- hace 2 días
Diego, inmerso en varios problemas, recibe la visita de Marcos, que regresa a casa para que su padre pueda conocer a su nieta Chloé y encuentre en ella un motivo de alegría y distracción. Sin embargo, tras la llegada del joven comienzan a surgir algunos problemas relacionados con su amigo Raúl, que pretende encontrar en él al confidente perfecto de sus problemas amorosos con África. Marcos, por su parte, también tiene la oportunidad de escuchar la versión de los hechos de boca de la propia África, quien no duda además en presentarle a su nuevo novio, Manu, con quien el joven entablará una buena amistad. Cuando Raúl se entera de la complicidad que hay entre ambos lo considera una traición. Lo que en un primer momento iba a transcurrir como una visita de carácter estrictamente familiar se va tornando en un cúmulo de complicaciones que amenazan con retrasar la vuelta de Marcos a Francia. La vuelta de Marcos no será la única en Santa Justa, ya que otro de sus personajes, José Luis regresa por sorpresa al barrio tras pasar un largo periodo en ultramar trabajando como marinero. El hermano de Lourditas propone a su esposa la idea de trasladarse a la isla de Malta para montar un hotel, negocio que también plantea a Raúl y que Fiti ve con recelo. La desconfianza del mecánico hacia su cuñado enfrenta a ambos hombres y crea un distanciamiento entre Choni y Fiti. Cuando Diego se reincorpora a la taberna, le comunican que Emilia ha puesto en venta el establecimiento. Poco después, recibe la indemnización del seguro de vida de Lucía, importe con el que desea recuperar la propiedad del local. Como la cantidad resulta ser insuficiente, el tabernero se ve obligado a pedir un préstamo al banco.
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00:00:01Music
00:00:11Since Dad decided we weren't going back to the village, we're all much happier.
00:00:16My father tries to make us see him in a positive mood and even watches scary movies with us, even though he has a terrible time.
00:00:22He killed him! He killed him! He killed him!
00:00:24He killed him!
00:00:26No, but how can she kill me, she's the main character!
00:00:28Ah, right! Did I see it that way?
00:00:29The one who's been put in charge is the one who was naked at the beginning, if that's even the part
00:00:33book.
00:00:33Of course, because here she's the one who teaches something...
00:00:35Man, what a mess!
00:00:36But mine, mine, mine, mine, but this woman is stupid, but she's going to come into the house, but
00:00:39Don't go in, don't go in! You'll kill yourself!
00:00:44Oh my God, Diego, you're going to have a heart attack! If you want, we can switch!
00:00:47No, no, no, no way, I'm doing this for the children, I'm going to get more popcorn.
00:00:51Son, you spend more time in the kitchen than watching movies.
00:00:55But my father wasn't going to be cheered up by scary movies.
00:00:58The receptionist, he needs to know what's going on here.
00:01:02Surprise!
00:01:05Dad, what do I know!
00:01:06Dad, what's wrong!
00:01:07Dad, what have I brought!
00:01:09Oh, look at her!
00:01:12How beautiful!
00:01:14Girl, girl!
00:01:16Girl, girl, girl, girl!
00:01:18Oh, how beautiful!
00:01:19Don't cry!
00:01:19Look, she's with her grandma!
00:01:20Oh, look, look, look at the heart!
00:01:24And in the end it occurred to us that the best way to cheer him up was for him to spend a few days with Chloe.
00:01:29And that's why we called Marcos.
00:01:31What do we have around here?
00:01:32Have you had the girl?
00:01:33Yes, yes, yes, the girl.
00:01:34Yes, now I'm so hungry I could eat myself.
00:01:35But if Marcos had known what awaited him here, he might have stayed in Toulouse.
00:01:39Or however you say it.
00:01:41A station platform, under the blazing sun.
00:01:45You were talking about a skyscraper in the sky of New York.
00:01:49Come soon to see the sea and send a postcard.
00:01:52I already knew that day was the end.
00:01:57Now I have much more.
00:02:00Red, black, odd stop.
00:02:02Finally, luck brings an ace and a crystal to look through.
00:02:06And a wall to hang it on.
00:02:07Seven smiling faces in a passport photo.
00:02:11My stories were not about tales made by chance.
00:02:18Nobody told me that destiny was giving me this opportunity.
00:02:25One plus one equals seven.
00:02:28Who would have thought?
00:02:32That it was so easy to be happy.
00:02:48The little mouth is from the mountains.
00:02:49Serrana, serrano.
00:02:51How beautiful she is!
00:02:53You wish.
00:02:54Come on, let me do it.
00:02:55Ma'am, I remind you that I have raised three children.
00:02:58Sure, Dad, just ignore it.
00:02:59Hey Tito, how has fatherhood changed you?
00:03:02Hey, there's a rumor going around that the messiah has come this way.
00:03:05Miria Martinez!
00:03:05That little beard!
00:03:07That disgusting prairie father!
00:03:08Hey, dude!
00:03:11Well, well, this is a fashion plate.
00:03:12Man, I go everywhere by bike, dude.
00:03:14Come on, you?
00:03:15Yeah.
00:03:15Come on, man.
00:03:16Look who's here, look.
00:03:17Look, look, look at what it's like.
00:03:19Hello!
00:03:19No, let's turn it around.
00:03:20She's a little embarrassed.
00:03:21As if you didn't fall for his mother.
00:03:23What did he say about his mother?
00:03:25Of course, yes.
00:03:25Thank goodness nature is wise.
00:03:27Hey.
00:03:27Okay, ma'am, do me a favor.
00:03:29I hope you take it now because I'm going to work.
00:03:31I'm joining the tavern today.
00:03:32Oh, hello!
00:03:33What is it?
00:03:33Give it to me so I can take it.
00:03:34No, no, not you, Herod.
00:03:35You are Herod.
00:03:36Herod, Herod.
00:03:37It offends me greatly that you call me Herod, you know?
00:03:40Hey, Dad, after all this time you've probably forgotten how to cast fishing rods and everything.
00:03:43I can't believe you're saying that, my son, because that's in the family's DNA.
00:03:47In other words, we mountain folk don't forget to throw beers or cut ham.
00:03:49And well, yes, I'm a little bit hesitant.
00:03:51Have it now.
00:03:51Let me get it.
00:03:57And this one is located in a ground zero there.
00:03:59Very complex, very complex.
00:04:01Yeah?
00:04:03Yes, one moment.
00:04:04Dad, he's the one from the agency.
00:04:07Uh, no, no, my father isn't here.
00:04:12Yes, uh-huh.
00:04:13Yes, I'll pass on the message.
00:04:15Okay, see you later.
00:04:17Thank you, Curro, son.
00:04:20Well, he's been calling for two days and I'm not in the mood for any more trouble.
00:04:23Come on, let's go, I don't want to be late.
00:04:24He doesn't have the body for more brown skin.
00:04:26But we go to the tavern and we go to the caton, kissant.
00:04:28Let's get started with the path, then.
00:04:32Let's see.
00:04:33Miguel, what community is this?
00:04:36Navarre.
00:04:37Navarre.
00:04:38Navarre is here.
00:04:39Here.
00:04:41Does anyone know?
00:04:43Curro.
00:04:48Yes, uh...
00:04:50Valencia?
00:04:51But please, work.
00:04:53Okay.
00:04:54Murcia.
00:04:55Murcia!
00:04:56But you also used to go to Mazarrón on holiday when you were little, right?
00:04:59So, what can you tell us about Murcia?
00:05:03From Murcia, well...
00:05:15How are you?
00:05:17How are you?
00:05:20How are you?
00:05:21We'll talk later.
00:05:21Choni?
00:05:29Okay guys, quiet, quiet
00:05:30I see you're not familiar with the autonomous communities.
00:05:33So you're going to prepare me
00:05:34One four-page document each
00:05:36You can find me on the internet
00:05:39My son, my daughter, man
00:05:40You can't be the age you are
00:05:41And not knowing the country where you live
00:05:44Okay, take notes.
00:05:45Miguel, Navarra
00:05:48Fernando, Alicia
00:05:49Curro
00:05:50Don't tell me, Murcia
00:05:52Well, now you know.
00:05:59What are you doing?
00:06:01Well, that's it, otherwise it'll get wrinkled.
00:06:03Everything needs ironing and...
00:06:06Iron it?
00:06:08Iron it? Who do you think you are, kid?
00:06:10Get out of my friend's life! Get out of my friend's life!
00:06:14So, how's it going?
00:06:16So, how are you doing?
00:06:17Tell me
00:06:17Alright, dude, cool, better than ever
00:06:19Well, looking for a job and all that
00:06:21Yeah, so that
00:06:23As always, right?
00:06:26Scratching your belly
00:06:27Hey, hey, show some respect, man.
00:06:29I've done my little things
00:06:31I was with Chucky in a lab, dude.
00:06:33We were guinea pigs
00:06:34I already noticed, I already noticed some aftereffects
00:06:37Okay, so what about the girls?
00:06:38Hey?
00:06:39No, man, I'm not spending on that right now.
00:06:41Glutton, for God's sake, considering what you've been to the female universe
00:06:44Wow, come on, come on, come on
00:06:45Go away, get away
00:06:45What's up? What happened?
00:06:46What happened?
00:06:47I mean, more, dude, yeah...
00:06:48Africa had a terrible time
00:06:49And I was a little like that too, you know?
00:06:52When I quit and that
00:06:53When did you quit?
00:06:55Yes, it was...
00:06:56But, well, wait a minute
00:06:57It wasn't...
00:06:57It wasn't Africa that got involved.
00:07:00Yes, but well, that was circumstantial.
00:07:02So, yes
00:07:04I caught her in the park making out with this hunk.
00:07:07Know?
00:07:07Yes, I saw it.
00:07:08Hey?
00:07:09And dressed in chicken, that's what makes it stand out.
00:07:10Know?
00:07:12But, dude, don't worry
00:07:14If you know what I'm like, Marcos
00:07:15Let's see, I told myself
00:07:16Raúl, man, we have to grab the bull by the horns
00:07:18Never a truer word spoken
00:07:19I, at that time, saw a gaze in this house
00:07:23Africa
00:07:26We need to talk
00:07:30Do you know about me?
00:07:31I know
00:07:32Don't continue
00:07:34It's not your fault
00:07:35It's not my fault
00:07:36It's nobody's fault
00:07:38Our paths diverge
00:07:40Yeah, but we could still...
00:07:42No, no, no
00:07:43Let's not fool ourselves, Africa
00:07:46There is nothing in the world that does not have an end
00:07:48Not even our love story
00:07:52Come on
00:07:53Come on
00:07:55Think about it, even though we've never been
00:07:57We'll always have Paris.
00:08:00Or call it France
00:08:03Come on
00:08:04That's it
00:08:06But, is it really like you're telling me?
00:08:08Point by point
00:08:10Hey?
00:08:11You're not the only one who's grown up here.
00:08:13Kid, and he's evolved
00:08:14I may not have been a father, but
00:08:16I don't have the one for The Turkey either.
00:08:17No, good, good
00:08:18Alright, man, alright
00:08:20A new Raúl
00:08:21Completely
00:08:21Very good
00:08:24But the point is, you're talking to us, right?
00:08:26No, not in my opinion.
00:08:27Hey?
00:08:28No
00:08:28In my opinion
00:08:29I think that...
00:08:30Come on, Africa can't beat it.
00:08:33Know?
00:08:35If this Heiberman
00:08:37Hey?
00:08:37If this one has a shelter
00:08:41The truth is that I prefer Mexico
00:08:42Yeah?
00:08:43Well, but the Cuban pace of life
00:08:45Nor should it be underestimated
00:08:46I don't know
00:08:47The only thing I'm sure of is...
00:08:48I'd like it to be in the Caribbean
00:08:50Yeah
00:08:51The truth is that the Caribbean is a place
00:08:52To fall in love
00:08:53Okay, that's enough, right?
00:08:54Don't you know how to talk about anything else?
00:08:57Hey, what's the point of work, anyway?
00:08:58To prepare for the holidays, right, Chani?
00:09:00Yes, I know.
00:09:01Forgive me
00:09:01But then you hear about the Caribbean
00:09:02And something comes over me.
00:09:04Seven evils enter my body
00:09:05What's wrong with you, Chani?
00:09:06What's wrong with me?
00:09:07Well, it happens to me too.
