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Eva parece tener un futuro prometedor en los estudios, mientras que en el caso de Marcos el panorama está menos claro. El hijo de Diego sueña con ser cantante y se pasa las horas componiendo, algo que pone bastante nervioso a su padre. Marcos recibe la llamada de una discográfica; cuando acude a la cita coincide en la sala de espera con Miguel Ríos, quien intenta darle sus mejores consejos. Santiago ya está cansado de estar solo y decide conocer a alguna mujer a través de los anuncios de contactos de los periódicos. Cuando sus amigos se enteran de lo que está haciendo, le preparan una cita a ciegas con Lourditas, la profesora de religión del colegio. En un principio no parece muy entusiasmado con la encerrona, pero decide volver a citarse con su nueva amiga.Lucía y Diego sienten que no tienen intimidad para estar juntos. A él se le ocurre ir al lugar donde solían acudir las parejas con sus coches cuando eran jóvenes. Para su sorpresa, Lucía le dice que ella no ha estado nunca allí, por lo que su mujer entiende que debió visitar el sitio con otra chica. A partir de este momento Lucía no descansará hasta saber quién era ella y no dudará en interrogar a quien haga falta para averiguarlo. Guille convence a Boliche de que le gusta a Teté. A partir de ese momento el chico se esfuerza por conquistarla. En un principio la hija pequeña de Lucía no entiende nada, pero cuando se entera de que todo responde a una gamberrada de su nuevo hermano, decide seguirle el juego.

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00:00:00When you're little, everyone tells you what's right and what's wrong.
00:00:13That's called education.
00:00:14Last time, work.
00:00:16Were you the one who painted the wall?
00:00:18No, Dad, I promise you I won't continue.
00:00:21Sure?
00:00:22Yes, absolutely.
00:00:26Give me what you have back there.
00:00:30Lying is wrong. If you do it, they get angry and punish you.
00:00:34Curro, take it.
00:00:38Yes, tell me.
00:00:41Dad, put the insurance one in.
00:00:43No, say I'm not here, say I'm not here.
00:00:48What, I'm not there?
00:00:50My father says he's not here.
00:00:53The mother who...
00:00:54But, but, but, you, you silly boy. Come on, the wheel here, the wheel outside.
00:00:57And telling the truth is wrong too.
00:01:00If you do that, they get angry and punish you.
00:01:02There's no understanding older people.
00:01:05In this family, everyone has secrets.
00:01:08And so that they don't get discovered, they sell.
00:01:10But they won't let you do it.
00:01:13Correct.
00:01:13Hello.
00:01:15Look, it's turned on and I don't know how it turned on.
00:01:18Don't say anything, okay?
00:01:19Because I'm also quitting.
00:01:20What's more.
00:01:22I've already quit, look.
00:01:23Now, that's it.
00:01:24Come on, go play on the porch.
00:01:25Run, run, to the porch.
00:01:31Medium temperature, yes.
00:01:33Strong compression, of course.
00:01:34Yes, yes, yes.
00:01:35Of course, of course.
00:01:36Serious intentions.
00:01:39Yes, wine, yes.
00:01:41Three boxes, of course.
00:01:43But, kid, what are you doing here?
00:01:45Come on, go play in the room.
00:01:46Come on, go play in the room.
00:01:55My brother Marco hides to rehearse because he says he's an artist.
00:02:00My father says yes, he is an artist, but of shirking his responsibilities.
00:02:05"Escarar" means always feeling the urge to go to the bathroom when it's time to take out the trash.
00:02:10Get out of here, of course.
00:02:11And don't say anything, okay?
00:02:12I love you all.
00:02:16I love you all.
00:02:19My brother Guille also hides with his friends to study.
00:02:23Guille says that the key to success is knowing how to handle information.
00:02:27So, what I've learned is that grown-ups are always telling you that you have to
00:02:34They tell the truth, but they always do the opposite.
00:02:37So it's best not to give it too much thought, because telling the truth can be very...
00:02:41dangerous.
00:02:44On a station platform, under the blazing sun, you were talking about a skyscraper
00:02:50from the sky of New York.
00:02:51Come soon to see the sea and send a postcard.
00:02:55I already knew that day was the end.
00:02:59Now I have much more.
00:03:03Red, black, stop and even.
00:03:05Finally, luck brings an ace, a crystal to look through, and a wall to hang it on.
00:03:10Seven smiling faces in a passport photo.
00:03:14My stories were not about tales made by chance.
00:03:18Nobody told me that destiny was giving me this opportunity.
00:03:27One plus one equals seven.
00:03:30Who would have thought?
00:03:35It was so easy to be happy.
00:03:38Dad?
00:03:50Work!
00:03:50Work!
00:03:51Curro, we're sleeping.
00:03:53How many times have I told you to knock before entering?
00:03:57Guille keeps saying there are dead people in the room and it's scaring me.
00:04:00Guille, don't scare your brother!
00:04:02Go on, son, go to bed, it's already dark.
00:04:05Well, we have to go to school tomorrow, right?
00:04:09I didn't care for myself!
00:04:13Dad!
00:04:13Who's saying there are mutants in the room?
00:04:16With a tip-off!
00:04:17Guille, Guille, I'm getting up, I'm getting up.
00:04:18But I'm just making a strawberry.
00:04:21Will you please stop bothering me?
00:04:22You can't sleep in this house, don't you understand?
00:04:24Come on, close the door immediately, close it.
00:04:26I was telling him.
00:04:28Tiny.
00:04:28Sorry, Mom, but you can't sleep here.
00:04:34But you've seen them wearing them like that since noon.
00:04:36Miñata, snitch!
00:04:37Do you see it?
00:04:37Okay, honey, that's it.
00:04:39You won't shut up!
00:04:40Okay, okay, okay, okay, okay, okay?
00:04:43Silence!
00:04:48Damn, this looks like a kid pointing a gun at me, how awful.
00:04:51What if we leave it for tomorrow?
00:04:54No, don't put off until tomorrow what you can do today.
00:04:56Hey, listen, why don't we get away for a weekend, just you and me, huh?
00:05:02With no responsibilities, we just hop in the car and off we go!
00:05:04By slingshot.
00:05:05Do you remember when we used to do it?
00:05:07Yes, yes, I remember.
00:05:08I remember, I remember, I remember.
00:05:10We were crazy, weren't we?
00:05:12Yeah.
00:05:13So, what you really want to do is something crazy.
00:05:18Well, you know, I think I have what we need.
00:05:20A little bit of passion, a little bit of adventure.
00:05:23But come on, no need to make a big deal out of it, just tell me where you're taking me.
00:05:27What a surprise, a real surprise given the times.
00:05:30Let me guess.
00:05:31So, to a romantic restaurant?
00:05:33Well, there it is, not at this hour.
00:05:34A lot, a lot, a lot.
00:05:39Okay, that's it, we've arrived.
00:05:41Are you ready?
00:05:42Let's see.
00:05:42What a beautiful place, it's...
00:06:00Hey?
00:06:01Alright?
00:06:02Clear.
00:06:04What's going to happen, fireworks or what?
00:06:06But, like, don't you remember?
00:06:07Summer of '83.
00:06:09In my brother Santiago's 127.
00:06:13Don't you remember?
00:06:14It's the first time we've done it.
00:06:17This is the first time that...
00:06:20Here?
00:06:21Yeah.
00:06:22Yeah.
00:06:25I mean, honey, I've never been here in my life.
00:06:26And the first time we did it, I assure you it wasn't here.
00:06:32At least mine.
00:06:34Because I do remember.
00:06:35No, no, no, no, no.
00:07:05Send money for the study trip.
00:07:07Hey, he's finally doing something for you.
00:07:09Mom, that's the fundraising party tonight.
00:07:11You'll give me something, won't you?
00:07:13To pay, I mean.
00:07:15And thank God, I've already received the results of the psychological orientation test.
00:07:19Let's see.
00:07:22Do you have that one, Marcos?
00:07:24Yes, yes, I was going to give it to you now.
00:07:28Yes, this is it.
00:07:29Marcos Serrano has good artistic and creative skills.
00:07:35Very good.
00:07:37And difficulty in taking responsibility.
00:07:40Very badly.
00:07:40Yes, it's just that last part...
00:07:43But I have...
00:07:43But you already have an artist at home, I already told you, Dad.
00:07:46What does Eva say?
00:07:47The same.
00:07:48Yes, more or less like that.
00:07:49Can I have it, please?
00:07:50Yes, it's the same, Diego.
00:07:51Please.
00:07:51Eva Cardevila is qualified to study any career.
00:07:58Great.
00:07:59He has good language skills and a high level of commitment and responsibility.
00:08:03Well, it's not exactly the same.
00:08:07I mean, Marcos, come on, you have to try a little harder.
00:08:09Because artistic sensitivity and all that is very good.
00:08:11But first you build a career and then you write little songs, okay?
00:08:14Well, I'm not good at studying, but I have other qualities.
00:08:16What do you mean you're not good at studying?
00:08:17No, no, sorry, Marcos.
00:08:19Effort, perseverance, and effort.
00:08:20And stop playing the little guitar so much, he hasn't kept the little guitar.
00:08:23All day with the little guitar.
00:08:24Well, if he earns a living like Bisbal, that's not bad either.
00:08:28Let's see, Santiago.
00:08:30Santiago, don't fill his head with any more nonsense.
00:08:32What I want to tell this kid is that, since he doesn't study, he's going to be a miserable wretch like us.
00:08:36We haven't studied anything.
00:08:37And it's a shame, man, it's a shame that he's a wretch.
00:08:39Hey, you're the one who's a wretch.
00:08:40Let's see if I get into trouble for saying what I think.
00:08:44Dad, I'm composing and I like music.
00:08:47And the test says so, I mean, I'm good at it.
00:08:49No, sorry, what the test says is that you have difficulty taking responsibility.
00:08:53In other words, translated that means you're lazy.
00:08:57Diego, you're going too far.
00:08:58Being a musician is like any other profession, okay?
00:09:00Yes, yes, and it's great.
00:09:02But now he's into music, another day he'll be into canoeing.
00:09:05The thing that doesn't suit him is passing grades.
00:09:06And on top of that, he's asking me for money.
00:09:07No, Marcos, effort, effort.
00:09:10When someone discovers my deep understanding of recording and I succeed, you'll still be cutting ham and serving beers with great effort, Dad.
00:09:18Hey, Marcos, I won't let you talk to me like that, okay?
00:09:20I won't allow you to speak to me like that.
00:09:21I'm going to tell you something.
00:09:22I set up that business all by myself.
00:09:23And that business is what allows you to have a hot meal here all day long.
00:09:26Do you understand?
00:09:26But what do you mean, all by yourself?
00:09:28What do you mean, all by yourself?
00:09:29First you call me a wretch and now you take all the credit.
00:09:32Well, now I'm going and leaving.
00:09:34Well, go away, man, go away and stop adding annotations, you're always adding annotations, damn it.
00:09:37Well, go ahead, you.
00:09:38Look, Dad, I see things differently, so I'm ignoring your advice and your story.
00:09:41No, no, wait, listen to me.
00:09:42No, no, you're not going to ignore my little tips.
00:09:44I'm going to tell you something.
00:09:44I am your father.
00:09:45And while you're under this roof, I'm the one in charge here.
00:09:47And what I say goes.
00:09:48Period.
00:09:49And now that I'm leaving, it's me.
00:09:50Take.
00:09:54Okay, do you want to think about it?
00:09:55Because this is madness and nonsense, Marcos, man.
00:09:58What? What's going on here?
