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Consciente del escaso interés y esfuerzo que pone Santiago, Lourditas busca una solución alternativa para quedarse embarazada. Para garantizar una concepción segura y de confianza, la profesora de religión decide recurrir a Fernando, el psicólogo del colegio, como donante. Preocupados por la desordenada vida que lleva Fiti tras su ruptura matrimonial, Diego y Santiago visitan a Fernando en busca de consejo. El terapeuta asegura a los hermanos Serrano que su amigo está huyendo del dolor y que debe enfrentarse a él para superar el problema. Cuando Diego y Santiago intentan que Fiti afronte su situación, el mecánico se muestra escurridizo. Mientras tanto, las continuas fiestas que Raúl, Álex y Helena organizan en el nuevo piso que comparten, provocan las quejas de la vecina de al lado. Lejos de aguantar estoicamente dicha situación, la mujer contraataca haciendo más ruido y comienza una guerra abierta entre ambos bandos.

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00:00:09Dinner's ready!
00:00:14Are we all at the table?
00:00:15Well no.
00:00:16Well then, we have to wait until we're all here.
00:00:18Come on.
00:00:19Fiti, we'll sit down now for dinner.
00:00:21And Lucia made you lasagna.
00:00:24Your favorite, the tuna one.
00:00:27Ah, I see.
00:00:29Well, don't worry, nothing's wrong.
00:00:32Come on, we're waiting for you, we're waiting for you.
00:00:35He's right here and he was just coming.
00:00:37Can we begin now?
00:00:38No, let's wait a little while and then we'll all have dinner together.
00:00:41Today he promised that he's coming, that is, he's coming.
00:00:44My brother says that since Fiti has been living at home, he's not just another member of the family,
00:00:48but has become like a son to his dad.
00:00:51Leave him alone, leave him alone Guille, Fiti said he was coming, I mean, he's coming.
00:00:57My father is very worried about Fiti.
00:01:00I hadn't seen him like that since Marcos and Eva started dating.
00:01:05What's wrong, why isn't he getting it?
00:01:06Well, no, no, he doesn't get it.
00:01:07Another walkout, isn't it?
00:01:08I imagine you'll give him a piece of your mind or something, because, come on, if I did that to you, I'd be in for a world of hurt.
00:01:11the thing is...
00:01:12Yes, the one that took you there.
00:01:13Yes, because it has nothing to do with it.
00:01:14I mean, it's you, you, and Guille, who has nothing to do with it.
00:01:16Because they must have kept Fiti entertained in the workshop.
00:01:18A job is a very demanding thing, something you don't know, very demanding.
00:01:22No, nothing has happened to him.
00:01:25Well, no, he probably didn't go out partying like usual.
00:01:27Already.
00:01:27And don't you worry, please.
00:01:28Okay, well, I'll call him again and see if...
00:01:31But my father was very worried.
00:01:39Have they gone to bed yet?
00:01:40Yeah.
00:01:42Shall we go to bed?
00:01:43Hey, don't you think it's a little strange that he hasn't left any message or given any warning or anything?
00:01:47Yes, lately he's always doing the same thing, Diego.
00:01:49Yes, but let me know, Lucia. Let me know.
00:01:52And my father's concern was so great that he took matters into his own hands.
00:01:56But he took them in a strange, strange, strange way.
00:02:01A station platform under the blazing sun
00:02:04You were talking about a skyscraper in the sky of New York
00:02:08Come soon to see the sea and send a postcard
00:02:12I already knew that day was the end
00:02:16Now I have much more
00:02:20Red, black for cleaning
00:02:22Finally, luck brings an ace and a crystal to look through.
00:02:25And a wall to hang it on.
00:02:27Seven smiling faces in one ID photo
00:02:30My stories weren't about tales made by chance.
00:02:37Nobody told me that fate would give me this opportunity.
00:02:44One plus one equals seven
00:02:47Who would have thought?
00:02:51That it was so easy to be happy
00:03:10What is this? What is this? That I'm the street tout?
00:03:13But it's time to rest.
00:03:15Alex, change that lazy guy you've had working for you.
00:03:18Have a little fun
00:03:18This is my friend Alex!
00:03:20Alex, come, come, come
00:03:22You who are a dog
00:03:23Chucky told me something, but I don't believe it.
00:03:25Let's see that it's pure chemistry
00:03:27Let's see, methane burns
00:03:28And what are methane farts made of?
00:03:30And what do you think? Well, farts burn, look.
00:03:32What has this seen?
00:03:34Look, man, I don't want to see
00:03:37Look, what's wrong? You're not going to sleep, are you?
00:03:40Afri, come here woman, have a drink with me
00:03:44Hey, Afri
00:03:46Afri
00:03:47Afri, they're talking, right, dude?
00:03:49Oh, what?
00:03:50Look, look, the neighbor
00:03:51No, man, no, man, no, man!
00:03:53They've been like this for two hours, man.
00:03:54Oh, I feel much more at ease now, Raúl
00:03:57The police called me
00:03:59Uh, did he say police?
00:04:01Police said, don't give a damn
00:04:03That's it, the party's over.
00:04:05Come on, everyone out of here
00:04:06Come on!
00:04:07Come on
00:04:07What's happening?
00:04:09Come on, everyone outside
00:04:10Come on, and silence
00:04:12But we're at our peak, man.
00:04:14But we're at our peak, man.
00:04:15But no
00:04:15Hey, man, that's not how it works.
00:04:16But if we give in to that bitter woman, man
00:04:19We'll never be happy, man.
00:04:21What do you want? Not to leave?
00:04:22Are you leaving too?
00:04:23Come on, let's go
00:04:24No, dude, we were having a great time
00:04:26Come on, let's go
00:04:27See you tomorrow
00:04:27They're going to call the police here
00:04:30And let's go
00:04:30You're all losers
00:04:49He...
00:04:50What? Fiti hasn't come to sleep, has he?
00:04:53Yes, he has come, son.
00:04:53He's come, the thing is...
00:04:55He got up very early
00:04:56And he went to fix the workshop
00:04:57That it was dirty
00:04:58Come on
00:05:01Honey, do you think children are stupid?
00:05:03Hey, but it's true that we're not stupid.
00:05:04He spends all night out partying.
00:05:06Well, we're going
00:05:07When I grow up, let's go
00:05:08It's because of the life Fiti leads.
00:05:09When I grow up, I'll be like him, I mean
00:05:10What? If you? What?
00:05:11If you're going into debt, it's nonsense, man.
00:05:12He's always losing nonsense
00:05:14No, no, no
00:05:15Sorry, yes
00:05:15Sorry, yes
00:05:16Sorry, yes
00:05:18Sorry, yes
00:05:18I'm going to call the police
00:05:19Because something has happened to this man
00:05:21Yes, he's been out drinking and is closing down homes
00:05:23Or by opening them
00:05:24Because at this hour
00:05:24No, I have a feeling, Lucia
00:05:26No, no, no
00:05:26It's just that I see things
00:05:27So, I see that...
00:05:28This... this...
00:05:28I see it under the wheels of a truck
00:05:30I see offal, I really do.
00:05:36Eight hours
00:05:38Forty hours
00:05:39Fuck
00:05:39I've made a mistake, I was calling at the wrong time
00:05:41Well, I'm nervous, because it doesn't...
00:05:42Here we are!
00:05:44Here we are!
00:05:45Good morning, good morning, bonjour
00:05:47How are things?
00:05:48I'm here with a colleague
00:05:49I want to see your fish
00:05:50Huh? Did you see that?
00:05:51I present to you
00:05:52Little gurney, fruit
00:05:53Frutu, gurrito
00:05:54And the rest of the mountain people
00:05:55Present here
00:05:56High five, high five, buddy
00:05:56Well, I think we have a container
00:05:58Let's see
00:05:59Look, look, how cool!
00:06:00Let's throw it here
00:06:02Watch out, Fiti, eh
00:06:03Isn't it cute?
00:06:05Well, and he's quite the joker, isn't he?
00:06:07Frutu, guayajuerga
00:06:07We had a great time tonight
00:06:08We have burned down Santa Justa
00:06:10And part of our action
00:06:10This is your new Kelly, Frutu
00:06:12Fiti, Fiti, if you don't mind
00:06:13Can we talk for a moment alone?
00:06:14Yes, man
00:06:15Let's go
00:06:15Go this way
00:06:19Dude, it's just that
00:06:20I saw it there
00:06:21Alone in the pincer
00:06:23And I have identified
00:06:23I have logged in
00:06:24But, but, but, but, but
00:06:25What are you telling me, Tarot?
00:06:26How are these hours going?
00:06:27Damn it, I'm running late, for fuck's sake
00:06:28I've gotten confused
00:06:29That's it
00:06:30But, Fiti, what have you given us tonight?
00:06:31We were all very worried about you
00:06:32We have not reached an agreement
00:06:33I'm at the same level because we haven't reached an agreement, do you understand?
00:06:36I'm in the same boat too, isn't that annoying?
00:06:38Don't eat my ear
00:06:46Oño, gymnast
00:06:48Someone's going to be giving it to the pirraj here.
00:06:49It smells like awful alcohol
00:06:50Call to life, Santi, call to life
00:06:52Fiti, realize that in the kitchen
00:06:53There is a family that needs to be set as an example.
00:06:55And you, with love, I'm telling you this, Fiti
00:06:57You're not setting a good example.
00:06:58You're not a role model, Fiti.
00:06:59Yes, Dad
00:07:00Yes, yes, come on
00:07:01Okay, let me go get into bed for a bit
00:07:03Hey?
00:07:04Let's see if I recover
00:07:07My name is a little
00:07:08He's messing with me, brother
00:07:09He's toying with me.
00:07:10He's toying with me, he's toying with me
00:07:13Yes, for Rita
00:07:14Hey?
00:07:16Here
00:07:18Here, in the park
00:07:22Making silence
00:07:23That's it, Santi, you do your part
00:07:24I'm doing my part, you know?
00:07:27And don't forget that the check-up is at 11.
00:07:29Yeah?
00:07:29Yes, yes
00:07:29Should I take a shower?
00:07:31Rooted?
00:07:33I'm going there
00:07:33Okay!
00:07:35See you later, love
00:07:38Saint Jude, I ask you on my knees
00:07:41Well, not on our knees because we're at school.
00:07:43But I'm asking you, please.
00:07:43I beg you, please, let Santi be okay
00:07:45And that we can soon have a baby
00:07:48You would make us so happy
00:07:50Oh!
00:07:51Good heavens, Fernando, what a scare!
00:07:53Good morning, Madam Director
00:07:56Nothing, I was just here looking for some reports
00:08:00Of...
00:08:01The pattern of the impossible, and what's that about?
00:08:03Well, we have a doctor's appointment, Fernando
00:08:05And let's see if with diet and exercise, Santi, your...
00:08:11Their...
00:08:11Promotoceids?
00:08:12Those
00:08:13Well, let's see if they've woken up from their slumber.
00:08:14Already
00:08:14Santi is taking this very seriously, huh?
00:08:16Oh, really?
00:08:17Well then, good luck
00:08:27Okay?
00:08:28Horse
00:08:31Love for...
00:08:32Love of horses, their...
00:08:34I try to tie him up
00:08:42What the hell is this?
00:08:43Damn, damn
00:08:44Hey, hey, hey!
00:08:48Okay, that's it, right? We're sleeping.
00:08:51What are those blows?
00:08:53Damn, people who do their own thing, you know?
00:08:55Here, they are there
00:08:56It's not even one o'clock yet, damn it, please!
00:08:59We're sleeping!
00:09:02What is this?
00:09:05They are castanets
00:09:06Castanets, kid, it's psychological warfare, man.
00:09:08That slutty neighbor is challenging us to an arm wrestling match
00:09:10That makes sense, after all the trouble we've given him...
00:09:16How are you? How are yours?
00:09:17Okay, okay, brother
00:09:18My little ones are still paid for
00:09:20I'm not hungry, kid, but I'm sorry
00:09:22Don't torture yourself, Santi
00:09:24If it's not from God, then it's not from God.
00:09:26And if adoption is necessary, then we adopt, right?
00:09:28Well, adopt
00:09:28The important thing is that you did what you could.
