- hace 16 horas
Tras comentar a sus amigos su beso con Lucía, éstos aconsejan a Diego que aclare la situación con su ex-mujer. Cuando el tabernero se sincera con ella, Lucía cae en sus brazos. La pareja decide entonces esperar el momento adecuado para informar a sus hijos sobre su relación sentimental. Al ver que su esposa lleva unos días un poco rara, Fiti decide animar a Candela sorprendiéndola con una cena romántica. Diego, por su parte, ayuda a su amigo con los preparativos de dicha velada. Sin embargo, el gran sorprendido de la noche acaba siendo el propio mecánico de Santa Justa. Convencido de haber perdido el capital que la pandilla ha ahorrado para irse de viaje, Raúl intenta animar a África y a Helena para que posen desnudas en una academia de dibujo y ganar así algún dinero. Cuando el joven descubre que dicho centro sólo necesita modelos masculinos, su plan no le parece tan atractivo.
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00:06:51DIE!
00:06:52Don't get any crazy ideas about that planetary system, do you?
00:06:55You haven't broken the heating again, have you?
00:06:57Which side OK!
00:06:58No!
00:06:59The classic thing about these cases is
00:07:00that you forgot the birthday…
00:07:03The anniversary…
00:07:0410th anniversary?
00:07:09It's in 2 days
00:07:10Okay, calm down, we have time, you can still do something nice, give her a little gift, right?
00:07:15No, it's just that Inalvis caught me this year and already has everything.
00:07:18So, what is it? A ring, but a curious ring, isn't it?
00:07:20Yes, I already gave it to him.
00:07:21Either clothes, or earrings, uh, well.
00:07:23Lingerie, sexy lingerie, take off the day.
00:07:24I'll slap you twice with the lingerie, you know? It's got something else going on, damn it.
00:07:27That's it, I've got it.
00:07:29I've got it now.
00:07:30No, I'm not much else, but I'm like the guy in the joke, I pay close attention, guys.
00:07:35I've got it, I've got it.
00:07:40What's wrong? Why are you sighing so much?
00:07:42What? Nothing's wrong with me, I'm not sighing, nothing's wrong with me. What's going to happen to me?
00:07:45Nothing's wrong with me.
00:07:45What's going to happen? The same old thing, the same old thing with Lucia.
00:07:47It's there with the rum rum rum rum rum.
00:07:48The other day I kissed her and she doesn't even know how, nor has she said what it was.
00:07:52And why doesn't it go that way? Are you asking, boss?
00:07:55What did you say, Grogui? Let him go and ask her.
00:07:56You're telling me, but you, you, where did you fall from?
00:07:58So, what do you mean, I should just go and ask him?
00:08:00You must have gone bald from thinking such nonsense.
00:08:01It will be thought to be simple.
00:08:03The guy says to go and ask him.
00:08:06Well, I'll ask him.
00:08:08I'll ask him. If we have to ask, we'll ask.
00:08:10Hey?
00:08:10I'll ask you, Grogui.
00:08:12I'll go and ask him.
00:08:27Candle.
00:08:31Have you spoken to Julian yet?
00:08:35Not yet.
00:08:37You know what?
00:08:38Deep down, what scares me is that you don't want to tell him.
00:08:42No, Lucia, but...
00:08:43The thing is...
00:08:45It has been a wonderful two days.
00:08:48Wonderful.
00:08:49But it's only been two days, Lucia.
00:08:51I trust you, and it's been 20 years.
00:08:53Damn, it's just that...
00:08:53I can't throw my marriage away like that.
00:08:56By doing it nicely, right?
00:09:02I'm going to tell him now.
00:09:04I'm going to tell him now.
00:09:06And that's it.
00:09:07Okay.
00:09:09Yes, go ahead.
00:09:11Hello, Candela.
00:09:12Just a moment.
00:09:14Sorry, Candela.
00:09:16Yeah.
00:09:18You see, Lucia, that...
00:09:19I wanted to ask you something.
00:09:22Tell me, yes, yes.
00:09:23I heard you.
00:09:24What's up...
00:09:25One thing I want to ask you is that I've been thinking about it for a while now.
00:09:29AND...
00:09:32Lucia...
00:09:34Guille.
00:09:36That...
00:09:36That...
00:09:36I mean, how's Guille doing in school?
00:09:38Because, as we used to talk about it when we were at home,
00:09:40But since we haven't spoken and I wanted to know how things are going...
00:09:43Guille.
00:09:44Yeah.
00:09:44Well, that's better.
00:09:46This year is going better, yes.
00:09:47You have no idea how happy you make me.
00:09:48I hope things get better.
00:09:49Yeah.
00:09:49And nothing else?
00:09:50And nothing more.
00:09:51No, nothing more.
00:09:51Yes, yes, Guille.
00:09:52Well, I have to keep correcting if you don't mind.
00:09:54Not very well.
00:09:55No, no, I'm not stopping you.
00:09:56Excuse me.
00:09:57Okay.
00:09:57But already...
00:09:58Nothing else.
00:09:59Nothing else.
00:10:00No, Guille's thing.
00:10:01Yeah.
00:10:01Well.
00:10:09I'm a complete idiot, I'm a complete idiot.
00:10:12Hello?
00:10:13I am Cuban.
00:10:14Hey Guille, how about a beer?
00:10:15Please.
00:10:16Hey.
00:10:17What's happening?
00:10:18That...
00:10:18That...
00:10:18I have good news and bad news.
00:10:20Okay, first of all, fine.
00:10:20Okay, okay, I've lost the money.
00:10:22A lot, dude.
00:10:23They still knew.
00:10:23So, in the end...
00:10:25But, dude, you can't be trusted with anything.
00:10:27That's it, man.
00:10:27It's your fault, man.
00:10:28That you continue to trust me.
00:10:30Who would think of that?
00:10:30I'll put it in, I'll put it in.
00:10:31I'll put it in.
00:10:32No, no, no, no, no, no, wait.
00:10:33The good one, the good one.
00:10:34I have the solution.
00:10:35We're looking for a quick job, man, and one that pays well.
00:10:38And nobody here knows.
00:10:39I'll add more.
00:10:40No, Marcos, look, look.
00:10:41I know there are thousands of jobs, that's a trick.
00:10:42Delivery driver, four euros an hour.
00:10:44Tips not included.
00:10:45Well, the tips are great.
00:10:47Ah, 300 euros a day, expenses paid by the company.
00:10:50See? That one, that one.
00:10:51Where is?
00:10:52Escort.
00:10:55Hey, thanks, Brogy.
00:10:58Dude, we sell hair.
00:11:01Why don't you tell the girls?
00:11:04No, no, no, no, man.
00:11:05What happened, happened, happened.
00:11:06Dude, how can you understand that I don't have the money?
00:11:07Marcos, they're going to cut off everything that's hanging down, you know?
00:11:08Well, let's not cut it for you, kid.
00:11:11Look, look.
00:11:12Here it is.
00:11:14Kid, look, look.
00:11:15Academy of Fine Arts needs nude model.
00:11:18Well paid, kid.
00:11:20Here, Afri triumphs.
00:11:21Hey?
00:11:22And Elena, well, don't even get me started.
00:11:23So, you lose the money.
00:11:24And you expect her to solve it by posing naked?
00:11:25Very good, very good.
00:11:27Very good.
00:11:27When the doctor doesn't see me, right?
00:11:28If this happens to you, there's a better idea.
00:11:30No, there's no better idea.
00:11:31Which is that it's very good.
00:11:32In other words, it's better.
00:11:33I think it's unbeatable.
00:11:35Breathe.
00:11:37Okay?
00:11:39Now yes.
00:11:40Okay, stop, tell me what's wrong.
00:11:41So, that's what I was saying,
00:11:42I'm back where I started.
00:11:43In other words, I'm completely confused.
00:11:44that I have taken on, digested, and done everything about.
00:11:46And maybe the other day Lucia kissed me.
00:11:48Fermín, who kissed me on the mouth.
00:11:50A wedding kiss, the standard one, right?
00:11:52And then my aunt continued in a friendly way afterwards, you know?
00:11:56Well, congratulations, right?
00:11:56No, no, no.
00:11:57But congratulations, congratulations, don't you realize?
00:11:59In other words, he kissed me to get me out of the mess I'd gotten myself into.
00:12:01It's because I seem like I'm stupid.
00:12:02That I'm about to marry another aunt
00:12:04for not knowing how to say no.
00:12:06That, but...
00:12:06Clear.
00:12:07Choni.
00:12:07Choni.
00:12:08Fermín.
00:12:09Fernando.
00:12:10Ella Choni and me Fernando.
00:12:11Yes, well, sorry.
00:12:12Well, that's it, he kissed me to get me out of the mess I'd gotten myself into.
00:12:15And I don't know if that's a sign,
00:12:16Because lately I've been really bad at reading signs.
00:12:19Come on, I get obsessed, and obsessed.
00:12:21We're not getting out of this mess, are we?
00:12:22Talk to Lucia and I'll tell you...
00:12:23No, no, no, no, no.
00:12:24I can't talk to her because I freeze up, I've already explained that to you.
00:12:26I mean, I try.
00:12:27Breathe and all that stuff that needs to be done,
00:12:28but I get blocked.
00:12:29But suddenly a wall goes up in my head and I freeze up.
00:12:32And it's horrifying.
00:12:33That's awful.
00:12:34And what are you afraid of?
00:12:36And what am I afraid of?
00:12:38Fermín, I've already experienced this.
00:12:40And I believe these things, and I get carried away and then I screw up.
00:12:44And I'm afraid of losing her forever.
00:12:46As much as I want her to be my partner again,
00:12:49Well, that she's not my partner, my friend, or anything.
00:12:51That's what I'm afraid of.
00:12:52Well, maybe it has to be one thing or the other, huh?
00:12:55You've already tried everything, and look at how you are now.
00:12:57Fucked up, fucked up.
00:12:58That's it, that's it, that's it, fucked up.
00:13:01You said it.
00:13:02Well, you should stop and move on, okay?
00:13:04Already.
00:13:05I don't know, just tell him clearly what you want.
00:13:08And if she doesn't want to anymore, well...
00:13:11What is it that you want?
00:13:12Okay, so what do you mean, what do I want?
00:13:14No, I don't know if it bothered you that much.
00:13:17That Diego left with the chona.
00:13:19Mom, she's going to get herself into trouble without even realizing it.
00:13:21Well, he ate it, huh?
