- hace 3 días
Fiti inicia una relación de amistad con Candy, una clienta del taller. Cuando la pareja queda para tomar algo, José Luis se percata de que la atractiva joven es una actriz porno. ¿Cómo le afectará a Fiti? Aburrida con los planes infantiles que le organiza Guille, Teté pide a su novio que le acompañe al concierto de El sueño de Morfeo. El joven, que sospecha que Teté desea una relación más madura, plantea a su hermanastra dar un paso adelante. Diego, por su parte, se lleva un mazazo cuando descubre que ha suspendido su primer examen de psicología. Al observar las dificultades de su marido para asimilar ciertos conceptos técnicos, Lucía se ofrece a ayudarle. Sin embargo, el tabernero, que adora a su esposa, no la soporta en el papel de profesora.
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00:00:10If there's one thing all children know for sure
00:00:12Which are the two worst days of the year?
00:00:15One is the back-to-school one
00:00:17and the other one is grade day.
00:00:19Well, my father had both of them happen at once.
00:00:24Good night.
00:00:26Well, what? What? What? What? What? What? What? What? What? What? What? What? What?
00:00:30What? What? What? What? What? What's the grade going to be?
00:00:33Ah! Ah! Yes, yes, yes!
00:00:35The note... No. No...
00:00:37Apparently they didn't give grades.
00:00:39It's something they call a personal evaluation of the teacher.
00:00:42It's a kind of control, but without scoring.
00:00:44That type of test is not scored.
00:00:45You failed, didn't you? You failed?
00:00:47What are you saying, kid? I'm telling you it's not scored.
00:00:49Yeah. Did you fail again?
00:00:51But Lucia, please don't let the child hear because he's a bit dim.
00:00:53But you, please, I'm telling you it doesn't score.
00:00:55It's something that... you understand?
00:00:57What have you searched?
00:00:58Fiti, what a support. I mean, what a support.
00:00:59Yes, I failed, I failed. What's the big deal now?
00:01:01Adults dislike bad grades as much as we do.
00:01:05That's why, when they're searched, they also make excuses.
00:01:08A three and a half.
00:01:09But hey, right? You said you knew it well?
00:01:10Yes, I didn't know that, Lucia.
00:01:12And you know I knew it. The thing is, this woman has it in for me.
00:01:14Because that's life.
00:01:15Dad, I'm sorry to say this, but that won't fly. I made that up, buddy.
00:01:18Guille, don't look for me, don't look for me, or you'll find me.
00:01:20Careful.
00:01:20Diego, honestly, I don't think that with a three and a half you're in a position to threaten anyone.
00:01:24Just a minute, don't stress him out, it's not a big deal. I've failed plenty of times in my life.
00:01:29But in reality, children and adults are not so similar.
00:01:33Because if Guille fails, he'll be punished.
00:01:36But the day my father failed, instead of scolding him, everyone encouraged him.
00:01:40It's okay, because a three and a half is a high failing grade.
00:01:42It's a high suspense.
00:01:50I'm going to become a potential 6, and a 6 backwards is a 9.
00:01:53Okay, that's it, it's been said.
00:01:55Mom, just so you know, I thought I'd remind you of this conversation back in June.
00:01:57You have a sensitivity.
00:01:58It's to comfort him.
00:02:00Yes, well, but no, look, Lucia, I appreciate it very much, but you're humiliating me in front of these centurions.
00:02:04Tell me this.
00:02:04Initially, Dad was happy that Lucia helped him.
00:02:08But the bad thing is that by passing an exam, they almost failed as a couple.
00:02:12And as Carmen says, sometimes when they lend you a hand, they end up dragging you down.
00:02:17This is half a point more, this is half a point more in my time.
00:02:20But it's not just...
00:02:21On a station platform, under the blazing sun, you were talking about a skyscraper in the New York sky.
00:02:29Come soon to see the sea and send a postcard.
00:02:32I already knew that day was the end.
00:02:36Now I have much more.
00:02:40Red, black, strike and strike.
00:02:42Finally, luck brings an ace and a crystal to look through.
00:02:45And a wall to hang it on.
00:02:47Seven smiling faces in a passport photo.
00:02:51My stories were not about tales made by chance.
00:02:57Nobody told me that destiny was giving me this opportunity.
00:03:04One plus one equals seven.
00:03:07Who would have thought?
00:03:12That it was so easy to be happy.
00:03:26I really don't know what could have happened to me.
00:03:28I don't know what to tell you.
00:03:28But don't worry, darling, this can happen to anyone.
00:03:31The tension, the nerves...
00:03:33No, no, no, this has no excuses and no forgiveness from God.
00:03:35That's never happened to me before.
00:03:36Trust me, for God's sake.
00:03:37But you're also out of practice.
00:03:38But what do you mean, untrained?
00:03:40Because I've made a fool of myself.
00:03:41You're really exaggerating.
00:03:43But anyone can fail an exam.
00:03:45Yes, anyone can fail an exam.
00:03:46But I didn't just fail anyone.
00:03:47I failed it myself.
00:03:49Do you understand?
00:03:49In other words, it's the second one on the forehead.
00:03:51That is, two exams, two failures.
00:03:54Well, what an example as a father.
00:03:57But you're a great dad.
00:03:59So what do I do now?
00:04:00Because when my children fail, they eat the brush.
00:04:02Okay, what do I do now?
00:04:03Tell me about it.
00:04:03Well, look, you have two options.
00:04:05Either you eat the toilet brush or you make us breakfast.
00:04:09Good morning.
00:04:10Which dad?
00:04:10Have you already eaten the toilet brush?
00:04:12Hey, less joking around or someone else's going to eat it.
00:04:15And don't put that there?
00:04:16What man?
00:04:18No, no, no.
00:04:18Lucia, leave it because I'm going to breastfeed.
00:04:20No, I'm going to breastfeed.
00:04:21I'm going to eat the toilet brush with toast for breakfast.
00:04:23I'm going to eat.
00:04:24There it is.
00:04:24Let's see, Diego.
00:04:25Let's see, who misses a penalty kick in life?
00:04:27The one who throws it away.
00:04:28In other words, like Jukic.
00:04:29Nobody wanted to throw it away.
00:04:30He took the shot and missed.
00:04:31But there it is, or in his balls.
00:04:33Anyway, the problem is that I haven't missed a penalty.
00:04:35The problem is that I scored an own goal.
00:04:36I understand.
00:04:37In other words, nobody told me to get involved in this mess.
00:04:38I mean, the psychology thing.
00:04:40Man!
00:04:40Look at my ass, look what I've got!
00:04:42Look!
00:04:42Look, look!
00:04:43Hello!
00:04:43What's that?
00:04:45Lasagna!
00:04:46Excellent!
00:04:47Very good, very good.
00:04:48Oops!
00:04:49Oops!
00:04:49Only three?
00:04:50Oh!
00:04:51What an example, huh!
00:04:52A little coffee?
00:04:53Yes, now.
00:04:54Ah!
00:04:54Which is taboo, of course.
00:04:55No, no, no, it's not taboo, ma'am.
00:04:57And it's not a three, it's a three and a half.
00:04:58In other words, let's keep the peace, please.
00:05:00One little thing, Diego.
00:05:00Can't you fix that somehow?
00:05:02Was it a ham or...?
00:05:03Well, Fiti, if it were a matter of ham, then it would be sorted out.
00:05:06No, the problem is that I've been given a job.
00:05:09Oh, really?
00:05:09And what's it about?
00:05:10About fear.
00:05:12About...
00:05:13Fuck!
00:05:13Wow, what a thing I studied.
00:05:14Well, I'm going to the workshop that I have in Guas, all by myself.
00:05:17And that really scares me.
00:05:18Abu, come here.
00:05:19Bye.
00:05:19Helmet!
00:05:20Helmet!
00:05:20What's the problem?
00:05:21What, what, what, what's the problem?
00:05:23I haven't got a clue, Lucía, not a clue.
00:05:25In other words, on top of everything else, you have to present the work to an audience that is hostile.
00:05:28Well, look, there's a fear you have.
00:05:30Yes, yes, I do have a fear there, but I also remind you that I have never before.
00:05:33spoken to an audience.
00:05:34Well, no, no, I'm lying to myself.
00:05:35When I go to a football match to talk to the referee, we speak in unison, you know?
00:05:38Look, I can help you.
00:05:39I may not know about anything else, but I'm a teacher.
00:05:41Lucia, daughter, where there is no plant, there is no potato.
00:05:44Mother.
00:05:46Little coffee.
00:05:46Would you like some toast, ma'am?
00:05:47No no.
00:05:48Toast.
00:05:48What I want to do is go see The Fighting Sausage 3, dude.
00:05:51Uuuuuh, I'll break you.
00:05:53Of course, otherwise, I'm not saying anything, but anyway, he wants to take me to see this boring thing.
00:05:55Brook and Monty, I don't know what.
00:05:57Brook and Monty.
00:05:57Was that movie boring?
00:05:58Yes, he's won several, but they're all great.
00:06:01Oh, I'm going to run to you, just in case I run out of tickets, okay?
00:06:04But wait, didn't you like Hulk?
00:06:06That?
00:06:06Well, it's the same director.
00:06:08Sure, and the director of Fighting Sausage 3 is the same as the one for the first one, and the one who
00:06:12It's the one from number 2.
00:06:14Come on, they're cowboys.
00:06:16Come, come, come on.
00:06:16What man are you talking about? And I've been told they're not Mac users.
00:06:19Oh, no. What are they?
00:06:22They are shepherds.
00:06:23Yes, shepherds.
00:06:25Hello.
00:06:25Oh, hello.
00:06:26And the guys from the machine company called, saying they were coming to install it. What do I tell them?
00:06:30But also that the guys with the machine were coming. Hey, could you give us a little more time to think about it?
00:06:34Of course, Fernando, I don't know why I listened to you.
00:06:36No, you're doing the right thing.
00:06:37What else?
00:06:38Which condoms?
00:06:40Little balloons, little balloons.
00:06:42Condoms? Are you going to put in a condom machine?
00:06:44The opposite has truly modernized you; I don't recognize you.
00:06:47As?
00:06:48No, aunt, but the cure won't be worse than the disease.
00:06:50And no, Lurdita, it's not that they're better off preventing than curing, that's what I say.
00:06:53And there's another saying that goes, "When I'm hot, it's a condom machine."
00:06:57How funny, how funny everyone is, right? Well, this is very serious, Choni. Let's see if we're inciting them.
00:07:02No, woman, don't worry, if those are born incited, it's not that they grow teeth before breasts.
00:07:05No, okay, okay, don't go overboard, Choni.
00:07:07No, just look at the Virgin Mary and don't run.
00:07:09No, be quiet, be quiet.
00:07:10Or little balloons, better little balloons.
00:07:13But we put it in a discreet place.
00:07:16And with a little padlock.
00:07:19Lurditas.
00:07:22Hello?
00:07:23Is anyone there?
00:07:25Wow! Hey, you take care of it, go on, I'm down here and I can't do it.
00:07:29Excuse me, could you take a closer look?
00:07:30Damn, gosh, fuck!
00:07:33Oh!
00:07:37Host.
00:07:39I mean, sorry, sorry.
00:07:42Sorry.
00:07:43I didn't know you were like this.
00:07:45Here.
00:07:47I mean, I was looking at the underside of the car, the car.
00:07:51I was looking at the part, I mean, the belly of the...
00:07:53Yes, nothing happened.
00:07:56What do you want?
00:07:57The car keeps stalling on me.
00:07:59Ah, the car, of course, the car.
00:08:01Well, let's take a look, shall we?
00:08:08Damn, what a machine!
00:08:10Well, he shouldn't have to get wet, right?
00:08:12Already.
00:08:13Does it suck a lot or what?
00:08:15The car.
00:08:16Oh, wow...
