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  • hace 4 meses
Paquito, el churrero del barrio, está inconsciente en el hospital tras ser atropellado. En Santa Justa están conmocionados ante el estado de su vecino y sorprendidos de que no se conozca quién es el responsable. Diego decide buscar al culpable del atropello y moviliza a todo el barrio para que le ayuden a encontrarlo. Sin embargo, la policía detendrá a Santi como presunto autor de los hechos, ya que a su nombre figura "la jamoneta", vehículo con el que se cometió el delito. Al ver que han detenido a su tío, Curro, verdadero culpable, no puede más y confiesa a su padre la verdad. Finalmente, y con el objetivo de proteger a su hijo, Diego se autoinculpará del atropello de Paquito. Por otro lado, Diego comunica a Guille y a Teté la decisión que ha tomado respecto a su relación, respetará que estén juntos, pero no impedirá que se marchen de casa. Diego busca que los jóvenes reflexionen, aunque en realidad lo que consigue es que sientan que les están echando de casa, por lo que comienzan a buscar trabajo desesperadamente. En un primer momento, Guille y Teté piensan en marcharse con Marcos y Eva, pero los hermanos mayores prefieren no meterse en sus disputas familiares. La propuesta del padre de Teté de prestarles un estudio que tiene libre en Barcelona parecerá la solución más cómoda para los jóvenes. Entretanto, José Luis no quiere saber nada de Choni después de que ella le confesase su infidelidad en televisión. A pesar de que su deseo es empezar una nueva vida, primero necesita averiguar con quién le ha sido infiel su mujer, ya que todo el mundo, menos él, sabe con quién estuvo Choni en su ausencia. Finalmente, José Luis terminará aceptando la oferta de trabajo de Briatore y se marchará a vivir a Dubai. A Raúl tampoco le va demasiado bien en el terreno sentimental, aún siente algo por África y la ha perdido para siempre, ya que ella se ha ido a vivir con Gael. Ante esta situación, el joven decide poner tierra de por medio y marcharse a Los Ángeles.

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00:00:04What is that, man?
00:00:06But, dude, we've run someone over!
00:00:08Shit, man! Shit, fuck! What a mess we've made! Shit, man!
00:00:14God, God, man!
00:00:16What a mess we've made, damn it!
00:00:17Dude, he's dead! He's dead!
00:00:22But...
00:00:23No way, man! It's beating! It's alive!
00:00:25Yes, but we're not going to leave it here! We'll have to call an ambulance!
00:00:31I'll take it, man! Before they see us, I'll take it, man!
00:00:33Okay, I'm leaving now!
00:00:37Come on, let's go, cousin! Let's go!
00:00:39Before they see you, man! They're going to see you!
00:00:43Come on!
00:00:55Okay, would it be okay if we had a snack here and then dinner in the dining room?
00:00:57Clear!
00:00:58When I was little and a hairy monster came to visit me at night
00:01:01I would get into bed with Guilla
00:01:03I closed my eyes and when I woke up
00:01:05The monster had disappeared
00:01:11And that's what I'd like to happen now.
00:01:13Close your eyes, fall asleep
00:01:15And discovering that it was all a dream
00:01:21Hey son, what's up? What are you doing there? You look like a guard dog.
00:01:28No
00:01:28Of course!
00:01:30Hello!
00:01:31Good night!
00:01:32Hello!
00:01:32Hello!
00:01:33I'll say one thing, Guille and Tete
00:01:34I think they're in the kitchen, go and see.
00:01:36Well, I'm going to take it
00:01:37No, no, you stay here
00:01:38Guille and Tete, come here for a moment!
00:01:39No, I have a little matter I need to clear up with myself.
00:01:41Wait
00:01:42Curro, and Juan?
00:01:43Where is?
00:01:44At home?
00:01:44Where is?
00:01:45At home?
00:01:46How are you?
00:01:46Look, children, listen to me for a second
00:01:47It's just that I've been reflecting
00:01:50And I'm not going to forbid you from going out together.
00:01:54Really?
00:01:55Yes, really
00:01:55How cool!
00:01:57However, I also want to tell you that
00:01:59You are free to leave home whenever you want.
00:02:01To take flight
00:02:03I don't intend to stop you.
00:02:05But come on, Dad, you're not going to forbid us, are you?
00:02:07Well, of course, you can leave home when you turn 18.
00:02:10And I don't forbid it.
00:02:12Because I'm fed up to the back teeth.
00:02:13That people are unhappy in this house
00:02:15I don't want anyone unhappy in my house
00:02:17Did you understand?
00:02:18Not a minute more than the law stipulates.
00:02:19Nobody
00:02:20But when you get older, suddenly
00:02:22One day you discover that nothing and no one can prevent you from finding yourself alone in life.
00:02:26You understood, right?
00:02:27Well, if nobody has anything to say
00:02:29Let's all have dinner, come on
00:02:31I've been left speechless.
00:02:32Me too
00:02:32Okay
00:02:33I, I, I'm going to bed
00:02:35Okay
00:02:37Diego, but let's see, are you sure?
00:02:39What do you want, for him to leave?
00:02:40No, don't worry, Celia, everything is under control.
00:02:42It's called reverse psychology
00:02:45Do you remember the comedian Bill Cosby?
00:02:47Do you know what I was saying?
00:02:47That to keep children at home, you have to kick them out of the house
00:02:50Didn't you notice that they went upstairs as if they were reflecting for a bit?
00:02:53Well Diego, I don't know, it seems to me you're rolling out the red carpet for them.
00:02:55No, Mom, she's right.
00:02:57The more things you forbid children from doing, the worse it gets.
00:02:59Yes, of course, you don't forbid your son anything.
00:03:01And it's going to the notary.
00:03:04But as Carmen says
00:03:05Never lose hope
00:03:07Because no matter how dark everything is
00:03:08There's always light at the end of the tunnel
00:03:11No, but this is your son
00:03:17Hey...
00:03:23One plus one, six seven, come
00:03:26Who would have thought?
00:03:29It wasn't so easy to be happy.
00:03:42But where are you going, José Luis?
00:03:44For now, we're going to Diego's house.
00:03:45Please, get down from there
00:03:47Get down from there?
00:03:50Get down there, Fiti
00:03:51Josico
00:03:51If you would let me tell you something
00:03:53Further
00:03:54More, you mean, huh?
00:03:56More, you mean to tell me
00:03:57You've already told me what you had to say.
00:03:58To me and to forty million television viewers
00:04:00They've found out I have more horns than the town hall.
00:04:04But understand that it was burning my soul
00:04:06Yes, what was burning you was something else.
00:04:08José Luis, José Luis, what is your wife?
00:04:10Was
00:04:10It was because I was reminding you that you divorced me.
00:04:12Okay, fine.
00:04:13You, you, you
00:04:14It was, okay, very good, agreed
00:04:15Damn, where there's smoke, there's fire...
00:04:18What's left? What's left?
00:04:18Are there any chacuas left?
00:04:20Are there any chacuas left?
00:04:21Get down from there, Fiti, or I'll hit you.
00:04:22I owe you one, get down from there
00:04:23Nor is it necessary to go to these extremes
00:04:25Please do us a favor
00:04:26Hit me, hit me, give me a slap
00:04:28If it's going to make you feel better, give it to me, give it to me, give it to me
00:04:31Dad, who has gone to his room
00:04:33You can't warn me, damn it
00:04:35You say something too, damn it
00:04:37Contribute something, damn it, you're not helping at all
00:04:38It doesn't matter, Fiti, it doesn't matter
00:04:39If he doesn't listen, if he doesn't listen
00:04:41If he shuts himself up in his mussel shell
00:04:43And he doesn't listen, he doesn't care about anything.
00:04:45The poor guy is absolutely right, that's for sure.
00:04:47Let's see
00:04:48Where are my burgundy Castilian shoes?
00:04:50And the blue polo shirt?
00:04:51Where are they?
00:04:51Because they are not.
00:04:52Where are they?
00:04:54That of them
00:04:55I borrowed them from you
00:04:57Borrowed, damn it
00:04:58Why are you taking them?
00:05:00You
00:05:01Forget it, fuck it
00:05:02If I have millions I can buy
00:05:03Hundreds of polo shirts and shoes
00:05:05So there
00:05:06Come on
00:05:07Help me, Fiti
00:05:09Grab it there
00:05:11Come on
00:05:12Come on
00:05:12But
00:05:12What are you losing, damn it?
00:05:14What's slipping away from you?
00:05:15Damn, explain to him that you love him
00:05:16Pussy
00:05:17That?
00:05:20Give me a coli, kid
00:05:21What's happening?
00:05:22If you were able to forgive me
00:05:24You have replaced me, Maria Asunción
00:05:27You have missed
00:05:28You haven't had enough time
00:05:29So, permission
00:05:30Come on
00:05:31Come on
00:05:34Open the door for me, please.
00:05:36Chony, open the door
00:05:37Josico, please
00:05:38Chony, please
00:05:39That's what I ask of you
00:05:40Open the door
00:05:40You're wearing a red jacket
00:05:42Open the door
00:05:50He's already gone
00:05:53He's not coming back.
00:05:58What else, huh?
00:06:00Diego
00:06:01Look me in the eyes
00:06:01And tell me what he's like, damn it.
00:06:03How should I know?
00:06:03Are you sure you know him?
00:06:04Josico, I don't know him.
00:06:07It's definitely ugly, that's for sure.
00:06:08But come on
00:06:09That?
00:06:10Ugly?
00:06:11Why would it be ugly?
00:06:12Why is it useful?
00:06:13All of us who are with Chony
00:06:14We are the ugly ones
00:06:15Well, no, actually
00:06:16I think that
00:06:16That now they have ruined it
00:06:16The smoker
00:06:17They have ruined him
00:06:18Okay, calm down.
00:06:19Nightcap?
00:06:19He hasn't had a son
00:06:20All night long
00:06:21What happened?
00:06:21Well, she's a shameless woman.
00:06:22We've had a blast
00:06:23Soda the play
00:06:23And he hasn't left a single note.
00:06:24Nothing.
00:06:25What country, the hell?
00:06:26We are filled with misfortune.
00:06:27Misfortune overwhelms us.
00:06:29Hello
00:06:30Hello
00:06:31Good morning, how are you?
00:06:32What do I open?
00:06:34How are you?
00:06:36This is going to be known
00:06:37How they reconsider and think of me
00:06:41We came from the churro shop
00:06:42That?
00:06:43And you don't know what's going on there.
00:06:45Because they say that last night
00:06:46Paquito has been run over
00:06:47To Paquito?
00:06:48To Paquito?
00:06:49Churro vendor
00:06:49Yes, yes
00:06:49And on top of that, we heard the radio
00:06:51The guys have fled
00:06:52That they have escaped
00:06:53Is that really it?
00:06:54But you have to be miserable.
00:06:55But what kind of scum?
00:06:57Do you do those things?
00:06:57For God's sake
00:06:58You never know what surprises await.
00:06:59What are people going to give you?
00:07:00You never know what surprises await.
00:07:01What are people going to give you?
00:07:02Yesterday
00:07:02But
00:07:03Hey, and Paquito
00:07:04Paquito
00:07:05Is he alive?
00:07:06Is he alive?
00:07:07Is that you?
00:07:07That's it.
00:07:08The unlearned driver
00:07:09That he ran over last night
00:07:10To Francisco de la Cuestra
00:07:1260 years old
00:07:13The car sped away
00:07:15Without providing assistance to Francis
00:07:17For now, the prognosis is serious.
00:07:19And Francisco remains unconscious.
00:07:20Let's see, poor man
00:07:21Disgusting
00:07:23Disgusting
00:07:24Of people, damn it
00:07:25But what kind of world do we live in?
00:07:27No, let's see
00:07:27I wonder
00:07:28What kind of world do we live in?
00:07:29There is no respect.
00:07:29There are no values
00:07:30You can't even trust your wife, damn it
00:07:33Dad!
00:07:34Hey?
00:07:35Look, look
00:07:37Look what Adrian sent me
00:07:38No?
00:07:39Look
00:07:40Look, look how handsome he is!
00:07:41Damn, that's beautiful
00:07:42Isn't that cool?
00:07:43Didn't he put in the effort?
00:07:44Hey?
00:07:44Are we going to get a one-armed person?
00:07:46Hello
00:07:46Hello
00:07:47Welcome
00:07:48Take one last look
00:07:50Come in, come in
00:07:52Well, nothing.
00:07:54I wear this too.
00:07:55Okay
00:07:56Okay
00:07:56That's it
00:07:58Are you leaving already?
00:07:59Yes, I'm leaving.
00:08:00Well, then
00:08:02Nothing, give me two pesos
00:08:03Yeah
00:08:04You know where we are, right?
00:08:06Anything
00:08:07Okay
00:08:07You already know
00:08:08Thank you
00:08:08Well
00:08:13Bye
00:08:37Bye
00:08:38Furthermore, with regret
00:08:40Careful
00:08:40Yes, no, Dad
00:08:41Let him go
00:08:42So, our relationship is over.