00:13:24He got in all by himself.
00:13:26Yes, but...
00:13:27No, no, no buts or buts, daughter.
00:13:30He's already grown up.
00:13:32You are not his mother.
00:13:34Neither his wife.
00:13:36Unless...
00:13:39Unless what?
00:13:41Unless you want to be that way again.
00:13:46No.
00:13:47Ah, well then no.
00:13:48Nothing.
00:13:50Mom, what are you implying?
00:13:52I?
00:13:53I'm not implying anything.
00:13:54I am silent.
00:13:56Yes, yes.
00:13:56Silent, very silent.
00:13:58The only thing that...
00:14:01No, if you're so sure about it, then you should talk to him, shouldn't you?
00:14:06Because maybe he's the one who's really confused.
00:14:09And look, let's be clear about things and use dark chocolate.
00:14:14Where do I put this?
00:14:19No, auntie, really, it's just that she's counting the money, but it's a pittance, it doesn't give us enough.
00:14:22not at all.
00:14:23In other words, if we add a little more, we can do the whole Interrail trip.
00:14:26Since we're on the subject...
00:14:28Right, Marcos?
00:14:29Right, Marcos?
00:14:30Yes, yes, yes, yes, you're right, you're right, Raúl.
00:14:34I don't know, I don't see it, of course.
00:14:36Marcos, dude, explain it to them, they seem to listen to you more.
00:14:41It has to be a special trip, right?
00:14:43Clear.
00:14:44We've already talked about it, that this could be our last year here, that it could be the last time we see each other.
00:14:48in life, that...
00:14:50Yes, but what do we do with the money we're missing?
00:14:51That's sorted now, right?
00:14:53That's sorted.
00:14:53So, that's a problem, huh?
00:14:54One solution.
00:14:55We've found a job, huh?
00:14:56You're going to earn a fortune without getting up from your seat and without lifting a finger.
00:15:00What do you think?
00:15:00Hey, I'd like to remind you that we're not notaries.
00:15:04No...
00:15:05This is an artistic endeavor, okay?
00:15:09For two beauties like you.
00:15:11Aunts, huh?
00:15:12From models at a fine arts academy.
00:15:16Models, of course, of course.
00:15:17Models.
00:15:18Models.
00:15:19Naked, I suppose.
00:15:22Naked, clothed.
00:15:23What do I know, what do I know, what do I know.
00:15:25This is art, girl, what does it matter?
00:15:26So, this is about you guys not lifting a finger.
00:15:28And we have to get naked.
00:15:30And so, without waxing or anything.
00:15:32Oh, be careful.
00:15:32If the job is for us to break our backs at Mercamadrid for half the money,
00:15:36then yes.
00:15:36That's right, isn't it?
00:15:37You see, Marcos.
00:15:38That's right, you see.
00:15:39There's a lot of talk about gender equality,
00:15:41a lot of progressivism,
00:15:41a lot of Chinese movies
00:15:42And when push comes to shove,
00:15:43The same old thing.
00:15:45A lot of Neruda
00:15:46and little breast.
00:15:47That boy is stupid.
00:15:49Let's see, Raúl.
00:15:50And if it's something bad, what happens?
00:15:52Come on, it's an academy.
00:15:55But if you prefer,
00:15:56We'll be with you.
00:15:58Yeah.
00:15:59If we have to leave, we'll leave.
00:16:03Hello, Diego.
00:16:05Fermín, how are you?
00:16:06How are you?
00:16:06What brings you here?
00:16:07Do you want a beer or a vermouth?
00:16:09Hey, nothing much,
00:16:10I left school and...
00:16:11What have I thought?
00:16:12I mean, let's see how it went with Lucia.
00:16:14That?
00:16:14Have you spoken to her?
00:16:15No, I haven't spoken to her yet.
00:16:17So what are we waiting for?
00:16:19What are we waiting for?
00:16:20I wonder about this.
00:16:20I'll answer you.
00:16:22I can't, Fermín.
00:16:23Damn, I can't.
00:16:24It's picking up the phone.
00:16:25I'm going to dial and I get blocked
00:16:27because he is superior to me.
00:16:27In other words, I can't.
00:16:28I'm sorry, I can't.
00:16:29Take out your phone right now, man.
00:16:31No, Fermín.
00:16:32Take it out, Diego.
00:16:34Okay, I'll take it out.
00:16:34If you tell me to take it out,
00:16:35Well, I'll take it out.
00:16:37But it makes a mark.
00:16:39Fermín, for God's sake,
00:16:39I'm telling you I can't.
00:16:40Okay, okay.
00:16:41And I call her
00:16:41and I'll send it to you.
00:16:42No, no, no.
00:16:43No, no, no.
00:16:43I'll call her.
00:16:44Calm down, calm down.
00:16:45That's it, that's it.
00:16:46Don't worry.
00:16:46I'll tell Lucia now.
00:16:48Come on, Diego, you can do it.
00:16:49Come on, let's go.
00:16:50Let's see, Lucia.
00:16:52Lucia, it's just that...
00:16:53Come on, boss.
00:16:53The two pachas at table 3.
00:16:55Wait a minute.
00:16:57In other words, I don't interrupt myself.
00:16:57because it's bothering me.
00:16:58So, Brogui, stay put.
00:16:59In other words, you provide them.
00:17:00Or you bring them.
00:17:00You add the missing one.
00:17:01because I'm taking it there.
00:17:02Let's go inside
00:17:02that there is no concentration here.
00:17:03Did you hear me?
00:17:04I'm moving you badly, damn it.
00:17:05Wake up.
00:17:11Breathe, okay?
00:17:11Come on, Diego, you can do it.
00:17:13Okay, okay.
00:17:13Goes.
00:17:16Lucia, Lucia, it's just that...
00:17:18The answering machine, damn it.
00:17:19Now that he's being hugged.
00:17:20Never mind, never mind, come on.
00:17:28Lucia, it's Diego.
00:17:29Let me explain it to you, you'll see.
00:17:33I feel terrible, Lucia.
00:17:34I don't know how to tell you.
00:17:36but since the other day
00:17:38in the town
00:17:39when the kiss thing
00:17:39And that, you know, well
00:17:41He's circling around
00:17:42and I don't know what to expect
00:17:44because...
00:17:48Because I'm in love with you, Lucia.
00:17:51In love.
00:17:56And besides, I'm just...
00:17:57I don't know how to do that
00:17:59like I'm your friend
00:18:00And that's it.
00:18:02What I want
00:18:03I want you to come back to me.
00:18:04But what if it can't be?
00:18:06Well, nothing then.
00:18:07Let's just leave it at that.
00:18:08and we don't see each other
00:18:08because
00:18:09This is unbearable.
00:18:12Very good, Costa Rican, very good.
00:18:14So I continued
00:18:15This message
00:18:15I'll leave you a message on the answering machine.
00:18:17You'll see it clearly
00:18:18Because this is your mobile phone
00:18:18well
00:18:20if you want to come back
00:18:21call me
00:18:22And if not, well
00:18:23Don't tell me anything
00:18:24Don't even call me
00:18:26Because I love you too much
00:18:27and it is from my Christian
00:18:28Let him put up with it.
00:18:30And so.
00:18:31A kiss, Lucia.
00:18:38God, I'm proud of you.
00:18:39Very proud.
00:18:42I've said it, haven't I?
00:18:43You said it very well.
00:18:45Why did you leave me?
00:18:45Should I say it?
00:18:46But how can you not notice me?
00:18:46Did I say what I said?
00:18:47Oh my God, I'm so pissed off.
00:18:48Why would I breathe?
00:18:49But you don't realize it
00:18:50I've already said it.
00:18:50I've said what I've said.
00:18:51But very good.
00:18:51Okay, I guess this is
00:18:52your first experience.
00:18:54Yes, yes, yes.
00:18:55That's why the shame.
00:18:57But you're not there yet
00:18:58naked.
00:18:59No.
00:18:59Can you answer, guys?
00:19:00What is it to you?
00:19:01Uh, no, if we
00:19:03What are we going to say?
00:19:04They are the ones who are coming
00:19:05to harass.
00:19:06No, not like them.
00:19:08No, you're wrong.
00:19:09We want male models here.
00:19:12Oh, male models?
00:19:13Yeah.
00:19:14But masculine in masculine?
00:19:17Yes, man.
00:19:18And naked?
00:19:19In other words, what amounts to
00:19:20Without clothes, let's go.
00:19:22As God gave us...
00:19:23We feel sorry for them.
00:19:24the confusion.
00:19:25We're leaving, right?
00:19:26Thank you.
00:19:26Where are we going?
00:19:28No, we're going Interrailing.
00:19:29And we're going to do the full package, right?
00:19:31Sure, and that's how you preach
00:19:32by example.
00:19:32No, no, no, no, no, no.
00:19:34What was it like, what was it like?
00:19:36Ah, lots of Neruda
00:19:37and little breast.
00:19:38Yes, that was it.
00:19:40They seem like very little things,
00:19:41But naked they win.
00:19:42Yes, well, nothing.
00:19:43Perfect.
00:19:44Name and surname.
00:19:44No, no, no, no.
00:19:46No, no, no.
00:19:46Forget it.
00:19:46But let's see, Raúl,
00:19:47if he's seen you naked
00:19:48all, Santa Justa.
00:19:49And?
00:19:49Note.
00:19:50Raúl Martínez.
00:19:52Me, me, me instead
00:19:53I've been more discreet in that regard.
00:19:55Well, Marcos, you haven't seen it.
00:19:56But we're dying to.
00:19:58Note.
00:19:58Marcos Serrano.
00:19:59Marcos, perfect.
00:20:00Marcos Serrano.
00:20:02Well, thank you very much.
00:20:04See you tomorrow.
00:20:05Excuse me, excuse me.
00:20:06To attend as students
00:20:07Where do I sign up?
00:20:08Yes, she's promoted to Secretary.
00:20:09So I'm going.
00:20:19Go.
00:20:31Hi how are things?
00:20:32Hey, can I give you a minute or something?
00:20:35No, it's not necessary.
00:20:35Some olives you were eating there.
00:20:37Aren't the children here?
00:20:37I'm not the problem.
00:20:38No, no, because
00:20:40Curcurros has gone to a friend's house
00:20:42and
00:20:42and so he will be with
00:20:44with T.T.
00:20:49Really, Luciano,
00:20:50You have no idea
00:20:51of what it means
00:20:52I'm glad you came.