00:08:18Look, I'm really making a name for myself.
00:08:20Sorry, it's just that such nice cars don't usually come around here.
00:08:25Clear.
00:08:27Can I watch?
00:08:39Nothing, it's silly, it's just idling.
00:08:42In just an hour, it'll be perfect.
00:08:44Ah, well, but if it's that fast I'll wait.
00:08:46Do you know of any bars nearby?
00:08:48What if I know someone?
00:08:50Not a bar, the bar.
00:08:52But you'll have to let me invite you so I can apologize for...
00:08:55Because of the bass.
00:08:56And for everything that's coming, because I've had a terrible day.
00:08:59It's not necessary, right?
00:09:00Come on, I feel like it.
00:09:02Well, I'm delighted.
00:09:06Wow!
00:09:07Hey, adjust the idle speed of the coupe to 1200.
00:09:10Heard, boss!
00:09:11Okay!
00:09:14Well.
00:09:16Oh, well, I'm Candi.
00:09:17No way, from Candela?
00:09:19No, from Candida.
00:09:20Ah, I'm Fiti, from Fiti Paldi.
00:09:23Well, fruitful, whatever you want.
00:09:24Wow!
00:09:27Come on?
00:09:28Yeah.
00:09:31Here.
00:09:33Well, the fact that they only gave you a three doesn't deny that you're putting in a lot of effort.
00:09:37A three and a half, sir.
00:09:38No, a three, you're a bit of a stickler.
00:09:40A three and a half, yes.
00:09:42Okay, show me why they gave you a three.
00:09:46No, a three and a half.
00:09:48A three and a half, sorry.
00:09:49No, it's just like your mother, no, they score low, Lucia.
00:09:51I'm not saying it's top-notch, but hey, it can't be that bad.
00:09:55So, no...
00:09:56Hey Diego, let's see, here they're asking you about the stages of development in childhood.
00:10:00And you don't talk about that much.
00:10:01No, no, I've written it down.
00:10:03In other words, it's on the list.
00:10:04I'm getting blocked, Lucia, I'm getting blocked.
00:10:05I know the phases, it's just that when I put it there, the phases, the oral one, the
00:10:09elliptical and annual.
00:10:10What do you mean, the annual one?
00:10:11What is the annual phase?
00:10:13What is the annual phase?
00:10:14I mean, what a question.
00:10:14Well, precisely as its name indicates, the one that lasts a year.
00:10:17That is, it coincides with the first year of childhood for children.
00:10:20This is a basic thing in psychology, that's fundamental.
00:10:23Anal, Diego, anal phase, not annual.
00:10:26Anal.
00:10:27But are you sure it's anal?
00:10:28From an...
00:10:29Of.
00:10:30But that's outrageous, Lucia.
00:10:32But we're talking about childhood, we can't talk about the phase.
00:10:34Are you sure it's not annual?
00:10:35Well, it doesn't matter.
00:10:36So, how do you know that?
00:10:37So, Diego, have you read the books you were told to read?
00:10:40Lucia, but it amazes me that you ask me those things.
00:10:42But how can I not read the books?
00:10:44I mean, I...
00:10:44Let's see, how do I read books?
00:10:46I mean, I start them, the books.
00:10:48And that's where I have a problem.
00:10:49But I'm going to tell you, without hot baths, Lucia.
00:10:51So, I'll start...
00:10:51I understand the individual words.
00:10:54In other words, that's what they mean.
00:10:55But then, when I put all the words together, that's when the meaning gets complicated.
00:10:57Okay, okay, okay.
00:10:58The meaning of the phrase is complicated for me.
00:10:59Don't worry.
00:11:00Nobody is born knowing.
00:11:01You have to keep at it.
00:11:02You ask the teacher.
00:11:03And if not, ask me.
00:11:04OK?
00:11:05Yes, Lucia, forgive me.
00:11:06How am I going to ask the teacher in public?
00:11:08To the bone, that's where the hostile ones are.
00:11:09How am I supposed to ask the teacher about anal things?
00:11:11I mean, you can ask because I trust you, but the teacher...
00:11:13Okay, let's see.
00:11:15I have this here, I got it from you.
00:11:17You study it.
00:11:19Yeah.
00:11:19So far.
00:11:20It's summarized.
00:11:21And we'll talk about it later, okay?
00:11:23And don't worry.
00:11:24And you did this, these are summaries, right?
00:11:26Yeah.
00:11:26This makes studying easier for you.
00:11:27The phobia is a somatic issue.
00:11:29That's clear.
00:11:30And panic.
00:11:31You understand?
00:11:31Yeah.
00:11:32And this is going to...
00:11:32That it suits you better.
00:11:34Please don't overload it, okay?
00:11:37Put them on just right.
00:11:38And what do we do with the others, do you keep them?
00:11:40Oh my God!
00:11:41But then, what else does it have?
00:11:42Go ahead.
00:11:42Let's put her in the bathroom, and see if...
00:11:46Hey, give them to me!
00:11:49Hey, Raquel!
00:11:51What are you doing here?
00:11:53How are you?
00:11:54How are you?
00:11:55Hello.
00:11:56Hello good.
00:11:57No, what are you doing here?
00:11:59Aren't you old enough to be in school?
00:12:01Hey, we're teachers now!
00:12:03No, silly girls.
00:12:04What I want to say is that I'll repeat it.
00:12:06Furthermore, we have become independent.
00:12:08We don't live with our parents.
00:12:09Oh ok.
00:12:10It's a step, isn't it?
00:12:11Clear.
00:12:12Hey, we're playing here in Santa Justa tomorrow.
00:12:14Can you come to the concert?
00:12:15Yes, yes, yes.
00:12:16We agreed.
00:12:17Well, I'm Alegre, I'm a friend of...
00:12:20Hey, why don't we meet for a drink first and I'll show you the house and see what you think?
00:12:24Okay, okay?
00:12:25So, tell me what's going on in your lives?
00:12:26Yes, because we already know how you're doing.
00:12:29And very well.
00:12:30Here it is, the one about Morpheus's dream.
00:12:32Morpheus's dream!
00:12:33It's here!
00:12:55Morpheus's dream!
00:12:56And the eyes in their sockets.
00:12:57No, no, it's just that the aunt even looks familiar, but I don't know where from.
00:13:00Doesn't that ring a bell?
00:13:00What's so good about her?
00:13:02Does that sound familiar?
00:13:02It could be, yes.
00:13:03Come on, don't mess with me.
00:13:04What do you mean the car isn't there?
00:13:05That?
00:13:06I'm telling you I've had it for half an hour, row.
00:13:08Half an hour?
00:13:09I don't understand you, kid.
00:13:10I don't understand you.
00:13:11No, no, you listen to me.
00:13:13I mean, I want it done perfectly in 20 minutes, okay?
00:13:15Hey, all ready.
00:13:16Okay?
00:13:17Well, that's it.
00:13:19He's a great guy, it's just that sometimes I have to push him a little, you know?
00:13:21Well, it's not a big deal if you only spend 20 minutes.
00:13:24Okay, okay.
00:13:25So it's Candy.
00:13:27Yes, Candy.
00:13:28Candeda's Candy?
00:13:29No, no, no.
00:13:30Don't mess things up, Candida, okay, Santi?
00:13:31Don't mess it up.
00:13:34How are you?
00:13:35Good morning.
00:13:36Hey, Diego.
00:13:36What's wrong, Diego?
00:13:37Doesn't this aunt ring a bell for you?
00:13:39No.
00:13:40No.
00:13:41What's up with Fiti?
00:13:42He's with Fiti, yes.
00:13:42Ah, I'm going to say hello.
00:13:44What's happening?
00:13:45Won't you introduce me?
00:13:46Yes of course.
00:13:46Diego, my best friend, Candy.
00:13:48Delighted.
00:13:49Candy, who is from...
00:13:50From Candida, from Candida.
00:13:52From Candida.
00:13:53Well, you know, whatever you want, right?
00:13:55For whatever you need.
00:13:56Well, pleased, isn't it?
00:13:57Thank you.
00:13:59Hey, who is Candela?
00:14:01Nothing, she just turned around and left.
00:14:04What a movie, lads.
00:14:05Come on, don't tell me it wasn't amazing.
00:14:07Well, if you think it's crazy that they kill the bad guy with a fart, then...
00:14:10How could I have missed having it?
00:14:12I haven't been to the cinema, I've had to swallow the sausage fight one three.
00:14:15Oh, how awful.
00:14:16Could you have seen Brookback Mountain?
00:14:18We saw it yesterday and we loved it.
00:14:20But that was the one I wanted to see.
00:14:21But I haven't spent two hours sitting and watching some fat guy say
00:14:23I can't, I can't!
00:14:25But you'll see, it'll be much better to know there are two sheep there all the time.
00:14:30Look, Teté, next time you want to watch a movie, come to our apartment.
00:14:33But you leave the kid at home like that.
00:14:42Studying again, bro?
00:14:43Yes, yes, yes.
00:14:45You tell me what studies Ronaldo and Bisbal have, and he's got everything he needs.
00:14:49Santi, knowledge doesn't take up space, let me tell you.
00:14:52It doesn't take up space, but it takes up time.
00:14:55Okay.
00:14:56So, why do you want to study?
00:14:57Tell me.
00:14:58Well, I'm going to tell you, I'm going to tell you, because I want to have more knowledge about what they are like.
00:15:01people, that's it, how they are.
00:15:03And for that, he needs to study.
00:15:04I can talk about people in a second, I know that without studying.
00:15:08There are two kinds of people, good ones and bad ones.
00:15:10And there are twice as many of the bad ones as the others.
00:15:12Okay, well, that's a theory, fine, that's it, well, a theory, yes.
00:15:16A theory?
00:15:16Yeah.
00:15:17Do you know why people study?
00:15:18To find a job, and you already have one.
00:15:20Ham and beers, and you're a professor about that.
00:15:23Okay, but why do I want to get more training?
00:15:25In other words, to have more knowledge, you understand?
00:15:26And to be an example for my children, and that's it.
00:15:28And to be worthy of your wife, that's why you're studying.
00:15:31You've gone too far there, let's leave this conversation for another day.
00:15:34So, if you don't mind, would you let me study?
00:15:36Because I want to continue studying, don't you understand?
00:15:37Well, I studied it a lot, because the ham doesn't cut itself.
00:15:40Okay.
00:15:43And there I was, in the middle of the bucket, with an exhaust pipe in one hand and a box of
00:15:46marzipan in the other.
00:15:47Did that really happen to you?
00:15:50Well, maybe I've embellished it a little, but more or less.
00:15:53Okay, boss, here's the key.
00:15:56It was about time, it was about time, wasn't it?
00:15:58Why have we kept the young lady waiting?
00:16:00Hey, don't worry, okay?
00:16:01I had a great time.
00:16:07So, is it done?
00:16:08Uh, yes.
00:16:10Okay, wait, I'll take a look.
00:16:19Hey?
00:16:22Well, that's it.
00:16:24You no longer look your best, even if it rains.
00:16:25Excellent!
00:16:30Well then, tell me what I owe you.
00:16:32Nothing, but it was just silly, woman.
00:16:33Well, you could have done this yourself.
00:16:35Yes, let's go, sure.
00:16:36No, seriously, Fiti.
00:16:37Tell me how much it is because you've already invited me to lunch and...
00:16:39No.
00:16:42Well, then...
00:16:43Well, thank you very much.
00:16:44You're very welcome, you know where I am.
00:16:46Hey, if it happens to you with anything, like with the car, I mean.
00:16:50If anything happens to the car, I assure you this is my garage.
00:16:54I hope, I hope, I hope, I hope not, I mean I hope nothing happens to you.
00:16:57But if it happens to you because it has to happen or whatever, then come here.
00:17:01Hey, you can see this windshield wiper fine.
00:17:06But?
