Los Serrano - 7x01 - No sin mi hijo - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

Tras la conclusión de las vacaciones estivales, Diego espera ilusionado el reencuentro familiar con sus hijos en Santa Justa: Curro lo ha pasado en grande en el campamento, Teté regresa de Barcelona deseando ver a Guille para descubrir lo que siente y éste tiene previsto llegar a la ciudad procedente de Toulouse. Poco después, el tabernero observa que su hijo mediano no baja del autobús en el que debía viajar y comienza a inquietarse. Cuando Marcos le confirma que su hermano no está con él, Diego emprende la desesperada búsqueda de Guille que le llevará junto a Fiti a Marruecos, donde los dos amigos se adentrarán en el zoco de Marrakech y viajarán por el desierto a lomos de un camello. Mientras tanto, Fiti, Raúl y José Luis se encuentran en el hogar de los Martínez cuando reciben la inesperada visita de Adrián, un niño de cinco años que les hace llegar un sorprendente mensaje: su madre no puede hacerse cargo de él y ha decidido dejarle al cuidado de su “propio padre”. Además, el casero de Ana le informa que debe dejar libre el piso, por lo que la directora del Garcilaso se ve obligada a buscar otro lugar de residencia. Por otra parte, Choni convence a Celia de que se mude a un apartamento de su mismo edificio que acaba de quedar libre. La hermana de Fiti desconoce que éste ha ofrecido el piso a su ex-cuñada y poco después, Ana y Celia acaban conviviendo junto a África en la misma vivienda.

Transcript

00:00:07If there's one thing that never changes, it's that vacations end and everything starts again.

00:00:23Damn it! Damn it! Well, that's it.

00:00:30Carmen, one, Santander. Very good.

00:00:33Tete, one, two, three. Cheers, tete. Good, good, good.

00:00:40Curro, Curro, three, four, five, six. Very good, Curro. That's my son, really.

00:00:48And Guille, not one. Seriously, this guy...

00:00:52Dad! Dad, I'm here!

00:00:55Curro! Dad!

00:00:56Curro, son, what a joy! What a joy! It's been so long!

00:01:01It's been so long! And what a stink, man! How long has it been since you washed that shirt, for God's sake?

00:01:06Well, ever since... Dad, it's my lucky shirt, it's the white one! And every time I

00:01:09I put it in, she scores a goal.

00:01:10Okay, that sounds good to me. I agree that it's lucky, but it's also awful, admit it.

00:01:14But it's okay, son. It's okay.

00:01:15This was the first summer that we mountain folk were separated for vacation. That's why my father told us that

00:01:21We either wrote it down or he'd leave us without pay.

00:01:23Curro, son, if only... No, I don't do it at all, I mean, not at all, right?

00:01:26I've discovered that the best thing about spending a summer alone is that you don't have to shower every day.

00:01:30They let you go home at one o'clock and you also make new friends.

00:01:34Curro, son, let's see, you've made a mistake. These socks aren't yours... I mean, the initials, CF,

00:01:39Who is it? Carlos? Cefarino?

00:01:40Cristina Fernández?

00:01:44What do you mean, Cristina Fernández? But who is Cristina Fernández? For God's sake, work, work.

00:01:49Remind me that afterwards, also, apart from the brochure, I should look at the postcards, it happens.

00:01:52Hello, family!

00:01:54Carmen!

00:01:54Oh, you're so tall, boy! But how you've grown!

00:01:56Do you know how much you've grown? Hello, hello.

00:01:59Okay, okay, everything's fine.

00:02:04Tete.

00:02:07What a joy to have all my chicks here! What a joy it truly is!

00:02:10Does that include me?

00:02:11Ma'am, please.

00:02:13But yes, let me tell you one thing.

00:02:15What happened this summer is a sign.

00:02:18Why? What happens when we separate?

00:02:20That we miss each other, that we miss what is the family unit.

00:02:22Ah.

00:02:23A lot. In other words, independent summers are over.

00:02:25Next summer we're all going together.

00:02:26When I say everyone, I mean Marcos, Eva, Chloé, Sergi.

00:02:29Who else is needed? Let Sergi come too. What do you think?

00:02:30But Carmen says that the best thing is knowing that when you return, as Julio Iglesias sings, everything is still the same.

00:02:36Your neighborhood, your gang, your brothers.

00:02:38Diego, when is Guille coming? I haven't heard anything about him.

00:02:41Marcos called me and told me he's coming from Toulouse at 9.

00:02:44Plan, we're going to pick you up.

00:02:46It's been a long time since we've seen each other, had dinner, and gone out partying.

00:02:48But listen up. Tomorrow, everyone has to get up early, which means we'll be going home a little earlier too.

00:02:54What do you think? Do you think it's okay?

00:02:56But even if you go on vacation thinking you've left everything in order, you never know what surprise awaits you.

00:03:00find upon returning.

00:03:01Diego, are you happy with the decision?

00:03:03Well, let's see, yes.

00:03:05Let's make the decision.

00:03:19And the same thing was going to happen to my father, who, although he thought he had everything under control, well, that's not all.

00:03:24It wasn't hard for him to fix what he had left unresolved that summer.

00:03:28On a station platform, under the blazing sun, you were talking about a skyscraper in the New York sky.

00:03:36Come soon to see the sea and send a postcard, I already knew that day was the end.

00:03:43Now I have much more.

00:03:47Red, black, stop and stop, finally luck brings an ace and a crystal to look through and a wall

00:03:53for hanging.

00:03:54Seven smiling faces in a passport photo.

00:03:58My stories were not about tales made by chance.

00:04:04Nobody told me that destiny was giving me this opportunity.

00:04:11One plus one equals seven.

00:04:15Who would have thought?

00:04:18It was so easy to be happy.

00:04:33It is necessary to see how tiresome desire is.

00:04:35Come on, why make us go for nothing if the kids aren't going until tomorrow.

00:04:38Well, don't complain so much about how tiresome she is, in the end she didn't sell the school and you're still going on about it.

00:04:42your little worker.

00:04:45Yes, aunt, do me a favor.

00:04:46Why don't you throw that in the trash, son?

00:04:47It looks like a gay poster is going to come out of there.

00:04:49Yes, show some respect, this is a rare find, right?

00:04:51Here the urban grandfather listened to the Radio Paris news reports.

00:04:54It's also for the workshop, to give it character and a touch of class.

00:04:58Yes, but the first thing you have to do is remove that shortcut of a naked aunt you have there.

00:05:02pneumatics.

00:05:03Johnny, it's about adding, not subtracting.

00:05:05I take this to a colleague and he refines it for me.

00:05:08Okay, I'm leaving.

00:05:09Yes, Diego just arrived and we have a lot of gossip to catch up on.

00:05:13You can't tell me you don't see the flames of this time.

00:05:15Well, you leave me alone, damn it.

00:05:17True friends know when to tease and when not to.

00:05:20No way.

00:05:20Good morning, family, how are you?

00:05:22Well, not as well as you.

00:05:24You live like a maharaja, huh?

00:05:25Can you hear me?

00:05:26You live like a maharaja.

00:05:27You're the last one up and you sit there at a set table.

00:05:30Hey?

00:05:31Also, hurry up, because you're opening the workshop today.

00:05:32Okay, fine.

00:05:33And put on a decent suit.

00:05:34Okay, okay, but I just woke up.

00:05:36I'll be able to have a peaceful breakfast, right?

00:05:37Damn, you're stressing me out.

00:05:39Did you hear yourself?

00:05:40I'm stressing you out.

00:05:41That you are in the public eye.

00:05:43That you are the face of Fiti and Son.

00:05:44You'll have to wear something other than jeans, damn it.

00:05:47But the bastiloso is dressed by Paco Clavel.

00:05:51Come on, I'll grab my bag and we'll go, Fiti.

00:05:54Josico!

00:05:55I'm leaving!

00:05:58Olé, olé, olé, the beautiful women, olé.

00:06:02How well do I get up?

00:06:03Very early.

00:06:05Come on.

00:06:06Take it away, take it away, take it away and hand it to me, I'm late.

00:06:09I'm late.

00:06:10Come on.

00:06:11Oh, damn.

00:06:11See you later.

00:06:13Wake up!

00:06:14I'll have a coffee and go!

00:06:17No, a singer, but it's a real pain, isn't it?

00:06:20Have you seen how my little piglet is doing?

00:06:21He doesn't look like my son.

00:06:22Oh no.

00:06:23Well, let's see, he hasn't shown that genius here, otherwise.

00:06:25Oh, I have to go, I'm going to be late for school.

00:06:28Oh, darling.

00:06:29Well, look how silly I am, I still get just as nervous as I did when I was a kid.

00:06:33Well, goodbye.

00:06:34You're taking him to daycare, huh?

00:06:35Don't worry.

00:06:36Ah, let's see if you've found out where your brother's a jerk is.

00:06:38If you're already shitting yourself after just the first day.

00:06:42Hello.

00:06:43Go with Dad.

00:06:44Go with Dad.

00:06:45What's up, Pink Floyd?

00:06:47Look at him, what a smile he has!

00:06:50No, Pity, no.

00:06:51Why not?

00:06:52No, because no.

00:06:53What do you mean, no?

00:06:53Look at him, if you're more of a boxer.

00:06:55Don't take your arm, man.

00:06:56I know, of course.

00:06:57From being there with the drill all day, using the 6mm drill bit, or the 8mm drill bit,

00:07:01Let the one from the 12th come.

00:07:03A coffee and you can tell me the details.

00:07:05No, Pity, if I give you the details.

00:07:07I'll give you the details, because in the end I didn't go.

00:07:11What do you mean you didn't go?

00:07:12It wasn't, he already told you.

00:07:13That's it, in the end I didn't go to Mexico.

00:07:15In the end I didn't go.

00:07:23Nobody, dude.

00:07:24They were wrong.

00:07:27Are you stupid?

00:07:28Go on, go on, go on, I'm coming.

00:07:29Go on, I'll go.

00:07:33Hello?

00:07:35Hello.

00:07:41I didn't know who to leave Adrián with, and I thought the only one I could leave him with was his father.

00:07:49I hope you understand.

00:07:51Maria.

00:07:52Did you say his father?

00:07:54His father, yes, his father.

00:08:04Who brought you here?

00:08:06My mom.

00:08:08Your mom?

00:08:09And where is your mom?

00:08:11He's gone.

00:08:13He's gone.

00:08:16That's messed up, man.

00:08:18Fuck.

00:08:20I'm not going to get dizzy.

00:08:24But you must have made a mistake with the flight or the self-check-in or something.

00:08:28No, no, no, no, no, you see, I've explained it to you.

00:08:29So, I was about to board and then suddenly I just started to not see it.

00:08:34clear.

00:08:36Last call for flight passengers.

00:08:37The clam, brother, the clam.

00:08:39Well, call Coquina and call X. The point is, come on, you don't have to be a genius to

00:08:43You know that, right?

00:08:44That the Caribbean isn't a good place to face challenges, that's what I was thinking.

00:08:47Then I said to myself, Diego, Diego, you're old enough now, I mean, stop being silly, leave me alone, because

00:08:50favor.

00:08:51The thing is, I took the first free flight I saw and went to spend the summer in Mastri.

00:09:13No, no, no, no, no, no, no, no, no, I don't understand you, Diego, I don't understand you.

00:09:21With all due respect, you're not going to find a woman like Celia in your life, you know?

00:09:24Let's not kid ourselves, you're neither George Clooney nor are you old enough to be turning women down.

00:09:29Yeah, you're poor. My brother's a sweetheart.

00:09:31Thanks, Santi, thanks. Well, let me explain, the thing is I've been reflecting, you know?

00:09:38Anyway, between one thought and another...

00:09:43Well, I felt Lucia.

00:09:45Well, I've forgiven Lucia for you, brother.

00:09:47No, no, damn it, no, no, I felt it, I felt it.

00:09:50And well, he came to tell me that he has given me permission to be happy and rebuild my life.

00:09:59And I've realized that Celia is the person I want to walk beside me.

00:10:07the rest of my days.

00:10:09How beautiful, brother, how beautiful.

00:10:12Because Celia, Celia is a good woman.

00:10:14Very tall, but a very good woman.

00:10:16Sir, yes sir, that's my little Diego.

00:10:18Yes, sir, good.