00:08:44And she has had to make her own life.
00:08:46And he has chosen
00:08:47And he has chosen Gael
00:08:48And it's about time he accepted it.
00:08:50Jesus told you with those words
00:08:52With those words he told you
00:08:53I don't want you, I want Gael
00:08:55He told you so
00:08:55Well, in those same words
00:08:58That's what they literally said, speaking on behalf of...
00:09:00Well, you said it.
00:09:00That's what I'm getting at.
00:09:01Son, fuck
00:09:03So there is life.
00:09:04And while there is life
00:09:06We must fight
00:09:07Pussy
00:09:07Well, I, for example
00:09:08I resigned along with Ana
00:09:10Because?
00:09:10Because I had what are irrefutable proofs.
00:09:12He had it signed in his own handwriting
00:09:14You understand me?
00:09:17Not you, damn it
00:09:18Let me tell you something
00:09:19In other words, women never forget their first love
00:09:21Because they are like elephants that never forget
00:09:23And who is Asprey's first love?
00:09:24Hey?
00:09:24Which is it?
00:09:25Which is it?
00:09:26No, Dad.
00:09:26And why would she go live with this idiot?
00:09:28Well, let there be moments
00:09:29Second rule
00:09:30That's precisely my point.
00:09:31Never try to guess what a woman is thinking
00:09:33Because she'll have her own ideas.
00:09:35She'll know, damn it
00:09:36It's a woman's head
00:09:37It is scientifically proven
00:09:39That a woman's brain is winding
00:09:41You understand?
00:09:42What are you saying?
00:09:43And the third and fundamental rule
00:09:44Hey?
00:09:45Existence is the key to success
00:09:47The world of heavyweights
00:09:53Fuck
00:09:55About time!
00:09:57Shall I make some churros?
00:09:58How about some churros?
00:10:00Don't talk to me about churros?
00:10:01How are you?
00:10:02How are you, Pacillo?
00:10:03I had to see the appearance
00:10:04But horrible
00:10:05There, the man, so pale
00:10:06So quiet
00:10:07So still
00:10:07That's recklessness.
00:10:09Santi
00:10:09And wait until he wakes up.
00:10:11Wait until he wakes up
00:10:12What did the doctor say?
00:10:13That it's not safe
00:10:14The bad thing, Fiti
00:10:15If he wakes up
00:10:15Well, if he wakes up
00:10:16I really can't go back to work
00:10:17But he won't be able to.
00:10:18There with all the churros
00:10:19There where the orchards go to the cauldron
00:10:20To be so big
00:10:21He won't be able to
00:10:21The bad one
00:10:22What I had
00:10:23She can't even take a walk
00:10:24This neighborhood isn't what it used to be.
00:10:25Watch it
00:10:26Damn it!
00:10:27I've said it
00:10:27Damn it!
00:10:28Damn it!
00:10:29This really can't be happening
00:10:30Well, let me say one thing
00:10:31We need to find out
00:10:31Who is the audience?
00:10:32It's just not
00:10:33You'll find out, man.
00:10:33Almost an outsider
00:10:34One from outside
00:10:35Okay, okay, okay, okay
00:10:36Santi
00:10:36The people of the neighborhood
00:10:37He doesn't do those things.
00:10:39Hit and run
00:10:39That's life here
00:10:40No, no, I agree
00:10:41But we have to do something.
00:10:43Don't realize
00:10:43What is it, Paquito?
00:10:45He's been left with no one.
00:10:46That he has no one
00:10:46May it help you
00:10:47That he has no family
00:10:47He has no one.
00:10:48You're right, Diego.
00:10:49Damn, we can't stay
00:10:50With arms crossed
00:10:51Who has been our churro maker
00:10:52For 25 years
00:10:53Do you know what we're going to do?
00:10:54What came to mind
00:10:55We have to go out into the streets
00:10:56And mobilize the people
00:10:57And we have to give in to the stupid advertising
00:10:58Because otherwise these kinds of things
00:10:59They are quickly forgotten
00:10:59Time passes
00:11:00And he forgets things
00:11:00What should we leave him?
00:11:01A demonstration?
00:11:02Yes, a demonstration
00:11:03Or call the newspapers
00:11:04To the TV, to Zapatero
00:11:05To the mayor
00:11:06Whatever it takes
00:11:06Look, look, look
00:11:07Like goosebumps
00:11:08Like goosebumps
00:11:09Hey
00:11:10Why not
00:11:11Why don't you act as spokesperson, damn it?
00:11:12Me as spokesperson
00:11:13Yeah?
00:11:13No, man
00:11:14I have no dealings with the press.
00:11:15I mean, I want to say
00:11:16What I'm taking
00:11:16So, let's go
00:11:17I don't speak
00:11:17Damn, we have to get this going
00:11:19God's is Christ
00:11:20That's it
00:11:20What needs to be done?
00:11:22A platform?
00:11:23A what?
00:11:24No, let's see
00:11:24There's no need to build a platform
00:11:26In other words, for the street
00:11:28We can talk at street level
00:11:29I mean, no, damn it
00:11:29A support platform, Paquito
00:11:31Fuck
00:11:31To raise funds
00:11:32To find the culprit
00:11:34What do we do?
00:11:34What do we do, spokesperson?
00:11:36What do we do?
00:11:37What do we do?
00:11:38I just became the spokesperson
00:11:38Now is that
00:11:39I don't know what to do.
00:11:39I am the spokesperson
00:11:41But I don't know what
00:11:41We need to find something.
00:11:43Something original, damn it
00:11:44Something
00:11:45Something like what?
00:11:46Guy
00:11:46A sentence that summarizes
00:11:47That is the whole essence
00:11:48What the platform is
00:11:50In other words, everyone understands
00:11:51We're doing one thing
00:11:52As if to
00:11:52Paquito's churro
00:11:54No, no, no
00:11:55No, no, it's already done.
00:11:55I already have it
00:11:57All
00:11:58We are Paquito
00:11:59There
00:12:00Damn, that's good
00:12:00We are all Paquito
00:12:02We are all Paquito
00:12:03We are all Paquito
00:12:04We are all Paquito
00:12:05We are all Paquito
00:12:06We'll fix this.
00:12:08For my children
00:12:09What we found out
00:12:10He wants to be a Paquito
00:12:10Of course
00:12:11Give me a hug
00:12:12Woman, but you've explained it to him
00:12:14That you truly love him
00:12:15She won't even let me open my mouth, Lourdes
00:12:17He has a very bad temper.
00:12:19But as soon as it passes
00:12:20He's a blessed man.
00:12:24But hurry, grab it!
00:12:25I'm sure it's him
00:12:26To forgive you
00:12:31Yes, look
00:12:35Was it José Luis?
00:12:36It wasn't José Luis
00:12:37It wasn't José Luis
00:12:38We're there with the antenna.
00:12:40Woman, me, Chony
00:12:42Forgive me, Fernando
00:12:43I'm just being stubborn.
00:12:44I'm turned upside down
00:12:44Because he's not going to forgive me.
00:12:46In life
00:12:46Don't say that, woman
00:12:48Sure, if what happens
00:12:49It's just that these things...
00:12:49They follow their process
00:12:51Silly
00:12:51Yes, I know the process
00:12:52First he leaves the house
00:12:53Then he falls in love with a younger woman
00:12:55Chony
00:12:55It's just a matter of the wound healing
00:12:57Cobia, and how long does that take?
00:12:59Months
00:13:00Years the same
00:13:00Never
00:13:02But you didn't help either of us.
00:13:03No, they're right, Lourdes.
00:13:04They are right.
00:13:05I'm not just unfaithful to him
00:13:06But I also leave it
00:13:07Ridiculed
00:13:08In front of all of Spain
00:13:09Come on
00:13:09To a man like him
00:13:10He is a gentleman
00:13:11From head to toe
00:13:12Well, and so many that it is
00:13:14Okay, don't go in.
00:13:14He is capable of proving it to everyone.
00:13:17Like this boy, look
00:13:18Where?
00:13:19Look, what was I going to say to him, huh?
00:13:20Let's see?
00:13:21Hero of his neighborhood
00:13:22From one day to the next, look
00:13:23Hey, what a dog he has
00:13:24I had the same thing when I was young.
00:13:25Yes, I already have it.
00:13:26How are you getting from here?
00:13:26A 20-year-old
00:13:28Save from death
00:13:29To an old woman
00:13:29Cuella's house had caught fire
00:13:30Very good
00:13:31Very good, isn't it?
00:13:33Look, Chony
00:13:34Let's see
00:13:34He needs to get over the deception.
00:13:36Well, it's going to be difficult for her, daughter.
00:13:38But the ridiculousness
00:13:39That will pass.
00:13:40At the moment
00:13:40In which he can demonstrate
00:13:42How silly!
00:13:43People
00:13:44People
00:13:44People stay
00:13:45With the last thing you did
00:13:46I said yes
00:13:46Of course
00:13:47Look, he's buying her some beers.
00:13:48One day to everyone
00:13:49And that's it.
00:13:49And he remains like a king
00:13:50That?
00:13:51If it were something more spectacular
00:13:54Chony, you're not thinking
00:13:55Your house is in bad shape again, isn't it?
00:13:56No, but we're going to show the world
00:13:58The hero that my little snout carries inside
00:14:00I told you so
00:14:01Exactly, and on top of that
00:14:02It's not an option
00:14:03It is an obligation
00:14:03We have to leave home
00:14:04But just like that
00:14:06And when do you have to leave?
00:14:08Well, in a week
00:14:09As soon as we turn 18
00:14:11My birthday is on Monday.
00:14:12At least to her
00:14:12He has a few more days left
00:14:14But hey, maybe that's the problem, guys.
00:14:16It's not all that terrible, is it?
00:14:17We already have the officer
00:14:18For the holidays, right?
00:14:20I'm going to say it
00:14:20It's not funny.
00:14:21We're going to end up under a bridge
00:14:23You know we don't have
00:14:23No job, no money, nothing
00:14:25Hey, what if you use Marcos and Eva?
00:14:28I don't know, we've already thought about it.
00:14:29The thing is, they're there
00:14:30They can't support us
00:14:30Not to mention the language.
00:14:32That would be super difficult
00:14:33Finding a job there
00:14:34Yes, but I don't know
00:14:35We left something
00:14:36I don't know, a clue
00:14:38Something that isn't difficult
00:14:39Curro, how are you?
00:14:40How are you?
00:14:41More relaxed?
00:14:41I'm a little worried
00:14:42By Paquito at breakfast
00:14:48They are both very affected
00:14:50Well, this is normal, son.
00:14:52You do have a heart, don't you?
00:14:53Like that heartless one
00:14:54He left him stranded
00:14:55Yes, but look, calm down
00:14:56That your father has set up
00:14:58A platform
00:14:58To help him until he recovers
00:14:59Come on, do you want to help?
00:15:01Well, stick those papers together.
00:15:02Take the sky
00:15:03And quickly, come on
00:15:04Then
00:15:12Wow, what a photo!
00:15:13Don't mess with me
00:15:14You can't even see him.
00:15:15This is not in our favor
00:15:16Regarding the feeling we want to convey, Diego
00:15:17Yes, yes, yes
00:15:18There were no photos.
00:15:20What posters?
00:15:21What posters?
00:15:21What posters?
00:15:22What posters?
00:15:22They cost me 30 cents more
00:15:24What if it had been black and white?
00:15:26And look, the color has turned out very nice.
00:15:27Come on, let's go this way
00:15:29Here, come on, take it.
00:15:32Hey, one thing, Diego
00:15:35Speaking of Guille and Tete
00:15:37Are they giving in now or not?
00:15:38No, I thought this morning
00:15:40That they were going to tell me something
00:15:41And they were going to give me the scrap metal
00:15:41But no, that's being questioned
00:15:42Please, Santi
00:15:43Damn it, nail it in tight
00:15:44Hame favor
00:15:45And why don't you try to reconcile your romantic life with your family life?
00:15:49I think that's what's needed
00:15:50Look, look, look, yes, yes
00:15:52I want to reconcile life
00:15:53Everything I've said is very good.
00:15:54But I want to reconcile it through goodwill and dialogue
00:15:58No, no, what I will not accept is lies, deceit, and much less blackmail.
00:16:04I'm not going to do that.
00:16:04Very good at speaking, brother, very good at speaking
00:16:06Plus, it makes it soft like a plush toy.
00:16:08Because?
00:16:09Because when they see the world out there
00:16:10They're going to make us realize how difficult it is to get the village out of the mess it's in.
00:16:13You'll see
00:16:14It's true
00:16:14It has a different deadline, right?
00:16:16Anita, what for?
00:16:17Don't bother me by telling me what I already know.
00:16:19Hey, the press?
