- hace 1 día
Ramón, el padre de África, se encontrará obsesionado por resolver la incógnita de la paternidad del hijo que espera la profesora de Danza. Para despejar las dudas, acudirá a Diego y Santiago, quienes comenzarán a seguir a la chica con el objetivo de encontrar al posible padre. Gracias a las investigaciones, Gael descubrirá que Raúl no es el padre, una revelación que desatará las dudas del profesor de Música quien, preocupado por el affaire que mantuvo con África, contemplará la posibilidad de ser él el padre del bebé. Mientras tanto, Lourditas y Choni planificarán un viaje a León para dar una sorpresa a José Luis. Sin embargo, serán ellas quienes se queden estupefactas cuando Santiago, Diego y Fiti les confiesen el verdadero paradero del marido de la bedel y el uso que está dando a la herencia. Por último, Diego intentará conseguir el perdón de Fiti tras descubrir éste la carta en la que Ana le declaraba su amor al tabernero. Sin embargo, el propietario de Fiti & Son rechazará las disculpas de su amigo reiteradamente. Ante esta situación, Elena y Fermín planearán una encerrona que pretenderá dejar solos a los dos amigos en una barca en el lago de la Casa de Campo. Sin embargo, el plan finalizará con una imprevista caída de Elena a las aguas del lago.
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TVTranscripción
00:00:26The Professor of Bullfighting
00:00:30Sometimes you leave through the front door, and other times you leave feet first.
00:00:56But my father doesn't look anything like a bullfighter
00:00:58He's scared, he won't take the bull by the horns.
00:01:01And he always ends up regretting not having done it.
00:01:05Raúl, any news?
00:01:08Give me the jacket to wear to the shop
00:01:10Well, he doesn't want to come.
00:01:15I have it there that he's recorded with a fabric softener he likes.
00:01:18And it has doubled
00:01:20No, but wait, I'll give it to you if you promise to talk to him
00:01:24And you tell him I'm calling him.
00:01:25I know he's not answering the phone because he sees my name there on the phone.
00:01:42What is clear is that nobody likes receiving a day
00:01:45And that's what the crew is for.
00:01:47To lend you a hand when you need it
00:01:49The problem is that sometimes, instead of helping you, it ruins the run
00:02:04One plus one equals seven
00:02:06Who would have thought?
00:02:11It was so easy to be happy.
00:02:27I'm still waiting for you to tell me the details.
00:02:30From the first one? From the second one? How much have you learned about Ting?
00:02:35Fiti, this is a message for you, it's me, I'm Diego Serrano, your friend
00:02:39Well, you know I'm your friend
00:02:40I mean, it's better that it's going to be cut
00:02:42Fiti, well, it's going to cut out, I'll call you later, okay?
00:02:44Hey, Dad, seriously, you're hooked, you're constantly on your phone
00:02:48Are you paying for it? Are you paying for it, Guille?
00:02:49Well, no, that's it.
00:02:50And drink the juice, please, because the vitamin E evaporates.
00:02:53Yes, well, E or Y or W, somewhere around there
00:02:56The vitamin in oranges is C, Diego.
00:02:58Ah, orange is C
00:02:59And I'll catch you in your father's shoes, I really will.
00:03:01Go ahead and drink your juice, otherwise you might eat the E in "escobilla" (brush).
00:03:04Hello, please, Mom, please
00:03:07No?
00:03:08How do I have to tell you?
00:03:09No, Juan, no
00:03:10But, daughter, what happens now?
00:03:11Nothing, your grandson wants to go to Seville
00:03:13He's insisted that we all go to the April Fair.
00:03:16I said, Mom, it's what I love most in the world
00:03:17I'm so excited, damn it
00:03:18But, man, I don't know, the weekend, sure, maybe.
00:03:21No, no, no, it's just that the little boy wants to go today
00:03:24It was illuminated today
00:03:25As if he had paid for it
00:03:26Look, you have class all week long.
00:03:28And nobody's moving from here
00:03:30Dad would have definitely let me, Mom
00:03:32Hey, watch out for that tag, okay?
00:03:34Just so you know, your father thinks the same as me.
00:03:36Well, I'm going to call him and tell him, let's see what he says
00:03:38It's over
00:03:39Your father says he won't let you.
00:03:41Okay? You're not going to Seville.
00:03:42That's it, enough.
00:03:44Excuse me, Elena, I don't want to interfere where I'm not wanted.
00:03:45Honestly, I know exactly what I have to do, you know?
00:03:48No, no, no, that's not how it goes.
00:03:50No, no, you'll see that in the Casa Andalucía here in Madrid
00:03:52Every year we celebrate the April Fair
00:03:53Yeah?
00:03:55Hey, that's a really good idea
00:03:57Look, we solved it like this.
00:03:58School's out, I'll pick you up and we'll go there
00:04:01Seem to you?
00:04:02It's the same thing, Mom
00:04:03Yes, there's absolutely no comparison.
00:04:05Well, you stay out of it, hey, stay out of it
00:04:07This is what it is
00:04:09Take it or leave it
00:04:10Decide
00:04:12Well, well, better than nothing.
00:04:15Juanito, could you be a little more grateful, don't you?
00:04:17And you, even less of a scoundrel.
00:04:18And you, be less capricious.
00:04:19Come on, come on, come on, don't kiss each other, kiss each other
00:04:21We're all going to get dehydrated, family and all.
00:04:24Come on
00:04:24One thing, Celia, I'm going to take care of a little matter
00:04:26See you later
00:04:30Well, see you later
00:04:30Okay, see you later, come on
00:04:31Bye
00:05:00Are you going to see the jam?
00:05:04Hey, I'm still going to get hurt.
00:05:06Fiti, what happened?
00:05:09Nothing, nothing
00:05:10I'm falling now
00:05:11Are you OK?
00:05:13Yes, yes
00:05:13Pass me the whole tray
00:05:16And what about that, Jico?
00:05:20Planted soap
00:05:21What's that?
00:05:21Soap
00:05:25Fiti, I know you
00:05:26I've heard about Ana
00:05:28It's because you came to notice her
00:05:29I knew it!
00:05:30From the moment he walked through the door
00:05:31That one didn't cause any trouble
00:05:32I knew it
00:05:33I knew it
00:05:34Okay, okay, okay
00:05:35I've already figured it out.
00:05:37Johnny
00:05:37Don't gloat because
00:05:40Hey, that's enough.
00:05:41I already have enough to deal with in my own family.
00:05:42Okay?
00:05:46Come on, Karina
00:05:49Heartbreak is a real bitch
00:05:52But really messed up
00:05:54But they leave, just like you.
00:05:56Already
00:05:56Over time
00:05:58The dark time
00:05:59Yes, well, look
00:06:01Precisely, Chuni
00:06:04Look
00:06:05I wanted to tell you something
00:06:07Speaking of the fucked up ones
00:06:08They have life, okay?
00:06:10But...
00:06:11Tell me, tell me
00:06:13Sit down
00:06:16Tell me, Perla
00:06:21You'll see
00:06:23Fiti, I'm Diego
00:06:24Well, I can't believe it.
00:06:30I've come to ask for your forgiveness.
00:06:31Fiti, please forgive me
00:06:32I know I should have told you sooner
00:06:33But I just haven't been able to
00:06:34Because Ana and I really...
00:06:35Leave me alone, Diego
00:06:36Leave me
00:06:36I can't hear you
00:06:39Fiti, Fiti
00:06:55Fiti
00:06:57Ramón, come in
00:06:57That?
00:07:02Dad
00:07:03Hello, daughter
00:07:04Hello
00:07:05Are you OK?
00:07:06Yeah
00:07:07You don't want to come home with me
00:07:10Dad, what are you doing here?
00:07:12Look, daughter
00:07:12I have something to tell you
00:07:16This makes no sense.
00:07:17Tell me, please
00:07:18Who is the father of your child?
00:07:20Dad, please
00:07:20Don't start again
00:07:21I'm not going to tell you.
00:07:22We don't need it.
00:07:23Damn it, just forget about it.
00:07:24He doesn't want to tell her.
00:07:25I don't know...
00:07:28We are taking very good care of her here.
00:07:30Would you like some porricas?
00:07:31Yeah
00:07:31There are muffins too
00:07:33Look, daughter
00:07:33Very sorry
00:07:34But I just can't get it out of my head
00:07:37Whether you like it or not
00:07:38I'm going to find out who the father of your child is.
00:07:40And all this, the father of Africa
00:07:41Appearing through the door
00:07:42There, to finish off the morning
00:07:43Come on, that's outrageous!
00:07:44Happens
00:07:45Poor things
00:07:46Both of them, right?
00:07:48Because Diego must be going through the same thing.
00:07:49With what they want
00:07:51My Fiti
00:07:52My Fiti is suffering
00:07:53What is not in the writings
00:07:54The creature
00:07:57She had built up many hopes
00:07:58And believe me, I told him so.
00:07:59Go on, I'll never get tired of telling you.
00:08:00But you know how things are with love.
00:08:02He doesn't listen to reason.
00:08:05How difficult it is to find true love made in me
00:08:08We are very lucky
00:08:10And preserve it
00:08:12Less easy, Lourdes
00:08:13And I don't know what León has against the covers.
00:08:16I can't find my little boy
00:08:17I'm missing him so much
00:08:18God
00:08:18Do you know what I'm thinking?
00:08:20Why don't you go to León to see him?
00:08:23Lourdes, how am I going to get to León?
00:08:24I don't have days off.
00:08:25And the school doesn't maintain itself
00:08:27Hey, who's handing out the photocopies?
00:08:29Who replaces the chalk?
00:08:30Who rings the bell?
00:08:31We take two tickets and we both go.
00:08:33Are you serious?
00:08:35Oh, Lourdes
00:08:36Are you serious?
00:08:38Yeah
00:08:38Well, look, we're leaving.
00:08:39That you're the director here
00:08:41Where there's a boss, the snitch doesn't kill.
00:08:43Look, we're taking the last train of the afternoon
00:08:45We introduced ourselves and spent the night there in León.
00:08:47And tomorrow, when it's cooler, we'll be here.
00:08:48Well, that gives you time to ring the bell and do whatever else is needed.
00:08:50The bell and the clapper
00:08:51AND...
00:08:52My Mother, my God
00:08:53I can't believe it, seriously
00:08:54Oh really
00:08:55Well, just imagine José Luis's face when he sees us!
00:08:59Especially to you
00:09:00Hey?
00:09:01Okay, okay, okay
00:09:02That's it, morricon
00:09:03I'll eat him up from the feet up.
00:09:04It's over
00:09:04I'm not going to buy you a suit today, Karina
00:09:06The two of them have become outdated for me.
00:09:07And that everyone in Seville wears it
00:09:08Yes, and in Seville they also ride horses.
00:09:10And no, that's why I'm going to buy one for you, right?
00:09:12Come on, go with the old man, you're doing great.
00:09:14Listen to me.
00:09:15Okay, fine, but you'll buy me the Cordoba hat.
00:09:17And my cousin is coming too.
00:09:18Yes, Curro is coming and I'll buy you the hat.
00:09:20What will you look like, Joselito?
00:09:22Come on, class, you're late!
00:09:23The folder
00:09:26To the
00:09:27Disaster
00:09:29It's so difficult, isn't it?
