Aquí no hay quien viva - 2x05 - Erase una patrulla urbana - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

Una serie de robos tienen preocupado al vecindario, así que, en la Comunidad deciden organizar patrullas de vigilancia. Por otra parte, Alicia, para animar a Belén, le dice que la acompañe a un casting para un anuncio, pero le sale mal porque a la que seleccionan es a Belén. Bea, la nueva compañera de piso de Mauri, se siente muy atraída por Lucía. Mauri quiere echarla una mano y para ello no hace más que quedar con Roberto para quitarle de en medio... pero el chico cree que Mauri se ha enamorado de él. Por último, Alex se apuesta con Paco, José Miguel y Emilio a que es capaz de seducir a Natalia en menos de 48 horas.

Transcript

00:00:00Subscribe to the channel!

00:00:30Subscribe to the channel!

00:01:00Sure! Send us the list of hotels and we'll book your rooms.

00:01:04If you want, I'll sign up and keep an eye on her.

00:01:06Natalia, do you know what I was doing when I was 18?

00:01:08Working 10 hours a day sewing jacket linings.

00:01:11I also put in the bass.

00:01:13Then you grabbed dad and went on with your life, huh?

00:01:15No, sorry.

00:01:16It was Dad who asked me to stop working because I was pregnant with Natalia.

00:01:19Oh yeah?

00:01:20Yes, yes, yes, yes, yes.

00:01:22No, I remember that we talked about it on this site.

00:01:25What do you think? That life is a party?

00:01:27Are you going to be living here as long as you want?

00:01:29Now that's what's in fashion.

00:01:31Well, you're going to get a job this summer.

00:01:34The supermarket needs cashiers.

00:01:35I don't feel like it.

00:01:36You work in a supermarket.

00:01:37Juan, the girl is raising her voice at me.

00:01:40I don't want arguments at the table.

00:01:41Mom, if you're bitter, it's not our fault.

00:01:43I am very happy.

00:01:44You are the only one who makes my life impossible.

00:01:46No, it's you who won't leave me alone.

00:01:48Forget about me.

00:01:48That's how I like it when you listen to me.

00:01:49That I forget about you.

00:01:50Give me the deadline.

00:01:51To your room, grounded.

00:01:52No, go to your room, I'll do whatever I want.

00:01:54Juan, until I get depressed and end up crying in bed all afternoon,

00:02:00Sorry, but by then I've already jumped out the window.

00:02:03That's full of strings.

00:02:04You're going to get hooked.

00:02:05Paloma, relax, you're pregnant.

00:02:07The boy, the boy is going to go bald from stress.

00:02:10As I'm going from this, they might not even come out.

00:02:12I can't take it anymore, Juan.

00:02:14I can't take it anymore.

00:02:15I'm warning you.

00:02:18I also know how to slam doors.

00:02:22Dad, if we have to eat with the TV on, like everyone else does.

00:02:25This can't go on like this.

00:02:28Here, here, here there is no one who lives.

00:02:30Not here, not here.

00:02:32Every day is like this.

00:02:34I couldn't imagine it when I came here.

00:02:37I was just looking for some peace.

00:02:39I warn myself every day in the middle of a hurricane.

00:02:42Here, here, here there is no one who lives.

00:02:44Not here, not here.

00:02:46Here, here, here there is no one who lives.

00:02:48Not here, not here.

00:02:50The house above me is collapsing.

00:02:53I can't find the goalkeeper.

00:02:55The retreats watch me and listen to me.

00:02:57I can't stand it.

00:02:58In this place, I put in a cocktail shaker.

00:03:04A thunder, an earthquake and a botan.

00:03:09And you will walk to this staircase.

00:03:12Here, here, here there is no one who lives.

00:03:16Not here, not here.

00:03:18Here, here, here there is no one who lives.

00:03:20Not here, not here.

00:03:23Here, here, here there is no one who lives.

00:03:25Not here, not here.

00:03:27Here, here, here there is no one who lives.

00:03:29Vicenta, they're going to take away our bingo table.

00:03:37Wait a minute, Marisa, look over there.

00:03:39Hey, I'm your sister, don't you trust me or what?

00:03:42If you find out the secret number, it is no longer secret.

00:03:44Do you want to hurry up?

00:03:45Oh, I forgot, you made me nervous and I forgot.

00:03:48Don't have the number written down anywhere?

00:03:51Yes, on the card, but it's inside

00:03:52Well, whatever, let's go.

00:03:54Oh, look, look, I already have 200 euros here, you see?

00:03:58Come on, let's go

00:03:59Don't take it out here, the money is better in the purse, look, I'll put it here.

00:04:03It's on the little zipper, on the inside.

00:04:06Watch out, what a hit!

00:04:08Vicenta, they gave you a pull.

00:04:10No, no, no, no, yes, I'm very well, very well

00:04:12They have taken the bag

00:04:13Hey?

00:04:15Hey, my bag got caught on something.

00:04:17Nothing, he doesn't understand

00:04:20Come on, run, you're going to catch them.

00:04:22Alex, we need to talk.

00:04:25Now we're seeing each other more and I see that you're going to fall for me.

00:04:28I think we should start dating seriously.

00:04:30Don't let me end up meeting another man.

00:04:32Like boyfriends, let's say, holding hands and all that.

00:04:34I say it for you

00:04:35I don't want to hurt you because at 21 years old

00:04:38A love disappointment, because it affects a lot

00:04:40Well, we can go out seriously.

00:04:42Yeah?

00:04:43I notice that I am maturing

00:04:44Yes, yes

00:04:45Hey, do you have anything for breakfast?

00:04:48Now I'll tell Belén to prepare something for you.

00:04:49Belén, I'm going to the casting

00:04:52They're going to give me that announcement, I can tell.

00:04:54Have you seen what a nice day it is?

00:04:56Allah, the cookie has already been broken

00:04:58What do they put the box in for?

00:04:59They are for dipping in case they all break later.

00:05:01What a piece of shit cookie

00:05:03With all of you, another happy day in the life of Belén López Vázquez

00:05:06Alicia, I just don't understand.

00:05:08How can you be happy?

00:05:10If we have no reason

00:05:11If you are beautiful, life already compensates you

00:05:13What's the first thing I do when I wake up?

00:05:15Look at myself in the mirror

00:05:15You have to find an alternative that works for you.

00:05:17I don't know, buy a nice painting or something.

00:05:20Alicia, go to the casting, okay?

00:05:21Go to the casting and leave me alone.

00:05:23Come on, come with me, so you can get some fresh air.

00:05:24No, I have my period.

00:05:25What you have is an attitude problem.

00:05:28You have to be more positive

00:05:29Every morning I tell myself

00:05:31What good day am I going to have today?

00:05:33Yes, but then you don't have it.

00:05:34It doesn't matter, you repeat after me.

00:05:35What good day am I going to have today?

00:05:38What good day am I going to have today?

00:05:40With a little energy, right?

00:05:41Try to believe it

00:05:42What good day am I going to have today?

00:05:46Enough, come on, let's go.

00:05:48These cookies are shit

00:05:51Nativity scene

00:05:52What good day am I going to have today?

00:05:54No, let's see, don't confuse me.

00:05:58This is a direct object like a house

00:06:00Emilio, it's indirect

00:06:01If you have to pass it to passive

00:06:03My instinct tells me that this is an adverb.

00:06:05No, you are mixing morphological analysis with syntactic analysis.

00:06:08Damn, you don't understand anything.

00:06:09It doesn't surprise me that students demonstrate and go out drinking.

00:06:11What's happening?

00:06:12Well, nothing, Mr. Juan.

00:06:13I have the university entrance exam in June.

00:06:15And here nobody helps me

00:06:16I am at school all day

00:06:17I have nothing better to do than help Emilio, wonderful mind

00:06:20You have to go to qualified teaching staff, Emilio.

00:06:23Let's see, where are you stuck?

00:06:24Well, it's a large-scale shortcut, like Operation Return.

00:06:27Let's do a math problem

00:06:28The mother of sciences

00:06:30The purity of numbers

00:06:32A train leaves Ávila at 60 kilometers per hour

00:06:37Half an hour later, another train leaves Barcelona at 85 kilometers per hour.

00:06:41Considering that there are 700 kilometers between the two cities

00:06:44At what point will the two trains meet?

00:06:47Think, Emilio, then tell me the answer.

00:06:48But what are you doing?

00:06:53Well, look at the last page to see if the solution is there like the crosswords.

00:06:55Man, look, the one who said he had hooked up with Natalia and had dreamed about it

00:06:59What? Are you awake yet, or do you want some coffee?

00:07:01If all old buildings have a ghost

00:07:03Oral sex is your thing, huh? All lip service.

00:07:05Let's see, guys, if I'm not with Natalia anymore it's because I'm dating Alicia.

00:07:08And I'm a serious guy.

00:07:10Ale, your romances are more suspicious than Sara Montier's.

00:07:12My sister ignored you and that was it.

00:07:14The only one here who knows where the moles are is me.

00:07:17Where do you have them?

00:07:19Look, if you give me a couple of days I'll tell you.

00:07:21I'll hook up with Natalia whenever I want.

00:07:23Yes, whenever she wants, she doesn't want to

00:07:25Let's see, let's see if I understand this.

00:07:27The I-don't-eat-a-donut club is challenging me.

00:07:30Man, I don't know, let the president and founding partner tell you here.

00:07:33Look, if you hook up with Natalia in less than 48 hours

00:07:35You get a free movie for a month.

00:07:37And if not, you have to clean the windows of the video store for me.

00:07:39What a load of rubbish

00:07:40Naked?

00:07:41There you have blocked your legs

00:07:43Come on, deal.

00:07:45Please don't hook up with her.

00:07:50Don't get it on

00:07:51What I'm saying is that if you like Lucia

00:07:53Why do you have to hold back?

00:07:54Because she has a boyfriend and please don't talk about this topic on the stairs.

00:07:57Look, here it comes, here it comes, here it comes

00:07:58Hey, Lucia, I didn't introduce you the other day.

00:08:01Look, this is Bea.

00:08:02My new roommate

00:08:04Bea, Lucia

00:08:05Hi how are things?

00:08:06Good, good

00:08:07Hey, whenever you want, we can have a welcome dinner or something, right?

00:08:12Well, what I was telling you

00:08:13That we have to do something

00:08:14But she's so shy

00:08:15And look how cute she is, huh?

00:08:16But shy

00:08:17Mauri

00:08:18Well, call me whenever you want, okay?

00:08:20We'll call you, okay?

00:08:21Nice to meet you

00:08:21He's got quite a figure, huh?