00:20:54Well, kid, it's not that big of a deal.
00:20:55that I come here every other day.
00:20:56No no.
00:20:57Also, I wanted to tell you...
00:20:58Yes, no, but man,
00:20:59But I say it
00:21:00that after the message
00:21:02that I have left you
00:21:02Well, come on over
00:21:03because it means
00:21:04which means.
00:21:05In other words,
00:21:06The answer is yes.
00:21:09Yes, what?
00:21:10What do you mean, yes, what?
00:21:11Yes, what about what?
00:21:12What message are you talking about, Diego?
00:21:14The one I sent you this afternoon.
00:21:16Didn't I hear the message?
00:21:17Oh, I haven't read the message.
00:21:19Do you know what's going on?
00:21:19It just didn't have a battery.
00:21:20I put it on charge in the car.
00:21:21Okay, fine.
00:21:22Ah, look, I do have...
00:21:23No, no, well, leave it, leave it.
00:21:24Delete it, I'm telling you.
00:21:25of my voice.
00:21:26No, no, no.
00:21:26Well, now I'm going to listen.
00:21:27What, I'm not going to tell you, Diego?
00:21:29Let me explain, you'll see.
00:21:30I feel terrible, Lucia.
00:21:31Since the other day
00:21:33in the town
00:21:33when the kiss thing
00:21:34And you already know that, well.
00:21:36And I don't know what to expect
00:21:37because...
00:21:38because I'm in love
00:21:39From you, Lucia.
00:21:40AND...
00:21:42And besides, I just don't
00:21:43I don't know about that...
00:21:44by pretending to be your friend
00:21:45And that's it.
00:21:47I...
00:21:48What I want
00:21:49I want you to come back to me, but...
00:21:50If it can't be, then so be it.
00:21:52Well...
00:21:52If you want to come back, call me.
00:21:54And if not, well...
00:22:12This means yes, uh.
00:22:13Yes what?
00:22:14Are you stupid or what?
00:22:15Are you stupid?
00:22:20Oh, what a pain.
00:22:21Tuning has arrived
00:22:22to the world of vacuum cleaners, dude.
00:22:30He would send me
00:22:31Take this out of the box, damn it.
00:22:40Kiti?
00:22:41Suri, is that you?
00:22:42Yeah?
00:22:49No no.
00:22:50What are you going to do?
00:22:50Not in the kitchen.
00:22:51That I've been preparing
00:22:51something for dinner
00:22:52And you know I'm leaving...
00:22:59Fiti.
00:23:01Fiti, who although these days
00:23:02I've been acting a little strange...
00:23:04Well, don't worry
00:23:04if not either...
00:23:06Although these days
00:23:06I've been acting a little strange,
00:23:07I want you to know that...
00:23:08I love you very much.
00:23:10I love you very much.
00:23:12A lot, a lot.
00:23:20So...
00:23:22We kind of skipped dinner, didn't we?
00:23:26Well, we're already taking too long.
00:23:37Are you sure you're okay?
00:23:38What do you mean, is it okay?
00:23:39It's fucking awesome, you know.
00:23:40Wait, I can't handle this.
00:23:43Okay, that's it.
00:23:44Hey.
00:23:44That?
00:23:45Do you want to wax me?
00:23:46Do you want to wax me?
00:23:47No, no, I'm not going to leave.
00:23:50That?
00:23:51What has come of that?
00:23:52No, no, it hasn't gone anywhere, has it?
00:23:53No?
00:23:54Has nothing come of it?
00:23:54No, no, no, I'm not going to go.
00:23:56I don't know what this is.
00:23:56I don't know what this is.
00:23:59Ah, we're there!
00:24:02The children, the children, the children, the children, the children, the children, the children.
00:24:04Just a moment, just a moment.
00:24:09Just a moment, just a moment.
00:24:10Now, just a moment, just a moment.
00:24:12You can come in now, children.
00:24:16Dad, we're here now.
00:24:19Very good, I'm glad you're here, I see you're here, very good.
00:24:22Oh, hey, we've already bought it next door, you don't need to buy it, okay?
00:24:25Great, because you've already bought the side and I don't need to buy it anymore.
00:24:29Why haven't you opened it?
00:24:32You don't have someone under the bed, do you?
00:24:35Come on, come on, you're not talking nonsense.
00:24:37No, I went upstairs to go to bed, because there was nothing on TV,
00:24:41Why would I stay and watch TV if there was nothing on?
00:24:43What do we have?
00:24:44About what?
00:24:46What do we have here?
00:24:47Frozen.
00:24:48Ice cream for a day, because we have ice cream.
00:24:50Only?
00:24:51No, man, no, no.
00:24:52In other words, ice cream for dessert.
00:24:53I'll come down now, I'll make you something for dinner.
00:24:55Come on, wash your hands.
00:24:56Okay, fine.
00:24:58Wash your hands, don't be annoying.
00:24:59Come on, please.
00:25:01Okay, goodbye.
00:25:04Have they left?
00:25:06Oh, God.
00:25:06Oh my God.
00:25:08And what are we doing?
00:25:10What's that?
00:25:11No, no...
00:25:12No, wait, no, wait.
00:25:13I'm getting married.
00:25:13They haven't seen you, no, no, don't worry.
00:25:15But no, I'm getting married.
00:25:15No, you can't go home because if you leave they'll see you.
00:25:18You understand?
00:25:18Well, that too, right?
00:25:19No, stay here.
00:25:20I'll calmly go downstairs, prepare dinner, and then...
00:25:23Later...
00:25:24I'll upload it and tell you, okay?
00:25:25Come on, come on.
00:25:26Peaceful.
00:25:29Peaceful.
00:25:41Have you been there?
00:25:42No, nothing.
00:25:43Can you turn off the light?
00:25:45Yeah.
00:25:53Yeah.
00:26:01No, Fiti.
00:26:03Fiti.
00:26:03No, no, Fiti.
00:26:05Fiti.
00:26:06Fiti.
00:26:07Have I left?
00:26:09But how can you leave, woman, if you haven't... yet?
00:26:12No, I'm not here, you know?
00:26:15That I am not.
00:26:17I'm going to the bathroom, okay?
00:26:22No, no, no, no, no, no.
00:26:52Oh my God, what time is it?
00:26:56Three thirty.
00:26:58A little late, don't you think?
00:27:00Because you hadn't woken me up earlier, I mean.
00:27:02Because it makes me feel uneasy.
00:27:04Come on, in case you were thinking about it and didn't come back.
00:27:10Okay, I'd better go, alright?
00:27:12Are you coming back?
00:27:15We'll talk about it tomorrow, okay?
00:27:17Yes, tomorrow, we'll only talk tomorrow.
00:27:19Yes, very good.
00:27:22See you tomorrow.
00:27:24See you tomorrow.
00:27:38Chorri.
00:27:41Are you asleep?
00:27:48Are you asleep?
00:28:09Are you asleep?
00:28:27Thank you!
00:29:09Thank you!
00:29:12Will you tell me?
00:29:14Well, listen, I'm not going to have to give you any explanations, that would be something.
00:29:17No, Mom, but, I don't know, I was really worried.
00:29:21Well, you're right, honey, I'm sorry.
00:29:24I'm sorry. I just hope you know what you're doing.
00:29:26And be careful.
00:29:28Okay, call next time.
00:29:30I call, I call, I call, but oh well.
00:29:33Good night, Mom.
00:29:34Good night.
00:29:37We'll be back in five minutes with some advertising tips.
00:29:44Would you trade the noise of construction and traffic jams for the sound of hummingbirds?
00:29:48It seems like a villa with a garden for the price of their small apartment.
00:29:52Impossible?
00:29:53Not anymore.
00:29:54Come and discover the new urban development Jardines del Sol,
00:29:58in the province of Ávila and just 20 minutes from Madrid.
00:30:02Call now.
00:30:03Don't think about it anymore.
00:30:05Call now.
00:30:15Shit.
00:30:27Take it.
00:30:28Take it.
00:30:34Diego?
00:30:35Yes, yes, yes, yes.
00:30:37Hey Lucia, if I catch you... Will I catch you at a good time?
00:30:40No, you've got me, you've got me.
00:30:42You've caught me right away.
00:30:42No, no, you'll see that with all the mess yesterday and everything, we didn't even end up talking, right?
00:30:48Yes, it's just that, sorry about yesterday, but it was on purpose, I don't know, to...
00:30:53I wish what happened hadn't happened.
00:30:54Already.
00:30:56So, you're saying that, well, you don't want to...?
00:31:00No, no, no, no, what I'm saying is that I don't know what I wanted, but now I do believe
00:31:03I know, I know.
00:31:08Yeah.
00:31:08Yeah.
00:31:08Okay, so, one thing I was going to... and excuse me, Lucia, that I was going to ask you, because I'm a little bit
00:31:12I'm slow on this... I mean, do you want to or not?
00:31:16Yes, I want to.
00:31:18Yeah.
00:31:18The thing is, not so fast.
00:31:21Ah, no, no, okay, okay, not so fast, okay, it's okay, not so fast, okay.
00:31:25Yes, because it's not just the two of us, there are also the children and that makes things complicated.
00:31:29There, there you've hit it, Lucia, the children are there, there are the children, yes, yes, yes.
00:31:33Okay, so we'd better take it slow.
00:31:37Yes, let's take it slow and it's better, I think taking it slow is better.
00:31:41Hey, one thing, seriously, what do you think about us having a leisurely lunch?
00:31:47Well, we eat slowly.
00:31:48Okay, so we don't get upset, right?
00:31:51So we don't get upset, damn it, Lucia, doing her a favor, no, but what, what... well, it doesn't mean anything, I mean, that
00:31:56No, uh.
00:31:57Okay, yes I understand, great.
00:32:00Hey, but one thing is for now, it's best if we don't say anything about us, okay?
00:32:07Okay, like a tomb, yes, yes, yes, I'm like a tomb, Lucia.
00:32:11Okay, great. Alright, a little kiss. See you later.
00:32:14Hey, I really want to see you. Really, really, really much.
00:32:19Bye.
00:32:22I'm really looking forward to seeing you too, Lucia.
00:32:24Damn it, I'm doing it, I swear to God...
00:32:45Hello.
00:32:46Freti's gone now.
00:32:49Is this bad?
00:32:52Worse.
00:32:54A coffee?
00:32:58Lucia, I'm going to tell her.
00:33:01I'm going to tell him and let God's will be done.