00:16:21It was at the adjustment, at the adjustment where one of his neighbors was run over last night
00:16:24Paquito de la Cuesta, better known as Paquito the Churro Maker
00:16:27The driver fled the scene, and this has caused outrage among the residents.
00:16:30They have taken to the streets to protest spontaneously
00:16:33Yes, we went out, but not spontaneously.
00:16:35The one who brought them out was the spokesperson for the platform
00:16:38Diego Serrano
00:16:39Diego Serrano, yes?
00:16:40From the Serrano tavern
00:16:41From the Serrano tavern
00:16:42Where soap meets fiction
00:16:45And what exactly are they demanding?
00:16:47Well, I want to say that I am indeed the spokesperson.
00:16:50But not only in my name
00:16:51I am the spokesperson on behalf of everyone
00:16:53I'll get straight to the point, Diego, I'll get straight to the point
00:16:55What we don't want is for what happened to Paquito to happen again.
00:16:57Let it be forgotten, for God's sake.
00:16:59And not in ostracism either
00:17:00Not even in ostracism
00:17:01We are all Paquitos
00:17:02We are all Paquitos
00:17:03We are all Paquitos
00:17:03And in the other
00:17:04Not only in ostracism
00:17:07Let him pay, let him pay
00:17:09Let him pay, let him pay
00:17:11Let him pay, let him pay
00:17:11Yes, to a mountain dweller
00:17:12Yes, yes
00:17:13As?
00:17:14This one, this one, yes
00:17:15Are you the owner of a red van on the M3443?
00:17:18Yes sir
00:17:18Me and my brother
00:17:20Yes, yes
00:17:20Very well, please come with me
00:17:21Where to?
00:17:22You are under arrest for the hit-and-run of Francisco de la Cuesta
00:17:35Okay, that's enough!
00:17:36I can't see any more
00:17:37I can't see any more, damn it.
00:17:38Let's see if it jumps out at you
00:17:39No, no, no
00:17:41I am the police officer, officer.
00:17:47Okay, calm down.
00:17:49Okay, calm down!
00:17:50Sanquiel!
00:17:52Sanquiel!
00:17:53No, no, no!
00:17:54No, no, no!
00:17:57No, no, no!
00:17:57Afrí, afrí, afrí!
00:17:59No, no, no, no
00:18:00That I can bring my things
00:18:02I told you.
00:18:02Oh, really?
00:18:03Yes, I forgot, I really did.
00:18:04Hey
00:18:05You see, the department
00:18:06I just made them
00:18:07Take
00:18:08Excellent
00:18:10I was reading on the internet
00:18:11A very interesting article
00:18:12He says that the children
00:18:13From two months old
00:18:14They already have a reaction to the music.
00:18:18AND?
00:18:19Like what?
00:18:19Music, music teacher
00:18:21The father is a music teacher
00:18:22And he can sing to her
00:18:23No
00:18:23So that he can hear it.
00:18:24Because the article says
00:18:25He already hears it
00:18:26What do you mean, no?
00:18:26I can sing to you, beautiful.
00:18:27You don't need to do it here
00:18:29Because he is my son
00:18:29Because he is my son
00:18:30Let it be a salary
00:18:58Let it be a salary
00:19:21Okay, okay, okay, okay, okay, I only have two hands, here you go.
00:19:26Come on, does it appear or not?
00:19:27Well, it's down, it's not working, no.
00:19:30Well, I'm leaving.
00:19:30So, the best ones have left Madrid, right?
00:19:31No, no, I'm leaving, I'm just messing around here.
00:19:33What good is it to me to make a killing if I'm just back here throwing money around again, right?
00:19:36My favorite, by God, that mouth.
00:19:38What kind of mouth do you want me to have?
00:19:39I'm the big shot in the neighborhood, everyone laughs at me, Luzita.
00:19:42But what did you mean? Nobody's laughing at anybody.
00:19:45Huh? What's up?
00:19:48Let's see, damn it.
00:19:49For God's sake, you're blinded, it's not about you, really, you're obsessed.
00:19:52Yeah, I'm obsessed.
00:19:52Come on, let's talk about something else.
00:19:57The same as in Tenerife, who else would it be?
00:19:59I know Chony's lover, yes or no.
00:20:01Look, seriously, you're obsessed.
00:20:02For God's sake, don't torture yourself anymore.
00:20:04Just one thing, Luzita, it's just one thing.
00:20:07He's taller than me.
00:20:09Elena, you know how grateful I am that you're helping me with this.
00:20:12Come on, Chony, it's a mess, but I didn't think about it anymore.
00:20:14Okay, okay.
00:20:14Ch-ch-ch-ch!
00:20:15Hey, hey, hey!
00:20:16They're cheating on our husband!
00:20:17They're coming out right now and they're huge!
00:20:20It's me, Fernando.
00:20:22Fernaso!
00:20:23But you look like Eugenio, how come you're dressed like that?
00:20:26Eugenio?
00:20:26Yeah?
00:20:27Is that what I got a PhD in psychology for?
00:20:29No, no, Fernando.
00:20:31You have a doctorate in psychology to help people.
00:20:33Isn't that right?
00:20:34Well, now you're going to help my snout recover or not.
00:20:37Come on, wait a minute and you can come in.
00:20:38Come on.
00:20:44Hello.
00:20:46Hello.
00:20:47Fantado!
00:20:48Go see what's coming to the dead man's grave now.
00:20:50I don't know how I got involved.
00:20:52Come on, you're as good as gold, a heart so big your tits can't fit.
00:20:55Come on, come on.
00:20:56Already.
00:20:59Come on.
00:21:00What a fucking piece of shit!
00:21:01Not here anymore, I just don't see myself here.
00:21:02I'm getting rid of myself.
00:21:03The bag!
00:21:04The bag!
00:21:05He's laughing, he's laughing!
00:21:07He's laughing, he's laughing!
00:21:07He's laughing, he's laughing!
00:21:08He's laughing, he's laughing!
00:21:09He's laughing, he's laughing!
00:21:10Wow, he's laughing!
00:21:10Wow, he's laughing!
00:21:12Still!
00:21:13Be quiet!
00:21:15Bravo!
00:21:16Very good.
00:21:16Wow, very good!
00:21:21Wow, very good!
00:21:24And you, calm down, we're going to the police station.
00:21:26Yes, yes.
00:21:32Do you know how happy I am?
00:21:34Wow, very good!
00:21:35Choni!
00:21:37Choni!
00:21:39Oh my God!
00:21:40It's him!
00:21:41Nightcap!
00:21:42It's him!
00:21:43No!
00:21:44It's him!
00:21:44It's him!
00:21:45It is, it is, it is!
00:21:45It's him!
00:21:46They've ruined my life!
00:21:49Bastard!
00:21:49They've ruined my life!
00:21:52As?
00:21:53Holy Virgin, I'm running out to get her!
00:21:55They've ruined my life!
00:21:56You don't believe me!
00:21:57You don't believe me!
00:21:58You don't believe me!
00:21:59You don't believe me!
00:21:59Of course you think so, Santi.
00:22:01How could he not believe you?
00:22:02The Mexican also acknowledges that everything points to you.
00:22:04I mean, the ham, the blow, anyway.
00:22:05Guys, I'm not going to say anything, damn it.
00:22:07But, Santi, you've got your sights set on that same old bully...
00:22:10of...
00:22:10of cosintos and with the clientele with a cut chulo.
00:22:12Hey Fiti, Fiti, hey, what are you saying?
00:22:14So, you're not only accusing him of the hit-and-run, but...
00:22:17Furthermore, with treachery, that is...
00:22:19What treachery?
00:22:19Don't you see the elevation?
00:22:20I didn't touch the ham yesterday.
00:22:22That it wasn't me.
00:22:23No, it wasn't you.
00:22:24Santi, Santi, it wasn't you.
00:22:25It's appearing for me.
00:22:26But, damn it, you could have thought of that, for fuck's sake.
00:22:28It's like leaving him and abandoning him.
00:22:29Leave it alone, kid, I'm saying it wasn't me!
00:22:32Santi, Santiago, Santiago!
00:22:33Goodbye, you only have one minute.
00:22:35And then everyone out.
00:22:36That I'm breaking the rules.
00:22:38Thank you, Ramón, thank you very much.
00:22:40You don't believe me either.
00:22:41Halfway?
00:22:42Hey?
00:22:44Of course, of course I believe you, Santi.
00:22:48The only thing I sent you, just for Marrón,
00:22:51the sea at the time of the event.
00:22:53Hey?
00:22:53Why did you take so long?
00:22:55Little dove, how could you stare at the singing children,
00:22:58Obviously, you see it in the Mediacentro shop window.
00:22:59watching football.
00:23:01That's cut.
00:23:02What a cut, man.
00:23:03That?
00:23:04Santi, for God's sake.
00:23:06Santi confesses, damn it, that he was five years old,
00:23:08Because of the mitigating circumstance, you're down to three, damn it.
00:23:10Well, but you're not listening to him.
00:23:12You're not listening to him, Fiti.
00:23:12He's not telling you that he stayed watching football in the shop window.
00:23:14For God's sake, it's five years.
00:23:16He's going to eat two Olympics in yours.
00:23:19Santi, Santi, if you're telling the truth,
00:23:20I will be by your side through thick and thin.
00:23:22But you have to say it.
00:23:24But hey, brother, don't be like that.
00:23:26Don't be on my case, brother.
00:23:28But, Santi, I'm sorry, but you have to leave.
00:23:30And tomorrow you can only come at visiting hours.
00:23:33You won't let me go here.
00:23:34You won't let me go here.
00:23:40No, no, it's fine.
00:23:42That's crazy, they're asking for experience.
00:23:43even to restock yogurts at the supermarket.
00:23:45Well, it doesn't happen here, but there must be a churro maker vacancy.
00:23:48Come on, dude, don't overdo it.
00:23:50But what a shitty time to leave home, man.
00:23:53Hey, what about your uncle?
00:23:54I don't know, won't your father relax a little?
00:23:57Because you have three days left to understand, dude.
00:23:59Yes, you'll do the same when I eat it, right?
00:24:01Hey, hey, hey, hey, hey, hey.
00:24:02Hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey.
00:24:09Hey, hey.
00:24:12Hey, hey.
00:24:18Okay?
00:24:19What are you saying, man? Don't get like that. Yes, the same guy who told us...
00:24:23Let's go from home, but Marcos won't fit.
00:24:31Okay, thank you very much. Nothing, we can't leave here, it says we can't.
00:24:38He wants to bring up at this hour that it's impossible that Dad hasn't thrown himself out.
00:24:40The fact that we have to sort things out with him is just awful.
00:24:44That must be it, man. Put on a brave face and you'll end up under a bridge.
00:24:53Hello, hello, I'm saying how are you, how are you, Santi?
00:25:21What's wrong, son?
00:25:24You're wrong.
00:25:27How can you not be upset with Uncle Santiago in jail?
00:25:30I want to tell you something, Curro, that no matter what you hear on TV or at school
00:25:34or wherever you know that the guy is innocent, that he hasn't been
00:25:38You know
00:25:41come
00:25:44dad that I was
00:25:47that I ran over Paquito the churro vendor
00:25:56You didn't want to take me to the concert, but we had plans, and I took the ham from you.
00:26:02You know what you've done, Curro, you know what you've done
00:26:05But Paquito could die, don't you realize that? That Paquito could die, and you know that?
00:26:08You know what's going to happen to you.
00:26:10Mom, I'm very scared.
00:26:15How could you even think of that, son, for God's sake?
00:26:17How could you even think of that?
00:26:20fuck
00:26:20I said, "Now what's going to happen to me?"
00:26:25don't worry
00:26:27I got you out of this
00:26:28don't worry
00:26:29You trust me
00:26:30come
00:26:31that's it
00:26:32that's it
00:26:32that's it
00:26:36fuck
00:26:37failure to provide assistance
00:26:396 to 18 months
00:26:42recklessly
00:26:43from 6 to 48
00:26:45and from 6 to 24
00:26:47for reckless driving
00:26:49that is
00:26:49fuck
00:26:51Well, the judge doesn't have much leeway.
00:26:53Let's see if Santi, with his temperament, can handle it.
00:26:55Well, he finds a mitigating circumstance.
00:26:57by alienation
00:26:59which is called
00:27:00Fiti, you've been at that for half an hour, my dear.
00:27:02It brings great joy to see that you are a very good friend
00:27:04But don't you see that the glasses don't fit?
00:27:05that you're not seeing it
00:27:06Well, I'll have to find out.
00:27:07I'll have to find out
00:27:08Pussy
00:27:09Then there are these court-appointed lawyers.
00:27:11They need to be closely monitored
00:27:13who have a lot of work
00:27:14Pussy
00:27:14and they're not focused on what they're doing
00:27:16very good
00:27:17look
00:27:18I'm going to sleep with Lourdes
00:27:20Angelic
00:27:20and while we're at it
00:27:21I'm taking this little cake to Santi.
