Los Serrano - 5x09 - La alegría de la huerta - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

Choni, la hermana menor de Fiti, llega a la ciudad tras sufrir una ruptura sentimental. El mecánico de Santa Justa pide a su amigo Diego que acoja a la recién llegada en su casa. Sin embargo, Choni percibe un interés romántico en las amables atenciones que le dirige el tabernero. Tras conocer a Miguel, un atractivo hombre maduro, papel interpretado por Miguel Ángel Rellán, Lucía cree que él la corteja. Cuando su aparente admirador muestra mayor interés en su madre, Lucía recela de las verdaderas intenciones de Miguel hacia Carmen. Decidido a romper con Helena, Raúl busca el momento adecuado para decírselo. El joven decide retrasar dicha comunicación cuando conoce al padre de la chica, un agente deportivo de estrellas del fútbol con una exitosa carrera profesional.

Transcript

00:00:00Fiti's little sister

00:00:30That's the black sheep of the family

00:00:35She left when she was 17 with a biker, remember?

00:00:37And how long did she last with that one?

00:00:39Three whole weeks of Vallago

00:00:40Some, others, up or down

00:00:43I can hear them

00:00:46And besides being a poor woman, nothing

00:00:49The thing is, my sister

00:00:50Damn, well, he's a free spirit, that's all.

00:00:52Being free-spirited must be like being the lost sheep.

00:00:56But more of the spirit

00:00:57Free spirit, free spirit

00:00:59She's always been a bit of a flirt.

00:01:01Loose mule

00:01:02Santiago, do yourself a favor, man

00:01:04What helps is that your sister

00:01:05He is very lucky in life

00:01:07And this, forgive me for saying so, has not had

00:01:08No, no, let's see, Diego

00:01:09It's always the same.

00:01:10Something always happens to him

00:01:11Either she's been dumped, or she's lost her job

00:01:12Because his brother loves him very much.

00:01:14And you're as good as gold.

00:01:15Let's see, let's see

00:01:16This one's got a little shiver down your spine if you have it on your back.

00:01:18Pichón and Candela have never gotten along.

00:01:20It must be because of that Fiti theory.

00:01:22From the repulsions of the poles

00:01:23My sister has her things that she has

00:01:26I admit it

00:01:26But in nobility

00:01:28In nobility, he is Martínez Martínez

00:01:30And if it hasn't already recovered

00:01:32It's because he keeps trying at his own thing.

00:01:33Which is very difficult

00:01:34He's a singer.

00:01:35And he has also studied a lot

00:01:37Are you going to tell me?

00:01:38We haven't paid for the studies, Fiti

00:01:40How much was it last time?

00:01:41Let's see, do you remember?

00:01:42Because I don't even want to remember.

00:01:43Well, yes, one kilo

00:01:44That's it, one kilo

00:01:44I'll take you through those things

00:01:46In addition, I study at a private university.

00:01:47Clear

00:01:47And it seems that Choni

00:01:49It has been presented every time

00:01:50Operation Triumph

00:01:51But they haven't picked it up.

00:01:53Because he hasn't had any luck.

00:01:54I'm going to tell you something

00:01:54Maybe my sister isn't perfect

00:01:57Okay?

00:01:57But I love her madly.

00:01:58Because she's my sister

00:01:59Can you understand that?

00:02:00Of course I understand, Fiti

00:02:01Of course I understand, darling

00:02:03You're not going to understand, my love

00:02:04Okay, whatever you say.

00:02:05You're going with him

00:02:06And you take her to Segovia.

00:02:08Let's eat pork, in short.

00:02:10Okay, see you later

00:02:11Little pig, little pig

00:02:12See you later

00:02:13See you later

00:02:14See you later

00:02:14Do you want me to give you something?

00:02:17I'm going to tell you something, Fiti

00:02:18Deep down, I think you're your sister

00:02:20I feel sorry for you, kid.

00:02:21But what did he study?

00:02:23Have you studied?

00:02:23Sulphurium?

00:02:24Have you studied sulfide?

00:02:25Can you read?

00:02:26Does he know how to read the game?

00:02:28Does my sister know how to read the game?

00:02:29As Grandma Carmen says

00:02:30Through charity, the plague enters

00:02:32And that's what happened to my father

00:02:34Just to lend Fiti a hand

00:02:36He got himself into trouble.

00:02:37What was happening?

00:02:37A station platform

00:02:40Under the scorching sun

00:02:42You were talking about a skyscraper

00:02:44From the sky of New York

00:02:46Come soon to see the sea

00:02:47And you send a postcard

00:02:49I already knew that day was the end

00:02:52Now I have much more

00:02:56Red, black, stop and even

00:02:59Finally, luck brings an ace

00:03:01And a glass to look through

00:03:03And a wall to hang it on.

00:03:05Seven smiling faces in one ID photo

00:03:08My stories weren't about tales.

00:03:11Made by chance

00:03:13Nobody told me that destiny

00:03:18I was giving this opportunity

00:03:20One plus one equals seven

00:03:24Who would have thought?

00:03:29It was so easy to be happy.

00:03:33Who would have thought?

00:04:03Excuse me? Can I pay by card?

00:04:05No, I'm sorry to you

00:04:06Please charge her as well.

00:04:09No, no, no, not at all

00:04:10No, no, no

00:04:11It would be a shame if you missed the concert

00:04:13No, I'm just going to the ATM for a moment.

00:04:15And I use it a lot.

00:04:15No, it's not important to me.

00:04:17I'll give it to you after the concert.

00:04:18There's no need

00:04:19It's enough for me that you don't address me formally.

00:04:21Okay, so let's do one thing

00:04:22See you here a little while after the concert

00:04:24And I'll give it back to him

00:04:25As you wish

00:04:26But I would hurry.

00:04:28Because there are ten minutes left

00:04:29By the way

00:04:30My name is Miguel

00:04:31Candela, delighted

00:04:32Lucia, delighted

00:04:34Thank you

00:04:34It's been good

00:04:35What a cut

00:04:38I'm dying

00:04:39What cut, what cut

00:04:40They've gone to a great horseman on us

00:04:41Which has also been thoroughly checked

00:04:42Where already?

00:04:45Hey, yeah

00:04:46What did he say, what did he say?

00:04:53What did he say?

00:04:53He's given you a little bit of attention

00:04:55Reading has made me

00:04:56Well, you can get used to the stub.

00:04:59Because you take me to the movies and then you have to explain the film to him.

00:05:02That's what French cinema has.

00:05:04That it's very introspective

00:05:05I can't stand you with little signs, I swear.

00:05:09Hey?

00:05:12Dude, they do it to mess with us, man.

00:05:15Dude, say something to them

00:05:16That's your house

00:05:16No, it's also, auntie, my arm is asleep

00:05:20Look, wait

00:05:20Why don't they support you better here?

00:05:22Because it looks like a sofa, but it's not.

00:05:23Look how cute he is

00:05:25Give it a little more of a home feel

00:05:27Do you mind if we go get our pitas?

00:05:32No, no, no

00:05:34That?

00:05:36We stopped this

00:05:37Chiqui, screw those super-friends, dude

00:05:42They're getting along really well now, aren't they?

00:05:44And you

00:05:44Elena's enough already, isn't it?

00:05:46You only forgot to snoop on him, Raúl

00:05:47Me?

00:05:48No

00:05:48Don't pay any attention to this guy, he's an idiot.

00:05:51Well, it's weirder, man.

00:05:53Suddenly he listens to me.

00:05:54And suddenly nothing

00:05:56As if it didn't exist

00:05:57Well, honey, I don't know if I prefer to be treated like that.

00:06:00Or they can ignore my ass

00:06:01Like Marcos does with me

00:06:02That?

00:06:07Another round?

00:06:09Come on, another one

00:06:10You're getting dislocated, aren't you?

00:06:13There's a time for breakfast

00:06:15The little pig, it's a home address, that's true

00:06:16You don't act like that, don't...

00:06:18But I come to the audit a lot.

00:06:20Because I live almost next door.

00:06:21I love this neighborhood, it's beautiful, isn't it?

00:06:23But I'm going to move

00:06:24Because ever since they separated me

00:06:26All here, all there

00:06:26Because I just can't seem to find...

00:06:28Hey, well, maybe I'd be interested.

00:06:29Because I'm looking for Raúl

00:06:30Well, yes, what a coincidence, huh?

00:06:32Because ever since I separated

00:06:33Well, I'm taking advantage a little.

00:06:34From the hospitality here, my friend

00:06:35And I think it's time for me to leave.

00:06:37Sir, excuse me

00:06:38Yeah

00:06:38Their beers

00:06:39Why the rush to move?

00:06:41What is the reason for this?

00:06:42What do you mean, "hurry"?

00:06:43Well, you're not telling us to leave your house yet.

00:06:45You're fed up to the back teeth

00:06:46I'm fed up

00:06:47Here goes

00:06:48Hey, I'm bored on the floor

00:06:50It's not very big, is it?

00:06:51But it's very nice.

00:06:52Come on, when do you have a moment?

00:06:54I don't know

00:06:54Shall we meet one day?

00:06:56We do one thing

00:06:57We exchanged phone numbers

00:06:58Shall we give each other a call?

00:06:59Okay, perfect.

00:07:00That

00:07:01Health

00:07:02Health

00:07:02Through the neighborhood

00:07:04What? You're already there?

00:07:13But Choni, how come you didn't warn me?

00:07:15Did I come to pick you up?

00:07:17Okay, okay

00:07:17I'm coming there right away.

00:07:18Come on

00:07:19The Choni who is already here

00:07:20He's waiting for me at the tavern.

00:07:21Don't make that face

00:07:24Churri

00:07:24That's wrong

00:07:26The girl will need a hand.

00:07:27I don't know, maybe encourage them

00:07:29I'll encourage him however he needs it.

00:07:30To the joy of the garden, eh?

00:07:32If you want, we'll give him a standing ovation.

00:07:32But it gets to the point.

00:07:33Let's give each other that hug

00:07:34Let's give each other that hug

00:07:35Let's give each other that hug

00:07:36Well, sometime

00:07:37He has asked us for help.

00:07:38But...

00:07:40Fuck

00:07:41But if he doesn't ask his brother for money

00:07:42Who the hell is he going to ask?

00:07:43Look, Fiti

00:07:44Leave it because you know this topic turns me on.

00:07:45Don't turn me on.

00:07:46Okay

00:07:47Hey, what's up?

00:07:53Can't I be happy in the morning?

00:07:55Oh, how awful!

00:07:55I love it

00:07:56Because you wore a really nice skirt

00:07:59Excellent, excellent

00:07:59Can you be that cheeky?

00:08:01Don't take advantage of the whole topic?

00:08:02Yeah

00:08:02But Mom, she's so good!

00:08:04And you look so...

00:08:05Go to school

00:08:06Take something to eat, go on.

00:08:07Thank you

00:08:07How happy

00:08:09You seem so happy today, don't you?

00:08:10Normal

00:08:11Why are you looking at me like that?

00:08:14What's happening?

00:08:16Because I know that face.

00:08:17And I think you found it funny yesterday

00:08:20And what have you been thinking about him?

00:08:21No

00:08:21Well no

00:08:22Well, maybe a little.

00:08:24But no, come on, no

00:08:25No

00:08:25What? No?

00:08:26What? No?

00:08:27Well, no

00:08:27Carmela, I'm not ready for history yet.

00:08:29You are blocked.

00:08:30You're not with Diego

00:08:31You never stop being

00:08:32Daughter, you're acting like a dog in the manger.

00:08:33Am I like a dog in the manger?

00:08:37And you're not enjoying it, Lucia

00:08:38Well, really

00:08:38The truth is, it's been a long time since you enjoyed yourself.

00:08:40Or not?

00:08:40I am as I am

00:08:41What do you want me to do?

00:08:43Well, let yourself go a little.

00:08:44Enjoy, daughter

00:08:46If yesterday's guy made you laugh

00:08:47Well, daughter

00:08:47Go and see the apartment

00:08:49No

00:08:49Better not

00:08:51Can you hear me?

00:08:52No

00:08:53Well, the Fiti must be about to arrive.

00:08:55Because, shit

00:08:55Look at him, look at him, he's right there!

00:08:56Come on, for the mother who gave birth to Uncle Paneta!

00:08:58Come here!