00:33:06But you told me yesterday that you didn't want to tell him.
00:33:08I said it yesterday, but it didn't work.
00:33:11You understand?
00:33:12Because what I intended was to act as if all this hadn't happened.
00:33:18Already.
00:33:19But no, right?
00:33:20I can't get it to work.
00:33:23I have it here and...
00:33:27I don't know if it's the feeling of guilt that hasn't left me.
00:33:30There are things that make me tense and that I can't do.
00:33:33I'd love to go to the Chinese restaurant on Fridays and make love every Friday.
00:33:37the nights.
00:33:37But no.
00:33:41Do you think I'm doing the right thing by telling him?
00:33:44I don't know.
00:33:48Good.
00:33:49And getting the material out quickly because we have a lot of work today.
00:33:52Well, today's class is going to be a little different from what we're used to.
00:33:56To begin with, you'll see, well, we have two models.
00:33:59Oh, and we also have two new students.
00:34:01Elena and Africa.
00:34:01Hello.
00:34:02Leave the lady in front, you have a better view.
00:34:05Of course, of course, that's where it is.
00:34:06Don't worry, I always come with this to check all the little details.
00:34:11Of course, if they're just small details.
00:34:14But come on, stay here and relax, we'll be back soon.
00:34:17We are ready to paint life.
00:34:19And we're going to start with the most beautiful performance of the night.
00:34:20The arrow.
00:34:21Yes, they've given you something here.
00:34:22Okay, today we'll paint a religious iconography.
00:34:25The death of Saint Sebastian.
00:34:27You will be Saint Sebastian and you will be the goalkeeper.
00:34:29Saint Sebastian at the column.
00:34:30The goalkeeper on his knees.
00:34:31Come on, Raúl, put that one on, man, we have to...
00:34:34Yes, yes.
00:34:34Guys, please, the lab coats, come on.
00:34:36Yes, yes, one thing, one topic.
00:34:38In other words, the saint is also naked.
00:34:40Of course, man.
00:34:42One, two, three.
00:34:53Here, man.
00:34:54Here.
00:34:55Here.
00:35:05Listen, listen, listen, listen.
00:35:06Are you sure this is how it works?
00:35:08Yes, man.
00:35:09Okay, the archer aims his arrow directly at the martyr.
00:35:13And he accepts the imminence of his death.
00:35:16Oh.
00:35:17This, as you will see, is a scene of great pathos.
00:35:21Marco, Strongo, shoot me, man.
00:35:22Shoot me, for real.
00:35:23I swear, Strongo is the worst.
00:35:26Yes, it can get worse.
00:35:28Oh my, but yes it is.
00:35:30Yes, it is, it is.
00:35:32A real treat.
00:35:32No no.
00:35:33What is my grandson?
00:35:34What is my grandson?
00:35:35Conchi.
00:35:35Hello, Carmen.
00:35:37How are you?
00:35:40Damn, what I'm telling you, fuck, that's a whole week in my life.
00:35:43Nothing, damn, don't exaggerate, Fiti.
00:35:44Don't exaggerate, damn it.
00:35:46But come on, not even when we crashed the party.
00:35:48Three days later, Candela with her cool leg, and me with my rounded collarbone,
00:35:51We were there all day, going on and on.
00:35:52Relax, Fiti, because everything in this life has a solution.
00:35:55All.
00:35:55Have you bought anything from him yet?
00:35:56Yes, I bought her that vacuum cleaner they advertise on TV all day long, it's a fantastic machine.
00:36:00Of course, of course.
00:36:01This guy's a romantic, you see?
00:36:03Well, look, if you want to have a little something like hers, one of those "Because I am" things,
00:36:06You give him a set of frying pans.
00:36:08Fireproof.
00:36:09Things stick together.
00:36:09They are very useful.
00:36:10Look, that's the key word.
00:36:12Useful.
00:36:13There's only one thing worse when it comes to gifts for women.
00:36:15Cheap.
00:36:16Look, on one hand I end up in all your teeth.
00:36:18But on the other hand, what reason do you have, damn it?
00:36:19Look, yes, because we're going to fool ourselves.
00:36:20Okay, one thing, let's see, I mean, the anniversary is tomorrow, right?
00:36:24That's the important thing, Fiti, there's still time.
00:36:26Well, time.
00:36:27Damn it, Fiti, yes.
00:36:28You have to, let's see, how would I explain it to you, you have to do something very special for him.
00:36:33In other words, a very special gift.
00:36:34Something that comes from your heart.
00:36:36Do you understand?
00:36:36In other words, that it touches your heartstrings, as you say.
00:36:38Something unforgettable, you know?
00:36:39But like what?
00:36:41Well, man, if I'm voting soon, well, well, well, well, well, I'll leave him a message on his mobile.
00:36:45A message that says affectionate, loving things.
00:36:48Look, I'm not saying it has to be exactly that, but maybe, well, damn it, think about it
00:36:52a little bit because you're a guy with resources.
00:36:55That?
00:36:56That's it.
00:36:57That?
00:36:57The Hostel of Paradise?
00:36:58What is that?
00:36:59Damn, a hidden spot that you get stuck in, but that's where it all started with fire.
00:37:02And 20 years of lust began there.
00:37:04National monument.
00:37:05There, you've hit the nail on the head.
00:37:05Betis, and how do you even think about it?
00:37:07Very well, yes sir.
00:37:08Yes sir, but I don't have my phone there, damn it.
00:37:10Besides, I can't go overboard.
00:37:11Well, my workshop is completely full.
00:37:12Okay, I'll close the workshop for a moment to take care of you.
00:37:14Listen to me, calmly.
00:37:15I'll go myself, take care of everything, and make the reservation.
00:37:17In other words, peace and quiet.
00:37:18And another thing, I'll provide the catering.
00:37:20Damn, Diego, man, you're the greatest.
00:37:22Damn, really.
00:37:25Come on, it's because you're going through what you're going through.
00:37:28Yes, that's true.
00:37:29Yeah.
00:37:30Take one, Lucy.
00:37:34Forward.
00:37:35Candle, white.
00:37:36Yes, it's me.
00:37:37This is for you.
00:37:42She signs here for me.
00:37:43Yeah.
00:37:46Very well, thank you very much.
00:37:48See you later.
00:37:49See you later.
00:37:57Julian.
00:38:01Well, you have to admit he knows what he's doing.
00:38:05Perfectly.
00:38:07He knows exactly what he's doing.
00:38:09Have you told Fiti?
00:38:18I should throw it away, shouldn't I?
00:38:20Churri won't be here tonight...
00:38:23Damn, what a gorgeous rose.
00:38:25And this?
00:38:27Lucy's.
00:38:29Yes, they're mine.
00:38:31Yeah.
00:38:32They're beautiful, aren't they?
00:38:33Yes, very pretty.
00:38:35Okay, I'm going to put them in water.
00:38:37So how are they mine?
00:38:41That?
00:38:42It's already listed on the stock exchange, isn't it?
00:38:44Fiti, leave her alone, okay?
00:38:46I just can't stand these things, Churri.
00:38:48It's none of your business, okay?
00:38:49No, yes, it's my business.
00:38:50Well, we don't care, look, what I was saying.
00:38:51Don't meet up with anyone tonight, okay?
00:38:52No, Fiti, tonight, don't worry that I won't have...
00:38:54Yes, my love, come on.
00:38:55I'll pick you up and we'll see.
00:38:58Okay?
00:38:59Yeah.
00:39:01See you later.
00:39:26Hey, you're here now.
00:39:28There's a change of plans.
00:39:29Yes, we're going, shall we go for a picnic in the park?
00:39:31It's freezing cold.
00:39:32Surprise.
00:39:33Grogui, you're in charge of everything, okay?
00:39:35Okay?
00:39:36Want?
00:39:36No, I can do it now.
00:39:47Go ahead, go ahead.
00:39:48Happens.
00:39:50But oh well, how lovely.
00:39:51Yes, yes.
00:39:52I'm just a guy with good taste, you know?
00:39:53Look.
00:39:56How can such a rotten place as this look so beautiful?
00:39:59Well, beauty is on the inside.
00:40:01In other words, you have to do it with your heart, you understand?
00:40:03But if not, why would you be with a guy like me?
00:40:06It's not that I'm doing badly, because I'm not doing badly, no.
00:40:07I have my own thing.
00:40:09But compare yourself to yourself, you're a princess.
00:40:11It's something that...
00:40:12In the end.
00:40:13Hmm.
00:40:16You know what?
00:40:17This seems more like Fiti's idea than yours.
00:40:19It's Fiti's idea.
00:40:20Oh, huh?
00:40:21I was saying.
00:40:22By the way, is this your idea of going slow?
00:40:25Oh, no.
00:40:25Oh, no.
00:40:25Did you really think I brought you here to...
00:40:27No.
00:40:28No no.
00:40:28It's another one...
00:40:29No.
00:40:29No.
00:40:29Oh.
00:40:30Okay, but for next time, I know, right?
00:40:33Yeah.
00:40:34And who is it for?
00:40:38It's a surprise that Candela's Fit is going to give.
00:40:41Tonight.
00:40:42For their anniversary.
00:40:43Oh my God.
00:40:45Diego, no, no, no, no.
00:40:46What's the matter?
00:40:46No, no, it can't be.
00:40:48No, no, no.
00:40:49What's the matter?
00:40:49No, but listen to me, it can't be.
00:40:51You have to tell Fiti not to do it.
00:40:53You have to stop it somehow.
00:40:54Yeah, but well, but...
00:40:55No, stop it.
00:40:55But explain it to me.
00:40:56No, no, explain it to me, no.
00:40:56Calm down, calm down.
00:40:57But you have to stop it.
00:40:58I'll explain it to you now, but...
00:40:59I stop it, but what happens?
00:41:02Well, that...
00:41:04But not a peep, huh?
00:41:04Not a peep.
00:41:05Do I know you, Diego?
00:41:05We didn't call each other rivers.
00:41:08Well, that...
00:41:11That Candela has had an affair
00:41:13And he's going to tell Fiti about it today.
00:41:18Fuck.
00:41:23Okay, okay.
00:41:24Well, the martyrdom scene
00:41:25It's turned out pretty, pretty good.
00:41:27So I think you're all ready.
00:41:29to paint human groups
00:41:30in physical interrelation.
00:41:31That is, the intertwined bodies.
00:41:35Bad, bad.
