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Fernando recibe la invitación de boda de su ex-novio pero, al no haber superado todavía la ruptura y encontrarse sin pareja, decide no acudir. Siempre dispuesta a ayudar, Choni sugiere a su marido que finja ser gay y acompañe al psicólogo al enlace. José Luís se niega a participar en la farsa, pero cuando observa como el ex-novio de Fernando y su nueva pareja se pavonean de su amor, decide acudir a la boda. José Luís interpreta tan bien el papel que hará que Choni dude de su heterosexualidad.Diego se ha despreocupado de sus relaciones sociales por su dedicación casi exclusiva a las tareas domésticas. Cuando Jacinto, un amigo de la juventud, llega a Santa Justa, Fiti aprovecha la visita para que Diego salga de su encierro. Jacinto ha decidido tomarse un año sabático y confiesa que uno de sus sueños es conocer el mar pero, desafortunadamente, muere antes de realizarlo. Es entonces cuando Fiti sugiere a Diego que viajen a Cádiz para esparcir las cenizas del difunto. Por otro lado, Celia organiza un intercambio con jóvenes americanos y Diego accede a acoger a uno de ellos en su casa. Toda la familia está expectante, Teté espera encontrarse con un apuesto chico y Guille no ve el momento de comenzar a hacerle gamberradas. Nada más lejos de la realidad, ya que quien acude a la casa de los Serrano es una guapa americana de la que Guille y Manu se quedan prendados.
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00:00:10Come on, kid, we're not going.
00:00:12Diego, please, it's Saturday, damn it.
00:00:14Let's have a little drink to regulate the pH, that won't hurt anyone.
00:00:16I can't, because I have to get up early tomorrow, because my house is a complete mess.
00:00:20And then there are those who won't leave you alone, who won't leave me alone, you understand?
00:00:24But, Dad, please, what are you saying?
00:00:25Yes, yes, you're marking us like you did in Canavaros.
00:00:27But what marking? Do you know why I'm marking you there? Let's see, do you know?
00:00:31Because you're very careless and don't value things, and you're...
00:00:34Well, look, no, no, look, you're this close to having Diogenes syndrome. Mark my words.
00:00:38But who is that man you play with?
00:00:40There are parents who are eager for their children to go camping,
00:00:44But we wouldn't mind at all if he left.
00:00:47What can we do, yes?
00:00:48My brother is there, buried in his domestic universe behind closed doors, and I won't leave, I won't leave.
00:00:52My brother has always been a very good father.
00:00:55I'm not saying no, he's a very good father, I give him a 10,
00:00:59But he's in such a state of seclusion that one day, well, he's going to start doing cross-stitch, isn't he?
00:01:02You're messing with me.
00:01:03Incredible, dude.
00:01:04What's up, guys? Waiting for me to close up.
00:01:07Damn, what a mess.
00:01:08Damn, what a right-wing mess, how's it going?
00:01:10Hello, Diego.
00:01:11Come on!
00:01:13What a surprise!
00:01:15What a surprise!
00:01:15Come on, what a little job!
00:01:18Jacito!
00:01:18And sometimes, when you least expect it, the solution comes from outside.
00:01:22But for at least 20 years, what have you been doing all this time?
00:01:25Ah, nothing much! Work, work, and work!
00:01:28Work, work, work.
00:01:29I'm looking at him and I see a color rung.
00:01:32Damn, you want to believe that since then I haven't touched a single cinquillo.
00:01:35Well then, this calls for a celebration!
00:01:37Get out the mat and the French press, okay?
00:01:39Okay, fine.
00:01:39No, no, no, you celebrate, I can't, I have to take the kids.
00:01:43Diego, for God's sake, she looks like Super Nani, damn it.
00:01:45At least Super Nani was on half a day.
00:01:48But my father works full-time, nonstop.
00:01:51What else could it be? Do you understand?
00:01:52Diego, well...
00:01:53We're too busy heating up the sauce for the macaroni.
00:01:56Yes, well, and also, Dad, if you want, well...
00:01:58I'm already changing the diapers at work.
00:02:00You're right, Diego.
00:02:02Yes, yes...
00:02:03Okay, well yes, you're right.
00:02:05Now, come on, it's for home, because later...
00:02:07Come on!
00:02:11What we didn't know was that that innocent little card game was going to upset my father more than the
00:02:16roller coaster.
00:02:17Sandalwood, Captain!
00:02:19On a station platform, under the blazing sun, you were talking about a skyscraper in the New York sky.
00:02:26Come soon to see the sea and send a postcard.
00:02:29I already knew that day was the end.
00:02:34Now I have much more.
00:02:37Red, black, stop and even.
00:02:39Finally, luck brings an ace and a crystal to look through.
00:02:43And a wall to hang it on.
00:02:45Seven smiling faces in a passport photo.
00:02:48My stories were not about tales made by chance.
00:02:55Nobody told me that destiny was giving me this opportunity.
00:03:01One plus one equals seven.
00:03:05Who would have thought?
00:03:09That it was so easy to be happy.
00:03:22Hi, I'm going up to ten.
00:03:24So you're going to have a jungle year, that's it.
00:03:28But that's not nonsense, Jacinto.
00:03:30No, damn it, what am I saying, because you've always been more about work than anything else, right?
00:03:34I'll pass, I'm not going.
00:03:35That's exactly why, Diego.
00:03:36Now I want to do other things, man.
00:03:37That work isn't everything in life.
00:03:39Two tens and another ten.
00:03:40And when you go on that jungle year you're talking about, where are you going to get money for beans?
00:03:45Calm down, man.
00:03:46I have some savings.
00:03:48Besides, what I want now is to rest, man.
00:03:50And to have a little time for myself.
00:03:52I don't know.
00:03:54Fulfill a few little dreams.
00:03:56One moment.
00:03:57Jacinto has a philosophical air about him, you know?
00:04:01A little nap?
00:04:02And what will the little dream be about?
00:04:04Well, you know what?
00:04:05Well, for the moment, one, who...
00:04:08Do you remember when, as kids, we took a little trip to the beach?
00:04:11Because we're not going to remember, damn it, that it was the first time I'd ever seen this sea and...
00:04:14And now there's Judito, Jacinto, who is 17 years old.
00:04:18Well, I haven't seen him since then.
00:04:20Sorry.
00:04:20I don't know.
00:04:21I once wanted to go to Zahara de los Atunes.
00:04:23You're a real tuna.
00:04:25And the thing is, damn it, he's never been very bright.
00:04:28He has always been very quiet.
00:04:29Come on.
00:04:30You'll see.
00:04:31Okay, one thing.
00:04:33Let's see, because you've really gone too far, Jacinto.
00:04:34So, going to Cádiz now, as things stand today...
00:04:37So, it's four or five hours by car, it's not that much, is it?
00:04:39This?
00:04:40The truth about not paying the toll.
00:04:42Well, look, it seems my luck is changing, man.
00:04:45Color ladder.
00:04:46Yeah!
00:04:46Stay right there.
00:04:48A pocket aces.
00:04:50Pussy.
00:04:52Start unlocking the rings, son.
00:04:56Without life, right?
00:05:00That's crazy, Jacinto.
00:05:01That he hasn't seen the sea for 30 years.
00:05:05Because I would have better things to do.
00:05:07And Currita, have you seen it?
00:05:09Oh, I'm landing!
00:05:11Manu, you're ruining the child, man, he's not a dumbbell, in favor.
00:05:14Well, I'm leaving, I have things to do, okay?
00:05:15See you later.
00:05:33See you later.
00:05:34Let's see.
00:05:34Do you want breakfast?
00:05:35Come on, leave that alone.
00:05:36Just leave it.
00:05:36I'll hang it up later.
00:05:38Come on.
00:05:38Well, thank you very much.
00:05:40He has no life, your brother.
00:05:41If it has no life, it has less range than a salmon.
00:05:45Diego, can I talk to you for a second?
00:05:46What happened, Lourdes?
00:05:47What happened?
00:05:48Guillo, again?
00:05:49What has he/she suspended?
00:05:49No, no, no.
00:05:50But no way, he got a 9 in English.
00:05:52Did he get a 9?
00:05:53Well, what a relief.
00:05:55Very good, my son, very good.
00:05:56Tell me, Lourdes, what is it about?
00:05:57Well, it's Celia.
00:05:58That?
00:05:59The English one, specifically.
00:06:00Well, she's arranged an exchange with American boys.
00:06:02And it turns out one of them has beaten us to it.
00:06:04Okay.
00:06:05And we have nowhere to put him.
00:06:06Already.
00:06:07It would be possible for him to stay here for a few days.
00:06:08Here at home?
00:06:11Well, I...
00:06:12Yes, yes, because...
00:06:13Hey, I think it's good that we occasionally make a little linguistic investment.
00:06:16Well, that's perfect for me, right?
00:06:17Well, that's perfect for me, right?
00:06:19But please, he's probably just some Yankee who likes cowboy music, man.
00:06:22If you like zarzuela, Guille, you're a lout, for God's sake.
00:06:24But it is an opportunity to meet a native of another culture.
00:06:27What am I saying, "talk"?
00:06:28Exchanging experiences, customs...
00:06:30What is the native's name?
00:06:31What's it called?
00:06:31Cooper.
00:06:32Chamis Cooper.
00:06:34Cooper?
00:06:35I wonder if you're related to Gary.
00:06:37Which Gary?
00:06:38Cooper?
00:06:39Ah, Gary Cooper.
00:06:43No what?
00:06:45Last night she tells me "I'm coming, chatunga" and I get up alone in bed.
00:06:50Thus, whole and true.
00:06:54It's been three nights now, well.
00:06:55Or even if there are four of them.
00:06:56There are three now.
00:06:58Damn, it seems like it was yesterday.
00:07:00Gary, what's been on your mind that's really got me worried?
00:07:04Well, look.
00:07:06Good morning, family.
00:07:07Good morning, sweetheart.
00:07:09How are you?
00:07:09Hey man, Arturo called you last night.
00:07:11Fuck.
00:07:12Ah, damn.
00:07:13What's the matter?
00:07:15What's wrong with me?
00:07:17I have an ulcer there that opens and closes, and it's ruining my life.
00:07:22What do you mean he has an ulcer?
00:07:23Yes, I have an ulcer.
00:07:25My grandfather had it, my father had it, and I have it.
00:07:28From the age of 20.
00:07:28Come on, the jewel already has the right to vote.
00:07:30Of course.
00:07:30And you haven't told me anything.
00:07:31No, I didn't tell you so you wouldn't worry, so...
00:07:34Bad lady.
00:07:35So I don't have to see you like this.
00:07:36But don't worry, it's nothing.
00:07:37This is something you suffer in silence, and that's it.
00:07:40Damn, it's nothing.
00:07:42Don't worry, Iza.
00:07:43I'm not going to worry.
00:07:44Look what time it is, look what time it is.
00:07:45Come on, come on, come on, you're not going to make it.
00:07:46But what do you mean I won't make it?
00:07:47No, I'm not going anywhere.
00:07:48Do you think I'm going to leave you like this?
00:07:49We're going to the emergency room right now.
00:07:50Come on, come on.
00:07:51No, no, it's not for that, woman.
00:07:52Furthermore, they then become saturated.
00:07:53No.
00:07:54This is nothing.
00:07:54So, I have a little milk and off I go, ready for work.
00:07:57Come on, come on.
00:07:57How could I not worry?
00:07:58Nothing's wrong.
00:07:59Did a little milk fix that?
00:08:00I've been dealing with this for years.
00:08:02No.
00:08:03Come on.
00:08:03I'm leaving, I'm not worried about them.
00:08:05Nothing.
00:08:05I'm not leaving happy.
00:08:06Which is nothing.
00:08:07If you need me for anything.
00:08:08Come on.
00:08:10And who is Arturo?
00:08:12Let's see.
00:08:14What are you doing?
00:08:14For your father, for your mother, for whomever you love most.
00:08:17Don't ever repeat Arturo's name in front of your aunt again, okay?
00:08:19Okay, okay, okay, but calm down, okay?
00:08:21You're all calm, man, huh.
00:08:22Pussy.
00:08:23Or what?
00:08:24I'm sorry, please forgive me.
00:08:25Forgive me, Raúl.
00:08:26Nothing, don't worry.
00:08:27Well, you know, I...
00:08:29I have to tell you a secret.
00:08:31It's something you'd never imagine, and it's hard for me...
00:08:34It's incredibly difficult for me to tell you.
00:08:35That?
00:08:36What about Laurín?
00:08:37That's messed up.
00:08:38Oh, man.
00:08:39No.
00:08:41And what is this?
00:08:41The warden?
00:08:42Arthur?
00:08:43No.
00:08:44No, my friend.
00:08:45My cellmate, watch out.
00:08:47Ah.
00:08:47That was three days ago...
00:08:48He has served his sentence and they have released him.
00:08:51Oh ok.
00:08:51And you're better for him.
00:08:52Already.
00:08:54And what does he want?
00:08:55That's it.
00:08:56He wants something that doesn't...
00:08:57That I cannot give him.
00:08:59Paste?
00:08:59No, not pasta.
00:09:01Pasta no.