00:17:08Oh, what now?
00:17:11Now that you mention it, it's a little bent, isn't it?
00:17:15Well, Fiti, I can't go around without windshield wipers.
00:17:17Imagine it's raining.
00:17:19Imagine.
00:17:23That one has a bad repair, too.
00:17:24Yeah.
00:17:25Yes, in mechanics, regarding the issue of the rods, mechanics are always difficult to fix.
00:17:30This won't be ready until tomorrow.
00:17:31Phew.
00:17:31I'm going to have to treat you to dinner.
00:17:33No, I'm going to have to invite you because you've already invited me to lunch.
00:17:35And that's not the case at all, because it's company policy that if it broke inside the workshop, I'll treat you.
00:17:40I.
00:17:41Oh, well, that's fine, it's company policy.
00:17:44Uh-huh.
00:17:45Hey, hey, hey, hey, hey, I'm going first.
00:17:49How cool.
00:17:50Hey, please, do you want to come see it? Not just anyone can do this, you know?
00:17:52Hey, you've done it to me 20 times already.
00:17:54That's cool, dude.
00:17:56Look, oh, oh.
00:17:57Damn it, come on.
00:17:58No, damn it, play it cool, I almost had it.
00:18:01No, don't risk it.
00:18:02Jóvar, Guille, dude, you've got me here dying of disgust.
00:18:04And on top of that, you're always on the computer.
00:18:07But you know what? You told me you didn't feel like it.
00:18:08That's why, Guille, that's why.
00:18:10Because I didn't feel like playing on the computer, and I didn't feel like watching your movie.
00:18:12Because I wanted to be with you.
00:18:15Oh really?
00:18:16Yeah.
00:18:17Did you want to be with me?
00:18:18Yeah.
00:18:19Damn, well, I told myself that because I'm feeling feisty.
00:18:22Damn, Guille, I'm serious.
00:18:24You just don't know when to stop clowning around.
00:18:26But no, man, no, it's a joke.
00:18:28You know, from humor to love.
00:18:29Leave me alone, but you've got some serious curves, dude.
00:18:31Oh, really? May I ask since when?
00:18:32Because, come on, you were actually laughing with me.
00:18:34Well, not now.
00:18:36And besides, you wouldn't be laughing either if you weren't such a kid.
00:18:44That?
00:18:44Well, that's it, the tavern was, well, awful this afternoon.
00:18:48Well, awful, isn't it? Packed with people.
00:18:49Well, I've got a pulled muscle here in my arm from fishing and all that, and it hasn't given me any relief.
00:18:53time to read it.
00:18:54Yes, and since I knew that, I read it myself to explain it to you because otherwise we wouldn't get there, I mean.
00:18:57OK?
00:18:58Okay, yes.
00:18:58Okay, let's start with the difference between a phobia and panic, shall we?
00:19:03Let's see, a phobia is the association of fear symptoms with respect to a thing or situation,
00:19:11Okay?
00:19:11Yeah.
00:19:12Yes, me.
00:19:12Yeah.
00:19:13Okay, now explain it to me in your own words.
00:19:15Me? In my own words?
00:19:17Yeah.
00:19:18Well, I mean, I think this is it.
00:19:20In other words, a phobia, as its name suggests, is a general fear.
00:19:25In other words, it's a phobia, it's a fear.
00:19:26And then there's panic, which is something else entirely.
00:19:28No, panic isn't just a scare, it's more than that.
00:19:31In other words, panic is more, in other words, it is exactly like the heightened fear of panic.
00:19:35Hey, I don't understand, Diego.
00:19:37Or this is going to be difficult, huh?
00:19:38That's it, you can't explain it.
00:19:40Ah, I don't understand.
00:19:41No.
00:19:42I mean, I explain it to the children every day and they understand it perfectly, but I can't explain it to myself.
00:19:45Well, you think they understand you perfectly, but maybe they just don't dare to
00:19:48say it.
00:19:49Since you're their teacher, you might give them phobia, fear, panic, or whatever.
00:19:52Already.
00:19:54And I complain about the children.
00:19:55Look, Diego, let's do one thing.
00:19:57Let's go ahead with the project, okay?
00:19:58Yes, I'm in favor of the project, but if I can't give you constructive criticism, which is what
00:20:02I have done, I have done nothing else.
00:20:03Because it seems to me—it's both an impression and a criticism—that you're not explaining yourself.
00:20:06You think you're explaining yourself, but you're not.
00:20:07You think I don't explain myself.
00:20:08But I did it as constructive criticism.
00:20:09I don't understand, do I?
00:20:11Okay.
00:20:12Work!
00:20:13Well, a phobia is the fear you have of something.
00:20:15For example, if you give her spiders, she starts screaming like crazy.
00:20:19Okay, fine, okay, very good.
00:20:21So what about the panic, okay?
00:20:22Panic.
00:20:23Panic.
00:20:24What you have to do at that job.
00:20:25Oh, what he said, but you said the child said I'm scared.
00:20:27Very good, Curro, darling.
00:20:28Thank you very much, you can go.
00:20:30Well, if you need me.
00:20:32Thank you.
00:20:32Thank you, son, thank you.
00:20:35Okay, so what?
00:20:36Shall we continue?
00:20:37That already...
00:20:38No, no, no, you know what...?
00:20:40No, stop now...
00:20:41I have to close the tavern.
00:20:43So, before that, do you know what it's like?
00:20:44I'll close the tavern now...
00:20:46And if that's the case, we'll continue later.
00:20:48Clear.
00:20:49Thanks love.
00:20:54In the end, we ate with our eyes.
00:20:56Look what came out.
00:20:57A lot.
00:21:00That?
00:21:02You were studying it.
00:21:03Yes, yes, but I've quit.
00:21:04How's the game going?
00:21:05Well, the prologue.
00:21:07But Fiti doesn't make it to penalties.
00:21:09Lots of bull,
00:21:10a little bit of the fig tree.
00:21:12She looks pretty.
00:21:13As soon as I stop inviting her,
00:21:15He'll leave, you'll see.
00:21:16Hey, Santi,
00:21:17Can you never stop thinking bad thoughts?
00:21:18Never?
00:21:19I already told you so, Father.
00:21:20Think the worst and you'll be right.
00:21:21Already.
00:21:22I have a good nose for these things.
00:21:24This one, this one is totally free.
00:21:26Sorry.
00:21:27The bill, please.
00:21:29You have an amazing sense of smell,
00:21:30that's fucking awesome.
00:21:31There's a catch to this.
00:21:32Yes, trick, come on.
00:21:32Okay, go ahead.
00:21:33No, no, I said I was inviting,
00:21:34My treat.
00:21:35No, Fiti, no,
00:21:36This is mine, man.
00:21:37Unless you're going to charge it for me.
00:21:39on the car repair bill.
00:21:41No, I only do that.
00:21:42with customers with mustaches.
00:21:43Oh ok.
00:21:44Well, thank goodness I shaved today.
00:21:47Excuse me, uh,
00:21:47But I just don't have any luck.
00:21:50Eh, eh, eh,
00:21:51Come on, change it.
00:21:56Fiti, who...
00:21:57I had a wonderful day with you.
00:22:00Does that mean you're leaving?
00:22:02Well, no,
00:22:03I don't want to keep you any longer.
00:22:04They'll be waiting for you at the workshop or...
00:22:07or well, or someone.
00:22:10No.
00:22:11That's all I can expect
00:22:14It's those infomercials in the wee hours of the morning.
00:22:18Change, it's a good thing.
00:22:19That's good, man.
00:22:20Change.
00:22:20Okay, okay, okay, okay.
00:22:22Do you know who?
00:22:22Do you know who this is?
00:22:24Hey?
00:22:24No?
00:22:29How are you?
00:22:30How are you?
00:22:31Hello.
00:22:33Take advantage.
00:22:34Okay, thanks.
00:22:37Know?
00:22:38I was amazed by you
00:22:39which I just can't wrap my head around.
00:22:43On one hand, you're so hot!
00:22:45and on the other hand, so normal.
00:22:50Well, maybe that's normal,
00:22:53Not so normal either.
00:22:56Fiti, well...
00:22:57I think there's something that...
00:22:59That's good, you should know.
00:23:01No, no, no.
00:23:02I don't want to know anything.
00:23:04Okay, let's see,
00:23:04We all have
00:23:05our butt hairs.
00:23:07Some more.
00:23:19Pussy.
00:23:21Damn, damn,
00:23:21Never a truer word spoken.
00:23:23That...
00:23:24That's awful.
00:23:26And one more thing...
00:23:27I'm sure it's her.
00:23:29Yes, yes, yes.
00:23:30Hey, and...
00:23:32And what do you think?
00:23:33if we leave
00:23:33To a quieter place?
00:23:41Well, that's it, no more talk.
00:23:42We skipped the desserts
00:23:43which are terrible here.
00:23:44I'll see if they give me one.
00:23:45Your turnaround, okay?
00:23:46Okay.
00:23:48Yes, yes, yes, yes, yes, yes.
00:23:49Yes, yes, yes.
00:23:51Are you in your element?
00:23:52Yes, yes, he's around here somewhere.
00:23:57Oh, hello,
00:23:58What a great thing you're doing here.
00:24:00Nothing, that's Santiago
00:24:01He's taken to...
00:24:02through documentaries
00:24:03of birds
00:24:04and we were there
00:24:05opening a folder
00:24:06and another and...
00:24:07It was the first news
00:24:08that I have,
00:24:09You're going to the little birds,
00:24:10dear.
00:24:10And the little birds?
00:24:11Well, each one
00:24:12We have our little secrets,
00:24:13Hey?
00:24:13The bruditas.
00:24:16Santi, what's wrong?
00:24:17Are you going to stay?
00:24:17With the turns or what?
00:24:34Diego Serra,
00:24:34Is it impossible to know?
00:24:35what are you doing?
00:24:36Me, me, me, nothing, sir.
00:24:38No?
00:24:39And what is this cutlet?
00:24:40No, no, the cheat sheet isn't mine.
00:24:42It's not mine.
00:24:42Unclear.
00:24:43You are never to blame for anything.
00:24:46You have a zero.
00:24:48Shame!
00:24:48I had to give it to you
00:24:49with how old you are.
00:24:50When do you plan to attend?
00:24:52And study a little?
00:25:18When do you plan to attend?
00:25:23No, no, no.
00:25:24No, no, sir, not the ears.
00:25:25Not the ears, sir, not the ears...
00:25:31No, no, please.
00:25:33No, no, not the ears.
00:25:35That?
00:25:36That?
00:25:36That?
00:25:37That?
00:25:37What happened?
00:25:38That?
00:25:38You were dreaming, Diego.
00:25:40Yeah.
00:25:40Are you OK?
00:25:41Yes, good, good, good, yes.
00:25:43You were thinking about getting some ears and taking an exam, but...
00:25:47I don't remember.
00:25:49You need to eat a lighter dinner, okay?
00:25:52Yes, yes, yes.
00:26:08What's happening?
00:26:08Good morning.
00:26:11Hey, hey, hey!
00:26:12Don't go in there, man.
00:26:13What's happening?
00:26:14You have entered.
00:26:15You came into my room, didn't you?
00:26:17Look, I told you not to go in even if you saw me leaving.
00:26:19Fuck!
00:26:20I didn't go in, man.
00:26:21You can't see me here.
00:26:22I haven't gone in.
00:26:24Hey?
00:26:25No, no, no.
00:26:28He's my dad, man.
00:26:29Know?
00:26:30It's just not...
00:26:30He got lucky, dude.
00:26:31And I had nowhere to go, you know?
00:26:34Oops!
00:26:34Oops!
00:26:35Hello.
00:26:36That?
00:26:37Hello.
00:26:38Hello.
00:26:39Hello.
00:26:41Don't tell me anything.
00:26:42You're his son, aren't you?