00:09:59Nothing, Marcos had a fight with his dad and ran away from home.
00:10:03Well, he hasn't gone very far, has he?
00:10:05You're so stubborn there.
00:10:07Under my roof, under my roof, because I am no longer under his roof.
00:10:10Now I do whatever I want.
00:10:13And you.
00:10:14Are you going to spend the night here?
00:10:15Yes, that's because it doesn't breathe very well.
00:10:17So don't worry, he's more than over the foot smell.
00:10:20Oh, sorry.
00:10:22Marcos, maybe you haven't thought about the mess that could happen if your father comes, because it could get really messy.
00:10:25Well, let him do whatever he wants.
00:10:26Look, I'm not leaving here.
00:10:28That's it.
00:10:29How cool!
00:10:29Can I come live in Marcos's shop?
00:10:31No.
00:10:32But what's going on?
00:10:33Don't you have school today?
00:10:34Come on, right.
00:10:35Come on.
00:10:35Let's get our backpacks.
00:10:37Marcos, please start taking down the tent, okay?
00:10:39Come on.
00:10:39Guillermo, open up, I'm a bowling alley.
00:10:43When it opens before it eats the door.
00:10:45Don't mess with my friends, Cristina.
00:10:48That brown beast.
00:10:49Don't keep doing this when you're older, put on the one you have to put up with.
00:10:52The old woman is going to find out.
00:10:53Damn it, get out of here!
00:10:55Fuck!
00:10:55Fuck!
00:10:57The fart route, the fart route!
00:10:59Come on, come on!
00:11:00The fart route.
00:11:03Have you seen how well he does it?
00:11:04Oh, yes, let's go.
00:11:05It's a barbaric thing.
00:11:07Be careful, don't get caught in the door.
00:11:09Come on, work.
00:11:14That girl is beautiful in the morning.
00:11:15Good morning, next door.
00:11:16Oh!
00:11:17Santiago, half a ham and a beer.
00:11:20Well.
00:11:25One moment.
00:11:26Paquillo, Paquillo.
00:11:28You put it in, I'm taking care of some things.
00:11:32Good morning.
00:11:33And this one?
00:11:34What's wrong with him today?
00:11:35He's been messing around with his mobile phone all morning.
00:11:38Take.
00:11:39Your little coffee.
00:11:40That?
00:11:41Take it away, take it away.
00:11:41But I asked you for a beer.
00:11:43Sorry, guys.
00:11:44I'm just not focused.
00:11:45I'm not focused.
00:11:45Okay, I'll tell myself.
00:11:46Today it passes to the mountain people.
00:11:47You're here, you're not here.
00:11:49I also had a row with the kid today, with Marcos.
00:11:52And then Lucia, well...
00:11:54Oh, don't tell me any more.
00:11:56First fling with my partner.
00:12:01Nothing, Citi, I'm feeling stupid.
00:12:03So, yesterday I decided to watch adventures.
00:12:05And I took her to where we did it the first time.
00:12:08Let's go.
00:12:09He's a romantic.
00:12:10Romantic?
00:12:11Not romantic or anything like that.
00:12:12I screwed up, I really screwed up.
00:12:14What happened?
00:12:14Was the first experience a failure or what?
00:12:17Hey, Paquillo, why don't you go somewhere else?
00:12:18Hey?
00:12:19Why don't you go somewhere else?
00:12:19Can you take a short walk?
00:12:20I'm leaving, I'm leaving.
00:12:22Well, you remember the Moro's vacant lot, right?
00:12:24Well, I thought the first time we did it was there.
00:12:27Well, it turns out it wasn't there.
00:12:29What are you telling me?
00:12:30You're in the wrong place.
00:12:32Yes, I know.
00:12:33You have to be, you have to be a hick.
00:12:35It helps me avoid making a mistake, doesn't it?
00:12:36Sorry.
00:12:37Make me a coffee.
00:12:37Ah, I'm waiting.
00:12:38With milk.
00:12:39No, no, no, no.
00:12:40If the intention is what matters, Diego.
00:12:41Well, man, he's really screwed up.
00:12:45She just got married and made a huge mistake.
00:12:49No, look, man.
00:12:51Next to him, a torrent, George Clooney.
00:12:52Yeah, well, I'm like Candela and they break my legs.
00:12:55I can't get it out of my head.
00:12:56She's going to think I'm insensitive.
00:12:59No, if that's the case, you'll see, like Lucia, she's already forgotten about that.
00:13:03How could he have forgotten where we did it for the first time?
00:13:06With all the hype surrounding it?
00:13:07My dear friend, all men are jerks, don't you know that?
00:13:10Anyway, it doesn't surprise me that he took you there, does it?
00:13:13I think the whole neighborhood has gone through that vacant lot to get their license with the 127.
00:13:17Well, everyone except me, because if I get pregnant in a theory class.
00:13:20And who took him to that place?
00:13:21Hey?
00:13:21What have you mistaken me for?
00:13:23Because, come on, it would have to mean a lot to him for me to be confused with that one.
00:13:26Lucia, meaning, for the love of God.
00:13:28We were 18 years old, a fling, it's nonsense.
00:13:30Bullshit, Candela, bullshit.
00:13:32Do you remember second grade?
00:13:33When I was convinced that Diego had tricked me.
00:13:35Well, there you have it.
00:13:36Or forget about it, huh?
00:13:37You went crazy, crazy, crazy.
00:13:39You're so jealous, you're giving me a fright.
00:13:41That's not it, that's not it.
00:13:43I just can't stand the pension.
00:13:45I won't go there.
00:13:46Look, that slut he took to the vacant lot, I still don't know who she is.
00:13:50Oh, Lucia, what does it matter?
00:13:52Well, maybe one that was wandering around loose, maybe one that she found, I don't know.
00:13:55The bakery, which I believe was for communal use.
00:13:57Or Loli.
00:13:58Do you remember that one?
00:13:59That your panties would fall down as soon as the music started.
00:14:01The Loli.
00:14:02Yes, I remember, I pretended to be your friend and then I screwed you over.
00:14:05Well, married to a minister, you knew that.
00:14:07Well, he left.
00:14:07But I'm going to find out, okay?
00:14:09Look, there's a way God finds out, Candela.
00:14:11Come on, what's my name, Lucia?
00:14:13Leave it, don't overthink it.
00:14:14You're going to have to do some digging to get anything out of all that.
00:14:17And why hasn't Diego told me anything?
00:14:19Because there's something, there's something behind it.
00:14:21Look, I'm leaving you.
00:14:22Because the party is tonight and I haven't done anything to these vandals.
00:14:24I just don't think he's going to find the joke funny at all.
00:14:30Yeah, dude, you'll see the face of my new little sister's snobbishness.
00:14:32You'll see, okay?
00:14:33Sure?
00:14:33Yeah.
00:14:34Here it comes, here it comes.
00:14:36Obvious.
00:14:37Who would have thought this kid would have sex appeal?
00:14:40Who are you talking about?
00:14:40Nobody's, huh?
00:14:41No.
00:14:42What do you mean, nobody?
00:14:42Okay, tell him.
00:14:44It's not fair to treat him like this, is it?
00:14:46Already.
00:14:46What do you have to tell me?
00:14:48Jack.
00:14:48That?
00:14:49I have bad news for you.
00:14:51Well, I've been reading Tete's diary and...
00:14:53And?
00:14:56What does the male like?
00:14:58Ana, come on, what do you like?
00:14:59Tete is for you.
00:15:00Ana, come here.
00:15:00Place.
00:15:01Place.
00:15:03You look.
00:15:04Look, look.
00:15:14Do you see it?
00:15:16Uncle.
00:15:17Tete is crazy, kid.
00:15:18That?
00:15:23And this?
00:15:29Well...
00:15:29What's happening?
00:15:29Has Baez's boyfriend arrived?
00:15:31The singer-songwriter.
00:15:32No, no, no.
00:15:33He's not a singer-songwriter.
00:15:34Ah.
00:15:34He's your son.
00:15:35Cops.
00:15:36That?
00:15:36Well, it's because this morning you told him that you knew what he was going to say while
00:15:40It was under your roof, but it's no longer under your roof.
00:15:45It fits me...
00:15:46You need to talk to him calmly.
00:15:50So you come in, sit me down, and you talk to the adults.
00:15:55Okay?
00:15:56Yeah.
00:15:57Okay.
00:15:58From inside, I sit down and talk to him calmly, and to the adults too.
00:16:01Take your time.
00:16:02That is.
00:16:03Peaceful.
00:16:03Peaceful.
00:16:10Marcos, is it possible?
00:16:12Was it really that easy?
00:16:13Yeah.
00:16:18Fuck.
00:16:19Get out now!
00:16:23That?
00:16:25Is he resisting?
00:16:26Yeah.
00:16:28Already.
00:16:28Hey, Marcos, I came here to smoke the peace pipe, okay?
00:16:35Okay, listen to me, listen to me for a second.
00:16:37Listen to me.
00:16:38Hey, don't you think this whole rebel thing is a bit outdated?
00:16:44Because I also had these outbursts, but the problem is that my father had the
00:16:47a little long hand.
00:16:50And by the way, you should air things out because Grandma's mess here is awful, come on.
00:16:53Well, I'm doing very well, Dad, and I don't plan on coming back.
00:16:57You see, Marcos, I'm a patient guy.
00:17:00Very patient.
00:17:01And I understand you, damn it.
00:17:02I understand you.
00:17:03But, of course, I don't know why you suddenly decided to be like this all day
00:17:07acting silly with the music.
00:17:10Marcos, I'm telling you this because you have other responsibilities.
00:17:13It's June, it's the end of the league.
00:17:16Football, your teammates, the matches, now come the toughest ones.
00:17:19We're broke, remember, and another very important thing is the exams.
00:17:22Because we're at the end of the school year, and now the exams are coming.
00:17:25Marcos, try to prove something, man, in my favor.
00:17:27Please, Dad, I understand your concern, but I don't want you to trust me, because
00:17:35I'm going to fight for what I believe in and I'm going to put all my effort into it, okay?
00:17:40Sure, sure, sure.
00:17:42In what?
00:17:45Is this it?
00:17:46Yeah.
00:17:47Well, it's a demo with some songs I've composed, and they're good, Dad, I've...
00:17:52It's been cured a lot, and well, I've sent it to several record labels.
00:17:56Oh, so you've sent it to several record labels, I mean.
00:17:59Yes, because...
00:18:00Are you stupid or what's wrong with you?
00:18:01I mean, do you really think life is like The Price on Triumph?
00:18:04So, by sending a booth with some demos to a record label, you're going to become
00:18:07a famous uncle?
00:18:08But you, you, look, look, Marcos, seriously, stop with the nonsense, okay?
00:18:12Dad, dad, what are you going to do?
00:18:14But hey, you're already ruining my whole setup, aren't you?
00:18:16Already!
00:18:17But hey, he almost wrecked my shop.
00:18:19You can take down the store right now because I feel like it, and because I paid for it.
00:18:23But he gave it to me as a gift, and that's it.
00:18:25Yeah, well, well, it doesn't matter, because it's in my Porsche, you understand?
00:18:27It's in my Porsche.
00:18:30Good.
00:18:32Besides, it's so nice and cool that I want to put up my hammock so I can read my newspaper.
00:18:37A mechanic... basic mechanics.
00:18:48Once you've seen one engine, you've seen them all.
00:18:50Fiti, Fiti, why don't you leave it?
00:18:51Because you're going to ruin it, just leave it, do nothing.
00:18:53I won't go to carry the little one, Fiti will fix it for you.
00:18:57Just one then, right?
