- hace 2 días
Los vecinos se reúnen para decidir si hacen una derrama para pintar la fachada del edificio, que ya está muy estropeada. Para sorpresa general, por primera vez están todos de acuerdo en algo, incluida doña Concha. El motivo es que acaba de vender el piso y se marcha a un chalet adosado, lo que provoca un ataque de envidia en Paloma. Los nuevos inquilinos del edificio resulta ser una familia que han pasado por mejores épocas y que, debido a los turbios negocios del marido, han tenido que vender el lujoso chalet en el que vivían y trasladarse al edificio. La familia se compone de Andrés, el padre, Isabel, la madre, y de Alex y Pablo, hijos de 22 y 17 años respectivamente. Los problemas comienzan cuando Juan intenta reclamarle su parte de la derrama a Andrés y éste se niega a pagar. Al final consigue liar a Juan y le dice que lo puede hacer su cuñado por mucho menos dinero. Juan acepta y el cuñado del nuevo inquilino no da señales de vida una vez que Juan ya había dado el dinero a Andrés. Fernando recibe una importante oferta de un despacho de abogados en Londres y no duda por un momento en aceptar el trabajo y trasladarse cuanto antes a Inglaterra. Mauri acoge la noticia con sorpresa y acepta irse con él, pero según se acerca el momento le empiezan a entrar dudas. Al final decide quedarse en España. Por último, Belén no consigue decidirse entre Carlos y Emilio. Carlos, viendo que a Belén le tira más el portero, le ofrece dinero para que deje de ver a la chica, algo que Emilio acepta encantado. Al final, Belén se entera de todo y decide dejarles a los dos.
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00:01:00True! I understand it's a significant expense for the community, but...
00:01:03The people at number 19 have just painted theirs and we are not going to be any different.
00:01:07Well, painting. They've created a work of art in an ochre tone that makes it so that when the last rays of the sunset fall on the facade,
00:01:14highlight the nineteenth-century style of the hollow engravings.
00:01:17Come on, man! Don't mess around! And tell us what we have to pay.
00:01:20That's what I'm getting at. I've taken the liberty of requesting a quote...
00:01:23Oh, expensive! Chorizo!
00:01:25But do you want to let him speak?
00:01:26If it is necessary to come!
00:01:28Painting the façade costs 7,200 euros, which represents an expenditure of 1,200 euros per apartment.
00:01:33Well, how much is a million?
00:01:35Two hundred thousand?
00:01:36Two hundred thousand?
00:01:37Well, I don't know, considering that it's an expense that has to be made every 20 years, it's not that expensive either.
00:01:40The posh girl is already rubbing her money in our faces.
00:01:42If you think it's cheap, why don't you pay for it all?
00:01:45Excuse me, I was just giving my opinion.
00:01:47Then you give it to me at home.
00:01:48Besides, why would we have to paint the facade if they say beauty is on the inside?
00:01:53Why don't we install a working elevator right away, for example?
00:01:55That.
00:01:56Because here we don't spend money on useful things.
00:01:57No, no, no. Not the elevator. It's all for me and the facade. Let them stain the entrance from the outside.
00:02:01Yes, there's nothing more to say. We just have to paint and leave it at that.
00:02:04Come on, let's vote.
00:02:05I think we'd all like this, our building, to look its best during the upcoming festivities for our neighborhood's patron saint, Saint Thomas Aquinas.
00:02:13Aquino, Aquino.
00:02:15Emilio, the jokes for the bar.
00:02:17Sorry, I was...
00:02:19Let's see, votes in favor of painting the facade.
00:02:22At least something looks pretty.
00:02:24Well yes, you have to start somewhere.
00:02:26One, two, three, everything.
00:02:28But damn, what happened? Everyone agrees.
00:02:30Concha, is this the first time you've voted in favor?
00:02:33Sir, I am pleased to see that you, who have two apartments, are willing to pay.
00:02:37No, I'm going to pay for the upstairs.
00:02:39I have sold mine.
00:02:41Tomorrow I'm going to a notary to sign.
00:02:43What do you mean you've sold it?
00:02:44Yes, 42 million is given to me and 10 is in black.
00:02:48I'm going to a semi-detached house that I bought with my son.
00:02:51How about a semi-detached house?
00:02:52Yes, it has a swimming pool and a built-in barbecue.
00:02:56I'll invite you to sunbathe.
00:02:57I don't believe it, Juan.
00:02:59That's because her son sent her to a residence and told her it was a chalet.
00:03:01Well, Concha, before the sale, let the new owner know that he has to pay this assessment.
00:03:05Yes, yes, of course, of course.
00:03:07I'll let you know.
00:03:08Here, here, here, there is no one living.
00:03:11Not here, not here.
00:03:13Every day is like this.
00:03:16I couldn't imagine it when I came here.
00:03:18I was just looking for some sea.
00:03:20I wake up every day in the middle of a hurricane.
00:03:23Here, here, here, there is no one living.
00:03:25Not here, not here.
00:03:27Here, here, here, there is no one living.
00:03:30Not here, not here.
00:03:32The house above me is collapsing.
00:03:34I can't find the goalkeeper.
00:03:35Latinos watch me and listen to me.
00:03:38I can't stand this place.
00:03:41I have a cup of tea.
00:03:45A train, an earthquake and a volcano.
00:03:50And you will walk up this ladder.
00:03:54Here, here, here there is no one who lives.
00:03:57Not here, not here.
00:03:59Here, here, here, there is no one living.
00:04:02Not here, not here.
00:04:03Here, here, here, here there is no one who lives.
00:04:11Hey, they must have screwed this in tight, right?
00:04:13I'm always here cleaning.
00:04:14And how long will it take to paint the facade?
00:04:16Let's not start screaming, okay?
00:04:17They want this done right, don't they?
00:04:19Man, yes.
00:04:19Well, it took Michelangelo four years to paint the Sistine Chapel.
00:04:23But then look how it turned out.
00:04:24Well, it's not the same.
00:04:25Four years.
00:04:26Melúa de Rama had to pay the Pope, right?
00:04:28Come on, damn it.
00:04:29But what is this that they have put here for us?
00:04:32Hey, nobody told us they were going to put up scaffolding.
00:04:34And how do you want them to paint, Vicenta?
00:04:36We called Spiderman, but he told us he only installs satellite dishes.
00:04:39Well, if that man is busy, he'll call someone else.
00:04:42Poor thing, what a pity.
00:04:43Well, ma'am, I hope you do well at the nursing home.
00:04:46That is a chalet.
00:04:48And come back whenever you want, okay?
00:04:49We are all here for whatever you need.
00:04:50Of course I plan to come back every day.
00:04:53You're smart if you think I'm going to let you do whatever you want.
00:04:57Concha, are you really leaving us?
00:05:00Come on, don't be a pain, he told you he's coming every day.
00:05:03Yes, but it's not the same anymore.
00:05:05Well, you can't say who bought your apartment anymore, can you?
00:05:07I say this to be prepared.
00:05:08They are a married couple with two children.
00:05:10They are coming this afternoon.
00:05:11Ah, a family?
00:05:12That's ok.
00:05:13And they are also your age, more or less.
00:05:16Oh, young people, Juan.
00:05:17I'm finally going to have a friend, what am I missing?
00:05:20Well, I'm going. I've arranged to meet my son to choose the garden furniture.
00:05:25See you tomorrow.
00:05:27Be careful with the pool, okay?
00:05:28Don't slip on the ladder and break something.
00:05:31That at your age your bones no longer heal properly.
00:05:33What a joker you are, Paloma.
00:05:35Yes, he goes to a chalet and takes the shower curtain with him.
00:05:38Words are unnecessary.
00:05:39Well, now the important thing is that some new neighbors arrive
00:05:41And I earnestly ask you to try to be nice for once.
00:05:44and we extend a warm and cordial welcome to them.
00:05:47Another move, that's a pain.
00:05:48You'll see how they break something for us.
00:05:50We are going to create a welcoming committee.
00:05:53In which we will all be.
00:05:56So I ask for your sympathy.
00:05:58Emilio, go buy some balloons.
00:06:00A balloon one?
00:06:01So that?
00:06:02Look, Belén, you can't go on like this.
00:06:03You have to make up your mind.
00:06:05We are going to use the scientific method that never fails.
00:06:07Good and bad things about Carlos.
00:06:09Good and bad things about Emilio.
00:06:10This system is the one I use when I have these kinds of doubts.
00:06:13I need more columns, but it's the same, it's the same.
00:06:16Come on, let's get started.
00:06:17Come on.
00:06:17Good things about Carlos.
00:06:19He has money.
00:06:20Okay, more stuff.
00:06:21He has a convertible.
00:06:23He has a motorcycle.
00:06:24He has a house in Mallorca.
00:06:25Oh yes.
00:06:26Visahoro.
00:06:27Okay, okay, okay, okay.
00:06:28But let's focus on personality, shall we?
00:06:31He is very attentive, very sensitive.
00:06:32He's always looking out for you.
00:06:34Yeah.
00:06:34But we weren't talking about the good things.
00:06:36Alicia, those are good things.
00:06:37Ah.
00:06:39Well, the most important thing.
00:06:40How is he in bed?
00:06:41Alright.
00:06:42Clojito.
00:06:42And what do you know?
00:06:43I don't know, I was dating him.
00:06:45Well, he told me it was your fault.
00:06:46That you were very dull in bed.
00:06:48That I was boring in bed?
00:06:49Yes, yes, yes.
00:06:49It's true, Roberto told me the same thing.
00:06:51As?
00:06:51It's a joke.
00:06:56How much humor, huh?
00:06:57You are inspired.
00:06:59Well, Carlos has money.
00:07:00Why are we going to talk anymore?
00:07:02Good things about Emilio.
00:07:05Well, let's start with the bad news.
00:07:07Yes, better.
00:07:08Physically awkward.
00:07:09Queer.
00:07:09Well, weird, not weird.
00:07:11I mean, it's exotic, right?
00:07:14That has such an exotic part.
00:07:17Interested.
00:07:17Ball.
00:07:18Rat.
00:07:19Sexist.
00:07:19Lazy.
00:07:20Tiresome.
00:07:20Okay, okay, okay.
00:07:21Bell and it's over.
00:07:22Seven correct answers.
00:07:24Hey, we're trying to help you.
00:07:26Now you just have to evaluate the results.
00:07:28Let's see.
00:07:30Hey...
00:07:31Hey...
00:07:32This is a tie, isn't it?
00:07:34Is...
00:07:34Clear.
00:07:35Draw?
00:07:36Well, look, Belén is coming back with Emilio and don't drive us crazy.
00:07:39Yes, but sometimes I have missed Carlos.
00:07:41I'm going now.
00:07:42I'll tell you what I would do.
00:07:44I married Carlos and slept with Emilio.
00:07:46Of course, and on Sundays the three of them dance at the movies.
00:07:48Okay, thank you very much.
00:07:48You have solved my problem.
00:07:50That's what friends are for.
00:07:51And I'm not boring in bed?
00:07:52No!
00:07:55Fernando, Fernando, good news.
00:07:58I'm from the editorial office. They loved the article and are going to give me a column in the Sunday paper.
00:08:02I have to take one of those little photos for the header.
00:08:05Well, the photo is big, but then they make it small.
00:08:07What do I do for the photo?
00:08:08Should I smile or be serious?
00:08:10I don't know, Mauro.
00:08:11It's just that if I'm serious I can seem pedantic, but if I smile I can seem frivolous.
00:08:14I don't know what...
00:08:15Look, I had thought of a more enigmatic gesture, like a threshold.
00:08:18So.
00:08:18Look, look, look.
00:08:21What do you think?
00:08:22Great gesture.
00:08:23Invites reading.
00:08:24What's happening?
00:08:24Are you in a bad mood again?
00:08:25And how do you want it to be?
00:08:26I've been unemployed for three months.
00:08:28The house is falling on me.
00:08:28Well, go to the market, we need fruit.
00:08:30No, I can't go on like this, okay?
00:08:31Today I dedicated myself to placing the CDs in alphabetical order.
00:08:34Or Fernando, who considered them musical genres?
00:08:36In the morning I got up.
00:08:37I got dressed, got in the car, and suddenly I said to myself...
00:08:40To go where?
00:08:41I don't know, to your sister's house, you haven't seen her in a long time, right?
00:08:44Since you were in the car.
00:08:45He's working, everyone is working, except me.
00:08:50Haven't I called anyone for you?
00:08:51No.
00:08:53That offer you had?
00:08:54Nothing.
00:08:55Nothing happened.
00:08:56No.
00:08:57Hey, what about that friend?
00:08:58He no longer works there.
