Saltar al reproductorSaltar al contenido principal
  • hace 2 días
A Emilio le ha salido un trabajo de portero en una finca de lujo, en donde le pagan el doble, y no duda ni un momento en abandonar a sus vecinos. Por otro lado, Concha decide poner en venta el piso que tiene alquilado a Alicia y Belén. Lucía, Paloma e Isabel están interesadas en comprarlo, comienza así una guerra entre ellas para ver quien se queda con el piso. Belén, que ya se ve sin casa y en la calle, se ofrece como nueva portera del edificio. Por último, Mauri tiene destrozada la espalda de dormir en el sillón y Bea le propone compartir la cama en plan gay-lesbiana, cada uno en su sitio, pero Mauri sufre una erección y se plantea si es heterosexual.

Categoría

📺
TV
Transcripción
00:00:00Subscribe to the channel!
00:00:30Subscribe to the channel!
00:01:00That moment! Chatatachan!
00:01:02But where does it go? We're at the most interesting part.
00:01:04I'm bored. I want to watch TV.
00:01:06Dad, I'm not going to take this child. I'm desperate.
00:01:09But, damn, don't leave me hanging. How does the story end?
00:01:11Well, the prince of goalkeepers left because he was fed up with everything.
00:01:15Since there was no one to clean, the castle was filled with shit and everyone drowned in it.
00:01:18But what kind of ending is that? There's a wedding missing, something.
00:01:21I want to watch TV.
00:01:23Dad, put the TV on for the kid, please.
00:01:26Yes, it's me.
00:01:27Let him wait, I'm charging my phone. Let's see, I'll buy some with the three-phase line.
00:01:30Ah, yes, the interview I did. Yes, yes, yes, of course I'm interested.
00:01:35Tomorrow already.
00:01:37Well, come on, thank you very much, okay?
00:01:39See you later.
00:01:41Dad, I got a decent job.
00:01:43What do you care about?
00:01:43Well, as a doorman, but in a luxury building, with carpet and marble in the entrance hall.
00:01:47They pay me double if Rocío got me the interview.
00:01:49And what do I do? Are you going to leave me hanging?
00:01:51No way, you'll see me, but we have a porter's lodge with two rooms and a window facing the street.
00:01:55Give me a hug, Emilio.
00:01:57I knew that within your limitations you would go very far.
00:02:00You'll see this afternoon at the meeting when I tell these people I'm leaving.
00:02:02It's the moment I've been dreaming of for seven years.
00:02:05Well, I'm going to pack my bags, okay?
00:02:07Well, we have to run away.
00:02:08Come on.
00:02:11Who do I call to tell?
00:02:13Here, here, here, there is no one living.
00:02:15Not here, not here.
00:02:18Every day is like this.
00:02:20I couldn't imagine it when I came here.
00:02:22I was just looking for some sea.
00:02:25And yesterday was the middle of a hurricane day.
00:02:27Here, here, here, there is no one living.
00:02:29Not here, not here.
00:02:31Here, here, here, there is no one living.
00:02:34Not here, not here.
00:02:36The house above me is collapsing.
00:02:38I can't find the goalkeeper.
00:02:40The retinos watch me and listen to me.
00:02:43I hold on.
00:02:44In this place.
00:02:46I put it in a cocktail shaker.
00:02:48A train, an earthquake and a botán.
00:02:55And you will walk to this staircase.
00:02:59Here, here, here, there is no one living.
00:03:01Not here, not here.
00:03:02Here, here, here there is no one who lives.
00:03:06Not here, not here.
00:03:08Here, here, here there is no one who lives.
00:03:10Not here, not here.
00:03:12Here, here, here there is no one who lives.
00:03:45No, I no longer need to be paid anything because I've found work elsewhere.
00:03:48Come on, this is a resignation.
00:03:50I am officially informing you that starting tomorrow this building will not have a doorman.
00:03:56Sure, and I'm Cameron Diaz's nude body double.
00:03:59Don't pay attention to him, he's making it up.
00:04:00It's a bluff to get us to raise his salary.
00:04:02Juan, this is a union outbreak, huh?
00:04:04No, no, no, no, I'm leaving.
00:04:06Thank you all so much for these wonderful years you have given me.
