- hace 2 días
Todos los intentos por encontrar un nuevo profesor de literatura para el colegio terminan en desastre. Con la llegada de Raquel parece que la búsqueda ha tocado a su fin: los estudiantes confunden a la nueva docente con una compañera más. Lo que es innegable es que Raquel no pasa desapercibida para nadie, especialmente para Raúl, quien se siente atraído por ella. Diego le pide a Santiago que invite a Carmen a cenar, su intención es que su suegra se anime después de la marcha de Francisco. Santiago acepta el reto sin contar con que pronto dará lugar a un malentendido, Carmen piensa que él está enamorado de ella y viceversa. Teté se sigue viendo con Richi y Diego toma la decisión de prohibirle esos encuentros. Para empeorar la situación, Guille se dedica a desacreditar al novio de Teté ante su padre. Además, la hija pequeña de Lucía está convencida de que le ocultan algo relacionado con su padre.
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TVTranscripción
00:00:00I'm so pissed off! I'm so pissed off!
00:00:30Eva and Tete spend the day sighing and crying when they think no one is watching them.
00:00:36But even though we're a bit rough around the edges, we notice everything.
00:00:39That's it for football. Let's put on something nice that the girl likes.
00:00:43A love story.
00:00:44Put on whatever you want, otherwise we'll put you to sleep.
00:00:47But woman, how can you go without dinner? No, no, look, no, no, I'll make you an omelet, something.
00:00:51I'm not hungry. What I want is to go see my father and mother in Barcelona.
00:00:54I just don't know why we can't go this weekend.
00:01:00I mean, I don't know what to tell her anymore.
00:01:02Wouldn't it be better to tell him the truth? That my father is sick?
00:01:06No, no, no, no, not about that, Eva, no, no, no, no, no.
00:01:09And don't you worry, woman, your father there in America, listen, well, this will be cured as if it were a song.
00:01:16Like a bad flu, but don't worry. Come on.
00:01:19My father says we should stay calm, that this ship has a captain, but I don't know.
00:01:24Because Marcos says that five children are too many for any man.
00:01:27Things get worse if two out of five children are girls.
00:01:32And the father, who is not her father, hasn't the faintest idea how to raise a girl.
00:01:38Listen to me carefully, listen to me carefully, it's important.
00:01:42You have to help me with your sisters, because they're not well, they're not well, son.
00:01:47And we have to give them a lot of love, a lot of brotherly love, brotherly love, brotherly love to Eve, brotherly love to Marcos.
00:01:54And you, Villa, take care of... T.T. Keep an eye on him and...
00:01:59That's so messed up!
00:02:00Me too?
00:02:01You, you who take care of everyone. Love for everyone.
00:02:04Because what are we? What are we?
00:02:06I wanted to believe with all my might that that ship, which was our home, had a captain.
00:02:11But my father's face, rather than reassuring me, frightened me.
00:02:15But my father is a resourceful guy.
00:02:18And he wasn't going to prove it in the coming days.
00:02:20On a station platform, under the blazing sun,
00:02:24You were talking about a skyscraper in the sky of New York.
00:02:28Come soon to see the sea, and send a postcard.
00:02:31I already knew that day was the end.
00:02:36Now I have much more.
00:02:39Red, black, odd stop.
00:02:41Finally, luck brings an ace and a crystal to look through.
00:02:44And a wall to hang, seven smiling faces in a poster photo.
00:02:50My stories were not about tales made by chance.
00:02:57Nobody told me that destiny was giving me this opportunity.
00:03:04One plus one equals seven.
00:03:06Damn it, damn it.
00:03:30My favorite t-shirt?
00:03:31No, no, don't worry, daughter.
00:03:32A kiss.
00:03:33I'll put it in bleach and we'll see.
00:03:34Well, I think that...
00:03:35Yeah, it's just stayed like that.
00:03:38A kiss, son.
00:03:39You too.
00:03:40He is dismantling.
00:03:41Yes, son.
00:03:43Very good.
00:03:44From today onwards there will be a lot of love in this house.
00:03:46There must be a lot of love in this house, huh?
00:03:47Guys, what do you want for breakfast?
00:03:49Cookies or biscuits?
00:03:51Cookies!
00:03:51Cookies?
00:03:52Okay, I'm going shopping today.
00:03:54No, no, no, no.
00:03:57Hello good morning.
00:03:58That?
00:03:59Who are you?
00:04:01Ricardo López, Mr. Serrano.
00:04:02But you call me Richie.
00:04:04Come and get Teté.
00:04:05Ah, okay.
00:04:07Well.
00:04:08I.
00:04:09Yeah.
00:04:10Mother.
00:04:11Yeah.
00:04:12No, yes, we're fine.
00:04:13Okay, yes, that's right.
00:04:14We eat well and all that.
00:04:15And Dad?
00:04:17Already.
00:04:23Yeah.
00:04:23Wait a moment.
00:04:24Yeah.
00:04:25Stay with me.
00:04:25Are you in Teté's class or...?
00:04:31No, I'm going to another class.
00:04:34Very good.
00:04:36And what are you going to be when you grow up?
00:04:40Astrophysicist.
00:04:41I love astrophysics.
00:04:42Astrophysicist?
00:04:43Astrophysics.
00:04:44What a mess.
00:04:46Go on, go on, Marcos.
00:04:47Don't be a donkey, man.
00:04:49Astrophysics is a career with a bright future.
00:04:50Astrophysics, that is, what astrophysics is, has a great future.
00:04:53In other words, it's very good.
00:04:54I have decided what I want to be.
00:04:56That?
00:04:57You go, Urero.
00:04:58That definitely has a future.
00:04:59Go ahead, Marcos.
00:04:59Okay, we're leaving now.
00:05:00See you later.
00:05:01Yes, see you later.
00:05:02A little kiss.
00:05:03I want to hear the cat.
00:05:05Yes, yes, what?
00:05:07No, man, no, no, no, no, everything's great.
00:05:09Very good, very good.
00:05:11Well, this ship has a captain.
00:05:13Yeah.
00:05:15Hey?
00:05:15And me even more.
00:05:19That I love you more.
00:05:21That I love you...
00:05:22That I love you...
00:05:23I want to tell you that I'll call you later.
00:05:26Hey?
00:05:27Yes, that's it.
00:05:29Yeah.
00:05:30I'll call you later.
00:05:31Your mother's here, come on, we'll talk later, okay?
00:05:33A kiss, see you later.
00:05:35Her daughter, whom I'll call later.
00:05:37And we already had breakfast on the way, right?
00:05:38Yes, we had breakfast on the way, yes.
00:05:40Yeah.
00:05:40Bye bye.
00:05:40See you later.
00:05:41Goodbye, my love.
00:05:43How are you, Carmen?
00:05:45Well, Francisco's isn't the first disappointment I've had in my life, but...
00:05:49But it's proving difficult, yes.
00:05:53And why is that, Carmen?
00:05:56Ah, well, a tranquilizer.
00:05:59It's sitting me down.
00:06:00Phenomenal!
00:06:03Come on, come on, Carmen, come on, come on.
00:06:05Calm down, calm down, calm down.
00:06:08Calm down, calm down.
00:06:09Forgive me, son, but I was very much in love, you know?
00:06:12What you need to do, Carmen, is go out a little more with your friends to have some fun and stuff.
00:06:17Oh, friends at this age!
00:06:20Those who don't have osteoarthritis have hypertension.
00:06:23And they even tell you about it.
00:06:24No no.
00:06:25Nothing cheers me up, huh?
00:06:26Yes, anyway, he has to entertain himself a little, I mean, for example, can I come to the tavern, have a coffee?
00:06:31No, I don't want to bother him.
00:06:33No, woman, you're not bothering anyone, what nonsense, I mean, you come to the tavern, have a coffee and first take a walk because you have to walk.
00:06:38Go outside for a bit and get some fresh air.
00:06:39It's kind of intense, isn't it?
00:06:40As an introvert.
00:06:41Know?
00:06:42That's the best time to approach women, when they're down, it's like a wounded bird, you know?
00:06:46Why don't you tone it down a bit, Raúl, his father is in bad shape.
00:06:49Yes, well, of course we can't do anything, Marcos, but we can for her.
00:06:54Well, in conclusion, I'm fed up with you all, I can't take it anymore.
00:06:58You're late, sit down, hurry up.
00:07:01Try to understand that this year I have to run the school and I don't have all day to be hovering over you like you're little kids.
00:07:06OK?
00:07:07Let's get down to business.
00:07:08In the week that classes were suspended, three teachers have come through here and all three have left in a hurry.
00:07:12Because?
00:07:12Look, miss, you set the bar very high and there was no level of competition.
00:07:18I want a rhetorical question, please let me finish.
00:07:21I know why.
00:07:23You think that if we can't find a teacher for the subjects we're going to give everyone a pass, right?
00:07:27Well, before that happens, I'm going to suspend you all one by one, okay?
00:07:31Sorry, but you can't do that.
00:07:34You'll find the law, Mom.
00:07:36Candle.
00:07:37The law.
00:07:38Okay, I'm the law, Raúl.
00:07:40Pay close attention to this.
00:07:41The first time a student gives me a problem, I open a file on them.
00:07:44The second time he gets fired for a month.
00:07:46Understood?
00:07:46But Mom is...
00:07:47Let's see, do you want to serve as an example?
00:07:49Should I open the file for you now?
00:07:52Please.
00:07:54I hope that's clear, okay?
00:07:56And with that said, I'm going to introduce you to your new literature teacher.
00:08:00Doña Benita.
00:08:01Doña Benita, please come in.
00:08:05Doña Benita, please come in.
00:08:08Holy shit, it's Porter's.
00:08:09Silence!
00:08:11Be quiet!
00:08:11Be quiet!
00:08:13At midnight, as August is about to end, I think sadly about the leaves that fall from the calendars, incessantly.
00:08:24I feel like a calendar tree...
00:08:26Holy shit, God, you've got to be in the glove.
00:08:27Look at the day, my son, that is passing away...
00:08:29I'm going to pretend I've committed suicide, huh?
00:08:31It makes me wonder...
00:08:32I lay down.
00:08:33If it's a garden that a father loses...
00:08:37Look.
00:08:37If a man is widowed after losing a wife...
00:08:40God, what pain my heart feels...
00:08:44That breaks and surrenders...
00:08:47Go ahead, you bastard!
00:08:48No, no, no, no, no.
00:08:50Yes, yes, yes.
00:08:51No, no, your mother, your mother...
00:08:52My mother, my mother, my mother, my mother.
00:08:53Don't worry, your mother used to bark a lot, but not much these days...
00:08:56Then one bites.
00:08:57Okay.
00:09:00Doña Benita, please forgive me.
00:09:01I feel like a calendar tree.
00:09:03Excuse me, Doña Benita!
00:09:04Yes, son.
00:09:05What's your name?
00:09:06Hey, Marcos.
00:09:08Marcos Serrano.
00:09:11That... that I have a doubt.
00:09:13Yeah.
00:09:14Tell me, son, what doubt do you have?
00:09:15That?
00:09:21What are you saying?
00:09:25That?
00:09:29That?
00:09:30What are you saying?
00:09:31What are you saying?
00:09:32I have a question!
00:09:43Hey!
00:09:43And now these are the ones to come.
00:09:46Damn, she has to go to the dry cleaners after going to the supermarket.
00:09:48But, by the way, what a price for hake, it's prohibitively expensive.
00:09:52Well, and I don't even want to tell you about the tomatoes.
00:09:54Well, it's not like they're prawns.
00:09:56Well.
00:09:56Yes, you're so talented, Efe.
00:09:58One week alone and he talks like a gossipy old woman, huh?
00:10:00But, Paquillo, you're really stupid.
00:10:02Less gossip and more dancing here in the tavern.
00:10:04I destroyed the barrel myself; it broke.
00:10:06But, Santi, Santi, it seems unbelievable, damn it.
00:10:08Can't you see I'm overwhelmed with the kids and my mother-in-law?
00:10:11In other words, I can't keep up.
00:10:11But, man, your mother-in-law will mostly lend you a hand, right?
00:10:14But what are you saying, Fiti?
