- hace 2 días
Lucía y Diego planean las vacaciones de verano sin saber que a ella le tocará trabajar en el mes de julio. Cuando se entera, Lucía habla con Andrés y el resto de profesores para expresar su desacuerdo; el director del colegio le invita a tomar unas cañas para hablar de lo que se puede hacer y terminan en su casa cenando algo. Santiago ve salir a Lucía del piso de Andrés pero prefiere no comentarle nada a su hermano. Diego decide preparar una cena sorpresa a Lucía para celebrar que llevan dos meses casados. Tiene todo preparado pero su mujer tarda en llegar, supuestamente la reunión en el colegio se ha retrasado mucho. A la mañana siguiente Lucía se encuentra mal del estómago. Diego está muy tranquilo hasta que averigua que Andrés tiene los mismo síntomas que su mujer y es entonces cuando empieza a atar cabos. El equipo de fútbol de Santa Justa está en números rojos y a Santiago se le ocurre que podría ser una buena idea contar con unas animadoras como reclamo para llenar el campo. Marcos se compromete a solucionarlo y no deja que Raúl le eche una mano, sigue enfadado con él por la broma de la discográfica. A Yoli le gusta Valdano y Teté intercede para ayudarle a conquistarlo. Una obra de teatro que tienen que preparar en el colegio es la excusa para hacerle ir a casa de Lucía y Diego, donde Teté le hace un cambio de imagen a su amiga. Valdano adivina la maniobra de Teté y amenaza con marcharse de allí, por lo que tendrá que hacerle chantaje si quiere que se muestre interesado por Yoli.
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TVTranscripción
00:00:00A good Sunday at the Serrano's house has always meant two things: football and movies.
00:00:17But it turns out my new sisters like football less than Milas Aceles.
00:00:30When the girls go to the video store, they always pick those kissing movies that they don't let me watch.
00:01:00Don't mention meatballs or meatballs in batter, because when they go, they choose, and that's it.
00:01:06That's it, you said it, come on.
00:01:09Come on Eva, you're not getting away today, sweetheart.
00:01:15How are you?
00:01:16What mud, please?
00:01:21We're going to go, we're going to go, we're going to go, but that's moving.
00:01:26Say yes, blondie, say yes.
00:01:28Here we go again.
00:01:30Well, I'm going to shit on everything that moves, I'm going to shit on everything that moves, okay?
00:01:33Well, those guys are going to be there.
00:01:35Hey you, you idiot, what do you have to say to the blonde?
00:01:40What are you telling me, grandpa?
00:01:41Oh, what did he call me, grandpa?
00:01:44Be careful or I might come and punch you twice, you idiot.
00:01:46My father always says that Lucia is very pretty, but when others say it, especially the workers, he gets really angry.
00:01:55Then Marcos says the same thing as always.
00:01:57He's more Moorish than a lance in the belly, mate.
00:01:59I didn't understand before why they called him Moro, since he's from Guadalajara, but my brother Marcos told me that it means he's jealous.
00:02:08Perhaps that's why my father had such a bad time those days.
00:02:11My grandmother Carmen says that jealousy is the worst disease that exists for men.
00:02:16Get to work, let's see if Camilo opens his balls, I'm fed up with you guys, man.
00:02:20What are you telling me? Go inside, your pancake's burning.
00:02:23Go to hell! Go take a shit, man!
00:02:28Damn it! Damn it! Damn it!
00:02:31Couldn't you just kick my door in, Dad?
00:02:34Look, Dad, is that it? The metatarsus or the metacartio?
00:02:38And if it's neither of those, then it's Scooby.
00:02:40Will you shut up? What's wrong? Do you think you're an orthopedic surgeon?
00:02:42I prefer the gynecologist, but oh well.
00:02:46Turn on the station, under the blazing sun.
00:02:49You were talking about a skyscraper in the sky of New York.
00:02:53Come soon to see the sea, and send a postcard.
00:02:57I already knew that day was the end.
00:03:01Now I have much more.
00:03:04Red, black, stop and a pair. Finally, luck brings an ace and a crystal to look through.
00:03:10And a wall to hang it on.
00:03:12Seven smiling faces in a passport photo.
00:03:15My stories were not about tales made by chance.
00:03:22Nobody told me that destiny was giving me this opportunity.
00:03:29One plus one equals seven.
00:03:32Who would have thought?
00:03:34It was so easy to be happy.
00:03:40Come on, men! Into the pot! Everyone into the pot! Let's go!
00:03:55Come on!
00:03:56Okay, go ahead, go ahead!
00:04:00Come on, you pest!
00:04:02Cress yourself!
00:04:05Hit it with your arms!
00:04:07Okay, fuck it!
00:04:08What are you looking at? What are you looking at? Clever! You're so clever! You fell for it, you wretch!
00:04:18I hate everything she wears!
00:04:19Come on, guys!
00:04:21Okay, fine, time for a shower!
00:04:23This is awesome!
00:04:24Great job, Raúl! Come on! Let's go!
00:04:26Time for a shower!
00:04:27Good job, Salas! Very good!
00:04:28Well, I haven't played!
00:04:29You played, I didn't play!
00:04:30You all did great! What you could! Very good! Come on, lads! Inside! Let's go!
00:04:36You've done what you could! You've done what you could!
00:04:39Fuck!
00:04:40Your brother is a positive guy, huh?
00:04:42And on top of that, look, not even God has come today.
00:04:44The downpour is coming...
00:04:46Yes, Santiago, whatever arasolana you want.
00:04:48But we haven't won four games in a row. Four.
00:04:51No, no, because we're last in the standings, you know?
00:04:54And what's more, it's in the red, take that.
00:04:56What are you saying, Andrés?
00:04:58Santiago, we have been without income for five months.
00:05:01I remind you that you were the one who wanted to run for president.
00:05:04Where are your promises? Where are the new boots?
00:05:07Training on grass fields? Where's the grass?
00:05:10Are we ruining our knees with this Varena shit?
00:05:13Well, maybe by the end of the season, I don't know.
00:05:16What season or what nonsense, you don't get it.
00:05:19The bank hasn't turned off the tap.
00:05:20Should we give you money or...?
00:05:22Hey?
00:05:23He's the guy I don't have right now...
00:05:24I don't have a penny.
00:05:26What needs to be done here...
00:05:27What we need to do is put on a show, damn it.
00:05:30A brass band.
00:05:32Something cheerful, like that, because that's what you like, damn it.
00:05:36Do you like that?
00:05:37Sure, Santiago.
00:05:38If putting on a show is what's needed to revive the team.
00:05:41We need marketing, creativity.
00:05:43Either we fill the stadium or Santa Justa disappears.
00:05:46Have you heard it?
00:05:51It's because I can't see.
00:05:52Let's put on a show.
00:05:54What do you want?
00:05:54Should we bring the lions of Angel Cristo?
00:05:56What if I am the Virgin of Lourdes?
00:05:58Well, a wig and a cloak, I'm not saying no to you.
00:06:02No, no, no, no.
00:06:03No, no, no, no.
00:06:03Stop spitting on my pimpada.
00:06:05Milk.
00:06:11Marcos.
00:06:12Marcos.
00:06:15Marcos.
00:06:20Close your eyes.
00:06:23No, Eva, what about...
00:06:24So, that's what...
00:06:24Close your eyes.
00:06:26Oh, no.
00:06:27Already.
00:06:30What's happening?
00:06:31Open.
00:06:34This.
00:06:36This is a record label that...
00:06:37to whom I sent the model.
00:06:39Open it.
00:06:41This isn't another one of your jokes about Raúl, is it?
00:06:43Marcos, please.
00:06:46Maybe it's a million dollar check because they liked the work and all, right?
00:06:49Let's see what happens.
00:06:53Dear Marcos, we have heard your interesting work,
00:06:55But we have to tell you that at the moment it doesn't fit into our production line.
00:07:00In other words, they didn't like it.
00:07:08It's okay, it's normal that these people, well, it's difficult.
00:07:14At least they've listened to the demo, because my demos have to reach a ton of people.
00:07:17Hey, hey, hey, calm down, okay?
00:07:20I love your music.
00:07:22AND...
00:07:23Hey, don't get upset, please.
00:07:25I'm not well.
00:07:27If there's anything I can do, anything at all, just let me know.
00:07:29Okay.
00:07:30Okay.
00:07:30Hey, Lucia, Lucia, there's something I wanted to tell you.
00:07:50No, it's strange that the morning is a bit chilly, isn't it?
00:07:55And, hey, the girls aren't going a little bit, a little bit, how should I say it?
00:08:00But what are you telling me?
00:08:03No, man, no.
00:08:03What I mean is, they look really pretty and cute for going out on the street, right?
00:08:08But they don't wear short skirts to school.
00:08:11I'm asking, huh?
00:08:11No.
00:08:12Beware, the Moor Muza is attacking again.
00:08:14They're delicious, Diego, stop talking nonsense.
00:08:16No, no, man, that's not it, that's not it.
00:08:18But, of course, I get the impression that, well, since they're doing so well, they're going to hire all the workers who are out on the street and even more people.
00:08:24And it's not your fault, I mean, it's theirs.
00:08:25I mean, come on, they don't exactly blame us for them.
00:08:27No, the point of the story is that it's summer and there's blood, well, you know.
00:08:30And the guys are really horny, Lucia.
00:08:32Very stale.
00:08:33Very stale.
00:08:34Okay, okay, okay, no, yes.
00:08:36I see that the little skirts are a trademark of ours.
00:08:38In the end.
00:08:39The limes of Vila.
00:08:41So, I understand, I won't say anything.
00:08:44I understand, yes.
00:08:47I understand.
00:08:47He's a Moor, he's a Moor.
00:08:49He is a Moor.
00:08:52One more thing, one more very important thing.
00:08:53Okay, let's go.
00:08:54Thank you, I'm beautiful.
00:08:56About the holidays.
00:08:59Julio is still around, right?
00:09:00Ah, yes, yes, yes, yes.
00:09:01I've spoken to Andrés and he's already told me there's no problem.
