- hace 2 días
Francisco Serrano visita por primera vez a su familia después de más de treinta años en la distancia. Todos esperan ansiosos su llegada, quieren conocer de cerca al tío que tantos éxitos ha cosechado en América. Quien se muestra un tanto receloso ante el reencuentro es Santiago, que no puede evitar dudar de las intenciones de su hermano. Eva espera la visita de Mari Pau, una amiga que va a pasar unos días en su casa. Mientras, y viendo que su hijo sigue interesado en Eva, Diego lleva a Marcos al psicólogo para que les asesore sobre cómo olvidarse de ella. En busca de una solución efectiva, Diego autoriza a Marcos a organizar una fiesta en casa que le permita ligar con Mari Pau. Lucía está preocupada por el nuevo amigo que tiene Teté. Tanto es así que le prohíbe salir con él, pero su hija no duda en armar toda una trama para poder acudir a su cita. Con lo que no cuenta ella es con el chantaje de alguien que le espía muy de cerca: Guille. Teté se verá obligada a acatar todas las órdenes de su hermano si no quiere que su madre se entere de todo lo ocurrido.
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00:00:00Come on!
00:00:30Dad measures us in the door frame, and he's always very happy to see that we've grown several centimeters more.
00:00:43Guille and Tete keep fighting all the time, and my father never gets tired of scolding them for it.
00:00:49But Marcos and Eva are getting along better every day, and my father doesn't like that at all either.
00:00:54So I ask myself, how many more centimeters do I have to grow to understand adults?
00:01:03Come closer, come closer for a moment.
00:01:05The best thing about this course is that we are expecting a very important event in my family,
00:01:10And then my uncle Francisco comes, who is that rich uncle that all families in America have.
00:01:15He is my father's older brother, lives in Mexico, and was a bullfighter for many years.
00:01:20Look, look, look, this is what you do.
00:01:22Look, this is what she did to herself the day she left, 30-something years ago.
00:01:31A station platform, under the blazing sun,
00:01:35You were talking about a skyscraper in the New York sky,
00:01:39Come soon to see the sea, and send a postcard.
00:01:42I already knew that day was the end.
00:01:45Now I have much more, red, black, stop and even, finally luck brings an ace and a crystal to look through,
00:01:55and a wall to hang, seven smiling faces in a poster photo.
00:02:01My stories weren't about tales made by chance,
00:02:08Nobody told me that destiny was giving me this opportunity.
00:02:14One plus one equals seven, who would have thought?
00:02:20that it was so easy to be happy.
00:02:25That?
00:02:34Tomorrow.
00:02:36That's great, Maripau, I'm so looking forward to seeing you.
00:02:40Yeah?
00:02:41Uh, no, silly girl, of course, you stay home, of course.
00:02:45Sorry, sorry...
00:02:47Do you want something, Marcos?
00:02:48Yes, I'm going to brush my teeth quickly.
00:02:50Okay, fine.
00:02:53Maripau, no, sorry, I've been talking to my brother.
00:02:57Marcos?
00:02:5917.
00:03:02Well, I don't know, you'll tell me when you meet him.
00:03:07Come on, baby, I'm really excited about it.
00:03:09Okay, okay, fine.
00:03:12See you tomorrow.
00:03:14How cool!
00:03:17Who is Maripau?
00:03:18She's my best friend from Barcelona.
00:03:21He comes to see me for a couple of days.
00:03:24Marcos, can you take the phone now?
00:03:27Otherwise...
00:03:28But without looking, okay?
00:03:33The same for today.
00:03:35Oh, I've got the number!
00:03:37Let's see...
00:03:37No!
00:03:38I'm taking a break!
00:03:40Careful.
00:03:43What I do is dry it for you.
00:03:45Hey, you're tickling me.
00:03:48Marquita, Marcos, what are you doing...
00:03:51But I don't want to...
00:03:52So, what I want...
00:03:53Okay, I'll look for it now.
00:03:54Quida!
00:03:57Sorry, sorry.
00:03:58Sorry.
00:04:01Marcos, my son, can you step outside for a moment, please?
00:04:03What the hell were you doing in there?
00:04:18What were you doing?
00:04:20What were you doing?
00:04:21I had to brush my teeth.
00:04:22The teeth?
00:04:23Teeth in the morning?
00:04:24Look, I'm going to rip your teeth out by the roots.
00:04:26I'm going to rip them out one by one!
00:04:27But you are a degenerate, a pig, and disgusting.
00:04:30You're disgusting!
00:04:31No, okay, please!
00:04:32Please, you're...
00:04:33What are you doing to me?
00:04:34How could this be happening to me, you wretch?
00:04:36But if I ask you with my hands in the dough.
00:04:38Look, Marcos, I'll crack your skull, okay?
00:04:41I'll crack your skull!
00:04:41Yeah...
00:04:42That?
00:04:46If you stop hitting me, we'll talk.
00:04:48But what are we going to talk about, you wretch?
00:04:50What are we going to talk about?
00:04:51Understand this, for God's sake.
00:04:52That Eva is your sister.
00:04:54And no one lays a hand on the sisters.
00:04:56Don't lay a hand on them!
00:04:57Because?
00:04:57Because that's incest.
00:04:59Incest!
00:04:59And what is incest?
00:05:00A mortal sin.
00:05:01Can you hear me?
00:05:02A mortal sin.
00:05:04I hear you, Dad, but...
00:05:06The thing is...
00:05:07I disagree.
00:05:10But I don't care.
00:05:10You don't have to agree to anything.
00:05:12You don't have to agree to anything.
00:05:15I've been thinking about it this summer, Dad.
00:05:18The thing is...
00:05:19The thing is, Eva and I aren't siblings.
00:05:20I mean, we've only known each other for six months, Dad.
00:05:23So, we could...
00:05:24No, no, no.
00:05:25Yes, no.
00:05:27No, Marcos.
00:05:30No...
00:05:30You don't study anything.
00:05:32Guys, if you don't pass in September, frankly, well...
00:05:34This year, I'm going to work at the tavern.
00:05:37Hey?
00:05:37Period.
00:05:37That's it.
00:05:39How are you, Eva?
00:05:39How was the bathroom?
00:05:41Very good.
00:05:42Very relaxing.
00:05:48What are you looking at?
00:05:49What, what, what?
00:05:49Okay, what are you looking at?
00:05:50What are you...?
00:05:51I'm going to shit on everything that can be shitted, Margo.
00:05:53I'm going to shit on everything that can be shitted.
00:05:54You don't realize it.
00:05:55What is Lucia going to find out?
00:05:56And I'll crack your skull, huh?
00:05:57I swear to you that I'll break your neck.
00:05:58I just can't help it, Dad.
00:05:59I can't...
00:06:00I've fallen in love.
00:06:02I can't help it, no matter how hard I try.
00:06:04The thing is...
00:06:04Whatever has to happen, happens, Dad, whatever...
00:06:06Let it happen...
00:06:07Whatever happens, happens...
00:06:09But how will what has to happen, happen?
00:06:11Because it's like...
00:06:11Listen to me.
00:06:12Listen to me.
00:06:13You are sick.
00:06:15Sick.
00:06:15You shouldn't be ashamed of being sick, but you are sick.
00:06:18So, what are we going to do tomorrow?
00:06:19Go to a psychologist.
00:06:20Tomorrow you'll see a psychologist, because you're sick.
00:06:22No, no, no, Dad.
00:06:23The psychologist did not.
00:06:23Yes, yes, yes.
00:06:24The psychologist, yes, yes, yes, yes, yes.
00:06:27Come on, kids, hurry up.
00:06:30You're going to be late for school.
00:06:31The first day.
00:06:33Lucia, daughter.
00:06:34You overslept.
00:06:37New books smell so good.
00:06:39Come on, Maritare, bring me the butter.
00:06:42What you're saying, man.
00:06:42What's happening?
00:06:43You don't have legs.
00:06:44You get up and pick it up.
00:06:46That goes for you too, okay?
00:06:48You're not expecting me to make your coffee, are you, pal?
00:06:50Matthews!
00:06:51Here I have the memories of my brother Francisco.
00:06:54Here they are.
00:06:55Hello, how many fourths?
00:06:56Of course, son, because my brother left when I was eight years old.
00:06:59Eight years?
00:07:00So, she was the same age as me.
00:07:01Yes, yes, yes.
00:07:02And he never stopped writing.
00:07:04He hasn't missed a single Christmas, a single birthday, nothing.
00:07:07Isn't that right, Santiago?
00:07:08No, no, no.
00:07:09What's up, Santiago?
00:07:10He hasn't written to you?
00:07:12Yes, sir, now.
00:07:13Like everyone else.
00:07:14Already.
00:07:15Realize that this is a historical document.
00:07:17And I keep it as a keepsake because, well, maybe someday someone will decide to make a movie about Francisco Serrano, Serranito.
00:07:26Oh, it seems to me that someone here is a little jealous of the successful brother.
00:07:32What is this?
00:07:33No, be careful.
00:07:35These were the first banderillas he placed.
00:07:37That's because that bullfighter used to be a banderillero.
00:07:39And, well, it was poorly received.
00:07:42And now, well, he's a businessman.
00:07:44He's in business and doing wonderfully.
00:07:46In other words, just like you and Santiago.
00:07:48Well, better.
00:07:49The truth is, it's a little better.
00:07:50Because he left the neighborhood, you understand?
00:07:52And he triumphed.
00:07:53So, right, Santiago?
00:07:54Yes, of course, yes, yes.
00:07:56And look what I have here.
00:07:58This is the letter he sent me when we got married.
00:08:01Look what you're saying.
00:08:03How I would love to see you again
00:08:05and that all the Serranos would get together
00:08:07and meet your new family.
00:08:10I can't wait to hug you all, Francis.
00:08:13I would like to hug too.
00:08:15And me, son, and me.
00:08:17Francisco is like a father to me.
00:08:29Go ahead, range?
00:08:29Yes, sir, from Mexico.
00:08:31It's a here, please.
00:08:32Yes, yes, yes.
00:08:39Who was that, man?
00:08:39Uh, a poor man.
00:08:42He had ordered me.
00:08:43From the parish.
00:08:45Come on.
00:08:45How are you, aunt?
00:08:47What's up?
00:08:48You leave me to be.
00:08:49How are you?
00:08:49It's not?
00:08:50That?
00:08:50That's it, Guillén!
00:08:51That's it, Guillén!