00:41:36Today's scene is going to be
00:41:37a rather dramatic scene.
00:41:39He's going to be the wounded soldier.
00:41:47Marcos.
00:41:48That?
00:41:48Marcos, I have, relax, I can tell.
00:41:50What do you notice about me?
00:41:52Dude, you're getting into it!
00:41:53And I don't like it, Marcos, dude.
00:41:55Come on, Raúl.
00:41:57Marcos, son.
00:41:58Good heavens, she looks like the Virgin Mary
00:41:59in times of distress.
00:42:01I don't know about the Virgin Mary,
00:42:02But you're anxious, man.
00:42:03Come on, man.
00:42:04What's happening?
00:42:05In the eyes, okay?
00:42:06Look each other in the eyes.
00:42:07I want to see compassion.
00:42:08Compassion.
00:42:09Yes, yes, yes, of course.
00:42:10Come.
00:42:12African hatred.
00:42:13That's all you're going to see.
00:42:15Raul, how did you lose the money, man?
00:42:18I knew the topic had to come up.
00:42:20Damn, look at us.
00:42:24No, don't look, okay?
00:42:26No, don't look, Raúl.
00:42:27No, don't look.
00:42:33You, you, Raúl, you're giving yourself away.
00:42:35No, Raúl, you're giving yourself away.
00:42:39You're going to have a bad time, period, milk.
00:42:43Lucia, come on, go on.
00:42:45You are sure of what they are saying.
00:42:47Santi, the evidence betrays them.
00:42:49The evidence betrays them, damn it.
00:42:51He returns home in the early hours of the morning.
00:42:52I'm on my phone all day,
00:42:53whispering with fire,
00:42:54then the final test.
00:42:56Flowers.
00:42:57They give flowers to the bad ones.
00:42:59Flowers?
00:43:00Well, there are flowers.
00:43:01There are lovers.
00:43:03Poor brother.
00:43:04Poor brother.
00:43:05This woman is going to kill him.
00:43:06Just wait until he finds out.
00:43:07What a drama.
00:43:08Wait, wait a moment.
00:43:09What do you mean, "when he finds out"?
00:43:10I think it's best if we don't tell him.
00:43:11Hey?
00:43:11It's going to hurt a lot.
00:43:13I think it's better if Muffity tells him.
00:43:15Already.
00:43:16Let's see if he's going to do something stupid.
00:43:18Diego is one of those who get depressed.
00:43:20He might just go to the viaduct and jump.
00:43:21And that they are three orphans.
00:43:23That's a disgrace, Santi.
00:43:23The viaduct.
00:43:24Neither the viaduct nor the names.
00:43:26Hey, I think it's better if we tell them ourselves.
00:43:29Let him find out one way or another.
00:43:33Hello, Fiti.
00:43:34Santi.
00:43:37You're right.
00:43:37You're right.
00:43:38We have to tell him.
00:43:39You have to have the guts to tell him.
00:43:40But be careful.
00:43:42Contact, huh?
00:43:42And I'm glad I know you, Santi.
00:43:44I'll know how to tell him.
00:43:45He's my brother, you know?
00:43:50Fiti.
00:43:51Diego.
00:43:52Diego, Diego, Diego.
00:43:53Wait, wait, wait.
00:43:55The thing is...
00:43:55We want to tell you something.
00:43:57A very serious matter.
00:43:58Very serious.
00:43:59Yeah.
00:43:59It's from...
00:44:04Yeah.
00:44:05It's Lucia.
00:44:06Lucia.
00:44:07No beating around the bush, brother.
00:44:08It has a praying mantis.
00:44:10That Lucia...
00:44:10That Lucia...
00:44:11That can't be, M.
00:44:12No nonsense.
00:44:13The evidence betrays her.
00:44:14Damn, this morning...
00:44:15There, whispering on his mobile phone.
00:44:17Hey?
00:44:17And last night she arrived very late.
00:44:19Ah, he arrived last night...
00:44:22Well, listen...
00:44:22What can I do?
00:44:23What do you mean, what are you going to do about it?
00:44:24You're not understanding me.
00:44:25Lucía is with another guy.
00:44:27That I understand you perfectly.
00:44:28But let's look at one thing.
00:44:29That Lucia is an adult woman.
00:44:29He can do whatever he wants.
00:44:30So, what am I going to do?
00:44:31Well...
00:44:31He has no blood, brother.
00:44:32That has no blood.
00:44:33No, it's not going to...
00:44:34He sends her flowers.
00:44:34It has a praying mantis.
00:44:35A praying mantis?
00:44:36What do you mean, flowers?
00:44:37Well, I mean, you know what I'm saying, damn it?
00:44:38Because I'm glad.
00:44:39Honestly, I'm glad.
00:44:40Yes, yes, yes.
00:44:41Because he deserves it.
00:44:42Let him enjoy it because he deserves it.
00:44:46I'm going to pee.
00:44:50To the bathroom.
00:44:55It hurt her.
00:44:56It hurt her.
00:44:57But it's been weird.
00:44:59I'm telling you, man.
00:45:00What fortitude.
00:45:01Look, does that happen to me?
00:45:03I'm dying, come on.
00:45:05No, he doesn't look like me, okay?
00:45:08Hey, hey, look, you're lively.
00:45:09You're a bit wooden, aren't you?
00:45:11What do you think?
00:45:11And you're looking at me, you're looking at me, but Raúl.
00:45:13No, no, dude, that's a natural state, man.
00:45:15You don't know me when I'm lively, I'm the one who's lively.
00:45:17Less, less wolf.
00:45:18We don't fit in the frame, man.
00:45:19Guys, guys, sorry.
00:45:20Yeah.
00:45:21Go to the office now, they pay you there, okay?
00:45:23Ah, very good, very good.
00:45:24Well, thank you very much, Kino.
00:45:25Nothing, man.
00:45:26Okay, see you later.
00:45:27See you later.
00:45:28Look, besides teaching, I'm also a photographer for a magazine.
00:45:32Ah, cool.
00:45:32And we were looking for a model for the cover and feature.
00:45:35And hey guys, you're perfect for us.
00:45:36What do you want to know if you're interested?
00:45:37Although, well, we can't pay you much.
00:45:40Ah, okay, so how much are we talking about?
00:45:45Well, about 900 euros more or less.
00:45:47Nine hundred?
00:45:47900.
00:45:49900 per session.
00:45:51Do you understand?
00:45:52That's understandable, yes, that's understandable.
00:45:54Look, I'll leave you my phone number and you can call me tonight, we'll arrange it.
00:45:57Okay, okay, okay.
00:45:58Come on, I'll wait for your call.
00:46:00Okay, fine, fine.
00:46:01Thanks, man, huh?
00:46:02Nothing, man.
00:46:04Thank you, goodbye.
00:46:05See you later.
00:46:07We've already gone through that whole phase.
00:46:09We've already grown up over all that, right guys?
00:46:11This hurts me.
00:46:12Yes, that has matured me.
00:46:12We don't do that anymore.
00:46:14Okay, and what about cleaning the restrooms?
00:46:16Are you retrieving memories?
00:46:18Hey man, I can try harder, you know?
00:46:20But, but I don't think so.
00:46:21Well, you're already cleaning the restrooms on this floor.
00:46:23But you, please, sing a whole silence to him.
00:46:24No, no, no, wait, I'm doing the negotiation.
00:46:26But no, wait a minute, but...
00:46:28Yes, yes, yes, yes.
00:46:32Oh.
00:46:33Oh, the earring.
00:46:35Oh, yesterday they gave my darn thing as a wedding gift.
00:46:39Oh, oh, oh.
00:46:42I have to put a stop to these people because ten of them are going to scare me to death.
00:46:46Candela, listen to me.
00:46:47Have you told Citi?
00:46:49No.
00:46:50But, Lucia, don't give me that look, daughter.
00:46:51I'm waiting for the right moment, damn it.
00:46:52It's not easy to tell your husband that you've cheated on him.
00:46:54Let me go...
00:46:55Wait a minute, Candela.
00:46:56You have to tell him now.
00:46:57Candela, you have to tell him now.
00:46:58No, no, why so much laughter?
00:46:58Because you have to tell him now.
00:47:00Because I had to tell Diego.
00:47:02No no.
00:47:03Candela, I'm sorry.
00:47:04Have you told him?
00:47:04Oh, my God.
00:47:05But let's see, Lucia.
00:47:06Candela, I'm sorry.
00:47:07What are you thinking about, Lucia?
00:47:08If Diego knows, Citi knows.
00:47:10Pray again.
00:47:10Candela, I'm sorry, but you should see what a huge surprise she's preparing.
00:47:14For your anniversary, which is just freaking out.
00:47:17Oh, no.
00:47:19The anniversary.
00:47:20With a hope that has to...
00:47:22My God, I had completely forgotten about her.
00:47:24Well, a room in paradise, with lots of rose petals, with candles, with...
00:47:29Everything and everything for tonight, that is, for there.
00:47:31The Virgin.
00:47:32The Blessed Virgin Mary.
00:47:38Lourdes.
00:47:41It's for real, right?
00:47:42Another one who knows.
00:47:43Okay, if you want, we can put an ad in the newspaper and it's a done deal.
00:47:46Okay?
00:47:47No, it's just that I had dropped an earring with...
00:47:50Like Lola Flores.
00:47:56Come on, Diego, I was already in the news a couple of years ago, and the girls I would have met.
00:48:01I was going to be here, with the girls from the neighborhood.
00:48:04And what did I think?
00:48:04Did you like the ones from the neighborhood?
00:48:06Yes, woman, you girls from the neighborhood are very good looking, you know?
00:48:08But now I can aspire to other things, you know?
00:48:12Hey?
00:48:13Now they're going to know me as a stop model, you know?
00:48:16Hey?
00:48:16Why did the leg here get tangled up with Fonsi?
00:48:18Because he didn't know me.
00:48:19Hey?
00:48:19But now, in this scene and all, maybe we know each other, you know?
00:48:23And it's different.
00:48:24Alfre, it's a different movie, you know?
00:48:26Hey, auntie, auntie, auntie, auntie, they're going to do a feature on me for a magazine, auntie, I'm going to be
00:48:29The cover!
00:48:29Oh really?
00:48:30Yes, aunt, look.
00:48:30Isn't that great?
00:48:31Giri Guy, do you know her?
00:48:32Yes, of course, of course I know her.
00:48:33Yes, they have a website and everything.
00:48:35How cool!