00:09:03How cool!
00:09:05Julio to his father's town.
00:09:07You'll see how cool it is.
00:09:09It's a small town that's right next door, in Guadalajara.
00:09:11We always go for the festivities and there, well, you know, there's a street party, bullfights with flaming horns, and fireworks.
00:09:17But the cutest thing is running after the chickens.
00:09:19But we weren't going to Florence.
00:09:21Woman, able to run after the chickens.
00:09:24Hey, what about the beach?
00:09:27What do you think of the beach?
00:09:28Could we go to Salou?
00:09:30Well, we'll see.
00:09:31We'll see about the beach.
00:09:33Curro, Curro, don't put all that in your mouth, you're going to choke.
00:09:36Work, work, do a favor.
00:09:37You might have a heart attack.
00:09:38Curro, yes.
00:09:38Go ahead, spit it out.
00:09:39Spit it out.
00:09:39Spit it out.
00:09:40No, you put it inside me too.
00:09:41Also because it's about stocks, you know?
00:09:49Thank you.
00:09:50Vellido, José María?
00:09:51That's great for you there, northerners.
00:09:54Oh, fuck!
00:09:56José María, a little faster, come on.
00:09:58Let's see.
00:10:00The rivers are not located here.
00:10:02It's summer, there's a drought, miss.
00:10:04Very well, thank you, miss, northerners.
00:10:07Let's see.
00:10:08Matías...
00:10:09Hey...
00:10:10Matías.
00:10:12You haven't delivered a single map all year.
00:10:14Yes, but...
00:10:15He admits that this whole map thing is nonsense.
00:10:17Besides, with how the international landscape is changing...
00:10:19Now I myself could say more.
00:10:21I could swear that 70 to 80% of what he says...
00:10:23Okay, Matías, whatever you want.
00:10:24But let me tell you something.
00:10:25If you don't hand in the maps, you're suspended from now until the end of the course.
00:10:28Is that clear?
00:10:31Yeah?
00:10:32Hello, Maria Luisa.
00:10:34Look, she had a bit of a stiff neck and I had to take her to the doctor.
00:10:37Don't worry.
00:10:38There's a little kiss coming up next, darling.
00:10:40Remember, you don't have to move around much, okay?
00:10:42And you, José María, make the most of your time.
00:10:45Zenutrio.
00:10:47Come on!
00:10:47Come on!
00:10:48Come on!
00:10:48Come on, thanks!
00:10:50Come on!
00:10:52Okay, guys, fine.
00:10:54Guys!
00:10:55Silence!
00:10:58Thank you.
00:10:59Thank you so much.
00:11:00Well, as you all know, the last block of art education...
00:11:03It is dramatization.
00:11:05And I have chosen this novel by Victor Hugo, Notre Dame de Paris, which you all know as The Hunchback of Notre Dame.
00:11:10And this is the one we're going to do.
00:11:14I knew you'd like it.
00:11:16Okay, so who wants to play the hunchback?
00:11:19Yoli!
00:11:23Yoli!
00:11:24Yoli!
00:11:25Yoli!
00:11:26Yoli!
00:11:27Okay, okay, okay!
00:11:28Cheer us up!
00:11:29Yoli!
00:11:30Take it easy.
00:11:31Yoli, I mean, Yolanda, is a woman and cannot play a hunchback, because the hunchback is a man.
00:11:36But that's sexism, miss!
00:11:37That's sexism!
00:11:39Sexism!
00:11:40Please!
00:11:40Sexism!
00:11:41Sexism!
00:11:42Sexism!
00:11:43Sexism!
00:11:44Enough!
00:11:45Enough!
00:11:46Sexism!
00:11:46Enough!
00:11:48Phenomenal!
00:11:48I love it.
00:11:49I have a class of committed boys.
00:11:51Great.
00:11:52And none of us want to be called sexist, right?
00:11:55Matías, you're going to play Esmeralda.
00:11:57So, is there anyone who wants to play Quasimoda?
00:12:06Come on, girls.
00:12:11I'm from Quasimoda, miss.
00:12:13Very good.
00:12:14But just as I can be the protagonist of something.
00:12:17Guys, okay.
00:12:18At least we've resolved one thing quickly.
00:12:20We already have Matías, who is Esmeraldo, and Yoli, who is Quasimoda.
00:12:24And you're going to read all of this, okay?
00:12:25Uh, balano, Yoli, balano, Yoli!
00:12:29Santi, Santi, where have you put the sea bream?
00:12:32There, under the bat's lid.
00:12:34Where am I going to put it, man?
00:12:35In the fridge!
00:12:37Oh ok.
00:12:38Fuck.
00:12:39Little sea bream or family passion.
00:12:40You're stuck-up, man.
00:12:41No, Fiti, that's not it.
00:12:44We got married two months ago and I'm preparing a surprise dinner for Lucia.
00:12:47With candles and everything, huh?
00:12:49Look at him, man.
00:12:49More romantic than a gray-haired courtship.
00:12:51Tiago, one morcón and two Iberian pork loin.
00:12:53What beautiful things are coming through the door right now.
00:12:57Let's get along, it's only two days.
00:12:59Look!
00:12:59Boom, bang, bang, bang!
00:13:01We love summer.
00:13:04Look at her, look at her, look at her.
00:13:05It's about to burst, isn't it?
00:13:07Pay attention to the brunette's thighs.
00:13:09I spent all Sunday afternoon clinging there, like an ant.
00:13:12Hey, Fiti, man, what the hell is wrong with you guys?
00:13:16A little respect, for God's sake.
00:13:18A little respect, please; we're talking about women, not cattle.
00:13:21Not livestock.
00:13:21Long live my old lady, then.
00:13:23Well, this narrow-mindedness isn't happening now, as I heard him blurt out at the Santa Justa festival.
00:13:27But anyway, the Santa Justa festival is one thing and this is something else entirely.
00:13:31This is my tavern.
00:13:32And here, respect is shown and it's kept in the form, okay?
00:13:35In other words, that's it.
00:13:35Wow!
00:13:36Of course, with so much hormones raging, how could people not go to two games?
00:13:41Man, there's no color, huh?
00:13:42Between seeing the chicken mussels that are on the street now and seeing the chicken mules from Santa Justa, frankly.
00:13:47I'm leaving right now.
00:13:48Let's go.
00:13:49And you don't even score goals.
00:13:50You don't score goals.
00:13:51No goals, if only there were some women...
00:13:57One of my scripts isn't available, but oh well, we'll do what we can.
00:14:08Hey!
00:14:09I know what we have to do.
00:14:12American cheerleaders.
00:14:13Yes, man, hot chicks, in miniskirts, shaking their hips, wearing t-shirts two sizes too small, with pom-poms.
00:14:18Let's go!
00:14:20Marcos, creativity, showmanship, marketing.
00:14:23We need to launch a campaign and alert the media.
00:14:25Yes, but, but, but, it's impossible by the day after tomorrow.
00:14:28Yes, man, yes, if you and I get together, I don't know if it'll be because of girls, Marcos.
00:14:31Of course, aunts, good aunts, with their curves and plenty of cleavage.
00:14:35Of course, man, you can't be seen without us finding it.
00:14:37Yes, yes, well, I don't find anything with you.
00:14:38As?
00:14:39Two is better than one.
00:14:41Marcos, if people don't come to the field, we'll close the club.
00:14:44Okay, fine, I'll take care of it.
00:14:45But, but only.
00:14:48What's wrong with him?
00:14:49Nothing, I just played a little joke on him about the music and he hasn't gotten over it.
00:14:54Serrano, because I am very, very resentful.
00:14:57Hey, what's this about the cheerleaders?
00:15:00Can it be in Torles?
00:15:02Damn, wow.
00:15:03The other day I saw a movie about a car wash where the women who cleaned cars went to Torles.
00:15:07and they had a ton of customers.
00:15:10I don't know, it seems fine to me.
00:15:11But maybe something a little softer, right?
00:15:14Dad.
00:15:17That's what it means to not have a fucking clue, man.
00:15:22Okay, guys, pay attention.
00:15:23Let's finalize the distribution of roles, okay?
00:15:25Then, as he calls us by name, you will stand up.
00:15:28Okay, Yoli.
00:15:29That?
00:15:30You'll be a quasi-fashionable one.
00:15:35Matías.
00:15:36From Esmeraldo.
00:15:37Tete, you will be the captain of the army.
00:15:44Bellido, you will play the archbishop, okay?
00:15:48Well, you can go ahead and rent the Rapel tunic.
00:15:52Okay, guys, quiet.
00:15:55Lucia, one thing.
00:15:57Well, I consider it an honor that you thought of me for the lead role in this great work.
00:16:04But...
00:16:04What, Matias?
00:16:05Is something wrong?
00:16:06Does this last one chance?
00:16:07But you have stopped looking at an opportunity.
00:16:11No, it's just that at the end it says...
00:16:14That...
00:16:14Do you have any problems with the ending of the play?
00:16:17The thing is...
00:16:18Hey?
00:16:19I don't kiss Yoli.
00:16:21Hey Matías, turn around and apologize to Yoli right now.
00:16:24Forgive me, Soli.
00:16:33Okay guys, we'll continue with the rehearsal tomorrow, alright?
00:16:36Did you see that Dulce apologized to me?
00:16:46Forgive me, Yoli.
00:16:48Soli.
00:16:49Did you like anal sex?
00:16:50No, but like, no way, girl, you're drooling.
00:16:57Well, yes, I like it a little, but I don't let anyone else have it.
00:17:01Yeah.
00:17:01But I did get a snack, didn't I?
00:17:03What am I going to say to him?
00:17:05I have nothing to do.
00:17:07He would never notice something like me.
00:17:12Where?
00:17:13What's that?
00:17:14The daughter of the foam always came.
00:17:18To battles of love.
00:17:20Feather field, miss.
00:17:22Very intense.
00:17:23You can sit in rooms.
00:17:24Relax, okay?
00:17:25Martina de Blanco, Raúl.