00:09:02Rather, he wants...
00:09:05He wants this.
00:09:08Let's see if we can fix one of the back rooms, mate, it's falling apart.
00:09:11Damn, he even makes the sandwiches.
00:09:13I'm going to cut a little bit of sausage.
00:09:16Look at him.
00:09:18Mary Poppins.
00:09:19You're not starting, Miti.
00:09:20You don't even start.
00:09:21If it's not normal, what you said is not normal, damn it.
00:09:25What is it that...
00:09:26Chita, silent, doesn't raise its head.
00:09:27We need to liven things up, huh?
00:09:29That it will fester there in their work.
00:09:33Diego.
00:09:34Yeah.
00:09:35What was I going to say?
00:09:37Why don't we have another game of poker with Jacinto?
00:09:42Fiti, a little bit of choir.
00:09:43Damn, after the robbery Santi pulled on him the other day, you tell me all about it.
00:09:47What robbery?
00:09:48That's poker.
00:09:50It's not my fault I'm a badass.
00:09:52Damn, if it's just to have a laugh for a while, damn.
00:09:55After all, damn it, Jacinto is a lifelong friend, so we can make up for lost time.
00:09:58lost.
00:09:58But I'm the one who doesn't have time, Fiti, I don't have time, I don't realize it.
00:10:01So now I have to go home to help Curro with his homework, and make dinner,
00:10:04Anyway, I don't have time, damn it.
00:10:05Damn it, take a break, for God's sake.
00:10:08The other day there was a lot of joking around with Jacinto, and then what? Well, the man has his dreams, he has his desires.
00:10:14of living.
00:10:15Yes, but he doesn't do anything.
00:10:16I do things.
00:10:17I mean, I don't even have time to pee.
00:10:23Did he say it or not?
00:10:24Ah, I understand.
00:10:26He doesn't even have time to pee.
00:10:27That's not it, damn it, try reading between the lines a little.
00:10:30He is locked away, he is locked away in his domestic ostracism.
00:10:33And he has no time for us, for football, or for himself.
00:10:36Well, it's not that I don't have it.
00:10:37He just doesn't want it.
00:10:39Because life is so simple and you make such a big deal out of it, huh, damn.
00:10:42Look, this is already done.
00:10:43Well, Jacinto didn't say he was coming.
00:10:45Well, tell him that I just had a beer.
00:10:47But now, uh.
00:10:48Look, I'm going to call him right now to see where he is.
00:10:50That seems very good to me.
00:10:56Hyacinth.
00:10:57Ah, ah, sorry.
00:10:59Damn it, I got a snotty phone.
00:11:02As they say, unlucky in gambling, lucky in love.
00:11:05Yeah.
00:11:06Well, no, no, nothing.
00:11:07When he can, then he should get on it...
00:11:10Ah.
00:11:12As?
00:11:15Hey, what's up?
00:11:16Yeah.
00:11:17No no.
00:11:19And when was that?
00:11:22Okay.
00:11:24Okay, okay, okay, okay, okay.
00:11:26Uh, uh, yes, uh, okay, okay, thank you, thank you, uh.
00:11:30What's up, Piti?
00:11:31Hyacinth.
00:11:32That?
00:11:32They died from a sugar rush.
00:11:34That?
00:11:35Fuck, fuck, fuck, fuck, fuck, fuck.
00:11:39What's happening?
00:11:40Those faces?
00:11:42Has the canary died?
00:11:43Peep.
00:11:45José Luis has developed a stomach ulcer.
00:11:48Come on, it worked out for him, didn't it?
00:11:49Which he probably has had all his life, from the family, like ABS.
00:11:52But what are you saying?
00:11:52And do we salty people have stomachs of steel?
00:11:54Well...
00:11:58Fernando, is something wrong?
00:12:01No, the mine, no...
00:12:03But that's it, that's it.
00:12:04Hey Fernando, by the way, I've spoken to López's parents and they're coming to Laguna to see you, okay?
00:12:08No, not anymore.
00:12:09I have cancelled all my appointments.
00:12:12Oh, we're going to class.
00:12:14Let's go.
00:12:15See you later.
00:12:15See you later.
00:12:24This...
00:12:24Fernando.
00:12:27That...
00:12:28I wanted to ask you a quick question.
00:12:31It's something personal, I...
00:12:33Leave.
00:12:34No, no, no, calm down, for God's sake, Africa, you're like family, queen.
00:12:37Please sit down.
00:12:40That...
00:12:41From my snout.
00:12:44Fernando, I find it very strange.
00:12:46Lately, I've noticed he's been acting very strangely, like...
00:12:50That he denies me.
00:12:51Okay, I'd better go.
00:12:52No, my queen, don't let it be that you feel like...
00:12:54I'm missing any key you might have.
00:12:57Do you know that we are one stop, one stop, one stop, one stop?
00:13:01Well, I don't know if we've just worn out our love lately from using it so much, but three days ago...
00:13:05Who are you?
00:13:07Three days.
00:13:08Three days, how can I put it?
00:13:09How can you tell me this? Three days, three days.
00:13:11Do you think that's a problem?
00:13:12You call everything a problem.
00:13:15Three days?
00:13:17Fernando, is something wrong with you? Are you laughing?
00:13:19Me?
00:13:21No, and you?
00:13:23Nothing's wrong with me.
00:13:25The past, memories, what could have been...
00:13:28I'm definitely leaving.
00:13:29No, no, no, Africa, please don't leave now, okay?
00:13:32No.
00:13:33Okay.
00:13:34Please.
00:13:36It's about...
00:13:38From Carlos.
00:13:41Carlos?
00:13:41Yeah.
00:13:42Camila's?
00:13:43No, my ex.
00:13:44The love of my life.
00:13:45Ah, Carlos.
00:13:46She's getting married.
00:13:47No way!
00:13:48And the worst part is, he's invited me to the wedding, he wants me close by, he tells her.
00:13:52Uncle, uncle, Fernando, I'm sorry.
00:13:54After everything I've been through with him, why are they inviting me?
00:13:57No, just to mess around.
00:13:58Just to mess around, son.
00:14:00If in love...
00:14:01The same goes for danabo and cauliflower.
00:14:03That?
00:14:05As you know, we're going to have some American exchange students.
00:14:08And I think that's going to be a great experience for everyone.
00:14:11And she is definitely the best experience that has happened to me in years.
00:14:14Well, let's give more experience in the two or three that you and I had last weekend.
00:14:17No, no, don't be a ghost, David.
00:14:20Okay, Sam arrives today and Peter arrives on Thursday.
00:14:23Peter?
00:14:24Just from his name alone, he seems like a super sweet boy.
00:14:27Yes it's true?
00:14:27He seems like a really sweet guy.
00:14:29Okay, guys, let's welcome these guys who are going to think they're something special.
00:14:32my fault.
00:14:33Thank you.
00:14:34Come on, pay a little attention, please.
00:14:36God, stop, he's going to get annoyed.
00:14:37Good.
00:14:38Well, do you know that you're not just coming here to learn Spanish?
00:14:41Of course, they're not coming just for that.
00:14:43No, no, no.
00:14:44They will also have to teach them about the gastronomy, customs, and habits of our country.
00:14:49One thing, Sam, because he's already in foster care, but Peter couldn't come live at my house.
00:14:55No, thank you, Yoli.
00:14:55She already has one.
00:14:56But you can help Teté and Guille with Sam.
00:14:58Being away from home is going to be a bit tough.
00:15:01No, no, not too hard. Besides, don't worry, I'll make sure Sam has everything he needs.
00:15:04nothing.
00:15:05Okay, I'll help you, yes.
00:15:07No need, Yoli, I'll take care of it myself.
00:15:09Okay, let's get started.
00:15:15What's up, José Luis?
00:15:16You didn't have to take care of Jacinto's ashes, did you?
00:15:19And what do you want?
00:15:20I left it there in the ashtray.
00:15:22I was lonelier than ever, damn it.
00:15:23They almost had to suspend the funeral service because they couldn't locate anyone from the family.
00:15:27I just don't understand it, really.
00:15:28I don't understand how a person can be so alone, so forgotten.
00:15:32Look, Angel Christ.
00:15:34Don't put it there, man.
00:15:35A little hygiene.
00:15:37A little hygiene, a little humanity.
00:15:39The body is still warm.
00:15:41Well, the body, the ashes.
00:15:43What would you say, Jacinto, if I heard you?
00:15:45For you are dust, and to dust you shall return.
00:15:48Damn, he can't hear us, he's...
00:15:50How are you doing?
00:15:51And remember that night of letters we gave him.
00:15:53I mean, with the joking around, with the teasing, that we went overboard with.
00:15:55Because we told him everything.
00:15:58I imagine this man left another neighborhood with a bad taste in his mouth.
00:16:01I'm seriously going to have a heart attack here.
00:16:02No, maybe not, huh?
00:16:05Because of the binge of French toast he had to eat to get a sugar rush.
00:16:09Well, who knows, maybe he's inflating French toast because of anxiety.
00:16:13Since you three are his only friends, it wouldn't surprise me at all.
00:16:16Very good, José Luis Coño, not even a dick.
00:16:17But what do you want?
00:16:18That we have the burden of suicide upon us.
00:16:20Because that's what's being done to him, the burden of suicide.
00:16:21Jacinto was right.
00:16:23Damn, I was right.
00:16:24Life is short, and things can change at any moment, from one day to the next.
00:16:27Anything can happen to you with your whole life ahead of you.
00:16:29and a happiness ahead and suddenly, bam!
00:16:39Come on, let's be joyful.
00:16:40Damn, bring some pacharán, we're going to toast Jacinto.
00:16:42I'll put it on, come on, I'll put it on.
00:16:44Come on, have some shots.
00:16:46Bring some pacharán, good stuff.
00:16:50Serrano Tavern, tell me.
00:16:52Yeah.
00:16:53Yes, from whom?
00:16:55Arthur.
00:16:57Just a moment.
00:16:59You served.
00:17:05Mr. Arturo.
00:17:07Yeah.
00:17:09José Luis is not here.
00:17:11No.
00:17:12Well, he left, yes.
00:17:15No, not in the village, no, no.
00:17:18He died.
00:17:20Yes, he's in heaven, yes, he died.
00:17:22Yes, poor thing.
00:17:25Well...
00:17:26From a sugar rush.
00:17:27Yes, you know that sugar is very treacherous.
00:17:29It goes up, it goes down.
00:17:31Yeah.
00:17:33Okay, then I'll give him my condolences on his behalf.
00:17:35Yes, yes, yes, poor thing, yes, yes.
00:17:37No, no, no, no, no, no, you don't need to come at all.
00:17:41No, no, not for what's left of him.
00:17:44Goodbye, yes, thank you.
00:17:51Come on, for Jacinto.
00:17:53Ah, for you, friends.
00:17:54Cheers, Jacinto.
00:17:55To your health.
00:17:56Let him do much more, it doesn't bother you.
00:17:58If only...
00:17:59What are you saying?
00:18:00No, no, no, no, no, no.
00:18:01Heal your testicles too, you little rascal.
00:18:04Your house is going to look like a museum now.
00:18:07Between Manu, the American.
00:18:09But no, Yoli, the American is coming to learn Spanish.
00:18:13Do you think it will be good?
00:18:14I imagine him as one of those surfers, blond, muscular...
00:18:19Enormous.
00:18:19Tete, no, it's just that...
00:18:20Tete.
00:18:21No, no, well, never mind, I just wanted to thank you for finally agreeing to take care of the Yankee.
00:18:26Because the whole "Ñera" thing doesn't suit me.
00:18:28Well, it's a chance to see the world that you're missing out on, huh?
00:18:30Yes, yes, yes, I'm not saying no, but the thing is, I use that little roll...
00:18:33It gives me a really bad feeling.
00:18:35What are you saying?
00:18:35If you love everything American.
00:18:37The NBA, the Crystal Jungle, the hamburgers...
00:18:40Do you like everything?
00:18:41Yes, yes.
00:18:42Actually, I did like him, but as soon as we won the World Cup, he shut up.
00:18:45the myth, girl.
00:18:47Look, Guille, I hate to tell you this, man, but your father is right, you're a lout.
00:18:51Well yes.
00:18:52Well, very well, Maritere, I don't know.
00:18:54Since I'm a lout and you're so intelligent,
00:18:56Huh? Do you think Americans will like our subtle sense of humor?
00:19:01No.
00:19:01I mean, the jokes, the pranks, the brushes...
00:19:07I think he's still an American, he has to know that, right?
00:19:11Look, Guille, be careful what you do, okay?
00:19:13Okay, okay.
00:19:14I'm just saying that if they come to the nurses it's because they like us to give them a hard time.
00:19:21This game does something.
00:19:23I propose a mindis for Jacinto who has left without fulfilling his dream.
00:19:27We've chatted about him, damn it, a guy who was sharp, forward-thinking, evolved, fuck.
00:19:32Don't overdo it, okay?
00:19:33He was a lathe operator, a milling machine operator.
00:19:35Okay.
00:19:35Yes, but your brother said it, he nailed it.
00:19:38Jacinto had a dream, at least he had something.
00:19:40What do we have?
