Aquí no hay quien viva - 5x02 - Erase un colapso - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

Rafael ha comprado el videoclub y le da a Paco un mes de plazo para que ponga un negocio rentable. También intenta hacerse con el piso de Carlos pero alguien se le ha adelantado. Se trata de Higinio, que se viene a vivir al centro con su familia: su mujer Mamen, su hija Candela y su cuñado Raúl. Por otra parte, Juan regresa a casa tras recibir el alta médica. Isabel intenta convencerle para que deje la presidencia y evite los problemas. El más urgente de todos es que ahora hay dos porteros: Emilio y Mariano. Belén está decidida a dejar a Emilio pero éste le pide que intenten solucionar sus problemas yendo a terapia de pareja con un psicólogo argentino que le ha recomendado Paco. Por último, Juan y Rafael se alían para echar a Yago del país ya que no tiene papeles.

Transcript

00:00:00Here, here, here, no one lives! Not here! Not here! Not here!

00:00:24I love it when the weather is nice and the neighbors open their windows. You can hear everything better.

00:00:34If anyone installs air conditioning, we'll break it.

00:00:37What's up? How did Radiopatio wake up today?

00:00:40Marisa, what kind of breakfast is that?

00:00:42A lifelong continental.

00:00:45Good morning. I'm saying this out of politeness, not to start a conversation.

00:00:49Oh, poor Mauri! How are you?

00:00:52Well, how bad can it be? They've left her at the altar.

00:00:56Here we go. Fernando hasn't left me. The wedding is still on.

00:00:59So don't go around telling people what isn't true, I know you.

00:01:01But has he called you or has he not called you?

00:01:03Yes, he called me. And he's fine, and I'm fine.

00:01:06And it's only going to be a month that I have for myself, for my things, for my son.

00:01:10And that's it. The topic is over.

00:01:12Hey, those little songs are new, aren't they?

00:01:15Don't touch them, man, they're freshly washed.

00:01:18Can you give us the old ones to make rags?

00:01:20No, I threw them away.

00:01:22Hey, is that your blouse?

00:01:24No, it must have fallen into the weeds, as it begins to lie down after being smoked.

00:01:27No, no. This is Torrijas's. Does she wear it a lot?

00:01:30Well, not anymore. I dye this myself.

00:01:33Concha, if it's not worth it.

00:01:34Yes, but I fix this and keep myself entertained.

00:01:37Ladies, be careful, be careful.

00:01:44Look, I don't want to know anything.

00:01:46You didn't see a blouse I had hanging here, did you?

00:01:49No, it must have fallen all the way down.

00:01:52Ask Mariano.

00:01:54Sure?

00:01:55You're not lying to me, are you?

00:01:56Because that is a sin.

00:01:59And you are very close to giving an account to the Almighty.

00:02:02But we always have the extreme option.

00:02:05It's your fault.

00:02:06Put the tweezers on properly.

00:02:07Poncha, don't put me in such violent situations.

00:02:13She's cute, huh?

00:02:16I saw a very similar peace here.

00:02:20Here, here, here there is no one who lives.

00:02:22Not here, not here.

00:02:24Every day is like this.

00:02:27I couldn't imagine it when I came here.

00:02:29I was just looking for some peace.

00:02:31I wake up every day in the middle of a hurricane.

00:02:34Here, here, here there is no one who lives.

00:02:36Not here, not here.

00:02:37No, no, no.

00:02:38Here, here, here there is no one who lives.

00:02:41Not here, not here.

00:02:42No no.

00:02:43The house starts to party.

00:02:45I can't find the goalkeeper.

00:02:47The neighbors watch me and listen to me.

00:02:49I can't stand this place.

00:02:53Put in a cocktail shaker.

00:02:57It was in an earthquake and a mudslide.

00:02:59Yeah.

00:03:01And you will have this ladder.

00:03:05Here, here, here there is no one who lives.

00:03:08Not here, not here, no, no.

00:03:10Here, here, here there is no one who lives.

00:03:13Not here, no, no.

00:03:15Here, here, here there is no one who lives.

00:03:17Not here, not here, no, no.

00:03:19Here, here, here there is no one who lives.

00:03:22Not here, not here.

00:03:24Here, here, here there is no one who lives.

00:03:26Here, here, here there is no one who lives.

00:03:29Here, here, here there is no one who lives.

00:03:31No!

00:04:01It's very good for your dementia.

00:04:04Ladies, a question.

00:04:06Who do you prefer as a goalkeeper?

00:04:08To a criminal on bail or to me?

00:04:11To none.

00:04:13We want undocumented people.

00:04:15They're not a pain.

00:04:17And they are very cultured.

00:04:19Many come with university degrees.

00:04:21As long as she has a nice ass, I'm happy with that.

00:04:23Of course, and let them scrub the landings in a thong,

00:04:25now that the good weather is coming.

00:04:27But I can do that too.

00:04:29Sorry, but I'm the goalkeeper here.

00:04:31Unless Mr. Juan says otherwise.

00:04:33But it's hard to say if he's dying.

00:04:36No way, damn it.

00:04:37That he was discharged today.

00:04:39Isabel, this is absurd.

00:04:41This device is for older people.

00:04:43But if that's not the case at first.

00:04:45If you feel bad, you press the red button

00:04:47and I get an SMS.

00:04:49Heart attack!

00:04:51Space, Juan.

00:04:53And I see what I'm doing.

00:04:55Man, he had a heart attack!

00:04:57Are you alive?

00:04:58Of course I'm alive.

00:04:59It was just a power outage.

00:05:00Mariano, I told him to distribute a circular with my medical report.

00:05:03to reassure the owners.

00:05:05Mea culpa.

00:05:06My printer cartridge has run out.

00:05:08And because of a drop in blood pressure, they admitted you for three days?

00:05:12Well, it's that Isabel, a victim of nerves,

00:05:14He rushed into the diagnosis and gave me cafinitrine,

00:05:16which is a vasodilator, and that aggravated the problem a little.

00:05:19He tried to kill her. She's Nurse Death.

00:05:22How romantic! He wants her to meet Paloma.

00:05:25First of all, Paloma is not dead.

00:05:27We saw her in the hospital and for someone in a coma she looks very good.

00:05:30And secondly...

00:05:31But, darling, don't fall for it.

00:05:34Mariano, call an urgent meeting.

00:05:36Already!

00:05:37Juan leaves the presidency.

00:05:38Yes, but we'll celebrate it at my house, not at the video store.

00:05:41I want an emotional meeting, without people coming in to buy toilet paper.

00:05:44Juan, let's see if you can clarify with Emilio who the goalkeeper is,

00:05:47because there is a certain parent-child tension.

00:05:50Well, I don't pay for two goalkeepers.

00:05:52Settle it between yourselves, that's why you're family.

00:05:55Let's go.

00:05:56No, my love, I'm perfectly fine. You go, I'll be right up.

00:05:59Okay, but don't be long.

00:06:02I'm going to make you some red tea in the meantime to raise your good cholesterol.

00:06:06Hey, how much does one of those MP3s cost?

00:06:10Ma'am, this isn't an MP3, it's an emergency pager.

00:06:13He's already said he knows I don't need it, but he's insisted.

00:06:15Milagros gave one to her father, he had a heart attack on the street,

00:06:18He pressed the button and instead of an ambulance coming,

00:06:20a garage door opened.

00:06:21It's true, we were at the funeral home.

00:06:23What delicious canapés they served!

00:06:26Hey, what do you do?

00:06:28Does it squeeze here?

00:06:29Ma'am, don't touch my pager.

00:06:33And how many songs are included?

00:06:34That's not what it's for, he's telling you!

00:06:36Juan!

00:06:37Juan!

00:06:38Honey, I'm fine, I'm fine.

00:06:39Let's see your heart rate.

00:06:41Does it also have a heart rate monitor?

00:06:42Damn, they've already made a tunic, haven't they?

00:06:44You see?

00:06:45I'm fine.

00:06:4687, 85...

00:06:47Very high.

00:06:48Home.

00:06:49You guys, leave Juan alone.

00:06:52And I say this with bitterness.

00:06:54My goodness, what a horrible extender, for God's sake.

00:06:57It's that I get sick, huh?

00:06:58But if you've already reported him, then don't look at him.

00:07:01It's very wrong, they hide the truth from us so we don't suffer.

00:07:04If the body hits the slump...

00:07:06I'm fine!

00:07:07Juan!

00:07:08Home!

00:07:09Already!

00:07:10Nativity scene!

00:07:11What are you doing?

00:07:12I'm talking to you.

00:07:13Emilio, I hadn't seen you.

00:07:14What's up? You're not picking up the phone?

00:07:15It's just that the cell phone you gave me, I don't know, does weird things, it suddenly turns off.

00:07:34Well, change it, if this has a guarantee, you go there to the wall of the square and they'll give you another one.

00:07:37Go on, bring it.

00:07:38No no...

00:07:39Scythian!

00:07:40Emilio, I don't want to talk to you.

00:07:42Look, our relationship is over.

00:07:44But how come it's over?

00:07:46No!

00:07:47Yeah!

00:07:48Look, we've tried.

00:07:49It didn't work and that's it.

00:07:50No problem.

00:07:51Look, Mrs. Neuras, I thanked you for paying my bail.

00:07:54I have apologized to you in every language.

00:07:55No!

00:07:56No!

00:07:57That's not it!

00:07:58If our relationship has never worked.

00:07:59It's hell.

00:08:00No...

00:08:01I don't like myself when I'm with you.

00:08:03You force me to be a bad person.

00:08:05That I force you?

00:08:06Yeah!

00:08:07I stole money from a man to pay your bail.

00:08:10And to my mother,

00:08:11that I hadn't taken money from my mother's purse for 18 years.

00:08:15Well, I took two thousand pesetas from him to buy myself a padded bra.

00:08:18Yes, the one you always wear.

00:08:20Let's see if you change it, now.

00:08:21Emilio...

00:08:23That I have to change my life.

00:08:25I have to forget about you, do you understand?

00:08:27TRUE?

00:08:30Yes, yes, yes, yes.

00:08:32Come on, let's go inside.

00:08:33But why?

00:08:34We'll have to throw in the last one, right?

00:08:35Or we're going to say goodbye like this coldly.

00:08:37No!

00:08:38This is a final goodbye.

00:08:39So...

00:08:40Bye bye!

00:08:41Nativity scene!

00:08:43But how can you treat me like that, Belén?

00:08:44I love you!

00:08:45Yes, but you don't love me the way I want you to love me.

00:08:47So what good does it do me if you love me?

00:08:49Oh my god!

00:08:52Nativity scene!

00:08:53This woman is going to give me meningitis or something.

00:08:58He says I don't love her because I don't want to love her.

00:09:00And she doesn't want me to love her because I don't want to when I want to...

00:09:03Phew, you've already entered the phase of serious paranoia.

00:09:06No, no, no, no, no.

00:09:07I don't.

00:09:08She!

00:09:09Women are like the Middle East.

00:09:11They live in constant conflict.

00:09:13Hey, why don't you go to a couples therapist?

00:09:15Lourdes and I are going to one that is helping us a lot.

00:09:17Does that work?

00:09:18Of course!

00:09:19He is explaining to us what is happening to our marriage.

00:09:21Well, apparently, when we fall in love we form unrealistic romantic expectations.

00:09:26based on social models whose non-realization causes a state of disturbance in the couple.

00:09:31And the behavior of each member is cognitively distorted by the other.

00:09:34based on their irrational beliefs.

00:09:36Come on, the fact that Lourdes is ugly has nothing to do with it.

00:09:39Well, look, just to try.

00:09:41Hey, is this covered by Social Security?