00:17:27What rhetorical figure has Góngora been using?
00:17:30Mom, it's still me.
00:17:31Mom, no, Candela.
00:17:33So, what rhetorical figure has Góngora been using?
00:17:37Which figure of speech?
00:17:39Oh, Raúl, don't waste my time.
00:17:40You have a zero.
00:17:42Okay, let's see.
00:17:43Candela, Candela.
00:17:43Yeah.
00:17:44Can I say one thing, since the class is ending?
00:17:47Well.
00:17:48That...
00:17:49Let's see...
00:17:50We play the day after tomorrow.
00:17:53Look, Santa Justa is playing its last game of the season and...
00:17:56And if no one comes, well...
00:17:58They might close the club.
00:18:00So...
00:18:01Need...
00:18:02Cheerleaders.
00:18:06Well, that's what fans are all about, isn't it?
00:18:07For...
00:18:08Okay, we need to get a group of people together...
00:18:10We need cheerleaders for the team.
00:18:15Ah, yes, I like it.
00:18:16And that interests me.
00:18:17That...
00:18:17If anyone is interested, then...
00:18:20What I've put...
00:18:21I've put my phone number here.
00:18:24Let's see.
00:18:24No, don't get discouraged, okay?
00:18:27Marcos.
00:18:28Leadership is your thing.
00:18:31Marcos, who...
00:18:33I can lend you a hand.
00:18:34Eve.
00:18:43Eve.
00:18:44Yeah.
00:18:44That...
00:18:45What I want is...
00:18:47I want you to be...
00:18:48Well, one of the cheerleaders.
00:18:51I...
00:18:51You told me to ask you for anything, right?
00:18:54Yes, Marcos, but...
00:18:55But what?
00:18:56Were you bluffing?
00:18:58I'm not bluffing, but...
00:19:00Come on, you see me with some pom-poms jumping around, cheering on your team.
00:19:04Oh, really?
00:19:06Hey?
00:19:07Well, honey, I'm sorry, but we women are more than just a piece of meat, I don't know.
00:19:11If you want a show, why don't you play in thongs, for example?
00:19:15No?
00:19:17How funny.
00:19:18Hey, Marcos.
00:19:20I can help you.
00:19:23I can tell my cousins and I'm sure they'll join.
00:19:27Your cousins?
00:19:30Hi, Dad.
00:19:31How are you?
00:19:33Wow, you smell great!
00:19:34He's not an uncle, your father is a clean, tidy, and smelly uncle.
00:19:38Hey, which one do you like more?
00:19:39The other one.
00:19:40Okay.
00:19:41What's happening?
00:19:42Do you have a date with a girl or what?
00:19:44Yes, I haven't told you.
00:19:46I'll take the baker.
00:19:48Don't joke with me.
00:19:50I'm preparing an intimate dinner with Lucia.
00:19:52By?
00:19:53Because it's a very special occasion.
00:19:55We got married two months ago.
00:19:56Well, this one's better, isn't it?
00:20:00Hey, do you think your dad is a more attractive guy?
00:20:04Yeah.
00:20:05Handsome, attractive, fragrant.
00:20:08Very good, very good.
00:20:09Let's come.
00:20:11What's wrong, mother-in-law?
00:20:13Just spying a little?
00:20:14What things do you have, Diego?
00:20:15No.
00:20:16The laundry?
00:20:17I ironed it.
00:20:18Already.
00:20:19Of course, men in skirts.
00:20:20To the Scots.
00:20:21They are incredibly attractive.
00:20:23Do you remind me of Sim Connery?
00:20:30Do you have any further questions regarding the evaluation dates?
00:20:32No.
00:20:33One second, one second, one second.
00:20:35Oh please, Andrés, we've been here for more than two hours and this place has less ventilation.
00:20:38that in the Ollogui cave, huh?
00:20:39Yes, there's one last thing.
00:20:41We need five teachers to give the support classes in July.
00:20:43Volunteers?
00:20:44See you later.
00:20:45See you later.
00:20:46One, two, three, four.
00:20:48Is no one else short of money this year?
00:20:50Well, I'm glad to hear that this school pays so well.
00:20:53Well then, you, Lucia.
00:20:55I?
00:20:57But I told you no, Andrés.
00:20:58Yes, honey, but you arrived last and he doesn't have to make a toast, right?
00:21:01But I told you I was going to take Julio.
00:21:03I'm sorry, Lucia.
00:21:04Damn, Andrés, I find that unprofessional.
00:21:06I already have my vacation organized with my family.
00:21:08Yes, but everyone here has a family, and it's always been this way.
00:21:10No, great, really, great.
00:21:11I love finding out when I have everything organized.
00:21:13Thanks for messing things up.
00:21:15That's just how it is.
00:21:17Bye bye.
00:21:20Hey, Lucia, Lucia, Lucia, wait.
00:21:22Look, let me see how I can sort out this July vacation thing, okay?
00:21:26Sure, it's okay.
00:21:29And I'm sorry about that, but I had everything organized and it's...
00:21:32Look, let's go have a few beers and see what we can do, shall we?
00:21:36Okay, great.
00:21:37Come on, let's go.
00:21:43Happens.
00:21:47Two minutes and we'll leave, okay?
00:21:48Okay.
00:21:49I just can't stand this uniform anymore.
00:21:51I believe you.
00:21:51Sit down, sit down.
00:22:10Hey, I was thinking that since we're here we should have a drink, right?
00:22:13No, really, Andrés, don't bother, no...
00:22:15Do you like Russian salad?
00:22:17Potato salad?
00:22:18Uh-huh.
00:22:19Yeah.
00:22:19But don't get confused, it's very late and I have to get home.
00:22:23You're not leaving here without trying my mother's Russian salad.
00:22:26Exquisite.
00:22:26Besides, I suppose Candela already told you.
00:22:28That?
00:22:28That's the least I can do after the dirty trick I played on you.
00:22:32From the shitty stuff?
00:22:33Okay, Andrés, you don't need to repeat it to me again, he's already been through enough embarrassment.
00:22:37AND...
00:22:38And besides, I have a point.
00:22:39Or not?
00:22:39Okay, fine, I won't repeat it to you again.
00:22:42I mean, I also like women like that, with character.
00:22:45Hey, what are you doing there?
00:22:45Sit down, okay?
00:22:46Get comfortable.
00:22:46Come on.
00:22:53This is alcohol.
00:22:54They lift me up, we sausages.
00:22:56I prefer sausages.
00:22:59Well, let's just stay still, okay?
00:23:00Hurry up, Lucia and I have to have dinner.
00:23:02Let's see how the little sea bream is doing.
00:23:05Goes.
00:23:06I'll just get on this one and that's it.
00:23:07But what's going to happen, son-in-law?
00:23:08Ah, this one I'm getting on will be a rush.
00:23:12You need to turn down the heat, otherwise it's going to end up burnt on the outside and raw on the inside.
00:23:17Leave it, leave it to me, you'll be terribly liked.
00:23:20You'll put out the new dishes, won't you?
00:23:22Yes, yes, yes.
00:23:23And a tablecloth?
00:23:24Man, tablecloth too, yes.
00:23:25Hello good.
00:23:26Hey kid, how's the cheerleader thing going?
00:23:30Good.
00:23:31Well, here are the uniforms.
00:23:33Pretty, aren't they?
00:23:34Yes sir.
00:23:35As well as elegant, yes.
00:23:37A very fine touch.
00:23:38I got it from a sex shop.
00:23:39Is it one of those you eat?
00:23:40What's that?
00:23:41What the hell.
00:23:42This is what's in style now.
00:23:44Transparent, modern colors.
00:23:46Hey?
00:23:46No, Diego?
00:23:47Look, Santiago, leave me alone for the milk.
00:23:49I've already told you that I think cheerleaders are a load of rubbish and a pigsty.
00:23:54Where are you going with these little candles, man?
00:23:56That?
00:23:56Where are you going?
00:23:57That?
00:23:57So much romanticism, you're being an idiot.
00:24:00Okay, okay, okay.
00:24:02Okay, I'm going to the printing press to pick up the posters.
00:24:05He cured, he cured, son, swallow.
00:24:08These children shouldn't be in bed already.
00:24:10No.
00:24:11Yeah.
00:24:11Yeah.
00:24:11Guille, do me a favor.
00:24:12Come on, everyone up.
00:24:13Come on, let's go.
00:24:14Fast.
00:24:16I'm telling you, poor Lucia, working until these hours.
00:24:19Yes, it's because it's on the evaluation board, on the evaluation board.
00:24:21Okay, for God's sake.
00:24:22That.
00:24:22Oh, look, if you go for herbs.
00:24:25But grab a candlestick, okay?
00:24:26Yes, yes, don't judge me with that face, because then there's no one who can remove the wax.
00:24:30Carmen.
00:24:31Sorry.
00:24:38Come on, you were a real ladies' man in the gang.
00:24:41Come on, please, don't exaggerate.
00:24:42Don't exaggerate.
00:24:43You had Carbonilla, Javi the Fireman, Diego and me in the boat.
00:24:50Well, look, without even realizing it, I'm eating my fill in Saladilla.
00:24:54Come on, you're cutting yourself.
00:24:56How funny.
00:24:59Okay, let's talk about the holidays.
00:25:01Okay, let's study the calendar, but with a glass of cava.
00:25:04Where did you say you were going?
00:25:06Well, the truth is that I still don't know.
00:25:08Can you go to that place where we went camping with the gang, remember?
00:25:12Ah, Toledo.
00:25:13Toledo.
00:25:13Oh no, how awful.
00:25:15We had a good time, huh?
00:25:17The truth is, yes.
00:25:17What would have happened?
00:25:23What would have happened?
00:25:25What would have happened if we had let things happen as they were meant to?
00:25:31But it didn't happen.
00:25:35I'm going to Casandrés because it's very late and I'm sure they're waiting for me.
00:25:39So we'll talk about the holidays tomorrow, okay?
00:25:42Don't you want to finish?
00:25:43That it was in the really good saladilla.
00:25:47You tell that to your mother, okay?