00:18:58But what if the machine isn't there?
00:18:59Wait.
00:19:01Piego, how about a coffee now?
00:19:02Wait a second, Fiti's here to see if he can finish it.
00:19:05Okay.
00:19:05Hey, Fiti, did you see it?
00:19:09The coffee maker, huh?
00:19:10Nothing, just enough, just enough.
00:19:11Hey, it was great to see you guys and I'm like, wow, what great friends, huh?
00:19:15That you are.
00:19:16Since you've had a pacifier, at least.
00:19:17At least, yes.
00:19:18And the beatings you've taken.
00:19:21I can imagine them.
00:19:23Hey, and so, just between us.
00:19:27Do you know if Diego had a fling when we were dating?
00:19:30When we were young, huh?
00:19:31Something like that, temporary.
00:19:33A fling?
00:19:34Let me think.
00:19:36No.
00:19:38Come on.
00:19:40Yes, yes.
00:19:40He owes it.
00:19:42That we're friends.
00:19:43Some would be taken to the monkey's wasteland, wouldn't they?
00:19:45The monkey's wasteland?
00:19:46Let me think.
00:19:47No.
00:19:48Come on, Fiti, I'm going fishing.
00:19:49Uh, no.
00:19:53Let me think.
00:19:54I'm going to tell Santiago that I don't have it.
00:19:56Spi!
00:19:58Middle Father.
00:19:59Fan of gastronomy and sports.
00:20:02What are you looking at?
00:20:03This is a private conversation.
00:20:04Okay, okay.
00:20:05Forgive me, forgive me.
00:20:07What about me?
00:20:08Who have I been with?
00:20:09I don't know.
00:20:10It's been going on all day, and he keeps hitting you.
00:20:11Diego, Diego.
00:20:13Have you seen this?
00:20:16Look.
00:20:17Asturian.
00:20:18Middle-aged.
00:20:19Good-looking.
00:20:21She likes cooking, walking, and reading.
00:20:23She wants to meet a middle-aged man for a serious relationship.
00:20:27I can't believe the contact light came on.
00:20:31She says she's average size.
00:20:33Half a size, I'd say, right?
00:20:34This one, this one.
00:20:35The woman from Asturias.
00:20:36Yes, the Asturian one.
00:20:36Not bad, is it?
00:20:37Look, look.
00:20:37He says he's middle-aged.
00:20:38Good-looking.
00:20:40Formal relationship.
00:20:41Even the typical one, a fat woman sat down who wants to snag the first sucker to marry him.
00:20:45And you, what do you know?
00:20:47That it's my fault, that's perfectly clear.
00:20:49So, since I got married, I haven't been doing it enough, have I?
00:20:52Okay, come on, Diego, I think that's all I needed.
00:20:54Don't say that, will you?
00:20:54Yes, Lucia, yes, yes.
00:20:56But let's see, last week, if he was gay.
00:20:58This week, those from the contacts are making calls for attention.
00:21:01No, look, she's very lonely.
00:21:02He's very lonely, and since I'm not there, well, he's very lonely.
00:21:04What is clear is that I need a woman.
00:21:08Do you know of any?
00:21:09Oh!
00:21:09No, not the baker, Feti.
00:21:12That.
00:21:13Well, he must have had a girlfriend at some point, right?
00:21:15Clear.
00:21:15I don't know.
00:21:16Who did you do it with the first time?
00:21:18I don't agree.
00:21:20That's not the problem.
00:21:21The problem is that finding a girlfriend is very difficult for Santiago.
00:21:23A woman is very complicated.
00:21:25She must be a very honest woman.
00:21:28Let it be, well, not too ugly.
00:21:30Good people.
00:21:31It's complicated.
00:21:32Well, the truth is that life is very difficult, because to put up with your brother you have to be a saint.
00:21:36I'm telling you.
00:21:37A saint.
00:21:39We have one.
00:21:41Then God took a handful of mud.
00:21:45And what did he do?
00:21:46A mess!
00:21:47Ah!
00:21:48No!
00:21:50He created man.
00:21:52And then he took one of the man's ribs.
00:21:55And what did God do?
00:21:56An order.
00:21:56That?
00:21:56Ah!
00:21:57Pay a little attention, because I already explained this.
00:22:02So, let's see, let's repeat it.
00:22:04God the Father.
00:22:05Auntie, your brother is acting really strange.
00:22:07Look at it like it's a mortadella sandwich.
00:22:09I think she's with someone.
00:22:12Yes, well, she takes it with me, of course.
00:22:13Because I'm not interested.
00:22:15Come on.
00:22:16It's not because he's a little chubby.
00:22:19No no.
00:22:20It's because...
00:22:21Look, right now I'm not into relationships, you know?
00:22:23I don't feel like it.
00:22:24The social world is not a creation of God.
00:22:27How lucky to be able to choose.
00:22:31But she's crazy about you.
00:22:33Look at the way he's looking at you.
00:22:34Why would she be crazy about me?
00:22:35Clear.
00:22:36There's something about you that captivates her.
00:22:39Look, look.
00:22:39What did he tell you before?
00:22:40What did he tell me?
00:22:41The shirt looked terrible on me.
00:22:43And that she change her hairstyle.
00:22:44See?
00:22:45There's the very one who's undeniably fallen in love with you.
00:22:47Listen.
00:22:48Look.
00:22:48If a woman wants to change a man, it's because she loves him.
00:22:51Now they think that if you don't like it, I tell them to stop bothering you.
00:22:54No, no, no, no.
00:22:55If it doesn't bother me, then no.
00:22:56How are you?
00:22:56So, how about that?
00:22:58We are, therefore, brothers.
00:23:02Let's see.
00:23:03Take it easy!
00:23:04Take it easy!
00:23:05And don't forget that Jesus is one of us.
00:23:08And it rolls up.
00:23:09Hey?
00:23:09Hey, Lourdes, do you have anything to do tonight?
00:23:13Well, no, the rest...
00:23:14Yes, that's right.
00:23:18Hello.
00:23:19Hello.
00:23:20To the.
00:23:21To the.
00:23:22Your apartment is beautiful.
00:23:23Did you decorate it yourself?
00:23:25Yes, you see, a couple of things from the flea market.
00:23:28It's the office.
00:23:30I have two bathrooms, easy.
00:23:31Since you never invite me over for dinner, I've brought you dinner.
00:23:34Let's see if that's the case.
00:23:34Thank you.
00:23:37How's everything going in there?
00:23:39Well, you're going to miss out on a sight.
00:23:42You know that they've arranged a blind date for Santiago with the religion teacher.
00:23:45Oh really?
00:23:47But what do they want to do?
00:23:48Not the hidden camera?
00:23:49I don't know.
00:23:50I don't know.
00:23:50This is a...
00:23:53This one is very pretty.
00:23:56Well, yes, because of the party and all that.
00:23:59I don't know, let's see if I can get lucky.
00:24:01Clear.
00:24:02Aren't you coming?
00:24:03Yes, well, I was trying...
00:24:07finish a song.
00:24:10I've heard you're sending demos to record labels?
00:24:13Yes, four songs that I composed and...
00:24:15Let's try it, but...
00:24:16A bit...
00:24:18Your father has a good eye for sketching, huh?
00:24:22Between the shop, the music...
00:24:24Why don't you talk to him?
00:24:26We've already talked about everything that needed to be talked about.
00:24:30Marcos, I think you have a point, but so does he.
00:24:35I don't know, he admits that this whole charade is a...
00:24:38A little childish, isn't it?
00:24:40What are you missing?
00:24:41Chain yourself to the gate with a banner, kid.
00:24:45It's very easy to give advice when...
00:24:46when you have a father in Barcelona who pays for everything.
00:24:50I'm going to tell you a secret, Eva.
00:24:53Hey...
00:24:53There are parents who sometimes say no.
00:24:56I know you'll find it hard to believe, but it's true.
00:24:59Well, I'm going to tell you another secret, Marcos.
00:25:01It's very easy to play the rebel and move into your dad's backyard.
00:25:05A little pathetic, isn't it?
00:25:07Of course, not all of us can be as cool as you.
00:25:11You think you're superior because you've read four books of poetry.
00:25:13You should look into that.
00:25:16It's called an inferiority complex.
00:25:19Well, yours is called a complex of...
00:25:21Hi, I'm the coolest.
00:25:24And do you know what you are?
00:25:25I think she's a stuck-up snob who can't stand anyone.
00:25:28Know?
00:25:29Nobody.
00:25:31Screw you.
00:25:32Oh, what a mess.
00:25:46Something must have come up for him because...
00:25:48because it's very rare for it to take so long.
00:25:51It's not normal.
00:25:52No.
00:25:52No, yes, it's okay.
00:25:57Oh, how embarrassing.
00:25:58This feels like one of those blind dates.
00:26:01I'm a little nervous.
00:26:02No, man, no, don't worry.
00:26:04If Santiago is about to arrive, are you sure?
00:26:05Right?
00:26:06Yes, yes, yes.
00:26:07There it is, now.
00:26:07Snap.
00:26:08You are welcome.
00:26:09It's strange.
00:26:10It's very strange because, if nothing else,
00:26:12Santiago is very punctual.
00:26:13Yes, yes, all my life.
00:26:14Yes, yes.
00:26:15Always.
00:26:16Well, I know him from the neighborhood,
00:26:17But I've never spoken to him.
00:26:19He seems like a good man.
00:26:20Yes, yes.
00:26:21A gem.
00:26:22A real gem.
00:26:24Yes, yes.
00:26:25And very fun.
00:26:26Above all, it was a lot of fun.
00:26:27He's a guy.
00:26:28Well, he's serious about serious things, huh?
00:26:30But then you crack up, right?
00:26:32Yes, well, Santiago is a phenomenon, a phenomenon.
00:26:35A friend to his friends, huh?
00:26:37And then a gentleman.
00:26:37A gentleman, but in an old-fashioned way,
00:26:40like in the old days.
00:26:41Yeah.
00:26:41And above all, sensitive.
00:26:43Capes of the Capes of Christ!
00:26:45Pussy!
00:26:47If it's here in a botched job!
00:26:48You said you were going to run me over with your car!
00:26:50And you were pushing me from where Judas was!
00:26:52But the manchero is already here!
00:26:53Okay, but don't worry, we'll look at it tomorrow.
00:26:55Calm down, calm down!
00:26:55You reminded me of your holy mother!
00:26:57You were pushing me all the way up the hill!
00:26:59Fuck!
00:27:00Pussy!
00:27:00Let's go, Santiago!
00:27:01Already!
00:27:03Lourdes, I wanted to introduce you to my brother Santiago.
00:27:06Lourdes, Lourdes, this is Santiago, my brother.
00:27:09Santiago Lourdes.
00:27:10Nice to meet you.
00:27:11I have the hands of...
00:27:13Well.
00:27:14Does the gentleman think we can begin?
00:27:17Or are you going to make us wait another hour?
00:27:20You can start with me.
00:27:21I don't plan to do anything.
00:27:23You'll find out.
00:27:24You'll find out.
00:27:25I don't know what harm you've done.
00:27:27Excuse me a moment.
00:27:28Sorry.
00:27:28Sorry.
00:27:30As I said, daughter.
00:27:32The man is a gem.
00:27:33Carmen.
00:27:34Yeah.
00:27:35Yeah.
00:27:36Just as easily as they rise, they fall.
00:27:38Yeah.
00:27:38You can be quite the fool, but let's read.
00:27:41Listen to me.
00:27:42Do you really think that's how you treat guests?
00:27:44Which guests?
00:27:44Which guests?