00:10:19And what about her? What does she say?

00:10:20Who?

00:10:21She, Celia.

00:10:22Celia.

00:10:22The truth is, she doesn't say much.

00:10:24In other words, practically nothing.

00:10:25Since he doesn't talk to her, he doesn't say anything.

00:10:28No...

00:10:28It's just that sometimes I don't, you know that I don't.

00:10:31Yeah.

00:10:31You say you haven't spoken to her.

00:10:32No.

00:10:33Okay, let's see.

00:10:33In other words, I wanted to think very, very carefully about what I was going to say to her.

00:10:37So, between thinking and thinking, summer has passed me by and all, but anyway.

00:10:42I was just about to go talk to her.

00:10:43Damn my life, Diego.

00:10:44Right now, right now.

00:10:45That you let her fall off a plane two months ago.

00:10:48Because she didn't have it all.

00:10:49Of course, he explained it to you.

00:10:50That's right, Fitti.

00:10:52I mean, I should have called her or something, but oh well, whatever.

00:10:54I think he'll understand when he talks to...

00:10:56Well, taking into account, also, hey...

00:10:59I have a gift for you.

00:11:00They gave him a fucking awesome gift.

00:11:02Yes, look, man, look.

00:11:03What do you think?

00:11:03Hey?

00:11:05Good.

00:11:06A mill.

00:11:07Come on, look, look, grab the little windmill, okay?

00:11:10And you're going to talk to her, okay?

00:11:12But right now, this very moment.

00:11:13No, I haven't heard from him since then.

00:11:15So he must have gone to beautiful Mexico.

00:11:17Well, daughter, I'm very sorry.

00:11:19Yes, I feel it more.

00:11:25Yeah.

00:11:26Oh, hello.

00:11:28That?

00:11:30What? No, no, no, no, no. Let's see, smoke.

00:11:34What's wrong? I have to leave my apartment today.

00:11:37What? The landlord who says his son needs it?

00:11:41Already.

00:11:43Hey, Celia!

00:11:43Hello good morning.

00:11:44Hi. What's up? How's Mexico?

00:11:46Good, very good.

00:11:47Yes? Diego must have loved it, right?

00:11:50No, well, in the end he couldn't come.

00:11:55And so?

00:11:57But it wasn't at the end, no, no, did he come back earlier?

00:11:59No, no, no, he couldn't.

00:12:01So, how are you all doing?

00:12:03Very well. Well, nothing new, I don't know anything either.

00:12:08Ah!

00:12:09But hey, what a handsome guy.

00:12:12Okay, beautiful, beautiful, now.

00:12:15Oh, sweetie!

00:12:16You should have seen me when I came back from the sleeve.

00:12:19I came back with a dark-skinned man, baby, a dark night.

00:12:22You can't imagine it.

00:12:23Now you can come to Madrid, daughter, and lose my tan.

00:12:26I'm going to take a route with the neighbors upstairs, which will take me a month.

00:12:29By?

00:12:30For the entire holiday.

00:12:31I've been partying all day, I haven't slept a single night.

00:12:34The staircase is a mess, full of shit.

00:12:37Okay, okay, okay, okay.

00:12:38Have you managed to calm them down, or what?

00:12:40Yes, I did manage it.

00:12:41I didn't stop until they kicked him out of the building.

00:12:43But what are you saying, Choni?

00:12:45Did they kick them out because of you?

00:12:47Man, for me, for me.

00:12:49But come on, they won't be renting it out anymore.

00:12:52You have to see it to believe it.

00:12:54Don't worry, I'm leaving the apartment today.

00:12:56But first you have to give me back my deposit, okay?

00:12:58It will be two months.

00:13:00Bye bye.

00:13:01What a mess.

00:13:02Hey, hey, I don't know if you're interested, but Choni just said she's renting an apartment in her

00:13:05community.

00:13:06And being Choni's neighbor.

00:13:08Well.

00:13:10How is the apartment?

00:13:11Divine, baby.

00:13:13Mathematical to mine, clavaico.

00:13:15Hey, maybe I can stop by and see him, right?

00:13:17Oh, don't tell me.

00:13:19Well, I don't know, I wasn't thinking about switching to Choni, but there's no harm in looking at it.

00:13:23Oh yes, yes, yes, yes, yes.

00:13:24Oh, if you tell me you're going to be my neighbor, you should come and see it.

00:13:28Go check it out and see if you like it.

00:13:29Oh my God, neighbor.

00:13:31Can I have the seven lieutenants?

00:13:34Oh, yes.

00:13:35Forward.

00:13:36Collas!

00:13:37Collas!

00:13:39Ale, mine!

00:13:40Wow, how handsome!

00:13:43Moreno, moreno, moreno.

00:13:45Well, I came to talk to Celia.

00:13:47For.

00:13:47Okay.

00:13:55Whenever you can, I'll wait for you outside, okay?

00:14:01Here.

00:14:09I am Little Red Riding Hood.

00:14:13Good afternoon, I'm here.

00:14:14That's cool, what are eyes?

00:14:15What's happening?

00:14:16Don't you have a schedule?

00:14:17Or is your schedule different from everyone else's?

00:14:18Hey?

00:14:20I have it, I have it.

00:14:21The problem is that I haven't been able to come here.

00:14:22And you have nothing to do.

00:14:23That's great, you'll see when you're a father.

00:14:25You'll see.

00:14:26No, don't take Santiago to the emergency room because of you I'm going to be late and he's going to

00:14:29The poor man loses in the chick song.

00:14:31You're not late, you're not late, you're on time.

00:14:33Come on.

00:14:34Come on, let's go.

00:14:34Now, do it.

00:14:42Come on, let's go.

00:14:44Come on, let's go.

00:14:45Is this where you work?

00:14:47Yes, yes.

00:14:47Well, no.

00:14:48Sometimes we work, and sometimes we don't.

00:14:49Did you see what came in?

00:14:50No, no, he hasn't seen anyone.

00:14:51Calm down, man.

00:14:51Come on, you stay here a little while, we'll be right back, okay?

00:14:54That?

00:14:55Does it sound familiar to you yet, or not at all?

00:14:56I don't know, Raúl.

00:14:57I don't know.

00:14:57To ring, to ring, then...

00:14:59Well, I know Marías very well.

00:15:01Maria Teresa, Maria del Mar, Maria Jesus.

00:15:03It must be because of Marías, damn it.

00:15:04It must be because of Marías.

00:15:05Besides, I'm reformed now.

00:15:08It used to be different.

00:15:08Before me...

00:15:10He used to be a top swordsman.

00:15:12But not now.

00:15:13Now it's a different story.

00:15:14So I don't know.

00:15:15What a mess, dude.

00:15:16I'm sorry, really.

00:15:17What a mess.

00:15:18Okay, hey Raúl, wait a minute.

00:15:19Wait a minute...

00:15:22It's one thing for the child to be mine

00:15:23And that's another thing entirely.

00:15:24I remind you that in that house

00:15:25There are more potential parents.

00:15:26For example...

00:15:26My old man?

00:15:27Your old man, your old man.

00:15:28Come on, don't mess around.

00:15:29Your dad, for example.

00:15:30But that was five years ago

00:15:30My old man was with my mother, man.

00:15:32AND?

00:15:32Dad's super loyal, dude.

00:15:33Dad is incredibly loyal.

00:15:35No way, dude.

00:15:35You have to accept it, buddy.

00:15:37This kid is yours.

00:15:39Okay?

00:15:40Add it up.

00:15:52Tell me, Diego.

00:15:54That?

00:15:56You look very beautiful, Celia.

00:15:58That's just how Mexico is.

00:15:59Anything else?

00:16:01You're upset.

00:16:02I understand, I understand.

00:16:04And that's why I've come to give you an explanation.

00:16:05And when I explain it to you,

00:16:06You'll see how you're going to tell yourself.

00:16:07Diego, there's nothing to explain.

00:16:08You let me plan a plane.

00:16:09And to this day there has been nothing from you.

00:16:11Yes, Celia, but let me tell you what I want to say.

00:16:13But nothing, Diego.

00:16:14It's all very clear, really.

00:16:16Bye bye.

00:16:18Bye bye.

00:16:28When did I miss this?

00:16:29the life of the hands?

00:16:30When, for God's sake?

00:16:32When did I lose it?

00:16:34If he finds out,

00:16:35Johnny, I'll give you this

00:16:36where it hurts her most is in motherhood.

00:16:37She wants to be a mother, of course.

00:16:39But from their children, damn it.

00:16:40Josico?

00:16:42Fuck.

00:16:43But they smell, man.

00:16:43They don't smell.

00:16:44Come.

00:16:44Adrian, come here.

00:16:45Let's play here.

00:16:46Come, come.

00:16:46Down, down, down.

00:16:51Hey.

00:16:52They don't know joy, joy, joy

00:16:54And what do I bring, my love?

00:16:55What happened?

00:16:56Who do you think is coming?

00:16:57Are you going to live upstairs?

00:16:58The safest thing.

00:16:59Who?

00:17:00Celia.

00:17:02Celia?

00:17:04What are you doing here?

00:17:05So hidden away?

00:17:07Hidden?

00:17:09Nothing, just cleaning.

00:17:11Here's a little bit of cleaning up.

00:17:12I'll have to eat it as a cleaning product, though.

00:17:14If you are,

00:17:14You're a real sweetheart.

00:17:16My God.

00:17:17My God.

00:17:18My God.

00:17:31Yes, yes, yes.

00:17:32Shall we have a peppermint?

00:17:33I am, I am...

00:17:33Okay, my nephew will do it for me.

00:17:35OK, honey.

00:17:37I love you, buddy.

00:17:38A large sandwich.

00:17:44What game shall we play?

00:17:53Your nephew, huh?

00:17:54Can you believe it hasn't happened?

00:17:56for the workshop all morning?

00:17:57Fiti, leave the kid alone, damn it!

00:17:58that the deer has spent working.

00:18:00Stay still, we're going to eat right now.

00:18:01I'm anxious, too, damn it.

00:18:03that my best friend right now

00:18:04is about to give

00:18:04one of the most decisive steps of his life.

00:18:06Diego.

00:18:07Well, now he can do it properly.

00:18:08The young woman deserves it.

00:18:10Well, don't you worry,

00:18:12that the pichica at short distances

00:18:14It's a winning horse.

00:18:15As?

00:18:15Let's see.

00:18:21Look, speaking of the queen of Rome, Celia.

00:18:23So, what did he say to her?

00:18:24What did he say to you?

00:18:25I'm going to ask what Fiti told him.

00:18:26Hey?

00:18:27Tell me.

00:18:29Hi sweetheart.

00:18:30Yes tell me.

00:18:31That?

00:18:33Wait, I'm going to the room.

00:18:34No.

00:18:35It's there.

00:18:36Tell me, darling.

00:18:37Tell me, tell me, tell me.

00:18:43Ann?

00:18:43Chiti?

00:18:44What are you doing here?

00:18:45And with a paella?

00:18:48What am I doing here?

00:18:49Come on, I live here

00:18:50and that, as here,

00:18:50And I'll tell you more.

00:18:52Here it goes.

00:18:53I've already made a mistake.

00:18:55I was looking for an apartment to rent.

00:18:57Here it is, right up top.

00:18:58Look, that's the sense of direction of white people.

00:19:00Genetics, which is capricious.

00:19:02Come on, I'll make you the GPS.

00:19:03that you are capable of getting distracted

00:19:04and go to the storage rooms.

00:19:06Okay, but let's see,

00:19:07Cover yourself,

00:19:08Cover yourself up a little,

00:19:09man,

00:19:09that thing about Sex and the City

00:19:11It's pure marketing.

00:19:11It doesn't take that away from you, man.

00:19:13It's not the point.

00:19:13Little rascal,

00:19:14that there has also been a lot of hunger here.

00:19:15Don't tell me!

00:19:17What a great dream!

00:19:18What a joy to have you and me as neighbors.

00:19:20Fiti,

00:19:20Look what the hoe says.

00:19:23Hasn't this man left?

00:19:25Okay, Celia, darling,

00:19:26yes,

00:19:27that you send me the bail money

00:19:28Let Fiti give you the word,

00:19:29that he knows the landlord.

00:19:31Okay, you're welcome.

00:19:32That makes me happier.

00:19:34Come on, sweetie.