00:04:09I hope everything goes well for everyone and that they treat the goalkeeper who comes a little better.
00:04:12Hey, well I think he's serious.
00:04:16Okay, you're leaving, but the steamer is staying, right?
00:04:19Well, there's no doubt that this is both a logistical and emotional setback.
00:04:25Emilio, with his virtues and his defects, was already part of this great family that is our community.
00:04:30And with it goes part of the soul of this building.
00:04:32Juan, don't get too excited, this guy has left us in the lurch.
00:04:35How ungrateful, after all we've done for him.
00:04:39Concha, what have we done for him?
00:04:40Well, look, this guy would be on the street now, taking drugs.
00:04:42We have given him a job, we have given him a future.
00:04:44Paloma, what did you earn? 400 euros?
00:04:46House included, careful, eh?
00:04:47And the father was stuck here and no one told him anything.
00:04:50And that man gave a very bad image, which was talked about in the neighborhood, right?
00:04:54Well, I think that to be practical we should start looking for another goalkeeper.
00:04:57But we're going to do things right.
00:04:59It has to be someone with very good looks, prepared, university degree.
00:05:03Of course, with a master's degree in goalkeeping management.
00:05:06What's the big deal?
00:05:07And now he's leaving, Emilio.
00:05:08Something has to happen every week.
00:05:12Vicenta, what are you doing?
00:05:16Do you want to come?
00:05:17I'm coming!
00:05:18What a vice you have, huh?
00:05:19How do you like to play cards?
00:05:21What's up?
00:05:22If the cinquillo is an excuse to have a drink.
00:05:25Where are you going with that?
00:05:26These are some cookies I made for Emilio to take to him.
00:05:29I'm sorry he's leaving.
00:05:30Don't you?
00:05:31I'm telling you.
00:05:32Let's see what kind of loser we can find at that price.
00:05:35I can't stand those two sluts anymore.
00:05:38They're going to kill me with disgust.
00:05:40They paid me less rent because they say they didn't fix their washing machine.
00:05:44Daughter, then fix it.
00:05:45Sure, and I'll put a jacuzzi in there.
00:05:48Every time I go up to his house I get a pain.
00:05:50Here.
00:05:51Why don't you just sell the apartment and stop with the nonsense?
00:05:53If they are going to loosen you a lot of money.
00:05:55And what does he do with the money?
00:05:56Put it on a fixed term deposit?
00:05:57What fixed-term cane?
00:05:59Sara Montiel special fund.
00:06:01Invest in Cubans.
00:06:0220 centimeters of interest.
00:06:04Collect whenever you want.
00:06:06But how are you going to sell that apartment?
00:06:07Yes, that's where she lived with her husband.
00:06:09It is full of memories.
00:06:11You listen to me.
00:06:12Goose pasta.
00:06:14Comer.
00:06:14Beach.
00:06:15Retire in despair.
00:06:16What don't you like?
00:06:17You hide the pills and go for another one.
00:06:19You know what I'm saying?
00:06:21I'm going to sell it.
00:06:22But poor things.
00:06:23Are you going to leave Alicia and Belén on the street?
00:06:26It makes me feel sorry.
00:06:27And what does it matter?
00:06:28If they're not going to give us the Nobel Peace Prize at this point.
00:06:31Short.
00:06:32Short.
00:06:37Dear.
00:06:38Can you turn the TV down a little?
00:06:39Because?
00:06:40Does the volume bother you?
00:06:41No.
00:06:41I'm just going to watch it and I have to hand this in tomorrow.
00:06:43Why don't you go to the bedroom to read?
00:06:45Well, because I have to wait for the pot to rise.
00:06:47Since you don't cook...
00:06:49That's another one.
00:06:49The whole house stinks of cauliflower.
00:06:51If there is no one to concentrate.
00:06:52But anyway, I tell you.
00:06:53What do your markers smell like to you?
00:06:54Or how is your living room?
00:06:55Because come on, it's not my ideal decoration.
00:06:57And where do you want to work if there is no other place?
00:06:59What do you see?
00:06:59That's what I'm telling you.
00:07:00Roberto, this apartment is too small for us.
00:07:02Hey, hey, hey.
00:07:03Wait, wait, wait.
00:07:03Don't turn things around.
00:07:05We started with a cauliflower and ended with another move.