00:09:08That the last postcard I received from Josico
00:09:10The Bermuda Era
00:09:11The previous one from Havana
00:09:12And it's already been six months.
00:09:14Pussy
00:09:14It's not right.
00:09:15I'm starting to dislike this area
00:09:16I won't even tell you.
00:09:17Okay, don't worry.
00:09:18Surely the Caribbean is not to blame
00:09:19Is he not to blame?
00:09:20Of course he's to blame
00:09:21Because of that sea
00:09:22And about that man
00:09:22You and I
00:09:23Widow with body present
00:09:24Pussy
00:09:24That everything was about getting married
00:09:25And leave
00:09:26Yeah, yeah, yeah
00:09:27But
00:09:28But nothing
00:09:29But nothing
00:09:30Because I am a young woman
00:09:31And I have to have it here.
00:09:33By my side
00:09:33Giving me
00:09:35Dear
00:09:35Woman, but surely
00:09:36He will need your love too.
00:09:39Well, look
00:09:40I hope so
00:09:40I hope so
00:09:41Because if I'm out there
00:09:42Dedicating herself to dance
00:09:43With some mulatto woman
00:09:44Of those southern ones
00:09:45From the South Seas
00:09:45I'll kill him
00:09:47I don't even want to think about it.
00:09:47What's happening?
00:09:48Are you going to kill?
00:09:48Yeah, you
00:09:48Oh, darling.
00:09:50Dear
00:09:52Dear
00:09:52But what are you doing here?
00:09:53But how?
00:09:54But why didn't you warn me?
00:09:55Were you coming, darling?
00:09:56To surprise you
00:09:57Pussy
00:09:58To see if you are
00:10:00Portándote
00:10:00Good, huh?
00:10:02Well darling
00:10:04Do you know how good I am?
00:10:06That?
00:10:07That?
00:10:07That?
00:10:08What do I tell Lurditas?
00:10:10What do I tell Lurditas?
00:10:10What have you gone to learn?
00:10:11Yes, tell him.
00:10:11Yes, yes
00:10:12Fernando
00:10:12Welcome, huh?
00:10:14Dear
00:10:15But how much I've missed you!
00:10:20What a joy!
00:10:21How exciting!
00:10:22Everything in its place
00:10:24The ham
00:10:25The reeds
00:10:26The bar
00:10:26And to the peanuts
00:10:28I'm excited, aren't I?
00:10:30Yeah
00:10:31I'll come pick you up at Barajas.
00:10:32Come on, a kiss
00:10:33Bye
00:10:33Man, Diego
00:10:34Emilia
00:10:37I wanted to talk to you
00:10:37How are you?
00:10:38Thanks a lot
00:10:39Thank you for keeping me.
00:10:40At the workplace
00:10:40And these extra days
00:10:41They've been very useful to me.
00:10:42Thank you so much
00:10:43No, no, no, no, Emilia
00:10:45Neither one thing nor the other
00:10:46No, no, no
00:10:47If things are to be appreciated
00:10:48Thank you
00:10:48And how do you show gratitude for things?
00:10:50Working
00:10:50I have returned here ready
00:10:51To work at 100%
00:10:52What am I saying 100%?
00:10:53At 110% Emilia
00:10:55But Santiago hasn't told you anything.
00:10:56No
00:10:57What did Santiago have to say to me?
00:11:00Santi
00:11:00What's the matter?
00:11:02Santi
00:11:03Santi
00:11:04No, and in the end
00:11:05That?
00:11:06Say
00:11:07Let's see
00:11:09You at work
00:11:10Thus in the short term
00:11:11What plans do you have?
00:11:13Yeah, I can see you coming.
00:11:14Of course
00:11:16In other words, working here in the tavern
00:11:17Every day
00:11:18Except Sunday
00:11:19If you don't mind
00:11:20That?
00:11:21Mistake
00:11:22Emilia, you go next.
00:11:23Let's see
00:11:24For this, I am the boss.
00:11:25No, it's just that
00:11:26My God
00:11:27What's happening?
00:11:27Let's see, Diego
00:11:28Let's see
00:11:28Well, I've put the tavern up for sale.
00:11:31What mistake?
00:11:32How does the tavern sell?
00:11:33Okay, okay
00:11:34She sells it
00:11:34To the best imposter
00:11:35Nothing, just misfortunes
00:11:36They never come alone
00:11:37Fuck
00:11:38Why haven't you told me anything?
00:11:39Santiago
00:11:39Because?
00:11:40Well, then
00:11:41Because
00:11:41Because
00:11:41Because
00:11:42I wanted
00:11:44To finish you off
00:11:45Okay
00:11:46And also
00:11:47Since these things go slowly
00:11:48Because they're from the palace.
00:11:49Well, there will be time.
00:11:50Well, they're not going that slowly, Santiago.
00:11:51Because I already have
00:11:53Buyer
00:11:54What now?
00:11:54What now?
00:11:54Yeah
00:11:55But right now?
00:11:56But right now?
00:11:57Yeah
00:11:57But what won't he buy?
00:11:58Let's see
00:11:58Well, a hamburger chain
00:12:00And also this afternoon
00:12:00The area chief is coming
00:12:01Let's see the place
00:12:02And to close the sale
00:12:02Did I say that?
00:12:03I didn't say it!
00:12:05Donkeyism!
00:12:06Donkeyism!
00:12:06What skinny dog?
00:12:07They're all fleas
00:12:08They're all fleas
00:12:09Damn it all
00:12:09I shit on my life
00:12:10I shit on the...
00:12:11I feel so bad for myself.
00:12:12I feel so bad for myself.
00:12:17Tiger
00:12:18What are you doing?
00:12:19Why are you taking so long?
00:12:20Well, nothing.
00:12:20Here
00:12:21Regaining strength
00:12:22For the second round
00:12:23Choni
00:12:24Do you like how you left my little house?
00:12:26A lot
00:12:27Well
00:12:27And now it's a home
00:12:28With you here
00:12:29That I finally have
00:12:30To all men
00:12:31That I want together
00:12:31I'm already closing the loop.
00:12:33And how much I wanted it
00:12:34I'd love to see you
00:12:35My love
00:12:35Yes, and I
00:12:36If you're small
00:12:37But I don't...
00:12:38Ah!
00:12:38Oh!
00:12:39What is it?
00:12:40No, a wound I have there
00:12:42And so?
00:12:43Well, nothing, just a...
00:12:44Let's see
00:12:45A little scratch
00:12:46No, no, no
00:12:47What did I do there?
00:12:47With this test winch
00:12:49But come on
00:12:49Which is nothing
00:12:50Come on, come on
00:12:51Come here
00:12:51I've missed you so much
00:12:53Yeah?
00:12:53Yes, yes
00:12:54Me too
00:12:55Well, don't go away so much.
00:12:56If you miss me that much
00:12:57Don't go back there
00:12:58Well
00:13:00Precisely
00:13:01That's what I wanted to talk to you about, Choni
00:13:02That
00:13:03Come on, I plan to leave soon
00:13:05No
00:13:06No, no, no
00:13:07Yeah
00:13:07Yes, very soon
00:13:09But with you, silly girl
00:13:11Omigo?
00:13:11Clear
00:13:12Well, I look too old to be a cabin boy, don't you?
00:13:14No, no, no, no
00:13:15Look
00:13:15The thing is, I've saved up a little money.
00:13:18And well
00:13:19I've saved quite a bit of money
00:13:20And come on, I'm thinking
00:13:21Leaving the Navy
00:13:21What a dick?
00:13:22I'm going to leave her
00:13:23Yes, yes, yes?
00:13:23Yeah?
00:13:24Yes, I want you and me
00:13:25We're helping this shabby country
00:13:27And let's go there
00:13:28Live life to the fullest
00:13:29What do you say?
00:13:30So where are we going?
00:13:31Well, to the best country
00:13:32Investing according to experts
00:13:33To Malta
00:13:34To Malta?
00:13:35To Malta, yes
00:13:37But that's not where the 12 to 1
00:13:38That's exactly it.
00:13:39I'm going to put you in there.
00:13:41A little bottle with a Spanish feel
00:13:42With his little flamenco dancer
00:13:44His song
00:13:45Its stage
00:13:46His ham
00:13:47Ah, but there's ham there too.
00:13:48Of course
00:13:49Maltese ham
00:13:52And do you think the song will be well-received there?
00:13:54To the Maltese?
00:13:55The Maltese are crazy about folk songs
00:13:57Look, with the song
00:13:59This Spanish body
00:14:00You from there
00:14:01To international stardom
00:14:03Good two
00:14:04Good morning
00:14:05My love
00:14:06You're such a troublemaker, you bastard.
00:14:08Just the way I like it
00:14:12Soni, I'm here now.
00:14:14Piti!
00:14:16Man
00:14:16Man, brother-in-law
00:14:18How are you?
00:14:19How are you?
00:14:20Have you returned yet?
00:14:20How's the world treating you?
00:14:21Very good
00:14:22My little snout and I are going to live in Malta
00:14:24To Malta?
00:14:25Yeah
00:14:26Where is the 12 to 1?
00:14:27Yeah
00:14:28What the hell are you going to do there?
00:14:29Because you don't know that in Malta
00:14:31The copla is in fashion
00:14:32Yeah
00:14:33We are going to set up a party hall
00:14:34With its hotel, its stage
00:14:36His little ham, his flamenco, and everything
00:14:37That?
00:14:38Well yes
00:14:39Yeah
00:14:39That the world is very big
00:14:40It is fruitful
00:14:41And Santa Augusta is very small
00:14:42And we're going to have at least
00:14:44Two performances a day
00:14:45One at eight and another at ten
00:14:46About what?
00:14:46From a karaoke bar or something like that?
00:14:48No, not karaoke
00:14:49Live now!
00:14:51Come on
00:14:52The thing is, I
00:14:52I might have to change my name
00:14:54Because that's how Chony Martín is for Malta
00:14:55You should too
00:14:56Something more international
00:14:57Look, do you know what you can do?
00:14:59To put on Chony the Fantastic
00:15:01That's enough already.
00:15:02A bit
00:15:05What's happening?
00:15:06No
00:15:07Let's hope the dry day continues
00:15:08No?
00:15:09Well, you saw it a little bit
00:15:11So, I'm the one who can't get over it.
00:15:14No?
00:15:14Damn it
00:15:15Don't swear in front of the girl
00:15:16Yes it's true
00:15:17Cover your ears, my love
00:15:20She's just like Eve.
00:15:22Well, I'm not one to divide opinions.
00:15:26Well, the fact is that he didn't even take the bull by the horns.
00:15:28And I don't want any jokes.
00:15:29We won't have Paris or Benidorm left.
00:15:32What nerve!
00:15:34Look, the day I told Raúl
00:15:35I still lived in your house
00:15:37Raul, we need to talk
00:15:41Do we need to talk?
00:15:42Or not?
00:15:43Because there are some things that are better left unsaid.
00:15:47Raul, I want us to break up
00:15:50What we had was a long time ago.
00:15:51It's leaking.
00:15:52That?
00:15:53No, no, no
00:15:55It's been a long time since
00:15:56To eat the artichokes' snouts in the park
00:15:58It's not something from a long time ago, it was just the other day
00:16:01Look, I'm not going in.
00:16:03You have your own thing too.
00:16:04And now I don't want to stir things up.
00:16:06Furthermore, Manu has nothing to do with this
00:16:08Raul, the problem is you and me.
00:16:11But it was expected.
00:16:12What are you telling me, man?
00:16:15Ah, let me tell you one thing, okay?
00:16:16You're not going to leave me, okay?
00:16:18I'll leave you, understand?
00:16:19I'll leave you now.
00:16:21Very well, whatever you want, Raúl
00:16:22Whatever you want
00:16:22But it's for the best for both of us.
00:16:24Hey?
00:16:24I love you so much
00:16:25And I would like us to at least be able to remain friends.
00:16:28Friends?
00:16:29Friends?
00:16:32Friends my ass
00:16:35Come on, that's Raúl in his purest form.
00:16:38Hello
00:16:39Look, let me introduce you to Manu
00:16:41Ah, hello, nice to meet you
00:16:43I know you from life
00:16:45Iva? Is Eva's daughter there?
00:16:46Yes, look
00:16:47Yes, yes, yes
00:16:48Mine
00:16:49Chloe
00:16:50Her name is Chloe
00:16:51I've heard about you too
00:16:54No, Eva told me that you spent the summers together in Camus
00:16:58Oh, wow, yes
00:16:59Wow, we had a great time
00:17:00Excellent
00:17:03Hey, you look great, huh?