00:09:30You tell me or you explain it to me
00:09:32Come on, let's see if it works for you.
00:09:33Let's focus
00:09:35Can?
00:09:36Hey
00:09:37Hi, friend
00:09:38Forgive me
00:09:39I'm so glad you're both here
00:09:40Because I need help
00:09:42And it's a very complicated issue
00:09:44I'll tell you
00:09:46About pity
00:09:47They're still on about Ana's topic, with A.
00:09:48And they don't forgive me.
00:09:49Have you spoken to him?
00:09:51Elena, it's impossible.
00:09:52I'm having bridges all the time
00:09:53But instead of crossing the bridge I offer him, he...
00:09:55What it does is break it, it destroys it
00:09:57The bridge, I mean
00:09:58No
00:09:59It's normal for him to be angry.
00:10:01Yes, I know, Fermín
00:10:02I know.
00:10:03But I saw the man so excited about Ana
00:10:05Well, that
00:10:06Well, I know it's my fault.
00:10:07If not anymore...
00:10:08No, Diego
00:10:09No
00:10:10Well, I mean
00:10:11Ana is the one who should have cleared things up with Fiti
00:10:14And he knows that
00:10:15Hey?
00:10:15He doesn't know
00:10:16Excuse me for saying this, Elena
00:10:17But he doesn't know it
00:10:18It's because G. Martínez comes out.
00:10:19And then
00:10:21It's positioned like a kind of earmuff.
00:10:22And he neither sees, nor feels, nor suffers, nor anything
00:10:24Okay, Diego
00:10:24But I think you should have spoken to him before.
00:10:29Well
00:10:29But there's always time.
00:10:31No
00:10:31He's running away from me.
00:10:32No
00:10:34He runs away from me
00:10:34Yeah
00:10:35If I want to help him
00:10:36Because I know he's suffering.
00:10:37But he won't let me help him.
00:10:38That's a problem
00:10:38Diego, well, he insists
00:10:40He insists
00:10:40And if he rejects you a thousand times
00:10:42Well, you insist a thousand times.
00:10:43Let her realize that you are there by her side
00:10:45That's it
00:10:45That's it, that's it
00:10:47You're sending him signals
00:10:48And sooner or later, Fiti
00:10:50She will receive them
00:10:51Insist
00:10:52Good, good, good
00:10:53Well, I insist
00:10:54Hey, if you tell me we have to insist
00:10:55I insist
00:10:55I will insist as much as necessary.
00:10:56Because I set it, it's your goal.
00:10:57Which is to insist
00:10:58I insist until I become insistent
00:11:05Hello good
00:11:05Hello
00:11:09Hey
00:11:09All good?
00:11:12Yeah
00:11:13Yeah
00:11:13Good
00:11:14The blessed nausea again, isn't it?
00:11:16Yeah
00:11:16Every morning
00:11:20Well
00:11:21Come on
00:11:22I'll accompany you to the bathroom
00:11:24I don't know, it's just that
00:11:26I don't think I feel like it.
00:11:27That you see me vomiting
00:11:29Relax, really.
00:11:29Because I'm a very hardened guy
00:11:31And in this life I've seen things
00:11:34Completely unpleasant
00:11:37Besides, I've been looking so beautiful lately.
00:11:39I don't think there will be a problem.
00:11:40So let's go
00:11:41No, it's just that I'm better.
00:11:42Yeah?
00:11:43Yeah
00:11:43Are you sure?
00:11:45Ah, here comes the father
00:11:47Raul, uncle
00:11:48You're a lucky guy, huh?
00:11:50And I'm not telling you
00:11:51The whole school says so.
00:11:52Oh really
00:11:55No, you're not going to say he's still stubborn.
00:11:56No, no, look, I'm calling myself when I'm alone
00:11:58No, no, no, Raúl, Raúl
00:11:59This is not necessary
00:12:00Why don't you like it?
00:12:01Afri
00:12:01Hey, why don't you take this box for me?
00:12:05Listen to me.
00:12:06You try to talk to him
00:12:07And you'll see how he listens to you.
00:12:08Yeah
00:12:08Or you don't trust your psychological counselors
00:12:10Of course he trusts the woman
00:12:11How can I not trust the problem?
00:12:13He's the one who doesn't trust me.
00:12:14And I fled like the plague.
00:12:16But if you're very much a person
00:12:17And you know it.
00:12:17Remember
00:12:18That when we talk to him
00:12:19We have to tell him about him.
00:12:21What's up with...?
00:12:23What's up with...?
00:12:23Ah, I see.
00:12:24Hello, it...
00:12:25Ramón, how are you?
00:12:29Hello, Elena
00:12:31Hello, Ramón
00:12:32Can you make me two sandwiches?
00:12:34Good
00:12:37Diego
00:12:38Yeah
00:12:39I have come because
00:12:40I wanted to ask you a favor.
00:12:43No
00:12:43No, no, no, no
00:12:45You still owe me one.
00:12:46Remember what happened with the Bernabéu tickets?
00:12:48Ah
00:12:50Tell me whatever you want
00:12:51If it's within my power, I'll do you the favor.
00:12:52Tell me
00:12:53It won't be about money.
00:12:54Man, no
00:12:54It's a favor from one father to another.
00:12:57Tell me
00:12:58Well, you know that my Afri
00:13:00It makes me a grandfather
00:13:01Man, we do know.
00:13:02We are very happy, Ramón
00:13:03And I, but...
00:13:05That?
00:13:06I have a thorn in my side here, Diego
00:13:07Come on, let's...
00:13:08I want you to help me discover
00:13:09Who is the father?
00:13:10Let me help you...
00:13:11No, no, Ramón
00:13:12You can't ask me that.
00:13:13For God's sake, how can you ask me?
00:13:13No, because your daughter is older, damn it.
00:13:14I can't get in there
00:13:15But you're saying
00:13:16Ramón, please
00:13:17Diego, you are a father
00:13:18Put yourself in my shoes
00:13:19Hey?
00:13:20What if you, Tete
00:13:21She gets pregnant
00:13:22And he won't tell you the father's name?
00:13:24Don't tell me...
00:13:24I don't even want to imagine it
00:13:26Just imagine, I mean, I couldn't even picture it
00:13:27I'm going to steal again with Santiago
00:13:28And when I turn back to his pejo
00:13:31We're going to...
00:13:33Santi, Santi, Santi, Diego
00:13:34Santi, relax.
00:13:35Santiago didn't even bother to pull his balls off anymore
00:13:37Ramón
00:13:37Well, look
00:13:38I mean, the father
00:13:39He's his father, damn it.
00:13:41And it will have to occupy some place.
00:13:42In that son's life
00:13:43Some responsibility
00:13:44Yes, we agree
00:13:45Damn, at the very least
00:13:46Pressure pays the price, doesn't it?
00:13:47Sure, if it's a favor.
00:13:48What do I ask of you as a friend?
00:13:49Yeah
00:13:49Thanks, Manolo
00:13:50Hi, is the carburetor around there?
00:13:52We'll continue talking now.
00:13:53Excuse me for a moment, okay?
00:13:54Thank you
00:13:56Would you like a coffee?
00:13:59Ah...
00:13:59Now
00:13:59Fiti
00:14:00Fiti, sorry
00:14:00You again, damn it
00:14:01Really
00:14:02You're such a pain in the ass.
00:14:04No, no, but I haven't been able to explain myself well since I was at your house.
00:14:06If you give me five minutes, I'd like to tell you something.
00:14:08Fiti
00:14:08No
00:14:09I have, I have to change
00:14:10No, I don't want your money.
00:14:12Damn, is that clear?
00:14:13Look
00:14:14I don't want a magazine
00:14:15Are you happy?
00:14:16See you later
00:14:17Fiti
00:14:20You've already seen it, haven't you?
00:14:21That...
00:14:22That he has fled
00:14:23I've seen it, I've seen it
00:14:25Let me think
00:14:27Look at that
00:14:28I saw it on the mannequin and I said to myself
00:14:30This is for my son, I'm still following
00:14:31But Chani, what a beauty, what a marvel
00:14:34Come on, it won't outshine you at León Cathedral
00:14:38Look
00:14:39What do you think?
00:14:40If we arrive, and you arrive alone, we will arrive.
00:14:42To the Jorsico
00:14:43And suddenly I appear like this, a beast to kill.
00:14:45But how crazy!
00:14:47Well, and don't worry
00:14:48Hey, after the show I'll leave you guys alone
00:14:50You'll have to make up for lost time.
00:14:52Yes, and many other things to talk about as well.
00:14:53Do they have the tickets?
00:14:55Well, the locator
00:14:58The train departs
00:15:00Today, this afternoon at eight thirty
00:15:01How exciting!
00:15:04I'm going to call Santiago because I haven't told him anything yet.
00:15:06I don't like those little papers.
00:15:08I don't trust them.
00:15:09Wherever you put a good bill
00:15:11No, take
00:15:12To take
00:15:15Santi
00:15:16Look, Chon and I
00:15:17We're going to do something crazy
00:15:19We're going to León tonight!
00:15:21Let's see José Luis
00:15:22Yeah
00:15:22Okay, honey, I'll tell you later. Kisses.
00:15:24Seriously, these men
00:15:25So much cutting-edge technology
00:15:26So much bluetooth, so much polytone
00:15:28And then they don't answer it.
00:15:29It'll stay there, snap
00:15:33Chas
00:15:33And snaps
00:15:34Well, this
00:15:34This is the ABCs of pregnancy
00:15:37I mean, I already know your whole body
00:15:38I've learned it all by heart
00:15:39And the side effects and everything.
00:15:41Look, you're going to have
00:15:42Constipation
00:15:44Vomiting
00:15:44Varicose veins
00:15:45But
00:15:45They're going to grow a little.
00:15:46Okay, okay, okay
00:15:47Sure, I'm going to school
00:15:47I'm not going to let them all hit me at once.
00:15:49Okay
00:15:50Well
00:15:51Leave it, leave it, little one
00:15:51Okay, thanks.
00:15:52See you later, love
00:15:53Bye
00:15:54See you later
00:15:54Goodbye, Africa, goodbye
00:15:58What's that?
00:16:00Well, I
00:16:02What should be done here?
00:16:03Here, take it.
00:16:04That thing you're doing with your belly
00:16:05Yes, yes
00:16:05That's it, he's the father
00:16:07The father?
00:16:07No, no, no
00:16:08Because how would Ramón find out?
00:16:09If it's the father, how would he find out?
00:16:10He faints
00:16:11Pay attention to what I'm telling you.
00:16:11But what if they're a couple of gossipy old women?
00:16:13The other one is a male
00:16:14Just stop it already, right?
00:16:16Look, look
00:16:16He's giving her a kiss.
00:16:18I've already seen it, Santi
00:16:18That he gave her a kiss
00:16:19And he touched her belly
00:16:20But oh well, oh well, oh well
00:16:21There is good peace of life
00:16:22What he has expressly asked of his mother
00:16:24He doesn't want anyone to know who the father is.
00:16:26Damn it, let's respect her a little.
00:16:27How are you guys doing?
00:16:28Cheer up, man!
00:16:29What I bring you here
00:16:30The flower and none of the pickles
00:16:31Hey?