00:09:31So don't worry, darling.
00:09:35See you later, Lurditas
00:09:36See you later
00:09:41I'm devastated
00:09:42Sunk, brother
00:09:43You're going to eat, no, you're not sunk.
00:09:44You're an idiot.
00:09:45How are you going to speed up the little bugs?
00:09:47Do they never stop eating?
00:09:48And everything you eat is fat, too.
00:09:50And the fishing rods, you know?
00:09:51They're lying to Lurditas about the diet.
00:09:52They are lying to you
00:09:53Yes, and you're lying to me too.
00:09:55Why? Why?
00:09:56Because you're a fraud, Santi
00:09:57You are a fraud.
00:09:58Tomorrow, tomorrow, dripping
00:09:59I'm going to end the risk
00:10:00Tomorrow, eh
00:10:01So, we'll leave it for tomorrow.
00:10:02Very good, very good
00:10:02Look, Frutu
00:10:04Here you go
00:10:05This is your second home
00:10:06The tavern
00:10:07Do you like it?
00:10:08But, Fiti, Fiti
00:10:09For God's sake
00:10:09You're talking to a fish.
00:10:11What are you doing talking to a fish?
00:10:12That's a fish.
00:10:12Little
00:10:13I just bought her the little house
00:10:14And he's happier.
00:10:15And a little bit of food here
00:10:16That's going to happen
00:10:17It pisses you off, doesn't it?
00:10:18Stay still
00:10:19Don't eat that
00:10:19It's not yours, man.
00:10:20No, man
00:10:21Fiti
00:10:21Fiti
00:10:22You're going to look like a pig
00:10:23Like you were eating like that
00:10:24That you're abandoned
00:10:25You're letting yourself go, Fiti.
00:10:26But I am not abandoned.
00:10:27What I am separated from
00:10:28And enjoying it
00:10:29What's happening?
00:10:30It's not going to be possible to be happy now
00:10:31Right, Frutu?
00:10:32Carpe Die
00:10:32Al Carpe Die
00:10:33Long live the Virgin!
00:10:34Let's party, dad!
00:10:36And if you haven't tested
00:10:36I shit on you.
00:10:37Don't mess with my fish, okay?
00:10:42Don't screw it up
00:10:43It's fake.
00:10:44Man, Fiti
00:10:46I've been looking for you all morning
00:10:48Let's see if we can loosen up.
00:10:50What, how, what, what is this man saying about loosening up?
00:10:52What are you saying, Fiti?
00:10:53Nothing, nothing
00:10:54Nothing, no
00:10:55Gambling debts must be paid.
00:10:58Fiti, don't tell me, for God's sake!
00:10:59Don't tell me he's been playing around
00:11:00So, he's been playing
00:11:01But don't tell me.
00:11:02Because he ran out
00:11:02It has already been played
00:11:03I'm going to tell you something
00:11:05You're a loudmouth
00:11:07You're a loudmouth, yes, yes
00:11:08You're a loudmouth and a smart aleck
00:11:09And a cheat too, huh?
00:11:11And be careful with me.
00:11:12But be very careful.
00:11:13Hold on tight
00:11:14Because you're going to get noticed.
00:11:15And it's going to make you furious.
00:11:16No, Diego, for God's sake!
00:11:16How can you give me a San Jacobo?
00:11:17This sawdust is getting in my mouth
00:11:19The batter in the eye?
00:11:20It's the sawdust, the batter
00:11:21Well, it's okay.
00:11:22You just hold on there
00:11:23Hold on
00:11:23Oh, God
00:11:24Hello good
00:11:25What happened to you?
00:11:26The thing is...
00:11:29Fiti, who tripped in the shower
00:11:30A bad blow has fallen
00:11:31And it has fallen
00:11:32And he's hit himself right in the eye
00:11:33And that's why she's like...
00:11:34Come on, you've been beaten up, haven't you, Fiti?
00:11:35They haven't beaten her, they haven't beaten her
00:11:36Dad
00:11:37Did you get into a fight, Fiti?
00:11:38Yes, well, yes
00:11:39If you don't hold me back, I'll eat it, come on
00:11:41And did you win?
00:11:42What will he gain?
00:11:43Can't you see how his eye is?
00:11:44When two people fight, nobody wins, you idiot.
00:11:46Well, well, that's very relative, isn't it, Lucia?
00:11:48Let me tell you something, guys
00:11:49Much better to put someone in than to be put in, huh?
00:11:53Diego, can you help me find the sliced ​​bread, please?
00:11:56I bought it this morning
00:11:56Can you help me find the sliced ​​bread?
00:11:58Oh, yes.
00:12:02Excuse me, I didn't understand.
00:12:04I mean, I didn't get it.
00:12:04Hey, I'm worried about this, you know?
00:12:06I already know, Lucia
00:12:07But what do you want me to do?
00:12:08He's completely out of his mind.
00:12:09I mean, I tell him a hundred thousand times, I tell him
00:12:11But he's gotten himself into a row.
00:12:12And he's gotten involved in gambling too
00:12:13Oh, also at a gambling den?
00:12:15Yeah
00:12:15Well, this seems amazing to me.
00:12:16Look, let me tell you something
00:12:17I love Fiti like you do
00:12:18Already
00:12:19But we have children
00:12:19And I have given them a terrible example
00:12:22Disastrous
00:12:22Don't listen to reason with me, Lucia
00:12:23He just won't listen to me.
00:12:24In other words, I'll tell you.
00:12:25But he doesn't listen.
00:12:26As if I could hear it raining
00:12:27Well, look, I'm very sorry.
00:12:28Either Fiti changes or he has to leave here
00:12:29With all the pain in my heart
00:12:31So talk to him
00:12:32And make him understand.
00:12:33But this time, good.
00:12:34Okay, okay, I'm going to
00:12:36I'm going to make him understand, yes
00:12:37Okay, let's see if that's true.
00:12:38So, that's it, Fermín
00:12:39I don't know what to do with Fiti
00:12:41Because Lucia is pressuring me
00:12:42And rightly so.
00:12:43Because he's setting a very bad example for the children.
00:12:44And he's wrong.
00:12:45When he's not taking us to Australia
00:12:47He disguises himself as a police officer
00:12:48And patrol the city
00:12:49But that is
00:12:49It's completely out of control
00:12:51In other words, he eats like a pig.
00:12:52Baby
00:12:52Because he drinks
00:12:53Drink, drink
00:12:55Man, if I were a prince
00:12:56And a boy from Hanover, for example
00:12:58Well, it's the same there, let him drink.
00:12:59But something, being a mechanic from Santa Justa
00:13:01Well, I don't see him drinking.
00:13:02And now he plays
00:13:03And he goes into debt
00:13:03So angry
00:13:04That today a
00:13:05Oh well
00:13:07And the other
00:13:08And?
00:13:09Other
00:13:10Oh, no
00:13:11About the fish
00:13:12No, I'm not telling him.
00:13:12Please
00:13:13Please
00:13:14Yes, you
00:13:15Well, now
00:13:16Now he has given
00:13:17For talking to a fish
00:13:19As?
00:13:19Let me explain.
00:13:21In other words, to talk about what talking is.
00:13:23I mean
00:13:23In other words, he doesn't speak in long paragraphs.
00:13:25But he speaks.
00:13:26In other words, talking is there
00:13:27We're not hiding it from you.
00:13:29He's talking to a fish
00:13:31And since when has this been happening to him?
00:13:33Since he separated from Candela?
00:13:35There
00:13:35Yeah
00:13:36And have you spoken with him?
00:13:38What happened to him?
00:13:39Us?
00:13:40Should I talk to him about Candela?
00:13:41Oh no, impossible.
00:13:42No, no, no
00:13:43That's taboo, huh?
00:13:44In other words, forbidden
00:13:44Totally prohibited
00:13:45That's off-limits territory.
00:13:46Don't lie at home
00:13:47Come on, no
00:13:48Well, that's the bad part
00:13:50From what you tell me
00:13:51He is running away from the pain
00:13:52Fleeing?
00:13:54Already
00:13:55That disguises
00:13:56In other words, he's playing hard to get.
00:13:56But then inside
00:13:57It's a mess
00:13:58Well, no
00:13:58That's not exactly it.
00:14:00He is unaware
00:14:01From his own discomfort
00:14:03He feels euphoric
00:14:04And he denies the problem.
00:14:05In other words, there is negation.
00:14:08That is denying the denial
00:14:09There, Fermín
00:14:10It is denying the denial.
00:14:11Yeah
00:14:12I'm lost
00:14:13But I'm losing
00:14:13Okay, just a moment
00:14:14Look, just a moment
00:14:15Fiti
00:14:16She has to face her pain
00:14:17Accept what happened
00:14:19And go through what we call grief
00:14:20And until I go through the grieving process
00:14:22Well, things aren't going to get back to normal.
00:14:24Yes, but one thing
00:14:25What if Fiti doesn't want to think about Candela?
00:14:27Because he just won't face it.
00:14:28In other words, Fiti doesn't face it.
00:14:30Well, maybe he needs help.
00:14:31Guys
00:14:32You're his friends, aren't you?
00:14:34Make her confront the issue of Candela
00:14:36Make him confront his pain
00:14:37Let it break
00:14:38Let her cry
00:14:38Let him suffer.
00:14:39There
00:14:41You've been amazing, Fermín
00:14:43I've caught you, huh?
00:14:44I've caught you with the problem
00:14:45But surprising
00:14:45Very good
00:14:46Very good
00:14:46Well, I thought that making it break
00:14:47Well, it breaks and that's it.
00:14:48And that's it.
00:14:49If it breaks, it breaks.
00:14:50So that she cries
00:14:51No?
00:14:51No, yes
00:14:52No no
00:15:04Burdita?
00:15:04Can?
00:15:06Excuse me for coming to work like this.
00:15:07But you, by any chance?
00:15:08You haven't spoken to José Luis, have you?
00:15:10Well no
00:15:10Well, you see?
00:15:12Nothing, he told me a week ago
00:15:13He was going to look for bowling pins.
00:15:14And he didn't appear.
00:15:16And I'm waiting for him to move in.
00:15:17We've rented a little apartment
00:15:18To live together, you know?
00:15:19Yeah
00:15:20But nothing, he hasn't come back.
00:15:21Well, nothing will have happened.
00:15:22No way.
00:15:22If he sent me an SOS about that
00:15:24Telling me that I was rather
00:15:25That the pesetas
00:15:25But it was going to be delayed
00:15:27Damn this delay
00:15:28Wow, what a pair of balls!
00:15:29What does your brother have?
00:15:31Baby, are you paying attention to me?
00:15:35Little creature, what's wrong with you?
00:15:37What's wrong, queen?
00:15:38Could it be because of what I told you about your brother?
00:15:40You know I get carried away, I get carried away
00:15:41But then I want it more
00:15:42That's a bad thing
00:15:43No, you've done it.
00:15:43How could I know?
00:15:44I don't know that.
00:15:46Oh, baby
00:15:47What great anguish!
00:15:48Tell me about it, queen
00:15:49Vent your feelings
00:15:50Oh, sweetie, well then
00:15:53I think I've realized
00:15:55That probably
00:15:56I'm never going to be a mother in my life.
00:15:58Sorry
00:15:59And believe me, I've prayed.
00:16:01I have prayed
00:16:02Oh, I prayed, but
00:16:03Look, if praying did much good
00:16:04Do you really think there would be so much hunger in the world?
00:16:06Come on, I won't have prayed for you.
00:16:07And it's been useful to me.
00:16:09But I was hoping for some little miracle.
00:16:11Woman, the thing about the Immaculate Conception
00:16:13It happened once
00:16:14But come on, it was weird.
00:16:15I don't believe it will happen again.
00:16:17Now that there are other things nowadays
00:16:18Daughter, you haven't heard of sperm banks.
00:16:20Ugh, how disgusting, how disgusting
00:16:22What do you mean, "disgusting"?
00:16:23Don't be old-fashioned, coined
00:16:24Those are technological advances
00:16:26You have to think about it.
00:16:27No way, not even a thought about it.
00:16:29No, man, no
00:16:29That the Holy Mother tells you no
00:16:30And that's because no
00:16:31Come on, come on
00:16:32Come on, God would have to come down from heaven.