00:27:45They're all family.
00:27:47Well, that lady, but I didn't know she was coming.
00:27:49Let's see, Santiago.
00:27:50If you don't want us to have it, go in there right now and apologize, because this
00:27:53These are not the ways to do things.
00:27:54That's no way to do things.
00:27:54I don't feel like it.
00:27:56I already told you that dinner wasn't convenient for me, and you keep insisting, you keep insisting.
00:27:59Another kissing bug?
00:28:00Can I have your bag?
00:28:00No no.
00:28:01No no.
00:28:03Oh, sorry.
00:28:04Tell me.
00:28:04What, what, oh.
00:28:05Thank you.
00:28:06Thanks, Fiti.
00:28:06No, not this one already, no.
00:28:07No, thank you, I'm going to leave.
00:28:08If everything is ready.
00:28:09No, I didn't know this wasn't the way to do things, please.
00:28:11Ham, ham.
00:28:12No, woman, we already had dinner.
00:28:13That woman has come to meet you, to meet you.
00:28:15And she's very excited.
00:28:17And he's come to meet you, you understand?
00:28:18Getting to know you.
00:28:20To get to know me?
00:28:21Yeah.
00:28:23And why don't you want me to get any closed?
00:28:26I don't need you to find me any more girlfriends, okay?
00:28:29I'm not that desperate.
00:28:30Oh, no.
00:28:31No, you're not that desperate.
00:28:33And why do you keep calling personal ads, huh?
00:28:36So, you've been spying on me.
00:28:41No, no, man, I haven't been spying on you, I haven't been spying on you.
00:28:43All I'm asking is that you go there, talk to her a little, basically, be polite, please.
00:28:49No, no, okay.
00:28:50I'm going to talk to that lady, because I'm a gentleman.
00:28:52That?
00:28:53But let it be known that neither you nor anyone else will spy on me again.
00:28:57Okay, okay.
00:28:58Not even the Virgin of Lourdes can fix what's happening to your brother.
00:29:08What an idea you have, son-in-law.
00:29:10The ones I have, ma'am, the ones I have.
00:29:12Hey, ma'am, ma'am.
00:29:14Hey, Lourita, Lourita.
00:29:15I didn't know there were guests, and then there was the damn car, which no one could get started, excuse my language.
00:29:23Didn't you know I was coming?
00:29:24No, of course, if I let him know, because he might be a little rude, right?
00:29:29Yes, a little rude, that's for sure...
00:29:32Well, but you're afraid too...
00:29:34Nothing.
00:29:36No, don't worry.
00:29:38Clear.
00:29:38I've gotten a little nervous here.
00:29:41Oh, has it turned out to be a good night?
00:29:44Yes, it looked like it was going to rain, but he camped out.
00:29:47Well, anything I can do to make it up to you for this bad time.
00:29:53Oh, no.
00:29:55I just wanted to chat or meet up for coffee.
00:29:58Ah, well, that...
00:29:59Any day now.
00:30:00Tomorrow works for me.
00:30:02Tomorrow?
00:30:05Well...
00:30:05I don't know.
00:30:08We agreed on...
00:30:09Right there in the tavern, having an aperitif.
00:30:12Oh, or go for a walk, that's fine with me.
00:30:14Let's go for a walk.
00:30:14Well, then...
00:30:17At twelve o'clock.
00:30:18At twelve o'clock.
00:30:19That seems like a good time to me.
00:30:21But I have catechism tomorrow.
00:30:24Catechesis?
00:30:25I am a religion teacher at the school.
00:30:27Lucia and Candela's companion.
00:30:29Ah, of course.
00:30:31And how long does catechism last?
00:30:34Nothing, just an hour.
00:30:35Only?
00:30:37Well, then...
00:30:38So, we agreed to meet at two.
00:30:40At two o'clock?
00:30:41See you tomorrow?
00:30:44See you tomorrow.
00:30:44Both.
00:30:50Oops!
00:30:50Come on, little one, please.
00:30:52Bye bye!
00:30:57Go for it, kid!
00:31:02Bellido.
00:31:04Hello good evening.
00:31:05Good night.
00:31:06Come and get Teté to take her to the school party.
00:31:09To Teté?
00:31:10Tete!
00:31:11A big man has come to find you!
00:31:13Wow, son, you've made yourself a real beauty, huh?
00:31:18Look, here it is.
00:31:20Hello.
00:31:21Hello.
00:31:26You...
00:31:27That I...
00:31:28What do you see here?
00:31:30I've brought this for you.
00:31:32How beautiful.
00:31:34Diego's dad.
00:31:35Because?
00:31:37Let's go to the party.
00:31:38You and I.
00:31:40Yeah.
00:31:41Ears.
00:31:42Big-eared.
00:31:43Pigheaded.
00:31:44Bald, bald.
00:31:45Bald.
00:31:46Ham holder.
00:31:47Your husband?
00:31:48Your husband?
00:31:48Your father, Fiti.
00:31:49Your father.
00:31:49What baldness?
00:31:51Now, come on, time's up.
00:31:53You have lost.
00:31:53Oh, really, Candela!
00:31:54Complexes, daughters, is that clear?
00:31:56Yes, it's perfectly clear.
00:31:57Dr. Parkinson taught you how to draw.
00:31:59Come on, it's our turn, it's our turn.
00:32:00Come on, Fiti.
00:32:01Out.
00:32:01Come on, Fiti.
00:32:02We're going to crush it.
00:32:04No, no, wait a moment.
00:32:04We're going to crush it.
00:32:05Are we a team?
00:32:06We are a team.
00:32:07We are a team.
00:32:08We are a team.
00:32:09That's it.
00:32:09No, it's already done.
00:32:13And poor Sigurd and Weaver searching for gorillas in the fog.
00:32:15Hey, let's change the game.
00:32:16Damn, now it's our turn, right?
00:32:18Well, yes, let's play something a little more relaxed.
00:32:20Something we can talk about and...
00:32:22I don't know.
00:32:23Hey, so you remember when we used to play dare as kids, right?
00:32:27Let's play that, come on.
00:32:28No, no, no, nothing.
00:32:29No intimate confessions whatsoever.
00:32:30That will then backfire on you.
00:32:32I'll pass it on.
00:32:32What are you saying?
00:32:33Come on, let's play.
00:32:34We're at my house and he does what I say.
00:32:35Lucia, leave it, really, these things shouldn't be...
00:32:38Leave it, go on, they don't feel like it.
00:32:41Come on, six rolls.
00:32:42That's how we remember old times.
00:32:44Come on, let's see.
00:32:46Oh, God.
00:32:47Let's see whose turn it is to open.
00:32:50Peti.
00:32:52Bold, isn't it?
00:32:52No, really, this is for kids.
00:32:53I'll pass, no way...
00:32:54Bold, isn't it?
00:32:57Come on, right?
00:32:58Now.
00:33:00Let's see.
00:33:00Well...
00:33:01Wait, wait, I have one here.
00:33:02I'm going to adjust it for you.
00:33:03What would you change about your saintly wife?
00:33:05But hey, what's going to change about his saintly wife?
00:33:07Long legs, fitted measurements, penetrating gaze.
00:33:09The perfect ten, right?
00:33:10The perfect ten.
00:33:11The woman was a ten out of ten from the wedding.
00:33:12There are some pears there, you wouldn't believe it.
00:33:15Well, you're doing very well, darling.
00:33:17You look great.
00:33:18Yours are a little more discreet, but you are...
00:33:22I don't know, it's a ten, right?
00:33:24No, well, we can talk about small things and that way I win, because I have many.
00:33:26Damn, I told you so, this is against me.
00:33:30Candela is right.
00:33:32Besides, do you know that honesty in a relationship is the most important thing?
00:33:35Psychologists say so.
00:33:36Well, that's what single psychologists will say, because I personally prefer to be lied to.
00:33:40He is happier.
00:33:41She's small, but happy.
00:33:42Okay, let's leave it at that, because this thing can get complicated, okay?
00:33:46Yes, yes, yes.
00:33:46I'm going to be bored, huh?
00:33:47He's a bore, come on, no, not this last time.
00:33:49Come on, let's go.
00:33:49It was your turn.
00:33:53Bold, isn't it?
00:33:54I don't know, I don't know, well girl, well, dare you, let's see what I do.
00:33:59Let her get naked.
00:34:00Yes, and you're going to do it in a special way.
00:34:03You go up there and do a full-mountain stunt.
00:34:05Yes, a milk.
00:34:06No, no, I don't feel like it.
00:34:08No, change, no, change, change, change, I don't feel like it, change.
00:34:11I change to truth.
00:34:12It cannot be changed.
00:34:13Yes, it can be changed.
00:34:14Let's see.
00:34:16No, wait, wait, I have a really good one.
00:34:19Hey, did you go to the deserted area by the river with any of them when we were dating?
00:34:27That question is silly.
00:34:29It's a game, Diego.
00:34:30You just have to say yes or no, that's it.
00:34:35Well, yes, I did leave.
00:34:37That's it.
00:34:37The little game is over.
00:34:38See?
00:34:39You feel better.
00:34:40Huh?
00:34:42That's it.
00:34:49Man, bowling alley.
00:34:54This, if you don't have a photo of yourself.
00:34:57But head-on, okay?
00:34:58No, only the one we did at the Fatomatón was by squeezing our asses.
00:35:02What do you want it for?
00:35:04You've asked for it, bro.
00:35:06That?
00:35:07Tete.
00:35:08You know what I'm saying?
00:35:23I'm going to keep vigil with her.
00:35:28Hi, girls.
00:35:28I've brought you the drinks.
00:35:30Ah.
00:35:31But, José María, you won't even let me bring a glass of water into my house,
00:35:34You didn't bring me up.
00:35:37No way, man, no way.
00:35:38Who do you think I am, little sister?
00:35:40Hey, I still have to dance with you, if you want.
00:35:42Well, if you want.
00:35:44And isn't your friend Aldano coming to dance?
00:35:46Aldano?
00:35:46I don't think so.
00:35:48The moment is in the phase.
00:35:51Let's see if...
00:35:52No, look, look, look at him.
00:35:55There.
00:35:56And he looks at me.
00:35:57Look.
00:35:58Will you take a dance?
00:35:59Phase two, dude.
00:36:05Cool, dance, dude!
00:36:07Look, bro.
00:36:08Oh, you, with her mane of hair!
00:36:10But it didn't say that the shoes were gone.
00:36:13Hey, shall we go for a walk in the yard?
00:36:15It's been a very good night.
00:36:16Boniche de la mano.
00:36:17Well, the ones I've gone to.
00:36:18Sorry, it just slipped my mind.
00:36:19Well, man, where are they going?
00:36:24Hello.
00:36:26Bye bye!
00:36:29Hey, what's wrong with your husband?
00:36:33Did he throw his party in the tent or what?
00:36:35Are you referring to San Marcos, the new pop star?
00:36:38Don't you know the latest?
00:36:39They are sending demos to record labels.
00:36:42Oh really?
00:36:44I'm in deep trouble!
00:36:46Did you send demos to record labels?
00:36:48Yeah.
00:36:49Is something evil happening to me?
00:36:50It's an illusion.
00:36:53Okay, shall we play a prank?
00:36:56What a joke.
00:36:56What a shame, Candela, I decided that, right?
00:37:04Not being able to talk about everything and be honest.
00:37:06Yeah.
00:37:07Because if there's no trust in your partner, who are you going to have it with?
00:37:10There, there, there.
00:37:11Now, what you can't do is get angry when someone tells you something you don't like.
00:37:14No.