00:27:23which is to have given to the poor creature
00:27:24what they're feeding him there
00:27:26but you simpleton
00:27:27Where are you going?
00:27:28That'll take you to jail.
00:27:29Do you think you can get in with that?
00:27:30Go to jail like you own the place?
00:27:32What do they know?
00:27:33what's in there
00:27:34if there are drugs
00:27:35or something for
00:27:36a file
00:27:37or something
00:27:39I hadn't thought about it
00:27:40Well, maybe.
00:27:41I'll take it
00:27:42And Lourdes and I don't eat it.
00:27:43We're not exactly lacking in sorrow either.
00:27:45Look, let Fiti tell you something
00:27:48if by chance
00:27:49that I know I love myself
00:27:51but if by chance
00:27:54call Josico
00:27:56You tell her I'm at her sister's.
00:27:58Okay, King.
00:27:59come
00:28:02honey, don't close it
00:28:04come
00:28:05see you later
00:28:06see you later
00:28:06what's happening?
00:28:08Fri Floyd
00:28:08How's it going with Afri?
00:28:09How did you react?
00:28:10Well, I haven't reacted.
00:28:11because I haven't shown it to him
00:28:13But thanks Pava for helping me
00:28:15What do you mean you haven't shown it to him?
00:28:16if we've taken over half the nursery
00:28:18that Gael guy is better than me
00:28:19And that's it.
00:28:20And that's it.
00:28:20What are you saying?
00:28:21what are you saying?
00:28:22Are you that stupid or what?
00:28:23that's nothing
00:28:24You're a dude
00:28:25you're handsome
00:28:26You're smart
00:28:27Pussy
00:28:28And there you are, where you see yourself
00:28:29You are a co-owner
00:28:30from a leading company
00:28:31in their sector
00:28:31that's me
00:28:33and that Afri is melting
00:28:35with this kid
00:28:36justly
00:28:38The truth is, he's a great guy.
00:28:46fuck
00:28:49It's all as clear as you.
00:28:50with Aunt Ana
00:28:52Dad, listen to me
00:28:53that I have been
00:28:55giving it a lot of thought
00:28:56to one thing
00:28:57that?
00:29:00Well, I'm not involved here at all.
00:29:03but
00:29:04There is a child that I am indeed the father of.
00:29:08so
00:29:10I'm going to Los Angeles
00:29:24that we could have caught something during the night
00:29:28Well, no.
00:29:28sometimes, yes
00:29:31But Diego
00:29:32think about whether your brother is innocent.
00:29:33They'll be able to try it.
00:29:37Don't worry anymore
00:29:41I'm not going to shower
00:30:08Yes, hello
00:30:08good morning
00:30:09I wanted to talk to Santiago Sarrano
00:30:11the prisoner
00:30:14already
00:30:16no, no, already
00:30:17I don't know
00:30:18I already know the procedure
00:30:19Well, I respect that.
00:30:20of course I'm not going to be left out
00:30:21but
00:30:23It's just to give him a message
00:30:24Please, agent
00:30:25from his brother
00:30:30tell him that
00:30:31that he's leaving there today
00:30:32Oh dad, dad
00:30:34Thank you, thank you
00:30:35I value you, I value you, I value you
00:30:37which gives us money to get started
00:30:39and that leaves us the apartment that has the Ramblas
00:30:41Well, that's great!
00:30:41It seems that everything is starting to go well.
00:30:42That's cool
00:30:45hello good morning
00:30:46hello good
00:30:46Have I ever had these waffles?
00:30:49What is it for?
00:30:50How are you?
00:30:50Mom, waffles
00:30:51How, how?
00:31:14waffles
00:31:14your mother saw it
00:31:15to your little girl
00:31:17Mom, please
00:31:18What was it like?
00:31:19no, no, no
00:31:20no no
00:31:22no no
00:31:23no no
00:31:24no no
00:31:24no no
00:31:24no no
00:31:24No
00:31:26Diego has not said
00:31:27Don't worry about it.
00:31:27that he
00:31:28that he will take care of it
00:31:29from that prison
00:31:30Of course not
00:31:30by all chance
00:31:31You'll see how everything
00:31:32That's original.
00:31:32really
00:31:33God hear you
00:31:45no, no, no
00:31:47if I leave right away
00:31:48It's a little thing
00:31:49I wanted to tell you
00:31:50Well, I came to tell you
00:31:51that I have made a decision
00:31:53Little Lady
00:31:53It's a decision
00:31:54well
00:31:55immovable
00:31:58And I'm going to the United Arab Emirates.
00:32:00To the United Arab Emirates?
00:32:02so far?
00:32:03well in Santa
00:32:04Okay, calm down.
00:32:05calm down, José Luis
00:32:06What does she have in common with you?
00:32:07and you'd better say
00:32:08that I'm going to recover there
00:32:09Fernando
00:32:09I will recover my dignity
00:32:10dignity
00:32:11I'm going to recover there
00:32:13Flavio called me
00:32:14and he told me
00:32:15that there is a business
00:32:16in Dubai
00:32:17where the profile is
00:32:18And I'm leaving tonight
00:32:19But you can't do that.
00:32:21How are you going to leave?
00:32:22You're not going to see it
00:32:22to give birth to your nephew
00:32:23I have no other choice
00:32:24Little Lords
00:32:24I have no other choice
00:32:25not content with being
00:32:26the cuckold of Spain
00:32:27I'm going and
00:32:28and I'll shove it in the bastard
00:32:30that threw
00:32:31to my wife
00:32:32that for more
00:32:33without laughs the
00:32:33the hero of Santa Justa
00:32:36Man, please
00:32:37No, José Luis
00:32:37sorry
00:32:38But this will take two days.
00:32:39It's already forgotten
00:32:39no, no, no
00:32:41the thing is
00:32:42man!
00:32:43Damn those kids
00:32:45please
00:32:45Come on, make fun of us
00:32:46Even the children are
00:32:49no jokes
00:32:53And then there's Choni
00:32:57Well, there's Choni.
00:32:58What?
00:32:59every time I see her
00:33:00I imagine her there with
00:33:01with
00:33:01with
00:33:02or the chicken seller
00:33:03frolicking in my bed
00:33:05in
00:33:05on the carpet
00:33:07in the bathroom
00:33:10Come on and burn some calories
00:33:13I cannot live
00:33:14nor within its own perimeter
00:33:15no
00:33:15You're not going to leave like that
00:33:16without saying anything
00:33:17What do you want me to say, Lurditas?
00:33:18What do you want me to say?
00:33:19I don't know
00:33:19But it's been many years.
00:33:20living together
00:33:21man
00:33:21You have experienced many things together
00:33:23How are you going to leave?
00:33:24without saying goodbye?
00:33:26better this way
00:33:28better this way
00:33:39How are you, Diego?
00:33:40What does it say there about Santiago?
00:33:41nothing
00:33:42And what does it say there?
00:33:43nothing, damn it
00:33:43nothing
00:33:44Diego
00:33:44who are supporting the cause
00:33:46There are people, listen, who have good
00:33:48says
00:33:49Santiago
00:33:50I encourage you
00:33:51says
00:33:52no no
00:33:53no no
00:33:54Move it, go on, open it!
00:33:55Get out of here, damn it!
00:34:00what I've been missing
00:34:01what I've been missing here
00:34:02No
00:34:03Don't worry, Diego
00:34:05please
00:34:05if this
00:34:06These are two
00:34:07two zealots
00:34:10There always had to be
00:34:11some idiot
00:34:13What did you have to tell me?
00:34:14How long have you and I known each other?
00:34:16a lot, Diego
00:34:17a lot
00:34:17what's happening?
00:34:18No, practically.
00:34:21ever since we were little kids
00:34:23That's been the case since we were little kids.
00:34:24sit down
00:34:27You and I have always been there
00:34:28The two of them together, right?
00:34:30We've had many meetings
00:34:31helping each other
00:34:32I mean
00:34:33And whatever else is needed?
00:34:35Well, then
00:34:36I want to ask you a favor.
00:34:37But a very big favor
00:34:38Fiti
00:34:39yes indeed
00:34:40what I ask of you
00:34:41What I'm about to tell you
00:34:42Never tell anyone.
00:34:43never
00:34:44Fiti
00:34:44never
00:34:45Damn, Diego
00:34:46what's happening?
00:34:47that me
00:34:48I'm going to take the blame for running someone over
00:34:52No
00:34:53Yeah
00:34:53No
00:34:54Yeah
00:34:54No, Diego
00:34:55no no
00:34:55It's wrong.
00:34:56Damn it, please
00:34:57that it wasn't you
00:34:58Damn, that's really good.
00:34:59that you adore your brother
00:35:00but to pay the price
00:35:02that I don't receive that
00:35:03no, damn it
00:35:03that Santi is innocent
00:35:04fuck
00:35:04that the one who ran over the churro vendor
00:35:06It was my son
00:35:07little worker, damn it
00:35:08little worker
00:35:11fuck
00:35:11no, no, no
00:35:12shit, shit
00:35:13I haven't heard anything
00:35:16I came to tell you that
00:35:18I'm going to the Emirates
00:35:19through travel
00:35:20but that I go
00:35:21I haven't heard anything
00:35:22come here
00:35:22come here
00:35:23come here
00:35:23No
00:35:24Where are you going?
00:35:25You're not staying here
00:35:26And that's it.
00:35:27But don't worry about this.
00:35:28that he has been in jail
00:35:29and knows what humidity is
00:35:31Hey?
00:35:32please
00:35:33José Luis
00:35:33that we talk
00:35:35Don't let it leave here
00:35:35please
00:35:35I'm not asking you.
00:35:36Diego, damn it
00:35:37Diego, Diego
00:35:38Let's look at one thing
00:35:40don't worry
00:35:41in worse places
00:35:42we came out on our shoulders
00:35:43Don't mess with me
00:35:43Okay?
00:35:44Yeah
00:35:45What do we have to do?
00:35:47nothing, nothing
00:35:48nothing
00:35:49I want you to help me
00:35:50to prepare the interpellation
00:35:52I mean
00:35:53when you blame yourself
00:35:53to yourself
00:35:53the interculpation
00:35:56Pussy
00:35:59Raúl
00:35:59What are you doing here?
00:36:03nothing
00:36:03wanted to
00:36:05I wanted to ask you something.
00:36:05what's happening?
00:36:07You with Africa
00:36:08What are your intentions?
00:36:10look
00:36:12Raúl
00:36:12I know that Africa
00:36:13She was your girl for life
00:36:14Yeah
00:36:14But I don't have
00:36:15Why answer that?
00:36:17Okay
00:36:17No, you don't have to.
00:36:19But answer me
00:36:21please
00:36:24It is important
00:36:25How important?
00:36:28a lot
00:36:30How much?
00:36:31Much like the trout to the trout?
00:36:32A lot of "I love you so much"
00:36:33And do I really care about you?
00:36:36I love her
00:36:37and a lot
00:36:45Well, don't worry.
00:36:47You'll never see me again
00:36:49because?
00:36:52Raúl
00:36:52Raúl
00:37:00what's happening?
00:37:02I'm not going to Los Angeles
00:37:05tonight
00:37:06I also have a son
00:37:07And I think the best thing
00:37:08is that he is with him
00:37:11Take care of her
00:37:13hey
00:37:17hey
00:37:20Can I ask you a favor?
00:37:22please
00:37:23Don't forget
00:37:24of doing homework
00:37:24and study
00:37:26Please forgive me for the delay.
00:37:27I'm here now
00:37:28Daughter, I've run out of toner.
00:37:29And they started there.
00:37:30to get all the papers tangled up
00:37:32I'm going to see if
00:37:33with a little bit of luck
00:37:33I'll make myself a coffee
00:37:34and he won't blame me.
00:37:35Well, we're both really hot, aren't we?
00:37:37I have a head too
00:37:38in the simbambas
00:37:39because I didn't have to talk to them
00:37:40of Saint Matthew
00:37:41And I'm talking about San Marco.
00:37:43clear
00:37:43nothing to do with it
00:37:46Lourdes
00:37:46Don't worry
00:37:47You'll see what happens in Santiago.
00:37:48It is solved
00:37:49women
00:37:49yes
00:37:50sure
00:37:52hey
00:37:53Listen to this
00:37:54Lourdes
00:37:55you
00:37:56You won't know anything about Josico
00:37:58that you come and call him
00:37:59and not
00:38:00he catches me
00:38:00Raúl
00:38:01like to grab me
00:38:04You'll see, Choni.
00:38:05the thing is
00:38:06Sorry Lourdes
00:38:07Choni
00:38:08listen
00:38:08Elena
00:38:09put it on
00:38:15Oh Lourdes
00:38:16my song
00:38:16that they are putting it
00:38:18Oh Lourdes
00:38:19with the song
00:38:20yes
00:38:20or that I sent it
00:38:21to the entire station
00:38:22and they're putting it on me
00:38:23who fights
00:38:23Oh God
00:38:24well, at least
00:38:24You expect it
00:38:25women
00:38:25A door closes
00:38:26But a small window opens.