00:19:41What do we have? Do we have a dream? Do you have a dream, Diego?
00:19:44Anyway, aunt, if I call you soon to ask, I'll tell you I don't know.
00:19:46Well, I do. I have a dream that I can't see.
00:19:49So, get moving, because tomorrow's going to be a mess.
00:19:52So, what's wrong with you, man?
00:19:53Santi, man, Santi.
00:19:53What's wrong with you?
00:19:55Jacinto here, in person, and you, RKR, this is a sign, a warning, a yellow card.
00:20:02I don't know, the bottle of Pacharán this way.
00:20:04Talcum powder! You'd be so kind, little talcum powders!
00:20:05It's not Pacharán, damn it.
00:20:07Jacinto had to come, huh?
00:20:09To tell us that we are throwing our lives away.
00:20:12Honestly, we don't want to see it.
00:20:14We just don't want to see it, damn it.
00:20:16Okay, Fiti, listen to me for a moment.
00:20:17In other words, we do what we can.
00:20:18But we have mouths to feed, don't we?
00:20:20And we work.
00:20:21In other words, we dealt with it like everyone else.
00:20:23Neither...
00:20:23What, I'm not saying no to you, Diego?
00:20:24But one thing doesn't negate the other.
00:20:26It's about...
00:20:27To pay homage to the man.
00:20:29A tribute?
00:20:30What better tribute is there than a bottle of expensive Pacharán?
00:20:32A tribute.
00:20:33A proper tribute.
00:20:36Did he have the hope of seeing the sea again?
00:20:38We're going to take him to the sea, damn it.
00:20:41Are we going to leave it like this?
00:20:42Well yes.
00:20:43We'll leave it like this because the sea is in Cadiz.
00:20:45And Cádiz is very far away.
00:20:46Besides, the poor guy won't even know.
00:20:48Yes, but the truth is that the man will have been left with a thorn in his side.
00:20:51A little thorn, a little thorn.
00:20:53So we'll take them and send the ashes to him by courier.
00:20:56And Holy Easter.
00:20:58We're not going to flinch from that, are we, brother?
00:21:00A little respect, Santi.
00:21:02That was his last wish.
00:21:03The thing about seeing the sea, damn it.
00:21:04Well, maybe Fito isn't talking nonsense, huh?
00:21:08Well, what a day, really, what a day, damn.
00:21:14You've got no sensitivity whatsoever, man.
00:21:17Don't you realize that I was talking about Jacinto instead of your brother?
00:21:20It's desperately asking us for a break.
00:21:23Between one thing and another, I'm very clear on it, you know?
00:21:26Let's go to Cádiz, my ass.
00:21:27Catch Jacinto.
00:21:28Hey?
00:21:29What are you saying?
00:21:29I'm going to catch those ashtrays myself.
00:21:31It gives me the creeps.
00:21:31Grab it yourself.
00:21:32I have to get it myself, right?
00:21:35Come on, let's kick the Chinese out.
00:21:36To the Chinese?
00:21:37Nine, two, and three.
00:21:39Nine, two, and three.
00:21:41Come on.
00:21:42Let me touch the one I touched.
00:21:49Hey, what's going on with this Arturo guy, in the end?
00:21:52Arthur?
00:21:53Arturo has made history, man.
00:21:55Oh, huh?
00:21:55Yeah, man, I'm dead to that prudish guy.
00:21:57I mean it literally, okay?
00:21:59I'm dead.
00:22:00Hello good.
00:22:01Hello good.
00:22:02Hello good.
00:22:04But what is the most beautiful thing about this house?
00:22:06Oh my God, how?
00:22:07How are you doing?
00:22:08Okay, how's your ulcer?
00:22:10Well, that's all forgotten.
00:22:11Forgotten.
00:22:12And tonight...
00:22:13Oh, you're so silly.
00:22:16Hey, I'm talking to Arturo.
00:22:19Which Arturo?
00:22:20Hey, the one with the round table.
00:22:21What kind of Arturo will he be?
00:22:23The one who calls you.
00:22:24No, I've told you a thousand times that I don't know any Arturo.
00:22:26Well, he knows you perfectly.
00:22:28José Luis Salgado asked me in no uncertain terms.
00:22:30God.
00:22:31What is it, son?
00:22:32The candy maker again?
00:22:34Those are the guys from that teleshopping thing, man.
00:22:37They're heartless, man.
00:22:39In other words, the guys suggest it and they'll even get you to reveal the size of the catsuit you wear.
00:22:43That's what has us all on file, right, Raúl?
00:22:44Yes, to everyone.
00:22:45To everyone.
00:22:45Some more than others, but all.
00:22:47Signed?
00:22:48Are you OK?
00:22:50I am, I am...
00:22:50The one who's signed is Fernando.
00:22:52He's marrying his ex and is relentlessly harassing her.
00:22:57You just have to see what gay people are like.
00:22:59What are they like?
00:23:02Well, they are...
00:23:03Well, that's how they are.
00:23:05Since everyone there plays on the same team.
00:23:07When they want to sign someone, well, they keep at it, they keep at it.
00:23:10And until they nail it.
00:23:11One shouldn't draw blood when she's going through hell.
00:23:14The poor creature.
00:23:16Well, he's been invited to the wedding and he's feeling pressured to be there.
00:23:19has a partner,
00:23:20that he has to go and have the others rub it all in his face.
00:23:23It's so unfair that this happens to someone, really.
00:23:25These things make me want to take advantage of other people's weaknesses, honestly.
00:23:29It affects me in a way that...
00:23:31If it were in my power, if I could do something, I really would...
00:23:34What is this? What have you brought?
00:23:36Well, look, I'm thinking that maybe you can do something.
00:23:39Okay, but what is this? What is it?
00:23:41This is nothing, you're not going to eat an omelet that I'm going to make for you right now.
00:23:43You haven't been blessed with a happy family.
00:23:46Oh, mother.
00:23:48Hey, Diego, wake up.
00:23:49Let's see what Americans think of Spanish cuisine, please.
00:23:52You're right there, wait.
00:23:55This is already great.
00:23:56And you're right, Tete.
00:23:57Be careful.
00:23:58Be careful, okay?
00:23:58Let's see what image we give to Americans.
00:24:00So, we'll stop staring at her eyebrows while she sleeps, right?
00:24:03Look, there's the American.
00:24:05Come on, kids.
00:24:06Let's do our best, shall we?
00:24:07Don't worry, Diego, we're going to make the pavilion look amazing.
00:24:09Perfect.
00:24:10Come on, let's go.
00:24:16Oh, hello.
00:24:17Sam?
00:24:18Yes, Sam, from Samantha.
00:24:20Ah, from Sam.
00:24:21Ah, and me, I, Guille, from Guillermo.
00:24:25Hey, Diego, I'm sorry.
00:24:26It only contained the name, address, and age, and nothing else.
00:24:29Celia, please, woman, don't worry.
00:24:31America is a free country, but so is Spain.
00:24:33And this house is the epicenter of freedom.
00:24:35So, we don't care if it's American or American, we don't treat it differently, right?
00:24:37Yes, yes, let's see.
00:24:38There are enough brushes for everyone.
00:24:39Take.
00:24:40Dad.
00:24:41Dad, no way.
00:24:42Let's see if this is there.
00:24:43Okay, that's it.
00:24:44We're going there.
00:24:45Do you remember?
00:24:46Come on.
00:24:46It smells great.
00:24:47Yeah?
00:24:47So, is there tripe for dinner?
00:24:48Well son, calluses, calluses.
00:24:51We teach Sam things that we have here in our country.
00:24:54Our things.
00:24:55Sam, this, calluses.
00:24:57Typical of the Spanish Berigur.
00:24:59To be very good.
00:25:00Thank you, thank you, beautiful.
00:25:02Hi how are things?
00:25:03Hello good.
00:25:05Manu, Sam, the exchange student.
00:25:08Oh, hello.
00:25:09Hello.
00:25:09Hello.
00:25:11Sit, sit.
00:25:14Damn, tripe for dinner, because it's not very hot.
00:25:16This, Manu, is called an exchange.
00:25:18Exchange, son.
00:25:18In other words, we present what is a national product, in this case, see the tripe.
00:25:21And we accompany it with a national product from the United States of America, and ketchup.
00:25:26But what is ketchup like?
00:25:27If it's forbidden.
00:25:29Exchange, Maritere.
00:25:30Exchange.
00:25:30Good, Guille, good.
00:25:31Stay still, stay still.
00:25:33What's happening?
00:25:33Haven't you seen the movies?
00:25:34What happens before the movies?
00:25:35At the company, one prays, one prays, before eating one prays.
00:25:37Okay, let's bless the table, let's go.
00:25:39Everyone, little hands, put your little hands together.
00:25:41That.
00:25:42The little hands.
00:25:44Sir, we give you many thanks, very thank you, for the food, food, food, I mean, I'll leave it at that.
00:25:53And thank you very much, also, for our Holy Mother, the Catholic Apostolic and Roman Church.
00:25:58Diego, Sam is Protestant.
00:26:00Sam is a Protestant? A Protestant? What's with protesting?
00:26:03That's awful.
00:26:04Amen. In the name of the Father, the Son, and the Holy Spirit, amen.
00:26:07In the name of the Father, all amen.
00:26:08Amen, amen.
00:26:14American breakfast.
00:26:15Let's see.
00:26:16Don't say anything about it because of the cultural exchange.
00:26:18Yeah.
00:26:18But what cultural exchange? It's just eggs with bacon, the same old thing.
00:26:21No, no, not with pancetta, son, remember with bacon, bacon.
00:26:23Yeah.
00:26:24Ah, cholesterol, come on.
00:26:26Let's see.
00:26:27Careful, careful.
00:26:27What else, please?
00:26:28Oh, hello.
00:26:30Milk.
00:26:30All right.
00:26:31Are you OK?
00:26:32Well, me, me, me, me, me, me, me, perfectly, beautiful.
00:26:36I'm doing very well, but Manuel, huh?
00:26:38Yes, yes, yes, in fact, I think you're overdressed and all, because it's hot here.
00:26:43Hot, but super hot, really hot.
00:26:46What do you mean, "very hot"? What are you saying about "very hot"? I understood you perfectly.
00:26:48No, no, no, no, very hot, no, no.
00:26:50Cold, very, very cold, that is, very chilly, like it's a little bit chilly, you understand?
00:26:54In other words, you're left frozen, that's it.
00:26:56Yes, it won't happen to me, if they made 30 cats yesterday.
00:26:58Yes, but it gets cooler at night, Guille.
00:27:00Yes, I have to tell you from Madrid, that he kills an old woman but doesn't pay for a lamp.
00:27:03Yeah.
00:27:04Yes, a little bit of orange juice helps, okay?
00:27:05Your myth, huh?
00:27:06Orange.
00:27:07Don't worry.
00:27:09Don't worry, Guille, because my father, my father, is here on Dirtivision.
00:27:12Dirtivision, Mary Dirti, you know?
00:27:14Dirvision.
00:27:15Yes, Dirtivision.
00:27:16What did you tell him? What's this about Dirtivision?
00:27:18Because the girl is giving me strange looks.
00:27:19So, what did you tell him about what Dirtivision means?
00:27:21I didn't understand, explain it to me.
00:27:22Ah, well, uh.
00:27:23Guille, whom we don't know, what does Dirtivision mean?
00:27:25In short, in short, in short.
00:27:27Division is that...
00:27:29That you are a great father and that you care about your children.
00:27:31Thank you.
00:27:32No, Diego.
00:27:33Dirtivision is your dirty look.
00:27:35Oh, well, I said I have a dirty look, but why are you telling her I have a dirty look?
00:27:39Oh, Cooper must have arrived by now.
00:27:41I'm going inside.
00:27:43Guys.
00:27:44Come on.
00:27:45This whole trip thing is nonsense.
00:27:46I'm not going.
00:27:47But how can you not go, damn it?
00:27:48Your brother needs you, okay?
00:27:50He needs it now more than ever.
00:27:51You're going to leave him there alone in his spiral, the blood of your blood, damn it.
00:27:55Having to go all the way to Cadiz with the task at the tavern.
00:27:59If we pour it into the Manzanares River.
00:28:00It's a river.
00:28:01All rivers flow to the sea.
00:28:02It's Jacinto's dream.
00:28:03And that's it.
00:28:04Damn, it's going to be really good for us.
00:28:06Cadiz there with its light, its coasts, its Jerez wines.
00:28:08Sherry.
00:28:09The Jerez tapullo, I think it is.
00:28:12Okay, now, stay still.
00:28:13Here are the sandwiches, for everyone, sandwiches for everyone.
00:28:15But for you, San, fried eggs with bacon.
00:28:19Typical, American Typical.
00:28:21So your mother doesn't say we don't have anything to eat.
00:28:22Take it, Efa, take it.
00:28:23Thank you.
00:28:24Don't do the vice, man, that brought me here.
00:28:25Come on, get out.
00:28:26Where are you going from?
00:28:27We are going to take Jacinto's ashes to Cádiz, because the man wanted to see the sea.
00:28:32To Cádiz?
00:28:33Well, don't let the Levante wind blow, because it will reach all the way to Morocco.