00:26:44Yeah.
00:26:45How are you?
00:26:46That?
00:26:46It's noticeable, isn't it?
00:26:47Hello.
00:26:48My mini me.
00:26:49And this is Alex, his roommate,
00:26:52who kindly left us the room.
00:26:53Hello.
00:26:53Hello.
00:26:54Well, whenever you need it, for you, whenever you want it, there it is.
00:26:57Thank you.
00:26:59A coffee?
00:27:01A coffee?
00:27:01A juice?
00:27:02A smoothie?
00:27:03Eggs with bacon and cheese?
00:27:05Or bread?
00:27:05Or bread?
00:27:06We went down to get bread.
00:27:06You ask, you ask, you ask, huh?
00:27:07Don't tell me he's not nice, huh?
00:27:08Yeah.
00:27:09My son.
00:27:09Okay, you'll stay for a little while and have breakfast, then.
00:27:11No, no, no, not at all.
00:27:12Yes, I'm already late for work, huh?
00:27:14I have to leave.
00:27:14Forgive.
00:27:15Uh-huh.
00:27:16Well.
00:27:16I'm sorry.
00:27:17But anyway, thanks.
00:27:19We'll talk, okay?
00:27:20Come on, let's talk.
00:27:21Bye.
00:27:22Bye, beautiful.
00:27:28Don't tell me it's not cool, huh?
00:27:29Don't tell me it's not cool.
00:27:30You'll see when I meet her, she's really nice.
00:27:33It's a shame he couldn't stay longer.
00:27:34Tell him.
00:27:35Hey.
00:27:36Leave me alone, leave me alone.
00:27:36Hey.
00:27:42Hey.
00:27:43Hey.
00:27:48But?
00:27:49Uh, if not.
00:27:51Yes, what?
00:27:51You know who that is, right?
00:27:53Yes, I do know what.
00:27:54Dad, who is Kandilov.
00:27:56Damn, Kandilov.
00:27:57What are you telling me?
00:27:58If she is Spanish.
00:27:59Well, damn it, of course she's Spanish, Dad.
00:28:01Damn, she's the diva of Spanish porn.
00:28:05Nothing.
00:28:06Nothing, don't be so mean.
00:28:08But it's the sweetest thing there is.
00:28:09You're getting confused by all that filth you see.
00:28:11No, no, no.
00:28:12Dad, fuck, dad.
00:28:13But I'm sure, okay?
00:28:15I can spot her in a million.
00:28:17Hey?
00:28:17What have I done to myself with your movies, Dad?
00:28:19You follow her.
00:28:24So what do I do now?
00:28:26What do you mean, what are you doing?
00:28:27What are you going to do?
00:28:29Dad, enjoy it.
00:28:32It's a very serious issue.
00:28:34Of course he's strong, but strong in a good way.
00:28:36You think?
00:28:36Sure, sure, Dad.
00:28:38This is total.
00:28:39This is great.
00:28:40This is an extra feature.
00:28:40This is like the fully equipped.
00:28:42Know?
00:28:43This is like playing Scalextric.
00:28:45What's cool?
00:28:46Well, you're playing with Fernando Alonso.
00:28:47Isn't that triple the fun?
00:28:48Hey?
00:28:50Well, this is the same.
00:28:51Hey?
00:28:53Well, Article 159 of the Constitution is...
00:28:55Yeah, dude, that's enough.
00:28:56Taking the truth has made it possible to fight one three without having seen the first two.
00:28:59Yeah, man, you're right, I know, but dude, I'm going to...
00:29:01Okay, please, a little silence over there in the back.
00:29:03Hey, Guillermo, José María?
00:29:05Sorry.
00:29:05I'm sorry.
00:29:06I'm sorry, I'm sorry.
00:29:09Look, I don't think so, dude.
00:29:11Clear.
00:29:12How am I doing?
00:29:13Clear.
00:29:13What's happening?
00:29:14Because this is getting stinky, Guille, man.
00:29:16They're making a big deal out of this.
00:29:17What else do you have to go through?
00:29:18Of course, dude, she wants some fun, tracatraca.
00:29:21Can you explain why you're like this?
00:29:22So, a colleague is asking you for help with a problem and you come out with the same old thing, with
00:29:26all.
00:29:26Please, will you all be quiet?
00:29:29Let's see, Guille, how long have you been with her?
00:29:31The entire course.
00:29:32Well, and she says you're a kid, right?
00:29:34And what differentiates children from adults?
00:29:36Tracatraca.
00:29:38Okay, okay, we'll still be here tomorrow, right?
00:29:41Where we left off.
00:29:42And please, you only have seven days to finish the job.
00:29:45So get your act together and don't leave everything until the last minute, okay?
00:29:48Come on, Dad.
00:29:50Hello.
00:29:50We need to talk.
00:29:52Look, you'll see, if you want.
00:29:54Okay, we'll talk later, alright?
00:29:56Okay.
00:29:59This bilingual woman has him completely under her spell.
00:30:02The brain, what is not the brain.
00:30:05He's, he's foolish, he's foolish.
00:30:07She's a floozy.
00:30:08He's taking advantage of the fact that he's in a bad situation to deliver the final blow, huh?
00:30:12It has to be done.
00:30:12That's what I tell him, I'm taking it away, taking it away, taking it away.
00:30:14That's what I tell him.
00:30:15I'm getting to the fishing rod.
00:30:18Fiti, that little can, huh?
00:30:20No, give me a coffee instead.
00:30:22Come on, do me a favor, Diego.
00:30:24He doesn't want beer, he's ordered a coffee.
00:30:26Bad.
00:30:26Bad.
00:30:27Bad.
00:30:28It has to be done.
00:30:29No, I'm done, it has to be done.
00:30:31Hello.
00:30:32Hi how are things?
00:30:32Hello.
00:30:33Hello.
00:30:34Hello.
00:30:34That?
00:30:40Guas told me I would find you here?
00:30:42Ah.
00:30:46Your son recognized me, didn't he?
00:30:57AND...
00:30:59How did he take it?
00:31:01He asked me if you could sign this for him.
00:31:03What's that?
00:31:04Well, the Doñana reserve is there to disguise it because he lives with girls and such.
00:31:08Ah.
00:31:09Bring it.
00:31:10Take.
00:31:11I can confirm that, but it's not my best movie.
00:31:15The second one was better.
00:31:16Uh-huh.
00:31:23Take.
00:31:25Thank you.
00:31:26AND...
00:31:28How are you?
00:31:30Well.
00:31:32I tried to tell you last night, I swear.
00:31:34When you told me about...
00:31:35Yes, the thing about the pubic hair and the butt, right?
00:31:39That's it.
00:31:41Which I don't have.
00:31:42Ah, I see.
00:31:44Well, we had a good time, didn't we?
00:31:48Better than it was a long time ago.
00:31:50Yeah.
00:31:50Ah.
00:31:53So, will he pick you up here at eight?
00:31:56Eight.
00:32:01Bye.
00:32:04Bye.
00:32:05See you later.
00:32:06See you later.
00:32:09See you later.
00:32:10That?
00:32:11Yeah.
00:32:12How are you?
00:32:12A little bit of envy, don't you think?
00:32:14Hey?
00:32:14Fluff.
00:32:16Normal, come on.
00:32:16Put a straw here for everyone to get rid of the bad blood.
00:32:19Fiti, that's not it, there's no resentment.
00:32:22The thing is, we're worried because you're changing so much, you're like a girl now and you're...
00:32:27packaged, to put it one way.
00:32:28Let's see, let's see, Diego, you've seen her.
00:32:29You've seen her, so you're bound to be excited, don't mess with me.
00:32:31Yes, but let me see how I put it.
00:32:34Come on, what do you want me to say?
00:32:35Beautiful, of course she's beautiful, she's very beautiful.
00:32:36Sure, beautiful, sure, beautiful, like she's an actress, a porn actress.
00:32:40You know it, don't you?
00:32:41Ah, yes, Raúl told me.
00:32:42And you?
00:32:43How do you know that?
00:32:44Degenerates?
00:32:45The other.
00:32:45The whole country knows it.
00:32:47So what's the problem?
00:32:48That she's famous?
00:32:48No, not be famous.
00:32:50Let it be pelengui.
00:32:52Actress, touch, actress.
00:32:53Okay, fine, fine, fine.
00:32:54Okay, stop soaking Fiti already.
00:32:56If he's delighted with this girl, then great.
00:32:58We kept quiet and that was it, and out we went.
00:33:00Look, I don't think you're a kid, it's just that sometimes you seem to go out of your way to look like one.
00:33:05Look, mate, you're right, really, this isn't an adult relationship.
00:33:09We're stuck, we need to take another step.
00:33:13Shall we get married?
00:33:18Do it.
00:33:20Do it.
00:33:21Hey man, what's up?
00:33:23How are you?
00:33:23I think it's better if you don't go in, you know?
00:33:26Look, damn it, what is it? You support me in my things and I support you in yours.
00:33:29yours.
00:33:30Well, I don't know if it's better.
00:33:31Well, damn it, it doesn't cost me anything.
00:33:33But I don't know, doesn't it bother you?
00:33:36No, John, but...
00:33:37Look, dude...
00:33:39I want my first time to be with you.
00:33:42I'll help you with whatever you need, Diego, but what I don't understand is what
00:33:46Lucia told me.
00:33:46She's a great teacher, I don't know.
00:33:48Yes, yes, I'm not saying no, but with me, it's inexplicable, Fermín, it's inexplicable.
00:33:52Or you don't understand it.
00:33:53Hey, one thing, Fiti, have you come to support me?
00:33:55Huh? You've come to support me, haven't you?
00:33:56That's it.
00:33:57That's great.
00:33:59Well, the thing is, the other day they were telling me about the ego, the superego, the id, and
00:34:04such.
00:34:04And frankly, well, man, I don't understand anything.
00:34:06And it sounded to me like that joke about the Englishman, where an Englishman goes with a Frenchman and a Spaniard.
00:34:09That's very clear, Diego, damn it.
00:34:11Who is the "I"?
00:34:12The I is you.
00:34:13The word itself says it.
00:34:14The id.
00:34:15Who is the id?
00:34:16Lucia.
00:34:16She.
00:34:17Lucia, her.
00:34:18And the superego, well, it's the peach you've had since she left you that time, remember?
00:34:23That's it.
00:34:24Have you read Freud?
00:34:26Probably.
00:34:27I'm telling you no.
00:34:28Hey Marco Silva, how's it going?
00:34:29For France.
00:34:30Well, that's great.
00:34:31None of the thousand undefined ones are there.
00:34:33The thing is, you talk to her on the phone and she gets all clingy and clingy.
00:34:36You know.
00:34:37Hello.
00:34:38Hello.
00:34:38How are you?
00:34:39What do you want?
00:34:40Well, as you told me to come and see you.
00:34:42Sure, come in, come in.
00:34:43Here I am.
00:34:45The other one is Raquel, the dream of Morpheus.
00:34:48I don't know whether to ask you for an autograph or rip off your shirt.
00:34:51You'd better get a taste of the pisanda.
00:34:53No, I only came for a little while.
00:34:56The thing is, I had a bit of a row with her yesterday and...
00:34:57Well.
00:34:59Tete needs to be rescued and added to the single women's club.
00:35:02Tete just found out that boys mature much later than we do.
00:35:06Well, look, I can spit farther than you with my eyes closed, kid.
00:35:09It doesn't impress me, kid, you're talking to the son of a boyfriend about a porn story, man.
00:35:13Get over that, come on.
00:35:14Well, you'll find out.
00:35:15Now you're going to find out, that's for sure.
00:35:16You won't get past two meters.
00:35:20But you can't stand Raúl that much?
00:35:23The work on fear and panic.
00:35:25Ah, but that's your specialty, Diego.
00:35:28But the love of God.