00:38:27Oh Lourdes
00:38:29first
00:38:29that I do well
00:38:30in a long time
00:38:33there is no need to be quiet
00:38:34with the ranch
00:38:34that had
00:38:35Yes, daughter.
00:38:36poor thing
00:38:37at least
00:38:37May the joy last.
00:38:38until he finds out
00:38:38that José Luis
00:38:39She's going to live in Dubai
00:38:40I don't know
00:38:41the hand
00:38:41the hand
00:38:42your hand
00:38:44like José Luis
00:38:45He's going to Dubai
00:38:47but Dubai
00:38:49To Dubai from here
00:38:50or Dubai?
00:38:52Where is Dubai?
00:38:55far away Choni
00:38:59Let's see, no.
00:38:59no
00:39:00no
00:39:00that for self-incrimination
00:39:02Two factors are needed
00:39:03mainly
00:39:04the signs
00:39:04and the eminences
00:39:05the eminences of crime
00:39:07it doesn't bother you
00:39:08evidence
00:39:09evidence
00:39:11Where do you want to go?
00:39:12So what do we need?
00:39:13some good signs
00:39:14to arrive at the evidence
00:39:15And what is the evidence?
00:39:16that you
00:39:16You ran over the churro vendor
00:39:17Diego
00:39:17good
00:39:19I'm just saying what he told me.
00:39:20Currito then
00:39:21So I left the concert
00:39:22This one from the Chinese
00:39:23of the such
00:39:24this Tokyo
00:39:25and I ran over the churro vendor
00:39:26And that's it.
00:39:26no
00:39:27no
00:39:27which is not so easy
00:39:28Diego
00:39:29Let's see
00:39:30What does a tacky person do?
00:39:30like you
00:39:30a concert for teenagers
00:39:32think a little bit
00:39:32a bit
00:39:33nothing
00:39:33Okay, José Luis
00:39:33or we'll send it to you
00:39:34anyway
00:39:35because I can't like it
00:39:36I like modern music
00:39:36Diego please
00:39:38that you are 50 years old
00:39:39And you're a ham maker
00:39:39Do a little research
00:39:41in your musical background
00:39:42They'll see you didn't pass
00:39:43by Bertino Borne
00:39:44and your whole operation falls apart
00:39:45even worse
00:39:46they lock you up
00:39:46because it's tacky
00:39:47I'm telling you
00:39:47Let's see
00:39:48an entry
00:39:48The entrance?
00:39:49Let's see some evidence
00:39:50that you went to the concert yesterday
00:39:51where is?
00:39:52Yes, you are right.
00:39:52José Luis
00:39:53where is?
00:39:54which is not difficult
00:39:54Go to jail
00:39:55Pussy
00:39:55hey
00:39:58What if you say?
00:39:59fuck
00:40:00You say you were completely wasted
00:40:01And that's why
00:40:02fuck
00:40:02there we justify
00:40:03that you would run away
00:40:03no Fiti
00:40:04not sucked
00:40:04not sucked
00:40:05not sucked
00:40:05It has to be sucked
00:40:06no
00:40:07Let's see
00:40:07Do you want this to work or not?
00:40:08Pussy
00:40:09Why don't we leave Santiago?
00:40:10In jail, and that's it?
00:40:11I say this to make things easier.
00:40:13Damn, we're getting into trouble.
00:40:15since it's inside
00:40:15that stays there
00:40:16let's see
00:40:16Listen to me, José Luis
00:40:17That can't be.
00:40:18don't you realize
00:40:19so
00:40:19the one who ran over Paquito
00:40:20It was my son
00:40:21and I am responsible for my son
00:40:23because?
00:40:23because I am his father
00:40:24Okay Fiti
00:40:25What if we have to say you were drunk?
00:40:26I'm saying you were already drunk.
00:40:26Of course, it's already there
00:40:28that's it
00:40:28that's it
00:40:28that's it
00:40:29you were drunk
00:40:29fuck
00:40:29as things stand now in traffic
00:40:31They'll definitely throw you in jail
00:40:32Let's review
00:40:32yes you're right
00:40:35point number one
00:40:37You close the tavern late
00:40:38because?
00:40:38because the box didn't fit.
00:40:40For example
00:40:41point number two
00:40:42I had a small glass of pacharán
00:40:44a little glass no
00:40:45half a bottle
00:40:46What is half a bottle?
00:40:47half a bottle
00:40:47Let's see
00:40:48that the cup needs to be smashed
00:40:49if we go mushroom hunting
00:40:51Let's go mushroom hunting
00:40:51clear
00:40:53Do you have any money?
00:40:54blind people
00:40:54He can't say that.
00:40:56Go on Raúl
00:40:56I'm sorry, man.
00:40:57You'll know what to tell him.
00:40:58Well, but you know her.
00:40:59a long time ago
00:41:00And that can help a lot.
00:41:01I don't know
00:41:02Tell her she has curly hair
00:41:03I don't know, man.
00:41:04Okay, okay, okay
00:41:04I won't swear to you anymore
00:41:05I promise I won't swear to you anymore
00:41:06I'm simply going to stand up
00:41:07in front of her
00:41:08And I'm going to tell him
00:41:09everything I feel
00:41:09and that's it
00:41:11No?
00:41:12Yeah
00:41:13tell him that
00:41:16tell him
00:41:17I would tell him that I find it funny.
00:41:19the way he moves his hands
00:41:20when he speaks
00:41:23that I like
00:41:24how to stain lips
00:41:25coffee
00:41:28I would tell him
00:41:30I love that way
00:41:31She has a beautiful way of walking
00:41:33like skipping
00:41:37I don't know, man.
00:41:38yourself
00:41:40and me with Raúl
00:41:43thank you
00:41:43thank you
00:41:44thank you
00:41:46thank you
00:41:47Guille
00:41:48that
00:41:49because the tickets are running out
00:41:51We're going out tonight
00:41:52Okay?
00:41:58What do we do?
00:42:00What do we do?
00:42:01What do we do?
00:42:01What do we do?
00:42:09Where the hell is it?
00:42:10Kuwait
00:42:11that doesn't even appear on the map?
00:42:13Kuwait
00:42:14Bombay
00:42:14Kuwait
00:42:15Let's see if he comes to Bombay
00:42:18goes!
00:42:25Nacho
00:42:26Choni has brought you
00:42:27some flowers
00:42:28I hope you like them
00:42:28Yeah
00:42:29They are very pretty
00:42:30that will add color
00:42:32to the house
00:42:34Look, Nacho
00:42:36I should have called you
00:42:37but
00:42:38no, wait Choni
00:42:39Let me speak this time
00:42:40Okay?
00:42:42I love you
00:42:45I love you very much
00:42:46And I'm not going to give you up
00:42:48Nacho, look
00:42:50José Luis has appeared
00:42:52Well, but you gave me
00:42:53an opportunity
00:42:53because you had forgotten
00:42:54José Luis
00:42:54I've tried to forget it.
00:42:55but I can't
00:42:56Okay, then
00:42:57Look me in the eyes
00:42:58Tell me you don't love me
00:43:00and I will disappear forever
00:43:05Nacho
00:43:06It's just that I don't love you
00:43:12very good
00:43:14no, no, no
00:43:15No
00:43:15Oh God!
00:43:17fuck
00:43:18forgive me
00:43:19I'm going to the bathroom for a second.
00:43:20Yeah
00:43:27José Luis
00:43:30Yes, it's me.
00:43:31José Luis
00:43:32Where is my passport?
00:43:33I have come for him
00:43:34Have you seen it?
00:43:35no, no, no
00:43:35But it shouldn't be here.
00:43:36He must be in the tavern
00:43:37Come on, I'll go with you
00:43:38and I'll help you find it
00:43:38Yes, yes, he's here.
00:43:39No, no
00:43:39José Luis
00:43:40José Luis
00:43:41that is not
00:43:45Choni
00:43:48which will be better
00:43:49that you look around here
00:43:50me too
00:43:52I looked around here
00:43:53Okay?
00:43:58and
00:44:01that nothing
00:44:01I'm leaving
00:44:02that I'm going to
00:44:05to Dubai
00:44:06To Dubai?
00:44:08Yeah
00:44:08to the
00:44:08to the United Arab Emirates
00:44:10tell me then
00:44:11Please leave
00:44:12a towel
00:44:12so that I
00:44:13It's not what it seems
00:44:14It's not what it seems
00:44:16How can this not be what it seems?
00:44:17balls
00:44:18the, the, the, the
00:44:19the chicken seller here
00:44:20oh well
00:44:21You have missed
00:44:21half a minute
00:44:22stop, stop, stop
00:44:23to lather you up
00:44:24with a
00:44:24no fucking way
00:44:24which has been
00:44:25that has fallen
00:44:25the poor
00:44:26all the water
00:44:27there
00:44:27Let's see, let's see
00:44:28let's see
00:44:28Where are the cameras?
00:44:30Where are the cameras?
00:44:31because
00:44:31I have been held
00:44:32that remain
00:44:33a stupid face
00:44:34Where are the cameras?
00:44:35son, for God's sake
00:44:36Don't go to Dubai
00:44:37Choni
00:44:38awesome
00:44:40awesome
00:44:43Well, it'll be yours.
00:44:44Well, mine is bigger
00:44:45What are you going to do about it?
00:44:46José, son, don't leave.
00:44:48Awesome, Choni
00:44:48José, son, please
00:45:01Afri
00:45:02Can I steal a second of your time?
00:45:04yes of course
00:45:07tell me
00:45:09Yeah
00:45:11Well, I don't know
00:45:12How to get started
00:45:13not because
00:45:14clear
00:45:16How do I say it?
00:45:19No
00:45:20Are you feeling okay?
00:45:22no, yes
00:45:23Don't listen to me
00:45:24Don't listen to me
00:45:25Okay
00:45:26already
00:45:27OK
00:45:42Well, that's how it is.
00:45:44Mr. Agent
00:45:44commissar
00:45:45Commissioner Castilla
00:45:46Excuse me, commissioner
00:45:47that I am
00:45:49the perpetrator of the hit-and-run
00:45:51my brother no
00:45:51My brother is innocent.
00:45:54I'm at fault
00:45:55Are you sure?
00:45:59Yeah
00:45:59Yeah
00:46:01Do you know that with what you are declaring
00:46:03is subject to a penalty
00:46:04Very serious, imprisonable?
00:46:06Yeah
00:46:07Yes, I know
00:46:08Mr. Agent
00:46:08commissar
00:46:09Commissioner Castilla
00:46:10forgive me
00:46:16fuck
00:46:16this aunt
00:46:18stubbornness
00:46:19and then
00:46:20if it had been you
00:46:22Why did he allow it?
00:46:23that they arrested his brother?
00:46:26because of fear
00:46:27Mr. Agent
00:46:28commissar
00:46:29Castile
00:46:30Commissioner Castilla
00:46:31forgive me
00:46:31forgive me
00:46:31Commissioner Castilla
00:46:32But as I was saying
00:46:33out of fear and because I am a coward
00:46:37and also that night
00:46:42that he had drunk
00:46:43I
00:46:44Oh
00:46:45Were you drunk?
00:46:46When did he commit the hit-and-run?
00:46:48mother
00:46:49mother
00:46:49Mom, like an old man
00:46:50Forgive me for saying this.
00:46:51Yeah
00:46:52The fact is that it was
00:46:53that I closed
00:46:54I closed late
00:46:55and it had been a day
00:46:56a lot of work
00:46:57The box didn't fit.
00:46:59Come on, let's get drunk
00:47:00a bottle of pacharán
00:47:03pacharán
00:47:03Yeah
00:47:03pacharán
00:47:04very good
00:47:07We will proceed
00:47:09to read him his rights
00:47:10and pass it on to the relevant departments
00:47:13Please keep me promptly informed
00:47:21Cheer up, Diego!
00:47:23We are with you
00:47:25give it to the detainee
00:47:27tell him
00:47:27to my children
00:47:29I love you all very much
00:47:30I'm sorry
00:47:32I'm sorry
00:47:32But the thing is, he can't talk to anyone.
00:47:33let's see
00:47:43Sony
00:47:44Yeah
00:47:46I'll help you
00:47:46It helps me
00:47:48If you find the person who did this
00:47:49and you cut off his hands
00:47:50Yes, it helps me.
00:47:54What's wrong, queen?
00:47:55Why are you so sad?
00:47:56Why do you have that face?
00:47:58that?
00:47:58I'm in a mess
00:47:59I'm confused
00:48:01Good heavens!
00:48:01Do you have an excited dilemma?
00:48:03Yeah
00:48:04Get out of here
00:48:05Can't you see we're cleaning?
00:48:06But I really need to pee.
00:48:07Well, if you're peeing
00:48:08You'll just have to put up with it.
00:48:08which is very good
00:48:08commotion
00:48:12What is a queen?