00:17:05You've made yourself a fashion figure
00:17:07I mean
00:17:07Well, it looks like it will be, huh?
00:17:08Well, it's not the first time I've heard that.
00:17:10He picked up the habit of being a vice everywhere he went in Toulouse
00:17:12In vice?
00:17:13Yeah
00:17:14Yes, you hear it, you get hooked.
00:17:15And if you don't ride, you'll get withdrawal symptoms, huh?
00:17:17Damn, then come with me
00:17:18It is, no
00:17:20You too with the...
00:17:21Yeah
00:17:21Yes, yes, yes
00:17:22Yes, yes
00:17:23It's an animal, you don't know the things it does
00:17:28With the bike
00:17:30Nothing, look, I go out every day
00:17:32If you feel like it
00:17:33Are you going to look for someone tomorrow or...?
00:17:35No, no, I don't think I can
00:17:36Because I have a lot...
00:17:39Okay, dude, done.
00:17:40Okay, see you tomorrow then.
00:17:41Very good
00:17:42Okay, I'm going to have a class.
00:17:42God
00:17:43Bye
00:17:44Bye
00:17:45Bye
00:17:46The kid seems nice, huh?
00:17:47Yes, yes
00:17:48He sees it
00:17:49Pequinha
00:17:49Look, look
00:17:50Hey, stop playing with those things
00:17:52No, no, those things are from school here.
00:17:54Okay?
00:17:56Yes, father
00:17:58Yes, if Father knew that...
00:18:00We've sunk the tavern
00:18:01Don't torture yourself, Santi
00:18:02Please don't torture yourself anymore.
00:18:04Let's see one thing, guys
00:18:05That's not how it is, damn it
00:18:06Yes, father, yes, father
00:18:07What the hell, Dad?
00:18:08Well, no, no, it's not a dama fiti
00:18:09We have enough to deal with as it is, don't we?
00:18:11A little respect
00:18:11But what I'm saying is that man is made to fight against his destiny
00:18:14Damn, from the CIS champion to Carlos Sáenz
00:18:18I've come up with examples put to Carlos Sáenz
00:18:20Well, either the kid tries or he doesn't try.
00:18:21Yes, he tries, he tries
00:18:22But, dude, how come he doesn't know that?
00:18:23But the guy doesn't even try.
00:18:24Hello, good afternoon
00:18:25Well, I had arranged to meet the owner here.
00:18:27It hasn't arrived, it hasn't arrived yet, huh?
00:18:29Unclear
00:18:30I missed a meeting next door
00:18:31And it's gotten me a little ahead.
00:18:32Let's see if I could catch her.
00:18:33What are you here for?
00:18:35About the hamburgers?
00:18:37Exactly, yes, yes
00:18:37Oh, well, no...
00:18:39The owner isn't coming today, is she?
00:18:41But he has left someone in charge.
00:18:43In charge of showing him around the place
00:18:46To the acting manager
00:18:48Very good
00:18:48Here it is
00:18:49To teach him the...
00:18:51Hey?
00:18:51In charge
00:18:52Can you show it to me?
00:18:53The place
00:18:53Yes, yes, yes
00:18:54I'll show you the establishment
00:18:56Come on, come on
00:18:58Come on
00:18:58What are you doing, you're messing things up again?
00:19:00I know you, you're messing things up.
00:19:01If fate takes a turn
00:19:03It needs to be straightened out
00:19:04Well
00:19:05They do have damp stains, though, huh?
00:19:07Ah, yes
00:19:07We need to do a little painting, okay?
00:19:09Not me, if we paint, we paint.
00:19:1050 times we paint
00:19:12It comes out 50 times
00:19:13What reason?
00:19:13I've been coming here for 15 years
00:19:15And I've experienced this firsthand.
00:19:16For as long as God knows what?
00:19:18Okay, what about the bar, the cameras?
00:19:20Could I see them?
00:19:21Oh, yes, yes
00:19:21Are...
00:19:22They are very pretty
00:19:24Now, let's cool down what's being said
00:19:25Cool
00:19:26Not cold
00:19:27Okay, let's go
00:19:28I come here, let's say
00:19:29Out of friendship
00:19:31Because, let's go
00:19:31The small bottles
00:19:32Come on
00:19:32Hot as piss
00:19:34Not to mention the subject...
00:19:36Regarding the topic of rodents
00:19:37Rats?
00:19:38Tell me there are rats.
00:19:39Diego?
00:19:40Yeah
00:19:41Think about it, okay?
00:19:48The rats, go see them
00:19:50As?
00:19:52I was there yesterday, actually.
00:19:53Joking with the owner
00:19:54I mean, this whole hamburger thing
00:19:56They're going to have meat
00:19:57That's more than enough.
00:19:58That's why they say
00:19:59Of the hamburgers
00:20:01How funny, yes
00:20:03I'm not kidding, okay?
00:20:05Don't bug
00:20:06The coqui
00:20:06But has he left?
00:20:08Yeah
00:20:08Yes, apparently
00:20:09The place didn't suit him
00:20:11With what they had
00:20:12Of expectations
00:20:12Business for the local
00:20:13But the thing is
00:20:14How unserious people are
00:20:15Really
00:20:16Well, I've already given the signal
00:20:17To the others
00:20:18And tomorrow on top of that
00:20:18I had arranged to meet them
00:20:19Let's see what I do now.
00:20:21And let's see what we do.
00:20:22Brother
00:20:24We've bought ourselves some time
00:20:30Okay, okay, okay
00:20:31I'm crying!
00:20:32Ole!
00:20:33Alleluia!
00:20:33That is
00:20:34For Malta
00:20:36And for their future queen
00:20:38My wife
00:20:39Oh, oh, oh!
00:20:40Careful
00:20:40Oh, my husband!
00:20:41Ole!
00:20:41Oh!
00:20:42Also, listen
00:20:42Also because of all the money he's earned
00:20:44Wherever he came from
00:20:46If you don't start
00:20:47Okay, then, let's go
00:20:48Cheers
00:20:48Come on
00:20:49Wow!
00:20:49Cheers!
00:20:50Health!
00:20:51Health!
00:20:51Fumica!
00:20:54Damn, man!
00:20:55So they must pay well in this marina, huh?
00:20:57Well, just with what the dinner cost you.
00:20:59Well, I see you're all very interested in my income, huh?
00:21:02I wasn't doing anything to avoid worrying you, but
00:21:05But I want you to know that I've been sailing
00:21:06Through the most dangerous spots on the globe
00:21:08And of course
00:21:08That's paid for.
00:21:10Look, look
00:21:11I feel like slapping you.
00:21:13For example
00:21:14Does the Drake Passage ring a bell?
00:21:17Cape Horn?
00:21:18Cape Horn?
00:21:19Ah, about the photo!
00:21:20The fact is that between
00:21:21Between hazard pay
00:21:23Overtime
00:21:23And of course, you can't spend anything
00:21:25Well, it keeps adding up, it keeps adding up and...
00:21:27And in the end, it makes me want to enlist.
00:21:30Are you going to enlist?
00:21:31Are you going to enlist?
00:21:32Are you going to enroll with us?
00:21:33Are you coming with us to Malta?
00:21:35Tell him, Jesico
00:21:35Okay, okay, okay
00:21:36Nothing is clear
00:21:37A moment when nothing is clear
00:21:38The thing is, I'm going to need
00:21:41Plenty of staff for the hotel in Malta
00:21:43Careful
00:21:44Trusted staff
00:21:45Yes, yes
00:21:46I'm in!
00:21:47I'm in for the Malta thing
00:21:47I'm in
00:21:48Damn, damn
00:21:48There have to be some beaches there.
00:21:50Some hot chicks, man
00:21:51And what about?
00:21:53Uh, I believe in whatever.
00:21:54Tito, you already know
00:21:54I had thought of you
00:21:56Let's see what you think.
00:21:57Maybe not...
00:21:58But let's see what you think.
00:21:59Yeah
00:22:00Uh, from Public Relations
00:22:04In other words, Public Relations
00:22:07Damn, how do you know me, Tito?
00:22:09Damn it!
00:22:11I am your man
00:22:12I am your man
00:22:12Eh, eh, eh
00:22:13Laughter, slower
00:22:14We need to talk about that, okay?
00:22:15Let's not rush into anything
00:22:16And don't fill his head with nonsense, okay?
00:22:18Well, your father will have something to say.
00:22:19Even if you are of legal age
00:22:21Yes, Dad.
00:22:22We spoke to him
00:22:24But I am your man
00:22:26Watch out, damn it
00:22:27You have a wound, Raúl
00:22:29Nothing, no, it's just a scratch
00:22:30What did I do there with the winch?
00:22:32There at Drey Pass
00:22:33And then
00:22:34It doesn't surprise me at all.
00:22:35And then you get paid what you get paid
00:22:36So dangerous
00:22:41But look how much fun they're having!
00:22:42Yeah
00:22:42How wonderful that they are both cousins
00:22:44Of the same age
00:22:45Oh, I don't know what you want me to say, huh?
00:22:47Because with this family's track record
00:22:50They'll probably end up as a couple.
00:22:51Well, besides, cousins are all the rage now.
00:22:53Yes indeed
00:22:55By hand
00:22:56That means you earned it through hard work.
00:22:57Look, look
00:22:58Okay, let's see.
00:23:00Let's see, let's see
00:23:01They'll say whatever they want.
00:23:03But, but
00:23:03Look, look
00:23:05You tell me if this mouth
00:23:07This mouth is not mountainous
00:23:08Let's see
00:23:08Let's see that little mouth
00:23:09Let's see, let's see, let's see
00:23:11Let's see, let's see
00:23:11Let's see, let's see
00:23:12Let's see
00:23:12Let's see
00:23:12Let's see
00:23:12Let's see
00:23:13Let's see
00:23:13Right, right, Lourdes?
00:23:14TRUE?
00:23:15The fact that?
00:23:16The mouth, the...
00:23:17Well, you only have to see it to know.
00:23:19Serrana, serrano
00:23:20TRUE?
00:23:21TRUE?
00:23:21I'm going to talk
00:23:23TRUE?
00:23:24Stay, my uncle
00:23:25Come, come
00:23:28But Santi
00:23:31Cheer up, God tests us but doesn't abandon us.
00:23:32You'll see, everything will work out.
00:23:33Here, darling.
00:23:34Being tiny
00:23:35Look at him
00:23:36That law is going to be passed
00:23:38Very handsome
00:23:39What's up?
00:23:39Look, I'm Jorge Moreno, from the agency
00:23:41Oh, yes, yes
00:23:42Pass, pass
00:23:43Thank you
00:23:44My son...
00:23:46My son had told me that he had called
00:23:47This way, this way
00:23:48That he had called several times
00:23:49And he'll be surprised that I haven't answered him.
00:23:51But look at you
00:23:51I'm a little busy, you know?
00:23:53And of course, when you're involved
00:23:54Well, there's no time.
00:23:54Yeah, yeah, yeah
00:23:55No, yes, yes
00:23:56I'll take care of it.
00:23:56In fact, I wasn't planning on coming.
00:23:57But I've already had a visitor come up nearby.
00:23:58And I say, well, I'll pass by in person.
00:24:00Well, you tell me
00:24:01Please sit down
00:24:02Thank you so much
00:24:03Let's see
00:24:03It's because of the liquidation issue.
00:24:05Already
00:24:06Already
00:24:07Look, it caught me at a bad time
00:24:09Because right now I
00:24:09I can't take responsibility for more than that.
00:24:11We have a little moment
00:24:12No, no, no
00:24:13I don't think he understood me.
00:24:14It is the settlement of a life insurance policy.
00:24:16That he had hired his wife
00:24:18That?
00:24:19Yes, that's for sure.
00:24:19Come on, I feel for you.
00:24:21Thanks a lot
00:24:23And well, then
00:24:24Let's see
00:24:25You, Diego Serrano
00:24:28Well, he is the direct beneficiary of the policy.
00:24:36Welcome
00:24:39Santi
00:24:40Come here a moment, please.
00:24:44Do you know anything about an insurance policy?
00:24:46Ah, I gave all the papers to the guy at the agency
00:24:48Because?
00:24:49That?
00:24:50What's happening?
00:24:53See
00:24:55I move
00:25:05Of course
00:25:07These people are really something.