00:16:33And tell me
00:16:54So much talent, so much love, and so much history.
00:16:56And look
00:16:57He has shown us the anthology of Spanish chestnuts
00:16:59At least 17 times already
00:17:00I don't know, she's going to end up blaming Alonso, right?
00:17:03Hey
00:17:03Maybe we've been a little soft, haven't we, Raúl?
00:17:05You're right.
00:17:06You're right.
00:17:06We must counterattack
00:17:07Is it a counterattack?
00:17:08Yeah
00:17:09Come here and have a good time, stop the flattery, your biases are starting to show.
00:17:12Look, I don't care about the neighbor.
00:17:13Today is a day to rest.
00:17:14Rest?
00:17:15Do you know what it is?
00:17:16Well, that's what has to be done.
00:17:16Yes, kid
00:17:17Leave whatever you want there.
00:17:18But if we don't stop this woman from rushing around...
00:17:19We'll have chestnuts until Judgment Day, you know?
00:17:22The truth is, it's unbearable, isn't it?
00:17:24Are you tired of having to change those inconvenient paper bags that I never remember?
00:17:31Luritas, darling
00:17:32Yeah
00:17:33Are you coming to bed?
00:17:34Yes, I'm going now.
00:17:35If you don't hold my hand, I won't fall asleep.
00:17:38Exact
00:17:38I'm coming now, I have some chores to finish.
00:17:40But don't keep me late
00:17:42No
00:17:56I vote for war
00:17:57Who is with me?
00:18:00Enough
00:18:02Hey, but no music, okay?
00:18:03Hey, I've made methane.
00:18:04Okay, fine
00:18:06No, no, no, Chuby, Chuby
00:18:08I have a better one.
00:18:08I have a better one.
00:18:09The one about the horny neighbors
00:18:11The one from the?
00:18:11Yes, yes, yes
00:18:13Tell me, yes
00:18:13Come on
00:18:15Come on
00:18:16Yeah!
00:18:18Take!
00:18:22Yeah?
00:18:23Hit me!
00:18:24Oh, yes!
00:18:25Oh!
00:18:28Oh!
00:18:33You can't!
00:18:34Oh!
00:18:34Ah!
00:18:44Let's put on some music, shall we?
00:18:46Yeah
00:18:47Yes, yes, put on some music, yes
00:18:50That?
00:18:51A cigarette?
00:18:59Come get you, neighbor!
00:19:02Ah!
00:19:03Come on!
00:19:14Stay at war, because you'll all be finished.
00:19:18I haven't heard of sperm banks.
00:19:20Come on, God should come down from heaven and tell me...
00:19:23Come on, God should come down from heaven and tell me...
00:19:24Come on, God should come down from heaven and tell me!
00:19:26Little Murritas!
00:19:29Murritas, woman, I'm here.
00:19:33Diego?
00:19:35But what Diego are you talking about, Lurditas?
00:19:38I am God, you don't recognize me.
00:19:39Oh Lord, forgive me.
00:19:41Forgive me, I just imagined it would be more like that.
00:19:44Come on, you're just like my brother-in-law.
00:19:46Your brother-in-law, mine, everyone's.
00:19:49Remember, God made man in his own image and likeness.
00:19:53Okay, Lurditas, no beating around the bush.
00:19:55What's wrong?
00:19:56Well, sir, I would like...
00:19:58If it were your will...
00:20:01I would like to enjoy the gift you gave to women.
00:20:03I would like to be a mother, but I can't.
00:20:05And I was hoping, if it's not too much trouble, for some little miracle.
00:20:08You see, Lurditas, let me tell you, miracles are obsolete.
00:20:11I mean, I don't know anymore.
00:20:13So, I'll never be able to have a child.
00:20:16That's not it either, woman. There are always solutions.
00:20:19You're not talking about the sperm bank, are you?
00:20:23But you see that as ethical.
00:20:24If I invented ethics, let me remind you of something else.
00:20:28Nothing happens against my will.
00:20:31So, if there are sperm banks, there must be a reason...
00:20:34Excuse me, I'm getting a call, okay? Excuse me a moment.
00:20:38Yes, one moment.
00:20:39Lurditas, get informed, woman.
00:20:42Find out more!
00:20:44Find out more!
00:21:10Find out more!
00:21:11Johnny!
00:21:12Choni, I'm sorry to wake you up, I know it's late, but...
00:21:15That?
00:21:15Choni, you're celebrating.
00:21:17What do you say about partying?
00:21:18No, Choni, no...
00:21:20It's because I've been talking to God.
00:21:23Oh, you have a cough.
00:21:25That's why she feels so bad.
00:21:28Shut up already, you wretch!
00:21:30Choni, no, what she wanted was...
00:21:32See if you can come with me to the sperm bank tomorrow.
00:21:35I'll find out.
00:21:37Lurditas, darling, look, I'm not copying you, okay?
00:21:39I'm not copying you, we'll talk tomorrow.
00:21:40And that's what I call you?
00:21:42Hey, take care of that cough.
00:21:49Will it be possible tonight?
00:22:02Well, at least we know Fiti didn't go out last night, right?
00:22:05Yes, of course, but the mess that's been created here is serious.
00:22:07How could he have swallowed all this? Is he going to have a heart attack?
00:22:09No, let's go.
00:22:10I don't want to go into details, okay?
00:22:12But Pepe's lunch bag...
00:22:14I put it in much emptier.
00:22:16What do you say, gentlemen?
00:22:17What else?
00:22:17Honestly...
00:22:20Good morning.
00:22:20Good morning.
00:22:21Hey, can I ask what you guys are still doing in your pajamas?
00:22:23Well, because we can't dochar, right?
00:22:24But why not?
00:22:25Because Fiti has barricaded himself in the bathtub and I won't let him out.
00:22:27It's been soaking for half an hour now.
00:22:28That?
00:22:29Or more.
00:22:30I'll be right there.
00:22:30Diego.
00:22:31Yes tell me.
00:22:33You hadn't said anything, had you?
00:22:34I'm on it, Lucia.
00:22:35I'm on it.
00:22:36Trust me, because I'm going to fix it.
00:22:37Already.
00:22:38Do you know if it's true?
00:22:39Yeah.
00:22:40Give it to me with tin.
00:22:41Go.
00:22:44Santi, tell me, what are you doing with that bag?
00:22:47There wasn't one today...
00:22:48We didn't start the regimen or the running and all that.
00:22:51Tomorrow, I can't do both things at the same time.
00:22:53If there is a shift, there cannot be a break.
00:22:56And what's next...
00:22:57Breaking of siege, breach.
00:22:58Where is the person who has been harmed?
00:23:00Well, it's upstairs.
00:23:01He's taking a bath, which is better, because that way he's relaxed.
00:23:03Okay, up.
00:23:04Break it.
00:23:05Wait, wait, wait a second.
00:23:06One little thing, Santi.
00:23:07We're going to make a break, huh?
00:23:08But gently.
00:23:10So...
00:23:10Let me go first, okay?
00:23:13Fiti, can we come in?
00:23:14Fuck.
00:23:15Damn, you're at home...
00:23:16Okay, come in, Santi, come in.
00:23:20You see, Fiti, we wanted to tell you something, something that worries us.
00:23:27That...
00:23:27Well, since we're concerned, we want to talk to you about it.
00:23:29But...
00:23:30I want to tell you that...
00:23:31Fiti, you're not well.
00:23:32Are you OK.
00:23:33"I'm not well," he says.
00:23:34I'm better than ever, damn it.
00:23:36I feel like a maharaja.
00:23:38Look, Santi.
00:23:38Grab my hands in the square and give me a little on the back.
00:23:42Good fruit, good fruit.
00:23:44Good fruit, good fruit.
00:23:44Good fruit.
00:23:44Ah, look at my hands, man.
00:23:46Already.
00:23:46Well, Fiti, I understand you.
00:23:48Because the same thing has happened to me, you understand?
00:23:50But I wanted to tell you that he left you...
00:23:52You mean it went up in flames.
00:23:54Well, we haven't talked much about the subject.
00:23:56Well, not much.
00:23:56Come on, we haven't talked about anything, nothing.
00:23:58Hey?
00:23:58So what is there to talk about?
00:23:59It's not necessary, because I've already gotten over it.
00:24:02Right, fruit?
00:24:02Hey?
00:24:04We've overcome that here.
00:24:08Let's see, Fiti.
00:24:10To you.
00:24:11Your wife dumped you like a dog.
00:24:13Hey?
00:24:14And that hurts.
00:24:15Hurts!
00:24:18What are you laughing at, Fiti?
00:24:19What are you laughing at?
00:24:20Fruit.
00:24:21You're tickling my nether regions.
00:24:23But what tickles, for God's sake, Fiti.
00:24:25We're talking about pain.
00:24:26And the pain hurts.
00:24:27And imagination is bad.
00:24:30It's bad because you imagine bad things.
00:24:32She's hot-blooded, you understand?
00:24:33And you have to imagine that they're together.
00:24:35Can't you imagine?
00:24:36Getting ready!
00:24:37Your wife has cheated on you so badly you can't fit through that door.
00:24:40And he's told everyone about it.
00:24:41Yes, yes, yes, yes.
00:24:42They've told the whole neighborhood.
00:24:44They have closed from Fritangal to Mercera.
00:24:49What do you think?
00:24:56Now, now it breaks.
00:24:57Now it breaks, now it really breaks.
00:24:58Now it breaks.
00:25:04Oh, what a scare!
00:25:06No, no, it would be the one who had sat on top of the Frutu.
00:25:09It's here, it's here.
00:25:10Wow!
00:25:10Go swimming.
00:25:13Let's go, Santi.
00:25:14Hold on a minute, guys, seriously.
00:25:15Before you go, which I appreciate.
00:25:17Thank you for speaking with my son.
00:25:19That's fine, but I'm not going to make him sad, you know?
00:25:21Because what the eye doesn't see, the heart doesn't grieve over.
00:25:22Is that clear?
00:25:23Thank you so much.
00:25:24Yeah.
00:25:25Leave her alone, leave her hand clear.
00:25:28It's here, it's here.
00:25:33Baby, are you leaving me for dead?
00:25:34The "God with you on TV" thing was a gay poster.
00:25:37What do you mean, a gay poster?
00:25:39Man, a proper gay poster.
00:25:40Is that an apparition, an annunciation, an illumination?
00:25:44Come on, it was a hallucination, because I don't know if what I saw was God, Diego, Demi Rusos, or
00:25:48to Santa Claus, frankly.
00:25:49Honey, don't be skeptical, these things happen.
00:25:51If not, what about Saint Teresa? Should I call you out on it?
00:25:53Come on, let's go to the sperm bank, we're already late.
00:25:56Girl, what?
00:25:57Soni, don't you think I should talk to Santi first?
00:26:00Yes, but we'll have to talk to these people.
00:26:02Otherwise, what are you going to tell Santi?
00:26:03I don't know, it just makes me feel a little uneasy.
00:26:05Because look, you go in there and grab the...
00:26:07Well, the seed of an unknown person.
00:26:09And you don't know that person.
00:26:11And if it's bad.
00:26:12Or ugly.
00:26:13Oh, fool.
00:26:14But let's see, sister-in-law.
00:26:15Do you think they let just anyone in here, girl?
00:26:16This is a supermarket where they sell expired yogurts.
00:26:19No, sir.
00:26:20They're very selective with donors here, baby.
00:26:22Very thorough with the tests.
00:26:24Sure?
00:26:25Sister-in-law, for God's sake.
00:26:26Truth and truth.
00:26:34Lurditas!
00:26:35Lurditas, come here!
00:26:36Don't go, woman!
00:26:37Lurditas!
00:26:38Comes back!
00:26:39I honestly don't understand it, Santi.
00:26:41I don't understand why Fiti is breaking us.
00:26:42Because putting it in...
00:26:43We've tried everything, even the back of his throat, but nothing's working.
00:26:45It's like a brick, man.
00:26:47He already said it.
00:26:47Out of sight, out of mind.
00:26:50Already.
00:26:50He said it.
00:26:52One moment.
00:26:54Out of sight, out of mind, but what if they could see?
00:26:57What if we poke around in his eyes?