00:08:25Mauri, I'm going to kill you.

00:08:26You have a bad egg

00:08:27But what are you saying?

00:08:28She has already flirted with you.

00:08:30Come on, I see it very clearly.

00:08:31He is independent, sensitive, intelligent

00:08:33And he wears his hair short

00:08:34She is a lesbian

00:08:34That it is not

00:08:35She's a lesbian, she just doesn't know it.

00:08:37People are not gay because they are not informed.

00:08:38Well, we're going to set up an academy and give some courses.

00:08:40Don't worry, I'll organize this for you.

00:08:42Don't even think about it

00:08:43Bea, you have to take the plunge.

00:08:44How do you teach children to give?

00:08:46Throwing them into the pool?

00:08:47Yes, but you're going to crash me into the curb.

00:08:48Lucia, lesbian

00:08:49I'll tell you

00:08:50They haven't even paid attention to us.

00:08:53We have filed the complaint

00:08:55And they told us to forget about the bag

00:08:58He didn't steal a portrait or anything.

00:08:59The thing about the movies is all lies.

00:09:01And they had us queuing for an hour.

00:09:03That was to renew the DNI, Vicenta

00:09:05You don't understand

00:09:06But look on the bright side

00:09:07They no longer lose that money in bingo.

00:09:08When I think that these people are still on the loose

00:09:10Stealing from poor retirees

00:09:12Like us

00:09:13And what do you care?

00:09:15Even if they catch them

00:09:15By the time the trial comes out

00:09:16You have already gone to the other neighborhood

00:09:18To another neighborhood why?

00:09:19Yes I like this one

00:09:20The fact is that there is an obvious problem

00:09:21Of citizen insecurity

00:09:22On this street of ours

00:09:23Well, but it's an isolated robbery.

00:09:24There is no need to exaggerate either.

00:09:25Not at all pretty.

00:09:26That at number 14

00:09:27To Doña Juana

00:09:28He was also hit by a motorcycle.

00:09:30What happens is that she didn't let go of her bag.

00:09:31And what happened to him?

00:09:32They dragged him 100 meters

00:09:33The 27th stop sign was taken down

00:09:36And now the bus doesn't stop

00:09:37And what did you say?

00:09:38That this was a residential neighborhood

00:09:40One day they rob us

00:09:41And another rapes us

00:09:42Can you imagine it?

00:09:43I no longer have the imagination for that much.

00:09:45In view of the cari

00:09:46What are events taking?

00:09:47I'm going to demand

00:09:48A personal interview with the mayor

00:09:49To address this issue

00:09:50From you to you

00:09:51With franchise

00:09:52Yes of course

00:09:52And Zapatero

00:09:53He will receive you at Moncloa

00:09:54Ghost!

00:09:56Okay, a little please.

00:09:57The ultras

00:09:57Let them calm down

00:09:58Juanito, don't fool yourself.

00:10:00We are alone

00:10:01If we don't protect ourselves

00:10:03Nobody is going to protect us

00:10:04And why don't we aim for Emilia?

00:10:06A martial arts course?

00:10:07No, I'm studying.

00:10:08For college

00:10:08I am growing inside

00:10:10No, if it is not necessary

00:10:11If that has already been invented

00:10:13Citizen patrols

00:10:14We organize ourselves

00:10:16And to the sausages

00:10:17We stood up to them

00:10:17Man, that's another possibility.

00:10:19Yes, John

00:10:20It's a good idea

00:10:20Patrols

00:10:21And whoever comes

00:10:22To rob this street

00:10:23It goes warm

00:10:24I can throw flower pots

00:10:25From my balcony

00:10:26Ah, well that's not it.

00:10:27Are you crazy or what?

00:10:28What do you think?

00:10:28The A-Team?

00:10:29Are you going to get into trouble?

00:10:30Well, here are the fearful ones

00:10:31We already know who they are

00:10:32Votes in favor

00:10:33Of the citizen patrols

00:10:34Approved

00:10:36Any volunteers?

00:10:37For the first watch?

00:10:38I started first

00:10:39But I have a mess

00:10:40This afternoon at the store

00:10:41Yeah

00:10:42You get all the fake shirts

00:10:44From Real Madrid

00:10:45And you have to sew them on the shield

00:10:46Isabel

00:10:47It's the same

00:10:48Emilio and I will keep watch

00:10:49For your safety

00:10:50This afternoon

00:10:51Mr. John

00:10:52This is what I'm confused about

00:10:52Good goalkeepers

00:10:53For fights

00:10:54They are from the nightclubs

00:10:55Neighbors

00:10:56Today you can rest easy.

00:10:58You are in good hands

00:10:59It's clear

00:11:00I know that the whore

00:11:00Regimental

00:11:01Hey?

00:11:03No, nothing

00:11:03I'm looking forward to getting started

00:11:04Natalia

00:11:07Where are you going now?

00:11:08Man, come on!

00:11:10Natalia

00:11:10Look, I've been thinking

00:11:13That you and I

00:11:14We could stop the nonsense.

00:11:15No?

00:11:15Look, let one thing be clear.

00:11:16I don't like you

00:11:17Well, there's no need to be so radical.

00:11:19I have a bit of charm

00:11:20Hey?

00:11:20Look, I'm going out with you.

00:11:21But only

00:11:22To annoy my mother

00:11:23How unromantic

00:11:24I like

00:11:26And why would it bother you?

00:11:27To your mother that you go out with me?

00:11:29As soon as he sees me happy

00:11:29He is upset

00:11:30And with how bad your father is

00:11:33It's going to give me an illusion

00:11:34And why are we talking so quietly?

00:11:36Because he's probably spying on us.

00:11:37Through the peephole

00:11:38Ah

00:11:38Well, I think if you give me a kiss

00:11:41You sink her

00:11:42Juan!

00:11:48Juan!

00:11:48How do you see these glasses for the patrol?

00:11:50Who do they put?

00:11:51Juan, the girl

00:11:52She's having an affair with the guy across the hall

00:11:53With Andrés?

00:11:54Man, no

00:11:55With the son, with the eldest

00:11:56The son of the war?

00:11:57Yeah

00:11:57Well, this is already bad milk

00:11:58I swear I'll lock her in her room.

00:12:00And never sees the light of day again

00:12:02Juan, don't let anger blind you.

00:12:03That this is the best thing that could have happened to us

00:12:05But what are you saying?

00:12:06Clear

00:12:06We meet the groom

00:12:08We meet the parents

00:12:08They live next door

00:12:09I think the girl has made it easy for us.

00:12:11And this, if we work it well

00:12:13In three months we will have her married

00:12:15And away from home

00:12:16Aren't we going a little faster?

00:12:17He just turned 18

00:12:19In Europe at his age

00:12:20They are all already independent

00:12:21And if we are Europeans

00:12:22We are for everything

00:12:23And this girl is already raised

00:12:25And it's costing me my health.

00:12:27Yeah, but that guy doesn't like me...

00:12:29Do you know how much we spent on Natalia?

00:12:31As soon as you leave home

00:12:32We bought the chalet

00:12:33I think we have to think

00:12:34In the happiness of the girl

00:12:35No

00:12:35But that's all I'm thinking about.

00:12:38Juan

00:12:38In his happiness

00:12:39Don't worry about it

00:12:41Leave it all in my hands

00:12:42I'll take care of everything.

00:12:44Oops!

00:12:45Green eyes

00:12:47Green as

00:12:49And dawn

00:12:50Ovaridol 500

00:12:52And forget about menstruation

00:12:54Why are you taking the test?

00:12:55If you were just going to accompany me

00:12:56Well, since I was there

00:12:57What's my fault that they caught me?

00:12:59That's not acting, Belén.

00:13:00It turned out well for you only because you are on your period.

00:13:02Alicia, the camera loves me

00:13:04Am I the new girl or varidol?

00:13:06You see.

00:13:07A 20-second ad

00:13:08Well, I've already equaled the best of your artistic career.

00:13:11Well, if you want, we can go to the movies.

00:13:13And then, well...

00:13:14Hosts

00:13:15Where are you going?

00:13:16Alex!

00:13:18Hello, Alicia, how are you?

00:13:20Well, it depends, right?

00:13:22What's going on here?

00:13:22Have you not told him we're dating yet?

00:13:24Well, yes, of course.

00:13:25Now we are dating

00:13:26And when we return we will be entering

00:13:27But we didn't agree that you wanted to get engaged.

00:13:29Yes, but he told you with whom

00:13:31Well, now that everything is settled

00:13:32We are going to the cinema

00:13:33I'm maturing, give me time

00:13:35Oh, Alice, Alice

00:13:38Today they won't take you to any casting

00:13:40What does this brat think he is?

00:13:43This is what I get for trusting people.

00:13:45If they force you to be a bad person

00:13:46Come on, repeat after me.

00:13:48Today I'm going to have a good day

00:13:51I know what's going on

00:13:52Belén, you are so negative

00:13:53That you have passed your bad luck on to me

00:13:55Already

00:13:55Do you want an ovaridol?

00:13:57Fuck off

00:13:58I like this surveillance thing.

00:14:01Hey, Mr. Juan?

00:14:02Who invented onion rings?

00:14:03How much is there to learn from the Americans?

00:14:05Look, don't eat me in the car.

00:14:06No, but this doesn't stain

00:14:07Stay tuned

00:14:08You have to keep your eyes wide open

00:14:09The safety of our neighbors

00:14:11It's up to us

00:14:12Yes indeed

00:14:13But while we are here lurking

00:14:15Could you continue teaching me?

00:14:16A little bit of math?

00:14:17What am I most stuck on?

00:14:18You have to go little by little, Emilio.

00:14:20Learning takes time

00:14:21Clear

00:14:22Let's do a simple problem

00:14:23Listen, let's see

00:14:24Aunt Carmen is 46 years old

00:14:28Amparo is 5 years younger than Luisa

00:14:30And Luisa's age

00:14:31It's half of Aunt Carmen's

00:14:33How old is Amparo?

00:14:36But I have this problem

00:14:37I find it in very bad taste, Mr. Juan.

00:14:39Because it talks about the age of women

00:14:40And that's ugly

00:14:41The mathematicians

00:14:41They don't respect anything.

00:14:42Emilio, it's an exercise

00:14:44How old is Amparo?

00:14:45Does logic apply?

00:14:47But hey, Amparo

00:14:47She is Aunt Carmen's niece

00:14:49I don't know, it doesn't matter

00:14:49Yes, it doesn't matter, because diamonds

00:14:51There must be a niece here.

00:14:52That statement is tricky.

