Los Serrano - 5x10 - Como una ola - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

Diego se ve inmerso sin querer en una relación sentimental no deseada con Choni. Mientras el hombre estudia cómo salir del embrollo, la hermana de Fiti comunica a todos que ella es la actual señora de la casa en el hogar de los Serrano. Por otra parte, Santiago y Lourditas deciden concebir un bebé. Preocupado por el hecho de que esta iniciativa matrimonial pueda interferir negativamente en la idílica vida de pareja, el esposo intenta unilateralmente retrasar dicho momento. Asimismo, José Luis, el hermano de Lourditas, se convierte en el representante de Choni, mientras Marcos y su pandilla forman parte de una banda de acompañamiento musical para ganar un dinero extra con el que emprender un viaje juntos. Poco después, se producen varios roces entre los distintos miembros del grupo.

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00:09:28He's here for a few days as a guest, because he'll be here until he finds other places.

00:09:33Well, I'm starting to really like Benidorm, man.

00:09:35It's a beach, it's its sea salt.

00:09:40Hi, Ana.

00:09:41Hello, Raúl.

00:09:42Okay, guys, where are we going?

00:09:44I don't know, I don't know, but I'm certainly not going to Benidorm.

00:09:47Dude, this is our last year together here in class, it has to be something special.

00:09:52Could we go to Italy? It's a bit of a cultural experience.

00:09:54It's a load of crap, we're going to Italy, it's been quite a while since I've had any luck here, so...

00:09:58go to a place full of Italians.

00:09:59Hey, hey, why don't we do the Interrail thing, the train where you pay by zones, like the transport pass?

00:10:04Oh, it's all illegal there, man! I'm staying put.

00:10:07No, but look, we've put a little more emphasis on Europe.

00:10:09No, no, no, that's a paste.

00:10:11Okay, then, off to Benidorm.

00:10:12No, wait a minute, wait a minute, but let's see, man, we're looking for a job, we're looking for a job,

00:10:16Hey?

00:10:17We scraped together every penny, man. This is the trip you'll remember for the rest of your life.

00:10:21That's true, especially if you're a little whore.

00:10:24I've already made my debut, beautiful.

00:10:26Yes? Which hand?

00:10:29Well, it's just that it's strange that I was making bacon this morning.

00:10:32But not the bacon, Candela, it's the attitude, which we were stretching at her house.

00:10:36Well, if you're occupying a house, the least you can do is make breakfast, right?

00:10:40I don't know, I saw her as... marking her territory.

00:10:45Like, like... and on top of that he said a few things to me, of course.

00:10:48What are you trying to tell me, Lucy?

00:10:52Well... I think that... Diego and Choni, well... are together.

00:10:59Diego and Choni together. Come on.

00:11:01Hey, it's not that strange, is it?

00:11:03No, that's not strange. It's impossible that Diego is with Choni.

00:11:06Excuse me for saying it, but you should say it, since you're his sister-in-law.

00:11:08That's why I say it, because I know her.

00:11:11Come on, Lucia, stop seeing a ghost.

00:11:13Hey, I don't see ghosts. Where do I see ghosts?

00:11:16Let's see, Lucy. My sister-in-law is at your ex's house. They get along well.

00:11:20She's taken over the house. Bacon and all that.

00:11:23And it bothers you, then, like other times?

00:11:25No, but Candela, please, I don't get the creeps at all, please, and especially not from Choni.

00:11:29Come on.

00:11:30You look terrible.

00:11:32Why would we believe this video is messed up?

00:11:34I would have told Fiti.

00:11:37Have we ever distributed advertising?

00:11:40Well, that's not even a question.

00:11:4440 euros a day each?

00:11:47Every day, and every week?

00:11:48Have we worked as telemarketers before?

00:11:50Yes, man, of course.

00:11:53And what bra size do we wear?

00:11:56Hey, maybe going to plant spring onions in Murcia isn't such a bad idea after all.

00:12:00We always have the avenidor too.

00:12:02Come on, guys, we only found something.

00:12:03Can we get money from you to go on a trip?

00:12:06Crochet, yes, share it.

00:12:07We're talking about a European champion.

00:12:09Come on, you didn't make it past the European Championship.

00:12:11Well, I could have been more.

00:12:13What happened? Was I just a little unlucky?

00:12:15Luck?

00:12:16Aren't you lucky to be working here, you ungrateful wretch?

00:12:19Come on, let's go to the warehouse with the carriages.

00:12:21I'll go with you, Bersel.

00:12:23What's wrong with you, kid?

00:12:24What's happening?

00:12:25I'm saying you're acting weird, okay?

00:12:27Did you yell at Brogui without conviction?

00:12:30This morning I went to the gynecologist.

00:12:32He's been acting strange lately, hasn't he?

00:12:34But, man, it was for me, it was for Lutita.

00:12:36Already.

00:12:37As they've already said, it's also important to know when women have a feeling of being aroused inside.

00:12:44She didn't screw up, and you have to study medicine for that?

00:12:45No, the temperature rises by a few degrees.

00:12:49And that's when they're accumulating and helping you.

00:12:56Is that why you're constantly taking your temperature?

00:12:59I think it's a little premature, don't you think?

00:13:01You've been together for two months.

00:13:02It's not something to get armed about, is it?

00:13:03Ah, well yes, Candela, yes.

00:13:05Because I'm not 20 years old anymore.

00:13:06One is at an age there, it's true, that's where it is.

00:13:08No, because being a mother is what excites me most in the world.

00:13:12So, another generation of tavern owners is on the move, right?

00:13:15Yes sir.

00:13:15Kids love it so much, damn it, the babies there in the crib, all asleep, you take them first

00:13:20to the park, then you take them to football with their elders.

00:13:23I've never been to a bullfight with my parents.

00:13:26Look, when Córdoba took the alternative, I was five years old and there I was.

00:13:30The bad news is for the wife, huh?

00:13:32The relative?

00:13:33What's wrong with my wife?

00:13:35What's wrong with you?

00:13:36Because when the baby is born, well, they forget about you a little.

00:13:39But what's going on?

00:13:39Does it give you andesia?

00:13:41No, it's not that, but...

00:13:43Hey, it's normal that she's already focused on the baby.

00:13:46And you've already run out of pampering, little gifts, like slippers or a drinking straw.

00:13:51When you get home, well.

00:13:52Hey, and...

00:13:54Well, let's not talk about it.

00:13:56What are you saying, man?

00:13:57What are you saying?

00:13:58What am I forgetting about the topic?

00:14:00Because of how hard it's been for Lourita and me to get into the rhythm.

00:14:02What is a standing person?

00:14:04Hey, before you go to sleep, come on!

00:14:06First thing in the morning, off we go!

00:14:08Well, and now that Brogui is at the tavern, because there isn't much work in the afternoon, well, there you go!

00:14:13Hey, I don't recognize you, huh?

00:14:15It's nice and loose, wow!

00:14:17But no, don't bring up these topics in front of Lucia, a woman who is suffering from a drought.

00:14:23No no.

00:14:24Uh!

00:14:2537.2, shall I call you?

00:14:27Well, no.

00:14:28No, look, because I'm just going to get home and...

00:14:30Since he doesn't even miss a holiday, listen, we get into bed and...

00:14:34And wait for it to pass.

00:14:35To whom, to her?

00:14:37To her and to you too.

00:14:39I really like the idea, but we also want to have the trio.

00:14:42And she, she's really excited about it.

00:14:44Yes, he is a lazy bum, Santi, I'm not denying it.

00:14:48But considering how long you'd been without getting lucky, ma'am...

00:14:52Damn it, enjoy your honeymoon a little longer, because these things don't come back, you understand?

00:14:58I already told you, you've been warned.

00:15:11Hello, Bonico.

00:15:12Hello.

00:15:12Oh dear, I'm the one who has to deal with tonight's dinner, the béchamel sauce, the stuffed eggs...

00:15:16What's for dinner, Toni, what's for dinner?

00:15:18Well, I thought your father and I could invite some friends over, like a first dinner of ours.

00:15:23couple.

00:15:24What do you think?

00:15:25My father agrees.

00:15:27Man, that's a surprise.

00:15:28But come on, I think so.

00:15:30I think so, Diego loves surprises.

00:15:32Pelita, where does your father keep the tablecloths for the parties?

00:15:35I don't know.

00:15:41Hey Toni, have you checked the living room section?

00:15:43I say that because that's where she usually keeps the tablecloths, is that right?

00:15:46I'll take a look.

00:15:47Look.

00:15:48Take a look at that.

00:15:49Yes, yes, yes.

00:15:53Well, psychological warfare is necessary here.

00:15:56Did you see, Dad, what he did when he saw Lucía and Toni together?

00:16:00Shitting.

00:16:00You nailed it.

00:16:01Okay, but what we have to do is put him between a rock and a hard place.

00:16:04Yes, but how?

00:16:06You keep looking at the clock, okay?

00:16:07You keep watching, yes.

00:16:09Well, it seems she was supposed to move it and she hasn't been there.

00:16:11Hey Toni, did you say that my dad would like the idea of the dinner?

00:16:15Will he like it?

00:16:16He's going to love it, right, Curro?

00:16:19Yes, yes, yes.

00:16:20If we think the same way, he's going to love it because, besides, my father loves everything that

00:16:24So, formalizing things, talking about feelings, he loves it, he's crazy about it.

00:16:31My father has a fund.

00:16:34You see.

00:16:34The thing is, he's tough, but then he has a heart that's too big for his chest.

00:16:38Well, another thing he loves is getting kisses, being petted...

00:16:43Come on, let them rub it a little, shall we?

00:16:44That was one of the main problems he had with Lucía, which was that she was not very affectionate.

00:16:48That shave.

00:16:50Besides, don't get me to talk, I don't feel like speaking ill of anyone.

00:16:52Come on, show up here like that this morning.

00:16:55What does he think? That the house is his?

00:16:58And what can I say? Are you going to invite her?

00:17:01What am I going to invite her for?

00:17:02Oh, right, no, no.

00:17:03You don't want him to find out about you two, do you?

00:17:07Look what I'm telling you.

00:17:09Yes, I'm going to invite her, man.

00:17:11How handsome you are, posh boy.

00:17:13Oh, how beautiful.

00:17:15He's screwed here.

00:17:17You're so uncaring.

00:17:19Oh.

00:17:20I look for myself in the material here.

00:17:24Go on.

00:17:26It was a big jump with a sixth jump.

00:17:28What did it look like?

00:17:29I'm not saying I didn't see it, my brother came home and played the video clip.

00:17:32When they put it back on, was the assault over?

00:17:35It's not that I had one of those...

00:17:37Brother.

00:17:39What's up, bro?

00:17:41Nothing, the chav.

00:17:44What has the woman done to you now?

00:17:45Well, doing what he did to you didn't do anything to me.

00:17:47Lucia arrived here this morning; they brought her some churros.

00:17:49and the other one is found making some eggs with bacon.

00:17:52Clear.

00:17:53And I've kicked him out, because Lucia is not stupid at all.

00:17:55And the one about nicknames and baptisms hasn't helped.

00:17:58It hasn't helped, but don't mess things up.

00:17:59I need more space because I have enough with what I already have.