00:25:09Kid, who never stops
00:25:10Fuck
00:25:11You're also very sensitive about the issue
00:25:14What do you say?
00:25:17It's true, damn it
00:25:18Not so much, and neither are others.
00:25:20You tell me or you explain it to me
00:25:22I'm not exactly rolling in it either.
00:25:25For Malta
00:25:26Malta, it's going to be non-stop.
00:25:28No, don't trust him too much either.
00:25:30Shall we begin?
00:25:31Is this more complicated?
00:25:33No, fuck
00:25:34But that
00:25:34Keep going like that.
00:25:36And I'm already reading you
00:25:37All the nonsense that charlatan tells you
00:25:39And then the tears will come.
00:25:42Dude, when you're cross
00:25:43You're cross
00:25:44You don't seem happy.
00:25:45Well, no, I'm not happy about it.
00:25:46Because
00:25:47Because I don't trust them
00:25:48It annoys me
00:25:48It's been so long since I last appeared.
00:25:49What's happening?
00:25:50Why do they earn so much in the navy?
00:25:52No, damn it
00:25:54Let's see if you grow a little.
00:25:56Look at Marcos
00:25:56Okay, we're with Marcos now.
00:25:58Okay, okay, okay
00:26:00Maybe it's not an example
00:26:01But the kid seems focused
00:26:03There with the baby
00:26:04Taking the bull by the horns
00:26:07Well, look
00:26:07I'm going to be amazed
00:26:08The cunt is already there
00:26:10Bye
00:26:11Sorry, man
00:26:12I'm going to sleep now
00:26:13Come on
00:26:14See you tomorrow
00:26:14Thank you
00:26:17Nothing, I just can't fall asleep
00:26:20I was used to Caribbean time.
00:26:22And so
00:26:22That's going to be it
00:26:23Yeah
00:26:24Well, let's see if a shower helps.
00:26:26And a small glass of milk
00:26:28See you tomorrow
00:26:29See you later
00:26:54No, no, no
00:27:16I don't know, brother. I'm not sure.
00:27:18Because it's like...
00:27:20As if this money weren't mine.
00:27:22Yeah, bro.
00:27:23You need to know how desperate we are.
00:27:25Yes, but what do you think? That I wouldn't like my money back, of course?
00:27:29Well, not that money. He sees Emilia.
00:27:32He's probably waiting until we have the rest.
00:27:36It's our tavern, brother.
00:27:38What do you think, Santi? That I don't think that.
00:27:40I pretend I don't sleep a wink or know anything.
00:27:42But it's as if this money belonged to Lucia.
00:27:46You understand?
00:27:50Yes, I did see a tattoo on him yesterday.
00:27:53And a ton of people, man.
00:27:55Yes. But people who get tattoos don't go around announcing it.
00:27:58Because she did it with a sling or I don't know what the hell.
00:28:00What he's hiding. What he's hiding. I'm telling you.
00:28:03I'm counting on you, okay?
00:28:04Just go with the flow, okay?
00:28:05Okay, okay.
00:28:06You do what you do.
00:28:08Hey! What's up?
00:28:10Well, it's about time, isn't it?
00:28:12Good morning to you too, brother-in-law.
00:28:14Where are you going? Where are you going?
00:28:15Well, damn it, I need to change. Where am I going to go?
00:28:17Hey, damn it, we're all men here.
00:28:19Damn, we're just friends. Your coffee's going to get cold.
00:28:21Come on, sit down.
00:28:23Go on.
00:28:24What's up, Tito?
00:28:25Good morning, child.
00:28:26How are you?
00:28:27Nothing here.
00:28:27Having breakfast.
00:28:32Hey, look, we didn't even win any games this year, man, huh?
00:28:37It's just that some packages...
00:28:38Well, Alcorcón can't seem to get back on its feet.
00:28:42And when will I be the regional one?
00:28:44Well, the regional league, you might get a regional team in the cup.
00:28:47Or you might get it in a friendly match.
00:28:48Today's regional team is tomorrow's rival, man.
00:28:51Also.
00:28:52Damn, what?
00:28:52Excuse me, damn it.
00:28:53Are you stupid?
00:28:54Take off your shirt.
00:28:56Pussy.
00:28:57But what's going on, do you like me or...?
00:28:58No way, you're going to get cold in there with all that sticky juice and...
00:29:02Well, that's it, I'm going to change now.
00:29:04Well, then switch.
00:29:06Clear?
00:29:06I need to change myself.
00:29:07Sure, switch.
00:29:11What have you seen in me?
00:29:12What have you seen in me?
00:29:13How poor!
00:29:14Lauri!
00:29:14Lauri!
00:29:16Sure?
00:29:17A girl?
00:29:18No, a siren, it doesn't bother you.
00:29:21That's intense, man.
00:29:23Mr. Martinez.
00:29:25Me first, then you.
00:29:26And now you, man.
00:29:28We're more like a cattle farm than a family.
00:29:30I shit on Satan.
00:29:32Okay, let's say I put up Lucia's money.
00:29:34But who can assure us that Emilia will wait until God knows when?
00:29:37Hello.
00:29:38Exactly the same, it's exactly the same.
00:29:40She's exactly the same, exactly like Lucía, huh?
00:29:42Just look at the nose, right?
00:29:44Yes, and you only have to look at your face to know that you weren't talking about your granddaughter.
00:29:48Well, no, Carmen, no.
00:29:49We were talking about the tavern.
00:29:51But not in general.
00:29:52We were talking about using the insurance to buy it.
00:29:55Now, I've said it.
00:29:56Because otherwise Emilia will already be seen with the embuguesas.
00:30:01I'm sure Lucia would use it in the tavern.
00:30:05And that would make him very happy.
00:30:08Thank you, Carmen.
00:30:09Thank you, but I have no doubts.
00:30:10So you look at her and she's a dead ringer for Lucia.
00:30:13I mean, you see her and it's like...
00:30:14Yeah.
00:30:15I mean, I think it's a great idea too.
00:30:17Ah, that...
00:30:18Well, I doubt it, Tete, I doubt it.
00:30:20Already.
00:30:20Let's see where I'm going to get the money to send you to university someday.
00:30:23But let's see, Dad, university.
00:30:25Have you seen my appearance?
00:30:26Do you think I'm going to go to university?
00:30:27Come on, please call.
00:30:29Maritón surely received a scholarship for getting good grades, right?
00:30:31Well, fine, I appreciate it.
00:30:33But anyway, the insurance money isn't enough.
00:30:35In other words, we gave Rupilanchas a loan and that completes it.
00:30:38Okay, I'll open it, alright?
00:30:40She looks just like me.
00:30:41I mean, I was just saying, right, Currito, she looked exactly like me.
00:30:44Dad, she looks like Lucia and I know you were talking about the tavern.
00:30:50Hey, Marcos isn't here.
00:30:51He went out very early to do some exercise.
00:30:53Look, look, are you telling me?
00:30:54Marcos is going to play and do sports.
00:30:56Are you playing with me or what?
00:30:57No, no, Manu has instilled in him the athlete's bug and they've gone out for a bike ride.
00:31:02You know that when Manu sets his mind to something...
00:31:04Did your cousin leave?
00:31:06Well, Manu my cousin, Manu your X's boyfriend to Manu X, as Diego would say.
00:31:11What are you saying?
00:31:12Man, it probably only took Marcos five seconds to realize that the muscleman is an idiot, man.
00:31:16Well, I don't...
00:31:17It's arrived, man.
00:31:19It has already arrived.
00:31:19Hey, see? Some take longer.
00:31:24Hello.
00:31:25How are you?
00:31:26Hello.
00:31:29Okay, Manu, dude, we'll talk later, okay?
00:31:31Okay, see you later, Manu.
00:31:32Bye.
00:31:48That?
00:31:50That?
00:31:51Nothing.
00:31:52No, your friend would have been fine for going to do sports too.
00:31:55I mean, me.
00:31:56So, Raúl, I wake you up early this morning to go exercise and you throw a
00:31:59shoe to face.
00:32:00Maybe not.
00:32:01I feel like it too.
00:32:02It happens sometimes.
00:32:03Dude, you were only there for an hour.
00:32:06I go out in Toulouse to stay in shape, but...
00:32:08And what about this Manu guy?
00:32:12He's a good kid, isn't he?
00:32:14Already.
00:32:14Alright, man, I'm off, you'll have to take a shower and...
00:32:16Raul, Raul, uncle, Raul.
00:32:17Hey.
00:32:18Stay for breakfast.
00:32:19I've had breakfast, Marcos, you know?
00:32:20And I've got stuff to do, man.
00:32:23Ah, I have to make some moves, man.
00:32:25I might go to Malta, you know?
00:32:26And I am...
00:32:27To Malta?
00:32:28Yes, where the 12-1.
00:32:29Look, what are you doing in Malta?
00:32:30Well, I might go there too, man, from Bully Relations, my Uncle José Luis's right-hand man.
00:32:35For some business deals and stuff, man, one thing...
00:32:37Uncle José Luis?
00:32:38Yeah.
00:32:39The same one who was going to be our music manager or the one who was going to make you a supermodel in 2007
00:32:44either...
00:32:45No, wait.
00:32:45Okay, that's enough, buddy, he's traveled, you know?
00:32:47He has traveled and learned.
00:32:48You're not the only one who's changed in this time, buddy.
00:32:52Raul.
00:32:54That?
00:32:55I'm taking a shower, I'm taking a shower, I'm taking a shower.
00:32:56We'll have breakfast in five minutes and you can tell me about it.
00:32:58I've got some issues, man.
00:32:59I had to go to the Maltese Embassy, you know?
00:33:01Raúl, eh.
00:33:02How long has it been since we were together?
00:33:07You have churros.
00:33:08It's best if we tell them outright before we do.
00:33:10Because Emilia is a little stubborn.
00:33:13He's a little, no, very stubborn.
00:33:14The frying pan said to the saucepan.
00:33:16Well, the point is that the bank will answer us today or tomorrow, right?
00:33:19Well, we'll say it and that's that.
00:33:20Because what problem will he have in waiting for us for a few days?
00:33:24The problem is that I've already given the signal.
00:33:27But Emilia, all we're asking is that you wait a few days.
00:33:30Like I said, but they're not waiting for me.
00:33:31Either I pay or they sell it to someone else.
00:33:34We're in the same situation, you understand?
00:33:38Don't look at me like that, please.
00:33:39If I had preferred to resell it to you.
00:33:42But things have turned out the way they have, and what do I know?
00:33:46I'm sorry, I really am sorry.
00:33:49Santiago, Diego.
00:33:53Father's tavern, turned into a dump, what will become of us?
00:34:00Tell me.
00:34:01I want a Super Nuggets Chicken Barbecue.
00:34:05Super Nuggets Chicken Barbecue?
00:34:07No, Super Nuggets Chicken Barbecue, okay?
00:34:11And a Happy Combo Night's Day?
00:34:14A Happy Combo Night's Day.
00:34:16Happy.
00:34:17Happy.
00:34:18Not happy.
00:34:19Happy.
00:34:20Happy.
00:34:20Here's a chicken japa.
00:34:28Forgive him, Father.
00:34:35I'm looking and looking, brother, but I'm not going to work somewhere else, I don't think so.
00:34:38Neither I, brother, nor I.
00:34:42A nice coffee, woman.
00:34:44Brother, it's not going to be even half good, that's for sure.
00:34:46I mean, so much light from the photocopier in my eyes all day.
00:34:49Come on, come on, are you going to rest a little now?
00:34:51You're being tiresome, aren't you, Fiti?
00:34:52You're tiresome.
00:34:53And leave this alone, you're going to get it all over me.
00:34:55Okay, I'll leave you here, okay?
00:34:59And come on, I'm going to tell you something else.
00:35:02I mean, it's been a long time since you and I had a brother-sister chat.
00:35:07Oh, those little eyes.
00:35:09Those little eyes scare me.
00:35:12Come on.
00:35:13What do you want?
00:35:15Look.
00:35:17You're practically the only family I have left, you know?
00:35:20And I don't want my son and my sister out there in the middle of nowhere.
00:35:24What do you want me to say?
00:35:25I don't want you to leave.
00:35:27I know you're going to miss me a lot, Fiti, and I'll miss you too.
00:35:30Yes, yes.
00:35:31Because having you here will be the same as having you in Malta in the middle of Africa.