00:07:07No, but you're right.
00:07:08Let's see what we're going to do when we have children.
00:07:10Hey?
00:07:10I'm not that bothered by TV either, I've already focused.
00:07:13Roberto, people have children.
00:07:15Yes, people.
00:07:17Well, but we won't have to think about it sometime, right?
00:07:18Aren't you excited to have a child with me?
00:07:20Oh my god, why did I even open my fucking mouth?
00:07:24Very good honey.
00:07:25Well, since I see that we're going to have it, I'll turn off the TV and go for a walk, because the weather is very nice.
00:07:31Let's see if it excites me.
00:07:33And by the way, the little spout is about to rise, huh?
00:07:35So stay tuned.
00:07:38But what little thing are you talking about?
00:07:41Let me pass!
00:07:42I have to hang this on the balcony!
00:07:45But how are you going to kick us out all of a sudden?
00:07:46You have to give notice of this in advance.
00:07:48And what am I doing?
00:07:49What's wrong with you?
00:07:49That he wants to kick us out, that he's selling the house.
00:07:51Oh yeah?
00:07:52For how much?
00:07:53But, aunt...
00:07:5345 million.
00:07:55It's because it has a lot of light.
00:07:59Okay, I'm interested, concha.
00:08:00Tomorrow I'll talk to the bank and we'll get it going.
00:08:02Here, there's nothing left to hang.
00:08:04Come on!
00:08:05Thanks a lot, huh?
00:08:06You are a real friend.
00:08:07Hey, but it's not with you.
00:08:08It's the perfect opportunity to expand my house.
00:08:10Because Roberto and I have space problems.
00:08:12No, we have space problems.
00:08:14Come on, you're going to leave us on the street.
00:08:15But don't be angry.
00:08:17But it's Concha who wants to sell a flat.
00:08:20Would you like something to drink?
00:08:21Go fuck yourself a little!
00:08:23They call us Ibas.
00:08:24I'm telling you, they're disgusting.
00:08:28Iñaki, how are you?
00:08:28I'm Mauri.
00:08:30What do you mean, Mauri?
00:08:31Hey, we dated for a year.
00:08:33Yes, no, I'm saying we could meet up one day...
00:08:37What do you mean you got married?
00:08:40With a woman?
00:08:42Hey, those are children you hear, right?
00:08:44But you weren't gay.
00:08:47Ah, well, well, well.
00:08:48No, yeah, yeah, yeah, yeah.
00:08:50Well, congratulations, huh?
00:08:52Bye bye.
00:08:54Chaquitero, turncoat.
00:08:55Okay, next.
00:08:56Mauri, relax.
00:08:57You don't have to date someone immediately.
00:08:59Yes, I have to go out with someone.
00:09:00Fernando is in London, living the crazy life.
00:09:02And I'm tired of being Spain's widow.
00:09:04Joaquin.
00:09:05Joaquin was doing very well.
00:09:06But try to meet new people.
00:09:07It's pathetic to pull on old friendships.
00:09:09What do you know?
00:09:10I had wonderful friends.
00:09:12Joaquin.
00:09:12Hello, I'm Mauri.
00:09:14Yes, hey, yes.
00:09:15We could go out for a drink.
00:09:18What happened?
00:09:19He said yes, very quickly.
00:09:20This one was desperate.
00:09:22Another day without going out.
00:09:23Of course, Fernando was so handsome.
00:09:25that they all seem like small things to me.
00:09:27Jacob.
00:09:29Jacob.
00:09:30Well, Jacob was going bald.
00:09:31And I haven't seen him for four years, huh?
00:09:33Come on.
00:09:34Go on, go to sleep.
00:09:35Before you do something stupid.
00:09:37What I do on the couch
00:09:38you can't call it sleep.
00:09:39My back is broken.
00:09:40Look, here's a ribbon.
00:09:42and here's another one.
00:09:43Oh, Mauri,
00:09:44but it was you
00:09:44the one who insisted on sleeping here,
00:09:46come to bed with me.
00:09:47It's a marriage,
00:09:48there is room for both of us.
00:09:49Are you sure?
00:09:51Look, it's a step.
00:09:51very important in our relationship.
00:09:53What's the problem?
00:09:54We already know each other.
00:09:55I like women,
00:09:56you like men.