00:10:15What are you saying?
00:10:15It's all fallen apart on me again.
00:10:17She won't stop crying.
00:10:18And besides, your brother Francisco, who wrapped it up for him.
00:10:21Yes, Fiti.
00:10:22I'm going to tell you something.
00:10:24She's my mother-in-law.
00:10:25And it worries me.
00:10:25Carmen, how are you?
00:10:32Go ahead, go ahead.
00:10:34He's decided to come, hasn't he?
00:10:36Yes, I finally decided to come.
00:10:39Not bothering you, right?
00:10:41But what are you saying, woman?
00:10:41What are you saying?
00:10:42How could it bother you, woman?
00:10:43No no.
00:10:47If he's at his best.
00:10:49They don't ask you, don't screw up.
00:10:51No, no, no.
00:10:51Don't you see I can't keep up, I can't keep up.
00:10:54She's kind of pretty, man.
00:10:55The pill.
00:10:55Man, he's at his peak.
00:10:57Of course, cheers!
00:10:59Carmen.
00:11:01A minute ago?
00:11:03Okay, if you put it on.
00:11:04Mostly so I can take my pill.
00:11:07But Carmen, another pill, for God's sake?
00:11:10And may they never be lacking, son.
00:11:12If it weren't for this, God knows what stupid things I might do.
00:11:17But what's the best option?
00:11:25Bellido, copycat, I see you.
00:11:29Serrano, stop acting silly or you'll lose your recess, okay?
00:11:34Cheizo, where's your old lady coming from?
00:11:37This isn't a teacher, she's an infantry sergeant, oil.
00:11:39Soldier, private, Valdano, three laps around the yard.
00:11:44Guys, I want you to know that from this moment on, any whisper or unidentified movement will be penalized with a zero.
00:11:50Understood?
00:11:52This has powers.
00:11:53Shh, silence!
00:11:54Yeah?
00:11:57Yeah.
00:11:59That's right, we need a literature and history teacher for high school.
00:12:03Well, yes, I know you sent four, but they didn't fit the profile.
00:12:05Well, I don't know, maybe the previous teacher set the bar too high?
00:12:13Okay, none.
00:12:15Okay, see you later.
00:12:16Candela, you were looking for a teacher for literature and history for second grade B, weren't you?
00:12:21Desperately.
00:12:22I have a friend who's looking for...
00:12:24Well, she's a trilingual biblical philology classmate.
00:12:27No, it was the same, as if it were graphic topography.
00:12:29But let him come now.
00:12:31Well, this is your number.
00:12:32Oh, thank you so much.
00:12:35I'll call her now.
00:12:36Can you save my email?
00:12:37Okay.
00:12:38Thank you.
00:12:40Hello.
00:12:41Okay, guys.
00:12:43Guys, a little silence, please.
00:12:46Miss.
00:12:46Yeah.
00:12:47Why don't you tell us a little about the attributes of God?
00:12:51Or from the members of his church.
00:12:55Oh, guys, you're always going to be on about the same thing.
00:12:59Okay, let's continue with this, the rhyme.
00:13:01Titi, Triti.
00:13:05How handsome.
00:13:11Hey, this guy's going to be with your sister, huh?
00:13:18Fucking pimp.
00:13:19But let's see what happens with the cheeses.
00:13:25The cheeses, not the cheeses.
00:13:27Damn that milk, damn it...
00:13:29I'd help you, wouldn't I, Diego?
00:13:30But I have to fulfill some bodily obligations.
00:13:38What are you doing here?
00:13:39You're not skipping class, are you?
00:13:41No, what happened is that we came to get a sandwich for recess.
00:13:43Since there weren't any hens, I want it chocolate and party-ready.
00:13:49Here, son, yes, buy yourselves something over there.
00:13:51Come on.
00:13:55Wow, what a gorgeous blonde, she's tighter than submarine screws.
00:13:59Olé!
00:14:01Oh!
00:14:02Damn it...
00:14:03It's going to happen!
00:14:04Nothing, look, damn it.
00:14:06Damn, what a cut.
00:14:08Oh, Santiago, Santiago, give me another one, because it seems like the wine...
00:14:11Oh, it's calming my nerves.
00:14:13Why me?
00:14:14Where are the bandages?
00:14:17Santi, Santi, I can't take it anymore, but you, you, you've seen her.
00:14:21And on top of that, taking pills all the time.
00:14:23This, as if it were so, ends like the armadillo.
00:14:25See?
00:14:28We have to do something, Santiago.
00:14:30Do, do.
00:14:32Santiago, Santiago does nothing.
00:14:33Hey, excuse me, I'd like to remind you that you invented a brother who was awesome.
00:14:37And then it turned out he was a pimp, a real pimp.
00:14:41And what's that all about?
00:14:42Well, it's because Carmen is depressed because she fell in love with your sister.
00:14:47Who is to blame for her falling in love?
00:14:49You.
00:14:49And who's going to pull her out of her depression?
00:14:50You.
00:14:51So, change that favor and take her out somewhere, I don't know, take her to dinner and see if she's up for it.
00:14:55Go fuck yourself, man.
00:14:57Sandy, Sandy, for God's sake, I need you.
00:14:59I mean, I have five children and their mother is not present.
00:15:01I mean, my house is a mess and I can't take care of everything.
00:15:04And Carmen is not well.
00:15:05But all I'm asking is that you take a look at it, okay?
00:15:08It's making me hysterical.
00:15:09In other words, either you stop taking pills or I start taking them.
00:15:12You are my brother and Carmen is my mother-in-law.
00:15:14In other words, they're my family.
00:15:15But they are also your family.
00:15:16Your family.
00:15:18Okay, what do you want me to do?
00:15:20Well, that's it, take her out a little so she can vent, so she can talk.
00:15:24Figure out what you need.
00:15:25Invite her out to dinner, okay?
00:15:28Once and no more, stop taking it.
00:15:30Once and no more.
00:15:32You really are a brother, Santi.
00:15:33Thank you so much.
00:15:35Hey?
00:15:35Hey?
00:15:36He's starting to laugh, which loosens up.
00:15:37The next step is to throw up the squid.
00:15:39Damn, motherfucker...
00:15:40You haven't mentioned a restaurant that's elegant but inexpensive.
00:15:47Damn, I know someone, man, who will make you a star if you go there.
00:15:51Who are you going with?
00:15:52No, no, with nobody, with nobody.
00:15:54It's taken me back to the contact pages.
00:15:56What contacts have I made?
00:15:57Am I going to have to tell you about my private life or what?
00:16:00Ha ha ha!
00:16:10There, Richie!
00:16:14I passed the pilot!
00:16:19Thank you!
00:16:20Thank you!
00:16:21Asshole!
00:16:24This pimp has screwed up on me.
00:16:27Here comes your boy.
00:16:30How handsome!
00:16:31The most popular girl with the hottest boy in school.
00:16:35Hello, Jolly.
00:16:36Hello, princess.
00:16:40Bye bye.
00:16:45What's the matter?
00:16:46Nothing.
00:16:48Nothing, right?
00:16:49Are you still worried about your father's?
00:16:51The thing is...
00:16:52I think something's wrong with her, and at home she doesn't say anything about it.
00:16:56Don't worry.
00:16:57You won't see them give me anything.
00:16:59Also, I have a gift for you.
00:17:03What are my favorite actions to encourage you?
00:17:06No, thanks.
00:17:09Do you have any gum?
00:17:11It was the last one.
00:17:12Can you pass it to me?
00:17:15No, but not like that.
00:17:16Yeah.
00:17:18Richie, I hope.
00:17:20What's wrong? Aren't you going to give me a kiss?
00:17:27But not like that.
00:17:29What's wrong? Cat got your tongue?
00:17:31Take him for a walk, won't you?
00:17:32Look, Richie, I don't think I'm ready for a French kiss.
00:17:37Already.
00:17:38Yesterday you told me you'd do it today, but you didn't.
00:17:39Well, look, I have to...
00:17:45Thanks, huh?
00:17:46I just can't believe it.
00:17:49But how can T.T. like him if he's a pimp?
00:17:51Do you want to pass literature for free or not?
00:17:54Well, trust me, trust me, because a general pass is much closer than we think.
00:17:58The motto, well, pass without studying, screw it.
00:18:03Yeah.
00:18:03But you're stupid, your mother has opened a file against me because of you.
00:18:07Why did you have to say it was me?
00:18:09Well, they've marked my face, but it's for a good cause.
00:18:12Yes, sir, because what is the slogan?
00:18:14Passing without studying, fuck it.
00:18:16That's it, come on someone, come on, we have to kick her out, one after another, one after another, one after another, to hell with her, to hell with her...
00:18:28Have you seen that? The new moon, I mean, it's like a miracle of nature.
00:18:36Excuse me, is this the second B classroom?
00:18:39Mine.
00:18:42I'll go with you.
00:18:44Thank you.
00:18:45Okay, we'll go with you.
00:18:52That he's being cheated on.
00:18:55I've brought you a gift.
00:18:56What's happening with my champions?
00:18:57I'll perform a miracle for you.
00:18:58Squeak, squeak, squeak!
00:18:59Shhh!
00:19:00I am almost what I am telling myself.
00:19:02Yes, and I also think she's going to cry today.
00:19:17What are you coming for? What are you coming for? What are you coming for?
00:19:19I have to say that I haven't finished yet.
00:19:21He's coming, man!
00:19:23Hey, you bastard!
00:19:24Hey, I see you!
00:19:27That?
00:19:37That?
00:19:38What now?
00:19:39Bringao.
00:19:40Bringao tú.
00:19:40But you don't know who I am, brother, huh?
00:19:42T-t-t-t-t.
00:19:43And I'm going to tell you.
00:19:44Yeah!
00:19:59If you say anything to Teté, I'll break your legs.
00:20:08Let's see!
00:20:08Is it new?
00:20:09Yeah.
00:20:10Are we in that moment?
00:20:12Yes, yes, yes.
00:20:13In that second, yes.
00:20:13In that second, in that second.
00:20:15So, how is it? Is it tough?
00:20:16Well, the usual. But don't worry. I'm here.
00:20:20You know what? You won't be short of your little cheat sheet, your switcheroo...
00:20:23Yeah.
00:20:24Whatever you need, we'll come.
00:20:25Well, Raúl is already on the more academic side.
00:20:27I, a mother, am still emotional. Come on, a little monkey, a double drop, a nupis...
00:20:31Okay, one last thing.
00:20:33We're in open battle with what is the Gancilaso squad, aren't we?
00:20:37Come on, we're aiming for a general pass.
00:20:40And whoever comes here must be kicked out.
00:20:42He has the order.
00:20:44Oh, yeah. Try it without studying. Screw it.
00:20:48Try it without studying.
00:20:49That seems fine to me.
00:20:50It's from mine.
00:20:53Okay, guys, quiet down for a moment. I'll take up a lot of your time.
00:21:05I would like to introduce you to Raquel Alvadalejo, your new literature teacher.
00:21:12Raul, son, sit down.
00:21:13Joca, it's ten o'clock.
00:21:22I have a problem at school tomorrow that I can't even imagine.
00:21:24Yes, yes.
00:21:25What if we order the food, do we take it home?
00:21:28Wait.
00:21:30Let's see.
00:21:30Fiti, please, darling.
00:21:32Tell me what we do on a Tuesday night at the Chinese restaurant.
00:21:34Go on.
00:21:34Relax, sweetie.
00:21:35It's a surprise.
00:21:37Okay?
00:21:37Santiago and Carmo.
00:21:47Did you go out to dinner with Santiago and Carmo?
00:21:54Let's see.
00:21:56Explain to me what these two have here together.
00:22:02Well, Cuba, Tres de Liciar and Chosué and Ternela.
00:22:05What is he going to do?
00:22:10What are you going to do?
00:22:11Are you going to make another pill?
00:22:12No, no...
00:22:14Nothing beats a good sangria.
00:22:17With sangria, peace, health, and joy.
00:22:21Thank you very much, Santiago, for the invitation.
00:22:24It was a nice touch.
00:22:26Health.
00:22:31What are they doing?
00:22:32Do you see anything?