00:16:32Last harvest
00:16:32For your enjoyment
00:16:33And personal enjoyment
00:16:34Hey, one thing, pickle
00:16:36What were we talking about here, my brother?
00:16:37Since when are you such good friends with Africa?
00:16:39Friend of friendship, I mean
00:16:40We have seen with many confidences
00:16:42Well, I've been taking private lessons.
00:16:44Individuals
00:16:45Oh, you're having private lessons?
00:16:46Here goes
00:16:47I'm losing it, man.
00:16:48If I had brought him a tin of anchovies from Santoña
00:16:50These are the good ones, you know what I mean?
00:16:52To Africa?
00:16:53Did you bring a can of anchovies from Santoña to Africa?
00:16:55So that?
00:16:55Damn, for the match, for the kid
00:16:57So that it grows up well, healthy, and whole.
00:16:59You know the least I can do
00:17:00To take care of the mother a little, right?
00:17:01What's the least you can do?
00:17:03And are private lessons becoming scarce?
00:17:05So, what do you do in private lessons?
00:17:06I'm going to tell you something
00:17:07The least you can do
00:17:08No, the least you can do is take responsibility.
00:17:10If you are the father of Africa's child
00:17:11That's the least you have to do.
00:17:12Because there are a lot of people in this neighborhood.
00:17:13In this neighborhood
00:17:14He's looking for you.
00:17:14In this neighborhood
00:17:15Do you need to know if you are the father of the child?
00:17:16It's going to happen to you this time
00:17:19But, but why are they driving the kid crazy?
00:17:21We all know that Raúl is the father of the child.
00:17:25That I am not the father
00:17:27Damn it, that's enough.
00:17:28Damn it, I didn't say anything.
00:17:30Me neither
00:17:31Search me, I haven't touched a hair on his head.
00:17:33And the cachoas?
00:17:34What about the sea bream?
00:17:35What do the chopas mean in this story?
00:17:38What do the chopas mean in this story?
00:17:38What about the sea bream?
00:17:39That?
00:17:39That?
00:17:39What's happening?
00:17:40One detail, one detail
00:17:42What's happening?
00:17:43Can't one be a little polite?
00:17:44That?
00:17:45Really
00:17:45That's certainly what one has to put up with.
00:17:47I mean, I swear I'm blown away
00:17:49Boy!
00:17:50Hey!
00:17:50The confetti!
00:17:51We've already done it with the sea bream!
00:17:52They haven't done it before!
00:17:54But, uh
00:17:55If he is not the father
00:17:56And Raúl is not the father
00:18:00Who is the father?
00:18:00The confetti!
00:18:02The confetti!
00:18:19The confetti!
00:18:29The confetti!
00:18:31It's going to be tough
00:18:32And let me lay out the groundwork first.
00:18:34Trust me, okay?
00:18:35Thank you
00:18:37Oh my God, I'm so hungry!
00:18:38Yeah?
00:18:39Ah, look, here comes Diego!
00:18:41Curro, time to eat!
00:18:43Okay, hi, how are you, Curro?
00:18:45Well, it's upstairs
00:18:46Let's go find him
00:18:47Ah, very good.
00:18:48Yes, then
00:18:49Hey, how was your day?
00:18:51Well, frankly, awful.
00:18:52Because?
00:18:53Because Fiti is still confused
00:18:54And there's no one who can talk to him.
00:18:55It's like a kind of wall
00:18:57Then we set one up for the Gherkin
00:18:59I don't want to tell you.
00:18:59Whom?
00:19:00To Pepinillo, the kid who brings us the vinaigrette
00:19:02And the cucumbers
00:19:02Because for a moment we thought
00:19:04He was the father of the old man from Africa.
00:19:06And he ground it up.
00:19:06I can't believe it
00:19:07Poor boy
00:19:08Yes, yes
00:19:09The truth is, me too.
00:19:09I'm curious to know
00:19:10Who's the father, huh?
00:19:11Sorry
00:19:12Who is the firm?
00:19:13Yeah
00:19:14Yes, tell me, Fermín
00:19:15Yeah
00:19:16You can't tell me over the phone, Fermín.
00:19:20Okay, fine.
00:19:22Yes, yes, I'll go after lunch
00:19:25Where?
00:19:25I don't understand, Elena.
00:19:26I don't understand what we're doing here.
00:19:28Hey, Fiti, don't get angry
00:19:29I needed to talk to you
00:19:31Okay
00:19:31I'll talk to you about whatever you want.
00:19:34But come on, there are bars.
00:19:36I just don't see how we can stay in a boat.
00:19:38I don't see it.
00:19:38Well, I felt like it.
00:19:40Because it's a quiet place
00:19:42Because it's beautiful
00:19:44No, it's very nice.
00:19:46Yes, yes, yes
00:19:46Very bucolic
00:19:47Yeah
00:19:47Did you know?
00:19:48This little wiggle
00:19:49Me, I who am from the drylands
00:19:50Well, I feel a little dizzy
00:19:54I don't know, Fermín
00:19:55I don't know if this is going to work
00:19:57The professionals trust, Diego
00:19:58Well, besides, I'm sure he'll listen to you.
00:20:00Mostly because he has nowhere to go, of course.
00:20:02Well, I've seen it and I'm right, yes.
00:20:04Come on, give it a try
00:20:05Give it to him
00:20:06We're going there
00:20:07Come on, Fermín
00:20:08That's not possible
00:20:09No, because it's a lake
00:20:10And the water in the lake doesn't move.
00:20:13So maybe it's because you're scared, right?
00:20:15I'm not afraid
00:20:16That I have respect
00:20:17Look, the Titanic, what a monstrosity
00:20:18And what happened in the end
00:20:19So, what did you want to tell me about your husband?
00:20:22So
00:20:22Look, hello
00:20:23So, how's it going?
00:20:25Hello
00:20:25Well
00:20:25I can't believe it
00:20:26Don't tell me this is a coincidence
00:20:28Because it's not a coincidence
00:20:29What a coincidence
00:20:29Fiti, we're here
00:20:30What a beautiful day it is, isn't it?
00:20:31I'm talking to you
00:20:32Ready
00:20:33I'm not talking to you.
00:20:34Come on, I, I
00:20:34Let's all calm down
00:20:35You get in the boat and let's see
00:20:37No, but what's this guy doing on this boat?
00:20:40No, no, I'm going, I'm going, I'm going
00:20:40Because it's good
00:20:41I'll go and see.
00:20:41No
00:20:42That I don't want
00:20:43I have nothing to say to this man.
00:20:45Don't approach me
00:20:46Carefully
00:20:47Carefully
00:20:47Come on
00:20:48No, no, be careful.
00:20:48Come on
00:20:49Come on!
00:20:51What a huge jump!
00:20:52Little dove!
00:20:53Son!
00:20:54Look, Dad
00:20:55Run, run, run
00:20:56Run, run
00:20:57Run, run
00:20:57Run, run
00:20:57Run, run
00:21:00What do you think?
00:21:02The fact that?
00:21:02Have you heard my message?
00:21:03What message?
00:21:04Haven't you heard?
00:21:05Okay, okay
00:21:05Mom is going to León with Aunt Choni.
00:21:08Let's go see Uncle Josico
00:21:10To León
00:21:11Let's see José Luis
00:21:12Isn't that a good idea?
00:21:13Well, we've found a fantastic train deal
00:21:15And tomorrow morning we'll be here.
00:21:17No, no, no
00:21:17I really want to
00:21:18No, no, it can't be.
00:21:19No, no, you can't go
00:21:20It can't be, it can't be
00:21:22Because?
00:21:22Why can't we go?
00:21:23Because it's midweek
00:21:24There is a lot of work to do.
00:21:25You are in a state
00:21:26Anything can happen to you
00:21:27Okay, honey
00:21:28I am in a state
00:21:28But I am not disabled
00:21:29With Lini, who doesn't go alone
00:21:30Damn, we're both going
00:21:31Thermal baths and Lourdes
00:21:34Citi knows it
00:21:34He doesn't know yet because I haven't had time to tell him.
00:21:37Come on, I'll tell him.
00:21:38As long as Josico doesn't find out
00:21:39Well, it's true, she's going to be surprised when she sees the two of us.
00:21:41He's so poor, all alone there, abandoned for so many days.
00:21:44Listen to me, little dove
00:21:45Listen to me, listen to me
00:21:46Darling, darling, darling
00:21:47I'm going to miss you too.
00:21:49Yes, I will miss you.
00:21:50But we have to learn to be independent
00:21:52And to be able to separate
00:21:54I'm going home for a change of clothes
00:21:55Come on, listen, stay with daddy
00:21:57There you go
00:21:57With your mother
00:21:58Take good care of it.
00:22:01Come on, let's go
00:22:02Come on, we're late!
00:22:04Okay, let's go
00:22:04Beware of the sign
00:22:06It's not going to be what it's going to be
00:22:09Come on
00:22:09Petri!
00:22:11You're doing great, you've logged on
00:22:13Don't worry
00:22:14Don't worry, son
00:22:15Call your uncle now
00:22:16And you'll see how it gets sorted out
00:22:19Arrive
00:22:20Touch it
00:22:21Another one, another one, another one
00:22:23But where are you?
00:22:24Fermín, where are you going?
00:22:25Let's see
00:22:25Come here, Fermín
00:22:26Fermín
00:22:26Fiti, don't close yourself off
00:22:27Don't touch me, I'm very nervous
00:22:29Come on, Fiti, please
00:22:30We're going to focus on
00:22:32Look, the time has come
00:22:33That you resolve your differences
00:22:34Okay?
00:22:35Please, Fiti
00:22:36Do your part, man.
00:22:37It's easier than you think.
00:22:38Come on
00:22:40What we are going to do now
00:22:41It's an island therapy
00:22:42But what island, what island, please
00:22:43If the shore is there
00:22:44It's a metaphor, Fiti
00:22:46And she's very attracted to Elena.
00:22:47Tell me, we're in a boat now
00:22:49Which is surrounded by water on all sides
00:22:50It's like being on an island
00:22:51That is
00:22:52Very clever, Diego, very clever.
00:22:54Hey?
00:22:54It's a shame you weren't smarter
00:22:55To tell your friend to his face
00:22:56The little things
00:22:57Yes, I know.
00:22:58I should have told you.
00:22:59Fiti
00:22:59Yeah, yeah, so what?
00:23:00Tell me what
00:23:00Tell me what
00:23:01You kissed Ana
00:23:02That there were revels
00:23:03Hey?
00:23:03Well, those are two cover-ups
00:23:05Double concealment
00:23:05Okay, okay
00:23:06Fiti, come on, kick him out
00:23:07Expel everything you do to yourself
00:23:08Look, what you would like to expel
00:23:09This guy here on the boat
00:23:10That's what I would like
00:23:12Fiti, please
00:23:12If you let them explain it to me
00:23:14Neither Fiti, nor anything else
00:23:15Diego, fuck
00:23:16The explanations before
00:23:17Long before
00:23:18Fiti, look
00:23:19What you need to do is listen to him
00:23:20The idea is that
00:23:21I'm leaving
00:23:22I'm outta here
00:23:23I'm getting out of here
00:23:24Fiti, please
00:23:25Fiti, please
00:23:26Don't do anything stupid
00:23:26Fiti, put down the oar
00:23:28Come on, put down the oar
00:23:28Please
00:23:29Fiti, put down the oar
00:23:31Listen to me, listen to me
00:23:32Listen to me
00:23:33Listen to me
00:23:34Eloia!