00:08:59He doesn't work there.
00:09:01Did you send the resumes with photos?
00:09:02No.
00:09:03Therein lies the problem.
00:09:03You are very handsome, Fernando.
00:09:05You have to send a photo.
00:09:06There are many company executives who are gay.
00:09:07Here we are again with the gay thing.
00:09:09But don't you realize that because of all this story I'm now unemployed?
00:09:12No, just calm down, okay?
00:09:13Yes, yes, sorry.
00:09:14You are a good professional.
00:09:16You have talent.
00:09:17You have to end up calling someone.
00:09:19Phone, phone, phone.
00:09:22Yeah?
00:09:23Yeah?
00:09:24Is it here?
00:09:24No, tell me about the offer, I'm your representative.
00:09:27Who is it?
00:09:29No, let's see, that's very little money, but that amount of money Fernando couldn't even afford to wear a suit.
00:09:32But what are you saying?
00:09:33Let me speak.
00:09:33No, no, leave it to me, I'll get more money.
00:09:35Let me.
00:09:35Do they give you a company car?
00:09:37Company car.
00:09:37Give me.
00:09:38Yes, hello, I'm Fernando Navarro.
00:09:40Tell me.
00:09:42It's your mother.
00:09:43It was to cheer you up.
00:09:44Hello darling.
00:09:50Hey, I've been talking to my mom and it turns out she asked me...
00:09:52Roberto, do you think I'm boring in bed?
00:09:54What are you saying?
00:09:55Don't pay attention to Emilio, he makes everything up.
00:09:57No, Emilio hasn't told me.
00:09:58Ah.
00:09:59So who told you that nonsense?
00:10:01So, you do think I'm boring.
00:10:03Man, no, no, you're not boring.
00:10:05You are romantic, tender, discreet.
00:10:08Yes, I like it.
00:10:09It's eco-friendly sex, without noise pollution.
00:10:11And what would you like?
00:10:12That it was more scandalous.
00:10:13Man, not scandalous, but sometimes I mistake you for bedsprings.
00:10:16What do you mean with the bed springs?
00:10:20Funny, you're not at your best either.
00:10:22But if nothing happens.
00:10:24At first we all want to impress, but then it's impossible to keep up.
00:10:28Lucia, we've been dating for three years and living together for six months.
00:10:31Things are calming down.
00:10:32I've been talking to my colleagues and they're all feeling the same way.
00:10:34So you also talk about it with your colleagues?
00:10:36No.
00:10:37They talk, I just listen.
00:10:38Yes, as they are learned, they are learned by listening.
00:10:39Well, let's see, Roberto, is there anyone you haven't talked to about our sex life?
00:10:43Yes, with you.
00:10:45But come on, everything's fine, right?
00:10:46No, no, no, not everything is okay.
00:10:47Let's go to bed.
00:10:48Now?
00:10:49Yeah, let's see who's the dull one.
00:10:50No, no, no, no, no, no, no, no, wait a moment, I want to tell you something.
00:10:53Well, when we finish, if we finish.
00:10:55Come on, hey.
00:10:56You're going to find out, man.
00:10:57This is what I wanted to tell you, that my grandmother is here.
00:11:02Hello, ma'am, what's up?
00:11:05My salad wrinkled.
00:11:07Don't worry, Yaya, we'll iron it for you now.
00:11:09We'll be right back.
00:11:12What is your grandmother doing here?
00:11:14My parents went on a romantic weekend and foisted it on me.
00:11:17And on top of that, you have to be on top of it 24 hours a day.
00:11:19Okay, Roberto, don't worry, it's okay, we'll get organized.
00:11:22No, fuck, but they didn't even ask me.
00:11:24They have a face.
00:11:25Where will the woman sleep? Here on the couch?
00:11:27No, man, no, poor thing.
00:11:28I sleep on the couch.
00:11:29She who sleeps in the room with you.
00:11:31As?
00:11:32So, I'm going to sleep with your grandmother in the room.
00:11:35Come on, the ideal way to recover the passion.
00:11:41Let's see, we're ready now.
00:11:42Everyone has their balloon.
00:11:44Wow, what a photo we have.
00:11:45Let's see if they come quickly.
00:11:46Yes, because we've been here for three-quarters of an hour.
00:11:48Haven't they said what time they're coming?
00:11:50Maybe they saw us and passed us by.
00:11:52This is humiliating.
00:11:53I pee.
00:11:54Give me the cake, go there, to the goal.
00:11:55No, wait, now my house is going to be a public bathroom.
00:11:57Here they come, here they come!
00:11:59Everyone smile!
00:12:06What is this?
00:12:07Andrés, don't tell me it's here.
00:12:08Yes, the 21st is here.
00:12:11Damn, it looks like a Berlanga movie.
00:12:13What are they doing there? What do they want?
00:12:15Read the sign, darling.
00:12:16It's a welcome.
00:12:18Let's not start seeing everything in a negative light, okay?
00:12:21Hello, neighbors!
00:12:23Why don't you just get out?
00:12:25I can wipe away this stupid smile.
00:12:27Woman, give them time.
00:12:28They are excited.
00:12:30Let's see which neighbors do this.
00:12:31Nobody.
00:12:32I'm leaving.
00:12:32Natalia, come here.
00:12:33Yes, that goes for me too.
00:12:35No, no, no.
00:12:36You stay.
00:12:37José Miguel.
00:12:37I'm still waiting for you to explain to me why we've been seized.
00:12:40Hey, Dad, there's no garage here.
00:12:42What am I going to do with the motorcycle?
00:12:43Sell it, son, it'll be very useful to us.
00:12:45And you please smile a little.
00:12:47The neighbors are waiting for us.
00:12:49How depressing to leave a chalet to come here.
00:12:56Come on, come on.
00:12:57One, two, three.
00:12:59Welcome!
00:13:00We lacked rehearsal, Mr. Juan.
00:13:02Good afternoon.
00:13:03Juan Cuesta, president of the community.
00:13:05Hello, Juan Cuesta, president of the community.
00:13:08What floor was it?
00:13:09It's the second B, my love.
00:13:12Forgive her, moving stresses her out a lot.
00:13:14Juan Cuesta, president of the community.
00:13:16Andrés Guerra, businessman, delighted.
00:13:19Sports War, field, beach and mountains.
00:13:21This is my son, Alex.
00:13:22And this is the other one.
00:13:24Pablo, my name is Pablo.
00:13:25Hey, what's up? Are there no girls here?
00:13:27I am Paloma, the president.
00:13:29Fashion designer.
00:13:30Yes, it fits the bottom of the child's uniform.
00:13:32I said I'm a designer.
00:13:33Of course, and I'm Marisa,
00:13:35Tom Model International.
00:13:38Take the welcome balloon
00:13:39and see you later, they're closing the tobacco shop.
00:13:42Thanks a lot, huh?
00:13:43For such a lovely welcome.
00:13:45They don't do this to you in all communities, right?
00:13:48Here, I made a welcome cake.
00:13:49Hey, did I make this cake?
00:13:51And this is Vicenta, very nice too,
00:13:53but it's a little over there.
00:13:54What are you saying?
00:13:56Well, Andrés, as president of the community,
00:13:58My wish is that you feel at home
00:13:59from the very first moment.
00:14:00So if we can do anything to make you feel better,
00:14:03of course.
00:14:04Look, grab a box from the trunk
00:14:06And you're the goalkeeper, aren't you?
00:14:08Man, it depends on what for.
00:14:09Come on, grab another box.
00:14:11We'll upload this in a jiffy.
00:14:13What a joy when they told me
00:14:14we go to the lord's house.
00:14:15I also help,
00:14:16if now I have nothing to do.
00:14:18Well, the storage room is spacious.
00:14:20But where is the apartment, Mom?
00:14:22This is the floor.
00:14:24Alex.
00:14:24Ah, how are we going to get in?
00:14:26all the things from the chalet here?
00:14:27Please look, son,
00:14:28don't bother me, okay?
00:14:29Mom, where is my room?
00:14:32In the background, on the left.
00:14:34And Alex's?
00:14:35In the background, on the left.
00:14:37You're going to have to fight us.
00:14:39for the good room,
00:14:40because there is no good room.
00:14:44No problem,
00:14:45I'm going to see if there's some water
00:14:46and I take a pill.
00:14:50What's happening?
00:14:50Is it too small?
00:14:51No, it's cozy.
00:14:53Thanks a lot, huh?
00:14:54You shouldn't have bothered.
00:14:56No, no, no,
00:14:57if we are delighted.
00:14:58A little sport
00:14:59never hurts.
00:15:00There is nothing left
00:15:00in the trunk.
00:15:01No, this was the last.
00:15:03Where do I put it?
00:15:04Vicenta, pretty,
00:15:05but that's the wheel
00:15:06car spare.
00:15:07Oh yeah?
00:15:07So why do I upload it?
00:15:08That's a good question.
00:15:10Here, Emilio,
00:15:11take her down to the car,
00:15:12that weighs a lot.
00:15:12Come on, what?
00:15:13And now from comilla to brown,
00:15:14Well, I have your back
00:15:14as if to be carrying.
00:15:16Vicenta,
00:15:16I would like to talk for a moment
00:15:17with our new neighbor.
00:15:18Yes, of course, please.
00:15:24Alone, of course.
00:15:27I got it,
00:15:29I have...
00:15:29I got it.
00:15:32Andrew,
00:15:33do you have me down
00:15:33for whatever you want?
00:15:35Oh, what I said!
00:15:36Come on, I'm getting there.
00:15:37to hear your wife.
00:15:39I could think that I...
00:15:41Leave.
00:15:44To the woman, huh?
00:15:46Give it time.
00:15:47Well, Andrés,
00:15:49What I wanted to tell you
00:15:50I understand
00:15:51that now you are tied up,
00:15:52but I would beg you
00:15:53as soon as possible
00:15:53pay me
00:15:54to the amount of the assessment.
00:15:56What does it spill?
00:15:57The facade's spill,
00:15:58that we are painting it.
00:15:59He hasn't told you anything, concha.
00:16:01No, he hasn't told me.
00:16:02nobody swims.
00:16:04How much is that contribution?
00:16:061,200 euros.
00:16:07Fuck,
00:16:08This is a welcome indeed,
00:16:09but I don't have
00:16:10to pay that.
00:16:11Now it's you
00:16:12the owner
00:16:12and if you do not pay the levy,
00:16:14according to the law...
00:16:15Do not touch me
00:16:15balls with the law.
00:16:17No, no, no, no.
00:16:17If I don't...
00:16:18No, I'm a lawyer.
00:16:19so far.
00:16:20And 1,200 euros,
00:16:22As you will understand,
00:16:23I'm not going to pay.
00:16:24If I'm the only one
00:16:24What do I tell you?
00:16:25is that if you do not pay
00:16:26you put me in a difficult position
00:16:27because you have to pay
00:16:28to the painters
00:16:28and of course...
00:16:29Well, then call
00:16:30to a meeting,
00:16:31you call Concha
00:16:32and we cleared everything up.
00:16:34But in a good way,
00:16:35Hey, Juan?
00:16:36That you and I
00:16:36we are going to be very good friends.
00:16:38Yes, yes, of course.
00:16:39We've connected, huh?
00:16:41We have connected.
00:16:42You notice it, don't you?
00:16:44I notice it, I notice it.
00:16:45That's the important thing.
00:16:47Wow!
00:16:53Man, Bethlehem,
00:16:55I wanted to go talk to you.
00:16:56And where are you going with that?
00:16:57Here, hold it for a moment.
00:16:58So that?
00:16:59Take it for a moment, please.
00:17:00Look, now you are Bethlehem,
00:17:04wheel.
00:17:06It's that you are an idiot.
00:17:08What else have you stained me with?
00:17:09Hey, it was a joke.
00:17:09Wait, damn it,
00:17:10I want to talk to you.
00:17:10What's happening?
00:17:11What do you want?
00:17:11No, look,
00:17:12what I was thinking that...
00:17:13No, Emilio, no.
00:17:14I'm not going out with you.
00:17:15Neither with you, nor with Carlos,
00:17:16nor with any other man.
00:17:17You won't have bought it
00:17:17a vibrator, right?
00:17:18That's like cell phones.
00:17:19It is not yet known
00:17:19the side effects.
00:17:21I haven't bought anything.
00:17:22But if in addition
00:17:22I don't want to go out with you anymore.
00:17:23And then
00:17:24what are we talking about?
00:17:25No, what was I thinking?
00:17:26If I can go up for a while later
00:17:27and we give each other a little love, right?
00:17:28Ah, yes, that's true.
00:17:29No problem.
00:17:30But as soon as we're done,
00:17:31you're leaving.