00:35:29But what are you mostly?
00:35:31A super scaredy-cat.
00:35:32Fiti, and you're going to be a total idiot if you keep saying stupid things.
00:35:35No, no, no.
00:35:36Maybe Fiti doesn't say so many stupid things.
00:35:38Do you remember when Lucia left you?
00:35:40What was wrong with you?
00:35:41Attacks of cold sweat; your hands would sweat, and where your nerves gripped you, your stomach.
00:35:44Oh, you shit me, you shit me, say it, you shit me.
00:35:47You really shit yourself, you really shit yourself.
00:35:49Well, well, you've already done the work.
00:35:51That?
00:35:52What was that?
00:35:53A panic attack.
00:35:54The typical panic attack of a super scaredy-cat, Diego.
00:35:57Fiti, I'll put you in, I mean, I'm missing you and I'll put you in.
00:35:59Look, I'll say it again, Diego, I'll say it again.
00:36:01To accept and digest.
00:36:02You have to accept and overcome the past.
00:36:04I think it's best if Lucía continues to help you with your studies.
00:36:08No, no, no, but he's going to realize I'm a fool, he's going to...
00:36:10notice.
00:36:10She knows it, Diego.
00:36:12How can he not know?
00:36:13If you've been together your whole life, he already knows you, he already knows perfectly well what you are.
00:36:16You understand?
00:36:18One thing, Fermín, forgive me.
00:36:21Should I give it one or two?
00:36:22No, because I'm going to put it in.
00:36:24No, no, no, I'm going to do it because it's turning me on, you understand?
00:36:27Guille.
00:36:30Regarding what you told me before, this afternoon in my room at six.
00:36:35Okay.
00:36:36Okay.
00:37:02Guille, hurry up, I'm about to ring the doorbell.
00:37:04Yes, yes, it's the prostate, Fernando.
00:37:08Come on, come on.
00:37:15Come on.
00:37:16Okay.
00:37:21Come on, man.
00:37:22Come on.
00:37:23See you.
00:37:30Eh, eh, eh, that one, that one.
00:37:33Hi, Guille.
00:37:37See you later, eh.
00:37:38Bye bye.
00:37:42Luzita.
00:37:43What's happening?
00:37:44They've already launched the condom machine.
00:37:45The Holy Virgin.
00:37:47That?
00:37:48Guille?
00:37:49Guille.
00:37:50But now that Guille wants some...
00:37:52Well, if you want, I'll explain it to you, queen.
00:37:53Leave me alone.
00:37:54Make me, God.
00:37:56Well, those machines are a real pain.
00:37:58It's not the machines, sweetheart.
00:37:59That is the fever of youth.
00:38:02What's up?
00:38:03If he's 15 or 16, he's very young.
00:38:06That's why, that's why, dude.
00:38:08That's why.
00:38:14Hey, Lucia, I've brought you some flowers.
00:38:17Because on top of being a bad student, I don't pay for the classes.
00:38:24Well, you're the first student to give me flowers, huh?
00:38:27Well, and don't let me find out, Lucia.
00:38:28Don't let me find out.
00:38:29No, seriously.
00:38:30That forgives.
00:38:31That you are a very good teacher.
00:38:32In other words, I haven't said...
00:38:33The thing is, I'm a simpleton.
00:38:35Well, maybe I lost my patience too soon too, huh?
00:38:37No, no, woman, no, you're going to lose troops.
00:38:39No, it's all my fault.
00:38:41But, but, look, I've decided to improve.
00:38:43So, what I mean is, if you'll let me back in...
00:38:46That for a moment I'm going to be first in the class.
00:38:49Let's see, look.
00:38:49This means that the fear of castration can be understood from an imaginary perspective.
00:38:54In other words, the power of the image.
00:38:55Or from a symbolic perspective.
00:38:57The one about language.
00:38:59But both are necessary.
00:39:00This would be more or less like two sides of the same coin.
00:39:03Yes of course.
00:39:04Did you understand?
00:39:06Yeah.
00:39:07Good.
00:39:08Not a word, Lucia.
00:39:09I didn't understand a single word.
00:39:10Well, Diego, please, for me.
00:39:11Before I explain it better...
00:39:12But you explain yourself perfectly.
00:39:14The problem is me.
00:39:14It's just that I'm very green, Lucia.
00:39:16That I have no basis.
00:39:17In other words, this is starting a house from the roof down.
00:39:20Yes, but this isn't the roof.
00:39:22This is the foundation, I say.
00:39:23Is this the base on top?
00:39:24I mean, well, then, a lot, but you put it on me.
00:39:26So, what I'm missing then is the foundation of the foundation.
00:39:28In other words, we need to lay a foundation.
00:39:29We need to lay a foundation.
00:39:30In other words, to have a foundation, you have to lay a cement first.
00:39:32Okay, so you tell me what we should do, because you have to hand in the work tomorrow.
00:39:35Well, that's the problem.
00:39:35I have to hand in the work tomorrow.
00:39:37Well, I don't know.
00:39:37That?
00:39:38Well, I was thinking...
00:39:38No.
00:39:39I was thinking that...
00:39:40That?
00:39:41No, no, nothing, nothing.
00:39:41Tell me?
00:39:42No, no, no, no, no, no, because handing something over...
00:39:43No, I was thinking you could do it for me.
00:39:46For God's sake, Diego.
00:39:47No, no, no, no, no, just this, that way I feel a little more secure, I gain confidence and that's it
00:39:52I can go much faster
00:39:54They're going to suspend me, Lucía, they're going to suspend me, take this as if it were a foundation
00:39:58Yes, well, okay, don't worry, Candy, that's just how work is, you get caught up in things, you get caught up in things.
00:40:05Yes, okay, I'll wait for you here anyway.
00:40:08Okay, a little kiss, bye
00:40:09Hey Fiti, is your little friend running late?
00:40:12Nothing, the girl must have gotten into trouble at work, right Fiti?
00:40:14With two or three
00:40:16No, and if it doesn't taste right the first time, you have to repeat it and repeat it and repeat it, right, Fiti?
00:40:22Oño, Fiti reacts, they are putting it on
00:40:24Hey, leave him alone, it's not like he's a porn star.
00:40:28So yeah, what's up? But in a good way, okay?
00:40:31Fantastic, the inimitable Candy Love, look over there, look, this confiscated
00:40:35Hey, uh, uh
00:40:35No, no, I told you it was confiscated, okay?
00:40:38Candy, Candy from Candela, isn't that right?
00:40:40What the hell is Candela? Candida
00:40:42Poor parents, men, think about this!
00:40:44Hey, and I have a question, Fiti
00:40:47There are many actors who rehearse the day before with their partner
00:40:49You guys don't...? Huh?
00:40:51Hey?
00:40:52I don't say that because sometimes there are scenes with more than two
00:40:54I could do the same...
00:40:55Hey, leave him alone already, Angelico
00:40:57He has enough to deal with as it is.
00:40:58What do you mean I have enough with what I have?
00:41:00You too
00:41:01Damn, Fiti
00:41:01Don't yell at me, I'll
00:41:03I haven't messed with you, and I don't make porn.
00:41:05There's nothing to be ashamed of, man.
00:41:06Deep down, very deep down
00:41:08This is a job like any other.
00:41:09And deep down?
00:41:10Of course, of course
00:41:10So, yeah, that's it.
00:41:12You know about work, you have a few beers with your colleagues
00:41:15You comment on how the day went
00:41:18Well, look here, little one
00:41:19You've given me an idea.
00:41:20Do you know what I'm going to do?
00:41:22I'm going to tell him to come with his colleagues.
00:41:23Here for a few beers
00:41:24Let's see if you're such big mouths in front of them.
00:41:28Well, unless I use the hands-free device.
00:41:56It's pretty sure, it's pretty good
00:41:58Now it's closer and more face to face
00:42:03Touch me
00:42:04Until you're not
00:42:06To survive
00:42:09Have you never been shy?
00:42:13Tell me a lie
00:42:17Oh, hello, Lourdes
00:42:18Hello, Carmen
00:42:18Thank you
00:42:19Hello good
00:42:20Guillermo is there
00:42:21What has he done this time?
00:42:23No, nothing, nothing
00:42:23Well, I hope so.
00:42:24I just wanted to talk to him
00:42:26Yeah, well, I don't know.
00:42:27Because I dozed off for a second
00:42:30And that didn't happen to me before, daughter.
00:42:33Falling asleep on a sofa
00:42:36Is it there or not?
00:42:37Well, I don't know.
00:42:37Because it needs to be up there
00:42:39With TT
00:42:40Because he told me they had to do a little job.
00:42:43Or something
00:42:43And that they wouldn't mind
00:42:45A little job?
00:42:46Well yes
00:42:51I'm coming, I'm coming, I'm coming
00:43:02Hello, hello, Tete
00:43:03Hello
00:43:04What are you doing like that?
00:43:05Well, asleep
00:43:07Well, at least give it a try
00:43:08But you just can't do that in this house
00:43:10It's still too early
00:43:11Come on, it's too early.
00:43:13Too early to sleep, I say.
00:43:15That...
00:43:15It's still early, Tete
00:43:18Do you want something?
00:43:19Yeah
00:43:19Is Guille there?
00:43:20Well no
00:43:21No, of course not.
00:43:22How will Guille be here, Lurditas?
00:43:23Well, what nonsense, of course.
00:43:25How can it be here?
00:43:26Well, nothing much.
00:43:27Well, bundle up, you're going to catch a cold.
00:43:28Okay
00:43:29Well, since Guille isn't here...
00:43:30Why would I talk to you?
00:43:32That...
00:43:32Look, I...
00:43:34I don't know if...
00:43:35I don't know if you and your mother have...
00:43:38Come on, I suppose so.
00:43:40You will have talked about...
00:43:43Of love
00:43:44As?
00:43:45Come on, when...
00:43:46When two people love each other, well...
00:43:50Ah, the one about the little bee and the flower
00:43:52That
00:43:54Are you having problems with Santiago or what?
00:43:55No, for God's sake, no, not anymore...
00:43:57What am I saying?
00:43:59Let's see, what I mean, Tete, is that...
00:44:02I know that you and Guille love each other very much, right?
00:44:06AND...
00:44:07And that we've installed a machine...
00:44:09At school, from...
00:44:12Well, why aren't you required to use it?
00:44:14Yes, we have to use them.
00:44:16But what...
00:44:16If you don't need it, then all the better, you know what I mean?
00:44:21Well, not entirely, to be honest.
00:44:23Well, it doesn't matter.
00:44:24Better, I'm leaving
00:44:25Hey?
00:44:27Well, I'm going to have a coffee with...
00:44:28With your grandmother, so if you need anything
00:44:30I'm down there, okay?
00:44:32Let's see
00:44:37Tete
00:44:39I'll leave the door open for you.
00:44:41Okay
00:44:50I've screwed up, Fiti, I've really screwed up.
00:44:52Sure, of course.
00:44:53If Fermín told you to seek Lucía's complicity
00:44:56But no, you asked her to do the work for you, damn it!
00:44:58Okay, that's enough.
00:44:59So what do I do now?
00:45:01Because if you don't help me, I can't do it.
00:45:02If you don't help me, then no...
00:45:02But you don't need help.
00:45:04Ole!
00:45:05You own a tavern, huh?
00:45:07You are your own business
00:45:08You've been to therapy, okay?
00:45:09And you've got a friend here, eh?
00:45:11What is an institution?
00:45:11Yeah
00:45:12But you are privileged.
00:45:13Regarding the psychological aspect
00:45:15I?
00:45:16Yeah
00:45:16Am I privileged?
00:45:17Yeah
00:45:17So what you have to do
00:45:19It's about taking everything personally.
00:45:20I mean
00:45:21Tell your life story
00:45:22Let me have the notes for a moment
00:45:24I'm on board with this
00:45:24What are you doing with this?