00:23:36Eloia!
00:23:44Mom might be coming now
00:23:45And it gives you time
00:23:45Go to the fair for a while
00:23:46Yes of course
00:23:47And he's going to come for us.
00:23:48The horse-drawn carriage
00:23:49Beware of illusion
00:23:50What was I doing, man?
00:23:51Let me tell you one thing, cousin
00:23:53This with my father
00:23:54It wouldn't have happened
00:23:56Guys
00:23:56Shall I prepare something for you to eat?
00:23:58Uh, no
00:23:59We have to leave
00:24:00To prepare a job
00:24:00Breast and I
00:24:01We need to see it applied
00:24:02It's just that you've been lately
00:24:04Yes, they're not
00:24:05To work, Grandma
00:24:05Yeah
00:24:06That's great!
00:24:07That's what I like to see.
00:24:07Be responsible
00:24:09Okay
00:24:09Did anything happen between you?
00:24:11No, no, Grandma
00:24:12Then we went downstairs to get one of the sandwiches.
00:24:14Yeah
00:24:14Thank you
00:24:15See you later
00:24:19Come on, Juanito
00:24:19Dude, don't overthink it.
00:24:22You'll see, something will come up for him at work.
00:24:24Listen to me, let's see what
00:24:25You, when you're behind me for an hour of nothing
00:24:27Unless I call
00:24:27I'd get a real dressing down.
00:24:30Well, then
00:24:30I don't know
00:24:32She will be gathered
00:24:33Because my phone was turned off
00:24:34It's just not fair
00:24:35It's not fair
00:24:36No problem
00:24:37You can go tomorrow too
00:24:38Yes of course
00:24:39Next year too
00:24:40Let's see
00:24:41He promised me we were going to go today
00:24:42That he has deceived me
00:24:43Okay, fine.
00:24:45I'm sure Mom has an explanation.
00:24:46Okay, okay
00:24:47Let's not separate, okay?
00:24:49Come on, let's get something to eat
00:24:50I've made you the croquettes
00:24:51The kind you like
00:24:52Yes, let's go, because this kid is making me angry.
00:24:53It has taken away my appetite and desire for everything.
00:24:56Come on, are you okay?
00:24:59Let me tell you something else, okay, cousin?
00:25:01I can't go without the fair
00:25:03That's why they call me.
00:25:04Juanito Sevilla
00:25:05Curro
00:25:07Juanito, come on
00:25:08Come eat something
00:25:10Okay, whatever you want.
00:25:13But I'm going to eat the croquettes, beautiful.
00:25:32AND...
00:25:33Juanito, come on
00:25:34What are we waiting for?
00:25:36Uh, I'm going
00:25:37Save me something
00:25:38A little croquette and that's how I eat
00:25:46God, Diego
00:25:47We killed her
00:25:48No, no, he's breathing.
00:25:49Here, what the hell is breathing on me?
00:25:50Look with your head
00:25:51Put it here, put it here
00:25:52God, no, no
00:25:53Yes, I can hold my head up.
00:25:54What do we do?
00:25:56Revive her, revive her
00:25:56How can I revive her?
00:25:58How do you revive her?
00:25:59Let's see
00:25:59Your onion
00:26:00I shit on the wing
00:26:00Word of mouth
00:26:01How do you give my sister-in-law mouth-to-mouth resuscitation?
00:26:02Well, damn it, I'm going to stop looking at things now.
00:26:04Don't mess with me, Diego
00:26:05Excuse me, look
00:26:05It's a life at stake, damn it!
00:26:07I'm going, I'm going, I'm going
00:26:08Elena
00:26:09Sorry
00:26:13Good, good, very good
00:26:15That's it, that's it
00:26:16He already reacted
00:26:17Okay, okay.
00:26:18How are you?
00:26:20What are you doing?
00:26:21No, it's not what it seems.
00:26:23No, that was
00:26:23He gets disoriented again
00:26:25Let's go to the car, damn it
00:26:26Come on, we have to take it.
00:26:31Come on, start opening the car, Diego, damn it
00:26:33Open, open
00:26:45If you don't know, you know what the traffic is like at this time of day.
00:26:47For the love of God
00:26:48Hurry up, we're going to miss the train
00:26:49Oh, Lourdes, for God's sake!
00:26:50Don't pressure me
00:26:51Don't pressure me, I'm under pressure
00:26:52I don't act
00:26:53Wait, now
00:26:53My suit is wrinkled
00:26:55Look, let's see if it closes
00:26:56Let's see
00:26:56This is coming, beautiful
00:26:58There you go, like a new test
00:26:59Yes, let's see.
00:27:00What are you doing here, darling?
00:27:02I closed earlier
00:27:03What's up, my love?
00:27:04Because?
00:27:05Because you missed me
00:27:06Hey?
00:27:07And you really wanted to say goodbye.
00:27:08My Moorish king
00:27:09It's more romantic than he thinks
00:27:11Let's see
00:27:12Lourdes, in favor
00:27:13Help me with the other suitcase, Moorish king
00:27:15Another suitcase?
00:27:15But what are you going to take it for?
00:27:16The one I've had?
00:27:18The one I've had?
00:27:18Damn it
00:27:19It just can't be.
00:27:21What are you doing here?
00:27:22Look, if it's about Diego again
00:27:24Look, with her
00:27:24That's it
00:27:25Are they leaving?
00:27:27Are they leaving?
00:27:28Who's leaving?
00:27:29Where are they going?
00:27:29To León
00:27:30To find the little one
00:27:31Don't mess with León!
00:27:33They have to go today, damn it.
00:27:34With the day I'm having
00:27:36Come on
00:27:37We have to tell him.
00:27:38But already
00:27:39You should see that woman.
00:27:40Two suitcases for one day
00:27:41Do you love yourself?
00:27:42Hello, Fiti
00:27:43Any unexpected event, anything at all
00:27:44Fiti, darling
00:27:45Don't you take me to the station?
00:27:49No
00:27:49What's happening?
00:27:50No, Choni.
00:27:51You can't leave
00:27:52What do you mean we can't leave?
00:27:54What are you saying, Fiti?
00:27:55Okay, let's go
00:27:56Choni, Choni, Choni
00:27:57Listen to me.
00:27:57Sit down for a moment, go on
00:28:00Damn, Fiti
00:28:00You're scaring me
00:28:01What's happening?
00:28:01Wait, wait
00:28:04That?
00:28:05What's happening?
00:28:06It happens that
00:28:08That?
00:28:09So, José Luis
00:28:12Fuck
00:28:13José Luis is not in León
00:28:15Oh no, and where is it?
00:28:17Why isn't it in León?
00:28:19The topic
00:28:21No, the issue is that he got paid
00:28:24He collected the inheritance
00:28:27And he's run off with the money
00:28:30No
00:28:32What are you saying, Fiti?
00:28:33That already
00:28:34No, Fiti
00:28:35That my son
00:28:36Yes, he hasn't been able to do that.
00:28:37No
00:28:38Santiago
00:28:40No, man
00:28:41You are confused
00:28:42How are you going to do that?
00:28:43Hey?
00:28:45Let's see
00:28:45José Luis doesn't treat me any less than I am.
00:28:46Don't scare us
00:28:48Don't scare us
00:28:48Please
00:28:49Lurditas
00:28:49Please
00:28:50I repeat myself to the evidence
00:28:51Look
00:28:52There you have it
00:28:53There, that's it
00:28:55What would my son do if he had a yacht?
00:28:59And with this blonde
00:29:03Lurdis, for God's sake.
00:29:03What has it left me with?
00:29:04That he cannot
00:29:05That can't be, darling.
00:29:06That can't be.
00:29:07Lurdis has left me
00:29:08That daughter has left me
00:29:11But what?
00:29:13But how
00:29:15But how
00:29:17That can't be.
00:29:18That can't be.
00:29:34I'm not well
00:29:35I'm not well
00:29:35I'm about to go crazy
00:29:37Yeah?
00:29:38Because?
00:29:39What happened?
00:29:40Have you done anything?
00:29:41It just can't be
00:29:41It's impossible.
00:29:42Impossible
00:29:42I can't wrap my head around it
00:29:43There is no physical possibility
00:29:45So that this circumstance
00:29:46This past
00:29:47In other words, it's impossible.
00:29:48You understand me?
00:29:48No, no, you'll understand me.
00:29:49You don't understand me.
00:29:50But what's impossible, Gael?
00:29:51You're starting to worry me
00:29:52What happened?
00:29:54Celia
00:29:54You
00:29:56You remember
00:29:56No?
00:29:57That when I
00:29:58I arrived here
00:29:59And I started teaching
00:30:01I had a heated argument
00:30:03With Africa
00:30:03Yeah?
00:30:04Yes, I remember.
00:30:05AND?
00:30:06After the competition
00:30:07I went to his house
00:30:08To try to
00:30:09Fix things
00:30:10Nothing else
00:30:12And well, and
00:30:12Again?
00:30:13Look
00:30:13No, no, Gael
00:30:15No, this is amazing.
00:30:16I'm tired
00:30:17From arguing with you
00:30:18Because you're starting to bore me
00:30:19Oh, are you tired?
00:30:21To argue with me?
00:30:21Yeah
00:30:22Ah, that's amazing!
00:30:23Look, Africa
00:30:24I swear, okay?
00:30:25That?
00:30:25But I swear
00:30:26That this discipline
00:30:26In the spirit of peace
00:30:27To talk things over
00:30:28Yes, but you're impossible.
00:30:29Because you won't even let me speak.
00:30:30What can't be done to me?
00:30:30It's just not possible, woman
00:30:31Are
00:30:34Unbearable
00:30:34Oh, really?
00:30:35Yes, unbearable
00:30:35I can't understand
00:30:36Like someone who can do that
00:30:37It just can't be
00:30:38Sure, but it's so peaceful
00:30:39Africa, from the very beginning
00:30:41The one where I saw you
00:30:42That?
00:30:44That?
00:31:00And now it turns out
00:31:01Magically
00:31:02That Africa
00:31:03She is pregnant
00:31:04I can't believe it, Gael
00:31:05Yes, me neither.
00:31:06The thing is
00:31:08Unintelligible
00:31:08We use protection
00:31:09Understand this, little sister
00:31:10You're sure?
00:31:10Yes, I'm sure.
00:31:11And to this day
00:31:13I thought Raúl was the father
00:31:14But I've just found out that no
00:31:15So, who becomes
00:31:16Who is this son's first choice?
00:31:18I
00:31:20Let's see, Gael
00:31:20Listen to me very carefully
00:31:21You're going to call Africa
00:31:22And you'll find out.
00:31:23Because we can't stay
00:31:23With this doubt
00:31:24You think?
00:31:25Damn, on top of everything else
00:31:26Diego is
00:31:27He is looking for...
00:31:28Who is Diego looking for?
00:31:30Oh, God
00:31:30As?
00:31:31Come in, come in, come in
00:31:33Diego, what happened to them?