00:37:14No, honey?
00:37:15No, no, not that.
00:37:15You can't do that.
00:37:18Hey, it's great to talk to you.
00:37:19You're being like an open book.
00:37:20Hey, Lucia, I've always been like an open book with you, it's true.
00:37:26Come on, of course, all the secrets.
00:37:30You smell me.
00:37:30Well, that thing about not having any little secrets...
00:37:39I just found out that you had a fling when we were dating.
00:37:43Ah, that.
00:37:44Well, well, but I'd completely forgotten about that, you know?
00:37:48Come on, nothing.
00:37:48Well, there are some things that are better remembered.
00:37:50Yeah.
00:37:51And by the way, don't think I believe you don't remember the girl you lived with.
00:37:55Well, believe it, believe it, believe it, because I don't remember.
00:38:00Didn't we agree to be honest?
00:38:02Yes, we had arranged to meet.
00:38:03Yes, but it's best not to dwell on the past.
00:38:06So you remember, huh?
00:38:09Well, yes, I remember, I remember, but I remember vaguely.
00:38:12In other words, like a distant memory that doesn't...
00:38:14I'll pull you now, no, come on.
00:38:17Tell me about it.
00:38:18No.
00:38:18Yes, tell me and I'll stay out.
00:38:21She's a fool, isn't she?
00:38:22Hey, don't tell me now that you're going to be like Fiti.
00:38:24What do you think will backfire on you?
00:38:27But no, he's not the annoying one, no, he's not the annoying one.
00:38:30Well, transparent relationship.
00:38:32Oh, yes.
00:38:33You see.
00:38:37Okay, okay, but then you can't get angry, okay?
00:38:40Okay, I promise.
00:38:41Word of the baby Jesus.
00:38:42Tell me, tell me.
00:38:44Well, uh...
00:38:45Well, this girl, the one you told me about, the one from Escapada, the Moor who did it.
00:38:49I remember, he knows a lot about something silly.
00:38:51Candle.
00:38:53Candle.
00:38:54Candela, yes, Fiti's wife.
00:38:56But no, nothing...
00:38:58Well, Candela, you see how nothing happens?
00:39:02Already.
00:39:04A little kiss.
00:39:05Okay, let's go to bed because we have to get up really early tomorrow.
00:39:08Mari, Tere, I've heard that your boyfriend is very heavy.
00:39:29In your life, I mean.
00:39:30Ha ha ha.
00:39:31Well, just so you know, yesterday Boliche walked me home and he's an angel.
00:39:37What's wrong with you is that you're angry.
00:39:38She can ignore you, she prefers me.
00:39:41What are you saying, idiot?
00:39:42Look, just so you know, it was me who told him that you were crazy about him.
00:39:46Otherwise, why would I bother you about it?
00:39:48Hi, do you like bowling?
00:39:50I can't believe it.
00:39:51You think you're a pig.
00:39:53You've eaten a whole bowling alley.
00:39:54Good morning.
00:39:55Woman, I'm going to make you a coffee where I can get in your brother's car.
00:39:59What time did you plan to start working on my car?
00:40:00What do you think this is, man?
00:40:03Telemechanic?
00:40:03Home delivery service?
00:40:05I'm so hungry you wouldn't believe it.
00:40:07I ate a sobao.
00:40:09Okay, so what?
00:40:10How are you?
00:40:12How did things end up with Lurditas?
00:40:13Did the parishioner fall or not?
00:40:15Which parishioner has fallen?
00:40:16Come on, let's go!
00:40:17Everyone to the bus.
00:40:18This is a cooperation of seniors.
00:40:19Come on, let's go, Guille.
00:40:21Please, Lucia.
00:40:22Come on.
00:40:23No, it's my turn more.
00:40:24Come on, die.
00:40:25But he stays for a long time.
00:40:27Bye bye.
00:40:27Did Lurditas fall or not?
00:40:34It doesn't fall, not even if it does.
00:40:36I'm going to take her for a walk because I feel sorry for her, that's all.
00:40:39And where are you going to take her?
00:40:41Here to the saint's hermitage.
00:40:43Let's go for a walk.
00:40:45You understand?
00:40:45A walk.
00:40:46And if he saw you, I don't remember.
00:40:47One thing in my favor, listen to me.
00:40:49Give it a chance, man.
00:40:50She's a really good girl, seriously.
00:40:52She's a really nice girl, but I don't like her.
00:40:54Where am I going with a religion teacher?
00:40:56Hey, I'm going to tell you one thing, okay?
00:40:59You'll have earned your place in heaven.
00:41:00You've kept patting yourself, man.
00:41:02Are you going to fix my car?
00:41:03Well, that's it, the sobaos are gone.
00:41:05Come on, give it a try, man.
00:41:06Take a leisurely walk with her.
00:41:08Take a walk.
00:41:09Get to know her.
00:41:10Give it a try, man.
00:41:10Give it a try, you never know.
00:41:12No, you try it.
00:41:13You're kidding me.
00:41:15I prefer a different type of woman...
00:41:17...eye-catching.
00:41:20Eye-catching?
00:41:21Do you really think you're Jim Jim?
00:41:22Do you want Jennifer Lopez to call you now or what?
00:41:25Nobody went to speak.
00:41:26He's uglier than sin, fat and bald, and look at the wife he has.
00:41:30So, you can have a woman like Lucia and I have to settle for Lourdes.
00:41:35Did you hear him call me a cross-eyed, bald, fat, ugly person?
00:41:38But it's kind of ugly.
00:41:39I am ugly.
00:41:40I mean, I'm uglier than this guy, Fiti.
00:41:41I'm uglier.
00:41:42It's great.
00:41:42Marcos, there's the singer.
00:41:45Marcos, come here a moment, man.
00:41:47Come here for a moment.
00:41:48Thank you, son.
00:41:49Hey, I'm reminding you that since you're camped out there, you shower out there, with the mask.
00:41:53Okay?
00:41:54Parading.
00:41:54Damn, what a family.
00:41:55Hold on, man.
00:41:56Let him take a shower.
00:41:58Didn't you say you didn't want me to sing?
00:41:59Well, she should take a shower, give herself a washcloth.
00:42:01Okay, fine.
00:42:02Come on.
00:42:03And don't look at me like that?
00:42:03This kid, really, no...
00:42:08Santiago, I'll just tell you one thing.
00:42:11So, you...
00:42:13Well, you have the opportunity to meet someone, right?
00:42:15And that's what you wanted.
00:42:16Well, go to that date, man.
00:42:18Go on that date and don't play games with people before you've met them.
00:42:21Hey?
00:42:22Well.
00:42:23Maybe she's a wild beast.
00:42:33So you didn't know the vacant lot, huh?
00:42:47Get out of the car, come on.
00:42:48No no.
00:42:49I'll get out of the car when you calm down.
00:42:51Candela, get out of the car.
00:42:52No.
00:42:53No no.
00:42:53Uh, no.
00:42:55Okay.
00:42:56If I just want to talk...
00:42:58Quietly?
00:42:59No, no, no.
00:43:00Lucia, I know you and I won't speak to your face.
00:43:01Candela, get out of the car.
00:43:03See?
00:43:03With all the nonsense.
00:43:04You haven't broken the car anymore.
00:43:05Fuck.
00:43:06Oh, I'm going to break his car.
00:43:07That's the point, isn't it?
00:43:08That's the issue.
00:43:09You've already wrecked the car.
00:43:11Okay, great.
00:43:13Great.
00:43:14Poor car.
00:43:16Thank goodness we have a husband who is a mechanic.
00:43:18Thank goodness...
00:43:19Oh, poor car.
00:43:22What a great shame I have.
00:43:26Oh, now that I remember, it turns out the workshop isn't a body shop.
00:43:29I feel so sorry.
00:43:30Lucia, my husband is a mechanic, but he's not the Virgin of Light.
00:43:33The little shoe.
00:43:33Lucia!
00:43:34Aunt!
00:43:35See?
00:43:35That's why I'm not saying anything to you.
00:43:36Damn, because you're acting like a crazy person.
00:43:37Bullshit, Candela.
00:43:38You are a traitor and a hypocrite.
00:43:40That's what you are.
00:43:42To class.
00:43:44Come on.
00:43:44Lucia, let's see.
00:43:46That was 20 years ago.
00:43:46Damn, damn.
00:43:56To class.
00:44:01Come on.
00:44:06You'll see, Marcos.
00:44:07She's going to be blown away.
00:44:08I don't know, Raúl, maybe we're going a little overboard, aren't we?
00:44:11A little bit of stuff.
00:44:12What a name, what a name, that's going to be hilarious.
00:44:14Run, you go first.
00:44:15No, no, run, run, run, run.
00:44:17Yeah?
00:44:19Good morning.
00:44:20Yeah?
00:44:21I am the secretary...
00:44:23Marco Serrano?
00:44:25I am the secretary of...
00:44:26Whose?
00:44:27Mark Mountain.
00:44:28I am Mark Mountain's secretary at Warner Music.
00:44:31Okay, I'll put him on.
00:44:36Good, Marco Serrano.
00:44:38Yes, I'm Mark Mountain.
00:44:40And we received your model and we liked it.
00:44:46We liked it.
00:44:48Okay, we're considering the possibility...
00:44:51Their work is of very high quality and we are considering the possibility of recording an album...
00:44:56But a record? A CD? A record?
00:44:59Perfect. Okay, great, well, we'll be in touch shortly...
00:45:03Excuse me, I'm contacting you to, well, to send you an advance of 800 euros.
00:45:11Okay, good morning, Marco Serrano. Goodbye.
00:45:16The little gang member!
00:45:17What are you saying?
00:45:18Yes, man.
00:45:19No, it's impossible that Marco would swallow that, Raúl.
00:45:21Yes, you don't know him.
00:45:23Who is Mark Mountain?
00:45:25Mark Mountain? Marco Serrano? In English?
00:45:28No?
00:45:29Okay, I'm off to my appointment.
00:45:33Wait, it's a time.
00:45:34Wait, wait a moment.
00:45:36Cheer up, man, I'll get you out of here, young man, you look like you're going to a funeral, and shut yourself off from this.
00:45:40One thing, pay close attention to this girl, okay?
00:45:42Don't be a beast, because when you want to be, you're charming.
00:45:45So, where are you going to take her?
00:45:46Let's row, to the lake.
00:45:48Damn, it was her who wanted it.
00:45:50Yes, yes, yes, you row, you row, that's how it gets deeper, huh?
00:45:52It makes you feel like the planet, man.
00:45:54And remember the sixth commandment, okay?
00:45:55The first time he will not commit an impure act.
00:45:57And I, come, I, come, yes.
00:45:58You are very needy, you know it.
00:45:59And I don't know what to know.
00:46:00Diego, can you tell me what right you have to tell Lucía about the vacant lot?
00:46:03Oh well...
00:46:04Okay, calm down.
00:46:04Explain yourself, you buffoon.
00:46:05Candela, Candela, calm down, it's not that big of a deal.
00:46:08As?
00:46:08I'm going to tell you something.
00:46:09Lucía and I have a sincere relationship and we tell each other about it.
00:46:11By the way, I recommend that Fiti, you also do...
00:46:13Fiti!
00:46:14You haven't told Fiti anything, have you?
00:46:15Swear to me that I haven't told Fiti anything.
00:46:16No, no, I haven't told Fiti anything, but it's not that big of a deal.
00:46:18I haven't told Fiti anything.
00:46:19And let me tell you something else, Lucia, she's taken it really well.
00:46:21There's no need to make a drama out of this, Candela.
