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  • hace 2 días
Tras la ruptura sentimental de Guille y Teté, Diego intenta ayudar a su hijo a superar este bache y le sugiere pasar juntos un día en el campo. El joven acaba aceptando sin gran entusiasmo la propuesta de su progenitor y poco después, Diego descubre las dificultades para comunicarse con su hijo adolescente. Mientras tanto, Choni se encuentra con un antiguo novio que la abandonó al no considerarla un buen partido. En un afán por darse importancia, la hermana de Fiti finge ante él ser la directora del centro escolar en lugar de la conserje que actualmente es. Además, Choni pide a Lucía que le apoye en este juego y le permita convertirse en la señora Serrano por un día. Por otra parte, Jaime, el amigo bombero de Álex, llega a la ciudad para pasar unos días con África. Sin embargo, las atenciones que el joven dirige a Helena levantan las sospechas de Raúl y Chuky.

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00:00:09Take the churros
00:00:10Look, no, you leave some, okay, work?
00:00:13And you eat some
00:00:14It's because you haven't eaten anything.
00:00:16Well, neither churros, nor porras, nor anything else.
00:00:18Guille is no longer happy even when Real Madrid wins
00:00:20And one of two
00:00:21Either Guille has changed teams, or he hasn't.
00:00:23Either something's wrong with him or he's doing it.
00:00:27Hey, I'm leaving, I'm not hungry.
00:00:29Hey, che, che, che, che, che, che, che, come here
00:00:31Come here
00:00:33What do you mean you're not hungry?
00:00:34You'll have to eat something, I suppose.
00:00:36Come on, let's have breakfast
00:00:42Even I, who's not supposed to know much about these things, even I don't.
00:00:45I realized that something is going on between Guille and Teté
00:00:48What's wrong, aren't you talking?
00:00:50No, no, no, no
00:00:52Guille, let me tell you something, you can't fool me.
00:00:54And even less so now that I'm studying psychology, you understand?
00:00:56Because psychology was yours to understand what people are like
00:00:58And even if you tell me no
00:00:59I am perceiving a witheringness
00:01:01There is withering
00:01:02We all notice it except for my father.
00:01:04And he's studying psychology like crazy!
00:01:07And what they're putting up here are dikes.
00:01:08Oh, just leave it, okay? Please.
00:01:10Well, look, I'm not going to let it go.
00:01:11And do you know why I'm not going to quit?
00:01:13No, because breakfast is very important in family relationships.
00:01:15In other words, bonds are established at breakfast.
00:01:18The dialogues between the family
00:01:19They talk about things
00:01:20This business of talking while having breakfast
00:01:22It wasn't invented by a family doctor, no, no, no
00:01:23Breakfast is the MOT test of family dialogue
00:01:26Let's see if we understand.
00:01:28But what did I say?
00:01:33Do I lack love?
00:01:41Diego, they've been like this for over a week.
00:01:43Yes, but it will be some kind of fight
00:01:45Don't tell me they're going to...
00:01:49That's why
00:01:49So you're talking to Guille
00:01:51I'll talk to Tete, okay?
00:01:53My father has traded the toilet brush for dialogue
00:01:55But since he's only been involved with psychology for a short time...
00:01:58He doesn't know that sometimes it's better to keep quiet
00:02:00And that's what happened to him.
00:02:02Because they wanted to have a dialogue
00:02:03He ended up going into a forest
00:02:05On a platform at the station
00:02:07Under the scorching sun
00:02:09You were talking about a skyscraper in the sky of New York
00:02:13Come soon to see the sea
00:02:15And you send a postcard
00:02:16I already knew that day was the end
00:02:21Now I have much more
00:02:24Red, black, stop, odd
00:02:26Finally, luck brings an ace
00:02:28And a glass to look through
00:02:30And a wall to hang it on.
00:02:32Seven smiling faces in one ID photo
00:02:35My stories weren't about tales.
00:02:38Made by chance
00:02:42Nobody told me that fate would give me this opportunity.
00:02:49One plus one equals seven
00:02:51Who would have thought?
00:02:56That it was so easy to be happy
00:03:17I'm sorry, darling.
00:03:19Do you have dirty clothes?
00:03:21Uh, yeah, I mean, no
00:03:22I washed it yesterday.
00:03:26Hey, if you're not feeling well and you want to talk
00:03:27You know you can tell me now
00:03:30Yeah
00:03:37Guille must have given me a gift with his four months' pay
00:03:45But it's final, daughter
00:03:51Yes, yes, yes, I'm sorry
00:03:54Oh, I'm sorry, my love.
00:03:58God, how you've grown!
00:04:02This was two days ago
00:04:03It's like my little cotton ball
00:04:05And look at you now.
00:04:07I want to continue being your cotton ball
00:04:12That's what it's like being older, daughter
00:04:15I wish we came with an instruction manual
00:04:17That would make things much easier for us.
00:04:20What are you doing, Dad?
00:04:22He's not saying anything.
00:04:23What should you do?
00:04:24Nothing, he's not saying anything.
00:04:25Go pee, son
00:04:26No, I don't feel like it.
00:04:27No, no, no, no, come here
00:04:27Don't hold it in, holding it in is bad.
00:04:29Go pee right now
00:04:29Come on, no, donkey, come on, let's go
00:04:36Still
00:04:38Yeah
00:04:41How are you, Guille?
00:04:42How's it going?
00:04:44Very good
00:04:45Good
00:04:46You see, Guille
00:04:47I just wanted to
00:04:48I wanted to talk to you
00:04:51Guille
00:04:53You've always been like a little cotton ball
00:04:56In life, Dad
00:04:57In life
00:04:58Yes, indeed.
00:04:59In life, son
00:05:00You've been more like a thistle.
00:05:02No, but...
00:05:02Oh, look, please
00:05:03Please
00:05:03If you have to give me a slap on the back of the head
00:05:05Give it to me now
00:05:05Or grab the toilet brush
00:05:06But quickly
00:05:06No, Guille, for God's sake!
00:05:07But what are you telling me?
00:05:08A slap on the back of the head?
00:05:09Those are outdated methods
00:05:10I'm not going to scold you, am I?
00:05:12I wanted to talk
00:05:13I wanted to talk about you
00:05:15And from Tete
00:05:19Dad, I'm fine.
00:05:20Okay, okay
00:05:21And I, as your father, am
00:05:22I'm glad you're okay
00:05:23Because it's good to be well, my son.
00:05:24Now that I'm going to university
00:05:25Well, this is something that is known
00:05:26So, feeling good is good, right?
00:05:28Okay, fine.
00:05:28That's why you go to university.
00:05:30Guille
00:05:32Very good
00:05:32What I'm trying to say is that it's good
00:05:35But what if you weren't well?
00:05:36In other words, if you had
00:05:37What a pain
00:05:38Suffering
00:05:38A suffering
00:05:39Well, I want to tell you, my son
00:05:41That these things can be overcome
00:05:43It is overcome
00:05:44Guille
00:05:45Yes
00:05:45That is overcome
00:05:46These things
00:05:48Well, they get better.
00:05:49But be careful
00:05:49We didn't come with an instruction manual.
00:05:52Under the arm
00:05:52What more could we all want?
00:05:54Adults and children
00:05:55All of us who would like to
00:05:55But oh well, if not
00:05:56And if not
00:05:57I mean, I'm there
00:05:58I mean, with you.
00:05:59In other words, the two of them together.
00:06:00For whatever you want
00:06:01Understand that
00:06:02But I
00:06:03Guille, Guille, Guille
00:06:05That?
00:06:09Your sneakers
00:06:11I like them
00:06:12They are youthful, sporty type
00:06:43Thank you
00:06:45Churri
00:06:46Don't complain, Afri
00:06:47I have a two-day shift at work.
00:06:48Hey?
00:06:49Poor Alex
00:06:50He has to work two days and have five days off.
00:06:52It doesn't work
00:06:53Afri
00:06:54Look what's come his way
00:06:55Hello my love
00:06:57Believe me.
00:06:59What a surprise
00:07:00Believe me.
00:07:01Well, nothing.
00:07:02I have an exam tomorrow.
00:07:04And it's perfect for me.
00:07:05Because that's how I see my girls
00:07:07I haven't seen her in a long time.
00:07:08I'd eat it up!
00:07:10One stop
00:07:11No, no, Josico
00:07:12No
00:07:12You can't fool me, man.
00:07:14That's for bullfighting at the sales.
00:07:16That I haven't told you
00:07:17I told you it's over
00:07:19Child already
00:07:21My God, what a day!
00:07:22It looks like Valentine's Day
00:07:23But in a dodgy way
00:07:24Look what I'm telling you, Lurdita
00:07:25Your brother is very cheeky.
00:07:26But cheek, cheek
00:07:27When it's for something that requires something
00:07:29On the topic of love and/or sex
00:07:30So yes, he does remember Choni
00:07:31But if not, he doesn't remember
00:07:33What nonsense are you talking, Choni?
00:07:34He's crazy about you
00:07:36Go on, silly girl
00:07:37Forgive him
00:07:37Look what I'm telling you
00:07:39The bells will toll
00:07:40Before he comes back into my house
00:07:42And let me continue with that.
00:07:43Because you're getting into a loop, wedge
00:07:45Hey, look, let's do one thing
00:07:47We got out, we had a drink
00:07:48And we relaxed
00:07:49Come on, Choni
00:07:49No, you get down.
00:07:50Get down
00:07:51Leave me here alone with my sorrows
00:07:52But no, man
00:07:53That way I can relax a little.
00:07:54Come on, queen
00:07:55Hey, enjoy it, honey
00:07:57Thank you
00:08:01Johnny?
00:08:03Leo?
00:08:09Leo?
00:08:10But dude, but
00:08:11But, but, what are you doing here?
00:08:13Nothing, I've just come to bring a nephew
00:08:14Her parents are away on a trip
00:08:16Ah
00:08:16Don't tell me you're
00:08:18The director
00:08:49The director?
00:08:49I mean, if I'm not talking about that, then this is it, king.
00:08:52I'm so glad to see you, really.
00:08:55Me too
00:08:56I'm glad to see you
00:08:57But I've had a morning that
00:08:58I'm super busy
00:09:00Here
00:09:00No, no, I have to leave too.
00:09:02Ah
00:09:03Well, nothing much.
00:09:03Until next time
00:09:04Until next time
00:09:05Hey, and I'm really glad to see you, I really am.
00:09:07Take care, okay?
00:09:08Have a good one
00:09:09Yes, no, if things go well for me
00:09:10See if it works for me
00:09:11Superbly neglected
00:09:17Okay
00:09:19Bye
00:09:41Bye
00:09:42Fiti, I don't know
00:09:43Well, I'd say he'll shave
00:09:44Because he's at that age
00:09:44Or he's not old enough
00:09:45Yes, he's at that age, isn't he?
00:09:47Already
00:09:48And do you know if
00:09:50Have they crossed it?
00:09:51But what, Diego?
00:09:52But how can you say that they crossed paths with her?
00:09:53But for God's sake, is it a child?
00:09:54But what's the point of giving birth?
00:09:55Why would she give birth?
00:10:12I was asleep and I don't know him.
00:10:13So, I'm a bad father
00:10:14Do you understand that?
00:10:15A bad father
00:10:16Will you shut up, Grogui?
00:10:17And mind your own business, damn it?
00:10:18Well then, go ahead.
00:10:19That
00:10:20What do I do now?
00:10:21Do you remember when Lucia stood you up?
00:10:24Yes, I remember, Santi, I remember.
00:10:26No, no, not this time
00:10:26When he went to Barcelona
00:10:28When he...
00:10:28Yes, I do remember.
00:10:30And what did your father do to cheer you up?
00:10:33Well, you're the same with Guille.
00:10:34You take the tin can
00:10:35And off to the countryside
00:10:36There's nothing better than the outdoors
00:10:38To start a conversation with a son
00:10:39I didn't go to Santi's dad's soccer game either.
00:10:42But did you come back or not?
00:10:44I came back, Santi, that's true
00:10:45I came back, it's true
00:10:45Hello good
00:10:46What's happening?
00:10:47Okay, Santiago
00:10:47Give me a sun and shade, please.
00:10:51Well, a little Toledo night
00:10:53That?
00:10:53My sister put you in your place, didn't she?
00:10:55What he's done is kick me out.
00:10:57So, that's it, in your place
00:10:58Yeah
00:10:58And why are you confusing me?
00:11:00I forgot to let you know and nothing.
00:11:01My beans got cold
00:11:03Look
00:11:03Sure, what a young lad, and not for that matter either, Joselito
00:11:06Not giving notice is rude.
00:11:08And leave me out on the street too
00:11:09The other one doesn't bother you.
00:11:09Yeah
00:11:10Well, have what a man is supposed to have.
00:11:11And ask for forgiveness.
00:11:13But my sister isn't that resentful either.