00:22:33Nothing, they drink and drink and drink again, like fish in the river.
00:22:37Is he going to get a big head?
00:22:44What's the matter?
00:22:45This bread has stuck like glue.
00:22:51What's wrong with him?
00:22:55Let go, woman, let go.
00:23:01What's wrong with him?
00:23:02Nothing, no...
00:23:03That your brother Francisco couldn't get out of my head.
00:23:09A little more sangria.
00:23:10Yeah.
00:23:10Yeah.
00:23:10With Grandma.
00:23:20He's desperate, man.
00:23:22What are you saying?
00:23:23Carmen is a very beautiful lady.
00:23:25I would like more than one.
00:23:26Yes, eat all of his...
00:23:28Corega.
00:23:29Fuck.
00:23:29What a beast you are, you faker.
00:23:32Carmen is a woman who looks great for her age.
00:23:33Honey, don't miss a thing, I'm going to the bathroom, okay?
00:23:38Okay, okay.
00:23:41What's wrong with him?
00:23:42What's wrong with him?
00:23:47No, no, Santiago, no.
00:23:50That Francisco has never loved me.
00:23:53What are you saying?
00:23:54What are you saying?
00:23:55That has not been the case.
00:23:56That has not been the case.
00:23:57No, no, no, no.
00:23:59How could he not love her, Carmen?
00:24:02Of course he loves her.
00:24:03Of course he loved her, he still loves her.
00:24:05Just like me, I love her too.
00:24:07Everyone loves her.
00:24:09Do you know why?
00:24:10Do you know why?
00:24:12Because you are a remarkable woman.
00:24:15A lady through and through.
00:24:18A true lady.
00:24:22How could you not love her, Carmen?
00:24:24How could you not love her?
00:24:31Balls.
00:24:33Carmen.
00:24:34Carmen.
00:24:35Carmen.
00:24:36Carmen.
00:24:37Carmen.
00:24:38Carmen.
00:24:40Carmen.
00:24:40For our part, king of egg and trick.
00:24:42Hello.
00:24:50Hello.
00:24:51Central.
00:24:52Damn, with sangria, with nothing more expensive or anything.
00:25:22You won't believe what I've seen, it's so intense, man.
00:25:29Dude, they're thinking about it and it's not happening this year, I mean, this year I have to get laid, you know?
00:25:33So, this is...
00:25:35Damn, Raúl, what an attack.
00:25:38And the one who caused it wasn't the new teacher.
00:25:42Well, dude, I don't know what you see in it, it's not that big of a deal, is it?
00:25:45You, you, you, before you don't look at yourself, because you have there like a lack of...
00:25:50Hey Marcos, she's cute... she's cute, isn't she?
00:25:54Well, yes, she's good-looking and all, but I don't know, she doesn't do anything for me.
00:25:58I like women who have something going for them, you know?
00:26:01Man, you're going to have it, you know? It has it, it has it...
00:26:07I'm going to eat some meat.
00:26:09Sit down.
00:26:22Let's start again, Guille.
00:26:24You didn't hurt your eye by hitting it on a doorknob, did you?
00:26:27That was a fight, right, Guille?
00:26:29Yes, you're right.
00:26:30I say good, very good.
00:26:31And how many times have I told you not to get involved in fights?
00:26:34Who was it?
00:26:35The fat one, right?
00:26:36Hey fatso, answer me or you'll get your slipper, okay? Answer me!
00:26:39Uh, I'm going to bed.
00:26:40Good night.
00:26:41Good night.
00:26:42Rest well, Teté.
00:26:43Answer me, answer me, who was it? On the count of one. Who was it on the count of two? And who was it on the count of...?
00:27:00It was Richie!
00:27:02Richie?
00:27:03Richie, the astronaut of our friend Teté.
00:27:07And why did he hit you? Let's see.
00:27:09Because... we see it in the helmet.
00:27:12Fear me!
00:27:13But, but, but!
00:27:14Wait, Dad, seriously, you don't know him?
00:27:16He's a pimp, a thug, and a beach bum.
00:27:19But what, what?
00:27:20But what are you saying, my son?
00:27:21But how can an astronaut be a thug?
00:27:24No.
00:27:25What you need to do, Guille, is pay more attention to your sister and hang out with intelligent people.
00:27:28And not with that gang of criminals you're hanging out with.
00:27:30With the Moor, with the South American, with the fat man.
00:27:32That fat guy deserves to be killed outright.
00:27:33And that's how it goes for you, Guille.
00:27:34That's how it goes for you.
00:27:35That?
00:27:36I'm telling you the truth.
00:27:38I've brought it clean.
00:27:42Sure?
00:27:44You're sure?
00:27:47And besides, why don't you go and see how Tete is doing instead of giving me the white money?
00:27:51It seems to me that when he came...
00:27:54Oh, really?
00:27:56Sure.
00:27:57But Ritchie, what are you doing here?
00:27:58Well, I've come to see you.
00:27:59You're crazy?
00:28:00How are you, princess?
00:28:01Okay, but look, you have to...
00:28:02Because...
00:28:03But you owe me one thing.
00:28:04That little kiss.
00:28:05Otherwise I'll go to sleep...
00:28:06Yeah, Ritchie, but...
00:28:07The thing is...
00:28:08Nobody's coming.
00:28:09No, no, no.
00:28:10The thing is...
00:28:11No, no, no.
00:28:12The thing is...
00:28:13What are you doing?
00:28:14The astronaut, the mother who gave birth to you.
00:28:15So, where the hell did you come in?
00:28:17Because of the...
00:28:18Through the window, you came in through the window.
00:28:19You're a robber, a criminal, a high-class thug, but...
00:28:20Get out of here.
00:28:21Out.
00:28:22Get out, kid.
00:28:23Out.
00:28:24Man, but...
00:28:25Tete, tete, my daughter.
00:28:26You don't have to open the window to anyone.
00:28:27Well, since this thug is bothering you again, tell me.
00:28:30Diego, who wasn't bothering me.
00:28:31He's my friend and he's come to see how I am.
00:28:32What do you mean, "let's see how you are"?
00:28:33Of course, let's see...
00:28:34Let's see.
00:28:35Hey?
00:28:36Tete, tete, my daughter.
00:28:37Tete, my daughter.
00:28:38You don't have to open the window to anyone.
00:28:39Well, since this thug is bothering you again, tell me.
00:28:41Diego, who wasn't bothering me.
00:28:42He's my friend and he's come to see how I am.
00:28:44What do you mean, "let's see how you are"?
00:28:45Of course, let's see...
00:28:46Let's see.
00:28:47This guy is older than you.
00:28:48You're just too young to understand.
00:28:49Of course, he's come to see how you are, because since he already knows how you are, he's come
00:28:52Let's see how you are.
00:28:53You understand?
00:28:54Well, it doesn't matter.
00:28:55This guy is not to be trusted.
00:28:56That's why I already told you.
00:28:58Well, now I'll say it.
00:28:59And since he's not exactly trustworthy, I forbid you from ever seeing him again in your life.
00:29:04You understand me?
00:29:05Are you crazy or what?
00:29:06Diego, I see who I want, when I want.
00:29:09But what?
00:29:10Did he say I'm freaking out?
00:29:11I'm freaking out?
00:29:12Dad, I told you you're crazy.
00:29:13Ah, well look, I'm so amazed I'm going to tell you something.
00:29:15You are grounded.
00:29:16You're grounded from everything.
00:29:18In other words, you're punished for everything.
00:29:19Understood?
00:29:20That's it.
00:29:22I'm blown away.
00:29:32Hello.
00:29:33Good morning.
00:29:34She looks great today, doesn't she?
00:29:35You think?
00:29:36Yeah?
00:29:37It must be the pills that are affecting me.
00:29:40Phenomenal.
00:29:41Okay, the pills, the pills, Carmen.
00:29:43Also, that you were coming off a bit badly, because last night you went to dinner with Santiago.
00:29:46That?
00:29:47Did you have fun?
00:29:48Well yes.
00:29:49Yes, yes.
00:29:50A lot, a lot.
00:29:51Yeah?
00:29:52Dad!
00:29:53Look, Marques, I'm getting off the ship!
00:29:54I'm looking at myself!
00:29:55Oh!
00:29:56Sorry.
00:29:57Am I going to lend myself to that grandmother?
00:29:59Oh, thank you.
00:30:00Dear.
00:30:01Carmen, we need to talk about what happened last night.
00:30:08Uh-huh.
00:30:09Come on.
00:30:10Well, what I want to tell her...
00:30:11Yeah.
00:30:12So that you understand me.
00:30:13Well, what I want to tell her...
00:30:15What I want to tell her is that...
00:30:18What do you have to say to him, man?
00:30:20Okay.
00:30:21One moment.
00:30:22Oh!
00:30:23What enthusiasm!
00:30:24Well...
00:30:25Where is Grandma?
00:30:26He's there with Santiago, with the pantry.
00:30:27Come on.
00:30:28Hey...
00:30:29What are you doing here?
00:30:30No, nothing.
00:30:31We were settling the restaurant bill from last night.
00:30:32Yeah.
00:30:33You...
00:30:34Your brother, who is...
00:30:35a penny-pincher.
00:30:36Hey...
00:30:37I'm going to the hairdresser.
00:30:38Hello.
00:30:39What are you doing here?
00:30:40What are you doing here?
00:30:41No, nothing.
00:30:42We were settling the restaurant bill from last night.
00:30:44Yeah.
00:30:45You...
00:30:46You...
00:30:47Your brother, who is...
00:30:48a penny-pincher.
00:30:49Hey...
00:30:50I'm going to the hairdresser.
00:30:51Hello.
00:30:52Good morning.
00:30:53How are you?
00:30:54How are you?
00:30:55How are you?
00:30:56How are you?
00:30:57What did you read, Tea?
00:30:58A...
00:30:59A...
00:31:00A magazine.
00:31:01He is reading a magazine.
00:31:02Very good.
00:31:03Well, what...
00:31:04What do you want for breakfast?
00:31:05Hey?
00:31:06Ah, look.
00:31:07You're drinking milk.
00:31:08Very good.
00:31:09Great.
00:31:10Well.
00:31:11Who's going to eat some churros, huh?
00:31:13Tea, Dad.
00:31:15Look, Tea, I wanted to tell you something that...
00:31:19Yes, I know I went too far, I mean, I went a little too far, and I yelled at you and all that...
00:31:24Well, what I'm trying to say is that to err is human, to forgive divine.
00:31:27And there you go.
00:31:28Well, I take it back.
00:31:29Dad, don't tell me you're going to soften up now.
00:31:31Will you shut up, Guille?
00:31:32He's talking to Tea, huh?
00:31:33I'm lifting your punishment.
00:31:35Which one?
00:31:36Because you've punished me for everything.
00:31:38Well then, I'll lift all your punishments.
00:31:39All the punishments except Rich's.
00:31:41Hey?
00:31:42Richie.
00:31:43Richie is my friend.
00:31:44No, let's see, Tea, so you understand once and for all.
00:31:46In other words, Richie is a scoundrel.
00:31:47In other words, a scoundrel who went into his room...
00:31:49Well, through the window and with a ladder.
00:31:51In other words, since he's a scoundrel, I absolutely forbid you from seeing Richie and being his friend.
00:31:55Did you understand?
00:31:56Because now I am your father and your mother.
00:31:57Strictly prohibited.
00:31:58Understood?
00:31:59I'm not going.
00:32:00I'm not going.
00:32:05Fuck.
00:32:06Well said.
00:32:07Well said.
00:32:08You might get yourself into trouble while your mother is away and you'll be the one who gets blamed.
00:32:14What a mess, man. What a mess.
00:32:15Yes, yes, yes.
00:32:16He's 12 years old, man, for God's sake.
00:32:17A mess.
00:32:18A mess.
00:32:19Look, look.
00:32:20First kisses.
00:32:21Kissing is a way of telling the other person that we love them.
00:32:24Go for it without fear.
00:32:25Your tongue knows what needs to be done.
00:32:27Your tongue!
00:32:29Diego, open your eyes.
00:32:30This girl is dating a thug and reading dirty stuff.