00:18:01Look, kid, I mean, between the eggs with bacon and the churros,

00:18:03I've had a morning that I don't even want to tell you about.

00:18:05Trust, trust, brother.

00:18:07Brave, brave, I don't know what you'd call brave with that chav.

00:18:09But what do you want?

00:18:10That he has me under his thumb, and when he doesn't have me under his thumb,

00:18:12She captivates me with her emotions, telling me that she is a wave,

00:18:14and that I am like the receding tide,

00:18:15And I go in, and I go in, and I screw up, because I screw up.

00:18:18I already told you, the chav is waiting for an old woman.

00:18:20And you've always been lazy.

00:18:21But I want to break up, but I just can't.

00:18:23I mean, when I'm telling him, well, I don't know what he does,

00:18:25But he confuses me and in the end I don't say anything and I don't break up.

00:18:27I'll keep going like this, making her dizzy, I lost, and you'll see.

00:18:30You're right, Santi, I know what I'm talking about.

00:18:31You're right.

00:18:32In other words, I'm going to tell the truth.

00:18:34I'm going to tell you the truth, the whole truth, without fear.

00:18:35because I don't have to justify anything.

00:18:38I mean, I tell him calmly because that's just how I am.

00:18:39And I have nothing to hide.

00:18:40Chuli!

00:18:41Hey, no, no way!

00:18:42Don't tell me I'm here, or that I'm not here!

00:18:43Brother, you're not here, I've gone to America, Madrid.

00:18:44There's a lot of work to be done here.

00:18:45See you later, goodbye.

00:18:50Brave, brave.

00:18:52I'm shitting myself, I'm shitting myself.

00:18:59Hello, blessed one.

00:19:00There you can see a handsome guy I have, damn, he's so big.

00:19:03Move aside, Choni, please.

00:19:04Look, what you need is someone professional.

00:19:06with experience, someone to take care of the practical matters.

00:19:09Of course, May has screwed us over with the flowers,

00:19:11I already know who you are.

00:19:12Yes, yes, it's me, Choni.

00:19:14I have a lot of experience in this, you know?

00:19:15I've done plenty of tours in Salamanca.

00:19:17and through Zamora with Deni Pecaniques.

00:19:20You have to let yourself be sung to at a wedding without baptisms,

00:19:23There with the student band, huh?

00:19:25Yeah I know.

00:19:25You have the makings of a singing star, Choni.

00:19:28You have...

00:19:29What am I saying?

00:19:29What am I saying, star?

00:19:30Big crash, huh?

00:19:31You are a star of the song.

00:19:33You'll see.

00:19:33Yes, well now I'm going to have to delete the bit about symbiosis with tipis.

00:19:36because since the day after the wedding, everyone has said goodbye to me.

00:19:38Yeah, how could you not get flustered?

00:19:41Damn it, no, they haven't been able to interpret it.

00:19:43Because an artist has character.

00:19:45Don't worry, I trust you completely.

00:19:47What do you say?

00:19:49But not one of those that's just so-so, more or less.

00:19:51that I need professionals.

00:19:53You trust me that I will make you number one.

00:19:56Okay, so?

00:19:58Son, well, let's see if it's true.

00:19:59I'm up to my eyeballs in weddings and communions.

00:20:03Okay, go ahead.

00:20:04No, come in, come in.

00:20:04Come in, come in.

00:20:05Come on.

00:20:07José Luis.

00:20:08What's up, José Luis?

00:20:09How are you?

00:20:11This...

00:20:12One topic, okay?

00:20:13Let me tell you, look, we have a band.

00:20:17A band.

00:20:18Of music, of music.

00:20:19Ah, a band.

00:20:20One group, one group.

00:20:22And that's it, it's as clear as day.

00:20:24Let's see, you play with your guitar, your drums...

00:20:27Everything, everything, everything.

00:20:29Well, I think we could do something together.

00:20:32Come on.

00:20:33Don't shoot each other, don't shoot each other...

00:20:36Don't shoot each other.

00:20:37Do you command popular Spanish songs?

00:20:39Of course.

00:20:41Popular?

00:20:43How popular are they?

00:20:45Come on, come on, come on!

00:20:46Hey!

00:20:47Come on, come on!

00:20:48Come on, come on!

00:20:49Come on, come on!

00:20:49Take it, take it from the front!

00:20:50Come on!

00:20:51Hey!

00:20:52Hey!

00:20:53That?

00:20:54Are we offering you a great opportunity or not, guys?

00:20:57Well, the opportunity is there, isn't it?

00:20:59And we thank you for it.

00:21:00Strip.

00:21:00Let it be known.

00:21:01Hey, because it's an opportunity.

00:21:03Yes, it's an opportunity.

00:21:04But why?

00:21:06No, no, no!

00:21:07No no!

00:21:08What is that, man?

00:21:11That's the chonita.

00:21:13And what about the one who sings at weddings and baptisms?

00:21:15Well yes.

00:21:16And they fought too.

00:21:17Well, that's because you've seen him when he gets emotional, right?

00:21:20He sings to you live.

00:21:21So, what is that?

00:21:23Come on!

00:21:23Throw it away however you can.

00:21:24Come on, no, let's go.

00:21:25Take that up!

00:21:27Neighbor!

00:21:29Damn, what a bunch of jerks.

00:21:30Come these up.

00:21:31Come on, get in, get in!

00:21:32Start getting ready and look your best, because we also have dinner coming up.

00:21:38And one more thing, Raúl, my love.

00:21:40Are you sure you know how to play?

00:21:41Look, I know the family and you can't even get the Christmas carols right.

00:21:44Yes, Choni, yes.

00:21:45Yes, these people are young, they're enthusiastic, right?

00:21:48They're eager to learn, to succeed, aren't they?

00:21:49Yes, yes.

00:21:51Okay, then.

00:21:53We artists speak through our music.

00:21:55So prove it to me in the garage.

00:21:56No, no, no, Choni, no, no, no, no, no, no.

00:21:59And why?

00:21:59Not now, no.

00:22:01Tomorrow.

00:22:01Tomorrow, tomorrow.

00:22:02Because this is better, we'll rehearse it and tomorrow everything will go smoothly.

00:22:05Sure, sure, sure.

00:22:06Tomorrow already.

00:22:07Well, if the manager says tomorrow, tomorrow, I'm off to the croquette.

00:22:11See you later.

00:22:13You've heard it, haven't you?

00:22:15I want to see you this afternoon rehearsing until your fingers are glued to the guitars.

00:22:18And prepare a good repertoire for me, okay?

00:22:20I don't know what, whether it's duodynamic, pimpinel...

00:22:23Hey, what's all this stuff you're each playing?

00:22:24I play the guitar.

00:22:25Keyboard.

00:22:26I play bass.

00:22:26You're the battery, there's no need to look at you.

00:22:29And you?

00:22:31What do you play?

00:22:31No, not me, I don't touch anything.

00:22:33I am a friend.

00:22:34Don't touch, don't touch.

00:22:36You're going to be there, right?

00:22:37In the front row, so you're seen clearly.

00:22:39And what are they going to play?

00:22:41For whatever it takes.

00:22:42Silly.

00:22:43If I just teach him some guitar chords, maybe he won't get a little...

00:22:47Of course, Marcos.

00:22:48That's the attitude I like, huh?

00:22:50Okay then.

00:22:51Let's get moving, the Beatles started with less.

00:22:53Hey, one little thing.

00:22:55Popular.

00:22:57Popular.

00:22:58Very popular.

00:22:59Come on.

00:23:00Come on.

00:23:02This guy is awesome, man.

00:23:08Hello good.

00:23:08Hello, Marcio.

00:23:09Favila.

00:23:09Damn, we've been waiting for you for over an hour for dinner.

00:23:12Okay, what are we going to have for dinner together?

00:23:13Well, we didn't stay, we didn't stay.

00:23:15Are you into the piece or what?

00:23:15I've had my sister there in the kitchen all afternoon preparing the topic.

00:23:19Yes, he called Choni and asked if we could have dinner together.

00:23:22Okay, well yes, we had dinner.

00:23:26I won't be able to, Dad.

00:23:27I'd love to, but I'm not lucky there.

00:23:31Thank you.

00:23:33Do you know something, damn it?

00:23:34What's this dinner all about?

00:23:36What's with inviting people to my house without saying no?

00:23:38Well, because it was a surprise, I laughed.

00:23:41Oh, what have I done wrong, Diego.

00:23:43I did it with all my good heart and I did it wrong, Diego.

00:23:45No, no, no, no, no, nothing's wrong, woman.

00:23:46But if you don't mind, let me know next time, okay?

00:23:48Yes, yes, no, yes, I've had my eye on you.

00:23:50Who else is coming for dinner?

00:23:52Hello.

00:23:54I'm too soon.

00:23:55I had been told that dinner was at ten o'clock.

00:23:59Look, everyone was already there.

00:24:01Hello.

00:24:01Well then, go tell my little girl to raise her tambourine because dinner is ready.

00:24:06Wow, what a girl!

00:24:14Yes, it happens, it happens.

00:24:25Lulita, I'm thinking you should go to bed and I'll clean up.

00:24:29You look a little tired.

00:24:30No, I'm not going to be tired today for nothing.

00:24:32Yes, okay.

00:24:34Did you know?

00:24:35Let's leave it at that.

00:24:37We're going to bed and we'll clean up tomorrow, okay?

00:24:40And I was thinking that if you feel like making use of marriage...

00:24:45I say I feel like it, but have you ever seen me not feel like it?

00:24:49And I've left one night unfulfilled, huh?

00:24:51Well, take me, Santi, take me.

00:24:52Take me.

00:24:54Wow, Santi, you're so tall!

00:24:56Well, either I've caught a cold or I'm ovulating like crazy.

00:25:00Hey?

00:25:01Is something wrong, Santi?

00:25:03No, no, no, no.

00:25:04This fat, this fat, the way you leave it here, tomorrow it'll be as hard as ice.

00:25:09So I'd better put it on now.

00:25:11No, Santi, no.

00:25:11But, Santi, don't think about the fat.

00:25:13Think of me, okay?

00:25:15In the child.

00:25:16No, no, no.

00:25:17Don't worry, woman.

00:25:19Go to the room, I'll be there in a little while, okay?

00:25:22Good.

00:25:28Hey, these croquettes can't go to waste, right?

00:25:30Hey, no, no, I want to.

00:25:32No, that would be the last straw.

00:25:33They're horny, come on.

00:25:34A béchamel sauce.

00:25:35You're a gem, really, Choni.

00:25:37You can sing, cook, or whatever.

00:25:39Besides, everything is fine.

00:25:41Okay, okay, okay, okay, okay.

00:25:43Eat something sweet, okay?

00:25:45Is there anyone like this girl?

00:25:45Honestly, no, everything was delicious, but I'm full.

00:25:49Oh, full.

00:25:50No, yes, of course, it's portrayed as something that avoids going hungry.

00:25:53That's great, and this dinner, I wonder, what are we celebrating?

00:25:58You don't need a special reason to have dinner together with friends, do you?

00:26:01Just say yes, because good friends will always be welcome in this house.

00:26:05Hey?

00:26:06Hey?