00:08:52People, thank you!
00:08:53So, dude, is he going to leave?
00:08:54No?
00:08:54I'm still on vacation.
00:08:56It's not the same.
00:08:56We need to liven things up.
00:08:58Okay, dude.
00:08:59Hi, Tete.
00:09:00Let's see what we have here.
00:09:01Tin, tin, tin, tin, tin, tin, tin, tin, tin, tin, tin, tin, tin, tin, tin, tin, tin, tin.
00:09:04Milk, cocoa, hazelnuts and sugar.
00:09:07Okay.
00:09:08And what do you want to do with that?
00:09:10A snack?
00:09:11Oh, you seem so dull, you fool.
00:09:14Let's see.
00:09:16What does cocoa cream look like?
00:09:19Are you going to pull a palomino on him?
00:09:22My poor little brother is going to have a fit.
00:09:25Two first-day-of-course jitters and all that.
00:09:28Come on, heat.
00:09:29A pleasure.
00:09:33Auntie, aunt, I think they're going to pull a fast one on you.
00:09:47Let's see what he's going to shit himself with.
00:09:49Guillem.
00:09:49Yeah?
00:09:55Good morning.
00:09:56Thank you, aunt.
00:09:59Hey, what sounds familiar?
00:10:01Look.
00:10:01Well, for those who don't know, she is still your teacher for this course this year.
00:10:09So I hope we get along well and that you don't do as many silly things as last year.
00:10:13OK?
00:10:14Okay, Guille.
00:10:16I love that you're here in the front row.
00:10:18This is fantastic.
00:10:19Let's have our debut.
00:10:20Come on, to the blackboard.
00:10:22Lucia, it's better if you don't, okay?
00:10:24What do you mean, no?
00:10:24Well, since it's the first day, we're not going to get angry.
00:10:27So I'm going to give you two options.
00:10:29Either you go to the board or you go to the board.
00:10:33Guillermo Serrano, I'll count to three.
00:10:36A.
00:10:37Two.
00:10:38And three.
00:10:40Well, maybe the summer has made him forget where he is, right?
00:10:44Can we help a little?
00:10:45Come on.
00:10:46Be careful, it's going to appear on your hand, look.
00:11:01Put it up, man.
00:11:02A little further to the right.
00:11:03The sign is up, but you're fed up.
00:11:05Come on, you put it on.
00:11:07Okay, move it, move it.
00:11:08Remove.
00:11:09Take it away, now, it's like it's done.
00:11:10Yeah.
00:11:16There you go, my old lady.
00:11:27Welcome, Francisco Serrano Serranito.
00:11:30What's happening?
00:11:30Here comes the triumphant bullfighter.
00:11:32The billionaire who left thirty-odd years ago, right?
00:11:35Yes, sir, yes, sir, he's coming.
00:11:36Well, and look, in his honor we've made a special dish.
00:11:40The serranitos.
00:11:41Ham, Iberian ham, gherkins, olives.
00:11:44Did you see?
00:11:44Eh, eh, eh, eh.
00:11:46That?
00:11:49Is it staying for a long time?
00:11:51No, no, no.
00:11:51It has a short visit to the fortification.
00:11:54Come on, he has a lot of business in Mexico.
00:11:55Well, what he has are all those businesses and, most of all, cattle.
00:11:58He has thousands of head of cattle, just like Torero used to.
00:12:00Well, you know.
00:12:01Cattle head, kid?
00:12:02Yes sir.
00:12:02And what has it displayed in the living room over there?
00:12:06Perhaps he's looking for investment opportunities and is interested in opening one.
00:12:09Fructuoso Martinez streets in Mexico, Acapulco, New York.
00:12:13And the host?
00:12:14Well, no, frankly no.
00:12:15No, I'll explain why not.
00:12:16Because our brother is involved in serious business, you know, the kind that really moves money.
00:12:19Nothing fruitful or anything like that is there.
00:12:21Hey, what are you saying?
00:12:22That my business is not serious.
00:12:24Look, let's leave it at that, Fiti.
00:12:25Let's leave it at that because, well, no...
00:12:27Hey, did you call to say when you were arriving?
00:12:28No, well if he's a multimillionaire he surely has a private jet and a fleet of helicopters
00:12:33and all the fishing.
00:12:34Well, it makes you laugh on the porch, you know?
00:12:37What was I going to say?
00:12:38Is this Francisco guy married?
00:12:40Come on.
00:12:40No, no, no, he has no family.
00:12:42No, no, it means that she hasn't gotten married.
00:12:44But come on, he does have a family, man.
00:12:46So, we're his family, right, Santi?
00:12:48Well, seen that way, sure.
00:12:49So, he's not married.
00:12:51Well, if he doesn't come tonight, you'll know why.
00:12:53She's stopped over in Paris, enjoying some high-end views.
00:12:56giving themselves a hell of a treat.
00:12:58And whoever says one, says a dozen, because then they'll gobble it up like shrimp.
00:13:02Okay, come on, I mean, my brother is a serious guy, not like you guys, you understand?
00:13:06And he does business, right?
00:13:07He's in his sixties and he's not James Bond, meaning he doesn't do that kind of thing, you understand?
00:13:11No, sixty-something years.
00:13:18Well, is that you?
00:13:20Good.
00:13:21What time?
00:13:23Ah, well, you're coming straight to the tavern, huh?
00:13:26We need to talk.
00:13:28Yes, well, even if it takes a while, hurry up.
00:13:32Good, good, good.
00:13:37That?
00:13:38Yes, that's it.
00:13:39Fuck.
00:13:40Seriously, Candela, you're curling your hair again here.
00:13:42Yes, daughter, yes, I've been scheming all morning, scheming to see what illness I can invent so I can get sick leave.
00:13:47Hey, if you have any to spare for me, I'll give them to you when I get my hands on some.
00:13:51That?
00:13:52Hey, that's it.
00:13:55That's Richie Lopez.
00:13:56The boy was nice.
00:13:57No, he steals, slashes tires, and lies constantly.
00:14:00Yeah.
00:14:01He's the ideal boyfriend if you're twelve years old.
00:14:04The sixth graders scream as they pass by.
00:14:06Exactly.
00:14:07And she's making very good friends with your daughter Teté, I'll be careful, you see.
00:14:10I'm with my donkey.
00:14:14I've given the cops a bean, they've dropped all their stickers.
00:14:18Teté.
00:14:20Teté, come here for a moment, please.
00:14:22I'm going to see if I can clear things up, what a drag.
00:14:24Let's see if he tells me.
00:14:25Hey, sweetheart, how do you know that guy?
00:14:29To Richie.
00:14:30And from here, from Cole, who is a friend of mine.
00:14:34Well, I don't have much respect for him, my friend.
00:14:36Do you think it's nice to introduce yourself on the first day of class at recess?
00:14:40Well, when I woke up.
00:14:42Woman, who was already done by the time of the vacation.
00:14:45Do you really think it's easy to change?
00:14:46What's wrong, Mom?
00:14:47And now you're going to choose my friends too.
00:14:48But that's not it.
00:14:49That's not it, Teté.
00:14:50I'm just telling you that I don't think she's good company.
00:14:53It doesn't suit you at all, my daughter, he's much older than you.
00:14:55What's wrong, Urraki?
00:14:57Does it bother you that my donkey is in the yard?
00:14:59All.
00:15:00Absolutely everything bothers me.
00:15:02So you're already taking the donkey out of the yard.
00:15:04But now.
00:15:05Okay, okay, calm down.
00:15:06You're going to have a fit.
00:15:12Hey, and what about the Urraki family?
00:15:14How affectionate.
00:15:19What's happening?
00:15:20Do you find pranks funny?
00:15:22Or maybe swagger is contagious.
00:15:23Okay, what's up, Mom?
00:15:24Now I don't know what to say, what I can laugh about and what I can't.
00:15:27Look, Teté, let this be the last time I make you a murderer.
00:15:29OK?
00:15:30Because if I don't let you go out, what remains of the damage.
00:15:32Is that clear?
00:15:33Yeah.
00:15:34Is that clear, Teté?
00:15:35Yes, that's clear, Mom.
00:15:36God, I wouldn't even try to play and there's no way.
00:15:38Go with the girl.
00:15:39Good, good, good, good.
00:15:42Teté.
00:15:44Then I'll see you this afternoon.
00:15:55Yeah.
00:15:57I'll have a limp the following afternoon.
00:15:58Okay.
00:15:58Hi, Marcos.
00:16:04Hello, Diego.
00:16:05Another time is always around, huh?
00:16:06Ah, Fermín, what's wrong?
00:16:07Fernando.
00:16:08Fernando.
00:16:09Ah, Fernando, yes.
00:16:10Sorry, my head's in here.
00:16:12Exactly.
00:16:12No...
00:16:13Oh well, it doesn't matter.
00:16:14Let's see.
00:16:16Will you guys throw?
00:16:17Well, you see, it's just that...
00:16:20That my son, that...
00:16:22He has a problem.
00:16:23He has a problem.
00:16:23The thing is, it's a problem...
00:16:25A little bit special.
00:16:26Okay, calm down, okay?
00:16:27We all think our issue is special, but really the problems are more or less the same.
00:16:32So, what's this about?
00:16:33Okay, let's see, this...
00:16:34Well, but this...
00:16:35Because of incest.
00:16:37No, Dad, it's not incest.
00:16:37Eva is not my sister.
00:16:38Well, but it's...
00:16:39Is she your sister?
00:16:40Let's see if you finally understand that she is your sister.
00:16:41What you feel for her is unnatural, unnatural.
00:16:44It's like, for example, if I fell in love with my brother Santiago.
00:16:47That's unnatural.
00:16:48Yes, exactly the same.
00:16:49That's unnatural.
00:16:50One moment.
00:16:50Let's see, let's see, let's see.
00:16:52One moment.
00:16:53If I understand correctly, you've fallen in love with your sister Estrada, haven't you?
00:16:57Sorry, it's just that we don't like the word "sister Estrada".
00:16:59We prefer the word sister.
00:17:00But whatever, call it X.
00:17:02No, X no, dad.
00:17:03Herman Astra.
00:17:04Because if you hadn't married her mother, Eva, we could have met anywhere and nothing would have happened.
00:17:09Yes, but it just so happens that he is marrying me off to his mother, which means Eva is your sister.
00:17:13Let's see if you finally get it.
00:17:13So, Eva is your sister.