00:32:33And a thug with dirty tricks is a bad combination.
00:32:36You understand?
00:32:38You were getting to be a certain age...
00:32:40But what age, damn it.
00:32:41Do not save, Santiago.
00:32:42Don't save yourself, man.
00:32:43My God, what an age.
00:32:44If it's a baby.
00:32:45I will be a beast.
00:32:46But he's not so young anymore.
00:32:47She's a young woman now.
00:32:48Before you know it, he might make you a grandfather.
00:32:51Are you serious...?
00:32:56Fermín, Fermín.
00:32:57Fermín.
00:32:58How are you, Fermín?
00:32:59Fernando.
00:33:00No no.
00:33:01Diego.
00:33:02Santiago.
00:33:03Santiago.
00:33:04Well, I'm Fernando.
00:33:05Fernando, not Fermín.
00:33:06You, Santiago.
00:33:07Perfect.
00:33:08Well then, tell me, Diego.
00:33:10Well, you see, I have...
00:33:11Let me explain it to you.
00:33:12I have a little problem with Tete, with my daughter.
00:33:15But it's really nothing important.
00:33:17Well, to put it bluntly.
00:33:20The girl has gotten involved with a pimp.
00:33:22What are you saying?
00:33:23She's going to mess with me.
00:33:24Leave it to me, please, leave it to me.
00:33:25You see, Lucia, her mother, has gone to Houston with her husband.
00:33:29Yeah.
00:33:30With her ex-husband.
00:33:31He is sick.
00:33:32In other words, he left because he's sick.
00:33:33Very, very sick.
00:33:34It was a case of force majeure.
00:33:35Come on.
00:33:36Yes, due to force majeure.
00:33:37It was a case of force majeure, and that's all.
00:33:38So, I punished Tete, my daughter, and she won't talk to me.
00:33:42And frankly, well, I don't know how to handle it.
00:33:43I don't know.
00:33:44I understand, I understand.
00:33:45Okay, okay.
00:33:46Well, I think, Diego, that it's a matter of empathy.
00:33:49What you need to do is develop empathetic behavior towards your daughter.
00:33:53You have to keep in mind that teenagers prefer to follow their own criteria, okay?
00:34:01Well.
00:34:02Ah, the criteria.
00:34:03Of course, that's what they are.
00:34:04Well.
00:34:05And for that you have another tool, right?
00:34:07What is psychodynamic understanding?
00:34:10Look, the attitude of a polite father.
00:34:13Psychodynamic understanding.
00:34:15Psychodynamics.
00:34:16Psychodynamics.
00:34:17Well.
00:34:18Well.
00:34:19In summary.
00:34:20What you need to do is enter your daughter's emotional frame of reference.
00:34:24Already.
00:34:25Well, of course.
00:34:26Yes of course.
00:34:27Yeah.
00:34:28That's great.
00:34:29And what do we do about Macarra?
00:34:30Well.
00:34:32Well.
00:34:33That's what I'm saying.
00:34:34What you need to do is put yourself in your daughter's shoes.
00:34:37In the place of someone who is twelve years old.
00:34:39I don't know if I'm making myself clear.
00:34:40Come on.
00:34:41Like an open book.
00:34:42Like an open book.
00:34:43I put myself in the place of someone who is twelve years old.
00:34:45It's perfectly clear.
00:34:46Very good.
00:34:47Perfect.
00:34:48One thing.
00:34:49If she's my brother's mother-in-law, who's a little older.
00:34:52Yeah.
00:34:53Santi.
00:34:54Santi.
00:34:55Well.
00:34:56No.
00:34:57Come on.
00:34:58I can put myself in the mother-in-law's shoes, can't I, Valentín?
00:34:59Hey.
00:35:00That.
00:35:01Fermil.
00:35:02Ah.
00:35:03Fermil.
00:35:04Fermil.
00:35:05Fermil.
00:35:06Fermil.
00:35:07Fermil.
00:35:08Fermil.
00:35:09That's Fiti.
00:35:10Hey, Paquillo.
00:35:11What's up?
00:35:12That?
00:35:13Are you calling that girl from yesterday or what?
00:35:15Hey.
00:35:16But what's going on?
00:35:17Didn't you end up going out for dinner?
00:35:19Yes, yes.
00:35:20I'm going to have dinner.
00:35:21To the Chinese.
00:35:22To the Chinese.
00:35:23To the Chinese.
00:35:24So what happens?
00:35:25Did you eat everything or did you leave some?
00:35:27Come on, Santi, damn it.
00:35:28And tell me, damn it, because of a date you have...
00:35:29Was the aunt attractive?
00:35:30Well.
00:35:31Normal.
00:35:32Neither.
00:35:33AND...
00:35:34Was there an issue or not?
00:35:35Well, the aunt you care about.
00:35:36Santi.
00:35:37Well, something...
00:35:38Something happened.
00:35:39Something happened.
00:35:40I'm telling you, there was one.
00:35:41Grandma hit you with that bite, I was there, champion.
00:35:42What is one word of this?
00:35:43Someone is climbing you.
00:35:44What's going on here, gentlemen?
00:35:45Nothing, don't worry.
00:35:46Don't worry.
00:35:47You already know I'm dead.
00:35:48Okay?
00:35:49Don't worry.
00:35:50Don't worry.
00:35:51You already know I'm dead.
00:35:52Okay?
00:35:53Don't worry.
00:35:54Tsss, tsss, tsss, tsss, tsss.
00:35:55What a mess, huh?
00:35:56I laugh at my dead.
00:35:57And all because of doing Diego a favor.
00:35:58No no.
00:35:59I'm going to tell you one thing.
00:36:00Diego will thank you for that, okay?
00:36:01I'm telling you, there was one.
00:36:02Grandma really gave you a good thrashing, I was right there, champ.
00:36:04Grandma really gave you a good thrashing, and I was right there, champ.
00:36:07What is one word of this?
00:36:08Someone is climbing you.
00:36:09What's going on here, gentlemen?
00:36:10Nothing, don't worry.
00:36:11Don't worry.
00:36:12Don't worry.
00:36:13And all because of doing Diego a favor.
00:36:15No, no, tsss.
00:36:16I'm going to tell you one thing.
00:36:18Diego will thank you for that, okay?
00:36:19You'll see how happy he'll be when you tell him you slept with his wife's mother.
00:36:24Maybe you two couples could live together, huh?
00:36:28To save, to save, to save.
00:36:30That you end up with something really expensive.
00:36:32I don't get involved with anyone, with anyone.
00:36:34Catera!
00:36:35I went to... so the woman could vent.
00:36:38No, no, and he let it all out, he let it all out.
00:36:40I found myself facing a fait accompli.
00:36:42Look, Santi, the worst...
00:36:44The worst part is that now everyone is going to find out.
00:36:46Fuck.
00:36:47Maybe the woman is excited, and with how women talk, you'll see.
00:36:52Call her, call her.
00:36:57Come on, lady, pick up the phone for once.
00:36:59Calm down, calm down.
00:37:00Kid, calm down.
00:37:01The last unit will be Latin American literature in the 20th century.
00:37:04As for my teaching method, I am the one who prefers continuous assessment.
00:37:09In other words, your knowledge will be put to the test throughout the year.
00:37:13Oh, try me, try me.
00:37:17I also want you to know that my office door will be open for whatever you need.
00:37:21But not just the door.
00:37:23Because I am one of those who believe in the student-teacher relationship as something dynamic.
00:37:27So that we all learn, that is, you from me and I from you.
00:37:31I was going to teach her languages.
00:37:33Okay, you two.
00:37:35And... and you, Walrisitas.
00:37:38You were the ones talking about a general pass yesterday, weren't you, Raúl?
00:37:42But that was yesterday, today everything has changed.
00:37:46Well, just so you know, you're not going to succeed.
00:37:48I'm going to stay in Garcilaso.
00:37:50And I'm going to do my best to make you like literature.
00:37:52No, I like it, I love it.
00:37:55I'm more into poetry, Raquel.
00:37:57I am in love with Pablo Neruda.
00:38:01I'm dead, Pablo! Shut up, you idiot!
00:38:05We have another class this afternoon, so we'll continue with the presentations.
00:38:08So why don't we continue now?
00:38:10Knowing them and all, right?
00:38:12This afternoon we could get into the subject a little more.
00:38:14Raquel, we've missed a lot of classes.
00:38:16But many.
00:38:18Okay, can we go somewhere else?
00:38:20Look, we have one, well, one.
00:38:22The father of the ship is here in Resetas, my friend.
00:38:24It has a great tavern and it's the best.
00:38:26We can go, it's in the neighborhood.
00:38:31Hey, aren't you coming?
00:38:33I'll pass, I don't want to slip on all that drool.
00:38:36Tell me about it later, okay?
00:38:39Hey, wait!
00:38:40Carmen, is this the third time Santiago has called? Are you going to answer?
00:38:56And what does he want?
00:39:01Carmen, something happened last night.
00:39:04Something?
00:39:05With what?
00:39:07What's going to happen?
00:39:10Come on, Carmen.
00:39:12Well, that's it.
00:39:14We went for a walk, chatted, had dinner, and kissed.
00:39:22Oh my God, how embarrassing!
00:39:24Did you kiss?
00:39:25Santiago and you?
00:39:28Well, no.
00:39:29I mean that...
00:39:30Carmen, daughter, another mountain man.
00:39:32You're not going to leave a single person unscathed in this family.
00:39:34And what do I tell Lucia now?
00:39:35When he calls me, okay?
00:39:36Nothing.
00:39:37That?
00:39:38He told me to keep an eye on you, given the atmosphere you're in.
00:39:39The way you miss me.
00:39:40Oh God, no, no, no.
00:39:41Don't say anything to him.
00:39:42I just don't know how it could have happened.
00:39:44The thing is...
00:39:46Look, I was feeling a bit down.
00:39:48Because I don't know if you know that I'm taking some pills.
00:39:51Yeah.
00:39:52Oh, by the way.
00:39:53The pill.
00:39:54I mustn't forget my pill.
00:39:56Already.
00:39:57AND...
00:39:58AND...
00:39:59Well, after the kiss and all, did he say anything to you?
00:40:02EITHER...
00:40:04No no.
00:40:05Not last night.
00:40:06No, not last night.
00:40:07It was this morning.
00:40:08Yes, it has arrived here.
00:40:09He found me here in the kitchen.
00:40:11And you don't know what impetus.
00:40:13He grabbed my arm and pulled me into the pantry.
00:40:15And well, why did Diego appear?
00:40:17Otherwise, I don't know what might have happened.
00:40:20Oh, that...
00:40:21This man...
00:40:22And haven't you thought that maybe Santiago wants...?
00:40:27Come on, he has intentions that...
00:40:29With you...
00:40:30Santiago?
00:40:31Man.
00:40:32Oh, what are you saying?
00:40:34Come on, he invites you to dinner, he's gallant, he kisses you, he corners you in the pantry...
00:40:39And then all these insistent calls, daughter.
00:40:42I...
00:40:43I'd say Santiago is into you, huh.
00:40:45No no.
00:40:46Oh, what...
00:40:47What are you saying, daughter?
00:40:48That can't be...
00:40:50You think?
00:40:51Man.
00:40:52Oh...
00:40:53Oh, poor thing.
00:40:54Well...
00:40:55Yeah...
00:40:56If he has nothing to do with me, just you wait...
00:40:58Santiago...
00:40:59It could be Santiago and...
00:41:01AND...
00:41:02Oh...
00:41:04I don't know, I'm a little dizzy because...
00:41:06These pills...
00:41:08Yeah...
00:41:09Well, then...
00:41:10Let's do one thing.
00:41:11You go upstairs, calm down, and lie down in Lucia's room.
00:41:12Do you want some?
00:41:13Well, yes.
00:41:14I understand you for this.
00:41:15You're peeling my beans, huh.
00:41:22Oh my god.
00:41:24What a well-made creature, huh.
00:41:27Come on, let's go.
00:41:28I'm going to talk about my father now.
00:41:29Hi, Dad.
00:41:30What's happening?
00:41:31We're going to hold the class here, and if...
00:41:32Well...
00:41:33Let's put the tables together.