00:26:07You bet, huh?

00:26:08The lovebirds.

00:26:09And I haven't said anything, okay?

00:26:10Not a peep, and then you say that no secret can be kept.

00:26:12Fiti.

00:26:12I hope you're happy too, Lucy, sweetheart.

00:26:14Me, of course, if you're happy and all that.

00:26:16Nor do we need to take this as something normal or whatever it is that is a normal thing.

00:26:21Okay, I'll start packing up, alright?

00:26:22I'll help you, sweetheart.

00:26:24Don't worry, sister-in-law, if I'm already standing, I'll help with that.

00:26:27Go on over to the small room, I'll bring the coffee now.

00:26:29Come on, let's go.

00:26:31Come on.

00:26:32Come on, let's go there.

00:26:33Come on.

00:26:34Guille, work, let's go.

00:26:39Look, it's great that we're both here.

00:26:42Can we talk informally here?

00:26:44Or from me to you, or however you say it.

00:26:45One-on-one.

00:26:46It's said one-on-one.

00:26:47So, it's great that after what's happened between us, we're here talking like two ladies.

00:26:52Excuse me, have you lost something?

00:26:54What happened between us?

00:26:56Well, that's it, woman.

00:26:57That you are Diego's ex.

00:26:59And I'm his new girlfriend.

00:27:02I didn't know things were so formal.

00:27:04Yes, we are very formal about these things.

00:27:07That's why I'm saying how great it is, right?

00:27:08That we're here chatting so comfortably.

00:27:10Yes, so nicely, yes.

00:27:14And I say it's all well and good that we talk and all, but we shouldn't go overboard with the modern stuff, right?

00:27:19Because knowing that Diego is in a relationship, you shouldn't be hanging around here like a parrot.

00:27:24home, because those things are not right.

00:27:26Choni, can I ask what we should talk about?

00:27:28Then we'll talk privately, just the two of us, please.

00:27:29Well, I don't understand why, if the three of us are here so comfortably, we can't talk about it now.

00:27:33Cambia Moderna, nobody can beat me.

00:27:35What do you think, that I've stayed behind in the mountains?

00:27:36No, son, give me ragatones, give me rumba.

00:27:39But, Choni, what are you saying?

00:27:40Panchos, reggaeton, and rumba—what's that all about?

00:27:41Well, that's it, Diego, one thing is one thing and another thing is another thing.

00:27:44What are you saying?

00:27:45Tell me what you're saying, let's see.

00:27:46You don't have the separation papers, do you?

00:27:49Choni, have you lost your temper?

00:27:50What's the point of this?

00:27:51Have you lost your mind or what's wrong with you?

00:27:52No, no, not the pot.

00:27:52If you're already separated in fact, we need the paperwork, things because

00:27:57What's the legal option, Diego?

00:27:58What is the best thing about life?

00:27:59Start bringing out the dessert.

00:28:19Start bringing out the dessert.

00:28:32Start bringing out the dessert.

00:30:05Damn, work!

00:30:07Okay, count me in, alright?

00:30:08And if Chini doesn't come out, we move on to plan B.

00:30:10Yeah, damn it, but it's plan B.

00:30:13Let's see, work.

00:30:14You are the last hope of what is closed.

00:30:16Count me in.

00:30:20Twenty-five, twenty-six, twenty-seven.

00:30:23I understand that it happened to me, but I was kind of dazed.

00:30:26It stuns.

00:30:26Yes, I am angry.

00:30:27Yes, I am angry, and with good reason.

00:30:30But seriously, why are you interfering in what my wife and I are doing, huh?

00:30:33What for?

00:30:34Yes, I know, Diego.

00:30:34If I've apologized, I'm sorry.

00:30:36And ask for a separation?

00:30:37But what kind of person is that, Choni?

00:30:39But how could you ask for a separation?

00:30:40Those things are our things.

00:30:42Yes, Diego, if I only...

00:30:43All I want is to make you happy.

00:30:46But when I see her come in, my blood boils.

00:30:49And do you know why, Diego?

00:30:51Because I'm afraid you still love her.

00:30:54Because that's not your problem.

00:30:55It's not your problem.

00:30:57Yes, yes...

00:30:57I have no memory of my childhood.

00:31:00She, Lucia, always so cute, so stylish.

00:31:04And on top of that, he's a genius, because with his career and everything, you tell me.

00:31:07And me, who's never been good for anything.

00:31:10That's not it either.

00:31:11You have things, like everyone else.

00:31:13Your qualities are there.

00:31:15Yes, that's why you guys either crowd together or crowd together.

00:31:18And then, once you've vented,

00:31:20Hey, give Choni's leg.

00:31:21And you're going to do the same, Diego.

00:31:22I see you coming.

00:31:23Look, Choni, that's not it.

00:31:25Okay, what I want to explain to you...

00:31:27What I want is for you to reason, please.

00:31:28Think about it a little.

00:31:29Yes, I reason, Diego.

00:31:30But the most I can say is, give me another chance.

00:31:33I am very lonely and very down.

00:31:35I...

00:31:35Look, you...

00:31:36Make a little hole here.

00:31:36If it's so I don't sleep alone, if it's so I'm not alone, Diego.

00:31:39Okay, fine, fine.

00:31:40Because, dude, you don't realize I'm here, that person.

00:31:41Okay, okay, okay.

00:31:42No, no, no, no, calm down.

00:31:44Okay, okay.

00:31:44You'll stay here for a little while, but...

00:31:46But, but, you'll respect me, right?

00:31:48No, Diego, for God's sake.

00:31:49That's unnecessary.

00:31:50And what does he quote you on?

00:31:50What quotes you?

00:31:51And also...

00:31:52Okay, fine.

00:31:52You'll see, you won't even realize...

00:31:54How are we doing?

00:31:54Turn it off.

00:31:54As if such a person had.

00:31:56Turn it off.

00:31:57What are you quoting, huh?

00:31:59Yeah.

00:32:00Oh, but it's so warm, how nice.

00:32:02Yes, but it's not necessary to...

00:32:03Oh, how nice.

00:32:04Choni, Choni, what did she tell me...

00:32:04Be quiet, be quiet, be quiet, be quiet.

00:32:05Choni, who told me that you're going to stay put.

00:32:07He told me to respect him, but he's not going to respect me.

00:32:09Damn, what are you doing with your leg?

00:32:10He's not respecting me, Choni, for a month, love.

00:32:11Yes, yes, yes.

00:32:11No, not me...

00:32:12No, not me...

00:32:12No, I'm not interested in that.

00:32:14Dad.

00:32:15What's wrong, son?

00:32:16I'm scared.

00:32:17Ah.

00:32:17I'm watching a movie and I'm having nightmares.

00:32:20Can I sleep with you?

00:32:21What nightmare is he going to have?

00:32:22Oh my God, I was watching Snow White and the Seven Dwarfs.

00:32:24Dad, Karen, well, from the witch.

00:32:25Did the witch scare him?

00:32:26That the witch scares you.

00:32:27Yes, yes, son, don't worry.

00:32:28You can sleep here peacefully.

00:32:29Choni was already going to the living room.

00:32:30Yeah.

00:32:31Yes, I was just leaving, to the living room.

00:32:34Get in, get in.

00:32:36Hello.

00:32:37Hello, have a good rest.

00:32:39And thank you very much as well.

00:32:40Good evening, Choni.

00:32:41Cover up, don't let the cold eye get in.

00:32:42See you tomorrow, Choni.

00:32:43Well, when you leave, turn off the light, please.

00:32:51Light, please.

00:33:38What's wrong, Santi?

00:33:41And I still have my tenths.

00:33:44Hey?

00:33:49What's wrong, Santi?

00:33:50No, nothing.

00:33:51Nothing's wrong with me.

00:33:52No, Santi, something's wrong with you because this isn't normal, huh?

00:33:55You always wake up feeling very manly, and today it seemed that way too.

00:33:58But sometimes, sometimes you just don't feel like it.

00:34:01That's what you always want, young bull, huh?

00:34:04Besides, what's so important now?

00:34:06Now it's important, now it's important because you want it, right?

00:34:09And what before that?

00:34:09What before they get married?

00:34:10I saw that I waited for you, you know?

00:34:12Santiago, don't be unfair, okay?

00:34:13Those are my convictions.

00:34:14I thought you were fine with respecting them.

00:34:16Ah, well, show some respect, show some respect.

00:34:17Right, you'll respect my commissions?

00:34:19Mine, mine.

00:34:31Good morning.

00:34:33That?

00:34:34He must have slept well, right?

00:34:36No witch or dwarf?

00:34:38Yes, thanks.

00:34:40And you, Guille, son, what about you?

00:34:41Singing in chorus?

00:34:43How's the exam going?

00:34:44Did I give you a little tap?

00:34:45No, forget it, I'll ask when I get to school.

00:34:47I might be able to help you too, what are you looking at?

00:34:50Literature.

00:34:51Let's see.

00:34:53Dream of me as yours, as I dream of you as mine.

00:34:55Isn't it beautiful?

00:34:56Well, yes, right?

00:34:57What do you have to do?

00:34:58Type of rhyme, metric, morphological and syntactic analysis.

00:35:03Hey, Guille, sweetheart, can you explain to me what you have against me?

00:35:07Nothing, why?

00:35:10Guille, son, I have a lot of military service.

00:35:13And you've been boycotting me from the beginning?

00:35:16Because, let's face it, inviting Lucía to dinner was a complete and utter boycott.

00:35:20Come on.

00:35:20And this?

00:35:21He gets in the middle of my bed just to be in the way.

00:35:24You didn't like it.

00:35:26Didn't you like it?

00:35:28I know it, it's just that I go crazy and I don't know what you do to win you over.

00:35:31I don't know, come on.

00:35:32Lucía is like a mother to us.

00:35:35Yes, honey, I know, but your father isn't with her anymore.

00:35:38Damn, she's with me and remember how Lucía left your father, a complete wreck.

00:35:42Damn, now that I see the man raising his head, you see him happy.

00:35:47It's unbelievable, isn't it wonderful to see him so happy?

00:35:50Damn, we should at least support him and stop with all the boycotting, right?

00:35:56Yeah.

00:35:58Besides, I know that you will grow fond of me later, you who do not love your father.

00:36:02Good morning.

00:36:04Good morning, Diego, sweetheart.

00:36:06I'll make you some juice.

00:36:08Yes, a little juice, yes.

00:36:09How's the son?

00:36:10Ah, have a great time.

00:36:11Very good.

00:36:14Goodbye, Guille.

00:36:15Bye.

00:36:18Hey Choni, what have you been talking about with the kids?

00:36:20No, it's just our stuff, the kids' stuff, you see.

00:36:23Things the kids and I do, it's a mess.

00:36:25His things.

00:36:28There it is, that's fine.

00:36:29The thing is, he tries.

00:36:29Yes, but try to add the egg yolks better, you know?

00:36:32Fingertips that don't sound any better.

00:36:35Let's see?

00:36:38Hey, how are things going with Raúl?

00:36:41Well, there, there.

00:36:44It depends on the day.

00:36:45Already.

00:36:46I understand you, okay?

00:36:48I had a really bad time with what happened to Eva.