00:25:48Okay.
00:26:10Yes, Diego.
00:26:10Hey, honey, I'll be there in five minutes, okay?
00:26:14Come on, a kiss.
00:26:16See you later.
00:26:17Wait, wait, wait, wait.
00:26:40Oh my God, what's this?
00:27:01This?
00:27:02Ah, this, no, nothing, nothing.
00:27:04I've heard that some people here in the neighborhood are celebrating their second month of marriage.
00:27:08Damn, but there's a Valor kiss, look how curious, man.
00:27:14Milk, a small bottle of ice-cold white wine, eh?
00:27:18But, but, Diego, you should have told me, you haven't told me anything.
00:27:21Ah, careful, careful.
00:27:23In the manual of the perfect seducer, on page 38, they say that surprises have to surprise.
00:27:27In other words, surprises are not announced.
00:27:29In other words, there's no need to announce the surprises.
00:27:31Okay, but it's a little late, I don't know, poor thing, you've been here waiting all this time alone.
00:27:35But don't worry, darling, that's the thing about Valorno sea bream, two hours and it's just right.
00:27:40Say something to the little sea bream.
00:27:42Yeah.
00:27:42Hello, little sea bream, how are you? Are you well cooked?
00:27:46And it looks great.
00:27:50It's the specialty of the chef from the mountains.
00:27:52Come on, sit down, sit down and you'll get something.
00:27:54Well no.
00:27:55Well, I mean, yes, what I have is a hole in my stomach that...
00:27:59Come on, a toast.
00:28:03Come on, let's make a toast.
00:28:05For us.
00:28:13For us.
00:28:18Okay, and what about Andrés?
00:28:22What about what?
00:28:23Damn, I had it until now at school.
00:28:26Yes of course.
00:28:27You can't imagine how long the evaluation meetings take.
00:28:30TRUE?
00:28:31No, I see.
00:28:32They last longer than the plans for Congress.
00:28:34You know what I'm saying?
00:28:36I'm going to have a few words with Andrés, because lately I've been getting the impression that...
00:28:40It's getting a little too intense.
00:28:44Come on, let's attack the sea bream.
00:28:46Come on?
00:28:47Come on.
00:28:47Come on.
00:28:47Dad, get up, all the alarm clocks have already gone off.
00:29:06Come on, please, no, give me five more minutes, man.
00:29:09But, Dad, the boys are in the bathroom and I need to pee.
00:29:12Well, come into ours, man, come into ours.
00:29:17Lucia, are you okay?
00:29:19Yes, I'm leaving now.
00:29:22Are you OK?
00:29:22Okay, okay.
00:29:29Yes, the night of pain passes.
00:29:31The night of the bath.
00:29:33Well, girl, I haven't heard anything, okay?
00:29:37It was as if you couldn't tell if you were dreaming or dying.
00:29:40Is this the night of pain, Lucia?
00:29:42Nothing, it's just that Lucia has a bit of a tummy ache, but you weren't peeing.
00:29:46Okay, go to the bathroom, Lucia, go to the bathroom.
00:29:48What do we do? Do we go to the doctor?
00:29:53And how could this have happened?
00:29:55The sea bream was definitely very fresh.
00:29:58And what was happening yesterday afternoon?
00:30:03No, not at school.
00:30:07Lucia.
00:30:09Hello.
00:30:09Good morning.
00:30:10Let's see, can you tell me why you're still doing this?
00:30:13Dad, like every morning, the girls have barricaded themselves in the bathroom.
00:30:16Why don't you open yours to the public? Go on.
00:30:23And so?
00:30:24Don't you hear me, Lucia?
00:30:26What happened on the night of pain?
00:30:28He's leaving for free.
00:30:31Okay, okay, come on, do me a favor, come on, finish getting dressed and off to school, it's very late.
00:30:35And without showering, Dad?
00:30:36Yes, go ahead and shower us, because showering us for one day won't hurt.
00:30:39Come on, to the door.
00:30:41Come on, come on.
00:30:42Lucia, darling.
00:30:43Hold on, I'm coming, hold on.
00:30:46And am I not a monster?
00:30:48No, Cosimoda.
00:30:49You're not a monster.
00:30:50You are a very beautiful salt.
00:30:52If you could see yourself as I see you.
00:30:54I love you.
00:30:55But, but, but shut up, you're crazy.
00:31:14I was going to walk it.
00:31:14Not only that!
00:31:15Okay, okay.
00:31:16No, no, no.
00:31:16Go away!
00:31:19Guys, okay, please.
00:31:21Can you tell me what's wrong?
00:31:23Matías, is it just a kiss?
00:31:24Yes, but they definitely saw my whole mouth.
00:31:26It was already stated in the text.
00:31:27Okay, that's fine.
00:31:28Hey, just a moment.
00:31:29I'll back off for a moment, okay?
00:31:36What a shame!
00:31:37I shouldn't have kissed him.
00:31:39I should have hugged him alone.
00:31:40But as it said in the text...
00:31:42Well, don't worry, you've done what you had to do, but the thing is, Valdana is a bit of a fool.
00:31:47He's not stupid, she just doesn't like it.
00:31:52Wait, I'm thinking of a message.
00:31:54Oh, really?
00:31:57Valdana?
00:31:58Hey, we'll continue rehearsals at my house this afternoon, okay?
00:32:01Huh? No.
00:32:03When school hours are over, free time is mine.
00:32:07Well, it's up to you, but my mother is starting to dislike you a bit.
00:32:10Ah, well, then I'll go.
00:32:21I'm going to make you the queen of this school, because you'll see, this afternoon is a party, if we tell everyone, Valdana will eat out of your hand, you'll see.
00:32:33Oh, Marcos, Marcos, Marcos, Marcos, Marcos, my cousins are finishing getting dressed, I'll introduce them to you now.
00:32:39Well, they're extremely nervous.
00:32:41Okay, Fergie.
00:32:50No, he's not very attractive, is he?
00:32:53Don't worry, they look so much better with makeup.
00:32:56Hello good.
00:33:03Hello good.
00:33:04Where, girls?
00:33:05How are you?
00:33:06Has the photographer arrived?
00:33:07Well, it's time you introduced me to those beauties.
00:33:11To the girls.
00:33:12Clear.
00:33:13Is something wrong, Marcos?
00:33:14Come on, introduce them to me.
00:33:15How are you?
00:33:15How are you?
00:33:17Yeah.
00:33:18Well, that's it.
00:33:26But who are those ugly girls?
00:33:29Don't worry, Uncle Sandy, they're very nice.
00:33:31But what do you mean, "nice"?
00:33:32They didn't come here to tell jokes, they have to show off their looks.
00:33:34They look so much better with makeup.
00:33:37Come on, they're winning by a hair.
00:33:38But what glue?
00:33:38We're going to get a beating if we take that out.
00:33:40They're going to think we're presenting the Russian circus.
00:33:42Okay, so what do we do?
00:33:43What do we do?
00:33:45Thank you, a squid sandwich, huh?
00:33:47And they should go home.
00:33:48How are we going to tell him that?
00:33:49Since they've come, I don't know, maybe they should take three or four photos of them.
00:33:52Well, let them throw them away.
00:33:54Opa.
00:33:55And find me professionals.
00:33:58Professionals.
00:34:01Prostitutes.
00:34:01But what prostitutes?
00:34:02Gymnasts, dancers, souber...
00:34:06I don't know, all I've found is...
00:34:09Don't tell me stories.
00:34:11You promised yourself something before, and you have to keep your word.
00:34:14We are?
00:34:18Hello good.
00:34:19Santiago.
00:34:30Hello.
00:34:32What's wrong, José?
00:34:32Can I help you with the bottle of snacks?
00:34:33No, no, you don't regret it at all.
00:34:34Sofe, will you always be with me?
00:34:36Coffee ready?
00:34:37Ah, sow it, it's coming, I'm a bit busy.
00:34:38Yes, Lucia.
00:34:41Hey, yes, no, it's me.
00:34:43Hey, one...
00:34:44That?
00:34:45Better.
00:34:46Yes, yes, yes.
00:34:46See you later.
00:34:46See you later.
00:34:48Have you gone to the bathroom again?
00:34:50That?
00:34:50That?
00:34:51Five times?
00:34:52Look, no, listen to me, Lucia, please listen to me.
00:34:55Let's call the doctor, okay?
00:34:56You might get dehydrated and...
00:34:59Okay, fine, I'll be there later, come on.
00:35:01I'll call you.
00:35:02A kiss.
00:35:03See you later.
00:35:03He told you there.
00:35:09She's still at large.
00:35:10Of course, then, a terrible burden; apparently, he's taken something that hasn't agreed with him.
00:35:14That's going to be salmonellosis.
00:35:16I caught it with mayonnaise, you wouldn't believe it.
00:35:18I'd fall asleep, get a stomach cramp, and shit myself from the kicks, you know.
00:35:21Sarmonerosis?
00:35:21What salmonellosis?
00:35:22What salmonellosis?
00:35:23I mean, we had sea bream yesterday, right?
00:35:24This is a problem of nerves in the stomach, stress, overwork.
00:35:28Because, by the way, Fiti, they arrived at the same time after the evaluation meeting.
00:35:33Like I said, Candela arrived home at nine thirty.
00:35:35Nine thirty.
00:35:37What do you mean, at nine thirty?
00:35:39Are you sure he arrived at nine thirty?
00:35:41Well, yes.
00:35:43Come on, sports hadn't even started in the news yet, more or less.
00:35:46By?
00:35:48No, no, not at all.
00:35:49No, no, Lucía arrived at half past eleven, more or less.
00:35:54Fuck.
00:35:55Yeah.
00:35:58So what?
00:36:03Each one would arrive at a different time.
00:36:06Sure, sure, but that's what it will be, yes.
00:36:14He's lying to her.
00:36:15Lucia is lying to him.
00:36:18He was not at school at that time.
00:36:21He wasn't there, damn it.
00:36:22He wasn't there.
00:36:22What are you saying?
00:36:24Last night I was going to the printing press.