00:17:31No, if you think so.
00:17:32that I give up
00:17:33to comment on the best moments
00:17:34like in Garci's program.
00:17:35Well, are you going up or not?
00:17:36Yes.
00:17:37Well, that's it.
00:17:38Well, come on.
00:17:39So much fuss over a shag, anyway.
00:17:43Well, now what do I do with the wheel?
00:17:44if I don't have the car key?
00:17:45Hello, Emilio.
00:17:46Well, the one that was missing.
00:17:47I would like to have
00:17:48a few words with you alone.
00:17:49But come on,
00:17:50finish what you're doing.
00:17:51No, no, but if I
00:17:51I'm not doing anything.
00:17:53So what do you do with a wheel?
00:17:54Man, I'm buying it
00:17:55a sports car at the kiosk
00:17:56and with the first fascicle
00:17:57They give away the spare wheel
00:17:58and the radio antenna.
00:18:00Well, let's go to the goal.
00:18:01that we have to talk
00:18:02man to man in private.
00:18:04Hey, what's up?
00:18:04You're scaring me.
00:18:10Good,
00:18:10Elén can't decide
00:18:11between you and me.
00:18:12It is an inexplicable fact,
00:18:13but it is a fact.
00:18:14Science will study it
00:18:14at the time,
00:18:15so let's fix it
00:18:16this you and me alone.
00:18:18Carlos, this is for me.
00:18:18They already provided it to me
00:18:19in the thousands,
00:18:19but this kind of thing to me
00:18:20it doesn't suit me.
00:18:20I don't...
00:18:21Don't be an animal to me.
00:18:23You are an obstacle
00:18:23in my relationship with Belén,
00:18:24so the best thing will be
00:18:25that you stop seeing her.
00:18:26Well, the best for you,
00:18:27because now I tell you
00:18:28that I can't believe
00:18:28and we are where we were.
00:18:29How much do you want?
00:18:30What do you mean, how much do I want?
00:18:32How much do you want?
00:18:32for stopping seeing her.
00:18:33Give me a number.
00:18:34You are offering me money
00:18:35for moving away from Bethlehem.
00:18:36You're putting a price on it
00:18:37to our love.
00:18:39Three thousand euros.
00:18:40No, no, no, no, no.
00:18:41Six thousand,
00:18:41I said it without thinking.
00:18:42Five thousand and that's my last offer.
00:18:43Four thousand five hundred
00:18:44and let's not talk about it anymore.
00:18:45But that's less.
00:18:46Well, five thousand,
00:18:46If you're confusing me.
00:18:49Hey, we're talking in euros,
00:18:50not in pesetas.
00:18:53I don't want you back
00:18:54let's see with Belén.
00:18:55We are?
00:18:57Man, but I won't be able to
00:18:58stop seeing her
00:18:58because they live in the building.
00:19:00You know what I mean.
00:19:01With Belén,
00:19:01hello and goodbye.
00:19:03No, well, yes, calm down.
00:19:04Hello and goodbye.
00:19:06Bye bye.
00:19:08Well, that was good too, huh?
00:19:11Yes my love.
00:19:12No, no, no, take it away, take it away, take it away.
00:19:14Get out of here, I'm leaving.
00:19:14Take, no, take, take, take, take.
00:19:16Okay, okay, okay.
00:19:17Go away.
00:19:18For me you see.
00:19:19But if I have
00:19:19many things to do.
00:19:20What do you have to do?
00:19:21at this hour, please?
00:19:22Well, for goalkeeper things,
00:19:23that you don't understand.
00:19:26Hala.
00:19:28Bye bye.
00:19:29Hey, take out the trash,
00:19:31at least.
00:19:32Dear,
00:19:32don't mix work
00:19:33with pleasure, eh?
00:19:36I can't stand him.
00:19:38Let's see,
00:19:38Yes, I understand it perfectly.
00:19:39If I don't want to be understood,
00:19:40The only thing I want
00:19:41is that he pays me.
00:19:42Already.
00:19:42I told him very clearly
00:19:4350% in advance.
00:19:4550%, not 10%, right?
00:19:47That I had to buy
00:19:48the materials out of my pocket.
00:19:49But where has that been seen?
00:19:50Listen, I guarantee you
00:19:51that this is a community
00:19:52completely solvent.
00:19:54Emilio.
00:19:55Hey, sorry,
00:19:56If this is what's making me nervous.
00:19:58Don't eat your sandwich there,
00:19:59that the crumbs fall on me
00:20:00and then come the pigeons
00:20:01and they make everything a mess for me.
00:20:02Man, what...
00:20:03Look, we have a meeting tomorrow.
00:20:04and all the neighbors
00:20:05they are going to pay me
00:20:06its aliquot part
00:20:07of the previously stipulated amount.
00:20:09But what does it say?
00:20:10Do they pay me here?
00:20:11They don't pay me or what's going on?
00:20:12I'm telling you yes,
00:20:13that he has it tomorrow.
00:20:15Let's see if I win the lottery now.
00:20:16and I stop swallowing
00:20:17because what I swallow...
00:20:19You, help me, damn it.
00:20:20Sorry, but I don't know.
00:20:21where you saw the ad,
00:20:22but I don't do it
00:20:23that type of services.
00:20:25No no,
00:20:25that neither.
00:20:26I am a lawyer,
00:20:27not a hustler.
00:20:28This is mind-blowing.
00:20:29Oh well.
00:20:34Fernando,
00:20:34in order to maintain
00:20:35the aesthetics of the building
00:20:36I would beg you not to place
00:20:37signs on the facade
00:20:38and less of this kind.
00:20:40I respect your hobbies,
00:20:42but then the neighbors
00:20:42They complain and of course.
00:20:44Yes, but who put it?
00:20:44this here?
00:20:45It was Mauri,
00:20:46has placed them
00:20:46throughout the neighborhood.
00:20:47Mauri.
00:20:48May I know?
00:21:00what is this?
00:21:01Hey, many times
00:21:02traditional methods
00:21:03are the ones that work best.
00:21:04Thus he found
00:21:04my sister her dog.
00:21:05Has anyone called you?
00:21:06Yes, about 15 people.
00:21:07Do you see it?
00:21:08But all to ask me
00:21:09sexual favors.
00:21:10As?
00:21:10But I did put him as a lawyer.
00:21:11Yes, gay lawyer available
00:21:13very discreet and very handsome.
00:21:15Demonstrable experience,
00:21:16great skills,
00:21:17you will be satisfied
00:21:18with my work.
00:21:20What does this sound like to you?
00:21:21People are very sick,
00:21:22Hey?
00:21:22He looks for him right away
00:21:23the double meaning to everything.
00:21:24How much repressed.
00:21:26Also, it is not necessary
00:21:26that you get me a job
00:21:27because I found one.
00:21:29Oh yeah?
00:21:30Where?
00:21:30As?
00:21:31How much?
00:21:31Tell me something.
00:21:32It's a one-year contract
00:21:33and it's 8,500 euros
00:21:34net per month.
00:21:35Fuck!
00:21:36Yes, more diets,
00:21:38car, mobile phone,
00:21:39notebook computer,
00:21:40who are you calling...
00:21:41To no one.
00:21:41I'm passing it to presets.
00:21:42One million four hundred?
00:21:44But what?
00:21:44And what is that law firm?
00:21:45Johnson & Johnson.
00:21:46But didn't he do that in shampoo?
00:21:47No, it's a law firm.
00:21:49And that's not it?
00:21:49It doesn't sound familiar to me.
00:21:50The thing is...
00:21:51This is the only drawback,
00:21:53that the office is in London.
00:21:55Well, whatever,
00:21:55it's the same, it doesn't matter.
00:21:57In London?
00:21:58How about in London?
00:21:58Which London?
00:21:59The one with the guards
00:22:00with the furry hat
00:22:01and the cars on the left?
00:22:02Yes, that one.
00:22:03Well, you're going to have
00:22:04to get up very early
00:22:04to go to work, right?
00:22:05They pay for a house for us.
00:22:07We would have to go live there.
00:22:08Well,
00:22:09if you want to come with me, okay?
00:22:10Of course, man.
00:22:12And what would you start in the summer?
00:22:13already for Christmas?
00:22:14The plane leaves the day after tomorrow.
00:22:15But they pay us for it,
00:22:17and we flew business class.
00:22:18Well, then...
00:22:19Yeah.
00:22:19Oh, hey,
00:22:20to London.
00:22:21Yeah?
00:22:22Yeah.
00:22:23Damn, thank you very much.
00:22:24The only thing I
00:22:25what I speak is French.
00:22:27Very little English.
00:22:28Well, but it's okay.
00:22:29If you're not talking to me
00:22:30by the elbows.
00:22:31Well, come on, nothing.
00:22:32Hey, off to the adventure.
00:22:34Damn, but it makes you happy,
00:22:35oh really?
00:22:36Phew,
00:22:37a lot.
00:22:38Excellent.
00:22:39Isabel.
00:22:43Isabel,
00:22:44This box is yours.
00:22:46Come see
00:22:46what do you do with this.
00:22:47Oh, please,
00:22:48give me a break.
00:22:49I'm going through a crisis.
00:22:51We are all in crisis.
00:22:52This is a move.
00:22:54Do you want a pill?
00:22:55of passionflower?
00:22:55No,
00:22:56I would have a whiskey
00:22:57if I knew
00:22:58what box it is in.
00:22:59Dad,
00:23:00we have a slight problem
00:23:01of space
00:23:02in our suite.
00:23:03Pablo,
00:23:03don't get on me
00:23:04ironic
00:23:05we have it, huh?
00:23:06Oh, please,
00:23:07give him the keys
00:23:08from the storage room
00:23:09and start adding things.
00:23:11But what storage room?
00:23:12Oh, God.
00:23:14Hey, I'm already hungry.
00:23:15What are we having for dinner?
00:23:16Tell Dolores
00:23:17to prepare something for us.
00:23:18That would be nice, Dad,
00:23:19but we no longer have service.
00:23:21Isabel,
00:23:22Why don't we ask?
00:23:23a pizza?
00:23:24Because it doesn't fit.
00:23:24children,
00:23:27children,
00:23:28I want to talk to you.
00:23:31It's obvious
00:23:32that we are not passing
00:23:33for our best moment.
00:23:35Jump, jump.
00:23:36But calm down, okay?
00:23:37The economy is cycles.
00:23:39I'll be back soon
00:23:40to be on top.
00:23:41I have always wanted
00:23:42give you the best.
00:23:43You calm down, dad,
00:23:44until you finish
00:23:45in prison.
00:23:45Take advantage
00:23:46this life experience, huh?
00:23:47In difficult times
00:23:49is when you learn the most.
00:23:50Well, I think we're going.
00:23:51to learn a lot.
00:23:52Now, above all,
00:23:54we have to take care of mom.
00:23:55Yes, she's a little depressed.
00:23:57Oh yeah?
00:23:58Ah, no, I said it.
00:23:59because until the store
00:24:00start giving money
00:24:02It is the only fixed salary
00:24:03that enters the house.
00:24:05But come on,
00:24:05if you are depressed,
00:24:06Of course, with more reason.
00:24:08Echinacea,
00:24:09fucus,
00:24:11lecithin,
00:24:11passionflower,
00:24:12dwarf glucoma,
00:24:13butcher's broom,
00:24:15horsetail,
00:24:16hop...
00:24:17Ah!
00:24:18I'm missing spirulina.
00:24:20Hello.
00:24:22Hi how are things?
00:24:24How's the mess going?
00:24:24from the move?
00:24:25So many things, huh?
00:24:26Are you coming from a big house?
00:24:29Yeah.
00:24:31Hey, look,
00:24:32we have to organize ourselves
00:24:33with the strings.
00:24:34I put some tweezers
00:24:35colored
00:24:35so you know
00:24:36what's your piece
00:24:37and what is mine.
00:24:38Hey, would you mind?
00:24:39come to my house too
00:24:40to clean
00:24:41a couple of hours a day?
00:24:42Hey?
00:24:42You're the assistant, aren't you?
00:24:43How about the assistant?
00:24:44How much do they pay you?
00:24:45Eight euros an hour?
00:24:47No, no, sorry, sorry.
00:24:48I am the owner,
00:24:49I am the woman
00:24:50of the president.
00:24:51Come on,
00:24:52I'm the president!
00:24:54Oh ok,
00:24:55sorry, I got confused.
00:25:00Well, don't be confused,
00:25:02pretty.
00:25:03Well.
00:25:04Do you need anything?
00:25:15Okay, is that all right?
00:25:16I'm not sleepy.
00:25:17Yes, but it's too late,
00:25:18Hey?