00:09:43No, but it's not expensive. And do you feel comfortable spilling all that shit?

00:09:46You've had to let go of everything there, haven't you?

00:09:48Now you'll have left the office looking like a campsite toilet.

00:09:52Good morning.

00:09:57Hey, what are you doing?

00:09:58You're Paco, right?

00:09:59Here, throw it away. I just bought the place as an investment to whitewash.

00:10:03Hey, by the way, what's this? A bar, a video store, a grocery store? What's this?

00:10:07Well, we don't really know.

00:10:09But does it make money or not?

00:10:11Oh, no, no, then out with it. I'm not interested in movies.

00:10:13You have one month to put something here that is profitable.

00:10:16If I don't kick you out.

00:10:17Hey, what do I put? What...?

00:10:19Surprise me! Paquito, I'm going to turn you into an entrepreneur.

00:10:22Or at a stationary station. It's up to you.

00:10:25We have just witnessed the drama of capitalism in all its rawness.

00:10:29The big fish eats the small one.

00:10:32What a pain, man. What are you going to do?

00:10:34It all comes together, right?

00:10:36Uh, yeah. The therapist?

00:10:39Look, I wanted to make an appointment.

00:10:41If I tell you it's over because it's over

00:10:43And he tells me no, that he still loves me, how can I treat him like that?

00:10:46No, it's better to leave the duck here, if he spends the day sucking it.

00:10:48But you can suck it, right? It's approved.

00:10:50Boyos.

00:10:51Yeah, but...

00:10:52Boyos, are you listening to me?

00:10:53Oh, yes, Belén, but, my dear, you're already tired all day with Emilio there.

00:10:56No, no, I'm telling you it's over.

00:10:58Belén, this will never end.

00:11:00Look, you and Emilio have what is called an RDLD.

00:11:02And what is that?

00:11:03Well, a long-term destructive relationship.

00:11:05Leaving a boyfriend like that is like quitting smoking.

00:11:07You just have to have balls and that's it.

00:11:09Goodbye, emotional cancer!

00:11:10Hello, hopeful future!

00:11:12Come on, let's go.

00:11:14No, no, I have it very clear.

00:11:16Is it him who doesn't fit in here?

00:11:20Who is the most handsome boy in the world?

00:11:22Hey?

00:11:23Muay!

00:11:24Zeki! Who's it going to be?

00:11:25Hey, say Yaya.

00:11:26Hey, say Yaya.

00:11:27Let's see, who am I?

00:11:28The Yaya?

00:11:29I am Yaya Nini.

00:11:30Let's see, look at me.

00:11:31Yaya.

00:11:32Yaya, say Yaya.

00:11:33Just imagine, she was never that affectionate with me in life.

00:11:36Yaya.

00:11:37Very well, my love.

00:11:38Well, María Jesús, I'm sorry, but we have to take it.

00:11:41Yaya hadn't said that.

00:11:42I have a job interview.

00:11:44Let's see, when are you really going to bring me one of these?

00:11:46Woman, when I find the right person.

00:11:48No, no, what are you?

00:11:49A press officer?

00:11:50My grandmother's time is about to pass.

00:11:52Well, even the girl on the hill is going to have one, and she's ten years younger than you.

00:11:56And Juan Abuelo is forty-nine, as it should be.

00:11:58Not in your seventies.

00:11:59And then, of course, the kid sees you there, drooling in the chair with the catheter and drip in.

00:12:04and he doesn't love you or anything because he gets scared of so many cables.

00:12:07But what are you complaining about if Jorge has given you two grandchildren?

00:12:10Three.

00:12:11But I don't like them.

00:12:12They look a lot like their mother to me.

00:12:13Very stubborn.

00:12:15Hello.

00:12:16Oh, Mauri.

00:12:17Poor thing, I've already found out.

00:12:18How are you?

00:12:19Other.

00:12:20But Fernando hasn't left me.

00:12:21That everything is fine.

00:12:22Come, for my son.

00:12:23We're going to spend the day together because I have tickets to the great ice circus in

00:12:26Leticia Sabater.

00:12:27Well, it's not going to be that way.

00:12:28We took him to my parents' house for a week.

00:12:30Because?

00:12:31It's been six months today and we want to have more time for ourselves.

00:12:35Yes, but you have to consult me about these things, since I am the father.

00:12:38We agreed that I am one day...

00:12:39Ah, now that you've gone Fernando, you're the father again.

00:12:41Mauri, don't be so cheeky, you've been ignoring the kid for months.

00:12:44I?

00:12:45Let's see, what made you sick the other day?

00:12:47From the teeth.

00:12:48No.

00:12:49Cold.

00:12:50No.

00:12:51You are welcome.

00:12:52It was a bad lesbian trick question.

00:12:53From the tummy.

00:12:54I had a stomach virus.

00:12:55Of course.

00:12:56The poor thing turned yellow, he looked like one of the moons.

00:12:58Okay, maybe he hasn't been the perfect father.

00:13:00But now I have time and I want to enjoy it.

00:13:02No, it's just that it's no longer valid.

00:13:03Mauri, a child is not a pet, which you pay attention to whenever you feel like it.

00:13:06You're brainwashing him, aren't you?

00:13:08You hate me.

00:13:09No, no, no, not me.

00:13:10Look, what's happening to you is that you're alone and you can't stand it.

00:13:13And you have to pull from what's closest at hand.

00:13:15Why do you want me to leave the child with you?

00:13:16So that I'll grow fond of you and when I get back to Fernando you'll ignore him again?

00:13:19Mauri, you are very selfish.

00:13:21Come, my love.

00:13:22The little coat.

00:13:23Ah.

00:13:24Gives you a good trip, huh?

00:13:25Well, I'm going to the amusement park to see if they'll let me ride the Ferris wheel.

00:13:35Why don't you stop messing around and take Belén out for a drink?

00:13:39Take advantage of the fact that she's left alone.

00:13:41Lady, I'm gay.

00:13:42But if he has lost a kilo and a half, it is very noticeable here.

00:13:45In good time?

00:13:46In the double chin.

00:13:47This girl didn't give it.

00:13:54Can I have a little bit of money for the bus pass, please, damn it?

00:13:59Emilio Tronco.

00:14:01Host.

00:14:02Don't you remember my son, a fellow inmate?

00:14:05How strong.

00:14:06Yes, I live next door with my aunt Lachoni.

00:14:08Well, very well.

00:14:09Give her a little kiss from me, okay?

00:14:10Move it, move it, we'll send him a photo.

00:14:14No, Trunk, not now, I'm working.

00:14:16Then.

00:14:17Hey, can you lend me some change, my bus pass has expired?

00:14:21I told you later, later.

00:14:23Hey, Belén, Belén, Belén, wait.

00:14:25Emilio, will you please leave me alone now?

00:14:28But do you want to let me talk?

00:14:29It's that you don't listen.

00:14:30If ours isn't a relationship, it's a black hole, it's...

00:14:33What is this guy doing here?

00:14:35Well, you see, they released me due to lack of evidence or lack of space.

00:14:39But, Belén, calm down, okay?

00:14:41Take a deep breath, we have an appointment with the psychologist this afternoon.

00:14:43We're going to do couples therapy.

00:14:45That?

00:14:46Hey, I've been there, right?

00:14:48You go there, you tell your little problems, you listen to Menda, but they don't let you smoke.

00:14:53I don't tell my problems to anyone.

00:14:55And even less paying.

00:14:56Belén, you're going to let something as beautiful as ours die because of that pride in a sanitary pad ad you have.

00:15:01I'm asking you for another chance with all my heart.

00:15:04You see.

00:15:05Emilio, don't manipulate, okay?

00:15:06That I no longer let myself.

00:15:07I'm not going to a psychologist or anywhere else with you.

00:15:12Well, let's have a session and see what happens.

00:15:15But one, huh?

00:15:16No obligation.

00:15:17Okay, okay, okay.

00:15:18You'll see how much it helps us, darling.

00:15:22I'm at the job interview.

00:15:24Hey, what was I going to say?

00:15:25You'll keep taking the pill, right?

00:15:30I've been a little harsh with Mauli, haven't I?

00:15:32I should have told him so many stupid things so close together.

00:15:35Don't worry, everything you've told him is true.

00:15:38But the poor guy must be freaking out.

00:15:40Oh, Ana, fuck, I feel terrible.

00:15:45I just stopped by for a moment to pee.

00:15:48I'm going to the interview again.

00:15:50You charge my phone there at the ATM.

00:15:546, 2, 7...

00:15:55Damn, 10 euros more than I use for work.

00:16:05What do you want the video store for?

00:16:06If that doesn't make money.

00:16:07Well, I don't know, but he bought it.

00:16:09Poor Paquito is scared.

00:16:11First he takes me on the elevator by surprise.

00:16:13Now he buys the video store and doesn't tell me.

00:16:15I'm going to have to stop this man, right now.

00:16:17No, Juan, incorrect.

00:16:19You call elections.

00:16:21You pass the buck to others.

00:16:23And we're going to the Canary Islands.

00:16:24Maybe Mount Teide will even erupt.

00:16:28I don't know.

00:16:29I will leave the presidency at a time of political instability.

00:16:34What would you do, Don Bartolomé?

00:16:36Doña Isabel, you are right.

00:16:37Don't worry about it.

00:16:38As the saying goes.

00:16:39The bulls are best seen through the sight.

00:16:41Here it comes.

00:16:42No, no, I'll go.

00:16:43I'll go, I love this moment.

00:16:46Like the San Fermines.

00:16:48Ready?

00:16:51Grab, grab a spot.

00:16:53Go on.

00:16:54The grass has become canapés.

00:16:56Rafael, did you like the spring onion scramble I made for you?

00:16:59Yes, yes, great.

00:17:00Very rich, Maria Angeles.

00:17:01Maria Jesus.

00:17:02Hey, Mauri, I heard about your business with Fernando.

00:17:05How are you?

00:17:06Count on me for whatever you want.

00:17:08And here we go, I'm going to distribute a denial through the mailboxes.

00:17:10That Fernando and I are still together.

00:17:12It doesn't matter.

00:17:13That's spring.

00:17:14Manolo left this one too.

00:17:15Oh, you're so annoying with Manolo, huh.

00:17:17All right, please be quiet, the meeting is about to begin.

00:17:20Owners are reminded that it is prohibited to bring glass containers, flares, etc.

00:17:25Pa, you're no longer needed here.

00:17:27What are you going to do?

00:17:28Translate for the deaf or what, Mr. Juan?

00:17:31Mariano, I'm not sorry.

00:17:32His son is the historic doorman of this estate.

00:17:34Well, that is unilateral termination of contract.

00:17:37You have to pay me for the whole month.

00:17:39There is no room.

00:17:40There are no funds.

00:17:41Okay, let's eat.

00:17:45Has he gotten angry yet?

00:17:46This man is becoming bitter with age.

00:17:48What, what, what, what?

00:17:49We want undocumented people.

00:17:51Those scrub better.

00:17:53We are already inventing some points of the day.

00:17:54Let's go in order, please.

00:17:56They stole a blouse from me that was hanging on a clothesline.

00:17:59Look, Jesus, those are prayers and questions.

00:18:01Ah, very well, if I have the ticket.

00:18:03If it doesn't appear, the community pays me and that's it.

00:18:05Clear.

00:18:06Or we'll take it to the dry cleaners.

00:18:08I'm opening an investigation to find the blouse.

00:18:10Let's focus.

00:18:11Let's have a peaceful meeting.

00:18:12Research, blouse?

00:18:16No.

00:18:17It's because you don't pay me for the good,

00:18:19I have other ways to collect what is owed.

00:18:21And you are surreptitiously threatening me.

00:18:24Mr. John, you just received a text message.