00:26:59But, Santi, what are you saying about poking around in the eyes?
00:27:04Can you tell me what you're doing cropping that and using a photo from when we were in Matalascañas? What's the point?
00:27:08see.
00:27:08Wait, wait.
00:27:09But explain to me what you're doing, because I don't understand.
00:27:11That's how it is, by putting...
00:27:12Wait, wait.
00:27:13To this element.
00:27:14See?
00:27:15You grab him, you do something like that to him.
00:27:17And, there you have it, you understand.
00:27:19Candela's boyfriend.
00:27:22Look.
00:27:23Ah, so, it's...
00:27:24Like for...
00:27:25Making a montage.
00:27:26Can you tell him to poke around in his eyes and let Fiti see it?
00:27:28Clear.
00:27:28But I...
00:27:29Guys, I don't see it that way because that's just like singing the Traviatas song.
00:27:31Because?
00:27:32Because?
00:27:32Because it's a botched job, Santi.
00:27:34That...
00:27:35Look.
00:27:36A little bit of garibilla.
00:27:37See?
00:27:38And secondly, because this guy who's been posted, acting like he's Candela's boyfriend,
00:27:41It's Tom Cruise, who was dating Penelope Cruz.
00:27:44Ah, yes.
00:27:44Do you know him?
00:27:45We can do what the kings did this Christmas.
00:27:48They made a chrism.
00:27:49They were each on their own.
00:27:51They rigged it.
00:27:52And they all appeared together in the living room of their house.
00:27:54Very good, Robi.
00:27:55Thank you very much, but let me explain something.
00:27:56You see, the royal family has laboratories of scientists who are dedicated to these things.
00:27:59In other words, they have the means.
00:28:00They have cutting-edge technology.
00:28:01In other words, it's not the same thing.
00:28:02But that's a piece of cake, man.
00:28:03Give me a computer and I'll do it for you.
00:28:04In a jiffy.
00:28:06But...
00:28:07But...
00:28:07No, no, I don't see it.
00:28:08I mean, frankly.
00:28:09I mean, frankly, to poke around with Fiti like that, with lies, well, I don't see it.
00:28:11It's a way of poking at him...
00:28:12So, poking around like that isn't ethical, Santi, is it?
00:28:14Do you want Fiti to break down and get better?
00:28:16Yes, of course I want to.
00:28:17It's not going to be ethical.
00:28:18It won't be ethical if the royal family does it.
00:28:20Hey?
00:28:21Whatever the royal family does is ethical.
00:28:23Always.
00:28:24Come on, damn it!
00:28:24Stop scrubbing!
00:28:25The penalty shootout is about to begin!
00:28:26Hey, hey, girl, we'll meet later, okay?
00:28:29That's where the penalties are, you know?
00:28:31We selected them.
00:28:31We don't play it all here.
00:28:32Nothing, Africa.
00:28:35Okay, okay, okay.
00:28:35Now with the jewel, man.
00:28:36What's wrong, are we bothering the neighbor or what?
00:28:38The neighbor is finished.
00:28:39Here we go again.
00:28:40Leave it.
00:28:41They're like children.
00:28:42Yeah, kid, like kids, whatever you want.
00:28:44But I bet they haven't bothered me about the nets again, have they?
00:28:46I bet you don't!
00:28:46Do you know why?
00:28:47Hey?
00:28:48Because it all fell apart at two in the morning, kid.
00:28:50And we held out until six.
00:28:52Was it hard?
00:28:53Yeah!
00:28:54Was it worth it?
00:28:55Yeah!
00:28:55Why, huh?
00:28:56Because?
00:28:56Can you hear something?
00:28:57Can you hear anything?
00:28:58No, sir, nobody can be heard.
00:29:00Why can't I hear anything?
00:29:01Who are the fucking bosses here?
00:29:03We don't know!
00:29:05Spain!
00:29:06Spain!
00:29:10Are you a trucker?
00:29:12Shut up!
00:29:12Tower, tower!
00:29:14No, Choni, no.
00:29:15It might seem old-fashioned to you, but...
00:29:16I would spend the rest of my life thinking that my son's father was a man of...
00:29:20from tragacete, or from ponferrada, or from vete who knows.
00:29:24Well, then ask someone you know.
00:29:25So, what do you say?
00:29:26But that's not what you ask for.
00:29:27It is neither requested nor lent.
00:29:29Hey, I really nailed the apartment.
00:29:32It's delicious.
00:29:33How happy you and Joselita are going to be here.
00:29:35Yes, very happy.
00:29:37If you come back, I'll make you a peppermint.
00:29:39Oh no, no.
00:29:40Alcohol affects me a lot.
00:29:41Okay, so let's get down to business.
00:29:42Yeah.
00:29:45Let's see, Lurdita.
00:29:46Think a little more.
00:29:47So, someone you've known forever.
00:29:48Trustworthy.
00:29:50What's that?
00:29:51That?
00:29:53My neighbors' deer.
00:29:54So much football and so much milk.
00:29:57For a moment.
00:30:04I'll turn around there.
00:30:07It won't let you down, it won't let you down.
00:30:09It won't let you down, but it will sweep you off your feet.
00:30:10Shut up, auntie, it's concentrating them.
00:30:11What a tense moment, ladies and gentlemen.
00:30:12Let's see.
00:30:13Place the ball.
00:30:14Take three steps.
00:30:15Look at the goalkeeper.
00:30:16Take a running start and...
00:30:18What's happening?
00:30:19What's happening?
00:30:20What's happening?
00:30:21Hey?
00:30:22Hey?
00:30:22What's happening?
00:30:24Raúl, Raúl, the antenna.
00:30:25The antenna?
00:30:26Look at the antenna.
00:30:27Careful.
00:30:30That's it, man.
00:30:33Where were we?
00:30:34Ah, yes.
00:30:35Sperm donors.
00:30:37Let's see.
00:30:38What kind of men do you like?
00:30:40Me?
00:30:42Well, I like them...
00:30:43Virile.
00:30:44But affectionate.
00:30:45That they are good people.
00:30:47Ready and tender.
00:30:49Like my Santi.
00:30:50And give it to the lathe, because Santi can't be.
00:30:52That's why we're here, woman.
00:30:53Because the man has dead or defeated bugs or whatever.
00:30:56Yes, well that's the problem.
00:30:57I only have eyes for Santi.
00:30:59We need to make a list of candidates.
00:31:01Who do you know?
00:31:02Men?
00:31:03Well, apart from Santi...
00:31:05Some more.
00:31:07Well, but some of them will know, right?
00:31:08An ex-boyfriend.
00:31:09Oh, what are you saying?
00:31:10Me before Santi...
00:31:11No no.
00:31:12I have met a man.
00:31:13Oh, no?
00:31:14How different we are, wedge.
00:31:18Suck on that!
00:31:19But you want to calm down, now.
00:31:20I'm not calming down, I'm not calming down, aunt.
00:31:22I'm really crazy, okay?
00:31:23What do we do about the stapia?
00:31:25We shot at the wall.
00:31:26Well, we have chemical warfare too, you know?
00:31:29Come pirate.
00:31:30Chucky, this is your moment.
00:31:32Let that methane burn?
00:31:33Wait, I've had a better idea.
00:31:39Hey, hey, hey!
00:31:40Chirita!
00:31:41Chirita!
00:31:42Do you have menus?
00:31:43Okay, then give me six of the most expensive ones you have.
00:31:46He'll catch you, he'll catch you.
00:31:47He'll catch you, he'll catch you.
00:31:48He'll catch you, he'll catch you.
00:31:51Yes, pizza crack?
00:31:53Yeah.
00:31:53Look, you're going to bring me three family-sized pizzas.
00:31:57Send me, please, two bottles of malt whisky.
00:32:00Yes, imported.
00:32:03My daughter, who has seen you and who sees you now?
00:32:05Yes, to...
00:32:07Justa 97 Jumping Boot.
00:32:09Third place.
00:32:13Very good, ma'am.
00:32:15Anyone got their pizza crack order?
00:32:16No, what is this?
00:32:17I haven't asked for anything.
00:32:18What's happening?
00:32:19What are you doing?
00:32:19Holy shit, mate, this is for a pizza maker, paella cook demonstration.
00:32:24Finish it!
00:32:25It's 15.30.
00:32:27Sister-in-law, are you hungry?
00:32:28Look, that's Paulino, the gym heartthrob.
00:32:31And the house.
00:32:32Cool, isn't it?
00:32:32Yes, it's cool, yes.
00:32:33But, Santi, I really don't know how to teach Fiti this.
00:32:36Because it would be too good.
00:32:37Come on, it's hurting me to see that.
00:32:39Okay, so what did Fermi say?
00:32:40What did he say?
00:32:41That?
00:32:41Pain and heartbreak.
00:32:43Yes, yes, yes.
00:32:43Are you going to get dirty on boards now?
00:32:45No, Santi didn't cheat me on the draw.
00:32:46He didn't mess me up in the boards.
00:32:47What I'm saying is that with this we don't break it, we kill it.
00:32:49Yes, damn it.
00:32:50Two yintonis.
00:32:51Eight yintonis.
00:32:52Or whatever is needed.
00:32:53Sure, if the neighborhood is going to shake, you'll see.
00:32:55Hey, one little thing.
00:32:56You're all bastards.
00:32:58Okay.
00:32:58See you later.
00:33:00Damn, my colleagues, they've got some serious skills, man.
00:33:02Give me a straw, let's see if it hits again.
00:33:04You, a little straw, yes, a little straw.
00:33:05Well, I mean, we'll have to show it to Fiti, won't we?
00:33:09Teach him what?
00:33:10Well, what else can you expect?
00:33:12The photo, which you will have the right to see.
00:33:14No, which photo?
00:33:15What do you want me to see?
00:33:16Which photo are you referring to?
00:33:17What are you talking about?
00:33:18Hey.
00:33:19Look.
00:33:22This is Candela, isn't it?
00:33:23Candela and her beloved.
00:33:25That's awful, we're so sorry, Fiti.
00:33:27Where did you get this photo?
00:33:28Well, Candela sent it to Lucía.
00:33:33Fuck.
00:33:34Fuck.
00:33:35And it hurts.
00:33:36And it hurts, huh, Fiti?
00:33:39Look, Fruttu.
00:33:40This is your mom.
00:33:41Have you seen how beautiful she is?
00:33:42Hey, beautiful, hey.
00:33:44Look, look how happy she looks.
00:33:45Damn, I love seeing her looking this good.
00:33:47Fuck.
00:33:49But, Fiti, you're about to take a bite.
00:33:51Well, well, because Candela has always been very affectionate.
00:33:54And this is Kelly?
00:33:55Damn, what a shack, huh?
00:33:57Raúl is going to live like a king when he goes there to see her.
00:34:01Look, if taking it wet like when we were killing the reeds.
00:34:05I'll keep it, okay?
00:34:06No, you don't care.
00:34:07Okay, I'm going to take a nap to see if I recover.
00:34:10I'm not even going to have a beer.
00:34:11Okay.
00:34:11Come on.
00:34:11See you later, Fiti.
00:34:12See you later.
00:34:15No, you won't break it, Santi, you won't break it.
00:34:17Well, I don't know what to do anymore.
00:34:18If you don't see it, Julian, I'll be there live.
00:34:21Let's go to the teachers' lounge, I'll find you a regular parent there.
00:34:24Oh, Johnny, how embarrassing, please.
00:34:26She'll be discreet, won't she?
00:34:27We're just here to test the waters.
00:34:28It's unbelievable that you don't know me.
00:34:29When have I not been discreet?
00:34:30Good heavens, I have a lot of tact.
00:34:32Yes, yes.
00:34:33Oh, girl.
00:34:34Who is that funny guy?
00:34:35That one's worth testing out.
00:34:37Come on, let's give her the chav test.
00:34:39Yes, yes, yes, yes.
00:34:40Pull, pull, pull, pull.
00:34:41Strip.
00:34:42Good morning.
00:34:44Hello.
00:34:44Man.
00:34:44You all look so comfortable here.
00:34:46Come on, you teachers don't live well at all and then you complain.
00:34:49I tell you, we have plenty of reasons.
00:34:51Hey, sister-in-law, introduce me to this boy.