00:48:13If I can help you
00:48:16it's not
00:48:19Gael
00:48:21who kissed me
00:48:22who kissed me
00:48:23me too
00:48:24I wasn't counting on that
00:48:25Johnny
00:48:26And right now I'm having a mental meltdown.
00:48:28And what about the hormone?
00:48:29as it should be
00:48:30Rebolic?
00:48:31It's that on the other hand
00:48:32I'll think about it and we'll see.
00:48:33That's the child's father.
00:48:35and he's behaving so well
00:48:37He's so dedicated
00:48:38And it's so sweet
00:48:39and
00:48:40It's so good
00:48:41and the teeth he has
00:48:43in white
00:48:43It looks like a piano
00:48:46But then there's my Raúl.
00:48:49the usual one
00:48:52Your Raúl
00:48:53who loves you terribly
00:48:57But I don't know
00:48:59we have returned
00:49:00so many times
00:49:00that I don't know
00:49:01if it's going to work
00:49:05dear
00:49:05if it helps at all
00:49:06my advice
00:49:06He doesn't think about that
00:49:07You don't think
00:49:08if it's going to work
00:49:09or doesn't think
00:49:10in what you feel
00:49:11what do you feel?
00:49:11Who are you in love with?
00:49:14That's the only important thing.
00:49:15Afri
00:49:15it
00:49:17Oh Johnny
00:49:18I was looking for you
00:49:20that
00:49:23don't worry
00:49:24We'll talk later, honey.
00:49:25Hey?
00:49:27How is the creature?
00:49:28Angelic?
00:49:29It has me
00:49:29This is a little
00:49:30embarrassing Johnny
00:49:31but
00:49:33who called me
00:49:33José Luis
00:49:34and he told me
00:49:34please
00:49:35Let's see if it's possible
00:49:36that you're not at home
00:49:36when I go to pick up
00:49:37the passport
00:49:40I'm sorry
00:49:40Johnny
00:49:42No
00:49:48Fernando
00:49:48You won't believe it
00:49:49what's happening?
00:49:50Oh God
00:49:50it just can't be
00:49:52Diego has declared
00:49:53that he has run over
00:49:54to Paquito
00:49:54that?
00:49:55as?
00:49:56Celia
00:49:56Where were you?
00:49:57Fiti is calling you
00:49:58Your phone is turned off
00:49:59Are you not sure about him?
00:50:00yes
00:50:00has been presented
00:50:01himself at the police station
00:50:02But I can't believe it
00:50:03It's just that I would have
00:50:04said something like that
00:50:04Diego
00:50:05I would have found out
00:50:06clear
00:50:06But what if it can't be?
00:50:10You already know
00:50:12Yes, little lords
00:50:13We just found out
00:50:14But it's impossible.
00:50:14it just can't be
00:50:15I don't know if it's impossible.
00:50:16or it is not impossible
00:50:17What I do know is that
00:50:18My Santi has passed
00:50:18all night in the dungeon
00:50:19as if he were a criminal
00:50:20his own brother
00:50:22yes yes yes
00:50:22But this can't be happening.
00:50:23I mean
00:50:23since there has to be a wife
00:50:25Has my sister been called?
00:50:26Yeah
00:50:26Yes, it happens
00:50:30what's happening?
00:50:31what's happening?
00:50:31seat
00:50:32come on
00:50:33come on, bro
00:50:44hey
00:50:45those faces
00:50:45What are they coming for?
00:50:46what's happening?
00:50:46Let's see, guys
00:50:47first thing
00:50:49You need to know
00:50:49It's because Uncle Santi
00:50:50has not run over
00:50:51to Paquito
00:50:52oh ok
00:50:53That's great, isn't it?
00:50:54cool
00:50:54Yes, Guille, but
00:50:57Dad is at the police station now.
00:50:58because
00:51:01He says it was him.
00:51:03Let's see, my father.
00:51:05What are you saying, man?
00:51:06if my father is not capable
00:51:06nor to kill a fly
00:51:07Will you understand, please?
00:51:08Guille
00:51:08We all know that's impossible.
00:51:10But the reality
00:51:11He has pleaded guilty
00:51:13and that he has been arrested
00:51:14But wait a minute
00:51:14What do you want to tell me?
00:51:15Is Diego in jail?
00:51:16tete
00:51:16He's not at the police station.
00:51:17We don't know anything yet.
00:51:18Look at the first step
00:51:19that we find out properly
00:51:20of what has happened
00:51:21Okay?
00:51:22but most likely
00:51:22It's possible it's all a misunderstanding.
00:51:24because
00:51:24that is
00:51:26the day is wasted
00:51:27preaching what is right
00:51:28and what's wrong
00:51:28concho
00:51:29Don't look at where he is anymore
00:51:30It's the grandmother
00:51:31forgive me
00:51:33mother
00:51:34guys
00:51:34I have to go to the police station.
00:51:35They're not answering my phone
00:51:36I'm going to talk to Diego
00:51:37and clarify all this
00:51:39Relax, okay?
00:51:40As soon as I know something
00:51:40I'll let you know.
00:51:41calm
00:51:43But how can you be in jail?
00:51:45it just can't be
00:51:46Well, you know what I'm saying?
00:51:47which is
00:51:48I don't care.
00:51:48if he does not keep his promise
00:51:49me neither
00:51:50We have the tickets
00:51:51for tonight
00:51:51No?
00:51:52We're leaving tonight
00:51:53Guille
00:51:54Guille, dude
00:52:11at last
00:52:13at last
00:52:17What do you want me to say?
00:52:18Piti?
00:52:19come on
00:52:19which I would have preferred
00:52:20that you didn't see me here
00:52:21because
00:52:22Damn, stop a criminal!
00:52:24I am a criminal
00:52:25I am a criminal
00:52:26a hero
00:52:26That's what you are
00:52:27a hero
00:52:28fuck
00:52:28You'll see.
00:52:28You'll see.
00:52:29You'll see.
00:52:29your son
00:52:30Currito
00:52:30He's going to be proud
00:52:31of you all my life
00:52:32Pussy
00:52:32not to mention me
00:52:33I see you
00:52:34And that's because I see the father
00:52:34that I can't
00:52:35Listen to me
00:52:36Listen to me, Piti
00:52:36Don't mess with me
00:52:38if he had been a good father
00:52:39would have educated
00:52:40Good job, Currito!
00:52:41and I wouldn't be here now
00:52:42From here?
00:52:42From here?
00:52:42From here, damn it?
00:52:43well this
00:52:43a prison
00:52:44just a jail
00:52:45Do you think prisons
00:52:46Are they like they used to be?
00:52:46fuck
00:52:47that now have swimming pools
00:52:48And people get degrees
00:52:49look at the luteus
00:52:50as it came out of the refined
00:52:51Piti
00:52:51that this is a prison
00:52:52which is not a theme park
00:52:54Pussy
00:52:57This is fucking shit, Diego
00:52:59Okay?
00:53:00But keep in mind
00:53:01that I will be here
00:53:01at the foot of the cannon
00:53:02And I'm going to come every day
00:53:03come on
00:53:03What do these people think they are?
00:53:04that I live here with you
00:53:05Listen to me
00:53:06Listen to me, there's something important.
00:53:07Don't worry about me.
00:53:09I'm going to ask you for something important.
00:53:11You have to take care of my children
00:53:14let Guille try
00:53:15that they don't leave home
00:53:17that they are all together
00:53:18and that they love each other
00:53:20Piti
00:53:21come on
00:53:21You have to be the father
00:53:22that I
00:53:23that I can no longer be
00:53:25Hey?
00:53:27You know I'll take care of it.
00:53:28Whatever Diego needs
00:53:30thank you
00:53:30thank you so much
00:53:32thank you
00:53:42Diego
00:53:43What happened, Diego?
00:53:45Please tell me
00:53:45that it wasn't you
00:53:47Is this you?
00:53:49Yeah
00:53:49It was me
00:53:50Yeah
00:53:50What do you mean, yes, Diego?
00:53:52I don't understand
00:53:54I don't understand you, Diego
00:53:56And on top of that you put on
00:53:57leading the campaign
00:54:01I'm sorry, Celia.
00:54:02Do you feel that way?
00:54:04What do you mean, Diego?
00:54:06I am sorry.
00:54:07that I have not been able to
00:54:08to trust me
00:54:08not even for this
00:54:12You are not the person
00:54:13that I thought you were
00:54:15I don't know you, Diego.
00:54:19What do you want me to tell you?
00:54:20Celia?
00:54:20Yeah
00:54:20There are many things
00:54:21about me that you don't know
00:54:31fuck
00:54:32fuck
00:54:33Why don't we tell her?
00:54:35only her
00:54:35only her
00:54:36He cannot bear that lie.
00:54:37and I can't ask him
00:54:38that he waits me five years
00:54:39Don't you understand?
00:54:40I can't
00:54:44Santi
00:54:46tell me
00:54:50that the churro vendor
00:54:51who has woken up
00:54:51has woken up
00:54:53Alright
00:54:53That's fine, right?
00:54:54Okay
00:54:54Okay
00:54:54Okay
00:54:55ear
00:54:55ear
00:54:56come
00:54:56Thanks Santi
00:54:57Finally some good news!
00:54:58listen
00:54:59Go to the hospital
00:55:00Okay
00:55:00and ask for forgiveness
00:55:02on my part
00:55:02take some
00:55:03a flower
00:55:04take
00:55:05I don't have a penny.
00:55:06has taken from me
00:55:06up to the crown
00:55:07of the shoes
00:55:07good
00:55:08good
00:55:09ask for forgiveness
00:55:09please
00:55:09ask for forgiveness
00:55:10see you later
00:55:39It opened
00:55:41that the sick person
00:55:41need to rest
00:55:42please
00:55:47Another one?
00:55:49It goes in and opens
00:55:49please
00:55:50Yeah
00:55:52so he says
00:55:53that Diego Serrano
00:55:54I wasn't driving.
00:55:56What do you mean, no?
00:55:58What do you mean, no?
00:55:58Paquito
00:55:59Let's see
00:55:59but if
00:56:00He has also stated it
00:56:00himself
00:56:01Sir
00:56:01Conese
00:56:02And let us work
00:56:04we are questioning
00:56:05to the main witness
00:56:06of the case
00:56:06Yeah
00:56:07main witness
00:56:08but also a witness
00:56:09damn
00:56:10I mean
00:56:10the thing is
00:56:11I'm sure it has
00:56:12a trauma
00:56:12that has clouded his mind
00:56:13what is memory
00:56:14sure?
00:56:14It couldn't be
00:56:15Diego Fiti
00:56:17I'm going to bring it inside.
00:56:18a little before
00:56:18that I would transcribe
00:56:19fuck
00:56:20all the more reason to do so
00:56:21Paquito
00:56:22Pussy
00:56:22I would go for the car
00:56:24who is extremely sorry
00:56:25and feels very guilty
00:56:26look
00:56:27He even brings you flowers
00:56:29the fact that
00:56:30was driving
00:56:31I was already driving
00:56:33the van
00:56:33was
00:56:34Curro Serrano
00:56:35I'm sure
00:56:39Curro Serrano?
00:56:41his son
00:56:45Oh
00:56:46my son
00:56:55hand
00:56:56hand
00:57:00I told you no.
00:57:01was rear
00:57:01God
00:57:02he insisted
00:57:03and I couldn't tell him
00:57:04no
00:57:05Curro
00:57:05the son
00:57:06I'm sorry, Dad.
00:57:07really
00:57:08don't worry
00:57:09Don't cry, son
00:57:11tell me
00:57:11Don't cry
00:57:13you did
00:57:15I attend
00:57:15because?
00:57:23what's happening?
00:57:25what's happening?
00:57:28what's happening?
00:57:30that?
00:57:33He knows everything
00:57:35brother
00:57:36Paco
00:57:37I
00:57:37I go
00:57:37that?
00:57:41son
00:57:43Come on, son.
00:57:44don't worry
00:57:45come
00:57:46Nothing's going to happen
00:57:47come
00:57:48Come on, son.
00:57:48Don't cry
00:57:49Don't cry
00:57:49For God's sake
00:57:52come
00:57:53come on
00:57:56mother
00:57:56Can I go home?
00:57:58as?
00:57:58Can I go home?
00:58:00But dinner is almost ready.
00:58:03I'm not very hungry.
00:58:04I'll wait for you there, okay?
00:58:05Okay
00:58:06good
00:58:10Something's wrong, Mom.
00:58:12Hey
00:58:12I'll help you a little
00:58:14And I'm leaving.
00:58:14I went home to talk to him
00:58:15No
00:58:16But if it's vegetables
00:58:17children don't
00:58:18You'll tell me.
00:58:21Yes, tell me
00:58:22Yes, Asunción Martínez
00:58:24it's me
00:58:28as?
00:58:32no no no
00:58:33Yeah
00:58:33yes yes yes yes
00:58:35Yeah
00:58:37Okay, okay
00:58:39thank you so much
00:58:40Hey?