00:36:52I don't know if it will be of much use to you, but you can get over it, right?

00:36:57Do you know how I overcame it?

00:36:58As?

00:36:59With the guitar.

00:37:00With the guitar, playing it there, putting the fingertips on the guitar.

00:37:03So okay, fine.

00:37:05Are you sure you want to hear it?

00:37:06Sure?

00:37:06It can be very dangerous.

00:37:08Dale.

00:37:14Hey, it doesn't seem like it's your first time playing the guitar, huh, dude?

00:37:18Hey, wake up.

00:37:20Hello.

00:37:20I love this.

00:37:25Hey.

00:37:27That?

00:37:29What are you seeing?

00:37:32They're flirting.

00:37:35They're a bit cloying, auntie, but I've always been a cloying guy.

00:37:39Well, now who does she want to be with?

00:37:43Oh, sorry.

00:37:45It's gone.

00:37:46Sorry.

00:37:46Hey, mind your own business.

00:37:47Continue.

00:37:48Okay, yes.

00:37:52Man, Demetrius.

00:37:53Hello, you know?

00:37:54Hello, you know?

00:37:55Well, I know of one who hasn't hit the night.

00:37:58Because of you.

00:37:59Weren't you supposed to fix the warehouse?

00:38:01No, I already did it here.

00:38:02Well, you'll fix it today too.

00:38:03Come on, let's fix it.

00:38:06What's happening?

00:38:07Less than at nightfall, you know.

00:38:09Less than at nightfall.

00:38:10The poor little Lunditas were all ready there.

00:38:12And I was holding back, holding back.

00:38:14Very good there, very good.

00:38:15Temper, damn it.

00:38:15Temper, see that little signature.

00:38:17A lot of temper.

00:38:18Yes sir.

00:38:20Come on, give me a hand.

00:38:22Look.

00:38:22See you later.

00:38:25See you later.

00:38:26I can't stand it, piti.

00:38:27I can't stand it.

00:38:28I'm going to explode.

00:38:29I'm very much from the mountains.

00:38:31I understand you, damn it.

00:38:34Keep in mind that you're gambling with the best months of your marriage.

00:38:38Those who have breakfast in bed, those who give kisses.

00:38:41Of course, and she's hitting you where it hurts the most.

00:38:44Yeah, right?

00:38:45Where we guys are weakest.

00:38:48If you want me to come in.

00:38:49Even to the kitchen?

00:38:50No.

00:38:50Should I go in or not?

00:38:50No, you're not coming in.

00:38:52Okay, you go.

00:38:54But you just don't seem to get in.

00:38:55It's mostly about staying at what is essentially the door.

00:38:59There in...

00:39:00No, conscious.

00:39:01Lurdita, anything the Holy Father doesn't approve of, neither does she.

00:39:04But, old woman, what would the Holy Father have to do with this now?

00:39:06But, like, to tell him that I'm coming in and staying at the door.

00:39:10And besides, she wants to have the child.

00:39:12And me too, you know.

00:39:13I also like having a big-headed dog and taking it to the bullfights like my father used to do.

00:39:18I think this is wrong, you know.

00:39:20And Lurdita is very excited.

00:39:21And I don't want it to be unaffected.

00:39:23So, do you want to extend the honeymoon, yes or no?

00:39:25I want it, I want it.

00:39:26So you have to endure it, give in there.

00:39:28Well, the moment you go all the way into the kitchen, boom, the kid comes in and that's it, screw it all.

00:39:32honeymoon.

00:39:32Yes, but I'm worried that holding on so long might give me another one here.

00:39:39The other day I saw a documentary, man, about some Chinese people or someone from there who were doing something

00:39:45That might be perfect for you, huh?

00:39:46The thing is?

00:39:47A really weird thing, man, of...

00:39:50Well, in the actual use of marriage, properly speaking, they did one thing, but not outwardly, but inwardly, all for

00:39:55inside, as if holding everything back there.

00:39:59No, I retain everything I can.

00:40:01No, no, it's just that they were holding everything back, that nothing was getting out, man.

00:40:04I don't remember very well because I fell asleep.

00:40:06It's not a matter of investigating, is it?

00:40:07Well, I don't know about that, I don't know about that Chinese stuff, you know?

00:40:10Because there are so many Chinese people.

00:40:11In other words, it doesn't retain much.

00:40:13No, no, no.

00:40:15No, you show it again.

00:40:16Come on, let's go.

00:40:17And look at you, look at you, really.

00:40:19Let's see.

00:40:20Well, here it is.

00:40:21But how am I supposed to wear this?

00:40:23Well, through the head, Lourdes.

00:40:26Come on, don't be silly.

00:40:27You didn't want to rekindle the fire, no matter what.

00:40:31Whatever happens, please, okay?

00:40:33And do you think this will make him so manly again?

00:40:37Look, there are things your mother didn't explain to you about men, right?

00:40:40But men are very simple when it comes to sex and that sort of thing.

00:40:44You remember.

00:40:45Stimulus, response.

00:40:47Stimulus, response.

00:40:48You dangle the carrot in front of them.

00:40:50And in a little while you'll see how they're on the right track, on the right track, to whatever you want.

00:40:53Whatever you want, stimulus, response.

00:40:54The carrot never fails.

00:40:56The nightgown is the carrot.

00:40:58Oh!

00:40:59The thing is...

00:41:02Hey, well, it's like...

00:41:04It kind of cheers me up a little, you know?

00:41:06Let's see?

00:41:07That?

00:41:08Oh, little lurditas.

00:41:10Well, how intense are the sex education classes this year, huh?

00:41:12We're not going to stop having pollen, little bees...

00:41:15Let's see, Salas.

00:41:17Candera what?

00:41:19Hey...

00:41:19Ann.

00:41:21Excuse me.

00:41:22That.

00:41:22When you remember, you'll come back.

00:41:27Santi.

00:41:28Santi, I need to talk to you.

00:41:29Well, not the one I'm cleaning.

00:41:31I'm very worried, Santi.

00:41:33It makes me feel like I'm suffocating.

00:41:34I feel like I'm suffocating.

00:41:35Man, listen to me, damn it.

00:41:37I feel like I'm suffocating.

00:41:37And now I have to vent.

00:41:39So, your brother isn't good enough to come over for dinner at your house.

00:41:41But your brother is definitely good for venting.

00:41:42I've already explained it to you, I didn't invite anyone to my house and I knew it was going to happen

00:41:45a dinner.

00:41:45It was Choni's doing.

00:41:46I've explained it to you 50 times, take my word for it, I'm completely serious, really.

00:41:51That's why I'm worried, because I don't know what to do with Choni.

00:41:53I don't know what to do with her and she does very strange things to me.

00:41:56It's because she's very old now.

00:41:58No, no, no, no.

00:41:58Not that kind of weird stuff.

00:41:59Things that are strange and make sense.

00:42:00So, on the one hand, I just can't stand her.

00:42:01In other words, I can't stand her.

00:42:03But I think it has a good foundation.

00:42:04What it has is a lot of song.

00:42:06Already.

00:42:07And he loves me.

00:42:08In their own way.

00:42:09In the style of Choni, but he loves me.

00:42:11And because of all this, he has me completely under his thumb.

00:42:12Because he has me under his thumb.

00:42:13In other words, it's suffocating me.

00:42:13It's suffocating me.

00:42:14It's unbelievable, brother, that you're a mountain man.

00:42:16That a mountain man lets himself be strangled by a woman.

00:42:18And he raises his father's head.

00:42:19Well, it's better if we don't.

00:42:20Well, I want to say it.

00:42:21I mean, it's suffocating me, and on the other hand, I feel sorry for it.

00:42:23And I don't know how to tell her that I'm going to leave her.

00:42:25And it has me hooked.

00:42:26Although I could see myself in Cancun any day now, I should be a boyfriend.

00:42:28Frankly.

00:42:29I just don't want her.

00:42:30We're back again with the stuff you read.

00:42:32Yeah.

00:42:32I remind you that you had a very beautiful one, full of love.

00:42:35Already.

00:42:36Hey?

00:42:36And how did it go?

00:42:37Evil.

00:42:38Maybe this one isn't quite as good, but it'll suit you better.

00:42:40What are you saying, Santi?

00:42:41What are you telling me?

00:42:42Damn, I'm telling you, I'm telling you.

00:42:43This will be whatever it is.

00:42:45But she's nice, sweet, and clean.

00:42:47And you're already of a certain age.

00:42:49And three children.

00:42:49Does he get along well with children?

00:42:50Is it in style?

00:42:51Well then, well then.

00:42:53Stop wanting so much and giving so much milk.

00:42:54Well, then.

00:42:55Hello!

00:42:56How are you?

00:42:57Damn, you're here again.

00:42:59I remind you that you owe me a fortune.

00:43:01A pasta?

00:43:01Let me tell you, let me tell you.

00:43:02So, I've been thinking about Santiago and...

00:43:05And look, I really appreciate you recommending me for the Fiti workshop, but...

00:43:08But I'll leave it at that.

00:43:09With two balls and four cars that came in this morning.

00:43:12I have come to the conclusion that my time in the workshop has ended.

00:43:14The world of motorsports has nothing left to offer me.

00:43:16Are you listening to him?

00:43:18My new job as Miss Choni's assistant manager.

00:43:22It will allow me to settle the debt I owed her with you, so don't worry.

00:43:25There?

00:43:26Well, at many weddings Choni has to sing so they pay me the money I give myself.

00:43:30Yeah?

00:43:31Ah, ah, Golden Hall.

00:43:33Yes, yes, yes.

00:43:34Yes, José Luis here, yes.

00:43:35Miss Choni's assistant manager, yes, tell me.

00:43:38Assistant manager?

00:43:39Yeah.

00:43:39He wants to harm my sister.

00:43:41And she's going to let herself be damaged.

00:43:42No, no, no, no, no, he's not far off the mark.

00:43:45Yes, if you keep hanging on by a thread, my sister will pick you up.

00:43:48Ah, well, I'm not jealous.

00:43:49I'm not jealous.

00:43:50Hey, if it's God's will, then let him lift it up for me.

00:43:53My brother is so liberal I don't even recognize him, you know?

00:43:56No, no, no, no.

00:43:57Lots of talk, lots of talk, because he knows my sister has her safe.

00:44:01And what are you doing like that?

00:44:02Come on, we have to go.

00:44:03Put on a coat.

00:44:04Do we have to leave?

00:44:04Yes, let's go.

00:44:05Come on!

00:44:08Look at the cheapest ones, just in case you don't get a ticket, in the end we'll be playing with Choni and all that.

00:44:11What do I know, aunt, how awful that is?

00:44:12Does she know that we need to rehearse what she wants?

00:44:14Well, and that I learn to play something.

00:44:17Of course, woman.

00:44:18Even if it's just to make it look good.

00:44:20Also, with the private tutor you've got.

00:44:23Auntie, the truth is that Marcos has a lot of patience with me.

00:44:27That's what uncles are like.

00:44:28They have a lot of patience for certain things.

00:44:31That?

00:44:32So, Marcos, I like you, don't tell me you haven't noticed anything.

00:44:35The woman is nice to me, but...

00:44:37Auntie, I'm sure it won't happen.