00:28:35Ma'am, show some respect; we're talking about a deceased person.
00:28:37I mean, it's ashes, yes, but it's deceased.
00:28:40Do you have the ashes of a dead person?
00:28:43I don't know if this little trip is going to be a good idea, huh?
00:28:46Yes, Santi, yes.
00:28:47Because if it was his last wish, well, that's something that honors you.
00:28:52You guys have such big hearts, I mean, we should be proud of you.
00:28:55Can I see the ashes, man?
00:28:57No, yes, to be in the tavern.
00:28:59But?
00:29:00Was it your turn to carry them?
00:29:01Yeah, but I felt bad about taking them home.
00:29:04Well, that shows respect for the deceased.
00:29:07Well, it's true.
00:29:08I respect what needs to be respected, little dove.
00:29:11A bow, without a bow.
00:29:13Look, I'm going to the tavern for them now, man.
00:29:15Yesterday we played a game of chance and I was the one who won.
00:29:17Did you gamble on the Chinese?
00:29:19No, no, no, yes, yes, yes, we gambled it on the Chinese, but since we all wanted to take them home,
00:29:25Because the thing about affection, well, to see who it was, but it was a matter of affection.
00:29:30You do have a heart.
00:29:32Oh, God.
00:29:34The phone bill again.
00:29:35No, no, Carlos, he's sending me the wedding invitation.
00:29:38And you also have to wear white.
00:29:40Oh, a Vicenca wedding.
00:29:41How boring, huh?
00:29:44But, dude, it's not that big of a deal.
00:29:46No, it's just that Fernando has a past with his boyfriend.
00:29:50Sure, rivalry over the girl.
00:29:52Oh no, Fernando is gay.
00:29:54Okay, okay, okay, fine, please, if you want, hand out leaflets in the hallway, okay?
00:29:58Okay, Fernando, for God's sake, it's trustworthy.
00:30:00Come on, jostico, what's it to you?
00:30:02Well, I don't see it, Choni, I just don't see it.
00:30:04That a guy you call in private, "my M30 tunnel digger," well, maybe
00:30:08It's not the most appropriate thing to do.
00:30:09No, no, no, forget about tunneling, forget it.
00:30:12You're there just to show off, just to show off, just to show off, nothing more.
00:30:14I hope so, I hope so.
00:30:15Of course, man, you bring her so much joy.
00:30:16Yes, joy, joy.
00:30:19So what are you going to do? Are you going to go?
00:30:20Well, I don't know, because if I don't go, it'll be bad.
00:30:22And if I go alone, well, that's even worse.
00:30:25Fernando.
00:30:26Yes, yes.
00:30:27I've already found you a partner for the wedding.
00:30:29Oh, yes, who?
00:30:31What's happening?
00:30:33José Luis.
00:30:35Oh really?
00:30:36Man, seriously, seriously.
00:30:39No, come on, I mean yes, yes, I'd do anything for a friend, yes.
00:30:43No, no, look, Johnny, this seems to be getting out of hand, isn't it?
00:30:45This seems like total madness to me.
00:30:47I couldn't have found a better definition, but...
00:30:49Chatunga, I'm not the one saying it, a professional is.
00:30:51Tell him, please, Fer.
00:30:52Yes, it's crazy.
00:30:53That's crazy.
00:30:54It's absolutely insane, I tell you.
00:31:01Hello good.
00:31:03Where are you going?
00:31:05To take care of something.
00:31:07Nothing, nothing.
00:31:08In six hours, barely touching the gas pedal, we arrived in Cadiz.
00:31:11No, we're going, José Luis, to fulfill Jacinta's last dream, her last wish, right?
00:31:16And well, as Fiti says, let's expand.
00:31:19A little bit of...
00:31:19Expand.
00:31:20Yeah.
00:31:20Expand my balls.
00:31:21You guys are going to have a fling, aren't you?
00:31:24Well, it's not out of the question either.
00:31:25What are you saying, you wretch?
00:31:27We go there, we scatter the ashes, we turn around and that's it.
00:31:30Yes, yes, I mean, what we're really going on is an initiatory journey.
00:31:34To pay homage to Jacinto, who, well, in his own way, was a philosopher.
00:31:39And for me, well, and for everyone, it has opened our eyes.
00:31:42Following on from this, I've brought this.
00:31:45Damn, famous quotes from the history of philosophy, interesting.
00:31:48This is like a greatest hits album, but in a cult style.
00:31:51They're all here, guys, they're all here.
00:31:53There's the tailor, the bacon, the three Spanish brothers, José, Ortega and Gassel.
00:31:58Let's party, Dad, let's go.
00:32:00Come on, let's go, guys.
00:32:02I'm going to make some sandwiches, I'm going to give you a hard time.
00:32:04Santi, come on, let's eat something on the way, damn it, Jacinto will be impatient, let's go.
00:32:07And you know, Diego, you know, man and his circumstances.
00:32:12Ortega said that.
00:32:15Or was it...
00:32:16No, it was Gassel.
00:32:18Gassel was the same.
00:32:19Eh, eh, eh.
00:32:20Yeah.
00:32:20No, I'm saying that Jacinto doesn't fit in the car or something.
00:32:27Hello.
00:32:28See you later.
00:32:30The three of them adapt.
00:32:34Hey, what's up, Guille?
00:32:35Hey, what's up?
00:32:37How's it going with the Yankee?
00:32:38That's it, that's it, how's it going?
00:32:39So, is he like Shaquille O'Neal or just a good green one?
00:32:43Well...
00:32:43I think that...
00:32:45It's more rusty than a Kurnikova.
00:32:47Look, Sam, my friends, chukises.
00:32:51You're being a real pain, aren't you?
00:32:52It turns out that God exists.
00:32:54God exists and it was Sam, but he's a desvant.
00:32:57If my heart weren't occupied by Sevia, I'd fall in love with this girl, but the obstacles are bad.
00:33:03That?
00:33:04I'm going to tell you something, that...
00:33:05God, are you crying? I mean, let her stay at your house.
00:33:08Eat and sleep at home.
00:33:09Yes, my bed isn't my house, but I see.
00:33:12And he showers, and showers.
00:33:13And she showers in Bermuda shorts, right?
00:33:16Speak Spanish.
00:33:18A little, a little.
00:33:19Oh, no.
00:33:20You remember, that is, you, Sam, me...
00:33:23Yes, it's me, Sam, and you, good man.
00:33:26Very good, there, there, there.
00:33:28Come on, come on with me.
00:33:29Come on with me.
00:33:31Look at how the American girl is dressed, she's dressed to kill.
00:33:35Of course, what else do you think they see in exchanges?
00:33:39Learn the language.
00:33:41Yes, the language, right?
00:33:43Language is the tongue.
00:33:44Look how she's got herself into trouble, she's not smart, girl.
00:33:46The American.
00:33:49Oter?
00:33:57That chav is really hot.
00:33:59Give me another one, please.
00:34:01Take care of the car, Fernando, it's in the devil's clutches, huh?
00:34:03I'll let you know.
00:34:05Since I'm getting lost, aren't I?
00:34:09I feel inferior.
00:34:10But what are you going to miss, Fernando?
00:34:12That you are worth a lot to a boy.
00:34:13Man, for God's sake.
00:34:14But the one who lost to you, Cuba, was Carlos.
00:34:17God knows what to expect now.
00:34:19Any sleepless person who can't reach you, or even the floorboards, for sure.
00:34:21But he's definitely with a fat guy, a hairy guy, a bear, a bear.
00:34:27Man, you're going to come down on me.
00:34:29Can't you see that it's not true?
00:34:30You can't get depressed, you're the psychologist, sweetheart.
00:34:33Beautiful, my goodness.
00:34:35Carlos.
00:34:36Man, Fernando.
00:34:39What's up, baby?
00:34:40We were told at school that you were here.
00:34:42Yeah.
00:34:43Look, David.
00:34:44Hello.
00:34:44My boy.
00:34:45Hi how are things?
00:34:48Is he the boyfriend?
00:34:50What a son of a bitch, right?
00:34:52And what has he come to rub in his face?
00:34:54Now that the lad has a good rubdown, improving the present.
00:34:58Yeah.
00:34:59I said improving the present, darling.
00:35:01Look at the face he makes.
00:35:02Well, we thought about the poor thing.
00:35:03I'm so glad you became such an important part of it.
00:35:05They're really giving him a hard time there, like something out of a textbook.
00:35:09These things really piss me off.
00:35:11They haven't been screwed up like panón.
00:35:13Hey, look, two friends, huh?
00:35:16Carlos and David, who are getting married soon.
00:35:18Hello.
00:35:19Hi how are things?
00:35:19Can you get us three beers, José Luis, if you can?
00:35:21Raul, please bring three beers.
00:35:24Raul.
00:35:25Look.
00:35:25Sorry, ours are alcohol-free.
00:35:27Come on.
00:35:28That we have to stay in line.
00:35:29Sure, yes.
00:35:30And you?
00:35:30Should you, baby?
00:35:34If you already know what I'm doing, it's pointless, Carlos.
00:35:36That is, when genetics don't cooperate.
00:35:40Hey, do you remember how we always talked about going to those little Iguazu Falls?
00:35:45Yes, in the end we never went.
00:35:47Ah, well we do, right Carlos?
00:35:49Ah, yes.
00:35:49We're going there for our honeymoon.
00:35:51We're excited.
00:35:53You're changing your luck.
00:35:55Oh, and also, look, the engagement gift.
00:35:59Identical to the one Leticia Felipe gave him.
00:36:01Because you are my prince.
00:36:03And you, my king.
00:36:05Carlos, this one, gloating about the gorgeous boyfriend he's got.
00:36:09And that he's taking it all out.
00:36:10It's on fire.
00:36:11It's bad.
00:36:12She's like Angela Chani.
00:36:14Well.
00:36:15So, what then?
00:36:16Are you coming to the wedding or not?
00:36:17You still haven't confirmed it to me, baby.
00:36:20Look, Carlos, I'm in a bind.
00:36:22And I don't think that...
00:36:23I don't think we'll stay out too late, but we're going, right, honey?
00:36:28José, her boyfriend.
00:36:29Oh, what?
00:36:30Ah.
00:36:31And I'm bringing this one because I'm leaving the steel and gold one at home so it doesn't get wet.
00:36:35Well, because of the hustle and bustle.
00:36:37Well, that's it.
00:36:40Nice to meet you, José.
00:36:43Citi, damn it, you're a toothache.
00:36:44Look ahead, we're going with Jacinto.
00:36:46Hey, don't panic, man.
00:36:48I'm looking for a route there via a secondary road.
00:36:50Damn, that way we can take advantage and see a bit of the scenery, right?
00:36:53C Jacinto, what do you think?
00:36:55I don't care what Jacinto says, you know.
00:36:57I'm just waiting to see if we can stop at a fort and cover something up.
00:37:01Damn, seriously, man, you're bulimic.
00:37:02You too.
00:37:03I hope you're hungry, Citi.
00:37:04Okay, okay, now we'll stop for a drink, damn it.
00:37:07Meanwhile, let's see if you can start putting a face to the dream, eh?
00:37:11We have to come out of this trip renewed, damn it, come on, try it.
00:37:14No, but anyway, Citi, if I have to try, I'll try.
00:37:16I mean, I try, but it just doesn't come naturally to me.
00:37:18This way, it says, the first turn on the left.
00:37:21Ah, 500.
00:37:22We're already dealing with the bug.
00:37:23To the right.
00:37:24This is foolproof, damn it.
00:37:26This is foolproof, don't worry.
00:37:27And don't distract your brother.
00:37:29Come on, look, I'm going to start with my dream.
00:37:31Okay, my dream would be...
00:37:35Well, go in one of those convertibles, but one of those expensive ones, and fill it with hot chicks.
00:37:40And did you come up with that while reading Baicón Estel, from the book?
00:37:43Damn, you've seen what I'm talking about, huh, Jacinto?
00:37:45Have you seen what I'm supposed to listen to, damn it?
00:37:47That's the thing about philosophy, damn it, it helps, it expands, hell yeah.
00:37:52Come on, yours, Santi, your dream.
00:37:54I'd like to eat a cow stuffed with little birds.
00:37:56And go on, parrot, at the lathe.
00:37:58Continue on your way.
00:37:59Mine is already happening!
00:38:00Hundreds of meters!
00:38:02Damn that bug, Tomás, what a stinky name.
00:38:06Well, it's one of those atavistic beginning journeys, so now, throw me in already.
00:38:10Maybe so, damn it, of course so.
00:38:12If this is the case, then this is how it is.
00:38:13If I go to Cádiz, I'll go to Cádiz with my eyes closed.
00:38:17Well, now I understand why you're so crazy about their service.
00:38:21Man.
00:38:21No, because he's engaged.
00:38:23And if not, I don't know if...
00:38:24Hey, lots of jico, I hope you don't corrupt him at the wedding.
00:38:28Seriously, Chori.
00:38:29It had been a long time since a man had made me feel so much like a man.
00:38:37Okay, so Sam says his first day here in our country is much better than he expected.
00:38:41I imagined.