00:41:35Very good, very good.
00:41:36The thing is...
00:41:37The new teacher?
00:41:40My God.
00:41:41With this one, I'll get my degree...
00:41:43The career and the master of the universe.
00:41:45Wow, what a pair of boobs, dude.
00:41:46But, Fiti, you haven't gotten excited, man.
00:41:48For God's sake, what is your son's teacher?
00:41:50I mean, can you imagine some creep saying those things about Candela?
00:41:55I'm dying laughing.
00:41:57Hello.
00:41:58I am Marcos' uncle.
00:41:59Nice to meet you.
00:42:00What will you have, miss?
00:42:02Invite him to the house.
00:42:03Aid!
00:42:04Hey!
00:42:05Hey!
00:42:06Hey!
00:42:07The house invites the teacher.
00:42:09The rest have to pay.
00:42:11Well, a small glass of wine, please.
00:42:13Water.
00:42:15Okay, let's continue.
00:42:17So, what kind of literature do you like?
00:42:20Well, I like poetry.
00:42:22Poetry in general.
00:42:23Already.
00:42:24And anything more specific?
00:42:25I like all of it, especially all of it.
00:42:28It's awesome.
00:42:29But...
00:42:30Well, there's one that's... it's awesome.
00:42:31Is...
00:42:32Daddy, daddy, cool daddy.
00:42:34Daddy, daddy, sorry.
00:42:35That's fine.
00:42:38And you, Marcos?
00:42:40Yeah.
00:42:41I...
00:42:42Well, I'm not very good at poetry.
00:42:43Like the...
00:42:44Here, my friend, sing!
00:42:45Yeah.
00:42:46He also writes his songs for me.
00:42:47Well...
00:42:48Some issues that are not important either.
00:42:49But come on, enough about us, tell us something about yourself.
00:42:52About me.
00:42:53And what do you want to know?
00:42:54Hey...
00:42:55Just in case, I don't know, your age, your marital status...
00:42:57That's not part of the program.
00:42:59Oh, no?
00:43:00No.
00:43:01Oh.
00:43:02Sorry.
00:43:03Just a moment, okay?
00:43:04Yeah.
00:43:05Nothing, nothing.
00:43:06Yeah?
00:43:07Yeah.
00:43:08Yeah.
00:43:11Yeah.
00:43:12Shall we meet this afternoon?
00:43:13Okay, but...
00:43:14Please, no numbers.
00:43:16Let's try to handle this as civilly as possible, shall we?
00:43:20Okay, see you later.
00:43:21Bye bye.
00:43:30Tete, daughter, you don't like food.
00:43:33Do you want me to do something else?
00:43:36Yeah.
00:43:37I liked it.
00:43:38Can I repeat?
00:43:39I don't work, son.
00:43:40No, because you've already had two courses.
00:43:41I mean...
00:43:42Okay, let's go.
00:43:43Just a little more, go on.
00:43:44Hey...
00:43:45And get ready, because it's time to go back to school.
00:43:55Guille, Guille.
00:43:56Wait a moment, we need to talk.
00:43:58Marco leaves.
00:44:00I'll clean up.
00:44:01I want to talk to Guille for a moment.
00:44:03Yeah.
00:44:04Okay.
00:44:05Oh, right.
00:44:07Hey, uh...
00:44:09You'll see, Guille, son.
00:44:11Hey...
00:44:12No, that...
00:44:13How old are you?
00:44:14I am twelve and I will be thirteen soon.
00:44:16Ah.
00:44:17Ah, look, not now, this topic.
00:44:18I've already thought about the gift.
00:44:19Had I thought about it?
00:44:20What gift, Guille?
00:44:21What gift?
00:44:22So, you have twelve.
00:44:23Twelve.
00:44:24Okay, that's fine.
00:44:25Come on, that's great.
00:44:26Twelve is very good.
00:44:27And how's eight doing, Dad?
00:44:28Good.
00:44:29Eight is...
00:44:30But I'm interested in the twelve-year-olds.
00:44:31Yeah.
00:44:32This...
00:44:33Listen to me and think...
00:44:34Think about it for a bit, okay?
00:44:35This...
00:44:36Yeah...
00:44:37If I...
00:44:38If I were to leave...
00:44:39Taking a very long trip, isn't it?
00:44:40And for a long time.
00:44:41In other words, if I were there for a long time...
00:44:43Where are you going, Dad?
00:44:44No.
00:44:45No, I'm not going anywhere.
00:44:46He didn't say it.
00:44:47It's just a guess, you know.
00:44:48It's just a guess.
00:44:49I mean, you, Guille, I mean, in that case...
00:44:51Would you feel bad?
00:44:52But?
00:44:54Yes, Dad.
00:44:55Very badly.
00:44:56Thank you very much, little worker, son.
00:44:57Thank goodness...
00:44:58But of course, you're not twelve...
00:45:00Well no.
00:45:01Then...
00:45:02I'll explain later.
00:45:03Let's see...
00:45:04Listen to me for a bit, okay?
00:45:05Let's see.
00:45:06So, if I were to leave for a long time...
00:45:08That.
00:45:09You would feel sad, then.
00:45:10What a great shame, isn't it?
00:45:12What would encourage you?
00:45:13Oh ok.
00:45:14That much is clear to me.
00:45:15Yeah.
00:45:16Buy.
00:45:17Buy.
00:45:18But what do you mean, buy?
00:45:19But what do you mean, buy?
00:45:20But what kind of materialist are you, Guille?
00:45:22Please.
00:45:23You have no feelings towards your father.
00:45:24You don't have...
00:45:25You don't have...
00:45:26Buy, you said, right?
00:45:28Buy.
00:45:29Good.
00:45:30Good.
00:45:31Good.
00:45:32Wow!
00:45:33You can leave now.
00:45:34Okay, uh.
00:45:35Good.
00:45:36Goodbye, son.
00:45:37Hey.
00:45:38That?
00:45:39I...
00:45:40Where should I leave it?
00:45:41Over there, in the cellar, man.
00:45:42Hey Santi, thanks a lot, okay?
00:45:44Because with this ham, hey, whether you like it or not, I manage for dinners at night.
00:45:49A little coffee?
00:45:50Yes, yes.
00:45:51Hey, what about Carmen?
00:45:53Oh, well, I don't know, I haven't seen her since this morning.
00:45:56He's at home, I imagine.
00:45:57No, no, no.
00:45:58He's not at home either.
00:45:59Already.
00:46:01AND...
00:46:02Did he tell you something about last night's dinner?
00:46:05Yes, yes.
00:46:07I noticed she seemed a little more lively, didn't I?
00:46:09As...
00:46:10And?
00:46:11HE...
00:46:12Did he vent or not?
00:46:14Yes, yes, yes.
00:46:15He really let it all out.
00:46:17Already.
00:46:18AND...
00:46:19And you told him that...
00:46:20Should she stop taking pills?
00:46:22Yes, yes, yes, yes.
00:46:23We talked about it too, yes.
00:46:24Yeah.
00:46:25Now he's drinking like a sponge, huh?
00:46:26Already.
00:46:27What is the poor woman going to do?
00:46:28He has to have some distraction, right?
00:46:30Hey Santi, thank you very much.
00:46:32What have you been doing, damn it?
00:46:33Because, man, I already know that taking grandma out to dinner,
00:46:36Well, frankly, no...
00:46:37It's not exactly what you'd call erotic, is it?
00:46:39Grandfather.
00:46:40What are you doing?
00:46:41Look...
00:46:42How did I put it, man?
00:46:43Okay, come on.
00:46:44Go upstairs, go upstairs, go upstairs to the room.
00:46:45Grab a pair of pants and a shirt, come on.
00:46:46Come.
00:46:47Come on, come on, come on.
00:46:48Come on, I'll do it later...
00:46:49Then I'll put it in the washing machine.
00:46:50Come on, man.
00:46:52Not all of yours are big.
00:46:53No way, man, no.
00:46:54They're not too big for you, man.
00:46:55Well, you just hold it with your belt.
00:47:03You'll see.
00:47:19Ah!
00:47:20Ah!
00:47:21Oh!
00:47:22Santiago!
00:47:23Sorry, sorry!
00:47:24You have nothing to forgive, but...
00:47:25if you can go out.
00:47:26Sure, sure, sure.
00:47:28Carmel...
00:47:29I wanted...
00:47:30No, please.
00:47:31Please, Santiago, now is not the time.
00:47:33No, no, no, of course not. It's not the right time. It's not the right time, of course not.
00:47:53Pepe, Pepe, look. This one's really good, isn't it? And it looks like it's your size. Will you try it on?
00:48:01Pepe.
00:48:03Pepe.
00:48:04Capuchi.
00:48:05That?
00:48:06But what are you doing, you idiot? Stop it.
00:48:08Come on, let's see, Guille, we've come here to buy your sister whatever she wants.
00:48:12In other words, you don't need anything.
00:48:14Come on.
00:48:15Why not? I have two pink gates.
00:48:17Yes, but...
00:48:18Dad?
00:48:19That?
00:48:20Look, Pepe, I think he's gone.
00:48:21What do you mean he's gone?
00:48:22Okay, fine.
00:48:24Excuse me, miss, haven't you seen a little girl like Rubita?
00:48:28Yes, like Barbie.
00:48:29Like Barbie?
00:48:30Barbie, no.
00:48:31Barbie, with a very slow curling iron, is she in the fitting room or...?
00:48:33Yes, he just came in.
00:48:34Oh, yes, thank you.
00:48:35That's what I've found.
00:48:36Let's see, he was trying it on.
00:48:38Tete, daughter, it's me, it's Diego.
00:48:39Hey, if you've found something you like, try it on and then, once you've got it on,
00:48:50Well, you show it to me and all that.
00:48:51Hey?
00:48:52Ah, one of... of this... already.
00:48:53Well...
00:48:54So, that one's your size, for...
00:48:56Isn't that a tad daring?
00:48:57Say.
00:48:58No, no, no, hey, no, no, no, no.
00:48:59Hey, if you like it, dude, fine.
00:49:00If you like it, that's fine, I have no problem with it.
00:49:04Tete, please, what do I have to do to get you to talk to me?
00:49:06Diego, you know that perfectly well.
00:49:07No, no, no, no, no.
00:49:08If it's Richie's thing, no, no.
00:49:09That's already been discussed quite a bit, so no.
00:49:10At least we're giving them a chance, right?
00:49:11You can forbid me from going because of a person you don't even know.
00:49:13Okay, fine, I don't like astrophysics, okay?
00:49:14He sneaks in through the windows, but he's a good kid, really.
00:49:15Yeah.
00:49:16You, you...
00:49:17Well, you, you...
00:49:18Can you assure me that Richie's stirrup is clean or...?
00:49:19No, no, no.
00:49:20No, no, no.
00:49:21No, no, no.
00:49:22No, no, no.
00:49:23No, no, no.
00:49:24No, no, no.
00:49:25No, no, no, no.
00:49:26Okay, fine, I don't like astrophysics, okay?
00:49:28He sneaks in through the windows, but he's a good kid, really.
00:49:31Yeah.
00:49:32You, you...
00:49:33Well, you, you...
00:49:34Can you assure me that Richie's stirrup is clean or...?
00:49:36Yes, really, Diego, it's a clean stirrup.
00:49:38Ah!
00:49:39It's not a clean stirrup.
00:49:40Shut up!
00:49:41It's not a clean stirrup!
00:49:42Well, yes...
00:49:43If you assure me that it's a clean stirrup,
00:49:45So you can see that I'm going to do everything I can,
00:49:48Let's do one thing.
00:49:49You invite him to dinner tonight and that way we can meet him, talk to him and all that, okay?
00:49:53And if you don't mind, tell him to come in through the door, okay?
00:49:55Thank you.
00:49:57Okay, no problem.
00:49:59Look, Dad, it's not all it's cracked up to be.
00:50:01But what do you do with that, then?
00:50:03Give up your livelihood, give it up...
00:50:05And your panties, take off your panties.
00:50:07Take off your panties, I won't rip them off.
00:50:09Take them off!
00:50:11Panties off!
00:50:12I'm going to slap you, okay?