00:36:26What bad luck, damn it.
00:36:27But why would I go there?
00:36:29It would be eleven fifteen.
00:36:31And I saw Lucia on Rosal Street.
00:36:34Rosal Street?
00:36:36Is that where my brother-in-law Andrés lived?
00:36:37That's it.
00:36:38I saw her come out of her doorway.
00:36:40The mother who gave birth to her.
00:36:42What would he be doing?
00:36:43What would he be doing?
00:36:44How dangerous, huh?
00:36:45Mother, in the nest of the male vulture.
00:36:48What a mess.
00:36:49What are you thinking?
00:36:51Santiago.
00:36:53But no, man, no.
00:36:55Viviana, for work-related matters, documents.
00:37:00Secret documents.
00:37:02Don't put eggs in there.
00:37:03Don't put eggs in there.
00:37:04Now that I think about it, you were so happy.
00:37:12What are we going to do?
00:37:14What are we going to do?
00:37:15Nothing.
00:37:17Fuck.
00:37:18You could have chosen not to go there.
00:37:20Hey, and you wouldn't have seen it.
00:37:22So that's it.
00:37:23It's over.
00:37:24Don't overthink it.
00:37:24He's putting them on.
00:37:31Damn it.
00:37:33He's putting them on.
00:37:35What are you going to dress me in, Tete?
00:37:37That I have very little chance.
00:37:39Look, you trust me.
00:37:40I'll live with you if I know your tastes.
00:37:43I'm going to put something, then, that will benefit you.
00:37:46Look your best, come on.
00:37:48Eye-catching?
00:37:49It's just that if I'm too visible, it's worse for me.
00:37:51Come on, sit down there, we're going to start your transformation.
00:37:55Blush, lipstick...
00:37:57What are you doing?
00:37:58Go on, Curro, go away.
00:37:59Come on.
00:38:02Poor thing, isn't it?
00:38:04Curro, wait.
00:38:05Would you like to attend a women's beauty session?
00:38:08Yeah.
00:38:09Okay, come in.
00:38:11Sit down, but be quiet, okay?
00:38:13So, are you ready to say goodbye to the ugly duckling?
00:38:19Let's begin.
00:38:24Subscribe to the channel!
00:38:25Subscribe to the channel!
00:38:54Well, that's it.
00:39:02What do you think, Curro?
00:39:04If I look really ugly, don't say so, okay?
00:39:07Damn, Jolly.
00:39:08But she looks gorgeous.
00:39:09Me too.
00:39:19Carlos, Carlos.
00:39:22How are you?
00:39:24Good.
00:39:26Look, you have a cute face.
00:39:29Uncle, uncle, uncle.
00:39:30What a bummer about the cheerleaders.
00:39:33But...
00:39:34I don't know what you've gotten yourself into, man.
00:39:35A circus.
00:39:36Laugh, laugh, laugh, man, it's funny, isn't it?
00:39:40Raul, dude, how are you doing?
00:39:42No, no, it's just that it's awful.
00:39:44I see, I see.
00:39:45Well, the record label has told him no, he's going to have seven left.
00:39:47Now the football team is going to shit and you're making jokes.
00:39:50Well, we should help him, you know?
00:39:52Yeah?
00:39:56I have an image.
00:39:57I see it, I see it.
00:39:59You.
00:40:00With two pom-poms, with my skirt and chili.
00:40:02You know, give me an S, give me an A, give me an N.
00:40:06Do you have any other pictures, joker?
00:40:09Yes, look, I have another image.
00:40:11Five hot chicks, in the bathroom, in ten minutes, waiting for me, to talk.
00:40:17What are you going to tell them?
00:40:19Well, look, I'm glad you asked me that question.
00:40:20Because no, no, I have no idea.
00:40:24But, but I'm thinking about it, okay?
00:40:28I'm with you, Raúl.
00:40:37Lucía, I don't think the vacation thing is going to be possible.
00:40:43And I'm really sorry about the Russian salad.
00:40:45And also regarding what happened yesterday at my house,
00:40:48the thing is...
00:40:50Lucia.
00:40:55By?
00:40:57And so?
00:40:59The fact that?
00:41:00There.
00:41:01Andrés and you, you're both very clear-headed.
00:41:03It would seem that something happened between you and him.
00:41:05Did something happen to you with him?
00:41:06Did something happen to you with him?
00:41:08Well, you better start thinking, I want it all.
00:41:10Well, I'm heading to the workshop now, okay?
00:41:20Wouldn't you like another coffee?
00:41:21A little nervous now, huh?
00:41:23Look, come on, give me another one.
00:41:25Titi, who works less than a pocholo at a fair.
00:41:27I'll put you in...
00:41:28Good.
00:41:29Hello.
00:41:31That?
00:41:32Thank you.
00:41:33What attacked you from behind?
00:41:40Betrayal.
00:41:41But Andrés has always had so little style, hasn't he?
00:41:43That's awful.
00:41:44Marmoset.
00:41:45The lid.
00:41:48That's great, Diego.
00:41:49The same thing always happens to you when you go to the market.
00:41:51You forget, Joe.
00:41:53Two shoulder hams, three semi-cured hams, and one regular ham.
00:41:56Hey, Lucia wants to talk to you.
00:41:58Diego, yes, nothing, they told me I have salmonella.
00:42:05Yes, but don't worry, it's mild.
00:42:06I just need to control my food a little, that's all.
00:42:10Yes, okay, see you later.
00:42:12A little kiss, bye.
00:42:15Okay, that's it.
00:42:17What's happening?
00:42:18The phone, which costs money.
00:42:21Yes, seriously, this guy really got me with his chotis.
00:42:24Confirmed.
00:42:24The horns thing, confirmed.
00:42:27It was a matter of arriving and keeping quiet.
00:42:30I'm sure she's telling him.
00:42:32I remember you.
00:42:33Your wife is in on it, just so you know.
00:42:35No way.
00:42:36So, what now?
00:42:39Well, I feel guilty, so as soon as I see him, I'll tell him and that's it.
00:42:43Yes.
00:42:44But hey, you're stupid.
00:42:46Okay, you stay quiet as a ghost.
00:42:48Lucia.
00:42:49But where are you going to...?
00:42:49The bad thing about you is that you jerk off, girl.
00:42:52Let's see what you and I have agreed on regarding sincerity.
00:42:55I wanted you to be in Mazanilla.
00:42:57Ah, the commercial break wasn't bad.
00:42:59But now he answers.
00:42:59What is sincerity?
00:43:01The death trap for any couple.
00:43:03But that's not it, you bastard.
00:43:04Neither hair nor milk.
00:43:05I think you're doing it worse.
00:43:06Lucia, at 20 years old these things are talked about.
00:43:08At 30 you think about it.
00:43:10And at 40 you deny even the obvious.
00:43:13Nothing happened.
00:43:14But hey, what are you explaining to me if I understand you, girl?
00:43:16Let's see.
00:43:17But now I am Diego.
00:43:19Let's see.
00:43:20Listen.
00:43:20How long have you known Andrés?
00:43:22More than 20 years.
00:43:23Good.
00:43:24What has this man's behavior been like all this time?
00:43:26A declared gulf.
00:43:28Who does Andrés like more than a fool likes a pencil?
00:43:30You, Lucia.
00:43:31You.
00:43:32So why on earth did you show up at their house?
00:43:35Was it to put you in range or was it a matter of life or death?
00:43:38And once there, the most important thing.
00:43:40Did he try?
00:43:41Didn't he try?
00:43:42Didn't he try?
00:43:43Didn't he try?
00:43:44Lie!
00:43:47Oh, daughter.
00:43:50I should have been the district's fecal officer.
00:43:52Don't tell him, not a word.
00:43:53Chito.
00:43:58You're going to be blown away.
00:43:59They're the top girls in school.
00:44:02Well, it was.
00:44:04Because now you...
00:44:06Come on, you'd definitely be in the top three.
00:44:08Raul, come in now.
00:44:09Come in now.
00:44:09Come in now.
00:44:11Okay, let's see what you have to say.
00:44:13Hello.
00:44:15Okay, let me introduce you.
00:44:17Maite, Patricia, well, the girls and Eva, who is going to give us a hand.
00:44:23Okay, fine, that's it.
00:44:23You may be wondering why I called you.
00:44:26Well, I've called you to offer you the opportunity of a lifetime.
00:44:29Come on, Raúl, we know each other, right?
00:44:31To the point.
00:44:32Okay.
00:44:33Let's see, for example, Maite, how many failing grades have you had this term?
00:44:38Five.
00:44:39Patricia?
00:44:40Seven.
00:44:41So it's clear we're not going to make a living by studying, right?
00:44:45Well, let it be known that I include myself.
00:44:47Because, let's see, what do we have?
00:44:50Face.
00:44:52Body.
00:44:53Come on, we're good-looking.
00:44:54And what is it that we want?
00:44:58Well, to be able to earn a living with our physique.
00:45:01But what do you want?
00:45:02Make a porn movie or what?
00:45:04Maite, no.
00:45:05That our thing is eroticism.
00:45:07But, but white.
00:45:08Raul.
00:45:09Fine.
00:45:10What had I told you?
00:45:11Okay, no, no.
00:45:12Let's see, look.
00:45:13Santa Justa plays tomorrow.
00:45:15And all the media outlets arrive.
00:45:18And why are they coming?
00:45:19Because you will be there.
00:45:22The cheerleaders of Santa Justa.
00:45:24What is it?
00:45:25Of course, you'll have the opportunity to show everyone what you're worth.
00:45:31To make yourselves known.
00:45:32Yes of course.
00:45:33Okay, that's it.
00:45:33Venomous pom-pom, aren't you?
00:45:34It's coming on now.
00:45:36Okay, aunt.
00:45:36I'll pass.
00:45:38Why, aunt?
00:45:38Doesn't he come here?
00:45:39Girls, don't go anywhere, this is going to cost you, okay?
00:45:43It's 100 euros per game, and training sessions are separate.
00:45:47Not bad.