00:18:29No, it's this heart rate monitor.

00:18:31Calm down, honey, you're over 120.

00:18:34Please, can we get to the point, I have a lot of things to do.

00:18:37Have you cancelled the banquet?

00:18:39The Virgin.

00:18:40Hey, these meetings always work this badly.

00:18:42You're really driving me crazy.

00:18:43There was no need to vote for something.

00:18:45Ah, yes, let's see.

00:18:46Let's see.

00:18:47Juan is in very poor health.

00:18:49We need to elect another president now.

00:18:52What's the matter?

00:18:53No, nothing, let's see, let's see.

00:18:54Nothing, let's see, let's see, I...

00:18:55Nothing, just like everyone else, it's a piece of shit.

00:18:57But Mrs. Marisa, you look wonderful.

00:18:58Me wonderful?

00:18:59When I look in the mirror I recognize myself by my pajamas.

00:19:02It's hard, but the doctor told you how much time you have left.

00:19:05Maybe it's not worth leaving.

00:19:07Like a cowboy, you die with your boots on.

00:19:10He's leaving, it's over, it's decided.

00:19:14Juan, what's up?

00:19:16Or is there a volunteer?

00:19:18Well, I've rescued the bingo game that the Three Wise Men brought to José Miguel from the attic.

00:19:23It's new, he didn't even touch it.

00:19:25There are six balls, one per owner.

00:19:28Emilio, proceed.

00:19:30Let's see who wins the jackpot.

00:19:32Stop, stop, stop, stop, stop, but wouldn't it be more logical to wait for the second B to be sold?

00:19:37When the new owner arrives, we'll play along a bit.

00:19:39and we make him president of treason, a fraudulent lottery.

00:19:42Look how twisted gays are.

00:19:44Ah, well, that seems like a good idea to me.

00:19:46No, and it was just a comment for me too.

00:19:48Ah, but the second B is for sale.

00:19:50Haven't you seen the sign on the balcony?

00:19:52Look at a girl from the real estate agency.

00:19:54Bespectacled.

00:19:55But damn, I didn't know that.

00:19:57But it's a shame, isn't it, Rafael?

00:19:58We need to invest at least 60,000 euros in renovations.

00:20:01But what's up?

00:20:02If it is arranged in an eclectic way, I saw it.

00:20:05Look how big you are, huh?

00:20:08Don't let them realize that what this man wants is to take over the building.

00:20:11You have already purchased the video club.

00:20:13Emilio, over there with B.

00:20:14Oh, sorry.

00:20:15It's just that I was there thinking about I don't know what.

00:20:17Juan, and what did we know?

00:20:19Let us know.

00:20:20If there are no ways.

00:20:21What are Radiopatio breakfasts for?

00:20:23If he gets a third home, he would have almost an absolute majority.

00:20:26I would only need the vote of one more neighbor.

00:20:28That would be like governing with the nationalists.

00:20:31That's a clear neighborhood takeover, huh?

00:20:33Hello.

00:20:34Look, I'm interested in selling an apartment.

00:20:36Let's see, let's see what happens.

00:20:38Yes, disappointment 21, a second floor.

00:20:40Okay, Jesus, don't push, we'll all fit.

00:20:42Don't overload the balcony, it's an old building.

00:20:45The cornices are suffering.

00:20:46Ah, nothing anymore.

00:20:47Well, thank you very much.

00:20:48It's already sold.

00:20:49What a pity.

00:20:50How can I miss these things?

00:20:52How is it being sold?

00:20:53Whom?

00:20:54Darling, open up, the door has closed on us.

00:20:57But two keys have not been given.

00:20:59Come on, they're already here.

00:21:00Oh, I didn't take long to welcome you today.

00:21:02Better yet, we must make a good impression.

00:21:05But where are they going? They'll be moving.

00:21:08No, we still have to help with the boxes.

00:21:10Let's see if it's a family, a stable nucleus.

00:21:13But what is this man doing?

00:21:23Open up to us!

00:21:24Hello!

00:21:25How are you?

00:21:26Did you catch us in a meeting?

00:21:28How many people!

00:21:29Hello!

00:21:30I'm Mamen, your new neighbor.

00:21:32This is Raúl, my brother.

00:21:34Raquel, a woman trapped in a man's body.

00:21:38Come on, look, like you.

00:21:40Not like me, no.

00:21:41Please make way.

00:21:43Hello, I'm Juan Cuesta, acting president of the community.

00:21:47Welcome to Disenchantment 21.

00:21:49Thank you so much.

00:21:50Do you know where the porter is so he can help us carry some things up?

00:21:54Uh, yeah, yeah, yeah, yeah, yeah.

00:21:56It's an old man downstairs with a little mustache, huh?

00:21:58It's not a loss.

00:21:59Good.

00:22:00Apart from the bathroom, don't shout at him, he'll get blocked.

00:22:03Oh!

00:22:04Come, come, precious, I'll show you.

00:22:06This is Candela.

00:22:07He made an advertisement for my vaporous.

00:22:09Make them cough.

00:22:13I'm letting my hair grow long for the shampoo castings.

00:22:16Mamen, damn, why did I make a copy of your key?

00:22:20Man!

00:22:21Eugene.

00:22:22But you bought the apartment.

00:22:24The mortgage comes to everyone, right?

00:22:26Yeah.

00:22:27Didn't you want a family?

00:22:29Well there you have it.

00:22:31Forward.

00:22:32Sorry for the delay.

00:22:33My mother is sick and the boy who is coming to take care of her, well, he arrived late.

00:22:46And I had to give him the porridge.

00:22:48Oh, look, woman, nothing's wrong.

00:22:49You have brought your resume.

00:22:50Yeah.

00:22:51Susi.

00:22:52Damn, the whore.

00:22:53Where are my five thousand euros?

00:22:55Hey!

00:22:56Security.

00:22:58...

00:23:01Security.

00:23:06Who's here?

00:23:07I'm going to copy the man.

00:23:15Sorry, it's about time.

00:23:16What's it going to be?

00:23:17If he lost the watch I gave him.

00:23:19How long are you going to be bothering me with that?

00:23:21Calm down, calm down, nothing's happening, okay?

00:23:23I'll look at it on my phone.

00:23:24Mr. and Mrs. Delgado, please?

00:23:28Yes, just a moment. I don't know what Mrs. Delgado is doing with her life.

00:23:32What? Excuse me?

00:23:34Here she is, here she is, Mrs. Delgado.

00:23:36Come in. The doctor will see you right away.

00:23:39What's this about Mrs. Delgado?

00:23:41I don't know, they actually called us that. How was the interview?

00:23:44Good, good. Let's see if they call me.

00:23:49Shall we pass?

00:23:49Hey, I'm nervous, huh? My hands are sweating.

00:23:55Normal. I don't know why the hell we came here.

00:23:57Belén, you have to open up, okay?

00:23:59This therapist is the same one who treats Preisler and Boyer.

00:24:02And look how well they get along. Every day there with their parties, their chocolates, their...

00:24:05Yes, yes. This is the typical guy who pretends to be listening to you, but is actually going over his shopping list.

00:24:09And then he comes home to his wife and they laugh at the stupid things we told him.

00:24:13Okay, but don't make a big deal out of it now. Wait until the doctor shows up and sees us.

00:24:16Well, that's not the typical degenerate who asks us dirty questions and then has sex with his wife.

00:24:21Well, Belén, they're going to hear you.

00:24:21No, they're degenerates, don't fuck with me.

00:24:25Good afternoon.

00:24:26Good afternoon.

00:24:29I am Marcelo Sanguinetti.

00:24:31Hello.

00:24:33Please seat us.

00:24:35And don't worry, Belén.

00:24:36I'm not a degenerate and the assistant does my shopping for me.

00:24:39Sorry?

00:24:40I like to observe my patients for a while before entering.

00:24:43This way I can get to know you faster.

00:24:44Well, the degenerate thing was in a good way.

00:24:50Doctor, she's always criticizing.

00:24:52She's bitter and she dumps all her shit on me.

00:24:55Sorry, but the one that makes me bitter is the wonderful one.

00:24:56No, no, no.

00:24:57Stop, stop, stop.

00:24:58Without hostility.

00:25:00I'm going to ask you a question.

00:25:01Do you really want to solve your relationship problems?

00:25:05Yes, yes, yes, yes.

00:25:07But I've already told you yes.

00:25:09Well, say it loud, you're making me look ridiculous.

00:25:11Do you want to become aware of how you upset yourself emotionally and disrupt the relationship,

00:25:16frustrating your romantic expectations and beliefs?

00:25:19Yeah.

00:25:20Yes, yes, yes.

00:25:21Yes, yes, yes, yes.

00:25:22Well, hostility must be eliminated.

00:25:24It is the first step of therapy.

00:25:26Nativity scene.

00:25:27Yeah.

00:25:28Let's go back to the beginning of the relationship.

00:25:31What did you see in Emilio to fall in love with him?

00:25:41Well...

00:25:41If you have to think about it that much, it's bad.

00:25:45But let's see, who is he asking, you or me?

00:25:47Emilio, control the hostility.

00:25:49Don't interrupt him.

00:25:50Sorry, sorry, sorry.

00:25:51It's just, it's just, come on.

00:25:53I don't know what I saw in him.

00:25:54He is the doorman of my house.

00:25:55He came up to fix a plug for me.

00:25:57We argued.

00:25:58Belén, this is impossible.

00:25:59If you're there, closed like a rotten clam.

00:26:01Emilio.

00:26:03Hostility.

00:26:04Hostility.

00:26:05Don't you have a stress ball to squeeze while she answers?

00:26:09Look, it's just that it's always made me very nervous.

00:26:11The thing is, of course, in bed, we've functioned well.

00:26:14And sexual relations remain satisfactory.

00:26:17Satisfactory?

00:26:18But if he's in bed he freaks out.

00:26:20If your toes do that to you.

00:26:22Well, will you shut up now?

00:26:24You don't let me express myself.

00:26:25Doctor, hostility.

00:26:27Hostility.

00:26:28Josemi, why don't you go outside?

00:26:35You have to get some sun.

00:26:36You're going to end up sleeping in a coffin and biting the gas man's neck.

00:26:40You just don't notice me, Rome.

00:26:42All my colleagues are already out there making out and undoing their binders.

00:26:46And what about me?

00:26:47How am I going to get laid with this on?

00:26:48But what's the hurry to lose your virginity?

00:26:52I?

00:26:53I lost her at 19.

00:26:55Yes, but it was another time.

00:26:57The civil war and all that.

00:26:58Either you're really bad at history or I'd have to give a speech.

00:27:02Well, I'm not ashamed to admit it.

00:27:04I got married when I was 24, a virgin.

00:27:06Very good.

00:27:07The question is why.

00:27:08By conviction, if there was a whim of the girls.

00:27:11Come on, I have to trust you.

00:27:13Of course I am, because I am your father.

00:27:15Well, I don't give him a reason.

00:27:17Honey, I'm going to take out the trash because...

00:27:19Hey!

00:27:20No, I'll take it down myself.

00:27:22You don't fall to the ground.

00:27:23It seems that please, I am not impeded.

00:27:25Stop treating me like I'm...

00:27:27Ah!

00:27:28Oh!

00:27:29Wow!

00:27:30Okay, okay.

00:27:32Oh, oh, oh!

00:27:33Don't worry.

00:27:33Yeah.

00:27:34Oh!

00:27:36Ah!

00:27:36And don't talk to the neighbors.

00:27:38That upset you.

00:27:39No!

00:27:43Oh, honey!

00:27:44Come on out!

00:27:47I'm leaving now, Moses.

00:27:48Call the chalebre to see how the renovation is going.