00:35:36The thing is...
00:35:37But, Fiti, for God's sake, let it not be like that, because nowadays with airplanes you're in a death trap.
00:35:41in the sun.
00:35:42Oh, and it's not unusual to go to Malta to open a hotel.
00:35:45Well, that's just as strange as you going to Mexico to open a hotel.
00:35:48Well, no, because I left, but it doesn't fool anyone.
00:35:51We're here.
00:35:52Let's stop, let's stop because you were doing really well and you're going downhill.
00:35:56You haven't given any sign of life for a long time.
00:35:58And now he comes and wants to take you away, doesn't he?
00:35:59Well, damn it, when has the creature ever been able to?
00:36:01When has she been able to? No, when the other one has let her.
00:36:04What are you saying, Fiti?
00:36:05Look, if you didn't find out from me, you were going to find out from somewhere else.
00:36:07So that's better.
00:36:09You've got a tattoo here, huh?
00:36:10The name of the beloved.
00:36:15And how quick are you to see the infidelity in others?
00:36:17And I remind you that yours had already been on fire for a week in the Canary Islands.
00:36:40Marcos, is something wrong?
00:36:41No, no, no, my daughter is asleep.
00:36:44Oh, well, I'll call you later.
00:36:48And so?
00:36:48No, no, tell me, tell me.
00:36:50No, I had bought it to make pizzas tonight.
00:36:53Would you like to come over to my place and we can connect to talk to Eva?
00:36:56Tonight?
00:36:57Well, you have plans, don't you?
00:36:59No, no, no, come on, okay, I'll stop by.
00:37:01Great, then come by at ten, okay?
00:37:03Okay.
00:37:03A little kiss.
00:37:04Hey, say hi to Chucha Club for me.
00:37:06Bye.
00:37:21Fuck.
00:37:22What's the whore like?
00:37:25Pussy!
00:37:27Go!
00:37:31What's up, Tom?
00:37:32The girl is sleeping.
00:37:37Oh!
00:37:39You're stupid, dude.
00:37:41Wait, wait, you just left.
00:37:43Are you going to stay out of profit?
00:37:45No, I'll pass, I'll pass, listen to me.
00:37:47The people from the 24th have opened another little home.
00:37:49I'll come pick you up at ten and we'll go burning, you and I.
00:37:51Saintly just like the old ones.
00:37:53No, no, no, I can't.
00:37:54No, no, don't mess with me, don't mess with me, Marcos, dude.
00:37:55You leave the child with your father, who sees her very little.
00:37:57I don't know, that's not it.
00:37:58The thing is...
00:37:59It's because I don't come often, because my uncles want me to come and meet the girl.
00:38:04All my uncles.
00:38:05Today I'm meeting Aunt Paquita.
00:38:07Paquita?
00:38:09Paquita.
00:38:11That's not the one I...
00:38:12The one I rubbed when I got the shot of the...
00:38:14That.
00:38:16That one, that one, that one.
00:38:17Damn, Paquita.
00:38:18It's a family matter.
00:38:20I'm telling him this for his own good, because it is for his own good, right?
00:38:22And then he brings up the Canary Islands thing, man.
00:38:24Kitty, what will be, will be.
00:38:26You can't fight against destiny, that's all.
00:38:28Damn, that destiny one.
00:38:30No, please, have they taken down the sign again?
00:38:33This neighborhood is full of scoundrels.
00:38:35Well, keep a close eye on them, damn it, I've put seven.
00:38:38There already are.
00:38:38Have they set another one on me?
00:38:41Here, take it and recycle it, because you're capable of cutting down the Amazon.
00:38:44For me.
00:38:45I don't care if he cuts down the whole world.
00:38:47It's the Amazon, a dad's tavern.
00:38:49And besides, what do you do?
00:38:50What are you doing with that nonsense?
00:38:52That's nonsense.
00:38:53Are you delaying or what cannot be delayed?
00:38:55What's going on here?
00:38:56You need time, don't you?
00:38:57So, do you know how to get time?
00:39:00Well, with a straw man.
00:39:02And you will tell me, what is a straw man?
00:39:04The one from The Wizard of O?
00:39:06No, no, no, no.
00:39:07It's kind of like the head of the UN, isn't it?
00:39:09There, there, on another level, but that's it.
00:39:12In other words, it would be a buyer who would keep Emilia entertained while the bank releases the cash.
00:39:16What a straw buyer.
00:39:18In other words, it's false.
00:39:19There, there, there, there, you're getting it.
00:39:22In other words, the moment you have the money, our man disappears into thin air.
00:39:26Good.
00:39:27It's well done.
00:39:28No, I understand it and it's a good point.
00:39:29We wait, we wait.
00:39:30This straw man, how does he manipulate Emilia?
00:39:32That's not even mentioning who the straw man is.
00:39:35Alright.
00:39:35Well, it has to be someone, necessarily, that Emilia knows us.
00:39:39Okay?
00:39:39Someone who looks honest and is willing to cooperate.
00:39:41Hello, family.
00:39:43How are you, son?
00:39:44Man.
00:39:45How are you?
00:39:45Hey?
00:39:46The girl?
00:39:46He stayed with Carmen, thank goodness, because that way I can rest a little.
00:39:50Marcos?
00:39:52And you?
00:39:52Hey?
00:39:54Marcos?
00:39:55What's wrong with him?
00:39:56What's wrong with Fiti?
00:39:58Marcos.
00:39:59Marcos.
00:39:59Throw it away.
00:40:00Throw it away.
00:40:00Throw it away.
00:40:00Go for it, Dad.
00:40:01Then he explains it to you.
00:40:02For you, dad.
00:40:03Come on.
00:40:05What's happening?
00:40:06Nothing, nothing.
00:40:07That we have...
00:40:08Look, we've...
00:40:09What a coincidence.
00:40:10We caught the guy who was taking down the posters red-handed.
00:40:14But I haven't put it up yet.
00:40:19Emilia, you know that criminals always return to the scene of the crime.
00:40:22Always.
00:40:23The criminals.
00:40:35My darling.
00:40:37Good morning my love.
00:40:41But it smells so good, doesn't it?
00:40:43I'm going to put it on.
00:40:46What's up, bro?
00:40:49I mean, speaking of everything a bit.
00:40:52It's amazing how fashionable tattoos have become, isn't it?
00:40:57I never want to hear about that damn tattoo again.
00:41:00Are we here or what?
00:41:00That is.
00:41:01Very good, very good.
00:41:02You're like your mom, like ostriches.
00:41:04The little one comes home after six months with someone else's name tattooed on him, and don't mess with me.
00:41:09And you, as calm as if nothing had happened, well then, come on, everyone eat.
00:41:12That's a lie!
00:41:13As for the tattoo, damn it.
00:41:15Hey?
00:41:15I'll show you the wound from the sling, because this is a woman, she's not going to be scared.
00:41:20Honey, teach him that now, teach him to shut up.
00:41:25Well, I don't feel like it.
00:41:27No, don't laugh, I don't feel like it.
00:41:29But not for any particular reason, more than anything it's a matter of principle, period.
00:41:32Come on, man, damn it, Lauri, Lauri, huh?
00:41:35Was there another one?
00:41:35Besides Lauri, were there others?
00:41:37Hey?
00:41:37Who was he?
00:41:38Well, son, you're not trying to hide something from me, are you?
00:41:42Come on, please, show it to us, show it to us so we can finally eat in peace.
00:41:57Chetuna, what?
00:41:58Oh, oh.
00:41:59What do I wear your acting name on?
00:42:01Oh, how true.
00:42:02Oh, with its anchor and all.
00:42:04Dear.
00:42:05I wanted to surprise you, but it seems they've ruined it for me, huh?
00:42:09A necessity, see, Fiti.
00:42:11The creature wanted to surprise me, and you go and ruin it.
00:42:14That's not how it works, Fiti.
00:42:15This way we're not going anywhere.
00:42:17Okay, okay, okay, that's it, that's it.
00:42:18Calm down, calm down.
00:42:19It's great that Fiti is your brother and he was worried, I understand.
00:42:23I understand, but come on, you're going to spoil the surprise, brother-in-law.
00:42:26So...
00:42:26They've already put a knot in my stomach here, my stomach has closed up.
00:42:29Nothing, my love, nothing, nothing.
00:42:31Don't worry, don't worry, I'm upset too.
00:42:34Let's go there for a little while and it'll be over now.
00:42:37Enjoy your meal, brother-in-law.
00:42:39Come on.
00:42:42Hey, right?
00:42:42So why don't we go?
00:42:44Of course, let's go.
00:42:45Are you going to the beach with Chloe?
00:42:46Me, we're already taking too long, aren't we?
00:42:48There you spend all day shooting at the little suns.
00:42:49Hey guys, I'm going to lose my voice.
00:42:51Do you want to go down to eat?
00:42:52Wait, Carmen, I'm doing the work.
00:42:53Look, look, come.
00:42:54Okay, what?
00:42:56Did you know that the Murcia region is one of the communities with the most sunny days per year?
00:43:00You're going to tell me.
00:43:02I'm going to be with my husband, may he rest in peace.
00:43:04To the beach at Christmas.
00:43:06Some walks.
00:43:07To the beach in winter?
00:43:08Ah, yes, son, yes, of course.
00:43:10It's a nice feeling, with how good the food is.
00:43:13Come on, I'd leave tomorrow, need I say more?
00:43:16And from you, if the food is good.
00:43:18Ah, of course.
00:43:19We're not at home, Marcos!
00:43:20Look, they caught us in the middle of setting the table.
00:43:22Come on, guys, do me a favor, man.
00:43:25Until I move you all.
00:43:26But no, no, I'm not pretending to be a buyer.
00:43:29Besides, how could you do that to that poor woman?
00:43:31Because this is our tavern.
00:43:33Which used to be my father's tavern.
00:43:35And before becoming a father.
00:43:37It belonged to his father's father.
00:43:38Hi guys.
00:43:39Are you here yet?
00:43:40Yes, we're here.
00:43:41And we were going to have a glass of wine, right?
00:43:43A little wine.
00:43:44Marcos will help us choose him.
00:43:45Since he comes from France, he already knows quite a bit about wines and such.
00:43:48Let's go to the pantry for a moment and choose it.
00:43:49Calmly, the wine.
00:43:53And before the father of fathers.
00:43:55It belonged to the father of the father of parents.
00:43:57Yes, yes, yes, I've heard.
00:43:59No, no, no, no, no, no.
00:44:00Didn't you get the concept?
00:44:01Yes, he's taken it.
00:44:02But also, I'm terrible at those things.
00:44:04They're sure to catch us.
00:44:05Did you paint me as an actor or what?
00:44:09No, I see it more as singing.
00:44:11Well.
00:44:11Look, Marcos.
00:44:12We're taking it easy.
00:44:14One of you does it, one of us is left without a tavern.
00:44:18Son, son, you are the last hope of the mountains.
00:44:21Oh really.
00:44:24Oh, well, just so you know, I don't think it's right at all.
00:44:29But you do it.
00:44:30Yeah.
00:44:30A hug.
00:44:45Hey, we're all a bit calmer now, huh, brother-in-law?
00:44:47If you don't mind, I'm going to read a little.
00:44:51Ay, ay, ay, Manolete.
00:44:52If you don't know how to bullfight, why get involved?
00:44:55Lauri, lauri.
00:44:59Well.
00:45:02Just a moment.
00:45:03To the bathroom.
00:45:20Yeah?
00:45:23Yes, José Luis, it's me.
00:45:26No, I've got a terrible cold.
00:45:30No, that...
00:45:31Tattooed?
00:45:32He's covered in tattoos...
00:45:33Ah, from the tattoo parlor.
00:45:35Yes, yes, yes, yes.
00:45:36They're waiting for me.
00:45:38I'm going.
00:45:42Hello, what?
00:45:43Hello.
00:45:45One little thing.
00:45:47Do you know...
00:45:48Here at Notas, this one?
00:45:49No.
00:45:50No?
00:45:51No.
00:45:52But he was here this morning, I think.
00:45:55Already.
00:45:56Can't I just pop in for a moment to talk to the tattoo artist?
00:45:59It's just a moment, okay?
00:46:00Well, no, only customers go in there and it's occupied now.
00:46:03Ah, the customers.
00:46:04Well, look, precisely.
00:46:05That's exactly what I wanted, I was interested in getting one...
00:46:08I mean, I wanted a tattoo.