00:44:39Well, I think so.

00:44:41And when Marcos likes a girl, he's incredibly focused.

00:44:45Come on, don't let him see anyone else.

00:44:47Come on, he doesn't look like a guy.

00:44:49I don't know, I'm telling you, I'm telling you, because lately you've been talking a lot amongst yourselves,

00:44:53All those little glances, all that...

00:44:54Why not, Auntie? She asked me how I was doing about Raúl, and I explained a little bit about how things were going.

00:44:58history.

00:44:59And he explained the story about Eve to me.

00:45:02Eve.

00:45:04She had a very bad time with Eva.

00:45:06Already.

00:45:07Marcos is a very sensitive person.

00:45:09And now that he's starting to recover, well, I don't know if you're ignoring him.

00:45:12Yeah, of course I'm ignoring him.

00:45:14Marcos fits me really well, but I don't like it.

00:45:15Well, just in case, he is definitely on your side.

00:45:17I think I should be honest and tell her the truth.

00:45:20Take him and tell him, look Marcos, I don't like you and I'm done with you.

00:45:24Cut it off at the root.

00:45:25In the end, it's much better; that way the kid excites us and then doesn't have a bad time.

00:45:28Already.

00:45:29And then we can all go on a trip together as friends.

00:45:45Don't ask me, huh.

00:45:46You're going to have a heart attack today.

00:45:47Okay, let's see where you're coming from.

00:45:48Well, because of the S for sex, right?

00:45:51Yes, or by the P for inside.

00:45:53Look around there.

00:45:53Come on, hurry up.

00:45:54Before the clerk comes, change it; I don't have many questions.

00:45:58Hello, can I help us?

00:46:00Hi how are things?

00:46:01Miss, yes, good afternoon.

00:46:02Look, we came looking for a book, we don't know which one, but it's about some Chinese people who, when they use marriage,

00:46:11Well, they do it internally.

00:46:15Where to?

00:46:16So, they're the ones using it, right?

00:46:18But as if holding it in.

00:46:20And that's because they saw it as a documentary.

00:46:22Look, miss, the thing is, I can't keep up with my wife.

00:46:25Yes you can, Santi, yes you can.

00:46:26Don't confuse the young lady.

00:46:27I can, but I shouldn't.

00:46:28I shouldn't.

00:46:29Because?

00:46:29Because then the couple gets pregnant.

00:46:31And then the honeymoon was over.

00:46:33And that's where the Chinese come in with the idea of keeping things inside, what was I saying?

00:46:36In other words, what he doesn't want is to ejaculate.

00:46:39Well, yes I want to, yes I want to, but I shouldn't.

00:46:42Clear.

00:46:43I mean, I think they're referring to tantric sex.

00:46:45What about techniques for having sex without ejaculating?

00:46:48Oh, and the truth is, that's what we need.

00:46:51Ah, Tantric philosophy.

00:46:53Look, Tantric philosophy is a global concept that promotes the union between all levels of an individual's energy.

00:47:03with the environment.

00:47:06It also promotes the symbiotic union between the realities of the feminine and the masculine, the yin and the yang.

00:47:16Excuse me, miss, I apologize.

00:47:19In principle, I think the yin and yang thing is fine.

00:47:21Me too, me too.

00:47:22But we were already coming more directly for him, mainly for what amounts to copulation.

00:47:27Already.

00:47:28His.

00:47:29Already.

00:47:32Page 84.

00:47:33Ah, thank you, miss.

00:47:35To you.

00:47:3832 euros.

00:47:40Damn, our photos.

00:47:42No, man, they're all here, dude.

00:47:44Paquito, the chocolatier, the Pimpinela.

00:47:47Who are these people?

00:47:47My name wasn't visible, I don't know what the hell, my face.

00:47:50Ah, things are looking pretty bad, really bad.

00:47:52What's up, guys?

00:47:53Hey, thanks to Repertorio, right?

00:47:55Yes, yes, we were.

00:47:56And with the bus he's sent, we're sure to succeed.

00:48:00And what has atuna done?

00:48:01What's wrong, you don't play anymore?

00:48:03Look, José Luis, I'm trying with Marcos, but the guitar thing just isn't for me.

00:48:07I've heard it, I haven't.

00:48:09No, no, no, say no, say no, he's learning very quickly.

00:48:12Paquito may not have it, but other things he'll have plenty of.

00:48:17Hey, José Luis, calm down, man.

00:48:22What's the matter?

00:48:23Yes, I'm calm.

00:48:25All I'm saying is, if you put the girl in something tight and fitted, we'll be a hit, right?

00:48:29Well, let her wear whatever she wants, right?

00:48:32Even if she wants to wear a burka.

00:48:34TRUE?

00:48:34If you have any problems, we'll talk about it.

00:48:35Hey, Torito, Torito, Torito, loosen up.

00:48:40What's happening?

00:48:41Am I offending your girlfriend or what?

00:48:42She's not my girlfriend.

00:48:43It certainly seems so.

00:48:45Okay, let's see, do you want the money or not?

00:48:47Yeah.

00:48:47Well then, trust me, damn it, I'm the experienced manager.

00:48:50Do we agree?

00:48:51Yeah.

00:48:52Yeah.

00:48:54Do we play or not?

00:48:56We play, we play.

00:48:56Well, let's get down to business.

00:48:58I'll get you something.

00:48:59Okay.

00:49:01Come on.

00:49:02Come on.

00:49:04Okay, listen, then at five o'clock, right?

00:49:06Shall we rehearse?

00:49:07Yeah.

00:49:09If you want, you and I can come a little earlier and we'll look into the guitar, okay?

00:49:12No, man, we're getting too many calls.

00:49:13No, no, no.

00:49:14At four o'clock, you and me.

00:49:15Okay?

00:49:15Sure?

00:49:16Yes, sure.

00:49:17What brings you here?

00:49:18Oh, no?

00:49:19I'm going with you, because the street is a jungle.

00:49:23Oh.

00:49:25Marcos.

00:49:27Pacho.

00:49:28Dude, ease up on Elena a bit, man, if I let you go she'll smash the little guy's face in.

00:49:32to defend her.

00:49:33Well, if you want, I'll leave it here in front of everyone, right?

00:49:35Okay, Marcos, dude.

00:49:36I have a special knack for these things, man.

00:49:39Hey, hey, I already know your singer-songwriter method, man.

00:49:42We're rehearsing today, tomorrow I'll sing you a little song, I'm getting closer, I'm getting all tender,

00:49:47boom, boom, boom, boom, boom, boom.

00:49:48Raúl, look, Elena, I like Elena a lot and all, but that's it, period.

00:49:54But I understand you, Marcos, damn it, it's normal, man, if you're broke.

00:49:57Damn, you know?

00:49:58And the aunt is so hot she's practically bursting, damn it.

00:50:00Come on, damn it, admit it, Marcos, dude, you like her, you're into the girl, man.

00:50:04She's hot, Raúl, damn it, I'll stop you with my little hand, what do you want me to say?

00:50:07What's good?

00:50:08Yes, she's good, Raúl.

00:50:09It's heavier, isn't it?

00:50:11And if I've already figured you out, that the crooked method works for you, that you're a crook.

00:50:17Let's see if we can make this clearer, people.

00:50:19What could this be?

00:50:21Feet or hands.

00:50:23Okay, fuck it.

00:50:25No more than you're interested in cartoons.

00:50:27Look, you start breathing now, it says so here.

00:50:30It is important, she says, to achieve control of the breathing and let the body be the receiver of the

00:50:36sensations.

00:50:37Let's see.

00:50:37See figure one, here it is.

00:50:39Come.

00:50:40Come.

00:50:41You're sitting quite well, aren't you?

00:50:43Breathe calmly, here in your belly and in your chest.

00:50:47Come.

00:50:48And one.

00:50:49There, so I can feel you.

00:50:51Oh, man, what a sight!

00:50:52Okay, man!

00:50:53Let's sit down before entering!

00:50:54Hey, he's coming later, come on.

00:50:55Oh, oh!

00:50:57Okay, Finti, that's enough.

00:50:58Look, I don't think that doing breathing exercises will fool my little cloud.

00:51:02Eh, eh, eh.

00:51:03Here begins, look, the sexual act.

00:51:05It says here that man is capable, with a little practice, of separating ejaculation from pleasure.

00:51:12Separate that?

00:51:13It's impossible.

00:51:14That's been the case since the beginning of time.

00:51:16Like ham and bacon.

00:51:17Yes, that's what I thought, but look, it says here that what you have to do is know exactly at the moment

00:51:22that you are finishing.

00:51:23In other words, it's over.

00:51:25And tense a muscle, this one here.

00:51:28What are you telling me?

00:51:29Is the secret to clench your butt?

00:51:31Well, it seems so, mostly.

00:51:32The thing is, it's called the perineum.

00:51:35Perineum.

00:51:36Perineum?

00:51:36Yeah.

00:51:37Like the mountain?

00:51:38I'm not going to scratch that.

00:51:39I won't scratch that surface, lest I encounter something I don't want.

00:51:42Yes, damn it.

00:51:42The thing is, we'll have to be careful not to get sidetracked.

00:51:45But look, it's clear here in figure 2.

00:51:48Let's see if we can locate it.

00:51:49That would be the human figure.

00:51:51AND?

00:51:52There.

00:51:53Open, remove this little hand, open, remove.

00:51:54What are you doing?

00:51:54We'll have to know how to position it.

00:51:56Neither my wife nor I can touch my perineum.

00:51:57We'll have to know how to position it.

00:51:58Then you position it yourself and touch it yourself at the same time.

00:52:00I've never squeezed my ass in my life.

00:52:03And I'm not going to squeeze it now that I'm married.

00:52:05Well, Santi, I know.

00:52:06You'd have to press something, damn it.

00:52:07If it's about saving your marriage.

00:52:09And I imagine Lulita will like it.

00:52:12And you too.

00:52:12And that's it.

00:52:13I don't see it, Fiti.

00:52:14I don't see it.

00:52:18Well, do whatever you want.

00:52:20Hey, Guille.

00:52:21Hello good.

00:52:22How are you?

00:52:23How's the exam going?

00:52:24Well, it brought me up about syntactic analysis.

00:52:26But oh well, fine.

00:52:27Hey, is Chori around?

00:52:29Well, he's in.

00:52:30Well, I've been sent here to get the suitcase with their costumes for performing.

00:52:33Well, that's something to see.

00:52:35Look, look, look, look, Lucia.

00:52:36She seems to be spending a lot of time at home now, doesn't she?

00:52:38Your passing is being taken very seriously.

00:52:40No, Lucia.

00:52:42Have you seen the faces of the Operación Triunfo contestants when they get nominated?

00:52:46Well, that's the face Dad has had since the chola came home.

00:52:48That's it, come on Rafa.

00:52:49That's it, come on Rafa.

00:52:50You're coming with the...

00:52:52Hello, Lucia, sweetheart.

00:52:53You again?

00:52:54I've come to help Guille with the exam, he's a bit of a novice.

00:52:58Very good.

00:52:58Give me the suitcase, Guille, sweetheart.

00:53:01Well, you shouldn't have bothered, right?

00:53:02Because I was going to help him, Guille.