00:14:53He hides information from us

00:14:54There is no trick at all

00:14:55Focus on the problem

00:14:56He tells you

00:14:57Amparo is 5 years younger than Luisa

00:14:59And Luisa is half of Carmen

00:15:00What will your daughter be like?

00:15:01No, she's not his daughter.

00:15:02It's no big deal

00:15:03None of the three exist

00:15:04So why do we want to know the age?

00:15:06Look, leave it

00:15:06Amparo is 18 years old

00:15:0746 between 2 minus 5

00:15:09Well, okay then.

00:15:10He is 18 years old

00:15:10Already of legal age

00:15:11Well, that's it.

00:15:11But for me there is something strange about that family

00:15:13Look, Mr. John

00:15:16A suspect

00:15:17Look what it looks like

00:15:17We are going to intervene

00:15:19Hey, hey, stay, stay

00:15:23Kid, come here

00:15:24Citizen patrol

00:15:26Sign in

00:15:28But how can I identify myself?

00:15:29But what are you guys talking about?

00:15:30No, what are you talking about?

00:15:31Stealing is going to end here

00:15:32We don't want a gang in the neighborhood.

00:15:33Is that clear to you?

00:15:34But what's going on?

00:15:34Are you calling me a criminal?

00:15:35No, no, no

00:15:36Alleged, alleged

00:15:37Come on, come on

00:15:37Circulate

00:15:38My goodness, how bad things are

00:15:40And we won't see you around here again.

00:15:41What remains with your face

00:15:42Mr. John

00:15:45Have you seen mine from your eyes?

00:15:46I've already learned my lesson.

00:15:47But hey, Mauri, what a luxury

00:15:53If what you want is for me to take a liking to you

00:15:55You are on the right track

00:15:56The dessert is in the fridge

00:15:57And I just opened the wine

00:15:59So that he can breathe a little

00:16:00Hey?

00:16:00Well, I'm leaving.

00:16:01I'll call you later to see how everything is going.

00:16:02Where are you going?

00:16:03But we didn't have dinner together.

00:16:04No, if the dinner was with Lucía

00:16:05Didn't I tell you?

00:16:07Well no, you hadn't told me.

00:16:08Well, I'm telling you.

00:16:09The welcome dinner

00:16:10But, Mauri, how am I going to do it?

00:16:11Arlosola with her?

00:16:12She has a boyfriend

00:16:13But if I don't want to

00:16:14Break up your relationship

00:16:15What I want is for Lucia

00:16:16Discover your true sexuality

00:16:17And then

00:16:18Well, let him choose.

00:16:19No, no, no

00:16:20Better call her

00:16:21And tell him not to come

00:16:22Look, it's here.

00:16:23You can tell him yourself.

00:16:24Mauri, no, no, wait

00:16:24Look how I am

00:16:26Ideal

00:16:27Well, if you leave, monkey

00:16:28With whatever you wear

00:16:28Hello

00:16:30But are you coming too?

00:16:31No, I'm upstairs taking a shower.

00:16:33Right down below

00:16:33Go, go, go

00:16:35Oh, don't tell me we're the first.

00:16:37Hello, Bea

00:16:37Yes, there were going to be eight of us.

00:16:39But people have been dropping out

00:16:41And in the end

00:16:41We have stayed

00:16:42The three alone

00:16:43That is, the four

00:16:44Better

00:16:45This is how we touch Mar

00:16:46No, but there won't be enough food.

00:16:47Why don't you join me to make some pizzas?

00:16:49But there weren't going to be eight of us.

00:16:50Yes, but I cook.

00:16:51For a given number of people

00:16:52And if someone fails me

00:16:53Well, I'll throw it away.

00:16:54Come on, let's go

00:16:56You girls are starting off, okay?

00:17:01Well

00:17:02A little wine?

00:17:05Yes, yes

00:17:05Yeah

00:17:06Well

00:17:09Calm down, be careful

00:17:11Yeah, yeah

00:17:12Okay, that's it

00:17:14This brings good luck

00:17:15It's me, Isa

00:17:19Open up!

00:17:21But what does this hour want?

00:17:24Hello

00:17:26Hi how are things?

00:17:27Oh, give me a kiss, mother-in-law.

00:17:28Oh, we're going to be a family.

00:17:30As?

00:17:31Haven't you heard about the children?

00:17:33That you, Alex and my Natalia are together

00:17:35No, but that can't be if Alex is with Alicia.

00:17:38Well, it seems that he prefers my daughter.

00:17:39I'm not going to fool you, okay, Isa?

00:17:41But when a slope sets its sights on a man

00:17:43It's ours

00:17:44But hey, that's fabulous news.

00:17:47Yeah

00:17:48The truth is that...

00:17:50Uh!

00:17:50Feel

00:17:51Excited like me

00:17:52Come, sit down

00:17:53Sit here

00:17:54That we have many things to do

00:17:57Look, I thought they would go out for three months so they could get to know each other.

00:18:00And in the summer we married them

00:18:02And since Andrés's store will be fine

00:18:03Well, you put the entrance for the apartment

00:18:05And everyone is so happy!

00:18:07Isa, are you okay?

00:18:11Yes, yes, yes, yes

00:18:12I'm going to make myself an infusion

00:18:14I feel like I've been overwhelmed by events.

00:18:17It is in these moments that I realize that the world turns

00:18:20Uh!

00:18:21Oh, daughter, how mystical you are.

00:18:22I think it's a great idea.

00:18:24I am one of those who think that grandchildren should be born young.

00:18:28But if not, you don't enjoy them.

00:18:29Yeah I know...

00:18:31I don't see Alex married.

00:18:33Oops!

00:18:33Juan didn't see himself married either and look how happy he is now.

00:18:35Well, I'm going to look for a church.

00:18:37This has to be prepared well in advance.

00:18:39Otherwise, we'll be caught out.

00:18:41Hey, you've lost weight, huh?

00:18:44Doesn't it look like she's 14 weeks along?

00:18:46Not at all

00:18:47Clear

00:18:47See you later!

00:18:48See you later

00:18:49Andrés, if I have to put up with that lady

00:18:54I'm leaving home from family

00:18:56I already have enough to deal with the fact that I have her as a neighbor.

00:18:58As if to top it off now as mother-in-law

00:19:00But don't worry, how are you going to get Alex married?

00:19:03If he is not stupid, he knows what he is doing

00:19:04Man, he has reasons not to get married.

00:19:07He has seen us

00:19:09That's what I'm telling you

00:19:10The Cuesta are traditional people

00:19:12You do read the stream.

00:19:13What do you care?

00:19:14This is how we keep them happy

00:19:16Just in case, I'm going to pack my suitcase.

00:19:18But Isabel, why do you always like to imagine the worst?

00:19:21Because I get it right more often

00:19:23Thank goodness they didn't stain the onion rings.

00:19:29Emilio

00:19:30Milio?

00:19:31Hey?

00:19:32That?

00:19:33Look

00:19:33It's good, huh?

00:19:37No, the one in the back

00:19:38Man, that one is more beautiful.

00:19:39He's docking

00:19:40Emilio, we have to do something.

00:19:42Wait, there's no need to rush.

00:19:43Maybe it's some boyfriend

00:19:44If he pulled out a knife on him

00:19:45Well, because the same thing comes from the bafete

00:19:46He brings you a souvenir

00:19:47Emilio, they're robbing her.

00:19:48You go out because I have to finish cleaning the car.

00:19:51Mr. Juan, we both left.

00:19:52I help him clean

00:19:52Because the truth is that they have thrown me out a lot

00:19:53Give me a cline

00:19:54No, no, come on, let's go out.

00:19:55Well, but you speak

00:19:56That I speak worse

00:19:57Emilio

00:20:02Is there a problem?

00:20:03What if there's a problem?

00:20:04He's robbing me

00:20:05But I said shut up

00:20:05As if you brought the crack closer

00:20:06No, no, no, calm down

00:20:07Don't worry, I'm Juan Cuesta.

00:20:08President of the community

00:20:09Let's try to solve it

00:20:11This unpleasant incident

00:20:12In a civilized manner

00:20:13Drop the knife, you bastard.

00:20:14What are you going to find out?

00:20:15And you don't have even half a host

00:20:16What did he say to you?

00:20:16Look what he told her

00:20:17Calm down, calm down

00:20:18But what's the problem?

00:20:20Let's see, economical

00:20:21Well, I'll give you 20 euros.

00:20:22But are you going for the money?

00:20:23Yes, be quiet

00:20:24No

00:20:24Give me 50 more

00:20:2650 more, no problem

00:20:28Here, that's it.

00:20:29We are all happy now

00:20:30What watch?

00:20:32The clock, of course

00:20:32Submersible 100 meters

00:20:34With the new battery

00:20:35This one had never been faced like this.

00:20:39And don't forget that violence

00:20:41It leads nowhere

00:20:42See how easy it is to avoid a robbery?

00:20:45Oh well

00:20:45What kind of patrol are you?

00:20:47And you don't give us grace

00:20:48That we have saved your life

00:20:49Are you sure you're not coming back here?

00:20:50How could he not come back?

00:20:51More has been gained from you than from me.

00:20:52No, no, no, no, it was a donation

00:20:54We are reintegrating him into society

00:20:56Yeah?

00:20:56Well, when you tell your colleagues

00:20:57You'll see how they all come in droves to reintegrate.

00:20:59But Juan, I'm also having a hard time understanding.

00:21:02These modern security concepts

00:21:04But how could you think of giving money to a thief?

00:21:08And the clock too

00:21:09Which?

00:21:10The one they gave us at the bank for the pension fund?

00:21:12Paloma had a knife

00:21:13Coward

00:21:14Chorizo and coward

00:21:16Well, I'm going to bed now to see if the day is over.

00:21:17Hey, did you ask that guy about my bag?

00:21:20No, the truth is that with this patrol thing

00:21:22Now we are much calmer

00:21:24We are robbed of you

00:21:26Juanito, if we can't be so soft

00:21:29Of course not

00:21:29What should we do when a chorizo comes?

00:21:31Should we take off our pants?

00:21:32Man, I prefer to be robbed.

00:21:33Dude, that guy with the knife could have left you there.

00:21:36Oh, Juan, and black looks terrible on me.

00:21:39And the guy was scared because I was there staring at him.

00:21:41How did he look at her?

00:21:43Fixedly, fixedly, complement, circumstances of the place

00:21:45Wrong, so, Emilio

00:21:47What do they say?

00:21:48What is needed here is a firm hand.

00:21:50From now on, four-person patrols

00:21:53And well armed

00:21:54But what's going on? Are we going to play tennis with criminals?

00:21:56No, we are going to defend what is ours.