00:27:50This apartment is disgusting.

00:27:51I want to go.

00:27:52Yes sir.

00:27:52Yes, we have to make offices here, damn it.

00:27:56Rafael.

00:27:57Can we talk for a moment?

00:27:58Hey, what's that sounding?

00:27:59What do you bring me there?

00:28:00No.

00:28:01It's about your elevator.

00:28:03I want you to know that I have filed a complaint with the city council.

00:28:06for aesthetic aggression

00:28:07and that administrative proceedings will be opened shortly

00:28:09to force you to take it apart.

00:28:11Juan, that complaint is on hold.

00:28:12The councilman notified me as soon as you posted it.

00:28:14Oh, how we laughed!

00:28:16Sorry, but I don't believe it.

00:28:17I fully trust in the honesty of our municipal institutions.

00:28:20But they are all smeared.

00:28:22Look, for me going to the town hall is like going to the supermarket.

00:28:24I'm going shopping.

00:28:25Well, I'm leaving.

00:28:26I don't know what the lady across the street is coming out of.

00:28:27Bye bye.

00:28:29Rafael.

00:28:29Look, today I told you vegetable lasagna.

00:28:32It's just like your butler said, your cholesterol was high.

00:28:34No, no, Maria, I really do, yes, there's no need.

00:28:36Yes, I have a cook.

00:28:37Yes, the Romanian one.

00:28:38But they don't know how to cook or anything.

00:28:40But they have been communists all their lives.

00:28:42Come on, come on, eat it, okay?

00:28:43Don't throw it away.

00:28:44No, no, no.

00:28:45I don't throw anything away anymore.

00:28:46Do you want?

00:28:47I have more.

00:28:47No, no, thank you very much, no.

00:28:48I can't digest bechamel.

00:28:49It's genetic.

00:28:50That's how you got the color you got, son.

00:28:52He's already plugged me into another fucking Tupperware.

00:28:55But what does this lady want from me?

00:28:57Shit, your father.

00:28:58Pull, pull, nothing happens.

00:28:59The ragged one!

00:29:01Capitalist bastard.

00:29:03Dad, I'm going to have the ultrasound.

00:29:07Hey, is he dating your daughter now?

00:29:08Natalia, don't you want me to take you?

00:29:09No, I'm going with Yago.

00:29:11On the bike.

00:29:12Bye bye.

00:29:13But how are you going to carry your pregnant daughter on the bike?

00:29:16Is ET going to appear?

00:29:17Leave the Cuban thing to her, okay?

00:29:18That has me...

00:29:18No, no, he already tried it with Lucía.

00:29:21These immigrants are like that,

00:29:22They want to reproduce with our daughters.

00:29:24It's a vengeful gene they have

00:29:26for the atrocities of the Spanish conquerors.

00:29:29No, but what do I do?

00:29:30I feel a paternal impotence.

00:29:31Well, come on, let's do something.

00:29:33Come in, I'll take you.

00:29:43Well, you eat this lady's lasagna.

00:29:44and I'll solve the Cuban problem for you.

00:29:46The truth is that it was not an excuse.

00:29:47No, they said bechamel.

00:29:49Well, it's the same, you bury it in a vacant lot.

00:29:51Listen, I'm talking to this Cuban.

00:29:53I already investigated him and he has no papers.

00:29:54Oh no?

00:29:55But what's up?

00:29:56I just have to call a friend of mine who is a police officer.

00:29:58They come for him, put him on a plane and off he goes!

00:30:00To sing habaneras.

00:30:02Look, look how soft.

00:30:06Man, Yago is not the ideal father for my grandson,

00:30:08but how am I going to do that?

00:30:09Poor kid.

00:30:10Let's see, is the child yours?

00:30:12No, no, it's from...

00:30:13Well, it is not known who it is.

00:30:15It was a catastrophic insemination.

00:30:17Well, all the more reason.

00:30:19What do I do, do I call my friend or not?

00:30:20Cuban copulator yes, Cuban copulator no.

00:30:23Call, call.

00:30:24Natalia comes first.

00:30:26Well, everything.

00:30:26Hello?

00:30:32Professor Gormejo?

00:30:34Yes, thanks.

00:30:37Juan!

00:30:38Yeah?

00:30:39What are you doing?

00:30:41I thought something had happened to you.

00:30:43No, I went to buy homemade vegetable lasagna.

00:30:47You'll see how delicious it is.

00:30:48Yeah, hey, José Emi is coming down, incognito.

00:30:54He had an appointment with the dentist and he was keeping quiet about it.

00:30:57Are you taking him?

00:31:04Isabel, this child has a trauma with orthodontics.

00:31:06Go on?

00:31:07Yeah?

00:31:08I hadn't realized.

00:31:10Come on, dad, pull.

00:31:11Don't go and get someone to come out.

00:31:12José Miguel, you have to be strong.

00:31:15Braces are not the end of the world.

00:31:17David, you have to have personality to face difficult times.

00:31:21Excuse me, Juan Cuesta.

00:31:23Yeah.

00:31:26Juan Cuesta owes me a month

00:31:29And now it's going to break

00:31:33And it is the same thing that it is

00:31:36How good is this?

00:31:37I don't know, but the song comes out.

00:31:38How good is this?

00:31:38I don't know, but the song comes out.

00:31:44If it's to play.

00:31:48See how it wasn't Manolo?

00:31:57Let's go.

00:31:58I'll talk to Mariano later.

00:32:00Juan, but we're going to go to the dentist like this.

00:32:02What do I know?

00:32:03Ah, it's because of you.

00:32:08You don't measure them.

00:32:09Because they are following us.

00:32:10Ignore them.

00:32:11They are already cancelled.

00:32:12Ana, fuck you.

00:32:20What's up, guys?

00:32:22What are you telling each other?

00:32:23How long?

00:32:24Hey, Mauri, you calling.

00:32:26How odd.

00:32:28This smells like Cris and Fernando to me.

00:32:30No, I was looking at some photos and suddenly...

00:32:32What did he tell you?

00:32:33Go on?

00:32:34Well, yes, I have friends.

00:32:35Of course, people who abandon us.

00:32:38Look, tonight we're going to the Rainbow Room for dinner at 10.

00:32:40Come and we'll tell you the news.

00:32:42Arturo and Javi have broken up.

00:32:44What do you say?

00:32:45I swear to you by Máxima Conagay.

00:32:48Javi is with a civil guard.

00:32:49I met him at a breathalyzer checkpoint.

00:32:51No, no, don't tell me anything.

00:32:52Tonight you will bring me up to date.

00:32:54Yes, he's not coming.

00:32:54As if I didn't know him.

00:32:55Come on.

00:32:56Yes, I promise, I really want to.

00:32:58Look, if you fail us,

00:33:00we're done with you forever, huh?

00:33:02See you later.

00:33:03Bye bye.

00:33:04This is a lot of colorful lirilipo.

00:33:05Plan.

00:33:06I'm not alone.

00:33:07I have a plan, I have a plan, I have a plan.

00:33:09What a pen I get when I talk to these people.

00:33:13I felt sorry for your parents.

00:33:14They had a little face when we were brought here.

00:33:17Yes, well, but they are parents.

00:33:19I could keep them until the end of their lives and they still love me.

00:33:21Furthermore, Mauri also has the right to enjoy the child.

00:33:22He's very lonely, okay?

00:33:24Come on, give me some of this.

00:33:25Please give them to me.

00:33:26It's a surprise.

00:33:27It's a surprise.

00:33:28Mauri, it's me.

00:33:32Can?

00:33:32One moment.

00:33:37Wait here with Ezequiel and we'll surprise him, okay?

00:33:39Let's see.

00:33:41Forward.

00:33:44Mauri, are you okay?

00:33:45Yes, yes, yes, very good.

00:33:48What brings you to hell to visit Satan?

00:33:51Mauri, I'm sorry.

00:33:52Maybe I've been a little harsh on you.

00:33:54Nothing's happening.

00:33:56I am a bad father, selfish, capricious, immature.

00:33:59It's okay to hear nice things about someone you love and inseminate.

00:34:03Oh no.

00:34:04What does it matter if Mauri suffers from not being able to see his son?

00:34:07Yes, you can see him whenever you want.

00:34:08No, today I wanted to and I couldn't.

00:34:10Well, look, I've been talking to Ana and...

00:34:11That's the one that's poisoning you against me.

00:34:13He's playing it cool, but...

00:34:15Come on, no, he's very fond of you.

00:34:16You're blinded by her crystal-clear eyes and cellulite-free thighs, but she's going to rock your boat.

00:34:20And when I screw you up...

00:34:21Honey, come in before I say something mean.

00:34:23Ann.

00:34:27Mauri!

00:34:27I was messing with you, huh?

00:34:29I knew you were there.

00:34:30Of course.

00:34:31Well, let's get to the point.

00:34:34Surprise.

00:34:34You have Ezequiel all to yourself tonight.

00:34:37Today?

00:34:37Well, that's what you wanted, isn't it?

00:34:39Are you happy?

00:34:39Of course.

00:34:40I think so, my boy.

00:34:42But I feel sorry for the grandparents.

00:34:44Come on, give it back to him.

00:34:45No, no, no.

00:34:45If they understand it.

00:34:46Also, we're leaving because we have a romantic dinner, okay?

00:34:49Yeah, I'll see if I can poison her a little more.

00:34:52Come on, enjoy it, daddy!

00:34:54Bye bye.

00:34:56Hey, what do we do now, buddy?

00:34:59Daddy's having a sissy dinner.

00:35:01No, Mauri, no.

00:35:02I've never babysat in my life.

00:35:03But you don't have to do anything.

00:35:05If Ezequiel is going to fall asleep soon.

00:35:07But also, why me?

00:35:09Despair.

00:35:10Let me go in goal.

00:35:11Can we make a 3D Google Heine pullet together?

00:35:14Mariano, I'm desperate, not schizophrenic.

00:35:17It has to be secret, huh?

00:35:18Ezequiel is supposed to be with me because I'm dying to be a father.

00:35:22Yeah, but you'd rather go out to dinner with your friends.

00:35:24Because if I miss it, my friends won't forgive me.

00:35:26And Ezequiel yes, he is a year and a half old.

00:35:28Aren't you going to remember?

00:35:29Don't believe it, huh?

00:35:29They say that the first memories we have are those of the mother's womb.

00:35:33There's a Czech film about that.

00:35:36Reflections of a Fetus, by Martin Chekyshevsky.

00:35:38Well, it's very good.

00:35:39In black and white, all with voiceover.

00:35:40Paco, I'm your video store's oldest customer.

00:35:42and the only one who returns your movies the next day.

00:35:44That's why not in business.

00:35:45My best client is grass, which loses its ball and has it for a week.

00:35:48Look, I have a flat screen.

00:35:50Dolby Surround, expensive wines.

00:35:52You can bring your wife, if I don't mind.

00:35:53Poor boy, who will soon meet the bogeyman.

00:35:55Are you an idiot?

00:35:57Come on, I'll give you 50 euros.

00:35:58No, if it's not for the money, Mauro.

00:35:59Good.

00:36:00Made.

00:36:01Paco, I love you.

00:36:02It has saved my life.

00:36:03Let's see, what do I say to Lourdes now?

00:36:05Never give explanations to your wife.

00:36:07He doesn't believe them.

00:36:16Brilliant! The door!

00:36:18I've already heard it, damn it.

00:36:22Door, the door.

00:36:23Hello, I'm María Jesús, the neighbor from upstairs.

00:36:26Nothing, I've made you some welcome torrijas.

00:36:29Oh, my wife.

00:36:31Oh!

00:36:32Oh, but how delicious!

00:36:34Thanks a lot.