00:09:57I don't think anything's going to happen.
00:09:58How awful!
00:09:59We are going to suffer a marriage
00:10:00sharing beds without sex.
00:10:02Well, do you want to sleep comfortably,
00:10:03yes or no?
00:10:05Yeah.
00:10:06Well, come on.
00:10:07Hey, you won't snore, will you?
00:10:08Bam, bam, bam, bam.
00:10:14Natalia, may I ask?
00:10:15what time is this?
00:10:16We were worried
00:10:16thinking something had happened to you.
00:10:18But you were asleep.
00:10:19We were worried
00:10:20and a period in the mouth.
00:10:21To bed,
00:10:21we'll talk tomorrow.
00:10:22It's that before
00:10:23I have some bad news for you.
00:10:25Oh, God.
00:10:26Natalia, you better
00:10:26that you have gone
00:10:27with a soccer player
00:10:28first division, huh?
00:10:29No, that's not it.
00:10:30Apparently,
00:10:30Lucia is going to buy him
00:10:31the third B to Concha.
00:10:32Wow!
00:10:33You already have a topic
00:10:34conversation
00:10:34for tonight.
00:10:35Damn, Natalia,
00:10:35don't give us these scares
00:10:36that I was fearing
00:10:37worst.
00:10:37Worse than this, Juan.
00:10:39The cock is going to be made
00:10:39an attic
00:10:40of 180 square meters.
00:10:42Well, we'll have to see.
00:10:42if they can be thrown
00:10:43those walls.
00:10:44Maybe they are cargo.
00:10:45No, Juan, no.
00:10:46What will it have?
00:10:46two votes at the meetings.
00:10:48This wants to give
00:10:48a coup d'état
00:10:49in the building.
00:10:50We lose power, huh, Juan?
00:10:51We lose power.
00:10:52And what do you want us to do?
00:10:53That floor
00:10:54we have to buy it ourselves.
00:10:55We spoke with Concha
00:10:56and we improve
00:10:57the posh offer.
00:10:58But how do we go?
00:10:59to buy another apartment
00:10:59if we are not finished yet
00:11:00to pay this?
00:11:01And what are banks for?
00:11:02The money is requested, Juan.
00:11:04Plus, we rented it out later.
00:11:05and it pays for itself.
00:11:06Well, how does that pay for itself?
00:11:07The real estate boom.
00:11:09What is it that you don't understand?
00:11:10that you only read sports.
00:11:11Let's see if we shut up already.
00:11:12that there are people who get up early.
00:11:13And what do you say?
00:11:14And he's playing console!
00:11:15But I need to focus.
00:11:17I'm going to talk to Concha
00:11:18and I'm going to tell him
00:11:19that the third less
00:11:20what we give.
00:11:21Dear,
00:11:22if he's already sleeping.
00:11:23So I lift it up
00:11:24and tomorrow morning
00:11:25first thing in the morning
00:11:26we are at the bank
00:11:27asking for the mortgage.
00:11:28Man, come on!
00:11:32Let's see if we're lucky
00:11:33and they don't give it to us.
00:11:35How are you going to leave, Emilio?
00:11:36The video store
00:11:37it won't be the same without you.
00:11:38It's true.
00:11:39Who are we going to laugh at?
00:11:40That, and who's going to steal from you?
00:11:41Do you like chewing gum?
00:11:41Was that you?
00:11:42And Joseph,
00:11:42They take me away one day
00:11:43some roasted popcorn
00:11:43microwave.
00:11:44But, man, shut up.
00:11:45They're a couple of sons of bitches.
00:11:47Come on, Paquito,
00:11:47give me a hug.
00:11:48That things are forgotten
00:11:49and the friendship remains.
00:11:50Go on.
00:11:53Come on, there is no such thing.
00:11:54that we are leaving.
00:11:55Dad, the pans
00:11:56don't take them
00:11:56because they are Doña Paloma's,
00:11:57who lent them to me.
00:11:58Damn, let's see,
00:11:58I've told myself this before,
00:11:59that I have washed them.
00:12:00I'll bring them to you.
00:12:01Hey, and you?
00:12:02help me a little, okay?
00:12:03And I'm very excited.
00:12:04You can't lift weights.
00:12:06Come on,
00:12:07that we don't have such a day.