00:19:35See you later.

00:19:36Well, thank goodness.

00:19:37who is Diego

00:19:37He didn't go on vacation with Celia, did he?

00:19:39Look,

00:19:40I already knew it

00:19:41that Diego wasn't going to forget

00:19:41so fast from my mother.

00:19:43Well, I didn't smell so pretty.

00:19:48Come on, Curro, make way for me.

00:19:50I don't trust them

00:19:50Those mice, come on.

00:19:52But they've already fumigated.

00:19:53No, no, no, no.

00:19:54You look,

00:19:54Go see if there are any left.

00:19:56No no.

00:19:58Mickey Mouse!

00:19:59Are you there?

00:20:01Clear, both.

00:20:03Oh, what a child.

00:20:04Come on.

00:20:08Hey, what about Guille?

00:20:12Have you replied to him yet?

00:20:14Well no.

00:20:15No, I haven't seen it.

00:20:16throughout the summer.

00:20:17Come on, now.

00:20:18But, I don't know,

00:20:19You could have called him.

00:20:21Already.

00:20:22But, I don't know.

00:20:23I prefer to see him

00:20:24and see how I feel.

00:20:26Well.

00:20:28The good thing? Nothing.

00:20:29I'll tell him tonight

00:20:29I see him without fail.

00:20:30And that's it, I don't know.

00:20:33I'll talk to him about it.

00:20:35You could write

00:20:36In Super Pop, huh?

00:20:40What do we do?

00:20:41I have things to do, Tito.

00:20:42Well, I don't know,

00:20:43I don't know what we're going to do.

00:20:44First

00:20:45it's to take the chatunguín out

00:20:45from ground zero

00:20:46and then we'll see.

00:20:48If Choni comes

00:20:48And he reads my face, what?

00:20:49Hey?

00:20:49It's not 60.

00:20:52Yes, it's just that,

00:20:52Yes, look.

00:20:53I look at him and

00:20:55I see myself with

00:20:56with that mouth like that.

00:20:57Fuck.

00:20:57And height too, huh?

00:20:58Height...

00:20:59Don't mess with me, okay?

00:21:01Look, please,

00:21:02Take it.

00:21:03Take the uncle with you,

00:21:03Come on, son.

00:21:04Take the uncle with you.

00:21:04That's enough already, Tito.

00:21:05That's enough.

00:21:06And if he asks any polo player

00:21:07Where do we put it?

00:21:08You don't know that, Tito.

00:21:10You don't know.

00:21:10Don't mess with me.

00:21:13Are you taking it or not?

00:21:14No, you're not wearing any.

00:21:15Come on.

00:21:16Come on, guys.

00:21:17For the champion.

00:21:18Let's go.

00:21:19Come on.

00:21:20No no.

00:21:22My old man, my old man.

00:21:23Well, old man,

00:21:23How's it going with Celia?

00:21:25Push out.

00:21:26Yes, I already told you.

00:21:27It's just that he hasn't let me.

00:21:27to give no explanation.

00:21:29And what did you expect?

00:21:31Soul of a jug.

00:21:32Let me explain.

00:21:34It seems to me that we're a bit short on them.

00:21:36of what female psychology is.

00:21:38Let's see.

00:21:39To cure a burn in a woman,

00:21:41That's like studying for a competitive exam, man.

00:21:44In other words, you have to study.

00:21:45as if you were there to be a notary.

00:21:46Equal.

00:21:46Oh, no.

00:21:48Rome wasn't conquered in two days.

00:21:49What are you saying?

00:21:50What are you saying?

00:21:51The one from Rome, not conquests.

00:21:52What are you saying?

00:21:53What are you saying?

00:21:53That's what I'm saying.

00:21:55Celia, therefore,

00:21:56Well, that's Rome for you, huh?

00:21:58And you are mostly the conqueror.

00:22:00Hey?

00:22:01Alexander the Great.

00:22:02And is this what you've been missing?

00:22:03A touch of Alexander the Great?

00:22:05Fuck.

00:22:06To make you understand,

00:22:07that listens to you.

00:22:08Let's see, let's see,

00:22:09Anyway, I'm telling you.

00:22:11That Rome, that is, Celia,

00:22:12As you say,

00:22:13that is, Rome, Celia,

00:22:14who doesn't want to talk to me,

00:22:15which he has made perfectly clear to me.

00:22:16Well, of course, man.

00:22:17Who do you think you are?

00:22:18Did Alexander the Great ask them for permission?

00:22:19to conquer the Romans?

00:22:22No, kid, I imagine,

00:22:23Sure, well, kid,

00:22:23I am no longer documenting

00:22:24these historical topics,

00:22:25Well, I imagine not.

00:22:26Do you see it? Do you see it?

00:22:27Yeah.

00:22:27So, Celia, what did he say to you?

00:22:28Don't insist.

00:22:29But she expects you to do it.

00:22:31Women measure

00:22:32our level of regret

00:22:33per number of times

00:22:34that we ask for forgiveness.

00:22:35Well, you see.

00:22:37The back room cleans the little bit.

00:22:38The back room of the pharmacy is now crystal clear.

00:22:40Very good, very good.

00:22:41This has been going on for two months.

00:22:43without giving it any aspiration.

00:22:44Yeah.

00:22:44Two months, kid.

00:22:46That's it, look,

00:22:48start assuming

00:22:49three weeks

00:22:50to ask for forgiveness,

00:22:51Thus, at idle,

00:22:53Or, well, like,

00:22:54there, in an intensive way,

00:22:56like Fernando Alonso.

00:22:57That's also possible.

00:22:58No, it doesn't happen to you either, Fiti.

00:23:00She's upset.

00:23:01But up to two months in the Caribbean.

00:23:03Two months in the Caribbean,

00:23:03But damn it.

00:23:06And then the plane.

00:23:08Twelve hours there,

00:23:09I'll kill him, I'll kill him,

00:23:10I'll kill him.

00:23:10And twelve hours from now,

00:23:11I'll kill him, I'll kill him.

00:23:12It's a long time.

00:23:13Fiti, damn it, you're right.

00:23:13Yes you're right,

00:23:14I agree with you.

00:23:15I don't know right now.

00:23:16whether I am Alexander the Great or Alonso,

00:23:17Well, I don't know.

00:23:17Right now I have to...

00:23:19I'm going to tell you something,

00:23:20I tell everyone.

00:23:20I don't plan to give up.

00:23:21Good.

00:23:22I don't plan to give up.

00:23:23Hello, sweeties.

00:23:24How are you?

00:23:25Good.

00:23:25How's the case going, beautiful?

00:23:28Fiti, heart,

00:23:28I need to ask you a small favor.

00:23:30Chani, you've caught me really busy, damn it.

00:23:32Darling, it's for the young girl.

00:23:33She told me to talk about the upstairs apartment.

00:23:36I'm going to rent the apartment in the end.

00:23:39There's no problem with being neighbors now.

00:23:41No problem, not on my end.

00:23:43That sounds great to me.

00:23:44And if each one is also going to have her privacy.

00:23:46No, okay.

00:23:46It seems a bit strange to me, but...

00:23:48But why is that strange? Let's see.

00:23:49No.

00:23:50Are there any incompatibilities?

00:23:51in that we are schoolmates and neighbors?

00:23:54I know how to tell, Fiti.

00:23:55No, Chani, I think it's fantastic.

00:23:56Well, look,

00:23:57You give the man the money,

00:23:59you promise him

00:23:59and you tell him to start preparing the contract in his name.

00:24:03Ann.

00:24:04Ana Blanco.

00:24:06That.

00:24:07Like the one on the news.

00:24:11Okay, that's it.

00:24:14Very good.

00:24:15Tell Ana that the apartment is hers.

00:24:17Okay.

00:24:18And I'm going to give you a set of keys

00:24:20in case you want to bring things.

00:24:21Well, you won't regret it, Willy, you'll see.

00:24:23She's a really nice girl.

00:24:25Well, in a serious, formal, and...

00:24:28Damn, family, so to speak.

00:24:30Okay, okay.

00:24:30Right now my Fiti is telling you the little fish,

00:24:33I won't say any more.

00:24:33Thank you so much, Chonena.

00:24:34I know how to thank you.

00:24:35Well, a Sanlúcar shrimp,

00:24:38to give you an example.

00:24:38Okay.

00:24:39Okay, see you later.

00:24:45Ann.

00:24:45Diego?

00:24:46Hello.

00:24:46How are you?

00:24:48How's everything?

00:24:49Very good, very good, yes.

00:24:51Didn't you end up coming to...?

00:24:53No, in the end I didn't go.

00:24:55Already.

00:24:55No, because...

00:24:55And I've also heard that you didn't go to...

00:24:58No, in the end I didn't go either.

00:24:59No, I went to Maastricht.

00:25:01To Maastricht?

00:25:03That's why, in Maastricht.

00:25:04Yes, about the treaty.

00:25:05Already.

00:25:06Ana, I wanted to tell you earlier that...

00:25:10Because...

00:25:10So, I'm sorry, because...

00:25:12No, no, don't worry, nothing's wrong.

00:25:14Also, you can come to New York whenever you want.

00:25:17Oh, really?

00:25:18Yes, you're taking a burden off my shoulders.

00:25:20No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.

00:25:20Because?

00:25:21Well, I'm glad to see you.

00:25:24I'm glad to see you too.

00:25:26Oh, and hey, if you ever want to grab a drink, you know where I am.

00:25:31Well, I agree, yes.

00:25:33Bye bye.

00:25:34See you later.

00:25:37Celia.

00:25:38Celia.

00:25:40One moment.

00:25:41Sorry.

00:25:44Celia, I know you don't want to talk to me and I understand perfectly, but I need to talk to you, please.

00:25:49But not me, Diego.

00:25:49Now you forgive me for some pieces that are missing...

00:25:51One second and nothing more.

00:25:52I need to clarify one thing for you first.

00:25:54Listen to me for a minute, just one minute.

00:25:55Not a minute, not hours, Diego.

00:25:57Not anymore.

00:25:58And tomorrow after school?

00:26:00I won't be there.

00:26:02Well, I am, I'll be there at seven.

00:26:05And if not tomorrow, I'll come every day until...

00:26:08Until you listen to me, Celia.

00:26:21Raul, come here.

00:26:22That?

00:26:22So, when I told you to keep the kid away from ground zero, what part of the sentence didn't you understand?

00:26:26exactly?

00:26:27Oh, what do you want me to do?

00:26:28Come on.

00:26:29Come on, little one.

00:26:30But, Tito, what a sandwich, it doesn't stop, it doesn't stop, when he's not hungry, he's thirsty and when

00:26:34No...

00:26:34Take the pee!

00:26:34Do you see it?

00:26:35Trunk?

00:26:36Come here, handsome.

00:26:37Leave the vision sandwich and you know how to go on your own, right?

00:26:40Come on, let's go.

00:26:41Let's see, Raúl, damn it, Choni could come at any moment, kid.

00:26:44Don't mess with me, I'm trying to help you out, what do you want me to do?

00:26:46Can't.

00:26:47You can't, wait, wait.

00:26:48What a time to pee too.

00:26:50Come here, handsome.

00:26:52Come on, come on, come on, shine bright, come on.

00:26:54Oh, that's it.

00:26:55Come on.

00:26:55Goes.

00:26:59Damn, Maria.

00:27:01She's my mom.

00:27:03Is she your mom?

00:27:06And do you know her?

00:27:08Raul.

00:27:09Raul, tell me you know her, for God's sake, because I've never seen this girl in my life.

00:27:12Do you know her, yes or no?

00:27:12Yes, yes.

00:27:13Oh, you know her?

00:27:14Come here, come, come.

00:27:18Run, run, run to the bathroom, Chatonín, run, run to pee.

00:27:21And does it have the Martinez brand?

00:27:24What do you mean it's mine?

00:27:26Damn it, Raúl, that's enough.

00:27:27I'm sorry, but you just saved my life.

00:27:29What the hell?

00:27:30Don't mess with me.

00:27:30It's okay, man, I did it on my chest, it's fine.

00:27:32I don't want a child.

00:27:33No, well, but don't worry, this is what...

00:27:35What a bummer!

00:27:37You?

00:27:40I hope you have a good excuse for not having gone to the workshop all fucking day.

00:27:43I have, I have, I have.

00:27:44Are you tying me up?