00:34:54I am Tony.
00:34:55Uh, Fiti's sister, right?
00:34:56I've heard about you, yes.
00:34:57Yes, my name is Fernando, the school psychologist.
00:34:59Oh, psychologist!
00:35:01Wow, isn't that wonderful?
00:35:02That is, knowing the very inner workings of the human person.
00:35:05Well, I'd like to meet him.
00:35:06Look at that, and modest to boot.
00:35:08Well, it's clear you have a very good eye for detail and that you're a very good person.
00:35:11Right, Lucia?
00:35:11Yes, she has patience, I assure you.
00:35:13Yeah?
00:35:14Well, look, that's a very good condition for a man.
00:35:17Hey, you're very well-rounded.
00:35:18So, son of a bitch, does he win the lottery?
00:35:20No, I'm not married.
00:35:21Oh no, well even better.
00:35:23Even better, because most of the ones who are worthwhile are already married...
00:35:26Uh!
00:35:27Girl, how tight, how tight.
00:35:30Oh, look, she's blushed and you're blushing too, how sweet.
00:35:33Hey, do you like children?
00:35:34Well, I work with them and I don't like them.
00:35:36Ah.
00:35:38Well, it's time to get to work, huh?
00:35:40Ah.
00:35:40Sometimes we even work.
00:35:43Yes, I'll go with you.
00:35:44I'll go with you.
00:35:45Come on.
00:35:45Nice to meet you.
00:35:50Girl, look no further.
00:35:51This is the father of your child.
00:35:52But Choni?
00:35:53So what, Choni?
00:35:54Oh, it's just that...
00:35:55What's happening?
00:35:56He's a really good-looking guy, he's very handsome.
00:35:58He's got some knowledge, and he seems like a good person.
00:36:01and on top of that, she's glowing with health.
00:36:03What do you want?
00:36:03But he's gay.
00:36:05Homosexuals?
00:36:07My daughter, for God's sake, what a waste.
00:36:09Well, we're not going to get bogged down with that.
00:36:11It's you now.
00:36:19From what I can see, it's up to me to pick up the clothes from the line, I guess.
00:36:22No?
00:36:23Sweetie, I was just coming, I'm just waking up here.
00:36:26Hey, by the way, about the neighbor, well, she hasn't given any sign of life at all, huh?
00:36:30Where will he be eating rrellito this spring?
00:36:32Elena, you're worse off than them, huh?
00:36:34Afris, that's funny, woman.
00:36:36Africa is much more mature than we are, just like they are firefighter friends.
00:36:40But come on, the war is over now, so it doesn't matter.
00:36:43Bullshit, the war starts now.
00:36:45Well, I can't believe it, I can't believe it.
00:36:48Look what I've done with my clothes.
00:36:50That's intense.
00:36:51Have you seen what I've done?
00:36:52Fuck.
00:36:53And my panties, my bras, everything, he's ruined it all, I'll kill him!
00:36:58I'll kill him!
00:37:00Hey, Africa, no.
00:37:01Africa.
00:37:02Auntie, remember that, okay?
00:37:03Afri, make love, not war.
00:37:07Open the door and face the music already!
00:37:10Coward!
00:37:15Peace and love, sister.
00:37:17Awesome, Raúl.
00:37:18Very good.
00:37:19Brilliant.
00:37:20Hey, Raúl, what have you done now?
00:37:22Well, I'm fed up with always having to pay for your nonsense, you understand?
00:37:26But, but, honey, the ones who aren't...
00:37:27Don't call me "sweetie," I'm not your sweetie. I don't know what part of all this you didn't understand.
00:37:37Damn, I'm going for a walk.
00:37:40Look, brother, I have a question, I don't know if I should say this, the one Grogui brought us,
00:37:44He'll be able to replace Candela's boyfriend, but I don't see it happening.
00:37:47Here, you are given some instructions.
00:37:49Yeah.
00:37:50She is holding her.
00:37:51Yeah.
00:37:51And off we go.
00:37:53We are?
00:37:54We are.
00:37:56What, Ada, about this guy's boyfriend, you say?
00:37:58No, no, no, not this guy's boyfriend, no, no, no.
00:38:00This is Fiti, the one we have to break.
00:38:03And what do you want me to break?
00:38:05No.
00:38:06What have brought us here?
00:38:08What have you brought us?
00:38:08I mean, Paulino, there he is, Walter del Bierzo is the champion.
00:38:11From El Bierzo?
00:38:12Don't you see that it sounds familiar?
00:38:13It doesn't retain, it doesn't retain.
00:38:14Okay, Paulino, listen to me, listen to me, Paulino, and let's focus a little bit.
00:38:18First, no violence.
00:38:19In other words, one thing will break and another will give you a beating.
00:38:22You understand that, right?
00:38:23Let's see.
00:38:24Well, that's it.
00:38:25Come on, let's see.
00:38:26Your name is Julian.
00:38:28No, no, my name is Paulino.
00:38:29No, yes, your name is Paulino, but you have to play Julián, who is Candela's boyfriend, who is
00:38:35a wildcat in bed.
00:38:36We are?
00:38:39And who is Candela?
00:38:41Well, look, Paulino, we weren't expecting this.
00:38:44Look, we've written some instructions for you on this envelope.
00:38:47You go home, study them, memorize them, study them again, and that's it.
00:38:51Go on, Santi, pay him and let God's will be done.
00:38:54Take.
00:38:56I'll give you half.
00:38:57When will you do the work?
00:38:58The other half.
00:39:00Hey?
00:39:01Hello.
00:39:02Lucia, Lucia.
00:39:04Hello.
00:39:05Hello, Lucia.
00:39:05Look, let me introduce you.
00:39:07This is, well, Grogi and Paulino, a friend of Grogi, who is a waiter.
00:39:10We're doing a test run in case it doesn't work in the future, well, if that happens...
00:39:13Well, we have to hire and all that, right?
00:39:15They were leaving, they were leaving.
00:39:17Come on, come on.
00:39:18Delighted, huh?
00:39:19Okay, see you later.
00:39:20I'll accompany you for a moment.
00:39:21Okay, we'll go then, okay?
00:39:22See you later, Paulino.
00:39:23Yeah, if that's the case, we'll go, and that's it.
00:39:26How are you?
00:39:27Hey, I've arranged to meet my mother, we're going out for dinner.
00:39:30Okay?
00:39:30Very good.
00:39:30Well, that's it then...
00:39:31Okay, then...
00:39:33I'll take care of it and make dinner and all that.
00:39:37I don't know if this will break Fiti, but it'll sink us, huh?
00:39:40Santi, this one will sink us.
00:39:41Yes, woman.
00:39:42It will be very good for Fernando too.
00:39:44What better way to have a little creature than like this, being like this.
00:39:47Let's see, let's see how I can say this.
00:39:49Well, you're not ashamed of being natural.
00:39:51I don't know.
00:39:51Come on, let's get to the bull.
00:39:53Yeah.
00:39:53If you think badly of me, even worse.
00:39:54Come on.
00:39:58Hello, Fernando.
00:39:58Hi how are things?
00:39:59Okay, I wanted to ask you something, if you don't mind.
00:40:02No, no, my wife.
00:40:03Sit down, get comfortable.
00:40:08Your sister-in-law is quite the extrovert, isn't she?
00:40:09Well yes.
00:40:10Yes, Fernando, yes indeed.
00:40:12But anyway, what I was getting at was...
00:40:14Fernando...
00:40:16It's just that I feel a little embarrassed.
00:40:17I don't really know where to start.
00:40:19From the beginning.
00:40:20Always start from the beginning.
00:40:21From the beginning.
00:40:22Come on.
00:40:23Let's see what it's about.
00:40:24Well, Fernando, you know that Santi and I love each other very much, right?
00:40:27Yeah.
00:40:27But time passes very quickly.
00:40:29And one morning you wake up feeling like a flower
00:40:32And the next morning, well, you're already withered.
00:40:35You look so spring-like, don't you?
00:40:38Thank you, Fernando.
00:40:39Well, you see, Fernando, besides flowers, there are also bees.
00:40:44And the bees collect the pollen here and deposit it everywhere.
00:40:48And it is a miracle of nature and there is no reason to feel ashamed.
00:40:52There's no doubt about it.
00:40:54That's it, Fernando.
00:40:56Just as I feel like a flower, I feel like you are a bee.
00:41:00Oh, really?
00:41:01Yeah.
00:41:01And I see you fluttering around and I think to myself...
00:41:05I am a bee, but without a flower.
00:41:08In other words, no.
00:41:08If I am a flower, but without pollen...
00:41:11Come on, I want pollen for myself, Fernando.
00:41:15Is the message not clear to you?
00:41:17It's a bit difficult.
00:41:19The truth.
00:41:20Calm down.
00:41:20Relax.
00:41:21Relax.
00:41:22That.
00:41:23Well, Fernando, you know that I really want to be a mother, right?
00:41:27But Santi can't.
00:41:28I know, I know.
00:41:30But I close my eyes and see a bunch of sperm running with their butts in the wind and I say to myself...
00:41:36But what does it matter who gets there first?
00:41:38What matters is love, not the sperm.
00:41:45I want a child with you, Fernando.
00:41:52No, josico.
00:41:53Don't pick up your phone.
00:41:54So that?
00:41:56Hey, what's up?
00:41:57How are you?
00:41:58What happened?
00:42:00More beautiful, have a drink with me.
00:42:02Already.
00:42:02I've already found one.
00:42:03I'll serve it to you now.
00:42:04Very good.
00:42:05Where has that ever been seen?
00:42:06That a modern hospitality establishment doesn't have peppermint.
00:42:09Piper what?
00:42:10Peppermint?
00:42:10Haven't you caught her?
00:42:11Peppermint?
00:42:11Come on, I'm going to make you a drink that will knock your socks off.
00:42:16Okay, Kroki, let me prepare them.
00:42:19Rapier?
00:42:20Oh, what a sad face she has.
00:42:22So, what have they done to you?
00:42:25Nah, I've gotten myself into a scheme to buy an apartment with my friends.
00:42:29I don't have a penny, aunt, because I don't have one.
00:42:32Well, don't worry, Vippermin will invite you to his house.
00:42:34If it's not that.
00:42:36If I've left home to live with an aunt, what's wrong with me?
00:42:41Son.
00:42:42I'm such an idiot, auntie.
00:42:44He who resembles his family deserves honor.
00:42:46And she's done the same thing your aunts have done.
00:42:48Look at me.
00:42:48I've moved in with the little thing.
00:42:49Have you seen it?
00:42:50Me neither.
00:42:51So go ahead, have a big swig, you'll see how good it is.
00:42:55What a mess, what a mess.
00:42:56If only...
00:42:58If everything goes wrong for me, man.
00:42:59To top it all off, even our neighbor has turned out to be a real piece of work; she's a real piece of work.
00:43:02The neighbor, you know?
00:43:03Dude, that must be a plague.
00:43:05Because I have a bunch of jerks next to me
00:43:09that are burning my blood.
00:43:11Hey, could you come over to my house one day?
00:43:12You used to make some rice and rabbit there, right?
00:43:14He used to go to the school's layperson's place next door.
00:43:16Okay, And, if we are here behind, on the bakery street, the Santa Justa roundabout.
00:43:19Don't tell me, I was born in '97, were you?
00:43:21In '97?
00:43:23Don't tell me you live in apartment 3B.
00:43:27I can't believe it.
00:43:29Have you already thought about it in Martinez?
00:43:31Yes, yes, the usual, come on, come on.
00:43:33The same old story.
00:43:33Why would we change?
00:43:34Thank you.
00:43:37I haven't been here since I separated from my partner.
00:43:40That?
00:43:40Hey, come on, look.
00:43:42That guy over there, I don't know that guy in the back, the one with the beard in the back.
00:43:46It doesn't make a sound.
00:43:46Hey?
00:43:47No no.
00:43:48Hey?
00:43:49What do you mean, no?
00:43:50What do you mean it doesn't ring a bell?
00:43:51I haven't seen that one.
00:43:53Yes, yes.
00:43:55No, I haven't heard of it at all.
00:43:56But why do you say no, Fiti?
00:43:57Why do you say no, son?
00:43:58How could it not sound familiar if it doesn't sound like us?