00:45:25Fear of abandonment
00:45:27Fear of abandonment
00:45:28Panic
00:45:28Stress
00:45:30They're going to talk to Noah about rain now.
00:45:32Besides, don't mess with me.
00:45:33We've had plenty of experiences like this.
00:45:34You and I
00:45:35Speaking of experiences
00:45:36How are you doing with yours?
00:45:37Okay, okay
00:45:38All good
00:45:39Hello
00:45:40Hello, cute face
00:45:41Hello
00:45:41Hi how are things
00:45:42Hello, how are you?
00:45:44Oh, I'm so tired, you know?
00:45:46A lot of work, of course.
00:45:47No, no, no, not at all.
00:45:48Not really.
00:45:48The thing is, I have a pull here
00:45:51Know?
00:45:51On the neck?
00:45:52Yes, I'm not good at cooking.
00:45:53It looks like you've grabbed your neck all over here.
00:45:55That's it, mark my words, Candi
00:45:57It's going to be a bad posture
00:45:58So, you've struck some kind of weird pose.
00:45:59Hey?
00:46:01I once had lumbago
00:46:04But to pick up the barrels
00:46:04And that's it, here at the bar
00:46:05This
00:46:06I'm going home because I have a psychology assignment to do.
00:46:08I'm studying psychology
00:46:09Thank you so much for the advice.
00:46:10See you later, goodbye
00:46:12Santi, Santi
00:46:13Let's see
00:46:14Less talk
00:46:14And a little bit of beer here for everyone
00:46:16What I'm offering is a round.
00:46:16Go, quickly
00:46:18How are you?
00:46:19I'm coming from work, right?
00:46:21What have I been rolling?
00:46:22Beauty and the Beasts
00:46:23Or the one that has
00:46:24Yes, the thing is, with more action and less of this
00:46:26No, no, with a lot of tribute
00:46:28With much astral homage
00:46:30Okay, Santi
00:46:30Nobody asks you how many beers you serve a day, okay?
00:46:33Okay, man, okay
00:46:34Well, that's it.
00:46:36Hey, daddy
00:46:37Are you staying long?
00:46:38I don't know, Guille
00:46:39Don't know
00:46:40But leave me alone, I'm on a roll!
00:46:41You're going to be suspended anyway.
00:46:43That?
00:46:43Uh, nothing, nothing
00:46:45Let's see
00:46:46Fuck
00:46:48Mind you, if that's really the case.
00:46:49Marcos was right
00:46:50There is a curse here
00:46:51Look, this is my room
00:46:52But what's going on?
00:46:53Nothing, my father
00:46:54That has carved itself into my room
00:46:55And you can't get him out even with a crane.
00:46:56Well, you haven't been here an hour.
00:46:57Talking with Lurditas
00:46:58And to the White Dove
00:47:00It's clear.
00:47:01That in this house you can't
00:47:04Hey
00:47:05If you call Afri
00:47:06And you tell him he'll drop us off at his house.
00:47:08Okay
00:47:10No idea
00:47:24Hi, Tete
00:47:24Juan
00:47:25Yes, here I am with Raquel, the bike
00:47:27Juan
00:47:28Yes, then we'll go to the concert
00:47:31It's not like they're at home with their guitars
00:47:33But it's so cool
00:47:34Of course I'll go
00:47:35Thanks a lot
00:47:37Okay, see you later
00:47:39You won't believe it
00:47:40What? Shall we go?
00:47:41Well, yes, but those who dream of Morpheus
00:47:43They play at Afri's house
00:47:44How cool
00:47:46And what about us?
00:47:47Okay, let's go
00:47:48And then we stayed at his house to sleep
00:47:51Hey, daddy
00:47:56Guille, do me a favor
00:47:57I told you I'm on a roll
00:47:58It's that it won't let me concentrate
00:47:59You understand?
00:48:00Okay, yes, yes
00:48:00That's why, that's good.
00:48:01What we wanted to talk about
00:48:02That tonight there
00:48:03At Raúl and Afri's house
00:48:04There's a concert by one of those...
00:48:06Morpheus's dream
00:48:07No, Morpheus's dream
00:48:08That we could go
00:48:09And what about those who are punks?
00:48:10No
00:48:10No way, no way, yes
00:48:11I mean, they're the street, you know?
00:48:12But just chilling
00:48:13Well, I imagine it's getting late.
00:48:15If we can stay overnight
00:48:16There with...
00:48:18Okay, one thing
00:48:18And does Africa stay overnight?
00:48:20Sure, yes, yes
00:48:24Okay, fine.
00:48:25But don't make me regret it, okay?
00:48:27Thank you
00:48:27Thank you
00:48:33Well, it seems that in the end
00:48:34You've really gotten started, huh?
00:48:36Yes, yes
00:48:37Hey, sorry about before.
00:48:38I've lost my patience
00:48:40That sometimes I say
00:48:41I am a teacher, a teacher
00:48:42And I don't know how to do it very well.
00:48:43Do you want me to help you?
00:48:44No, no, no
00:48:45You're right.
00:48:46If the job
00:48:47Well, I have to do it myself.
00:48:49Well
00:48:50Will you let me read it?
00:48:51When will you finish it?
00:48:53Lucia, I would prefer that you didn't
00:48:54Because it's happened to me
00:48:56A little embarrassing
00:48:58Well, nothing much.
00:48:59Go on
00:49:00I won't bother you anymore.
00:49:01Clear
00:49:12Fiti
00:49:13No, it doesn't bother me, does it?
00:49:15Well
00:49:15I wanted to ask you
00:49:16These symptoms
00:49:18From panic attacks
00:49:19Yes, Fermín's thing
00:49:20What Fermín told you
00:49:21What was it?
00:49:22Sweat in the hands
00:49:24Yeah
00:49:24You throb
00:49:25AND
00:49:28And then came the diarrhea, right?
00:49:31Okay
00:49:32I'll tell you later.
00:49:33I'll tell you later.
00:49:35Hey?
00:49:35Because it's a little set
00:49:44That had never happened to me before.
00:49:47No, be careful, okay?
00:49:49Never, ever
00:49:49I have the award for consistency.
00:49:51Careful
00:49:51Okay, yes, Fiti
00:49:52Yes
00:49:53I believe you
00:49:54I'll grab you
00:49:55Yes, yes
00:50:02I don't know
00:50:03I mean, I don't know
00:50:05Right now I don't know what's going to happen
00:50:09I'm sure you don't know.
00:50:14Please, okay?
00:50:15Please, okay?
00:50:15Don't worry
00:50:16You're not the first man I've seen naked
00:50:21I can just imagine you there with your friends, those hunks doing all sorts of things.
00:50:32I won't measure up, I won't measure up to Candy
00:51:00I haven't been
00:51:00But I don't need them to teach me either, okay?
00:51:02No, you idiot.
00:51:03I'm not telling you this for that reason, Fiti
00:51:05If it's so you'll stop overthinking things.
00:51:08Yes, I can leave you one.
00:51:10And if not, the one you have in your pocket will do.
00:51:17No, it's not a good idea, really.
00:51:21Look, I've been through this before.
00:51:22And I know that's the acid test, Fiti
00:51:25It's because you won't see one of my movies until you actually do.
00:51:27Without him kicking you in the stomach
00:51:29This isn't going to work
00:51:37Well
00:51:39Then, I see her
00:51:41And then what?
00:51:42Should I write you a piece of writing or something?
00:51:44No
00:51:45Then we'll see what we do.
00:51:51Okay, guys
00:51:53We're going to play a song that's very special to us.
00:51:57It will be our next single
00:51:59And well, I hope you like it, okay?
00:52:02With you, the dream of Morpheus
00:52:21Hey, ever since I've been thinking that, well, that...
00:52:25You can't say it
00:52:30They say I'm a normal girl
00:52:33With little quirks that drive you crazy
00:52:37I don't know well
00:52:40Where is good and evil?
00:52:42Where is my place
00:52:46Where is good and evil?
00:52:47And this is me
00:52:48Scared and determined
00:52:51An endangered species
00:52:53As real as life
00:52:55And this is me
00:52:57Now my moment has arrived
00:52:59I don't plan to resign.
00:53:01I don't want to waste time
00:53:03And this is me
00:53:07And this is me
00:53:10And this is me
00:53:35Can I come to the Tour de France?
00:53:37When I grow up, this fear...
00:53:39It's getting worse
00:53:40Especially when it's the person you love most
00:53:42It leaves you stranded
00:53:43And you feel like you've been stabbed in the back.
00:53:47That's what happened to me when my wife left me
00:53:50My biggest fear is that he'll do it to me again.
00:53:55I am not what you think.
00:53:58I'm not your Cinderella
00:54:00I'm not the last piece of your unfinished puzzle.
00:54:04I'm not the one you came up with.
00:54:06Perhaps you were wrong
00:54:08Perhaps it's not the right time.
00:54:11And this is me
00:54:14And this is me
00:54:18And this is me
00:54:35How cool!
00:54:37That sounds great!
00:54:38We should have formed a group
00:54:39All together
00:54:40Hey, we were really bad
00:54:41But we would have triumphed anyway.
00:54:42You did the right thing by leaving, Raquel!
00:54:44I should have gone with you.
00:54:45Sure, you know what happens
00:54:46You were so mean, darling.
00:54:47Same as me
00:54:48How cool!
00:54:49Hey, I've got goosebumps.
00:54:51The lyrics are yours
00:54:52Hey, did you know we have a group too?
00:54:53And we compose it.
00:54:54Well, we have a song
00:54:55What does it say?
00:54:55Help me!
00:54:56I don't think he's very interested.
00:54:58Hey, stuff like that sells, huh?
00:54:59Of course
00:55:00Look, we have one with a message.
00:55:02What are you betting on or what?
00:55:03But hey, what's going on?
00:55:05Hey, guys
00:55:06We really need to get going to the concert now, okay?
00:55:08Okay
00:55:08But I have Beat tickets for everyone.
00:55:10Ah, cool, I'll keep them.
00:55:11Oh, and for us too.
00:55:13You can
00:55:14But you have to see some juices
00:55:15I don't want any trouble with your parents.
00:55:16Okay
00:55:17That?
00:55:19But what about our plan?
00:55:21That?
00:55:22We're going
00:55:23And then we'll come back
00:55:24Yes, but
00:55:24I don't know, son, okay?
00:55:26Tete
00:55:26What if they leave?
00:55:27We're already staying here.
00:55:28We were left alone
00:55:58What was that noise?
00:56:00Welterweight, European Championship
00:56:02Oh, really?
00:56:02Well, damn it, put it on, man!
00:56:04No, no, it's already over
00:56:06He gave me a trick in the first round
00:56:08He left it there
00:56:09Shivering
00:56:10Thank goodness I woke up
00:56:11I have to finish the work
00:56:12Fuck
00:56:20Diego, what?
00:56:21Why kid ourselves?
00:56:22That...
00:56:23There was no boxing today.
00:56:25Which was that...
00:56:29I put the...
00:56:31My Girl's DVD
00:56:34Anyway, it's...
00:56:36That's hard
00:56:37It's tough, Diego.
00:56:38It's really tough
00:56:39I, then, am not living.
00:56:42I don't know what the hell to do
00:56:46You, at a given moment
00:56:47It's a situation like this.
00:56:48Tell me honestly
00:56:49I mean
00:56:50With the fingers in the hand
00:56:53What about you...
00:56:54What would you do?
00:56:56Diego
00:57:03Well, look, yes
00:57:05Sleep while you can, man.
00:57:07Damn, that second guitar
00:57:08It's not necessary
00:57:09That only we play
00:57:10Just as well
00:57:11I'm telling you
00:57:11But come on
00:57:12Come on
00:57:13Hey
00:57:13I don't know
00:57:15We've already seen the concert
00:57:16No?