00:21:58You are right

00:21:59Diplomacy has failed

00:22:00If intimidation must be used, intimidation will be used.

00:22:03If you see a thief, ask him about my bag.

00:22:06Doña Vicenta, pretty, don't be fooled

00:22:07If that has already been sold piece by piece

00:22:09Well, how are you?

00:22:12How did everything go?

00:22:13Has he left yet?

00:22:13Of course, it took you three hours.

00:22:15Where did you go? For the pizzas?

00:22:16Nowhere

00:22:17I took him to the cinema by the nose

00:22:18Well, tell me, what happened?

00:22:20What's going to happen? Nothing.

00:22:21We've been talking for a while

00:22:22And what did you think?

00:22:23She is intelligent, funny, cultured, sensitive

00:22:25And heterosexual

00:22:26No

00:22:26Do you think that because you're dating a guy?

00:22:28Yes, it's a mania that heterosexuals have.

00:22:30You should have kissed her

00:22:31Mauri, but we just met...

00:22:33You're right

00:22:34You have to give him time to fall in love with you

00:22:36What could I do tomorrow with Roberto to entertain him for a while?

00:22:39But don't you think it's strange that I tell him we're going for some pizzas?

00:22:42And we end up at the cinema

00:22:43But what are you telling me?

00:22:44Is Mauri pulling your eyebrows?

00:22:45I have it very clear

00:22:46He's gay, his boyfriend is out

00:22:48The dinner thing was an excuse to distract you.

00:22:50And stay alone with me

00:22:52Have you tried anything or what?

00:22:53No, but it's almost worse.

00:22:54He may have fallen in love and wants to go little by little.

00:22:56Well, come on.

00:22:57Roberto, please don't be paranoid.

00:22:59But do you know what movie he took me to see?

00:23:01Which?

00:23:02Casablanca

00:23:02AND?

00:23:03Casablanca, Lucía, the pinnacle of gay cinema

00:23:04Casablanca, the pinnacle of gay cinema?

00:23:07You'll tell me.

00:23:07Who does Humphrey Bogart end up with?

00:23:09He leaves the girl and goes with the policeman

00:23:11Match, uniforms, batons, French

00:23:14What do you say to the pianist when you are alone?

00:23:16Play it again, Sam

00:23:17I was overwhelmed at the cinema

00:23:19I don't know what's so funny to you.

00:23:22You should be jealous

00:23:23If a lesbian was behind you, I'd be worried.

00:23:26Let's see, that is

00:23:27Who is the typical homophobic macho complex?

00:23:30Why is it that every time a gay person speaks to you

00:23:32Do you think he wants to have an affair with you?

00:23:34Because we are men

00:23:35We know each other

00:23:36Male intuition

00:23:38Oh, does that exist?

00:23:40A man never invites you to the movies if he doesn't want sex.

00:23:43That's how it is, that's genetic

00:23:44Well, let's see, Roberto.

00:23:45Mauri is alone and needs a friend

00:23:47But you, apart from being ancient and retrograde

00:23:48You are selfish

00:23:49And you only take care of yourself

00:23:50Excuse me, just a moment.

00:23:51I am neither ancient nor retrograde

00:23:53Come on, open the door for me.

00:23:55I remember you

00:23:57That the day of the gay pride demonstration

00:23:59I was there

00:23:59Yes, let's go

00:24:00But why didn't you know the route?

00:24:02And you got stuck in a traffic jam?

00:24:03Well, but I was

00:24:04I came out without being gay

00:24:05Let's see who does that.

00:24:06What's up, Roberto?

00:24:10Damn, Mauri, what's going on?

00:24:11We haven't passed, have we?

00:24:12What a great movie!

00:24:13Well, the ending didn't do it for me.

00:24:16I would have gone with the girl

00:24:18Come on, I have it very clear

00:24:19But what are you saying?

00:24:20And it's beautiful when he goes with the policeman through the fog

00:24:23Do you like opera?

00:24:28The opera?

00:24:28The opera

00:24:29I don't know, I haven't been there much.

00:24:31I have two seats in the box to see La Traviata tomorrow.

00:24:34And I thought

00:24:34Well, maybe you'd like to go to Roberto's.

00:24:37Tomorrow is that...

00:24:39Tomorrow yes

00:24:42Yes, yes, yes

00:24:43Tomorrow I can

00:24:43Come on, no problem.

00:24:45Ah, well, see you tomorrow.

00:24:46Okay

00:24:47See you later, Mauri

00:24:50Bye

00:24:51You see how open and tolerant I am?

00:24:58Yes, yes, darling

00:24:59It shows, it shows

00:25:00It comes from within you

00:25:02Who is it at this hour?

00:25:07Juan, the phone

00:25:08Yeah, you're going to see me.

00:25:09Yeah?

00:25:13Mr. John, it's me.

00:25:15Emilio, what do you want?

00:25:17The mother who gave birth to him

00:25:18It's four in the morning

00:25:19Hey, look, the problem is with the trains.

00:25:21It's wrong

00:25:22I have called Renfe

00:25:23And there is no direct train from Ávila to Barcelona.

00:25:25You have to change trains at Chamartín.

00:25:26Emilio, the statements

00:25:28You don't have to take them literally.

00:25:30It's just a matter of applying a formula.

00:25:32But I don't sleep anymore

00:25:33Thinking about when the two trains meet

00:25:35Mr. John

00:25:38Mr. John

00:25:40Will you turn off the light already, damn it?

00:25:43Dad, I'm studying to be someone tomorrow.

00:25:45Don't bother, son.

00:25:47They will send out the wrong resumes with photos

00:25:49No, if where your father's support is

00:25:50Let everything else be removed

00:25:51Well, I'll take these three.

00:25:57And tomorrow I'll come for more

00:25:58What's happening?

00:25:59What have you achieved with Natalia?

00:26:00Oh, you didn't hear?

00:26:01It's official, we're dating

00:26:02Captain Trul is here! The Nation

00:26:04We are not like you, man.

00:26:05We need proof

00:26:06Well, what do you want?

00:26:07Let me come here with her

00:26:08And I mounted it on the counter

00:26:09Man, that would be enough proof for me.

00:26:11Alex, I need to talk to you.

00:26:12Hey, honey, tell him.

00:26:13Are we dating or not?

00:26:15No

00:26:15You see?

00:26:17What do you mean no?

00:26:17No

00:26:18That my mother has had a joy

00:26:19And I don't feel like it

00:26:20Come on, see you later.

00:26:22But, Nati...

00:26:23I swear we're dating

00:26:29There are still 24 hours left, don't celebrate victory.

00:26:38I've been waxing you while I take down the posters from the shop window.

00:26:41Roberto, are you up for a console game tonight?

00:26:44No, I can't today.

00:26:45I've stayed with Mauri

00:26:46He is very lonely and needs a friend

00:26:51What's happening?

00:26:52No, no, no, nothing

00:26:53Nothing, nothing, we didn't know you were into that thing.

00:26:55I'm not into that stuff.

00:26:56I am an open and tolerant guy

00:26:58So be careful how tolerant you are.

00:26:59I don't know what he has.

00:27:00And above all, he who goes, does not return.

00:27:01You have the typical homophobic macho complex.

00:27:04Why is it that every time a gay person speaks to you

00:27:06Cris, what does he want to do with you?

00:27:07Hey, what's your plan?

00:27:08Where are you going?

00:27:09To football

00:27:10He invited me to football

00:27:11What's gay about that?

00:27:14Ah, Roberto, the opera starts at 8, at 7:15

00:27:16See you at the portal

00:27:17Yes, yes

00:27:18The opera?

00:27:19Yes, La Traviata

00:27:20Wonderful, perfect for beginners

00:27:22See you later

00:27:23So football, huh?

00:27:25And what does he play as a center forward?

00:27:27Rigoletto or Madame Butterfly

00:27:28I'm scared, man.

00:27:30I think he likes me

00:27:31He has taken a box

00:27:32A box?

00:27:33And on top of that he said it was perfect for getting started.

00:27:36It's a death trap

00:27:37Yes, I like your daughter a lot.

00:27:42It's her who doesn't pay attention to me

00:27:43Ah, she's playing it cool.

00:27:45The thing is that you are very young.

00:27:46And you don't know about women

00:27:47Be careful with that bag

00:27:48What are the eggs?

00:27:49Come in, come in, come in

00:27:50Natalia, look who came to see you!

00:27:52Leave that in the kitchen.

00:27:53But what are you doing here?

00:27:56What do you mean, what are you doing here?

00:27:57He's your boyfriend, he came to see you

00:27:59Mom, I've already told you we're not dating.

00:28:00Hey, lovers' quarrels

00:28:02But well, that can be fixed by talking about it.

00:28:04Well, talking about it or however you want, eh?

00:28:06That I am a very modern mother

00:28:08I think you should listen to your mother.

00:28:10Of course

00:28:10Look pretty today

00:28:12Ale is staying for lunch.

00:28:13Who stays to eat

00:28:14Yeah

00:28:14Oh, how he likes you

00:28:21You've got her all dressed up, huh?

00:28:23Thanks a lot, huh, Paloma?

00:28:24Mom, call me mom

00:28:26We eat at two

00:28:27Bring us some cupcakes or something.

00:28:28Ah, Natalia likes sweets.

00:28:30No, not her, but me yes.

00:28:31I'll walk you to the door.

00:28:33Look, here

00:28:35Here I will put your wedding photo

00:28:37Oh, I'm so excited, Alex.

00:28:41At two o'clock

00:28:41Mom, don't you think you're exaggerating a little?

00:28:45You're going to leave home because Alex is dating a girl you don't like.

00:28:47No, Alex is going out with the girl

00:28:49But I have to put up with the mother.

00:28:51But we are talking about a wedding.

00:28:52Can you imagine Alex in front of an altar?

00:28:54Because I can't even imagine him as an altar boy.

00:28:55Well, the fact is that it surprises me too.

00:28:57But then why are you in the...

00:28:58Calm down, calm down

00:28:59Natalia is smart, she's not Alex's type

00:29:02Let's see if it's true

00:29:03Because the simple idea of having to put up with that lady every day

00:29:07Look

00:29:07Isa?

00:29:08Oh, what?

00:29:09But where is it now?

00:29:11Here, from the patio

00:29:12Look out the window!

00:29:14Hi how are things?

00:29:15How long?

00:29:17Hey, Alex is coming to eat at home.

00:29:19What do you like?

00:29:20What do you mean he's going to eat at your house?

00:29:21Of course, the boy wants to meet us now.

00:29:24That this is going forward

00:29:25By the way, you eat spinach, right?