00:08:59What's wrong, sister?

00:09:01She looks so beautiful!

00:09:02Meuse!

00:09:02Wow, you look beautiful!

00:09:03Is she pretty or not?

00:09:04Oh, it's not here!

00:09:05It is, it is, it is

00:09:06Hey?

00:09:06Hey, I mean

00:09:06You're getting stuck in the chassis, Choni

00:09:08Don't mess with me

00:09:09That will be the diet of sorrow, fiti

00:09:11It's the one that works best

00:09:12What happened?

00:09:12By Rafi and my boyfriend

00:09:13That he gave me love in front

00:09:14And betrayal behind the scenes

00:09:16What the hell!

00:09:17Well, that makes three guys and three times.

00:09:18How do you want me to be?

00:09:20How do you want me to be?

00:09:20I can't get my head above water, son.

00:09:21I can't lift my head

00:09:22Calm down, woman

00:09:23Things are going to get better

00:09:24They need to improve, man.

00:09:24Well, at least I still have my art.

00:09:26What looks

00:09:27The art thing, damn it

00:09:28Tell your brother about art

00:09:29He was telling us.

00:09:30Tell him/her

00:09:30So, I put together an orchestra

00:09:31So, something nice.

00:09:32Melodic song roll

00:09:34What are you saying?

00:09:34In their uniforms

00:09:35With its glitter

00:09:36Well, we've got a ton of bowling pins, guys.

00:09:38We start tonight

00:09:39What are you telling me, Choni?

00:09:40How cool!

00:09:42If, of course

00:09:43If you have talent, you have talent.

00:09:44Damn, fuck

00:09:45It's not all going to be bad news.

00:09:46You have a gift

00:09:47I've always said it

00:09:48Do you remember the stream of you?

00:09:49What did my sister have all her life?

00:09:50I remember, I remember

00:09:51Like angels

00:09:52They're very angry.

00:09:53A lot, a lot

00:09:54Yes sir

00:09:55A lot

00:09:55So that they can see later that flowers don't grow

00:09:58And who is this?

00:09:59José Luis

00:09:59So you keep sending chatumas

00:10:01Look, about the chatumas with my sister

00:10:02We've got there

00:10:02Okay?

00:10:03Come on, let's go

00:10:04Why is she your sister?

00:10:04Yes, she's my sister

00:10:05Okay, let's see

00:10:06We're all going there tonight to see her.

00:10:07Hey?

00:10:07As it should be, right?

00:10:08Salti?

00:10:09Diego?

00:10:10I don't know if tonight

00:10:10Diego?

00:10:11This other one is going to happen tonight

00:10:12Let's all go tonight

00:10:13Come on

00:10:14Damn, that's great

00:10:14Don't tell me

00:10:15What do I put on my flat heels?

00:10:16Well, bring another big shoulder pad.

00:10:18That's done.

00:10:18Hey, tomorrow

00:10:21Does he have training?

00:10:22Already

00:10:23Do you want to?

00:10:24Look, look, they really do look like

00:10:25Yes, sometimes, I'm a jerk.

00:10:26Don't mess with me

00:10:26Marcos, uncle

00:10:27What have I done wrong?

00:10:28I must have done something wrong, man.

00:10:29Know?

00:10:30So, I'm hooking up with another girl, Pancho

00:10:31To spend more time with Africa, dude

00:10:33Have you spent more time with her than with me?

00:10:35What won't she do to mess with him?

00:10:36Yes, sure, Raúl

00:10:37She's probably doing it to mess with me.

00:10:38And on top of that

00:10:40I don't like Elena, man.

00:10:41Know?

00:10:42And it's incredibly good-looking.

00:10:44Hey?

00:10:44And she's a really great woman, you know?

00:10:46But, dude

00:10:46I compare them, Marcos, man

00:10:47I compare them, man.

00:10:48And that's because

00:10:48I mean, let's see, look

00:10:50Let's see

00:10:51I start thinking, you know?

00:10:52Character

00:10:52Better Elena

00:10:54Without a doubt, let's go

00:10:55Know?

00:10:56Tits

00:10:57Elena is better, but at a hundred thousand.

00:11:00Hey?

00:11:00And body?

00:11:01Well, it's going up a little more too, you know?

00:11:03Well, Elena too

00:11:04Know?

00:11:04But who drives me crazy, huh?

00:11:06Africa

00:11:07It's clear, man.

00:11:08It's clear.

00:11:08Besides, where would I go with a snob like Elena?

00:11:10Why don't you stop with the charade, Raúl?

00:11:12And you tell him the truth directly, okay?

00:11:13Yeah, man, sure.

00:11:14Come on

00:11:14Elena, look, hello

00:11:16It turns out I'm actually with you because you're a loudmouth, you know?

00:11:18Because he wanted to be more of a friend to Africa

00:11:20Because a friend comes to his son.

00:11:20I'm going to give that pal to the girl, Marcos.

00:11:23Dude, no, I can't

00:11:24Raúl, the longer you keep going on with this nonsense, the more you...

00:11:26You're going to give him an even worse beating.

00:11:28And she's going to have an even worse time.

00:11:29And you're going to have an even worse time.

00:11:30Yeah, man, you're right.

00:11:34You're right, man, you're right

00:11:36I need to settle this as soon as possible.

00:11:38Because it's better, man.

00:11:39I'm breaking up with her today, I'm breaking up with her today.

00:11:41It's not me

00:11:42Marcos, dude, you, you

00:11:43You are a great connoisseur

00:11:45What amounts to the human soul, dude

00:11:46Thank you

00:11:47I don't know, you know.

00:11:48I see a lot of muñismo here, huh?

00:11:51Baby Chucky, baby Chucky

00:11:52No, no, no

00:11:53Go away, go, you fool.

00:11:54If you like it

00:11:55No, no, no

00:11:55I don't even want to see her.

00:11:58Every time I remember the mess he left us with last time

00:12:00I get sick

00:12:01And on top of that, I'd have to go and listen to her sing.

00:12:03Like your sister sings, Fiti

00:12:04Mommy

00:12:06How does your sister sing?

00:12:08One thing date

00:12:08The little eye, daughter

00:12:09Okay, you go.

00:12:10You go

00:12:12You give him a hug in the room

00:12:13And that's it.

00:12:14But make sure they don't take advantage of you.

00:12:16And give it to him

00:12:16You're going on about the hard stuff again.

00:12:18With the hard stuff

00:12:18Nobody's getting you out of there

00:12:19That's not it

00:12:20You're not here for the money.

00:12:21Well

00:12:22Churri, no

00:12:22You're always thinking the worst, damn it.

00:12:24Seriously, Fiti

00:12:24You're so good you're stupid, son.

00:12:26Now, let me tell you something, okay?

00:12:28If I get a penny out of you, Fiti

00:12:30And a hard one

00:12:30We're going to have one you won't forget.

00:12:33Jujer is her sister

00:12:34It's normal that he tries, isn't it?

00:12:35Unclear

00:12:36But it gets really heavy

00:12:37I've already told her I don't want to see her.

00:12:38And it's true that I don't want to see her.

00:12:39Well, there's no point in insisting.

00:12:40Let each person organize themselves with their own family.

00:12:42Oh, Miguel, for God's sake!

00:12:45Take

00:12:46No, no, no, no

00:12:47No, no

00:12:48I'll do it there.

00:12:48Yeah?

00:12:49Candle?

00:12:51No, Lucia, no, no

00:12:52I am Candela

00:12:53Lucia is in class

00:12:54It can't be done...

00:12:55Yes, but only if you tell me what you want.

00:12:56I'm telling you.

00:12:56Do you see the floor?

00:12:58No

00:12:58Today

00:12:59No, no, no, no

00:13:00He can't

00:13:01He can't

00:13:02Yes, but oh well

00:13:03I have an idea

00:13:04Why don't you come over for dinner tonight?

00:13:06Hey?

00:13:07If 9:30 works for you

00:13:08What do you talk about?

00:13:09Okay

00:13:10Okay, I'll send you a message.

00:13:11With the address, okay?

00:13:13Okay, see you later

00:13:13Bye

00:13:14Oh, does it close like that?

00:13:17Yes, it closes like this.

00:13:18Are you stupid or what?

00:13:19Okay, so you're staying for dinner, right?

00:13:20Well, you could hear me, huh?

00:13:21Hey?

00:13:22He says he's going with a pee-pee

00:13:23At the concert of the...

00:13:25Yeah, yeah, yeah, dude

00:13:30Yes, I know.

00:13:31This is going to be very tough, Marcos.

00:13:34Yeah, it's tough, man.

00:13:35But it has to be done.

00:13:35And so come on, tough

00:13:37Go for it, okay?

00:13:38Goes?

00:13:39Come on?

00:13:40Okay, come on

00:13:40We're going with you, okay?

00:13:42Goes

00:13:42Thank you

00:13:43Hello

00:13:46Hello

00:13:47What was I missing about you?

00:13:51Ah, yes

00:13:51And you?

00:13:52Me too

00:13:53I wanted to talk to you.

00:13:55With me?

00:13:56Yeah

00:13:56What's happening?

00:13:57There is, there is a, there is a topic, huh?

00:13:59That, that, that, that there it is

00:14:01And I wanted...

00:14:02Little Ella!

00:14:03Ugh, dude, they're my parents.

00:14:04That?

00:14:04They went to talk to your mother.

00:14:05And they're dying to meet you

00:14:06What? Me?

00:14:07But, but if I don't...

00:14:08Hello darling

00:14:09How are you?

00:14:11Hi sweetheart

00:14:12Very good

00:14:13So, how's it going?

00:14:15Okay, very good.

00:14:16They're delighted with you

00:14:17Let's see

00:14:18Are you Raúl?

00:14:21I do

00:14:22By?

00:14:22How are you?

00:14:24I am Irene

00:14:25Well, Elena's mom

00:14:26Ah, Victor, your father

00:14:27How are you, Raúl?

00:14:28We were so looking forward to meeting you

00:14:29Yeah

00:14:29If all he does is talk about you all day

00:14:31Hey, that's not what it's about, is it?

00:14:34Hey, why don't you come have dinner with us?

00:14:36That?

00:14:36Hey?

00:14:38Well, we had...

00:14:39We need to study

00:14:40But come on, man, there's always time to study.

00:14:42That's what I always say.

00:14:43Come for dinner

00:14:44That's it, no more talk.

00:14:45Are you coming?

00:14:46Aren't we going somewhere?

00:14:47Do we know each other better?

00:14:48Hey?

00:14:57City

00:14:57City, you've really messed things up for us, damn it!

00:14:59You said we would come to a concert

00:15:01And this is a wedding

00:15:01We're starving here, please.

00:15:03Don't apply, don't apply

00:15:07But what makes us think they're going to catch us?

00:15:11No, damn it

00:15:12This is a copy of my signature.

00:15:13We need to integrate

00:15:15Where outside is something that comes

00:15:16Let's see if they stand up and applaud.

00:15:17So you stand up and applaud.

00:15:18Long live the newlyweds!

00:15:22Long live the godparents!

00:15:24Don't leave the little one

00:15:25Stay a while later

00:15:26I have, I have...

00:15:31I mean, I'm getting a pain

00:15:33In what is pain, never

00:15:34But, but, but horrible

00:15:35And the fingers of the hands were cramped

00:15:36I have them, stiff as a board

00:15:37Applaud

00:15:38Shameful, José Luis

00:15:40Shameful

00:15:40Shame on the menu! Shame on the menu!

00:15:42Yes, the pardir

00:15:43Perfect

00:15:45And the cod passes through with dirt

00:15:47Ladies and gentlemen

00:15:48With all of you

00:15:49The Symbiosis Orchestra

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00:16:41I don't know why you invited him, Candela, it's going to show our true colors.

00:16:54What is it? Aren't you going to see the truth? Let's see.

00:16:56Okay, we invited him over for dinner so he could tell us more. Is that normal?

00:17:00Please, he's not stupid. Seriously, since when do you invite your landlord over for dinner?

00:17:04Well, it's not that strange. The thing is, if we have to wait for you to invite him, we're in trouble.

00:17:11Candela, I'm dying of heart... I'm not opening it. You'll see.

00:17:14Me? And I move.

00:17:19Hello.

00:17:20Hello, what a time, huh?