00:57:16We're going home
00:57:17That it's just you and me.
00:57:18And that's it.
00:57:18For the one day that I make the plan?
00:57:22Hey
00:57:22No no
00:57:23We're buddies
00:57:24We're buddies
00:57:24We're buddies
00:57:24From the group
00:57:25We've come to see him
00:57:26If we have played
00:57:26Well, I taught Juan
00:57:27Everything he knows
00:57:28We're VIPs.
00:57:30Clear
00:57:30She is the champion
00:57:32Careful
00:57:34Careful
00:57:36Hey, where are you going, kid?
00:57:37I'm going with them
00:57:39What are we going to see?
00:57:39With the group that just entered
00:57:41What are we going to see?
00:57:41Van Gogh's dream
00:57:43Hey man, let me through.
00:57:43Let's see, kid.
00:57:44How old are you, huh?
00:57:47I
00:57:4818
00:57:48Yes of course
00:57:50It's a blast!
00:57:51Between you and me
00:57:52I am 17
00:57:53But I'm almost there
00:57:54Upon turning 18
00:57:54Come on, kid
00:57:55Get lost
00:57:55I have a lot of people waiting.
00:57:57Let's see, tickets
00:58:02Come on
00:58:21Oh, what a cute face!
00:58:23Happy nights
00:58:25Sad mornings, huh
00:58:26Yes, well
00:58:27You didn't stay overnight
00:58:29At home
00:58:29Yes, yes
00:58:30But I felt unwell.
00:58:32And I don't know
00:58:32I came earlier
00:58:33So as not to give them the start
00:58:34Okay, Guille
00:58:34That's the last time
00:58:35That the word before
00:58:36It means 2 in the morning
00:58:37I'm going to school.
00:58:38And look at the face you have
00:58:39I don't even want to think about it.
00:58:40What time did you go to bed?
00:58:41Yes, but only if it's you.
00:58:42What do you give him permission for?
00:58:44I
00:58:44Here goes
00:58:44Clear
00:58:45Lucia, please bring me the vermicelli.
00:58:50Lucia, daughter
00:58:51That?
00:58:52Bring me the vermicelli.
00:58:55Thank you
00:58:59Hello good morning
00:59:00Man, good morning
00:59:01Candy, how are you?
00:59:02Fine, thanks
00:59:03Okay, okay, let me introduce you
00:59:04My wife Lucia
00:59:05My mother-in-law Carmen
00:59:06And the children
00:59:07No, thanks
00:59:08Sure?
00:59:09No, no, thank you.
00:59:10Fiti?
00:59:11Fiti
00:59:12Well, Fiti is the same.
00:59:13I'll call him now
00:59:14Fiti
00:59:15No, not at all.
00:59:15Fiti isn't there
00:59:16He left half an hour ago
00:59:17What did I have to do?
00:59:18In the workshop
00:59:19It's not there
00:59:19Ah
00:59:20Well
00:59:21I'll take him out for breakfast.
00:59:22But
00:59:22Well, nothing.
00:59:23It's not the same when it comes to eating.
00:59:24Well
00:59:25Well, nothing.
00:59:26Accompany the work
00:59:26Join us
00:59:27See you later
00:59:28See you later
00:59:28Thank you
00:59:28See you later
00:59:29See you later
00:59:29Come on
00:59:32Look how good the bride is!
00:59:33From Fiti
00:59:33It's good.
00:59:34God
00:59:35It sounds familiar to me.
00:59:36What would that sound familiar to you?
00:59:38That doesn't ring a bell
00:59:38Doesn't that sound familiar to you?
00:59:39Where does that sound familiar to you?
00:59:40And you'd better not recognize it.
00:59:40I'm telling you.
00:59:41I don't finish the work
00:59:42I don't have time
00:59:43So, I have to go to the tavern
00:59:44Then on to university
00:59:45What a day, really.
00:59:45What a day!
00:59:46That doesn't ring a bell for you.
00:59:47You know, you're welcome.
00:59:47Does that ring a bell?
00:59:48Goodbye, darling
00:59:49Bye
00:59:51What's the matter?
00:59:52Nothing
00:59:52No, nothing
00:59:53Hey, I'd like to come with you
00:59:56So that you don't feel
00:59:57I'll leave you stranded
00:59:57You already know
00:59:58So that
00:59:59Like, already
00:59:59No, no, no
01:00:00Nothing's wrong
01:00:01Really
01:00:01Don't worry
01:00:02If you come
01:00:03I get more nervous
01:00:04I don't know that.
01:00:05I'm leaving, I don't have anything to wear.
01:00:06Okay, see you later
01:00:06Hey
01:00:07Yeah
01:00:08Luck
01:00:10Thank you
01:00:11Bye
01:00:13Bye
01:00:13Come on, come on
01:00:14Wash
01:00:14Chema's coming for the motorcycle
01:00:16You're just standing there twiddling your thumbs.
01:00:18It's done, boss.
01:00:19Hello, Citi
01:00:22Hi how are things
01:00:24I've called you several times
01:00:25Ah, yes
01:00:27Oh, well, I have no idea.
01:00:28Where is the mobile phone?
01:00:29Come on
01:00:29No
01:00:32Look at that
01:00:32I think it's here
01:00:34Look
01:00:34Look, look, look where it is
01:00:36If only with the noise from the workshop
01:00:37And so
01:00:39By the way
01:00:40Is your car okay now?
01:00:41Yeah
01:00:43How are you?
01:00:47Not very well
01:00:49But from what I can see
01:00:51There are two of us now, aren't there?
01:00:54Yes, but
01:00:55But hey, don't worry.
01:00:56Because this is not the first time
01:00:57What's wrong with me, huh?
01:00:59You've seen the tape, right?
01:01:03No
01:01:05That I can't
01:01:06Okay, listen, Citi
01:01:07Maybe we should watch it together.
01:01:08No
01:01:09Well, yes, well, what do I know?
01:01:11But
01:01:12Maybe someday
01:01:13How should I know?
01:01:17Okay, then
01:01:18It's best if I leave.
01:01:20Tell me what I owe you
01:01:21No way?
01:01:22What are you saying?
01:01:22No
01:01:23Also, if there's anyone here
01:01:25Someone who owes something to someone
01:01:25It's me
01:01:27And the problem is
01:01:28I'm such an idiot
01:01:29I can't give it to you.
01:01:42Oh no, I'm leaving
01:02:00Candy
01:02:01Candy!
01:02:02Tell me, tell me
01:02:04The bag
01:02:04If I had forgotten you
01:02:06Ah
01:02:12I thought it was coming to the end now, Felip
01:02:16Come on
01:02:20Good morning
01:02:21Good morning
01:02:22Good morning
01:02:23Good morning
01:02:24Good morning
01:02:24Good morning
01:02:25Good morning
01:02:27Oh, Gille
01:02:27Gille
01:02:28Oh, forgive me
01:02:30Look, I'm sure Teté already told you.
01:02:32But the thing is
01:02:33Well, I know you were buying some the other day
01:02:36Well, you know what I mean.
01:02:37Look, Lourita
01:02:38Don't worry, okay?
01:02:39Teté and I have not sinned
01:02:41We're not in the best of times either.
01:02:42Oh, well, I'm glad, son
01:02:43Well, no, sorry.
01:02:44I want to say I'm sorry
01:02:46I'm sorry honey
01:02:47But I know you'll work things out.
01:02:48Because you make a great couple
01:02:49Thank you, teacher.
01:02:51Guille
01:02:53Guille, what happened?
01:02:53Why didn't you come last night?
01:02:55I don't know
01:02:56I changed my mind
01:02:57Well, you could have sent me a message
01:02:58Or you could have called me, couldn't you?
01:02:59Because I had to sleep alone at Azi's house
01:03:01Look, you know what I think?
01:03:02I don't think you cared that much either, did you?
01:03:03Because you seemed pretty much in your element.
01:03:05There with your little friends
01:03:07For once we do what I feel like doing
01:03:09How are you feeling, huh?
01:03:13Look, Tete
01:03:14I thought we were going to do something
01:03:15That we both wanted to
01:03:18But I see now that I was wrong.
01:03:19What if you were the one who didn't get in?
01:03:22Tete, will you please stop teasing me?
01:03:24Okay, I'll be a kid.
01:03:25But I'm not stupid.
01:03:29Okay, fine.
01:03:29I lost my mind a little.
01:03:31You know I love them
01:03:33Those of Morpheus's dream
01:03:34I can't help it
01:03:38Look, Tete
01:03:38I don't think you're Morpheus's dream.
01:03:40Not even the fighting sausage
01:03:42Is something wrong with you?
01:03:47You don't love me anymore.
01:03:49What are you saying, Guille?
01:03:50Of course I love you
01:03:51Yes, that's all, guys.
01:03:52Okay, we sat down
01:03:53We're going to start.
01:03:54Silence
01:03:55And we closed the door
01:03:57That I fled like a coward
01:03:58You should have seen me
01:03:59To bury one's head like an ostrich
01:04:01So, you've hidden Candida's head.
01:04:04Fiti, if you were delighted, Fiti
01:04:05It was about time
01:04:06It was about time she came crying
01:04:08Modern man
01:04:08Okay, Santi
01:04:09Please shut up
01:04:10Because of course, the problem is that the helmets heat her up so much.
01:04:12That has sunk
01:04:13It's collapsed
01:04:14No, not because of this
01:04:15If he can say mass
01:04:16It was because of the movie.
01:04:17Diego, I've tried to see it
01:04:19I really tried to watch it
01:04:20But I couldn't even get past the credits.
01:04:22I told you so.
01:04:23Lots of puddles
01:04:24No, okay.
01:04:25Santi wants to lengthen things.
01:04:26Fiti and I are talking about this.
01:04:27Give me, please, Fiti
01:04:27Sit down, walk
01:04:28Sit down
01:04:32Well, you already knew what he did for a living.
01:04:33Yes, I know.
01:04:35But it's been seeing
01:04:37And die
01:04:38Listen
01:04:39Listen to this
01:04:39I just read it
01:04:40This psychological appointment
01:04:41Listen carefully
01:04:42One only fears losing
01:04:43What he wants
01:04:45And he only loses
01:04:46What she fears wanting
01:04:48Hold on
01:04:48Hold on
01:04:49Already
01:04:50So, that's definitely true.
01:04:52But if you don't translate it a little
01:04:53Diego, no
01:04:54Well instead
01:04:55I'm telling you
01:04:55Call him
01:04:58Yeah?
01:04:58Call, of course.
01:05:00Thank you very much, Diego, mate.
01:05:01You're going to do an amazing job
01:05:03They're going to give you at least a 9
01:05:04I'd give it a 5, let's go
01:05:05It's going to hit the ear more.
01:05:06Come on, you
01:05:07Thank you
01:05:13I think the best thing
01:05:13It's up to you to start.
01:05:15Because you get rid of that one.
01:05:16Yeah
01:05:16And you don't have to worry anymore.
01:05:17The situation
01:05:18Does that sound good to you?
01:05:19Yes, yes
01:05:19If that's okay with you
01:05:20Yes, yes, that's fine.
01:05:21Okay
01:05:21Well
01:05:23Today you will present your work
01:05:25Remember that they are 50% of the evaluation
01:05:28So
01:05:29Be careful
01:05:31Let's start with Diego Serrano
01:05:32On the topic of fear
01:05:33Go ahead, Diego
01:05:42Okay, let's see
01:05:43Let's see how I approach the topic of fear
01:05:45The first thing to say about fear
01:05:46Fear is a very broad topic.
01:05:49As you know, he has written a lot about fear
01:05:51Then I thought to myself
01:05:52I mean, well
01:05:52Hey, there's a lot of theory and a lot of literature about fear.
01:05:54So what for?