00:11:14No, no
00:11:15Your sister, who is not resentful, says
00:11:18I go back home and he has me eating beans for 15 days.
00:11:20Damn, the sunboat
00:11:21No, Santiago?
00:11:22One
00:11:23Fifty, damn it
00:11:24God, one fifty
00:11:26There it has fallen
00:11:27Are you buying a yacht?
00:11:32Chucky, are you coming to the movies, yes or no?
00:11:34Slow down, man, I fell asleep last time.
00:11:36Besides, here I am, feeling like a prince with my blanket, and it's cheaper.
00:11:40Uncle
00:11:41Poor thing, I've left him stranded.
00:11:44No, I understand you, it's the same thing.
00:11:45A guy like Jaime, I've also left you high and dry.
00:11:48Because I know you're more heterosexual than Fari
00:11:50Otherwise I would get jealous
00:11:51I swear
00:11:52Hey, hey, what's up?
00:11:55Damn, the little train
00:11:58Hello good
00:12:02Was this where you did the other interview?
00:12:04Well, that's it
00:12:05Am I doing okay?
00:12:07Yeah
00:12:07You're doing great, your resumes really stand out.
00:12:11Chucky, don't be a cell, dude.
00:12:20I don't know, it won't be for lack of it in this house.
00:12:22From resumes
00:12:24Yeah, man, because Elena's not going either.
00:12:26Elena, I won't even tell you, she has some impressive resumes.
00:12:28But it's very interesting.
00:12:29Hey, hey, what's up? What's up? What's up? What's up, fireman? Hey?
00:12:32You should focus less on what you need to be doing and more on what you need to be doing.
00:12:35Hey, hey, tough guy, that's it, it's okay.
00:12:38But I have eyes, right? Or what's wrong?
00:12:40No, no, you have no eyes
00:12:41You don't have to have them.
00:12:43Okay, I'm leaving.
00:12:44My cleavage and I have a job interview
00:12:48Will you be okay?
00:12:48Yes, don't worry, I'll manage.
00:12:50Sure?
00:12:54Luck
00:12:56Bye
00:12:56Goodbye, girl, good luck
00:12:58Luck
00:12:58Thank you
00:13:01Hey Elena, what are you going to do this afternoon?
00:13:03Well, I hadn't thought about it, why?
00:13:05No, because I wanted to take a walk around Madrid
00:13:07And if I go alone, I'm sure I'll get lost.
00:13:09Okay, I'll get changed and we'll go.
00:13:11Two minutes, okay?
00:13:20Look, José Luis, what a lack of shame he had!
00:13:22Not me, no way
00:13:25What was he thinking?
00:13:26That with a sad call
00:13:27Throw away the chona and be happy
00:13:28No, daughter, so that I can forgive him
00:13:29Something else is needed
00:13:30We need a bouquet of flowers
00:13:32A peppermint, I don't know
00:13:33Knowing how to do it
00:13:33I mean, you've only been here a minute of the day
00:13:35Turn it off, put it on vibrator
00:13:36One of two
00:13:36Hey, on vibrator
00:13:37Lucia says
00:13:38She has a song
00:13:40Luci, Lucia, Lucia, Lucia!
00:13:41Pull, pull, pull, pull, pull, pull
00:13:44Pull, pull, pull, pull, pull
00:13:45Look, look, look, look
00:13:46Look, look, look
00:13:47Look, look, look
00:13:48Look, look, look
00:13:49What's happening?
00:13:50What's happening?
00:13:51Yes, what's wrong?
00:13:54Well...
00:13:55Well, look at it
00:13:55Everything sparked
00:13:56Everything sparked
00:13:58What's all sparked up, Choni?
00:14:00What are you on about?
00:14:01Don't you see they're peeing outside?
00:14:03They pee outside, they don't care
00:14:04Well, with all this mess
00:14:05Pana pee outside
00:14:06The truth
00:14:06Well no
00:14:08No, because then the time starts
00:14:09He complains
00:14:10And who gets it then?
00:14:10With the tole tole all day
00:14:11Me
00:14:11Yes, yes, Choni
00:14:12It's not that big of a deal, is it?
00:14:13Leave the kid alone, man
00:14:14Ah, it's not that big of a deal.
00:14:15Well, it's not that big of a deal.
00:14:16But they start by peeing outside
00:14:18And they end up in reform school
00:14:20Well
00:14:21I have class
00:14:22Okay, well, that's it.
00:14:23See you later
00:14:28Next time
00:14:29You have to clean it with your tongue
00:14:30Look what I'm telling you
00:14:31Okay
00:14:36Damn, Guille
00:14:37Or your father is lost
00:14:38Or the almond has gone mad
00:14:39What's up, Guille?
00:14:40What's happening?
00:14:41And company, how are you?
00:14:41How are you?
00:14:43What's happening?
00:14:44But what are you doing here?
00:14:45With that?
00:14:46What do you mean by this?
00:14:47These are fishing rods
00:14:48Except it's a complete set
00:14:49That I just bought
00:14:50Premium
00:14:51One thing, Guille
00:14:51I wanted to ask you
00:14:52Have you ever fished?
00:14:55No, the truth is no.
00:14:56No, you'll see.
00:14:57I'll tell you about it.
00:14:58Because I have plans tomorrow.
00:14:59With Fiti and Uncle Santi
00:15:00And in going to the countryside
00:15:00Let's do a little fishing
00:15:02Like men
00:15:02And I said to myself
00:15:04Hey, Guille
00:15:04He's a grown man now.
00:15:05And I'm sure he'd like it.
00:15:05Come with us
00:15:06Hey, tough guy?
00:15:07No, well
00:15:07Oh, but no, Dad.
00:15:09That it's not necessary
00:15:10Really
00:15:10Go by yourselves
00:15:11No no
00:15:11Seriously, Guille
00:15:12I insist
00:15:13I know it's going to be better
00:15:14In other words, we're going to overdo it.
00:15:14Like little ones
00:15:15There, you tell me.
00:15:16In the heart of nature
00:15:17In other words, going into the countryside
00:15:17Toughening ourselves
00:15:18We fished
00:15:18Then we light a bonfire
00:15:19We shaved together
00:15:20Or you shave now, right?
00:15:22Take
00:15:23But
00:15:24Look, Dad
00:15:25If only
00:15:26We have tons of plans
00:15:27Sure, sure, sure
00:15:28We have a lot of things to do.
00:15:30Know?
00:15:30You'll see things.
00:15:31Of too much importance
00:15:32In other words, you can postpone it.
00:15:33For another day
00:15:33I'm telling you.
00:15:34Come on, I don't want to get involved.
00:15:35Look, Dad
00:15:36What's more
00:15:37Which would be missing a class
00:15:39And there are exams.
00:15:41Know?
00:15:41There are exams.
00:15:42Well, I have to study.
00:15:43And so
00:15:44Can't
00:15:45Already
00:15:46Well, there are exams.
00:15:48And you have to study
00:15:48And so
00:15:49Well, listen
00:15:49So what are we going to do?
00:15:49Another day will come
00:15:50Neither
00:15:51Well, nothing much.
00:15:53I'll leave you now.
00:15:53That
00:15:54Keep studying
00:15:56Bye
00:15:57Hello
00:16:02Hello
00:16:02Hello
00:16:03Hey Churri!
00:16:04How did the interview go?
00:16:05Well
00:16:06Hey, Raúl
00:16:07Yeah
00:16:09Don't call me Churri
00:16:11In front of Jaime, okay?
00:16:13Okay
00:16:14By the way, where is it?
00:16:16He's gone
00:16:17He went with
00:16:18With
00:16:18Elena
00:16:19Hello
00:16:20Ah, okay.
00:16:22Hey, I'm going to the bathroom
00:16:23I can't take it anymore.
00:16:24Hi guys
00:16:24Hello
00:16:25Where have you gone?
00:16:27Well, nothing.
00:16:27That Madrid
00:16:29It has so much cultural offering.
00:16:30You never know.
00:16:32A choice must be made.
00:16:32Hey, but
00:16:33Where have you gone?
00:16:34It's about the cultural offerings
00:16:35Where have you gone?
00:16:36We went to the army museum
00:16:40As?
00:16:42From the army
00:16:43In other words, nothing was open
00:16:45Know?
00:16:46But as for monuments
00:16:48It's the one I have here
00:16:49Hey?
00:16:51Hey?
00:16:51Hey?
00:16:51Hey?
00:16:51How stupid are you?
00:16:52Come here
00:16:53No, no, no, no
00:16:54Not now
00:16:55But why not now?
00:16:56No, I can't
00:16:57But how could you not be able to?
00:16:58If you can go
00:16:59Come here
00:17:01Take it off
00:17:03What a nightmare, man.
00:17:04Shut up, shut up, damn it
00:17:05There's tomato here
00:17:06Fuck
00:17:07Look, the evidence speaks for itself.
00:17:09Okay
00:17:09Ah, watch out!
00:17:11Elena to the bathroom
00:17:12B, Jaime says he can't
00:17:15And C, have gone to the army museum
00:17:19A and B
00:17:20Okay, but the C
00:17:22Let's see
00:17:23Would you take a hottie like Elena?
00:17:24To the army museum?
00:17:25Well no
00:17:26Guys, there's all sorts of people in the world.
00:17:28Oh, how nice!
00:17:32Elena
00:17:33How are you?
00:17:34How was your experience at the wax museum?
00:17:37Jaime told me that you were there
00:17:39Made of wax?
00:17:40Made of wax
00:17:41Good
00:17:42Good
00:17:43Everyone very
00:17:46Very still
00:17:47River and wax
00:17:54Good afternoon, Choni
00:17:55See you later
00:17:58What are you doing?
00:17:59No, here, follow me
00:18:00Choni!
00:18:01Choni!
00:18:01Choni!
00:18:01Choni!
00:18:02Oh my God!
00:18:02What are you doing!
00:18:03But, Choni!
00:18:04Shut up!
00:18:05Shut up!
00:18:05Come on!
00:18:06Shh!
00:18:07Shh!
00:18:07Choni, for God's sake, what are you trying to do?
00:18:09What are you trying to do?
00:18:10Choni, what are you doing?
00:18:12Be quiet!
00:18:13Choni, what, what, what, what?
00:18:14Don't say anything
00:18:14Yes, yes, yes, yes
00:18:16What are you doing?
00:18:19I was looking for you.
00:18:21I'll spend a moment
00:18:22Bellido, bellido, bellido
00:18:23I have no other choice.
00:18:25This time, they should tell their parents.
00:18:27That you spend your life smoking in the bathroom
00:18:29But do you think it's beautiful?
00:18:30Do you think those things happen at this institute?
00:18:34And not because I don't feel like getting into trouble today, because I've had a really bad day.
00:18:37But please leave, I'll call you later.
00:18:39Come on!
00:18:40Good afternoon
00:18:42Good afternoon is what you say when you go to one of the places
00:18:49I'm really busy.
00:18:50You see?
00:18:53Well, I wanted to talk to you because
00:18:55I noticed you seemed a little hurt by me earlier
00:18:57No, no, no, no
00:18:58Don't you think Choni looks really strange?
00:19:00Damn, weird, I did
00:19:02He too
00:19:04Where is?
00:19:04I don't know
00:19:05But that wasn't my intention, you see.
00:19:07It was not my intention
00:19:09If I had thought you were going to take it like that
00:19:11Neither
00:19:12I'm only going to be in Madrid for two more days.
00:19:14And the truth
00:19:15It would be a shame if I couldn't.
00:19:16No, don't worry
00:19:17Don't worry, because I don't hold a grudge.
00:19:18I don't hold a grudge.
00:19:19I have no grudges
00:19:20I don't have
00:19:21Come on, what I have
00:19:23It's a meeting of teachers who are waiting for me.
00:19:25And if I don't go, they'll get on my case.
00:19:27Come on, they're making me angry.
00:19:28Do you understand me?
00:19:29Well, if you want, we can meet tomorrow.
00:19:30No, tomorrow is impossible.
00:19:32Tomorrow is definitely impossible.
00:19:33Impossible in every way
00:19:34I have a day tomorrow
00:19:35And let's go
00:19:36And I've got it completely messed up
00:19:38What's going on with this job?
00:19:40Well, this is a great job!
00:19:41He has a sweet tooth.
00:19:42But then he's also very much a slave.
00:19:44But then he's very demanding because he doesn't leave you alone for a second.
00:19:46Know?
00:19:46For your personal life
00:19:48Hello
00:19:48Hi girls
00:19:49Madam Director
00:19:51Yeah
00:19:51Look, we wanted to try a seed with this
00:19:54Yes, well look
00:19:55It's just that right now, at this moment...
00:19:56As I was telling him
00:19:57It won't be possible because I'm extremely busy.
00:19:59I'll accompany you, I'll accompany you to the door
00:20:00I'm on my way there
00:20:01Another time, girls
00:20:03We talked about it.