00:31:34Have we been in an accident?
00:31:35Elena, what's wrong?
00:31:37Nothing, nothing
00:31:37We are in a boat
00:31:39And I fell to the...
00:31:40No, no, no
00:31:40Did you fall?
00:31:41No, I threw it away
00:31:41I threw it away
00:31:42I mean, Fiti
00:31:42Well, Fiti and I
00:32:00Damn, this is all I needed.
00:32:02At the fair
00:32:02I forgot.
00:32:03Wait, Elena
00:32:04Listen to me
00:32:04Tell him it's his fault
00:32:05Explain it to me and this
00:32:06I'm going home, okay?
00:32:07Thank you
00:32:07Well
00:32:09Well, if nothing, come on over
00:32:09Are you OK?
00:32:10Are you sure, Fernando?
00:32:11Yes, yes, yes
00:32:12It's been good
00:32:12It's been good
00:32:13Yes, yes, yes
00:32:15It's not a big deal.
00:32:17Excellent
00:32:19It's something that...
00:32:21What's wrong with you?
00:32:22Why that face?
00:32:25What's wrong with you?
00:32:28What's wrong with you?
00:32:41Good morning
00:32:41Are you asleep, honey?
00:32:45Hello
00:32:46Hello
00:32:48What can they catch us in?
00:32:49I think they are
00:32:50All the little sleepyheads
00:32:50Like strides
00:32:52We can enjoy
00:32:53From our sleeping little one
00:32:54Oh, but...
00:32:58I don't know if you
00:32:59And yesterday, what a day!
00:33:00Also
00:33:01I didn't get anything
00:33:03I'll fix myself up.
00:33:04From Citi
00:33:04I gave Elena a reed
00:33:06And then
00:33:06I had to give him mouth-to-mouth resuscitation
00:33:08As well as...
00:33:08Hey?
00:33:09What do you mean by word of mouth?
00:33:11I'll read you a word of mouth
00:33:11You are welcome
00:33:12A superficial word of mouth
00:33:13He was going to die
00:33:15I saved you by the bell, huh?
00:33:17You don't explain.
00:33:20Yeah
00:33:21Oh, yes, yes
00:33:22Okay, I'll send it to you.
00:33:23Yeah
00:33:24Ramón
00:33:26Yes, Ramón, tell me
00:33:27Yeah
00:33:29No, nothing
00:33:29No no
00:33:30I arrive a little awake, yes
00:33:33Ramón, stay calm.
00:33:34Don't worry
00:33:34As soon as I know
00:33:35The father
00:33:35I'll tell you
00:33:37Come on
00:33:38See you soon
00:33:41Hey, Diego
00:33:43I don't know
00:33:44But I think that
00:33:44You're getting involved
00:33:45On a very personal level
00:33:47You should quit, okay?
00:33:48Yes, I know.
00:33:49I already thought about it from the beginning.
00:33:50But again
00:33:51I'm thinking
00:33:51That the father
00:33:52He's around here somewhere
00:33:53Without assuming responsibility
00:33:54And frankly
00:33:54What is Africa?
00:33:55And I don't like it.
00:33:55Nor does history
00:33:56Who the hell is the father?
00:33:58Who will be the father?
00:34:01That?
00:34:03That?
00:34:03I haven't had a single idea.
00:34:04I'm going to ask Tete.
00:34:05To Tete?
00:34:06Yes, they are very good friends.
00:34:07Maybe he knows something
00:34:08And one more thing, Celia
00:34:11You too, huh?
00:34:12If you find out anything
00:34:13You know anything
00:34:14You tell me so
00:34:15Okay?
00:34:20Yes, I'm Diego.
00:34:21Can I come in?
00:34:23Wait a minute, Diego
00:34:30Hey...
00:34:30Come in, come in
00:34:34Tete, sorry to bother you
00:34:35But...
00:34:36I need to talk to you.
00:34:37It is important
00:34:38What's happening?
00:34:39You see, daughter, that...
00:34:41I need some information.
00:34:42And I thought maybe you too, well...
00:34:44No beating around the bush, Tete
00:34:47Do you know who the father is?
00:34:48From the son of Africa?
00:34:50Ah, from Africa.
00:34:53Hey...
00:34:53No
00:34:54No?
00:34:55No, I have no idea
00:34:56He's never told me.
00:34:56Okay, are you sure?
00:34:58Sure
00:34:58Sure
00:34:58Okay, thanks.
00:35:02Oh, yes, yes
00:35:03I wanted to tell you something else.
00:35:04That is important
00:35:07I'm very proud of you
00:35:08But very proud
00:35:09Yeah
00:35:09Because this house used to be
00:35:10It was like Sodom
00:35:12And Gomera
00:35:12And now it's rather
00:35:13Like the Vatican
00:35:14It's kind of a normal thing.
00:35:15Reasonable, yes
00:35:16And do you know why?
00:35:18Because you don't cover up
00:35:20You don't hide, Tete
00:35:21And I value that.
00:35:23As a human being
00:35:24And as a person
00:35:25I value it
00:35:25Okay, okay, that's fine.
00:35:27I promise you that today
00:35:28I speak with Africa
00:35:28And find out
00:35:31Find out
00:35:31Find out
00:35:32Find out
00:35:32Why is there a shortage of toilet paper?
00:35:34Because you're missing
00:35:35All the time and fast
00:35:36I don't know why
00:35:37AND...
00:35:39Hey, has anyone seen
00:35:40My credit card?
00:35:41I went to pay yesterday
00:35:42And he didn't even have any money.
00:35:44No card
00:35:45I felt so embarrassed
00:35:46I had to leave the car
00:35:47At the supermarket
00:35:48Okay, Carmen
00:35:49Peaceful
00:35:50Then we looked for the card
00:35:51Don't worry
00:35:51Don't worry, Carmen
00:35:52Change me
00:35:52And I'll go with you to look for it
00:35:53Yes, thanks
00:35:57Brother!
00:35:57How are you?
00:35:58How's it going, González, brother?
00:35:59What's happening?
00:35:59What happened?
00:36:00Johnny and Luritas
00:36:01That they are crushed
00:36:02We have told him
00:36:04The shameless one
00:36:05From José Luis
00:36:05And she doesn't kill him headfirst.
00:36:06Santi, for God's sake.
00:36:07But why haven't you called me?
00:36:08For God's sake
00:36:08I know they've already put it on, brother.
00:36:09Don't worry
00:36:10I'm changing in a moment
00:36:11And we're going there.
00:36:12No, no, no
00:36:13They are at Fiti's house
00:36:15You won't be able to enter
00:36:16Mother of my God, but I
00:36:17Really
00:36:17The thing is...
00:36:18It's your turn to fix it.
00:36:19Not from Fiti
00:36:19Okay, but that's it.
00:36:20Call me and I'll give you my report
00:36:21Come on, let's go
00:36:22Take me away
00:36:22Let me pass by your hips
00:36:35It hasn't stuck
00:36:36All night long
00:36:37The poor thing
00:36:39Tell me about it
00:36:39I already have a wall to a wall.
00:36:42But when I was
00:36:43This scoundrel
00:36:44I've been having nights that...
00:36:48Okay, guys
00:36:50The important thing is that she doesn't stay alone.
00:36:52Not a moment
00:36:54We take turns
00:36:55You stay here now
00:36:56I'm going to work
00:36:57And when I return
00:36:58Well, I'll keep it.
00:37:00I have to go to school too.
00:37:01But hey, whatever.
00:37:02You fill me up, okay?
00:37:04Damn, I'm still freaking out
00:37:05Hey?
00:37:10Soni
00:37:12Honey, good morning
00:37:13Look
00:37:15Raúl is going to stay.
00:37:16Okay?
00:37:17She's going to make something for breakfast.
00:37:18Rich
00:37:18Come on
00:37:19Except
00:37:20Hey, I'm going to school
00:37:21But I have my mobile phone on all day
00:37:23So call me if you need anything
00:37:24Okay?
00:37:32Okay, love
00:37:33How are you?
00:37:35And how are you?
00:37:36Well
00:37:39Oh, daddy
00:37:44Johnny
00:37:46Lourdes has left me
00:37:49That he has betrayed me
00:37:51Oh, daddy
00:37:53No
00:37:54No, Mommy
00:37:55Your mother
00:37:56Your poor
00:37:57My father
00:38:00No, Mom
00:38:01I don't plan to call him.
00:38:02Poor thing
00:38:03How beautiful
00:38:04Surrendering to his brother
00:38:05Of course he doesn't call you
00:38:06Of course he doesn't call you
00:38:07Not even you
00:38:07Nor to anyone
00:38:09I'll talk to her.
00:38:10I'll talk to her.
00:38:11No, no
00:38:11No, Mom
00:38:12No
00:38:13I don't want to know anything more about José Luis.
00:38:15You understand me?
00:38:16No
00:38:17Humans don't do these things
00:38:20He's not my brother anymore.
00:38:21Can you hear me?
00:38:22Can you hear me?
00:38:23It's over
00:38:24It doesn't exist.
00:38:24It doesn't exist.
00:38:29What's wrong, Lourdes?
00:38:30Child, child
00:38:31That?
00:38:31What's happening?
00:38:32Call the hospital
00:38:32Running until there's a street vendor
00:38:33Yeah
00:38:34Yes, call.
00:38:52And Africa
00:38:53And how are you coping with all this nausea?
00:38:57Well, today I've hardly had
00:38:58As long as they don't hit me in class
00:39:00Already
00:39:02Hey, I've been thinking that...
00:39:04Africa
00:39:07I loved you...
00:39:09Ask a question
00:39:11Yeah
00:39:12But I didn't quite know how...
00:39:18Thank you
00:39:22That?
00:39:23Am I the child's father?
00:39:27You?
00:39:29That?
00:39:31Answer me yes or no
00:39:33Am I the child's father?
00:39:41Yeah
00:39:42Yeah
00:39:43Yeah
00:39:46Are you sure?
00:39:49I haven't been with anyone else
00:39:53No, but...
00:39:54But how?
00:39:54If we use protection and...
00:39:56Yes, but sometimes it doesn't work
00:39:58Anyway, don't worry.
00:40:00Don't worry.
00:40:02I've decided that I'm going to be a single mother
00:40:05And I don't intend to demand anything from you.
00:40:07I'm not going to demand anything from you, so...
00:40:08In fact, I would have preferred that you didn't even find out.
00:40:11Ah, you would have preferred that I didn't find out.
00:40:13Yes, Africa, but I am the child's father
00:40:16Yeah, but we've only hooked up once.
00:40:19You understand?
00:40:20And by chance
00:40:20So forget about it
00:40:22Besides, I don't feel like talking about this with you again.
00:40:25I don't feel well.
00:40:38Hey, cousin, you...
00:40:40You're my friend, right?
00:40:42Clear
00:40:43I needed to ask you a small favor
00:40:46Sure, man, that's what friends are for.
00:40:48Yeah, I think they're handling it pretty well, don't you think?
00:40:51Go and see, everyone.
00:40:52It's such a difficult age.
00:40:54Yes, okay.
00:40:54I don't know, Ferrando, I don't know
00:40:56Come on
00:40:57Since I'm underneath and all, well...
00:41:00I feel like going for a walk with my best friend and my cousin
00:41:04Well, yes, that's fine by me.