00:58:42what's happening?
00:58:43what's happening?
00:58:47I have been offered
00:58:48a tour of Spain
00:58:49to represent
00:58:50to the voices of Murcia
00:58:52Oh, how nice!
00:58:53But anyway, Chony
00:58:54What a joy!
00:58:56What a joy, darling!
00:58:57I'm very happy to hear it
00:58:58You see a little bit of light
00:58:59in the midst of that storm
00:59:00It's true
00:59:03But where am I going?
00:59:04Without my son Sico?
00:59:06if this was
00:59:07the dream of the two
00:59:08if he was preparing me
00:59:09the tour and all this
00:59:10my dressing room
00:59:11my bagged potatoes
00:59:12was...
00:59:13Look, Chony
00:59:13no
00:59:13that this is not the way
00:59:16that when one
00:59:17Things aren't going his way
00:59:17as one wishes
00:59:18We have to get over it
00:59:19and keep moving forward
00:59:20really
00:59:21Now it will seem impossible to you
00:59:22but it gets out
00:59:24Chony
00:59:24I have left
00:59:26Yes, but how?
00:59:28I mean, in your case
00:59:30How did it go?
00:59:32Let's go if not
00:59:32if there is no indiscretion
00:59:34no
00:59:36women
00:59:36Well, if he hasn't told us.
00:59:37until now
00:59:39There must be a reason.
00:59:40Well, what if I wanted to?
00:59:41to say that to someone
00:59:42He would tell me.
00:59:42That's why I'm your mother
00:59:43Oh God, Doña Carmen!
00:59:44I don't even take it away
00:59:45I don't even put it on
00:59:45But what I mean is
00:59:46She has it there too
00:59:47his ball
00:59:47his ball
00:59:48I caught him with a patient
00:59:49on my leather divan
00:59:50Most Holy Virgin
00:59:51leather dresses
00:59:52No
00:59:53on a leather divan
00:59:54Lourdes
00:59:55but
00:59:55But he'll be shameless.
00:59:57And why hadn't you cut it off for me?
00:59:59so that?
00:59:59Why did you react like that?
01:00:00And what am I going to wear?
01:00:01if he laughed at you
01:00:02and the whole family
01:00:04Mom, what are you doing?
01:00:05What do you think?
01:00:06I'm going to tell your ex-husband
01:00:08four well-said little things
01:00:10I already figured him out.
01:00:11when it appeared
01:00:11the first time at home
01:00:13Mom, you adored Juan
01:00:14Did she adore him?
01:00:15Yeah
01:00:15That's what I was telling you.
01:00:16to avoid causing trouble
01:00:17but
01:00:18He's going to find out.
01:00:19For God's sake
01:00:19This is a conference.
01:00:21You shouldn't have called
01:00:22go on mom
01:00:22come
01:00:23No
01:00:23come
01:00:25Mom, when I came to Madrid
01:00:27I settled that matter
01:00:28I promise you
01:00:32I'm going to see Juan
01:00:33Let's see what happens to him.
01:00:34dear
01:00:34take a look
01:00:35hey
01:00:35Take home a kingdom chocolate
01:00:37congratulations
01:00:38see you later
01:00:40And Elena is right.
01:00:41Woman, you need to move on.
01:00:43and go on tour
01:00:44you owe it to yourself
01:00:46They are, and it's the dream of your life
01:00:48I don't know if I owe it to myself
01:00:49I don't know if I owe it to myself
01:00:51But to whom do I owe it?
01:00:52It's in Murcia
01:00:53well, through Murcia
01:00:56Well, to Juan
01:00:56Maybe not
01:00:58but to his mother
01:00:59Yes, I will call her
01:01:00What a witch!
01:01:01Carlos was coming, for God's sake!
01:01:02have time
01:01:03I call her
01:01:03Yeah
01:01:06hey
01:01:06You have a long way to go.
01:01:07No, I'm finishing up now.
01:01:08Okay
01:01:10Afrik
01:01:11Regarding the kiss
01:01:15come on
01:01:15that I kissed you
01:01:18that I didn't kiss you
01:01:20because of the child
01:01:21you understand me?
01:01:22Okay
01:01:23but
01:01:25that I do feel something important for you
01:01:29I don't know if you
01:01:31still want
01:01:32come live with me
01:01:36look
01:01:36really
01:01:37You're going to like it
01:01:38The apartment is comfortable
01:01:39Each person will have their own space
01:01:41You can be on one side
01:01:42me on the other
01:01:42so
01:01:43calm
01:01:44It's close to the school
01:01:44We can walk
01:01:46say
01:01:46we could buy a computer
01:01:47and in the United States
01:01:48They are much cheaper
01:01:49So we could ask Raúl.
01:01:51and in one of those
01:01:51He could
01:01:52send it
01:01:54nothing
01:01:54in the United States
01:01:55Computers are cheaper
01:01:56No?
01:01:56the euro
01:01:56for change
01:01:57What did you say about Raúl?
01:02:00nothing
01:02:00Raúl is leaving
01:02:01to live in Los Angeles
01:02:03to the United States
01:02:25This isn't going to work
01:02:27No?
01:02:32Okay
01:02:41well
01:02:42nothing that
01:02:44if you don't want to lose it
01:02:47Hurry up because
01:02:49He's going to be out tonight
01:02:52Okay?
01:02:53Okay
01:02:58thank you
01:02:59Okay
01:02:59Okay
01:03:00Okay
01:03:16that I can't
01:03:19Santi
01:03:19that I can't
01:03:20that goes back there
01:03:22She started crying again
01:03:29What's wrong, son?
01:03:32You told me you were going to fix it for me
01:03:35You promised me!
01:03:36I'm sorry, she's leaving us
01:03:37What's happening?
01:03:39What's happening?
01:03:41What's wrong, son?
01:03:43What's wrong, son?
01:03:43What's wrong, son?
01:03:44What's wrong, son?
01:03:45What's wrong, son?
01:03:50What's wrong, son?
01:04:07A failed hero, that's what I am
01:04:21Guille, all the suitcases are already in the taxi
01:04:30Are you sure you want to leave?
01:04:34Yeah
01:04:35I think we should stay
01:04:46Grandma, tell me
01:04:50That it wasn't
01:04:53What do you mean it wasn't Diego who ran him over?
01:04:57What was work?
01:04:58As?
01:04:58What, what, what?
01:04:59What was the cause of the hit-and-run?
01:05:00It wasn't Diego
01:05:00Let's go now, let's go now
01:05:02But Grandma, you know what?
01:05:10Now it's time to sleep and rest.
01:05:12But Santi, how am I going to sleep?
01:05:13Oh my God, oh my...
01:05:14The burritos are reflexes, damn it
01:05:15But they're in jail
01:05:16I had to be there.
01:05:17That?
01:05:17No, no, Diego
01:05:18The bailiff made it crystal clear
01:05:20That you are involved
01:05:21And you can't be there.
01:05:22Besides, it'll be fine, damn it.
01:05:24Being with Elena
01:05:25Elena is a psychologist
01:05:27And how do we pay the bail?
01:05:28Look, the insurance isn't going to give us anything.
01:05:30In other words, we don't have the money to pay the bail.
01:05:31Don't you understand?
01:05:31What's wrong with money, brother?
01:05:33That's what the rest of us are here for.
01:05:34No, no, I can't allow it.
01:05:37I'll start thinking about this house tomorrow.
01:05:39And that's it
01:05:39That?
01:05:39Really, Diego
01:05:40No way, absolutely not.
01:05:41Damn, this
01:05:42This house is the Holy of Holies.
01:05:43From the mountain people
01:05:44Damn, this isn't for sale.
01:05:45Even if we have to make a real effort
01:05:46Even the legs
01:05:46Calm down, brother
01:05:47Don't worry
01:05:47Everything will be alright
01:05:48Okay?
01:05:49Come on
01:05:50Okay, look
01:05:51I'll stay with you tonight
01:05:52That's it
01:05:52Much more than I'm going to leave you
01:05:53What am I going to leave you with?
01:05:54What am I going to leave you with?
01:05:55No, nothing.
01:05:56Damn, don't tell me
01:05:58Listen to me, it's not necessary
01:05:59I prefer to stay with Guille
01:06:00And with Tete
01:06:01And that's it.
01:06:01But are you sure?
01:06:02Yes, we'll talk tomorrow.
01:06:03Come on
01:06:03Okay, thank you very much
01:06:04See you later
01:06:06That?
01:06:07What's happening?
01:06:08Hello
01:06:16Hello
01:06:18So, what about you?
01:06:20When is the tour?
01:06:21Hey?
01:06:22I'm not going to do it
01:06:24If not, and if it's the dream of your life
01:06:28It was the dream of my life, Lourdes
01:06:31But now without the little snout
01:06:33I have no enthusiasm for anything.
01:06:35Women
01:06:40That?
01:06:41Nothing, he can come back for the passport again
01:06:45Soni, don't try to hold me back
01:06:47Because I'm going to miss my flight
01:06:48So no...
01:06:48He has it there
01:06:49In the first drawer
01:06:50What's happening?
01:06:56Lourdes
01:07:01Lourdes
01:07:01It's just that when
01:07:03When I am
01:07:04Lourdes
01:07:04Lourdes
01:07:04Lourdes
01:07:05Lourdes
01:07:05Lourdes
01:07:09Lourdes
01:07:09I hope things go well for you.
01:07:11I'm wondering the same
01:07:13And remember to bring a protector
01:07:15It's very sunny there.
01:07:18You have very sensitive skin.
01:07:19And you get burned right away.
01:07:21If you don't tell me
01:07:22I don't get it
01:07:26Lourdes
01:07:26Lourdes
01:07:27Women
01:07:27If your brother is coming back for Christmas
01:07:29So it's missing
01:07:30I think I am
01:07:31He's getting ahead of me
01:07:32I'm in labor.
01:07:34What does Lourdes say?
01:07:35What does it say?
01:07:35For God's sake
01:07:36Peaceful
01:07:37The two of them got into a taxi.
01:07:38Come on
01:07:39No, on the way to the airport
01:07:40I'm leaving you at a hospital.
01:07:41Come on
01:07:41No, no, there's not enough time.
01:07:42There's not enough time.
01:07:44Call Santi
01:07:45No
01:07:46I don't have time.
01:07:47But, but, but
01:07:48Calls
01:07:49Call Santi
01:07:50This is good
01:07:51Leave it
01:07:51It can withstand a trip
01:07:53No, damn it!
01:07:54Where do I go with a ham?
01:07:55Go to your father, damn it
01:07:56I'm going to the USA, Dad.
01:07:57They're very much against the person I complain about there.
01:07:58Look, that's it.
01:08:00You put it in a backpack and that's it
01:08:02And you say that it is, therefore, a memory
01:08:03A souvenir from your country
01:08:04But what?
01:08:05You don't know how much Ladri likes ham
01:08:07Don't you remember?
01:08:07Okay, okay, okay
01:08:08Wait, they've blown a whistle
01:08:09Let's see if it's the taxi
01:08:09You have no fucking idea
01:08:11Okay, now
01:08:12The mobile
01:08:16The one that was missing
01:08:24Raúl
01:08:27What's the matter?
01:08:27You don't know how to use a phone
01:08:31Okay, Fiti
01:08:32I've called you a thousand times.
01:08:33It seems you don't want to talk to me.
01:08:35Well no
01:08:35No
01:08:37Mostly not
01:08:38Okay?
01:08:39Okay, Fiti
01:08:40That I already know
01:08:41That I should have done things better
01:08:42No, please, Ana
01:08:43Please
01:08:43Don't give me explanations.
01:08:44If you
01:08:45If I
01:08:45If this
01:08:46What if the other thing
01:08:47No
01:08:47I already know everything
01:08:48No, Fiti
01:08:49I don't know.
01:08:49Yes, I know.
01:08:50What am I telling you?
01:08:50Let's see
01:08:51I'm telling you
01:08:51Okay, will you shut up?
01:08:53I have read the letter
01:08:54Ann
01:08:55I already know that
01:08:57I know you love Diego
01:08:58Okay?
01:08:58But no, no, no
01:08:59Don't worry about me
01:09:00I've already gotten over it.
01:09:01And I've accepted it
01:09:03And also
01:09:04That
01:09:05That I have
01:09:06I rebuilt my life
01:09:12That you
01:09:15No, opportunities
01:09:16I have no shortage
01:09:17AND
01:09:18And so
01:09:19What is
01:09:19Well, yes
01:09:20That there is someone
01:09:22Already
01:09:26Well
01:09:28I'm so happy for you
01:09:30Thank you
01:09:34I
01:09:39During all this time
01:09:40No
01:09:42I haven't thought about Diego
01:09:44I've thought
01:09:45I don't know why
01:09:46But
01:09:47I've only been thinking about you
01:09:51But nothing
01:09:52That
01:09:52I hope you're doing very well.