00:46:10Yes.
00:46:11And do you already know what you want?
00:46:13Well, look, it's a normal thing.
00:46:15Not like, either, like in a sporty way.
00:46:16You're not going to see much of it, I mean, not really...
00:46:18Well, look, you have monochromatic ones, polychromatic ones, Mexican ones, Japanese ones...
00:46:22Then it depends on where you want to get it done.
00:46:24You have bracelets...
00:46:26Already.
00:46:26Do you have any details?
00:46:26Okay, okay, okay, okay.
00:46:28No, no, what I wanted was...
00:46:29I mean...
00:46:31You have those that come off after a week.
00:46:34I mean, like the ones that came in the bag of cheese puffs.
00:46:36In other words, to put it simply, one of those decals.
00:46:39Look, it's not going to happen.
00:46:40Already.
00:46:57Good afternoon.
00:46:59Hello good.
00:46:59Good afternoon.
00:46:59How are you?
00:47:01Are you the owner?
00:47:03No.
00:47:03No no.
00:47:05The owner is a lady.
00:47:06We'll call her now.
00:47:07One moment.
00:47:09Emilia.
00:47:09Does a gentleman ask for you?
00:47:13How are you?
00:47:15Hello.
00:47:16Hello, nice to meet you.
00:47:18I'm Emilia.
00:47:19Good.
00:47:20It has a...
00:47:21I think the premises are still for sale, right?
00:47:22Yes, yes, yes.
00:47:23The thing is, some hooligan keeps taking our sign away, and well, that's why.
00:47:27Are you interested?
00:47:28Ah, but yes, I could, I could, but you fear me.
00:47:31You fear me, please.
00:47:32Okay.
00:47:33I'm looking for a place, right?
00:47:34This way, through what is the neighborhood.
00:47:36And this one seems like it might fit.
00:47:38The needs are a little...
00:47:40Well, this one is very good.
00:47:41I'm leaving because I'm going to dedicate myself to something else.
00:47:43But come on, the tavern is very well known in the neighborhood.
00:47:46And well, don't you know her?
00:47:49No, no, not me.
00:47:50I'm more from another area.
00:47:52I don't come around here, to this neighborhood, very often.
00:47:54There are more than...
00:47:56And the price?
00:47:57Well, look, the price is 400,000.
00:48:00It's a good price.
00:48:01Damn, that seems a bit expensive.
00:48:03Well, that's what you're paying for the area.
00:48:05No, no, yes, but now that you mention it, it's not expensive at all.
00:48:08Okay, okay.
00:48:08Looking at it that way, yes.
00:48:10Okay, okay.
00:48:12And well, I don't know, do you have any questions?
00:48:14Do you want to see the place?
00:48:16The papers.
00:48:16All the papers are there, everything that is in the papers is there.
00:48:19Yes, I have all my paperwork in order.
00:48:20But if you want, I'll go get them for a moment.
00:48:23Perfect, perfect.
00:48:25What do you mean it's expensive?
00:48:29What do you mean it's expensive?
00:48:31What have we agreed on?
00:48:32Don't get out of the river?
00:48:33What should I do?
00:48:33No, no, no, I'm not doing it right, it's okay.
00:48:35Son, very good.
00:48:36It's not bad.
00:48:36Good.
00:48:37I would tell you, yes, yes, I tend to think that...
00:48:39But I would tell you one thing.
00:48:40Make it a little less curious and more like a banker.
00:48:44More of a banker.
00:48:44What I do?
00:48:45What I do?
00:48:45Should I smoke a cigar with a banknote?
00:48:46The cards.
00:48:47Why did I give them to you?
00:48:48Why did I make them for you?
00:48:48The cards are faulty.
00:48:49The cards are faulty.
00:48:50What's wrong with them?
00:48:51What's wrong with them?
00:48:52What's wrong with them?
00:48:52What's wrong with them?
00:48:53José, José Rueda.
00:48:55Import and sport.
00:48:55Sport.
00:48:56It's with an X.
00:48:57With X.
00:48:57Sport.
00:48:59It's sport in Catalan.
00:49:00Just a minute.
00:49:01For the day you are from the raft.
00:49:03From the raft.
00:49:03The day you are from the raft.
00:49:06Well, here they are.
00:49:08Uh-huh.
00:49:08What do you think?
00:49:09Well, yes, it seems that...
00:49:10Okay, if you can make a photocopy for me, that's perfect.
00:49:13Yes, yes, of course.
00:49:13Oh, sorry, sorry, sorry, sorry.
00:49:16Yeah?
00:49:17Hi, Marcos.
00:49:18Hey, pizza, do you prefer ham or vegetarian?
00:49:20But what are you calling me now?
00:49:23Man.
00:49:23If I say something, that's gospel.
00:49:27Hey, what's your deal?
00:49:28No, I'm going, I'm going, I'm going.
00:49:30I'm going, the thing is that I...
00:49:31You have to tell me where the food is.
00:49:33With the banker.
00:49:35The food?
00:49:37Hey, Marcos.
00:49:39No, look, only call me for urgent things, okay?
00:49:41Please, we'll clear that up later.
00:49:44Bye bye.
00:49:49Well, it seems that everything is OK.
00:49:52Okay, that's all.
00:49:53You have a buyer.
00:49:56Well, that's fantastic.
00:49:57And do you want to see the place?
00:49:58No, no, thank you.
00:50:00Tomorrow, yes, I'll see about that because I'm in a big hurry.
00:50:03I have some meetings there.
00:50:04Have...
00:50:05But seriously, don't go looking for trouble...
00:50:08Don't get involved with anyone else, okay?
00:50:10No, no, don't worry, don't worry.
00:50:11What I would ask of you, please, is that you bring me a sign tomorrow.
00:50:14Because more than one has already let me down and I'm kind of stuck there.
00:50:18Okay?
00:50:18A sign.
00:50:19And another thing, this is a slightly personal favor I'm asking of you.
00:50:22Do you really think you could keep them in business?
00:50:25These are the former chiefs.
00:50:27And, well, things haven't gone quite well for them, and so on.
00:50:29And I, well, I have a lot of affection for them.
00:50:32I don't know.
00:50:34Okay, and I'll talk to human resources about it, okay?
00:50:36Okay.
00:50:37Bye.
00:50:38See you later.
00:50:39See you later.
00:50:39See you tomorrow.
00:50:40See you tomorrow.
00:50:41Tomorrow is.
00:50:43That...
00:50:44Lilia, what a nice boy he seems, huh?
00:50:46Yes, yes.
00:50:46He looks like he comes from a very good family.
00:50:48Yes, yes, yes.
00:50:48Composible, which handles.
00:50:51Ah, ah, what is that? What is it?
00:50:52Soap, soap.
00:50:53No, don't worry.
00:50:54It's cold, it's cold.
00:50:54No, yes, yes, relax, it's okay.
00:50:56What did your little wand recommend to me? If it was a colleague, this one, this one.
00:51:02A colleague, the brother-in-law.
00:51:03Yes, the heart.
00:51:04That's it, that's it, that's it.
00:51:05I have nothing more that affects you.
00:51:06No.
00:51:07No way.
00:51:09So, you did the tattoo for him, right?
00:51:11On top of the other one I had.
00:51:12Uh-huh.
00:51:13Hey, calm down, relax a little.
00:51:14Yes, yes, yes, I'm there, I'm there, on the edge.
00:51:18He must not have been convinced by the tattoo, huh?
00:51:20What a silly thing to say, right?
00:51:21Removing a tattoo at a certain moment, there, so beautiful.
00:51:24Well, depending on how you measure it, it depends.
00:51:28Yes, it depends, yes.
00:51:29No, but this case is different because you were putting one tattoo on top of another,
00:51:33from another colleague of yours, a fellow professional.
00:51:37So, yeah, man, the one who put this...
00:51:39But he's a friend of yours and he doesn't know what the tattoo says.
00:51:41Yes, yes, yes, of course, it's named after a little girl, Laura and Laura and I don't know what, right?
00:51:48Carry...
00:51:48Yes, well, the same.
00:51:50What do you mean, the same?
00:51:50Let's see, if you see a work of art, huh?
00:51:53You remember what you saw, don't you?
00:51:55Because of course, this is an art.
00:51:56It must be acknowledged that tattooing is an art.
00:51:58Look, I'm going to start drawing you, so try not to move around too much, okay?
00:52:01OK?
00:52:02So anyway, I'm calm and just relax.
00:52:04Relax your gluteal muscles.
00:52:05Yes, it's there, it's there.
00:52:06I'm there, I'm there.
00:52:07Okay.
00:52:10Is that normal?
00:52:11Yes, yes, it's very normal.
00:52:12So, since I'm following your lead, I'm going to leave your ass a mess, buddy.
00:52:15As?
00:52:16What are you going to do to me?
00:52:17Well, damn it, then get a tattoo.
00:52:19Come on, if you'll let me, but you...
00:52:22Can you tell me what you want?
00:52:23Yes, look, no beating around the bush.
00:52:27I want to know what tattoo my brother-in-law had.
00:52:30Your brother-in-law?
00:52:30Your brother-in-law?
00:52:31Well, it was a prison tattoo from Laurín prison.
00:52:34From Laurín?
00:52:35The tomato one?
00:52:37Are you sure about that?
00:52:38Man, I'm telling you, I'm sure.
00:52:39Look, I'm sure.
00:52:40Look, at Laurín.
00:52:42Fuck.
00:52:43It's missing the H.
00:52:45It's missing the H.
00:52:46What the hell, H?
00:52:47Hello!
00:52:48I am Mr. Bear!
00:52:50Leave me in the living room until I get here, Chloe.
00:52:53Hello, Bear.
00:52:54Hello!
00:52:54But you'd better go ahead and treat yourself, go on, it hasn't cost you anything yet.
00:52:58That?
00:52:59But didn't it taste bad to Aunt Paquita?
00:53:01Aunt Paquita?
00:53:02Raul, you seem like a newbie, huh?
00:53:03She's at your ex's house.
00:53:05Call Neb, but they might take forever to answer...
00:53:07What, what, what, what, what, what are they all there, having dinner and all that?
00:53:11All together, of course.
00:53:12Since they are irresponsible adults, they won't be talking about their own things, Raúl.
00:53:15I don't know.
00:53:16You're messing with me.
00:53:17Well, I'm complaining, but what a watch you're wearing!
00:53:18Your girlfriend picks you up, your friend picks you up.
00:53:21Nothing happens.
00:53:23No, no, no, no.
00:53:25No.
00:53:26Here, give it to her, please.
00:53:28To the girl.
00:53:37Boy.
00:53:38Hey!
00:53:39You scared me half to death, man!
00:53:41Don't you wonder if you're a shopper or just casual?
00:53:44No way, man, I already went out on my bike and I'll change later.
00:53:46Don't hurt yourself, okay?
00:53:47You have to finish the job.
00:53:49What a job, what a job, what I've done!
00:53:51I'm so tired of dealing with that woman.
00:53:55Pussy!
00:53:56Don't say that, son.
00:53:58Do you have to give it to us in this metallic form or what?
00:54:00No, that's all.
00:54:02Okay.
00:54:03I give him the signal and I call.
00:54:04No, no, no, no, no, no.
00:54:06Money is the carrot.
00:54:07The carrot?
00:54:08You teach it, but you don't let it go.
00:54:10And from there, it was long and long.
00:54:14How long do you plan to keep me going with this charade?
00:54:17As soon as Rufi Lancha gave us the credit.
00:54:19Problem solved.
00:54:22Okay.
00:54:23This is my young master.
00:54:24Be careful, that's where they put your money, huh?
00:54:25I've counted it.
00:54:27Okay, let's go.
00:54:27Lest another buyer comes along.
00:54:29And I should be shocked.
00:54:30Goodbye, son.
00:54:31Come on.
00:54:33Watch out.
00:54:33Yes, Tito.
00:54:34Yes, I'll keep it here and then...
00:54:41Dude, I've never seen that much money in one place in my life.
00:54:44So today's the big day, right?
00:54:46Yes, yes, yes.
00:54:47At the Murcia exhibition.
00:55:13Oh.
00:55:13Everything happens tomorrow and then it's controlled.
00:55:15No.
00:55:15Yeah.
00:55:16There are three more on that topic.
00:55:19Oh, he's awake now.
00:55:21Tete.
00:55:22Tete, daughter.
00:55:23Prepare a live for the girl.