00:20:05Sorry
00:20:06Yes, sorry.
00:20:19How was your day?
00:20:21There's been everything
00:20:24Shall we start with the bad news, Curro?
00:20:28I got a three in math.
00:20:31A three?
00:20:32But what do you mean, a three?
00:20:33But you're very clever, son.
00:20:34But you're the smartest of the Serranos
00:20:37Let's see if they've given Lucia the changeling.
00:20:38And the child hasn't noticed.
00:20:40He hasn't found out
00:20:40No, Dad.
00:20:41That's not it
00:20:41That the square roots
00:20:43They are very difficult
00:20:44Square roots are very difficult
00:20:45Square roots are very difficult
00:20:48Well, it's true
00:20:49The child is right.
00:20:50Hey, square roots
00:20:51It has its intrinsic
00:20:51Lucia
00:20:52I, for example, in life
00:20:52I, square roots
00:20:53Don't even touch them
00:20:54I mean, well, but
00:20:55You'll have to turn them on.
00:20:56Yes, without a doubt
00:20:57You'll have to turn them on, yes
00:20:58But
00:20:59It's very low
00:21:00In other words, a three is very low.
00:21:01Curro, that is, without mincing words.
00:21:02It's very low
00:21:03And that's it.
00:21:03Are you going to punish one of me?
00:21:05No
00:21:07No, I'm not going to punish you.
00:21:08And you might wonder why?
00:21:09Why shouldn't I punish you?
00:21:10Because I don't want mathematics
00:21:11They don't stop, my son
00:21:12And that's it.
00:21:13Diego, relax
00:21:14No, no, no
00:21:14I'm completely serious.
00:21:15So, I messed up with Guille.
00:21:16Because I messed up with Guille.
00:21:17And I don't intend to allow it.
00:21:18Come on, I'm not going to lose the child
00:21:21There are calculators
00:21:21I don't think
00:21:22Diego, really
00:21:23You can't take Guille's thing so badly
00:21:25No
00:21:25Well, try to understand him
00:21:26Going to the countryside with your brother
00:21:27And with Citi
00:21:28At his age
00:21:28Well, they're not a great plan
00:21:29No, that's not the problem.
00:21:30Lucia
00:21:31He just doesn't feel like it.
00:21:32Come to the countryside with me
00:21:33In other words, with his father
00:21:34Because that's why
00:21:34I've spent my whole life
00:21:36Threatening him with a broom
00:21:37In other words, Guille doesn't see me as a father.
00:21:38He doesn't see me as a friend
00:21:39In other words, he sees me as a walking broom.
00:21:41A living toilet brush
00:21:42I am the living toilet brush
00:21:42Then we talked about what's repatented
00:21:45Why don't you go with Curro to do your homework?
00:21:47Okay?
00:21:47Okay
00:21:52Hey, one thing
00:21:53What are the small toys called?
00:21:54These, the Japanese and the Chinese
00:21:55These, the madness
00:21:56What are those called?
00:21:57A vaccine
00:21:57A vaccine
00:21:58Hey, what's up, Guille?
00:21:59How are you?
00:22:02Guille, can I talk to you for a moment?
00:22:04Well
00:22:06But what more proof do you want, man?
00:22:07If Afri is wearing the hair comb
00:22:09Trunk, you have the right to know
00:22:10Look, I'm not doing myself any good, Chucky
00:22:12Okay, that's fine.
00:22:16Oh, damn, I'm going to take a dump, dude.
00:22:19Oh, look
00:22:20Hey, hello!
00:22:22Hello good
00:22:23Hey!
00:22:24Hello
00:22:27What's up, guys?
00:22:28Hey, what's up, man?
00:22:33Hey, can you excuse me for a moment, okay?
00:22:36Yeah
00:22:38Hey, guys
00:22:38A question
00:22:39Do you have plans for tonight?
00:22:40Because, I don't know
00:22:41I was thinking that
00:22:42Maybe Jaime and I
00:22:43We wanted to go to a restaurant
00:22:44Raúl
00:22:45Raul, can you hear me?
00:22:46Uh, yeah
00:22:46Yes, if not
00:22:47It's the male here
00:22:48The groqui, dude
00:22:49It seems he's not paying attention.
00:22:50I'm going to have to go.
00:22:51I'm going, I'm going
00:22:52A couple of beers
00:22:53Or something
00:22:53Come on
00:22:54I'll go with her
00:22:54Because he's so clumsy
00:22:55Lately that
00:22:56Okay
00:22:58Progi
00:22:59Nothing, eh
00:22:59Whenever you can
00:23:01Yes, my love.
00:23:02As soon as I arrive
00:23:03And as soon as I arrive
00:23:04I'm going to see you
00:23:04Absolutely.
00:23:07Yes, I love you too.
00:23:08How could I not love you?
00:23:10Well my love
00:23:11A little kiss
00:23:12A kiss
00:23:14Bye
00:23:14Afri?
00:23:16Hi Jaime
00:23:16Hi Elena
00:23:17How are you?
00:23:19No, we're leaving, Santi.
00:23:21Okay, then you'll tell me all about it.
00:23:22What do the three of us do?
00:23:23Like three idiots
00:23:23There in the field
00:23:24If not, if not, if not
00:23:25Here comes Guille, kid
00:23:26Already
00:23:27Dad, can we take this?
00:23:28Yes, son, yes
00:23:29Take it, yes
00:23:30That's how it sounds, Santi.
00:23:31What do you want me to...?
00:23:33One moment
00:23:36Sorry, son
00:23:37What did you say...?
00:23:38No, I mean
00:23:38Yes, I heard you perfectly.
00:23:40So...
00:23:41But that means that...
00:23:42Yes, I'm going, daddy.
00:23:44Santi
00:23:45Santi, we're going
00:23:46Yes, yes
00:23:47Well, I've changed my mind.
00:23:48Hey, in life
00:23:48We need to change our minds
00:23:49You have to have a little bit
00:23:50Regarding flexibility, Santi
00:23:51But then you...
00:23:53Take the deck of cards, of course.
00:23:54Of course
00:23:54Okay, see you later
00:23:55You'll see, son
00:23:56We're not going to have a great time
00:23:57Let's go fishing
00:23:58Let's cook
00:23:59Let's go mushroom picking
00:23:59In short, it's outrageous.
00:24:01But you realize it, my son
00:24:02What it's like to live there
00:24:02In the heart of nature
00:24:03In other words, peeing under the stars
00:24:04No no
00:24:05Without changing anything
00:24:06And without shaving
00:24:08You shave, son
00:24:10It wasn't that long ago
00:24:11Nothing.
00:24:12Lucia!
00:24:12The boy is shaving!
00:24:13For God's sake
00:24:14Give me a hug, my son
00:24:15What joy you bring me!
00:24:16What joys come with packing your backpack?
00:24:17Mom, I'm packing a few things tomorrow.
00:24:19But what about tomorrow?
00:24:19How obvious is it, Guille?
00:24:20You don't go to the countryside much.
00:24:21The backpack is essential
00:24:22It needs to be prepared well.
00:24:23That's an art
00:24:23Do you mind, Lucia?
00:24:25Let's go for a moment...
00:24:26Ten minutes
00:24:27Okay, I have dinner ready.
00:24:28Come on, let's pack our backpacks
00:24:29Come on
00:24:30Oops!
00:24:31Excellent!
00:24:31Dinner, backpack, we have to go!
00:24:33One thing, one very important thing
00:24:35I'm going to give you a present
00:24:36I'm going to give you
00:24:37Father's compass
00:24:39Hey, Dad, don't worry
00:24:40Know?
00:24:40We're not going to the Amazon.
00:24:41Don't freak out
00:24:41Don't freak out, Miguel
00:24:44No, son, no slaps.
00:24:45Let me explain, you'll see
00:24:46The compass is essential
00:24:47In other words, to have a good compass.
00:24:48Come on, you can go all the way to the North Pole
00:24:50With the compass
00:24:56I'm going, ...
00:24:59Hello good
00:25:00Good morning, family
00:25:01Which boy?
00:25:02How about I still work while I'm sleeping?
00:25:03Where are you going all bundled up?
00:25:05Are you going to get fried?
00:25:05The countryside is very treacherous
00:25:07The same advisor as downpour
00:25:08Well, where are the ones from the edge of the impossible?
00:25:10That's where he wants them
00:25:11I'm going to take out my cups
00:25:13Brother, what happened to you?
00:25:14What happened to me?
00:25:15I get excited packing my backpack here
00:25:16Dude, I've got a terrible backache like this
00:25:18And I've developed a full-blown lumbago
00:25:19A painful
00:25:21You're not cut out for going to the countryside, are you?
00:25:23You remind me of Chiquito la Calzada
00:25:25Well, don't worry
00:25:26As soon as it heats up and moves forward
00:25:27We're not here anymore, Dad.
00:25:29Look, here you are
00:25:30Damn, you look like La Bordeta
00:25:32Are they going?
00:25:32Knowing that you're not bringing things
00:25:33What things?
00:25:34But I bring you what you have to bring
00:25:35In other words, a well-made backpack.
00:25:36For example, with the humigal
00:25:37Beware of the humigal
00:25:37You're going to break it
00:25:38The reeds, in short
00:25:39The blankets, canteen
00:25:39We do everything
00:25:40Yes, yes
00:25:41And I've taken the bar and the pachi
00:25:42We're going to play some games
00:25:44What will the Champions League be like?
00:25:45From the auctioned tute
00:25:47Because you know how to play tute, right, Guillermo?
00:25:49Well, it's gotten out of hand now.
00:25:51Look, uh, pay attention!
00:25:53Do you know what this is?
00:25:55Uh, this is all you need to bring
00:25:56An adventurer in the countryside
00:25:57Look, with night vision
00:25:58Night vision
00:25:59Night vision, kid
00:26:01That's ok
00:26:02Night vision
00:26:04Here, take the first aid kit
00:26:05And you, the sandwiches
00:26:06Hey, the...
00:26:07What's that called?
00:26:08The...
00:26:09The...
00:26:10The compass
00:26:10You've picked up the compass
00:26:11Yes, yes
00:26:11I've forgotten the names
00:26:12Because it makes me nervous
00:26:13But the compass explains it to you.
00:26:14The compass is very important
00:26:14You don't recognize it
00:26:15But it is very important
00:26:16To find your way
00:26:16And to find one's way in life
00:26:18Okay, son
00:26:18Alright
00:26:19Come here, Dad
00:26:19Let her take it
00:26:19Give them a...
00:26:21A kiss to Currú and Pequena
00:26:22Okay, see you later
00:26:23They have woken up
00:26:23With all this mess
00:26:25Hey, you'll see.
00:26:26You're going to have a great time
00:26:27Hey?
00:26:28Positive
00:26:28Yes, my friends told me
00:26:30The first day of school
00:26:30And I still haven't found it funny.
00:26:32Okay, dude
00:26:33Come on
00:26:41And that was it.
00:26:42A holocaust
00:26:43It seems like I'm seeing myself.
00:26:45There, at 20 years old
00:26:46And the other one in front of me
00:26:48That I was in love
00:26:49And that he was losing
00:26:50Telling me that he was leaving me
00:26:51Because I
00:26:51It wasn't a good match.
00:26:54And now it reminds me of it again
00:26:57And what am I?
00:26:58Vedela
00:27:00Sadly
00:27:01Vedela
00:27:03Well
00:27:03I'm going to find out how he's doing, okay?
00:27:05Well, divinely, damn it
00:27:05Don't you see it?
00:27:06His father was a businessman
00:27:07Lifetime
00:27:08A lifetime of money
00:27:10You only have to see it to understand.
00:27:11Money attracts money
00:27:13And I, really
00:27:14That it was not my intention to lie
00:27:15But I saw him there at the door
00:27:19He handed it to me on a silver platter.
00:27:20And of course
00:27:21The spinach I had too
00:27:22It was so big
00:27:23Of course, daughter
00:27:24What pain, what painful things
00:27:26And I understand you
00:27:27I understand you, Choni, okay?
00:27:28Look, he deserves it, he deserves it
00:27:29Look, there are some real characters out there.
00:27:31What a mess
00:27:32The truth
00:27:34And I say one thing
00:27:35Because
00:27:36Lying is not the same
00:27:37Not telling the truth
00:27:39No?
00:27:40No, Choni
00:27:41No, because lying is one thing.
00:27:42And another very different thing to omit
00:27:44Where do you want to go?
00:27:45I see you coming, Choni
00:27:46And I don't know if I like it.
00:27:48So, what's up?
00:27:49Who can it hurt?
00:27:49Does he think I'm the director, Lucia?
00:27:52Whom?
00:27:53Whom?
00:27:54Choni, you can't be like this forever, man
00:27:56If not for life
00:27:57If it's two days
00:27:57That'll be over in a flash
00:27:59That goes by in a flash
00:28:02Sorry
00:28:03Choni
00:28:04A beer?