00:25:18And you have to rest.
00:25:20Well,
00:25:21I'm going to the couch.
00:25:22All good?
00:25:23Yeah.
00:25:24Very good honey.
00:25:26Good night my love.
00:25:27You're in a photo, huh?
00:25:29Don't go too far, okay?
00:25:30See you tomorrow.
00:25:31See you tomorrow.
00:25:34Should we turn off the light?
00:25:39Welcome to our program
00:25:41of night chair.
00:25:43Yeah,
00:25:43we turn off the light.
00:25:45Hello,
00:25:46good night.
00:25:46Look,
00:25:46I'm Benacio,
00:25:47am...
00:25:48But how could I have been confused?
00:25:51with the assistant?
00:25:52Well no,
00:25:52that nothing happens,
00:25:53don't give it another thought.
00:25:54No,
00:25:55if it is going to turn out now
00:25:55I look like a maid.
00:25:58I have to buy clothes,
00:25:59Juan,
00:26:00because the hair is not.
00:26:01Dear,
00:26:02you don't need it,
00:26:02if you look great.
00:26:04Love blinds you,
00:26:04Juan.
00:26:05You are not objective.
00:26:06I would like you
00:26:07even though I weighed 120 kilos.
00:26:08Man,
00:26:08neither...
00:26:10If I don't say
00:26:11that you don't take care of yourself.
00:26:12Well, that's why,
00:26:13I'm going to buy some clothes.
00:26:14What does she think she is?
00:26:15But you didn't want a friend.
00:26:17Of course he wants a friend,
00:26:18but it has started very badly.
00:26:20And how are you with him?
00:26:21Good,
00:26:22good.
00:26:22Well,
00:26:23there is a small problem
00:26:24with the spill,
00:26:25but she told me Andrés that...
00:26:26What's happening?
00:26:26They don't want to pay?
00:26:27Are you being clever?
00:26:28No, no, no.
00:26:29That apparently
00:26:29Concha did not inform them properly
00:26:31and well,
00:26:32Well, it needs to be clarified
00:26:32tomorrow at the meeting.
00:26:33Watch out for these,
00:26:34Hey, Juan.
00:26:35Watch out for these
00:26:35who are penniless,
00:26:36Hey.
00:26:36That have been had
00:26:37to sell the chalet.
00:26:38Who knows what scams they have.
00:26:39Let's not get ahead of ourselves.
00:26:41Let's see
00:26:42what happens tomorrow, huh.
00:26:43No defaulters here,
00:26:44Hey, Juan?
00:26:44No defaulters here.
00:26:48What are you doing?
00:26:49What's wrong with this little nipple?
00:26:51No, Juan,
00:26:52you know that the night
00:26:53before a meeting
00:26:54We can't, honey.
00:26:55That we have to gather strength.
00:26:57That whiting isn't fresh.
00:27:00I told you
00:27:01don't put it on me.
00:27:05He sings well.
00:27:07that boy.
00:27:08No, no.
00:27:12There is no room
00:27:13now a dog.
00:27:15No.
00:27:17I nail the rope.
00:27:18No no.
00:27:20There is nothing.
00:27:22That, that, that, that.
00:27:27Roberto.
00:27:28Roberto, darling.
00:27:29Yeah.
00:27:29What's happening?
00:27:31Is grandma okay?
00:27:32Yes, it's very good
00:27:33there with his things.
00:27:34Come on, go on.
00:27:35Let's take advantage
00:27:36a bit.
00:27:36Hey?
00:27:38No, no, no, no, no.
00:27:39Yes, yes, yes.
00:27:40No, no, no, Lucia,
00:27:40let's see if he'll hear us.
00:27:41Don't worry
00:27:42Yes, I am very bland.
00:27:43Hey, hey, please,
00:27:44no, no, no,
00:27:44that I with my grandmother
00:27:45I can't concentrate at home.
00:27:46He is dreaming of you,
00:27:47he doesn't understand anything.
00:27:48Come on, he's going to knock your house down.
00:27:49Oh, don't catch me there.
00:27:51That?
00:27:51No.
00:27:53I have, yes.
00:27:55Normal.
00:27:55What speaks.
00:27:57Calm down, now, now.
00:27:58Now I give you
00:27:58a little water.
00:28:00Fuck.
00:28:01Come on, to the room, okay?
00:28:03Please.
00:28:03So that?
00:28:06Let's see, stay, stay.
00:28:07Let's see if you're going to give it to me, dad.
00:28:09Let's see.
00:28:09To six UFOs.
00:28:12Dolby, his rum.
00:28:14DTS, your...
00:28:16either...
00:28:17or offer.
00:28:18Twitter.
00:28:19Oh well,
00:28:19Does this have a CD or not?
00:28:20Paquito, take a look, man.
00:28:22What's wrong with you?
00:28:23Oh, the allergy, man,
00:28:24I've made you a bowl.
00:28:25Hey?
00:28:26That?
00:28:27No, what you have to do
00:28:28is to buy you a DVD
00:28:28Let's see if you can rent me some movies.
00:28:30But where are you going, kid?
00:28:31If you don't have money
00:28:32to buy that equipment.
00:28:33But how come not?
00:28:34If I have taken Carlos
00:28:35five thousand euros.
00:28:36Look.
00:28:36Hey?
00:28:37Be careful, be careful,
00:28:37This is how the numbers will be erased.
00:28:39But how did you get this money?
00:28:41He wants me to stop seeing Belén.
00:28:42And of course,
00:28:42he had to bribe me.
00:28:43Having me as a rival
00:28:44It's very bad, Paquito.
00:28:45But weren't you in love with Belén?
00:28:47Yeah.
00:28:48And what does it have to do with it?
00:28:48So how are you going to stop seeing her?
00:28:50But I'm not going to stop watching it.
00:28:51If this asshole
00:28:51He wants to give me money,
00:28:52So give it to me.
00:28:53But Emilio,
00:28:53that you have made a deal.
00:28:54But if I have not signed any contract,
00:28:55the words are carried away by the wind
00:28:56and I'll take the money
00:28:57on my account.
00:28:59Well,
00:28:59As long as Carlos doesn't see you with her...
00:29:01Clear,
00:29:01there it is,
00:29:02there it is.
00:29:02As long as he doesn't find out,
00:29:03I see Belén from time to time,
00:29:04a little while here,
00:29:05a little while over there.
00:29:06Well,
00:29:07I'm leaving.
00:29:08Emilio,
00:29:09Emilio,
00:29:09take advantage and save a little,
00:29:11don't spend it.
00:29:11No, no, no,
00:29:12but this goes straight to the bank.
00:29:13Man,
00:29:13maybe I'll give myself a treat and all that,
00:29:15but come on,
00:29:16no, no,
00:29:16that you have to have brains for finances.
00:29:23Awesome.
00:29:33Were you talking to someone?
00:29:34or were you just messing with me?
00:29:36No,
00:29:36I was coming to an agreement
00:29:37with the assistant manager
00:29:38to organize our arrival.
00:29:41He seems nice,
00:29:41his name is Trevor.
00:29:43Trevor.
00:29:46Fernanda,
00:29:46I was thinking,
00:29:48or well,
00:29:48so hearing you speak,
00:29:49that I have the same
00:29:51a small problem with the language.
00:29:53Which?
00:29:53Because I don't know how to speak it,
00:29:54basically.
00:29:55But what are you saying?
00:29:56If you have been going for a lot of years
00:29:56to an academy,
00:29:57to teach classes.
00:29:58Yeah,
00:29:58but they were kitchen ones.
00:29:59I didn't dare to tell you anything
00:30:00in case you saw it as very evil.
00:30:02But let's see,
00:30:03What level are you?
00:30:04What can you say in English?
00:30:06I,
00:30:07the basics.
00:30:08Clinton,
00:30:09Ben,
00:30:09Tassi,
00:30:09Stop,
00:30:10Burger,
00:30:10Gin,
00:30:10Tonic,
00:30:11Jogging,
00:30:11Parking,
00:30:12West Side Story,
00:30:13Europe's Living and Celebration.
00:30:15Do you think that with those words
00:30:16can you say something meaningful?
00:30:18Yeah,
00:30:18no problem.
00:30:19To live in a place
00:30:20no need to master
00:30:20completely the language.
00:30:21Look at Bush,
00:30:22president of the government.
00:30:23Fernando,
00:30:24that I in English
00:30:24I can only communicate
00:30:26by gestures.
00:30:26I'm going to look like Mr. Bean.
00:30:27No,
00:30:28you relax.
00:30:29Look,
00:30:29yes you know how to speak English.
00:30:30Yeah.
00:30:30What happens is that you suffer
00:30:31the classic Spanish blockade.
00:30:34Let's do one thing,
00:30:35so that you can loosen up.
00:30:36From now on,
00:30:37you and I are going to talk
00:30:38English only.
00:30:39Ah,
00:30:39Well, we're going to talk very little.
00:30:40I mean,
00:30:40you're going to speak alone.
00:30:41In English, please.
00:30:43No,
00:30:43that this is a trifle,
00:30:44that's not going to work.
00:30:45I don't understand you.
00:30:46You have to speak in English.
00:30:48Come on,
00:30:49try.
00:30:50Fuck.
00:30:51Stop,
00:30:52stop,
00:30:53listen.
00:30:53Burger,
00:30:54Gin,
00:30:54Tony,
00:30:55parking.
00:30:56Ah,
00:30:57my English very,
00:30:58very bad,
00:31:00impossible,
00:31:00the mission.
00:31:02Much better,
00:31:02it's just a matter of time.
00:31:05Forks,
00:31:06let's see.
00:31:08Do you like the new levers?
00:31:09Sorry.
00:31:09Fuck,
00:31:11you could have gotten it
00:31:12to work in Zalote.
00:31:13It is also an island
00:31:13and it's full of foreigners.
00:31:15I love you, honey bunny.
00:31:16I love you, honey bunny.
00:31:20Well, we
00:31:21we are building ourselves
00:31:22a chalet.
00:31:23We already have the plot,
00:31:24the project and everything.
00:31:25We're just waiting
00:31:26the building permit.
00:31:27What are you building?
00:31:29Sorry, pretty,
00:31:30but I'm talking
00:31:30with my friend, huh?
00:31:31Watch out for this one, eh?
00:31:32What is the cock,
00:31:33is the one that causes the most problems.
00:31:34As you will see,
00:31:35Paloma is not characterized
00:31:35for his good education
00:31:36because the housewife could call
00:31:37that is what it is,
00:31:38but that would be lowering myself.
00:31:39What did you call me?
00:31:40What did you call me?
00:31:41Look, Paloma,
00:31:41that you always start.
00:31:42Haven't you heard it?
00:31:42Well, it already begins and ends.
00:31:44No, no, no, no.
00:31:44You start as always,
00:31:45please.
00:31:46Moved, moved.
00:31:47Please.
00:31:48Man.
00:31:49Look what I tell him
00:31:49that I come alone.
00:31:51Let's see,
00:31:51we can start the meeting.
00:31:53Well, I don't know,
00:31:53ask your wife.
00:31:54I don't see what you have
00:31:55good atmosphere.
00:31:56Yes, yes,
00:31:57we are like a big family.
00:31:59Well,
00:31:59The first thing we are going to do
00:32:00is to welcome
00:32:01to our new neighbors,
00:32:02Isabel and Andrés,
00:32:04that I hope they don't give us
00:32:05a lot of war.
00:32:07Did you get it?
00:32:08It's that it's his last name,
00:32:11War.
00:32:13Oh, how good,
00:32:14Mr. John.
00:32:14And after this moment
00:32:15of hilarious comedy,
00:32:17Could you get into the subject?
00:32:18Yes, yes.
00:32:19Good,
00:32:19first and only item of the day.
00:32:21Collection of the amount
00:32:22the entire amount of the assessment
00:32:23from 1,200 euros
00:32:24in the concept of painting
00:32:25and conditioning
00:32:26general view of the facade.
00:32:27Let's see,
00:32:28checks in hand
00:32:29I'm passing by, okay?
00:32:30No, not a check,
00:32:31I have brought cash
00:32:32because I had loose change at home.
00:32:33But do you know what he brought?
00:32:35I'm going to tell you about it
00:32:37let's see if everything is there.
00:32:38I think that's all there is,
00:32:39Mr. John.
00:32:39You have to trust people.
00:32:40Tell it,
00:32:41I told you.
00:32:42Fuck,
00:32:42but that is this peseta.
00:32:43My pretty little sister,
00:32:44this is not worth it.
00:32:45Yes, yes,
00:32:45that I have found out.
00:32:46It can be changed
00:32:46at the Bank of Spain.