00:45:48Don't look at me like that.
00:45:51If Santiago wants to save the club, well, I know he'll dig deep into his pockets, what are we going to do?
00:46:02Hey, but if not, there's your mom.
00:46:05Who are you pretending to be?
00:46:06Well, now it's coming.
00:46:08Would you like something to drink?
00:46:10No, never mind.
00:46:10I'll go for a walk in my house now.
00:46:11Did you know?
00:46:12I'd better not go.
00:46:16Why don't you relax if you have a drink?
00:46:18This smells like a setup.
00:46:19But what time is it coming if it's here?
00:46:22I'm leaving.
00:46:24Valdano, wait, please.
00:46:25You're being really annoying, what do you want?
00:46:29Look, let's see, there's this girl who, when you first meet her, isn't very...
00:46:34Yeah.
00:46:36Actually, she's more...
00:46:38Smaller than she looks.
00:46:41AND?
00:46:42That you stopped turning around.
00:46:44What do you mean?
00:46:45Well, look, Valdano.
00:46:48In four words.
00:46:49That...
00:46:50Well, I'm ready for you.
00:46:52And so it's here and I'd like you to pay a little attention to it.
00:46:57No, Valdano, wait, please.
00:46:59I'll make half of the geography maps for you.
00:47:01Okay, fine, everyone.
00:47:05Because otherwise you know you'll fail.
00:47:07See, man, that's what I was telling you.
00:47:08The whole rehearsal thing is a lie.
00:47:09That little brat is going to be in deep trouble.
00:47:11Okay, what do you say?
00:47:13Okay, but the blue of the sea is clearly marked on the maps, right?
00:47:16Okay.
00:47:17Yoli?
00:47:19Chuch, chuch.
00:47:20Chuch, chuch.
00:47:32So here are the kits.
00:47:34Take this one for yourself.
00:47:36This.
00:47:37Here.
00:47:39This.
00:47:40This.
00:47:41Isn't it cute?
00:47:42What is this?
00:47:42Barbie's trousseau or what?
00:47:44Yes, I know.
00:47:45What is this?
00:47:47Hello.
00:47:47What is this?
00:47:48Hello.
00:47:48Hello.
00:47:49But what do you mean by this?
00:47:50This.
00:47:50But have you seen those pigeons?
00:47:52Yeah.
00:47:52Those are the cheerleaders from Santa Justa, your girl, I had them.
00:47:55Okay, I'll be right back, just a moment.
00:47:57I'm going to put César in charge of showing us how to do their makeup, okay?
00:48:01Yeah.
00:48:05That?
00:48:05What do we need to change here?
00:48:08But?
00:48:10I don't know, I don't know, models can change anywhere, right?
00:48:13Yeah.
00:48:15Yes, yes, well, we can also turn around.
00:48:22Good.
00:48:25Eve sure knows how to get involved, doesn't she?
00:48:27Well, and you too, Raúl.
00:48:29Thank you so much.
00:48:29Marcos, Marcos.
00:48:31Marcos, for God's sake, what is this?
00:48:33Turn around, Dad, they're...
00:48:35Turn around, they're...
00:48:36Okay, okay, everyone get dressed immediately, this looks like an alternative club.
00:48:40Please.
00:48:40What girls from Santa Justa, the Sisters of Charity, don't mess with me, Raúl, seriously, come on.
00:48:45Yeah.
00:48:46Well, it's just that...
00:48:46Of course they are, little nuns of charity, right?
00:48:49These monuments will save the Santa Justa club for free.
00:48:53Hey, hey, hey, hey, free, what do you mean free?
00:48:55Not at all, okay?
00:48:56Here it's 100 euros per person, plus training.
00:48:59How much did you say?
00:49:00At 100 euros.
00:49:01100 euros? What are you talking about, you crazy woman?
00:49:03My dear girl, when have you ever seen 100 euros all at once?
00:49:04Santiago, Santiago, when you want professionalism, well, based on you and me, it's 500 euros for
00:49:10a club of the category of Santa Justa.
00:49:12But they're idiots, I shit on everything that can be shitted.
00:49:15The match's revenue, is that clear to you?
00:49:17Hey?
00:49:17Hey?
00:49:19Oh, really?
00:49:19Okay, so what?
00:49:20Oh, girls, I think these guys are trying to pull the wool over our eyes, huh?
00:49:24I'll pass.
00:49:24Okay, okay, let's get along, shall we?
00:49:44I gave you two 20-euro notes, one 50-euro note, and one 10-euro note, okay?
00:49:48And you just gave me two out of 20 and then I'm missing three.
00:49:51Where are you lacking?
00:49:51Don't touch my money! I'm done here for the day! Leave the kid alone! Damn it, you guys are always the same!
00:49:58So, what's the reason here? I have a family dinner with my in-laws included, mate.
00:50:03Hello.
00:50:04Do I need it or what?
00:50:05Hey Fiti, I won't be able to go out for dinner tonight, okay?
00:50:08That?
00:50:08My mother, the one who made me a potato salad the other day, turns out to have sermoneosis, man. I'm in a bad way.
00:50:14Excuse me with fire, okay?
00:50:16Yes, of course, of course.
00:50:18See you later.
00:50:19Is this lemonade or something?
00:50:20Yes, me two.
00:50:21Looks like we need to be careful with eggs this year, huh?
00:50:30Come on, there are a lot of harmonesis, it seems.
00:50:35Is something wrong, Diego?
00:50:38No, nothing, no, nothing's wrong with me.
00:50:41Okay, then, play me the last one. Before we close up shop.
00:50:50Is something wrong?
00:50:51Yes, Santi, it does happen to me that I can't stop thinking about it.
00:50:57That?
00:50:59Hey, I know I shouldn't doubt, I know I have no reason to doubt, but what a mess, Santiago.
00:51:04First, Lucía arrived home two hours later than Candela, from that school evaluation meeting, and now it turns out that, damn it, you have almonellosis just like Andrés.
00:51:14I know, I know, I know that doesn't mean anything, I know perfectly well that it doesn't mean anything, but I'm getting paranoid.
00:51:21My head gets all hot and bothered and I start thinking and thinking and I don't even know what I'm thinking anymore, Santiago, I'm just thinking nonsense.
00:51:26No, no, no, no, that's nonsense, Santay.
00:51:31Santay.
00:51:31What? What the hell is going on here, Santay?
00:51:33Last night at 11:15, I saw Lucia leaving Andres' house.
00:51:40What? Excuse me, what are you saying?
00:51:43That he lied to you, that he wasn't at school.
00:51:45No, man, that's not important. Maybe I have to go pick up some documents or something.
00:51:52One moment.
00:51:53You had to break it, didn't you?
00:52:07You had to crack it
00:52:08So what does he do now?
00:52:09Now he's going to grab a shotgun and fry my brother-in-law.
00:52:11Or he jumps down the aqueduct
00:52:13Damn it, don't mess with my balls
00:52:15I have enough to deal with already.
00:52:16I have enough to deal with!
00:52:17Come on!
00:52:23Dude, have you seen how Boliche dances?
00:52:29It seems that in Africa
00:52:30Man, dude, more than in Africa, than in with
00:52:33You look beautiful
00:52:34I will always take it before contact
00:52:36No, no, seriously
00:52:39You have beautiful eyes
00:52:41Partner swap!
00:52:49Will you stop bothering me already?
00:52:51Okay, so what's up?
00:52:52This is a party
00:52:53I'm having fun like everyone else, right?
00:52:55Yeah, so why don't you leave?
00:52:56What's up, posh girl?
00:52:58Are you afraid that I'll tell Yoli?
00:52:59Is Valdano with her?
00:53:00Why are you going to make the maps for him?
00:53:05That's true.
00:53:05This...
00:53:09Well...
00:53:19Well, let the party continue!
00:53:22We're all so quiet today, aren't we?
00:53:38It's hot, isn't it?
00:53:42And where am I going to find some cheerleaders?
00:53:45Yes, the thermometer at Atocha read 36, I think.
00:53:48Poor thing, he's exhausted
00:53:50I have to help him, but how?
00:53:53Okay, think, Eva, think, think, think
00:53:55Yes, well, in Barcelona with the humidity
00:53:56It was much worse.
00:53:57Is her name Yoli?
00:54:00No, it's already too late
00:54:01This child is Satan, but as a young man
00:54:04I've gone way overboard
00:54:06That's what humidity does to you.
00:54:08Our cute little girl makes me sick
00:54:11It would leave him bald, just like Ronaldo.
00:54:12Maybe I went too far with Yoli
00:54:15It seems to be getting cooler, huh?
00:54:18And Luciana looks at me
00:54:20The truth is, she looks gorgeous.
00:54:22It's no wonder everyone falls in love with her
00:54:24I already gave the proverb
00:54:26Don't take off your saltina until May 40th.
00:54:29Why would I have lied to Diego?
00:54:31I should have told him.
00:54:32Whatever Candela says
00:54:33The weatherman says it will change tomorrow.
00:54:36What bad luck, what a bummer
00:54:38A wretch, that's what I am, a wretch.
00:54:41Okay, can we talk about something else and a little faster?
00:54:44Yeah
00:54:44There was a massive traffic jam on the M30 today.
00:54:48How unfortunate, how unfortunate
00:54:51A cuckold, that's what I am
00:54:52A cuckold and a wretch
00:54:54Yes, yes
00:54:55But now I'm 40 more, kid
00:55:18Go to sleep, it's too early
00:55:37What time is it?
00:55:39Where are you going?
00:55:40To the doctor
00:55:40And why the doctor?
00:55:43Well, because I've continued to feel a bit unwell tonight.
00:55:45With my stomach bloated, I'm going to see what he says, okay?
00:55:48And why doesn't he tell you over the phone?
00:55:50Because it makes me feel more at ease, Diego
00:55:51Okay, fine, I'll take you.
00:55:54No?
00:55:55But if I go to the clinic next door, I can walk.
00:55:57You can't, he's with you
00:55:58But Diego, please, your leg is wrecked!