00:17:22What's up?

00:17:22You're freezing, aren't you?

00:17:23Yes, it's cold.

00:17:25Hello.

00:17:26Well, if he doesn't come, I certainly won't see you.

00:17:30Do we have to wait for someone to come for dinner?

00:17:33A guy we met at the auditorium who's going to rent me the apartment and is going to come and tell me some details.

00:17:37Rent the apartment.

00:17:38Oh yes, what you need to do is go back home to your family, daughter, that's enough already.

00:17:43That's enough.

00:17:44Okay, okay.

00:17:45Why don't we have this conversation another day?

00:17:47Yes.

00:17:48Come on.

00:17:50There it is.

00:17:50Okay, I'll open it.

00:17:54Hello.

00:17:55Hello, Candela, good morning.

00:17:57Wow, with the one about all that.

00:17:58Good evening, is everything alright? And you?

00:17:59Thank you.

00:18:01Excellent.

00:18:01Hello.

00:18:02Hello, Lucia.

00:18:03That's great, thank you very much.

00:18:05Happens.

00:18:06I'd like to introduce you to my mother, Carmen Miguel.

00:18:08Nice to meet you, Carmen.

00:18:10Delighted, me too.

00:18:14A little wine?

00:18:15Very well, yes, a little wine, yes.

00:18:17Another one for me.

00:18:24Okay, so far.

00:18:26A kiss.

00:18:27What a beautiful house, isn't it?

00:18:28I love it.

00:18:30Very white and very pretty.

00:18:32Who?

00:18:39Raúl, darling.

00:18:40Yeah.

00:18:40It's for you to serve yourself the salad.

00:18:42Ah, the salad, yes.

00:18:44Clear.

00:18:45The salad.

00:18:50Here it goes.

00:18:52Here it goes.

00:18:52No problem.

00:18:54Evelyn, leave the salad here, we'll serve ourselves.

00:18:57Thank you.

00:18:58Thank you.

00:19:04They say they're made with butter, right?

00:19:06They're so fresh, the aunts are alive.

00:19:10The thing is...

00:19:11It's just that I see them looking at me with those little eyes.

00:19:14I'll leave you now and...

00:19:15And it makes me feel a little uneasy.

00:19:16The thing is, the kid needs to gain confidence, right?

00:19:19Come on, man.

00:19:22That's going to be it, huh?

00:19:23No, yes.

00:19:24You and I have already started to get to know each other.

00:19:25Yeah.

00:19:31Carabineros.

00:19:32Carabineros, carabineros.

00:19:34So what, Raúl?

00:19:35How are your studies going?

00:19:37Okay, okay.

00:19:38Good.

00:19:38There, in second place.

00:19:41Well, second for the second time.

00:19:43No, but I'm already there, already unfocused, let's see if I can grasp the subject, huh?

00:19:47This one's going to be one of mine, you'll see.

00:19:48I dropped out of school too, you know?

00:19:50Before we finish.

00:19:51And it hasn't gone so badly for me.

00:19:52Dear.

00:19:53That?

00:19:53Those things were not something to boast about.

00:19:56Luck.

00:19:57Knowing how to see the opportunity and take advantage of it.

00:19:58That's the key to going far.

00:20:00That's the affectionate way I always tell my mother.

00:20:03If you also seem like a sharp guy, it shows.

00:20:05I'll try, I'll go there and see if...

00:20:07So, what do you do for a living?

00:20:09From you, Raúl.

00:20:10In the informal "tú".

00:20:11Look, they're already here.

00:20:13I thought they were going to lose.

00:20:16Gentlemen, Mr. AIDS.

00:20:17Thank you.

00:20:19What a whore!

00:20:20You have to call yourself the same as the Real Madrid guy, dude.

00:20:23Dear.

00:20:24He is a citizen of Madrid.

00:20:26My father is a sports agent.

00:20:29I hadn't told you.

00:20:32Agent?

00:20:32Excellent?

00:20:35Agent?

00:20:36Agent?

00:20:36Agent!

00:20:44Agent!

00:20:52Excellent!

00:20:53Excellent!

00:20:53He hasn't done a damn thing.

00:20:54If I hadn't seen my mother, what a glorious life I'd be in.

00:20:56With what feeling?

00:20:58Very good.

00:20:59Very good.

00:20:59Little one, he's been, he's been.

00:21:00Hey boy, hey boy!

00:21:01Let me see the cup!

00:21:02Awesome.

00:21:03Capital.

00:21:03You have a sister, she's been great.

00:21:05I already told you to calm down, okay, little one?

00:21:07I've already told you.

00:21:08Aguen!

00:21:08No, no, no!

00:21:09Sueguen!

00:21:09Hey, hey, hey!

00:21:10Singing!

00:21:10No, no, no!

00:21:13Shout a little louder and we'll get their attention.

00:21:15Are you idiots or what's wrong with you?

00:21:16That's it.

00:21:17Relax.

00:21:17Calm, calm.

00:21:19And that's it, the show's over.

00:21:20Let's go.

00:21:21Because I know the guy is talking to Choni.

00:21:23And he's keeping a close eye on us, huh?

00:21:24Come on.

00:21:24Don't be paradoxical, dude.

00:21:25Damn it, can't you see that Chiquitín has a lost look in his eyes?

00:21:28What's wrong with your sister and that uncle?

00:21:29I'm going to put it on.

00:21:30Choni!

00:21:31Choni!

00:21:31Chami!

00:21:35Choni!

00:21:36What happened?

00:21:37What's going to happen?

00:21:38No, I'm a miserable wretch.

00:21:39No, the restaurant owner is showing up now.

00:21:41So I'm not going until Sunday, Chiquitín.

00:21:43Until Sunday, until it's all over.

00:21:44Let's see.

00:21:45I'm going after him.

00:21:46I'm going after him!

00:21:46A casualty from nowhere!

00:21:47Calm down, calm down.

00:21:48There are a lot of smart alecks out there, Choni.

00:21:49There are a lot of smart alecks.

00:21:50And with contracts, things need to be made perfectly clear.

00:21:52If there's no BJ, there's no play.

00:21:54Come on?

00:21:54There's no PlayStation, damn it.

00:21:55Ah, I'll get the jacket.

00:21:58What a time, Nico.

00:22:03This is one thing, but you...

00:22:05Could you leave a little bit, even just to pay my pension?

00:22:09Okay, Choni.

00:22:09I'm very embarrassed.

00:22:10I'm so embarrassed.

00:22:12But who can I ask for help?

00:22:13You tell me if I have nowhere to fall, my little dead one.

00:22:16Go on, go on, go on.

00:22:17Go on, you, come on.

00:22:18Come on, come on.

00:22:18Come on, let's go for a drink, you and I, and then we'll see how and where we end the night.

00:22:23This one's going to get him.

00:22:24He gets it in the end.

00:22:25Fiti, he doesn't catch anymore.

00:22:26Fiti, he doesn't catch anymore.

00:22:26Fiti, I don't have any more room.

00:22:27Go home, Diego, but you do.

00:22:28Like the leftovers, Fiti, damn it.

00:22:30My girls' room is full of junk.

00:22:32And the living room?

00:22:33On the sofa bed?

00:22:34You sleep well there, damn it.

00:22:35I don't know for sure.

00:22:36Yes, there is no sleep.

00:22:36Yes, there's no sleeping well.

00:22:37Don't bring it into my house, Fiti, please.

00:22:39Damn it, Diego, I'm not going to leave her with this guy.

00:22:41I do like it when you ruin my life again, damn it.

00:22:43Look, she's weak, can't you see?

00:22:45It looks like a little sparrow to me.

00:22:47Oh ok.

00:22:47Yeah.

00:22:48He's hugging her.

00:22:50That's it.

00:22:51That's awful.

00:22:51Then he calls you and tells you that I'm going to be half an hour late.

00:22:55And so, Castile is vast.

00:22:57Or you're with someone, their phone rings, they start talking in front of you, and you just stand there with a blank expression, waiting to see what you do.

00:23:04It makes me sick.

00:23:07The breadcrumbs that Miguel makes with his mother-in-law.

00:23:09But hey, if it's not with my job.

00:23:11He started on about the reel and kept going on and on and on.

00:23:13Lucia, what are you denying?

00:23:15That your mother is trying to steal your suitor away.

00:23:17Come on, don't tell me nonsense, please.

00:23:18How is my mother going to be arriving?

00:23:20It can't be, no, girl.

00:23:22That's funny, isn't it?

00:23:24A little liquor?

00:23:25It's very nice.

00:23:29A little liqueur?

00:23:30Ah, very good, great.

00:23:31No, daughter, I don't have any liquor, because it's already very late.

00:23:34So I'm going to go home.

00:23:36I have to go too.

00:23:38Carmen, if you want I can give you a ride home.

00:23:41Oh, well, nice to meet you.

00:23:43Lucía, Candela, thank you so much for everything.

00:23:45An extraordinary dinner.

00:23:48Come on, come on.

00:23:49It will be perfect now.

00:23:50So far, so good.

00:23:50Come and see the apartment whenever you want, okay?

00:23:52Yes, don't worry.

00:23:53Very good.

00:23:54Well, nothing.

00:23:54You know I had a great time.

00:23:56Me too.

00:23:57Thank you.

00:23:58Come on.

00:23:58Goodbye, Candela.

00:24:00Thank you so much.

00:24:00See you later, okay?

00:24:01Of course, man.

00:24:04Come in, come in.

00:24:05Just a moment, I turn on the light.

00:24:07Oh, come in.

00:24:09We need to hurry, Diego, really.

00:24:11Thank you so much for this.

00:24:12That a woman, that nothing happens, that's what she's there for.

00:24:14Of course, you know.

00:24:15But Diego would be happy to do it.

00:24:16Yes, Diego.

00:24:16Yes, yes.

00:24:17Come on, let's go and have a go.

00:24:19Look.

00:24:21This is the living room.

00:24:22Oh, Diego, please, how beautiful.

00:24:24Everything is so beautiful and so homey.

00:24:27Oh, how much I've missed having a home.

00:24:29House by house, yes.

00:24:31I've spent my whole life stuck in dumps of cheap boarding houses.

00:24:35The truth is, we're going to sleep here.

00:24:36Okay, honey.

00:24:37Hello, drum.

00:24:38I don't put you to bed too late, okay?

00:24:39No, take care of yourself.

00:24:39Okay, I'm going home.

00:24:41Come on.

00:24:41Thank you very much, man.

00:24:42Today we managed to get a gravedigger, for real.

00:24:44I'll go with you, I'll go with her for a moment.

00:24:47Let me tell you, you put me in such a difficult position, for God's sake.

00:24:49Come down from God, it's just a couple of days.

00:24:50It's a little bit of charity.

00:24:52Listen to me, but don't let Lucia find out, so she doesn't think it's something strange.

00:24:55Don't let him know he's here.

00:25:00Well.

00:25:02Are they your kids?

00:25:04Yes indeed.

00:25:05Yes, there you are.

00:25:06They are very beautiful.

00:25:07I knew you were going to have beautiful children.

00:25:09You were a real beauty from Zagalico.

00:25:11With all your hair pulled back like that, very funny.

00:25:13Now I'm pulling my hair back even further.

00:25:15What a blow you have, Diego.

00:25:16You have always had a very special grace.

00:25:18Grace no.

00:25:19Thanks, or rather, a witty remark.

00:25:20A joke, yes.

00:25:22Okay, I'm going to get the sheets for...

00:25:23Diego, seriously, what a drag, huh?

00:25:26I wouldn't want to bother you.

00:25:28No, no, no, no.

00:25:28It doesn't bother me, no.

00:25:29Seriously, the sofa is a little small and you might not be comfortable.

00:25:32Oh well...

00:25:32No way, son, as long as they treat me well, it's not like I'm not used to it.

00:25:37And a blanket.

00:25:38I'm also going to bring you a blanket so you don't get cold, okay?

00:25:39Thank you very much, Diego.

00:25:40You really won't notice that I'm here, like, as if such a person were in this house.

00:25:43Dad, there's a really froggy lady in the kitchen.

00:26:01Yes, yes, yes, yes.

00:26:02And that your hands bring tenderness to the wall, what a delight.

00:26:09Chuani!

00:26:10Oh, sorry!

00:26:12Oh, sorry, when I lose my mind, have I woken us up?