00:29:29This is more boring than an encyclopedia without pictures.

00:29:36You are here to ensure the safety of the building.

00:29:39Yes? With what? With this?

00:29:40If I had a ninja star from Saint Gerseran

00:29:42And they stick in the forehead like Kung Fu

00:29:45No, go on, roll down the window, you're running out of oxygen.

00:29:47Nothing

00:29:47Surveillance Patrol 1, any news?

00:29:49Ah, change

00:29:49I've cleared you up here.

00:29:51I'm going to watch TV

00:29:52Cut and close

00:29:53José Miguel

00:29:53And I haven't even entered puberty yet.

00:29:56Attentive

00:29:57There is a man taking money out of the ATM.

00:29:59There he goes, he's taking his sports bag.

00:30:02Go, Juan, go

00:30:04Go towards the strip

00:30:05The door, which I have on third

00:30:09You'll see

00:30:10The desire to steal

00:30:11Take

00:30:12Take the gift

00:30:14Come on, get out of here

00:30:15Why do you let him go?

00:30:17If we could know more

00:30:19Dad, it's not about abuse.

00:30:20We are four against one

00:30:21That's why I say

00:30:22Hey, the bag guy is gone, huh?

00:30:23Behold

00:30:24He was carrying a pipe, wasn't he?

00:30:26No!

00:30:27What's up, damn it?

00:30:28If you are a toy

00:30:28If it doesn't weigh

00:30:29My window

00:30:31Give me that

00:30:33Put the insurance on it

00:30:34But it's very strange

00:30:36And what was that guy doing with this gun?

00:30:37Who was he?

00:30:37Fuck

00:30:38What kind of people are capable of killing for a t-shirt?

00:30:41Or some used sneakers

00:30:43Damn, this isn't gym clothes.

00:30:46What a mess!

00:30:49But how much money is there here?

00:30:53You'll tell me.

00:30:54In a single day I lose my boyfriend

00:30:55I get mugged

00:30:56And on top of that, Belén takes a job from me.

00:30:57Do you see that as normal?

00:30:58How could bad luck have hit you?

00:31:00That's absurd!

00:31:01Yes

00:31:01That Belén has always been jinxed

00:31:02What happens is that now he has learned to transmit it to others.

00:31:04Oh, they called me this morning.

00:31:06Do you know who my co-star is going to be?

00:31:08Who?

00:31:08Pierce Brosnan

00:31:09Pierce Brosnan is going to announce Varidon

00:31:11You're making that up.

00:31:13Yes, but just seeing your face for these two seconds was worth it.

00:31:16Well

00:31:17Well, that's it, huh?

00:31:18To connect the alarm, enter the code whenever you want and that's it.

00:31:20Okay

00:31:21Hey

00:31:22Do I really have to wear this to the opera?

00:31:25Well yes

00:31:25Well, thanks, huh?

00:31:28What are you doing dressed like that?

00:31:30You look like a ventriloquist's dummy

00:31:31Hey, Lucia

00:31:33That?

00:31:34How's this opera thing going?

00:31:35Well, look, it's like normal theater.

00:31:37The only difference is that when someone stabs you

00:31:39Well, instead of dying, one sings

00:31:41Come on, they don't sell popcorn at the door.

00:31:43No, honey

00:31:44Damn, what a plan!

00:31:45What a plan!

00:31:46Come on, see you later.

00:31:47See you later, handsome

00:31:49Hello

00:31:50Hello

00:31:51Is Lucia there?

00:31:52Yes, yes, yes, come in, come in

00:31:52He's there with Telme, Luis

00:31:54Hello

00:31:55Hello

00:31:55I thought about how Roberto sees Mauri.

00:31:58Well, maybe you'd like to go out for a drink?

00:31:59But come on, if you feel like it

00:32:00Because if you don't feel like it, it's okay.

00:32:02Because it might be better if we meet another day more peacefully.

00:32:04Yes, that will be the best until later

00:32:06Hey, no, no, no

00:32:07Yes, I'm up for a drink.

00:32:08Oh, okay.

00:32:09Girls, are we going to get something to drink?

00:32:11Yes, invite Belén

00:32:12Let's celebrate your announcement.

00:32:13Well, let's see if the drinks are going to make you feel bad.

00:32:16And you blame me

00:32:17Because we are going

00:32:17Ah, let's all go.

00:32:18The place is a bit small.

00:32:20Well, we are in Spain

00:32:22Come on, it will be for Vales

00:32:23Maybe we'll even hook up.

00:32:24Yes, let's see if we're lucky.

00:32:32Mom, I'm leaving.

00:32:33Alex, wait a moment

00:32:34Oh, what frisas

00:32:35You know I don't like to interfere in your life.

00:32:37Among other things because it saves me a lot of trouble.

00:32:40But will you allow me to ask you a question today?

00:32:43What the fuck are you doing with Natalia?

00:32:45Well, the typical thing, going out with her

00:32:47No, not the typical one.

00:32:48Because you're getting married

00:32:49What's up? Do you have a grudge against me?

00:32:50Have I done anything to you in the other life?

00:32:52Mom, I'm not going to marry her.

00:32:53Relax

00:32:54I go along with it because I have a goal.

00:32:56But how many lives are you willing to destroy for a shag?

00:33:00With forgiveness

00:33:01I promise I'll break up with her tomorrow.

00:33:03Alex, can you give it to me in writing?

00:33:06Come on, see you later.

00:33:07Oh, Isa

00:33:09Isa, look at those cakes!

00:33:11Please

00:33:11I think we're going to celebrate it at this place.

00:33:13That has some swans at the entrance

00:33:15Come, sit down

00:33:16Let's see if we agree on the menu.

00:33:17Look, Paloma

00:33:18Let's clear things up once and for all.

00:33:20I just spoke to Alex.

00:33:22He told me he's not interested in your daughter at all.

00:33:23Oh, these two are so annoying, aren't they?

00:33:25Thank goodness we are here to organize everything.

00:33:27No, no, no, we are not going to organize anything.

00:33:29That he's going to leave it tomorrow

00:33:31So no, sorry.

00:33:32But there are no weddings or swans

00:33:34No, no cake or anything, sorry.

00:33:37It's over

00:33:37The only relationship between us is the clothesline.

00:33:40Well, it's not going to be like that, huh?

00:33:42For one thing I'm going to tell you now

00:33:43The girl is delayed

00:33:45And Natalia is like a clock for that.

00:33:47What do you mean you're late?

00:33:48I didn't want to tell you, but it is like this.

00:33:50You see what terrain we are moving in.

00:33:52So I'll let my daughter get it out of her head.

00:33:55Here, single mothers, no

00:33:57That's from a slum

00:33:59Isa, are you okay?

00:34:07Isa

00:34:07600,000 euros

00:34:14I miss that when it's in peseta

00:34:15100 million

00:34:16Between 4 to 25 kilos each

00:34:19Well, give it to me, mine, I'll regret it.

00:34:20Just a moment, just a moment

00:34:21That this was not a robbery

00:34:22It was supposed to be an exchange

00:34:23What did he think?

00:34:25That someone who carries 100 million in a bag

00:34:26He's not going to come and try to get them back.

00:34:28That's why I say, when he comes I'm already in the moms

00:34:30That's not my bag!

00:34:32No, no, no, no

00:34:34This is Emilio's sports bag

00:34:35Yes of course

00:34:36The marathon is going to run that

00:34:38We saw it all from the balcony.

00:34:39Come on, let's split the dough.

00:34:41Look how gossipy you are, huh?

00:34:43Damn, you start shooting so we don't notice.

00:34:45No, no, no, ladies

00:34:47According to the law

00:34:48Finder keepser

00:34:49Well, we called the police.

00:34:51And let them decide

00:34:52There is no need to rush

00:34:53You have to reason things out

00:34:54Here are 100 million pesetas

00:34:56That in a police station they are going to be spoiled

00:34:57That money belongs to everyone

00:34:59Let's share it out at once

00:35:01Before the whole street finds out

00:35:03Yes, but we're going somewhere more discreet.

00:35:05There is none of that here.

00:35:05I think we should clarify

00:35:07Whose money is this?

00:35:08If no one has appeared in three days

00:35:09We put up a sign

00:35:11100 million have appeared

00:35:13Ask at the gate

00:35:14Come on, let's...

00:35:15Now come on, come on

00:35:16Hey

00:35:31Hey

00:35:45And what is this La Traviata about?

00:35:47Is it very long?

00:35:48It's a beautiful love story

00:35:49Between a courtesan and a poet

00:35:51Which ends when she dies of tuberculosis

00:35:53Ah

00:35:54Well, the ending has already screwed me up a bit.

00:35:55No, the important thing is the music

00:35:57He already trusts me.

00:35:58Darth Vader doesn't appear

00:35:59Not even dwarves with rings

00:36:00But you'll like it

00:36:01No, no, no

00:36:02If I had planned to come

00:36:03But the typical thing

00:36:04You keep putting it off and...

00:36:05Take it as a new experience

00:36:06You

00:36:06Relax and enjoy

00:36:08Let yourself go

00:36:09Hey, but no one else is coming to this box.

00:36:16No, we are alone

00:36:17Look, there it begins

00:36:19The Soprano is great

00:36:31Yes, I was going to tell you right now.

00:36:34No no

00:36:36Money is what...

00:36:38Money is what...

00:36:39Money is what...

00:36:41My mom says she's leaving home

00:36:43He is packing his suitcase

00:36:43Ah, it's not the same crisis every month.

00:36:46Now, as they have changed the time

00:36:47It hits him a little earlier

00:36:48I think more serious, huh?

00:36:49He is saving the grass

00:36:50Please, I am very guided

00:36:52Then they talk about it

00:36:53A little order

00:36:54Don't shout anymore

00:36:55What are the other neighbors going to find out?

00:36:57What I say

00:36:59It is that if we are present here

00:37:01Four owners

00:37:02It would have to be made in four parts

00:37:03Sorry, because I'm studying now.

00:37:05And my mind is more awake

00:37:06That means my father and I

00:37:07We don't see a penny

00:37:08Man, you are not owners

00:37:10You're here for free.

00:37:11I have already marked 0 and 9

00:37:12Either I get my share or I dial 1.

00:37:13Quiet, calm

00:37:15Look how bad you are people.

00:37:17And you will have done everything in the first communion

00:37:19Let's leave the police alone

00:37:21They will be very busy issuing fines.

00:37:23And requisitioning calimochos

00:37:25By virtue of Emilio's claim

00:37:26I think it's better

00:37:27Share equally

00:37:28Among all those present

00:37:29A milk

00:37:30That I lose a lot of money

00:37:32Ma'am, there are four of us at home.