00:56:00Go on, keep sleeping
00:56:02Guille, get up
00:56:31It's our turn to go to the bathroom first today.
00:56:33Damn it, Ana, go to the bathroom already, man
00:56:51Marcos
00:57:21Take
00:57:24No, throw it away, Eva, Eva
00:57:27Don't be scared
00:57:28What are you doing here?
00:57:29You
00:57:29Oh, you're going to cut yourself now, aren't you? I saw everything.
00:57:32And you?
00:57:36That?
00:57:37To what is this honor due?
00:57:40Which, well, is because
00:57:42I don't know, I just wanted to tell you that I'm really sorry about what happened yesterday with the cheerleaders.
00:57:47And I don't know, how are you?
00:57:51Are you worried?
00:57:52No, why bother?
00:57:53If I...
00:57:54Nothing more can be done
00:57:56If the club has to be closed, then it will be.
00:58:00Don't worry, okay?
00:58:03I...
00:58:03I'll get you the cheerleaders
00:58:06I promise you
00:58:07You?
00:58:09Uh-huh
00:58:09And where are you going to get them from?
00:58:12There are only a few hours left until the match
00:58:13Shhh
00:58:14Trust me, okay?
00:58:16Uh-huh
00:58:16Do you trust me?
00:58:20Yeah
00:58:20As?
00:58:22Okay, if you ask me like that.
00:58:23Very good
00:58:24Good morning
00:58:28Good morning
00:58:33Good morning
00:58:33It can't be a date
00:58:53Not at this hour...
00:58:55Clear
00:58:56Which on the other hand
00:58:57It's a good time
00:58:59Because while I'm giving the children breakfast
00:59:01They to the...
00:59:02Ah
00:59:02Pussy
00:59:03That he saw me
00:59:04Who?
00:59:09Yeah
00:59:09But, Diego, son, what happened to you?
00:59:11Trini, an accident
00:59:12What, had he had an accident?
00:59:14God, I've realized that I'm going to screw God over.
00:59:16Sorry, Trini, but I'm in a bit of a hurry, you know?
00:59:19Sorry
00:59:19Okay, okay
00:59:19That you guess yourself
00:59:20Goodbye, thank you
00:59:21What if I catch them?
00:59:24What am I saying?
00:59:26What do I do, my God?
00:59:27What I do?
00:59:27Okay
00:59:28Where does your cousin drop you off?
00:59:35God
00:59:35I ate you right down to the elastic of your panties
00:59:37Really
00:59:38What a beard!
00:59:39Come on, Jafiboga!
00:59:41Phew!
00:59:41I shit on your mother!
00:59:43I shit on your mother!
00:59:44I shit on your mother!
00:59:46I shit on your mother!
01:00:16You left my sister.
01:00:17Thank you, please.
01:00:18Yoli, I'm sorry, really, but...
01:00:20Can we talk for a moment?
01:00:21Why don't you go to hell and leave my sister alone?
01:00:25Bolicho, wait.
01:00:27I want to talk to her.
01:00:31Look, Yoli, really.
01:00:32It's all Guille's fault, he's an idiot.
01:00:35But I promise you that you looked gorgeous and that...
01:00:37Valdano was having a great time with you.
01:00:40No, Titi.
01:00:41He wasn't having a great time with me.
01:00:43I only did it because you offered to make the maps for me.
01:00:47Or not?
01:00:48Well, yes.
01:00:49I told him about the maps, but...
01:00:52Titi, I know what I'm like.
01:00:54And I know what I will always be.
01:00:55Yoli, please don't say that.
01:00:57You don't understand.
01:00:58Because you've always been one of the cool kids in class.
01:01:00Well, this school isn't exactly cool.
01:01:04Titi, you are beautiful and slim.
01:01:07One of those girls that everyone likes.
01:01:08Or am I just the ugly one, the fat one, the outcast?
01:01:13AND...
01:01:14It's best not to get my hopes up.
01:01:16Because...
01:01:17Well...
01:01:19Because even if it's pathetic...
01:01:20I have feelings too, you know?
01:01:22I'll make you...
01:01:23I'll make you...
01:01:39I'll make you...
01:01:40Calm down, man.
01:01:42Don't worry.
01:01:42Do you know you're going to hit a finger?
01:01:44Relax.
01:01:45But how can I relax, knowing that my brother is going through a rough patch?
01:01:49Damn the day I let my mouth run away with me and said what I should have taken to my grave.
01:01:55Well, I...
01:01:56Look, I'm thinking a lot about the topic of adultery, you know?
01:01:59And the truth is, I wouldn't know what to do.
01:02:02Hey?
01:02:03That?
01:02:04Do what?
01:02:05Damn, look.
01:02:07If Candela cheats on me...
01:02:10Well, maybe it's best to just let it go.
01:02:13Clear.
01:02:15And we don't even know if it happened...
01:02:18Or it stopped happening.
01:02:20Because of the same thing...
01:02:21He passed it.
01:02:22Yes, Santi.
01:02:24Man, miracles do exist.
01:02:27But damn...
01:02:28We're talking about going to an uncle's house very late.
01:02:31To lie.
01:02:32And we're talking about my brother-in-law.
01:02:33No, not from Heidi's mockery, precisely.
01:02:40Diego!
01:02:43Hey.
01:02:44Try this cheese.
01:02:46It turned out great, really great.
01:02:47No, thanks.
01:02:48Diego!
01:02:49Diego!
01:02:57Have you spoken to Lucia?
01:03:01No, but...
01:03:02But I haven't continued.
01:03:08He got up very early.
01:03:12He told me he was going to the doctor.
01:03:14God!
01:03:16And where did he go?
01:03:19To the doctor.
01:03:21Well, that's good, isn't it?
01:03:22What's with that face?
01:03:24It's a real bummer.
01:03:25What is a fuck-up?
01:03:26I mean, everything was going so well...
01:03:27I knew it couldn't last.
01:03:29But if a woman like Lucía, with a wonderful...
01:03:31What's he doing with a hick like me?
01:03:32What's he doing with a hick like me?
01:03:33Well, that was clear.
01:03:34It had to end.
01:03:35This is the end.
01:03:36No, but...
01:03:37What ending, man?
01:03:37What ending?
01:03:38You've only been together for two months, Diego.
01:03:40That's why.
01:03:40Okay, so what do you want me to do now?
01:03:41How little?
01:03:42Peace the knife!
01:03:42Hey!
01:03:43Hey!
01:03:43Hey!
01:03:43Hey!
01:03:44Hey!
01:03:44Hey!
01:03:44Hey!
01:03:44Hey!
01:03:44Hey!
01:03:45Hey!
01:03:45Hey!
01:03:45Hey!
01:03:45Hey!
01:03:46I don't recommend drastic solutions, damn it.
01:03:48Oh!
01:03:48What do I do, Fiti?
01:03:48What I do?
01:03:49If I don't kill you, what am I supposed to do, huh?
01:03:50Oh!
01:03:50Be quiet!
01:03:51Yes, Diego!
01:03:52What you need to do is talk to your wife.
01:03:55What's that?
01:03:56Stop messing with her, I lost.
01:03:57Clear.
01:03:58To grab the bull by the...
01:03:59Well.
01:04:00Well.
01:04:01Grab the frying pan by the...
01:04:02Well, that's it.
01:04:04You understand me, right?
01:04:05I don't know what I'm saying to myself, but...
01:04:06You understand me.
01:04:07Yes, Mr. Chico.
01:04:08Thank you.
01:04:08Damn, damn metaphors.
01:04:13You didn't know what to say to him.
01:04:14What did you want me to say?
01:04:15That he should take the case by the balls.
01:04:17Let's see.
01:04:21Lucia, I always do everything you tell me, but...
01:04:25I don't want to come across as almost friendly.
01:04:28Really.
01:04:31Think about it carefully, Yoli.
01:04:32Are you sure?
01:04:33Yoli isn't going to do it now.
01:04:41You know why, don't you?
01:04:43It's not my fault.
01:04:44Come on, now.
01:04:46But we've actually done him a favor.
01:04:47She looked pathetic.
01:04:49And I told him, he's got his feelings in his ass.
01:04:50Yeah?
01:04:51What do you say, Valdano?
01:04:55This...
01:04:55I'm sorry, please forgive me.
01:05:00Hey, hey, hey!
01:05:01Just a moment.
01:05:02I wonder if it's my fault that Yoli is fat.
01:05:06But you're so superficial.
01:05:08Clear.
01:05:08Since you are a piece of meat that neither feels nor suffers,
01:05:10You think everyone is the same, don't you?
01:05:14Pig.
01:05:16Wait, bowling alley.
01:05:20Wait for me, me too.
01:05:25Tate.
01:05:30Are you going to get it?
01:05:32You're going to end up with no friends.
01:05:33No, Guillermo.
01:05:34I'm not going to leave you without friends.
01:05:35You're going to end up without any friends.
01:05:37And since you're 11 years old, you can't treat people like that.
01:05:42Come on, guys.
01:05:43Everyone to their place.
01:05:47Okay, we have a problem.
01:05:48And Yoli doesn't want to play Quasimodo.
01:05:55Is there anyone who wants to replace it?
01:05:58I've said some, Matías.
01:06:00Because Quasimodo is a girl.
01:06:02But that's sexism, miss.
01:06:04Sexism!
01:06:05Sexism!
01:06:06Okay, guys, are you going to drive me crazy?
01:06:08Really?
01:06:09One thing I propose is, why don't we do the normal work?
01:06:12So, I play Quasimodo and Yoli plays Esmeralda.
01:06:15Yeah.
01:06:17Yoli, would you like to play Emerald?
01:06:20And am I not a monster?
01:06:28No, Quasimodo.
01:06:30You're not a monster.
01:06:31You are a very beautiful being.
01:06:33If you could see yourself as I see you...
01:06:35I love you.
01:06:37I love you too.
01:06:37Bravo!
01:07:02Bravo!
01:07:03Bravo!
01:07:06Bravo!
01:07:07Bravo! Bravo!
01:07:11Not me, man, I'll be crying.