00:26:15No, no, no way, no, no.

00:26:17These are your kids, don't tell me anymore, Kike and Rufo.

00:26:19No, look, you've got it wrong, I'm Kike and Rufo.

00:26:21No, no, let's see, let's see, no, no, no, no, no, no, Guille and Curro, Guille and Curro.

00:26:25Oh, that's right, I'm rinsed off.

00:26:26I am Choni, Fiti's sister.

00:26:30You don't remember, of course.

00:26:32Sit down, sit down, I'm going to prepare breakfast.

00:26:34Well, you didn't have to go to the trouble, but thank you very much.

00:26:36Shut up! And it took me ages to find both of them, it's not because of anyone, okay?

00:26:39What I had in the kitchen has turned into a Picasso.

00:26:40Son, there's no one who comes around every now and then to lend a hand or something.

00:26:43Yes, I come by from time to time to lend a hand, yes.

00:26:46Doña Carmen, it's so nice to see you.

00:26:49How long has it been? How are you?

00:26:51Well, I'm doing very well.

00:26:52And how are you, daughter?

00:26:54You've separated again, huh?

00:26:56If I were to tell Doña Carmen.

00:26:57If I were to tell you what I might have suffered.

00:26:59Yes, I believe so.

00:27:01Oh my God, how rude!

00:27:02Sit down, sit down.

00:27:02I'll bring you some pastries or something.

00:27:04I know them, I'll bring them.

00:27:04Sit down, sit down.

00:27:06But he feels it, he says.

00:27:07But who was a guest?

00:27:10What is this woman doing here, Diego?

00:27:11An emergency, an emergency.

00:27:13A problem of force majeure, yes.

00:27:14Well, he had nowhere to stay.

00:27:16Clear.

00:27:17And she's managed to gain access to your house.

00:27:19But how could you let this happen, Diego?

00:27:21With what he's done to Candela and Fiti.

00:27:23What has he done to them?

00:27:24Tell me.

00:27:24This one, the queen of cronyism, has given them a hefty price.

00:27:30And not one or two.

00:27:31You don't tell children those things.

00:27:33Didn't you know?

00:27:33The children.

00:27:35With this piece here.

00:27:36He doesn't know what they will have to see and hear.

00:27:38Well, for now we've heard her sing, huh?

00:27:40Which is no small feat.

00:27:40They played their greatest hits for us.

00:27:41And, and, shut up.

00:27:42When is he leaving?

00:27:44No, I don't know.

00:27:45Very soon, nothing.

00:27:47In a couple of days.

00:27:47The sooner the better.

00:27:49You know what I always say.

00:27:50And with charity comes the plague.

00:27:52With Cidal.

00:27:53I was with Cidal and all the other guys, mate.

00:27:55Colleagues, colleagues, Raúl.

00:27:58Colleagues, colleagues, kid.

00:27:59Becan, Ronaldo, and Roberto Carlos were there.

00:28:02That's when it all started, Peña, kid.

00:28:03And all hell broke loose.

00:28:04And I didn't know what a party was until yesterday, kid.

00:28:06Hey, what's that band like?

00:28:08They're just leftover milk.

00:28:09No way?

00:28:09You have the leftovers, dude.

00:28:10They are horny men.

00:28:12Especially the Brazilians.

00:28:12Well, Roberto Carlos, man.

00:28:14He was a party animal for such a small man, dude.

00:28:16I was rewarded with it, man.

00:28:17But let's see.

00:28:18Is this whole band a friend of your father?

00:28:19As?

00:28:20Close friends, kid.

00:28:21And you don't know what kind of house they have, huh?

00:28:23Hey, hey, hey, hey, hey, we design up, down.

00:28:26Well, I went to the repossession, dude.

00:28:27Take a look, man.

00:28:28They almost saw my ashtray, man.

00:28:30Hey, I've already heard about last night.

00:28:33That's great, Elena, he's a big guy.

00:28:35Well, look at that, how lucky.

00:28:37You've gone from a police officer father-in-law to a sports agent.

00:28:40Hey, hey, let's see if I can work something out for you so you can invite us all sometime.

00:28:43Hey, what's up, man?

00:28:44That you're here all day.

00:28:45Are there no fires around or what?

00:28:46No, no, I'd be delighted.

00:28:48That way next time I can talk to someone.

00:28:50No, I don't know, Churri, if that's going to be a good idea, huh?

00:28:53Hey, your dad, aunt, let's get this sorted out, you know?

00:28:55Maybe not?

00:28:56He likes it.

00:28:57But my aunt has taken a liking to you.

00:28:58Yes, that's right.

00:29:00Hey, what a handsome old man you have, Churri.

00:29:02Come on, let's go.

00:29:03Raúl, Raúl, go ahead.

00:29:04Just a moment, Elena, because...

00:29:07Hey, no, I'm going to lie on my back.

00:29:10Yes, yes, yes.

00:29:11What is it?

00:29:12Hey, what's going on here?

00:29:14Hey?

00:29:15That?

00:29:17I don't know, Raúl, man.

00:29:18I see you today at the bear with Elena and yesterday you didn't know how to get rid of her.

00:29:22Okay, man, what did you want me to do, Marcos?

00:29:25Dude, he's introducing me to his family, Marcos.

00:29:27Dude, it wasn't the right time, you know?

00:29:28It wasn't the right time.

00:29:29Dude, we have a little sensitivity for these things, man.

00:29:31Know?

00:29:32This woman has her feelings for me, Marcos.

00:29:34You, you're a bit of a brute when it comes to that stuff, man.

00:29:36You should get that checked out, huh?

00:29:37Come on, champ.

00:29:41Good morning.

00:29:42What's up, Fiti?

00:29:43A beer?

00:29:44Come on.

00:29:45Listening.

00:29:46Okay, so what?

00:29:46Has my sister seen this?

00:29:47How charming!

00:29:48Besides, I've spoken to her and she seems much better, you know.

00:29:52Yes, it's much better, yes.

00:29:55The thing is, I'm thinking, you see, Fiti, I'm thinking about him staying at my house,

00:29:59I just can't quite see it, you know...

00:30:00Come on, did something happen to you?

00:30:02But what isn't?

00:30:02What's going to happen?

00:30:03Why does nothing have to happen?

00:30:04No, no, it's just that...

00:30:05Well, that's it, so...

00:30:06Mom, Chori and I, well, deep down we don't really know each other that well.

00:30:09And I feel a little uncomfortable.

00:30:10I mean, I'm at home, but uncomfortable.

00:30:13Uncomfortable.

00:30:13My brother is uncomfortable.

00:30:15Damn, Diego.

00:30:16No, Fiti, no messing around or anything.

00:30:17So, he's saying it, right? Let's see, just to be clear.

00:30:20I'll put up the money to pay the pension, but no, she can't stay at home.

00:30:23Shut up, I'll put up the money.

00:30:24That's not it, damn it.

00:30:25That's not it, damn it.

00:30:26But she'll notice you're kicking her out, that she's very sensitive, that she's having a really hard time

00:30:30And he's going to fall back into that awful abyss, damn it.

00:30:32And what did my brother do to deserve this?

00:30:34What's his fault?

00:30:34What a lack of charity, really, what a lack of charity.

00:30:36She's going through a traumatic separation, and you, better than anyone, should know that.

00:30:40Why does he have to carry the owl's car?

00:30:42Why does he have to carry it?

00:30:43Chuelo, ochuelo, que tiene la sentimiento en el occipio.

00:30:45Hey, no insulting, hey, no insulting.

00:30:46Wait a minute, Diego, all I'm asking is that you talk

00:30:50Spend a little time with her, she needs human affection.

00:30:53My sister may have her issues, which she does, but she has a heart of gold.

00:30:56through that door.

00:30:57When?

00:30:57Hello, what's up?

00:30:58Hello, what's up?

00:31:02What's happening?

00:31:02Where are you going so calmly?

00:31:03Well, I noticed some things were missing and I'm sadder than an empty pantry.

00:31:07Diego.

00:31:07Look at her, look at her, damn it, all you want is to please.

00:31:10And it's appreciated that he wants to please because since you're not going to sell money and all that, well, be grateful.

00:31:14That's what I was going to say, if you give me a few bucks, why do you stop?

00:31:17See it in store?

00:31:17Why did you leave?

00:31:18A few bitches, a few bitches, a few bitches, a few bitches, a few bitches, a few bitches,

00:31:20some little dogs, some little dogs, some little dogs, some little dogs, some little dogs, some little dogs,

00:31:21Here, does this work for you?

00:31:23This is going very well.

00:31:24Okay, I'll wait for you at the house later, I'm going to make you a stew that will take care of you.

00:31:28the meaning.

00:31:28See you later.

00:31:29Goodbye, Johnny.

00:31:30Ask yourself to make this decision.

00:31:33Cisar, cisar, my sister?

00:31:34Let's see, let's see.

00:31:35But you don't see her, you don't see her, she doesn't know what to do anymore to please us.

00:31:38And does he have hair from hunger?

00:31:40What does it say?

00:31:41Are your hairs from hunger?

00:31:42And what about hair?

00:31:44Well, I can't believe I still haven't called your mother to ask her how

00:31:47The night ended with Miguel.

00:31:49So, how is it going to end?

00:31:50I would take her home, period.

00:31:52But come on, Lucia, were you at another dinner or what?

00:31:55He was hitting on your mother all night, man.

00:31:57And on you go, you pericotorno.

00:31:59Hello.

00:32:00Man, Mom.

00:32:01What are you doing here?

00:32:01Hello.

00:32:02Well, my dear daughter, I have something to tell you.

00:32:04Yes, sit down.

00:32:07Well, you see, it turns out that Miguel is my daughter's future landlord, you know?

00:32:13Well, it just suddenly occurred to him yesterday that we should grab something to eat on the way home.

00:32:18And well, what a charming man.

00:32:22We spent hours chatting.

00:32:24It made me feel so comfortable.

00:32:26Of course, woman.

00:32:27You are very good-looking.

00:32:29I wish I could reach their age too.

00:32:31Well, and so young at heart.

00:32:33Oh, thank you, Lurditas.

00:32:34Well, but that's not the best part.

00:32:37He called me this morning.

00:32:38Would you like to have dinner with me?

00:32:39And I told him yes.

00:32:42Thus, on impulse.

00:32:44Wow!

00:32:45I did the right thing, didn't I, daughter?

00:32:46I don't know, what kind of man will he be?

00:32:48Well, I don't know.

00:32:49I get the impression that he wants to flirt, but it's been so long since he last did.

00:32:52And what is it like?

00:32:54Well, he's attractive, cultured, very interesting, and younger than me.

00:33:01Come on, it's so flattering that he's interested in me.

00:33:05It's a little strange, isn't it, Mom, like this...

00:33:08But why would that be strange?

00:33:09I don't know.

00:33:09Well, the heart doesn't understand age.

00:33:11Clear.

00:33:11And when love springs up in the chest, it is like a river overflowing its banks.

00:33:15Amen.

00:33:15That is.

00:33:16Well, I mean, that...

00:33:18I don't know, what this says about dying, the river overflows.

00:33:20Oh, daughter, you're acting so strange today.

00:33:22I just wanted to tell you.

00:33:24Aren't you happy?

00:33:24Yeah.

00:33:25Are you happy?

00:33:26I do.

00:33:27Well, I'm glad.

00:33:29Of course, how could she not be happy, she looks like her mother.

00:33:31Clear.

00:33:31Any daughter is happy to see her mother happy.

00:33:33What was he doing to her?

00:33:34Of course, it's very important to me that you're okay with it.

00:33:37Well, now I'm off because I need to buy something for tonight, since I never go anywhere...

00:33:43Oh dear, I forgot that...

00:33:45Miguel says that if you want to see the apartment, he's left a copy of the keys with the doorman.

00:33:51You don't need to call him.

00:33:52Well.

00:33:53See you later, okay?

00:33:54See you later.

00:33:58Send it to us.

00:33:58God, God, God, God, come, come, come.

00:34:00Dude, but I'm spending this weekend with Elena's old man, man, and all his mates around, man.

00:34:04Let's see who they introduce me to now, man.

00:34:05I'll start using the vine marker or something for guidance.

00:34:07God, no way.

00:34:08Yeah.