00:27:52Yes, come here, handsome, come here.

00:27:53And who is this?

00:27:56This is the brother of that boy with the hair.

00:28:01Chucky, Chucky.

00:28:02Chucky, whose parents couldn't keep him and have dumped him here on Raúl.

00:28:06The truth is, I don't know that people have children.

00:28:09Come on, Salao, you'll be fine here.

00:28:11There they are. Give him juice, man, give him juice, you're giving him water.

00:28:15He's got a trigger.

00:28:20The bus from Toulouse will make its entrance into the red albino's gate.

00:28:25The bus is here, that's it.

00:28:27Maybe you'll see him.

00:28:30Here, here, the one in red, the one in red!

00:28:32Oh, yes, look!

00:28:32There it is!

00:28:33But hey, it does look taller and kind of salted, doesn't it?

00:28:36Guille has always had a good physique, you have to admit it.

00:28:39Guille, Guille, we're here!

00:28:41Guille, Guille!

00:28:44The one in red, right?

00:28:48Hello, what's up?

00:28:49How are you?

00:28:50No, no, this isn't it.

00:28:56Guille?

00:28:57Well, what do you want to bet that he's fallen asleep and the music's on?

00:29:00I'm going to ask something.

00:29:02Sorry.

00:29:02Oh, oh, oh.

00:29:04She's going to get herself killed.

00:29:06No, no, no, no, no, no, no, no, no, no, no, no, no.

00:29:11That it's not there.

00:29:13I knew it, didn't I?

00:29:14Look, I was thinking about it and I knew it, that I was going to take a chance, look.

00:29:17Okay, Diego, don't worry, I'll call him.

00:29:22That?

00:29:23Nothing, it's off.

00:29:25Yes, yes, yes, yes, it doesn't change, always the same, always the same.

00:29:27Honestly, this son of mine killed me one day.

00:29:31Come on.

00:29:34Marcos, yes, it's me.

00:29:36Hey, so what's up with Guille?

00:29:39Yeah.

00:29:41Yes, you, did you accompany him to the station?

00:29:44Did you see if the bus went up or not?

00:29:46But, man, Marcos, for God's sake.

00:29:50Well, no, there's one here later, well, he's probably stayed to get that one.

00:29:54Yeah.

00:29:54Come on, if he could see me.

00:29:57Okay, we'll talk calmly later, come on.

00:29:59Kisses to the girls.

00:30:01I'm here happily and I'm attending, come on, a kiss.

00:30:03See you later.

00:30:04Well, nothing, nothing.

00:30:06No dinner, no fair, nothing, because he missed the bus.

00:30:08Poor thing, man.

00:30:09Well yes.

00:30:10Okay, but we'll wait for him, right?

00:30:11No, that he...

00:30:12How are you expecting him?

00:30:12For God's sake, the other bus arrives at three, right?

00:30:15Diego.

00:30:15No, you have school tomorrow and we have to go somewhere.

00:30:17Come on.

00:30:18That's why I'm giving you money for a taxi and...

00:30:20I need to be less hectic, come on.

00:30:21And go home.

00:30:23Don't delay.

00:30:24Ready?

00:30:24By the time it arrives, okay?

00:30:25Ah, yes, yes.

00:30:26Take.

00:30:27The little ones too.

00:30:28Okay, fine.

00:30:28Don't delay, Diego.

00:30:30No, no, come on, see you later.

00:31:12No, no, no, no, no.

00:31:26You have to see the joy you give your children.

00:31:40You said it, Fiti.

00:31:42You said it.

00:31:42No, no, no, I don't want it, thank you.

00:31:44But I'll tell you one thing too.

00:31:46So, Guille, he's going to swallow the little banner, that...

00:31:48Ah, the little banner, the balloons, the toilet brush, but not from the bathroom at home, no, no, no.

00:31:54The toilet brush here at the bus station.

00:31:55Look, damn it, drink your coffee and calm down, for fuck's sake.

00:31:58It's just something that comes with age, silly things that they get into.

00:32:01Fiti, Fiti, forgive me, forgive me, but Guille is old enough, isn't he?

00:32:05Kids these days are like that, they don't mature.

00:32:07They don't mature, damn it.

00:32:08You see them there with their little hairs and their little things already grown up, but no.

00:32:13In other words, they haven't fully developed reasoning skills.

00:32:16And if they reason badly, then they are badly superfluous.

00:32:19Is that right?

00:32:19And in your opinion, when does reasoning begin?

00:32:22In other words, the development of reasoning.

00:32:24No, at 30, man.

00:32:26At 30?

00:32:28Fuck.

00:32:28Speaking of 30.

00:32:29That?

00:32:29And 30 years old.

00:32:32Celia, what?

00:32:33Magno, how are you?

00:32:35Man, Celia, you're gorgeous.

00:32:37Lovely.

00:32:39But...

00:32:40That he has denied me again.

00:32:41No way.

00:32:43But let's see, let's see.

00:32:44What have you been like?

00:32:45Like Alonso or like Barrichello?

00:32:47Like Alonso.

00:32:47Piti, like Alonso?

00:32:48So?

00:32:48Me, me like Alonso.

00:32:50And I don't give in, you don't know that.

00:32:52I will not succumb.

00:32:53So, I'll be there tomorrow, like clockwork, with dark circles and bags under my eyes, but like clockwork.

00:32:56to you and the end.

00:32:57The truth is, with that face you have now, man, that...

00:33:01That gives him one more reason to run away.

00:33:04What's wrong with my face?

00:33:05I mean, but...

00:33:05Excuse me, what's wrong with my face?

00:33:07Nothing, nothing.

00:33:08Nothing, nothing, nothing, because with four or five hours of restful sleep, you won't even notice it.

00:33:12Diego, you can't even tell.

00:33:13Furthermore, Greville is about to arrive.

00:33:16But already...

00:33:17The bus bound for Lisbon, Portugal, has already arrived.

00:33:31The bus bound for Lisbon, Portugal, has already arrived.

00:33:59Where is my son?

00:34:01Where is my son?

00:34:02Damn, calm down, goodbye, fuck, calm down.

00:34:18That's the spirit you start school with.

00:34:21You're low on vitamins.

00:34:23You're low on vitamins.

00:34:23No way?

00:34:24This is a dream.

00:34:25Let's see.

00:34:25Clear.

00:34:25But all you eat in the summer is ice pops and sandwiches.

00:34:30And what happens, happens.

00:34:31Tonight you'll both have liver for dinner.

00:34:33Liver?

00:34:33Liver.

00:34:34It's great.

00:34:35Smell it, please.

00:34:35But it's super soft and pilotic, pisco-like and...

00:34:38Good morning, children.

00:34:39Good morning.

00:34:40Hey, Guille?

00:34:40Where is?

00:34:41No, no, no, it's not there.

00:34:42It turns out that Guille stays a few more days in Toulouse.

00:34:45Hey, he's dying!

00:34:46Does he/she fail school?

00:34:47Well, son, losing...

00:34:48Well, everyone knows that the first day of school...

00:34:50In other words, there are practically no classes.

00:34:51In other words, people talk more about the holidays, how are you, how cute you look...

00:34:54Anyway, it's about interacting with friends and all that, right?

00:34:56Okay.

00:34:57So, Currito and I stayed too.

00:34:59No, well look, that's not it.

00:35:00So, come on, let's go.

00:35:01Come on, it's late, do us a favor.

00:35:03Yes, come on.

00:35:04It's late, it's late, yes.

00:35:05Come on, yes, it's very late.

00:35:06Okay, see you later.

00:35:08See you later.

00:35:12What did the police tell you, son?

00:35:13Nothing, we just have to wait the other 24 hours.

00:35:15So, 48 hours in total, we're going to meet.

00:35:17Until then they do nothing.

00:35:18And they don't come near her, Carmen, really, I don't know what to heaven.

00:35:20Well, calm down, Diego, because it was surely just a childish prank.

00:35:23No, Carmen, no, not even Guille does these things anymore.

00:35:25So, even Guille isn't capable of doing these things, right?

00:35:27Well, you say that because you're not sleeping or eating.

00:35:30But as soon as you rest and eat something, you'll see it differently.

00:35:34Come on, sit down and I'll make you something.

00:35:35No, no, no, no, really.

00:35:36Shall I prepare it for you?

00:35:37No, don't be upset, Carmen, really, don't be upset.

00:35:39If my stomach is closed.

00:35:42He hasn't called the landline.

00:35:46I'm going to call again, just in case, to see what's up.

00:35:52Excuse me, could you make me a coffee, please?

00:35:54Wait a minute, man, can't you see he's grouped you up?

00:35:57Yes, there's a signal, there's a signal.

00:35:59Tell him that's enough.

00:36:00That's enough.

00:36:01Shut up, damn it, shut up, damn it, I can't hear you.

00:36:03Hey, hey, hey, hey, hey, where's Guille?

00:36:06Who is it?

00:36:06Hey, hey, who the hell are you?

00:36:08Hey, ma'am.

00:36:10An aunt?

00:36:11He hung up on me.

00:36:12I didn't understand anything he was saying, and besides, he didn't let me speak.

00:36:15Calm down, brother, you're just nervous and you're not getting it.

00:36:17Dial again and put your hands up.

00:36:19Set it here.

00:36:20Come on.

00:36:21I'm telling you, I'm telling you.

00:36:31For the other time, which is that it's in a closed groin.

00:36:36Hello good.

00:36:36Wait, wait.

00:36:37Brother-in-law, brother-in-law.

00:36:38Listen to this, okay?

00:36:39You understand these things.

00:36:40Let's see what you say.

00:36:45Morocco.

00:36:46It's a voicemail from Morocco.

00:36:47Are you sure it's Morocco?

00:36:48You're absolutely sure, man.

00:36:49I'm going to the bathroom and I'll be right back.

00:36:49And I'll buy you a round, because life's short, guys.

00:36:53Where are you going, brother?

00:36:54Where are you going?

00:36:54To the police.

00:36:55But, Diego.

00:36:57Diego, wait a minute, damn it.

00:36:58Don't worry.

00:36:58But how can I be calm?

00:36:59For God's sake, I don't know what they've done with my son and I don't know why they're in Morocco, damn it.

00:37:05And apart from judo and ballet, this year there will also be capoira classes.

00:37:08Okay?

00:37:08So if you're interested, just bring me a signed permission slip from your parents.

00:37:13OK?

00:37:13Tell me.

00:37:14A view.

00:37:15We're sharing showers this year, aren't we?

00:37:17Oh, how cool?

00:37:18Yolanda, please.

00:37:21You see, this year for the time being we are not going to share showers.

00:37:24But hey, you never know.

00:37:25Let's not lose hope.

00:37:26Maybe next year.

00:37:27Hey?

00:37:28Let's see if he plays the flute.

00:37:29Wait here, for crying out loud.

00:37:30We relate to each other as equals.

00:37:32I haven't lacked it.

00:37:34That?

00:37:35Down to the floor and down to the floor?

00:37:36Yeah.

00:37:36Yeah?

00:37:37I've signed the contract and my clothes are there.

00:37:38Well, except for this, which I'm wearing now.

00:37:40Brilliant.

00:37:40What a joy!

00:37:41Hey, come here, come here.

00:37:42Come, come, come.

00:37:42Tell me.

00:37:43I was thinking, wasn't I?

00:37:44That...

00:37:45Yeah.

00:37:45What if I told you to come live with me?

00:37:48That?

00:37:50That?

00:37:50But what am I...?

00:37:51Oh really?

00:37:52But what is a proposition, anyway?

00:37:54Oh, well, I'm not asking you to marry me either.

00:37:56Okay, fine, but at 30 years old and wanting to share an apartment.

00:37:58Well, I'm not asking you to psychoanalyze me either.

00:38:01Okay.

00:38:01That?

00:38:01Are you coming or not?

00:38:04Ana, you're my boss.

00:38:05Yes, and your father has polio.

00:38:06And you live with him.

00:38:09Give me a raise.

00:38:10Ah, I'm saying goodbye.

00:38:12I'm going to live with you, you know, because thinking about it now...

00:38:16Okay.

00:38:17Okay, see you at home, alright?

00:38:19Oh, that's intense.

00:38:32It seems that it's an operator from Marrakech.

00:38:34From Marrakech?

00:38:35Okay, great, it's been discovered...