00:28:05Hello, Leonardo
00:28:06Come on, today's the day, right?
00:28:08Look
00:28:09I can't because you've caught me here.
00:28:10Talking to some
00:28:13Teachers
00:28:13That we were gathered
00:28:14We are gathered
00:28:15And we cannot
00:28:16Well
00:28:18Well, let them come with us.
00:28:20Come on, you're already from the air
00:28:20I'm sure you're all stuck here all day.
00:28:23Yes, come on then
00:28:24But?
00:28:25Oh, well yes, yes
00:28:26Look, Lucia
00:28:26A few beers
00:28:27A few beers
00:28:28After work
00:28:29A few beers
00:28:31Okay
00:28:31No, Chuy, uncle
00:28:32If I tell you, you won't believe me.
00:28:33That he has already seen the image he has of me
00:28:35She has to answer for herself, man.
00:28:37If there is no other way
00:28:38Is there no other way?
00:28:40Hey, no, no
00:28:42Hose
00:28:43Hose
00:28:44We're talking about...
00:28:46From Jaime
00:28:47Of this
00:28:48Wow, confirmed.
00:28:49Raúl likes the firefighter
00:28:52That's funny, dude.
00:28:53The fucking
00:28:53This girl
00:28:54It's a little
00:28:55How cute!
00:28:56Okay, I'm going to order something.
00:28:58Do you want something?
00:28:59Hey
00:29:00Yeah
00:29:01Yes, well, a couple of beers.
00:29:03Okay
00:29:03Come on
00:29:04Rogi, can I have three beers?
00:29:12Hey
00:29:15Hey, didn't he bring you some tapas?
00:29:16Come, tell Drogui to stretch out
00:29:18Please
00:29:19That they're warm
00:29:20What's in there
00:29:21Pull, pull, the last one has arrived
00:29:22What else do you have, man?
00:29:23Start, you're going
00:29:24Hey, he's asking me for a couple of tapas again.
00:29:29What else?
00:29:31Home by seven
00:29:33Africa knows nothing
00:29:35What is it?
00:29:37So, the aunt takes advantage of the fact that the house is empty.
00:29:39Uh, to burn it there
00:29:42How cold
00:29:42Her best friend
00:29:43Me, me, you know what I'm saying?
00:29:45I'm almost glad I didn't sleep with her.
00:29:48How time flies, son?
00:29:50It seems like only yesterday he was last here, pal.
00:29:53Yes, life is just a breath
00:29:54Yeah
00:29:55Eterna, we're going to pretend you're still messing around.
00:29:57There's a move happening here, what do you do?
00:29:58Don't mess with me
00:29:59Hey dude, do me a favor
00:30:00Your son
00:30:01You don't realize it now, but
00:30:04But the years are there, passing by.
00:30:06And what seems very important to you now, will soon
00:30:08You won't even remember
00:30:09Because?
00:30:10Guille, because you're going to grow up
00:30:12And you'll have a girlfriend
00:30:13And you will marry her
00:30:14She will be your wife
00:30:15And you will have children
00:30:15You will pursue a career so you can support your wife's children
00:30:18Do you understand?
00:30:19I wanted to ask you a question, Guille.
00:30:20Which is very important to me.
00:30:21At what age are you already thinking about retiring?
00:30:24Retire?
00:30:25Yeah
00:30:25But what are you telling the kid?
00:30:27Don't mess with me
00:30:28Ask him now
00:30:28What kind of coffin do you want?
00:30:30Oak or pine?
00:30:32You're right, Citi.
00:30:33The topic has gone a little off for me
00:30:34What I wanted to tell you, son
00:30:36When you have children
00:30:37You'll bring them here
00:30:39As a father, he brought Uncle Santiago to my house.
00:30:41And how have I brought you here?
00:30:42So,
00:30:42It's something that will go
00:30:43From generation to generation
00:30:45Do you understand?
00:30:45What if we skip mine?
00:30:47Guille, Guille
00:30:48Do me a favor
00:30:49Why don't you pick some pinecones?
00:30:50To understand it
00:30:51Leave a lot of the store there
00:30:52Where are you going?
00:30:53Have you told the child
00:30:54The story of the goat?
00:30:56The father's?
00:30:56Yeah
00:30:57No, no, she didn't tell him.
00:30:57She didn't tell him.
00:30:58Listen, listen
00:30:59Look
00:31:00You're going to like it
00:31:01Well, the thing is that
00:31:02The war was finally over.
00:31:03The Spanish Civil War
00:31:04I mean
00:31:05So,
00:31:05What a father was doing
00:31:06One of mine in Tervez
00:31:07In Huesca
00:31:07It was Huesca
00:31:08No, it was in Huesca
00:31:10And give it to him
00:31:10Let me tell you.
00:31:11In my favor
00:31:12Okay, fine.
00:31:13Well, the thing is that
00:31:14It was a very cold night.
00:31:16And I was on guard duty.
00:31:17And of course, probably
00:31:18The same cold
00:31:18Then he suddenly felt the urge to urinate.
00:31:20And then when I was urinating
00:31:21Suddenly
00:31:22What happened?
00:31:22Because you might ask yourself
00:31:23What happened?
00:31:23What happened?
00:31:25A goat appeared
00:31:26There
00:31:26A goat that wanted to bite her
00:31:27And personally
00:31:28That's great too
00:31:29Divinely
00:31:30Come on, even better
00:31:31I would say
00:31:32And did you get married?
00:31:35I got married
00:31:36I got married
00:31:37Come on
00:31:37With a great guy
00:31:38Come on
00:31:38Where will it end with a boy?
00:31:39Well, wherever they may be.
00:31:41Yes, great.
00:31:43He's had better luck with that.
00:31:44Yeah
00:31:44You might have even had tadpoles and everything
00:31:47Tadpoles?
00:31:49Well, we have two.
00:31:50I have two
00:31:51Two little boys
00:31:52Two creatures, yes
00:31:53And do you live in the neighborhood near the school?
00:31:55Yes, close, close, close
00:31:56But come on, retired
00:31:58That must have cost you a fortune.
00:32:00Because this neighborhood has become incredibly expensive
00:32:01And is your house a home?
00:32:03Is it an apartment or a house to a house?
00:32:05It is, of course
00:32:06House by house
00:32:07Beautiful, beautiful, welcoming, very pretty
00:32:10Cozy and spacious
00:32:11And big, my house is big
00:32:12Do you remember what I used to tell you when we were talking?
00:32:14I have had this lifelong dream of owning a big, big house.
00:32:18Well, that house, an ideal house, I mean, the house is ideal.
00:32:20You have no idea how happy I am for you
00:32:22Hey, can you excuse me for a second?
00:32:27Josito, calm down, there's an explanation for all this, okay?
00:32:29And it has its porch, and it has its office
00:32:32And it has its woodshed, it has its tiled floors
00:32:35Up to the ceiling, well, materials that a little carlinita tells me about
00:32:37What can I tell you, my darling, my beautiful darling, huh?
00:32:39Well, I have a good time in that house
00:32:41I'm so happy, singing all day long, up and down
00:32:43Well, I'd love to see it.
00:32:45So, whenever you want, we'll go in a jiffy and you can see it.
00:32:47Well, no, no
00:32:49But man, I haven't done anything, don't you remember what you told me?
00:32:51That you had a problem with the pipes
00:32:53And that everything is...
00:32:55Ah, no, but the man already told us we can act.
00:32:57Come on, the builder was here.
00:32:58And he told us that if we needed any reforms
00:33:01That we could do it now
00:33:02She's a sweetheart, she cares a lot about my things
00:33:04This is a baby that is...
00:33:05This is my personal planner.
00:33:06Okay, so if there's no problem we can go see her
00:33:09But first, another little beer
00:33:11What a great idea!
00:33:12Kid, put on another round
00:33:20My father woke up
00:33:22Okay, now comes the good part.
00:33:23The following is really good.
00:33:25And the goat...
00:33:27There, asleep at his feet
00:33:28Come on, more axe than the goat has a long arm
00:33:31Your son is the one who has fallen asleep
00:33:36It doesn't sting, no
00:33:37They won't bite
00:33:38If they've already gone upstream
00:33:39Bored son shows the fish
00:33:41I really don't understand this kid, Fiti.
00:33:44Well, I do, Diego, I do
00:33:45But what surprises me is that he didn't dive headfirst into that area where there's no cover
00:33:48What a boring story, don't mess with me.
00:33:49But what do you mean, "what a boring story"?
00:33:51Have you heard the old folks say that the father story is a drag?
00:33:52It was funnier when told by my father.
00:33:54Yes indeed
00:33:55He is 14 years old
00:33:5714 years old and you're talking to her about retirement, children, and your dad's goat, don't mess with me.
00:34:02I don't know what, I don't know what to do, kid
00:34:04Because I treat him like a child and badly
00:34:06And I treat him like an adult, so it's even worse
00:34:07With Marcos it was much easier
00:34:09With Marcos, things weren't so bad.
00:34:10Otherwise, he wouldn't have gone to Tulum.
00:34:12Where to?
00:34:13To Tulum, Tulum of France
00:34:16If what you need to do is relax, damn it
00:34:19Because with the pressure of wanting to get closer to the kid, well
00:34:22Well, you're messing up because it's obvious.
00:34:24Does he notice you?
00:34:25Do you think it shows?
00:34:26At this age, they have a keen sense of smell, like dogs that pay the price for fear.
00:34:31But it doesn't matter, just relax.
00:34:32And when the most unexpected moment arrives, bam!
00:34:35There's something that makes you connect with your son, damn it.
00:34:38Hey, Guille!
00:34:39That's so spicy!
00:34:40That's so spicy!
00:34:41That's so spicy!
00:34:41That's so spicy!
00:34:41That's so spicy!
00:34:42That's so spicy!
00:34:42That's so spicy!
00:34:42That's so spicy!
00:34:43That's so spicy!
00:34:44That's so spicy!
00:34:44That's so spicy!
00:34:45That's so spicy!
00:34:49That's so spicy!
00:34:51That's so spicy!
00:34:53It's true
00:34:54It is possible
00:34:55Throwing a wheel into the river, huh?
00:34:57Little respect for the environment
00:34:59And through the tire's rib.
00:35:03And you've already seen that, well, downstairs is where we mostly do family life.
00:35:07That's what turns me on
00:35:09This house exudes happiness, doesn't it?
00:35:11I'm telling you, yes.
00:35:12And this is the bedroom hallway; this is the child's bedroom.
00:35:19It has many beds
00:35:20You might wonder why, well look son
00:35:22We'll end up with this house one way or another.
00:35:25Come on, 15, 16, we eat here every day
00:35:28That's not it.
00:35:30Yes, yes
00:35:32And, well, and the bathroom
00:35:34The bathroom, the bathroom
00:35:37Look at the bathroom
00:35:39The bathroom is beautiful, very beautiful.
00:35:42Look how beautiful it turned out
00:35:43Lucia gave me the idea
00:35:45Because she has a great eye for colors, you know?
00:35:47The mosaic turned out beautifully.
00:35:48And it's a big relief because this is for the children, right?
00:35:51We have marriage, oh
00:35:53Basically, the bathroom is inside the bedroom
00:35:56Hi mommy
00:35:56Oh, my children!
00:35:58Oh my children, my children!
00:36:01And these are my children.
00:36:02They're Curro and Tete, look, Curro's the best-looking guy in the neighborhood and Tete
00:36:05Look at her, isn't she gorgeous? She looks like a movie star.
00:36:08The truth is, Choni, you have a fantastic family.
00:36:11Yes, yes, yes, it's true
00:36:12I'm going to go study, okay? See you later
00:36:16Okay, time to study, come on.
00:36:17Bye
00:36:19And well, now you've seen where I live
00:36:23And you've met my family
00:36:26So, there you go, that's it
00:36:27I've invited you for a beer now.
00:36:29What a great idea!
00:36:30Another beer!
00:36:31Why don't you invite me to dinner instead?
00:36:33Mmm, well, dinner's ready.
00:36:36No, dinner is not an option.
00:36:38Not dinner, no, not usually, right?
00:36:39Because my husband is traveling
00:36:41So it would be, it would be like disrespecting him
00:36:42The one you would be missing
00:36:43Sure, sure
00:36:44Yeah
00:36:45And besides, the kids have also asked me today
00:36:48That I would make them macaroni
00:36:49These creatures are crazy, aren't they?
00:36:51For the macaroni
00:36:53Macaroni
00:36:53It's been a while since I've had macaroni.
00:36:56Come on, I'll bring the wine, okay?
00:36:58Well, then
00:37:06What happened with the flooding?
00:37:08Churri, churri, churri, calm down, calm down
00:37:09Listen, look, let me tell you
00:37:11I have two pieces of news.
00:37:12To give you one good thing and one bad thing
00:37:14Okay?