00:37:33And we have many expenses

00:37:34The asylum pays for your son.

00:37:36What is a chalet?

00:37:38Why don't we divide ourselves by age?

00:37:40That, and the old women who earn less.

00:37:41That have less expenses

00:37:42Well, that's enough.

00:37:45Or we reach an agreement

00:37:46Or am I the one who calls the police?

00:37:47I don't need that money.

00:37:49I am a very simple person

00:37:50If necessary, Juan

00:37:51If necessary

00:37:52Well, in five parts.

00:37:53And that's it

00:37:54Twenty million for each one

00:37:56Man, it's already looming there.

00:37:57A possibility of agreement

00:37:58Glimpse

00:37:59How my child speaks

00:38:00Yes, now that we have money

00:38:02You love me very much

00:38:03Well, come on, we'll split the dough.

00:38:05I have a lot of things to buy.

00:38:07And by God, eh

00:38:08Let no one have the happy idea

00:38:10To deposit it in the bank

00:38:11This is black money

00:38:12Oh, twenty million!

00:38:15What a wedding we're going to have!

00:38:16Hey, Isaac?

00:38:18I'm telling you.

00:38:19Hey, at the presidential table

00:38:20We will put good ham

00:38:21Where are you going?

00:38:23I'm going to buy myself a pair of pants.

00:38:24Tiesto, man!

00:38:26What pants and trousers?

00:38:27And let's see what he's giving them.

00:38:29Pant and trousers!

00:38:59How beautiful!

00:39:00Bravo! Bravo!

00:39:02How nice it was, huh!

00:39:03I loved it!

00:39:05What a bastard that father was, getting in the middle of what he wanted!

00:39:10Okay?

00:39:10Bravo and say hello!

00:39:13Bastard! Bastard!

00:39:14Roberto!

00:39:16We have to come back again, right?

00:39:18Bravo! Bravo!

00:39:20Pretty!

00:39:23Pretty!

00:39:24Pretty!

00:39:27We're already caught in the shirts outside, huh?

00:39:29Yes, it's still going strong.

00:39:30Come on, come on, go, go.

00:39:32Yeah, yeah.

00:39:34Come on!

00:39:35That's great, man!

00:39:39Didn't you like it? Wasn't it good?

00:39:41Yes.

00:39:42It's just that I'm very relaxed, Emilio.

00:39:45I haven't found my rhythm.

00:39:46When I got on top of him, I had a fit.

00:39:49I'm like Spain in the World Cup.

00:39:50On big occasions I break down.

00:39:51I really did like it, Emilio.

00:39:53The thing is, you're more worried about me enjoying myself.

00:39:56that you enjoy.

00:39:57I think it's the math that has me off-center.

00:40:02You've been great, man.

00:40:03Don't flog yourself.

00:40:04What, dad, but you're already here.

00:40:06You're one of those boyers, aren't you?

00:40:07I was in the bathroom and you started

00:40:09and I was embarrassed to go out.

00:40:10And what happens?

00:40:11Can't you go somewhere else to do your things?

00:40:13My son, every king has his throne.

00:40:15Well, I'm going to have a few beers.

00:40:17I took two thousand euros for the taxi.

00:40:18Hey, hey, let's start spending money on idiots there, huh?

00:40:21I know you.

00:40:21Shut up already, you bore.

00:40:22Shut up, you bore, shut up.

00:40:24Hey, did you really win that money in the lottery?

00:40:27Yes, yes, woman.

00:40:28It was a stroke of luck.

00:40:30With that money I'm going to get you off the streets.

00:40:31What do you say, Emilio?

00:40:32So, the only card you're going to have to play

00:40:34It is that of the magic rays.

00:40:36But I am delighted with my job.

00:40:38What do you like to work on?

00:40:39Well, I'll pay for the psychologist too.

00:40:44Get in the car.

00:40:45Yes of course.

00:40:46I clean the upholstery.

00:40:48Get in the car, damn it.

00:40:49That's right, and I don't need to say it with affection.

00:40:52Be careful with the stupefaction, I've poured on wine.

00:40:57Where are we going?

00:40:57To a surprise party?

00:41:00Emilio, help!

00:41:01But you're leaving now, won't you stay if we celebrate?

00:41:03It's just that I'm very late, Emilio.

00:41:04But why don't you ever stay overnight?

00:41:05Don't you like my house?

00:41:06Your house?

00:41:08Yes, your house is cute, your house.

00:41:10Let's see, when are you going to show me yours?

00:41:13You wouldn't like my roommates.

00:41:16Bye.

00:41:16Well, but...

00:41:18That I love you very much and all that,

00:41:21and send me a message that it has arrived safely.

00:41:24He didn't like it, he didn't like it.

00:41:25Sorry, honey.

00:41:33Don't worry, I was waiting for you.

00:41:35How are you?

00:41:37How was the opera?

00:41:40What a wonder, what a beauty.

00:41:43Well, how I cried!

00:41:44Have you cried?

00:41:45But you haven't cried since the last time I told you the bathroom needed cleaning.

00:41:49And you were right, huh?

00:41:50Mauri is a very special guy.

00:41:52Then we went for a drink and it was the first time I talked about my feelings with a man.

00:41:56I've opened up, Lucia.

00:41:57It has been beautiful.

00:41:58Well, I've had a lot to drink, haven't I?

00:41:59No, no, no, no way.

00:42:00I've been talking the whole time.

00:42:01Because Mauri knows how to listen.

00:42:04Gays are something else.

00:42:06Should I start worrying you?

00:42:08Lucia, please don't be intolerant and basic.

00:42:11Having a gay friend is very nice.

00:42:14Okay, okay.

00:42:14No, no, very well.

00:42:15Well, I'm very happy that a new stage in your life has opened.

00:42:18The only thing about shaking hands to greet him is a little cold.

00:42:21I notice he is uncomfortable and I don't want to seem old-fashioned.

00:42:24Gays get two kisses, right?

00:42:26Well, I don't know, I don't know the protocol in these cases.

00:42:31Tomorrow I'm going to take you to a hidden and sensitive place.

00:42:33I'm going to look for an exhibition of something.

00:42:35Very good.

00:42:37Well, how are you?

00:42:39Well, man, Alicia and Belén have joined us and have separated us from each other all night.

00:42:43So nothing happened today either?

00:42:44Oh, Mauri, I'm really embarrassed.

00:42:46Look, when I'm with Lucía I get very nervous.

00:42:48So I like it more and more, I get more and more nervous.

00:42:50Well, I can't keep entertaining you, Roberto, okay?

00:42:53I just have the feeling he's starting to like me.

00:42:55What does it say?

00:42:55Yes, he's getting closer to me and has started to tell me his secrets.

00:43:00His first love, his first erection, a trauma he had with a cousin in Benicassi.

00:43:04Today was a proper first date.

00:43:06Don't be paranoid.

00:43:08What will Roberto Gay be like?

00:43:09Look, every man keeps a folklore dress in his closet.

00:43:12Plus, now that I'm getting to know him, I'm starting to really like him.

00:43:15Yes, I honestly think what you're doing to him is terrible.

00:43:18I?

00:43:18But you were the one who told me that Lucía was a lesbian.

00:43:20Well, my intuition may fail me.

00:43:22I knew there was a gay man in that couple, it was Roberto.

00:43:25This has gotten out of hand, we have to stop.

00:43:27And how do I stop now?

00:43:28If I do love Lucia.

00:43:29What a mess!

00:43:31Look, I'm already like the president.

00:43:34Do you see why I miss Fernando?

00:43:36He would never let me do these things.

00:43:40Hello.

00:43:40Hey, I thought if you want, tomorrow we could go see an exhibition of impressionist paintings.

00:43:44They say it's very good.

00:43:46Look, very good.

00:43:47Tomorrow.

00:43:48It's that tomorrow...

00:43:50Okay, tomorrow.

00:43:51But we come straight home, I get up early.

00:43:54Yes, yes.

00:43:55Okay, man.

00:43:57See you tomorrow.

00:44:03Thank you.

00:44:04We're meeting up for dinner tomorrow.

00:44:06I swear I'm going for it.

00:44:07No, no, I mean, now it's my turn.

00:44:10If all you have to do is go down to the video store with me and we kiss in front of

00:44:13of these and that's it, with tongue.

00:44:14If possible, so they believe it?

00:44:15No.

00:44:16And if you bring my mother any joy by showing up at home again, I swear I'll kill you.

00:44:19But what does it cost you?

00:44:20It's like doing charity work.

00:44:21Alex, don't you realize how satisfying it is to say no to a guy like you?

00:44:25But, Nati, listen to him.

00:44:27Because if you don't do it, I'm going to have to get naked and clean the windows of the video store.

00:44:31That's just the piece of information I needed to make my final decision.

00:44:34Come on, see you later.

00:44:35Look, on your knees.

00:44:40What I do?

00:44:42Should I shave?

00:44:45He has left home.

00:44:46Isabel has left home and we are devastated.

00:44:49I see you have had a problem with your wife.

00:44:52Pablo told me.

00:44:53With Paloma?

00:44:54But they were both so happy preparing for the wedding.

00:44:56Which, on the other hand, I don't see, Andrés.

00:44:58Of course not.

00:44:59No, but how are Alex and Natalia going to get married if it's just sex?

00:45:03That's what I say, you don't have to...

00:45:05Like just sex.

00:45:06Juan, your daughter is as fit as a fiddle and my son is doing what he is doing.

00:45:10If nothing happens, it's hormones.

00:45:12No, be careful.

00:45:13My daughter isn't one of those, huh?

00:45:14Yes, it is the most normal thing.

00:45:16They'll spend all day there, just keep hitting it and that's it.

00:45:18Well, no need to go into details.

00:45:20Let's see if you and I are going to have a problem.

00:45:21No, I have the problem here.

00:45:23That my wife left home because of yours.

00:45:26Well, try to locate her.

00:45:27We met and talked about it together, parents and children.

00:45:30It's probably a misunderstanding.

00:45:32Like the idea you have of my daughter.

00:45:34Let's see where Isabel has gotten herself into now.

00:45:37At her yoga teacher's house.

00:45:38I'm going to look for her.

00:45:40Juan, darling, on the phone.

00:45:43It's always splashing all over me.

00:45:46I need a vice president.

00:45:47We have to buy a safe today, huh?

00:45:51Let them focus on us in the closet.

00:45:53Or behind a painting, like in important houses.

00:45:56Yeah.

00:45:56Juan Cuesta?

00:45:57Yes, it's me.