00:32:48Yeah.
00:32:48I would like to clarify
00:32:50as soon as possible
00:32:50that the second B spill
00:32:52must pay it
00:32:53to the previous owner,
00:32:55Mrs. Concepción,
00:32:56that he didn't tell us anything
00:32:57at the time of sale.
00:32:59Who is Mrs. Concepción?
00:33:01Shell, pussy.
00:33:02What's happening?
00:33:03Forgive me,
00:33:03forgive me,
00:33:04but I warned you.
00:33:05You will have a bad memory.
00:33:07Lady,
00:33:07sorry,
00:33:08but he didn't tell us anything.
00:33:09Man,
00:33:09It is usually the buyer
00:33:10the one who has to speak
00:33:11with the president
00:33:11to see if the floor
00:33:12is free of charges.
00:33:13Male,
00:33:14Juan,
00:33:14And why don't you tell me?
00:33:15How am I going to let you know?
00:33:16if I didn't know you?
00:33:17But I also told him
00:33:18to the president
00:33:18to warn you.
00:33:20But it's a disaster.
00:33:21No, no, no, no, no,
00:33:22no, incorrect.
00:33:23That's not the case.
00:33:24You didn't tell him anything.
00:33:25to my husband,
00:33:25don't lie, okay?
00:33:26And why do you?
00:33:27you've become a shell
00:33:27How beautiful is Concepción?
00:33:29I don't care
00:33:30who told him what,
00:33:31whom,
00:33:31I mean,
00:33:32I neither know nor care.
00:33:32Let's see if we can focus a little.
00:33:34Who has to take care of it?
00:33:34of that spill?
00:33:35In theory the current owner.
00:33:37I don't feel it,
00:33:38but I'm not going to pay
00:33:39that money.
00:33:40While this is being clarified,
00:33:41I think the most practical thing
00:33:42is that I advance it
00:33:43in the community.
00:33:44Yes of course.
00:33:45And I'll clean your floor.
00:33:46in the afternoons.
00:33:47Well, if he doesn't pay,
00:33:48neither do we.
00:33:49Well, that's it.
00:33:50We did not paint the facade.
00:33:51Come on, let's go now.
00:33:52To the meetings the fair ones, eh?
00:33:54Gosh, fuck the coin!
00:33:56Well, you do it later, Emilio.
00:33:58But he hasn't told me
00:33:58let me count them.
00:33:59Well, let's see.
00:34:00It's already late
00:34:01to back down.
00:34:01We are painting the facade.
00:34:03Do you want to explain to me?
00:34:04how we are going to pay
00:34:04to the painters?
00:34:06What do you mean they're not going to pay us?
00:34:08But listen, this
00:34:08it is a private board
00:34:09for owners only.
00:34:11Manolo!
00:34:12Pick up, we're not getting paid!
00:34:13No, no, wait a minute.
00:34:14We are deliberating.
00:34:15It's just a momentary controversy.
00:34:17Yes, yes, whatever you want.
00:34:18Send the check
00:34:19that we return.
00:34:20But, Juan, they can't leave.
00:34:21that are not yet finished.
00:34:23Go away, Mr. Cuesta!
00:34:25Go away!
00:34:26What was I?
00:34:26But in this house
00:34:27nothing normal ever, eh.
00:34:30This is wonderful.
00:34:31Who would invent
00:34:32the remote control?
00:34:33Well, some lazy guy like you, dad.
00:34:35Look, with all this hustle and bustle,
00:34:36but I don't allow you
00:34:37until you disrespect me.
00:34:39Dad, I'm going to make you
00:34:40a photo with the new mobile.
00:34:41Come on, come on, smile.
00:34:42Leave me alone, damn it.
00:34:42How little, damn!
00:34:44Emilio, what did you buy?
00:34:45A little treat,
00:34:46since I never buy anything.
00:34:47And the mobile?
00:34:50It came with the TV, yes.
00:34:51It came with the TV.
00:34:52And the suckers?
00:34:52And the sneakers?
00:34:53Yes, it's all there
00:34:54very reduced.
00:34:55Weren't you going directly?
00:34:56to the bank?
00:34:57Yes, but it's along the way
00:34:58there are many shops.
00:34:59Look, Jose,
00:34:59Don't brainwash me, okay?
00:35:01That.
00:35:01Imagining that the food
00:35:02in addition to...
00:35:04Where are you going?
00:35:07All the time behind.
00:35:08Pasted here.
00:35:08Come on.
00:35:09Okay, man, huh?
00:35:10Okay.
00:35:10Hey, Belén López Vázquez.
00:35:13Yes, who sent this to you?
00:35:14Ah, I don't know.
00:35:15Well, I brought,
00:35:16I'll give it to you now.
00:35:16No, no, no, it's just impossible.
00:35:18She has to sign here for me.
00:35:19Well, here comes the third one.
00:35:20and the defender is broken
00:35:21and the stairs are real.
00:35:23Okay.
00:35:23I'll leave it here for you, okay?
00:35:25Thank you.
00:35:25Come on, see you later.
00:35:28What are you doing, man?
00:35:30This is from the bastard Carlos,
00:35:32clear.
00:35:33Let's see what he put in it.
00:35:44How fucking beautiful.
00:35:45You're going to like this.
00:35:48Here, tell me.
00:35:49I'm going to get a pen.
00:35:50But are you going to copy it?
00:35:51Man, no.
00:35:52Oh my God, they are beautiful.
00:35:54The truth is that I didn't expect it.
00:35:56this detail about you.
00:35:57There are many things about me
00:35:58that you still don't know, darling.
00:36:00Hey, and where did you get it?
00:36:02that's so beautiful
00:36:02What did you put on my card?
00:36:04From nowhere.
00:36:05It's that when one
00:36:06he is truly in love,
00:36:07because the words come out
00:36:08from the heart.
00:36:09But it must have cost you
00:36:11a paste.
00:36:11Yes, it really is,
00:36:13that they have given me
00:36:13a curious stick.
00:36:14We're not going to lie here.
00:36:15But come on,
00:36:16that right now
00:36:16we throw another one
00:36:17and it makes up for it for me.
00:36:20It is seen
00:36:20that you are a romantic.
00:36:23Yeah?
00:36:24No, we can't talk now.
00:36:27Be still.
00:36:30What do you mean you're at the door?
00:36:32But what are you doing at the door?
00:36:35Hang on a minute.
00:36:36The Carlos?
00:36:37What's at the door?
00:36:38Well, now
00:36:39I then calmly
00:36:40leave,
00:36:41that you will have many things
00:36:42to talk to
00:36:42and here I am the truth
00:36:43that I have no business.
00:36:44No, look,
00:36:45We are three adults,
00:36:46so we're leaving
00:36:47to sit down and talk
00:36:47quietly
00:36:48and I'm going to tell him
00:36:49that to me
00:36:50the one who really
00:36:50I like you.
00:36:51And that's it, man.
00:36:54Yes, what am I going to say to him?
00:36:55Don't tell him that, right?
00:36:56You're going to hurt him.
00:36:57and you can also
00:36:58create trauma.
00:36:58You tell him better
00:36:59that you are right now
00:37:00made a mess
00:37:00and that you don't want
00:37:01be with no one.
00:37:02But to you?
00:37:02since when
00:37:02you care
00:37:03Carlos's feelings?
00:37:04I'm getting more and more sensitive,
00:37:05Valencia,
00:37:05that you are changing me.
00:37:07But where are you going?
00:37:09I'm going here for a while
00:37:10to the scaffolding
00:37:10to think about you
00:37:11and in this so beautiful
00:37:11what is happening to us.
00:37:13Oh, damn,
00:37:13how high this is.
00:37:15Emilio,
00:37:15It's really weird.
00:37:16I'm already crazy
00:37:17if I have vertigo.
00:37:18So why are you going out?
00:37:19To defeat him.
00:37:20No, look, no, look,
00:37:21No, look, no, look,
00:37:21no, look, no, look.
00:37:23Oh my goodness.
00:37:25No,
00:37:26Yes, now that I decide
00:37:26for him
00:37:27you'll see how he kills himself.
00:37:32Hello.
00:37:32Hello, princess.
00:37:34No, no, no, no, no,
00:37:35no, no, no, no,
00:37:35wait, wait, wait.
00:37:36Did you like the flowers?
00:37:37What flowers?
00:37:39Those?
00:37:41But it will be a bastard.
00:37:45Hey, if you don't like them
00:37:46can be changed,
00:37:46There were some forget-me-nots,
00:37:47great.
00:37:47No, no, no, yes, yes,
00:37:48They are beautiful.
00:37:49Oh, Bethlehem,
00:37:51we have so many things
00:37:52to talk about,
00:37:53so much time to recover,
00:37:54I have so much love
00:37:55to give you.
00:37:56Come on,
00:37:56shy a coffee.
00:37:57No, no, no,
00:37:58I need time.
00:38:00Haven't you showered?
00:38:01No, no, time.
00:38:01Time, time in general,
00:38:03You know?
00:38:03Time.
00:38:04I am that now
00:38:05I'm going through a period
00:38:06that...
00:38:06Is it with the rule?
00:38:07Will you let me finish?
00:38:08Oh, forgive me,
00:38:10that...
00:38:11Look, I'm just...
00:38:12Look, I don't want to hurt you,
00:38:14but the one I like
00:38:15It's Emilio.
00:38:19Good.
00:38:20Well, mistake,
00:38:22but good.
00:38:23It hurts me,
00:38:24because it hurts me,
00:38:26but I will respect you.
00:38:28Now I'm going to tell you something.
00:38:32Emilio doesn't love you
00:38:33and very soon
00:38:34you'll realize
00:38:35and then you will come to me
00:38:37begging me
00:38:37and if not, it doesn't matter
00:38:39because I will come
00:38:40to beg you
00:38:41and love will triumph
00:38:42and...
00:38:44bye bye.
00:38:48Let's see where it is
00:38:49the one with the flowers.
00:38:51Man,
00:38:52Juan,
00:38:52come in, come in!
00:38:53Andrew,
00:38:54I am dismayed.
00:38:55This incident
00:38:56from the spill
00:38:57is putting in danger
00:38:57harmony
00:38:58of this our community.
00:39:00So I would beg you
00:39:01strongly
00:39:01that you pay your share
00:39:02because...
00:39:02Don't worry,
00:39:03Juan,
00:39:03what has occurred to me
00:39:04a better idea.
00:39:05How much money do you have?
00:39:06you have right now
00:39:07to paint the facade?
00:39:09What we have paid
00:39:10the rest of the neighbors,
00:39:11800,000 pesetas.
00:39:12Ample?
00:39:14You give me 500,000.
00:39:16I call my brother-in-law
00:39:16who is a painter
00:39:17and tomorrow he will finish this for us.
00:39:19To the neighbors
00:39:20you tell them
00:39:21that I have already paid you
00:39:22the spill
00:39:22and nobody finds out.
00:39:24Andrew,
00:39:25but that is an irregularity
00:39:26manifests.
00:39:27And the other 300,000
00:39:28that are left over for you
00:39:29and for your things,
00:39:30Pussy,
00:39:31Do you want the president?
00:39:33No, no, no,
00:39:33I don't see it.
00:39:34That money
00:39:35is from the community.
00:39:36Look, Juanito,
00:39:38Can I call you Juanito?
00:39:39Man,
00:39:39I prefer Juan.
00:39:40Juan,
00:39:41no problem.
00:39:42Look,
00:39:43me with this
00:39:43I don't earn anything.
00:39:44You instead
00:39:45you have all the neighbors
00:39:46against
00:39:47and the facade
00:39:48he gave me painting.
00:39:49I don't know, boy,
00:39:50I see it clearly.
00:39:52Well,
00:39:53it is an emergency.
00:39:54If you guarantee me
00:39:55that your brother-in-law...
00:39:55I guarantee you everything,
00:39:57man,
00:39:57but if the most expensive
00:39:58it is the scaffolding
00:39:59and we have it set up.
00:40:00But he takes it tomorrow
00:40:01in the afternoon.
00:40:02Ample.
00:40:03My brother-in-law works fast,
00:40:04has three
00:40:05no paper dripping
00:40:06or they paint throwing milk
00:40:09or we call the police.
00:40:11Man,
00:40:11It's not that either.
00:40:12Look,
00:40:14you bring me the money
00:40:14this afternoon
00:40:15that you are going to stay
00:40:16like God
00:40:16with the neighbors.
00:40:18Well, Andrés,
00:40:18but let this remain
00:40:19between you and me,
00:40:20that does not transcend,
00:40:21for God's sake.
00:40:21Hey,
00:40:22oh well,
00:40:23you are square,
00:40:24Hey, asshole?