00:38:42Okay, the teacher is a goddess, a divine being.
00:38:44It has a...
00:38:45I don't know what kind...
00:38:46Heavenly!
00:38:47What impossible class?
00:38:48No.
00:38:49You, you, you, you.
00:38:49Look at Sam, he's much more attainable.
00:38:51But no, you have no idea.
00:38:53Oh yes, my father already says so.
00:38:56In the end, we'll end up missing school.
00:38:58Okay, Sam has a job to do.
00:39:00It's a filmed diary about the most important things in our country.
00:39:04The Iberian male.
00:39:06The Iberian male, funny.
00:39:08What a sin.
00:39:11What is it?
00:39:11It's awesome, isn't it?
00:39:12This Basque woman, do you think so?
00:39:14Cheeky, huh?
00:39:15It's awesome.
00:39:16But no, man, it's not that big of a deal.
00:39:17The thing is, these guys smile at them and they immediately think they want to sleep with them.
00:39:21Already.
00:39:21Well, in this case it's like that.
00:39:23Okay, well, I need someone who wants to be a guide for...
00:39:27to take it to museums.
00:39:29No, no, no!
00:39:30Oh, oh, oh!
00:39:31Oh, oh, oh!
00:39:32That?
00:39:32Guille said.
00:39:33No, Guille.
00:39:33No no.
00:39:33No, no, no.
00:39:33He pronounced it correctly, but it was a bit of a mess.
00:39:35Guille told me.
00:39:37Okay, Serrano.
00:39:38Okay.
00:39:38Take your seat.
00:39:38Thank you.
00:39:39Okay, one moment.
00:39:40One moment.
00:39:41Boli.
00:39:42That?
00:39:42Out.
00:39:44Pay attention, okay?
00:39:45Listen to what the bacon said.
00:39:46The one I was talking about earlier, Fiti.
00:39:47Listen up, okay?
00:39:48Look how beautiful.
00:39:49Friendship doubles the joys
00:39:51and divides the anxieties in half.
00:39:53And I'm taking one, no kidding.
00:39:55Don't think, Santi, that this damn bacon has any substance, eh?
00:39:58I hate philosophy!
00:39:59What I have is a hunger that makes me want to eat Christ by the feet.
00:40:03He had said, man, well look, he has another one for that.
00:40:05Isn't that curious? Look, look.
00:40:06Hope is a good breakfast, but a bad dinner that's all bacon.
00:40:10So much for that, Santi, calm down a little.
00:40:12Go on, learn from your brother.
00:40:14Look at him there, cultivating himself with the brilliant minds of 20 centuries of philosophy.
00:40:19Let's stay calm.
00:40:20But calm down, Anika, calm down.
00:40:22Take the crossbar, go on.
00:40:23Grab the lug wrench and change the damn wheel already.
00:40:25Come on!
00:40:25That's what I'm getting at, Santi, that's what I'm getting at.
00:40:27That's where our friend goes, and with the club.
00:40:29When he says that friendship cuts sorrows in half.
00:40:32Oh, really?
00:40:33What's happening?
00:40:33Because the axle shaft is broken.
00:40:36Oh, really?
00:40:36Well, things are going to get really bad here.
00:40:38The abuse is going to multiply here.
00:40:40Okay, okay, you're so burned out, Jacinto.
00:40:42You too?
00:40:42Come here, Santi, give me the crossbar.
00:40:45The cross that loses you, Santi, that loses you.
00:40:47Enough of this nonsense!
00:40:49We'll call a tow truck and go back home!
00:40:51Well, yes, nothing.
00:40:52And we left Jacinto's dreams unfulfilled.
00:40:54Hey?
00:40:54And without finding ours either.
00:40:56And where is the honor?
00:40:56Honor?
00:40:57There's hunger here!
00:40:59Hunger is greater than war!
00:41:01I'm going to tell you something, guys.
00:41:04When a man seeks his destiny,
00:41:06no matter how hard the road is.
00:41:08But, Santi, what do you say?
00:41:09And where are you going?
00:41:10Where are you going?
00:41:11We passed a workshop two kilometers away.
00:41:13I'll be right back.
00:41:14Let's have a sandwich!
00:41:16A sandwich!
00:41:17Yeah.
00:41:18What do you like?
00:41:19Well, it's very pretty.
00:41:20I think you're going to feel good, okay?
00:41:21I think so.
00:41:22Yes, yes, yes.
00:41:23How are you, lovebirds?
00:41:24Hello, huh?
00:41:25You guys again?
00:41:26How are you?
00:41:27Yes, how are you?
00:41:28Nothing, it was just on our way.
00:41:30Yeah.
00:41:30Yes, no, it wouldn't have mattered to him.
00:41:32We were just thinking how wonderful it was that you...
00:41:35that you are such an important part of my Carlos's life,
00:41:37Well, come to the wedding.
00:41:38So you're not just going to be at the wedding.
00:41:40Oh, no?
00:41:40No, you want to sleep in the hotel like all the other guests.
00:41:46Well, José Luis and I...
00:41:48Oh, Fernando, that would make us so happy.
00:41:52Me too.
00:41:53Furthermore, you, José Luis, and you have a wonderful suite reserved.
00:41:58Yeah.
00:41:58With a jacuzzi and everything.
00:41:59Come on, with some bubbles that will lift your spirits.
00:42:03Or is it not the mood?
00:42:04Well, I don't like to show off my man in public.
00:42:09A little pear sweetens.
00:42:10Well, I'm going to tell you, Carlos, so you know.
00:42:16Yes, we're coming.
00:42:17Hey, well, we have to go.
00:42:19We'll talk about it, okay?
00:42:20Umbrella.
00:42:21Bye.
00:42:22Bye, baby, bye.
00:42:23José Luis, weren't you dead?
00:42:26Me, dead?
00:42:27Yeah.
00:42:28That?
00:42:29Am I going to be dead if I'm here?
00:42:30I bet you don't!
00:42:31I'm not dead, am I?
00:42:33No, no, no way, I was out partying.
00:42:36He was out partying.
00:42:38Well, they told me the same thing here.
00:42:41Did you call here?
00:42:41Yeah.
00:42:42Here?
00:42:43Yeah.
00:42:45My partners, damn it.
00:42:46My partners who want to get rid of me and are making my life impossible, they're bastards.
00:42:51Are they or aren't they bastards?
00:42:52They are, they are, they are.
00:42:53Scum.
00:42:56Well, I'm Arturo.
00:42:58Raul.
00:43:00An old friend.
00:43:02And who are you?
00:43:04I.
00:43:06No, no, no.
00:43:09Damn, man.
00:43:10If I make you jealous, this place has become a gay bar.
00:43:15Ah.
00:43:16That?
00:43:19This one, this one, look.
00:43:20This is also relevant, look.
00:43:21Existence is a journey where there are no flat roads, all are ups and downs.
00:43:26Hey?
00:43:26Brother.
00:43:27That?
00:43:27Paper is edible.
00:43:29Sit down, please relax, take in the scenery.
00:43:32In other words, read a little and reflect.
00:43:34Hey?
00:43:35And Fiti, where could he be?
00:43:36He's probably out at a bar getting wasted.
00:43:39And here we are, just lying around.
00:43:39Where could Fiti be?
00:43:41So, I mean, I...
00:44:07Hey.
00:44:08Just a moment ago, where were we?
00:44:09There in the ditch, lie down.
00:44:11And now look, let's see, come on, those dreams, don't let them go unsaid.
00:44:13Well, those dreams, so you don't die.
00:44:15We die here.
00:44:16What do you want me to say?
00:44:17I can't think of anything.
00:44:19Yes, yes, I already have a dream.
00:44:20There's Diego, come on, get going.
00:44:22I'm telling you, Spain should win the World Cup.
00:44:24Hey?
00:44:25May Spain win the World Cup.
00:44:30What are you doing?
00:44:31Damn, that dream isn't worth it, for fuck's sake.
00:44:32That dream is not a dream, it's a miracle.
00:44:34Put in a little effort, damn it.
00:44:35That's why you have to stop like that, you wretch.
00:44:37My fillings almost popped out.
00:44:39Hey?
00:44:40Look, look, look, look, look, look, look, look, look, look.
00:44:42Yeah.
00:44:43Come on, let's catch those backpacking, low-life types.
00:44:46It only creates more problems.
00:44:47Hey, don't be old-fashioned, damn it.
00:44:48Don't you see that the girls are more laid-back with an anchor and a jay?
00:44:50Fiti, but we don't fit back here.
00:44:52This is a can of sardines.
00:44:53That's what this old man is for, to experiment.
00:44:54To meet people, a little charity, damn it.
00:44:56Charity brings pesto.
00:44:58It's present!
00:45:01It's present!
00:45:05It's present!
00:45:08Well, what did you see, Diego?
00:45:10Have you seen how you have to launch yourself?
00:45:11That?
00:45:12Do you like my dream?
00:45:14Yes, it's a little uncomfortable back here.
00:45:16But yes, I like it, I like it, yes.
00:45:18Well, it's opening up more now.
00:45:23Sam, the ham, the ham is the typical Hispanic symbol.
00:45:27I'm going to show you more or less how to cut it right now.
00:45:30This needs to be cut delicately.
00:45:32You have to listen to the ham.
00:45:36Listen, ham.
00:45:38Be jamón, my friend.
00:45:40But seriously, will you stop messing around already?
00:45:43It's true that he can't do any more foolishly, right?
00:45:45No, of course, if they see this video in Oklahoma,
00:45:47They're going to think we can't reach the rooftop elevator.
00:45:51Oh well...
00:45:51What about you?
00:45:52What do you say, mate?
00:45:54Oclajoma or Barcelona?
00:45:55I?
00:45:56Oclajoma, Oclajoma, most clearly!
00:45:59Matadito, he takes a tour of the tavern until he gets to the football.
00:46:01Jewel, jewel!
00:46:02I want it to look good, okay?
00:46:03Okay, I'm going to explain what foosball is.
00:46:06Table football is a 100% Spanish product.
00:46:10I know you've seen it on Friends, but no.
00:46:12Spaniards, here you have the foosball table with its football players and its things.
00:46:16And... Cut!
00:46:18Okay, very good.
00:46:19Okay, let's have a party.
00:46:21I'm going to show you what the Spanish Party is.
00:46:22Girls, come on, let's party!
00:46:23We're always going to be in a good mood, right?
00:46:25Of course!
00:46:26Let's go to this guy's house!
00:46:29And why can you eat glasses like that and not with me?
00:46:32That.
00:46:33Explain it to him.
00:46:35And why did you tell me at Laurín that you weren't gay?
00:46:37Because I'm not gay.
00:46:39I never have been.
00:46:41I am married.
00:46:42With a woman.
00:46:43You have to believe me, for God's sake, Arturo.
00:46:45You're lying, bitch!
00:46:47I'm not, I'm not gay, I'm not a homosexual.
00:46:50You are, damn it, I didn't see it!
00:46:55Yeah.
00:46:57Okay, I'm gay.
00:46:59I'm gay, I'm gayer than Elton John and Freddie Mercury playing doctor.
00:47:02I am.
00:47:03I am, yes.
00:47:06But what about in prison?
00:47:08Well, in prison, Arturo still hadn't come out of the closet.
00:47:13But, of course, after meeting you, I kept thinking about everything you had told me and...
00:47:18Damn, you've opened up a whole new world for me, Arturo.
00:47:21Really?
00:47:22You have marked my life.
00:47:25That's why I know it's unfair that I denied you.
00:47:27I have denied it.
00:47:29I denied it.
00:47:31Because if we had met in another place, under other circumstances, I'm sure that what we had would have worked out.
00:47:36Yeah.
00:47:37I think so.
00:47:39Sure, it was getting out of jail, meeting the guy with glasses, and...
00:47:43Arturo, I am a one-man man.
00:47:46That you can be gay and you can be faithful.
00:47:48We have very bad press.
00:47:51And I'll tell you something else too.
00:47:56We'll always have Laurín, Arturo.
00:47:59Always.
00:48:01But how great you are, José, how great you are.
00:48:04Goodbye forever.
00:48:15You're so great, man.
00:48:18Excellent.
00:48:20Of course, nephew.
00:48:22Good and big.
00:48:23You've already heard it.
00:48:24Good and big.
00:48:26Take it.
00:48:27Nothing, damn it.
00:48:28This is typical, very typical.
00:48:31That is, this tree, a holm oak, typical of Spain.
00:48:34The mountain is the typical Spanish mountain.
00:48:38And well, what can I tell you about the man?
00:48:39The man, typical Spanish, macho, virile, lebra, saw.
00:48:44Come on, half man, half sex machine, if you know what I mean.
00:48:46Yes, yes, Mom, please.
00:48:48Hey?
00:48:49Nothing, nothing, nothing.
00:48:50Nothing, nothing, nothing.
00:48:50Whatever you have to do.
00:48:55I think I've got her in the bag, man.
00:48:57He's giving me the eye.
00:48:58No, I think it's great that he's giving you the eye.
00:49:00But listen, at this rate we won't even get to Cádiz by Christmas, Citi.
00:49:03But, Diego, please, what does it matter?
00:49:04Hey?