00:41:06But...
00:41:07As long as we don't miss class
00:41:08No
00:41:09If we lose, we lose one or two at most.
00:41:11But come on
00:41:11From Maria, who matters a lot to me in Pogo
00:41:14No, no, Fer...
00:41:15For one thing I ask of you, cousin
00:41:18Okay, well, but...
00:41:19Where do you want us to go?
00:41:21I don't know
00:41:21Take a walk around
00:41:23Wait, let's go
00:41:23Let me tell you something
00:41:24From Santa Justa
00:41:26But we're not moving
00:41:28Are you in or what?
00:41:29Okay
00:41:31Come on
00:41:40Okay, I'll catch you now, I'm going to the bathroom, alright?
00:41:42The thing is...
00:41:43Okay, son
00:41:53Hello
00:41:54Yes, to book two tickets to Seville
00:41:57No, with a credit card
00:42:00The number is 18
00:42:02For me?
00:42:04Fermín, I'm not in the mood for jokes
00:42:05Excuse me, but I'm not in the mood for jokes.
00:42:06Okay, okay
00:42:06Pity
00:42:07Well, kisses home, okay?
00:42:08See you later
00:42:09How are you?
00:42:10How's it going with the...?
00:42:11Ah, good, very good
00:42:12Thank you
00:42:13Well, I'm glad.
00:42:14I'm glad everything is going well
00:42:15And you see, I came to apologize
00:42:18Because...
00:42:19Fuck
00:42:22Hello, Elena
00:42:24Nothing, that...
00:42:25I came to see how you were.
00:42:27And to apologize for yesterday
00:42:31Let's see
00:42:31What happened yesterday was an accident
00:42:33And I'm perfectly fine.
00:42:35Anyway, thank you very much for the flowers
00:42:37Because I love it
00:42:43And since the three of us are here...
00:42:44What do you think about taking this opportunity to talk about...
00:42:48About yours?
00:42:51As for me, very well.
00:42:52I don't have any problem.
00:42:53Come on, to me
00:42:53Yes, well, I do.
00:42:54Fiti
00:42:55Fiti, wait
00:42:56Excuse me, they're calling...
00:42:58Yeah
00:42:59Santi
00:42:59What's happening?
00:43:01Santi
00:43:03Like what?
00:43:04Are you treating him in a hospital?
00:43:06Okay, that's fine.
00:43:07Calm down, calm down
00:43:07Alright
00:43:08And the child?
00:43:10We're on our way there right now.
00:43:11Relax, Santi
00:43:12Stay calm
00:43:12We're going there
00:43:13Come on, come on, come on
00:43:15Please call me.
00:43:16Yes, I'll call you later
00:43:17Come on
00:43:21We're going to stop at the place
00:43:22What's the matter?
00:43:24What are you doing?
00:43:24The interesting thing is, look
00:43:28How unfair, huh?
00:43:29A few
00:43:30And others so little
00:43:31Come on, Guille
00:43:31Tell us, tell us
00:43:32How was it?
00:43:33Did you record the video?
00:43:34Are you stupid?
00:43:35What's the matter?
00:43:36What does a store give you?
00:43:37It's our responsibility to ourselves.
00:43:39Are we going through this again?
00:43:40Me and me, you
00:43:42I don't know, you're the only one who made me angry
00:43:45Come
00:43:46How can you be with a girl who's out in the world?
00:43:49Look, guys, I'm sorry
00:43:50No, no, no
00:43:51He might not find out.
00:43:52I can't tell you.
00:43:53Fantastic
00:43:53What happens in the details, private and that's it
00:43:56What do you mean, private, dude?
00:43:58No, no, no, no, no, no, nothing's wrong
00:43:59Look, we're colleagues, mate, you don't have to mess with it...
00:44:03What's wrong? Why are you silent?
00:44:05What are you talking about?
00:44:06Nothing, right?
00:44:07Are you saying we're hiding something?
00:44:09In other words, it's not like we're hiding something.
00:44:10The girls are the ones who are not at all
00:44:12Aren't you going to make them a little machine?
00:44:14It's a tickle!
00:44:15And you don't ask for that, Mr. Tire!
00:44:17And a little beer!
00:44:18Very good, Luiso!
00:44:19Very good, Luiso!
00:44:21What a scare!
00:44:22Looks bad, in the end nothing happened, right?
00:44:24That...
00:44:24Well yes
00:44:24But Lurtitas and the child are perfectly fine.
00:44:26That's what's important.
00:44:27That...
00:44:28Clear
00:44:28But...
00:44:29Tea...
00:44:29No, no, no, wait, wait
00:44:30Fiti, sorry
00:44:31Would you like something to drink?
00:44:32A beer or some shopping?
00:44:34Haven't you seen Juanito at work lately?
00:44:36What's happening?
00:44:37They called from the school saying they disappeared hours ago and they don't know where they are.
00:44:40This kid is going to kill me.
00:44:41I checked my phone, can I make a call?
00:44:43Good day, let's see, yes, Diego.
00:44:43Diego, please.
00:44:44I'm not very good.
00:44:55Hey man, we're going to lose our hair.
00:44:57Okay, so what's the name of the train station in Seville?
00:45:00Saint Justa.
00:45:00Well, I told you we wouldn't leave Santa Justa, right?
00:45:03Oh, funny.
00:45:04Well, now you explain it to my father.
00:45:05Hey cousin, we're at the April Fair, man.
00:45:09At the April Fair.
00:45:10Guel azar.
00:45:11But look, have you seen what Güel-Azar is like?
00:45:13That's great, that's great, man.
00:45:14This is Madrid, not what I have here, in Madrid you're just a little teddy bear.
00:45:17There's a fair atmosphere here, kid.
00:45:18Fair atmosphere.
00:45:19The truth is that this is the first time I've been with Seville.
00:45:22That my father told me I must not leave the neighborhood.
00:45:23Well, you're going to get ready, huh?
00:45:25You're going to get ready.
00:45:28Taxi!
00:45:33Hey cousin, do you know if taxis can be paid for with a credit card?
00:45:43Oh, Lourdes, how embarrassing.
00:45:44I should have walked you home, not the other way around.
00:45:48Don't worry, little dove.
00:45:50Now we're going back home, okay?
00:45:52I'll make you some broth and you can rest, as the doctor said.
00:45:54Santiago, I'm going to stay here.
00:45:56Palomita, what did the doctor say?
00:45:58What did he say?
00:45:58You're not in the mood for surprises.
00:45:59Ah, well, you didn't tell me I'm not up for any surprises.
00:46:01But he also told me to continue with my normal life.
00:46:04And in my normal life I would be here now.
00:46:07With Choni.
00:46:08Okay, okay.
00:46:09But here I am sitting, with my feet up.
00:46:12Yeah.
00:46:13At rest.
00:46:14And eat well.
00:46:15And eat them both well.
00:46:17Yeah.
00:46:18Okay, and you, and Choncín, relax, we've got your crib ready.
00:46:22And the little headbands and everything, huh?
00:46:25There she is, Lourdes.
00:46:29Well.
00:46:32Don't worry, Choni.
00:46:34Don't worry, okay?
00:46:35We're going to get through this together.
00:46:38Yes, yes, Serrano the donkey and his cousin...
00:46:40Francisco, Francisco Serrano and his cousin Juan, yes.
00:46:45No, no, they've never been burned, have they?
00:46:47But my agent, how can you get a criminal record check?
00:46:49Good heavens, they're just kids and they're so blessed.
00:46:52Sorry, I understand people, I do understand, yes.
00:46:54As?
00:46:56It could be a prank, yeah, let's give it a go...
00:46:59Yes, I...
00:47:01I'll keep you informed.
00:47:02Thank you very much, thank you.
00:47:04That?
00:47:05Nothing, nothing.
00:47:07Okay, Mom, let's all calm down, shall we?
00:47:09It's not in the hospitals.
00:47:11That means nothing has to have happened to them.
00:47:13Yes, there are a lot of crooks on the loose.
00:47:15And you never know, you never know.
00:47:16And then you, for my mother, are unique.
00:47:18Because Elena is right, they've probably skipped school, they're at the pool hall playing a game of pool.
00:47:21No, no, not in pool halls, Fiti, because my job isn't like that, I mean, my job doesn't involve that.
00:47:25Excuse me, what do you mean by that about my job?
00:47:27Is Juanito really one of those?
00:47:29No, no, no, let's see, let's see, let's see, Diego didn't say that, did he?
00:47:32No, no, no, I haven't said anything about Juan.
00:47:34I haven't said anything, but it's appeared.
00:47:36I was telling him that.
00:47:37Fiti.
00:47:37Mom, what?
00:47:39My friend Pepa just called me.
00:47:41Oh, look, Luna, don't talk to me about Pepa, please.
00:47:42Okay, will you let me finish?
00:47:44Yes, what's wrong?
00:47:45Pepa is in Seville and she told me that she saw Juanito with a friend.
00:47:49Juanito, what?
00:47:49In Seville?
00:47:50Well, the friend is definitely a pro, but what are these guys doing in Seville?
00:47:54Those wretches, but how did they get to Seville?
00:47:55Oh, sir, I think I know where my card is.
00:47:58Juanito?
00:47:59Carmen, the card, on top of everything else, this is theft, it's theft, they did it with malfeasance.
00:48:03And treachery, no, I knew it perfectly well.
00:48:05Did your friend Pepa tell you where they were, if she saw them anywhere?
00:48:08I was in Uncle Humberto's cabin drinking chamomile tea.
00:48:19So at eight o'clock, with Dr. Ortiz, right?
00:48:24Okay, thank you very much.
00:48:25See you later.
00:48:29Hey, will it be possible to see the child on a small screen?
00:48:31In the ultrasound?
00:48:33Yeah.
00:48:33I don't think so, it's too soon.
00:48:35Well, and if anything is visible, it will be something super small, like an olive or something like that.
00:48:39Hey, do you know if it's a boy or a girl?
00:48:42No way, right?
00:48:44In other words, his little soldier will still have to grow.
00:48:48I don't know, just in case it was already known if he was a kid, so I could get the kids' license out.
00:48:53Look, I think we have time for that.
00:48:58Hey, how are things with your dad?
00:49:00Well, I'm fine with my father, waiting for you to get over it.
00:49:03Because you're still there, R.K.R., right? With being a single mother and all that and...
00:49:07I'm not R.K.R., I'm just very clear about what I have to do.
00:49:10Yeah, and he doesn't want to involve his father in the mess, right?
00:49:12No, because the father has nothing to do with it.
00:49:13It was a fleeting thing and it has no place here.
00:49:16Yes, yes.
00:49:17It's just outside, far away.
00:49:20Ah, that...
00:49:21Oh, no, I mean, come on, that...
00:49:23So, it's...
00:49:24Is the father...
00:49:25Is it far away?
00:49:27Snap...
00:49:27It's very far away.
00:49:29This...
00:49:29He's not here.
00:49:31Ah.
00:49:32Hey, hey, Afri.
00:49:35Hey...
00:49:35Auntie, uh...
00:49:40I could accompany you to the gynecologist.
00:49:42Sure, would you like that?
00:49:43Yes, yes.
00:49:44No, I'm fine with it.