00:37:15The good one
00:37:16There is no flooding
00:37:17Hey?
00:37:18There isn't, there isn't
00:37:20It was to make you come
00:37:21As?
00:37:22No
00:37:23But let's see what this is all about
00:37:26Oh, well, wait until you hear the bad news.
00:37:33Oh
00:37:34What an orgy!
00:37:35Well, what am I saying, an orgy?
00:37:37This is awesome
00:37:39They will be in the room
00:37:40There, giving it their all
00:37:41Apri, apri
00:37:42Listen to me
00:37:43Sweetie, look
00:37:43Let me tell you
00:37:44I mean, seeing this
00:37:46It can be very hard
00:37:47You know I know him
00:37:48This is like a stab in the back.
00:37:49What will it have?
00:37:49Raul, step aside
00:37:50Okay?
00:37:51Only a sick mind
00:37:52Like yours might think
00:37:54April
00:37:55Are you here yet?
00:37:57Jaime?
00:38:00She won't be with you, Elena
00:38:03Yeah
00:38:04Apri, wait a minute
00:38:05Do not pass
00:38:06One minute, Apri, please
00:38:07Apr, really
00:38:08One second
00:38:09I'm going in, okay?
00:38:10And I swear, if I see anything
00:38:12That I don't...
00:38:16It's the biggest one I've found
00:38:19Teddy
00:38:21As you said when you were little
00:38:23You'd never had one before.
00:38:26Hey, you didn't think we were there, did you?
00:38:29I'm sorry
00:38:30But, Afrin, what kind of mind can conceive?
00:38:32Elena and I are going to be
00:38:33Are you going at it like that?
00:38:36Well, what was I supposed to imagine?
00:38:39I'll give you a bunch of stuffed animals.
00:38:41Know?
00:38:42Ah, Churri
00:38:43Damn, I mean, I...
00:38:44You know I did this for you
00:38:46You know I'm there
00:38:47That I worry
00:38:48Raúl, well, don't worry anymore
00:38:50The only thing that unites you and me is this hallway
00:38:57Thank you
00:38:59Trunk
00:38:59That's really bad, isn't it?
00:39:04Well, it seemed so, it seemed so, didn't it?
00:39:15Let's sing something
00:39:16Hey?
00:39:17Come on, come on, yes, come on, go, go
00:39:18She showed me one
00:39:19Give it to him
00:39:20Huddle up, Gerard!
00:39:22May the anchor snag me here!
00:39:23Santi, for God's sake, Santi, for God's sake
00:39:24There's a child
00:39:24It's probably to liven things up
00:39:26Yes, you're right.
00:39:27The kid's going to think
00:39:28We're such old fogies, damn it
00:39:29We're just a bunch of old fogies.
00:39:31Don't you realize?
00:39:31In other words, between Gille and us.
00:39:32There is an international farm
00:39:33So, this Gille and we are here
00:39:35As?
00:39:36Wait
00:39:37Gille
00:39:38Just a moment
00:39:39Let's see
00:39:41Are there any eggs?
00:39:43No, Fiti, of course.
00:39:44If there are chickens, of course there are eggs
00:39:45So, wait a little bit
00:39:46Hey man, wait a little bit
00:39:47That little belly
00:39:49A little bit of grilled food there
00:39:50On the camping gas
00:39:51With those beautiful farm eggs
00:39:52You get two yolks at the slightest provocation
00:39:54I miss out on them as a father
00:39:55I made them for lunch
00:39:57Yes, I remember my father too.
00:39:58But oh well, we can't go there.
00:39:59Because it is private property
00:40:00In other words, it's theft.
00:40:01What a theft, what a theft!
00:40:02They're chicken eggs, Diego.
00:40:03They're not buddies, damn it.
00:40:04What the hell
00:40:06That the kids need to be given
00:40:06A little bit of adrenaline
00:40:07And action in life
00:40:08No, come on
00:40:10Hey, but the kid's hungry.
00:40:12Of course, when there is hunger there is no crime.
00:40:13Be careful, Guille, for God's sake.
00:40:14Be careful, you're going to fall
00:40:15And we have it.
00:40:17Stop with the eggs already.
00:40:18That our cholesterol will rise
00:40:19Do me a favor
00:40:21Santi, what's wrong now?
00:40:22Let's see
00:40:22I always steal eggs
00:40:24I remember my father
00:40:26Don't you remember your father, brother?
00:40:27That's messed up
00:40:29Jump there!
00:40:31Jump there, Guille!
00:40:32Jump there!
00:40:35Cost!
00:40:35Dad!
00:40:36I don't know!
00:40:37Save yourself, my son!
00:40:38Run, run!
00:40:39I've got your back!
00:40:40Ouch, it burned me!
00:40:41Oops!
00:40:42Oops!
00:40:42Oops!
00:40:43Tomato?
00:40:44Yes, leave it there, darling.
00:40:45Thank you
00:40:46Those macaroni
00:40:47They're going to stick to you
00:40:48Daughter
00:40:49Oh, Doña Carmen
00:40:50My life must have been a twist
00:40:52But as far as
00:40:53To the light song
00:40:54And the macaroni
00:40:54She always had a gift from heaven.
00:40:56Hello
00:40:56Hello hello
00:40:57Hello
00:40:59What's that?
00:41:00So that it doesn't get on his face
00:41:02Ah
00:41:03Well, what did you want?
00:41:05Well, let's see.
00:41:06I called you because I told you
00:41:08I was going to give you an explanation
00:41:08Yeah
00:41:09Well, I told you I was going to give you an explanation.
00:41:11I'm going to give it to you
00:41:11I'll tell you
00:41:12Because everything has an explanation
00:41:14Not because I want to give it to you like that
00:41:15Just because
00:41:16Lucia, start
00:41:17You look just like your dad
00:41:18Everything sticks except beauty, son
00:41:20Well, come on...
00:41:21Okay, let's see
00:41:23For reasons that are irrelevant
00:41:24A man is coming to have dinner here tonight.
00:41:25The one you met before
00:41:26Yeah
00:41:28And during dinner
00:41:30You're going to be Chani's children
00:41:31Okay
00:41:31That?
00:41:32That?
00:41:32Again?
00:41:33Let's see
00:41:34If it's just for a moment
00:41:35While he is here
00:41:36What have you given me?
00:41:37Have a bite of chorizo
00:41:38No, no, no, no
00:41:38Oh, give me heaven
00:41:39How shameless!
00:41:41Using poor creatures
00:41:42As if they were puppets
00:41:43Well, we're missing a mother-in-law over there, Mom.
00:41:45So you'll see
00:41:46I?
00:41:47Oh no, absolutely not, right?
00:41:48I'm out of here
00:41:49You're all crazy
00:41:50What a family!
00:41:51Let's see, kings
00:41:53If I'm going to be a great mother
00:41:55And also very brief
00:41:56I promise you
00:41:57No
00:41:57No, no, no
00:41:58Please take care of the child
00:42:01It's a tragedy what we're avoiding
00:42:03Tete, currón, hijos
00:42:04No no
00:42:05Currico, darling, please
00:42:07Please, I'm asking you.
00:42:07Tete, queen
00:42:08You who are older
00:42:13Okay, fine.
00:42:14Come on
00:42:15Okay
00:42:16Come on, that's enough already!
00:42:17Why should I do it?
00:42:17I'm at that awkward age, okay?
00:42:19But you're not getting any younger, are you?
00:42:21Nothing, work
00:42:25Angelico, thank goodness.
00:42:26That creatures are good
00:42:27Yes, so much for nothing
00:42:28As you say
00:42:40I don't know how you could have done it, Raúl
00:42:42But it's cold.
00:42:46Male
00:42:48I don't know how you could have
00:42:49That?
00:42:50But how can you be such a bastard?
00:42:51Hey?
00:42:52Chuqui?
00:42:52Chuqui?
00:42:53Raúl
00:42:55That?
00:42:55I don't know how you could have
00:42:56Okay, that's enough, isn't it?
00:42:58Damn, of course I could, girl
00:42:59Of course I've been able to
00:43:00Raúl, it really pisses me off
00:43:01Who do you think you are?
00:43:02Do I go around sleeping with my friends' boyfriends like crazy?
00:43:06Look, when you and I
00:43:08I didn't know Africa
00:43:09I didn't know she was your girlfriend
00:43:10And don't change the subject.
00:43:13Okay, fine, fuck
00:43:14I'm sorry, aunt
00:43:14I'm sorry
00:43:15What did you want?
00:43:16What should I do?
00:43:17Damn, yes
00:43:18There were plenty of clues
00:43:19There, you know?
00:43:20And I saw it
00:43:21Damn, you're telling me you're going to the museum
00:43:23And it's a lie.
00:43:23For the gift
00:43:24And that's where you'll hide
00:43:25Sure, because of the gift.
00:43:26No, he tells you he loves you.
00:43:27Sure, because of the gift.
00:43:28He tells me that
00:43:29That he loves you
00:43:29He loves you, he loves you
00:43:30I heard it
00:43:30What will Jaime say, that he loves me?
00:43:32Let's see, Elena, aunt
00:43:33I heard it
00:43:34Okay?
00:43:34I heard everything
00:43:35I saw you going into the tavern.
00:43:36Talking on the mobile phone
00:43:37And there he was, on the other side of the bar.
00:43:38Telling you that I loved you
00:43:39Please
00:43:40Don't you remember or what?
00:43:42Raúl, I remember him perfectly.
00:43:43Well then
00:43:44That he wasn't talking to him
00:43:46I was talking to my father
00:43:56Wow, you're really hungry here!
00:43:57This looks like the Mato Grosso
00:43:58What do I mean, I'm not going to kill anyone?
00:43:59Fiti to grains
00:44:00For God's sake
00:44:00Come on, to the wound
00:44:01Straight to the wound
00:44:02But without poking around
00:44:02And with respect
00:44:04Respecting
00:44:04Ah!
00:44:06Damn it!
00:44:06See me, see me, see me, see me, see me
00:44:09That's it, it's over, enough is enough
00:44:10I'm not touching my ass anymore
00:44:11Well, it's up to you.
00:44:12You'll see
00:44:13Because that wound needs to be covered up.
00:44:14You might catch typhus from all this foolishness.
00:44:16Avian flu
00:44:17Or something
00:44:17Damn, who knows?
00:44:19Well, if I don't touch you, I'll touch you.
00:44:20Have your brother touch your ass
00:44:21I
00:44:21I mean, not you, no, no, no
00:44:22So, not you.
00:44:22Leave it, I'll do it.
00:44:23No, Guille, please.
00:44:24These are not ways to view a father
00:44:25He cannot see
00:44:27Take the girl away from here
00:44:28To spare him the spectacle
00:44:29Do me a favor
00:44:29Dad, yes, please, man
00:44:30I took a first aid course at school.
00:44:32But hey, just so you know
00:44:33I prefer to give mouth-to-mouth to pubic girls, you know?
00:44:36Dude, it's one thing that we talked
00:44:37From the father-son relationship
00:44:38And another thing is that you let the child touch my ass
00:44:40Please
00:44:41Leave him be, I'm sure he'll manage.
00:44:42These kids are born knowing everything.
00:44:44Let's go get some firewood, you and I, okay?
00:44:45Let's go, go away, go away, go get some firewood
00:44:50Well, there
00:44:51Don't worry, okay?
00:44:53Come on
00:44:54Heal, heal, little frog's skin
00:44:56Guille, stop being an idiot, do me a favor
00:44:58Well, Dad, that's what you were telling me, right?
00:45:01Heal, heal, little frog's bottom
00:45:02Yes, yes, more already
00:45:03Yes, if it doesn't heal today, it will be tomorrow.
00:45:05Oh, damn!
00:45:06And then you blew on me so it wouldn't sting.
00:45:11And now comes the best part, remember?
00:45:13The super-powered bandage
00:45:14The super-powered bandage, yes
00:45:15The band-aid
00:45:17Oh, oh, oh!
00:45:19And now that's it, champ, you can get up now
00:45:24Goes
00:45:25And that's it, you can get up now
00:45:27What more could I want than to raise my son?
00:45:29I've got lumbago again.
00:45:30I'm recovering now
00:45:31Okay
00:45:46But woman, she's already repeated it three times!
00:45:48Come on, let's see if it's going to be like my teteo
00:45:50And I'm telling him
00:45:50It's getting thinner
00:45:51And she acted as if she could hear the rain
00:45:54Curro, darling
00:45:55Are you very serious?
00:45:56Do this man something nice.
00:45:58Oh, Choni, you know how shy he is
00:45:59With the visits, man
00:46:00Okay
00:46:01That's what kids are like, right?
00:46:03Well yes
00:46:04And since you asked,
00:46:05I'll tell you
00:46:06Being a director
00:46:08It's very sacrificial.
00:46:09Very sacrificial
00:46:10Mostly
00:46:11Because kids these days
00:46:11They're thugs
00:46:12At least your children should.