00:43:59Of course it sounds familiar.
00:44:00I know who it is.
00:44:01What time did I fall?
00:44:02The guy in the photo.
00:44:03He's the guy in the photo.
00:44:03Which photo?
00:44:04Which photo?
00:44:06Is that the hunk your wife is with now?
00:44:08The canary.
00:44:11It doesn't look like anything, damn it.
00:44:12In addition, the canaries of the groños.
00:44:14What do you mean it doesn't look like it?
00:44:15Look at him closely, he looks similar.
00:44:16Look.
00:44:17She doesn't look like a little girl.
00:44:18Yes, it does look similar.
00:44:20Come closer for a moment.
00:44:21Come closer for a moment.
00:44:22Yeah.
00:44:22I'm going to approach.
00:44:24And yes, come closer.
00:44:25Let's see.
00:44:25Ready.
00:44:29Let's see.
00:44:30Let's see.
00:44:33Look, look, look.
00:44:35The little tremor, the little tremor.
00:44:36It breaks, it breaks, it breaks, it's going to cry.
00:44:38It breaks, it breaks, it breaks.
00:44:40I don't want to break or believe.
00:44:41You're scaring me.
00:44:42That?
00:44:44Come here!
00:44:45Julian is next!
00:44:47Look, I'm going to introduce you to some colleagues.
00:44:49Diego, Santi.
00:44:50How are you?
00:44:50How are you? Nice to meet you.
00:44:52How's it going with Candela?
00:44:53How are you all doing?
00:44:54Good.
00:44:54Well, well.
00:44:57Made a...
00:44:58Like a wild animal.
00:45:00Clear!
00:45:00That's just how this woman is.
00:45:01What can you do?
00:45:02So, how's it going?
00:45:04Tell me, tell me.
00:45:04Well, this is a beast.
00:45:05Yes, yes.
00:45:07Ah, so he gave you the address here...
00:45:09Santi.
00:45:11Damn, Lucia.
00:45:12You see.
00:45:14It comes with the old lady.
00:45:15Go get that daughter for me, I have to go to the bathroom.
00:45:18Come on.
00:45:20Since I'm not here reading the gossip, I'm going to the divorce party.
00:45:23And health.
00:45:24Hey?
00:45:25Sure, sure.
00:45:25Do you like it?
00:45:26That's fine, isn't it?
00:45:26Yes, yes.
00:45:27It's cool.
00:45:29What are you doing? What's going on?
00:45:30The moldings.
00:45:31We're looking at the moldings.
00:45:32The craftsmanship and fine work they have done here is impressive.
00:45:34It's very nice.
00:45:35Look who's there.
00:45:36Who?
00:45:38It's Lucia.
00:45:39Have you seen Lucia?
00:45:40That?
00:45:41Lucia.
00:45:41Look, Santi, Lucia.
00:45:42But what a coincidence.
00:45:43If you haven't told me what you would see here.
00:45:45Well, girl, because it was something we improvised.
00:45:47It's been kind of informal.
00:45:48Lucia, eh.
00:45:49Look.
00:45:50Don't you recognize him?
00:45:52You are...
00:45:52Paulino, right?
00:45:53Yeah.
00:45:54What is Paulino?
00:45:55What is Julián, Candela's son?
00:45:56Julian, Julian.
00:45:57Is it Paulino or Julián?
00:45:59I call X.
00:46:03Chucky, don't fail us.
00:46:14Guys, guys.
00:46:15We have clear objectives, right?
00:46:17Like, crystalline.
00:46:18Come on.
00:46:19Good.
00:46:19Well, enjoy it.
00:46:43I don't know if my colleagues were there.
00:46:44Your colleagues?
00:46:45You're not lying to me.
00:46:46I'd put them all in a reformatory and be perfectly fine with it.
00:46:48It's the firefighter, Auntie.
00:46:49What a nice kid, you know?
00:46:50But what's the point of having a party with a silly pencil that won't let us sleep?
00:46:54Come on, Chucky, let's do it by hand.
00:46:55Wait, wait, wait, I have one.
00:46:57A what?
00:46:58A methane.
00:46:59This party is happening, you'll see.
00:47:00The final heist, you'll see.
00:47:03No!
00:47:08What was that?
00:47:11I don't know.
00:47:13Fire!
00:47:14Fire!
00:47:14Fire!
00:47:15Fire!
00:47:16Fire!
00:47:17Fire!
00:47:18Fire!
00:47:19What's happening?
00:47:20Alex, there's a fire over there.
00:47:22I'm at the neighbor's house.
00:47:23At my place?
00:47:24What are you doing in my house, you wretch?
00:47:26Criminal.
00:47:26But where are you going, ma'am?
00:47:28Did you say at my house?
00:47:31Your house?
00:47:33Hey!
00:47:34I've spoken.
00:47:36Julian, who is already driving you crazy with that topic.
00:47:38I'm not saying...
00:47:39This one?
00:47:40But it's not worth a penny.
00:47:42Look, Mom, leave him alone.
00:47:43Furthermore, this is not Julian.
00:47:44I don't know what all this mess is about, to be honest.
00:47:46Yacht...
00:47:47Do you mean they're at it again with the nonsense?
00:47:50Do you know what I'm saying?
00:47:52I'm going to call Candela.
00:47:53I'm going to tell him we're having dinner together.
00:47:54You'll see what a surprise he's going to get.
00:47:57No, I've spoken to her before.
00:47:58And she told me she was very tired,
00:47:59that he was going to sleep and that he was going to unplug his phone.
00:48:01Okay, okay, okay.
00:48:02Even better, we woke her up
00:48:03Let's see if it's going to crush us.
00:48:07Sorry, Diego.
00:48:07Can you come here for a moment?
00:48:08Yeah.
00:48:09Sorry, Diego.
00:48:09Yes, of course, of course.
00:48:14Can anyone tell me what all this was about?
00:48:16Hey, sorry.
00:48:17I'm not going to do that rummaging thing.
00:48:19This Fiat 600 is a really good guy.
00:48:21Okay, fine.
00:48:22Okay, thanks.
00:48:22Thank you.
00:48:23What's that?
00:48:25Lucia, listen to me.
00:48:26Listen, listen.
00:48:26He's going to miss you.
00:48:27This will surprise you.
00:48:28So, you told me I had to do something, right?
00:48:30So what did I do? Well, I went to see Fermín.
00:48:31Fernando.
00:48:32Fernando.
00:48:32Then Fermín told me that Fiti had to break.
00:48:35Because?
00:48:36Because at the time there was no mourning.
00:48:38Why was there no mourning?
00:48:38Because it denies the negation.
00:48:39And why does he deny it?
00:48:40Because it hasn't broken.
00:48:41So, what do we need to do?
00:48:42Let it break.
00:48:43It has to break.
00:48:44And how is that done?
00:48:45Through pain.
00:48:45Yeah.
00:48:46I told him, but the pain hurts.
00:48:47Yeah.
00:48:48The pain subsides.
00:48:49And then comes the breakup.
00:48:51And this is what we are doing.
00:48:53I've screwed up, haven't I?
00:48:55No comment.
00:48:57Already.
00:48:59Lourdes, I won't deny it.
00:49:01But the truth is, I'm very surprised that you thought of me.
00:49:05Well, I never in my life would have imagined that I would end up doing something like this.
00:49:07But I've gone crazy.
00:49:08Because I have such big desires.
00:49:10Fernando.
00:49:11Oh, it's okay.
00:49:12No problem.
00:49:12Yes, yes.
00:49:13I feel flattered.
00:49:18Where are you going, where are you going, huh?
00:49:20No, old lady, you're asking me too many questions.
00:49:22And it's going to ruin the charade.
00:49:23Well, we're back, Eibos.
00:49:24No, we're coming back.
00:49:25We're not going to leave Fiti alone, you understand?
00:49:26Yes, but the thing is, nobody there has inspired me to do it.
00:49:28No, Bruno, well, you'll just have to put up with it, you'll just have to put up with it.
00:49:29How can it be the bathroom now with everything that's going on?
00:49:31I don't know, no.
00:49:33Lourdes, are you sure?
00:49:34Yes, Fernando.
00:49:36I want you to be the father of my child.
00:49:39You're kicking me out of my son's father's life!
00:49:40But people do a lot of silly things.
00:49:42I don't swear.
00:49:42Okay, son, what's wrong?
00:49:44Skip it!
00:49:45What's wrong, mine, mine!
00:49:48That you were only asking for his semen.
00:49:50That?!
00:49:51Skip it!
00:49:51No, it's not sperm, sir!
00:49:54Skip it!
00:49:54Skip it!
00:49:55Good crochet, good crochet!
00:49:57Skip it!
00:49:57Diego Paralén, please!
00:49:58Can't!
00:50:04What a shame about the curtain! What a shame, God!
00:50:21Don't worry anymore, hi Choni. I'm doing great here at my brother-in-law's house.
00:50:29My God. What happened, Choni? The Holocaust happened, but that's another story, it will be told another time.
00:50:35What happened, dude? Nothing, Santi almost threw a grape at Fernando.
00:50:38Yes, he told me to ask him for his M's on my team and he got upset.
00:50:42Lurditas, for God's sake, pick up the phone, come on, you say you're fine, that you're here at Choni's house.
00:50:45No, no. I was raised to turn the other cheek, but there's a man
00:50:48violent.
00:50:51Take it, please. No. Well, let me answer it then. There you go.
00:50:56Come on, come on, let's make your bed. Yes.
00:50:59Lurditas! Lurditas!
00:51:00Lurditas! You're messing with me!
00:51:03Right? Yes, I'm with her, we're at Choni's house, she's going to stay here overnight.
00:51:07Verdela, put it on! Put it on!
00:51:08Hey, can you stop yelling at me? She's not going to do it because she doesn't want to.
00:51:10You've got a real bombshell, man. Yeah.
00:51:15Honestly, look, Lurditas, I swear I understand you perfectly, but you'll have to clear things up with him, I say.
00:51:20No, I'm not going to give him any explanations. My husband doesn't treat me like that.
00:51:24Say yes. Don't let anyone walk all over you.
00:51:27Yes, that's true.
00:51:28Look, girls, I have to go. Do one thing, Lurditas, get some rest, okay?
00:51:33And tomorrow, when you're calmer, will you talk to him?
00:51:36Yeah.
00:51:36Okay?
00:51:37Come on.
00:51:39And you, Choni, don't stir things up for me, you're driving me crazy.
00:51:41Yes, I'm here for revolutions today.
00:51:44Thank you.
00:51:45Okay, let's go, let's go.
00:51:51Come on, Areña, you and Toni, with a little squeezed lemon to enhance the flavor.
00:51:56Cool.
00:51:57Hey, we haven't talked in the end, but do you study or work?
00:52:01I am a hair stylist.
00:52:03Come on, of course, that's why your hair is like that, so natural, right?
00:52:09There it is! I love this song.
00:52:12Paki, upload it! Upload this one!
00:52:20What's going on? What's happening?
00:52:22Nothing, I swear to God, I swear to God and I'll kill you.
00:52:24Wait, wait for me here.
00:52:25Damn it.
00:52:31Hey, Julian, Julian, don't get so carried away with the girls here, man.
00:52:35You owe Candela what is an absence, damn it.
00:52:38Do you realize?
00:52:38And you?
00:52:39Can I go for a moment, please?
00:52:41Hey, not that Diego!
00:52:42Come here, we're having a party.
00:52:44Things are going on terribly.
00:52:45Come on, man, come here, join the party, damn it.
00:52:47That Diego, that Diego, eh!
00:52:49Please, please.
00:52:50Please.
00:52:51I'm going to introduce you, man, I'm going to introduce you.
00:52:53There's Paki, a techno-Paki that's so good it'll blow your mind.
00:52:56And this is Jenny, who owns a hair salon.
00:52:59He's a stylist, how cool.
00:53:00And this is Julian.
00:53:01But Julián isn't his weight, he's his guts, eh.
00:53:03Hey, Fiti, can we talk for a moment alone?
00:53:06Tell me whatever you want, damn it, right here.
00:53:07I have no secrets from these people, who are my colleagues.
00:53:10Little secrets of the ears or old women's houses.