00:40:25You go to the gym,
00:40:27No?
00:40:27No no,
00:40:27not to the gym,
00:40:28that I like to take care of myself a little.
00:40:30So we agreed that tomorrow...
00:40:31Ah,
00:40:31cash,
00:40:32Hey?
00:40:33Yes, yes, yes,
00:40:33I'll bring it to you now.
00:40:36But how great you are,
00:40:37Juanito,
00:40:38you and I are going to understand each other.
00:40:39Well,
00:40:48tell me,
00:40:49What do you think?
00:40:50sincerely?
00:40:51I don't like it.
00:40:52But how could you not like it?
00:40:53with what it has cost me.
00:40:54In addition,
00:40:54is that from a certain age
00:40:55It seems silly to me
00:40:56spend money on clothes.
00:40:57That's rude,
00:40:58Hey?
00:40:58And while you're in this house...
00:41:00Oh, you're going to look very pretty.
00:41:01Do you see it?
00:41:02What did it cost you to be honest?
00:41:03from the beginning?
00:41:04Humility, Natalia,
00:41:05that all of our breasts sag.
00:41:09How are you, Juan?
00:41:10Do they pay or not?
00:41:11Have you put them in their place?
00:41:12Man,
00:41:12of course.
00:41:13I have just the right pulse.
00:41:15Tomorrow is the end for us
00:41:15to paint the facade.
00:41:17Ole,
00:41:17my president!
00:41:18Look,
00:41:19Do you like this skirt?
00:41:19what have I bought?
00:41:20I bet it's not from a housewife.
00:41:21No no,
00:41:21it's very nice.
00:41:22Hey,
00:41:22I'm going to the bank for a moment
00:41:23I have to check some things.
00:41:25Check,
00:41:25Juan,
00:41:26check.
00:41:26Well, I'm missing the matching bag,
00:41:29right?
00:41:31Man,
00:41:31fundamental.
00:41:35Wow!
00:41:36You'll see what's coming,
00:41:37already,
00:41:37put this on now.
00:41:38Oh!
00:41:38I'm going to mess up my hair.
00:41:40What's up?
00:41:40What's up?
00:41:40What's up?
00:41:41Yes, she is very pretty.
00:41:42Lucia,
00:41:42what are you doing?
00:41:43What I bought for him
00:41:44Bisbal's new album.
00:41:45You'll see,
00:41:45you're going to love it.
00:41:47Wow!
00:41:48Enjoy it, okay?
00:41:49Come on,
00:41:50that we have 57 minutes.
00:41:51It's a little high!
00:41:52I've turned the volume up to full
00:41:56so we can do
00:41:57all the noise
00:41:58whatever we want.
00:41:58But why?
00:41:59we do not expect better
00:42:00to leave?
00:42:01It's only two days.
00:42:05You're right,
00:42:05too long.
00:42:09What happened?
00:42:12Yeah, yeah!
00:42:16I want to go to the bathroom.
00:42:22Come on, don't fuck with me!
00:42:28The new mini-system.
00:42:30Of course you can.
00:42:31come see me.
00:42:32By plane, mom.
00:42:34Well, don't come.
00:42:36Don't you see!
00:42:36Hey, I'm hanging up on you,
00:42:37Thatcher has arrived.
00:42:40Oh, wow, wow!
00:42:41I think we're going to do it
00:42:42more subcases, huh?
00:42:43Yeah!
00:42:45One thing,
00:42:46Fernando,
00:42:46I am that
00:42:46I tell all this
00:42:47a little hasty
00:42:48because we're leaving tomorrow, aren't we?
00:42:49What are we going to do with the house?
00:42:50In English, please.
00:42:51Fuck!
00:42:52Listen.
00:42:56House here.
00:42:58We London.
00:42:59Okay?
00:43:00Problem.
00:43:02No people here.
00:43:04No money.
00:43:05What do you mean?
00:43:07We're going to rent it to him, damn it.
00:43:08To rent.
00:43:09The right verb is to rent.
00:43:10He knows everything.
00:43:11the clever villain of Spain, eh?
00:43:13I can hear you.
00:43:14I can hear you.
00:43:16Look how thick, son.
00:43:17I'm going to bend you.
00:43:18It's making me feel sorry.
00:43:20But if this motorcycle
00:43:20he has caught something,
00:43:21why doesn't it throw?
00:43:22Come on, let's start again.
00:43:23What are you doing?
00:43:24Stop turning it on and off
00:43:25that this does not happen to load.
00:43:26Learn to take care of things.
00:43:28Emilio,
00:43:29Can we talk for a moment alone?
00:43:30Dad,
00:43:30go to the bathroom for a moment
00:43:31I have to talk to Belén.
00:43:32And I can hear you from the bathroom too.
00:43:33Where do you think we live?
00:43:34To Moncloa.
00:43:36Emilio,
00:43:36may I know
00:43:37why are you giving me some flowers
00:43:38that are not yours?
00:43:39Nativity scene,
00:43:40But what's important is the detail
00:43:41and what does it matter that he bought them?
00:43:42But how can you have so much nerve?
00:43:43Look,
00:43:44let's see,
00:43:44what beach bars
00:43:45has my son gotten on board?
00:43:45Plasma television,
00:43:46DVD,
00:43:47Dolby's on the round,
00:43:48that puppy from the video games,
00:43:50the bomb.
00:43:51But you?
00:43:52where did you get the money from?
00:43:52to buy all this?
00:43:53Well, nothing,
00:43:54that I've been saving.
00:43:55Very good,
00:43:56now seriously?
00:43:56Pussy,
00:43:57that I've been saving
00:43:57and also,
00:43:58Why do I already have you?
00:43:58to give explanations?
00:43:59It's not like we're married.
00:44:00Well,
00:44:01but we're dating, aren't we?
00:44:02Wait and don't shout.
00:44:04And also,
00:44:04don't go through this yourself
00:44:05commenting around, huh?
00:44:06What's happening?
00:44:07Have you sold the exclusive?
00:44:08If you don't have to come down here,
00:44:09I'll take care of going up.
00:44:10Come on,
00:44:11come out now
00:44:11when no one is looking.
00:44:12Now.
00:44:13Hey!
00:44:14But you are an idiot,
00:44:15Do you believe?
00:44:15that you can treat me like this?
00:44:16This is what there is
00:44:17and don't overwhelm me.
00:44:19My son,
00:44:20every day you get better
00:44:21to women.
00:44:22But I went a bit too far, didn't I?
00:44:23No way, damn it,
00:44:24she likes it.
00:44:25Hey,
00:44:26make me one of those little things
00:44:27and you play another little game.
00:44:29Well, come on.
00:44:30What am I doing for a year in London?
00:44:31Do you want to tell me?
00:44:32I'm going to die of boredom.
00:44:33Well, tell Fernando.
00:44:34that you don't want to go.
00:44:35No, no, no,
00:44:35I don't want him to go alone,
00:44:37that he is very handsome.
00:44:39Besides,
00:44:39London is very liberal.
00:44:40Well,
00:44:41Well then tell him
00:44:41let him stay,
00:44:42to quit his job.
00:44:43No no,
00:44:43how excited he is.
00:44:44No, no, no,
00:44:45I don't want him to stay here because of me.
00:44:47I'm going to feel guilty
00:44:47lifetime.
00:44:48Besides,
00:44:48every time you argue
00:44:49he can throw it in your face.
00:44:50No,
00:44:51he's going to throw it in your face.
00:44:51Well,
00:44:52Well then don't stress
00:44:53because whatever you decide
00:44:54you're going to regret it.
00:44:55Really,
00:44:55I love asking for advice,
00:44:56Hey?
00:44:56The one who is very strange is Emilio.
00:44:58Don't you realize?
00:44:59No, no, no,
00:45:00I mean,
00:45:00more than usual.
00:45:02Suddenly he is very affectionate,
00:45:03then he ignores me,
00:45:05is that it has some changes
00:45:06of very strange humor.
00:45:07Well,
00:45:08and is being bought
00:45:08a lot of very expensive things
00:45:10and he doesn't want to tell me
00:45:11where he gets the money from.
00:45:12Let's see if he's involved in drugs.
00:45:13What are you saying?
00:45:14Let's see if he's involved in drugs.
00:45:15No no,
00:45:15Yeah, yeah,
00:45:15but no,
00:45:16How could Emilio be taking drugs?
00:45:18If it gets upset every time
00:45:19that you have to take an aspirin.
00:45:21Peaceful,
00:45:21maybe he doesn't take drugs,
00:45:22just traffic.
00:45:23Oh ok,
00:45:24It's a camel,
00:45:25I feel calmer.
00:45:26Well, you keep an eye on him,
00:45:27because when people
00:45:27is starting to have money
00:45:28and doesn't tell you
00:45:29where does he get it from...
00:45:30Look,
00:45:30didn't you want a boyfriend with money?
00:45:32Well, there you have it.
00:45:33It's not funny.
00:45:34It's true,
00:45:34it's not funny,
00:45:35we were talking about my problem,
00:45:36What do I do?
00:45:36Hey,
00:45:36Have you seen the new kid?
00:45:38from the second B?
00:45:40It's tremendous.
00:45:41Oh yeah?
00:45:42Yeah,
00:45:42but it's for me,
00:45:43that the three of you have a boyfriend.
00:45:44Already,
00:45:44but mine is always with his grandmother.
00:45:46Yeah,
00:45:46and mine is going to London.
00:45:47And mine is a camel.
00:45:48Fuck,
00:45:48What competition has suddenly appeared before me.
00:45:50Well,
00:45:51as I see that you are not going to give me
00:45:52no solution,
00:45:53I'm going to get myself another drink.
00:45:54That,
00:45:54that in London alcohol
00:45:55it is very expensive.
00:45:56Alice,
00:46:09we are making fools of ourselves
00:46:10as usual.
00:46:12I have myself under control,
00:46:13he's going to work at this time.
00:46:14Okay,
00:46:14and if it comes out,
00:46:15What do we do?
00:46:16Hide.
00:46:18You shouldn't fake orgasms,
00:46:19that is very bad.
00:46:22Hello.
00:46:22Hello.
00:46:23How are you?
00:46:23Good.
00:46:27Tremendous,
00:46:27Hey?
00:46:28And he's certainly not gay.
00:46:30Alice,
00:46:32that one is not going to work,
00:46:33that one goes to class.
00:46:34What are you saying?
00:46:35And will he be my age?
00:46:35Yeah,
00:46:36will have it one day,
00:46:37but not at this moment.
00:46:38Please.
00:46:39If it's a yogurt.
00:46:41Don't start with your envy,
00:46:43Hey?
00:46:43What are you envious of?
00:46:44Nativity scene,
00:46:45that we know each other.
00:46:52Pussy,
00:46:53Pussy,
00:46:53This is great,
00:46:54uncle.
00:46:55How are you?
00:46:55Respite,
00:46:55but damn,
00:46:56but if this is the best
00:46:57what is there for allergies.
00:46:58Hey,
00:46:58Don't gas my carabinieri
00:47:00that goes to a shepherd.
00:47:01Hey,
00:47:01dad,
00:47:01that you carry here
00:47:02three months of coronation
00:47:03without stopping a penny
00:47:03and I haven't told you anything,
00:47:04Hey?
00:47:04I give you my father's love,
00:47:06how much is that worth?
00:47:07Yours little,
00:47:07Okay.
00:47:09Emilio,
00:47:09you're hurting me.
00:47:11Pussy,
00:47:11I've already lost a life.
00:47:13Uncle,
00:47:13this is the milk,
00:47:15come.
00:47:15Look, I've tried things,
00:47:16but with this...
00:47:17Well,
00:47:18you know where I am,
00:47:18You come whenever you want
00:47:19and you ask me.
00:47:20Yeah,
00:47:20I've been through more.
00:47:21Come on man,
00:47:22see you later.
00:47:22Come on Paco,
00:47:24look at him,
00:47:24how happy he is.
00:47:25Drugs, aunt,
00:47:26Emilio is a camel,
00:47:27I have to talk to her.
00:47:29Hello,
00:47:29hello,
00:47:30go ahead.
00:47:33Emilio,
00:47:33how are you?
00:47:33Has anyone come?
00:47:34Ah,
00:47:34Yeah,
00:47:35the postman has come
00:47:35and a representative
00:47:36of poison for Dove.
00:47:37No,
00:47:37man,
00:47:37No,
00:47:37Andrés's brother-in-law,
00:47:38the painters.
00:47:39Ah,
00:47:39No,
00:47:39No,
00:47:39No,
00:47:39but no one has come here yet.