00:49:05What did the philosopher say about this?
00:49:06It doesn't matter where you go, damn it, but...
00:49:09How much fun you have along the way.
00:49:10Well, I'm having a terrible time.
00:49:12And I have a hunger I don't recognize.
00:49:14Of course, man, let's make it simpler.
00:49:17Fuck.
00:49:18And what about nourishing the soul?
00:49:20Hey?
00:49:20That?
00:49:21We're here, damn it.
00:49:22The three of us are here, like José, Ortega y Gasset.
00:49:25In perfect communion with the universe, with nature, with man.
00:49:29The void.
00:49:30A lot of emptiness.
00:49:31Even with emptiness.
00:49:32Why not?
00:49:33This is part of a plan, damn it.
00:49:34From a plan where Jacinto is, is in his dream, the urn, us.
00:49:39The void.
00:49:39Also, emptiness.
00:49:41The void is getting into another car.
00:49:42It's a superior intelligence plan.
00:49:45That small beings like us don't understand.
00:49:47That's where philosophy begins.
00:49:49Viti!
00:49:50Don't die!
00:49:51They're stealing your car!
00:49:52You don't get along, damn it!
00:49:54Hey!
00:49:55Hey!
00:49:55Hey!
00:49:55Hey!
00:49:58Maybe they're going for beers, right?
00:50:00A German juice.
00:50:05Calm down, calm down, calm down.
00:50:06Attention, everyone, with you, the child of Santa Justa.
00:50:11Let's see, here, and Chincuelina.
00:50:13Olé!
00:50:15And now, Veronica.
00:50:17Olé!
00:50:19Olé!
00:50:21I recommend you, I recommend you.
00:50:23My uncle, my uncle is a bullfighter.
00:50:25In other words, bullfighter.
00:50:27Bullfighter?
00:50:28Oh, really, what idiots, please.
00:50:29When I show the video to my friends, they're going to think everyone is just as desperate.
00:50:32here in Spain.
00:50:33Of course it's true, isn't it?
00:50:34But...
00:50:35And the American woman loves it, too, you know?
00:50:37She's going to get sore muscles from smiling so much, huh?
00:50:40I don't know if it's right for what it's about, I'll tell you.
00:50:44And it seems there's already a queue forming, doesn't it?
00:50:47They've given me a choice...
00:50:48Manu is so cute!
00:50:50Yoli, what are you saying?
00:50:52Manu is super old.
00:50:53What's wrong with that brat?
00:50:54Don't you realize that Manu is...
00:50:57Tete, in case you hadn't noticed, Manu is a guy too.
00:51:01But hey, what's going on?
00:51:01Are there no guys in the United States or what?
00:51:04Well, I don't know about the United States, but here, all he needs to do is try Currito.
00:51:08Well, Currito is already showing promise, huh?
00:51:10I mean, two more days in Santa Justa and it'll be too small for him.
00:51:12But look, with Manu, with Guille, or with Jesús lindo and Brick, we need it.
00:51:15He doesn't care that he's about to taste Spanish.
00:51:17Okay, fine, but it's not all the same to me.
00:51:19What is it?
00:51:26Wait, wait, wait.
00:51:27José Luis at a gay wedding.
00:51:29Daughter, what a friend is what you'll need.
00:51:31My Joselito is always very convincing.
00:51:33Let me see if I can get a good grip on your waist here because it's...
00:51:35Careful, Choni, those who try it will repeat the experience.
00:51:38Dude, don't talk nonsense, my husband is very macho, very macho.
00:51:41When Tornuda's testosterone leaks out.
00:51:43Woman, woman, I'm not saying your little snout is going to sign for our team, but what taller towers have there been?
00:51:47fallen.
00:51:47Oh, yes, like who?
00:51:50Well, Carlos, without going any further.
00:51:53Carlos, is that you?
00:51:54Hey?
00:51:54No.
00:51:54Yes, yes, yes.
00:51:57Well, look, I'm going to tell you something.
00:51:58That?
00:51:59No, well, nothing, but that very macho, very macho guy doesn't have to be because with this astral body that
00:52:03God has given me, and has not cast me out.
00:52:05Queer.
00:52:06Yes, well, what a girlfriend he had.
00:52:09Oh, really?
00:52:10And then I crossed his path and taught him the true faith and tiki-taka-tiki-taka.
00:52:13Well, like Rod Hudson.
00:52:15Who would have guessed he was gay?
00:52:16Dulis Day?
00:52:17Rod Hudson.
00:52:18Yes, and there in the tavern, right?
00:52:20The little thing, between Carlos, his boyfriend, Arturo and me.
00:52:23I don't feel anything from you, huh?
00:52:23What do you mean, Arturo?
00:52:24Arthur?
00:52:25Which Arturo?
00:52:28So I was going to go for a few beers, huh?
00:52:31You, you're stupid.
00:52:32I was just trusting in people's goodwill, damn it.
00:52:34How was I supposed to know?
00:52:35Ah, but no, tiki, for God's sake, Germans aren't exactly clean, are they?
00:52:38You have a history that's there.
00:52:40Wait, wait.
00:52:41I think we can definitely see the road from here.
00:52:47The mother who...
00:52:48I shit on everything that can be shitted!
00:52:50But can't you see we're going around in circles?
00:52:52And why did we have to go out onto the back roads?
00:52:55Hey?
00:52:55Because?
00:52:56Well, I used to climb you.
00:52:57What are you, man?
00:52:57Santi, God, man!
00:52:58Santi, Santi, calm down, damn it!
00:53:00Everyone makes mistakes, for goodness sake.
00:53:01A little mistake, a little mistake.
00:53:02What's the problem?
00:53:02First he wrecks our car, then he brings another car and lets them steal it with the suitcases and the
00:53:07mobile phones and everything.
00:53:08We're never going to get out of here, are we?
00:53:09No, no, no, it's not angels, Santi, for God's sake.
00:53:11This isn't Arizona, we're in Spain.
00:53:13In Spain?
00:53:13Yes, we'll find a housing development.
00:53:16Come on, the well digger definitely has something around here.
00:53:18All...
00:53:19This landscape is...
00:53:20That reminds me of something.
00:53:22I don't know...
00:53:23The thing is, holm oaks are very familiar.
00:53:24No, no, no, no, no, no.
00:53:26No, that's like a desvillero.
00:53:27I mean, something that already...
00:53:28A real shame, isn't it?
00:53:29A desvilleo, a desvilleo.
00:53:31And this is the real Spain, man.
00:53:33That in Arizona, this is Marbella.
00:53:35I mean, all because of that bullshit dream stuff.
00:53:39Hey, hey, hey.
00:53:40A respect that we are talking about the dream of our friend Jacinto.
00:53:43Damn Jacinto's dream, now!
00:53:45Show some respect, damn it!
00:53:46The body is present, please.
00:53:48It's not about you, Jacinto, it's not about you.
00:53:50I'm starving.
00:53:53Think positive.
00:53:54In other words, we have reserves, because we do.
00:53:56So, we, for example, on the Neptune footbridge...
00:53:58Come on, they won't kick us out because of delegates.
00:54:00Because we give what is the body mass index, right?
00:54:02You give it, you give it.
00:54:03Furthermore, nature has fed man since the dawn of time.
00:54:07Oh, really?
00:54:08And what is nature going to give us today, huh?
00:54:11Weedy mix, it's going to give us.
00:54:12Aren't those blackberries?
00:54:14Blackberries, yes.
00:54:14No way!
00:54:16Pussy.
00:54:21With all due respect to your current state,
00:54:24You could have visited the Prado Museum by now, for crying out loud.
00:54:27How are you?
00:54:28Are they good?
00:54:29Good?
00:54:30Yeah.
00:54:31Stop eating there.
00:54:38Good.
00:54:39Babila, who is the most that so much lifts her up.
00:54:41Well, yeah, if that's what she decides, dude, she's free to do it, right?
00:54:44That she is an American citizen.
00:54:45What are you, idiot?
00:54:46Do you see yourself getting scammed first or not?
00:54:48Let's see, let's see, let's see, let's see...
00:54:50Shorty, if that's the case, you're going to bed, okay?
00:54:56Hey, hello.
00:54:56What do you like?
00:55:02Let's see, let's see.
00:55:03But, silly, how is he smiling at you there, how is he looking at you?
00:55:06Yes, yes, yes.
00:55:07Okay, fine, fine.
00:55:08Hey, at the end of the day, man, the hand, the catch, well...
00:55:11who plays in the Champions League.
00:55:12In other words, if they have to remove someone, then they can win.
00:55:14Let's see, let's see.
00:55:15Well, if that's the reason...
00:55:17Problem solved!
00:55:18Yeah!
00:55:19What do you do with that?
00:55:20What are you doing with that, man?
00:55:22Just in case.
00:55:24Call it a butt killer.
00:55:25Yes, almost if you want.
00:55:26But let's go to the kitchen for a minute,
00:55:28We're going to explain what it's like.
00:55:29No, no, no, but let me go by myself, okay?
00:55:30You guys take a look at it for me.
00:55:31Or two!
00:55:32As?
00:55:37But look at her, for God's sake,
00:55:38If I don't waste any time.
00:55:40Well, he's not going to sit idly by either, is he?
00:55:43Don't worry, the song is almost over.
00:55:51Damn those slow ones.
00:56:00What are you doing?
00:56:01Uh, me?
00:56:03Hey...
00:56:04No, nothing, I just came for a beer.
00:56:06Come on, Guille, it's been many years already, go on.
00:56:10Man, back to the classics.
00:56:12Man, I'd just kick out the Yankee,
00:56:14But I guess it's not for her, is it?
00:56:16It's not for Manu.
00:56:19Look, Maritere,
00:56:20I'm a romantic guy, you know,
00:56:22And I can't let this pretty boy get the girl.
00:56:25Already.
00:56:26Clear.
00:56:28Well, three more drops.
00:56:30No?
00:56:31Because the kid is big.
00:56:32Or not?
00:56:33Yeah.
00:56:33Yeah.
00:56:34Let me see it.
00:56:46Tito, I'm outta here, I won't make it, okay?
00:56:48Hey, where to?
00:56:49Take out the trash first.
00:56:50Take out the trash, please.
00:56:51Then you leave.
00:56:52No, don't mess with me.
00:56:52Come on, let's go, come on.
00:56:53Dude, you don't exploit the entire working class or anything, damn it.
00:56:55What are you keeping?
00:57:09What do you have left now?
00:57:10Come on.
00:57:12Damn it, Arturo, what's up?
00:57:14What are you doing here?
00:57:15I've realized that I'm chasing an impossible goal.
00:57:19I already told you, I already told you.
00:57:21No, no, no, I swear I won't bother you anymore.
00:57:25I'm just going to ask you a small favor.
00:57:27If it's within my power, I'll do whatever it takes.
00:57:28Whatever, Arturo.
00:57:29That?
00:57:33Give me a kiss.
00:57:35Sure, a goodbye kiss.
00:57:36No, no, no, José Luis, not those.
00:57:43Of course...
00:57:44That you want a kiss from the others.
00:57:47Of course, that way I don't have to dream about it anymore.
00:57:49That way, when I'm far away from you, I'll already have a memory.
00:57:55Okay, but without language.
00:57:57But hey, I'll give you a sexy kiss, right?
00:57:58But don't you see that Fernando can smell everything I do?
00:58:01It has a better sense of smell than the dog.
00:58:08No, no, no.
00:58:39No, no, no.
00:58:54Look, look, look.
00:58:55This works.
00:58:57So you can't say later, it's not so bad, damn it, we have all the features.
00:59:00Like a stick, right?
00:59:02I'm telling you.
00:59:03Damn, I've got some blackberries.
00:59:05I'm staying in...
00:59:06So what now?
00:59:06Should I call room service?
00:59:08How about you bring me a bottle of Vichy water?
00:59:09Well, well, it's not that big of a deal.
00:59:12Fuck.
00:59:12Look, pass me the chair.
00:59:13This is for you.
00:59:14Bring it.
00:59:15We're going to have a good laugh when we remember this.
00:59:17Whether you like it or not, as Ortega said...
00:59:20Fiti.
00:59:22Not even if he left it, gasete.
00:59:23I couldn't care less.
00:59:23And I'm telling you this in a friendly way.
00:59:25If you make another philosophical quote, I'll smash you in, I swear.
00:59:28Why don't you try to look on the bright side a little, Diego, damn it?
00:59:31Yeah.
00:59:32TRUE?
00:59:33How long had it been since the three of us were involved in one of these?
00:59:36We're lost, okay, but we're lost together.
00:59:38Well, that puts my mind at ease.
00:59:40Since we're together, it's much more peaceful.
00:59:41You're leaving me, Fiti.
00:59:42Damn it, I'm not saying anything stupid.
00:59:44No, no, no, no.
00:59:44It's important that the three of us are together.
00:59:46Well, the four of them with Jacinto.
00:59:55What was that?
00:59:57That's all we needed.
00:59:59Some kind of nonsense you're spouting.
01:00:01No way.
01:00:03No way.
01:00:03What are you doing, Fiti?
01:00:04No way, dude.
01:00:05Are you going to be afraid?