00:46:23"Fucking great," he says, "yes."
00:46:25Absolutely fantastic.
00:46:25This morning, as soon as he saw me, the first thing he did was wreck my car.
00:46:28That?
00:46:29Wreck my car, Diego.
00:46:30And because they gave me the roll and I rolled up the windows, otherwise...
00:46:32But, but, wait, what are you saying?
00:46:34But this morning has been peaceful.
00:46:36But, come on, no...
00:46:36Diego, you're clueless.
00:46:38You don't understand anything.
00:46:40Well, let's see if you understand that sincerity is the cancer of a relationship.
00:46:44My God, what a mess you've made, Diego.
00:46:46Okay, calm down, calm down.
00:46:48What do we do now?
00:46:49Now?
00:46:50Well, now the most important thing is that Fiti doesn't find out, for the love of God I beg you.
00:46:53Don't let Fiti find out that I'm losing my husband.
00:46:54And I won't forgive you for that, okay?
00:46:55No, no, don't talk nonsense, but I remind you that we were just kids.
00:46:58So, it's not a bad thing either.
00:46:59That works for me, but I...
00:47:00Oh my god, what a smell!
00:47:02Bastards!
00:47:03Where is Diego?
00:47:04Yes, that way.
00:47:05Shit, shit, shit!
00:47:07They screwed me over, so I'm going to screw them over.
00:47:09Candle!
00:47:10Fiti.
00:47:11Candle!
00:47:13They haven't damaged the car, they haven't wrecked the car.
00:47:16Car, move it already, you jerks!
00:47:18Diego, what are you doing there?
00:47:19I'm cleaning, Fiti.
00:47:20I'm cleaning because people lean on this and leave all their fingerprints on me.
00:47:23Those bastards, you have no idea what they've done to my car, the moon!
00:47:26But who, my love?
00:47:27How should I know!
00:47:28Okay, let's go, let's go.
00:47:29Look, look at how she is.
00:47:30Look at how she is.
00:47:30Come, come.
00:47:31No, no, no.
00:47:31Come.
00:47:32Come on, kids, I'm late for an appointment.
00:47:36Yes, with Pelez's father?
00:47:39He told me that if I came, we would play a game.
00:47:41Yes, yes, I'm going, I'm going.
00:47:43I know what's wrong with your brother.
00:47:46That his idiot friends have made him believe that I'm into him.
00:47:48Don't be annoying.
00:47:50Of course, that's why this colony is so silly.
00:47:52I'm going to talk to him and tell him the truth, because this...
00:47:55Well, you're going to break her heart.
00:47:57Yes, but look, my experience tells me that the sooner this is cleared up, the better.
00:48:00Well, I don't know, I'd prefer to live in tomorrow, even if it was for two days.
00:48:06But those would be two such happy days.
00:48:09Okay, you know how I tell him?
00:48:12Luck.
00:48:16Bolich, look, I have to tell you something.
00:48:17Yes, yes, I also have something to tell you.
00:48:22You're making me the happiest man in the world.
00:48:25Yes, I'm not used to these things.
00:48:28Whenever we play spin the bottle, nobody wants to kiss me.
00:48:31So at first I thought it was strange that such a...
00:48:34So much so, that I was like you, for me, but then I thought...
00:48:38And why not?
00:48:40No girl had ever noticed me before, you know?
00:48:42But thanks to you I've realized that I have qualities too.
00:48:46Yeah?
00:48:46Yes, because look, you're going to laugh with me.
00:48:49Okay, I've never had a girlfriend, but I've seen it in movies and I learn very quickly.
00:48:53Plus, I get 10 euros a week as an allowance, which is enough to go to the cinema on Fridays...
00:48:56Okay, I'm fat.
00:48:58But hey, if that doesn't bother you, neither do I.
00:49:01Santiago Segura isn't that fat.
00:49:03Or this Florentine guy, the one who has a show.
00:49:05O Pabarotti.
00:49:06People love them even though they're fat, right?
00:49:08Because the same thing can't happen to me.
00:49:09Is that it, buddy, done?
00:49:22You're good at rowing, huh?
00:49:24That you studied at Oxford or Cambridge.
00:49:26Where?
00:49:28But stop for a little while.
00:49:31Look, I've made sandwiches.
00:49:32Tortilla, vegetables...
00:49:35And ham, right?
00:49:37At vigil, Santiago.
00:49:38On vigil.
00:49:41Well, I'll eat one of these green ones, the lettuce ones, right?
00:49:47Your hairs are showing.
00:49:52It's getting chilly now, isn't it?
00:49:55It's time to set course for port.
00:49:59Are they anxieties?
00:50:01They are anguishes!
00:50:04She is a friend of the parish.
00:50:06An oar has fallen.
00:50:07Let's see what we do now.
00:50:08Lost adrift.
00:50:10How exciting!
00:50:11Pablo, you can play there.
00:50:12Okay!
00:50:14Okay!
00:50:15Okay!
00:50:15Okay!
00:50:15Okay!
00:50:15Okay!
00:50:15That?
00:50:16Dad, dad, Marco is going to be famous.
00:50:18That's awesome!
00:50:19Congratulate your son, he's been contacted by Warner Records, no less.
00:50:23Okay!
00:50:23Marcos.
00:50:24Marcos.
00:50:30That's one of the big ones, isn't it?
00:50:32The one from the movies.
00:50:34So it turns out that we mountain folk are going to get out of poverty thanks to your records.
00:50:40Come for every cunt.
00:50:44Give me a hug, champ.
00:50:45Give me a hug.
00:50:46Hey!
00:50:47I'm so proud to be here!
00:50:48I'm so proud to be here!
00:50:49Don't get excited!
00:50:52Dinner's ready!
00:50:52Come on!
00:50:52Come on, let's go, let's go!
00:50:53Come on, let's go!
00:50:54Come on, come on!
00:50:55Come on!
00:50:56Come on!
00:50:56Wait a second, Lucia, I want to tell you more.
00:51:00That?
00:51:00I have something important to tell you.
00:51:01What's wrong, what's wrong, what's wrong, Marita?
00:51:03Hey?
00:51:04He who laughs last?
00:51:05Hey?
00:51:06Do you know?
00:51:07Smarty pants.
00:51:08You called me delusional, then.
00:51:10What do you say now?
00:51:15And can you tell me what happened to Candela this morning?
00:51:19Nothing.
00:51:20Besides, everything I could tell you would be exaggerated.
00:51:22Hey, wait, wait, Lucia, wait, wait, please.
00:51:25Let's see, Lucia.
00:51:26I mean, come on...
00:51:27What happened 20 years ago?
00:51:29In other words, what you've done is irrelevant.
00:51:31It doesn't make any sense, does it?
00:51:32Well, maybe it's silly to you, but not to me.
00:51:34And that's it.
00:51:35Well, excuse me, but I just don't understand it.
00:51:36I mean, I don't understand it.
00:51:37Well, I'm so angry I can't stand it.
00:51:39And maybe it's irrational.
00:51:40I know, it may be irrational, but I'm angry, very angry.
00:51:43Listen to me, let's see.
00:51:44What have I done wrong?
00:51:45You told me to tell you, and I've told you.
00:51:46And now I insist, it happened 20 years ago.
00:51:48Yes, but you haven't told me in 20 years, Diego.
00:51:55And do you think that's important between you and me now?
00:52:00What do you think? That I should have told you back then?
00:52:02That you should have told me to go to hell.
00:52:04And with how in love I was with you, what then?
00:52:08A childish prank.
00:52:11Nothing, come here, silly girl.
00:52:13Come.
00:52:19Hey, one thing.
00:52:20Yeah.
00:52:22How did it all begin?
00:52:23The fact that?
00:52:24Did you make a pass at her?
00:52:26Did she flirt with you?
00:52:27Oh my God, oh my God.
00:52:29Diego, well, just tell me and that's it.
00:52:31And I'm really not angry.
00:52:39What's not coming, damn it?
00:52:43Let's see if there are any piranhas here.
00:52:45But relax a little, man.
00:52:47And enjoy.
00:52:48Do you want some fruit?
00:52:49Well.
00:52:58The grouper is already very pretty.
00:53:03Hey, has nobody told you that you look exactly like Alfredo Landa?
00:53:06Alfredo Landa is very old.
00:53:08No, silly, I mean when I was young.
00:53:10Well, the other day I saw him in a movie, on Saturday, Cateto a vapor.
00:53:14Hilarious, I tell you.
00:53:16Oh yes, I saw it too.
00:53:18I love Saturday movies.
00:53:19Clear.
00:53:20Besides, since I don't usually do anything...
00:53:21What better thing to do on Saturdays?
00:53:24That's what I tell myself.
00:53:25Sitting on the sofa with my cats.
00:53:28Well, now what I can't stand is Sundays.
00:53:29They are such an uphill battle for me.
00:53:31Hey, I don't want to be indiscreet.
00:53:34You've never had a partner, you've never been married.
00:53:39Well, I almost did it once, but it didn't work out.
00:53:41And before you know it, your time is up and you're left to fend for yourself.
00:53:45Well, you're not exactly...
00:53:47I mean, we're not that old either.
00:53:49Look, I'm going to tell you something, but for God's sake don't tell anyone.
00:53:53No.
00:53:54It's just that I feel a little embarrassed.
00:53:57Well, look, a few weeks ago I called one of those contact services and placed an ad.
00:54:01Oh, yes, me too.
00:54:03Really?
00:54:05But Santiago, for God's sake, you don't need those things.
00:54:07Well, I mean, me too...
00:54:10At this rate, I'll end up as a spinster.
00:54:13If you and I are the same.
00:54:15Lonely souls.
00:54:16It is our destiny.
00:54:17Yes, you see.
00:54:20Look, they're salsa dancers.
00:54:23Damn, the way he rows, huh?
00:54:25At this rate, the lake will eventually evaporate.
00:54:31Auntie, auntie, we already know.
00:54:40That's intense, isn't it?
00:54:41Marcos's thing.
00:54:42Hey, what style does he sing?
00:54:45Like a uvago, right?
00:54:46Yes, something like that.
00:54:48See you later.
00:54:48You seem a little sad.
00:54:49Okay.
00:54:51What's happening?
00:54:53Yes, yes.
00:54:55There, there, that's it.
00:54:57Good, good, good.
00:54:58Bye bye.
00:54:58Raúl, dude, what have we done?
00:55:00Please, what have we done?
00:55:02I'll call him again.
00:55:05I've scheduled an appointment with him at the record label.
00:55:06We'll have him there in five minutes.
00:55:09What are you talking about, man?
00:55:10Hey, you know what the best part is?
00:55:12Next week I'm taking it on tour, auntie.
00:55:14Are you crazy or what, dude?
00:55:16Sings!
00:55:17That's what's gotten out of hand.
00:55:18that what we are doing to him is very cruel
00:55:19And that's fine.
00:55:20Don't worry, nothing's wrong, yes.
00:55:22She probably didn't believe this one anymore.
00:55:23What doesn't happen?
00:55:24And if not, I'll call him later and explain it to him, man.
00:55:25that nothing is wrong.
00:55:26You're out of your mind.
00:55:27Man!
00:55:30Mom, do you have a greeting?
00:55:32Yes, it happened, right?
00:55:41Mom, it's...
00:55:42It's all a lie.
00:55:46What is a lie?
00:55:48That thing about the record label.
00:55:51Raúl and I wanted to play a joke
00:55:53And, well, he started it and I followed him.
00:55:55You, you, listen to me, leave me alone now, okay?
00:56:05No, let me do it now because here they make you sign things
00:56:06And you're too innocent for that,
00:56:08They can fool you like a Chinese person.