00:36:35Well, then wash the tray by hand, otherwise it will get scratched.

00:36:38I'm going to make you some stuffed peppers, they come out delicious.

00:36:42And if it's not necessary, silly, I can do them very well too.

00:36:45And me, me too, yes.

00:36:46Well, well, well.

00:36:47Oh, that looks good, what danger?

00:36:49How disgusting, for God's sake.

00:36:54But why haven't you told him you're Mrs. Dietas?

00:36:56Why are you cheating on her?

00:36:58Well, for education.

00:36:58Ingenuity, change your chip, eh?

00:37:01That we have come to live in the center.

00:37:03We are modern people.

00:37:04I don't understand it.

00:37:06We came to a smaller apartment, even though it was so nice to be on the outskirts.

00:37:09With your parking space, your green areas.

00:37:12Mom, I can't fit even half of my things in that closet, huh?

00:37:15Well, leave some room, it has to be shared.

00:37:17Oh, look, yes, you make a room for Raquel here.

00:37:20You win it in the living room.

00:37:21Yes, but yes, since I have so much time, I can make do with a sofa bed.

00:37:25But what do you think?

00:37:26Am I here for fun?

00:37:27Wouldn't I like to buy a flat for myself?

00:37:29Damn, well work.

00:37:30Tomorrow you're coming with me in the van.

00:37:32No, no, no.

00:37:33I don't do renovations or plumbing.

00:37:35I am a woman.

00:37:36Raul, you have a penis.

00:37:38That's a fact.

00:37:39Why do you always have to remind me?

00:37:41No, huh?

00:37:43But leave him.

00:37:44If you have now started studying.

00:37:46And?

00:37:46By the time he becomes a lawyer, we'll be invaded by Martians.

00:37:50The title will not be worth it.

00:37:52Ana, here, take this down.

00:37:53Wait, wait, wait.

00:37:54Save me one for dinner.

00:37:57That's how you're getting.

00:37:58Look, I'm going to sign you up for Coaerobics, right now.

00:38:01That's it, that's it.

00:38:01You sign me up.

00:38:02Ana, here.

00:38:03That?

00:38:11I wouldn't do that if I were you, stranger.

00:38:13Damn, what a scare.

00:38:15Don't do that to me, man.

00:38:16Be careful, Maria Jesus.

00:38:18He's giving you the French toast test.

00:38:20The torrija test?

00:38:21Yes, he does it to all the new ones.

00:38:24Then check the trash.

00:38:25And when he sees that you've thrown it away, he'll do voodoo on you.

00:38:28He did it to the girl and kidnapped her from a guerrilla group in Africa.

00:38:32Come on, man.

00:38:33How is that lady going to look at the garbage?

00:38:36Yes, we have seen it.

00:38:38You'll see what you do.

00:38:39He lives above you.

00:38:40Let's see if one day he forgets to turn off a tap.

00:38:47Damn, what a stupid problem.

00:38:50Do you want it?

00:38:51No, I want to keep the size 36 for when the pools open.

00:38:58Come on, I don't owe you a favor anymore.

00:39:03Tomorrow I'll tell him to fix the cistern for us.

00:39:08Well, this therapy thing is good, huh?

00:39:10It was difficult for us at first.

00:39:12But then we have brought out feelings that we had held there.

00:39:15Of course, look, we're holding hands.

00:39:19Why are you letting me go?

00:39:20I don't know, it just gave me an impression all of a sudden.

00:39:23No, not now, we've already arrived.

00:39:25Hey, hey, don't be so rude, okay?

00:39:27You see how much I miss your hand.

00:39:29Well, stop, stop, stop.

00:39:31Stop, we're doing very well, huh?

00:39:33I respect.

00:39:33That.

00:39:35I respect.

00:39:36I respect.

00:39:37Sorry, my love.

00:39:39It's okay, honey.

00:39:40Calm down, okay?

00:39:41Come on, now go home and assimilate concepts.

00:39:43We have therapy tomorrow.

00:39:44Again?

00:39:45Damn, I know I got a bonus.

00:39:47That they were giving me a 10% discount.

00:39:48Okay, okay, okay, okay.

00:39:50Okay, okay, okay.

00:39:53Nativity scene.

00:39:54May you dream beautiful things.

00:39:56And you too, my love.

00:40:11What do you want, fool?

00:40:13Nativity scene.

00:40:14I'm Marcelo, your therapist.

00:40:16Oh, sorry.

00:40:18Hey, I've been reviewing your session notes.

00:40:21and I think it would be appropriate to treat you separately as well.

00:40:24Why's that?

00:40:25When the level of hostility is so high,

00:40:28it is advisable to conduct individual sessions

00:40:30so that you learn to channel your personal anger.

00:40:33Oh, okay, give me an hour and...

00:40:38No, right now.

00:40:39If you want, I know a great Irish daddy.

00:40:42We can talk and analyze your circles

00:40:44interactive and functional.

00:40:48Well, what did you say?

00:40:51Should I pick you up at your house?

00:40:53I have the address and the card.

00:40:56Okay.

00:40:58But don't come to the door, wait for me on the corner.

00:41:00Ok.

00:41:01Bye, bye.

00:41:09Wow, they're not going to change the bus.

00:41:11The gang always went with us on our cell phones.

00:41:13I thought they were going to come up with us.

00:41:15Well, that's enough, isn't it?

00:41:17It's just not funny anymore.

00:41:18Well, I ask that they only follow you.

00:41:21Get on this, Ana.

00:41:21From here on, it is private property.

00:41:25One step and I'll sue you.

00:41:35Mariano.

00:41:36What's up, Juan?

00:41:37Do you want a shot of bifidus?

00:41:38No, I want bifidus.

00:41:40Who are these people following me?

00:41:41They are the collector of the tuna,

00:41:43a debt collection company.

00:41:45I've been told they're quite annoying.

00:41:47Well yes, they've been following me all afternoon.

00:41:49Me and my son, who has nothing to do with it.

00:41:51They're good, huh?

00:41:52The one with the gang was chosen for Operación Triunfo.

00:41:55The thing is, he saw more future in this.

00:41:58Mariano, I demand that you stop immediately.

00:42:00this crude extortion of me.

00:42:02So pay me what you owe me.

00:42:05578 euros and 60 cents.

00:42:07And go ahead, the community has no money.

00:42:09Well, nothing, tuna who raised you.

00:42:11And they have quite a repertoire, huh?

00:42:13It won't be for songs.

00:42:15Very good.

00:42:16If you think you're going to get something, you're wrong.

00:42:18I'm very used to pressure.

00:42:19I have been teaching for 25 years.

00:42:21And I 50 in the trenches of the street.

00:42:24I am a bad enemy in hand-to-hand combat.

00:42:31Leave him alone, he hasn't done anything.

00:42:33Let's see, what am I accused of?

00:42:34What are the charges?

00:42:35You are residing illegally in this country

00:42:37and has a record.

00:42:38Does that seem like little to you?

00:42:38Well, well, I'm waiting for the regularization.

00:42:41Like many other colleagues, right?

00:42:42Don't worry, we'll sort it out for you.

00:42:44The day after tomorrow, free flight to Cuba.

00:42:45Yes, and shit, you believed it.

00:42:47Natalia.

00:42:48And, darling, don't worry.

00:42:49Notify the Green Villages lawyer.

00:42:51No, not the one from Aldeas Verdes, he's in prison.

00:42:53To another.

00:42:54Dad, I'm going out, they're taking him away.

00:42:58Well, my dear, this tuna is following me.

00:43:01No?

00:43:02They sing me songs asking me for money.

00:43:04Yeah, what they've been doing all their lives.

00:43:06No, no, that's not it.

00:43:08Never mind, leave it.

00:43:13What's this about?

00:43:14Let's go home, we can't talk here.

00:43:18What are you laughing at?

00:43:20I bet you'll swallow the bandurria!

00:43:21How delicious everything is!

00:43:31How is the magre, for God's sake?

00:43:32Guys, dessert?

00:43:34Yes, come on, let's sin, there's also a killer tiramisu.

00:43:40I have chocolate texture with mango sorbet.

00:43:42What an ass the waiter has.

00:43:44Now that would be a good dessert.

00:43:46But yes, yes, he throws himself, faggot.

00:43:48The meter.

00:43:49Understand.

00:43:50You're getting more and more scared, huh?

00:43:52You've been single for a long time.

00:43:54This way, please, if that's kind.

00:43:56Thank you so much.

00:43:59Damn, there are so many restaurants.

00:44:00Hey, that's not the one from the Doper commercial.

00:44:02Oh yeah, look at her!

00:44:04Hey, blonde!

00:44:05But leave her alone, don't be a gossip.

00:44:06Come take a photo with us, we love it.

00:44:09Come on, come on, he's coming, he's coming.

00:44:10Hey, pay attention, pay attention, let's see what she had surgery for.

00:44:13Well, I'll pay, I'll wait outside.

00:44:14And dessert?

00:44:15But wait, this costs a fortune.

00:44:18My dessert, damn!

00:44:19But I love you very much and I invite you.

00:44:20You pay for the drinks.

00:44:22Mauri, don't be silly, come here.

00:44:23Keep your mouth shut, damn it!

00:44:27Hello.

00:44:28We're going here to make an exit.

00:44:29Come here, here, right next to me.

00:44:33It's not time anymore, eh!

00:44:35You are violating current regulations!

00:44:37Juan, come to dinner.

00:44:39Don't tell them anything, it's worse.

00:44:41They are encouraged.

00:44:42It's actually a good idea, huh?

00:44:44This touches the balls quite a bit.

00:44:46It's that people are very busy.

00:44:48I find it shameful that a musical-vocal group as beautiful as the tuna is dedicated to these things.

00:44:53They're not allowed into tourist restaurants anymore, so they'll have to earn a living.

00:44:56But if they're university students, do you know how much they spend on photocopies and condoms?

00:45:01Betelita, what's wrong with you?

00:45:03Eat a little bit.

00:45:04It's just scary.

00:45:07Instead of going after corrupt businessmen and politicians, they go after a poor kid who's only fighting to change the world.

00:45:13That was nice.

00:45:14It is love that transforms us.

00:45:16Imbeciles!

00:45:17Daughter, illegal immigration is a very worrying issue.

00:45:20And our administration is fighting this unfortunate social phenomenon as best it can.

00:45:24Dad, don't bother me, you're delighted.

00:45:26No, no, incorrect.

00:45:28Yago seems like a great kid to me.

00:45:30Oh, and me too.

00:45:32Yes, everyone knows that.

00:45:35Well, I've already said everything I had to say.

00:45:37But you have to suffer for Yago, sending around all those kids with their papers in order, their careers.

00:45:43Yago has two, he is a journalist and a biologist.

00:45:46Ah, look, like Obregón.

00:45:48No, Obregón went into business.

00:45:50But he was not a helper.

00:45:51But what does that matter now?

00:45:53Hey, then I can move into the attic, it's free.

00:45:56But don't be a vulture.

00:45:57There's no room for us here anymore.

00:45:58You go with Pantumaca, she has an apartment all to herself.

00:46:01But what else do you do?

00:46:02Brasén is not coming back.

00:46:03Natalia, you can always go see him in Cuba, if you pass.

00:46:06Man, there's a bolero that's also from there that they say distance is oblivion, but you never know.

00:46:11If love is strong...

00:46:13Yago isn't going anywhere, because he's going to sort out his papers.

00:46:16Daughter, I don't think he'll have time.

00:46:18Yes, because I'm going to marry him.

00:46:20I bought some CDs for Father Miguel and he's getting us married tomorrow.

00:46:22No, no, no, no, no, in front of the portal, no, no, no.

00:46:37Go back, go back.