00:17:14What is Eve?
00:17:15Your sister.
00:17:15Your sister.
00:17:16Diego, Diego, Marcos.
00:17:17Let's see, let's put the moral issue aside, shall we?
00:17:19Because in this case one cannot speak of incest properly speaking.
00:17:22Do you see it?
00:17:23Yes, yes.
00:17:24Well, yes.
00:17:25But the problem is not morality.
00:17:27It's your family.
00:17:29Look, you and Eva live together as siblings.
00:17:33And a romantic relationship, well, it can destroy the family unit.
00:17:38You understand?
00:17:40What's wrong with that?
00:17:42First of all, you would confuse your younger siblings.
00:17:45Secondly, you would force a change in the family structure.
00:17:49You would go from being siblings or step-siblings to being a couple.
00:17:52And, well, what happens if one of them gets tired?
00:17:56I will never get tired.
00:17:58Yes, yes.
00:17:58But it doesn't depend solely on you, okay?
00:18:00Look, this society has rules.
00:18:03And until things change, you can't do whatever you want.
00:18:05Look, what would happen, for example, if after Eva you fell in love with Lucia?
00:18:10She's not your mother, is she?
00:18:10Or if your father feels like having an affair with Lucia's mother.
00:18:14She's not his mother either, okay?
00:18:15No, you don't need to go any further because it's clear.
00:18:18In other words, the concept is clear.
00:18:19Yes, yes, it's an example.
00:18:21Look, when you fall in love, especially at your age, you think it's for life, but it's not like that.
00:18:27Nobody can guarantee it.
00:18:28No, I can't tell you much more.
00:18:32What you want involves risks for your family.
00:18:36And the only thing that can protect you from those risks is your willpower.
00:18:40Oh.
00:18:42Did you hear that, son?
00:18:43Do you understand?
00:18:44In other words, the only thing that willpower can do is destroy the family.
00:18:49In other words, you can break the core and then the entire structure.
00:18:51In other words, the core and the structure...
00:18:52Dad, dad.
00:18:53Well, as I can see, you've understood.
00:19:01Promise me you won't go near Eva again.
00:19:03And that you're going to look at her as what she is, as a sister.
00:19:10I promise you...
00:19:13That I will stay away from Eve.
00:19:16Okay, I promise.
00:19:17Very good, Marcos.
00:19:18Okay, this is my Marcos.
00:19:19Very good.
00:19:20Hey, what you need to do now is look at another girl.
00:19:22There are plenty of girls.
00:19:23Why do you know something?
00:19:24One nail drives out another.
00:19:26Pull out another nail.
00:19:27One nail drives out another.
00:19:29Thank you very much, Fermín.
00:19:30Okay, see you later.
00:19:31See you later.
00:19:32Come on, let's go.
00:19:32Come on.
00:19:35Hey, Guille, please.
00:19:36Will you stop being a pig and doing disgusting things after we just had a snack, man?
00:19:41Guille.
00:19:41Well, you're a pig, man.
00:19:43I'm going for a walk with Yoli, okay?
00:19:45What do you mean, a fling with Yoli?
00:19:47Move aside, the holidays are over.
00:19:48So it seems to me that you need to change the schedules.
00:19:50No, but I don't have homework yet, Mom.
00:19:52Okay, but at eight o'clock here, alright?
00:19:55At eight o'clock?
00:19:56But Mom, all my friends are allowed to stay until 10:30.
00:19:59Look, give me until ten.
00:20:00Only until ten o'clock.
00:20:01But Auntie, really, I just can't believe it.
00:20:03Okay, fine, at eight thirty.
00:20:05But not a minute more, okay?
00:20:06Not one.
00:20:07No, Mom, that's why I'm not going out.
00:20:09I'm so embarrassed, I look like a nun.
00:20:11No, a quarter to.
00:20:12No, less fourth.
00:20:13No, less fourth.
00:20:14Eight thirty at three and there's no more negotiation.
00:20:16What if you don't stay here at home?
00:20:18Come here, man.
00:20:19Praying.
00:20:19Okay, fine.
00:20:20But at eight thirty I leave from where I know.
00:20:22Then I'll do what I'll do to you...
00:20:23Tete.
00:20:26Visit your mother.
00:20:31Bye bye.
00:20:31I'm going to play on the computer.
00:20:35I have seen that they do not dismalen.
00:20:36I want it too.
00:20:42Ah, the one that continues violence.
00:20:44You like it, don't you?
00:20:45Oh, what a fortune teller!
00:20:46Oh, what a fortune teller!
00:21:16Santi, it seems our brother is running late, doesn't it?
00:21:21Yes, yes, yes, yes, yes, when I arrive.
00:21:23Go home, I'll stay here and make the box.
00:21:25Come on.
00:21:26Come on, give me another one, go on.
00:21:26Come on.
00:21:28Go away, for God's sake!
00:21:29You have families to take care of!
00:21:31Come on!
00:21:32Come on!
00:21:32Wait a minute, man.
00:21:33Well, hurry up, I want to meet the little brother too.
00:21:36I'm already telling you about the pickles, man.
00:21:38Now, if he's definitely not coming today.
00:21:40It won't come until tomorrow, fruitful one.
00:21:42What do you think this is?
00:21:43Now, he's going to take care of your wife, whom we'll be neglecting.
00:21:45Come on, come on.
00:21:46He doesn't see it!
00:21:47Stop sweeping.
00:21:48I'll sweep.
00:21:49Come on.
00:21:50Out!
00:21:51This is the first time I'm going to pick up the broom.
00:21:53Let's see if the pickle is upsetting your stomach, huh?
00:21:56It has a hallucinatory effect, huh?
00:21:57See you later, Santi!
00:21:58See you later!
00:22:00Good night.
00:22:00Oh!
00:22:01Oh!
00:22:01Good night.
00:22:02Good night.
00:22:31Good night.
00:22:32Good night.
00:22:40Wow, you look so bald and worn out.
00:23:01So, what are you doing here?
00:23:07Currito, currito!
00:23:08Come on, worker!
00:23:10Watch out, watch out!
00:23:11How did you do on your history exam, Marcos?
00:23:14Okay, but it's a lot of material, Dad.
00:23:16Well, I've done you a favor, Eva.
00:23:17No, no, I haven't done one...
00:23:18No, what a hand...
00:23:19No, what I mean is that Marcos goes all the way to that bigwig.
00:23:22But if it has...
00:23:23Yeah.
00:23:28Miss.
00:23:30Can someone tell me where you've gone?
00:23:32I told you at eight thirty.
00:23:34It's like Yoli's clock has stopped there.
00:23:36Ah, it's stopped.
00:23:37Going to bed without dinner.
00:23:38Right now.
00:23:40Hello.
00:23:43Hello.
00:23:44Very good.
00:23:44Maripau.
00:23:45Hello good.
00:23:46Hello good.
00:23:46How's Barcelona treating you?
00:23:48Very good, very good.
00:23:49Looking forward to seeing you.
00:23:51Well, let me introduce you to the family.
00:23:53The little one is Curro.
00:23:54He is Guille.
00:23:55Hello.
00:23:56Hi, it's me.
00:23:56Diego, the Patel Family.
00:23:58How are you?
00:23:59Nice to meet you.
00:24:00And this is my brother Marcos.
00:24:02Hello.
00:24:03Hello.
00:24:09Nice to meet you.
00:24:10Let's take this to the bedroom, shall we?
00:24:11Okay, yes.
00:24:12Okay, yes.
00:24:16Marcos.
00:24:17Marcos.
00:24:19Did you see that a young man, Eva's friend?
00:24:20Hey?
00:24:21And that he's been giving you the eye?
00:24:22Haven't you seen it?
00:24:23No, Dad.
00:24:24They haven't noticed me.
00:24:25Haven't you noticed?
00:24:25Haven't you noticed?
00:24:26Well, she's been giving you the eye, man.
00:24:27Did I see it?
00:24:27Did he give you the eye?
00:24:28He looked at you, he looked at you like this, like...
00:24:29Hey?
00:24:30Hey?
00:24:31Isn't the girl beautiful?
00:24:32Hey?
00:24:33Dad.
00:24:34Son.
00:24:36Son.
00:24:37What do you have to enjoy, man?
00:24:39And that way you can forget about it...
00:24:41forget that you already know.
00:24:43Who told us the psychologist this morning?
00:24:45What did he tell us?
00:24:46Do we want to destroy the family unit or not?
00:24:50No, Dad.
00:24:51We don't want to.
00:24:52We don't want to.
00:24:52We don't want to.
00:24:53Exactly, we don't want to.
00:24:54Well, since we don't want to, maybe you should look at other girls.
00:24:56You understand.
00:24:59How do you pull out a nail?
00:25:01With another nail.
00:25:02With another nail.
00:25:03Okay, I already know that.
00:25:04No, not this.
00:25:05Let me study for a bit.
00:25:08Yes of course.
00:25:09Study, study, study.
00:25:12Hey, I was just thinking...
00:25:14Why don't you have a party here tomorrow?
00:25:16I take my family to the movies, the whole family.
00:25:19And you stay here enjoying your youth with the little dances.
00:25:22How come you've never let me have parties here?
00:25:24It's true, it's true.
00:25:25I have never left you.
00:25:26Okay, but I'll leave you now.
00:25:27And why am I leaving you?
00:25:28Well, I'll leave you now because I see you're putting a lot of effort into your studies.
00:25:31I mean, I'm seeing it.
00:25:32I can see that.
00:25:32Listen, Yoli, you have no idea what it's been like with Richie.
00:25:35It's so good, I could eat it.
00:25:38No, if you've stayed with me tomorrow too.
00:25:40Hello good.
00:25:41Yeah.
00:25:43I'll let you go, okay? A fly has come in.
00:25:45I can't get rid of it.
00:25:46What's happening?
00:25:48You shouldn't treat your little brother like that.
00:25:52I was worrying about you, and look how you thank me.
00:25:56Are you worrying about someone?
00:25:58Yes.
00:25:58Yeah.
00:25:59There are many things about you that worry me, such as.
00:26:03Where have you been this afternoon?
00:26:05Where can I go for a walk with Yoli?
00:26:07Oh, Maritere, I don't know why I think you're lying to me.
00:26:10Oh, really?
00:26:11I know why.
00:26:13Let's see.
00:26:141845.
00:26:15You leave home.
00:26:16And what a lovely outfit, by the way.