00:50:13All yours.
00:50:15What a fine, you wretches, you wretches, you're going to ruin my life!
00:50:19Look, veto it, my name is.
00:50:21What is this?
00:50:22Are you okay?
00:50:23No no.
00:50:24A personal problem, but no.
00:50:25But that's enough.
00:50:26Avenge it.
00:50:27Bye bye.
00:50:28See you later.
00:50:29Avenge it.
00:50:30See you later.
00:50:31See you later.
00:50:32Am I going to come in?
00:50:34No no.
00:50:35A personal problem, but no...
00:50:37But that's enough.
00:50:41Avenge it.
00:50:42Bye bye.
00:50:43See you later.
00:50:44Behave yourselves, okay?
00:50:45Yeah.
00:50:46See you later.
00:50:52Guille!
00:50:53I'm going to come in!
00:50:55And sorry, you're being a bit tiresome with the clean wheat.
00:51:08Yeah, sure, the girl cries a little and that's it, just swallow it. Sorry, Dad, but ever since those aunts started coming to the house...
00:51:13Hey Guille, listen up, see if you understand, see if you understand, I mean, your sister is going through a bad time
00:51:19That time, and this Richi, well, he's his friend, you understand? He has his friend, which is, you don't know, but oh well.
00:51:25But look, look what an animal you are! I know perfectly well what's good for my children and what's not.
00:51:30It's convenient, and let me tell you something, what Tete needs right now is support, and then this, which is
00:51:34And as for moral sympathy and dynamism, well, this time you're getting ahead of yourself because this
00:51:38Richi is quite the ladies' man, hitting on your little girl, but what is he saying? That you are
00:51:43You're a sucker, this guy's an old geezer at least, well, Guille, you're about to get a beating.
00:51:47You'll get a slap on the wrist, you'll see. Let's see what proof you have.
00:51:49Well, they're hugging, they're friends
00:52:03like good friends
00:52:10I'm seeing it now, son, I'm seeing it now, and on top of that, with that silly little hand!
00:52:16I really don't know how to do that with my little hand.
00:52:18Okay, so there's dinner or there isn't dinner?
00:52:22Yeah
00:52:25Tell the kid to come over for dinner
00:52:28guille
00:52:29Tell him to come a little earlier
00:52:31And now you have a word.
00:52:33and suddenly I wake up
00:52:39And I find him there with his pants around his ankles
00:52:41and so carefree
00:52:42Don't forget
00:52:44That couldn't have happened to you, you dreamt it.
00:52:46No, no, word of honor
00:52:48He throws me on the bed
00:52:51He throws me on the bed
00:52:52and telling me that it's not the right time
00:52:54But what a moment, ma'am!
00:52:56because there's no time for that.
00:52:58I don't see the point at all.
00:53:02that the woman is hung up on Fiti
00:53:04and it's hung by me
00:53:06and I'm at a dead end
00:53:08Sure, sure, sure
00:53:09Santi
00:53:09You're right, damn it.
00:53:11That's what you have to do
00:53:13leverage
00:53:15that the old woman is a machine
00:53:17forgive me
00:53:20forgive me
00:53:21Forgive me, Carmen
00:53:21No, look
00:53:24you'll see
00:53:24what you have to do
00:53:25It's about having a serious conversation with him.
00:53:27that if you don't want anything
00:53:28you don't want anything
00:53:29Yes, but
00:53:30I don't know
00:53:31I wouldn't like it either.
00:53:32hurt him
00:53:34But if I don't tell you
00:53:35Don't just blurt it out like that, man.
00:53:37But you'll have to clarify the situation.
00:53:39Otherwise, it will happen to you later.
00:53:41a snowball
00:53:42there
00:53:42Pussy
00:53:43that
00:53:43besides
00:53:44if you don't like it
00:53:46Well, you don't like it.
00:53:47and he takes it badly
00:53:49And if he mounts the hill
00:53:51And if I give it to him
00:53:52jamacuc
00:53:53that is
00:53:54treatment
00:53:55for the nerves
00:53:56look
00:53:56let's see
00:53:57let's see
00:53:57There is one thing
00:53:58Not me, because I'm nosy.
00:54:00not for anything
00:54:00but
00:54:01If you want, I'll go.
00:54:02and I'll keep an eye on you
00:54:03Hey Santiago
00:54:08that
00:54:08I owe you a debt.
00:54:10and
00:54:10What do you think?
00:54:12Yeah
00:54:12If I treat you tonight
00:54:14dinner
00:54:15and
00:54:15and we chatted
00:54:16come
00:54:19come
00:54:19come
00:54:20that seems fine to me
00:54:21come
00:54:21Well
00:54:24leave
00:54:24I have a job.
00:54:25ready
00:54:28what time
00:54:29dinner
00:54:29at your parents' house
00:54:30at nine
00:54:31and Richie
00:54:32I would like you to behave
00:54:33good
00:54:33It's because my stepfather
00:54:34It's starting
00:54:35to take a little bit
00:54:36of mania
00:54:36Don't worry.
00:54:37that I to your stepfather
00:54:38I earn it this way
00:54:38What have you done to your hair?
00:54:40She looks very pretty
00:54:41a braid
00:54:42that likes
00:54:43I'll come with you
00:54:45childhood
00:54:51They are memories
00:54:52from a courtyard in Seville
00:54:54uncle
00:54:55Do you think if I light it up
00:54:56Does he like Raquel?
00:54:57mother
00:54:57no
00:54:57nothing's wrong
00:54:58that the only thing I want
00:54:59It's about knowing if you're okay.
00:55:00Which aunt is talking about?
00:55:03Hey, you're driving me crazy!
00:55:04with this aunt
00:55:05You don't have another topic
00:55:06no way dude
00:55:07Don't mess with me, dude.
00:55:07Don't mess with me, dude.
00:55:08Don't mess with me, dude.
00:55:08No
00:55:09How old is that aunt?
00:55:11who is the teacher
00:55:12that you have nothing
00:55:13what to do with it
00:55:13I believe I should walk
00:55:15for the 25
00:55:16In other words, it's inside
00:55:17from my shooting range
00:55:17completely
00:55:18which are among the 15
00:55:18and the 45
00:55:19which is my spectrum
00:55:20which can be
00:55:22what's happening?
00:55:27what's happening?
00:55:31That's the one, right?
00:55:32He's taking me away, man.
00:55:33no, no, wait
00:55:35I'll go
00:55:36No, no, I'll go.
00:55:36my sister
00:55:37Are you ordering?
00:55:54Eve
00:55:54sorry
00:55:56Raquel, can I help you with anything?
00:56:08no, no, nothing
00:56:09thank you
00:56:10what's happening?
00:56:13We're a bunch of idiots, aren't we?
00:56:17Well
00:56:17It's tough at first.
00:56:20because
00:56:21Well, because
00:56:21Because you too
00:56:23Well
00:56:25that
00:56:25which I'm sure of
00:56:27You'll be done in a few days
00:56:28I'm sure
00:56:29that you get with the class
00:56:30because
00:56:31Well
00:56:31It looks perfect
00:56:32that you
00:56:32that you
00:56:33as
00:56:33it's not that
00:56:35Isn't that it?
00:56:38I mean
00:56:39It's personal.
00:56:40Okay, sorry.
00:56:43Excuse me, okay?
00:56:46I just got divorced
00:56:47from my husband
00:56:47tea
00:56:53Your husband?
00:56:57Well
00:56:58women
00:56:58that
00:57:00that
00:57:01that
00:57:01that
00:57:01that
00:57:01What a blow!
00:57:01No?
00:57:04oh well
00:57:04that
00:57:04that
00:57:05Well
00:57:05I don't want to get involved either.
00:57:07but maybe
00:57:07a
00:57:08a
00:57:08a
00:57:09separation
00:57:09because then
00:57:10well
00:57:10We'll be back later
00:57:12No?
00:57:12probably
00:57:12it resumes
00:57:13either
00:57:13No?
00:57:15that
00:57:16you are separating
00:57:17that's his turn
00:57:18forks
00:57:18This is the first time
00:57:19that I'm going to separate
00:57:20of my son
00:57:20and
00:57:20Your son?
00:57:25Do you have a child?
00:57:28Yes, Gaby
00:57:29is one year old
00:57:30but
00:57:35but
00:57:37that
00:57:37that
00:57:38that
00:57:38that
00:57:39that
00:57:39which is a week
00:57:39Hey?
00:57:40I mean
00:57:40that we have to
00:57:40I mean
00:57:41last week
00:57:42It happens right away
00:57:43and that's it
00:57:43in a week
00:57:44well
00:57:44well
00:57:44you see again
00:57:45to
00:57:45to
00:57:46to this
00:57:46No?
00:57:47as
00:57:49how did you tell me
00:57:50which was called
00:57:50to your son
00:57:50no
00:57:51Gaby
00:57:53to Gaby
00:57:54Yeah
00:57:55sorry
00:57:58that me
00:57:58hey
00:58:01hey
00:58:15please
00:58:30Don't tell him
00:58:32to no one
00:58:32none of this
00:58:33Okay?
00:58:33Okay?
00:58:37Okay?
00:58:37that he told me
00:58:47my father
00:58:48that in the end
00:58:48dinner
00:58:48it's 8
00:58:49I'm going to warn you.
00:58:50to Tete
00:58:50Okay?
00:58:50Okay?
00:59:00Be careful, kid.
00:59:00Where are we going?
00:59:02Enter
00:59:02enter
00:59:02that we're going to see
00:59:03to Tete
00:59:03What's this about?
00:59:08you are welcome
00:59:08It's not about anything
00:59:09I just wanted to chat
00:59:10a little bit with you
00:59:11you already know
00:59:12astrophysics
00:59:12and stuff like that
00:59:13chat?
00:59:15Here in the bathroom?
00:59:15here
00:59:15here
00:59:16Yeah
00:59:16here
00:59:16here in the bathroom
00:59:17in the bathroom
00:59:17come closer
00:59:18come closer
00:59:19still
00:59:20I'm sorry I didn't offer you
00:59:22no drinking
00:59:23But right now
00:59:23dad
00:59:24lighten up, it's about to
00:59:25when Tete arrives
00:59:26Hey?
00:59:26very good
00:59:26Let's get to the point
00:59:27What do you want from Tete?
00:59:29I?
00:59:31nothing
00:59:32nothing
00:59:33I'm going to repeat it to you again
00:59:35What do you want from Tete?
00:59:37a kiss
00:59:38with tongue
00:59:39with tongue
00:59:43Do you want Tete?
00:59:45A kiss with tongue?
00:59:46Like the one you were giving him
00:59:47This afternoon, another girl?
00:59:49I?
00:59:50Yeah
00:59:50Wasn't it me?
00:59:51It wasn't you
00:59:52It wasn't you
00:59:53So it wasn't you?
00:59:54the one who was kissing
00:59:54another girl this afternoon?
00:59:56dad
00:59:56don't worry
00:59:57Don't do what you did with Carlitos.
00:59:59Yes, but Carlitos
01:00:00did not cooperate
01:00:00Carlitos did not cooperate
01:00:02But Richie will collaborate.
01:00:04Right, Richie?
01:00:05Yeah?
01:00:06yes yes yes
01:00:07I will collaborate
01:00:08already
01:00:08This afternoon it will be me
01:00:09I'm truly sorry
01:00:10good
01:00:10I'm going to tell you something
01:00:11in this family
01:00:13We love Tete very much
01:00:14and we don't want to
01:00:15that no one harms him
01:00:16Do you understand?
01:00:18understand
01:00:18good
01:00:19do you understand
01:00:19very good
01:00:20Now you're going to leave the bathroom
01:00:21go downstairs
01:00:22And you get out of this house
01:00:23without her knowing
01:00:24and of course
01:00:24I don't want to see you with her again.
01:00:26Got it?
01:00:27Got it?
01:00:28capichi
01:00:29capichi
01:00:29very good
01:00:30You're a dead man
01:00:39same table
01:00:54same relationships
01:00:55Hey?
01:00:56Yes, yes, same.
01:00:57thank you
01:00:57well in the end
01:01:00This site will have
01:01:01her charm
01:01:02I don't know
01:01:04It gives me a kind of confidence
01:01:06I'm getting chills
01:01:07that?