00:38:37Okay, so when are they going to get him, please?

00:38:39Well, as I already told you this morning, we have to wait 48 hours before starting to look for it.

00:38:43Excuse me, excuse me, are you telling me you're not going to do anything?

00:38:45I'm sorry, sir, but for now we can only wait.

00:38:47But wait for what, I mean, what does he want us to wait for?

00:38:50No, no, listen to me, let me, Fiti, wait for what?

00:38:52Let me tell you something, look, I am a citizen who religiously pays my taxes.

00:38:55And for once, for the one fucking time in my life that I've asked you to do something, you tell me no.

00:38:58He's not going to do anything.

00:38:58We see how much is in our...

00:38:59No, sorry, and I won't be doing anything, I know what he's doing, I won't be doing anything.

00:39:02No, please.

00:39:02Fuck off.

00:39:03I'm going to look for my son.

00:39:04But how are you going to find Marrakech?

00:39:05Do you know what you're saying?

00:39:06Fiti, I'm going to find Guille in Marrakech, although I have to build it stone by stone.

00:39:09Okay.

00:39:09Well, I'll go with you.

00:39:19Excuse me, do you see my son, mon petit fils?

00:39:23Well, little one...

00:39:24Guillermo, petit, well, petit...

00:39:26No, man.

00:39:26Hey?

00:39:27No.

00:39:28No, I don't choir him.

00:39:29Come on.

00:39:35Hello, hello.

00:39:36Missile, missile.

00:39:37No, yes, thank you.

00:39:41No no.

00:39:43I'm going to draw...

00:39:43I'm going out.

00:39:49Okay, so what?

00:39:50Shall we continue?

00:39:50Look, we're never going to find it, petit.

00:39:52We couldn't find it, damn it.

00:39:53It's smaller than it looks, man.

00:39:55Come on, let's go there.

00:39:56Come on.

00:40:03Come on.

00:40:24We're never going to find it, really.

00:40:27I don't know, let's stay here, if all the tourists are here.

00:40:30Yes, but...

00:40:41The bay, mine.

00:40:42Add three pieces of furniture and it'll look gorgeous, right?

00:40:44No.

00:40:44And you put number three here.

00:40:45Because that's where the antenna and the building's satellite dish pass through, behind it.

00:40:52And here, right in the middle, you put up a wall with some sticks for the chickens and hens to lie down on.

00:40:57that they have to give you eggs.

00:40:59We are?

00:41:00Mm, sure.

00:41:01Good.

00:41:02Are you in trouble, my daughter?

00:41:04No, sorry.

00:41:05I was just thinking about my own things.

00:41:07Already.

00:41:08There are things that have a name and surname, and she's bald.

00:41:12Yeah.

00:41:13Look, darling.

00:41:16I respect your silence very much, you know that.

00:41:18But let me tell you one thing.

00:41:19For whatever you need me, whenever you need me, you know you can count on me.

00:41:24You know that, don't you?

00:41:25Yeah.

00:41:27Beautiful.

00:41:28Hmm, sometimes things just are...

00:41:32And this?

00:41:33And this?

00:41:34Did the neighbors keep leaving everything covered in shit until the very last minute?

00:41:38Come on, let's...

00:41:38Oh, how cute is this.

00:41:40Good suitcase.

00:41:44What are you doing, Choni?

00:41:45Well, I'm looking for some tights that I dropped in the lightwell two months ago and I haven't found them.

00:41:50found.

00:41:51You bet they have it.

00:41:52Ugh, that's disgusting, stop it, go on.

00:41:54Disgust?

00:41:54Hey, this, this is a really good cloth for the windows, because it doesn't leave any lint.

00:42:00No, but we are going to throw everything away.

00:42:01Come on, leave me alone.

00:42:01We're going to throw everything away.

00:42:03Come on.

00:42:03Oh, how cute!

00:42:04Oh, how cute!

00:42:05Choni.

00:42:06Hey, how cute, man, and so cute, it's like he's a Christian god.

00:42:09What are you doing, is he a Christian god?

00:42:10It could be, it will be from the Chinese.

00:42:12No, no, he's not a Christ god, he's a Christian god.

00:42:15And brand new.

00:42:17Oh, this hasn't been stolen.

00:42:18Nothing, they shouldn't have left it there.

00:42:20Come on, take everything and let's throw it in the trash.

00:42:22Let's go to school.

00:42:23Well, I never would have imagined that my neighbors had such good taste, woman.

00:42:26Hey, so you...

00:42:26Now I'm going to laugh a little.

00:42:28When I come to get his things, I'm not going to laugh much, you know?

00:42:31Can?

00:42:31Yeah.

00:42:32Look what I'm telling you.

00:42:34That's it?

00:42:34As?

00:42:35If I put on this dress, it would cause me so much trouble, José Luis, that you'd laugh at the Christian god.

00:42:41Wait.

00:42:42Open up, open yourself up, keep opening yourself up.

00:42:45I'll throw this away later.

00:42:47Can?

00:42:48Yeah.

00:42:49Now pull, pull, I'll close it.

00:42:52What does that do to me?

00:42:58Adrian, Adrian, please play more quietly.

00:43:02Adrian, okay, just a little bit, okay?

00:43:04Play a little quieter.

00:43:05Adrian, please.

00:43:11Chucky, dude, what's up?

00:43:13Adrian.

00:43:13No, no, not you.

00:43:15What's up, man?

00:43:16That...

00:43:17No, at home.

00:43:20No, no, man, I can't.

00:43:22Well no, no, Chucky, it's not going to be that day, buddy.

00:43:25No, no...

00:43:26Well, because I can't, of course.

00:43:28I'm swamped with stuff, like...

00:43:30And you'll see when I tell you, buddy.

00:43:33Quick, ambulance, ambulance.

00:43:34Adrian, that's enough, please.

00:43:36Love, ambulance, uncle.

00:43:37Hey, what...

00:43:41Bye bye.

00:43:43My father's radio.

00:43:45He was the soul of the wicked.

00:43:48I'm fed up with everything, man, that's enough.

00:43:50Damn, what did he say to you?

00:43:51What did he tell you?

00:43:52That you are still.

00:43:53Well, if I tell you to stay still, you stay still, damn it.

00:43:56Yeah, man, dude, you're right in front of me, yeah.

00:43:59Pussy.

00:44:01Mom never yells at me.

00:44:02Okay, so I do shout, alright?

00:44:04I'm getting used to it now.

00:44:06So much nonsense, man.

00:44:11So much nonsense, man.

00:44:20So much nonsense, man.

00:44:50Come on, thank you.

00:44:51Thank you, thank you.

00:44:53Come on, a little solvito would kill me.

00:44:56Damn, that'll calm you down, right?

00:44:57It's mostly like an infusion, too.

00:45:00No, no, no, Fiti, I'm not sitting here.

00:45:02I'm going to have a child.

00:45:03Wait a minute, damn it, you'll need to regain your strength.

00:45:06Fiti, damn it, something's happened to my son.

00:45:07Don't you realize?

00:45:09Forgive me, forgive me.

00:45:10No, no, no, no, nothing's wrong.

00:45:13No, it's not normal, Fiti, okay, yes, Guille has left sometimes.

00:45:17Yes, she leaves, but she leaves me a note or calls me on the phone, but of her own free will.

00:45:21This has never happened before, damn it, it can't be.

00:45:23Come on, give it a little bit, go on.

00:45:25Furthermore, I read in the guide that if you deny these people tea, like...

00:45:30You're being rude to them, we don't want any conflicts right now.

00:45:50Seeing the kids reminds me that when I was little I made him a promise.

00:45:58Do you remember that dog from Abelino?

00:46:01Ah, yes, the one who was so bad-tempered.

00:46:03Well, and the Abelinian too.

00:46:04Yeah.

00:46:05Well, whenever Guille passed by the dog, it wanted to bite him, right?

00:46:09Well, it's not a bad thing that one day I showed up and scared him off, because otherwise he would have ripped off his hand.

00:46:12from the rennet.

00:46:13But the thing is, Guille, well, he slept for several days from the fright and...

00:46:20Until I promised him that I would always be there to protect him.

00:46:25Fiti was thinking that, damn, maybe she was late and the dog bit her, shit.

00:46:32But.

00:46:33Damn it, Diego, don't think that.

00:46:35Damn, that's not going to happen.

00:46:36You'll see how everything turns out alright, damn it.

00:46:39Come on, give the tea a little sip, go on.

00:46:41Go for it.

00:46:42Yeah.

00:46:46And what a boring day it was, I'd forgotten what kids were like.

00:46:50There you have the schedules.

00:46:51I hope everything is clear, but if you have any questions...

00:46:54Man, no doubt about it.

00:46:55But we're going to have to install the trundle bed here for Celia.

00:46:59Shony?

00:47:00Any problem?

00:47:01No no.

00:47:02No problem at all, Sagala doesn't agree with the schedule and I see that as perfectly normal, because...

00:47:06He has everything scaled up.

00:47:07I don't care.

00:47:09How can you not care?

00:47:10What comes out on Fridays at nine o'clock at night?

00:47:12And they've scheduled tutoring sessions during recess, with a three-hour gap in between.

00:47:16And who are you?

00:47:17Your union representative?

00:47:19No.

00:47:20The thing is, I can't stand social injustices.

00:47:22I'm very sensitive to skin.

00:47:24What if we talk about it tomorrow, since it's getting a bit late?

00:47:26No, not tomorrow.

00:47:29Not tomorrow.

00:47:30I'm fed up.

00:47:31These things don't always happen peacefully, when we're quiet and complain.

00:47:33That's enough, man.

00:47:35Hey, Celia.

00:47:37Do you have something to say?

00:47:39No.

00:47:40Let's go now, it's getting late.

00:47:41That's it, let's go, man, let's go.

00:47:43We're going to have a few beers and we've only just started, man.

00:47:45Okay, fine.

00:47:46I'm going to look like a fool there.

00:47:47Oh, can you pass me the folder?

00:47:48Yes of course.

00:47:49Come on, I'll treat you.

00:47:50On the first try, huh?

00:47:51On the first try.

00:47:52Come on.

00:47:52Come on, not anymore.

00:47:56Are you coming or what?

00:47:58Okay, now, in a minute.

00:48:00I'll finish some papers and catch up with them right away.

00:48:02You should give him hours on the go.

00:48:16Adrian.

00:48:21Adrian.

00:48:23Adrian, come here.

00:48:25Come on, I'm sorry.

00:48:26I won't yell at you again.

00:48:28Adrian.

00:48:30Please.

00:48:32Fuck.

00:48:36Adrian, come on, I don't like this game anymore.

00:48:37Please leave.

00:48:40Damn, man.

00:48:42I can't find it.

00:48:43You can't find it, huh?

00:48:44I can't find the child.

00:48:46Okay, calm down, have you looked at the rooms?

00:48:47No, no, no.

00:48:48And in the bathroom?

00:48:49No, Adrian.

00:48:50Hey Raul, what's happened?

00:48:52Adrian, chatunguin.

00:48:54It's me, Uncle José Luis.

00:48:56Let's see, this child.

00:48:57Adrian.

00:48:59They show off their stuff!

00:49:02As?

00:49:04Come on, let's go, let's go.

00:49:05Where are we going?

00:49:06Don't know.

00:49:07Come on, let's go, Raúl.

00:49:07Come on.

00:49:08Go on, throw it.

00:49:09It's coming for you too.

00:49:11Go on, look.

00:49:12A postcard from Guille.

00:49:14Oh, really?

00:49:14What does it say?

00:49:16Hi, Dad.

00:49:17When you receive this postcard, I will be in Mezourga, Morocco.

00:49:22Damn, Morocco.

00:49:24But how?

00:49:26I haven't been able to call you because I'm short on money.

00:49:29I'll call you.

00:49:31When I explain it to you, you'll laugh. Kisses.

00:49:34When Dad finds out, he's going to be furious.

00:49:37My God.

00:49:39Hey, priest, what are you doing?

00:49:40But what are you doing?

00:49:41Diego will have to find out that they are in Morocco.

00:49:43Yes, but no, I prefer to tell him.

00:49:44I have stolen money, badly in the heart.

00:49:45Curro, you're going to break it.

00:49:46What's happening?

00:49:47Nothing.

00:49:49Let me see that.