00:47:41Okay,
00:47:42nothing,
00:47:42don't worry,
00:47:43German,
00:47:43don't worry,
00:47:44no problem.
00:47:46Here we are.
00:47:47Hey,
00:47:47Andrew,
00:47:48who looks at the time it is
00:47:49and your brother-in-law doesn't...
00:47:50Already,
00:47:50already,
00:47:50if I was talking to him,
00:47:52is that he has had a problem
00:47:53with the van,
00:47:54has not passed the MOT
00:47:55and the man is very responsible.
00:47:57He says that we should go on giving
00:47:59the first layer.
00:48:00As?
00:48:01He told me that he is coming in the afternoon,
00:48:03that the important one is the second layer,
00:48:05Hey?
00:48:05That's the pretty one,
00:48:06she gives it to him.
00:48:08But Mr. John,
00:48:08How could we not go up?
00:48:09to paint the scaffolding?
00:48:10I have vertigo.
00:48:11No problem,
00:48:12you paint the first floor
00:48:13and when you finish
00:48:14you continue with the ground floor.
00:48:16Come on,
00:48:16quickly and quietly,
00:48:18so the neighbors don't find out,
00:48:19a man,
00:48:20a rolling pin.
00:48:21Well,
00:48:22but the second layer is given by him,
00:48:23No?
00:48:23Yes,
00:48:24man,
00:48:24My brother-in-law will not let me down.
00:48:26Ah,
00:48:27and then we'll have to do the math.
00:48:28Of course,
00:48:29man,
00:48:29come.
00:48:31Take.
00:48:32Take,
00:48:33Mr. John,
00:48:33so that they can say later
00:48:34that you have no business
00:48:35in this building,
00:48:36Hey?
00:48:38Thank you!
00:48:40Thank you!
00:48:41Thank you!
00:48:42Thank you!
00:48:43Thank you!
00:49:13Thank you!
00:49:14Thank you!
00:49:15Thank you!
00:49:16Thank you!
00:49:17Thank you!
00:49:18Thank you!
00:49:19Thank you!
00:49:20Thank you!
00:49:21Thank you!
00:49:22Thank you!
00:49:23Fernando,
00:49:24I would like to talk to you
00:49:25in Spanish for a moment.
00:49:27In English,
00:49:27please.
00:49:27No,
00:49:28listen to me,
00:49:29It is important,
00:49:30I'm serious,
00:49:31Okay?
00:49:31Yeah,
00:49:31I know,
00:49:32but you have to speak in English,
00:49:33otherwise you will not improve your skill.
00:49:35I'm not clear
00:49:36who wants to go to London,
00:49:38Okay?
00:49:40But how come not?
00:49:41If you said yes to me.
00:49:42Because everything was so sudden,
00:49:44Fernando,
00:49:45and you were very excited
00:49:46and I didn't think about it.
00:49:50Already.
00:49:52And now you've thought about it?
00:49:54Well yes,
00:49:54a little more and...
00:49:57I don't think I feel like it.
00:50:01But I don't want to be separated from you either.
00:50:04Fernando,
00:50:05I don't know what to do.
00:50:08Already.
00:50:09And you tell me now.
00:50:10I've tried...
00:50:11You explaining yours thousands of times,
00:50:12but you don't listen to me.
00:50:13Fernando,
00:50:14you are going to work thousands of hours,
00:50:17But what am I doing there?
00:50:18I don't master the language,
00:50:19I don't see my friends,
00:50:20I don't see my parents,
00:50:21I don't see the sunlight,
00:50:22because I see it all the time.
00:50:23They drive backwards,
00:50:23They're going to run me over,
00:50:24sure.
00:50:25Besides,
00:50:26Why are we going to England?
00:50:27If Becán is already here?
00:50:29Because it's the opportunity of a lifetime.
00:50:30and I'm supposed to take advantage of it,
00:50:32No?
00:50:32Okay, okay.
00:50:33We agree on that.
00:50:34Well,
00:50:39Well, you can tell me what we do.
00:50:41Why don't you stay?
00:50:42No.
00:50:43Open, no, no,
00:50:44You can't ask me for that.
00:50:44Fernando, listen to me,
00:50:45no, listen to me, listen to me.
00:50:46You only have one job there,
00:50:47I have my life here.
00:50:48Well, well,
00:50:48Don't get too dramatic either,
00:50:49Hey?
00:50:50That it's not for so many.
00:50:51Do you realize how selfish you are?
00:50:52No no,
00:50:53Do you realize how selfish you are?
00:50:57Let's see,
00:50:59the plane leaves in three hours,
00:51:00so you have to decide.
00:51:04It's up to you.
00:51:05Or you.
00:51:07Fuck.
00:51:10Hello?
00:51:13Today, yes, yes.
00:51:14Come on,
00:51:15we no longer have to worry
00:51:16more for your grandmother.
00:51:18What have you done to him?
00:51:19Well, I bought 30 cartons.
00:51:20and I left it at the bingo.
00:51:21What am I going to do?
00:51:23Nothing.
00:51:23No, no, no, no, no, no, no.
00:51:25I have to take her home.
00:51:26My parents have argued
00:51:27and they have returned early.
00:51:28Where is?
00:51:28Well, it's that
00:51:29has made friends with those below.
00:51:31Well, actually
00:51:31I have introduced them to you.
00:51:33But there is a friendship suddenly,
00:51:34come on,
00:51:34who have been together all day.
00:51:36But how does it occur to you?
00:51:36leave my grandmother
00:51:37with those two crazy women?
00:51:39Oh, look, Roberto,
00:51:40really,
00:51:40I can't take it anymore.
00:51:41It's not about sex anymore,
00:51:43that too.
00:51:44But this is hell, darling.
00:51:45I haven't slept for two days.
00:51:47When you go to bed
00:51:47it is put in the roadstead
00:51:48and when I finally manage to pay her back
00:51:49he starts dreaming out loud.
00:51:51Everything that does not speak wakes up
00:51:52she talks about it in her sleep.
00:51:54I need to relax for a while.
00:51:55No, no, no, no, no, no, no.
00:52:00I am not calm,
00:52:01I have to go find her.
00:52:02But don't worry,
00:52:03will be watching TV
00:52:04playing cards.
00:52:06Look,
00:52:06look how he drinks.
00:52:08The protection is one of mine.
00:52:10Marisa,
00:52:11don't add any more.
00:52:12It's cool.
00:52:14Isn't that right?
00:52:14Look,
00:52:15another round,
00:52:15I'll treat you.
00:52:17Okay,
00:52:17come.
00:52:18A cigarette?
00:52:19Well,
00:52:20but we play or we don't play,
00:52:21this is a joke.
00:52:23Hello.
00:52:25I'm coming for my grandmother.
00:52:26Hello.
00:52:26We have to go.
00:52:27Well, there's your grandmother.
00:52:28it's not going to get her anywhere.
00:52:31Yeah, yeah.
00:52:32Are you OK?
00:52:34Yeah, yeah.
00:52:35Hey,
00:52:36look at me,
00:52:36tell me something.
00:52:37How are you like your grandfather?
00:52:41He has a lost look.
00:52:42No, no, Roberto,
00:52:43when I brought her
00:52:44It was already like that, right?
00:52:45I have warned him
00:52:45what to drink at this time
00:52:46it's not good.
00:52:47But how do you give Anise?
00:52:48He is taking medication.
00:52:49That nothing happens,
00:52:50man,
00:52:51I'm telling you that.
00:52:51Well,
00:52:52come on, darling,
00:52:52that now gives him a little bit of air
00:52:53and that's it,
00:52:54It's already gone away.
00:52:54Come on, let's go.
00:52:55What's happening now?
00:52:56I have to take her home
00:52:56from my parents
00:52:57and she's drunk.
00:52:58Lucia,
00:52:59she is drunk,
00:52:59or you don't realize.
00:53:00How do I explain this to my mother?
00:53:02No, no, Roberto,
00:53:03It's not that noticeable either,
00:53:04the truth.
00:53:04Can't you tell?
00:53:05Well,
00:53:05but it could be
00:53:07a drop in voltage.
00:53:09Yeah,
00:53:09two.
00:53:10Thank you so much
00:53:11for taking care of my grandmother like this.
00:53:17I'm not going to get my hair wet.
00:53:19Take the cigarette away from him
00:53:19that's making me nervous.
00:53:21Marisa,
00:53:22if you start drinking
00:53:22and you don't realize it.
00:53:24Don't you notice me?
00:53:26People already
00:53:27to keep up with him.
00:53:28Fuck,
00:53:29protection.
00:53:29The truth,
00:53:29If all I say is
00:53:30It's that if they could leave us
00:53:31the scaffolding mounted
00:53:32a little while longer,
00:53:33we already took care of it...
00:53:34Oh!
00:53:39If the city is
00:53:40kills human kindness,
00:53:41Mr. John.
00:53:42My brother-in-law says
00:53:43that without scaffolding
00:53:44doesn't paint.
00:53:46Well,
00:53:46no reason.
00:53:47At least I tried.
00:53:48Thanks, guys.
00:53:49Hey,
00:53:50give me back the 3,000 euros
00:53:50of the community
00:53:51that I will face
00:53:52I am my responsibility
00:53:53with the neighbors.
00:53:53Juan,
00:53:54don't sacrifice yourself
00:53:55ahead of time.
00:53:56Look at the wall.
00:53:57If there is little left,
00:53:58What does a cape matter?
00:53:59which two?
00:54:00Clear,
00:54:00Superman took it one.
00:54:01Clear,
00:54:02we don't need scaffolding.
00:54:04Look,
00:54:04I have in the store
00:54:05climbing equipment,
00:54:07harnesses and stuff.
00:54:08I have sponsored
00:54:09high mountain expeditions.
00:54:11What do you think?
00:54:12what's at the top
00:54:12to Everest?
00:54:13Snow?
00:54:13A pennant
00:54:16sports
00:54:17Garraí
00:54:17waving
00:54:18at 20,000 meters
00:54:19high.
00:54:21I bring
00:54:21the rope
00:54:22and the harness.
00:54:23We hang down
00:54:23from the rooftop
00:54:24and we paint
00:54:26the little piece
00:54:27what is left for us
00:54:27rappelling.
00:54:28If it's a moment.
00:54:30I to this plan
00:54:31I see a lagoon,
00:54:31Mr. John.
00:54:32Emilio,
00:54:34How are you?
00:54:35adventurous spirit?
00:54:36I?
00:54:36Just right,
00:54:37because?
00:54:39Can't,
00:54:40I can't,
00:54:41Mr. John,
00:54:41I can't.
00:54:42Pinta, Emilio,
00:54:43pint.
00:54:44No,
00:54:45to the other side.
00:54:46Open your eyes,
00:54:47Pussy!
00:54:47Oh, I'm dizzy,
00:54:48that I've gotten dizzy,
00:54:49get on,
00:54:49that I lose consciousness.
00:54:51Upload it,
00:54:51upload it,
00:54:51that this one is not worth it.
00:54:55Oh, how bad I am.
00:54:56Juan,
00:54:57from this we have
00:54:57that you and I have to deal with.
00:54:59This is not stabilizing,
00:55:00I can't get it to stabilize.
00:55:01I'm losing control.
00:55:03But,
00:55:03why does it move so much?
00:55:05Don't worry,
00:55:05Juan,
00:55:06take advantage of the movement.
00:55:08Hey,
00:55:08It is normal for the harness
00:55:09is so keyed
00:55:10in the inguinal area.
00:55:11Man,
00:55:11it has to be tight,
00:55:12it's for your safety.
00:55:13Already,
00:55:14Well, I,
00:55:14I don't know if I'll be able to
00:55:15paint in those conditions,
00:55:16Hey?
00:55:18What was that?
00:55:20No,
00:55:20nothing,
00:55:20nothing,
00:55:21It was nothing,
00:55:22but hurry up.
00:55:24Oh,
00:55:24but John,
00:55:25may I know what you do?
00:55:26Dear,
00:55:26it's not the time.
00:55:27Get down from there,
00:55:28man,
00:55:28that you're going to be a father.
00:55:30Pigeon,
00:55:30a second
00:55:31that we will finish soon.
00:55:33And where are the painters?
00:55:34I'll explain it to you later.
00:55:35Look,
00:55:35if you get dirty
00:55:36the painting shirt,
00:55:37you'll see.
00:55:38Yeah,
00:55:38the jar has the lid on
00:55:39and I'm not able to open it.
00:55:41Help yourself with your mouth.
00:55:42We spend more time
00:55:43in the supermarket
00:55:44than at home.
00:55:45They should send us
00:55:46the mail there.
00:55:48I had to buy something
00:55:49and I don't remember.