00:46:14Lucia, who behave very well
00:46:15And yours, Choni
00:46:16And your children too?
00:46:17Yeah
00:46:18Yeah
00:46:19Mine too
00:46:20Mine behave
00:46:21And you're already seeing them.
00:46:21Wonderfully
00:46:22Because creatures are
00:46:23Better than bread
00:46:26Daughter, for God's sake
00:46:26This is so difficult
00:46:27It's just that being a mother, isn't it?
00:46:29Yeah
00:46:30Being a mother
00:46:30In life in general
00:46:31All
00:46:32And?
00:46:33Does your father travel a lot?
00:46:36No
00:46:37He has to attend
00:46:39Hospitality
00:46:39Hospitality is what my husband
00:46:40It is as its name suggests.
00:46:42He owns a hotel
00:46:44Don't tell me
00:46:46Precisely my company
00:46:47He is investing now
00:46:48In some hotels
00:46:48On the Costa Brava
00:46:49The Costa Brava
00:46:50Very pretty
00:46:51The Costa Brava
00:46:51Very pretty
00:46:52I've already told him.
00:46:53I'm telling BCA this, I tell you.
00:46:54Yes, Lucia
00:46:55What do we need to buy?
00:46:56Something over there
00:46:58Hey
00:46:59Well, precisely
00:46:59We are also selling
00:47:00Some chalets in the area
00:47:02I think so still
00:47:03You still have time
00:47:04It seems to me
00:47:04A good investment
00:47:05And I'd be delighted.
00:47:07Well
00:47:08Me too
00:47:09It's about investing
00:47:10And so on, money matters
00:47:11And so
00:47:12I leave it entirely up to my husband
00:47:14But already
00:47:14When I did that
00:47:15When I see it
00:47:16I'm going to
00:47:16I'll tell him.
00:47:17Good evening, family
00:47:20How are we?
00:47:21Hey?
00:47:22But oh well, oh well
00:47:23This smells great, doesn't it?
00:47:24How's it going, kid?
00:47:26Hey?
00:47:26Have you missed Dad?
00:47:28A little kiss
00:47:28And you, my dear, princess
00:47:30A little kiss
00:47:30A little kiss
00:47:31A little kiss
00:47:32But oh well, oh well
00:47:33This looks great, doesn't it?
00:47:34And what about you?
00:47:35Sister in law
00:47:36Sister in law
00:47:36Long time no see, woman
00:47:37How are you?
00:47:38How beautiful
00:47:39Chatunga
00:47:40But how is it?
00:47:41The lady of the house
00:47:42Oh well
00:47:44And you're not going to introduce me to the visitor, Choni
00:47:45José Luis Algao
00:47:47Delighted
00:47:48Very good
00:47:53There, there, there
00:47:54Leave the short one
00:47:55I'm going to tell you another one
00:47:56Come here
00:47:57The one belonging to some hunters
00:47:59They were trying to hunt a bear
00:48:01But there was no way, was there?
00:48:02Then one says
00:48:03Look, we're going to separate.
00:48:04Damn, that's how we get more amphibious
00:48:06He says, but that he doesn't
00:48:07Let's not get confused
00:48:08Each other with the bear
00:48:09So let's say
00:48:11I am not the bear
00:48:12I am not the bear
00:48:12But this doesn't make sense.
00:48:14You're not going to talk about bears
00:48:16Santi
00:48:16Santi, who is a joke
00:48:18I mean
00:48:18And jokes have their own universe
00:48:20Do you understand?
00:48:21Oh ok
00:48:22Sit down, walk
00:48:23Total
00:48:25That's one already, isn't it?
00:48:26One goes around saying
00:48:27I am not the bear
00:48:28I am not the bear
00:48:29And pumba, pumba, pumba
00:48:31He shoots him four times
00:48:32And you say
00:48:32What have you done, you idiot?
00:48:34Says
00:48:34You're not going to believe this, man.
00:48:35But I understood you.
00:48:37I am the bear
00:48:37I am the bear
00:48:41In the end
00:48:42We're not having such a bad time, are we?
00:48:45Well
00:48:47No, Guille
00:48:48Man
00:48:48Don't tell me good
00:48:49Don't shrug your shoulders at me.
00:48:51Because we've seen you
00:48:52That you were laughing
00:48:52And we're very happy about it too.
00:48:54I hope you feel more cheerful.
00:48:55Because breakups, son
00:48:56They are not easy
00:48:59No, no, you'll see, Guille
00:49:00Maybe you misunderstood me.
00:49:01No, what I mean is
00:49:01In other words, the breakups
00:49:03In other words, they are
00:49:04At first they are
00:49:05They might be difficult at first.
00:49:06Then they get easier
00:49:07In other words, at the beginning
00:49:08One has a bad time
00:49:09Because he's having a hard time
00:49:09It's a bad time.
00:49:10But then again, it's not that big of a deal.
00:49:11Right, Fiti?
00:49:13Fiti
00:49:13Yeah
00:49:13Breakups aren't that big of a deal
00:49:15In the end
00:49:15Yes, me with Candela
00:49:16I have the same problem.
00:49:16So, you
00:49:17In my bad moments
00:49:18I'm not saying no.
00:49:19But that's where you need to have
00:49:20A well-furnished mind
00:49:22And to be mature
00:49:23And keep moving forward
00:49:24Be mature, son
00:49:26To be mature
00:49:26But what about you and Tete?
00:49:27And forgive me for saying so, Guille.
00:49:29Your thing with Tete
00:49:29It was bound to happen.
00:49:30Yes, it was to be expected.
00:49:31I'm telling you this with all the love in the world
00:49:32With all my love
00:49:33But it was to be expected because
00:49:33Because this is an age
00:49:34Very silly and very bad
00:49:35It's true
00:49:36That's what's wrong with you, Guille
00:49:38You made the wrong choice
00:49:39You chose wrong
00:49:40You should have wrapped yourself up
00:49:41With one that suited you better
00:49:43Yoli
00:49:44Yoli
00:49:45I wouldn't have left you.
00:49:46Yoli is an option
00:49:47It seems to me that, for example
00:49:48That's it, right?
00:49:49What's happening?
00:49:50Our dad
00:49:51You threw yourself
00:49:52Seven months
00:49:53Giving us a hard time with you
00:49:54And what about you?
00:49:55That the magpie left you
00:49:56And you lost it.
00:49:57What if I go to Australia first?
00:49:58If I go on patrol afterwards
00:50:00In the city
00:50:01And you, Tito?
00:50:02Hey?
00:50:02Are you married?
00:50:03With my religion teacher?
00:50:05Come on, I have
00:50:05Are you going to come to me?
00:50:06To give lessons?
00:50:08What's happening?
00:50:09What's happening?
00:50:09What are you doing, Burditas?
00:50:10To the religion teacher?
00:50:11That's not it, they are
00:50:12That's not it
00:50:13Son!
00:50:15Guille!
00:50:16Guille!
00:50:19Guille!
00:50:20Hello?
00:50:21Hello!
00:50:24Hello!
00:50:25Hello!
00:50:27Well, it seems that's true.
00:50:29They've left us the house
00:50:30Just for us.
00:50:31Well, it's the least they could do.
00:50:32What could they do?
00:50:33Oops!
00:50:35Oops!
00:50:35Oops!
00:50:36Oops!
00:50:36Oops!
00:50:37Oops!
00:50:38Oops!
00:50:40Oops!
00:50:42Oops!
00:50:44Oops!
00:50:45Oops!
00:50:46Oops!
00:50:47Oops!
00:50:48Oops!
00:50:49Oops!
00:51:03Oops!
00:51:04Oops!
00:51:04Oops!
00:51:05Hey!
00:51:06Hey!
00:51:07Clear the way!
00:51:07That's you!
00:51:09Come on, let's go!
00:51:10The bathroom is getting very busy!
00:51:39Who's calling you at this hour?
00:51:42My grandmother, my grandmother who, if I only limp now, will keep me here all night, and if we go to the
00:51:50room that is more comfortable
00:52:01Watch out, I'll see you again
00:52:12Let's see what he called her yesterday.
00:52:20Mamen, the one you just called, you're saying I'm paranoid, huh?
00:52:25Okay, messages
00:52:26Hey, maybe the mom sent a message to her grandma
00:52:30This message isn't from a grandma, I'm telling you.
00:52:33What a bastard
00:52:35No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:52:39no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:52:43no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:53:00no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:53:03no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:53:03no, no, no, no, no, no, no, no, no, no, no
00:53:04Guille, where are you?
00:53:08Let's see.
00:53:10If the sun rises over Antequera,
00:53:12Antequera is to the south and I am here,
00:53:15So I'm in...
00:53:16I don't know where I am, damn it.
00:53:22Guille, son, are you okay?
00:53:25I'm the one who's not well, I'm fine.
00:53:30Guille, it's not you, is it?
00:53:33Guille.
00:53:37I am not the bear.
00:53:39I am not the bear.
00:53:41Yes, yes, what you're saying is very interesting, isn't it?
00:53:43Soni, darling, bring a small container, but not one that's too heavy.
00:53:46I have to get up early tomorrow.
00:53:47Do you want one?
00:53:48Come on, let's make it two.
00:53:49Come on.
00:53:49Of course, we have to get up early tomorrow.
00:53:52I was just about to put the children to bed, weren't I?
00:53:53Well then, time for bed, time for bed?
00:53:55Of course.
00:53:57Come on, what a hard worker.
00:53:58A kiss, son.
00:53:58Have you done your homework?
00:54:00Yeah.
00:54:00Okay, off to bed, a kiss.
00:54:01Okay, good night.
00:54:03Come on.
00:54:03Hey, Dad.
00:54:04Tell me, son.
00:54:05Will you give me my pay?
00:54:08The pay, he says, what a messed up kid, how spoiled I've made him.
00:54:12Well, look, you've caught me now when I don't have any liquid.
00:54:15Come on.
00:54:15Aunt Lucy is going to give you a little bit, right?
00:54:17Come on.
00:54:18Yeah.
00:54:18Good night.
00:54:19Aunt Lucy is going to stay over, right, Lucia?
00:54:22Yes, because at this time of day the street is full of thieves.
00:54:25Of course, you're right at home, Lucia.
00:54:27Good night.
00:54:28Thank you very much, José Luis.
00:54:28Very kind.
00:54:29Time to rest.
00:54:29Come on.
00:54:30Good night.
00:54:30See you later.
00:54:31Good night.
00:54:32And you and I, right?
00:54:34No, no, it's just that when you do a job you have to get paid for it.
00:54:38Hey, what would the investment be for this thing you're telling me?
00:54:42Because the business looks...
00:54:43Look, José Luis, this is a very simple operation.
00:54:46Yeah.
00:54:46It involves an initial outlay of 12,000 euros and from there...
00:54:5212,000 euros.
00:54:54Leonardo, what the hell 12,000 euros?
00:54:57We went in there with at least 30,000, with real guts.
00:55:05Lucy, in this house there's going to be a robbery, an embezzlement, a theft, a what amounts to...
00:55:09a robbery.
00:55:10I don't understand that, Choni.
00:55:12My son does, Conena, as soon as he hears about panels his fangs come out.
00:55:15Of course, since you've seen that Leonardo is doing well here, what more could you want?
00:55:19A plus B equals two.
00:55:24Didn't you want revenge?
00:55:26I shone, revenge yes.
00:55:27But this is not it, this has gotten out of hand.
00:55:30It's one thing that I lied out of spite, but it's another thing that I, look, it's not within
00:55:34my condition.
00:55:35Taking advantage of people's circumstances, however good they may be, is not in my nature.
00:55:40I'm telling you how I feel.
00:55:42Not like that.
00:55:43Okay, that's settled then. We'll meet at the tavern tomorrow and finalize the deal, okay?
00:55:47I'll bring you the contract templates.
00:55:49I'll give them the monies and that's it, there's nothing more to say.
00:55:52I'm listening to you, José Luis, darling, and I, I don't know, honestly, do you think now is
00:56:01Is this the right time to invest this year?
00:56:03Because the girl can't get into university anymore, and the boy's mouth is in terrible shape.
00:56:08that he needs a brace or something to make his molars come in.
00:56:10Yes, chatunga, but when an opportunity like this comes along, you shouldn't let it pass you by.
00:56:15You know what? I think I'm going to love doing business with you. You're one of my kind, straight up and down.
00:56:20wine, wine.
00:56:20Of course, damn it, that's how things should be done. Leonardo, I'll give you my hand and this is going to work.
00:56:25mass.
00:56:26So, let's raise a glass to that. Cheers!
00:56:29Chin, chin.
00:56:40What do you want?
00:56:45Are they taking a long time?
00:56:46Okay, well, leave the people alone; they'll be there with their own things, talking like father to son.
00:56:54What do you want, you pest?
00:56:57Let's see if something has happened to them.