00:26:20He could have caught pneumonia.
00:26:251850.
00:26:26Tete with her friend Yoli.
00:26:28The poor thing is unrecognizable.
00:26:30Come on, that bad boy has Richie's face.
00:26:33Yeah.
00:26:351853.
00:26:37Tete with the bad boy on the motorcycle.
00:26:39Without a helmet.
00:26:447:00 p.m.
00:26:45I'm kissing the bad boy.
00:26:49And what's worse.
00:26:5219.02.
00:26:54I'm giving you a little puff of the bad boy's cigarette.
00:26:58Oh, Maritere, she has been a very bad girl.
00:27:00When your mother finds out, she's going to talk, and rightly so.
00:27:03No, no, no, Guilla, please don't tell my mother anything or she'll kill me.
00:27:05Yes, I'm going to tell him.
00:27:07And do you know why?
00:27:08Because I didn't like the one with the pigeons at all, not at all, not at all.
00:27:14Well.
00:27:15Unless...
00:27:16That?
00:27:17Ask me for anything, Guilla, anything, really.
00:27:19Whatever.
00:27:21Very good.
00:27:22This time I'm going to give in and be nice.
00:27:25From today until my anger subsides, you will be my slave.
00:27:28Take it or leave it?
00:27:29What I haven't forgotten is how to throw loads, eh?
00:27:33Look, look.
00:27:34It will be the only thing.
00:27:34Well, because for thirty-something years not a letter, not a call, nothing.
00:27:41Not even when our father died.
00:27:44I couldn't.
00:27:45But if you're so interested in my life, I'll tell you about it in a moment.
00:27:48I arrived and a bad reception forced me to retire from bullfighting.
00:27:53And since then I've done everything I can to be able to eat.
00:27:57What else.
00:27:58Hunger makes you hungry.
00:27:59End.
00:28:00And what about you?
00:28:02Have you gotten married?
00:28:05What have you come for?
00:28:08I want my share of the tavern.
00:28:14Thirty years missing.
00:28:16And now you come to take away your brothers' work, you wretch.
00:28:19No, no, no, no.
00:28:20I'm here for what's fair, you know?
00:28:23So it's up to you, isn't it?
00:28:25Either we resolve this like brothers, or...
00:28:29To litigate.
00:28:30Look, I'm going to give you what you're owed and you can leave.
00:28:35I don't want Diego and his family to find out how miserable you are.
00:28:39But hey, well, you said so, man.
00:28:42Thirty years missing, so he must have gotten the idea, I suppose.
00:28:46Look, look.
00:28:47That?
00:28:47I hadn't even noticed.
00:28:49No, what is that?
00:28:50What's it going to be?
00:28:52Diego is his brother Francisco, the millionaire.
00:28:54And he has triumphed in life.
00:28:57When you left he was eight years old.
00:28:59Already.
00:29:00And you were his big brother, Francisco.
00:29:03And you didn't even write a letter.
00:29:04Nothing!
00:29:05So I had to do it myself.
00:29:08I wrote your letters all these years.
00:29:10Do you understand?
00:29:11So you write the letters and...
00:29:13And Diego...
00:29:14Do you think I'm a millionaire?
00:29:16But what did you say to him in your letters?
00:29:18Well, what was I going to say to him?
00:29:20That everything had gone well for you.
00:29:21Well.
00:29:21That you were a great bullfighter.
00:29:23That you retired.
00:29:24That you started a business.
00:29:26That you had what neither he nor I would ever have.
00:29:30Well, I have nothing to do with that.
00:29:32I just want my money.
00:29:35Oh, really?
00:29:36Well, if you want your money, you'll have to earn it.
00:29:40If you know how to do that.
00:29:44Well, you tell me.
00:29:46Look.
00:29:47During the three days you are here,
00:29:50You're going to be the charming, millionaire uncle.
00:29:53and star of bullfighting
00:29:55that Diego and his family think you are.
00:29:58Did you understand?
00:29:59So...
00:30:01Did Dieguito get married?
00:30:03Yeah.
00:30:04Twice.
00:30:05Two?
00:30:06Yeah.
00:30:07Look.
00:30:08I'll send you a sketch
00:30:09so you don't mess things up.
00:30:13Here is his first wife.
00:30:15He died.
00:30:16Already.
00:30:17He had three children with her.
00:30:18It gives you that twist to get married.
00:30:21With Lucia.
00:30:22Lucia.
00:30:22Yeah.
00:30:23Maritere!
00:30:26Maritere!
00:30:29I had to call you twice
00:30:31And there's nothing that bothers me more than repeating myself.
00:30:33Go ahead, come in.
00:30:37First of all,
00:30:39Whenever you see me in private you will say
00:30:40Oh, ma'am, give orders, that's what we're here for.
00:30:43Yes, but I'm late for class.
00:30:44And I haven't even had breakfast.
00:30:45In second place,
00:30:47You will address me formally
00:30:48like Don Guillermo
00:30:49Mr. Serrano.
00:30:50If you enter from the place
00:30:51You're not going anywhere
00:30:52because the first thing is to attend to your master.
00:30:54Isn't that right, slave?
00:30:55Of course, Mr. Serrano.
00:30:56Do you need anything, Don Guillermo?
00:30:58Yeah.
00:30:58I want to get up.
00:31:19Oh no.
00:31:20Okay, take this shoe off me.
00:31:23because one of my nails gets caught
00:31:24And it bothers me.
00:31:28Better?
00:31:29Yes, but he doesn't cut my nails.
00:31:35How long is this going to last?
00:31:36I don't know, Maritere,
00:31:37We'll see, okay?
00:31:39Hey, go pick up your nails
00:31:40And she already had to pick up her nails.
00:31:42Clean my room too, okay?
00:31:44You can start with the underwear.
00:31:46Ch, ch, ch, Maritere.
00:31:53Stop having fun and pay attention to me.
00:31:55Let's see how he imitates those little ones.
00:31:58No.
00:32:06Let's see, it's said...
00:32:07No.
00:32:08Repeat after me, Maritere.
00:32:09No.
00:32:11Oh, sorry.
00:32:12No, no, no.
00:32:12So, when are they going to fix the latch?
00:32:14No, no, come in, come in,
00:32:14If I already...
00:32:15I'm finished.
00:32:17Look, I already...
00:32:19If I have to rush to the exam now.
00:32:23This is where I need to put it.
00:32:24Oh no.
00:32:26Damn, what's he taking?
00:32:27I didn't put a little bit on you.
00:32:30Can you take a moment?
00:32:33Here, this towel is...
00:32:34This one's going to fall off.
00:32:38Here I go.
00:32:39Hey, what...
00:32:40Marcos, what luck about the exam.
00:32:43Yes, I'm going to need it.
00:32:45What about luck?
00:32:48Hey, my dad's going to let me have a party here at home this afternoon.
00:32:53Wow, what a moment.
00:32:54Yeah.
00:32:54Yes, it's just that my father doesn't usually...
00:32:57Well, it's not like the father is called either,
00:32:58But it won't let me...
00:32:59Yes, yes, yes.
00:32:59Well, I'm going now, I'm already late.
00:33:02Okay, okay, okay, baby.
00:33:09I'm dying for your brother.
00:33:12How cute, how delicious.
00:33:14Do you think the party is because of me?
00:33:16I don't know.
00:33:17Oh, what a body, please.
00:33:19But how can you live with him so peacefully?
00:33:21Oh, girl, I'm just here...
00:33:23That's why, because he's my brother.
00:33:25I don't look at him with those eyes.
00:33:26Well, I have a brother like him, if I burn in hell, I'm sure of it.
00:33:30Come on, don't talk nonsense.
00:33:31Yeah.
00:33:32Come on, you take a shower first.
00:33:34No, I don't think I'm going to take a shower.
00:33:35But I didn't get scratched on the way out.
00:33:37But hey, you're in a terrible state.
00:33:40I can see you're in great need.
00:33:42Well then, run, run for him.
00:33:44Don't you mind?
00:33:45My best friend and my brother together.
00:33:47That sounds great to me.
00:33:48Really?
00:33:48Clear.
00:33:49So silly, she feels so sorry for you.
00:33:51Hey, come on, let's wrap this up, okay?
00:33:54Let's have a little bit at the table.
00:33:55Yes, yes, yes.
00:33:56It's here, it's here, it's here, it's here, it's here, it's about to arrive.
00:33:57Calm down, everyone calm down.
00:33:59No, let's not get nervous, okay?
00:34:00One thing.
00:34:01Nobody has a hiped, an eluct, or anything.
00:34:04Guille, no, no, don't say anything about the handful or anything like that, okay?
00:34:07And don't overwhelm him, don't overwhelm him because...
00:34:09But not...
00:34:09Yes, yes, yes.
00:34:10Please.
00:34:10Yes, no, yes.
00:34:11Ah!
00:34:12What, what, what, what, what!
00:34:12What, what, what, what!
00:34:12What, what, what, what, what!
00:34:13What, what, what, what, what!
00:34:14Okay, calm down!
00:34:14Okay, calm down!
00:34:14Okay, kid, calm down!
00:34:15Okay, kid, calm down!
00:34:17Dude, brother, thirty-something years waiting for this moment.
00:34:35Uncle Francisco, did you come in your plane?
00:34:52No, no way, I had it in the workshop.
00:35:01I'll squeeze it out for you, right?
00:35:03The spitting image of your father.
00:35:10The whole gang, Marcos, Eva, Tete...
00:35:18No, she's Maripao, she's my friend.
00:35:23Ah, yes, yes, yes, yes, yes.
00:35:30And of course you, Lucia?
00:35:34The star that gives light to this house.
00:35:36Well, you remembered everyone, huh?
00:35:40And we of you, because Diego did nothing but talk about you.
00:35:43But I'm going to introduce you to my mother, Carmen.
00:35:45At your feet, madam.
00:35:50What have I been doing for thirty-odd years traveling around the world?
00:35:57Delighted.
00:35:58Ah, how gallant.
00:35:59What, he doesn't look like a mountain man.
00:36:02What, what bearing, what manners.
00:36:04Let's see if you pick something up, Santiago.
00:36:06Okay, why don't we all go to the living room, alright?
00:36:08Yes, come on, Francesco.
00:36:09Thank you, thank you.
00:36:10Come in, come in, come this way.
00:36:14Snot, it's going to stick to me.
00:36:16And for the king of the house...
00:36:21Well...