00:49:50Give it to me, give it to me.

00:49:55Oh my God.

00:49:56Oh my God, where is this?

00:50:04Hello, Diego.

00:50:05Diego, look, the child, the child, he's all right here, you know?

00:50:10Yes, he wrote a postcard and says he's in Merzourga.

00:50:15That's okay, that's okay, Fiti.

00:50:17Yes, and when I explain it to you, you're going to laugh.

00:50:19What does he say?

00:50:21Well, that's what I'll explain to you when I tell you...

00:50:23No, no, no, no, no, no, I've already heard it, ma'am, no, no, no, no, it's not necessary

00:50:26Tell me to repeat that.

00:50:26Damn the milk they gave him, look at that...

00:50:28Grandma, where is Diego?

00:50:29And you realize what this son is putting me through.

00:50:32No, no, no, no, no, when I ask him I kill him, no, I kill him.

00:50:52And my things?

00:50:59But I left them here.

00:51:05I'm here now.

00:51:09Sosico?

00:51:12Raul?

00:51:14And this?

00:51:15That's awful.

00:51:17That's for sure...

00:51:19Damn, Raúl.

00:51:22The tailor gives it to me.

00:51:31Yes, Celia is not here.

00:51:45The police have been notified.

00:51:47Leave the house immediately.

00:51:49I'm armed.

00:51:49Johnny?

00:51:51Ann.

00:51:53Ann.

00:51:54But what are you doing here?

00:51:56What do you mean, what am I doing here?

00:51:57What are you doing here?

00:51:58Is this my house?

00:52:00What do you mean, your house?

00:52:01Of course, I rented it yesterday.

00:52:03Fiti paid my bail, he didn't tell you anything.

00:52:10Oh my God.

00:52:12Oh my God, my God, my God, my God.

00:52:27Oh my God.

00:52:56Oh my God, my God.

00:53:28What was I going to say, Diego?

00:53:29Those dunes we just passed, huh?

00:53:32Those dunes are very nice.

00:53:34The ones from Merzuga, who gave him the guide.

00:53:36Merzuga.

00:53:37Yes, they are very good.

00:53:38Yes, very soft and also very picturesque.

00:53:40Yes, they are very picturesque and very nice.

00:53:42Yes, Fiti, I've heard you.

00:53:42Very good, very good.

00:53:43I'm already getting the hang of this camel thing, huh?

00:53:46Look, look how I'm doing.

00:53:47Look how I'm doing, look how I'm doing.

00:53:49From here until we see Guille, Fiti and the smooth talk.

00:53:52Dude, you'll have to tell me how you do it, because I haven't gotten used to the camel.

00:53:55Well, mostly Diego, riding on top of the animal.

00:53:58These animals are used to humans being on top, not underneath.

00:54:01But what I'm saying is that I don't understand why they use these kinds of animals here.

00:54:04I don't understand it.

00:54:04Well, I remember when I was little, for example, my father, Santi, and I would go on a donkey, and we were having a great time, so

00:54:09richly.

00:54:10This animal, to animal attraction, is like diesel to mechanics, Diego.

00:54:15Let's see if you understand me.

00:54:16In other words, less repetition, but much more endurance.

00:54:18Yes, that's right.

00:54:19And rubbing?

00:54:20What do you mean by "rubbing"?

00:54:22Because I don't know about you, but I have all the right parts.

00:54:24They're raw, Fiti, they're raw.

00:54:26I mean, no way I'm going back up there, I'm not going back up there again.

00:54:29What I thought, damn it, was a little bit positive.

00:54:30Look, Guille has already been located, right?

00:54:32Well, that's it, now let's enjoy the scenery a little.

00:54:35Look at the views here.

00:54:36Everything here is about views.

00:54:38Yes, very eye-catching.

00:54:39The views are very picturesque.

00:54:40Hey, one thing, Fiti, speaking of that damned Guille.

00:54:42Please, when I see you, it's for me.

00:54:44For me, because if he doesn't stop me, I'll kill him.

00:54:45Mark my words, I'll kill him.

00:54:47Wait, where the hell?

00:54:48Me, me, me, me.

00:54:49Hey, hey, Mohamed, Mohamed, Mohamed.

00:54:53That village, Mersuga, village, Mersuga.

00:54:55Yes, yes, yes.

00:54:56Yes, of course, of course, Mersuga.

00:54:59In other words, Mohamed isn't doing very well, very straight and very well.

00:55:02Hey, Mersuga, please take off your jacket already, because you're making me feel like I'm going to burst.

00:55:07to see you.

00:55:07I'm not taking off my jacket, I don't feel like taking off my jacket, what's wrong?

00:55:10I always wear a jacket.

00:55:11Now, let's go, let's go.

00:55:13Mersuga, Mersuga.

00:55:20I'm an idiot.

00:55:31He's not here either, Fiti, and we've searched the whole town.

00:55:35Listen to me, listen to me.

00:55:36What if the postcard story isn't true?

00:55:38What? I mean, were they forced to write it?

00:55:40No, no, don't think like that, Diego, that's not practical, damn it.

00:55:46Sorry.

00:55:51Wait, wait.

00:55:53Wait.

00:56:02So what now, Fiti?

00:56:04I don't know.

00:56:06Damn it...

00:56:08Look.

00:56:10Fuck.

00:56:16Diego, calm down, okay? Just relax.

00:56:20AND?

00:56:22Dad?

00:56:30But why?

00:56:32Why are you doing this to me?

00:56:34Do you think I don't deserve it?

00:56:35After the year we've been through, we deserve this.

00:56:37I don't want to...

00:56:38It's just that I...

00:56:39It's a submersible, look.

00:56:42If something happens to you, I'll die, damn it.

00:56:49Let's go there to...

00:56:51Wherever the drums are, come.

00:56:53Have some tea or something warm, okay?

00:56:55Look, look.

00:56:57Look, look.

00:57:06Hello, Celia.

00:57:07Hello.

00:57:08Are you feeling better?

00:57:11Uh, yes.

00:57:13Well, I'm glad.

00:57:15I'm glad because I have some news to share with you.

00:57:18Let me state from the outset that it was all a misunderstanding.

00:57:21And what's more, I'm the one most affected.

00:57:23Because having a neighbor like you made me incredibly happy.

00:57:25Choni, Choni, what's wrong?

00:57:28That my...

00:57:29My Fiat 60.

00:57:30My Fiat 60 made a mistake when giving the deposit.

00:57:32That?

00:57:32And the owner has rented the house to others.

00:57:34As?

00:57:36You have a roof over your head here, and you know you won't lack anything.

00:57:39Look, Choni, I've already put down a deposit.

00:57:42And I have the keys.

00:57:43How can that be?

00:57:44And you know what? I'm telling you, today they won't walk all over me anymore.

00:57:47I'm fed up.

00:57:47And I'm going to fix it right now.

00:57:49Okay, let's fix it.

00:57:51Yeah.

00:57:53Ann?

00:57:56Excuse me, but...

00:57:57Can you tell me what you're doing in my house?

00:58:00At my house, you'll say.

00:58:02Choni, I don't understand anything.

00:58:04Can you explain to me what...?

00:58:05Yes, yes, yes.

00:58:06It's mostly a misunderstanding.

00:58:09The lack of communication, what Fernando says, how many times has he said it, the lack of communication...

00:58:13Okay, Choni, let's see.

00:58:14I gave you the deposit money to give to the landlord, right?

00:58:16Yes, yes.

00:58:17And I gave it to my Fiat 60 and my Fiat 60 gave it to him.

00:58:20But from Ana's side.

00:58:22Believing in the creature, well, that's what we were talking about, the lack of communication, which is very bad...

00:58:27Well yes.

00:58:28Yes, very bad.

00:58:29Because now the poor woman is left without a home.

00:58:32Excuse me, you're the one who's poor.

00:58:33Because you're the one who's been left without a home.

00:58:35I paid the deposit money and that's like a contract.

00:58:39Yes, of course, how?

00:58:40But I have a contract.

00:58:42No way.

00:58:44Okay, let's be rational.

00:58:45When did you see the house?

00:58:46That, when you saw...

00:58:47Johnny!

00:58:48Be quiet.

00:58:49Of course, you don't want her to get involved because you know I saw her first.

00:58:51Look, Celia, I'm going to explain something to you, okay?

00:58:54Things don't belong to whoever sees them first.

00:58:56It seems to me that you don't quite understand that.

00:58:58Unclear.

00:58:59According to you, things go to whoever is willing to play the dirtiest to get them, right?

00:59:03Look, beautiful.

00:59:04Maybe I'm not as slow as you.

00:59:06And I'm not waiting for things to be decided.

00:59:09Of course, that's what I call playing dirty.

00:59:12Go after things that already belong to someone else.

00:59:15Ah.

00:59:17Maybe that other person thinks things are theirs that aren't.

00:59:23We're still talking about the house, right?

00:59:26Clear.

00:59:27Well, now I'm ready to fight, you know?

00:59:29And you won't get me out of here even with a crane.

00:59:31And when you walk out that door, I plan to change the lock.

00:59:34Do we have those?

00:59:35Let's see who's closer.

00:59:37That's great.

00:59:48Raúl, yes, Verla, I'm with you now.

00:59:51If you'll excuse me, I'm just...

00:59:58Last name?

01:00:00Well...

01:00:01San Sebastián.

01:00:02No no.

01:00:03Something with Saint.

01:00:05Okay, look, just put Adrián and that's it, okay?

01:00:07Yes, yes, I hope so.

01:00:09Wait, from the backpack, which has a small backpack, which is blue.

01:00:10Raúl, we have to wait, I don't know.

01:00:11But tell him, man.

01:00:12Please.

01:00:13We have to wait.

01:00:14Hello.

01:00:15How are you, Raúl?

01:00:16Backpack.

01:00:16Hey, I'm coming here in a very American way to introduce myself to the neighbors.

01:00:21What's happening?

01:00:22You've found out, and you're not happy about it.

01:00:24Africa, now is not the time, aunt.

01:00:26Well, you see, five years.

01:00:30Height?

01:00:32Five years old.

01:00:33Short.

01:00:33Rather, short.

01:00:35And with a face, well, I don't know.

01:00:36With a baby face.

01:00:37He's really handsome, dude.

01:00:38He's very handsome.

01:00:38Yes, it's been two hours since he disappeared.

01:00:42Yeah.

01:00:43Well, yes, I hope so.

01:00:44Which child has disappeared?

01:00:45What's happening?

01:00:46That...

01:00:48That...

01:00:48Oh, oh!

01:00:49Oh!

01:00:50Hey!

01:00:51Take care of closing this.

01:00:52Yeah.

01:00:53And don't close it in five minutes, I know you.

01:00:54No no.

01:00:55We're going to Diego's house, because Carmen is there all alone with the kids...

01:00:59Very good.

01:00:59Also, that's how Santiago sees his little cousins.

01:01:01Of course, to do it right.

01:01:02Yes, so far.

01:01:03Okay, let's go.

01:01:05I have a son.

01:01:06That?

01:01:07That?

01:01:08But what?

01:01:09That?

01:01:09What do you have?

01:01:10That?

01:01:11With who?

01:01:12With whom, Raúl?

01:01:12When?

01:01:13Oh, damn!

01:01:14But how many times have I told you to reverse gear?

01:01:16No!

01:01:16No, don't mess with me now, auntie, we can't find it, please.

01:01:19We couldn't find it.

01:01:20We couldn't find it.

01:01:21Okay, so...

01:01:22Your son is so strong!

01:01:25Africa.

01:01:26Your son...?

01:01:26Okay, let's think, Raúl, let me think.

01:01:28What does your son know about Santa Justa?

01:01:31You know your house and this, right?

01:01:34Yeah.

01:01:35Very good.

01:01:35That's it, guys.

01:01:36If it's not in either of those places, it will have left the way it came.

01:01:41Okay, talk.

01:01:42Well, it happens, it matures through travel.

01:01:45You yourself have taught us that we have to learn to fight against our limitations.

01:01:49And the truth is that we mountain folk haven't gone out much.

01:01:52There's a point for the kid, because you, well, Matrix and two or three airports.

01:01:56What point, Citi?

01:01:57But what point?

01:01:58Which point?

01:01:58He already smoked on the first day of school, didn't you realize?

01:02:00Okay, please, which school?