00:49:45Okay.
00:49:46But we have to leave by seven at the latest.
00:49:48Yes, yes, whenever you want.
00:49:49Because I have an appointment with him at eight.
00:49:50Okay, no, I'm not going to the workshop, okay?
00:49:51Okay.
00:49:53Hello.
00:49:54Sorry, they were coming for the...
00:49:56Ah.
00:49:57Ah, yes.
00:49:59That?
00:50:02Take.
00:50:02Thank you.
00:50:04See you later.
00:50:15Yes, we're already in Seville, yes.
00:50:18Well, damn it, that's why they call it high speed three, because it goes very fast.
00:50:22No, don't worry, I'll call you.
00:50:24I...
00:50:24Yes, as soon as we find them, I'll call you.
00:50:26That?
00:50:28Okay, we'll talk later.
00:50:29See you later.
00:50:30Okay, this is Uncle Humber's little house.
00:50:31They told us it's here.
00:50:32Sure, let's see, what?
00:50:33When you catch him, this kid is going to find out.
00:50:35How do we get in?
00:50:36How are we going to get in, Elena?
00:50:37Well, through the door.
00:50:37We went in, grabbed them by the ears, took them home, and today they're having brushes for dinner.
00:50:40Because these guys are going to have brushes for dinner.
00:50:41Look what he had.
00:50:42Maybe he didn't come to scam you out of a small portion.
00:50:44Diego, it's not that easy.
00:50:45Not just anyone can enter the booths, only members can enter.
00:50:48Please, please.
00:50:49After the trip we've taken, now we're not going to be able to enter?
00:50:52What do you want me to say?
00:50:53Okay, let's see, let's see.
00:50:54We explained to them that we weren't there for a fun, festive occasion, or to dance, or anything like that.
00:50:57We've come for our children.
00:50:58That's normal, isn't it?
00:50:59They don't care.
00:51:00Either you're a member, you have an invitation, or nothing.
00:51:02Already.
00:51:03Okay, okay.
00:51:03Well, we can always do the mythical one.
00:51:05The one from...
00:51:07Haven't you tried to find out who I am?
00:51:09Who?
00:51:10Like what?
00:51:10Who?
00:51:11What is he/she like?
00:51:11No, you're saying who.
00:51:13Who?
00:51:13Who?
00:51:13Diego, please.
00:51:14It's an example I'm giving you.
00:51:16Damn, what do I know?
00:51:17Do I have to think of everything?
00:51:18I don't know.
00:51:19We say we're cousins of opera.
00:51:22That opera is the master key that opens all doors.
00:51:24No, Fiti.
00:51:25This door cannot be opened in this way.
00:51:26No, it's impossible, really.
00:51:27Well, if force has to be used, force will be used.
00:51:29Brute force, if it has to be used, will be used.
00:51:31And that's it.
00:51:32No problem.
00:51:32Well, we're going to use it, because otherwise, there's no way.
00:51:34But you are listening to each other.
00:51:35Look at those brothers embedded there, huh?
00:51:37Hello, teacher.
00:51:38How are we?
00:51:39We are the artists now.
00:51:40We have the one from Triana, from Perchirlas.
00:51:42Good afternoon.
00:51:42Have you served?
00:51:43Maloro Carajillo.
00:51:44That?
00:51:45How's it going?
00:51:46Good.
00:51:47To the top fair, huh, Quillo?
00:51:49Okay, will the lathe operators come now?
00:51:51Very good.
00:51:55Okay, guys.
00:51:57I know.
00:51:58I know how we're going to get in.
00:52:00And when two people mocked me, and no one believed in my art, the baby and artist supported me
00:52:08always.
00:52:10Oh, Choni, don't tell me any more, woman, don't tell me any more.
00:52:12Already.
00:52:13And at concerts, always in the front row, there he was, so tiny.
00:52:17But my biggest loaf, and you and I, so two get paid, that's fine.
00:52:25Oh, Choni, for God's sake, just stop it already.
00:52:28Stop talking about him, woman, he's not worth it anymore.
00:52:30That's it, it's over now.
00:52:31Oh.
00:52:34Even as a child, he used to steal the church collection plate.
00:52:37And that, that leaves its mark.
00:52:40Hi, Choni.
00:52:41Can?
00:52:41Hello.
00:52:42Look, I've brought you a little something.
00:52:44Hi how are things?
00:52:45To sweeten the bitter pill, okay?
00:52:47Thank you.
00:52:48I can't believe it, Fernando.
00:52:50It seemed like he loved me.
00:52:56Let's see, let's see, let's see.
00:52:58If you'll allow me to offer some advice, both as a professional and as a friend, okay?
00:53:02You can't go on like this.
00:53:03You have to face it, okay?
00:53:06Okay, girls?
00:53:07Fernando, this is a tunnel that I can't see, I can't see the light.
00:53:13I don't see the light at the end of the tunnel.
00:53:14Well, the light is at the end.
00:53:16And that's the thing about tunnels, to get out of them you have to go through them.
00:53:19Yes, of course, that's easy to say, Fernando, but then you try to do it yourself.
00:53:23Now you go back there and put on the gown and the doctor will examine you right away, okay?
00:53:28And you stay calm.
00:53:29Okay.
00:53:29Okay?
00:53:30Come on.
00:53:31Back there.
00:53:43The list, don't forget, I've brought you the list of questions that come up in
00:53:48the book to clarify them for us.
00:53:49Okay.
00:53:50Well, don't go overboard, okay?
00:53:51Don't overwhelm him.
00:53:52We need to ask if you can be jumping around there in ballet class.
00:53:55If you can be in the pool getting a tan, which I don't think Africa can do, okay?
00:54:00If you can mount...
00:54:03Him?
00:54:03Hello?
00:54:05What are you doing here?
00:54:08Well, Raúl, I've come to support Africa.
00:54:11Because?
00:54:13Let's see, what are you doing here?
00:54:14Go away.
00:54:14No, no, Africa, Africa.
00:54:16I am the father and as such I am here to face the music, okay?
00:54:19What face?
00:54:19How cool?
00:54:20What does it say?
00:54:21Well, if the father...
00:54:22The father is far away, isn't he?
00:54:24Look, Raúl.
00:54:29Africa, tell him, right?
00:54:34Raul.
00:54:37He is the father.
00:54:41But what...
00:54:42It just can't be.
00:54:47Well, yes, it can be because it is.
00:54:51Africa, I am the father.
00:54:52As such, I'm the one who should be here, isn't he?
00:54:55Yeah.
00:54:56Look, I just told you to leave.
00:54:58Okay?
00:54:59And you will have planted the seed, but you know nothing about it.
00:55:01You understand?
00:55:02And she doesn't like you either.
00:55:03And he's already made his way and he's already got it all figured out, so why are you coming here now to screw him up?
00:55:06all.
00:55:06You understand?
00:55:07So do me a favor and leave right now.
00:55:08I'm not leaving here because that's my son and I'm his father.
00:55:10That's how I'm going to stay, okay?
00:55:11Well, I'm going to stay too.
00:55:13Okay, that's enough, please.
00:55:14This isn't a competition, damn it.
00:55:18You two get out of here right now.
00:55:20Africa.
00:55:21Yeah.
00:55:22Whenever you want.
00:55:25Good.
00:55:27Now, try to visualize yourself happy.
00:55:33Satisfied.
00:55:36Grateful for the good things you have in life.
00:55:39Okay.
00:55:42I can't, Fernando.
00:55:43Damn, I can't visualize myself.
00:55:45I picture myself with my little thing.
00:55:47He already pictured him with a blonde, on a yacht.
00:55:49Well.
00:55:50But how will it be visualized, Fernando?
00:55:51If it's opening your eyes, it's all my brother's doing.
00:55:53His shoes, his toothbrush.
00:55:55And her pajamas, her pillow, the ralapornó.
00:55:57Yes, yes, yes.
00:55:58But that's precisely what you need to avoid.
00:56:00You need to erase those memories from your head, Choli.
00:56:02It's very easy for you.
00:56:03But look at how everything is in the house full of memories.
00:56:07Well, yes.
00:56:08We were so happy that day.
00:56:10Look how handsome he looked in that suit.
00:56:12Look.
00:56:13Well, that's a very important point, Choli.
00:56:16It's about not having all those memories so visible.
00:56:18What should I do? Should I throw them away?
00:56:20That?
00:56:22Well yes.
00:56:23Think about it.
00:56:24Photos are an emotional burden.
00:56:27The best thing is to cut it short and go for it.
00:56:31That's what I'm telling you, you're right, Fernando.
00:56:33I'm going to throw them all away; there won't be any left.
00:56:35Now that you're going for blood.
00:56:36Tell me.
00:56:37Tell me, Choni.
00:56:39Out of sight, out of mind.
00:56:40A heart that feels nothing.
00:56:41Come on.
00:56:42Let's go.
00:56:42Let me not...
00:56:43Come on, Dad, come on.
00:56:44Okay, fine.
00:56:45You're not leaving.
00:56:47You're not going to jump this time.
00:56:48Come on, let's go, let's go now.
00:56:50God, leave me alone.
00:56:52Come on.
00:56:53Clarita.
00:56:56Oh my God.
00:56:57This is the one from the ceremony too.
00:56:58Come on.
00:57:00That this has to end this way.
00:57:03Wait.
00:57:06Wait.
00:57:07I have one here.
00:57:11A day in his company.
00:57:13Lourdes, woman, there's no need to...
00:57:15Yes, it is necessary.
00:57:17She's not my sister.
00:57:27Goodbye, José Luis.
00:57:31Look, I'm going to get this photo frame.
00:57:33This also applies.
00:57:34But wait, what do I have here? A photo of him when he did his military service.
00:57:38Ah!
00:57:39Luzi!
00:57:39Withdraw!
00:57:41Luzi!
00:57:41Luzi!
00:57:42Luzi!
00:57:42Luzi!
00:57:43Luzi!
00:57:44Luzi!
00:57:45This isn't going to work, for God's sake, it's not going to work.
00:57:47Diego, do you want to take the children home?
00:57:49Yeah.
00:57:49Well, this is what it is.
00:57:50Smile.
00:57:51Come on, let's go.
00:57:52Pull, pull!
00:57:53You won't like it!
00:57:54Don't like it anymore!
00:57:55Good afternoon, boss.
00:57:56Look, we are the palm grove growers.
00:57:58Hey?
00:57:59Here's my cousin, Diego the cicada.
00:58:01Hello?
00:58:02Her sister-in-law, the girl who sighed.
00:58:04Hey!
00:58:04Stay bigger.
00:58:06And I, the child, the spark plug.
00:58:07We've come to see if we can liven things up a bit.
00:58:09Hey?
00:58:10Passed.
00:58:11Let's see.
00:58:11The pull, God help us.
00:58:12Thanks, you rascal.
00:58:14The invitations.
00:58:18Don't mess with me.
00:58:19And are these partners?
00:58:20Well, that's quite exclusive, half of Seville is here.
00:58:23I'm sure this is the booth, Elena.
00:58:25Yes, Diego.
00:58:26What a verse the uncle has in his booth, the Yuna.
00:58:28It's here.
00:58:29Let's see how we find them.
00:58:30Because this is a celebration.
00:58:32There are so many people who are symbionts.