00:56:59Leguille is more of a city person than a traffic light, and my brother, between you and me, there's no authority in town.
00:57:04the field.
00:57:04If I told you...
00:57:06No, no, there's no need to tell me anything.
00:57:08Once, when we came as a father, Diego...
00:57:11Santi, Santi, said with all due respect, okay?
00:57:15I'm fed up with being a dad.
00:57:19What's that?
00:57:20An animal?
00:57:21What animal?
00:57:22It is one, it is given by animals.
00:57:24Let's see if it's going to be a bear.
00:57:29Well, it's getting closer.
00:57:30No, bears don't, bears don't approach humans, they're shy, damn it.
00:57:35This one is not shy.
00:57:36We're out here on the loose.
00:57:38He's coming this way.
00:57:42No, no, no, don't scare me, Santi, damn it.
00:57:43Hush, hush, don't let him hear us!
00:57:45Shut up!
00:57:48Diego, it's you.
00:57:54Holy shit, I can't take it anymore, girl, I'm going to pee myself, I swear I'm going to pee myself.
00:57:58Because if I flush the toilet they'll hear me.
00:58:00And if I don't throw it away, they're going to smell me.
00:58:02Fuck it, I can't take it anymore.
00:58:04Rajol!
00:58:05I'll be right back.
00:58:07Give me a break.
00:58:08Do you want water too?
00:58:09Yeah.
00:58:11But stop eating a little, Cari.
00:58:13Okay, honey.
00:58:14Yes, so you're nice and straight, okay?
00:58:18No, damn it, not with the drought we're having.
00:58:21Jaime.
00:58:22Yeah.
00:58:23I'm coming.
00:58:24Have your water, darling.
00:58:26Look.
00:58:32Damn, what a salary the mom's getting on this job, huh?
00:58:34I don't know what else to add.
00:58:37Go ahead, go ahead.
00:58:41Come.
00:58:44Prove it to me.
00:58:46Holy round, what are you doing, dude?
00:58:48Oh, right.
00:58:49There's no way to put an end to this.
00:58:53Sent.
00:58:54You'll see the look on Jaime's face when he sees his mom and gets home.
00:58:58Take.
00:59:01Damn, man, that was a quick response, wasn't it?
00:59:04Get naked.
00:59:05I'll take the car right now.
00:59:07Damn, come on, you slut.
00:59:08Slut, aunt, macho.
00:59:10Come on.
00:59:11Come on.
00:59:12Shh!
00:59:12Come on.
00:59:19Raúl, Raúl.
00:59:20And then he decides to call Jaime.
00:59:22Why would he call her?
00:59:23Well, to ask her to put on a leopard print tank top, because you've seen what the girl is like.
00:59:28Fuck!
00:59:32What do we do?
00:59:34No, I don't know, it does something to me.
00:59:37Fuck off.
00:59:39Bye!
00:59:44Ana, let's go to a bar.
00:59:46Let's celebrate!
00:59:47No, auntie, I'm outta here.
00:59:54What's happening?
00:59:55What's happening?
00:59:55Are you crazy or what?
00:59:56And what about you?
00:59:57And what about you?
00:59:57Can you tell me where you were?
00:59:58I was listening to music.
00:59:59Where to?
01:00:00Where have you left your father?
01:00:02I was not with you.
01:00:04Hey?
01:00:05The bear.
01:00:06Come, feel it, damn it, don't insist.
01:00:08Let's see, can you tell me where my father is?
01:00:09I don't know, but don't panic, okay?
01:00:11Don't panic, it's probably just been a bit of a distraction, or some crickets, or...
01:00:15What's going on?
01:00:15We found it right now.
01:00:17I don't know, I've been running after you, you know, big boy, right?
01:00:20Yes, of course.
01:00:20Like you, right?
01:00:33Dad!
01:00:34Nothing, man, not a trace.
01:00:36We haven't lost it.
01:00:37Alone, with lumbago and a sore bottom, something terrible must have happened to him.
01:00:44No, no, damn it, fuck, he must have gotten his dick all tangled up, because he's probably eating some...
01:00:47migas so deliciously with a shepherd.
01:00:49Dad, friend!
01:00:49Dad, friend!
01:00:50Dad, friend, brother!
01:00:51Dad!
01:00:55The lament.
01:00:55The bear's groan!
01:00:58Father said so.
01:00:59When the bear complains, it means it has forced its prey.
01:01:02Come on, buddy, don't mess with me, Santi, damn it, and show some composure in front of the kid.
01:01:05There's no bear, don't talk nonsense.
01:01:07Look, look there.
01:01:13What's been happening here?
01:01:15It just can't be.
01:01:15What are his steps?
01:01:16This is fresh, huh?
01:01:17Armanu!
01:01:19Armanu!
01:01:24Armanu!
01:01:26Armanu!
01:01:36What are you doing, Curro?
01:01:38I'll pay you for it.
01:01:39But hey kid, I'm not your father.
01:01:41Come here.
01:01:41You are my father whenever you want.
01:01:44Look at him.
01:01:46Well son, you either get up or I'll make you get up and you have to deal with it.
01:01:48Well, the other one too.
01:01:50Curro, stay still and have breakfast.
01:01:53Go on, look.
01:01:54Good morning, family.
01:01:55Good morning.
01:01:56Here, take it.
01:01:57Here, here.
01:01:59Daddy, don't you know how angry Mommy is?
01:02:03Well, no, it wouldn't have to be.
01:02:06No?
01:02:07Why are you bringing yourself into my life like this and pretending to be my husband, huh?
01:02:10Why?
01:02:11Maybe I did it wrong, did it work or not?
01:02:13Man, it worked.
01:02:14But the fact that you're my father, I don't know, because of...
01:02:17It's strange.
01:02:18It's weird, weird.
01:02:19Weird, weird, weird, why?
01:02:21José Luis, look me in the face, I'm really angry.
01:02:23Well.
01:02:24And I'll tell you one thing, I'll tell you in three words.
01:02:27Forget about doing business with Leonardo.
01:02:32Come on, brush your teeth.
01:02:34Let's brush your teeth.
01:02:35Hey, I'm done.
01:02:36As if anything in this house made sense.
01:02:38See you later, daddy.
01:02:41That no longer...
01:02:42The children, the children, the children.
01:02:44We're getting to know each other now, and I know you don't get involved in any business without knowing what's going on.
01:02:48to make some murky.
01:02:49Hey, Choni, please, who do you take me for?
01:02:51By a swindler, a fraudster.
01:02:53Well, your happy family show has its own thing going on too.
01:02:56Don't you think that...?
01:02:57How low of you to say that to me.
01:03:00How low.
01:03:00You know that I did it because of a feeling.
01:03:02And what you want is to double-cross yourself, which is not the same thing.
01:03:05That's messed up.
01:03:06Now I'm going to tell you something, okay?
01:03:08You can't fool Leonardo.
01:03:10Because I'll show up at the tavern first and tell him.
01:03:11I'll tell you the whole truth.
01:03:12That you are a fraud and that I am what I am.
01:03:15A vedela.
01:03:17What wouldn't you dare to do?
01:03:21Look, you know me when I'm angry.
01:03:24I know you, I know you.
01:03:27Dad!
01:03:28Poor brother, he has been devoured by vermin.
01:03:31Smelly!
01:03:32What do you mean the bear won't eat him, Santi?
01:03:33No, maybe the handkerchief isn't even his.
01:03:35Yes, his father gave it to him on the first camping trip.
01:03:38I remember him as a little boy with chubby cheeks like these.
01:03:40He was hopping around chasing the lizards.
01:03:43What do I know, what do I know.
01:03:44Maybe he saw the bear and ran away.
01:03:46Piti, damn it! How's he going to run?
01:03:47Okay, let's run. Maybe it was the bear who got scared.
01:03:50That your father thinks he's not very big, damn it.
01:03:52Sorry, sorry.
01:03:52Good morning, gentlemen. Is something wrong?
01:03:54If that happens, where are the rangers when they are needed?
01:03:57While you were knocking Bartola down, my brother was devoured.
01:04:00As?
01:04:01He's been devoured by a bear!
01:04:02Look! And the bones he left behind. And the bones.
01:04:05What, man, you say bears don't do that?
01:04:06Okay, okay, now for the whole eco-friendly thing.
01:04:08Now a bear's word is going to be more important than ours, right?
01:04:11Look, gentlemen, that's impossible.
01:04:13There haven't been any bones here for 500 years.
01:04:14And the five that remain are in Asturias.
01:04:16Well, now it was some wild boars.
01:04:18Well, what do I know?
01:04:19Shut up!
01:04:22What was that?
01:04:24A lost soul.
01:04:25My brother, who is resting, they don't rest, man.
01:04:29Over there, over there.
01:04:30Diego!
01:04:32Brother!
01:04:33Brother, he's alive!
01:04:40Brother, he's alive!
01:04:42Like a spirit!
01:04:43What the hell is a spirit?
01:04:45Get me out of here!
01:04:46Yes, let's tell him there are foxes around here.
01:04:48There are foxes!
01:04:50Damn it, get me out of here!
01:04:51Calm down, calm down, we're coming down, don't worry.
01:04:54Stay still, don't move!
01:04:57No, then, Dad, I'm sure you're fine.
01:04:59No, son, I'm not well.
01:05:01I'm not well because, apart from the milk, which is there,
01:05:03Because I've had a nasty fall, I spent the whole night in that place.
01:05:06One of them gives me, it's got me all the lumbago.
01:05:09I have a pain here, well, that's not even mentioning my ass, right?
01:05:12Hey, grandpa, you've made a mess of things!
01:05:13At least he's alive, man.
01:05:15Thank you, Santi, thank you.
01:05:17Yeah, good milk.
01:05:19That?
01:05:20I feel like I'm in the countryside, huh?
01:05:23Look, son, just between you and me.
01:05:25I shit on the countryside.
01:05:26I shit on the countryside.
01:05:28Let's go to the city.
01:05:29Come on, come on, come on!
01:05:37Hello.
01:05:38Hello.
01:05:39Hello.
01:05:40Good.
01:05:40And you?
01:05:42Very good.
01:05:45Musuela, I see you, don't I?
01:05:47It's going to be weird seeing you without a fireman glued to you and kissing you.
01:05:50It's because he went down because of the newspaper.
01:05:52Ah.
01:05:55Puebla, mommy, in this one, macho.
01:05:57It'll be a mobile phone launch, whatever you want, but as for the car, go for it!
01:06:00Okay.
01:06:00From Badajoz, but not yet.
01:06:02Well, to what?
01:06:03Let's go to class, we're going to be late.
01:06:05Well, we can wait for the first class, right?
01:06:07Yeah, so what?
01:06:09What are you saying?
01:06:10Hey, I'll spend a day washing up the colon water outside.
01:06:13Clear.
01:06:14No, if we push a little harder and we get there, what's wrong with you?
01:06:16But no, without breakfast the place is going to get messy here, girl.
01:06:18Yeah, damn it, I'm going to class to do whatever you want.
01:06:25Hello.
01:06:26Hello.
01:06:27Hello.
01:06:28Hey, is Jaime there?
01:06:29No, no, it's gone down.
01:06:30Here it comes.
01:06:31Who are you?
01:06:32I am Mamén.
01:06:33Excellent.
01:06:34His girlfriend had arranged to meet him here.
01:06:39Hello, nice to meet you.
01:06:40How are you?
01:06:40How are you?
01:06:41Delighted.
01:06:44You are here.
01:06:45You have me worried.
01:06:46I'm more worried about you and I'm not saying anything.
01:06:49Has something happened?
01:06:50Nothing, I think nothing.
01:06:51No, no, it hasn't happened.
01:06:52Let's get some beers ready, we're going to celebrate that the bear didn't eat me.
01:06:55Damn, Dad, that's cool.
01:06:56This is the first time you've invited me for a beer, huh?
01:06:57No, no, give the child lemonade, something with lemon and that.
01:07:00No, but don't be like that, dude, don't be so old-fashioned.
01:07:02What do you mean by "outdated"?
01:07:03No, come on, a lemonade and you'll be good to go, that's it.
01:07:06Okay, can you sit down and we'll talk for a minute?
01:07:10Well, frankly no, son, frankly no.
01:07:12But Dad, just a moment.
01:07:14No, but if I were to speak, I would speak about whatever needed to be said.
01:07:16In other words, it's not a matter of not talking, because if you have to talk, you talk.
01:07:18You know I'm in favor of dialogue, but not sitting down, you understand?
01:07:21Up the ass, you understand?
01:07:25Well then...
01:07:27Look, it's just that, I don't know, everything I told you last night, that...
01:07:34Sorry.
01:07:35But he is forgiven, man, by God.
01:07:37I forget these things immediately.
01:07:39So, for me this is...
01:07:40In other words, something happens and I forget about it.
01:07:41Because?
01:07:42Because we parents are...
01:07:43Yeah, but I don't know, Dad, I felt awful, you know?