01:02:02Is school the university of life?

01:02:03Guillermo, let me tell you, son, let's see.

01:02:06The university of life is everywhere.

01:02:09And I'm telling you this as someone who graduated cum laude without ever having left Santa Justa.

01:02:13And one little thing I'm going to tell you.

01:02:15Let's see.

01:02:17You haven't thought about, you haven't considered at any point, I mean, the marketing issue here.

01:02:22In other words, because here, the hippie movement is very common.

01:02:25But in Santa Justa, that's virgin territory.

01:02:27But, Citi, what are you telling him?

01:02:28Look, I mean, don't reason with him, you'll just confuse him, don't you realize?

01:02:31In other words, Guillermo, there is only one thing here, which is called parental authority.

01:02:33What does parental authority consist of?

01:02:34I'm telling you.

01:02:35It means that I decide how I take you home.

01:02:37So, which ear should I lead you by?

01:02:38That's what...

01:02:39That is parental authority.

01:02:39No, Dad, no, no, I'm not going anywhere.

01:02:40I'm going to stay here.

01:02:41I'm not a kid anymore, and I've changed a lot this summer.

01:02:44But, Guillermo, for God's sake, don't you realize that I've been busting my ass here my whole life?

01:02:47so that you can have an education, so that you can live a slightly better life than mine.

01:02:49Damn, don't you realize?

01:02:50And now you tell me you want to stay here.

01:02:52Damn it.

01:02:53Let's see, Guillermo, do you really think there's any possibility, however small,

01:02:58that I'm going to cross the desert to leave you here playing the drum with a puppeteer like the one from

01:03:02Gra...

01:03:02Okay, okay, okay, okay.

01:03:06I'm turning around.

01:03:09But with one condition.

01:03:16There it is!

01:03:17Arián!

01:03:19Are you OK?

01:03:20Are you all right?

01:03:23Come on, let's go home.

01:03:24That gave me quite a fright.

01:03:26Come on!

01:03:27I don't want to go to your house.

01:03:29I'm going to measure where you're going.

01:03:31Eat!

01:03:32She doesn't yell at me.

01:03:33But, tell me, do you know where your mom is?

01:03:36No, but the driver doesn't know.

01:03:39And he takes me.

01:03:45Do you want a comama?

01:03:46When is he coming?

01:03:47Tomorrow?

01:03:49Well...

01:03:50No.

01:03:51To the other one!

01:03:53Well...

01:03:53He's not coming.

01:03:55She doesn't want to be with me.

01:04:00Yeah.

01:04:02Yes, yes, of course he wants to.

01:04:04Of course he wants to.

01:04:05How could he not want to?

01:04:05Adrian, of course he wants to.

01:04:07The thing is...

01:04:08Mother...

01:04:09That?

01:04:15Mother...

01:04:15Mom is thinking about you all the time.

01:04:20Yeah?

01:04:20Sure, Adrian.

01:04:22Sure, sure.

01:04:24Sure.

01:04:25And how do you know that?

01:04:27Well, I...

01:04:28Well...

01:04:29Well, then...

01:04:30I...

01:04:30Because I...

01:04:30Because I don't need to know.

01:04:32Because...

01:04:33Well...

01:04:34Because I am...

01:04:34Your father.

01:04:38Your father?

01:04:40Yeah.

01:04:43AND...

01:04:43And the parents?

01:04:46And the parents...

01:04:47We know everything.

01:04:50Apparently.

01:05:07That?

01:05:08That?

01:05:10That?

01:05:11That?

01:05:11The lamp.

01:05:12What a joy!

01:05:13They're here now.

01:05:13Oh, they're here already.

01:05:14Yes, yes.

01:05:15What joy it would bring us if he didn't have this habit of giving to his father.

01:05:18His own son.

01:05:20Imagine what you must have put your father through...

01:05:22Give me a hug, buddy.

01:05:24Virgin of beautiful love, but...

01:05:25But what happened?

01:05:26Nothing has happened.

01:05:27No, and it hasn't happened to him.

01:05:28This, this is what she put on...

01:05:29Drede put it on Santi, who put on a rat.

01:05:31The boy goes too far in killing France.

01:05:33Look, Santiago, he doesn't go to Santa Junta.

01:05:35Like I give it to you.

01:05:36Ah, you'll find a reason.

01:05:37Oh, well, brother.

01:05:39Come on.

01:05:39But what's going on? You've grown so much, haven't you?

01:05:41What a cool rat.

01:05:42You'll make me one, won't you?

01:05:43How are you?

01:05:44Yeah.

01:05:44Did you see?

01:05:45Did you see?

01:05:45Have me heat it up on the child's head.

01:05:46No, no, no.

01:05:47She's going to take it off immediately.

01:05:48Let everyone know.

01:05:49In other words, Gigi is grounded until he retires.

01:05:52Take note of what I'm telling you.

01:05:53Until...

01:05:53Leave.

01:05:56Hello.

01:05:59Hello Drede.

01:06:00How are you?

01:06:02Okay, damn it.

01:06:03Yeah.

01:06:03Very hippie, very hippie, but...

01:06:05She has more trunks than Piquet, my dear.

01:06:07Look.

01:06:08What did you bring?

01:06:09Ah, uh...

01:06:10Hello, family.

01:06:11This is Andrín, my girlfriend, who is going to stay home for the season.

01:06:14What?

01:06:14Sandín, Sandín, Sandín, Sandín.

01:06:16Nice to meet you.

01:06:17I'm Lourdes, the aunt of...

01:06:19Hello.

01:06:19Nice to meet you.

01:06:20Likewise.

01:06:20I am Carmen, your grandmother.

01:06:22Hello.

01:06:23Why?

01:06:24I am his brother.

01:06:27Hi nice to meet you.

01:06:28And who are you?

01:06:28This is my sister.

01:06:30Tete.

01:06:31Nice to meet you, Andrín.

01:06:33Hello, come on.

01:06:33Have you all introduced yourselves yet?

01:06:34Come on, everyone go to sleep, it's very late.

01:06:36Come on, to you.

01:06:37Okay, fine, you'll go with Sandrín to your room and tomorrow you'll make room for me in the closet.

01:06:42What, is he going to sleep in my room?

01:06:44But seriously, what is this? A fund or something?

01:06:46Yes, it seems so.

01:06:47That's what this house is like, it's an open house.

01:06:49Open to boyfriends, friends.

01:06:50I remember you, Manuel, Spartacus, your cousin, and so on.

01:06:54Hey, Dad, but don't worry about what you're transforming.

01:06:56If I made you fall in love, she's sleeping in her own room, so why would she sleep in my room?

01:06:58TRUE?

01:06:58That he can sleep.

01:07:00Yes, Dad, Dad!

01:07:01Jump in.

01:07:02Hey, Guille, I'm going to tell you something, okay?

01:07:03In other words, for every word you say, you have punished me for one day.

01:07:05Every word, not every letter.

01:07:07Up to H!

01:07:08Come on, everyone...

01:07:09Accompany her, accompany her.

01:07:10Sandrita, daughter.

01:07:11Go away with the girl.

01:07:12Come on.

01:07:13Pass it on.

01:07:14Pass it on.

01:07:15Pass it on, you've made me so happy.

01:07:16Pass it on.

01:07:18Of course, the big room is for me.

01:07:20Excuse me, we'll have to talk about that, won't we?

01:07:22Man, yeah, things.

01:07:23It's better to talk things through, isn't it?

01:07:25Of course, don't think she's the boss here too.

01:07:28Oh, look, I really don't feel like arguing.

01:07:30I'll take the medium one.

01:07:32Ah, that's great.

01:07:33That means I get the little one, right?

01:07:36I'll pay less, then?

01:07:38Yes of course.

01:07:38Ah.

01:07:40Hey, can you give me my clothes now?

01:07:43What clothes?

01:07:44My clothes.

01:07:45The one I left here this morning.

01:07:49Uh, a small suitcase, and a black one, like.

01:07:54Well, no, it doesn't sound.

01:07:55Right, Mari?

01:07:56He hasn't seen me.

01:07:57Hey, listen, it seems we've mistaken it for trash, Ana.

01:08:03That?

01:08:05I can't believe it.

01:08:08Tell me you haven't thrown all my clothes in the trash.

01:08:11Well, I don't know about all of them, but the one that was there, yes?

01:08:14Oh, the mother who bore them.

01:08:17Well, you have a basic idea of what all that is worth.

01:08:25Raúl, sweetheart, did you turn off the pot?

01:08:28It's better to do things than to order them.

01:08:29Oh, I'll help you, Chus, Nicolás.

01:08:31Yes, daughter, because if you're not in sight...

01:08:58Celia, Celia saw mine.

01:09:07It's a quarter to two, damn it...

01:09:09I shit on everything that moves.

01:09:17What a disaster, really.

01:09:35Run, son.

01:09:37Where are you going?

01:09:39Time for bed.

01:09:41Your room is over there.

01:09:44Ah, yes, yes, a slip-up.

01:09:47A lapse in judgment, it's a lapse in judgment, yes.

01:09:48Come, come, come with me.

01:09:49No, no, no, come here, come here, cover your eyes, because I don't think you'll see what's going to happen.

01:09:53to happen now, in a moment.

01:09:55Guille, Guille, open up.

01:09:57Guille, open up, Guille, I'm covering my eyes and going in and I don't want to see anything.

01:10:00Guille, I'm coming there, I'm coming there.

01:10:02Dad, dad.

01:10:03Don't worry, it's just that we're both feeling really sick.

01:10:05In other words, nothing has happened here.

01:10:07Hello.

01:10:08Not even half an hour, huh?

01:10:09I mean, you didn't even take half an hour to play me, and you're not even using your little brother.

01:10:12Look at him, look at the poor thing.

01:10:13So, you're going to corrupt him and use him as an accomplice.

01:10:16But let me tell you something, Guille, this is over, it's over, it's over.

01:10:19But what's going on?

01:10:19What's happening?

01:10:21Tete, look back with that dirty gaze.

01:10:23Turn your dirty gaze away.

01:10:24Hey, Diego, but we're not doing anything.

01:10:25Don't do anything, now.

01:10:28Look, Dad, it was simply, well, I don't know, so that she wouldn't feel out of place, since it was her first day.

01:10:32Sure, that's normal, and you already are.

01:10:34Sandrita, please, would you mind coming here for a moment?

01:10:35I want to tell you something.

01:10:37Curro, son, go to sleep, come on.

01:10:39Take a rest.

01:10:41Look, Sandrita, you see, I wanted to tell you.

01:10:43Maybe I didn't explain it well, Guille, but I'll explain it to you.

01:10:47What problem do you foreigners have?

01:10:48You might ask yourself.

01:10:49Well, you're very foreign, but we're in Spain.

01:10:50And in Spain, what happens at night?

01:10:51Not a sound, not a gasp, not a movement, not a footstep can be heard.

01:10:54Nothing, nothing, there's absolutely no sound.

01:10:55And even less so do people sleep in someone else's room.

01:10:59Is that more or less clear, Igor?

01:11:00No, yes, yes.

01:11:01Okay, well, if you would do me a favor.

01:11:06A bit.

01:11:08To you.

01:11:11Tete.

01:11:13You could have kept a closer eye on them, couldn't you?

01:11:15But hey, what nerve!

01:11:17Let's go.

01:11:19No, no, no, one thing that...

01:11:21This rat, you'll cut it off tomorrow, okay?

01:11:25Because if not, I'll grab the ham knife and cut it for you myself.

01:11:28It's going to be much worse.

01:11:31Rest well, son.

01:11:53Dad?

01:11:55Yeah.

01:11:59That's more like it.

01:12:01Yes, sir, son.

01:12:02Of course.

01:12:02That's more like it.

01:12:03That's what you're saying.

01:12:04Trust Fiti & Son workshops.

01:12:06We take care of your car like we take care of our image.

01:12:10What's up, Atron?

01:12:12Thank you.

01:12:12Dad.

01:12:13Look, I loved you...

01:12:14Well, Adrian and I wanted to tell you...

01:12:17Now, now, now, now, now, now, now, now, now.

01:12:19The cake, the cake, the cake.

01:12:20That's fine, that's fine.

01:12:21Fuck.

01:12:22No, no, it's fine. I was looking at it myself.

01:12:25Yes, well that's fine.