00:46:41Okay, okay.

00:46:42Already?

00:46:42Yeah.

00:46:48Well.

00:46:51I think we've made quite a bit of progress, haven't we?

00:46:53Yeah.

00:46:54We have identified several gaps in expression.

00:46:56Of course.

00:47:00Marcelo, for God's sake, you're my therapist.

00:47:02Belén, do you know exactly what's going on?

00:47:05Yeah, but I had to tell you.

00:47:07This never happened to me.

00:47:09I had never been attracted to one of my patients.

00:47:11No, no, look, this isn't right.

00:47:13I have never cheated on Emilio.

00:47:15And even less paying, because we are also paying you.

00:47:17Honestly, if I believed there was a solution for your situation, I would never have...

00:47:21Shit!

00:47:22My mother!

00:47:24It's going to be almost worse seeing you like this, Belén.

00:47:27What are you doing?

00:47:28He's throwing out the trash.

00:47:30Ah, no.

00:47:31He is opening a bag that he has taken out of the bucket.

00:47:34Now he looks to see what's inside.

00:47:35What are you saying?

00:47:37Are you having financial problems?

00:47:39No.

00:47:40Come on, not for that.

00:47:43I'm leaving.

00:47:44Belén, so what do we do with our stuff?

00:47:47What do I know, Marcelo?

00:47:49What do I know?

00:47:54Mother?

00:47:55What the hell are you doing looking through the trash?

00:47:57I'm waiting to see if they'll throw me the torrijas, because I feel really bad.

00:48:00Come on, go home, you're going to miss the teleshopping.

00:48:03And where do you come from?

00:48:05From the pharmacy.

00:48:16Look, what a bedroom.

00:48:18How does wenge wood look?

00:48:22Iji!

00:48:22You have to paint this wall in butane orange.

00:48:25Wait, wait, I can't hear you.

00:48:28What is dad doing in the bathroom?

00:48:29I have to brush my teeth.

00:48:31I don't know.

00:48:32Well, wash them in the kitchen.

00:48:33Oh, but what are you doing all the time flushing the toilet?

00:48:39They don't swallow the torrijas.

00:48:42But why didn't you throw them in the bin?

00:48:43That María Jesús is watching the garbage and gets angry.

00:48:47Let's see, where's the wiper blade?

00:48:49I don't know, in some box.

00:48:51Look for her.

00:48:51To me that I...

00:48:52Mamen, that's the first thing that comes out.

00:48:54Could it be because you use the brush?

00:48:56I'm talking to you.

00:48:57Come on, come on!

00:48:58Go get hormones.

00:48:59Hey, don't mess with my brother.

00:49:01Let's see if he or she gets a boyfriend or girlfriend or...

00:49:05This one likes it.

00:49:06The bat is not used as a wastebasket.

00:49:08You just don't see the ads.

00:49:09Well...

00:49:09Camila, don't you prick.

00:49:12Take the brush.

00:49:15Watch out for me, okay?

00:49:16Hey!

00:49:17Be careful with me.

00:49:18Yes please.

00:49:19Let's see if any neighbors will hear us.

00:49:21What, really?

00:49:22Oh, look!

00:49:23Look, look at that zen bedroom.

00:49:25What, really?

00:49:25Zen.

00:49:26You take my suitcase out of here, damn it.

00:49:29Oh my God!

00:49:30Oh, oh!

00:49:32This new bed is crap, huh?

00:49:34That's not a bed.

00:49:36It's a futon.

00:49:37Yes, verbenero.

00:49:39What is this a fad?

00:49:40This is packaging!

00:49:41But what packaging, man?

00:49:46This new family is fine.

00:49:48Above him are the wall to wall.

00:49:50How are we going to make this man president?

00:49:52It's just that I have to stay in office.

00:49:54The community is beheaded.

00:49:55Juan, if I give you a milestone, I won't take care of you.

00:49:58I'm a nurse, but I don't bring work home.

00:50:00The girl says she's getting married tomorrow.

00:50:02She is alienated.

00:50:04If I saw this plan in some.

00:50:05What plan?

00:50:07Hey?

00:50:09Did you call the police?

00:50:11No, honey.

00:50:12He called Rafael.

00:50:12I just agreed.

00:50:14Oh!

00:50:14But how do you even think of playing with your daughter's feelings?

00:50:19Do you know what he's going to do to you?

00:50:20How did you find out?

00:50:21No, no, no.

00:50:21It's not going to be a problem because I'm going to fix it.

00:50:23I'll talk to Rafael to get him released.

00:50:25Oh!

00:50:26How hot!

00:50:28It's getting to me.

00:50:30Oh!

00:50:31I'm sleeping with a bearded monster.

00:50:34I just want the best for my daughter.

00:50:36Now, the important thing is that he doesn't get married.

00:50:38What other way is there for Yago to legalize his status in Spain?

00:50:41Well, by making him a work contract.

00:50:44Or playing football well.

00:50:47It's a real pain.

00:50:48The thing.

00:50:49Oh!

00:50:55You like it, huh?

00:51:05What do you say, loser?

00:51:08Hello!

00:51:09But what are you doing?

00:51:10What are you doing?

00:51:13Hello!

00:51:14I am Pablo.

00:51:15And this is José Miguel.

00:51:17I am Candela.

00:51:19Bye bye.

00:51:20Bye!

00:51:23Look at them!

00:51:23And it turned red!

00:51:24You're a real tough guy, man.

00:51:26Do you like Candy Candy?

00:51:34What a dream!

00:51:35How lazy!

00:51:36How bad everything is!

00:51:37It smells so bad in here, for God's sake!

00:51:39Emilio, what plague is this?

00:51:42God I know, he'll get out of there.

00:51:43Just like Doña Concha, who went to die in the accounting room in a romantic mood.

00:51:47Emilio, you have to come up to my house.

00:51:49They don't swallow my cistern.

00:51:50It's like it's stuck.

00:51:51Who knows what they've thrown out there!

00:51:53Mrs. Vicenta, your main downpipe may be clogged.

00:51:56Let him see what the smell is in the doorway.

00:51:58Oh yes!

00:51:59How awful!

00:52:00That's because you don't clean.

00:52:02That you've become lazier than ever.

00:52:04Doña Concha, and what do you have for breakfast?

00:52:05That goes down with that energy.

00:52:07Good morning.

00:52:07Hey, where are you coming from at this hour?

00:52:09Well, when it comes to buying bread, isn't it obvious?

00:52:11Wow, what a night, huh?

00:52:12You're taking advantage of the fact that Fernando isn't here.

00:52:14This comes from one of those dark rooms.

00:52:16Yes, seven.

00:52:18What a goal here, how disgusting.

00:52:22This guy is going to waste.

00:52:23It makes me feel sorry.

00:52:25Well, let the president know and we'll see what we do.

00:52:26Yes, responsibilities must be clarified here.

00:52:29What's happening?

00:52:30Well, I don't know.

00:52:31There is no official confirmation, but everything points to a blocked downspout.

00:52:34The neighbors who throw everything out there.

00:52:36And here we are.

00:52:37Between drought, global warming, and...

00:52:39And Ginio, did you like the torrijas?

00:52:42Hey?

00:52:43Ah, yes, yes, yes.

00:52:44A lot, a lot.

00:52:45AND...

00:52:45Oh, how we got to breakfast.

00:52:47Oh, well, you don't know how happy I am.

00:52:49Shall I make you more?

00:52:50Good.

00:52:56Damn, with the babysitter.

00:52:58Paco?

00:53:04Paco?

00:53:04Oh, that's enough, palca!

00:53:06Oh, man, Mauri, hello.

00:53:08How are you?

00:53:09Sorry for the delay, I just got a little distracted in the end.

00:53:12How are you?

00:53:12Well, terrible, Mauri, terrible.

00:53:14Last night I had another argument with Lourdes.

00:53:17My marriage is like prestige, a load of shit and I can't do anything.

00:53:21Yes, yes.

00:53:22And Ezequiel, how is he?

00:53:24Ah, very good.

00:53:26He was right, he fell asleep right away.

00:53:27Sure, if it's a mess.

00:53:29Instead of mine, it looks like Fernando's.

00:53:31Hey, and he didn't cry all night.

00:53:33The only one who cried was me.

00:53:34How can he cry if he's not there?

00:53:38Yeah, man, it is.

00:53:39No, he's not here, Paco, he's not here.

00:53:42Where is?

00:53:43Hey?

00:53:44Ezekiel?

00:53:45Ezekiel?

00:53:46The door was open.

00:53:47Paco, you've run away from home.

00:53:49Hey, but he can open doors now.

00:53:50Of course he can open doors, he's a year and a half old.

00:53:52At that age I'm already used to the internet, if you let me.

00:53:54Damn, I didn't know that, man.

00:53:55Don't worry me, I already have enough problems.

00:53:57Don't worry, Paco, you've lost my son.

00:53:59Look, it kills me.

00:54:00And either I commit suicide, or both.

00:54:02Maybe it was Rufestinskin.

00:54:04Who?

00:54:04I saw it in a scary movie.

00:54:05He would say their name three times and take the children away.

00:54:08Paco, please, Paco.

00:54:11Okay, to find me.

00:54:12Yes, come on, let's go.

00:54:13And by God, not a word about this.

00:54:15Bye bye.

00:54:17Ah, Mauri, how are you, dad?

00:54:20Good.

00:54:21Here, just woken up, with Paco.

00:54:26No, let's see, he came to pick up my movies.

00:54:29Yes, it is that it accumulates them.

00:54:31Hey, how's Ezequiel doing?

00:54:33Good, Ezequiel, good.

00:54:35He's with my mother, and I've taken him so they can spend the morning together, and buy him some things.

00:54:39Mauri, they hardly know each other.

00:54:40Well, that's why, poor thing, he has to enjoy the other grandmother, having her there for no reason is silly.

00:54:45Well, but you don't go up at noon, right?

00:54:46Don't abuse.

00:54:48No.

00:54:53Tell me, son.

00:54:54Already.

00:54:54The truth is that it is a noosecond smell.

00:55:02Yes, it's very good for digesting breakfast.

00:55:05This smells like a clogged downspout, never better said.

00:55:08Thanks a lot, Dad, huh?

00:55:10An expert's opinion is always welcome.

00:55:11It's that people are dirty.

00:55:13Juan, what do we have to do?

00:55:15Guide us.

00:55:16Yes, because we're going to have a real mess in the bathrooms, which...

00:55:18Emilio, turn off the water.

00:55:22Mr. Juan, are you sure?

00:55:23Look how these things drop in the popularity index.

00:55:25There is no other option.

00:55:27A president has to know how to make these decisions.

00:55:29Look at her, what have you done?

00:55:30Let's go, shut up.

00:55:32Hey, this stings a little, genius, and it unclogs it in no time, right?

00:55:36Well, it's free.

00:55:38No, you don't call insurance.

00:55:41That when my daughter was president she hired a very good one, right?

00:55:43That's it, call the insurance.

00:55:44Let a drain cleaning company come and explain the source of the problem.

00:55:48Mr. Juan, I really need the morning for my own therapeutic matters.

00:55:52Okay, I'll call.

00:55:53Okay, but don't get angry, he gets very tense and...

00:55:56Mariano, can you come over for a moment?

00:55:57Mariano, I have a problem.

00:56:02Hey, didn't he introduce me to your wife?

00:56:05Of course, damn it.

00:56:06I don't do that to a friend.

00:56:09But how is the downspout going to cut a French toast?

00:56:11No, no, not one.

00:56:12Ten.

00:56:13But that's not consistent, man.

00:56:15I tell you yes.

00:56:16Yesterday one hundred one.

00:56:17And how about it?

00:56:18I spent a night.