00:53:13Julian's friends are a riot, aren't they?
00:53:15They're big ones, yes, they're big ones, yes.
00:53:18No, he didn't want to tell me.
00:53:19Damn, it's 3 AM, some of us have to work tomorrow.
00:53:22that the children have to go to school and that sleep is not an option.
00:53:24That's true, Diego, that's true.
00:53:25You're absolutely right.
00:53:27If someone is right, then they are given credit.
00:53:29I hadn't noticed, but we already turned the music down.
00:53:31Is it true that we lowered the music?
00:53:33No!
00:53:34Fiti, what did we say? That he should come down.
00:53:35Yes, yes, sure.
00:53:36No, no, no.
00:53:37This can't be, dude.
00:53:39Calm down, no, calm down, Lucia, he's going to lower it for me.
00:53:40Calm and milk.
00:53:40No, the music will lower it for me, it will lower it calmly.
00:53:42She's going to lower it for me.
00:53:43Oh, damn!
00:53:44Fiti, I'll take care of you, damn it, you're killing yourself.
00:53:49Curro, up.
00:53:50Up, up, running.
00:53:52Come on.
00:53:54Leave me alone, Lucia.
00:53:56Fiti, this is the last thing I wanted to say in my life, right?
00:53:58But I'm going to tell you.
00:54:00Grab your friends and leave home.
00:54:03Are you kidding me, Diego?
00:54:05No, I'm completely serious.
00:54:06Leave home.
00:54:08Oh, really?
00:54:09In other words, that you leave.
00:54:11Come on, you're kicking me out.
00:54:12Yes, I'm kicking you out.
00:54:12Okay.
00:54:13Ah, I'm leaving.
00:54:15Let's go, Fructu.
00:54:17They don't want us here.
00:54:17Besides, I'm going home, because I have a place to stay, you know?
00:54:19Come on, Julian.
00:54:20Paulino, his name is Paulino.
00:54:22Paulino.
00:54:23As?
00:54:30Fiti, Fiti, it's Diego again, I've left you more than 20 errands.
00:54:33I know I went a bit overboard yesterday, yes, I know, but...
00:54:37For God's sake, pick up the phone, Fiti.
00:54:38Take it, for God's sake.
00:54:41Nothing, damn it...
00:54:46Hello.
00:54:47Hello good.
00:54:48Good morning.
00:54:49Come on, hurry us up, we're getting very late.
00:54:51Come on.
00:54:52Hey, what happened?
00:54:53I think your father used to play Fiti at home.
00:54:56It's really late, guys.
00:54:57What are you doing? Come on, have a quick breakfast.
00:54:58Let's see.
00:55:00What? Were you able to talk to him?
00:55:01No, that...
00:55:02Therefore, I do it all the time.
00:55:03And at home, well, they don't take him.
00:55:05Hey, one little thing.
00:55:06Time to go whispering in the pantry, huh?
00:55:07Let's go have breakfast.
00:55:09To remain silent.
00:55:09Just a second, yes.
00:55:11Okay, one little thing.
00:55:13What Fiti has done is very wrong and he's setting a terrible example for children, but...
00:55:17But damn it, we kicked him out of the house and we're his best friends.
00:55:20I'm worried.
00:55:22Something might have happened to him.
00:55:22No way, man, no way.
00:55:23He's probably sleeping at home.
00:55:24You think?
00:55:25Why don't you go see him?
00:55:27That's a good idea.
00:55:28Yes, yes.
00:55:35Come on, guys.
00:55:36Let's go.
00:55:36Yes, yes, yes, yes.
00:55:37Come on, take whatever you want.
00:55:38Okay, see you later, goodbye.
00:55:39See you later, see you later.
00:55:40See you later.
00:55:41Brother, don't answer the phone.
00:55:43Look, Lurditas.
00:55:44First, it offends me.
00:55:46Because he has wronged me.
00:55:47And now she's the one who's been offended.
00:55:49Santi, listen to me.
00:55:50That Lurditas has not offended you.
00:55:51I mean...
00:55:52He's been talking about it with Lucia.
00:55:53And Lurditas has done nothing.
00:55:54I was just talking to Fermín about it.
00:55:56In other words, he was sounding him out.
00:55:59Are you probing him?
00:55:59Yes, probe him.
00:56:00Do you understand what probing is?
00:56:01Yeah.
00:56:01Yes, just by sounding him out.
00:56:03Yeah.
00:56:03Yes, but sounding me out without consulting me is not right.
00:56:06Santi, what happened with Fermín?
00:56:08Yes, I'm telling you.
00:56:09Because, Santi, you're a bit of an animal.
00:56:11That's why Lurditas hasn't told you anything.
00:56:12To avoid creating false expectations.
00:56:13Do you understand?
00:56:14And besides, you've cheated on her.
00:56:16So, yes, you're a fraud.
00:56:17Because you've been eating the white part of the ham the whole time.
00:56:19From the white part of the ham.
00:56:21Santi.
00:56:23Lurditas is dying to have a child.
00:56:25That's why it's normal that he's searching.
00:56:26Do you understand that?
00:56:27And suppose that you can never father that.
00:56:31Never?
00:56:32I never like how you say that, you know.
00:56:34But that's just a supposition, I mean, let's say it's just a supposition.
00:56:36Well, if your fertility isn't improving,
00:56:39what do you want?
00:56:40Should Lurditas be prohibited from having children?
00:56:41And well, and he starts looking
00:56:42Where are you going to find a better person than Fermín?
00:56:44Because Fermín is a wonderful person.
00:56:46Yes, it is, it is.
00:56:47Well, and an expert in his field.
00:56:49Because Fermín is an eminent figure.
00:56:50And a gentleman?
00:56:51An attractive man.
00:56:52Well, but...
00:56:53Imagine him with hair, huh.
00:56:55With hair, he wins.
00:56:56See?
00:56:57Well...
00:56:57But is he gay?
00:56:58Yeah.
00:56:58And does that come naturally to him?
00:56:59But no way!
00:57:00Come on, no, no.
00:57:01That he's going to inherit being gay.
00:57:02Don't talk nonsense.
00:57:03I'm going to tell you something else very important.
00:57:05In other words, for the people of the mountains, it would be a source of pride to have a son of Fermín.
00:57:08Hey, well look, even more convinced.
00:57:11Glad to hear it.
00:57:11I'm going to talk to Fermín.
00:57:13Will you come with me?
00:57:14No.
00:57:14No, because I have to see what Fiti is doing, because I'm worried about Fiti.
00:57:17Fiti, what has he done now?
00:57:28Fiti, what am I?
00:57:30Open me.
00:57:32Go down, go down.
00:57:34Open the door for me, please.
00:57:52Fiti, what have I been looking for?
00:57:53Well, I've left you over a thousand messages on your phone.
00:57:56And I sent you one of those messages written with the messed-up attitude they have.
00:58:04You'll see, Fiti, without mincing words.
00:58:06I'm very worried about you.
00:58:09No, because you're not well.
00:58:11No, no, you're not okay.
00:58:12You're denying the denial and you're going off the rails, Fiti, because you're going off the rails.
00:58:17That's why it was supposed to break.
00:58:19The thing with Julián and Candela's photo and all that.
00:58:22No, Fiti, if you don't break down you don't heal, kid.
00:58:24You're not getting better, and that can't be.
00:58:26And you're not breaking down, are you?
00:58:28I don't know what's going on, but you don't want to break, you have to break.
00:58:31Well, I also wanted to apologize for kicking you out of the house with the kids and all that.
00:58:36Communication wasn't possible, was it?
00:58:37No, don't worry anymore, damn it.
00:58:39Okay.
00:58:40I understand, damn it.
00:58:41I'm not going to understand it.
00:58:42If I were in my place, I mean, I would have done the same to myself, you know?
00:58:46Because, damn it, I deserve it, fuck it.
00:58:49Forgive me, I've been doing my own damn thing for a long time now.
00:58:52No, no, no, forgive me, why not?
00:58:53No, let me go.
00:58:54No, damn it, you haven't gone too far.
00:58:55No, you forgive me.
00:59:01Did you spend the night here?
00:59:03Yes, here, just like you.
00:59:04So I couldn't find the keys and I said, well, here.
00:59:08But it's good, huh?
00:59:09You're afraid to go upstairs, aren't you?
00:59:12No, damn it, I couldn't find the keys.
00:59:14No, fuck it.
00:59:15No, fuck it.
00:59:16I couldn't find the keys.
00:59:17Diego.
00:59:23Of course, man, with the onion I was carrying yesterday, how could I find her?
00:59:28They are there.
00:59:29Here they are, here they are.
00:59:30Yes sir.
00:59:32Well, that's it.
00:59:35Why don't you come with me?
00:59:36To the house?
00:59:37Yes, yes.
00:59:38Ah, I'm going to leave you here freezing.
00:59:41See?
00:59:41Okay, it'll keep you company for a moment.
00:59:43Do you want to think about it more?
00:59:45Fernando put a little ice on it and that was it, he didn't take it badly, I assure you.
00:59:48Hush, hush.
00:59:48He almost broke his nose.
00:59:50Yes, yes.
00:59:50What a shame.
00:59:51How embarrassing it was for me.
00:59:52I didn't know that what was between my wife and you was a sounding out.
00:59:56What a shame.
00:59:57How could I have doubted?
00:59:59So, let's get to this ham.
01:00:02Look, it's not necessary, Santi.
01:00:05You're going to like the doctor.
01:00:07Think again.
01:00:08Santi doesn't reconsider.
01:00:09That's its only flaw.
01:00:10Because he's also a very good husband, you know?
01:00:12Man, he's really good.
01:00:14And she's a cutie.
01:00:15But he doesn't reconsider.
01:00:16Already.
01:00:17I'm telling you, nobody can beat that stubborn guy.
01:00:20I'm going to talk to Fernando to apologize.
01:00:22Okay.
01:00:23Peaceful.
01:00:23Okay.
01:00:24See you later.
01:00:28Wait, Fermín.
01:00:30I've thought about it.
01:00:31That you may give your presence, my lady.
01:00:33And let what needs to be done be done.
01:00:35All I want is for her to be happy.
01:00:38Santi.
01:00:39You've thought that through well.
01:00:42Well, for me it would be an honor, really.
01:00:44What was he going to tell me, Fermín?
01:00:46That she was going to have your child.
01:00:48Give me a hug.
01:00:51Excuse me, man.
01:00:52Excuse me, man.
01:00:52Excuse me, man.
01:00:53Sorry.
01:00:53All I ask of God is that it be a girl.
01:00:57And let her be like my little Lurdita, with her glasses and her little hair.
01:01:02That's all of her, but in miniature.
01:01:04Yeah.
01:01:15Hey, how's it going?
01:01:15Does that make you a judge or not?
01:01:17What do you think about me being judged?
01:01:18Honestly, you guys have linked me to my aunt, dude.
01:01:20And it pisses me off, you know?
01:01:21It pisses me off because she could have been a great neighbor.
01:01:26It can be whatever you want, man, but...
01:01:27But damn, it's a peaceful place, my aunt.
01:01:30And now we've lost her as a neighbor and as an aunt.
01:01:32And all because of a badly let out fart.
01:01:35Come on, come on, come on, come on.
01:01:36Don't be like that and change your expression, okay?
01:01:38Look, if you want, we can invite him for a coffee and smooth things over.
01:01:41Seem to you?
01:01:41Hello, Perlico.
01:01:45Tita.
01:01:46Hello, darling, hello.
01:01:48What's happening?
01:01:49I'm coming in with a tantrum and a rage that I have to let out.
01:01:53Oh, I'm sorry.
01:01:55Look, look, really, I'm so breathless...
01:01:58I'm about to drown, aren't I?
01:01:59It doesn't matter if I stay for a little while.
01:02:01No, of course, come on, sit down.
01:02:04It was just a moment, nothing more.
01:02:05If I vent in a flash,
01:02:07And I'm leaving right away.
01:02:08What I don't want is to bother anyone.
01:02:09You're not bothering me, Chone, really.
01:02:11Oh, macaroni, come on, I don't like macaroni.
01:02:15Well, I'm here with my song and I haven't said anything.
01:02:18Girl, I have a really bad eye for men.