00:53:05Hey...

00:53:05Yes, well, Choni, but...

00:53:07I think if I want to pass this exam, it's best if you help me.

00:53:09Lucia, right?

00:53:10Yes, and it doesn't cost me anything.

00:53:11I'm used to it by now.

00:53:12No, it's obvious.

00:53:13Guille, sweetheart, hand me the suitcase inside.

00:53:16No, Nico.

00:53:19No, yes, it's obvious.

00:53:21What costs you nothing is to go back into this house.

00:53:25Are you telling me this, or am I imagining it?

00:53:28I hope you're not serious.

00:53:30Look, Monica, I'm going to explain something to you so you understand.

00:53:33If you liked this house so much, you shouldn't have left.

00:53:36And I didn't confuse Diego, because you're not married anymore.

00:53:40Respect that she is with me now.

00:53:42Look, what Diego does is his business, we're all grown up now.

00:53:45I don't get involved anymore.

00:53:46That sounds great to me.

00:53:48Exactly, don't get involved.

00:53:50So anyway, queen, we'll see each other another day, at the pub or the supermarket or wherever

00:53:54be.

00:53:55And don't involve the kids.

00:53:56Don't turn the kids against me, because you're turning them against me.

00:54:00So no, see you another day, queen.

00:54:01Wow!

00:54:08Dad!

00:54:09Dad!

00:54:10Hey, Chene just kicked Lucia out of the house.

00:54:12Has Chene thrown...?

00:54:13Chene, no, damn it!

00:54:16Look, pull up.

00:54:17Come on, man.

00:54:18Choni!

00:54:18Come here.

00:54:20Can you tell me what you've done?

00:54:21What do you mean, what have I done?

00:54:22Because of what you don't dare to do, tell that woman to stop meddling.

00:54:26So, what have you done to Lucia's house?

00:54:27Look, I don't know if you realize.

00:54:29You are nobody to kick anyone out of my house, and much less Lucia.

00:54:32What do you mean I'm nobody, Diego?

00:54:33You and I are boyfriend and girlfriend.

00:54:34But what are you saying about boyfriends?

00:54:35What are you telling me, this isn't a bolero by Los Panchos?

00:54:36This is something else, you understand?

00:54:37You're not my girlfriend.

00:54:39Look, Diego, don't drive me crazy, you love me.

00:54:40I don't love you, damn it!

00:54:41Just to be clear!

00:54:42I don't love you!

00:54:44Diego, you do love me.

00:54:45Don't change the rhythm on me now.

00:54:47What are you telling me, compass?

00:54:48But you're driving me crazy, Chene.

00:54:50Do you know what's going on?

00:54:50You're confusing me.

00:54:51You tell me absurd stories like the one about the wave and the receding tide, and you confuse me.

00:54:55But it's over.

00:54:56That's it.

00:54:57You're the only one who knows how to get around this house.

00:54:59Don't you understand?

00:55:00Leave home.

00:55:02Get out.

00:55:27Elena, this is the fourth time you've made the same mistake.

00:55:30Would you mind concentrating a little more?

00:55:31It's okay, right?

00:55:33It's okay, right?

00:55:34Come on, again.

00:55:36Come on, let's go, okay?

00:55:47I'm sorry, really.

00:55:49No, you can't learn to play in two days, that's clear.

00:55:52We'll look into that later, that's it.

00:55:55No problem.

00:55:55So, what's the problem?

00:55:58Happens?

00:55:59From here?

00:56:00From one to two.

00:56:01Damn, a new couple.

00:56:04Hey Elena, what if you don't play?

00:56:06But, man, Marcos will explain it to her, show it to her, and this afternoon I'll give you the "look for me" call.

00:56:10Look, I'm saying it for your sake.

00:56:12It's not necessary, woman.

00:56:13We all know why you're in the group.

00:56:14It's not exactly because of how you play the guitar.

00:56:16What are you talking about?

00:56:17Well, I'm referring to what José Luis said.

00:56:19You've joined this group because you wear tight suits, show off your cleavage, and, well, you know what they say.

00:56:23show the gender.

00:56:24Okay, cold, cold, okay, right?

00:56:26Oh, you're going to tell me that's not true, he's here because of how he plays the guitar.

00:56:29Well, we're all in this together, right?

00:56:31We're a band and we have to support each other, you know?

00:56:33No, we're not a band.

00:56:34We used to be the cockles, and now look at us, you know?

00:56:37Hey, we're not the philharmonic orchestra, you know?

00:56:39As far as I remember, we're rehearsing for a wedding at Salones Golden with Choni.

00:56:44With Choni at my aunt's?

00:56:45Okay, yes, so is her name Choni or not?

00:56:46Nor is she exactly the lost daughter of the tsars.

00:56:49With Choni, with the fario, with Chiquetete.

00:56:51It's money, Marcos, you said so yourself.

00:56:53And we're a group, we've been rehearsing for ages to waste time with a chick who doesn't even know how to play.

00:56:58So if she stays, then I'm leaving.

00:57:00Look, you don't have to leave, okay?

00:57:01Awesome.

00:57:04Man.

00:57:05What's wrong, Marcos?

00:57:07I don't know.

00:57:08What? Ask Africa.

00:57:13That?

00:57:15Diego, one more minute.

00:57:17And get us a selection of Iberian cured meats, Santiago. We're starving.

00:57:20But what? Did you talk to Choni or not?

00:57:23Yes, I spoke, Isangé. I told you that we're over.

00:57:25And are you convinced of that?

00:57:27Convinced, Santi? Convinced?

00:57:28Well, then you've done very well. It suits you very well, like a king.

00:57:30Wait, excuse me.

00:57:33Damn, that's Fiti.

00:57:34What's up, Fiti?

00:57:35What did you say to my sister, you bastard?

00:57:39Let me explain, or rather, let me tell you.

00:57:42I'm not going to comment on this or anything.

00:57:44So, have you broken up with her?

00:57:47Yes, yes, I mean, what breaks...

00:57:49Yes, yes, yes.

00:57:50What's happening?

00:57:50What do you mean, what's going on?

00:57:51My sister called me to say goodbye.

00:57:54Ah, he's going to the village.

00:57:55People, you're going straight to the cemetery!

00:57:58Damn, they say he's going to kill himself, that he's going to jump.

00:58:01Fiti, Fiti.

00:58:04Fiti tells me that the Choni she's sleeping with has gone crazy.

00:58:08If you want me out of there, go away, because I'm going to jump.

00:58:13Choni, for God's sake!

00:58:14For God's sake, only the Lord can take our lives away!

00:58:17What a big kiss!

00:58:18Stay calm.

00:58:19It's not going to happen, it's a bluff, it's a bluff.

00:58:21Once it's thrown away, it becomes the Ginny Shopping of orchestras.

00:58:23It's a myth, basically.

00:58:24What eyes, Selito?

00:58:25Well, I'm going to call the police or the fire department so they can put down a sheet.

00:58:27Which sheet?

00:58:28Which sheet?

00:58:28If it falls, there's no sheet that can save it.

00:58:30It's definitely going to print.

00:58:31What son gets a crash?

00:58:32What needs to be done is to negotiate, to negotiate.

00:58:34I'm going up, I'm going up.

00:58:35But, Diego, please, can't you see he's blackmailing you?

00:58:44Stay still, stay still, stay still!

00:58:45Hold on, I'm going to jump!

00:58:46I'm going to jump!

00:58:47Okay, okay, okay!

00:58:47I'm going to jump, I'm so desperate!

00:58:49Don't do this to me!

00:58:49No, stop, no, for God's sake!

00:58:50Don't do this to me!

00:58:51The godmother!

00:58:52Just think of the godmother they're going to give you for an unfair reason!

00:58:53No, my life is completely ruined!

00:58:55But, but you're asking for a moment, Johnny, for God's sake, it's going to be wrecked if you jump off there.

00:58:58Come here!

00:58:58Come, come, come, come!

00:58:59Come, come, come!

00:59:00Forget my name, my face and turn around, because you are to blame for everything.

00:59:04What did you do to make him act like this?

00:59:06I want to talk to Diego!

00:59:07Not just with him, eh, Fiti!

00:59:09It's going backwards!

00:59:10He won't back down!

00:59:11I'll say anything, I'll say anything!

00:59:12If he tries to get any closer, you'll see!

00:59:14No, no, no, no!

00:59:15The woman is desperate.

00:59:17Silence, silence.

00:59:17It seems that Diego is going to negotiate with her.

00:59:19Look.

00:59:19Pilar, because my brother has always been very charming with women.

00:59:22Is the director of the room orderly?

00:59:24Yeah.

00:59:25Yes, well.

00:59:25Yes, give me a minute and we'll finalize it, okay?

00:59:28Or no, well, I don't know.

00:59:29Please listen to me!

00:59:30Get away from there!

00:59:31Get away from there!

00:59:31This is not the solution, Choni!

00:59:33My life is sorted out!

00:59:34It's hell!

00:59:36I'm a failure!

00:59:38A second-rate artist!

00:59:39And to top it all off, I can't get anything right with guys!

00:59:41You're going to get yourself crapped on!

00:59:42What, what, what?

00:59:43Your sister doesn't reason with me, Fiti.

00:59:45He doesn't reason with me, for God's sake.

00:59:46He doesn't reason with me.

00:59:46She's my sister, God.

00:59:47She's my sister, say whatever you want, damn it.

00:59:49I can see myself at 60, a spinster and fat.

00:59:53Choni!

00:59:53And alone in my house, dying, we devoured the cats.

00:59:57What did he say about cats?

00:59:58Don't you have cats?

00:59:59Cats kill you!

01:00:00Yes!

01:00:01That you were my last chance, Diego.

01:00:05I thought that's how things are with you.

01:00:08And look, I just wanted to get married like everyone else.

01:00:13Dressed in white and going to church.

01:00:16And I am in love with you, Diego, and you are not in love with me.

01:00:19And that kills me.

01:00:22Goodbye, goodbye!

01:00:23No, take your leg away, for God's sake!

01:00:27Please listen to me.

01:00:28Why do you say I don't love you?

01:00:30No, but...

01:00:31I mean, don't tell me you're sleeping around because I don't love you.

01:00:33No, I didn't say that.

01:00:34Clear!

01:00:35No, no, no, no.

01:00:36Yes, I love you, woman.

01:00:37How could I not love you?

01:00:38That's nonsense.

01:00:39The problem is that I need time to say these things.

01:00:41They don't come from within me because I'm from the plateau.

01:00:44And they don't come out from inside me, you understand?

01:00:45Because that's just how I am, but I do love you, Choni.

01:00:50Do you really love me?

01:00:53But do you want to marry me?

01:00:57Yes, Choni, I really love you.

01:01:00Like marrying you.

01:01:02Lower your leg, lower your leg and you'll...

01:01:03Really.

01:01:04I swear, I swear I'll marry you, Choni, I'll marry you.

01:01:07Oh, my love.

01:01:10He passed me the other one and it went straight to my head.

01:01:14Yes, yes, we're closing the curtain.

01:01:17And what did you tell him, brother?

01:01:18What did you say to her to defeat her?

01:01:19No, it's urgent, no, it's urgent.