00:34:08Oh, how nice, how nice that you've become such good friends with Elena's father.

00:34:11I'm telling you, man, that's exactly what I needed.

00:34:13Know?

00:34:13I mean, someone who believed in me, man, who discovered my talents, man.

00:34:16Mostly with a godfather, huh?

00:34:21What's that?

00:34:22This is a crocri of my life, dude.

00:34:23My life with a godfather.

00:34:25Let's go, to Elena's father.

00:34:26Look, well, this, well, the first few months there as his right-hand man.

00:34:30Okay, left, come on, I don't care, okay?

00:34:31But then later on, bam, bam, bam, bam, man, and I started my own business, dude.

00:34:36Hey?

00:34:36There, uh, uh, Martinez agency, you know?

00:34:39Sports and Business Class.

00:34:41Hey?

00:34:42Look, that's as far as it goes.

00:34:43This is the logo.

00:34:45Isn't that cool, dude?

00:34:46Yes, no, since you have everything so organized...

00:34:48Yes, well, and here I have everything the same.

00:34:49One question, just out of curiosity, where is Africa?

00:34:53Africa is there, out there, in the...

00:34:54His own.

00:34:58If Africa doesn't want me, Marcos.

00:35:02Dude, I...

00:35:03I can't spend my whole life beating around the bush, you know?

00:35:06I have to get on a train.

00:35:09Already.

00:35:10Hey Raúl, I heard you know the people from Madrid.

00:35:13Yeah.

00:35:13And what if you could give him the ball so he could sign it?

00:35:18Hey...

00:35:19No, I don't know if it's going to be possible, buddy.

00:35:21But, look, why are we doing this to him?

00:35:23You'll come with me to the Bernabéu one Sunday, okay?

00:35:25And at some point we both go to the locker room and you ask him yourself.

00:35:30But can you do that?

00:35:30Sure, man, I'm just one more person there, like part of the team, all I need now is to play.

00:35:35I'm going to charge what they charge.

00:35:37Thank you.

00:35:38Come on, let's run there.

00:35:39These kids, man, they'll do anything, you know?

00:35:41Raúl, look, don't promise my sister things you can't deliver, she'll get her hopes up.

00:35:46What's up? Well, it's happening, huh?

00:35:47What's the problem? Hey, hey, hey, Marquito, it's just that when you get like this, and I know you, you're being a bit of a pain, you know?

00:35:53Okay, and walks, a bit, sometimes, and...

00:35:56That guy's really stupid, huh?

00:35:58Yeah.

00:35:58That guy's a real idiot.

00:36:02And that, Diego, the endings were, the endings were catastrophic, that was ruin.

00:36:07And I, after the separation, well, I've felt very lonely, Diego.

00:36:12Very lonely.

00:36:13Well, because she shouldn't pose so nicely, because then things like this happen.

00:36:16That turned out great, Zalangoye, huh?

00:36:17Well, I don't know if it came out a little dense.

00:36:19My zucchini from Murcia turns out better, but of course, where can you compare it to a zucchini from here?

00:36:23No, but he says it's delicious.

00:36:24And look at the children, how they're eating it.

00:36:26Isn't it delicious?

00:36:28Delicious.

00:36:28It's delicious, Chony, thank you so much!

00:36:31That's lovely.

00:36:31Since I'm taking advantage of the house, at least make it useful, since you're making me feel so comfortable.

00:36:36Of course, sister, you deserve everything, you're the greatest, truly.

00:36:40Wow, my beautiful sister, please.

00:36:43This, huh?

00:36:44One day here and that's it, light years away, light years away.

00:36:47You're helping her a lot.

00:36:48She really needed all of this.

00:36:50Yeah.

00:36:50Damn, even Beppe wouldn't eat it, huh?

00:36:53Yes, yes, yes.

00:36:54Come on, and now for dessert.

00:36:55Come on.

00:36:56Fried milk.

00:36:57Let's see, the plastics.

00:36:58Hey, hey, hey, hey!

00:36:58Hey, hey, hey, hey, hey!

00:36:59The plastics?

00:37:00How are you doing?

00:37:01You'll see how it turns out for him.

00:37:02You'll see.

00:37:03Now more than ever.

00:37:04It smells so good.

00:37:05Man, José Luis.

00:37:06How are you?

00:37:06What's happening?

00:37:07What are you doing here?

00:37:09Hey, you said I was coming to pick you up on the way to the workshop, right?

00:37:11Yes, but you call me from the street on the intercom and I'll come out, period.

00:37:13You say no, that way he'll taste the Quecho dessert.

00:37:15Have a plate.

00:37:15Excellent.

00:37:16No, no, leave it, leave it.

00:37:17With a napkin.

00:37:18Yes, okay.

00:37:19Did you make a napkin?

00:37:20Yes, like that.

00:37:21Let's see how it goes.

00:37:22She has it.

00:37:22Please.

00:37:26You sing like angels and you cook like a god.

00:37:28Come on, let's go to the workshop.

00:37:30Come on, it's late now.

00:37:31Hey, we'll have dinner at the tavern later, right?

00:37:33I can't, eh, because tonight you have to do it again.

00:37:35It's not that he's going to come see me.

00:37:37Yes, I had already arranged to meet my partner, we had spoken.

00:37:41I've arranged for him to work on a project he has.

00:37:43But are you going to leave the girl alone tonight?

00:37:45No, no, no, no.

00:37:47Look, I had a little something, but I'm going to leave it.

00:37:49If we have to go, then we go.

00:37:51Let's see.

00:37:52Come on.

00:37:53Excellent.

00:37:53Come on.

00:37:54From here.

00:37:58Did you like the pot, you bastard?

00:38:00Well, yes, I did like it.

00:38:02Well, I'm fine.

00:38:03Yes, you liked the one who put it in you.

00:38:15Hello?

00:38:17Yes, Raúl.

00:38:18I'm Roberto.

00:38:21Roberto?

00:38:21Roberto Carlos, man.

00:38:26Roberto...

00:38:26Roberto Carlos!

00:38:28Host.

00:38:29Hey, very happy to hear from you.

00:38:32However, we will try to train.

00:38:33Yes, a party.

00:38:38Costumes?

00:38:40If there wasn't...

00:38:41What a little devil, huh!

00:38:42What a little bastard, dude!

00:38:43What a little bastard, dude!

00:38:44What a little bastard, dude!

00:38:45What a little bastard, dude!

00:38:46What a little bastard, dude!

00:38:47Yes, well I'm very happy for the kid.

00:38:51Yes, no, Iker, it's a normal thing and the kid had to focus, eh.

00:38:56Yeah.

00:38:57Hey, you're not mistaken about Raúl, are you?

00:39:01No, but you, you're Elena's boyfriend, right?

00:39:04Yes, yes, always has been, right?

00:39:07Uh, well, well, well, the other day I met you at the party, anyway.

00:39:11Me, I fell, it's fine.

00:39:13I want you to come and meet the guys on the team.

00:39:16Yeah.

00:39:18Damn, well, well, well, well, thank you very much, eh?

00:39:20Seriously, today there are more fucking awesome people from all over the world, huh?

00:39:26At ten o'clock.

00:39:28Okay, well, no, and this was the first one, huh?

00:39:31Come on, thanks to Rubens, come on.

00:39:34Bye.

00:39:35Damn, damn, damn, dude, he's inviting me to a costume party, dude.

00:39:39Wow, wow, they're a bunch of jokers, man.

00:39:41I see, man, I see.

00:39:43I'm freaking out right now, I'm freaking out.

00:39:44I mean, I...

00:39:45It seems to shock them...

00:39:46It's visible, it's visible, it's visible.

00:39:47It's that the Martins, man, we're going to give you the star painted on your ass, man.

00:39:51Honestly, it's just that...

00:39:51We're going to win.

00:39:52Come on, man, I'll call dibs.

00:39:54Hey, what's up, dude, come on.

00:40:01Well, well, about the costumes.

00:40:03That's great, isn't it? That's great.

00:40:04Excellent.

00:40:05I got a little flustered.

00:40:07No, no, no, no.

00:40:08No, no, no, no, no, no.

00:40:09No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.

00:40:13My brother-in-law is after my sister, damn it.

00:40:14He's after her, he's got her in his sights, don't tell me you didn't, because I've either seen her or I haven't, Diego

00:40:18I've seen her, I've seen her, I've seen her

00:40:19Well, and if she lets him rhyme

00:40:20Hey, you're right Santi, her son, he's too old to tell her what to do, isn't he?

00:40:23No, no, Diego, my sister, my sister falls in love very easily

00:40:27He has a knack for going off with jerks.

00:40:29Even as a young boy in school, I would run away with the yokels.

00:40:33Don't you remember that?

00:40:34I remember, that's true, spending all day in the schoolyard crying my eyes out, all my snot, one thing

00:40:38Damn, what's the girl going to do with her life now?

00:40:41That criminal is coming near, because your cunt is a criminal, huh?

00:40:44So you tell me, what do we do? What do we do?

00:40:47Damn, well, don't leave him alone for a second, go to the wedding tonight and keep an eye on him.

00:40:51Look, one thing, Fiti, I'm seeing your thoughts, I mean, I understand that you have a concern or something, right?

00:40:56But I'll tell you something else, I'm not going back.

00:40:58That's it, Diego, Diego, damn it, I can't do anything there alone, if the three of us go, José Luis will back down even more, I think.

00:41:04It's true, this is very much from here, but when push comes to shove, the cowardice

00:41:09Santiago, do her a favor, no, I'm not going, I mean, if you have a problem and you don't want any trouble, then talk to your sister and explain it to her calmly, but leave me alone

00:41:17But I'm telling you I'm going to talk if you don't listen to reason, that's the van, I'm telling you, that's the van.

00:41:20Anyway, I don't know if you understand, but I'm not going, I'm not going. I still have a pain in the back of my neck from the embarrassment, and I still have a pain here that I can't stand, you see.

00:41:28And what do you think? That I'm not ashamed? Of course I'm ashamed, but I'm going to the wedding because she's my sister, blood of my blood.

00:41:34But no, you said it yourself, she's your sister, flesh and blood, that's it, you, that's it, you said it yourself, your sister, your sister

00:41:38Okay, okay, okay, okay, very good, very good

00:41:40I'm fed up with doing things for you and I don't say anything to your family

00:41:44And now, the first time I ask you, you'll get out of it.

00:41:47Very good

00:41:47Oh, hello, I sing, huh? How are you? Very good

00:41:56What? What do you think?

00:41:58Hi, Mom

00:41:58Hi, well, well, you look gorgeous with that third piece, huh?

00:42:01Well, wait and see, wait and see

00:42:03Nothing, I've been maxing out my credit card like crazy, but what the heck, a day is a day

00:42:09Let's see this one, let's see this one

00:42:11It's very youthful here, huh? This

00:42:15A little too much

00:42:18Well, it really brightens your face, huh?

00:42:20Yes, I don't want to go overboard, but I don't want to be too formal either.

00:42:24Is he really that bold, Lucia?

00:42:28Yes a bit

00:42:28Okay, sorry to bother you, but I'm a little nervous

00:42:34How come it's been so long since I've had a date?

00:42:37Since your brother-in-law's thing, Francisco

00:42:38Yes, I remember.

00:42:39And remember how it ended

00:42:41Daughter, I don't know

00:42:43I don't know if it's just me, but it seems like you're bothered that I have a date with Miguel.

00:42:48Me?

00:42:49Yeah

00:42:49How am I doing?

00:42:50Mom, please, all I'm trying to do is tell you to be careful, we don't know that man at all.

00:42:54And since you seem so enthusiastic and excited, well, I don't know.

00:42:56I don't understand you

00:42:58Well, Mom, what...

00:43:00Let's see...

00:43:01I don't know, that man...

00:43:04Well, younger than you, if you said so yourself

00:43:05That's all I'm telling you, be careful.

00:43:07Nothing else

00:43:07No, do you mean you think I'm too old to stir up passion?

00:43:13How is he going to think?

00:43:14What nonsense.

00:43:14Hey, that's what we'd be like at your age if we were like you.

00:43:16Well, before

00:43:17Look, Mom, all I want to tell you is that...

00:43:19So, I just don't want you to get hurt.

00:43:21Nothing else

00:43:21Thank you very much for your interest, but I don't think it's necessary.