01:07:45It's the first time I've broken up with a girl.
01:07:47Already.
01:07:48You already know that, don't you?
01:07:49I know you've been through something similar.
01:07:50Yes, it happens, son, it does happen.
01:07:52If I told you what happened.
01:07:53But well, I was worried because the truth is that I was a bit delicate with you.
01:07:57So, I wasn't too sick, but well, I see you're better, right?
01:08:01I think in the end the nerves have done me a little good, huh?
01:08:03Yes sir.
01:08:03There is a date.
01:08:04Very good.
01:08:04Hey, anything.
01:08:05What's inside the shotgun blast in the ass...
01:08:07Nobody, Dad.
01:08:08No, no, it's better to keep that within the circle of trust, do you understand?
01:08:12What is the circle of trust?
01:08:14The circle of trust.
01:08:15Fiti knows it too, you'll see.
01:08:17There are certain types of stories that are best left to three or four very close friends or people.
01:08:23from the family, nothing more.
01:08:24That's what being within the circle of trust is all about, you understand?
01:08:27Ah, I'll explain it to you, you see.
01:08:29Have you never told anyone what happened to your father and your uncle in the United States?
01:08:31Joined?
01:08:32What are you saying, Fiti?
01:08:33Santi!
01:08:33Santi, Santi, come out, come out!
01:08:35Fiti wants to tell us about what's fair!
01:08:37No, no, no!
01:08:39That's never told, that's never told, that's never told, precisely that's not told about
01:08:42this!
01:08:42Go for it!
01:08:43Well, well, well.
01:08:46So you're Jaime's girlfriend.
01:08:48Yeah.
01:08:49And have you been together for a long time?
01:08:51Well, look, it's been almost two years.
01:08:54We've almost got the flooring installed and everything's ready.
01:08:56Look at that, so much for the idea that love doesn't last.
01:08:59Yeah.
01:09:00So, how do you know Jaime?
01:09:05Yes, I'll tell you, you don't believe it.
01:09:08Elena, sit down, woman, I'll open it.
01:09:18Who are these flowers for?
01:09:20For your girlfriend.
01:09:22Mamen!
01:09:23Jaime!
01:09:25Flowers!
01:09:26Thank you, my child!
01:09:27Excellent!
01:09:31How beautiful!
01:09:32There are no men left in the world who give flowers to their girlfriends.
01:09:35The little squirt, when I received the messages tonight, well, I got really...
01:09:42Very happy.
01:09:44What messages?
01:09:45Ah, messages!
01:09:47Yeah!
01:09:48Clear!
01:09:48Where did you have the hose last night, fireman?
01:09:50That head!
01:09:52Hey, guys, there are too many of us here, we'd better leave, okay?
01:09:55Okay.
01:09:55What are you saying?
01:09:57Where two fit, three can fit, right?
01:09:58No, look, no.
01:09:59No, woman, really.
01:10:00Thank you so much, but we'll find a way to make it work, okay?
01:10:04Can I use the bathroom?
01:10:05Clear!
01:10:06Well, I'm going to pee and then we'll go, okay?
01:10:12Well, dude.
01:10:14Okay, I'm leaving.
01:10:18Africa, I don't want you to think I've come here to...
01:10:20Hey.
01:10:21Yes, I don't think anything.
01:10:23I can explain this to you, really, believe me.
01:10:26Yes, sure, don't worry, I understand.
01:10:29Damn, and you're taking it so well.
01:10:32The first thing I want to say is thank you.
01:10:34Thank you. Thank you for taking it too.
01:10:36And thank you for not making a scene here in front of everyone.
01:10:42It's because I'm very understanding.
01:10:47Hey.
01:10:48Shh.
01:10:49Don't shout.
01:10:52Apri, see you in class.
01:10:55Whenever you can, okay?
01:10:56Yes, that's it.
01:10:58Jaime, we'll see each other soon, okay?
01:11:00Uncle.
01:11:00Or not?
01:11:02Come on, hang in there, champ.
01:11:07And here's the project if you want to study it.
01:11:09Yeah.
01:11:10The coastal plan, the councilors' signatures, that kind of thing.
01:11:13No, yes, I have it all very clear.
01:11:14Okay, let's get down to business.
01:11:15Let's get down to business, Leonardo.
01:11:16Stop, stop, stop!
01:11:17Stop, Leonardo.
01:11:20For.
01:11:21I know you're doing very well here, carrying on with your static businesses,
01:11:26But I have to tell you something, Leonardo.
01:11:28Okay, Choni, wait until we sign the check, right?
01:11:30No, leave her alone, leave her alone, I'm not going to say anything to you.
01:11:31Yes, I'm going to tell him!
01:11:34Leonardo, I lied to you.
01:11:37As?
01:11:38Yeah.
01:11:38Well, because it really annoyed me that everything was going so well for you.
01:11:41And I, well...
01:11:43I lied to you about my status.
01:11:48Look, Leonardo...
01:11:49Choni, Choni, Choni, Choni.
01:11:55Choni...
01:11:56I told you I own a hotel, and that's not true.
01:11:58Come on, I don't have anything.
01:11:59I have this suit, a couple of them hanging on the hanger and...
01:12:02And I think I have 40 or 50 euros in my wallet.
01:12:06What wasn't served?
01:12:06Now I live off what Choni earns and...
01:12:08And I'm not ashamed because I love this woman.
01:12:12And if instead of being the headmistress of the school she were the Avedel, well, I would love her even more.
01:12:18Maybe I should leave.
01:12:19No, no, no.
01:12:20Sit down, relax, Leonardo.
01:12:21Don't worry.
01:12:22I have one good thing going for me, you know.
01:12:24I, at least, don't go around showing off my briefcase.
01:12:26I bought some shoes from the Chinese store that they claim are Italian, and a watch as fake as this one.
01:12:30Hey?
01:12:30A Rolex.
01:12:31A Rolex, I've sold plenty of those.
01:12:33Look, Leo, I can call you Leo, right?
01:12:34There's no remanguille between calé and calé.
01:12:37And you, just so you know, you're a real piece of work.
01:12:38Hey, hey, no offense.
01:12:39And besides, don't compare.
01:12:40Don't compare, don't compare.
01:12:42These papers are as fake as this check.
01:12:43Okay, fine, if you want we can go to the police and you can file a complaint against me, okay?
01:12:46I'll accompany you myself.
01:12:47No, no, no, no.
01:12:48Come on, come on, come on, come on.
01:12:50We forgot.
01:12:51We forgot.
01:12:53What a shame.
01:12:54Oh, what if your father saw you now!
01:12:56Well, he's in the car waiting for the check.
01:13:00No way.
01:13:01The old man too?
01:13:04If only, of course.
01:13:06Oh, my Colombo.
01:13:08Chorino, no kidding, I have a better plant.
01:13:10Sony Crockett, at least, right?
01:13:11Plant that I used to eat from your plants, from your feet.
01:13:15So, how is he going to leave?
01:13:16With their tails between their legs.
01:13:17As?
01:13:18And almost without a tail.
01:13:19It's still hurting me.
01:13:21What has thanked me for being so understanding?
01:13:24Well, if you can be smaller.
01:13:25But you can't trust a firefighter, can you, Frig?
01:13:26They spend all day there thinking with their hose.
01:13:29Hey, why didn't you tell your girlfriend the truth?
01:13:31No, I don't know, I felt sorry for her.
01:13:32I felt very sorry for her.
01:13:33I saw her there, so tiny, so small, so sweet.
01:13:37So sweet.
01:13:38Pure honey, come on.
01:13:41Come on, we're going to be late for class.
01:13:43Come on.
01:13:43Come on.
01:13:44Hey, Raúl.
01:13:48I might have gone a little too far with you yesterday.
01:13:51Well, it's okay.
01:13:53Yes, it does happen.
01:13:55Yes, it happens, because you have someone important to you by your side.
01:13:58But one day you start to think he's an idiot and an arrogant jerk.
01:14:03a fucking idiot, who only thinks...
01:14:04Afri, Afri, aunt, you have a very curious way of saying nice things to me, don't you?
01:14:10Yes you're right.
01:14:13Well, what I want to tell you is that I've realized you're my friend.
01:14:17and that you're always there.
01:14:20And that's very important to me.
01:14:26We've already screwed him over.
01:14:28You've already told me, my friend.
01:14:29There's no going back now.
01:14:30Nothing can be done now.
01:14:32I screwed up.
01:14:43I don't give a damn about friendship.
01:14:45What a load of crap!
01:14:48The countryside already wants us.
01:14:50I remember when his father took Diego that time, well...
01:14:54Look, Santi, I'm going to tell you something.
01:14:55In other words, to put it bluntly, I'm telling you this for the first time,
01:14:57It was a real pain in the ass.
01:14:59Well, I had a much better time.
01:15:00Damn, you're more of a country boy, you're much more of a country man, let's see if this works out.
01:15:04I mean, you have something there.
01:15:04There he is, very policeman-like.
01:15:05There it is, that power is there.
01:15:07Let's eat, guys!
01:15:07Come on, let's go!
01:15:08Come on!
01:15:08Damn it!
01:15:09Oh, forgive me!
01:15:10But Lucia, man, you've given me the booty, but no, not the booty, for God's sake.
01:15:13What happened to your butt?
01:15:14Uh, weird stuff, son, weird stuff, yeah.
01:15:18Some really strange things have happened here.
01:15:21Oh, really?
01:15:22AND...
01:15:23Well, like, rare.
01:15:28Well, I'll tell you later why you'd be blown away.
01:15:30And you? How are you?
01:15:32Well, there's been a bit of everything.
01:15:34So, are we going to eat?
01:15:35Come on, run.
01:15:36Come on.
01:15:36Save me a little more.
01:15:37Here, here, here.
01:15:40Hey, Josico.
01:15:40Tell me.
01:15:41Do you really love me, even if it's just from the...
01:15:43Of course, silly.
01:15:44I've always been attracted to women in uniform.
01:15:46Oh, what a thing!
01:15:47I'll eat it up!
01:15:48But how beautiful it is to love each other.
01:15:49How beautiful it is to love oneself.
01:15:51Hey, do you know this joke about...
01:15:53What does it say...
01:15:54Come on, two hunters are tracking a bear and they say...
01:15:57No, no, no, no!
01:15:59What's going on? Do you know?
01:16:01No, no, no, no!
01:16:03No, no, no, no!
01:16:04No, no, no, no!
01:16:08And it happened in a tavern in the Santa Justa neighborhood.
01:16:11Today we are also joined by its protagonist, Fructuoso Martínez.
01:16:16Fructuoso, how are you?
01:16:17Here we are.
01:16:18Well, Fructuoso.
01:16:19Fit, I can call myself Fit if you want.
01:16:21I'm going to ask just one more time.
01:16:24Are you leaving the navy?
01:16:25One.
01:16:26Sissy!
01:16:27He's taken my son, you sissy!
01:16:28Cabin!
01:16:29How are you?
01:16:29Worst.
01:16:30The worst part is that you're right.
01:16:32Hey, it's best if we don't tell the kids anything until I've confirmed, okay?
01:16:38Pregnant women.
01:16:39A serranito, right?
01:16:41I believe that two people who have gone out together can't just be friends.
01:16:43Services that you will provide.
01:16:46Divination, astrology, tarot, relationship advice and erotic hotline.
01:16:51Time, please, order the saint.
01:16:53But seriously, what's your problem?
01:16:53Calm down, what happened?
01:16:54Envy is a very bad thing.
01:16:55What do you mean, envy?
01:16:57One against one.
01:16:58A one-on-one match?
01:16:59Well, the day after tomorrow, okay?
01:17:00Hey, bigmouth, you're such a bigmouth.
01:17:02The day after tomorrow!
01:17:03Very good, Miguel Jordán.
01:17:04Serrano is joking.
01:17:05Serrano, you don't know what the dream was like.
01:17:07We can be friends, right?
01:17:08Clear.
01:17:10Okay, take it here now.
01:17:11Damn it, I don't want anything to do with you.
01:17:15Oh, the thing is, you were dying to come on TV!
01:17:18Appeals!
01:17:19What is a peles?
01:17:19What did he tell me?
01:17:20And you, Matamoros.
01:17:21Let me explain for a moment.
01:17:22Don't move.
01:17:23No, no, I'm not moving, but neither are you, we're live.
01:17:26Where are you going, man?
01:17:27Santi, come here.
01:17:27Come here for a moment.
01:17:28Come here for a moment.
01:17:29And it gets clearer and clearer and that's it.
01:17:31Come on.
01:17:31But what's going on?
01:17:32Grab the microphone.
01:17:33Did they abandon my father for a pig?
01:17:35Okay, the little things about intimacy at home.
01:17:38Let's move on to a better call, Ana Rosa.
01:17:40They really can't leave me like this.
01:17:42Because in the end, it's no longer enough.
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