01:09:55I'd better leave.
01:09:58Ann
01:10:00Yeah
01:10:01Hey
01:10:03No
01:10:03A
01:10:05A topic
01:10:05That
01:10:07Let's see
01:10:08There is one thing about the concept
01:10:09I don't quite understand
01:10:12When you say
01:10:13That you've thought of me
01:10:16I mean
01:10:16What did you think?
01:10:17Have you thought like a friend?
01:10:19As a neighbor
01:10:20As a mechanic
01:10:22As
01:10:22How have you thought of me?
01:10:24Ann
01:10:26Listen
01:10:28Listen
01:10:29Yeah
01:10:29I ordered a taxi
01:10:30For the airport
01:10:32No, not anymore
01:10:33I'm going to miss a plane
01:10:34Miss
01:10:35Africa
01:10:36Listen
01:10:37What are you doing here?
01:10:39That
01:10:39Permission
01:10:42Let me tell you something
01:10:43Yeah
01:10:45I'm waiting for a taxi
01:10:47Already
01:10:48Already
01:10:52Have I thought about writing to you?
01:10:54Already
01:11:00We're going to miss you
01:11:06Raúl
01:11:07Please
01:11:08Don't go
01:11:11That?
01:11:13Stay with me
01:11:15Please
01:11:17And that's because no
01:11:19But
01:11:20I don't know why
01:11:21But not
01:11:22I can't imagine
01:11:23I can't imagine
01:11:24Living here
01:11:25If you're not there
01:11:26I can't
01:11:27If you're not there
01:11:31Stay
01:11:53So,
01:11:56I mean, when you say
01:11:58I mean, when you said
01:11:59That you thought it was a mistake
01:12:01You no longer think it's a mistake
01:12:04But how
01:12:05Since you have someone there
01:12:07There
01:12:08Okay, there
01:12:08There
01:12:09There
01:12:10Or there
01:12:11Come on
01:12:11No
01:12:12But that one
01:12:13The one who is here now
01:12:14It's you
01:12:17Already
01:12:18AND
01:12:21Aren't you going to do anything?
01:12:23I?
01:12:25Man, already
01:12:25Having clarified things
01:12:27AND
01:12:28Knowing where we are
01:12:29Each
01:12:30Something has to be done.
01:12:31Clear
01:12:32And that's it.
01:12:48He fears you
01:13:18Good
01:13:37Well, the father is here.
01:13:39Well, the father's here now, so...
01:13:41I'm leaving, and you send me a picture of the girl.
01:13:45Santiago
01:13:47Santiago?
01:13:48Snap out of it, man, Santiago
01:13:50Push, push, push, push, push, Lurdita.
01:13:53Yeah?
01:13:54No, push me, I say.
01:13:55Wait for me.
01:13:56Wait for me, okay?
01:13:57Wait for me, I'll be right down.
01:14:00Chori, I have to go.
01:14:01I have to go.
01:14:03Hold your sister's head, damn it, she's going to have a heart attack.
01:14:05Chori, I have a flight and I have to go, the taxi is waiting downstairs.
01:14:08I have to be in the Emirates tomorrow.
01:14:10Well, get one early tomorrow.
01:14:11You're so eager to lose sight of me.
01:14:12Well, look, now that I've done it this way.
01:14:14When I see you, I'm reminded of the butcher.
01:14:16The chicken seller?
01:14:16Well, whatever.
01:14:18When you show your pride, I'm telling you to forgive me.
01:14:21Proud as fuck.
01:14:22You can hear it, right?
01:14:23Are you listening to her or not?
01:14:24If the blame is going to be mine now.
01:14:26Yes that's fine.
01:14:27Not even...
01:14:27Chori, I love you...
01:14:28That you're going to give up a tour of Spain.
01:14:31For you.
01:14:34A tour of Spain.
01:14:36Come on, come on.
01:14:37Yes, yes.
01:14:38Come on, no, me.
01:14:39So, what does it have to be?
01:14:40Yes, whatever up here.
01:14:42Come on, let's go...
01:14:43Come in, come in.
01:14:43Look, look, let's see.
01:14:44They're here now.
01:14:46It's been like that for now.
01:14:46We have a woman in labor here.
01:14:47Alright.
01:14:48Not a husband, but a husband.
01:14:49People are...
01:14:51He's throwing himself at Spain, at...
01:14:53For the towns and all that.
01:14:5527 capital cities with...
01:14:57With its 27 bullrings.
01:14:5927 provinces.
01:15:00No, no, no.
01:15:02But...
01:15:02But 27 capital cities are awesome, Choni.
01:15:04Yeah.
01:15:06And we're going to do it.
01:15:09Calm down, Lourdes.
01:15:09Are you going to do it for me?
01:15:11Yeah.
01:15:11You don't have to do the breathing exercises.
01:15:12There's nothing to do.
01:15:13Very good, Lourdes, very good.
01:15:14So, let's say...
01:15:16Yeah?
01:15:16No, damn it, you are.
01:15:19Hey...
01:15:20Hey...
01:15:21Don't wait for me.
01:15:22What won't be needed?
01:15:25Well, no, that...
01:15:26In the end, I'm not leaving.
01:15:28Well, because I have a chatunga here that...
01:15:31I think I should leave.
01:15:34Look, you leave the suitcases at the door and...
01:15:37If you want, you can sue me.
01:15:37What can you do?
01:15:39Life takes many turns, ma'am.
01:15:40That's just how Spain and I are.
01:15:43It had to be the woman.
01:15:45Ah!
01:15:48Ah!
01:15:55That's it, Lourdes.
01:15:57What a beautiful thing.
01:15:59Lourdes, darling.
01:16:00Here, Lourdes.
01:16:00But how beautiful, huh.
01:16:01But how silly.
01:16:02Oh!
01:16:03How beautiful, perfect.
01:16:05What a pity.
01:16:05If he has the same head as his father.
01:16:07Hush, perfect, perfect, perfect.
01:16:11Santiago.
01:16:11Santiago.
01:16:12Look.
01:16:13She has a daughter, damn it.
01:16:15Look, here's a little girl.
01:16:17Santiago, Santiago.
01:16:18Santiago.
01:16:19A...
01:16:34ballur o, que hasta ellizio, que...
01:17:01Here's something that has been added to you.
01:17:03I've done everything wrong, Lucia
01:17:05Everything's wrong.
01:17:07All
01:17:36I've done everything
01:18:02I've done everything
01:18:35Where am I?
01:18:40Hello?
01:18:47Lucia
01:18:50I'm in the afterlife, aren't I?
01:18:52Honey, are you okay?
01:19:09What are you doing here?
01:19:11And you?
01:19:13I remind you that we got married yesterday
01:19:22I've made you feel so sorry for me.
01:19:26So much
01:19:26Exactly three and a half hours
01:19:28Which I think is what we've slept on.
01:19:30As?
01:19:33Three and a half hours
01:19:34Okay, what do you say we get down to business?
01:19:36Do we have to give all the children breakfast?
01:19:39To the children?
01:19:43Five
01:19:43Exactly five
01:19:45Three of yours
01:19:46Two days
01:19:54Are you busy?
01:19:55Yeah, but you've been here for half an hour.
01:19:58Hey, what's wrong with you?
01:19:59That's enough, isn't it?
01:20:00Eva, there are more people living in this house, you know?
01:20:02But yes, what's wrong with you?
01:20:02Okay, what is that?
01:20:03Are you done or what?
01:20:05You'll let me handle it, okay?
01:20:08Eve
01:20:08Leave me alone, leave me alone
01:20:09Eva, darling, it's me
01:20:11Hey, hurry up a little, okay?
01:20:13We'll be waiting for you downstairs.
01:20:13Okay
01:20:14Come on
01:20:16A little patience, right?
01:20:17That is the first day
01:20:19I need, I need...
01:20:20We'll wait downstairs
01:20:27Yes, I'm shaving now
01:20:28Because I don't know what Eva does, I go in there
01:20:30Eve
01:20:44What's wrong, Dad?
01:21:00How are you?
01:21:01Okay, okay
01:21:02So...
01:21:05Was the track run well?
01:21:06Yeah
01:21:07Good, right?
01:21:08Re that you're coming
01:21:09Right?
01:21:10So now you sleep on your wedding night, right?
01:21:13But, Paco
01:21:14What's up, Guillén?
01:21:15Ah, no, I'm not going to get it.
01:21:15Here he comes, he's going to kick me out
01:21:17Oh, it's something to look at.
01:21:17No, no, no
01:21:19Guys, stop it already, okay?
01:21:21Guys, these two are going to love each other
01:21:22You'll see
01:21:23Yeah
01:21:23LONG LIVE THE SHIPS!
01:21:25LONG LIVE THE SHIPS!
01:21:26LONG LIVE THEM!
01:21:27LONG LIVE THEM!
01:21:27LONG LIVE THEM!
01:21:28LONG LIVE THEM!
01:21:29LONG LIVE THEM!
01:21:31LONG LIVE THEM!
01:21:31LONG LIVE THEM!
01:21:31Here I bring the churros from home, Paquitos
01:21:34And not like those breads with your maca
01:21:36What did you eat yesterday?
01:21:38Hey, what about you, Candela?
01:21:40Well, nothing.
01:21:41Candela wasn't there
01:21:42House, damn it?
01:21:43But he says he doesn't want to bother anyone.
01:21:45And listen, but only if we're family
01:21:46Mainly
01:21:47Hello, everyone
01:21:48Hello, everyone
01:21:49Good morning
01:21:49Bye bye!
01:21:49Goodbye, aunt!
01:21:50Nothing, I just wanted to stop by and congratulate you.
01:21:52So...
01:21:53Oh, thank you
01:21:54Congratulations, Lucia
01:21:55See you later at school
01:21:57See you later
01:21:57See you!
01:21:58See you!
01:21:59See you!
01:22:00See you!
01:22:01Time for breakfast
01:22:03Oh, churro!
01:22:06Thank you very much, Santiago
01:22:08No, but...
01:22:08I need to stop by the parish.
01:22:09Leave the clothes
01:22:11Okay, and off to nine o'clock mass
01:22:13Okay, see you later
01:22:14Okay, let it go, Santi!
01:22:16With urtita
01:22:17What's going on, what's going on
01:22:18Brother
01:22:18Someday I will marry that woman
01:22:20Yes, yes, I know
01:22:22Hey?
01:22:24Hey, come on
01:22:24A toast
01:22:25A toast
01:22:26That is the first day
01:22:27Come on, come on
01:22:28Come on, come on
01:22:28Come on, come on, come on!
01:22:29Come on, come on!
01:22:32Come on, come on!
01:22:35Come on, come on, come on!
01:22:36Come on, come on!
01:22:55Isa with one!
01:22:56Yes I want
01:22:57Yes I want
01:22:58Yes I want
01:22:58Yes I want
01:23:12And I am Fructuoso Martinez
01:23:18Spaniards, Spain, Spain and I are like that, ma'am
01:23:25How do I take off my clothes, please, because the fructose is bothering me if this
01:23:32If it had been yesterday, you'd probably be eating your words. Bathroom yesterday, I had the look
01:23:35dirty yesterday, dirty look today, clean look, enters a new concept of workshop, Fitichi has
01:23:41Our tickets to go to the Champions League and that you'll understand, no problem, no problem, a happy
01:23:46I rhyme to you like no one else.
01:23:48i'd sacrifice anything come what might for the sake of having you near in spain
01:24:01Hello Fructuoso, I come in peace
01:24:08Me too, peace
01:24:19He doesn't look like a mountain man
01:24:24You're playing dumb, but you know perfectly well that I'm a sweet little thing.
01:24:27And they want to benefit me.
01:24:30Unless you tell me you love me right now, I won't even bother to get into the kitchen.
01:24:33I love you, Dad
01:24:35I love you
01:24:35I love you, I love you, I love you, I love you, I love you, I love you
01:24:41I love you
01:24:47Son, Spartacus has returned
01:24:51Welcome to the mechanic shop of love
01:24:59Augusto, relax, I can tell.
01:25:22I sodomize, I've sodomized a lot, a lot.
01:25:24That's not good, sodomizing isn't good, but I sodomize.
01:25:26Of having you near in spite of the warning voice
01:25:30Comes in the night and repeats how it yells in my ear
01:25:35Don't you know you fool
01:25:38There's no chance to win
01:25:40Why not use your mental
01:25:43A freer a rasquita
01:25:45And in depth
01:25:49And each time I do
01:25:51Just the thought of you
01:25:52Makes me stop just before I begin
01:25:56Because I've got you under my skin
01:26:03And I like you under my skin
01:26:20And I like you under my skin
01:26:22And I like you under my skin
01:26:24And I like you under my skin
01:26:24And I like you under my skin
01:26:24And I like you under my skin
01:26:24And I like you under my skin
01:26:25And I like you under my skin
01:26:28And I like you under my skin
01:26:29Thank you.
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