00:55:51What was it?
00:55:51What was it?
00:55:56Ham,
00:55:56George.
00:55:58But you?
00:55:58why do you get on
00:55:59nowhere?
00:56:00A man must be
00:56:01aware
00:56:01of its limitations
00:56:02and our families
00:56:03we have many.
00:56:04Look,
00:56:04dad,
00:56:05leave me now,
00:56:05that's already passing me by.
00:56:06Emilio.
00:56:07Well,
00:56:08and now the other one?
00:56:08What do you want?
00:56:09May I know?
00:56:10what have you given him
00:56:10to Paco this morning?
00:56:12I?
00:56:12An allergy spray
00:56:13what's going on
00:56:14the poor fatal one
00:56:14with the grasses
00:56:15and pollens.
00:56:16Yeah,
00:56:16clear.
00:56:17Emilio,
00:56:17don't lie to me anymore,
00:56:18that I know everything.
00:56:19I've already found out
00:56:19of the mess you're in.
00:56:20Who told you?
00:56:22That doesn't matter.
00:56:23Well,
00:56:23look,
00:56:24Nativity scene,
00:56:24I can explain it to you,
00:56:24There was a lot of money
00:56:25through
00:56:26and of course.
00:56:27You're dealing
00:56:28with drugs,
00:56:28TRUE?
00:56:29Hey?
00:56:30Emilio,
00:56:30don't fool me,
00:56:31tell me the truth.
00:56:33Well,
00:56:33Yeah,
00:56:34That's it,
00:56:34but don't worry,
00:56:35They are soft drugs,
00:56:36glue,
00:56:37valerian,
00:56:37thyme and that sort of thing.
00:56:38But do you believe?
00:56:39that I'm stupid?
00:56:40Where did you get it from?
00:56:41the money to buy
00:56:41all that?
00:56:42Look,
00:56:42Nativity scene,
00:56:42We are not going to address that topic
00:56:43to play now,
00:56:44Hey?
00:56:45Emilio,
00:56:46may I know
00:56:46What are you doing with Belén?
00:56:47Or are we going to touch it?
00:56:48Carlos,
00:56:49please wait
00:56:50outside what we are talking about.
00:56:51Ah,
00:56:51but do you still see the two?
00:56:53Hey,
00:56:53look,
00:56:54Carlos,
00:56:54This is not what it seems,
00:56:55I can explain it to you,
00:56:55I just couldn't help it.
00:56:57Well, it's my fault.
00:56:57for having trusted you.
00:56:58Hey,
00:56:58I know I had it for you
00:56:59that having said,
00:57:00but I didn't dare,
00:57:01can you forgive me?
00:57:01The truth is that I didn't expect it.
00:57:02this about you,
00:57:03you have done harm.
00:57:04But,
00:57:04but let's see,
00:57:05Who's coming out here?
00:57:06with who?
00:57:06Look,
00:57:07Nativity scene,
00:57:07This guy is a jerk,
00:57:08I gave him money
00:57:08so that he would leave us alone
00:57:09and has not kept his word.
00:57:10As?
00:57:12Emilio,
00:57:12Have you accepted money?
00:57:13in exchange for stopping seeing me?
00:57:14Well,
00:57:15but I haven't done it,
00:57:15it's nice here.
00:57:17How much?
00:57:17That?
00:57:18How much has he given you?
00:57:19Hey,
00:57:20five thousand euros.
00:57:21And do you think our love
00:57:22is it worth five thousand euros?
00:57:23It's little,
00:57:24TRUE?
00:57:24If there had to be
00:57:25had a bad time.
00:57:25You should have rejected it.
00:57:26immediately.
00:57:28Moron.
00:57:28You see?
00:57:29This is how you realize
00:57:29of the mistake you were making.
00:57:30And you shut up,
00:57:31be quiet,
00:57:31that you are the one who bribed him.
00:57:32But if I have given him
00:57:33money for love.
00:57:34And I also took it for love
00:57:35so that when we have children
00:57:36you could buy the books
00:57:37for school.
00:57:38Look,
00:57:38you are a couple of assholes.
00:57:39Look,
00:57:39do me a favor,
00:57:40Hey?
00:57:41Forget about me now.
00:57:42Do you look like a snake?
00:57:43a pussy?
00:57:44Come on,
00:57:44that you too
00:57:45the little fingers you have
00:57:46you have sunk me.
00:57:47Other.
00:57:48But why do they all leave me?
00:57:48I just don't understand.
00:57:50Why don't you have?
00:57:57Oh yeah?
00:57:58Well, we're going to have a problem.
00:58:00Yes I'm fine.
00:58:01It was a stupid coup.
00:58:02I who believed
00:58:02that the bun was of no use to you
00:58:04and it turns out it saved your life.
00:58:06Listen,
00:58:07please get off there,
00:58:08Hey?
00:58:08That you can't be
00:58:09hanging on the facade.
00:58:10No no,
00:58:11He is the first one who wants to get off
00:58:12it's me,
00:58:12but I don't know
00:58:13where is Andrés.
00:58:14Andrew!
00:58:15Yeah,
00:58:15just a moment.
00:58:17I'm on the phone.
00:58:19He's the new neighbor
00:58:19who has come
00:58:20the one who has messed us all up.
00:58:21That's the one you have to take.
00:58:23Who knows what trouble he's up to.
00:58:24Well I'm very sorry,
00:58:25but we are going to have to sanction them.
00:58:27Oh,
00:58:27Why us?
00:58:28Because they are painting
00:58:29without the appropriate permits
00:58:30and are putting in danger
00:58:31the safety of pedestrians.
00:58:33No, no, no,
00:58:34that I wasn't painting, huh?
00:58:35I am demonstrating
00:58:36against indiscriminate hunting
00:58:37of whales,
00:58:39ronquals
00:58:39and cetaceans in general.
00:58:41Yeah, yeah,
00:58:41Chew your gum well, okay?
00:58:42I swallowed it.
00:58:45What's happening?
00:58:46Spider-Man.
00:58:47Nothing,
00:58:48my father,
00:58:48as usual,
00:58:49on the edge of the impossible.
00:58:50But if I'm really okay,
00:58:52an ambulance was not necessary.
00:58:54No no,
00:58:54if it's not for you.
00:58:55You're quiet at home now, huh?
00:58:56Don't fuck with me.
00:58:58See you later.
00:58:58Juan, come down.
00:58:59Come on, they mean it.
00:59:00that we are fined.
00:59:01Hey?
00:59:06Well, nothing.
00:59:07We are here.
00:59:09Do you have the tickets for the suitcases?
00:59:10Yes, yes,
00:59:11They stuck them on my ticket.
00:59:13Hey,
00:59:13Thank you for accompanying me.
00:59:16No,
00:59:16farewells at airports
00:59:17They are very romantic,
00:59:18They remind me of Casablanca.
00:59:19As?
00:59:22I think we did the best, right?
00:59:25We're both going to be okay.
00:59:26and now with the internet
00:59:27long-distance relationships
00:59:28They are becoming easier to carry.
00:59:30I swear this is the last time I'm telling you.
00:59:32Don't go.
00:59:33Mori,
00:59:33but I will be right here.
00:59:35Fuck,
00:59:35we look like ETE and Elliot.
00:59:39Mori,
00:59:39I promise I'll come see you once a month.
00:59:41What an illusion,
00:59:41you're going to be like menstruation.
00:59:44Come on,
00:59:45get inside,
00:59:45that you're going to start crying
00:59:46and you're going to give me a hard time.
00:59:47That?
00:59:48That?
00:59:48That?
00:59:49I love you.
01:00:00Enough,
01:00:00Okay.
01:00:07Listen,
01:00:07But what are you carrying here?
01:00:09I don't say anything,
01:00:10but he is violent,
01:00:11has a record.
01:00:12Husband.
01:00:13Okay,
01:00:14if I put it in
01:00:15I just don't want him to go.
01:00:16Go,
01:00:16don't do these things to me
01:00:17that I was already scared.
01:00:19Well,
01:00:21when I arrive I'll call you.
01:00:24Capital,
01:00:24capital.
01:00:25Sorry.
01:00:26Can I go out?
01:00:28Capital.
01:00:29Deposit metal objects here,
01:00:30please.
01:00:31Capital.
01:00:37Pussy,
01:00:37Listen,
01:00:38This cannot be carried in the cabin either.
01:00:40Already,
01:00:41Mauri,
01:00:41Have you given me anything else?
01:00:42No,
01:00:42I think that was all.
01:00:44Give me another kiss.
01:00:46Forgive me,
01:00:46excuse me.
01:00:47This is all very well,
01:00:48but it is that
01:00:48I'm getting a queue.
01:00:50Bye bye.
01:00:55Already,
01:00:55man,
01:00:55Hey?
01:00:58When I arrive in London,
01:00:59I'll call you,
01:00:59Okay?
01:01:00Okay.
01:01:01I love you.
01:01:03Me too.
01:01:03Do you want to move away now,
01:01:05man?
01:01:05How annoying they are.
01:01:06Listen,
01:01:07that it was a very nice moment.
01:01:08Precious.
01:01:10Just like Casablanca.
01:01:12what?
01:01:14Doctor Too.
01:01:17Chor,
01:01:18what's wrong with him?
01:01:19No,
01:01:19No,
01:01:20No.
01:01:21No,
01:01:21No,
01:01:22No,
01:01:22Yeah.
01:01:22No,
01:01:22No,
01:01:24No,
01:01:25No,
01:01:28No.
01:01:30Let's see, it's not that I don't have the money, I have the three thousand euros, so
01:01:47you return is that right now it is invested like my brother-in-law charges 30 days
01:01:52Well, I said, let's get interest on this money, it can't be kept idle.
01:01:57Okay, okay, okay, okay, okay, okay, Juan, please, let's see, Andrés, where that money is in a few minutes.
01:02:04There are special funds in Andorra that give you 22% in one month, but what happens is that if we take it out
01:02:10Before then, there are cancellation fees of 500 euros and it's a shame. Well, you'll see.
01:02:17Man, they are going to give us 22% but don't pay attention to him because he's taking the piss out of us. Look
01:02:23It is normal that you are restless until now you have not had a manager who applies techniques
01:02:28modern financial institutions in your community, but I can tell you that I have been in business for more than 20 years.
01:02:35Impeccable business as long as you don't consult the Treasury, of course, dear, Juan, report this man.
01:02:42He is reported right now and there is nothing more to say, Paloma, we are going to try to avoid it if in a month there is no
01:02:48You have the three thousand euros plus the six hundred interest, I'll give them out of my pocket if we don't go.
01:02:54to carry very well take some sports war t-shirts come to me that I like this guy let's see
01:03:07What sizes has this operation already given you, already drunk, completed with relative success, have they realized?
01:03:26Everything was going well for your parents until they vomited on the carpet. Come here, darling, we have accounts.
01:03:32earrings if right now I take off my sneakers and all the socks and pants
01:03:50and I'm going to watch TV in the living room
01:03:56Well, that's it, but you really have to take it. I've grown fond of it.
01:04:10I had a lot of company, dad, you have me, it's not the same, I'm leaving, thank you very much for destroying love
01:04:17In my life we'll see each other over there, man, you stay calm, fuck, everything will be fine.
01:04:22But I don't care if I'm tired of women's relationships, love and everything.
01:04:27I'm alone but calm now the only thing I want is to spend more time with my father, he doesn't hear me, he doesn't hear me
01:04:32fuck it's my fault, come on, give me a cigarette, but what you have to do is call Belén, fuck it
01:04:37and fix it, what name, no, no, and I'm tired of so much Bethlehem up, Bethlehem down, I
01:04:41Now what I need is to turn the pages and fall in love with someone else, damn, and throughout life, people, you're going to
01:04:46fall in love if you spend all day here one will appear to someone not already
01:04:49I am two children of tip that love is going to knock on your door not on mine you are going to knock that you do not
01:05:02I'm going to let the tindón pass, you want me to be love, please you have to promise me that you won't let it go
01:05:08Tell no one that Lucía is into Mr. Juan. Roberto knows this. If you're going to cheat on me, I hope so.
01:05:13that it be with another person, Lucia with my father and because he has to tell everyone
01:05:18get horny lucia has had an affair with the president you reached orgasm you're lying your stomach is shaking
01:05:23eyebrow like Clinton I told you I was here with her is it true that you met in the elevator and
01:05:30Something happened there, tell me right now if you're involved with my husband. No, no, no, Lucía, don't say anything now.
01:05:35I'm fed up, urgent neighborhood meeting in 10 minutes. I want everyone downstairs and don't miss a soul.
01:05:41Damn, we were all already here.
1:05:44
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