00:55:25There's milk.
00:55:26There, look.
00:55:27The girl?
00:55:28Yes, my nephew.
00:55:29Ah, your sister has arrived.
00:55:31No, my brother has come.
00:55:32Yeah.
00:55:33Look, it's done.
00:55:34See you later, Marcos.
00:55:35Ah, bye.
00:55:37Isn't it cute?
00:55:39He doesn't look anything like you.
00:55:42Everything sticks except beauty.
00:55:48Oh, okay.
00:55:49Dad, who...
00:55:51Look, I've been thinking about it.
00:55:55And...
00:55:56Okay, I'm going to Malta.
00:55:59Fuck.
00:56:00I have nothing tying me down here.
00:56:03And that's why you're going off with your uncle, you lame guy, right?
00:56:05But let's see.
00:56:06If I tell you it's not pure wheat, take my word for it.
00:56:10When will you grow up?
00:56:12Well, everyone here is growing except me.
00:56:13Well, except for you and your uncle, who doesn't grow much either.
00:56:16Okay, you're not going to get me any closer.
00:56:17But at least talk to Marcos about it, damn it.
00:56:20Other.
00:56:21Damn, I'd really like to talk to him, okay?
00:56:25Here I come.
00:56:28See you later.
00:56:31She definitely looks dumber, damn it.
00:56:33You'll be hungry, won't you?
00:56:35Because there's so much grass.
00:56:37That's what second honeymoons are like.
00:56:48Good morning, brother-in-law.
00:56:49Don't call me brother-in-law, okay?
00:56:50Call me Fiti, that's my name.
00:56:52Damn, that kid gives you a hard time in the mornings.
00:56:55What about you?
00:56:56Do you plan to continue like this?
00:56:57After the mess you made yesterday.
00:56:58You're not going to quit, are you?
00:56:59We're not going to let it go, no, Fiti.
00:57:01Let's leave it at that, no, you made a fool of yourself enough.
00:57:03Ridiculous.
00:57:04Already.
00:57:06Tete, I don't recognize you.
00:57:07I don't recognize you.
00:57:08Son, he's brought out all of his dad's traits, which I really don't like at all.
00:57:12Give me a bun, please.
00:57:18Hey, what's up?
00:57:19Hey, is your brother there?
00:57:20Uh, no, keep riding a bike.
00:57:22I'll leave you now, okay?
00:57:23Otherwise, I won't wear it.
00:57:25Fuck.
00:57:28Fuck.
00:57:44My legs weren't strong enough for the final sprint, were they?
00:57:47Clear.
00:57:48Don't try to compare yourself, I've been training for many years, kid.
00:57:50No, but your light is flatter, isn't it?
00:57:52Ah, more level.
00:57:53Damn, a sugar crash.
00:57:56The typical bird.
00:57:57That.
00:57:58Yes, that tiramisu last night, you cleaned it up, mate.
00:58:01Damn, that was good, wasn't it?
00:58:02Holy shit, it's true, it's true.
00:58:04But what does he put in it?
00:58:05I don't know, man.
00:58:06Holy shit, dizzy, huh?
00:58:07Wow!
00:58:09Hey!
00:58:10Hey, Marcos!
00:58:11Sensuality, isn't it?
00:58:14Hey, how's your Aunt Paquita?
00:58:17Hey...
00:58:17I'm going to fill the jar, okay?
00:58:21Hey...
00:58:21What, what, how fake are you?
00:58:24Raúl, let's see.
00:58:25Let me tell you, man.
00:58:26No, you don't have to give me any explanation, Marcos, you don't have to explain anything to me, you know?
00:58:29If I just wanted to see it with my own eyes, why didn't I believe it?
00:58:33Hey, I didn't cheat on you, dude.
00:58:36No, I was already wearing those.
00:58:39Raul, you're making a mountain out of a molehill.
00:58:41A pain in the ass, Marcos.
00:58:44My girlfriend is leaving me.
00:58:46My father treats me like I'm two years old.
00:58:48And my best friend treats me like shit because I'd rather ride a bike with my uncle
00:58:51that gets thrown away...
00:58:52to my sweetheart.
00:58:55Let's see.
00:58:56Ah, let me tell you something.
00:58:58Time puts us all in our place, you know?
00:59:02Raul.
00:59:04Raul.
00:59:05Shit.
00:59:13Has Mr. Rueda arrived?
00:59:14Who?
00:59:15José Rueda, the boy who came yesterday.
00:59:16Ah, it's about to drop.
00:59:18I suppose, I suppose because if I saw his tongue, he was a man of his word, Rueda.
00:59:21Well, I'll wait for you because they're putting the screws to me and when they give me the signal I have to...
00:59:25I'll give to those from the other business.
00:59:27So...
00:59:27Hi how are things?
00:59:30I thought you had changed your mind.
00:59:32No, no, no, it's just that I had a difficult meeting.
00:59:35And what have you been up to, Mr. Rueda, sightseeing, I mean, taking photos?
00:59:38No, no, I brought the camera to take photos of the place because...
00:59:41Well, I have to take it to headquarters for approval.
00:59:43Okay, okay, to the central office.
00:59:46Is it so they can give him the okay?
00:59:47I have brought the sign.
00:59:49Phenomenal.
00:59:49Well then, if you want we can sign the earnest money contract.
00:59:53No, no, first the photos.
00:59:55Ah, okay, well, very good.
00:59:57The photos.
00:59:59I'll show the locals.
01:00:00I know this establishment like the back of my hand.
01:00:06By the way, Mr. Rueda, we haven't introduced ourselves yet.
01:00:09Santiago Serrano at your service.
01:00:11Delighted.
01:00:11And I also wanted to introduce myself, Diego Serrano.
01:00:15Delighted.
01:00:15Delighted.
01:00:16How curious, isn't it?
01:00:17Serrano, right?
01:00:18That they are siblings or family.
01:00:20Family members.
01:00:21This tavern has been in our family for several generations.
01:00:26Ah, well, regarding what you told me the other day about these gentlemen continuing to work here,
01:00:31Well, if you could provide me with some resumes.
01:00:33What are you talking about?
01:00:34It's a charade.
01:00:35It's a charade.
01:00:36Well, look, here are those scales.
01:00:39Oh, leave me alone.
01:00:43It sticks its little snout out at me.
01:00:45Okay, but come back soon.
01:00:47I love you.
01:00:48Me too my love.
01:00:50Goodbye, sweetheart.
01:00:52Long live Spanish women!
01:00:58Brother in law.
01:00:59How are you?
01:01:00Hello, Laurín.
01:01:01Hey?
01:01:01Is the cachuli cute?
01:01:02Well, what can I say?
01:01:03You haven't done anything honorable in your fucking life.
01:01:05What are you talking about?
01:01:06What am I talking about?
01:01:07What was drug trafficking about?
01:01:08Smuggling?
01:01:08A drug trafficking operation involving weapons?
01:01:09What the hell?
01:01:10Okay, okay, okay.
01:01:10That's enough, man.
01:01:11That's enough.
01:01:13That's enough.
01:01:15That?
01:01:16Things aren't that easy, Fiti.
01:01:19All I did was...
01:01:21It was winning a gambling game there against some mobsters.
01:01:26God raises you.
01:01:28And you all get together, really.
01:01:31Well, what else?
01:01:33Okay, yes.
01:01:34I cheated, and these people have connections and...
01:01:37and they dumped someone else's problem on me.
01:01:39And from there to prison, well, what then?
01:01:40Well, one step.
01:01:41Yes, those were dangerous jobs.
01:01:43the slings, the oven ends...
01:01:45And my sister was deceived, wasn't she?
01:01:46Understand it, Fiti.
01:01:47Sit down!
01:01:49Understand, what do I tell your sister?
01:01:50That I am there in the aurín.
01:01:52Let her show up wearing the Pantojas.
01:01:53Besides, I don't want him to see me...
01:01:55And to avoid leaving any clues, you go and get a tattoo, right?
01:01:57Damn, either I act tough or I spend the day picking up soap in the wrestling match, it's up to you.
01:02:00He's a danger to my sister, kid.
01:02:02Well, you'll see how great it is.
01:02:03You'll see how funny he'll be when he finds out.
01:02:05No.
01:02:06No, absolutely not, Fiti.
01:02:08I ask you, please, not to.
01:02:09That your sister doesn't...
01:02:10But wait, how do you mean, "let us know"?
01:02:12Let's see, you're going to take it, right?
01:02:14You're going to take my son too, aren't you?
01:02:15Why? So they can lock her up?
01:02:17You're not taking anyone anywhere, okay?
01:02:18Okay, look, let's do one thing.
01:02:20Calm down.
01:02:21I'm not taking either of them, neither of them, but you don't know it
01:02:24You say to Johnny, okay?
01:02:25What the hell is it that I love most in this world? Your sister.
01:02:27I'll leave, I'll stay, I'll leave again, whatever you want, but don't tell him anything.
01:02:33What a handful of communion wafers you have, little one!
01:02:35What a bunch of communion wafers!
01:02:36Tell me no.
01:02:37It's not working for me.
01:02:39The kid seems meticulous, huh?
01:02:41Man, with what he's going to pay, Diego.
01:02:43Look, Santi, don't worry, because I'm sure he's explaining everything perfectly, come on.
01:02:48The man from Arras may have played as well as you could want in France,
01:02:51But he's nowhere near Macalele's performance level at Real Madrid.
01:02:54The problem isn't land, man, the problem is the hat.
01:03:04Well, perfect, everything's perfect, yes.
01:03:08Yeah?
01:03:08Well, that's fine by me.
01:03:10I'm also in a big hurry.
01:03:12If you want, we can prepare the contract.
01:03:14No, no, no, no, no, because I'm missing a document from the finance department, and that one is important.
01:03:20Things at the palace move slowly.
01:03:22Yes, yes.
01:03:22Well, then...
01:03:24Hi, Mom.
01:03:25Hello.
01:03:26Hello.
01:03:26I am Susana.
01:03:27How is my daughter?
01:03:29Ah, I mean, of course.
01:03:30Hello, I'm José Rueda.
01:03:32José Rueda.
01:03:33Delighted.
01:03:33But you are Marcos.
01:03:35What do you mean, Marcos?
01:03:36Mom, Marcos.
01:03:38Diego's son.
01:03:39What do you mean, Diego's son?
01:03:41Emilia, you see, look, things aren't black and white.
01:03:45No, I mean, no.
01:03:47Let's see, shall we?
01:03:50I don't understand.
01:03:53But what's going on?
01:03:54What's happening?
01:03:54You could have stayed home, honey.
01:03:56Is that what's happening?
01:03:57Uh, I don't know what "approxima" means, but it came from the internet, right?
01:04:01Ah, approximately.
01:04:03Ah.
01:04:03But very good.
01:04:04Keep going, keep going, work.
01:04:04So, Murcia has approximately 300 days of sunshine.
01:04:08In other words, it's cool because you can do sports, go to the beach, and whatever else you want.
01:04:13Well, very good, work.
01:04:14Very good.
01:04:15And you haven't read much, have you?
01:04:18Okay, let's go.
01:04:19Hey, go for it, little sister.
01:04:21Well, there's no need for you to come in anymore, I'll tell you what we talked about.
01:04:24No, no, no.
01:04:24You tell him that in front of me, and I don't trust you one bit.
01:04:26Okay, so come on.
01:04:30What are you doing here?
01:04:31What happened?
01:04:32Nothing, nothing.
01:04:33Calm down, sister.
01:04:35You see, the atmosphere in the house was a bit strange and all.
01:04:40Yes, yes, yes, it was strange, it was strange.
01:04:42So I told him, Fiti, this can't go on, we need to talk.
01:04:46And of course, since your brother apologized to me, I accepted it; there are some strange people out there, aren't there?
01:04:50Fiti?
01:04:50So, that's it, water under the bridge, right, Fiti?
01:04:54Never a truer word spoken, you have no idea how many days I've been feeling unwell.
01:04:58I know, I know, I know, chatunga, I know.
01:05:00And that's why, that's why I've brought you a little something, okay, my love?
01:05:03A small detail.
01:05:05Yes, a little something for you.
01:05:07Look, look, look, look, look, look, look, look.
01:05:09Oh, how lovely, but well, two surprises in a row.
01:05:14Well, not two, not two.
01:05:16There's another one because things don't come in threes.