01:07:21Lucia, Lucia.
01:07:23Poor guy, what are you doing here?
01:07:25Nothing, can we talk?
01:07:26Yes, of course, let's go here to the teachers' lounge.
01:07:29How are you?
01:07:29Okay, okay.
01:07:32Have you given?
01:07:34No, nothing.
01:07:35Well, well, yes.
01:07:36Yes, you'll know what's going on.
01:07:39What's going on? What's happening?
01:07:41What a coincidence that you and Andrés got food poisoning from his mother's salted fish, isn't it?
01:07:49Okay.
01:07:51Diego, I wanted to...
01:07:55Hey, you weren't thinking that...
01:07:59Diego, what are you thinking?
01:08:00Nothing, nothing.
01:08:03You were at his house, weren't you?
01:08:04Yeah.
01:08:05Alone.
01:08:05Until eleven fifteen.
01:08:07You ate that potato salad.
01:08:09And what happened from then on, I almost prefer not to imagine anything else.
01:08:13There's nothing to imagine.
01:08:14It was a work meeting.
01:08:15A business meeting at your home?
01:08:17But, Lucia, please.
01:08:18That you have known Andrés for more than twenty years.
01:08:20You know perfectly well that he's a scoundrel.
01:08:22EITHER...
01:08:22But I don't understand why he's going into the lion's den.
01:08:25Diego, because we were going to talk about the holidays.
01:08:27What vacation, damn it, Lucia?
01:08:28What vacation?
01:08:29In other words, Andrés has always wanted to do it.
01:08:34You've always been more popular than a fool likes a pencil.
01:08:37Or did you want to put yourself in range?
01:08:38Because he tried, right?
01:08:46Already.
01:08:47So he tried.
01:08:50But, Lucia, I don't know.
01:08:53Do you realize that...
01:08:55...is our marriage falling apart?
01:08:58Because if you do this to me after two months...
01:09:00...if you lie to me...
01:09:02Okay, sorry, Diego.
01:09:03I should have told you.
01:09:04But nothing happened.
01:09:06Okay?
01:09:06Nothing.
01:09:07Already.
01:09:08And one question.
01:09:10How do I know when you're telling me the truth and when you're lying to me?
01:09:18Fuck off.
01:09:19Go away.
01:09:32Get lost, kids!
01:09:35Throw your fists, lads!
01:09:39Put all the close-up shots in!
01:09:41Put all the close-up shots in!
01:09:42Put all the close-up shots in!
01:09:57Come on, come on, come on!
01:09:59Come on, guys, let's go
01:10:01Come on, guys, let's go
01:10:01I wanted more
01:10:07One thing
01:10:08I've heard that your mother makes a delicious potato salad.
01:10:12And that lately you've been offering it around
01:10:14Listen to me carefully
01:10:15Lucia, my wife
01:10:17He doesn't like potato salad
01:10:19It's more than the up
01:10:21The one I prepare
01:10:23Although your mother's potato salad is very good
01:10:26Is that clear?
01:10:29Meridian?
01:10:31Very good
01:10:32These are the penny-pinching women from the other day.
01:10:42What puppies, dude!
01:10:48Come on, sit down right now
01:10:50Come on, sit down!
01:10:57What have you gone out, Edna?
01:10:58Could you close your mouth so I can put my tongue in it?
01:11:01Hey?
01:11:01P-R-A-V-O
01:11:03Saint Justa
01:11:04We are champions
01:11:06Holy Mother Justa
01:11:08P-R-A-V-O
01:11:10The voice
01:11:11P-R-A-V-O
01:11:14Saint Justa
01:11:15Very good, very good
01:11:26Very good, very good, Eva
01:11:27Very good
01:11:28Well, now
01:11:30You're going to go where the press is.
01:11:31Hey?
01:11:32So I can take some photos of you.
01:11:33Equal
01:11:34Oh, and one more thing
01:11:35We need to talk about making a photo calendar.
01:11:37With the girls
01:11:38A calendar
01:11:40Yes, yes, yes
01:11:41Alucarado on the club's website
01:11:42Hey?
01:11:44Well, what we've raised today
01:11:46We never have the pipe
01:11:47Do you understand me?
01:11:48It's marketing.
01:11:48It's a show
01:11:49Okay, okay
01:11:50A calendar
01:11:51Lightly dressed, I suppose
01:11:53Okay, of course
01:11:54Okay, let me see it, Santiago
01:11:56I'll get it for you, okay?
01:11:57Already
01:11:57Already
01:11:57Thank you
01:12:01Really
01:12:04Yes, how did you do it?
01:12:06Because they want to do it for money, right?
01:12:10Well
01:12:10You didn't pay them, did you?
01:12:14You've paid them
01:12:15Marcos, it's okay, nothing's wrong, alright?
01:12:19They are money
01:12:20And I had money saved
01:12:21It doesn't matter
01:12:24Okay, Marcos
01:12:25I don't know how to thank you.
01:12:26Well, I do.
01:12:29Yes, whatever you want.
01:12:30Give me whatever you want
01:12:31Whatever I want
01:12:32Yes, it's good.
01:12:33Okay
01:12:34Okay
01:12:35Thank you.
01:12:36Okay
01:12:37Come on, Marcos
01:12:42Come on, come on
01:12:43Come on
01:12:43Lucia
01:12:47Lucia
01:12:48Ah, that you
01:12:50I was looking for you.
01:12:51Well, we've won.
01:12:55That cheerleader nonsense
01:12:59Well, it worked.
01:13:00And there were quite a few people in the field
01:13:01Exciting, yes
01:13:03Lucia, please
01:13:06That's it
01:13:06You've already told me to go to hell.
01:13:08So that's it, right?
01:13:09What do you mean, it's already done?
01:13:11Don't you know when I'm telling you the truth?
01:13:12And when isn't it?
01:13:13Hey?
01:13:13Well, he's not here, Diego
01:13:14It's not there
01:13:15Sorry, Lucia
01:13:16I got heated
01:13:17But that's not what I meant.
01:13:18Oh dear, now it turns out you say things without thinking before you say them.
01:13:21Okay, I should have told you.
01:13:22But haven't you stopped to think why I didn't tell you?
01:13:25No, I just don't understand you, Lucia
01:13:28And, excuse me, would you mind stopping rubbing?
01:13:39No, Diego, that's not how it is.
01:13:40You can't be that insecure
01:13:42Because I think I've shown you a lot of things, haven't I?
01:13:44I'm leaving Barcelona
01:13:44I'm coming to the neighborhood
01:13:46We got married
01:13:46We formed a family
01:13:47And since all this is nonsense
01:13:49I go and hook up with the first guy I meet on the street
01:13:51Isn't it beautiful?
01:13:52Fantastic
01:13:52What are you doing, Mom?
01:13:55No
01:13:55No, nothing, nothing
01:13:57He...
01:13:58The glass cleaner is what you use if you've finished.
01:14:00Well, no, no, I'm not finished.
01:14:02I haven't finished.
01:14:03Oh ok
01:14:04Thank you, Lucia
01:14:07There's a problem, Diego.
01:14:10I'm such an idiot.
01:14:11What am I going to do?
01:14:12I'm an idiot
01:14:13And then there's another problem.
01:14:14That you're an aunt
01:14:15Well, that...
01:14:16That's great!
01:14:17No, it means she's really good
01:14:18No, it's very good.
01:14:20And the uncles
01:14:20Especially at certain times
01:14:21For example, now
01:14:22Well, the guys
01:14:22But, Diego, can you tell me what you're talking about?
01:14:25What are you talking about, guys?
01:14:25What are you saying?
01:14:26That's just how guys are.
01:14:26And the problem is that when you go out on the street
01:14:27Well, the guys
01:14:28Well, they go crazy
01:14:29All
01:14:29But please, Lucia
01:14:30That's what I've had to hear
01:14:31Until they go to eat
01:14:32No, they're going to eat
01:14:33Even the elastic in the panties
01:14:35That's what I hear
01:14:36Even the elastic in her panties, Lucia
01:14:37And when have you heard all that?
01:14:42What?
01:14:43It couldn't have been this morning.
01:14:43When I went to the clinic, right?
01:14:45No
01:14:45This morning?
01:14:46No
01:14:46Well, what a mess!
01:14:47You had some amazing inks
01:14:49With the trench coat, the pajamas
01:14:51And the crutches
01:14:51It appeared to be Inspector Gatche
01:14:54Admit it
01:14:56Do you think I'm an idiot?
01:14:57Well, yes, good
01:14:58In other words, admit it.
01:14:58You married an idiot.
01:15:00Well, you saw her.
01:15:01But I'm going to leave
01:15:01Well yes
01:15:02The idiot
01:15:04But you're an idiot.
01:15:06Who do I want to be with, can you hear me?
01:15:08So you forgive me?
01:15:11And you to me?
01:15:14Yeah
01:15:14Mother
01:15:20What the hell is going on?
01:15:27One thing, Lucia
01:15:28Think about it.
01:15:29Think about it
01:15:30Because it is very possible
01:15:32Let's see if the one in the trench coat...
01:15:33It was your mother
01:15:34Marcos
01:15:37Marcos
01:15:39Come on
01:15:41To the center
01:15:43Don't cut yourself off
01:15:45You said you were going to pay me back, right?
01:15:48Well
01:15:48Come on, smile.
01:15:50Smile
01:15:52Look at the little bird.
01:15:54Come on, Raúl
01:15:58Yeah
01:15:59Yeah
01:15:59Yes, I really want you.
01:16:00You'll pay for everything here.
01:16:01Enter
01:16:03Smile
01:16:07Smile
01:16:09I'll pop your ball.
01:16:10Smile
01:16:12No, no, no, if I get involved, let's go
01:16:29No, no, if I get involved, let's go
01:16:41But this thing about the grapevine
01:16:42What the hell do you want with football?
01:16:44The
01:16:45No, no, no, no
01:16:47No, no, no
01:16:48No no
01:16:50No
01:16:54No
01:16:54No
01:16:54Thanks for watching the video.
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