00:56:20I wouldn't wish it on my brother-in-law either.

00:56:22I have sung some things.

00:56:24Man, you'd have to analyze them to reach conclusions.

00:56:26I still have one at home, which I had saved for breakfast.

00:56:30Let's go see it.

00:56:31This is CSI torrija.

00:56:36Observe.

00:56:37I made yesterday.

00:56:38Look how he's become.

00:56:44Damn, but this is like a loofah sponge.

00:56:47It is good for removing dead cells.

00:56:49Do you see it?

00:56:50It was the torrijas.

00:56:52Do you think the neighbors are going to be very angry?

00:56:54Hey, wit, don't look back.

00:56:56That's what the mame says, that they've loaded the curtains.

00:57:00How disgusting, please.

00:57:02So you've already noticed a clear improvement in terms of communication and emotional expression.

00:57:07Yes, yes, yes, yes, yes.

00:57:08I notice much more respect.

00:57:10I see this more mature.

00:57:11As if a couple's relationship is no longer based solely on sex.

00:57:14Yes, yes, that's a bit what he says.

00:57:17And we are eliminating emotional disturbances and negative thoughts, the kind you mention.

00:57:22Very good.

00:57:23Well, let's continue.

00:57:24Well, Belén, what is your parents' marital relationship like?

00:57:29And what does that have to do with anything?

00:57:30Well, he'll know because he asks that he has studies and that...

00:57:32Open up, Belén.

00:57:34It's hard, it's hard for him to open up a bit.

00:57:36The relationship is normal, bad, but just like this one.

00:57:40Sorry.

00:57:43Yeah.

00:57:44Mr. Juan, I'm in therapy.

00:57:46Emilio, I can't find the insurance phone number.

00:57:48Wait, wait, wait, I'll tell my dad to look at Buzz Bunny's diary.

00:57:53Where are you going?

00:57:54Talk to him, talk to him about your mother, I'll be right back.

00:57:57Tell him about Oropesa, about the Araclan that bit you.

00:57:59Marcelo, no, don't move from there.

00:58:08You're just provoking me all the time.

00:58:10I.

00:58:11You crossed your legs in a basic instincts way, looking at my ass.

00:58:14No, no, no, that's because I bought a new thong that rubs against me and I don't know how to put it on.

00:58:17You see?

00:58:18That?

00:58:18You're wearing new underwear.

00:58:20Psychologically, that is the expression of an expectation of change.

00:58:23Let me see it.

00:58:23No, no, no, Marcelo, please.

00:58:25She looks gorgeous, Belén.

00:58:26Marcelo, Marcelo, he's going to step on us.

00:58:28Marcelo, here.

00:58:32And then my mother took out the stone to nail the umbrella and the Scorpion came out and stung me.

00:58:38But she came with the flip-flop and killed him.

00:58:41Sorry, I'm missing and nothing's working.

00:58:44Well, where were we?

00:58:46Because a scorpion stung you.

00:58:49Not here, not here, no one lives here.

00:58:56Hello, is Rafael there, please?

00:59:00I'm sorry, but...

00:59:01Come in, Juan, come in!

00:59:02You caught me by a miracle.

00:59:04I'm going to see the chalet I'm building for the culture councilor.

00:59:06In exchange, he lets me demolish the church to build the new one.

00:59:09Hey, this thing about building a house for God motivates me.

00:59:12Man, he's a VIP client.

00:59:14Hey, what's wrong with your butler?

00:59:15Are you angry?

00:59:16No, it's just that I like them serious.

00:59:18I've already told you that the day you laugh, I'll do it.

00:59:20Hey, no, I can't.

00:59:21I haven't tried it yet today.

00:59:23You'll see.

00:59:23Moses, wait a moment.

00:59:24No, no, not like that either.

00:59:29Mister.

00:59:30The curtain opens, and we see a guy peeling ten oranges.

00:59:33What is the name of the movie?

00:59:35I don't know, sir.

00:59:37The ten peelings.

00:59:41Peeling, peeling peels.

00:59:43Yes, sir, I got it.

00:59:44Well, it's the same, it's the same, he can retire you.

00:59:46Juan, do you want to try it? Do you know anything?

00:59:48No, no, no, I don't like jokes...

00:59:50Rafael, I need you to get Yago out of jail.

00:59:53Sorry, I've been thinking about it more, and well, I don't think it's right to ruin the kid's life or play with my daughter's feelings.

01:00:01Those are things that are paid for at Sinectú.

01:00:03It could be, you have a conscience.

01:00:06That is the burden of the middle class.

01:00:07But how are you going to have money thinking like that?

01:00:10I ask you as a personal favor.

01:00:11I'm sorry, Juan, I'm sorry.

01:00:13Putting someone in jail is easy, but getting them out...

01:00:15I don't know how to do it.

01:00:18Well, I have to go.

01:00:20Rafael, I still have the lasagna.

01:00:29Where?

01:00:30In a safe place.

01:00:33I didn't think it would come to this, but if you don't help me, I won't hesitate to use it against you.

01:00:39You already know María Jesús.

01:00:40Commissioner Bermejo, please.

01:00:50Thank you.

01:00:51Man, marrying someone in a police station is not very common.

01:01:02But it has its thing.

01:01:03Come on, let's go, Mom, there's no time.

01:01:05Natalita, it is very difficult to find a wedding dress in your suras.

01:01:09And more so in your state.

01:01:10Oh, shall we go shopping first?

01:01:12If you want to get married in white.

01:01:14Suddenly it becomes traditional.

01:01:16Isabel, this is how I play my new single in the car.

01:01:25Give your body joy, Magdalena.

01:01:27It's very danceable, huh?

01:01:28There are two gentlemen from Seville who have complained to me and I don't know why.

01:01:32Mom, I'm taking a taxi.

01:01:34Holy cow, how does it smell in here?

01:01:39Honey, I talked to Rafael and he got Yago released.

01:01:42I'm going to look for him at the police station.

01:01:43Well, tell the girl, because the dress is going to cost you a fortune.

01:01:46No, not yet, because I have to get him a work contract first.

01:01:50If they don't get married, you entertain her.

01:01:52Oh my God, what stress.

01:01:53And where are you going to get him a job?

01:01:55Don't worry, I have a plan.

01:01:59Have you noticed?

01:02:01In what?

01:02:02There is no more tuna, they have grown tired.

01:02:04Maybe...

01:02:05They might get away with it.

01:02:07Cheer up, everything is starting to get back on track, darling.

01:02:09How much do you owe Mariano?

01:02:36No, I'll make them for you!

01:02:37No, it's a personal matter.

01:02:47Hello, here you are.

01:02:48Hello good.

01:02:48Leonor, how are you?

01:02:53Hello gorgeous.

01:02:54Here, visiting.

01:02:55And Ezekiel?

01:02:56Who?

01:02:57Your grandson.

01:02:59Oh yes, that's true, but I have a grandson.

01:03:02Well, I guess he'll be fine, because I hardly see him.

01:03:05Well, I'll leave you while my cakes get overheated.

01:03:08A very handsome, blond little boy.

01:03:15He's like Beckham, but a year and a half older.

01:03:17Thank you.

01:03:17What do they say?

01:03:18They are looking for him.

01:03:19What are they going to say?

01:03:19You have to look in the supermarkets.

01:03:21Because?

01:03:21Man, that's where all the kids get lost.

01:03:23They get confused by the colors of the offers.

01:03:27Mom, what are you doing here?

01:03:28Man, I came to cheer you up, just like Fernando left you.

01:03:30Other?

01:03:30That I haven't left.

01:03:31Have you met anyone?

01:03:33Yes, with her.

01:03:34Where is Ezequiel?

01:03:35At a friend's birthday party.

01:03:37Mauri!

01:03:38We don't know.

01:03:39It's just that last night I finally got a dinner and Paco stayed with the child,

01:03:42He argued with Lourdes, drank, fell asleep and ran away.

01:03:45That?

01:03:47I brought cakes.

01:03:48Then put them in the fridge.

01:03:49No, wait.

01:03:50Ana, wait.

01:03:50Let me pass.

01:03:51Please don't tell Bea.

01:03:52Please, I don't want him to hate me, you already hate me for both of us.

01:03:55But how could I not tell him?

01:03:56He's your son.

01:03:56I swear, we'll find him.

01:03:58Please, I beg you.

01:03:59From homosexual to homosexual.

01:04:00If the police, radiotax and post office are already looking for you.

01:04:02Some jarecrishnas we have crossed.

01:04:07If not, I'll tell Bea.

01:04:08Come on, let's be positive.

01:04:09Let's go look.

01:04:10Let's go together.

01:04:11That's what it's going to be like if they see me with you.

01:04:15Well, or we can each go our own way.

01:04:16This way we cover more ground.

01:04:19Why are you coming today?

01:04:20Just today.

01:04:20If you never come to see me.

01:04:22Well, I had a gap.

01:04:24Because I signed up for a Tai Chi class,

01:04:26But since you have to do it in pajamas, I don't like it.

01:04:31I see Yago as perfect for that position of professor of environmental knowledge.

01:04:35He's a great kid, a hard worker, he has two degrees, he's a journalist and a biologist.

01:04:40I could give a more Catholic approach to Darwin.

01:04:43I don't know, I don't know, Juan.

01:04:44It's just that he has very long hair.

01:04:48But he cuts it off.

01:04:49He loves this country and its people.

01:04:52He's willing to do whatever it takes to get that job.

01:04:54Hey, Yago, do you think so?

01:04:57In what?

01:04:57Yes, yes.

01:04:58Yes, yes, yes, believe it.

01:04:59And every day more.

01:05:01Since he's been with my daughter, he's gotten very close to the Lord.

01:05:03Well, well.

01:05:04Well, even though he recommended you, there must be a reason.

01:05:07Let's go.

01:05:07Well, you're going to work for a month on trial.

01:05:10You can come sign the contract tomorrow.

01:05:12Oh, and here you have the decalogue of the good teacher.

01:05:16Study yourself no.

01:05:17But they don't use recycled paper here.

01:05:19We're leaving, we're leaving, the hair salon is closing.

01:05:22Well, thank you very much.

01:05:24You've got me confused.

01:05:25Hey, what about that tuna down there?

01:05:27Don't know.

01:05:28They will be following some tourist.

01:05:37Where will Mauri be with the child?

01:05:38What do you have to eat?

01:05:39Clear.

01:05:40If you left it to me.

01:05:43And those flowers?

01:05:45My boy sent them to you.

01:05:46Look, I've stayed.

01:05:48Because daughter, that's almost a month's salary.

01:05:51It's great that couples therapy is working, isn't it?

01:05:53Yes, yes, good.

01:05:54Well, average.

01:05:56Last night I hooked up with the therapist.

01:05:58Is there any salad left?

01:06:00But what are you saying?

01:06:01What happened?

01:06:02Well, yesterday he called me after the consultation to analyze my dysfunctional interactive circles.

01:06:08And well, he kissed me, I kissed him and we kissed.

01:06:12What a curious treatment, isn't it?

01:06:14That's not a psychologist.

01:06:16That's a jerk.

01:06:17No, no, no, no.

01:06:18He says I'm a very special person and that this is the first time this has happened to him.

01:06:21And that he wants something more with me.

01:06:23And of course, he speaks to you with that sweet Rodolfo Langostino accent.

01:06:28Look at the message he sent me.

01:06:30Yes, but what about Emilio?

01:06:32Poor guy.

01:06:33I know, I feel like shit.

01:06:35I have never cheated on Emilio.

01:06:38To others with him, yes, but never to Emilio.

01:06:40But there has been groping.

01:06:41Mom, please.

01:06:42That?

01:06:43No, it was just a kiss.