01:00:06But the Spanish Paula is endearing, damn it.
01:00:10Fiti, what are you doing?
01:00:11What's wrong, Santa?
01:00:12What's wrong with you, damn it?
01:00:13What are you doing?
01:00:14A very big twist, brother.
01:00:16But...
01:00:16What do you say?
01:00:17I'm starting to feel really bad.
01:00:18Calm down, calm down.
01:00:19And above all, one thing.
01:00:20Don't gas us.
01:00:20For your mother's sake, don't gas us.
01:00:22Good heavens, we know each other.
01:00:23That is honorable.
01:00:24No, no.
01:00:25I feel very unwell.
01:00:26That?
01:00:26That?
01:00:28What are you doing?
01:00:28What are you doing with your tongue, damn it?
01:00:30It's a chassis.
01:00:31Yeah.
01:00:32Santi, this has been the blackberry.
01:00:33How was your knife-fed meal?
01:00:34Like it's New Year's Eve grapes, damn it.
01:00:35They've made a mass there in your stomach.
01:00:36That's why you have those stomach aches, damn it.
01:00:38Go get some water.
01:00:39Please.
01:00:40Let's see if this is getting bad.
01:00:41Don't worry.
01:00:42Fuck.
01:00:43What's wrong with you?
01:00:44It's a loosening agent.
01:00:45Well, he didn't just say that Spanish animals are endearing, damn it.
01:00:50Isn't that what the hell it is?
01:00:51What are you doing?
01:00:52What flips over?
01:00:52The tortijo has also given me a good time.
01:00:54Stay here.
01:00:56Relax.
01:00:56I'm going to get some water.
01:00:57Relax.
01:00:59Capon.
01:00:59Please.
01:01:03To take cover under that house.
01:01:04I will put up with you.
01:01:05Stay still.
01:01:08Endurance.
01:01:09Cover me.
01:01:10Go.
01:01:27Manu has hit the jackpot.
01:01:28What now?
01:01:29Look Guilla, there's one thing you need to learn.
01:01:31That girls are the same here as in America.
01:01:34That?
01:01:35Oh, Sam.
01:01:36Chips.
01:01:37Oh, the little trickle.
01:01:38Hi, Sam.
01:01:39This, wow thing.
01:01:41Guilla, a good vibe, right?
01:01:42Feeling.
01:01:44Yeah.
01:01:44Do you like it?
01:01:45Do you like him?
01:01:46Yes.
01:01:46I like it a lot.
01:01:47Good guy.
01:01:48That's great, dude.
01:01:50That he really likes it.
01:01:52Place.
01:01:53How cool.
01:01:53Yeah.
01:01:54How cool, how cool.
01:01:55The Spanish reconquered America, it seems to me.
01:01:59That's great, Guille.
01:02:00Okay, she told me to do the peels in your room, she's coming up now.
01:02:03No, no, no.
01:02:04That's a joke.
01:02:05That's already becoming clear.
01:02:06Uncle.
01:02:07But it's going up.
01:02:07But it's going up.
01:02:08I love him.
01:02:10And you don't care.
01:02:13You're not backing down, are you?
01:02:15I?
01:02:16I?
01:02:17Why would I be backing down?
01:02:18I know.
01:02:18Do you know what I'm saying to all of you?
01:02:19That American Girl is going to give up on what Mazaparupar is.
01:02:22There it is.
01:02:23There it is.
01:02:23There it is.
01:02:25There it is.
01:02:26Show him what he's worth there.
01:02:28He has become a man.
01:02:32There it is.
01:02:41There it is.
01:02:41There it is.
01:02:42Hello, chatunga.
01:02:43Good.
01:02:45I'm happy for you.
01:02:46You're coming, right?
01:02:47Yeah.
01:02:48Don't ask me why, but I'm...
01:02:50happy.
01:02:52He's not happy.
01:02:53That's great.
01:02:55Very good.
01:02:55No, I can't tell you what happened to me, but...
01:02:57Come on, I've behaved like a gentleman.
01:03:00What's happening is that lies have very short legs, like you, lies, lies, look.
01:03:06José Luis, I already know everything I needed to know about that Arturo, you know it, yes.
01:03:17HE
01:03:17I don't know, sit down and I'll explain it to you. You're going to explain it to me, you who are a well of falsehoods.
01:03:23that to
01:03:24The polygraph is there and it blows up. Where are you going, woman? Where are you going? Where are you going to me? What's up, Auntie? Dinner?
01:03:32has it
01:03:32In the oven, you don't, because the Spanish woman doesn't cook whoever deceives her. Where are you going? Where did I leave the good cunt?
01:03:39what has
01:03:42Past past, he found out about Laurín, what are you saying to my mother, wow
01:03:52I'm sure the Urs thing is going to be true.
01:04:03hello hi
01:04:09OK
01:04:14you're so sweet how do you say in spanish mono no monkey monkey no but a monkey but no monkey
01:04:23of
01:04:23evil but monkey monkey man was a beautiful beautiful man stop stop stop i cannot are you
01:04:45so you mean maybe gay gay game in on a kno computer a great game a macho ibérico macho ibérico
01:04:51Hispanic
01:04:52very much sorry i'm stupid there's Spanish are Catholics know got cattle catholic catholic no
01:05:02works are good mmm see see see see I'm I'm catholic
01:05:17Sam, you are beautiful, very, very beautiful, but I can't.
01:05:26Because?
01:05:31Because of another girl.
01:06:02No, no, no, no, no, no.
01:06:05Alright.
01:06:06What do you want me to do? Because I don't have a mobile phone, I can't call anyone.
01:06:08Okay, explain to me, what do you want me to do?
01:06:10In the context of having brought us here to die.
01:06:17To the shitty shelter.
01:06:19Sorry, Santi, I didn't mean to get you into this situation.
01:06:22I did it for the reason I did it.
01:06:24I did it for you, I did it for your brother and for us, damn it.
01:06:27So, if something happens to me, if something happens to us, know that I love you very much, Santi.
01:06:35Me too, Peti.
01:06:37I have always, always been a good friend.
01:06:40Very annoying, but a good friend.
01:06:44I hope we have beers and ham and rondo and match summaries in heaven.
01:06:52Okay, that's enough, enough with the nonsense, nobody's going to die here.
01:06:55None of you understand, do you hear me? Nobody's going to die.
01:06:57That's it.
01:06:58No, I'm not going to tell you one thing.
01:07:01I, I do have a dream.
01:07:05Already.
01:07:05And I've kept it to myself forever.
01:07:08I've always kept quiet about it, because I'm a coward.
01:07:10And I have it stored deep inside me.
01:07:12Okay, spit it out.
01:07:13Spill it already, Santi, or I'll leave in a hurry.
01:07:16I don't want my life to end up down there.
01:07:18Ever since I was a child, I've wanted to be a doler.
01:07:22No, man.
01:07:23Temptation in sales.
01:07:25Complicated.
01:07:26Complicated.
01:07:28That?
01:07:28Delusions.
01:07:29What's happening?
01:07:29Those are delusions.
01:07:31Then come the death rattles.
01:07:32We are in a very bad way.
01:07:35Diego, tell us your dream.
01:07:39Now that...
01:07:40I can't tell you my dream for myself.
01:07:42My dream is impossible.
01:07:43I no longer have anything to live with.
01:07:44Don't you understand that?
01:07:45I have no one to live it with.
01:07:46Damn it, that's enough.
01:07:49What's up, Santi?
01:07:50What happens now?
01:07:51It gives me a headache.
01:07:52So what?
01:07:52It gives me a headache.
01:07:53And?
01:07:54Can you come with me?
01:07:56Sure, I think so.
01:07:56You won't be disgusted.
01:07:57But what's going to disgust me?
01:07:58Come on, let's go.
01:07:59Here, put this on your head.
01:08:01Some...
01:08:07You've called me 20 times.
01:08:09And Santi's answering machine picks up.
01:08:11Diego's.
01:08:12The one from Citi.
01:08:13I wonder if something has happened to them?
01:08:15Ah, calm down, woman.
01:08:17Knowing them, they've probably forgotten the chargers.
01:08:19Well, that's it, they're having a great time and they don't care about touching you.
01:08:22To Guille?
01:08:24I'm just trying to put a positive spin on the matter.
01:08:26Good morning, family.
01:08:27Hello.
01:08:28How are you?
01:08:29Man, but how are you guys doing? he asked around here.
01:08:31Oh, no, nothing.
01:08:32We were passing by and we said, well, let's go look for Guille, right?
01:08:35Yeah.
01:08:36How was yesterday?
01:08:38Yesterday, yesterday was fine, fine.
01:08:40No, no, but we asked you about what Sam gave you.
01:08:43The CD.
01:08:44Sam's.
01:08:45Which CD?
01:08:46The one Sam gave you.
01:08:47Well, I don't think there's going to be enough milk for all four of us, huh?
01:08:49Let's go find her.
01:08:51Yeah.
01:08:51Hello, good, good.
01:08:52Hello hello.
01:08:52What's happening?
01:08:54Currita, currita, currita.
01:08:55This is for adults.
01:08:59Okay?
01:09:00Aren't they a bit young to be going into the pantry?
01:09:04They start earlier every day.
01:09:06How are Hispanic-American relations?
01:09:08Oh, I won't even tell you about the details you have.
01:09:11Okay, let's see.
01:09:12So, you already know that, well, this is like porn, right?
01:09:16Well, the mechanics are simple and...
01:09:19But hey, I'm a real gentleman.
01:09:21But come on, don't pretend, don't fake it, you're not going to tell us, come on.
01:09:23If it hadn't been for us, I would have missed out on trying American Pie.
01:09:26Let's act like idiots and tell everyone about it.
01:09:30Okay, yes.
01:09:31Yeah.
01:09:32I know what the American dream is.
01:09:33Yeah!
01:09:37What a silly age!
01:09:40How are things with my brother?
01:09:42Excuse me? You know? With Guille?
01:09:44With work. Come on, let's go.
01:09:47Really? What did you say, son?
01:09:49Hey, Sam.
01:09:55Well, you'll see that...
01:09:56Yesterday.
01:10:00What... Shh.
01:10:01Hush.
01:10:02Yes, well, if you keep quiet, thank you very much.
01:10:07Thank you.
01:10:08Oh, don't mind, Guille.
01:10:10You're very nice.
01:10:12How do you say it in Spanish?
01:10:15Hey...
01:10:16Very nice.
01:10:20Hey...
01:10:20Wild bull.
01:10:22Wild bull.
01:10:24Okay, and friendly?
01:10:27Slow.
01:10:29Okay.
01:10:29Hey, Guille, Guille, come on, we're not going to make it.
01:10:32Bye, Sam.
01:10:33Bye.
01:10:35Bye, come on.
01:10:35Bye.
01:10:35Come on, grab the...
01:10:36Grab the little backpacks.
01:10:38Bye.
01:10:39Bye.
01:10:40Bye.
01:10:41What are you all doing?
01:10:42Morning.
01:10:43Hello.
01:10:44This is like the inn of the comb.
01:10:46You can come here for breakfast whenever you feel like it.
01:10:49This, Sam, yesterday, Guille, and you, everything...
01:10:55Everything, okay?
01:10:57Yes, yes.
01:10:58Hey, he's a wild bull and a real driller.
01:11:02Pussy.
01:11:04We are alive.
01:11:05Alive.
01:11:06Yes, yes, calgaos, but alive.
01:11:08Of course we're alive.
01:11:09We're not going to be alive.
01:11:10What you're creating, this landscape reminds me of something.
01:11:12Hey, Viti?
01:11:13This jacket?
01:11:14That's mine, that's mine.
01:11:15I was there shivering, like Uncle Cramps, and I put it on you.
01:11:19Hold Jacito for me, brother, because I'm going to give this case a piece of my mind.
01:11:22What are you doing?
01:11:23Damn, what are you doing?
01:11:24For you.
01:11:26Damn, damn, damn, damn, Santi, damn.
01:11:32Thank you.
01:11:33Santi, what are you doing?
01:11:34But Santi, what are you doing?
01:11:35Thank you, sir, for giving me this alternative.
01:11:39Thank you.
01:11:40Viti was right.
01:11:42Things are...
01:11:44Because yes, it's a matter of destiny.
01:11:47My lifelong dream.
01:11:49I will have left Bacon.
01:11:52May God grant good fortune.
01:11:57Fati!
01:11:57You're missing out, man!
01:11:58You're missing out!
01:11:59Do it to me!
01:12:00You're going to bring out another one this afternoon!
01:12:03Oh, God!
01:12:07No, Santi, contributing to the roost or not!
01:12:10Whether we contribute or not, for God's sake!
01:12:11Fati, no!
01:12:17Let's see, Raúl.
01:12:19Are you sure you didn't tell him?
01:12:21Sure?
01:12:22No way, damn it, Tito.
01:12:24No?
01:12:30What are you going to do?
01:12:30Well, I know.
01:12:31I don't know what I'm going to do.
01:12:33Well, it's not a big deal.
01:12:35No, my uncle has a strong personality, but damn, it passes quickly.
01:12:38Yes, it passes quickly.