01:12:27I don't know, by some miracle.

01:12:29Because you've lost track of time a bit, and with the clock.

01:12:30That's how it burns me.

01:12:31I got the watch. Damn.

01:12:34I forgot that I had dedicated the ACDC Black & Black album to myself.

01:12:37Damn, my radio, my radio.

01:12:38Where is?

01:12:44And this?

01:12:46The bad guys' weapon.

01:12:51Raul.

01:12:52Adrian.

01:12:54Go on, King.

01:12:55Go to the room and play.

01:12:56Run, run, run fast.

01:12:57Go play.

01:12:59And I, well, no, not this little cake.

01:13:01I'm going to get rid of it.

01:13:02So.

01:13:03As if by chance.

01:13:08Damn all the cables, Raúl.

01:13:10Sorry, Dad.

01:13:10Damn, but you know...

01:13:12So, how long is this kid going to stay here?

01:13:14Look, that's after I came to talk to you, Dad.

01:13:16Look, Dad.

01:13:17They've given it to you for one more day.

01:13:18They've given it to you for one more day.

01:13:19You're just too nice to be stupid.

01:13:21Pussy.

01:13:22But how did you let yourself go?

01:13:23Look, everyone here has to deal with the child they're stuck with.

01:13:26That's life.

01:13:27Fuck.

01:13:28And if only...

01:13:29If not, then they shouldn't have them.

01:13:30Damn, it's really easy.

01:13:33And the cake?

01:13:40Is it possible?

01:13:46And I thought to myself, since these women won't have any food at home, I'm going to prepare them a

01:13:50Little cake for my princesses.

01:13:52Don't let me find out you're going hungry.

01:13:54Hey, it's really good, isn't it?

01:13:55Right?

01:13:56Let's see.

01:13:56Yes, try it, try it.

01:13:57Now, what I didn't like was that you were cooking.

01:13:59Well, four silly things, huh?

01:14:01Something, yes, yes, yes.

01:14:02A mousse, some hake with scallops, pickled perch, risottos too, but not much else.

01:14:10Look, your t-shirts don't suit me.

01:14:13It seems like I'm going to exploit her.

01:14:16No, I was born this way, I can't go to school like this.

01:14:19But if you want, I'll leave you something.

01:14:20But seriously, you have to see how women are, really, sit down, please.

01:14:25You buy things, and then what?

01:14:28That shirt looks good on you, then...

01:14:30Well, it looks great on you.

01:14:32If it's stylish, it suits you, so good, right?

01:14:35Well, just in case, I'm going to look for something a little less strenuous.

01:14:38Or a jacket to wear over it?

01:14:40Come on, jacket, cheer up.

01:14:41Try this, it's wrong of me to say so, but it turned out amazing.

01:14:44Well, son.

01:14:46Why did I come to see if...

01:14:48If there were any pieces of that cake you made left?

01:14:52Of course it remains.

01:14:54Of course it remains.

01:14:55Come on, come, come, come, fall in love, come, try it.

01:14:57Of course it remains, my love.

01:14:58Here, here.

01:14:59I've sent you a black dress, okay?

01:15:03Cocktail-style, and pleated here.

01:15:06Precious.

01:15:07Tell me you've slept with us.

01:15:10Well, what do I know, girl, I threw everything away and I'll have thrown it away.

01:15:13Man, like I thought it was from other people.

01:15:17I can't believe it.

01:15:20Naked.

01:15:21I've had to sleep naked.

01:15:23Luckily it's hot.

01:15:26José Ico.

01:15:30What's happening?

01:15:32Yes, I haven't said anything, my love.

01:15:34That's why.

01:15:36That's why, because you haven't said anything.

01:15:39Go on, head home, Ferradría.

01:15:40Head home.

01:15:42Well then, enjoy your meal.

01:15:47Hey Celia, your phone again, please.

01:15:49Grab it, turn it off because it's going to drive us crazy.

01:15:51Here, try this on and see how it fits.

01:15:55What's happening?

01:15:55That you don't like it.

01:16:00Okay, Diego.

01:16:01Let's see.

01:16:02We've already found the kid, haven't we?

01:16:03Well, now we need to focus on what we need to focus on.

01:16:05Fiti, Fiti, I'm focused.

01:16:07The problem is that there has been a sit-in, but women haven't been allowed to sit-in.

01:16:10And to make matters worse, it's adding insult to injury.

01:16:11What am I saying when it's already wet?

01:16:12Flooded area.

01:16:13What you need to do is go to Celia, explain to her what's going on, what has happened.

01:16:17If all you've done is become a father.

01:16:18And that's assuming I was waiting for you.

01:16:20That he wasn't even there.

01:16:22Do you know what I was doing?

01:16:23I pretended to be offended.

01:16:25But woman, I was there for six hours like a stick.

01:16:27No, no.

01:16:27No, we shouldn't go overboard, Santi.

01:16:29What needs to be done is to increase the dose of self-humiliation.

01:16:32And throw away the grinder.

01:16:34Throw away the grinder, but let me tell you something.

01:16:36Throw away the grinder.

01:16:37Because it won't let me increase the dose.

01:16:39Don't you understand that?

01:16:40He won't let me increase the dose because he doesn't even want to see me.

01:16:42She doesn't even want to see me.

01:16:43What do you mean, no?

01:16:44I've told you before, you're a magnet for women.

01:16:46Good morning.

01:16:46Hello good morning.

01:16:49Love.

01:16:49Come on.

01:16:57You won't have the nerve to sit here with me now, will you?

01:17:00But, Celia, I want to give you an explanation.

01:17:02Because it's a strange explanation, it's going to sound weird, but that's how it is.

01:17:05I come from Africa.

01:17:06Diego, look, I just don't care anymore, really.

01:17:08And if you don't mind, I'd prefer to end this conversation.

01:17:11Is it settled now?

01:17:15Look how he smiles at her.

01:17:16She wasn't expecting it.

01:17:17That's going to be my brother's magnet.

01:17:18How are you, Dario?

01:17:23How long?

01:17:24Diego, look, this is Darío.

01:17:26Ah, nice to meet you.

01:17:26Delighted.

01:17:27My husband.

01:17:34Husband.

01:17:34She said husband.

01:17:38Husband?

01:17:39Yes, husband.

01:17:40Husband.

01:17:41Well, daughter, yes.

01:17:42A genuine Dior.

01:17:43Look at it.

01:17:44Man, he's from New York.

01:17:46That says it all.

01:17:47Beautiful, isn't it, Chony?

01:17:48Yes, and it looks great.

01:17:49I must have cost you a fortune.

01:17:51Well, it was difficult.

01:17:52The truth is that it has been difficult for me.

01:17:53Yeah.

01:17:53But, daughter, if I don't give myself one more time, who's going to pamper herself?

01:17:56Say yes, daughter.

01:17:57And it's for life, too, right?

01:17:59Yes, that's right.

01:18:00Look, I have three good things, okay?

01:18:02Three.

01:18:02Just three.

01:18:03But they never go out of style.

01:18:05This one is beautiful.

01:18:05Woman, isn't it normal to pick up a smell from the barbecue?

01:18:08But, old man, please, think a little, maybe you've made a mess of things.

01:18:13And in Mexican slang, "husband" means something other than "husband."

01:18:16Maybe, I don't know, at some point a boyfriend or...

01:18:18Man, seriously, dude, how come...?

01:18:19But husband...

01:18:21Let's see, husband what?

01:18:22As a husband?

01:18:23Former husband or husband of the woman who got married this summer?

01:18:25Because how?

01:18:26As a husband?

01:18:26What, huh?

01:18:27Don't know.

01:18:28But husband, how?

01:18:29Don't know.

01:18:30It's there.

01:18:31Well.

01:18:32So, who wants a sweetheart?

01:18:34Sandritas, keep your hands still, okay?

01:18:35A little bag?

01:18:36No, thanks.

01:18:37No, Diego, it's because I'm a vegetarian.

01:18:39Ah, vegetarian.

01:18:39Yes, that's what they all say when they arrive at Santa Justa.

01:18:42And then, look...

01:18:43This is my grandfather's grave.

01:18:45Eat something, because we need to know you've eaten somewhere.

01:18:47You haven't become a vegetarian, have you?

01:18:48No, no, no, not me.

01:18:49Listen, Sardine, listen.

01:18:52The piglet is not meat.

01:18:54It's blood.

01:18:55Curdled pig's blood.

01:18:56It's not meat.

01:18:58Come in, come in, Satunga.

01:18:59How are you all?

01:19:01Come in.

01:19:02Nothing to...

01:19:03Hello.

01:19:03You invited yourself.

01:19:04How are you?

01:19:06What a surprise.

01:19:08I want to tell you, what a surprise when...

01:19:10It's pleasant.

01:19:11The surprise...

01:19:12Look how nice that I've brought you some pastries.

01:19:13Ah, very good.

01:19:14And a little wine.

01:19:14Very good.

01:19:15Should I leave it in the kitchen?

01:19:15Yes, but leave it.

01:19:19What is my dress?

01:19:22Don't tell me you have the same.

01:19:23No, honey, maybe not.

01:19:24This is mine.

01:19:26This?

01:19:26Hey, Mona, I'm sorry.

01:19:28Excuse me, but I made this one myself.

01:19:30What was I saying a moment ago, Doña Carmen?

01:19:33Yes, yes, yes.

01:19:34Yes, we were just talking about that.

01:19:36Man, I figured it out from a shady place.

01:19:38I think I got the 40 for myself, but you're telling me you want the same one.

01:19:41Well, I'll do it like this, just by eye.

01:19:43You who can have a size 42, 44.

01:19:45I'll do it for you and it'll stick in your mind.

01:19:47You want it less...

01:19:50And how has it turned out?

01:19:51It has failed.

01:19:52What are you going to do now, brother?

01:19:55Well, I don't know, Santi, I don't know.

01:19:57Well, yes, keep spinning aimlessly like the blades of a windmill.

01:20:03Damn, Sandocan.

01:20:04No, Dario grows up to be Celia's husband.

01:20:06The slutty uncle was there stark naked and Celia was doing the honors.

01:20:09Good morning.

01:20:10Is this child still there?

01:20:12Angelico, why doesn't he say you're his father?

01:20:14My father is leaving home tonight and he's feeling insecure and it's going to be a paradise of love.

01:20:19I don't!

01:20:20The mother who gave birth to me.

01:20:21Forest fruit.

01:20:22José Luis, shut up already, damn it, don't read me the leaflet.

01:20:24Bye bye.

01:20:25I would very much like to invite you to the presentation of my latest novel.

01:20:28And on top of that, he's a writer.

01:20:29It's not so bad that the husband came, because the husband is like an instruction manual.

01:20:32Well, it's all lost.

01:20:34Hey, does the word marriage ring a bell for you?

01:20:35But I don't understand what she sees in that.

01:20:37She's not pretty.

01:20:38This is it, you're not getting away with it, huh?

01:20:41And the doors.

01:20:42Hello.

01:20:43They're not laughing, come on, crazy traffickers.

01:20:46Excuse me, I'm sorry.

01:20:47That your husband can stay in the time of agafar.

01:20:49And as many showers as you need.

01:20:51There wouldn't be a cooler place.

01:20:53Don't be impressed, it's not that big of a deal.

01:20:56Diego, what are you doing here?

01:20:58Extiota!

01:20:59Let me think for a moment, damn it, let me think.

01:21:01Do what's coming up, Mom.

01:21:03I'll take care of the kid.

01:21:04The parents are the ones who have to take responsibility.

01:21:06You never bathe me!

01:21:08That I can't, that I'm not ready to be a father.

01:21:09Since they're not going to leave and throw it away, there's nothing there.

01:21:12What are you going to do?

01:21:12Come on, you're going to put the Castilian belt on me.

01:21:14I forbid them to do it.

01:21:15He forbids it.

01:21:15Sleep well, so they're not having good nights.

01:21:18What's happening?

01:21:18From the hospital?

01:21:19Is Dario there?

01:21:20Family of Darío, do you want it?

01:21:22Yes, yes.

01:21:23Just when I thought I was pregnant, I was about to walk out on social services.

01:21:27You know what I'm saying, Diego?

01:21:29This is as far as we've come.

01:21:38Subscribe to the channel!

Los Serrano - 7x01 - No sin mi hijo - HD 1080

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