeed, is from cards, bought in cards.

01:10:12In Australia, do you know why I couldn't?

01:10:13Because everything was closed, it was the holidays in Australia.

01:10:15There was a bridge, there was a bridge.

01:10:16There was indeed a bridge.

01:10:17What do you think?

01:10:18And then they talk about the Spanish.

01:10:19There, people are very tall, but in Australia...

01:10:21Okay, hey, come on, tell us, you must have a lot to tell us, right?

01:10:27No no.

01:10:28So, we got there, to Australia, and we saw Alonso, Fernando, racing.

01:10:34We were with Lobato and stuff.

01:10:35I went with Lobato for a while and then we came back here to Spain.

01:10:38And that's it.

01:10:41And how are you all doing?

01:10:42How are things here at the parties and stuff?

01:10:43That?

01:10:44Come on, let's see.

01:10:46Normal?

01:10:47Normal?

01:10:47Yes, don't worry.

01:10:48Is everything normal?

01:10:49Is everything alright?

01:10:50Very simple.

01:10:51Yes, well, that's it, as always, if it's not more than that...

01:10:54Already.

01:10:56Already.

01:10:58What is this?

01:10:59A scandalous complaint?

01:11:01What scandal was going on in a tavern?

01:11:02What scandal?

01:11:05For the feast of Saint Justa?

01:11:07What a great idea!

01:11:08For the feast of Saint Justa.

01:11:10For the feast of Saint Justa.

01:11:11For the feast of Saint Justa.

01:11:19And who are you?

01:11:20I am the new education inspector.

01:11:23They need to appoint a director now.

01:11:25Are you going on a trip?

01:11:25I'm leaving home.

01:11:27You don't have a nest.

01:11:28When are you leaving?

01:11:29When will we send the apartment?

01:11:31Nothing, Lurdita is determined that I be the new headmistress of the school.

01:11:33Lucia, Lucia, that's what she is, she's a stuck-up snob.

01:11:35The children deserve a good principal.

01:11:37And that's you, Lurdita.

01:11:39What's happening?

01:11:39But Lurdita, are you stupid?

01:11:40Do you remember what I wanted to be when I was little?

01:11:42You, footballer.

01:11:43Footballer.

01:11:44Police, damn it!

01:11:45I have made the arrest on behalf of the Santa Justa police.

01:11:48Well, then...

01:11:50Then I'll introduce myself.

01:11:51Are you interested or not interested?

01:11:53Yeah.

01:11:54Well then, as soon as you have the payslips, we'll sign the contract.

01:11:57I'll reserve the house for you.

01:11:58But, but, Alex, who's been shorn of it?

01:12:00A lady, how nice, a horny one.

01:12:02Do whatever it takes, together and apart, so I can see you...

01:12:07Don't worry, I'll get it...

01:12:08No, no, no, calm down!

01:12:12Are they pinging?

01:12:13They're getting drunk!

01:12:13Hey, I'm going crazy, dude!

01:12:16Oh, oh, go!

01:12:17What are you going to do, huh?

01:12:18Are you going to throw me in jail?

01:12:19Are you going to throw me in jail?

01:12:20Not you, but your father...

01:12:22Logical.

01:12:23Raul, please stop yelling at me and give me a hug, damn it, I'm going to jail.

01:12:27So, aren't you curious to know who's going to direct the Garcilaso?

01:12:30In other words, things are resolved by talking and dialogue.

01:12:32Repeat what you just told me, repeat it to me, please, repeat it to me.

01:12:35What? Who wants me to repeat myself?

01:12:36Are you a traitor, a lowlife, or just plain evil, brother?

01:12:38Are you crazy?

01:12:39There, there, there two women will sleep every day.

01:12:42Yeah.

01:12:44And they drill a big hole in that wall, right now.

01:12:46Where is that jerk?

01:12:47Who?

01:12:48Alex?

01:12:48Was Lucidio the headmistress of the school?

01:12:50Yes, that's the point.

01:12:52Lurditas, apart from her teaching degree, has a guitar course and has been teaching ceramics at the parish for three years.

01:12:58Damn, you know more than I do.

01:13:00I see Lurditas as something else.

01:13:01I'm so fed up. Where's all the money he owes me?

01:13:04Let's see, it's just that it never has any.

01:13:05Oh no, well you'll have to explain to me how the hell he managed to pay for this house.

01:13:08Now, please, man, I've already paid two months' deposit.

01:13:10Take this, take this!

01:13:12Pussy!

01:13:12It's not horrible either, is it? That's true.

01:13:14The guitar is a little short, it's okay.

01:13:16Cantilla!

01:13:17No, Santi, well, I don't...

01:13:19What's wrong, girl?

01:13:20Jaggi, Jaggi, we know you're up to something.

01:13:23You'll see, tonight at the docks, I can't say anything more.

01:13:28We need to listen to Japan in order to cut it right.

01:13:31You think?

01:13:31Well, you should tell him.

01:13:32Yeah, but if he finds out, he might come and break down the door.

01:13:35Then I shouldn't tell him.

01:13:37Come on!

01:13:39Come on!

01:13:39Yes, listen, police officer.

01:13:43Agent Martinez.

Los Serrano - 5x15 - Qué mal está Occidente - HD 1080

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