01:01:20It was requested, thank goodness Fichi is going to stay with her crazy sister and go

01:01:23to rebar.

01:01:23You're a hero, you're a hero.

01:01:25The thing is...

01:01:25Talent, in that respect, has stood out.

01:01:27Hey, throw me.

01:01:28Oh, my father, oh, my father.

01:01:39Throw me.

01:01:39Ay, dala.

01:01:51Santiago.

01:01:53Santiago.

01:01:53Hello, Santiago.

01:01:54Hello.

01:01:57The pleasure will stop.

01:01:59The pleasure will stop.

01:02:01Santi.

01:02:02Santi, I've been thinking about what we've experienced today.

01:02:06In that the hand of the Lord is very capricious.

01:02:08And it can take us away in a flash, and everything we haven't taken advantage of until now...

01:02:14After the suicide, I've been left without a body.

01:02:18Well, Father won't forgive me, but what happened today really upset me...

01:02:23Santi.

01:02:25We must take advantage of all the pleasures that life gives us, now that we still have time.

01:02:29Pleasures, pleasures.

01:02:31Oh, that's it, that's it.

01:02:32The pleasure will stop.

01:02:33They've certainly made themselves look beautiful, Lourdes.

01:02:35Take care.

01:02:36Look, no...

01:02:36Santi.

01:02:37Santi, yes, I respect you.

01:02:39I respect you, but I want you to know, because...

01:02:41If you don't want to respect me, then I'll compromise and agree.

01:02:46Hey?

01:02:46The pleasure will stop.

01:02:48The pleasure will stop.

01:02:49Oh dear, it's all mixed up.

01:02:50It all gets mixed up.

01:02:51Can't.

01:02:52Can't.

01:02:52Yes, yes, definitely, you can.

01:02:54Yes, you can.

01:02:54No.

01:02:55Not today.

01:02:56Not today.

01:02:59Something's going on here.

01:03:01You didn't like it anymore.

01:03:02That's it, isn't it?

01:03:03No, no, not at all.

01:03:04No, not at all, no.

01:03:05That's why you're like this, because you didn't like it anymore.

01:03:06You've grown tired of me.

01:03:07No, no, I swear I like them a lot.

01:03:10Don't swear, okay?

01:03:11Don't swear, it's a sin.

01:03:14And I dressed up as a cabaret dancer for you.

01:03:18Tell me why not, then.

01:03:19Because?

01:03:21Well, that's it.

01:03:23Nothing.

01:03:25I'm going to my mother's house.

01:03:36Diego.

01:03:36Yeah.

01:03:37What's up with my coffee, man?

01:03:38It's marching, man.

01:03:40Ah, it doesn't make a churro.

01:03:42If you behave well, I'll give you one each, eh?

01:03:44Chucky.

01:03:46Chucky, the cafes.

01:03:47What's wrong with you?

01:03:47What a face, right?

01:03:48A little bit of both.

01:03:50Diego.

01:03:51How are you, Luis?

01:03:52So, how's my band doing?

01:03:54Not my band anymore.

01:03:55As?

01:03:56We have separated.

01:03:58What are you telling me?

01:04:00Well, look, guys.

01:04:02I don't care about your problems, okay?

01:04:04But the show must go on.

01:04:05So tomorrow we'll repeat the rehearsal and come prepared.

01:04:08No, no, we're sorry to leave you hanging, but we're not going to play together again.

01:04:12But what do you think?

01:04:14What do you think?

01:04:15This is show business, damn it.

01:04:16And "business" in English means business.

01:04:18And in business, you have to be there through thick and thin.

01:04:20The manager is right about that.

01:04:21Besides, who said you have to get along at work?

01:04:23Damn, the freckles, the dynamic duo.

01:04:26They all get along terribly, but they're professionals and they go on stage and give it their all.

01:04:29And those of your generation too, right?

01:04:31Andy and Lucas.

01:04:32No, I'm lying, they hate each other, they hate each other.

01:04:35Santi, Santi, what's wrong?

01:04:38Santi, what's up, man?

01:04:40I'm losing her, brother, I'm losing her.

01:04:41My marriage is a mess.

01:04:44She was so beautiful, and I was like a fool rejecting her.

01:04:48Wait, wait, wait, I don't understand.

01:04:50What are they saying? That you're rejecting Lurditas?

01:04:52That Fiti had told me.

01:04:53Let's see, what have you talked about with Fiti from Lurditas?

01:04:55No, not with Fiti about women, no, you don't talk to Fiti, you don't talk.

01:04:59He had told me that it was the only way to avoid fathering children and to prevent me from being abandoned.

01:05:04What do women do when they have a child?

01:05:07Santi, you're an idiot, what are you even saying to yourself?

01:05:10Look, Lurditas isn't going to abandon you when you have a child, please.

01:05:12In any case, is that something that can be discussed?

01:05:14They talk about it, and on top of that, the poor thing doesn't even explain it.

01:05:16Because lately I've been feeling like a bull.

01:05:19It doesn't surprise me, but I remind you that you haven't scored since the Naranjito World Cup.

01:05:21But oh well, it's all the same, it's all the same.

01:05:23Look, listen to me, don't worry because this will be fixed.

01:05:26Why? Because Lurditas is a woman of faith, she is good, and she loves you.

01:05:29Because he has to love you a lot to put up with you, you understand?

01:05:32So, this is something we'll talk about, okay?

01:05:33Yes, we talk, like you do with Choni.

01:05:36No, brother, you and I are people of few words.

01:05:39In that, in that we have taken after our father.

01:05:43Yes, that's right.

01:05:46So what do I do? I tell him it's because of the child.

01:05:50Well, of course, man, of course.

01:05:51Damn, no lies or pretense.

01:05:53There are already cover-ups happening with the truth out in the open, Santi.

01:05:55You can tell him calmly and honestly.

01:05:57Damn, tell her, it's the rule.

01:05:59Afiti ni muu, ¿eh?

01:06:00Afiti ni muu, ni muu.

01:06:01Come on, go for it.

01:06:02They are not the ones from the river.

01:06:03Look at Crucirraya.

01:06:04The Calatrava family.

01:06:05The Calatrava family, gentlemen.

01:06:07Or that same one, Ocebes with Zaplana.

01:06:08What's happening?

01:06:09They hate each other, but they're professionals.

01:06:11And since they are professionals, they do their best.

01:06:13And act.

01:06:14Damn, you're acting.

01:06:16That?

01:06:20Okay, let's act.

01:06:21Well, if Zaplana and Acebes can do it, we can, well...

01:06:24Of course, we acted.

01:06:26Of course.

01:06:27Come on.

01:06:33Lourritas, more size, huh?

01:06:35Don't take it like that; there has to be an explanation.

01:06:37I don't know if I'm telling you the explanation.

01:06:40Well, he's tired of me.

01:06:42Our love has been broken from being used so much.

01:06:44Oh, it's not like that, you remind me of my sister-in-law Chono.

01:06:47Candela, please.

01:06:48And don't talk nonsense, okay?

01:06:49No, but my mother already told me that.

01:06:51Men should be given things little by little.

01:06:53Because if not, well...

01:06:54Listen, once they get what they want, they forget about you.

01:06:57Ah, well that's not how it is.

01:06:58Because I've been with Fiti for 20 years and he hasn't forgotten about me.

01:07:03Lourlita.

01:07:04Come in, come in.

01:07:05Candela, let's go.

01:07:06Yes, the children are screaming like crazy in the playground.

01:07:09Come on, let's go.

01:07:09We're going to scold.

01:07:10We'll be right back.

01:07:15Lourlita.

01:07:17I came to explain to you that...

01:07:19The whole thing about abstinence and restraint...

01:07:21It's not for lack of trying.

01:07:24Yes, Santi.

01:07:25That you've grown tired of me.

01:07:26No, that's not it.

01:07:28If I have the same hobby as always...

01:07:30But I just can't.

01:07:35But why not?

01:07:39Because...

01:07:42Because I don't want you to give me...

01:07:44I don't want you to turn your back on me.

01:07:47Why, Santi?

01:07:50I love you more than anything in the world.

01:07:52For me, it's like I've won the lottery.

01:07:55And I want us to have the baby.

01:07:58But then you women focus on the guy...

01:08:01And to the men...

01:08:02You don't step aside.

01:08:06Is everything stupid?

01:08:07Hey?

01:08:08Why are you stupid?

01:08:09Santi, but how can I leave you?

01:08:11What are you saying?

01:08:12Am I like a mantis?

01:08:13But, but, what amantis or camantis?

01:08:15No, that's an instinct...

01:08:17What do you women have with the children?

01:08:20Come on, let's see, Santi.

01:08:21Look, if we have a child...

01:08:23Hey?

01:08:23We're going to love him very much.

01:08:25Yes, yes, yes.

01:08:26But that has nothing to do with how we feel.

01:08:29That will never change, I promise you.

01:08:31Never, never.

01:08:31Never?

01:08:32Never.

01:08:34Then I knew who you were.

01:08:37But how?

01:08:39Tonight...

01:08:40Tonight you'll see what we closed.

01:08:42Oh, with this year's sexuality classes.

01:08:50Come on, I'm not going to miss a single one, Lourdes.

01:08:52Where are you?

01:08:53So!

01:08:53Wait, come on, come on, come on.

01:09:02The She-Wolf was, chapter 1300.

01:09:06Hello.

01:09:08Hello.

01:09:09Hello.

01:09:11So, we've been talking, right?

01:09:13And la, la...

01:09:14Let's say we need to come to an agreement and take action, right?

01:09:20That's fine with me.

01:09:22If we do what we do, we do it well.

01:09:24Yes, yes.

01:09:25Look, Auntie, look, look, look at the crazy guy in the river, you know?

01:09:27They were there, at each other's throats, unable to stand the sight of each other, on the verge of separating, and then they

01:09:30The Macarena incident happened.

01:09:32We already have the greasy pole, we just need to compose the Macarena or something similar, right?

01:09:38Elena, are you hungry?

01:09:41Yeah.

01:09:41Well, sit down.

01:09:46What are you seeing? A wounded wolf?

01:09:48Uh-huh.

01:09:49I've gotten a little hooked because of my mother, who always has the television on.

01:09:53Well, I follow it a little bit and all that.

01:09:54That's what everyone says, right?

01:09:57That's Verónica Fernanda, right?

01:09:59What are you doing now?

01:10:00Don't you remember, man, that I was in love with this Luis Fabiano guy?

01:10:03He was her best friend's boyfriend, and she ended up sleeping with him.

01:10:06Excuse me, but why didn't Verónica Fernanda know that Luis Fabiano had a girlfriend?

01:10:10Come on, man, go on, go on, go on, he had to insist, not even a little bit, please.

01:10:13But this Verónica Fernanda is a real hottie, man, she was crazy about Luis Fabiano's marzipan,

01:10:18Which, by the way, doesn't surprise me, because the shawl has a plant that you have to see.

01:10:21Because I didn't know he had a girlfriend.

01:10:22Come on.

01:10:22And not at all horny.

01:10:23And yes, Luis Fabiano is a pig, he sees a woman and doesn't reason.

01:10:26Here the only poor victim is Adriana Natalia, who knew nothing.