00:43:25Okay, fine

00:43:26Okay, so...

00:43:28Anyway, call me when you've finished dinner

00:43:30Well, yes

00:43:30Okay, I'll call you later

00:43:31Thank you, see you later

00:43:33Goodbye, Carmen

00:43:34Goodbye, Carmen

00:43:35Come on, come on

00:43:38Damn, this is the second time you've been here.

00:43:44So, he's seen me again

00:43:45Just give the canapé a good shake so you can see how loose you are with the papajo

00:43:48Okay, that's it.

00:43:49Where the little one is, damn it?

00:43:50So, they're coming, and we're just standing here like idiots.

00:43:52This one is really good.

00:43:54Not like yesterday's, which stuck to the roof of my mouth.

00:43:56Excuse me, I'm the bride's father

00:43:59Do I know them from somewhere?

00:44:01Let's go find the little one.

00:44:02Come on, come on

00:44:02No, he knows us, but he doesn't remember.

00:44:05So, I've been with her daughter at school my whole life

00:44:08It's always been this way, we're going

00:44:09Ah, you're going to be Manolin

00:44:12Manolin, Manolin, that's it, he remembers, Manolin

00:44:14Yes, yes, yes

00:44:14I won't remember

00:44:15You got her drunk, it's a night and I had to take her to the emergency room

00:44:18But I've changed

00:44:19I've changed, I'm not Manolin's little punk anymore

00:44:22Now I'm, uh, no, Manolín, I'm a kind of cool person now

00:44:24And good people

00:44:25Excuse me, uh, sorry, uh, closed

00:44:27Bastards, you've left me alone, I'll kill you

00:44:30There it is, there's the vulture

00:44:31There's the vulture

00:44:32What is it?

00:44:35Eh, eh, eh

00:44:36What is it?

00:44:37Hey

00:44:37Nothing, I'm just here wishing your sister a lot of shit.

00:44:41No?

00:44:41Yes, I wanted to go out.

00:44:42Pretty

00:44:43Good evening, ladies and gentlemen

00:44:48Here we are again in the Symbiosis Orchestra

00:44:50To brighten that special day

00:44:52This beautiful couple

00:44:53And to these very nice guests

00:44:55What tables does my aunt have?

00:44:56We are proud to be able to provide entertainment with our music.

00:45:01Such a special moment

00:45:03Such a significant moment in his life

00:45:05And that's why we're going to start the dance

00:45:07With a beautiful theme

00:45:08Dedicated to that first love

00:45:10That is never forgotten

00:45:11So come on

00:45:12Let the bride and groom come out

00:45:13Her ex

00:45:20That?

00:45:21Yes, the guy who dumped her

00:45:22It's the best

00:45:22That's true

00:45:23Luck

00:45:24How was it?

00:45:25That!

00:45:27But first I would like to say a few words to you

00:45:29From the heart

00:45:30To that girlfriend and that boyfriend

00:45:32Bastard

00:45:34What did you think?

00:45:35No, no, no!

00:45:35I was going to leave you!

00:45:36They're two sons of bitches!

00:45:38Sani!

00:45:39Sani!

00:45:42Sani!

00:45:44Sani!

00:45:50Sani!

00:45:51Asia!

00:45:54Aha!

00:45:57Sani!

00:46:00Sani!

00:46:01Hey, woman!

00:46:02You bastard!

00:46:03Yes, but sorry

00:46:04Sorry

00:46:04And you had melted down

00:46:05with a microphone

00:46:05Oh, no, no

00:46:07Hey hey, do you know where the action is?

00:46:20the move

00:46:21If the move, this whole thing about the reserved areas, man

00:46:27Oh yes, yes, reserved

00:46:29reserved

00:46:31Hey, cool, thanks!

00:46:33see you later

00:46:37Excuse me, gladiator.

00:46:47Yeah

00:46:52I'm looking forward to what's going to happen

00:46:54no no no it's not that I've broken my leg

00:46:57You know, and I don't have to give my body for it.

00:46:59But now I'll come back later and

00:47:05and

00:47:07the

00:47:09the

00:47:11us

00:47:13the

00:47:15gerade

00:47:16Chony, Chony, don't cry, woman, don't cry

00:47:27Here, here, woman, other pins

00:47:30I'm just so unfortunate, daughter

00:47:32Do you really think I'd run into him here, damn it, that it was just a coincidence?

00:47:37And on top of that, they throw me out on the street like a dog, giving me a kick in the ass.

00:47:42Man, you're really putting on a show.

00:47:44You can't trust anyone, Chony, with the talent you have, damn it!

00:47:48Hey, hands go to the bread, calm down

00:47:50And what you can do to make something useful happen is go to the wardrobe and get her the clothes, go on.

00:47:54Hey, but he didn't bring you a drink, I know you.

00:47:57But I'm not going to bring him a drink.

00:47:58Before this guy comes back, take her home with you.

00:48:05No, no, no, no, no, no, I just can't, I can't with a woman crying because I

00:48:09I'm telling you, before you eat this guy, you should take him home.

00:48:14No, no, no, no

00:48:15Dude, damn it, can't you see how she is? She needs some love.

00:48:17Don't be like that, damn it, look at how it is

00:48:19Damn, really look at that

00:48:20Come on, no

00:48:23Look, you're going to Diego's house, okay?

00:48:25Come on, go on, go on

00:48:26Yes, let's go, no, please

00:48:27I want to get away from this guy

00:48:28Yes, let's go

00:48:29Okay, let's go, I'm coming

00:48:30Yes, come on, yes, come on, let's rest

00:48:32Come on, let's rest a little.

00:48:34And I'm not messing around with this, man, I'm messing around with it.

00:48:37Chetunga, are you hungry?

00:48:50No, I'm saying, no, it's not a crampé, is it?

00:48:57Come on, take this plaster, you'll feel great.

00:48:59Here, be careful, it burns, okay?

00:49:02Come on, take it

00:49:02Huh? What? Is it good?

00:49:08Well, no, no, no, don't worry

00:49:11Come on, calm down

00:49:12Cry, cry, cry, cry, yes, cry, cry

00:49:14Vent your feelings, don't hold back, it's good to vent.

00:49:17No, I don't cut myself.

00:49:19Well, that's it, don't hold back, but anyway

00:49:21I believe that when you've cried all you have to cry

00:49:24Well, you'll do well to take a nap, won't you?

00:49:26Tomorrow you'll see things differently because tomorrow will be another day

00:49:29You see, you see, I'm coming for you, you'll see

00:49:30Diego

00:49:31That?

00:49:32Don't leave me alone

00:49:34No, woman, I won't leave you alone, don't worry.

00:49:36That everyone leaves me alone

00:49:40You're always surrounded by people

00:49:42They take advantage of me and then leave me to get laid, Diego

00:49:46But you, you don't

00:49:48No, no, no.

00:49:49But different

00:49:49No, no, no, I won't leave you alone

00:49:52I'm just going to open the sofa and prepare it for you.

00:49:55Diego, please

00:49:56Please, please

00:49:57Don't let go of me, for God's sake.

00:49:59No, don't let go of her, but Choli

00:50:00We need to sleep, because I really have to get up early tomorrow.

00:50:02Yes, just a little bit, look

00:50:03I'm fine now.

00:50:05Okay

00:50:05I'm feeling better now.

00:50:06Come on, just a little bit

00:50:07Just a little bit

00:50:08Okay, let's see.

00:50:09Come on, come on, come on

00:50:12Come on, calm down, calm down

00:50:14Come on

00:50:15Come on

00:50:17Majorities, right?

00:50:20Hi, Churri

00:50:21Now, we had to stay for a while.

00:50:23Whether to load the instruments into the van

00:50:25Whether to take the chavvy girl to the boarding house

00:50:27In the end

00:50:28The other one, how?

00:50:33But what are you wearing?

00:50:36That with a costume party

00:50:38Which point?

00:50:40And was there a good atmosphere and all that?

00:50:42Okay, let's not even talk about it.

00:50:43Come on

00:50:43Time for bed

00:50:45See you later

00:50:46Gladiator

00:50:47This bastard makes so little noise

00:50:50Well, I'm leaving too, okay?

00:50:52Okay

00:50:52I'll get up early tomorrow.

00:50:53See you later

00:50:54Okay, that's all for now.

00:50:55Bye

00:50:56What's wrong? Aren't we going to bed tonight?

00:50:59But if I'm not going to hit Ojo, Candela

00:51:00If he hasn't called my mother

00:51:01And they've finished dinner, I'm sure.

00:51:02Okay, but maybe after dinner

00:51:04There was dessert.

00:51:04Hey, don't you ever rest?

00:51:05Careful, I want to give him a little dinner.

00:51:07Oh

00:51:10Hello

00:51:15Hey man

00:51:16They really hit you hard with these frosts, huh?

00:51:18They really hit you hard with these frosts, huh?

00:51:19Are you okay?

00:51:20Yes, yes, nervous

00:51:21Very, very, very nervous

00:51:23Did something happen, Mom?

00:51:25Oh, no

00:51:25No, let me tell you

00:51:27You'll see

00:51:29It turns out that

00:51:31It turns out that after dinner

00:51:34Well

00:51:34We went up to his apartment

00:51:36Yes, let's have the last one.

00:51:38And, well

00:51:40A little wine over here

00:51:41A little wine over there

00:51:43We've gotten romantic.

00:51:45How romantic?

00:51:48Well, then

00:51:49Romantics of romantics

00:51:50You already know

00:51:51Oh, Miguel

00:51:53What a charming man

00:51:54Oh, he's been so sweet.

00:51:56So affectionate

00:51:57So intense

00:51:58He wanted it all

00:51:59All?

00:52:02Antics

00:52:03I wanted to do

00:52:03Antics?

00:52:05Oh, what things, for God's sake!

00:52:07What things

00:52:08I didn't know they existed.

00:52:10Mom, please

00:52:11Okay, okay

00:52:12Okay

00:52:13What's happening?

00:52:14Well, Mom, I'm your daughter

00:52:15I don't like hearing these things.

00:52:16Oh, daughter, don't be so narrow-minded

00:52:17No, what I want you to know is that

00:52:19There's nothing strange about it.

00:52:21He liked it

00:52:21And that's it.

00:52:22That's all

00:52:23Well, I'm going to sleep now.

00:52:23Good night

00:52:25All

00:52:25I everything

00:52:26Antics

00:52:27Oh well

00:52:27Let's see about the mischief.

00:52:28If I'm focused

00:52:32The thing is, I have something like...

00:52:34You go away, you go away

00:52:35Yes, go, go and rest

00:52:38Sound, I can already see you're much better.

00:52:39Where will it all end?

00:52:40Hey?

00:52:40Compared to before

00:52:41Okay, I'm leaving.

00:52:43And that you need to rest.

00:52:44For leaving because I wanted to?

00:52:47There is always a reason to live.

00:52:48Well, everyone has someone who loves them.

00:52:51And who?

00:52:52Well, I don't know.

00:52:53Well, Fiti

00:52:54Your brother

00:52:55Well, your brother loves you

00:52:56And I love you

00:52:57And Santi and my brother

00:52:58Well, they love you too.

00:52:58In other words, there are people who love you.

00:52:59Diego, do you love me?

00:53:03I

00:53:03Yes, I told you that I love you.

00:53:05Because there's affection.

00:53:06There is affection.

00:53:06Oh, Diego

00:53:07No, no, Chony

00:53:08No, Chony.

00:53:09No, please, Chony

00:53:10Please

00:53:10No, uh

00:53:12No

00:53:12Everything does the same to me.

00:53:13What to use and then

00:53:15No, Chony

00:53:16Listen to me

00:53:17That's not it

00:53:17It's not that they're using you.

00:53:19No, look, I'll explain it to you.

00:53:20That one thing is affection

00:53:21There is affection and fondness.

00:53:22That's one thing

00:53:23And another thing, you're doing violence to me.

00:53:24You are committing violence against me.

00:53:25And you confuse me.

00:53:26With the violence you're doing to me

00:53:27You confuse me

00:53:28I've been very abrupt

00:53:29Well, a little, Chony

00:53:30Something like that

00:53:30Okay, Mom, easy, Diego

00:53:32But no, no

00:53:33Chony, please

00:53:34You need to sleep

00:53:35You need to rest.

00:53:36But yes, that's not it.