01:05:17I've been thinking about it a lot, and the Malta idea isn't such a good one after all.
01:05:23But what are you saying, Josico?
01:05:24Yes, because there in Malta, apart from whisky, there isn't much else.
01:05:29Wasn't it fashionable?
01:05:30It's fashionable, he says.
01:05:32Fashions come and go, chonín.
01:05:35Damn, I had already gotten my hopes up about riding the dollar there at the hotel of the
01:05:38Couplet.
01:05:40Well, that's it.
01:05:41Asunción Martínez's artistic career is over.
01:05:43The thing is, they don't know how to understand the Copla there.
01:05:45The Maltese are not going to appreciate all this art.
01:05:47This art is for me and no one else.
01:05:49Yes, Diego.
01:05:50That?
01:05:52But well, she couldn't keep her mouth shut.
01:05:56Damn, okay.
01:05:57Okay, no, no, no, no, no, no.
01:05:58Don't do anything, I know you.
01:06:00Don't worry, I'm on my way.
01:06:01Wait.
01:06:02Okay, that's all for now.
01:06:04I'm putting it on tonight, but I'm putting it on by myself.
01:06:06Luis.
01:06:07Hey, come on.
01:06:08Come on.
01:06:09What's happening?
01:06:09Come with me, we have to settle a little matter.
01:06:11Other?
01:06:11Where are you going now?
01:06:12Wait.
01:06:12We'll tell you later.
01:06:14Siblings.
01:06:18It's because they're Pili and Mili.
01:06:19The mother who bore them.
01:06:20Yes, Emilia, I confess.
01:06:22I confess that Marcos is my son and I had no intention of buying the premises.
01:06:26Clear.
01:06:27And that's why you stole my "For Sale" signs, right?
01:06:29And you scared the burger guy away.
01:06:31Yes, but we did that without any bad intentions.
01:06:33I mean, Mili, what we want is to buy the tavern, our tavern, nothing more.
01:06:38Yes, but with what money?
01:06:40We've applied for a loan from the bank.
01:06:41Yes, yes?
01:06:42Yes, yes.
01:06:42And they've studied it and all, and it seems there won't be any problem.
01:06:46Santi, how's it going with Rufi Lanchas?
01:06:48By the way, Father.
01:06:51By the way.
01:06:53Yeah.
01:06:54I see.
01:06:55I see.
01:06:56Well, that's it, brother.
01:06:58It's over.
01:06:59Since I didn't go through that door, an angel, it was over.
01:07:02No, please don't do this to me, Fiti, I beg you from the bottom of my heart.
01:07:05That?
01:07:05That?
01:07:06Okay, fine, you ruin my life and Choni's, you ruin both of us.
01:07:08Diego, Diego, good news.
01:07:11Fiti, I'm going to tell you something.
01:07:12Okay, that's enough, it's over.
01:07:13I never want to hear another one of your ideas in my life.
01:07:16In my life.
01:07:17But wait a minute, damn it, it turns out my brother-in-law is looking for a place to invest
01:07:20their savings.
01:07:21But he has savings.
01:07:22He has them, he has them.
01:07:23I already told you.
01:07:24Yes, yes, I have some savings, yes.
01:07:26The thing is, I had thought about a different kind of business.
01:07:28Well, don't think so much, don't think so much because you have nothing left to think about.
01:07:31Let me get this straight, José Luis.
01:07:33So, you're willing to put up the missing piece.
01:07:36No.
01:07:36One moment.
01:07:36That's what it's about.
01:07:37No, wait a minute.
01:07:37That's what it's about.
01:07:38Just a moment, just a moment.
01:07:39I don't plan to spend a single euro unless it's to become a member.
01:07:41With the same rights as the two of you.
01:07:42That's not it.
01:07:43That's the last thing I needed for today.
01:07:45This partner is ours.
01:07:46Very good.
01:07:46Very good.
01:07:47Well, that's all, see you later.
01:07:47Wait, wait, wait.
01:07:49Wait, wait, wait, just a moment, just a moment, just a moment, just a moment.
01:07:52Calm down, just a moment.
01:07:52Santi, let's not rush things.
01:07:54Because, let's see, what are we supposed to do?
01:07:55What do you want, for us to rob a bank?
01:07:56Or do we sell a kidney?
01:07:57Or do we sell cardboard?
01:07:58No, let's be a little reasonable.
01:08:00Let's see.
01:08:02We need a dirty one.
01:08:03And, okay, José Luis, that's got me feeling a bit off.
01:08:06Because you have them, José Luis.
01:08:06And, excuse me for saying so bluntly, you have them.
01:08:08But she's practically family, isn't she?
01:08:09I don't see it, brother.
01:08:11But if you don't see it, then go ahead.
01:08:13Now, it seems to me that what came through that door wasn't an angel.
01:08:16He's a demon.
01:08:17And so on.
01:08:18Come on.
01:08:21Come on, José Luis.
01:08:22High five.
01:08:25Yes, yes, yes, yes.
01:08:27Well, Santiago, this is the hardware store.
01:08:38They make a copy of the keys for me.
01:08:44Already.
01:08:45But the truth is that I never managed to take over the business.
01:08:49Okay, but don't worry, woman.
01:08:50These things happen.
01:08:51Already.
01:08:52But hey, what I am glad about is that it's yours again.
01:08:55Excellent.
01:09:00Santiago.
01:09:01Santiago, you're going to drown her.
01:09:02Excellent.
01:09:03Okay, see you later.
01:09:05Bye bye.
01:09:05I'll be back, okay?
01:09:06As a customer, but I will return.
01:09:08Well, and he'll invite us to his house.
01:09:09And good ham.
01:09:11And a doctor.
01:09:13Well, it's been a pleasure, really.
01:09:15Bye bye.
01:09:16Bye bye.
01:09:18Tito.
01:09:18Hey?
01:09:19I didn't know you loved her so much.
01:09:20Especially now that he's gone.
01:09:22Look, look where I'm going.
01:09:24Santiago, brother.
01:09:25That is yours.
01:09:26No, not really.
01:09:26No.
01:09:27My son, thank you, okay?
01:09:29What's wrong with you, dude?
01:09:30What are you?
01:09:31Are you lustio?
01:09:31What's the matter?
01:09:32Nothing, nothing to me, nothing.
01:09:36Well, whether you like it or not, there was something going on, you know?
01:09:40How are you and Emilio?
01:09:41Yeah.
01:09:43What's happening?
01:09:43What's up, man?
01:09:44You don't know about keeping your pot where you keep it, do you?
01:09:46Don't swear, little one, you're still small.
01:09:49What do you mean, "little one"?
01:09:50What do you mean, "little one"?
01:09:51Hey, show some respect, you're in my business.
01:09:54Health.
01:09:55Health.
01:09:55Hello.
01:09:56Hello.
01:09:57Hey, that "I have reserved the right of admission" thing applies to me.
01:10:00A woman, no.
01:10:01Well, it should be, because it's hardly the league.
01:10:05Go ahead, come in.
01:10:14A football match?
01:10:16A football match?
01:10:17Come on.
01:10:28These days, man, well, no, I haven't been very accurate.
01:10:31I don't know.
01:10:33No.
01:10:34One zero.
01:10:36Come on, I'm asking you for an apology, man.
01:10:39One zero, you draw.
01:10:42Hey, about Malta, man, about Malta, that sounds like a great idea, man, if things...
01:10:47I'm not going anymore, Marcos, don't fix it.
01:10:49Yesterday you go.
01:10:50One zero.
01:10:54Tiramisu.
01:10:55What tiramisu egg?
01:10:57Was it good?
01:10:58No, no, no, no, no.
01:11:00Marcos, don't lie to me.
01:11:02It was fucking awesome, dude.
01:11:05The tiramisu is sharpened.
01:11:13Well, nothing much, it just so happens...
01:11:14I've put my foot in it and...
01:11:16How about we go for a jog early tomorrow?
01:11:20Hey?
01:11:20That?
01:11:22Three one, you draw.
01:11:23Not that way, Marcos.
01:11:24Not that way.
01:11:26He's a coward.
01:11:28Hey, well, it's not running.
01:11:29It doesn't run.
01:11:34Yeah, you bastard, that's a grinder, huh.
01:11:36Which grinder?
01:11:36What do you know?
01:11:37In Tulu there are no coffee grinders, you won't even see foosball tables.
01:11:40Go on, order a drink.
01:11:41They're free again.
01:11:49Okay, here I go.
01:11:51Oh, I don't know.
01:11:53No, I tell him, we have to put this picture back up.
01:11:55Hey, let's see, show some respect, this is like when you swear allegiance to the flag in the military, you know.
01:11:59Come on, come on, I can't get it off the Italian way, you're going to get it off now.
01:12:02That's what I'm saying, to make some changes to the image, right?
01:12:05The changes, well, there are no changes worth making.
01:12:06Okay, let's see if we can clarify some concepts.
01:12:09If there's cleaning to be done, I'll clean, but damn it, I'm a member, can you guys comb your hair or not?
01:12:12You're really loving it, aren't you?
01:12:15There you go, applause.
01:12:18Let's see if you scare the children even more, man, be a little gentler.
01:12:21It's for a good cause, Dad, man.
01:12:23Brother, a hug, I thought this moment had come for me.
01:12:26Come on, come on, come on.
01:12:27Come on, joy, let's toast to that mountain tavern that is once again mountain-like.
01:12:31Come on, if we're not toasting to this, why would we toast now?
01:12:33Come on!
01:12:34The tavern, mountain brother!
01:12:35Well, and thanks to Lucía, who has also lent us a hand, right?
01:12:39And how he would have loved to see it.
01:12:42I'm sure she'll see it, Carmen.
01:12:46What am I saying, that...?
01:12:47That?
01:12:48Take it, girl.
01:12:48Ah, yes, yes, yes, let's see.
01:12:50Look, how handsome.
01:12:51And now that I see it, Diego.
01:12:52That?
01:12:54The mouth is also mountainous.
01:12:56Do you think so?
01:12:57As?
01:12:58I'm absolutely certain of it.
01:12:59Serrana, serrana, a ver.
01:13:00Let's see.
01:13:00And suck it.
01:13:02Look, it's the same, it's the same.
01:13:04Take it, take that one, take it, take it.
01:13:05It's so delicious, look, it's so delicious.
01:13:07Look, say hello.
01:13:08There it is.
01:13:10There it is.
01:13:11Ha!
01:13:12I'll finish giving it to you in bed.
01:13:14But, Carmen, you have to break up with that woman.
01:13:17Already!
01:13:17That I can't.
01:13:18How am I going to break up with that woman?
01:13:19Where are you taking that ham that I'm going to bury?
01:13:21You're going to control my hams!
01:13:23Luxurious, luxurious!
01:13:24Damn, that's what luxury has always been my thing!
01:13:26And to celebrate these days I have my girlfriend here, damn it, well pull the latch because a father doesn't have
01:13:31Why find out certain things?
01:13:32And aren't we going out partying?
01:13:33That's it!
01:13:33You, you, you, you, you, you, you, you, you, you, you, you!
01:13:35Calm down, calm down.
01:13:36Hey, calm down, calm down.
01:13:38I have friends who work in the tuna industry.
01:13:39The underwear is nice and warm.
01:13:41So if you want to put them on now, that's fine.
01:13:43Real Madrid, Betis.
01:13:45Are you asking me to choose between blood and debauchery?
01:13:49I am in sin.
01:13:51Mortal sin.
01:13:52Out of necessity.
01:13:53What's wrong, Lusita?
01:13:55If anything happens to Santi and Lourdes, God forbid, okay?
01:13:59Who will take care of the child?
01:14:00That the godmother went to T.
01:14:02And the godfather?
01:14:04Santiago and I.
01:14:04What have we decided?
01:14:05We would be thrilled if you could be the godfather.
01:14:10You were right, Diego.
01:14:13The sooner we resolve this, the better for everyone.
01:14:16Ladies, you're the best.
01:14:17Come on, let's go.
01:14:20Are you trying to grow?
01:14:24Well, they grow tomorrow.
01:14:26Today is a holiday.
01:14:27I'm going to take a shower.
01:14:28That?
01:14:28For something like tying.
01:14:30Here and where to?
01:14:31Well, where else would it be, son?
01:14:33Here, in this house.
01:14:35Am I ready?
01:14:36Look, man, we have a christening.
01:14:38I'm natural, I'm going to pretend to be.
01:14:42You have to...
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