01:10:29I didn't know, or didn't want to know, because I already had my eye on Emilio Alberto, who was the

01:10:33friend of her boyfriend.

01:10:34Excuse me, excuse me, but Adriana Natalia didn't have her eye on Emilio Alberto.

01:10:38As?

01:10:38Until her son of a bitch boyfriend cheated on her with someone else.

01:10:41No?

01:10:42Yes, until then I only had eyes for him.

01:10:44Let's wait a moment, I'm getting lost.

01:10:46Who does Emilio Alberto like?

01:10:48Verónica Fernanda.

01:10:49Verónica Fernanda.

01:10:50Ah, okay.

01:10:52No, no, no, not a chance, not a chance.

01:10:54But it's more noticeable, man.

01:10:55No, Emilio Alberto doesn't like Verónica Fernanda or anyone else, man.

01:10:58Let's see if this Emilio Alberto guy is going to be a bit of a crook.

01:11:02Trout, he says.

01:11:03It's not a trout, is it?

01:11:03What trout, why?

01:11:05Hey?

01:11:05The thing is, he had a great love and lost her, and of course, he hasn't gotten over it.

01:11:09the man.

01:11:09It's normal, that happened at the beginning of the series, don't you remember?

01:11:14Hey, that was the story, that was it.

01:11:17Our life is like a soap opera.

01:11:20We're only missing the compound names, right Raúl?

01:11:26Yeah.

01:11:32Gentlemen, gentlemen, Raúl, Alfredo Martínez.

01:11:35Hello, everyone.

01:11:39What's up, dude?

01:11:40Because of my great-grandfather, a man, who made my mother happy.

01:11:43How did I know you were going to convince her?

01:11:45Yes, you, it's an art, you, it's an art.

01:11:46He's going to convince the woman.

01:11:48Hush, hush, hush.

01:11:48Santi, be quiet, be quiet.

01:11:50Hey, by the way, one thing, you, and I'm being very serious, I mean, your sister isn't well.

01:11:54In other words, he needs to get his issues checked out because they're not normal.

01:11:55But, Diego, what else do you want?

01:11:57I mean, she's in love, and when people are in love, they do silly things.

01:12:00You make them fall in love, brother, you make them fall in love, you make them fall in love.

01:12:03Do you love yourself?

01:12:03Like a magnet.

01:12:04No, there's a magnet and a magnet.

01:12:05No, no, no, no.

01:12:06But I'm very serious, you have to look at the other siblings.

01:12:08Leave it alone, guys!

01:12:09Hello, Lourdes!

01:12:10Hello!

01:12:10Hello, darling, come here.

01:12:12My son!

01:12:13My little one!

01:12:15Oh, I've bought something that's going to solve all our little problems!

01:12:18So what?

01:12:19Hey?

01:12:19Next, next.

01:12:21Diego, can you make me a coffee?

01:12:23Yes, now, now I'll look a little more.

01:12:25Lourdes, they bought me a little something for tonight.

01:12:27A surprise.

01:12:28Hello!

01:12:29Hey, hottie!

01:12:30Diego, do you like my hairstyle?

01:12:32The hairstyle, yes, it's fine, as a hairstyle it's good, yes.

01:12:36Well, I'm doing it as a test, but look, I can also do this one, which is

01:12:40Very pretty, it looks great, it's just that with a veil it looks less striking.

01:12:43Oh, well it's very nice.

01:12:43Hey, Choni, what are you talking about?

01:12:47I'm going to be talking, Diego.

01:12:49Well, about the dress and hairstyle for our wedding.

01:12:51Look, look at this men's suit, gorgeous, the American stripe is back in style.

01:12:55A living status symbol, a somewhat handsome godfather.

01:12:56And I'm off, I still have a lot of things to do.

01:13:00Well, stockings, garters, there are so many things, it seems like...

01:13:03Come with me to the square, I've seen some really cute things for you, amazing things.

01:13:07Well, that's it.

01:13:07Well, well.

01:13:08Well, because the others...

01:13:10Yes, later, yes, later already...

01:13:13Fiti, Fiti.

01:13:14Well, maybe not...

01:13:16Didn't we agree that you would explain to your sister that I told her about getting married so she wouldn't...?

01:13:19he threw himself in.

01:13:20So, are we going to agree on that or not?

01:13:21Yes, Diego, but those things, look, are said to someone's face, damn it.

01:13:23Why would I get involved in a personal matter concerning a couple?

01:13:26I already said it, Chori is very well-traveled and a real old dog.

01:13:30No, no, forget it, no, no, don't let her realize it, it's not that she's an old or well-traveled dog, no, it's that

01:13:33She's crazy, she's crazy.

01:13:35But you promised him, you promised him.

01:13:37No, because you promised him, he's right.

01:13:39But, Santi, please, I promised him, but so he wouldn't jump, don't you understand?

01:13:42Yes, but so that it wouldn't be thrown away, I'm saying it twice, damn it.

01:13:45Remember your father, remember your father.

01:13:47When he forced Aurelio and me to marry Aunt Enriqueta, because they had let her get pregnant.

01:13:50But what is Father Tia Enriqueta and Aurelio telling me?

01:13:52Look, I'm going crazy.

01:13:54Listen, if I had known this, I would have let her jump.

01:13:56No, no, no, no, no, I'll throw it away.

01:13:59I'll tell you more, before I marry your sister, I'll throw myself at her, I'll throw myself at her, you understand?

01:14:03Aurelio said the same thing.

01:14:05He understands that last year he celebrated his silver wedding anniversary and invited us.

01:14:08Do you remember? The bell, the whipping.

01:14:11Yes, I remember, yes.

01:14:12So, the bell has been put in jail.

01:14:14Don't mess with the little one, too.

01:14:15To the little one?

01:14:16The little one, but he did take him.

01:14:20I'm going to show you what I bought this afternoon.

01:14:22Okay, show me, show me.

01:14:25The Second Vatican Council.

01:14:30Look, look, the Second Vatican Council says it very clearly.

01:14:33That the acts in which spouses chastely unite foster mutual giving with joy and gratitude.

01:14:40I always do it with great joy and gratitude.

01:14:43Yes, yes, no, but look, it clearly states here that children are the embodiment of total love and

01:14:49fruitful of the spouses.

01:14:50Yes, yes, yes, I want to have children, but later.

01:14:52Now we give ourselves with great joy and gratitude, and we will conceive more later.

01:14:57How grateful!

01:15:08Santiago, Santiago, Santiago, Santiago.

01:15:11What, what, what, were we halfway through the job?

01:15:13That you were going to cheat me, Santiago, that you wanted to cheat me.

01:15:16What trap?

01:15:16No, and it says it very clearly here, the act must be chaste and open to life.

01:15:21What, what, what do Ruco Varela and the Pope know about all this? Let's see, what?

01:15:24Do not question the authority of the episcopal conference, and even less that of the Holy Father, because that's where we're headed in the wrong direction.

01:15:28Hey?

01:15:28You, leave it, Holy Father, go on, leave it, Holy Father, man has enough to deal with as it is.

01:15:32And here we are, all alone, who's going to find out what we're doing, huh?

01:15:36And him?

01:15:36No, no, no, you're not going to sweet-talk me with your golden tongue.

01:15:40Ah, a little kiss, a little kiss.

01:15:42Just a little kiss, just a little kiss, but I have no emotions, okay?

01:15:47Santi, I have no emotions.

01:15:49You've put on the almond cream, which I like so much.

01:15:52Santí, you're getting excited.

01:15:58I present to you Inés, the aerodance teacher.

01:16:02Good morning, guys.

01:16:03Come on, let's dance.

01:16:05Yes, man, yes, dancing is a trend, damn it.

01:16:08Okay, okay, okay, okay, what's going on? What's happening?

01:16:10Well, here's the kid, who doesn't listen to me at all.

01:16:13Damn, he's been looking for me all day.

01:16:14No, woman, they don't dislike you, don't talk nonsense, please.

01:16:17Yes, they have me, Diego, and you don't love me either.

01:16:19I would like it more than you and my sister.

01:16:22But I know that's impossible.

01:16:23Yes, you see, we have a music group, something nice, huh?

01:16:27Elegant.

01:16:27Yes, because we need to hire a choreographer.

01:16:31Yeah.

01:16:31Do you know what the chav said to the children?

01:16:34The choni, no.

01:16:35Are you getting married?

01:16:36That?

01:16:36Don't worry, I'll take care of your father.

01:16:38I'm going to spend the night away from home, they won't even give me a kiss.

01:16:40Come on, to the cars, down, down!

01:16:42I just get out of the way quickly.

01:16:44I hope you are very happy.

01:16:45With war, with hope, with strength.

01:16:49One, two, one, two, three, four.

01:17:05Choni, in the game of Parcheesi, that is, two pieces of different colors cannot be together in the same square.

01:17:10In other words, in the same house.

01:17:11That's it, that's going well.

01:17:13Just so you know, Inés, these guys didn't come here to dance.

01:17:15They've come to look at your ass.

01:17:16He asked me to, and we're going to adapt it.

01:17:19Okay, I told him what I told him, but I told him for the reason I told him.

01:17:21He told her, because of what he told her.

01:17:22You have no idea how much I want to go back.

01:17:25Well, look, daughter, you can count on me for anything you need, okay?

01:17:30Come on, you've already screwed up.

01:17:31Choni is the most tacky thing I've ever seen in my life, my son.

01:17:33Okay, that's enough, right?

01:17:34Choni is my aunt.

01:17:36Because what is life if not a big patchwork board?

01:17:38What's with you being a philosopher?

01:17:41Choni is a Martinez, you know?

01:17:42You know what happens to us Martinezes, we have the Martinez gene, huh?

01:17:45The gene and that characteristic smell that obsesses them.

01:17:48I'm just crazy about Pibermín.

01:17:50You need to go on a diet.

01:17:52That's it, deal, get on the diet.

01:17:53No, if I say the word diet, you'll join me too.

01:17:55You need to live a healthy life, do some exercise, and lose some weight.

01:18:00It's not that easy, this is constitutional.

01:18:02Your children are your responsibility.

01:18:04And your children are having a hard time.

01:18:07That?

01:18:08That's for the pot that gives me.

01:18:10For a room or an orgy?

01:18:11Oh well.

01:18:13That?

01:18:14Have you already left my sandwich at 100?

01:18:15No, no, no, I don't want it, I don't want it.

01:18:16If today for breakfast, an apple.

01:18:18What my brother wants to tell you is that he's going to tell your sister to go to hell.

01:18:21Don't add more harm to the fire, do you understand?

01:18:23Diego, you're being rude to me.

01:18:25You're being rude to Choni.

01:18:27Hey, I've fallen in love with Inés.

01:18:28Excuse me, ma'am, from Inés.

01:18:30Eh, eh.

01:18:32The godmother who is dying.

01:18:34No no.

01:18:36To avoid suffering.

01:18:39It's best to leave...

01:18:40No no.

01:18:44No no.

01:18:45No no.

01:18:46No, no, no.

01:18:48No no.

01:18:49No no.

01:18:50No, no, no.

01:18:50No no.

01:18:50No, no, no.

Los Serrano - 5x10 - Como una ola - HD 1080

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