00:56:09One very important thing is that they have told me about the royalties.
00:56:11Royalties.
00:56:12Royalties, apparently, bring in a lot of money.
00:56:13a lot of money.
00:56:14We need a lawyer.
00:56:14A lawyer?
00:56:15Well, yes, but since we don't have a lawyer,
00:56:17Well, meanwhile, I am here, I am your father.
00:56:18Don't worry.
00:56:19Well, yes, I'm calm, Dad.
00:56:21Your hair is better than mine.
00:56:22One thing, that...
00:56:24I wanted to apologize because...
00:56:27Well, for not having confidence in your talent, but...
00:56:30Well, I mean...
00:56:32That's all forgotten now, I don't care that we're here now...
00:56:35No, but it does matter, it does matter, it does matter.
00:56:36Because imagine if Miss Jacker's father,
00:56:38He won't let his uncle go out with the music
00:56:39and orders it to be done straight,
00:56:41to a law firm.
00:56:42Thank you
00:56:47That's great, let's see what happens
00:56:49Nor...
00:56:50You're going to record the album and it's going to be a springboard to success
00:56:53Oh, one very important thing
00:56:55No, I forgot
00:56:56Be careful in the world of show business
00:56:58No, be careful because there are many problems
00:57:00If drugs are involved, then yes, it's easy.
00:57:02What happens to all these kinds of things?
00:57:04It might not seem like it, but...
00:57:05How are you, beautiful?
00:57:06How are you?
00:57:07I'm going to see you
00:57:08Go on, tell the boss I'm here
00:57:10Sit down for a moment
00:57:11Hi how are things?
00:57:15How are you?
00:57:15Hi how are things?
00:57:16Here we are
00:57:17You're Miguel Ríos, of course.
00:57:22Yes, it's me.
00:57:24How are you? Nice to meet you
00:57:24Very well, nice to meet you
00:57:25We've already started what summer is all about, with tours and all that.
00:57:30Yes, I'm actually playing in Granada this Friday.
00:57:33I'm going to give a benefit concert
00:57:35From a cerebral palsy association
00:57:38But I'm more into this summer
00:57:40Working on the songs for the new album
00:57:42I hope I can get it ready by Christmas
00:57:44Very good
00:57:45Well, here we are with my kid who's going to record an album
00:57:51Let's see what happens
00:57:52It's not going to be recorded either?
00:57:53Yeah?
00:57:53Yes, man
00:57:53Yes, everything is going well.
00:57:54Well, congratulations, huh?
00:57:57I hope you have a lot of luck
00:57:58I hope it goes well for you and that you have lots and lots of luck.
00:58:00Yeah?
00:58:00Yeah
00:58:01You can come in now.
00:58:01No, thank you very much.
00:58:02Hey, excuse me, excuse me, no, I'm going to ask you something
00:58:04No, no, yes
00:58:04He's a great guy.
00:58:05Would you mind giving the kid a little advice so that...?
00:58:08Hey?
00:58:09Well, the truth is I don't really like a lot of advice.
00:58:12Especially young people
00:58:12I prefer listening to them
00:58:13But, I don't know
00:58:15I believe this is a profession that requires effort.
00:58:19With a great deal of work and sacrifice
00:58:22But also with lots of fun
00:58:24And above all, with a love for music
00:58:25Good luck
00:58:26Hey mate, good luck!
00:58:28Yeah
00:58:28Thank you so much
00:58:28Okay, see you later, goodbye
00:58:30Thank you so much
00:58:30What did he tell you?
00:58:36Same as me
00:58:36Effort
00:58:37A lot of effort, a lot of dedication, a lot of work
00:58:39Yes, but you can also stay
00:58:40Because if man
00:58:41Have you noticed that the big ones are big?
00:58:42But, Dad, it's true
00:58:43Always, those who are great from the beginning
00:58:44They stay great their whole lives, right?
00:58:46Let's hope we're lucky and more celebrities come.
00:58:48No, Dad
00:58:50That?
00:58:51Because we didn't come here to see
00:58:52Okay, celebrities
00:58:52Oh, no
00:58:53No, no, no
00:58:54Because I'm going to stay for the interview alone, okay?
00:58:57Because, well
00:58:57Because I was pretty nervous, Dad
00:58:59AND...
00:58:59Well
00:58:59Well yes
00:59:00Do you want me to wait for you in the car?
00:59:02No
00:59:02I'm taking the subway
00:59:04Yeah
00:59:05Well
00:59:06Well, I'll wait for you at home.
00:59:09Luck
00:59:10Marcos
00:59:14Yes, yes
00:59:15Luck
00:59:16Yes, Dad
00:59:16Thank you
00:59:17Sorry
00:59:34Yeah
00:59:34Who did you say you were coming to see?
00:59:38A Mark
00:59:38Mark?
00:59:40Malmontein
00:59:41Look at that.
00:59:43I don't know what
00:59:44But if this is always avoided
00:59:47And he loves her.
00:59:47That
00:59:47As?
00:59:48Shut up, shut up, man
00:59:49The movie was really cool, huh?
01:00:05Look, this part is beautiful
01:00:07I feel like crying
01:00:08I'm sorry
01:00:25Sometimes I can't control it, you know?
01:00:28The joke's alive, look.
01:00:29How are you?
01:00:31How are you?
01:00:32That?
01:00:33Look, bowling alley
01:00:34I would like this beautiful relationship not to be ruined
01:00:38So
01:00:40Well, that
01:00:41For now
01:00:42We're still friends, okay?
01:00:44Okay
01:00:45And what about over time?
01:00:51Well, with time
01:00:52We'll see.
01:00:54Yeah
01:00:55What's up, buddy?
01:00:58Fancy a game?
01:01:02No
01:01:02We're watching the movie
01:01:04But are you going to leave us without a goalkeeper?
01:01:06It's just that now he can't
01:01:07Then he comes closer, okay?
01:01:08When I finish my snack
01:01:09Guys, let's go, I'm starting to feel like throwing up.
01:01:12Oh, dude.
01:01:13I'll backfire on you, huh?
01:01:15How cute
01:01:16Hello
01:01:25Look, look, look, look, look
01:01:27Look what a wonderful thing I've bought!
01:01:29It's for Marcos
01:01:30That way he can say that
01:01:31When I triumph
01:01:33That his father gave him his first guitar
01:01:35And Marcos?
01:01:38Ah, they're letting him use the Warner office
01:01:39There it is, the poor thing is made of flan
01:01:40What's wrong with you?
01:01:45Diego, Eva wants to tell you something
01:01:46That?
01:01:49But I tell you that
01:01:50That Raúl and I
01:01:53We wanted to play a prank on Marcos
01:01:56A joke?
01:01:57What a joke!
01:02:00We made up that we were from a record label
01:02:03From Warner
01:02:03That?
01:02:06That?
01:02:07Did you play that little joke?
01:02:09Did you laugh a lot at the little joke you played?
01:02:11I'm sorry, Diego
01:02:11I didn't think this would happen
01:02:14Oh, you didn't think of that.
01:02:15I mean, you could have thought of that before.
01:02:16But what is it?
01:02:17They're trios, they're kids
01:02:18Do you really think you can just play with people's hopes like that?
01:02:21Do you think you can play like that?
01:02:22Okay, okay, okay
01:02:23She's already quite overwhelmed
01:02:25It was an unintentional joke.
01:02:27We all make mistakes, don't we?
01:02:33Marcos!
01:02:36Maritos, dude!
01:02:36So many wonderful fights!
01:02:40Tell it, everything, everything, everything
01:02:41Well, nothing happened.
01:02:43We simply have to wait a while longer.
01:02:45Because these things are slow.
01:02:46Are you going to take me to one of your concerts?
01:02:48Yes, me now, me now
01:02:49Of course, whatever you want, sir.
01:02:50I'll be your bodyguard
01:02:52Photos, autographs
01:02:54Marcos!
01:02:56Well
01:03:03What's going on here?
01:03:06Has anyone died?
01:03:07No, it's just that...
01:03:09No, no, nothing's wrong
01:03:10Don't worry
01:03:11Well, if it isn't Romeo here
01:03:13And how elegant!
01:03:15Dressed like that, he even looks like a human being.
01:03:18Mom, please
01:03:18Okay, tell us
01:03:19How was the date?
01:03:20Well, nothing, nothing at all
01:03:21It hasn't gone so badly.
01:03:22I think we get along well, huh?
01:03:24She's a really nice girl
01:03:26Come on, we're going to get along fine
01:03:28And indeed
01:03:30We got married
01:03:31That?
01:03:33Yes, yes, yes, we're getting married
01:03:34As?
01:03:36Are you marrying the nun?
01:03:37Yes, yes, with the nun
01:03:38He had a feeling
01:03:39And he marries the nun
01:03:40With the little nun, who isn't a nun
01:03:42She's a teacher, like your wife.
01:03:43Hey?
01:03:45Santiago, you told me you didn't like it.
01:03:47Well, now I like it
01:03:48Look where
01:03:49What's happening?
01:03:50If I'm alone, it's because I'm alone.
01:03:51If I get married, it's because I'm getting married.
01:03:52The point is to piss me off.
01:03:53But well, is it possible?
01:03:55You tell him something, Fiti
01:03:56But if it's your fault
01:03:58Well, find him a girlfriend, damn it!
01:03:59She's also a saint and she loves ham
01:04:01That's all I needed
01:04:02I mean, I'm worried.
01:04:03Because he's going to marry a stranger.
01:04:04Because you're joking around
01:04:05Every woman is a stranger.
01:04:06Let's leave it at that.
01:04:07Listen to me, listen to me, Santiago
01:04:09Let's see
01:04:09You can't get married overnight
01:04:11So, this isn't
01:04:11We're not in Las Vegas.
01:04:12That you can't get married
01:04:13With a stranger like that
01:04:14At first, no
01:04:15I'm not 20 anymore
01:04:17No time for dating
01:04:19Besides, I'm fed up with being alone.
01:04:20No, it's not that going to mass alone
01:04:22It's a shitty thing.
01:04:22Please, please
01:04:25Listen, Santiago.
01:04:26And if it turns out to be a dud, so what?
01:04:28Frog, so what if it turns out to be a frog?
01:04:29Lurdita is a wonderful woman
01:04:31Lurdita?
01:04:32Yes, Lurdita
01:04:33And he likes me
01:04:34And she laughs with me
01:04:36With me, not from me
01:04:37And she's willing to marry me
01:04:39And to share the rest of their days
01:04:42With me
01:04:43Is that clear?
01:04:46Well, nothing.
01:04:47We must be very happy
01:04:50And where is it going to take you?
01:04:53On their honeymoon?
01:04:54Where is he going to take her?
01:04:55To Lurdes
01:04:56Let's see if it gets done.
01:04:56The miracle of love
01:04:57Okay, let's see.
01:04:58Okay, let's see.
01:04:58The pats
01:04:59Okay, but what's wrong, Santi?
01:05:01Damn, tell us
01:05:01You took her to the Moor's open field
01:05:03You put it in reverse
01:05:04And it got stuck
01:05:05Listen, listen to what I'm going to tell you
01:05:07Not all women
01:05:08They like going to the Moor's open field so much
01:05:10Like yours
01:05:12That?
01:05:15Ask Diego
01:05:16What's happening?
01:05:24Nothing
01:05:25Nothing?
01:05:26What do you mean, nothing?
01:05:27What's happening?
01:05:28Fiti, it's okay.
01:05:29What's going to happen?
01:05:30Nothing
01:05:30Okay?