00:36:25Well...
00:36:26Oh, my little darling!
00:36:30Thanks, man.
00:36:31Hey, Uncle Francesco, Uncle Francesco.
00:36:33Yeah.
00:36:33Is it true that you have thousands of cattle pens?
00:36:36What do you mean, thousands?
00:36:38Millions.
00:36:39And of all of them, I know their name.
00:36:42Let's see.
00:36:42Lucerito, capirote, little star...
00:36:47Hey...
00:36:48Efe.
00:36:50Why did you retire, man?
00:36:52That...
00:36:53Jalapeño.
00:36:56A 630-kilo bull.
00:37:00He gored me...
00:37:01With two deadly trajectories.
00:37:05Okay, okay, okay.
00:37:06Nor would they be so deadly.
00:37:08What do you mean, no?
00:37:08Hey man, can you show us the scar?
00:37:09No, no, no, no, no.
00:37:10No, no, no, no.
00:37:11No, no, no, no.
00:37:12Dude, don't you have any family?
00:37:14Uh, uh, um...
00:37:15Well, my family is business and bullfighting.
00:37:22And what kind of businesses do you run?
00:37:24Well, uh...
00:37:25Well, uh...
00:37:26There's everything.
00:37:27I own several construction companies,
00:37:30a newspaper, hamburger restaurants, plantations...
00:37:34I think I have three or four plantations.
00:37:37AND...
00:37:37And a restaurant.
00:37:39The Spanish bull.
00:37:40In the heart of Mexico City.
00:37:43I have sent my secretaries to several meetings, yes.
00:37:46And besides, I...
00:37:46I can sort this out over the phone.
00:37:49What's up, dude?
00:37:50Mario, where is the teacher?
00:37:51Mario, yes.
00:37:52That?
00:37:53Have you bought anything?
00:37:56Metallurgy and textiles, man.
00:37:57I'm telling you.
00:37:58Metallurgy and textiles.
00:38:01Buys.
00:38:02Buys!
00:38:02Buys!
00:38:06Come on, come on!
00:38:07Let them come?
00:38:08Lots of little ponytails, lots of little ponytails, but nothing more.
00:38:10What's up, guys?
00:38:11Hi, Yoli.
00:38:18What are they saying?
00:38:20Yes, sir.
00:38:21What's up, are we there?
00:38:22Very good, Maritere.
00:38:24Hey, but now put my backpack on the table, okay?
00:38:26Yes, and while you're at it, take my things out.
00:38:32Ugh, I'm so tired.
00:38:47Damn, dude, you've got it down pat, huh?
00:38:49Well, I have nothing, you'll see when they ask.
00:38:53But, aunt, why do you obey him?
00:38:55What's the matter?
00:38:56Well, he's blackmailing me, that's what's happening.
00:39:00But how?
00:39:02I'll tell you later.
00:39:04Good morning.
00:39:05Hello, hello, hello.
00:39:06Good morning.
00:39:06You guys are really original, aren't you?
00:39:07Okay, today we're going to review the most important things we covered last year in language.
00:39:13It's going to come out...
00:39:15T.T.
00:39:22Very good.
00:39:22You have to tell us about your vacation, but with descriptive adjectives, okay?
00:39:27That?
00:39:28That?
00:39:33What a viral vacation post, sinner!
00:39:40How fun at the beach!
00:39:43I can't, I can't!
00:39:44So, what's the life of a millionaire like, right?
00:39:54Yeah.
00:39:55Well, I wake up early, but I don't get out of bed until my assistant has brought me breakfast.
00:40:04And then I meet with my advisors to hear about the new investments.
00:40:10Hey?
00:40:11So, if I haven't misunderstood, right?
00:40:15Because you would be, at some point, you would be open to new proposals, to good proposals, come on.
00:40:22Yes, yes, yes.
00:40:23But why not, Fiti?
00:40:24Clear.
00:40:24Of course, of course!
00:40:25Clear.
00:40:25Indeed.
00:40:26Actually, I wanted to talk to you about a top-level automotive mechanics business.
00:40:33Fiti, Fiti, please, no please, no please, no please, man.
00:40:37Am I number one at what I do or not?
00:40:39Well, damn it, I've been trying to expand the business for a while now, and all I need is a little push in terms of level, in terms of capital.
00:40:50It's not bad, actually.
00:40:51Not bad.
00:40:51That doesn't sound bad.
00:40:53No, no, no, no.
00:40:53Indeed, look, look.
00:40:55Look, I've brought you a detailed proposal here that I haven't had time to pass on to the east.
00:41:02It's in Boli, but...
00:41:03To Boli.
00:41:04Ah, very good.
00:41:04It is detailed.
00:41:05Yes, yes, yes, yes.
00:41:07The essence.
00:41:08Hey, this is really interesting, huh?
00:41:11Very interesting.
00:41:13The only thing is that I conduct my business on the golf course, so...
00:41:19No, no, no, well...
00:41:20Hey, wait a minute.
00:41:21Come on.
00:41:22Hey?
00:41:23Come on.
00:41:23Come on.
00:41:24Come on.
00:41:24Where are we going to go now?
00:41:26What is Fiti right about?
00:41:28Well, let's go to a golf course and sort it out, okay?
00:41:30I like gocepes.
00:41:32Come on, I'd like them to teach us.
00:41:33Why don't you teach us?
00:41:34No, no, man.
00:41:35I don't think it's appropriate.
00:41:37Why wouldn't it proceed?
00:41:38Why wouldn't it proceed?
00:41:40Why wouldn't it proceed?
00:41:40Why wouldn't it proceed?
00:41:41What are you saying, Father Goz?
00:41:43I don't know, man.
00:41:44This guy is driving me crazy.
00:41:47Here to exit.
00:41:48And why haven't you said anything?
00:41:49Come on, upload it, let's go.
00:41:51Come on, are you ready?
00:41:52Hold on tight, eh.
00:41:53Goes.
00:41:53Come on, eh.
00:41:54Look, look, look.
00:41:55Let's go.
00:42:01Watch out, Fiti, watch out.
00:42:01Careful.
00:42:03Careful.
00:42:03Fifth the one.
00:42:04Are we doing well?
00:42:05Fiti, come.
00:42:06How was it being out on the field?
00:42:07They're going to kick us out.
00:42:08They're going to kick us out.
00:42:09Damn it, please.
00:42:10The important thing is bending your legs, right?
00:42:18Because at the moment of impact, you have to adjust your hip with the twist of your wrist to complete the goal.
00:42:26The swing.
00:42:27The swing, that's it.
00:42:28Yes, I didn't hear that on TV.
00:42:30Okay.
00:42:47Well.
00:42:50He's already taken twenty hits.
00:42:51Regarding the pair, yes.
00:42:52No, well, well, well, well.
00:42:55Since I was fostered, I'm not the same anymore.
00:42:57I've lost my touch.
00:42:58I want to watch, you know.
00:43:00So, how did it go, teacher?
00:43:02Jalapeño!
00:43:04A piece of 600 kilos morraco.
00:43:07He gored me.
00:43:09Do you want to see the scar?
00:43:10Let's see.
00:43:11It is wiser.
00:43:13Look.
00:43:15Look, look, look, look, look.
00:43:18Look.
00:43:19Look, uh.
00:43:21Get on the fucker.
00:43:22We're giving each other the broth.
00:43:24Be quiet.
00:43:25That's quite a seam, huh?
00:43:27And didn't it affect your afternoon snack time?
00:43:30No way, man, not even close.
00:43:32Let's see, if you.
00:43:33Yes, you, man.
00:43:33My brother won't want to remember these things.
00:43:36No, man, it was the same for me.
00:43:37What I do regret is that I haven't been back in front of the doctor.
00:43:41And I will surely die without ever setting foot in the bullring again.
00:43:50And then we come to the most important part of digestion, which is right here, in the small intestine.
00:43:56It contains what we call intestinal villi, through which absorption occurs.
00:44:02That is, the assimilation of food.
00:44:05Okay, is that clear?
00:44:07Okay, so for tomorrow you're going to prepare a report for me on the digestive system.
00:44:10OK?
00:44:11What you have to do is tell me in writing what you remember about what we said today.
00:44:15Any questions?
00:44:19Yes, stop me.
00:44:22Sorry.
00:44:22Excuse me, what did you say?
00:44:31Can I fart?
00:44:38Can you tell me what's wrong?
00:44:40Because I'm wondering about the lesser evil.
00:44:42That he wants to poop.
00:44:43Are you sick?
00:44:54Is something wrong?
00:44:55Because this isn't very normal either.
00:44:57Okay, you're trying to provoke me.
00:45:01Okay, so you're not going to say anything?
00:45:02Hey, go to the bathroom and we'll talk later, you and I, at home.
00:45:04I remind you all that it will count towards not bringing the work.
00:45:18José Mari, we have to help Tite.
00:45:20And you're already blackmailing him with some photos.
00:45:23I knew it.
00:45:25Don't worry, little sister.
00:45:26I'll take care of it.
00:45:28The matter is now in the hands of the bowling alley.
00:45:34Hey, have a little fun with the kid, man!
00:45:36Because?
00:45:37Because Paz is kind of harder, right?
00:45:39It sounds like...
00:45:40Pau is something else entirely.
00:45:41See?
00:45:41It's like...
00:45:42Hey, you're from the same city as Dal, right?
00:45:45Hey, Raúl.
00:45:47What's wrong with Marcos?
00:45:47He's very serious.
00:45:49I don't know, something interesting must be happening.
00:45:51Hey, and yesterday in Catalonia a lot of Catalan was being spoken, right?
00:45:56Well yes.
00:46:00Let's see.
00:46:01What's wrong with my little brother?
00:46:04Nothing.
00:46:05Nothing?
00:46:06No.
00:46:07Did you do badly on the exam?
00:46:09No, it turned out well.
00:46:09It's gone quite well for me.
00:46:11So?
00:46:12Does that face make me happy?
00:46:13Now.
00:46:14Come on, come and dance.
00:46:15No.
00:46:15Yes, a little bit.
00:46:17Yes a bit.
00:46:32Damn, a faggot.
00:46:34She looked silly.
00:46:37Take.
00:46:37Take the income.
00:46:39That?
00:46:40Partner swap, guys.
00:46:41Come on, let's go.
00:46:50That?
00:46:50What's the matter?
00:46:53Look, Ney, tell me.
00:46:56No problem.