00:58:33Diego, searching, searching.
00:58:34Don't be negative, son.
00:58:35Okay, that's enough.
00:58:36Organization.
00:58:37Organization, damn it.
00:58:38We're going to do a sweep of the surrounding perimeter and that's it.
00:58:41Good.
00:58:42But when we find them, we'll practically pull them out by the ears.
00:58:44And you, the palm growers?
00:58:45I'm going to show you the table that will start the show.
00:58:47No, we're waiting for other palm tree friends of ours.
00:58:52Looking for them.
00:58:52It's very late, gentlemen.
00:58:53Come on, let's go.
00:58:54What do we do?
00:58:55What do we do?
00:58:55Breathe, breathe.
00:58:56Breathe easy.
00:58:57He improvises.
00:58:58Come on.
00:58:58I'm going to make the palm trees here.
00:59:00They're going to sit down here.
00:59:03You guys are new here, aren't you?
00:59:04Say.
00:59:04That face doesn't look familiar, does it?
00:59:06Nothing.
00:59:07We're coming.
00:59:09We're coming.
00:59:10We've spent a lot of years in Japan.
00:59:15The Japanese have businesses set up.
00:59:19Okay, let's go.
00:59:21Ladies and gentlemen, good afternoon and happy fair.
00:59:25We are here with some very international palm tree players.
00:59:31Let's see.
00:59:31Let's go.
00:59:40Let's go.
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01:06:43He knew he had crossed paths with her on a bad day.
01:06:46Well, if she says so herself, and she's nobody.
01:06:49Do you know what that reminds me of?
01:06:52Well, another father has a child with a bed like Fernando's car.
01:06:56No, no, no, don't mess with me, Dad.
01:06:57It has nothing to do with it, damn it.
01:06:59If I had known something from the beginning, I would have been there first.
01:07:03Yes, and the Mexican is the same.
01:07:04Well, I wasn't demanding anything.
01:07:05So, how did you feel about being left out?
01:07:14If I already had it, Dad.
01:07:17I was taking care of her.
01:07:19Just as I wanted.
01:07:22I don't want to lose her, damn it.
01:07:27Choni, look, I know you're not in the mood for speeches right now, but...
01:07:30But I'm so sorry.
01:07:32Well, no.
01:07:33Girl, as if what my brother did wasn't enough, I'm going to burn your house down.
01:07:36Okay, Luz, daughter.
01:07:36No, I'll never forgive myself for it.
01:07:38No problem.
01:07:40And well, and although...
01:07:40Even though life is very hard, Choni...
01:07:43You have to be strong.
01:07:45And you are a very good person, and good people...
01:07:47Well, I'm not that good either, Lourdes.
01:07:49I'm not so good either; there are things you don't know.
01:07:51But what do you mean you're not good?
01:07:51Don't talk nonsense, woman.
01:07:52If you are a cherub fallen from heaven.
01:07:54Not like me.
01:07:55You don't fool me, you also say.
01:07:57God has punished me, because look, here you are taking pictures of my brother.
01:07:59Look, Lourdes.
01:08:02That's it.
01:08:09I am still unfaithful to José Luis.
01:08:17That?
01:08:20But how?
01:08:21If you haven't had time.
01:08:23No, before...
01:08:25Before I knew all this, and about the blondes and everything else.
01:08:31With who?
01:08:33With Nacho.
01:08:41Rudi, I'm so sorry.
01:08:43I'm sorry, I can't imagine what I've been through.
01:08:46I don't know how I could have done such a thing.
01:08:50And what I have gone through,
01:08:52And for your sake, if they knew,
01:08:54And for you,
01:08:56what I have been able to suffer.
01:09:00AND...
01:09:01Okay, fine, that's it.
01:09:07What do you mean, it's already done?
01:09:10Because that's it, Choni.
01:09:13I admit that under other circumstances I would have judged you,
01:09:15and I would have judged you very harshly.
01:09:16But after what my brother has done and...
01:09:19Yes, I did it, I said this and that's it.
01:09:21There's nothing more to say.
01:09:27Well, if I...
01:09:30Just when I think she can't get any better,
01:09:33It still surprises me.
01:09:34You're even better now.
01:09:37Look how beautiful.
01:09:38The light it gives you.
01:09:41And what you call colleagues,
01:09:43As they say here in Spain,
01:09:44In Mexico it's "cuates".
01:09:45So,
01:09:46Instead of calling him a colleague, you call him a buddy.
01:09:47Here's the tomato.
01:09:48Here's the tomato.
01:09:52Currito.
01:09:53Tell me.
01:09:53Why don't you go for a walk?
01:09:55Raul, I'm setting a table.
01:09:57Well, because you go watch TV and then you turn it on later.
01:09:58No way, my father punished me.
01:10:00Well, do whatever you want, please.
01:10:01But leave us alone.
01:10:08What do you want?
01:10:09I want you to stay away from Africa.
01:10:11Leave her alone.
01:10:12That it's going to be just fine without you.
01:10:14And the child too.
01:10:15Raul, I don't think you understand, do you?
01:10:16I am the father of that child.
01:10:18This is a matter between Africa and me.
01:10:20If there is anyone here who is not needed,
01:10:21That's you.
01:10:22Yeah?
01:10:22Look, kid, I've been dealing with Africa for many years now.
01:10:24Okay?
01:10:25And I've always been there, for everything.
01:10:27And I swear I'm going to keep being that way.
01:10:29But you are nothing.
01:10:30You understand?
01:10:30You are nothing.
01:10:32Leave us alone.
01:10:32Okay.
01:10:33And get out.
01:10:34Yes, I think I'm misunderstanding.
01:10:35Have you been warned?
01:10:35Yeah.
01:10:36Have you been warned?
01:10:36Do you want me to spell it for you?
01:10:38Would you like me to explain it to you with puppets?
01:10:40That's my son.
01:10:41I am the father of that child
01:10:42And I'm going to take care of her, okay?
01:10:43So in any case,
01:10:44If you have to leave, it's you, not me.
01:10:46That?
01:10:48That?
01:10:49Castín!
01:10:50Castín!
01:10:50Castín!
01:10:51Stay still!
01:10:51Stay still!
01:10:52Stay still!
01:10:52Stay still!
01:10:52Stay still!
01:10:53Stay still!
01:10:53Stay still!
01:11:00Stay still!
01:11:01Sorry, Diego.
01:11:02I...
01:11:03I was going to tell you.
01:11:05That?
01:11:05It turns out that I am the father of Africa's son.
01:11:09You!
01:11:10Holy shit, that's all I needed, my God.
01:11:12But you all want to drive me crazy.
01:11:14What the hell!
01:11:15Hello.
01:11:16What's wrong, Ramón?
01:11:17What's happening?
01:11:17How are you?
01:11:20Am I coming at a bad time?
01:11:22No, no, no, no.
01:11:24We were here chatting about our things and...
01:11:25We always chat before eating.
01:11:26We do it as therapy, we get a little heated and we're here talking...
01:11:29Nothing, absolutely nothing, everything they deserved.
01:11:32Now I present to you, sorry.
01:11:33This is Abel.
01:11:34Gael, Gael.
01:11:35Gael, sorry.
01:11:37Africa's father, Ramón.
01:11:39Delighted.
01:11:40Ah, uh...
01:11:41Nice to meet you, mate.
01:11:42Raúl, do you already know him?
01:11:43Yes, yes, yes.
01:11:57Fuck.
01:11:58May I come in?
01:11:59No.
01:12:00Wait, wait.
01:12:01Fiti, for God's sake, this can be fixed, damn it, it's not in good condition.
01:12:04Come home, everyone's there.
01:12:06I don't want anything from you, okay?
01:12:08So if you don't mind, go ahead, go ahead.
01:12:09Fiti, Fiti, Fiti.
01:12:10Neither Fiti nor anything else, let me eat, please.
01:12:13Give me the sandwich!
01:12:14I don't feel like it.
01:12:15Give me the sandwich.
01:12:16But no, let me tell you something, no, I'm not going to move from here and I'm not going to...
01:12:18I'll give you the sandwich until you listen to me.
01:12:19But there's nothing to hear, I've already seen the letter.
01:12:22And that's all the clarinet stuff, okay?
01:12:23We're not here, Fiti, we're not here, we're not here.
01:12:26I've already told you, I'm not moving from here.
01:12:27I couldn't care less if you call the police, the Civil Guard, or whoever else you feel like.
01:12:30I'm not going anywhere.
01:12:31Damn, that's really annoying.
01:12:33Fiti, give me a minute, please.
01:12:35One minute and I'll disappear from your life forever.
01:12:36One minute.
01:12:37You have thirty seconds.
01:12:41Damn, I know I did it wrong.
01:12:43I ask for your forgiveness.
01:12:45That I was wrong.
01:12:47But I didn't say anything because I didn't want to hurt you.
01:12:50Just like you did with Choni.
01:12:55Look, Fiti, what matters most to me in this life is my family.
01:13:00You're my family, fuck it.
01:13:04I know what it's like to lose...
01:13:06to a loved one.
01:13:09And I don't want to lose you, Fiti.
01:13:12I don't want to lose you.
01:13:18Well, that's what I wanted to tell you.
01:13:35Diego.
01:13:40Yeah.
01:13:45Do you want a beer?
01:13:49Yeah.
01:14:02It's like it takes your posture.
01:14:04There.
01:14:06There.
01:14:06Yeah.
01:14:07Yeah.
01:14:07I'll do my best.
01:14:08The best.
01:14:10No.
01:14:11Yeah.
01:14:40Thank you.
01:14:54Thank you.
01:15:12I definitely got divorced because of the prices.
01:15:14Well, I'm already divorced.
01:15:15Who doesn't come to me?
01:15:16Don't worry, just tell me when you remember, it's no big deal.
01:15:19Do you think my father will let me go to the concert?
01:15:20We already have the tickets.
01:15:22I'm late.
01:15:23Quite a story, isn't it?
01:15:23The three of us could live together...
01:15:25You're crazy?
01:15:26Gille, I can't get my period!
01:15:28That's it, that's it.
01:15:29Do you like the boyfriend if his father...
01:15:30But, let's see, how are we going to find Choni a boyfriend?
01:15:33Remember, this isn't a meteor shower, Fiti.
01:15:34It's not a meteor shower.
01:15:36No!
01:15:37Chatonga!
01:15:37You can take the test at any time of day.
01:15:40Ready or what?
01:15:40No!
01:15:42Hey...
01:15:42He has a free hand, Nacho.
01:15:45Hi, Choni.
01:15:46Punish yourselves without agreement.
01:15:47Poor Curro, he's just a child.
01:15:48Thank you for keeping my secret.
01:15:50Don't be afraid to do well.
01:15:52Elena's methods sometimes don't match the...
01:15:54TRUE?
01:15:54Hi Sara!
01:16:07Partials, Thursday and Friday, and leave the whole weekend...
01:16:14To love you a little more.
01:16:20Oh!
01:16:20Oh!
01:16:22Oh!
01:16:22Oh!
01:16:23Oh!
01:16:25Oh!
01:16:27Oh!
01:16:28Oh!
01:16:32Oh!
01:16:35Oh!
01:16:35Oh!
01:16:39Thanks for watching the video.
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