00:53:37It's a vesicle

00:53:38No, no, no

00:53:39Vesico, vesico

00:53:40No, but the thing is,

00:53:40Chony, vesicos

00:53:42Vesicos, no, damn it

00:53:43I get nervous

00:53:43Don't give me kisses

00:53:44No, no, no

00:53:45Don't give me

00:53:46You're very nervous, Diego

00:53:47Yeah

00:53:49Yes, my daughter

00:53:50I'm very nervous too.

00:53:52Yeah

00:53:52I wasn't expecting this, Diego

00:53:54I wasn't expecting this

00:53:56No, no, please

00:53:58Chony, no, no

00:53:59Chony, Chony

00:54:00Yes, yes

00:54:00Say

00:54:01A little something, that's all

00:54:01That's how affectionately I am.

00:54:02I say this affectionately.

00:54:03But what if this is more than this?

00:54:04No, no, no

00:54:05No nibbles.

00:54:05Oh no, no!

00:54:06Oh no, no!

00:54:06No, no, no

00:54:07Chony, Chony

00:54:07Leave me alone.

00:54:17Leave the bar, kid, don't wait for the bathroom.

00:54:19No, no, no, I'll go in first, okay?

00:54:21I'll get up first.

00:54:27Dad, who are you more?

00:54:29No, no, no, no, no, no, no, no.

00:54:59No, no, no, no, no.

00:55:29No, no, no, please, please, please.

00:55:31No, no, no, no, no, no.

00:56:01No, no, no, no, no, no, no, no.

00:56:31And if we have to call Miguel Papá, then we'll call him.

00:56:34Dad, how does it look on me?

00:56:35But what are you saying? So what? What happened?

00:56:38Yes, Lourcitas.

00:56:42Excellent!

00:56:42That's Santi's, right?

00:56:46That's Santi's, right?

00:56:48He's always in the way, damn it.

00:56:50The truth is, this guy sometimes drives me crazy, you know?

00:56:53No, no, no.

00:56:53Are you nervous?

00:56:54No, I'm not nervous, I'm not...

00:56:56Well, yes, I'm nervous.

00:56:57I'm more than nervous...

00:56:58I am distressed.

00:56:58I have something, Santi, that makes me feel up here, because it's all that it is.

00:57:00He grabs me like this, goes down to my big toe, and...

00:57:02Where?

00:57:03Take.

00:57:04Are you acting like a fool?

00:57:05A little bit, yes.

00:57:05That's indigestion.

00:57:06It's not indigestion, it's not indigestion.

00:57:07It's not indigestion.

00:57:08No, no, no, no.

00:57:08Take it, no, no.

00:57:09I don't want to place the act, Santi, it's not indigestion.

00:57:11I've done something really stupid.

00:57:15What have you done?

00:57:16Well, you see.

00:57:18Let me try to explain it to you, because I really don't know how...

00:57:20Well, what couldn't happen with Luciavis at Mogambo has been possible with Choni.

00:57:28With Choni?

00:57:29What guy?

00:57:29My God, my God, what have you done?

00:57:30No, no, no, no.

00:57:31Dude, you're really weird, huh?

00:57:33You're very strange!

00:57:34Yeah, yeah, man, I...

00:57:35So many months on bread and water, and a man has his needs.

00:57:37Well, if I love you, that's not a need, what needs, what needs.

00:57:40Okay, let me explain, what was I thinking...

00:57:42And that's it, well, that's it...

00:57:43Did he force you?

00:57:44No, he forced me, no, damn it, he didn't force me.

00:57:46I had kind of dedicated myself to it, you know?

00:57:48It was a mistake, it was a mistake and I have to fix it and clarify it as quickly as possible.

00:57:52Make it clear, make it clear, okay?

00:57:53Make it clear, this one sticks.

00:57:55This is a tick.

00:57:56No, it's not a tick, you're always thinking the worst, it's not a tick, man.

00:57:59No, I don't know where you're talking about.

00:58:01What do you mean you know what you're talking about?

00:58:04I hadn't told you or my mother, but many years ago, I had a fling with Choni.

00:58:09But what are you saying?

00:58:10But what?

00:58:10With Choni?

00:58:11You?

00:58:11Yeah.

00:58:11But, man, please, where has your brother ever been seen with the same woman?

00:58:15What are you telling me, Santi?

00:58:16This isn't normal, is it?

00:58:17I could, I could, I could.

00:58:18It was difficult, but I managed, I managed to get it off me.

00:58:21Well, I have to get rid of her too, and I think both children have found out.

00:58:25The children?

00:58:25Yeah.

00:58:26And poor Curro, poor Curro, who gets traumatized and becomes traumatized.

00:58:29And I know, so why do you think I'm distressed?

00:58:31Well, I don't even want to tell you how Lucía found out, you bastard.

00:58:33I have to settle this.

00:58:35Ditch.

00:58:35Better late than never.

00:58:37Yeah.

00:58:37But ditch.

00:58:38Ditch.

00:58:40Hey!

00:58:41Hey!

00:58:41What's happening?

00:58:42You were going to run away without telling us anything, huh?

00:58:44Oh, I'm just in time, aren't I?

00:58:45How's Fistuki?

00:58:48Hey...

00:58:48Guys, what do you know? I don't like talking about these things.

00:58:51Hey...

00:58:51They are well-known people.

00:58:52Yes, well...

00:58:53Then it's very easy to leave here.

00:58:54Couldn't you keep quiet?

00:58:56Come on, we're among friends.

00:58:57Don't tell me they didn't let you in.

00:58:59Why didn't they let me in?

00:59:01Like I said, if they'd let me, I wouldn't have had it set up there, man.

00:59:03They're all there, the whole team is there.

00:59:05Well, it was incredible, wasn't it?

00:59:07You're the lucky one, aren't you?

00:59:10Okay, tell me more.

00:59:11Come on, nothing, huh?

00:59:12If nothing at all...

00:59:13Well, we ended up there doing the little dance like in the Brazilian carnival,

00:59:17singing City of Champions, at the top of their lungs.

00:59:19The truth is, it was an incredible party.

00:59:20Leave it alone, man.

00:59:24That?

00:59:24What's it worth now?

00:59:26What? What?

00:59:28Okay, fine, maybe he's exaggerating a little.

00:59:29Very good.

00:59:30Or a lot.

00:59:32No, he's not that bad, he's just playing a rookie prank on me.

00:59:34They know what they do when they like you, like to bring you into the gang or something like that.

00:59:39Yeah.

00:59:39Yeah, and I'm sure you were the best-looking gladiator at the party.

00:59:42Well, you looked like a prince.

00:59:44How do you know this?

00:59:45Was it you?

00:59:49Sure, dude.

00:59:51But what are you like?

00:59:52Holy shit, Chucky isn't funny at all, dude.

00:59:54Oh really?

00:59:55Look, what's not funny at all is how stupid you are.

00:59:58There's a machete, you've made it too easy for us.

00:59:59Hey, but you, just relax now.

01:00:01You can go play Romans there with the Galácticos and whatever else you want.

01:00:04Come on.

01:00:04See you later.

01:00:11As?

01:00:12Could we meet up?

01:00:14Well, I don't know, Miguel.

01:00:18Well, I could make some room.

01:00:20This afternoon?

01:00:21This afternoon?

01:00:22This afternoon?

01:00:24Well, yes, this afternoon.

01:00:26What do you mean, at your house or in the morning?

01:00:30Hey?

01:00:31No, at my house, at my house, better at my house.

01:00:33Yeah.

01:00:34Yeah.

01:00:35No, the time is fine.

01:00:35Okay, see you later.

01:00:38What's this guy on about?

01:00:40What should I tell him?

01:00:40What's this guy up to?

01:00:42How, I don't know?

01:00:42Well, I'll tell you.

01:00:43This one's going to the plenary session.

01:00:44First the mother, and now the daughter.

01:00:46I knew this guy wasn't normal, I'm going to class, honey.

01:00:49Well, men never cease to amaze you.

01:00:51What's happening, have you left me to endure this ordeal?

01:00:56In front of a notary, I give you my heart.

01:01:02Hi, Chony.

01:01:02What are you doing?

01:01:04Well, that's it, just trying to even things out a bit.

01:01:07Come on, it's obvious he hasn't been around here for months.

01:01:10Already.

01:01:11Well, you see.

01:01:12And what are you doing here, girl?

01:01:13Weren't you supposed to be at the tavern?

01:01:14Yes, precisely...

01:01:15What's up, have we already started our little getaway?

01:01:17Listen to me for a moment.

01:01:18No, no, no, no.

01:01:20I've come here precisely to talk to you about what this is all about.

01:01:22Since I have the kids with me, I wanted to talk to you about it.

01:01:24What's the matter, my love?

01:01:25The matter, or rather, the matter.

01:01:28You understand?

01:01:29So, we got a little carried away last night.

01:01:31I've been a little bit asleep, a little bit, quite a lot, quite a lot.

01:01:34And one thing doesn't lead to another, and...

01:01:36What are you trying to tell me?

01:01:36What's happening?

01:01:37What didn't you like?

01:01:37No, I didn't say I didn't like it.

01:01:39No, no, no, go on, don't go on, don't go on.

01:01:40I know.

01:01:41And in the afternoon I've been cooking, the man has taken off the fat.

01:01:44But what did I say?

01:01:45With the first misfortune.

01:01:45What are you saying about it taking away the fat and me getting burned?

01:01:48That has nothing to do with that.

01:01:49Besides, it was something really beautiful, Choni, damn it.

01:01:51Look, Diego, it was something very beautiful and very special.

01:01:55That's what I said, very beautiful and very special.

01:01:57But also remember that I was telling you that we are adults.

01:01:59And we know that these things happen unexpectedly.

01:02:04Of course, there they are.

01:02:05That's it, that's it.

01:02:07Since we are responsible, why are we responsible and adults?

01:02:11So, we know perfectly well what these things mean.

01:02:13Perfectly, things mean what things mean.

01:02:17That is, things mean what things mean.

01:02:20That's it, that's what they mean.

01:02:22So, it's clear.

01:02:26Crystal clear.

01:02:28Well, that's fine, well, it's cleared up now.

01:02:31Well then, I'm going to do a little work at the tavern, okay?

01:02:33I've already quit, Santi.

01:02:34Okay, see you later.

01:02:38Arrive at you.

01:02:42Come on.

01:02:44Thank you.

01:02:46See you later.

01:02:47See you later, beautiful.

01:02:48Oh, is your mouth open?

01:02:50No, yes, I opened it myself.

01:02:52Hey, we're having dinner at my house tonight.

01:02:54Dad has organized a little party.

01:02:56Isn't it a costume party?

01:02:58No, no, we're going, we're going, we're going, yes.

01:03:00Yeah?

01:03:05See you later.

01:03:06Okay, see you later.

01:03:07See you later.

01:03:07That?

01:03:08That?

01:03:08In the end, you're with Helenita, aren't you?

01:03:22Have you fallen?

01:03:23There we are.

01:03:23Didn't you say it was about fatal attraction?

01:03:25Yes, yes.

01:03:27But look.

01:03:28That's right.

01:03:29That's right, it's going very well, damn it, there, overcoming things, overcoming Africa.

01:03:33When one thing doesn't work, there's always the other.

01:03:35And if you've fallen in love, well, why have you fallen in love?

01:03:37Well, you know his dad's a sports agent, huh?

01:03:39He takes all the Real Madrid players.

01:03:40No way.

01:03:41Well, you have no idea what kind of shack they have, Dad, you know?

01:03:44It's mind-blowing.

01:03:45I can imagine, I can imagine, of course.

01:03:47But I'm not asking you about the in-laws.

01:03:49I'm asking you about Elena.

01:03:50I'm telling you, have you fallen in love?

01:03:54Well, it's something else, isn't it?

01:03:56It's not like with Africa, is it?

01:03:57What was it, you know?

01:03:59A different feeling, then...

01:04:01That's where it starts...

01:04:01Don't tell me you're with her for money, are you?

01:04:03That's not how it works, is it?

01:04:04Well, you're a little sentimental too.

01:04:06Okay, Dad.

01:04:06And you're a bit of an idiot, aren't you?

01:04:08That's what you are, a bit of an idiot.

01:04:09Raul.

01:04:11Damn, we Martinezes aren't like that.