00:46:57Let's go inside and talk, you and I.
00:46:58Come on.
00:46:58Because?
00:47:12Because that's incest.
00:47:13Incest.
00:47:14And the only thing that can protect you from those risks is your volumetric strength.
00:47:16Promise me that you will never go near Eve again.
00:47:18That?
00:47:18That?
00:47:19That?
00:47:19That?
00:47:20That?
00:47:20That?
00:47:21That?
00:47:21That?
00:47:21That?
00:47:22That?
00:47:22No, no, no, no, no, no, no, no.
00:47:53But that's...
00:47:54In other words, I had it almost ready.
00:47:56Fuck.
00:48:02That?
00:48:03Choosing a little something for today's drinks?
00:48:05And so?
00:48:07Okay, but please, you stretch less than the goalkeeper of a foosball table, mate.
00:48:10What's your problem with this wine?
00:48:12If it's the one you drink every day.
00:48:13Yes, it's tasty, but a gentleman like Francisco would surely prefer one of these cobweb ones.
00:48:18This is the one who's with the bottles, man, they're not maracas.
00:48:20That one looks like it's been here for ages.
00:48:23This?
00:48:23But you know how much this bottle costs.
00:48:25Well, that's it.
00:48:26Come on, come on, soda for everyone.
00:48:27You're definitely getting more miserable every day, buddy.
00:48:30Piti.
00:48:32Man, man, man, very good.
00:48:33Yes sir, a Rivera de Duero, fantastic.
00:48:35Look, if anyone deserves to have this bottle opened for me, it's Francisco, right?
00:48:40He deserves it, yes.
00:48:42Of course, man, of course.
00:48:44Man, boss, he's going to be here and we're going to celebrate.
00:48:46By the way, we're going to give him the surprise of his life.
00:48:48I already have a verbal agreement for a little matter tomorrow.
00:48:51We each put in 700 euros and we're done.
00:48:53700 euros?
00:48:55Have you gone mad?
00:48:56What's happening?
00:48:56Are we millionaires now?
00:48:58So much surprise and so much nonsense.
00:49:00But Santi, how can he be so draconian?
00:49:03Well, it's been over 30 years since we last saw him, and ever since he arrived he keeps inviting us over.
00:49:07and to buy things for us.
00:49:09And you were muttering the whole time, what's wrong with you, man?
00:49:11What's the matter?
00:49:11Let me explain.
00:49:13Here we are again, just like when I married Lucia, with all the jealousy over eggs.
00:49:16We're dealing with that again.
00:49:18What are you looking at? Get lost.
00:49:21It's like when I used to read you the letters he sent us; it seemed like what he was telling us bothered you.
00:49:25That?
00:49:26Are you envious, Francisco?
00:49:27So, are you jealous of how well I've read in my life?
00:49:29Is that it, huh?
00:49:29Why did you find out about those letters?
00:49:31Look, I'm going to tell you something.
00:49:31I mean, you know this story is very important to me.
00:49:33And you, however...
00:49:35Before, if you're feeling bitter, I'm very sorry.
00:49:37But don't ruin the days I've spent with Francisco.
00:49:39Okay?
00:49:40Make a little effort, damn it.
00:49:41And that's not too much to ask.
00:49:43Make an effort.
00:49:44Okay, okay.
00:49:45You're right.
00:49:47You're right.
00:49:47Come.
00:49:48I'm going to put in the 700 euros.
00:49:53Look.
00:49:54It turns out I don't have a penny.
00:49:56I'm going to the bank.
00:49:58Okay.
00:49:59Okay.
00:49:59Well.
00:50:02Okay.
00:50:05It happens to me.
00:50:08Mogil.
00:50:09Mogil.
00:50:17Dude, dude.
00:50:18Dude, Marcos has taken Maripago to his room.
00:50:20There, like a bar, you know?
00:50:22Eva, Eva, Eva.
00:50:23Eve.
00:50:24How's it going?
00:50:25Good.
00:50:25No, I was thinking, why don't you and I go up to your room and I'll read to you?
00:50:29A few verses by Neruda, if you like.
00:50:31Or something.
00:50:32Leave it.
00:50:33No?
00:50:34I'm going to the bathroom, okay?
00:50:35Alone.
00:50:35Alone.
00:50:36Yeah.
00:50:38I don't give a damn, man.
00:50:40There I am, I'm there giving it your all, man.
00:50:43It's not valid.
00:50:43How's that party going?
00:50:49Good.
00:50:50And Marcos?
00:50:50Marcos.
00:50:51Yeah.
00:50:52Marcos, were you here?
00:50:54Yes, he must have gone to take a pee.
00:50:55Yes, yes.
00:50:56A drink?
00:50:57No, no, thank you.
00:50:58And where is Eve?
00:50:59Eve.
00:51:00Well, Eva just happened to go to the bathroom for a moment.
00:51:02That's just the thing about drinking cups, man.
00:51:04Pim pam, pim pam and the bellows loosens and...
00:51:07Wait, mister, wait.
00:51:08Wait.
00:51:09That?
00:51:09Wait.
00:51:10That?
00:51:12There.
00:51:13One has to?
00:51:14There.
00:51:14What's up?
00:51:15No, not there, I'm getting dizzy.
00:51:17That?
00:51:17What are you doing, Raúl?
00:51:18I'm feeling dizzy.
00:51:19What the hell is going on?
00:51:20They're giving you one of those, aren't they?
00:51:21Yes, really, me.
00:51:22This is very serious.
00:51:23This is very serious.
00:51:24But let me go.
00:51:24Oh, oh, oh, oh, oh, oh.
00:51:26Well, you guys thought I was an idiot.
00:51:28Damn it...
00:51:28They hurt me too.
00:51:30Dude, look, dude, let's get started.
00:51:31Well, we have to stop him there.
00:51:33Mister!
00:51:35Mister, mister, mister!
00:51:35Mister, mister, mister!
00:51:37Mister, mister, really, mister!
00:51:37I just remembered that it was caused by ice.
00:51:39For ice, yes.
00:51:40I'm going to shit on everything I just finished.
00:51:41No, no, no, no, no, no.
00:51:42Look, let's not get violent.
00:51:43Let's have a few drinks and that's it.
00:51:44What a hit!
00:51:59Mister, no, really, listen to me, please, listen to me for a moment.
00:52:01Just a moment, just a moment, please, I promise you it's not what it looks like, please, really.
00:52:04I promise you, I promise you.
00:52:05No, really.
00:52:07Water, Marcos, water, water!
00:52:08God!
00:52:22God!
00:52:24God, no!
00:52:25God, my son, God!
00:52:27Diego?
00:52:28What are you doing here?
00:52:29Eve.
00:52:35Eva, my daughter, what joy, daughter.
00:52:38What's wrong, Diego?
00:52:40Nothing, nothing's wrong with me.
00:52:41Nothing, nothing, nothing, nothing.
00:52:42I'll change in a couple of seconds, so don't worry, okay?
00:52:45Because we'll keep enjoying the party because there was a great atmosphere, right?
00:52:48A fantastic atmosphere that...
00:52:49But there will be no one in my room.
00:52:51No, no, no.
00:52:52Very good.
00:52:54No, right?
00:52:56I think if you've seen this thing about putting your bald head in the sun, I don't need to go there, right?
00:53:04What the hell.
00:53:06Gentlemen, the party is downstairs.
00:53:09Below!
00:53:16Dad, what...?
00:53:17No, no, no, no.
00:53:18Neither dad nor milk, neither dad nor milk.
00:53:19You and I will talk later.
00:53:20Because you give someone an inch and they take a mile, Marcos.
00:53:22Come on, let's get going.
00:53:24Let's go!
00:53:26Strip.
00:53:29But how?
00:53:31That much.
00:53:32For more, for much more.
00:53:35Your brother is the sweetest, most romantic uncle I've ever seen.
00:53:40It's driven me crazy.
00:53:42Come on, let's...
00:53:43No, no, no.
00:53:44Because his father came in.
00:53:46His father.
00:53:48My father.
00:53:50That's so embarrassing, dude.
00:53:53But he saved me at the last minute, you know?
00:53:54Because my aunt was starting to get intense, you know?
00:53:57To tell me little things, you know?
00:53:58What are you saying?
00:53:59But you were stuck there like glue, man.
00:54:01Please.
00:54:03As...
00:54:04as...
00:54:04as...
00:54:05How does he kiss?
00:54:06As...
00:54:06as...
00:54:06as...
00:54:07Oh, good.
00:54:09Good.
00:54:09She kisses well.
00:54:10I mean...
00:54:11Good.
00:54:12AND?
00:54:13What else?
00:54:14What else?
00:54:14What else?
00:54:15What else?
00:54:15That's all, man, no.
00:54:17I don't talk about my private life.
00:54:18But, but, but, but, but, but, what are you saying?
00:54:21But, but, dude, you took it from me when it was almost ready, man.
00:54:24Oh my God.
00:54:27Tell me, tell me, tell me.
00:54:28You have no idea what a great body she has.
00:54:31With those arms and that skin.
00:54:33And let's go.
00:54:34And everything else.
00:54:35And he kissed me like crazy and how he touched me.
00:54:40Ah, look, look, just thinking about how he touched me gives me goosebumps.
00:54:43Okay, okay, and Pau, okay, you don't need to tell me everything either.
00:54:48AND...
00:54:48So what?
00:54:49What are you going to do?
00:54:51Well...
00:54:52I would like to continue.
00:54:54Continue?
00:54:55Oh, no way, right?
00:54:57So, I mean, he rolls it up and...
00:55:00And that's it, I mean, no...
00:55:02Why, why, why do you say that?
00:55:04Why do you say that?
00:55:04But if you have an aunt there for a while, man, why...
00:55:07With those...
00:55:08Those sledgehammers he has, man, with...
00:55:10With that...
00:55:11Size one hundred.
00:55:12Well, it's a hundred, isn't it?
00:55:15Okay, okay, fine, right, Raúl?
00:55:17You're a bit of a pig, aren't you?
00:55:22What's happening to you is...
00:55:23You're thinking about someone else, aren't you?
00:55:30Yeah.
00:55:33Someone close.
00:55:34Yeah.
00:55:43Who?
00:55:48You.
00:55:49But what did he do to Guarra?
00:55:50Go on, go on, take it off.
00:55:51Take it off.
00:55:51Don't touch me there!
00:55:52Do not touch me!