01:01:09No
01:01:09the air
01:01:09the air
01:01:10It's a little cold
01:01:12already
01:01:13this
01:01:14Let's see, Santiago
01:01:15look
01:01:17that I
01:01:18We need to talk
01:01:19of what happened
01:01:20last night
01:01:21yes yes yes yes
01:01:22Look, I'm going to be
01:01:26sincere
01:01:27I know that's the same
01:01:28well, last night
01:01:30maybe you
01:01:33you misinterpreted
01:01:34my feelings
01:01:35And you thought I
01:01:37Santiago
01:01:39I'm still in love
01:01:40from your brother Francis
01:01:41and I'm not ready
01:01:43still
01:01:43for another relationship
01:01:45careful
01:01:47Be careful, Santiago.
01:01:48take
01:01:48eat bread
01:01:49eat bread
01:01:50Well, that's it.
01:01:53Santiago
01:01:53that
01:01:53that my affection
01:01:56it is therefore
01:01:56the normal one
01:01:57that gives familiarity
01:01:58of so many shared things
01:02:00so
01:02:01the best thing will be
01:02:02Don't get your hopes up.
01:02:03because of what happened last night
01:02:04It's already forgotten
01:02:04and also
01:02:05about the pantry
01:02:06and about the bed
01:02:08Look, let's continue.
01:02:09as
01:02:10as before it happened
01:02:11what should never have happened
01:02:14Okay, and now
01:02:16With your permission I'll go
01:02:18I'm going to the bathroom for a moment.
01:02:20I'll be right back
01:02:23How did it go?
01:02:30has left me
01:02:31Hey?
01:02:34that has left me
01:02:34Grandmother
01:02:35no way
01:02:35has left me
01:02:36fuck
01:02:37bastard
01:02:39my father
01:02:39What happened to you?
01:02:40And I'm going to give it.
01:02:41No, not Yoli, aunt.
01:02:45no
01:02:46which is that it doesn't even
01:02:47has come for dinner
01:02:48He hasn't even called me.
01:02:48or anything
01:02:49You and I don't know anything
01:02:51and touch
01:02:52a lot of tact
01:02:53You have to treat girls well.
01:02:54delicately
01:02:55And don't make fun of me.
01:02:56Leave it to me
01:02:57that we are here
01:03:01those from Atapuerca
01:03:02Can we come in?
01:03:03Yoli
01:03:03I leave you
01:03:04who have come
01:03:05those from Atapuerca
01:03:06Richi
01:03:07Hasn't he come?
01:03:09No
01:03:10probably
01:03:12Something has happened to him
01:03:13no daughter
01:03:14No
01:03:14What's going to happen to him?
01:03:15That will mean...
01:03:17So what is she studying?
01:03:18studying
01:03:19that astronaut thing
01:03:20that he studies
01:03:20because that's what it's for
01:03:21You have to study a lot
01:03:22You have to study a lot
01:03:23for that
01:03:23Guille
01:03:23Okay, well
01:03:24That's eating him alive.
01:03:25Estela's mouth full of it
01:03:26come on
01:03:26that?
01:03:27still
01:03:27But what does it say?
01:03:28Did you normalize it?
01:03:29what are you saying?
01:03:29Let's see what he says.
01:03:30still
01:03:31Okay, okay
01:03:32well no
01:03:32It's not what
01:03:33Tete yes
01:03:34Yes, I've seen it.
01:03:35Yeah
01:03:36I was giving it to him
01:03:37a kiss with tongue
01:03:38and with silly Marita
01:03:39We told you.
01:03:40Tete daughter
01:03:41that's
01:03:42that he's a scoundrel
01:03:43who is a Don Juan
01:03:44which is not pure wheat
01:03:46On top of that, not even
01:03:46The uncle hasn't shown up either
01:03:48Diego
01:03:51that?
01:03:52You didn't tell Richie, did you?
01:03:54He shouldn't come, right?
01:03:55I?
01:03:56not at all
01:03:57man
01:03:57not saying it as a closing statement
01:03:58But maybe the brush thing
01:04:00The mouth has influenced everything
01:04:00that?
01:04:01I can't believe it
01:04:03Diego
01:04:03I don't hate myself
01:04:04I don't hate myself
01:04:05wait
01:04:05wait
01:04:06Please listen to me
01:04:08Listen to me
01:04:09that we did it for your own good
01:04:12oh really
01:04:13that this guy is a scoundrel
01:04:15I'm telling you
01:04:16completely serious
01:04:17and is older
01:04:17And you are very small.
01:04:19and the older ones
01:04:19now that you're small
01:04:21well no
01:04:21but what are they looking for?
01:04:21other kinds of things
01:04:22squirt daughter
01:04:24unseal
01:04:25you'll see
01:04:29We've all had it
01:04:31a first love
01:04:32and a first disappointment
01:04:35but you
01:04:36Don't worry about the boys.
01:04:38because the boys
01:04:39They're all idiots
01:04:40already
01:04:41Oh, I already...
01:04:42You already knew
01:04:43He's so handsome
01:04:45and with the list
01:04:45that you are
01:04:46What are you going to do with the boys?
01:04:47Whatever you want
01:04:48But that's true.
01:04:49Listen to me
01:04:50older
01:04:51I mean
01:04:51in the future
01:04:52Hey?
01:04:53Okay?
01:04:54come
01:04:55a kiss
01:04:55The lizard is crying
01:05:16The lizard is crying
01:05:17the lizard and the female lizard
01:05:19with little white aprons
01:05:22Either you shut up or I'll get you.
01:05:26Hey?
01:05:26What are you going to put in?
01:05:27What are you going to put in?
01:05:28fuck
01:05:28Curro does the favor
01:05:29keep reading
01:05:30Poetry is very beautiful.
01:05:31the lizard
01:05:32She is crying
01:05:34Well, but
01:05:35But who makes costumes like that?
01:05:36and those glasses that
01:05:37Richie is going to kill him
01:05:39Okay, Dad.
01:05:41leave
01:05:42guys please
01:05:44Don't lose sight of me
01:05:44These kids every day
01:05:51They're weirder, aren't they?
01:05:53to work
01:05:53come
01:05:54let's go
01:05:55collect it yourselves
01:05:56I'm in a bit of a hurry
01:05:57see you later
01:05:58Okay
01:05:59Okay, what about Marcos?
01:06:02Do you feel like going to class today?
01:06:04Go to class?
01:06:05Wow, what a question!
01:06:05Because of course not
01:06:06I don't know
01:06:08I thought maybe
01:06:10Did you want to see
01:06:11to the new teacher
01:06:12how have you done it?
01:06:13so intimate
01:06:13so intimate
01:06:15Well, I don't know.
01:06:15goes
01:06:15so intimate
01:06:16man
01:06:19hug your teacher
01:06:20in the bathroom
01:06:21It's quite intimate.
01:06:22Or not?
01:06:24No, I don't know.
01:06:24I
01:06:24well she
01:06:25Well, and you?
01:06:27How are you?
01:06:28how are you
01:06:29How have you been?
01:06:29like who has
01:06:30Who told you that?
01:06:32among them I saw
01:06:32spot
01:06:33I don't know
01:06:36be careful
01:06:37Let's see if
01:06:38You're going to stay
01:06:39hanging
01:06:40hanging
01:06:43But what are you saying?
01:06:44that she was nervous
01:06:44And well, I...
01:06:46by
01:06:46I don't know
01:06:47to console him a little
01:06:48neither
01:06:48Yeah
01:06:48But you like her
01:06:50Right?
01:06:51Come on, confess.
01:06:52do you like it
01:06:52do you like it
01:06:53that I don't like
01:06:54And if I like it
01:06:56so it happens
01:06:57Hey?
01:06:57nothing
01:06:59no problem
01:07:01nothing
01:07:02Give me two of Roque
01:07:07two pork loin
01:07:07two chorizo
01:07:08two beers
01:07:09two red wines
01:07:09two sticks
01:07:10I'm going to give you
01:07:10keep yelling at me
01:07:11What's wrong with him?
01:07:12Uncle Scrooge?
01:07:13Come on Santi
01:07:14It's not that big of a deal.
01:07:15fuck
01:07:15It's not that big of a deal
01:07:17man
01:07:17It's not that big of a deal
01:07:18has left me
01:07:20has left me
01:07:21she to me
01:07:21He knows what I'm saying.
01:07:22that's much better
01:07:23That way you avoid trouble.
01:07:25and you leave her
01:07:25with her feminine pride
01:07:27What female pride!
01:07:28man
01:07:28What female pride!
01:07:29And what about mine?
01:07:30Hey?
01:07:31mine?
01:07:31Is it worthless?
01:07:32No sir.
01:07:33No sir.
01:07:33I will not allow it
01:07:34a lady who takes me out
01:07:35twenty years
01:07:36I let myself go
01:07:37she to me
01:07:37I'm for that lady
01:07:39I'm a little pear
01:07:40sweet
01:07:40a lady who could be
01:07:42my mother
01:07:42And do you know why this is happening to me?
01:07:43because I'm an idiot
01:07:45just for the best
01:07:45My brother asks me to.
01:07:46and now
01:07:47I'm taking the bait
01:07:48You know what I'm saying?
01:07:50I'm going right now.
01:07:51and I'll tell him off.
01:07:52to the old
01:07:53My balls are already swollen
01:07:54let's see
01:07:55Let's see who leaves here
01:07:56Hey?
01:07:56let's see
01:07:57Let's see who leaves here
01:07:58What's gotten into him?
01:08:01not so much
01:08:02Well, it's just that...
01:08:03Santiago thinks
01:08:04advance on Carmen
01:08:05at the moment
01:08:06in that way
01:08:06now my old lady
01:08:07I mean
01:08:08which now turns out
01:08:08that Santi is going to be blamed
01:08:09But it was her.
01:08:11the one that lunged at her neck
01:08:12But that's normal, isn't it?
01:08:13which is normal
01:08:14that the woman
01:08:14She will be in need of affection
01:08:16I say
01:08:16dear
01:08:17Yeah
01:08:18Don't overanalyze feelings
01:08:19that you're missing out on
01:08:20that I won't have feelings
01:08:21Now for analysis?
01:08:22I didn't say I don't have feelings.
01:08:23I'm saying don't analyze feelings
01:08:24What's up, couple?
01:08:25what's happening?
01:08:26well, nothing
01:08:26So now it turns out I'm a lout.
01:08:28that I have no feelings
01:08:29and I can't tell the difference
01:08:29when someone is bullying someone
01:08:31Who is bullying someone?
01:08:32your brother
01:08:33to your mother-in-law
01:08:33and give it to him
01:08:34Damn, it was her.
01:08:35the one who lunged to eat his snout
01:08:37him
01:08:38And it was she too.
01:08:39the one who entered the room
01:08:39with the little pants
01:08:40around the ankles
01:08:41But what are you saying?
01:08:42of the pants
01:08:43And what about the snout?
01:08:43What the hell are you talking about?
01:08:45let's see
01:08:45between your brother
01:08:47and your mother-in-law
01:08:49There's a problem.
01:08:50Diego
01:08:50What's up?
01:08:50topic, yes
01:08:51Where is Santiago?
01:08:53Well, I think I've gone
01:08:54to talk to Carmen for a while
01:08:55to your house
01:08:56believe
01:08:57the mother who gave birth to me
01:08:58Don't pay too much attention to me.
01:08:59Hey?
01:09:00He's a loudmouth.
01:09:01What the hell?
01:09:03Well, the man will have to find out.
01:09:04about what's happening in your house
01:09:05clean
01:09:07clean
01:09:15It's clean
01:09:37You can come in
01:09:38thank you
01:09:39What, are you going to pee on me?
01:10:00no, no, no
01:10:01You're a loudmouth, Guille.
01:10:02Yeah, it's just my personality.
01:10:05And I told you that if you spoke
01:10:06No, please, please
01:10:07No, no, not your face, no, please.
01:10:09we have left an overwhelming
01:10:10that you don't have later
01:10:11because...
01:10:11Oh, son of God!