01:12:40I've been calling her all night and she's not answering.
01:12:42I can't get it up.
01:12:43Well, but that's because he's processing it, too.
01:12:46What a kid, my aunt is already very used to being shocked.
01:12:50Let's see, if there are no violent crimes...
01:12:52There are no violent crimes.
01:12:53There are no violent crimes.
01:12:55Bleeding.
01:12:55What your aunt is going to do to me.
01:12:58Yes indeed.
01:12:59It's not me, I'm not saying anything about that, okay?
01:13:03Driller, driller, driller.
01:13:05Come on, kid, yes, yes.
01:13:05Okay, fine, I'm glad you're happy for my victory, but a little discussion, okay?
01:13:08Ah, I love this guy, but how are you into this?
01:13:12Driller, driller, driller.
01:13:13Oh, but what a lack of style, really.
01:13:16They're practically going to the tomato plant to tell everyone about it.
01:13:17No, they're also ghosts.
01:13:19It's like a patch, you eat one and it counts as 20.
01:13:22In other words, mathematics.
01:13:22The usual.
01:13:23You shouldn't be surprised now because, well...
01:13:25Hey, what's going on?
01:13:27So, they're celebrating that Yuvan, that good-looking guy,
01:13:29No, you guys got along really well.
01:13:31What?
01:13:32Oh yes, daughter, uncles are that simple.
01:13:36Stupid, idiot, bastard, bloody liar.
01:13:40Hey!
01:13:41I don't hang out with idiots.
01:13:44It seems the language is gradually being developed.
01:13:45But wait a minute, what's going on?
01:13:47He said, stop, stop, another girl.
01:13:50Another girl.
01:13:51Another girl.
01:13:55What's happening?
01:14:01Damn, man.
01:14:03Let's see if we can get a little carried away.
01:14:04I already know that story, you know?
01:14:06Well, look, don't torment yourself.
01:14:07You don't know that nothing lasts forever.
01:14:12The colony has two paths.
01:14:15One this way and one that way.
01:14:20I'm in your hands, okay?
01:14:22In God's and in yours.
01:14:24But let my Santiagoín know, okay?
01:14:27He had a father with the courage of a man.
01:14:30Yes, yes, but they were just two little scratches, man.
01:14:32Don't worry.
01:14:33Santi, you've been very brave.
01:14:35But he acknowledges that if we don't help you out,
01:14:36The pack will destroy you.
01:14:39And where are we, brother?
01:14:42That?
01:14:43What's happening?
01:14:45Don't tell me they've let the hat go.
01:14:47No no.
01:14:48The thing is, I already know where we are.
01:14:50Well, it's near Cádiz, isn't it?
01:14:51Because it doesn't smell when you hand it.
01:14:54No.
01:14:55In the house of the Ram.
01:14:57In the municipality of Orteguillas,
01:14:5943 kilometers from Madrid.
01:15:01Damn, we haven't made any progress.
01:15:03Are you sure?
01:15:04Sure.
01:15:06The first time that...
01:15:08Lucía and I slept together...
01:15:11in a small house on that estate.
01:15:16Are you sure, brother?
01:15:18I won't be there for him.
01:15:20You know, we always said we'd come back, right?
01:15:23Sometimes it's because of work, other times because of the children.
01:15:25In the end...
01:15:26Well.
01:15:27Well, look, in the end...
01:15:30The three of us have found our dreams.
01:15:36Yes, but I can't fulfill mine.
01:15:38Yes, yes.
01:15:42Let's go home, brother.
01:15:44Come on, let's go.
01:15:47Okay, and by the way, what do we do about Jacinto?
01:15:50We threw him to the bat.
01:15:52It's sure to reach the sea like...
01:15:53like Lemo.
01:15:55No, no, don't listen to this, Jacinto.
01:15:57Don't listen to this.
01:15:58Okay.
01:15:59Wait.
01:16:01So that later they can say.
01:16:02See?
01:16:02Well, sit down.
01:16:04Just relax, sit down and relax.
01:16:06Hey?
01:16:07Sit down and relax, I'll make you some chamomile tea, okay?
01:16:10What's wrong with him?
01:16:11Well, he slept at my house, why?
01:16:13Because my son does build, Fernando.
01:16:16And forgive me for the epithet.
01:16:17And please, what are you saying?
01:16:20But you haven't seen how she looks at all of us, how she scans us.
01:16:23Hey?
01:16:23Each of the positions had to be done, and it was so expensive and bad.
01:16:25You don't have them, you don't have them.
01:16:28I caught him last night in the tavern, making out with someone there, under cover of darkness, Fernando.
01:16:34How do you hear that?
01:16:35What a shame.
01:16:36Now, how do I tell my mother?
01:16:38Well, be careful, very careful, okay?
01:16:40He does it eventually.
01:16:45Where were you, my love?
01:16:46I've been calling you all night.
01:16:48Where were you?
01:16:49Calling me?
01:16:50You calling me?
01:16:52How shameless, my son.
01:16:54You have no shame and what a vice you have.
01:16:56What do you do to everything?
01:16:57Blessed be the hour.
01:16:58Let's see, Choni, I was forced into it, just like everyone else.
01:17:02No, no, no.
01:17:03Not everyone, right?
01:17:04Some of us choose for ourselves.
01:17:08Well, and before Arturo, how many more were there?
01:17:13Honestly, seeing you there, making out with that, and me thinking I was the only one.
01:17:18How, how, how, how?
01:17:20What are you implying I am?
01:17:22That I'm homosexual?
01:17:23Call it X.
01:17:25Okay, Choni.
01:17:27And the company.
01:17:28I did kiss that guy, yes.
01:17:30But it's because he was harassing me and I had no other choice, you know?
01:17:33Look, no more lies, no more lies now, José Luis.
01:17:37And where the hell did this Arturo come from, the one you said you didn't know at all, who's your friend, from
01:17:42When were you a kid or in the military?
01:17:44Well no.
01:17:46No, Choni, no.
01:17:48From Laurín.
01:17:50From Laurín?
01:17:51To Laurín.
01:17:52But how did he tell his mother?
01:17:54Well, very carefully.
01:17:56Yes, that was my secret.
01:17:59That's why I didn't hide the calls from you.
01:18:01This guy, who was obsessed with me, got parole and showed up here in Madrid.
01:18:07And so that you wouldn't find out, well...
01:18:09That's it.
01:18:11Well son, you gave me quite a scare, you bastard.
01:18:15But, but, but, what did he say, that he's in jail in Laurín, damn it?
01:18:18Okay, we'll talk about that too.
01:18:21But hey, what a weight it's lifted off my shoulders, man, for God's sake, I'm the one who sleeps!
01:18:25with him every night, maybe.
01:18:26But, José Luis, I hope, I hope it was a minor offense, I hope.
01:18:32Like him.
01:18:35How are you?
01:18:37I went to his house and his ranch, the bull.
01:18:39I was drained.
01:18:40Hey, Santi.
01:18:42No, no, you can't imagine, Lurditas, come on, a hero, if it weren't for Santi, come on, I wouldn't have it
01:18:47we count.
01:18:48Hey, Fiti, what's up?
01:18:49Well, you never cease to amaze me, Santi.
01:18:52It's not that big of a deal, we got lost in one of those and it just happened, it just happened suddenly.
01:18:56Well, Jacinto must certainly be proud of you.
01:18:59Okay, come on, that's it, come on, let's have dinner.
01:19:02Come on.
01:19:04This is getting old too.
01:19:07Careful.
01:19:08Come on, dinner's here, let's go.
01:19:10No, Mom, let me help you.
01:19:11Okay, son.
01:19:11Okay, listen.
01:19:12For me, cooking is all about contrast, to be honest, I like it, yes.
01:19:15But, I don't know, there's a difference between contrasting and repelling.
01:19:19Yes, but...
01:19:19And paella with a hamburger, to be honest, it repulses me, Diego.
01:19:23No, Carmen, no, woman, it doesn't repel, let me explain, this is a symbolic thing.
01:19:26Let me see if I understand.
01:19:26I mean, Sam, Sam, hello, Sam, Sam, he's leaving, he's leaving.
01:19:30Yes, I know.
01:19:30He's going back to his country, and to make sure he has a good memory, we've done something like...
01:19:33twinning.
01:19:34And what did we unite?
01:19:35What is the langoustine, which is around, the langoustine, which is a national food, and then it
01:19:38What is a hamburger? It's a rather American food.
01:19:40In other words, what is called fraternizing, brotherhood, and fellowship.
01:19:43You understand?
01:19:43Yes, but no.
01:19:44Are you going to her?
01:19:44No, no, no.
01:19:45He laughs, but he doesn't understand a damn thing.
01:19:48Oh, you don't understand?
01:19:50But you, Diego, what do you know?
01:19:52Well, I don't think that matters.
01:19:53The important thing here is that thanks to you, he had a great time.
01:19:55Well, before I go do something.
01:19:57So, you're immediately calling me another American and we continue with the exchange thing
01:19:59cultural.
01:20:00No, no, no, it's not necessary, really.
01:20:01But what do you mean it's not necessary?
01:20:02Yes, you really should have new experiences, son, be open.
01:20:05Of course, the philosopher Celia already said it.
01:20:08I experience, therefore I am.
01:20:09You're not asking me with the philosophy that you're going to serve at dinner.
01:20:12Hey, what's going on?
01:20:13Is there a problem?
01:20:14Why are you telling me no?
01:20:15No, no, no.
01:20:16What problem is there going to be?
01:20:17There's no problem, right, Guillén?
01:20:19No, no, no, not at all, there's no problem.
01:20:22There's no problem.
01:20:23Already.
01:20:24Well then, who wants a beer?
01:20:26Come on.
01:20:27Hello good!
01:20:28What's wrong, Joshico, are they seeing you?
01:20:29Come on.
01:20:30Oh my God!
01:20:31Oh my God!
01:20:32How are you?
01:20:32Damn, what are you doing dressed as the men of Ariel?
01:20:34How funny they both are.
01:20:36Have you noticed they look like two Saint Louises heading to a gay wedding?
01:20:40Altea, in style.
01:20:40A gay wedding.
01:20:44Altea.
01:20:45That's in the Alevantine liter, isn't it?
01:20:47That has a sea.
01:20:48It has a sea.
01:20:49It has a sea.
01:20:49It has some naturist beaches that...
01:20:51No, no, no, no, don't get confused, Fer.
01:20:53Wedding, celebration, and then home, huh?
01:20:55So, no...
01:20:56I'm just now thinking of something else.
01:20:59Hyacinth!
01:21:00You're going on a trip!
01:21:02Come on, kid!
01:21:03Brother.
01:21:04And this?
01:21:04Nothing.
01:21:05Paella with a hamburger?
01:21:06What a great combination, right?
01:21:08Yes, yes, yes.
01:21:09The thing is...
01:21:12You haven't really noticed what a great woman she is, have you?
01:21:15Yes, yes, yes, yes.
01:21:17Will you shut up?
01:21:18I don't have a boyfriend.
01:21:19You don't have a boyfriend.
01:21:20Don't be a troublemaker, Choni.
01:21:21This won't stop until you give Fiti lessons.
01:21:24What a pretty girl, huh?
01:21:25Are you going to tell me or explain it to me?
01:21:27Looking for a plan for Fiti, aren't you?
01:21:29Taking advantage of this moment of heightened friendship and good vibes,
01:21:31Do you remember a CD I lent you of Varón Rojo?
01:21:34Red male?
01:21:34The box was broken.
01:21:35The mug already has a heavy metal one.
01:21:36Hey, doesn't that CD look familiar to you?
01:21:38When I went to your house I was more focused on other things.
01:21:40Do you already have an English teacher?
01:21:42As?
01:21:43I have neither the time, nor the desire, nor the need to learn English.
01:21:45Damn, what for?
01:21:46Well, mostly...
01:21:49Big, Big Early, right?
01:21:55Before a rooster enters, Fiti and Celia end up making out.
01:21:58I invite you to have dinner there at the restaurant.
01:22:00Are they buying them again?
01:22:02To deceive me?
01:22:03Celia, you...
01:22:04Don't start with the CD again, Raúl, okay?
01:22:07It's like me asking you for the book I lent you that you never returned.
01:22:10Which book?
01:22:11Which book?
01:22:12Cutting a sofa!
01:22:13Because Africa is so finite, maybe my father knows that I'm not...
01:22:17How can we believe?
01:22:17It was going to be from Manporreiro, but look how life is.
01:22:19I came to invite you to dinner.
01:22:21Dinner's for me.
01:22:22Good morning, Guille.
01:22:24The bathroom, right?
01:22:25That?
01:22:25Tell me!
01:22:26Be quiet!
01:22:29Your fucking mother!
01:22:30Let's get out of here, right now.
01:22:34Good morning, champion.
01:22:36How are you?
01:22:37Tell me.
01:22:38Please, gentlemen, leave, there's nothing to see here, we're not famous for anything.
01:22:41This will continue until the tomato comes out.
01:22:43Bring me the stick, Santi.
01:22:44Fixer.
01:22:45What have we done?
01:22:46That?
01:22:48With a heaven without hell.
01:22:53And I don't want to...
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