00:55:52And you say you were a friend of Jorge Negrete?
00:56:01And Timo?
00:56:03And Cateflas, my brother.
00:56:05I also met María Félix.
00:56:08But the lady...
00:56:10I didn't have those bewitching eyes that you have.
00:56:16Good morning!
00:56:16Hello, hello, good morning.
00:56:18Hello good morning.
00:56:18Hey, this kid doesn't take off his tracele to sleep.
00:56:21Ah!
00:56:22They teach me how to use the crutch.
00:56:23No, no, no, no, no, no, no, no, no, no, no, no.
00:56:25This isn't a crutch, you know.
00:56:27No, no, no, no, no, no, no.
00:56:28This is the cape.
00:56:30And this is a Veronica?
00:56:38Hello hello!
00:56:39Good morning!
00:56:40Uncle, uncle, uncle, Francisco, can you tell us again about the reception?
00:56:44But then they show us the scar, huh?
00:56:47It was five o'clock in the afternoon at the Monumental in Mexico.
00:56:53The sun was blazing.
00:56:55It was fucking hot.
00:56:56In section six, a lady who is making me feel terrible.
00:57:03I kneel before the Toriles gate, which is called Aporta Gallola.
00:57:13And then Jalapeño comes out.
00:57:16Zaino and Bragao.
00:57:20The bugles sound.
00:57:22A change of pace, the luck of killing.
00:57:24The lady who watches.
00:57:29I quote Jalapeño and I stab him right in the top.
00:57:36I look triumphantly towards peace.
00:57:39A cry.
00:57:41I'm turning around.
00:57:42And the bull that charges at me.
00:57:45I can't help it.
00:57:49It gets me into a...
00:57:50...out of necessity.
00:57:55And that's where the story of Serranito ends.
00:57:58I mean, I...
00:58:00And since then, mate, you haven't gone back to bullfighting?
00:58:03No.
00:58:04Well, I'm going to write all this on my network.
00:58:06Yeah.
00:58:07Hey?
00:58:08Ah, yes, yes, son.
00:58:09Read.
00:58:10Read to your uncle what you've written.
00:58:11I'm going to be a bullfighter, like my uncle Francisco.
00:58:16And I want to learn many things from him.
00:58:18Because he knows how to do everything.
00:58:19And everything turns out well for him.
00:58:21What saddens me is that he's leaving so soon.
00:58:24I hope he comes to see us more often.
00:58:26Because we are their only family.
00:58:28And he must be very lonely in Mexico.
00:58:30That's why I want you to know...
00:58:31...that the next time I come...
00:58:33...I let him sleep in my bed.
00:58:35And I'm going to the armchair.
00:58:38That's it.
00:58:38Oh, it's getting late!
00:58:40It's time to go to school.
00:58:42Come on.
00:58:42Go away!
00:58:44Curro, change.
00:58:44Come on, Guille.
00:58:45Maritare!
00:58:46Come on.
00:58:46Come down with the ponchina and let's go to gymnastics!
00:58:48Come on!
00:58:52What is this boy saying today?
00:58:54What is it?
00:58:55What is it?
00:58:56Oh, one more thing...
00:58:57Francis.
00:58:58Don't make any commitments to anyone this afternoon...
00:59:00...that your brothers are going to give you a surprise.
00:59:07A surprise?
00:59:08Me?
00:59:08Yes, yes.
00:59:09To you.
00:59:11Listen.
00:59:13We'll close the matter this afternoon.
00:59:15Signatures...
00:59:16...and you extend it for another thirty-odd years.
00:59:19We are.
00:59:28Hello good.
00:59:53Hi, Tete.
01:00:04How are you?
01:00:05Very good.
01:00:06Can't you see how grumpy I look?
01:00:08Already.
01:00:09Hey, Tete, about being small and having a big face...
01:00:12Yeah, it's hilarious, isn't it?
01:00:13In the ham ball.
01:00:14Look what I have.
01:00:24If you think I'm going to be your slave, you've got another thing coming.
01:00:28Excuse me, I'm not like Guille.
01:00:30I just want to help you.
01:00:32Free yourself.
01:00:33They're yours.
01:00:34Negatives and all.
01:00:35Haven't you seen them?
01:00:39No.
01:00:41So, how's my work on the digestive system going?
01:00:45Well, I'm finishing up now with that thing I'm passing on, okay?
01:00:48Yes I like it.
01:00:50Hey Guille, since we're on the subject, why don't you ask your sister to do my homework for me?
01:00:56Well, if you have the money, then we could talk about it, but if you don't have the money...
01:00:59I have nothing today.
01:01:01Well then...
01:01:05Okay, now let's move on to reading the assignments I sent you yesterday.
01:01:12Let's see.
01:01:14Do we have any volunteers?
01:01:17Hey Guille, since you're standing there, why don't you start reading it yourself?
01:01:21I?
01:01:21Yes, we have to start somewhere.
01:01:23Let's see what you remember from what we explained yesterday about the digestive system.
01:01:28Okay.
01:01:28Let's see.
01:01:29The digestive system.
01:01:31The digestive system is the system of digestion.
01:01:35The digestive system goes from the mouth, where we eat, to the very bottom.
01:01:40Where we poop.
01:01:46Silence!
01:01:46Be quiet!
01:01:48The next one seen will go to the director's office.
01:01:51Very good, Guille.
01:01:53Well, a zero.
01:01:54Because it's funny.
01:01:54No, Lucia, you see, all of this has an explanation.
01:01:57You can't beat me, steel.
01:02:00Take.
01:02:05It's really interesting, isn't it?
01:02:08Right?
01:02:08Yeah.
01:02:09Maybe you have this one twice and you feel like going to exchange it with your brother Curro in the playground.
01:02:13Come on, sit down.
01:02:22The next person who even slightly mentions the contents of the intestine will be kicked out of their home for a week.
01:02:26Did you understand?
01:02:30Are there Moors on the coast?
01:02:31No.
01:02:31It has cleared up.
01:02:33Wait!
01:02:34Here it goes, here it goes!
01:02:34I'm not lucky!
01:02:36This is stupid, man!
01:02:36This is technical!
01:02:37Come on, there's nobody here!
01:02:40Hey, I'll wait for you in the kitchen, okay?
01:02:47Please.
01:02:48Hello.
01:02:52How are you?
01:02:54Good and you?
01:02:55Okay, okay.
01:02:56I'm going to...
01:02:57I'm going to...
01:02:59Well, it's over, isn't it?
01:03:00Get dressed and that's it.
01:03:01Marcos, wait.
01:03:02What else?
01:03:03Hey, I...
01:03:04I'm going back to Barcelona now.
01:03:07Okay, what are we going to do?
01:03:10Because I, well...
01:03:12That...
01:03:12I already miss you.
01:03:15Well...
01:03:16But...
01:03:17Maripau, you and I aren't dating, are we?
01:03:19Already.
01:03:21But...
01:03:22Well...
01:03:23We could give it a try, couldn't we?
01:03:27Marcos, you...
01:03:28Well, I like you...
01:03:30A lot.
01:03:32And you too, right?
01:03:34Because going out at night...
01:03:36It's not a big deal, is it?
01:03:37So...
01:03:38I was drunk, we hooked up and that's it, no.
01:03:40And neither...
01:03:41Not anymore...
01:03:42You weren't drunk.
01:03:43You hadn't been drinking.
01:03:45No?
01:03:46No.
01:03:48Well, look, Maripau, I like you a lot, but...
01:03:50I don't want to hurt you, maybe I mistook you for someone else yesterday...
01:03:53But...
01:03:54Okay.
01:03:55Okay.
01:03:56Already.
01:03:56Already.
01:04:12Polite.
01:04:13Polite, wait.
01:04:14That...
01:04:15You see.
01:04:16I wanted to tell you...
01:04:18That...
01:04:18That's great, if it weren't for you, well...
01:04:22Guillén drives me crazy with his photos.
01:04:25So that child is a psychopath.
01:04:26No way.
01:04:27A dog that goes ahead, but doesn't bite well.
01:04:29Look.
01:04:30Deep down, Guillén isn't so bad.
01:04:33Deep down, I don't know.
01:04:35It's because I don't dedicate myself to his puppetry.
01:04:38Well, that...
01:04:38Thank you so much, really.
01:04:40You took a chance on me.
01:04:42Don't worry.
01:04:43It doesn't matter, really.
01:04:45Above all, modest.
01:04:46You're my hero.
01:04:47Well, no, seriously.
01:04:48That...
01:04:49I owe you one.
01:04:49Ask me for whatever you want, okay?
01:04:51Whatever you want.
01:04:53Really?
01:04:54Yeah.
01:04:54Well.
01:04:55Less...
01:04:56Ask me to be your slave, whatever you want.
01:04:58No, man, no.
01:04:58I would never ask you for that.
01:05:00Well.
01:05:01There is one thing that I would like most in the world.
01:05:05But...
01:05:06Leave it.
01:05:06It doesn't matter, I don't think you wanted to.
01:05:07No, no, no.
01:05:08Come on, say it.
01:05:10Well.
01:05:11But if you don't want to, just tell me no and that's it, okay?
01:05:13Okay, okay.
01:05:14Okay.
01:05:16Well...
01:05:16I would like...
01:05:18That you would give me a kiss, like he did to Richie in the photo.
01:05:22But, Richie, you told me you hadn't seen the photos.
01:05:25Well, I saw them briefly and all, but oh well, it's not necessary.
01:05:28No.
01:05:52Richie, wait, wait, please.
01:05:53Richie.
01:05:54Damn, I messed up.
01:06:02Baby.
01:06:03Baby, this way.
01:06:04Be careful this way.
01:06:06Careful, careful.
01:06:07Well, I still can't open them.
01:06:09Hey?
01:06:09Now.
01:06:10Hey?
01:06:10Now.
01:06:11Now then.
01:06:15What's happening?
01:06:17You say nothing.
01:06:18What, what...
01:06:19That's what you're for.
01:06:20Clear.
01:06:20Don't you like it?
01:06:22I don't like it.
01:06:24I don't like it.
01:06:26It's just that...
01:06:27I'm speechless.
01:06:30And leaving, the teacher has to get dressed.
01:06:32Well, I know it's not customary, but I'd like to stay for this very Spanish ritual.
01:06:38It's true?
01:06:38Yeah.
01:06:39But it's possible that women bring bad luck.
01:06:40To vinegar in the work.
01:06:41To vinegar.