01:04:13We're still losers our whole lives, but love comes first.

01:04:16Your mother and I might not make ends meet, but we're happy, you know?

01:04:22Yes, I know.

01:04:22Yes, yes, yes, I'm my own role model, damn it.

01:04:25Yes, but you're following it very wrong, son.

01:04:27You're following it very wrong.

01:04:30So what do I do?

01:04:31Well, follow your heart, son.

01:04:35Raúl, damn it, you're making me stupid.

01:04:37Anyway, since you're going to meet these guys, you might as well give these "galactic" guys business cards from the workshop.

01:04:44They have some amazing cars, those bastards, that's all they have.

01:04:47And we have to move forward.

01:04:48That's what puts food on our table.

01:04:53Yes, yes.

01:04:57Well, you tell me.

01:05:00You see, I confess that I never thought that at this point in my life something like this could happen to me.

01:05:08I like your mother a lot.

01:05:09And if I'm honest, I think, I think she feels the same way.

01:05:17The thing is, Lucia, he's afraid that you won't approve of our relationship.

01:05:21Wait a minute, excuse me.

01:05:28Hi, Mom.

01:05:29What is this?

01:05:30What's wrong, daughter?

01:05:32Miguel called me.

01:05:33Hello.

01:05:34Yes, sorry.

01:05:36Sorry, I wanted you to be two.

01:05:38Well, we sat down, we sat down.

01:05:41You'll see.

01:05:43Carmen, I'm not going to mess around, okay?

01:05:47I'm going to be honest.

01:05:50Carmen, I've fallen in love with you.

01:05:56And I, to be honest, hadn't felt something like this for a very, very long time.

01:06:00Oh my God.

01:06:02No, don't say anything, Lucia.

01:06:04Lucia, I know that your approval is very important to your mother.

01:06:08But, but, but, don't talk nonsense.

01:06:10I don't have to give her approval for anything, if she's happy.

01:06:13Yeah.

01:06:14Good.

01:06:16Well then, Carmen, I'd like to propose something to you.

01:06:19Let's see.

01:06:20I have to return to Buenos Aires for work reasons.

01:06:24But now to stay for quite some time.

01:06:26That's why there was all the fuss about the move and the apartment.

01:06:28And I already know it's premature.

01:06:32But I've been thinking about it and I'd like you to come with me.

01:06:38To Buenos Aires?

01:06:40To Buenos Aires.

01:06:43So far away, isn't it?

01:06:44I don't know.

01:06:45Hello, Carlos.

01:07:01Hello.

01:07:03Hello darling.

01:07:04Hello.

01:07:04Hurry, your helper is about to arrive.

01:07:11Run, how's it going?

01:07:12Hello.

01:07:12It's not bad.

01:07:13We were waiting for you.

01:07:15Come, I'm going to introduce you to some partners.

01:07:18Are...

01:07:18Anyway, they have a smaller company than mine.

01:07:20They're just starting out, but they've got some powerful people on board.

01:07:22You'll be interested.

01:07:24Ah, well that doesn't sound bad, does it?

01:07:25Hey, let's get them.

01:07:27Come on.

01:07:27That?

01:07:32You come?

01:07:33Yes, yes, yes, yes.

01:07:34Okay, I'm coming now, alright?

01:07:35One moment.

01:07:40Did something happen to you?

01:07:43Uh, look, I, Elena...

01:07:46Auntie, you're a fucking awesome aunt.

01:07:51Elena, and damn, your family has welcomed me so warmly.

01:07:55Yes, it's all very beautiful.

01:07:56But, but sometimes...

01:07:59You're doing what you think you have to do.

01:08:03And suddenly, the potato tells you something else.

01:08:08And I want to be honest with you, Elena.

01:08:09I think you deserve it.

01:08:11What are you trying to tell me, Raúl?

01:08:15Well, I can't betray my potato, Elena.

01:08:19It's Africa, isn't it?

01:08:24I can't forget her.

01:08:26I've tried, but...

01:08:30Can't.

01:08:33I'm sorry, Elena, aunt, I...

01:08:37I'm so sorry, Elena.

01:08:42And that's fine, because if you exaggerate, I mean, saying so much about her sister, and this, and that, and in the end nothing happens.

01:09:05Did she take it well, Choni?

01:09:07Yes, she's taken it very well, but...

01:09:08Let's see, returnee, let's see, these things...

01:09:10In other words, we are...

01:09:10No, it's strange.

01:09:11We are adults, these things are talked about, because they are understood.

01:09:13If they are reasoned and explained perfectly, then they are understood, nothing happens.

01:09:16What's happening?

01:09:22What's happening?

01:09:25Come on, Diego.

01:09:26That?

01:09:29Diego, Dieguito.

01:09:30Which Diego?

01:09:31What's up, Diego? What's wrong with Diego?

01:09:32The silly girl, the silly girl who...

01:09:34I didn't want to tell myself.

01:09:35Of course, I already noticed something strange and in the end, after some back and forth, he told me.

01:09:39If these things ever come to light.

01:09:41Wait, wait, wait a moment.

01:09:42You'll see, you'll see, you'll see.

01:09:42My sister, my sister, cloth.

01:09:44What's happening?

01:09:45What happened, Choni?

01:09:46What did you tell him?

01:09:48Well, you've got it out of my head.

01:09:49Did you get what out of me?

01:09:50You got it out of me and I had to tell him that we're together, Diego.

01:09:52My best friend and my sister, but who would have thought it?

01:09:55Explanations.

01:09:56Have you figured out what it was yet?

01:09:57I am the happiest brother-in-law in the world right now.

01:10:04What's going on here?

01:10:05What's going on?

01:10:07These two have laid the foundations.

01:10:09Damn, are you there with the girl?

01:10:11But hey, look, Diego, I looked like a dead fly.

01:10:13Well, let me tell you, it's a real gem, isn't it?

01:10:14Engraton.

01:10:16He already knows that, right?

01:10:17That I am a diamond in the rough.

01:10:18Ah, my girl.

01:10:20We'll see you at home.

01:10:21I'll be waiting for you there.

01:10:22See you later.

01:10:23See you later.

01:10:24Piquita called me.

01:10:27Or, on top of that...

01:10:28That tells me a lot.

01:10:29On top?

01:10:30Apparently, in the Murcia case.

01:10:31Yeah.

01:10:32I don't know, daughter, for me...

01:10:34I like men.

01:10:36What do you want me to say?

01:10:37But...

01:10:38That's bad luck, isn't it?

01:10:41No, but I don't see myself in Buenos Aires.

01:10:43No no.

01:10:44With the crisis there.

01:10:46Please.

01:10:46Besides, what would I do without you?

01:10:50No, no, no.

01:10:52Oh, Miguel, I could eat you up.

01:10:55Okay, now tell me the truth.

01:10:56So, what was it about you and Miguel that made you dislike him so much, I don't know?

01:11:02I don't know.

01:11:02Ah, it's quite the opposite.

01:11:05Well.

01:11:06Okay, now that everything's over, I'll tell you.

01:11:08Come on.

01:11:11She was jealous.

01:11:12But why is she jealous?

01:11:14Ah, yes, you and my granddaughters come first, woman.

01:11:16No, no, no.

01:11:17Jealous, jealous, jealous.

01:11:20Jealous.

01:11:20No.

01:11:22Yeah.

01:11:23Jesus, Joseph and Mary.

01:11:26But well, now I understand why you were so radiant the night of the dinner.

01:11:31No.

01:11:32What have I done to get in the way?

01:11:33Oh well.

01:11:36What kind of mother steals her daughter's boyfriend?

01:11:39Oh, mom, mom.

01:11:39Okay, okay, okay.

01:11:40You didn't forgive yourself either.

01:11:40But how embarrassing.

01:11:42How embarrassing.

01:11:43I'm acting like a schoolgirl and you're just there suffering.

01:11:47No, don't forgive me, okay?

01:11:49These things are unforgivable.

01:11:50I won't forgive you.

01:11:51He was not forgiven.

01:11:52Well, yes, I forgive you.

01:11:53If you invite me to a San Francisco dinner.

01:11:54Okay, fine.

01:11:55It's delicious.

01:11:56But one thing first.

01:11:58This is the last time you wake me up in the morning.

01:12:00I don't know.

01:12:04Depending on who shows up.

01:12:05Well, you don't know how to argue with me.

01:12:08And if you squeeze me, huh?

01:12:09You have to press.

01:12:10It's a rhyme.

01:12:16Get used to it, I'm going to wake you up if you keep it up.

01:12:18Please, I have no idea what's left for us.

01:12:20The children will hear.

01:12:21Good morning.

01:12:22Come on, lift those asses.

01:12:23This is over, okay?

01:12:24We have to kick her out of the house right now.

01:12:25Hey, and what about your heart? Can you explain to me what you have against me?

01:12:29Look, there's Chuli with the brochures at the agency.

01:12:31Where would you like to go?

01:12:32What has the conveniencer given you?

01:12:33What kind of bitch do you have with your convenience store?

01:12:34Okay, Lucia.

01:12:35Well, that's where he came closest to hooking up with the kid, man.

01:12:38What has been marked?

01:12:38No, but look, for a little more, we can go all over Europe.

01:12:41This morning I went to the gynecologists.

01:12:43And he's been acting strange lately, huh?

01:12:45The Fiti, rather.

01:12:45Let's see, what's happening to me...

01:12:47So, Fiti has been told about his doubts.

01:12:48No, not with Fiti of women, no.

01:12:50No one talks to Fiti.

01:12:51No one talks about it.

01:12:52Well, being a mother is what excites me most in the world.

01:12:54When the Clio is born, it forgets about you a little.

01:12:55My sister-in-law is at your ex's house.

01:12:57And you like fuzz, well, like you're a rascal.

01:12:59Yes, no, but please have it.

01:13:00No, let's see, one moment, one moment.

01:13:14But come on, man.

01:13:15We're looking for a job, we're looking for a job, okay?

01:13:17We scraped together money from under rocks.

01:13:19This is the trip you remember every ten times.

01:13:21Anything that is done without formalizing things,

01:13:25talking about feelings,

01:13:26that if you are already separated in fact,

01:13:29Well, we need the papers.

01:13:30Do things legally, that's the best way, Diego.

01:13:32Stimulus.

01:13:33Answer.

01:13:34No, of course not, if you're happy and all that.

01:13:36Lucía is like a mother to us.

01:13:39Yes, darling, I know,

01:13:40But your father is no longer with her.

01:13:41Stimulus.

01:13:42Answer.

01:13:42The girl just kicked Lucia out of the house.

01:13:44If you liked this house so much, you shouldn't have left.

01:13:46No, but my mother already told me so,

01:13:48that men should be given things little by little.

01:13:49Because otherwise, well, listen, once they get what they want,

01:13:52because they've already forgotten about you.

01:13:53You dangle the carrot in front of them.

01:13:54And in a weirdo you can see they're not on the right track,

01:13:56aimed at whatever you want,

01:13:58to whatever you want.

01:13:58This is a national response that never seems to happen.

01:14:00A man is capable, with a little practice,

01:14:03to separate ejaculation from pleasure.

01:14:05Separating that is impossible.

01:14:07That's related to the fact that the world is the world.

01:14:09Like ham and bacon.

01:14:11You're stupid.

01:14:11Hey?

01:14:12Why are you stupid?

01:14:14That dad.

01:14:14Dad doesn't see it.

01:14:16Dad's being silly.

01:14:16He's been abducted, mind you.

01:14:18This woman has him by the balls.

01:14:20Do you command popular Spanish lime kiln workers?

01:14:22Who do you think you are?

01:14:23What, have I been left with nothing?

01:14:24No, son.

01:14:25Give me reggaeton, give me some rhythm.

01:14:26Are you watching this?

01:14:29Are they flirting?

01:14:31Why is he flirting?

01:14:32What are you saying, Luis?

01:14:33The secret is to clench your butt.

01:14:35How's my band doing?

01:14:36My band.

01:14:37Let's see, Diego.

01:14:39What do you prefer?

01:14:40Bacon or churros?

01:14:42I.

01:14:44I'm going there, look, I can...

01:14:46So, I don't...

01:14:47I think only you and I can save this family.

01:14:49Let it be said.

Los Serrano - 5x09 - La alegría de la huerta - HD 1080

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