01:10:12That's what you get for being a jerk
01:10:13And you put the C.A.D. in there
01:10:15wherever it fits
01:10:15that
01:10:16thank you
01:10:25I owe you one
01:10:26already
01:10:26Let's go Estela
01:10:27and however you get up
01:10:37I'll give you another one
01:10:38Hey?
01:10:39so in the end
01:10:40I had to put
01:10:41Oh, by the way
01:10:42until the dismissal
01:10:43It's a new load of crap
01:10:43equal
01:10:44the sword
01:10:44the truth
01:10:45Damn the Godfather
01:10:47because it has given
01:10:48with all the eggs
01:10:51man, Santiago
01:11:05happens
01:11:05happens
01:11:06Would you like a coffee?
01:11:08Or what?
01:11:09No
01:11:09I want to talk to you
01:11:11pass us on
01:11:11sit down
01:11:14Well, you tell me.
01:11:17Well
01:11:19there have been here
01:11:20misunderstanding
01:11:20you can't
01:11:22leave me
01:11:22because there has never been
01:11:23nothing between us
01:11:24I don't know
01:11:25What has been thought of?
01:11:25but I'm with you
01:11:27not even if I were drunk
01:11:28not even in nightmares
01:11:29and equally
01:11:34I confused her
01:11:34because I invited her to dinner
01:11:35But I invited her to dinner
01:11:36because she needed cheering up
01:11:38My brother had left
01:11:39and of course
01:11:41We were worried
01:11:42clear
01:11:42my intention was not
01:11:43Well
01:11:45It's normal.
01:11:46what has happened
01:11:47It's normal.
01:11:48a confusion
01:11:49because
01:11:51because you are alone
01:11:54and
01:11:54that's true
01:11:56Yeah
01:11:56I am very lonely
01:11:58me too
01:11:59I'm also very lonely
01:12:01and loneliness
01:12:03well
01:12:04loneliness
01:12:05at that age
01:12:06It's the worst
01:12:07because
01:12:07one believes
01:12:10things that are not
01:12:11and
01:12:11and makes a fool of himself
01:12:13no, no, no
01:12:15That's normal
01:12:17I mean
01:12:18which is not normal
01:12:19make an ass of oneself
01:12:20The thing is that
01:12:22You remember
01:12:23from my brother Francisco
01:12:24me too
01:12:25as I am his brother
01:12:27No
01:12:27no, no, no
01:12:28Santiago no
01:12:29come on
01:12:31that
01:12:33about the other night
01:12:34what you told me
01:12:35was
01:12:35a charade
01:12:37no, no, no
01:12:38no no
01:12:39I told him
01:12:40really
01:12:41You are a lady
01:12:43a lady
01:12:44from head to toe
01:12:46You are a lady
01:12:48The thing is that
01:12:50He's going through a rough patch
01:12:52over time
01:12:55I
01:12:56in any way I can help you
01:12:58thank you
01:13:02but
01:13:07What the hell
01:13:08What's happening here?
01:13:09nothing, nothing
01:13:10nothing, nothing
01:13:11nothing
01:13:11and the little hand
01:13:12the little hand
01:13:12What does the little hand mean?
01:13:13the little hand
01:13:14Oh my god
01:13:15first my brother Francisco
01:13:16Now you, Santiago.
01:13:17And you, Carmen?
01:13:18really
01:13:18what nerve
01:13:19has
01:13:19what nerve
01:13:20But what have I done?
01:13:20to have a family
01:13:21of degenerates?
01:13:22of degenerates
01:13:23see you tomorrow
01:13:24guys
01:13:24hello
01:13:31that
01:13:33we were here
01:13:34thinking my
01:13:34my buddy and I
01:13:35excellent
01:13:36that you're like that
01:13:37such a teacher
01:13:38Well, open and all that.
01:13:39and that you don't like to give
01:13:40give classes
01:13:41within the four walls
01:13:43are
01:13:43that we could organize
01:13:44a literary gathering
01:13:45every day
01:13:46in the tavern
01:13:47Yeah
01:13:48and come
01:13:49to write
01:13:49verses on napkins
01:13:51No?
01:13:51like they did with the green
01:13:52and these ancient ones
01:13:55Yeah
01:13:55the thing is
01:13:56what we needed
01:13:58It was a
01:13:59a teacher
01:14:00that would stimulate us
01:14:01And you inspire us.
01:14:02But you can't imagine
01:14:03as
01:14:03on an intellectual level
01:14:06I mean
01:14:06what is
01:14:07the stimulus
01:14:08intellectually
01:14:10out
01:14:11now
01:14:12same
01:14:13good
01:14:14What did they want?
01:14:19They were proposing to me
01:14:20literary gatherings
01:14:21man
01:14:21literary gatherings
01:14:23man
01:14:23if you accept
01:14:24the ace and the brand
01:14:25as literature
01:14:25already
01:14:26Hey Raquel
01:14:28you are aware
01:14:30that you look very good
01:14:30No?
01:14:32well
01:14:32Well
01:14:33I don't know why
01:14:35because these kids
01:14:36They are pure testosterone
01:14:37and they testosterone
01:14:39And you're very good.
01:14:40well
01:14:40No?
01:14:41Do you mean my physique
01:14:42It's an obstacle
01:14:42for this profession?
01:14:43No, don't get intense.
01:14:44I want to tell you what's up
01:14:46to these steers
01:14:47I know them
01:14:48as if I had given birth to them
01:14:48well in fact
01:14:49I literally gave birth
01:14:50to one of them
01:14:51to Raúl
01:14:51I don't know
01:14:52And I know that
01:14:53if you shake their hand
01:14:54They eat your arm
01:14:55So please
01:14:56You set the limits.
01:14:57OK?
01:14:58Okay, yes
01:14:59I'll try
01:15:00thank you
01:15:01see you tomorrow
01:15:01see you tomorrow
01:15:02that?
01:15:06how are you today?
01:15:08better
01:15:08better
01:15:09But I have to go
01:15:10Well, forgive me.
01:15:11sorry
01:15:11that yesterday that
01:15:14I just wanted to know
01:15:15Why did you leave me?
01:15:16a little worried
01:15:17Forget about yesterday
01:15:19as if nothing had happened
01:15:20It was a low moment
01:15:22Period.
01:15:22I am the teacher
01:15:24And you, the student
01:15:25anyway
01:15:28thank you
01:15:29cool dude
01:15:42Pass it on now
01:15:43Joe
01:15:43pass it on
01:15:44Joe
01:15:45Look, look
01:15:46that pacifier I had
01:15:47marks that you already have of yourself
01:15:47What does the kid say?
01:15:48no, you're not playing.
01:15:49Hey, dude?
01:15:50Okay, okay, okay
01:15:51Okay, fine, right?
01:15:53Can I watch the game?
01:15:54man
01:15:54Marcos
01:15:56Marcos
01:15:56Do me a favor
01:15:57Come on, pick this up.
01:15:58It's very late.
01:15:58Joe, Dad
01:15:59I passed
01:15:59Come on, no, not even dad
01:16:00or anything
01:16:01Come on, pick it up.
01:16:02And everyone go to sleep
01:16:02come
01:16:03come on
01:16:03come on
01:16:05Oh, I don't have to pick up
01:16:06Hey, Santi
01:16:08that I was thinking
01:16:08in the previous thing
01:16:09and that's normal
01:16:10that you got angry
01:16:11I haven't paid myself
01:16:13about what?
01:16:14man, who
01:16:14I mean that
01:16:15excellent
01:16:16that I have no right
01:16:17nor to spy on you
01:16:18nor to audit you
01:16:19In other words,
01:16:19come on, the fact
01:16:20that you get angry
01:16:21which is normal
01:16:21But what are you talking about?
01:16:22well then
01:16:23excellent
01:16:24whatever happened
01:16:26between my mother-in-law and you
01:16:27Well, then
01:16:28that's your business
01:16:29that you don't have to give me explanations
01:16:30I mean
01:16:31I mean
01:16:31with grandma
01:16:32Nothing has happened
01:16:33What's going to happen to Grandma?
01:16:35come on
01:16:35What I want to tell you, Santi
01:16:36It's because you're adults.
01:16:37and that you know
01:16:37I mean
01:16:38whatever you have done
01:16:40I think it's great.
01:16:41that seems very good to me
01:16:42and for
01:16:42Pass it on, you idiot.
01:16:43Hey man, just move on.
01:16:44We haven't done anything
01:16:45What are we going to do?
01:16:46Santi, for God's sake, man
01:16:47I saw you with your silly little hand
01:16:49What little hand, man?
01:16:50What little hand, what nonsense?
01:16:51But you tell me
01:16:51from the kissing in the Chinese
01:16:52and his pants down
01:16:53I haven't made out.
01:16:54I haven't even taken my pants down
01:16:55When you've dropped your pants, dude
01:16:57Never, son, never.
01:16:58What did you say, Curro?
01:16:59nothing
01:17:00the uncle
01:17:00who has kissed
01:17:02with his pants down
01:17:03Don't tell me
01:17:04I mean, dude, you've succeeded
01:17:05So, was it good or not?
01:17:06Okay, fine, that's nonsense, man
01:17:08I haven't told myself
01:17:08life upside down
01:17:14You see what it is
01:17:16And while I have you in my head
01:17:20always thinking of you
01:17:22and count to three
01:17:24and you never know
01:17:26what happens
01:17:28life upside down
01:17:30thinking with your feet
01:17:32and while dancing
01:17:34with the ideas
01:17:36laugh for yourself
01:17:38cry
01:17:39because I am
01:17:40in a mess
01:17:43that you wouldn't believe
01:17:45life upside down
01:17:47life upside down
01:18:06the past
01:18:28what happens
01:18:28what happens
01:18:30what happens
01:18:32Thank you.
01:19:02Dude, come on, pass it already, man, pass it!
01:19:11Wow!
01:19:11Look, look, that guy sucked more than you, Marcos, which is saying something...
01:19:14What are you saying, kid?
01:19:14You're not playing, are you, Nando?
01:19:16Okay, okay, okay, okay, that's it, huh?
01:19:19Let me watch the game, man.
01:19:22Marcos, Marcos, come on, pick this up, it's very late.
01:19:24Oh, Dad, I'll pass!
01:19:26Come on, no, not dad or anything, come on, everyone tidy up and go to sleep, come on.
01:19:29Come on!
01:19:30Come on!
01:19:31Oh, I don't have to pick one up!
01:19:32Hey, Santi, I was thinking about what happened earlier and it's normal that you got angry.
01:19:38I haven't paid myself. For what?
01:19:40Look, I mean, well, I don't have any right to spy on you or monitor you, so, come on, the fact that you're angry is normal.
01:19:48What are you talking about?
01:19:49Well, whatever happened between you and my mother-in-law, well, that's your business, you don't have to explain yourself to me, I mean...
01:19:58Has nothing happened to Grandma? What's going to happen to Grandma?
01:20:00Come on, what I want to tell you, Santi, is that you're adults and you know what you're doing, so whatever you've done is fine by me, I think it's great.
01:20:08Get in there, you idiot! Get in there!
01:20:10We haven't done anything, what are we going to do?
01:20:13Santi, for God's sake, man, I saw you with your silly little hand, like...
01:20:15Why the "little hand," man? What "little hand" are you talking about? What have I done to you?
01:20:17But you're telling me about the make-out session in the Chinese restaurant and the pants being down.
01:20:19I didn't make out with anyone or pull my pants down.
01:20:21When did you drop your pants, dude?
01:20:23Never, son, never.
01:20:24What did you say, Curro?
01:20:26Nothing, the guy, he was making out with his pants down.
01:20:30Don't tell me, like, dude, you've really made it, like...
01:20:31Was she hot or not?
01:20:33Life turned upside down, you see what it is
01:20:42And while I have you on my mind
01:20:46Always thinking of you and counting to three
01:20:50And never knowing what's happening
01:20:54Life upside down, thinking with your feet
01:20:58And while dancing with the ideas
01:21:03Laugh for yourself, cry for no reason at all
01:21:06He's in a real mess, you wouldn't believe it.
01:21:11Life in reverse
01:21:13Life in reverse
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