01:06:42You're really into vinegar.
01:06:44Come on.
01:06:45Good luck, huh?
01:06:46Okay.
01:06:48Now, let's get down to business.
01:06:51What do you have?
01:06:53What you are owed from the tavern plus 10%.
01:06:56Total, 25 kilos.
01:06:59In euros?
01:07:00Gold doubloons, no kidding.
01:07:02In business I still speak in pesetas.
01:07:04Ah.
01:07:05And a plane reservation.
01:07:07Why are you flying?
01:07:09Come on.
01:07:09Sign to confirm receipt and that the check is yours.
01:07:16There.
01:07:24Hooray, wait!
01:07:26Look.
01:07:28I passed.
01:07:29I passed.
01:07:31Aren't you happy?
01:07:33Yes, of course I'm glad.
01:07:34I'm so glad you're a cocky, disgraceful person.
01:07:36Is there anything else I'm happy about, Marcos?
01:07:39Maripao, right?
01:07:46Yes, Maripao.
01:07:47Congratulations.
01:07:48You've managed to make my friend leave completely devastated.
01:07:51And all because my brother has behaved like a real pig.
01:07:55Let's see, Marcos.
01:07:56If you didn't want anything, why did you hook up with her?
01:08:00Because?
01:08:00Look, she did her part too, you know?
01:08:05And we didn't promise each other eternal love.
01:08:07She hooked up with you because she really liked you, you know?
01:08:10And you've made her look very bad.
01:08:13I thought it was different, Marcos, but I see you're just your typical cocky guy.
01:08:16Here I catch you, here I kill you, right?
01:08:20Already.
01:08:22I really didn't want this to happen.
01:08:24Look, it hurts that I was so wrong about you, you know?
01:08:34Man, man.
01:08:36Sabalote, I wanted to talk to you.
01:08:38Because let's see, Marcos.
01:08:39It's one thing to throw a party here at home, and another to bring a woman up to your room.
01:08:42As if this were, come on, as if this were...
01:08:44What, Dad?
01:08:45The one who says, the one who says...
01:08:47But one thing, Marcos, let's see.
01:08:49You're in our house, understand?
01:08:50You can't bring an aunt here to our house, much less to your little brothers' room.
01:08:54where your little brothers sleep.
01:08:55That, Marcos, is not right.
01:08:56That, no matter how you look at it, is not right.
01:08:59That's it.
01:09:04What's wrong, son?
01:09:08Hey.
01:09:10The notes.
01:09:13You've surprised yourself again.
01:09:15Damn it, Marcos, Marcos, seriously.
01:09:17Hey, hey.
01:09:21What have you passed?
01:09:23But you passed everything?
01:09:25Yes, I'm a clean pass, Dad.
01:09:26What do you clean?
01:09:28Give me a hug, son.
01:09:29Give me a hug.
01:09:29Oh my God, what joy!
01:09:30What joy, what joy, what joy, what joy!
01:09:34What's happening?
01:09:35Aren't you happy?
01:09:37Yeah.
01:09:38Ah, I see.
01:09:41I see, I see.
01:09:41Yeah, grades don't matter a shit when your girl leaves.
01:09:47Pau's mother, who has gone to Barcelona,
01:09:50And it's left us a bit confused here, hasn't it?
01:09:53But hey Marcos, that's fine.
01:09:55See?
01:09:55That's good.
01:09:57Alright.
01:09:57Why is it okay?
01:09:58Because it means you're forgetting about the one you already know.
01:10:05Or not?
01:10:07No, yes, yes.
01:10:07Uncle Francisco, when I become a bullfighter, I'm going to call myself Curro Serrano.
01:10:13the mountain boy's nephew,
01:10:15since you're teaching me how to bullfight.
01:10:18Well, but...
01:10:20Now I have to leave.
01:10:23Already?
01:10:24When?
01:10:25Well, today, after cooking.
01:10:28But you're leaving so soon, brother.
01:10:31But you've only been there a short time.
01:10:33I want to go to Mexico with you.
01:10:35No, well, not now.
01:10:37Later on, okay?
01:10:40And you promise you'll teach me how to bullfight?
01:10:44What a kid, right?
01:10:46Here, this is the mechanics of luck.
01:10:49I've never dreamed about being in a gym.
01:10:51It's for you.
01:10:52Go on, go find Carmen and...
01:11:08and take the seat.
01:11:10I don't deserve this.
01:11:30I don't deserve this family.
01:11:32Of course, you deserve it, man.
01:11:35You deserve this, huh?
01:11:36And much more.
01:11:42Am...
01:11:43I am a fraud.
01:11:47Are you telling me?
01:11:48It's just nerves about going out into the ring, huh?
01:11:51Hey Francisco, if you want we can stop, okay?
01:11:53Nothing's wrong.
01:11:54Okay, listen, Diego, listen.
01:11:56All, all, all of this is...
01:11:59It's a lie.
01:12:00No, will you shut up, kid?
01:12:01You're going to make us all nervous, man.
01:12:04Listen, listen, Diego.
01:12:07It's a lie that I'm a millionaire.
01:12:10It's a lie that I'm a winner.
01:12:12It's a lie that I wrote those letters.
01:12:15Everything, everything.
01:12:18It's all a lie.
01:12:20Wait, Francisco, here...
01:12:22I don't understand anything.
01:12:23What are you saying?
01:12:24That's easy.
01:12:25Your older brother is a failure
01:12:27who has eked out a living by swindling money.
01:12:30What are you saying?
01:12:31What a rip-off!
01:12:32Yes, yes, yes, yes, yes.
01:12:34You've been scammed.
01:12:36I've been...
01:12:37three times in jail and...
01:12:39and I have nowhere to go.
01:12:43Let's see, let's see, let's see, let's see...
01:12:44But what about the letters?
01:12:46Letters I've never written.
01:12:48That has been...
01:12:50Santiago's thing.
01:12:55What, what?
01:12:56Santi, what are you saying?
01:12:57But what...?
01:12:58Santiago made it all up.
01:13:00I only came for the money.
01:13:03Nothing.
01:13:03Why for money?
01:13:04What money?
01:13:05Our money?
01:13:07Yeah.
01:13:09Wait, are you telling me, Francisco,
01:13:12that you had forgotten about us?
01:13:15Yeah.
01:13:19But...
01:13:20Fuck.
01:13:24Let's go home, go away.
01:13:42One moment!
01:13:45Of all this,
01:13:46There are only two things that are true.
01:13:50A...
01:13:52I love you all.
01:13:52And another thing is that I'm a bullfighter.
01:13:57And now I'm going to entrust myself to God.
01:14:00and to Our Lady of Guadalupe,
01:14:01because I'm leaving tomorrow,
01:14:02But first I'm going to get dressed
01:14:04And you're going to see bullfighting
01:14:06to Francisco Serrano,
01:14:10the little mountain boy.
01:14:11and cultural,
01:14:12that the mine
01:14:13was gathered.
01:14:13See you!
01:14:36Are you OK?
01:14:37Well, I don't know.
01:14:42I don't know, I don't know how I am.
01:14:46But you, you felt...
01:14:51But, but, how?
01:14:53But, but, but, why?
01:14:58Because you adored your older brother
01:15:00I didn't want him to do it.
01:15:03You should have seen the joy with which she received his letters
01:15:07My letters
01:15:09How could I tell you the truth?
01:15:13We had to keep going
01:15:13And here we are
01:15:16And I, like an idiot, there are people
01:15:20That he was jealously
01:15:22Sandy, are you, are you, are you, are you a brother?
01:15:32The best brother I've ever had
01:15:33Thank you!
01:15:35Thank you!
01:15:36Thank you!
01:15:36Thank you!
01:15:37Thank you!
01:15:39Thank you!
01:15:39Thank you!
01:15:40Thank you!
01:15:40Thank you!
01:15:42Thank you!
01:15:43Thank you!
01:15:44It's been thirty-odd years since I last fought a bull in a bullring
01:16:14In memory of that afternoon
01:16:17And that jalapeño bull
01:16:19I'm going to repeat the feat that led me to glory
01:16:23Goes
01:16:24For my brothers
01:16:27And for my family
01:16:29Thank you!
01:16:30Thank you!
01:16:31Thank you!
01:16:32Thank you!
01:16:33Thank you!
01:16:34Thank you!
01:16:35Thank you!
01:16:36Thank you!
01:16:37Thank you!
01:16:38Thank you!
01:16:39Thank you!
01:16:40Thank you!
01:16:41Thank you!
01:16:42Thank you!
01:16:43Thank you!
01:16:44Thank you!
01:16:45Thank you!
01:16:46Thank you!
01:16:47Thank you!
01:16:48Thank you!
01:16:49Thank you!
01:16:50Thank you!
01:16:51Thank you!
01:16:52Thank you!
01:16:53Thank you!
01:16:54Thank you!
01:16:55Thank you!
01:16:56Come on!
01:17:12Oh!
01:17:13That looks delicious!
01:17:13Well, well, well!
01:17:16Fascar this!
01:17:17Fascar this!
01:17:18Hey!
01:17:18Hey!
01:17:19Hey!
01:17:19Hey!
01:17:20Hey!
01:17:20Hey!
01:17:21Hey!
01:17:22Hey!
01:17:23Oh, oh, oh!
01:17:24Oh!
01:17:25A doctor!
01:17:30Take it with you!
01:17:31It pierced me.
01:17:35Doctor, doctor, calm down, I'll cut wherever I have to cut.
01:17:39The goring has two projects.
01:17:42But what does it say?
01:17:42Yes, doctor.
01:17:43If you cut it, it's a good romp, man, let's examine it.
01:17:46To the stretcher.
01:17:48How could he possibly think of standing at the door, man?
01:17:50If I never see you again, know that I love you.
01:17:54Brothers, I love you.
01:17:56I love you.
01:17:57Although you don't obstruct my view.
01:18:02He threw himself at the heifer.
01:18:04He threw himself at the heifer.
01:18:05What are you saying?
01:18:06You didn't want to escape from anything as long as you gave.
01:18:09A dive into the pool, all over the network.
01:18:11I'm telling you.
01:18:13Fuck!
01:18:15Fuck!
01:18:18Fuck!
01:18:23Down the river, to the sea, I go looking for my opportunity.
01:18:46And if I get lost before I arrive, make a place for me in your memory.
01:18:59In your memory.
01:19:05Make a place for me in your memory.
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