01:02:19But very bad luck, they treat me very badly.
01:02:21This would go really well with a little wine, wouldn't it?
01:02:23Come on, José Luis.
01:02:25Not only does it leave me hanging with the move,
01:02:27Instead, it sends me an S or S to my mobile phone.
01:02:29so that I can go to the post office to pick up a package for him.
01:02:31Like what?
01:02:32Am I not dying on earth now?
01:02:34There it is, there it is.
01:02:35Here you go, beautiful.
01:02:36There it is.
01:02:36Essential.
01:02:38Yes, that's right.
01:02:39That's more like it.
01:02:40Give me a spark.
01:03:03Well, Fiti, you did it. It wasn't so bad, was it?
01:03:07Why wouldn't he succeed?
01:03:10Fiti, acknowledge what you've been dealt.
01:03:13Damn, and when something touches you, well, it hurts.
01:03:15And that's normal, man.
01:03:16It's normal to loosen up and let out what's inside.
01:03:19But...
01:03:19I don't...
01:03:20I'm not saying that...
01:03:22That it doesn't hurt or that it hurts.
01:03:25But to loosen up, damn it.
01:03:27Martinez, well, we have a lot of street smarts.
01:03:29We've had some really bad things happen, Diego.
01:03:31I mean...
01:03:31But...
01:03:32But we have held on.
01:03:34Here...
01:03:34Like champions, right?
01:03:36Frustration, have we endured it or not?
01:03:39Frustration.
01:03:41Frustration.
01:03:42Frustration.
01:03:43Frustro, tell me something.
01:03:44Frustration.
01:03:45Frustration.
01:03:47Frustration.
01:03:47Diego.
01:03:48Frustration.
01:03:49Come on, Fiti.
01:03:50Okay, okay.
01:03:50Come on.
01:03:51The house.
01:03:51Lock up the house, Diego.
01:03:53Come on, Fiti, damn it, come on.
01:03:55Take it out.
01:03:55Close the house.
01:03:56Okay, that's it.
01:03:57I felt sorry for you when you entered the house.
01:03:59Come on, come on.
01:04:00There, Fiti.
01:04:01A breakup.
01:04:02Come on, Fiti.
01:04:03Like a macho man.
01:04:04Come on, fuck it.
01:04:05Come on.
01:04:08Come on, Fiti.
01:04:10Don't worry.
01:04:11Come on, let's go.
01:04:12What's wrong with him?
01:04:13Nothing, his fish has died.
01:04:16And I loved him very much, didn't I?
01:04:17A lot.
01:04:18A lot, yes.
01:04:18A lot.
01:04:20Fiti, relax.
01:04:21If you want, I'll buy them from you, but don't cry.
01:04:24Thanks, buddy.
01:04:26Thank you so much.
01:04:27Come on, work, go on.
01:04:28Go to your room.
01:04:29Fiti has to take it out and...
01:04:31Come on.
01:04:31Thank you, son, for taking care of it.
01:04:33Thank you.
01:04:33It worked like a charm, Lucia.
01:04:35It works like a charm.
01:04:36It pains me to see it like this; it breaks my heart.
01:04:38No, but now that it's over, you can cry.
01:04:40You'd better cry.
01:04:41Come on, Fiti.
01:04:42Come on, let's go.
01:04:43Let it go.
01:04:44Come on, let's go.
01:04:45Very good.
01:04:46Come on, calm down.
01:04:47Come on.
01:04:49Hey, Paulino wants to meet up with Fiti again, he really liked him.
01:04:53Okay, leave me alone.
01:04:54I'm not going to overthink it.
01:04:56Ah, you've come.
01:05:06Santi.
01:05:07Santi, forgive me.
01:05:08You're really angry with me, aren't you?
01:05:10How could I be angry with you, my little dove?
01:05:13Santi, let me explain.
01:05:14I, I, I, I also have to explain to you.
01:05:16What I really wanted was...
01:05:17Yes, yes, yes.
01:05:18But forgive me, I've acted like a joker.
01:05:21Santi, forgive me.
01:05:23It's good.
01:05:24Is it possible?
01:05:26Come on, let me have the payment.
01:05:28Focus on the work, focus!
01:05:30Santi.
01:05:34Santi, I know, I've been thinking about it and I can't go around the world begging.
01:05:37Wait for me.
01:05:38I should have talked to you about it before.
01:05:40If it's my fault.
01:05:41No, no, no.
01:05:43It's my fault.
01:05:44That I am a chickpea farmer.
01:05:45I don't even know how I'm lucky enough to have you love me.
01:05:47What are you saying, Santi?
01:05:49You are a ray of sunshine.
01:05:50No.
01:05:50You're living a lie.
01:05:51I haven't exercised, or dieted, or anything.
01:05:55On top of that, I ate all the white stuff.
01:05:56Really?
01:05:57Well, that means there's still hope, Santi.
01:06:00What hope?
01:06:00What hope, woman?
01:06:02If what you want is to have a child.
01:06:04Everything is sorted now.
01:06:05I've spoken to Fermín and that's it.
01:06:07My love, yes, I have heard you.
01:06:09And what you said to her is so beautiful.
01:06:11What did you hear me say?
01:06:12What did you hear me say?
01:06:12Yes, Santi, I heard you.
01:06:14And I've been thinking that I...
01:06:16I mean, what happened with Fernando was something that drove me crazy.
01:06:20Because the only thing it would do to me...
01:06:21I would be thrilled.
01:06:24I would be...
01:06:25This would be it.
01:06:29Is this child me?
01:06:31Yes, Santi.
01:06:32So, that's what would make me happiest in the world
01:06:34It would be like having a baby with your face.
01:06:37Yeah.
01:06:46Cuban-style rice also turns out very well.
01:06:50It has its technique, like everything else.
01:06:52Hey, aunt.
01:06:53That?
01:06:53It's already eleven o'clock, isn't it?
01:06:55You didn't have to do I don't know what.
01:06:57I?
01:06:57I have nothing to do.
01:06:59Are you supposed to be in my house all alone?
01:07:01Well, I'll stay here.
01:07:02I am with you, accompanied.
01:07:05Well, yes.
01:07:05I was going to put on some castanets.
01:07:09No, that's a joke.
01:07:15We could watch a love soap opera movie, couldn't we?
01:07:19Thank goodness it was only for a little while.
01:07:21Hey, I think we've smoothed things over quite a bit, haven't we?
01:07:24We should never offer the food.
01:07:27No.
01:07:27No.
01:07:28Well, I had a feeling they were showing one tonight.
01:07:31Those long ones.
01:07:33Of course, it is.
01:07:34Everything's the same, dude.
01:07:35Same here, right?
01:07:53Same here, right?
01:07:54Very bad.
01:07:56She's depressed.
01:07:57He needs my love very much.
01:07:59Hey, see if you can leave me a spot too.
01:08:03It's just that I'm with...
01:08:04That I am...
01:08:05To you?
01:08:06You pig, you're burning the curtains on the floor.
01:08:08With the float.
01:08:12Come on, come on, Fiti.
01:08:13Come on, let's go.
01:08:14Come on.
01:08:15Calm down, calm down, come on.
01:08:16Let go, let go.
01:08:17Guys, it hasn't stopped since this morning.
01:08:19I'm already worried, Santi.
01:08:20You see.
01:08:21We were so worried about the breakup.
01:08:23And in the end it had to be the fish.
01:08:25And the house.
01:08:26And the house.
01:08:26The house has killed the fish.
01:08:27I saw it myself, Santi.
01:08:28I saw it myself.
01:08:30Fiti, darling.
01:08:31A linden.
01:08:32A linden.
01:08:32Come on.
01:08:33We are all here.
01:08:34Come on, be careful, it's hot.
01:08:35I think we've gone too far, brother.
01:08:37We went too far and he's not coming back.
01:08:39He's not coming back.
01:08:41Oh, Lord, what a shame...
01:08:42What a shame, really.
01:08:43Come back to us, Fiti.
01:08:44Come back to us.
01:08:45Comes back.
01:08:46Comes back.
01:08:47That?
01:08:49Can't.
01:08:51Hey?
01:08:51You can't believe it.
01:08:55I've run out of gas.
01:08:56I've dried up.
01:08:57I can't cry.
01:08:58So what?
01:09:00That's ok?
01:09:01Don't know.
01:09:01I'm hungry.
01:09:03He's hungry.
01:09:04Lucia is hungry.
01:09:05He's hungry.
01:09:05That's great.
01:09:06Very good, very good.
01:09:08Calm down, very good.
01:09:08He didn't come back.
01:09:09He didn't come back.
01:09:10Very good, very good.
01:09:10Come back to us.
01:09:12What is it that you have given us?
01:09:13Oh, oh, oh.
01:09:14Call us, we're going to order some pizzas.
01:09:16Would you like that?
01:09:16No, better yet, one of those lasagnas you make yourself, so delicious, they always turn out great.
01:09:21Lasagna?
01:09:22Now?
01:09:22A lasagna, come on.
01:09:23Okay, I'll help you now.
01:09:24Come on.
01:09:25Okay.
01:09:26A little lasagna, huh?
01:09:27Meat?
01:09:28Yes, or tuna.
01:09:29Tuna.
01:09:39I have to do a reaction for Lurditas about how you and Lucia met.
01:09:44As?
01:09:44Intimately.
01:09:46Fermín, Diego, Diego on the phone.
01:09:48Yeah.
01:09:48Other!
01:09:49Other!
01:09:50Have you ever had hair?
01:09:51Hair, no.
01:09:52I had long hair.
01:09:52She had a mane of hair.
01:09:54I'm currently homeless and I was thinking, I don't know, that we might care
01:09:58to take a friend for a few days.
01:10:00No way.
01:10:02Raúl, what has he done now?
01:10:03Well, he's a little lost.
01:10:05I'm not a top model.
01:10:07I'm from Santa Justa.
01:10:08That I am to blame for everything, that I haven't been where I should have been.
01:10:11It's just that, since your mother left, I've been taking care of you.
01:10:15Oh, Lardo!
01:10:15To the big-eared one, who kept the spoils!
01:10:18Give me your uncle's gaze, give it to me.
01:10:33The look at the uncle was well done, son, but that's not what's important.
01:10:36I honestly see you as a normal father.
01:10:40With your bad temper, that's normal.
01:10:42And you're betting on the toilet brush, right?
01:10:43One, two, three.
01:10:47Aaah!
01:10:48Your job, son, what are you saying?
01:10:50I like him as a father.
01:10:52Thank you very much, he reports.
01:10:54Belda!
01:10:55Hey!
01:10:55I came in the air!
01:10:56Please, Fiti, don't leave me, because for these people I am, well, an investment.
01:11:00Carcilla, leader, boss.
01:11:01It's taking away a lot of nonsense from me.
01:11:03That I was a bit prim and proper.
01:11:05A while ago I married a mountain man and you'll see how quickly that goes away, but come on, it was
01:11:09a pinch.
01:11:10Murrita, brother, something happened a few days later, something very serious.
01:11:14I am already making progress.
01:11:16It says here that he liked Fiti.
01:11:18What do you mean, Fiti? That can't be?
01:11:19Leave it, leave it, leave it.
01:11:20Yes, he liked him, firstly, because he was the most handsome in the group.
01:11:24Mine always comes out bold and affectionate.
01:11:26It's not a motorcycle racing test, it's a psychological test, a serious test, a professional and private test, and with
01:11:31Fermín's guarantee.
01:11:32I thought Lucio had always loved me.
01:11:34Get out of the way, get out of the way!
01:11:35Either you get over it, or things between us will never work out.
01:11:38Have an abortion! Have an abortion!
01:11:40Because I'm worth it.
01:11:41Because I'm worth it.
01:11:42Hey?
01:11:43Why is she still in love with you?
01:11:44What does he have that I don't?
01:11:46Please help me.
01:11:47I love my Lurdita very much.
01:11:49If he married you, is it because he loves you?
01:11:51Well, I don't know, Fermín. I don't know.
01:11:53What's gotten into me? That I'm going to be a model, Dad, like Beckham?
01:11:55Rena, Beckham is a footballer.
01:11:57This is your big chance, so don't let me down.
01:11:58Come on.
01:11:59To avoid burning, to avoid suffering.
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