00:45:58Listen carefully.

00:45:59You have something that belongs to us.

00:46:01We have something that belongs to you.

00:46:04No, I don't know what you're talking about.

00:46:06Maybe he's danced a number, huh?

00:46:07The money you stole from us, you sons of bitches.

00:46:10We have your goalkeeper.

00:46:11Juan, the door.

00:46:12Open up, darling.

00:46:13Listen, I'm talking to you.

00:46:15If you haven't returned the money within 12 hours, we'll kill the doorman.

00:46:18Is that clear?

00:46:19Who are you talking to?

00:46:20Emilio has been kidnapped.

00:46:21What are you saying? And he's here?

00:46:22Hey, that's not funny at all, is it?

00:46:24If you're bored, just surf the internet like everyone else.

00:46:27Mr. John, I have worried you.

00:46:28I don't know where my father is.

00:46:29He has not spent the night here.

00:46:30Or you could, politely and without offense,

00:46:33check with the goalkeeper to make sure he's still alive.

00:46:36What does he say? What's up?

00:46:38One moment.

00:46:39Listen.

00:46:39Dad.

00:46:40Son.

00:46:40He has been kidnapped.

00:46:41Oops!

00:46:42Son, I love you very much.

00:46:43And they've also drugged him.

00:46:44Dad, calm down, I'll come get you.

00:46:45Where is?

00:46:46And not that it is, asshole.

00:46:47If I've been kidnapped, that's enough.

00:46:49You will receive news again and no police reports.

00:46:52Hey, hey.

00:46:54They hung up on me.

00:46:56Mr. John, what's going on?

00:46:57Are they going to kill him?

00:46:57If we give them their money back, no.

00:46:59Well, trust me.

00:47:00Same thing, we give them their money back and they kill him anyway, right?

00:47:03What a mess.

00:47:04Look, I warned you.

00:47:05If I did warn you.

00:47:06And what are we going to do now?

00:47:07Urgent neighborhood meeting.

00:47:08We need to get our money back before they spend it.

00:47:11Oh, poor Emilio's father.

00:47:13But this has to be voted on, right, Juan?

00:47:16Good.

00:47:17First and only point of the day.

00:47:19Kidnapping of Emilio's father.

00:47:20Oh my God.

00:47:21As I predicted, we have gotten into the biggest mess this community of ours has ever known in my twelve years of mandate.

00:47:26If this thing about citizen patrols has to be done right.

00:47:30Correct.

00:47:31The kidnappers threaten to kill Mariano if we don't return the full amount of six hundred thousand euros within twelve hours.

00:47:37And recalculation of integers.

00:47:39Has anyone bought anything?

00:47:40And what are we going to buy if we haven't had time for anything?

00:47:44I ordered a device of electrodes on the teleshopping channel.

00:47:46One of those to burn fat on the couch.

00:47:49What we have to vote on here is what we prefer.

00:47:51The hundred million or Emilio's father?

00:47:53Man, even I doubt it when you say it like that.

00:47:55The important thing is that he is a human person and a life is priceless.

00:47:57Yes, of course, and we agree on that.

00:47:59But you love him very much.

00:48:01Damn, he's my dad.

00:48:02Or not.

00:48:03You believe everything they tell you.

00:48:04And the gentleman is already a few years old.

00:48:06And from now on it can only get worse.

00:48:09Look at my sister.

00:48:10Silence.

00:48:10Now silence.

00:48:12Juan Cuesta, president of the community.

00:48:15Do you have the money?

00:48:16I should have put it in the bank.

00:48:17That money belongs to everyone because it was on the street.

00:48:19And a point in the mouth.

00:48:20Yes, yes, don't worry.

00:48:21It's all there.

00:48:22Tonight at twelve.

00:48:23Barrio Nuevo industrial park.

00:48:25Warehouse 17 next to the garbage container.

00:48:28Couldn't you save us the visit and make a transfer?

00:48:30Are you an idiot?

00:48:31Wait a minute, I want to talk to my father.

00:48:33It's in the bathroom.

00:48:34Well, go find him.

00:48:35If I don't talk to him, there's no deal.

00:48:36One moment.

00:48:37Well, let's vote on what the gentleman wears.

00:48:39I remind you that they know who we are and they know where we live.

00:48:41You can start with Mariano and continue with each of us.

00:48:44Look, now I have a reason to get cosmetic surgery.

00:48:47No, you already have two.

00:48:48The way things are looking, the most sensible thing to do is to return it.

00:48:51Votes in favor of recovering Mariano.

00:48:56Thank you very much, really.

00:48:57I'm excited to see everyone united for my father.

00:48:59Son, have you talked to the neighbors yet?

00:49:01Yes, dad.

00:49:03Do you have any life insurance or anything?

00:49:04What sons of bitches?

00:49:06Are you going to keep the money?

00:49:07No, man, no.

00:49:08If it's in case there's a shooting, a traffic jam or something.

00:49:10If we've already voted, we're coming for you.

00:49:11You scared me so much.

00:49:13Dimitri passes you.

00:49:14Remember, at two o'clock sharp, no police.

00:49:17Twenty million.

00:49:19What a pity.

00:49:20We do nothing but watch money go by.

00:49:22Any volunteers to do the exchange?

00:49:25Why do you ask, Mr. John?

00:49:26Oh, honey, be very careful, okay?

00:49:32Mom, how are you going to leave us alone with Dad?

00:49:34I can end up with the psychosis, wearing a wig and killing people in the shower.

00:49:37Okay, son.

00:49:38I'm coming back.

00:49:39If all I need is a little peace, a little quiet, to be alone.

00:49:46And what is this?

00:49:47The proposal?

00:49:48Hey, Isa, why are you saying that you left because of me?

00:49:51What have I done to you?

00:49:52Well, pretending we're going to get married when we're not even dating, for example.

00:49:54What do you mean you're not dating?

00:49:56I saw you kissing on the landing.

00:49:58Or am I going crazy?

00:49:59Man, someone who has seen it.

00:50:00Would you mind coming down to the video store with me?

00:50:02But, Natalia, is she or isn't she pregnant with Alex's child?

00:50:04What are you saying?

00:50:05But why do you invent?

00:50:07Not me, she misunderstood.

00:50:09How is he all day with the infusions?

00:50:10But how could my daughter be pregnant?

00:50:12If she is a virgin.

00:50:13Well, now that everything is clear, I'm leaving.

00:50:15No, you stay here, it's all your fault.

00:50:18Come on, let's forget this incident,

00:50:20that today we have more important matters to occupy him with.

00:50:23Exact.

00:50:23I'm about to risk my life.

00:50:25God knows what kind of people

00:50:26and this is just what I need to arrive relaxed.

00:50:29Let's see, because I think everything fits together now.

00:50:31The only thing that happens here is that you are terribly jealous of your daughter,

00:50:35because she is much prettier, much smarter, and much younger than you.

00:50:38Oh well.

00:50:39And since she's crazy to get rid of it,

00:50:40He tries to marry her off to the first guy who comes along.

00:50:42In this case my brother, who is simple and immature.

00:50:44Whatever you want, but you are a virgin.

00:50:45So solve the problems you have inside your house

00:50:47and leave the rest of us alone,

00:50:49We already have enough with our own.

00:50:50Well, look, Isa, do you know what I'm telling you?

00:50:54That you've lost the chance for us to be friends.

00:50:57Well, a happy ending.

00:50:59And do you know what they call you on the stairs?

00:51:01The rare one.

00:51:02And the herbs.

00:51:04You see, Juan?

00:51:04Everything is settled now.

00:51:06Yes, things, talking about them.

00:51:07Whose idea is this?

00:51:11Eight daisies.

00:51:13I'm fine.

00:51:15Come on, let's go to the track.

00:51:17Let's see if someone joins us.

00:51:19He doesn't even know where he is.

00:51:22Belén, I'd take her home before she throws up on the carpet.

00:51:26Come on, Alicia.

00:51:29Let's go, I saw some really hot guys right across the street.

00:51:32Come on, they're tremendous.

00:51:33You've been lucky, Baudaridol girl.

00:51:37Yeah.

00:51:37But I'm taller than you and prettier.

00:51:41Yeah.

00:51:42And I have more talent.

00:51:43Yes, yes.

00:51:44You do it more than me, but come on, let's get her to sleep.

00:51:47Oh yeah, I'm fine.

00:51:49Go away, bitter woman, you are bitter.

00:51:53Don't get cocky or I'll let you go, okay?

00:51:55Come on, pull.

00:51:56Come on.

00:51:57Damn, girl.

00:51:58But, man, walk straight.

00:52:00There.

00:52:01Through the gap.

00:52:01See you later.

00:52:04Alice.

00:52:06Well, we'll stay a little longer, shall we?

00:52:08Yes, I'm in no hurry.

00:52:10Well, I'm going to change, okay?

00:52:11I'm going to get more comfortable, I'll be right back.

00:52:13Okay.

00:52:20You've got me in the end, huh?

00:52:21And I told you I had to be home soon.

00:52:24It's just that I start talking to you and I don't know what's happening to me.

00:52:27It's something special.

00:52:27Well, not special either.

00:52:29It's a friendship.

00:52:30Exactly, a friendship.

00:52:32But I've told you things that not even Lucía knows.

00:52:34Better, better.

00:52:35Because you love her very much, right?

00:52:37Yes, a lot.

00:52:39That's very good.

00:52:40You're also very much in love with Fernando, aren't you?

00:52:42Well yes, quite in love.

00:52:44You must feel so alone.

00:52:46Well, not much either.

00:52:48Now with the internet.

00:52:49Do you want us to have the last one at your house?

00:52:50Roberto, it's already too late.

00:52:54Thanks a lot, huh?

00:52:55Mauri.

00:52:57I want to know things about you too.

00:52:59What do you feel?

00:53:00When you connect with someone like that it's very special.

00:53:03Don't close yourself off.

00:53:05Look, Roberto, I'm really sorry, but I don't want anything to do with you.

00:53:08Hey?

00:53:08You're wrong, I'm not attracted to you.

00:53:10Besides, I have a boyfriend and you also have a girlfriend.

00:53:12And you're going to hurt him, huh?

00:53:14Before taking such an important step in your life and your sexuality,

00:53:17you should talk to her.

00:53:18What do you think you are?

00:53:19Am I pulling my eyebrows at you?

00:53:20But the one who was behind me was you.

00:53:22What me?

00:53:23But what are you saying?

00:53:23But I like girls.

00:53:25Well, you hide it very well.

00:53:26So, because I'm a sensitive guy, I have to be gay.

00:53:28What isn't that?

00:53:30You've disappointed me, Mauri.