01:05:55I mean, I'm going to say
01:05:56Well Diego, talk about yourself
01:05:57I already told myself
01:05:58No?
01:06:00In other words, I want to talk about my fears.
01:06:02Because not all fears are the same.
01:06:03I imagine you've thought about it at some point.
01:06:05Because you have that ability
01:06:07This
01:06:07So, for example
01:06:08I'm going to give you an example so you understand.
01:06:09Some people are afraid to jump off a bridge
01:06:11In other words, to build the bridge
01:06:13Yeah
01:06:14Well yes
01:06:14Well no
01:06:15And you might wonder why
01:06:16I mean, why do they jump if they're scared?
01:06:18That is the question that
01:06:19So why are they throwing themselves away?
01:06:20Let's not confuse fear with masochism
01:06:23It's something else.
01:06:24Diego
01:06:25Try to focus on the topic
01:06:26Yes, yes
01:06:27Sorry
01:06:28I focus
01:06:29Well
01:06:30What I meant was that
01:06:32That my fear
01:06:34I mean
01:06:34My worst fear
01:06:39Is
01:06:39It's losing my wife
01:06:45Because she already left me once.
01:06:46And well
01:06:48Well, without mincing words.
01:06:50I had a really bad time
01:06:53Because I wasn't expecting it
01:06:55So
01:06:55Come on, for me it was like a backstabbing.
01:07:00Oh well
01:07:00You can always draw conclusions from these things.
01:07:02And what I've been thinking is that
01:07:04In other words, real fear
01:07:05What people are truly afraid of
01:07:07It's about losing the things you want
01:07:08Let me give you an example.
01:07:09So you understand
01:07:10I don't know if you like bullfighting
01:07:12Okay, let me give you the example of the bullfighter
01:07:13In other words, the bullfighter
01:07:13What he is afraid of
01:07:14It's like losing your life
01:07:16Which is no small thing.
01:07:17In other words,
01:07:22Diego
01:07:24Can it be concluded?
01:07:28Yeah
01:07:28Yes, I conclude, yes
01:07:30Well, that's it
01:07:31The bullfighter is afraid of losing
01:07:33Life
01:07:34And I'm afraid of losing my wife
01:07:37Good
01:07:38Thank you, Diego
01:07:40Sorry
01:07:41I just wanted to finish
01:07:43In other words, what I'm getting at is that
01:07:46What I've learned is that
01:07:47Fear is what makes us lose things
01:07:49In other words, all the things we want
01:07:51In other words, the bullfighter
01:07:52If a bull smells fear
01:07:54He could get gored.
01:07:56And me
01:07:58Well, if you don't stop bothering my wife
01:08:00And being there all day
01:08:02With a dirty look
01:08:03And asking who that is
01:08:04And who is the other one?
01:08:05And all that
01:08:06Well, it's very possible that my wife will leave me.
01:08:11But if I stop with the nonsense
01:08:14And I trust myself
01:08:16And I overcome my fears
01:08:18Well, I think that
01:08:19She's going to be right there in front.
01:08:21Supporting me
01:08:26End
01:08:27Roberta
01:08:52You're not going to tell me anything
01:08:56Do you want me to tell you?
01:08:58Well, I don't know, but
01:09:00We're not going to talk
01:09:13Look, Tete
01:09:14You are a smart girl
01:09:18And you're much smarter than me.
01:09:22I'm a sucker
01:09:24And it was too small for you
01:09:26You already know that.
01:09:28We both know it.
01:09:29No, and I don't believe that.
01:09:34It's best if we leave it at that.
01:09:37Actually, that's what you think.
01:09:38But you don't dare say it
01:09:42You're not telling me anything.
01:09:46Maybe you're right
01:09:51I'm sorry
01:10:15Well yes
01:10:16The bed is comfortable
01:10:19I didn't notice yesterday.
01:10:20But yes, yes
01:10:21Very comfortable
01:10:21And everything is very modern.
01:10:22You have your
01:10:24You have a good touch
01:10:25For the topic
01:10:26From the decoration
01:10:27And so on.
01:10:30Okay
01:10:36It's a very catchy song
01:10:39He says the car is fine.
01:10:41He says the car is fine.
01:10:41No problem
01:10:41Fiti, please
01:10:44Okay, let's go
01:10:46Look at me
01:10:53You're wearing a very pretty dress.
01:10:57Well
01:10:57Well
01:10:58You were wearing
01:11:13What are you thinking about?
01:11:18I don't know
01:11:18Maybe I should have seen
01:11:19The first two
01:11:20To better understand this
01:11:22But come on
01:11:22Otherwise
01:11:23Good
01:11:24Don't
01:11:26They could put
01:11:27A double
01:11:27For the scenes
01:11:29Difficult
01:11:30No no
01:11:31I've seen you
01:11:32I mean
01:11:33When you've opened it
01:11:34To the plumber
01:11:35Good
01:11:35I mean
01:11:37Natural
01:11:37Such
01:11:37I believed it
01:11:38That you interpret well
01:11:39Come on
01:11:39Oscar's
01:11:40Have you ever thought
01:11:41To dedicate oneself to the theater
01:11:42For children?
01:11:45It's like it doesn't have one
01:11:46The same pull
01:11:49Besides, it's that I
01:11:50I like my job
01:11:50Fiti
01:11:53Already
01:11:58I won't be able to handle this
01:12:06Well
01:12:08At least you tried
01:12:11I really don't.
01:12:12Besides, I'm not the one who
01:12:13To criticize
01:12:14There
01:12:15How he earns a living
01:12:16The people
01:12:17Besides
01:12:18That you
01:12:18You're not fooling anyone.
01:12:19No?
01:12:20AND
01:12:21But what I can't do is
01:12:23Deceiving myself
01:12:24Can't
01:12:35And this?
01:12:36Well, a kiss
01:12:38Because you're saying goodbye
01:12:40No?
01:12:46I'm sorry
01:12:48I'm really sorry
01:13:06I would like to see you again someday
01:13:10In the flesh and blood
01:13:11In the flesh, I mean
01:13:13I would like to see you again too.
01:13:17And well
01:13:18If you keep giving me those discounts at the workshop
01:13:21Preferred customer
01:13:41It's done, it's done
01:13:43It's done, it's done
01:13:47How did it go?
01:13:50What are you doing?
01:13:50What do you do?
01:14:17What are you doing here?
01:14:17Well, that's what I say
01:14:18Where there's no plant, there's no potato
01:14:20And what happened this time?
01:14:22A three again or a zero?
01:14:24No
01:14:24Last time it was a three and a half
01:14:26But this time it wasn't a three, a zero, or a three and a half
01:14:27A seven
01:14:28I got a seven
01:14:28A remarkable
01:14:29And be careful.
01:14:30Careful
01:14:31At university
01:14:32What is the Champions League of studios?
01:14:34Great care
01:14:35Thank you, my son.
01:14:36And you, Santi, damn it
01:14:36Learn from your nephew
01:14:37And I'm going to salt you a little bit
01:14:38Okay, okay.
01:14:39Glad to hear it
01:14:39Okay
01:14:40Thank you so much for the thanks
01:14:41The only one
01:14:42The only one
01:14:43The only one
01:14:43The only one
01:14:43What has he said?
01:14:44The only one
01:14:44He said he thought it was unfair
01:14:45The only one
01:14:45It was her
01:14:46Well, I want to take advantage of this now.
01:14:47My fear has gone away
01:14:48Public speaking
01:14:48To say a few words to everyone
01:14:50Please wait on me
01:14:51As the helmsman of this family
01:14:52That I am
01:14:53I've always wanted
01:14:54I want my children to study
01:14:55So you don't have dinner
01:14:56Some donkeys
01:14:57Now comes the little speech
01:14:58Well, I think that
01:14:59We already ordered dinner
01:15:00Clear
01:15:01Where do I want to see you?
01:15:03But what I wanted to tell you
01:15:04Now that I'm in the eye of the storm
01:15:06For me there has always been
01:15:07I am a role model
01:15:08A benchmark, if you'll pardon the redundancy.
01:15:10I have always felt in you
01:15:11Your jewel
01:15:12Well, but I have the problem that I can't hear.
01:15:13Well, I can't hear myself.
01:15:14Nothing, well, nothing at all.
01:15:15Come on
01:15:16Let the bread come to me.
01:15:17I'd like my tortilla too.
01:15:18But don't shout
01:15:20Don't shout
01:15:21A seven
01:15:21A seven
01:15:23A seven
01:15:25They say I am
01:15:26A book without a plot
01:15:28I don't know if I'm coming today.
01:15:30I get lost in my dreams
01:15:33They say I am
01:15:35A black and white photo
01:15:37I need to sleep more
01:15:39That the genie can look at me
01:15:41They say I am
01:15:43A normal girl
01:15:45With minor quirks
01:15:48That drive you to despair
01:15:50I don't know well
01:15:52Where is good and evil?
01:15:54Where is my place
01:15:58And this is me
01:16:00Scared and determined
01:16:03An endangered species
01:16:05As real as life
01:16:07And this is me
01:16:09Now my moment has arrived
01:16:11I don't plan to resign.
01:16:13I don't want to waste time
01:16:16And this is me
01:16:20And this is me
01:16:22And this is me
01:16:45And this is me
01:16:48And this is me
01:16:52And this is me
01:17:09There's nothing better.
01:17:10That a firefighter
01:17:10To get out of bed
01:17:12Don't tell me
01:17:12What are you?
01:17:14The director
01:17:14Have you ever fished?
01:17:17I've already seen the galley.
01:17:18That has a resume
01:17:19Very interesting
01:17:20Hey, kid
01:17:21What do you say?
01:17:22What are you looking at?
01:17:23Trongo
01:17:23You're very busy
01:17:24Firefighter
01:17:24What are you doing?
01:17:25And what am I?
01:17:26See the
01:17:27Well
01:17:28Who knows how it's going to turn out for him?
01:17:36You have no idea how happy I am for you
01:17:37I don't know what to do, guys.
01:17:40Because I treat him like a child
01:17:41And bad.
01:17:42And I treat him like an adult
01:17:43Well, worse.
01:17:43With Marcos it was much easier
01:17:45With Marcos, things weren't so bad.
01:17:47Hey, I'm going to the bathroom
01:17:48I can't take it anymore.
01:17:49Hi guys
01:17:49Hello
01:17:50Where have you gone?
01:17:51And these are my children.
01:17:53What are curro and tt?
01:17:54Look, I'm the hottest guy in the neighborhood.
01:17:55And look at her
01:17:56If it's not beautiful
01:17:57What did I eat?
01:17:58What did I eat?
01:17:58Counselor!
01:18:00Jaime
01:18:01Are you here yet?
01:18:02She won't be with you, Elena
01:18:03Just a minute, open up, please.
01:18:04This house is going to be provoked
01:18:06A robbery, a swindle
01:18:07A robbery
01:18:07It's basically a robbery.
01:18:10CAMBERROS!
01:18:10Finally, I've caught you!
01:18:12Save him there, Ville!
01:18:13Save him there, Ville!
01:18:14Save him there, Ville!
01:18:14Save him there, Ville!
01:18:15Save him there, Ville!
01:18:15Save him there, Ville!
01:18:15Save him there, Ville!
01:18:16Dad, dad, dad!
01:18:16Dad, dad!
01:18:17Don't know!
01:18:17Save yourself, my son!
01:18:18What the hell, 12,000 euros?
01:18:20We came in with at least 30,000.
01:18:21With two balls
01:18:22And you're always there.
01:18:26Silly
01:18:28I think I'm going to love it
01:18:29Doing business with you
01:18:30You're one of us.
01:18:31Let's call a spade a spade.
01:18:32And to wine, wine
01:18:34Get involved, generate!
01:18:35The water's freezing here!
01:18:36Santi, for God's sake!
01:18:36Santi, for God's sake!
01:18:37There's a child!
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