00:48:36Boris and Zaguirre magazine, special gladiator film edition, Chueca night guide?
00:48:42Raúl, Giri Guy.
00:48:45No way, I'm not posing there, no way.
00:48:48Yes, she poses, yes.
00:48:49No, no, no.
00:48:50Marcos, dude, have you seen that?
00:48:52He's not posing there, come on.
00:48:53Well, if he doesn't want to pose, then he shouldn't pose.
00:48:56Yes, she poses.
00:48:56But why?
00:48:58That's a good question, why?
00:49:01Tell him, why, Raúl?
00:49:02For the exit, man.
00:49:04What's happening?
00:49:05No, no, that...
00:49:08Well, about...
00:49:09So, this whole interrail thing and all that, the money, right?
00:49:13Well, I've lost it.
00:49:15As?
00:49:15Come on, I don't know exactly where I have it.
00:49:17Are you stupid or what, dude?
00:49:19Don't get angry.
00:49:20Don't get angry because you're going to get it back.
00:49:23Hey, Raúl?
00:49:24She just needs to take a few photos.
00:49:29Don't look at me like that, I'm not going to do it.
00:49:31But why wouldn't you do it with all the top models you're going to meet?
00:49:35Let's see, maybe the leg is here, right?
00:49:37Prifonsi?
00:49:48Fiti, stop staring at me, you're making me nervous.
00:49:52Look, Diego, one day...
00:49:54I called you a lackey because I called you that.
00:49:57But today, today I say to you, champion.
00:50:00Damn, man.
00:50:01What composure, what presence of mind, what balls.
00:50:04Fiti, it's not that big of a deal, Fiti, it's not that big of a deal.
00:50:06Really, no...
00:50:06I'm going to tell you something, okay?
00:50:08In your situation with Lucia, to get through it, I'm there, fully committed, okay?
00:50:11Leave it, Fiti, leave it, really.
00:50:13And if one day you fall apart, don't hold back.
00:50:17Not at all.
00:50:18You lean on here and everything else goes outside, everything goes outside.
00:50:21Damn it, that's what friends are for, for the good times and the bad, for fuck's sake.
00:50:23But I really appreciate it, Fiti, but I'm fine.
00:50:26I'm really doing very well.
00:50:28Let me tell you something, Diego.
00:50:30That happens to me too.
00:50:33And?
00:50:34I'm going to jump off a bridge.
00:50:36No, no, Fiti, no, no, no, no, you're not jumping, okay?
00:50:38You're not going to jump, damn it, what the hell are you going to jump for?
00:50:41Listen to me, Fiti, listen to me, it's very important, let's see.
00:50:42If Candela were ever to leave with someone else, which is just a supposition, I'm telling you this as a supposition.
00:50:45Well, you would do what everyone else would do, that is, accept and digest it, as Fermín said.
00:50:49You assume and digest, you assume and you assume us.
00:50:52Bridge without rubber, let's go.
00:50:53Which is basically an option incompatible with life, well, that's it.
00:50:56But, Fiti, life isn't like that, for God's sake, things can get a little twisted,
00:50:59You can't jump off a bridge.
00:51:00But you don't realize, it's like having the bridges packed, the viaducts packed, there would be a queue to jump.
00:51:04That can't be, that can't be.
00:51:06And by the way, little sister, you have the Martinez family, as soon as there's a problem, you have to jump in and throw yourselves into it, right?
00:51:10There are crashes against the ground.
00:51:12That's enough, damn it, enough of you throwing yourselves away.
00:51:14Hey, you can't do this to me, damn it, the whole neighborhood is going to find out, man.
00:51:17My father was killed by grief.
00:51:19Well, now you'll get a lot more action.
00:51:21With you, that's for sure.
00:51:22Okay, see you later.
00:51:26This idiot, what a waste of all our money.
00:51:28Come on, you too, look at Raúl leaving it for me to keep safe.
00:51:31Excuse me, beautiful, but if you gave it, I'll remind you.
00:51:33I didn't give him anything.
00:51:34You had the envelope.
00:51:35I don't.
00:51:36Afri.
00:51:39Don't mess with me.
00:51:44Rapier?
00:51:48Hey, hey, hey, Marcos, Marcos, Marcos, they've got the money, man, look at it, they've got the money right there.
00:51:52I can't believe it, what happened to those women?
00:51:56Let's see, let's see, what are they saying now?
00:51:57That.
00:51:58Now?
00:51:59Now we're going to get what's coming to us.
00:52:00Damn, claret.
00:52:05Of course, we don't have to confess it to him either.
00:52:08Afri, aunt.
00:52:09Look, they were the ones who wanted us to get naked to get our money back, right?
00:52:14But they thought they had lost the money.
00:52:18Afri.
00:52:18No.
00:52:19I see it.
00:52:24They're leaving, man, they should ask for it, dude.
00:52:26Come on, damn it.
00:52:28So, won't he feel guilty?
00:52:29Well, no, they don't seem to have much of a guilty conscience, that's for sure.
00:52:32I'll tell you two things, Marcos, two.
00:52:34One, they're going to freak out because I'm a Martinez, okay?
00:52:37And two, Rita is going to pose as the singer.
00:52:41I'm with you, eh.
00:52:44Piti?
00:52:44Hey, how's it going?
00:52:45Hey there, hottie!
00:52:46Hello.
00:52:48That?
00:52:48Did you think I wouldn't remember, huh?
00:52:50What, you won't remember?
00:52:51Yes, yes, she's playing dumb.
00:52:54Ah, the anniversary.
00:52:55I have a surprise prepared that will blow your mind.
00:52:57Yes, okay, stop for Fiti, alright?
00:52:58Yes, of course not, I wasn't planning on telling you, okay?
00:53:00A surprise is a surprise.
00:53:01Yeah.
00:53:02A clue.
00:53:03Tonight, Hostal Paraíso.
00:53:08Fiti, can we talk?
00:53:09Now?
00:53:10Well.
00:53:12Okay, fine, don't give me that look, damn it, it's not like you're going to tell me something serious.
00:53:15You too.
00:53:19Good.
00:53:20Let's see.
00:53:23Well, I guess lately, well, more specifically during the last week.
00:53:31Yeah.
00:53:32Yes, I...
00:53:33There's the mobile phone, good heavens.
00:53:40Wait a minute, okay?
00:53:45Yeah.
00:53:46No, no, don't catch me at a good time.
00:53:48I'll call you in a little while.
00:53:52What are you doing here?
00:53:53Are you shuffling me?
00:53:54And what are you doing?
00:54:00No, no, no, Julian, I can't.
00:54:03No, I can't, no.
00:54:06Okay, I'm on my way, alright?
00:54:08Okay, I'm on my way.
00:54:09Until now.
00:54:15Fiti, I have to go.
00:54:17Now?
00:54:18Yeah.
00:54:20Ah, I see.
00:54:23Lucia, right?
00:54:24Yes, she has something to tell me, she has something to tell me that...
00:54:27Yes, yes, let me tell you, let me tell you.
00:54:28Yeah.
00:54:28He has a lot to tell.
00:54:29Yeah.
00:54:30Okay, see you later.
00:54:31Well, listen.
00:54:31Yeah.
00:54:32We'll see you there, right?
00:54:34Hey...
00:54:34Yeah?
00:54:35Come on.
00:54:37See you later, beautiful.
00:54:43Well.
00:54:45I'm so sorry, Lucia, but I'm going to tell Fiti.
00:54:47No, Diego, please don't mess things up.
00:54:48But how?
00:54:49What do you mean, don't bother me?
00:54:50No, no.
00:54:50Haven't you seen the one riding in Paradise Land?
00:54:52He's launched into it and he's going to make a fool of himself.
00:54:53We have to stop the anniversary celebrations, and I'll tell him that, and that's it.
00:54:55Diego, please, we have to stay out of it.
00:54:57It's their business.
00:54:58Is that clear?
00:54:59Okay, that's clear.
00:55:00What if Cantana doesn't tell him?
00:55:01Yes, he's going to tell her.
00:55:03Yes, but it's difficult.
00:55:04Of course it's difficult.
00:55:05Damn, he should have thought about it before.
00:55:07Look, Diego, I also find it very difficult to stay out of it.
00:55:10Already.
00:55:10Who do you think you are?
00:55:11Yes, but hey, at least you have Candela there.
00:55:12But the truth is, I'm letting Fiti down.
00:55:14And Fiti is my best friend.
00:55:16My best friend.
00:55:18I can't even look at him, damn it.
00:55:19My heart sinks.
00:55:21And one more thing, Fiti isn't going to top this, huh?
00:55:22We've been talking about it.
00:55:23I mean, no, no, no.
00:55:24Fiti finds out that Candela is with another guy
00:55:26and that she's going to jump off a bridge, that's what she told me.
00:55:27But hey, what's going on?
00:55:28Don't you have any other topic of conversation, Diego?
00:55:30Yes, but that doesn't make it so...
00:55:31They think I'm the cuckold, you understand?
00:55:32In other words, Fiti and Santiago think it's me.
00:55:34Of course they saw you whispering
00:55:36and if you were late and I don't know what else.
00:55:37So, who was sending you flowers?
00:55:39Who was sending you flowers?
00:55:41Diego, they weren't for me, they were for Candela.
00:55:43Oh, well, and on top of that, this guy's a real hard worker, isn't he?
00:55:51Who?
00:55:52Candle.
00:55:52Damn, yes.
00:55:55Yeah?
00:55:57Crossroads, I need to talk to you.
00:55:58What's wrong? Are you okay?
00:56:00Tell him that he told him, that he did tell him.
00:56:04Hey Candela, have you told Fiti yet?
00:56:06No, no, not Fiti, no.
00:56:08It's Julian.
00:56:09What's here?
00:56:11He's at the airport.
00:56:12But how is it there?
00:56:14No, damn it, Lucia, I can't take it anymore.
00:56:17He told me to go with him.
00:56:19What else?
00:56:20What do you mean, going to...
00:56:20Look, Candela, don't talk nonsense, okay?
00:56:22Neither the Canary Islands nor anything else.
00:56:23You stay right there at the airport, I'm coming now.
00:56:25Don't move, is that clear?
00:56:26Okay, let's see, I'll wait for you.
00:56:28Okay, that's all for now.
00:56:32I have to go, Diego, we'll talk later, okay?
00:56:34And after this you'll tell me not to tell Fiti.
00:56:36I'm very sorry, but I'm going to tell him.