01:05:39Come on, Diego, damn it
01:05:40We know each other
01:05:41It was Candela, wasn't it?
01:05:43The one you took to the open field
01:05:45She was my wife, wasn't she?
01:05:46Is that it?
01:05:47Well, yes, Fiti
01:05:47But, damn
01:05:48That was 20 years ago, wasn't it?
01:05:49Damn, 20 years ago
01:05:50Damn, it feels like it was yesterday.
01:05:52She was my girlfriend
01:05:53Now I understand everything
01:05:55The teasing
01:05:57What about the horns in the photo?
01:05:58What if the Fiti
01:05:58The loser
01:05:59Fix this
01:05:59The whole Fiti
01:06:00Damn, that's not true, for fuck's sake!
01:06:01No?
01:06:02So, what happened?
01:06:04What the hell happened?
01:06:04I have a right to know.
01:06:05Tell me
01:06:06What's going to happen?
01:06:06What's going to happen?
01:06:07Well, the usual thing happened.
01:06:07We got carried away
01:06:08Did you roll it up?
01:06:09I know.
01:06:10You don't need to...
01:06:10But, but, what happened?
01:06:11Damn it, say something
01:06:12But, come on, Fiti, what do you want?
01:06:13Should I prepare a written report for you?
01:06:14Yes, I'll give you a written report.
01:06:15Well, I'm not going to give you any written report.
01:06:17Look, I'm fed up.
01:06:18About that whole thing about telling the truth
01:06:19I don't feel like it.
01:06:20Fuck sincerity
01:06:21Did you understand?
01:06:22Fuck sincerity
01:06:23See you later
01:06:24Be very careful with what we do
01:06:46I carry pepper spray in my purse, you know?
01:06:48Well, that's all it's good for.
01:06:49At least for your best friend's boyfriend, right?
01:06:52Lucia
01:06:53Okay
01:06:54I'm sorry
01:06:56But that was 20 years ago.
01:06:59And I assure you that I already regretted it at the time.
01:07:01No, I didn't tell you because
01:07:03Because it was silly, Lucia
01:07:05Maybe you have
01:07:09You're right
01:07:10But Candela
01:07:12You deceived me, you lied to me
01:07:13And all this for 20 years
01:07:14It's a funny thing.
01:07:15Okay, okay, you're not going to start again, are you?
01:07:17See?
01:07:17How could I tell you anything?
01:07:18If you look at how you act
01:07:19Furthermore, when sincerity is requested
01:07:22You have to know how to fit the answers together.
01:07:23Alright
01:07:27Okay?
01:07:29You're almost right.
01:07:30No
01:07:31I'm absolutely right
01:07:35Almost
01:07:36All
01:07:38You're really putting me through the wringer, aren't you?
01:07:44Yes, yes
01:07:45Well
01:07:46Quite a show, huh?
01:07:48Have you considered taking medication or anything?
01:07:49Have you seen your mother?
01:07:50Yes, it's here.
01:07:51What really matters to me now is that you please
01:07:54Please, Fiti, don't find out.
01:07:56Yes, that's why I didn't tell him anything.
01:08:00Because it's nonsense and...
01:08:03Fiti...
01:08:04Fiti looks like a hick.
01:08:05But no way
01:08:06He's a very sensitive guy.
01:08:09Highly vulnerable
01:08:10I love him, you know?
01:08:14And I wouldn't want to hurt him for anything in the world.
01:08:15I...
01:08:17I don't want to lose you over something silly.
01:08:20Made
01:08:22Thank you
01:08:23Fiti!
01:08:25Fiti!
01:08:26Fiti!
01:08:26What are you doing here?
01:08:29Well, nothing much, really...
01:08:31I came to tell you that...
01:08:32You look great today
01:08:34And we're going to go out to dinner
01:08:37You and I
01:08:37Okay?
01:08:38To a Chinese person
01:08:39Also, by letter
01:08:40You're going to be blown away
01:08:41It's been a long time since you and I went out.
01:08:43Alone
01:08:44Okay, I'm going to the Chinese place.
01:08:46But you don't eat with sticks, okay?
01:08:48Well, with the sticks
01:08:49And that's why there's no fun in going to a Chinese restaurant.
01:08:51I clip the wings of my freedom
01:08:53I have to put up with this at home
01:08:57And now here too
01:08:58Dude, I can't stand reconciliations.
01:09:01I swear I can't stand them
01:09:02Man, it's really beautiful.
01:09:03Man, he's very endearing.
01:09:04Are you going after Kirchner now too?
01:09:06Or what are you doing, dude?
01:09:07No, no, no, it's just that it pulls
01:09:08You are my hello
01:09:21I am your sea
01:09:23How many secrets will you keep from me?
01:09:28You come and you escape
01:09:31You never realize
01:09:33And I'll wait for you.
01:09:35An eternity
01:09:38I tremble and curse when I hear your name
01:09:42If you're gone, I can't breathe
01:09:48I hate you, I hate you and I love you
01:09:51I'm such a coward
01:09:51I'm such a coward
01:09:52I lose myself in you
01:09:55I get lost in myself
01:09:59Give me a joy to live for.
01:10:01Give me a reason
01:10:02To continue, and tell me what I am to you
01:10:06Give me a joy to live for.
01:10:11Give me a reason
01:10:12To continue, and tell me that I am for you.
01:10:16First
01:10:19It's beautiful.
01:10:35Marcos
01:10:40I'm so sorry
01:10:45Really
01:10:47Okay, never mind.
01:10:56If I
01:10:57I've been quite the jerk too.
01:11:00That?
01:11:01Who's going to believe that I eat a guitar?
01:11:02Marcos
01:11:09Go on, son, clean up the tent and come in for dinner.
01:11:11I'll help you, okay?
01:11:13Okay
01:11:13Where do we begin?
01:11:15Well
01:11:24Well
01:11:35What are you going to say?
01:11:38It seemed like an apparition to me.
01:11:41Look
01:11:43I want to give you this
01:11:45For the sake of tradition
01:11:51Sit down, woman
01:11:54My God
01:12:06Mother of beautiful love
01:12:08But if it is
01:12:09I'd never had one like that before.
01:12:11Look
01:12:15My house is one block away.
01:12:19So I thought about buying one for both of us.
01:12:22Here, in the neighborhood
01:12:23Near the tavern
01:12:24And from the parish
01:12:26Santiago, do you think we're doing the right thing?
01:12:30Man
01:12:30We both agree on this, right?
01:12:35I don't know
01:12:35I've been talking to my family
01:12:37With my sister
01:12:39And with Father Aurelio
01:12:40Marriage is something very sacred
01:12:43No, I'm going to take it very seriously.
01:12:46Come on, seriously
01:12:47Already
01:12:48You are alone
01:12:48I am alone
01:12:50You want a partner
01:12:51I want a partner too.
01:12:53Pure mathematics
01:12:55Pure mathematics, already
01:12:56But I think, Santiago
01:12:58Being alone is not a sufficient reason
01:13:00But if...
01:13:02I'd be happy with just anything.
01:13:04I'm very easy to handle
01:13:06But let's see, Santiago
01:13:08You...
01:13:09You have a true and deep feeling towards me
01:13:12Man
01:13:14Deep
01:13:15What you might call profound
01:13:16These things come about over time
01:13:19Love will come
01:13:20And the affection, well...
01:13:23No, but these things don't work that way, Santiago
01:13:26These things work.
01:13:29However we want it to work
01:13:30Not all marriages are going to be the same.
01:13:33Already
01:13:33But that's not what I want
01:13:34I am looking for pure and true love
01:13:36I know it's very difficult to find, but...
01:13:39That's what I want
01:13:40Pure
01:13:41So for now
01:13:44Nothing to be done
01:13:46Hey, but...
01:13:50That means we can meet up from time to time
01:13:51Wait, no, yes...
01:13:53You didn't, Santiago
01:13:54What I wanted to tell you is that if you give me back the ring
01:13:57It belonged to my mother
01:13:59Oh, yes.
01:14:01Oh, how silly
01:14:02Sorry, I was already going to keep it.
01:14:04It's turned out to be a good night
01:14:09Yeah
01:14:10It looked like it was going to rain, but...
01:14:13He has camped
01:14:20Okay, okay, we're here now.
01:14:23Well, I think you're safe this time
01:14:25Absolutely, let's go, for sure, absolutely sure
01:14:26Let's see, as soon as you see it
01:14:27There it is
01:14:27Hey?
01:14:39That?
01:14:41That?
01:14:41Well, I'm getting incredibly angry.
01:14:44But, but woman, what came out?
01:14:47But it happens to me that it's a track, right?
01:14:48And better than Picasso's tower and those leaning ones...
01:14:50Well, I wasn't there, but...
01:14:51Diego, well, things must have changed a lot.
01:14:52Because I wasn't here in my life
01:14:53So let's see if the third time's the charm.
01:14:55Yes, damn it, forever
01:15:01I know so much happened here!
01:15:06You're really mean-spirited.
01:15:07It's something that...
01:15:08Oops!
01:15:10If you could see the dumbfounded look on your face...
01:15:13But, but, man, what made me doubt?
01:15:14Because, of course, you suddenly tell me that and it makes me doubt myself.
01:15:16Because, of course, it's absurd.
01:15:17Let's see, let's see, let's see
01:15:18Let's see
01:15:19Vigo, please, stop here
01:15:21That?
01:15:22Well, that's it.
01:15:23Are you calm?
01:15:23We are here
01:15:24Is he here?
01:15:25Me? Here?
01:15:26Here?
01:15:26Well, so I guess I was going to be here.
01:15:28I don't deal with anyone
01:15:29If you previously said too soon
01:15:30Did you think this wasn't the place either?
01:15:32Well, I don't know, I thought you might have come here with some reason.
01:15:35What was it?
01:15:35Candle?
01:15:36But no, darling
01:15:38I'm not here with anyone.
01:15:39What nonsense to celebrate!
01:15:40Well, you've been silly.
01:15:40Diego, please
01:15:41That?
01:15:42Don't take me for a fool
01:15:43Hey?
01:15:44What was it?
01:15:45Candle?
01:15:46The baker?
01:15:47I just want to know.
01:15:48But what baker?
01:15:49But...
01:15:50Yes, height...
01:15:52Average
01:15:52Strong compression
01:15:55I like being in shape
01:15:57Of course, of course I'm going with serious intentions.
01:16:02I am a businessman
01:16:04And you?
01:16:06Widow
01:16:07A daughter?
01:16:10And two granddaughters
01:16:13Well, they'll be young girls.
01:16:15Because you have a very youthful voice
01:16:17Eleven and seventeen
01:16:20As?
01:16:22No, it's a very prosperous tavern.
01:16:26Yes, hams
01:16:27AND...
01:16:28I am of grace!
01:16:34I am of grace!
01:16:35Give me a joy to live for.
01:16:37Give me a reason
01:16:39To continue
01:16:40And tell me what I am to you
01:16:43Give me a joy to live for.
01:16:48Give me a reason
01:16:49To continue
01:16:50And tell me what I am to you
01:16:53First
01:16:55Give me a joy to live for.
01:17:17Give me a reason
01:17:18Give me a reason
01:17:19To continue
01:17:20And tell me what I am to you
01:17:22Give me a reason
01:17:23Give me a joy to live for.
01:17:26Give me a reason
01:17:27Give me a joy to live for.
01:17:28Give me a reason
01:17:29Give me a reason
01:17:30To continue
01:17:31And tell me that I am for you
01:17:34First
01:17:36First
01:17:40First
01:17:42I'm always there for you
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