00:53:31I expected much more from you.

00:53:33Well, maybe my instinct failed me, huh?

00:53:34There's no need to get angry either.

00:53:36Come on, let's have the last drink I'm buying you.

00:53:38And even though in Casablanca Jafri Bogas went with the policeman,

00:53:40He actually liked girls, like me.

00:53:51Well, if he's so offended, something's wrong.

00:53:57The problem is that I really like a person,

00:53:59but I don't know if he's going to like me.

00:54:01And I'm hesitating whether to take the plunge or not,

00:54:03because I don't know how he's going to react.

00:54:05Go for it, Bea.

00:54:06Yes, life is short.

00:54:08He has a partner.

00:54:09What happens is that a friend told me

00:54:11who has problems and is not happy.

00:54:13Well, look, maybe you'll do this guy a favor.

00:54:15I'm not going to say it like that.

00:54:18I think I'm going to take the plunge.

00:54:21Oh, I don't think I'm going to drink any more,

00:54:24because I'm starting to get a little bit hot.

00:54:27He turns me into the living room.

00:54:33I'm freaking out, I'm freaking out.

00:54:35Hello.

00:54:36Honey, I'm drunk.

00:54:37Can you believe Mauri thought I was after him?

00:54:42Don't laugh, it's true.

00:54:44Who thinks I'm gay.

00:54:45Well, look, now that you mention it, honey,

00:54:47My mother once told me that I saw you a little bit of feather.

00:54:51But is this guy crazy or what's wrong with him?

00:54:53Does everyone have to be gay?

00:54:54Hasn't he told you that you're a lesbian?

00:54:56No, he hasn't said anything about me.

00:54:57But come on, I'm leaving, I have no business here anymore, okay?

00:54:59Well, nothing.

00:55:00See you later, Bea.

00:55:02Bye bye.

00:55:03No, don't fuck with me.

00:55:07Hey, stop laughing now, okay?

00:55:08It's your fault that all this started.

00:55:11Have you seen what happens when you go through life being sensitive?

00:55:13You can't let your guard down.

00:55:15They are always there to see if they can catch you.

00:55:16Well, nothing, darling.

00:55:17How was your first homosexual experience?

00:55:21Fatal.

00:55:21The guy then goes and rejects me.

00:55:23Thank goodness I'm not gay,

00:55:24If not, I wouldn't even eat a donut.

00:55:26I'm going home.

00:55:27Honey, come here, don't be angry, silly.

00:55:30Lucia.

00:55:31That?

00:55:31I'll put you in the shower.

00:55:32You? And how many more? Let's see.

00:55:36I just don't understand why you guys have to come.

00:55:38They're only going to make things more complicated.

00:55:39I don't trust him.

00:55:40It's probably a trick to keep your money.

00:55:44And also, if you get shot,

00:55:45It's better to have witnesses, isn't it?

00:55:47I want to ask you about my bag.

00:55:49Mr. John, it's cold because you weren't at the window.

00:55:52Because I don't have one. Your father ruined it.

00:55:53This time is very tricky for colds.

00:55:55You've been dragging it around all summer.

00:55:56What does it matter?

00:55:57If the same, in a few minutes we'll all be dead.

00:55:59Man, seen like that it doesn't matter.

00:56:01Listen, just out of curiosity,

00:56:03Before I die I would like to know

00:56:04at what kilometer were the fucking little trains.

00:56:07At kilometer 307.24 from point A.

00:56:10Ah, no, I already had a feeling it was around Calatayú,

00:56:12The thing is, I had no proof.

00:56:14Look, here they come.

00:56:20Here, put on these socks so they won't recognize you.

00:56:23You guys wait here inside the car, okay?

00:56:26Okay, Emilio, let's go.

00:56:29Try to appear calm.

00:56:30No, if I am calm,

00:56:31but I have difficulty controlling the ephinte.

00:56:38And they leave the keys in the ignition, right?

00:56:40Just in case we have to rush out.

00:56:42Come on.

00:56:42Hello, I'm Juan Cuesta, president of the community.

00:56:56Have you brought the money?

00:56:57No, we came for a walk,

00:56:59that here is the very romantic night.

00:57:00Emilio, please don't fool them.

00:57:02Approach slowly.

00:57:04No, I want to see my father.

00:57:04That's not my father.

00:57:13That's just the way I am, damn it.

00:57:14I'm going to say that I don't see shit with this.

00:57:16Come towards us slowly.

00:57:21A little faster.

00:57:23Zipoten, what are we left with?

00:57:26How are you?

00:57:27You have to see the misunderstanding that has arisen.

00:57:30What do they wear a stocking for?

00:57:31If we already know who they are?

00:57:33It's a trick, Mr. Juan, don't keep it.

00:57:35Here's the money.

00:57:37Plus a passive exercise device.

00:57:39Yes, plug in the elastrodes

00:57:40and does sit-ups while you iron,

00:57:42while you are cheating on someone.

00:57:43Next time you stick your nose into something that doesn't belong to you,

00:57:45there will be no hostages.

00:57:47Is that clear?

00:57:48No, no, no, no, don't worry.

00:57:49Let's go to Mariano.

00:57:51A hug, entertain me.

00:57:52No, Dad, don't get carried away.

00:57:53And give me a hug, I am your son.

00:57:55Sorry!

00:57:56Who is that?

00:57:57Who is that?

00:57:58No, no, no, calm down.

00:57:59She is a neighbor who comes with us.

00:58:01What do you want, Vicenta?

00:58:02Do you know where there is a bathroom?

00:58:04I'm peeing.

00:58:05Come on, let's go.

00:58:07Everyone in the car.

00:58:08If it is of these things

00:58:09a vice president would have to take charge, man.

00:58:12Oh yes.

00:58:12Then we'll stop at the next gas station.

00:58:14I don't know, Vicenta, I don't know.

00:58:15And Juan, where is he going now?

00:58:17You carry it on your legs, Emilio.

00:58:18Fuck!

00:58:18I can fit it here!

00:58:19Come on!

00:58:22Son, every time I think of that hole...

00:58:24Dad, you have to try to get over the kidnapping.

00:58:26No, but it was bigger than this.

00:58:28What a bed I had all to myself.

00:58:30And they brought me breakfast and the newspapers

00:58:32to take my picture.

00:58:33But, Dad, they were going to kill you.

00:58:35Well, it was worse with your mother.

00:58:37Hey, I don't know if you've noticed.

00:58:38that all the neighbors

00:58:39we have given up a lot of money

00:58:40for having you here, huh?

00:58:41It's true.

00:58:42Thank you very much, son.

00:58:45But, dad,

00:58:46and you did a long time ago

00:58:46that you didn't give me a kiss.

00:58:48And what you have left for the next one.

00:58:49Come on, turn off the light.

00:58:51Do you realize?

00:58:52But this is over

00:58:52like in American movies,

00:58:54in a nice way.

00:58:54We missed the hottie.

00:58:57In the end,

00:58:58you can't have everything.

00:58:59Come on, go to sleep.

00:59:00There's no live performance here!

00:59:01No!

00:59:02There's no live performance here!

00:59:03I think that's enough.

00:59:04to laugh your head off, right?

00:59:06That?

00:59:06I don't find it funny at all, come on.

00:59:09Come on, the market is coming.

00:59:10But if we run out of chard,

00:59:12Well, we'll have to go back to the supermarket.

00:59:14Oh well,

00:59:15what is this?

00:59:16Wait a bit

00:59:17I'm going to rent a movie.

00:59:18But we don't have video.

00:59:19What does it matter, Vicenta?

00:59:21You get lost in the details.

00:59:22Look, look, look

00:59:23how she moves her little ass.

00:59:25Now this is advertising.

00:59:26on the posters.

00:59:27Well, this is clean now, isn't it?

00:59:29There is still a little stain left.

00:59:30Where?

00:59:31Marisa, let's go,

00:59:32that I can't see this.

00:59:34Well, you can't take your eyes off him.

00:59:36I was giving him a massage

00:59:37on the feet,

00:59:37that it starts there

00:59:38and it ends where it ends.

00:59:39I'm going to kiss her.

00:59:40I don't usually jump in

00:59:41this way.

00:59:42What happens is that this time

00:59:43I noticed something between us.

00:59:44But Ando doesn't call me.

00:59:45But do you believe?

00:59:46that I can be there for a week

00:59:46without calling me?

00:59:47Do you know how I am?

00:59:48She's hooked up with someone else.

00:59:49Get ready, we're going out.

00:59:50let's see if we hook up with someone.

00:59:51Bea is having an affair with Mauri.

00:59:53They say that everyone

00:59:54when we are born

00:59:54we are bisexual.

00:59:55Congratulations, damn it,

00:59:56I didn't know you were together.

00:59:58Lucia hasn't told him

00:59:58and if he hasn't told you

00:59:59It's for a reason.

01:00:00He's just hesitating.

01:00:01If you kiss Belén

01:00:01and you like it,

01:00:02you are clearly a lesbian.

01:00:03You liked it,

01:00:04you have closed your eyes.

01:00:05Pull up these curtains.

01:00:06We have a storage room!

01:00:08Mr. John,

01:00:08that up in the attic

01:00:09there's no more room for stuff

01:00:09and people don't pay attention to me.

01:00:10What is that, what is that?

01:00:11Urgent neighborhood meeting.

01:00:13Why don't we do it?

01:00:13a rake in the portal?

01:00:14I'm marrying Rocío.

01:00:15As?

01:00:16Do you know of any jewelry?

01:00:17of category?

01:00:17The Royal House

01:00:18has commissioned us

01:00:19the design of alliances

01:00:20for His Highness's wedding

01:00:21to the prince with Doña Leticia.

01:00:22I have to tell you

01:00:23a very important thing.

01:00:24Police, get in the car.

01:00:25Hey, I haven't done anything yet!

01:00:26These were them!

01:00:27How much are you asking for?

01:00:28for this painting?

01:00:28It is already blessed.

01:00:29That guy was in control

01:00:30This painting is good.

01:00:31I've thought better of it

01:00:32and is not for sale.

01:00:33Where was the painting?

01:00:34I'm going to look in the dining room.

01:00:36Thieves!

01:00:37Thieves!

01:00:37Uñola, girl from the exorcist!

01:00:39Calm down, madam,

01:00:40Don't worry, I'm the neighbor.

01:00:42What's happening?

01:00:42What have you run out of?

01:00:43salt or what?

01:00:44Damn, he's already dreaming.

01:00:45again with his daughter-in-law.

Aquí no hay quien viva - 2x05 - Erase una patrulla urbana - HD 1080

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