00:56:38Look, Diego.
00:56:43I'm going to make a fool of myself, damn it.
00:56:45Things that make you feel guilty.
00:56:46Well, the things you trust in money.
00:56:49Also.
00:56:52But, dude, no, no, Raúl, no.
00:56:54Dude, how are you going to do that, Raúl?
00:56:56I'm an idiot, Marcos, man, and I've lost all my money, you know?
00:56:59And I've already told him yes.
00:57:00Yes, but posing is one thing, and actually doing that is quite another.
00:57:03No, Marcos, man, not everyone has to know either.
00:57:06Find out what?
00:57:07Nothing, nothing, nothing.
00:57:07Very strong, very strong.
00:57:09Shut up, shut up, shut up, Marcos, shut up.
00:57:10Leave me alone, leave me alone.
00:57:11No, shut up, shut up.
00:57:12Not the pasta thing...
00:57:14Wait, the pasta thing wasn't just for show.
00:57:16That guy wants something more with Raúl.
00:57:18Raul, can't you accept this for money?
00:57:21That's what I'm telling you, that's what I'm telling you.
00:57:22No, no, no, no.
00:57:23I've lost the money and I'll get it back.
00:57:25Raúl, but that's not it, damn it.
00:57:27I'll take it.
00:57:27Elena, aunt, you know?
00:57:28I've messed up and I'll face the consequences.
00:57:30And if they have to open the garage for me, they'll open it.
00:57:34Well, it's not that serious.
00:57:40Look, Raúl, this had to happen at some point because it's been going on for a long time.
00:57:45Have you always been into the gay scene?
00:57:47What, what, what, what?
00:57:49Raúl, just ignore him, okay?
00:57:50You're not going to do it, okay?
00:57:51Okay, Elena, come with me to the kitchen for a moment, shall we?
00:57:57What, what, what, what, what, what, what, what, what?
00:57:59We've been credible, haven't we?
00:58:01Are you out of your mind or what?
00:58:03They know it, they know we have the money.
00:58:05But how will we know?
00:58:06Well, I don't know how, but they know, Elena, that I know Raúl perfectly well.
00:58:10This guy won't let anyone open his garage for all the gold in the world, I'm telling you.
00:58:14Sure.
00:58:15Come on, Raúl, damn it, they're bastards.
00:58:18No way, man, nobody here thinks you're a trout, Raúl.
00:58:21Yes, of course, that's why they tell me I'm so much like life after school.
00:58:25Fuck.
00:58:26Raul, but all the women think you're a pervert, dude.
00:58:29Yeah?
00:58:30Yeah.
00:58:30Really?
00:58:31Damn, Raúl.
00:58:32Are you saying this to comfort me?
00:58:33But what if he does it to mess with you?
00:58:35But why?
00:58:35Because I think they know what we know.
00:58:39In other words, we know they have the money.
00:58:40They know that we know...
00:58:42Yeah.
00:58:42I'm lost, man.
00:58:45Those bitches!
00:58:46What badasses and what clever women!
00:58:48Well, let me tell you something, this was definitely meafri.
00:58:50She's a badass and clever...
00:58:54No, wait.
00:58:56Not so much of a list, huh?
00:58:58Yes, I have...
00:59:00One piece of good news and one piece of bad news.
00:59:01The good one.
00:59:02The question is, which one is the good one?
00:59:03The good thing is that there are more women in the world than you can imagine.
00:59:05That's the good news, meaning nothing will happen.
00:59:07And the bad one, well, it's going to leave you in a bad way.
00:59:08That's it, no.
00:59:09No, I'll do it better if it's a more straightforward thing to do in hot baths.
00:59:12Your wife is cheating on you, she's going to leave you.
00:59:14What? How?
00:59:16It's abrupt, isn't it?
00:59:17Yes, he's abrupt.
00:59:18It's not easy to say, but I'm going to improvise with two balls.
00:59:36Damn, Diego, what a scare, you evil bastard, damn it.
00:59:38What's happening?
00:59:38What do you mean, what's going on?
00:59:39What are you doing here?
00:59:39Well, nothing much, I was just passing by and...
00:59:43But how can you handle that?
00:59:45How can someone go through life with such petty reasons?
00:59:47For God's sake, look at this, for God's sake.
00:59:48Damn, those lucky underwear.
00:59:50The ones I wore 20 years ago, damn it.
00:59:52To create an atmosphere, huh?
00:59:54I can still fit into them, you know?
00:59:55Have you seen the fashion plate?
00:59:56Yes, yes, yes, the costume is very good, yes.
00:59:58Yes ok.
00:59:59You'll see, Fiti, eh...
01:00:01How was the catering?
01:00:02Oh, the catering was perfect, man, perfect.
01:00:05I confuse everything, everything is perfect.
01:00:06No way, man, he saved my life, damn it.
01:00:09Yes sir.
01:00:09Okay, very good.
01:00:17Look, I don't want to kick you out.
01:00:20Yeah.
01:00:21I'm not going to fire you, but understand this.
01:00:22Candela, do you want me to put you in the closet now?
01:00:24No, no, Candela is going to take a little while.
01:00:27In other words, they go against each other.
01:00:28Yes, because...
01:00:29Because of a traffic jam.
01:00:30A deadly traffic jam.
01:00:31A traffic jam.
01:00:32It doesn't matter what time it is anymore.
01:00:33It doesn't matter, it's impossible to predict the traffic jams.
01:00:35It's terrifying.
01:00:36It's terrifying, yes.
01:00:37Well, just give it a minute.
01:00:39No, no, no.
01:00:40No, no, no, no, Fiti, you see, what I really wanted was to talk to you.
01:00:45Is everyone talking today or what?
01:00:47Well.
01:00:49Okay, tell me.
01:00:50You see, Fiti, the thing is that the issue is, how would I say, difficult, difficult, it's delicate.
01:00:56But cover yourself, please, Fiti, cover yourself.
01:00:58How annoying.
01:00:59Cover yourself up, cover yourself up.
01:01:00You don't look like you did your military service either.
01:01:02Okay, fine.
01:01:07That?
01:01:08That?
01:01:09Nothing.
01:01:09Nothing.
01:01:11That face is nothing, nothing.
01:01:13Oh no, Santiago, no.
01:01:16Well.
01:01:17But you know me so well.
01:01:19Look, Santi, I have to tell you something.
01:01:20A secret that burns me up and...
01:01:22But promise me you won't tell anyone.
01:01:24I also have something to tell you.
01:01:26Don't tell me you know it too.
01:01:28I know, I know.
01:01:29It's a lie.
01:01:30She has very short legs.
01:01:31Especially those ones.
01:01:32Poor man.
01:01:33He doesn't deserve what's happening to him.
01:01:35And especially now that she looked so good, what a shame.
01:01:37It was bound to happen, it was bound to happen, what was going to happen.
01:01:40Man, Santi, Santi isn't that either.
01:01:43The one I feel most sorry for is that poor kid.
01:01:45Poor Raúl.
01:01:47Raul.
01:01:47What does Raúl have to do with this?
01:01:49Well, Raúl, Santiago, Raúl.
01:01:51This is really bad.
01:01:52And that if her parents separate, she gives him instructions.
01:01:56Are Fiti and Candela going to break up?
01:01:58Not so much.
01:01:59The one who has a lover.
01:02:00It's Lucia!
01:02:02Yes, no, Santi.
01:02:03No, Lucia.
01:02:04Candle.
01:02:06Candle.
01:02:06Candela put it on Fiti.
01:02:09And what will that leave for me?
01:02:11What will he leave her?
01:02:12But what will Candela leave Fiti?
01:02:14But what are you telling me?
01:02:16What's happening to everyone now?
01:02:19Fiti in paradise.
01:02:21In paradise.
01:02:23Leave.
01:02:24But where?
01:02:25But where is Santiago going?
01:02:26Santiago, if you don't know which room he's in.
01:02:29Yeah!
01:02:29Yeah!
01:02:30The man is in my hand!
01:02:32Poor creature.
01:02:35And you kept your mouth shut.
01:02:37Fiance?
01:02:38Fiance.
01:02:43That's intense, isn't it?
01:02:44I can't believe it.
01:02:47Afri.
01:02:47That?
01:02:49We know.
01:02:49The money thing.
01:02:50What money?
01:02:53Afrika, look me in the eyes.
01:02:56No, you're not good enough for me.
01:02:57Elena.
01:02:58Look me in the eyes.
01:03:02That it was us, that we have it.
01:03:03But, girl, you're so lazy, damn it.
01:03:06Damn, Afri, I'm really bad at lying.
01:03:09And Afrika, how do you say it?
01:03:11I'm sorry.
01:03:13I'm sorry, so what?
01:03:15I'm sorry, period.
01:03:18That you have been jerks to us.
01:03:20Okay, okay, okay, okay, okay.
01:03:23Let's see how much money we have.
01:03:24Let's see if we have enough for the interrail trip or not.
01:03:28Host!
01:03:29That?
01:03:31The money was here, I swear it was here.
01:03:34Come on, again.
01:03:35No, Africa.
01:03:38Raul.
01:03:39That?
01:03:39That?
01:03:40The pasta.
01:03:41I?
01:03:42Okay, okay, okay.
01:03:45Come on!
01:03:47No, no, no, no!
01:03:48I was taking it, no, I wasn't taking it!
01:03:49He was taking it, no, he was taking it!
01:03:50Okay, okay, okay.
01:03:51Just a moment, just a moment.
01:03:52One thing that needs to be clarified.
01:03:53We acted as models and put up more money.
01:03:56No?
01:03:57You have to compensate us.
01:03:59How are you?
01:04:00Look, look, no, I have everything here.
01:04:01I have everything.
01:04:02Look, here.
01:04:03A flight attendant is needed for the supermarket.
01:04:05Requirements include people with a good appearance.
01:04:07No.
01:04:08Yeah.
01:04:09Supermarket stewardess.
01:04:11Yes, yes.
01:04:12Raúl, I never thought you were gay...
01:04:15Don't find it, it's not.
01:04:15Touch me, touch me.
01:04:17Tell me, tell me.
01:04:18Tell me, tell me.
01:04:18Tell me, tell me.
01:04:20Tell me.
01:04:21Okay, okay, okay.
01:04:22Oh no!
01:04:23No!
01:04:27Hello.
01:04:29Have you told him, Diego?
01:04:34No, no, I haven't been able to.
01:04:41Thank you.