01:06:45But that means something is not right in the relationship with Emilio.

01:06:48There is a very clear, selective, emotional disturbance.

01:06:52I'm going to tell him about Marcelo.

01:06:54Hey, are you sure what you're going to do?

01:06:56Are you going to see a couples therapist?

01:06:59Man, if you think about it, it's perfect.

01:07:01It's like dating a mechanic.

01:07:03You'll never have any car problems.

01:07:04Why does everything always have to be so complicated?

01:07:08Man!

01:07:09Hello, Mrs. Maria Jesus.

01:07:11Belén, did you like the flowers?

01:07:14Yes, yes, yes.

01:07:15They are very pretty.

01:07:17Damn, tell me.

01:07:18Communicate.

01:07:19That my romantic expectations are frustrated.

01:07:22Look, Emilio, we need to talk.

01:07:24Sit down.

01:07:25Can you give us a moment alone?

01:07:27No, I have to pick all this up, otherwise it smells.

01:07:30Oh, I have to open the clinic.

01:07:31It's going to take you a long time.

01:07:33Look, you'll see.

01:07:36Something happened during therapy.

01:07:38Yes, yes, yes, it has changed our lives.

01:07:40And you and I spend all day foolishly arguing about how easy love is, huh?

01:07:44No, that's not it.

01:07:46Belén, I have always loved you, but now I know that I can love you the way you want me to love you.

01:07:51Already.

01:07:53Belén, you are the most beautiful thing that has ever happened to me.

01:07:56You are my travel companion in this adventure that is life.

01:08:01And I know what I'm saying is very cushy, because it is cushy as hell, right?

01:08:05But when I open up, I open up and...

01:08:07And I open up.

01:08:09Are we going to take a walk through the park now that they've put up new flowers before the dogs mess it up?

01:08:16Yes, come on, let's go.

01:08:20Oh, and I got a voucher for ten therapy sessions, huh?

01:08:24Marcelo is delighted.

01:08:25I think he's even grown fond of us.

01:08:29Yes, surely.

01:08:33It's not that easy.

01:08:39I can't take it anymore.

01:08:46I need air.

01:08:47If you look at what's coming out of that pipe, there's a bit of everything.

01:08:51It looks like a showcase of fair prices.

01:08:54These old buildings have very narrow downpipes, right?

01:08:58They are even dangerous.

01:08:59I would throw it away in its entirety, respecting the facade.

01:09:02Mother of God, what they had in there.

01:09:04And is there anything worth it?

01:09:06Concha, please.

01:09:07Please, man, this is like when they empty the pond, there's always money.

01:09:12Well, look, some oven mitts, a pair of house slippers, an old cell phone, a Simago calendar, a lighter.

01:09:20I dropped that one, but I was disgusted to pick it up.

01:09:22Come on, the list is important.

01:09:25But what caused the traffic jam?

01:09:26Well, you're going to laugh.

01:09:31Because?

01:09:31Someone threw food and a ball formed there among everything, which was like cement.

01:09:37Well, I'm leaving because I have to put down a floating floor.

01:09:39No, you wait here.

01:09:41Hey, weren't those some torrijas?

01:09:45No, not torrijas.

01:09:46It's a kind of lasagna.

01:09:49Should I bring it to you?

01:09:50No, I swear it wasn't me.

01:09:52It must have been my butler, Maria Luisa.

01:09:54Mary Jesus!

01:09:55Well, woman, don't be angry.

01:09:56I invite you to a seafood platter.

01:09:57Marra free of elvers!

01:09:59Okay, how's that downspout cleaning going?

01:10:01You sold me out, Juan.

01:10:02I'll save this one for you.

01:10:03What happened?

01:10:04María Jesús has found the lasagna.

01:10:07Rafael, I swear I threw it away to get rid of the evidence.

01:10:11If the bat isn't a trash can, man.

01:10:14You don't see the solution.

01:10:15Ana, you go put the platform.

01:10:17Well, someone sign me here while I go pick up.

01:10:19No, no, no, no.

01:10:21You stay and show us what you got from there.

01:10:24I don't trust him.

01:10:25My lighter is the rechargeable one.

01:10:27What year was the calendar from?

01:10:28Because they repeat themselves from time to time.

01:10:32That?

01:10:33What are you looking at?

01:10:34Come on, go lay the platform.

01:10:35Hey, hey!

01:10:36Yes, yes, yes.

01:10:38The problem I see is that white is a symbol of purity, right?

01:10:42And this girl, well, she is obviously not very pure anymore.

01:10:47Okay, come on, let's go to the police station.

01:10:49Wait for your father to come, he has a surprise for you.

01:10:52José Mito, what are you doing there?

01:10:54Do you spend all your time in the yard?

01:10:56Here, having the clothes, to help a little at home.

01:10:58That Candy Candy is not here, she has left.

01:11:02Dear.

01:11:03Shall I do it for you?

01:11:06Your father got me out of jail.

01:11:09And he got me a job contract at his school.

01:11:11I am a teacher of...

01:11:12What was it about?

01:11:14Knowledge of the environment.

01:11:15Well, you're already rolling up your sleeves giving me exams, huh?

01:11:17Thank you so much, Dad, you're a sweetheart.

01:11:19Nothing, daughter, I'm for your happiness, whatever you want.

01:11:23Oh, Father, what's the matter?

01:11:25Well, if no one gets married, I'll go back to the parish because I have to sign...

01:11:29I'm in the middle of promotion.

01:11:30Well, no, no, Father, they don't get married.

01:11:32They are going to take some time to get to know each other better.

01:11:35Hey, I'll see you at my concert.

01:11:37Do you have access to the VIP area?

01:11:39Hey, one thing, I've already moved into the attic, huh?

01:11:41I say this to avoid any bad vibes.

01:11:42Well, no problem.

01:11:43I put my on the couch and arrived in my room.

01:11:45Yes, of course, you smoked something in Mom's pipe, didn't you?

01:11:48No, Natalia, not that.

01:11:49Because that...

01:11:50Well, if you have any problems, we get married.

01:11:52Father!

01:11:52No, no, no, no, okay, okay.

01:11:54We expanded the family nucleus.

01:11:55But you're all freaking out, aren't you?

01:11:57Come, I'll show you our room.

01:12:00I wouldn't want to cause any trouble, okay?

01:12:02No, well you are being one, man.

01:12:04I don't quite understand your strategies.

01:12:07You wanted to deport him and now I work with you and live in your house.

01:12:10Juan, can we talk for a moment?

01:12:14What do you want?

01:12:15I wanted to apologize for any inconvenience this may have caused you and your family.

01:12:21I was blinded by greed.

01:12:23Good.

01:12:24I'm glad you finally understood the situation.

01:12:27Don't worry, the tuna collector won't bother you again.

01:12:30I renounce my dream.

01:12:32Well done, Mariana, thank you very much.

01:12:35You are a delight.

01:12:38Hey, Herbs.

01:12:39Look, he has given me the talor in my name and I almost prefer it to the bearer.

01:12:45Why do I have a little problem with the Treasury?

01:12:47Well, I'll give you another one later.

01:12:49Come on, get out.

01:12:50Hey, it's also good for me in catch.

01:12:52Because I've run out of creams.

01:12:53Okay.

01:12:55Mom, I'll take a couple of things from the fridge.

01:12:56Well yes.

01:12:58It's impossible for the kid to have gotten so far away.

01:13:00He must have caught someone.

01:13:02Maybe he's been kidnapped and is on his way to Ukraine with other documents.

01:13:05Paco, who is a child, not a Mercedes SUV.

01:13:07You have to tell Bea, she's in the clinic.

01:13:10God, what a situation.

01:13:11Well, you can always give him more semen.

01:13:13Or adopt, which is also very nice and saves you the pregnancy.

01:13:18I can't, it's killing me.

01:13:22Yeah?

01:13:25Bea.

01:13:26Would you mind coming down for a moment?

01:13:27I just have to talk to you.

01:13:28I'm clipping a Volterrier's nails and he's waking up from the anesthesia.

01:13:31Do you anesthetize dogs before cutting their nails?

01:13:34Yes to this one.

01:13:35Mauri, is something wrong?

01:13:36You see, it's complicated.

01:13:38Blonde.

01:13:39The thing is...

01:13:40This one, no, is not yours.

01:13:44Mauri?

01:13:45No, nothing.

01:13:46I love you so much, Bea.

01:13:47And having a child with you is the best thing I've ever done in my life.

01:13:50And that Ana is a sweetheart.

01:13:51That you have to get married.

01:13:52And if you want more children, I will inseminate you as many times as necessary.

01:13:55And I, and I, and I.

01:13:57I don't know, thank you very much.

01:13:59Come on, go back to the dog, he's going to wake up.

01:14:02What do you do all?

01:14:03Oh, my boy!

01:14:04Oh, my son!

01:14:05Because I was cleaning the windshield and I found it driving through the traffic light.

01:14:09Damn, I caught him for a while and earned some money.

01:14:12We don't care, do we?

01:14:13No, but how could we care?

01:14:15Thank you so much.

01:14:16I made a poster.

01:14:17Yeah?

01:14:18My son is hungry and has a fever.

01:14:20I removed the H so that...

01:14:22So that he doesn't have to study.

01:14:24Well, take him home, he'll be starving.

01:14:27What's up?

01:14:27If my aunt Gachón gave him breakfast and made him a pit puree, he wanted to keep it.

01:14:33She has a serious old maid trauma there.

01:14:36Ana, thanks for everything, okay?

01:14:37Hey, who are you?

01:14:41I am José María.

01:14:43I am a friend of Emilio.

01:14:46I live next door, on the balcony where the canary hangs, and it doesn't sing or anything.

01:14:49He is stressed.

01:14:51Of course, with the car and the air conditioning.

01:14:53And José María, can I do anything for you?

01:14:55I don't know, whatever.

01:14:57Man.

01:14:59Well, yes.

01:15:01Well, you've already recharged.

01:15:04I'm sure you typed correctly.

01:15:066, 2, 7...

01:15:07Yes, yes.

01:15:08Now it will come to you.

01:15:08Come on.

01:15:09Yeah, yeah, yeah, that's it.

01:15:12A fucking great little Venturito.

01:15:14Well, you know where we are, right?

01:15:16Yes, wait, wait, wait.

01:15:17We're going to take a photo so you can meet my aunt Lacho, damn it.

01:15:20Let him see that I have friends.

01:15:22Because if not, we're going to...

01:15:25Yeah, yeah, yeah.

01:15:27Let's...

01:15:27How love changes everything, huh?

01:15:39What a barbarity.

01:15:42Even the trash can smells good to me.

01:15:44Let's see, how badly made the check is worth.

01:15:46They have to extend me a new one.

01:15:48Dude, we've been following this guy for two days and we still haven't seen a dime.

01:15:52Well, I'll give it to you when I can.

01:15:53Don't be annoying.

01:15:55Come on.

01:15:57On this magical and beautiful night of spring has departed.

01:16:04You guys are so belligerent, aren't you?

01:16:07Dad, come home, I hope you make stranger friends every day.

01:16:13I have the one with the tambourine.

01:16:15They will leave you.

01:16:17No, says the one with the bandulia, who is the ringleader.

01:16:19If that one falls, the others scatter.

01:16:26Come!

01:16:27Pull, pull in.

01:16:28Doña Concha, don't hide the fact that they've seen you, okay?

01:16:31Kid, are you okay?

01:16:32That good hair of yours saved you, huh?

01:16:34Don't worry, the bandulia hasn't suffered any damage.

01:16:37There is no one living here.

01:16:48There is no one living here.

Aquí no hay quien viva - 5x02 - Erase un colapso - HD 1080

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