01:04:42You are welcome.
01:04:45Let's go!
01:05:02Hi, Churri.
01:05:03Hello.
01:05:03Did you see?
01:05:04Look, come in, come in.
01:05:05Look, it's the same old room.
01:05:07The 24th.
01:05:08Yeah.
01:05:08Look, everything.
01:05:10Rich little committee.
01:05:12Came.
01:05:12Before.
01:05:13Cava for later.
01:05:14And me, meanwhile.
01:05:16Don't look for the gift.
01:05:18Because today there are going to be many surprises.
01:05:22What didn't you like?
01:05:24No, good mother.
01:05:25But I had already thought of that...
01:05:26I mean, a five-star hotel like that,
01:05:28Better yet, one of these cool ones.
01:05:30But it was for the symbolic value, darling.
01:05:31To end up where we started, you know what I mean?
01:05:33No, no, no, Fiti.
01:05:34No, no, no.
01:05:35The site, the site is...
01:05:37It's perfect, it's perfect.
01:05:39Perfect.
01:05:39No no.
01:05:41I wouldn't have wanted you to be upset today of all days.
01:05:43Because?
01:05:43No, no, no.
01:05:43But how?
01:05:43How could I not be upset?
01:05:45You've put up with me for twenty years.
01:05:47Listen, I've been thinking, well, in a selfish way,
01:05:48so that he can put up with me for another twenty.
01:05:50Know?
01:05:52Fiti.
01:05:52Yes, we need to talk.
01:05:59Candela's situation is certainly not pleasant, is it?
01:06:03Hey, I'm sorry for acting like that with you,
01:06:05But I really think it's better if she tells him herself.
01:06:09Yes, yes, yes, right?
01:06:09Yes, and besides, I haven't been able to, I mean, I've gone to see him.
01:06:11And I couldn't find the words, could I?
01:06:13No, like...
01:06:15Notice that I told him I had introduced myself there
01:06:18to tell him that the pipe was clogged,
01:06:20In other words, there was like a blockage in the pipe.
01:06:21Why with this, why not...
01:06:23In other words, that's not what will be agreed upon.
01:06:24that they didn't do any of that,
01:06:25But the excuse I came up with is idiotic.
01:06:28Well, don't get discouraged, because they overcame that specific thing.
01:06:30Yes, that's right, yes, sure, yes.
01:06:35It's the one I think is ours too.
01:06:39So, you, and there, after thinking about it so much,
01:06:42Now that we've decided, well, anyway.
01:06:48Hey.
01:06:51I would like to be with you tonight.
01:06:57Please go home.
01:06:58No, no, no, wait, wait, wait.
01:07:01That?
01:07:02The children.
01:07:03Oh.
01:07:04And the truth is that at Fiti and Candela's house, well,
01:07:07It's not the right time.
01:07:08No, it's not the right time.
01:07:10Already.
01:07:11Well, but Fiti and Candela,
01:07:13Maybe they'll leave it in the room now.
01:07:14Diego, don't be a fruit, which one are you overdoing?
01:07:16No, no, no, it was to sneak in a little bit of food.
01:07:19It was a joke.
01:07:20It was a joke, seriously.
01:07:24Hey, and nothing, it's...
01:07:26That?
01:07:27No, tell me, tell me, tell me.
01:07:29Tell me, woman.
01:07:33What if we get a room here?
01:07:35Because?
01:07:42Fiti, please say something, okay?
01:07:47Damn, Fiti, shout, get angry, tell me off,
01:07:53Do what you want, but don't just stay like that, okay?
01:07:55Please.
01:07:57No.
01:07:58No, what?
01:08:00He's really gone all out, Dieguito, huh?
01:08:02Hey?
01:08:03Look, Iberian ham, the best I had.
01:08:06Got it?
01:08:07No.
01:08:08Yes, woman, these things are best done on a full stomach.
01:08:09They get along better, come on.
01:08:10Yes, but I don't feel like it.
01:08:11What do you mean you don't feel like it?
01:08:12A little wine, little wine, little wine, little wine.
01:08:14It's very good.
01:08:15Look at this amazing wine!
01:08:17No, Fiti, please, I don't feel like it.
01:08:19I'm serious, I mean it.
01:08:20Don't put it on, please, Fiti.
01:08:21What I want is for us to talk.
01:08:22Let's talk?
01:08:23Yeah.
01:08:24But, darling,
01:08:25Honey, it's our anniversary, okay?
01:08:27It's our anniversary.
01:08:28I don't want anything to ruin it, okay?
01:08:30We'll talk tomorrow, tomorrow, okay?
01:08:32Talk tomorrow.
01:08:32And that's it.
01:08:33Let's pretend nothing happened.
01:08:35He's gone too far.
01:08:36Yes, it's gone too far, it's gone too far.
01:08:38It's happened, huh?
01:08:39But we've been together for 20 years.
01:08:41And in 20 years, everything has happened to us
01:08:42And there has always been a solution.
01:08:43Because?
01:08:44Because we love each other, damn it.
01:08:48No?
01:08:51You still love me, don't you?
01:09:00I don't know how much less this has given you.
01:09:02Kisses and hugs.
01:09:05Yeah.
01:09:06And the shabby quilt.
01:09:08And this piece of wallpaper.
01:09:11Yeah.
01:09:12Sometimes things don't go as planned, do they?
01:09:14Oh, no.
01:09:15Sometimes it turns out much better.
01:09:17Yeah.
01:09:27What are you thinking about?
01:09:31I've missed you so much.
01:09:36And how will Fit and Candela be?
01:09:40Well, it's always much worse than us, that's for sure.
01:09:54Good night.
01:09:55Good night.
01:09:56I wanted to know what room number is registered under Diego Serrano's name.
01:09:59Oh, complicated.
01:10:01Privacy is highly respected in that establishment.
01:10:03This is an emergency.
01:10:04It's a matter of life or death.
01:10:06An act of infidelity has been committed.
01:10:08Wow, we're very tolerant of infidelity here.
01:10:12And we almost lived off them.
01:10:14In other words, things are very bad.
01:10:16But that's very bad.
01:10:19Well, nobody has to know either.
01:10:21This is the person who told me.
01:10:25Is it appropriate to bribe me with a five euro note?
01:10:27What are you doing, man?
01:10:29Sorry, it's just that with this whole euro thing I was expecting some trouble too.
01:10:32Okay, wait.
01:10:36No.
01:10:41Did Diego Serrano tell me?
01:10:43Let's see.
01:10:45Diego Serrano?
01:10:46The 22nd.
01:10:49And the 24th?
01:10:56Piti!
01:10:58Sorry.
01:11:00Santiago?
01:11:01Santiago.
01:11:04Pussy?
01:11:05And this?
01:11:06So, we're playing the patch game.
01:11:08Santi, what do you think?
01:11:09So, what do you think?
01:11:11Well, that's what it looks like.
01:11:12That.
01:11:13And here?
01:11:13Wait, stay still.
01:11:14Let's go there.
01:11:16Why this nonsense with another chicken?
01:11:17Yeah.
01:11:18Well, it looks like that's not going to happen.
01:11:18That the chicken was your brother.
01:11:20I.
01:11:20That the chicken was me.
01:11:22To the.
01:11:22Don't you care and just leave?
01:11:26Come on?
01:11:28And from where?
01:11:29Santi.
01:11:30And from where?
01:11:30Santi, please.
01:11:36That?
01:11:36You already are.
01:11:41Good.
01:11:42Good.
01:11:59Elena.
01:12:00Elena?
01:12:02Elena.
01:12:04How does it turn out?
01:12:06I never imagined that pajama set could be so sexy.
01:12:09Well, no, you kept that quiet, didn't you?
01:12:11No, it was so as not to spoil the surprise, that's it.
01:12:13Well, it seems the Serran family has re-entered your lives, huh?
01:12:17She's very clever.
01:12:18He only wants you for his own enjoyment.
01:12:20Don't talk nonsense, Santi.
01:12:22Nonsense.
01:12:23I assure you that this time things will turn out well.
01:12:25And I'll tell you something else.
01:12:26Nothing and no one is going to ruin this relationship.
01:12:28Are you going to be a father?
01:12:29That?
01:12:31I'm hopeful, Diego.
01:12:33What happened?
01:12:34Nothing.
01:12:35Nothing has happened.
01:12:37Sit down for a moment, okay?
01:12:55We make two trout.
01:12:57Well, it occurred to me that we could have them for dinner at your house tonight.
01:13:00Ah, no, no, no, it won't be possible, no.
01:13:02What's wrong with you, dude?
01:13:05Okay, okay, okay, not again.
01:13:07Well, it's the third one, Citi.
01:13:09Come on, another little kiss.
01:13:11Just a little bit, man.
01:13:12Just seeing her makes me remember everything that happened in Barcelona.
01:13:15What about Barcelona?
01:13:16What did he tell you happened in Barcelona?
01:13:18I just received wonderful news.
01:13:20And you're going to become a vigaro.
01:13:22In what?
01:13:22A vígaro.
01:13:23One who supports two families.
01:13:24Like Vicente, the father's friend.
01:13:26That he had a family here and another one here.
01:13:28What are you telling me?
01:13:28That Vicente is the Vicentico.
01:13:30Good heavens!
01:13:32So what happens?
01:13:34Look, it's a complete mess.
01:13:37What happened?
01:13:39The same old story.
01:13:41The same old story.
01:13:42Oh!
01:13:42That you are a Martinez.
01:13:44Damn, we Martinezes mostly don't give up.
01:13:47Damn, you taught me that, Dad.
01:13:48He's got the look of a tiger, damn it.
01:13:50Touch his little ears.
01:13:52No, no, no.
01:13:52So that he knows who the alpha male is.
01:13:54I studied.
01:13:55I can study and work at the same time because I did it in Barcelona.
01:13:58No no.
01:13:58Yes, call.
01:14:01Let him get in!
01:14:03Let him get in!
01:14:04Let him get in!
01:14:05Eva has been awarded a scholarship to Toulouse.
01:14:08Did you know that?
01:14:09All you want is to be with yourself.
01:14:11And suddenly three horrible brothers appear.
01:14:14I fall in love like an idiot with one of them.
01:14:16And like an idiot, I let him go.
01:14:19I support you.
01:14:20You support me.
01:14:21And you go forward, damn it.
01:14:23Yes, he tells you for a while.
01:14:24To avoid suffering, it's better to leave it.
01:14:29Let him get in!
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