00:12:20Where is your van?
00:12:21What van?
00:12:22Let's go to the corner
00:12:23to take a taxi.
00:12:24Paquito,
00:12:24you call him
00:12:24that my father
00:12:25they never stop him.
00:12:26What a drag moving.
00:12:27Well, look,
00:12:28hang on a minute.
00:12:29I would like to talk to you.
00:12:30Yes, Mr. John,
00:12:30if I was going to go up
00:12:31now to talk to you.
00:12:33So,
00:12:33you're leaving, aren't you?
00:12:35Have you thought it through?
00:12:36Yeah,
00:12:37is that there was not either
00:12:37much to think about.
00:12:38I have never felt valued here.
00:12:39Emilio,
00:12:40don't say that.
00:12:41You are a person here
00:12:41much loved by all.
00:12:43So,
00:12:43it must be proven
00:12:44from time to time.
00:12:44I don't know,
00:12:45with an Emilio
00:12:45what a good time there is in Valletta,
00:12:47Thanks for carrying my bag,
00:12:48those little things
00:12:52that you continue to be part of
00:12:53of this great family.
00:12:54We can study
00:12:55a special climb
00:12:56of your salary
00:12:565%.
00:12:57Careful,
00:12:58we are talking
00:12:59of almost 20 euros.
00:13:00Mr. John,
00:13:00where am I going
00:13:01They give me 950.
00:13:02Fuck,
00:13:03It's almost what I earn.
00:13:04But come on,
00:13:05that I to you
00:13:05I appreciate you very much
00:13:06and I with you
00:13:06I have learned a lot from life.
00:13:08You are a mirror
00:13:09where to look.
00:13:10Well,
00:13:10Well,
00:13:11come that hug.
00:13:13And come see us
00:13:14whenever you want, okay?
00:13:18Mr. John,
00:13:18not anymore?
00:13:19Yeah,
00:13:20sorry.
00:13:21It was a long time ago
00:13:22that they didn't hug me.
00:13:23Juan,
00:13:24Juan,
00:13:25let's go to the bank,
00:13:26that I have called
00:13:26and will receive us
00:13:27the director himself.
00:13:29Mrs. Paloma,
00:13:30I'm leaving now.
00:13:30Well,
00:13:31Well, see you later.
00:13:33Scab.
00:13:34Juan,
00:13:34goes.
00:13:35Me too
00:13:35I'm going to miss her,
00:13:36Hey?
00:13:41Emilio,
00:13:42Emilio,
00:13:42wait.
00:13:45Weren't you leaving?
00:13:46to say goodbye to me?
00:13:47No,
00:13:47I was going to leave you
00:13:47a message on the mobile.
00:13:48It's that I
00:13:49the farewells
00:13:49I don't like them.
00:13:50Me neither.
00:13:51So why did you come down?
00:13:52Damn, Emilio,
00:13:53that maybe
00:13:54we never see each other again.
00:13:55Come on,
00:13:55exaggerated.
00:13:56Yes, I will keep coming
00:13:57from time to time around here.
00:13:58No,
00:13:58if I'm leaving too.
00:14:00Concha is going to sell the apartment
00:14:01and kicks us out.
00:14:01Oh yeah?
00:14:02What a pain,
00:14:03and what are you going to do?
00:14:04Don't know.
00:14:08Well,
00:14:09bye bye.
00:14:11Give me a kiss, okay?
00:14:13Yeah,
00:14:13but without tongue,
00:14:14It's that I'm going to get married now.
00:14:16The cheek,
00:14:17asshole.
00:14:17Well,
00:14:24Well, nothing,
00:14:24I hope everything goes well for you
00:14:26and be very happy
00:14:27and all that stuff, okay?
00:14:28You too.
00:14:31Take my picture of the thousand
00:14:32and keep it for yourself
00:14:32that makes me excited
00:14:33that you have it.
00:14:36Thank you.
00:14:37What's happening,
00:14:38what don't you like?
00:14:39It's just weird.
00:14:41Hey,
00:14:41that if you don't like it,
00:14:42you see,
00:14:42I'll take it.
00:14:42No,
00:14:43if that is what happens
00:14:43is that short hair
00:14:44it doesn't suit you.
00:14:46Hey,
00:14:46I'm going to throw it away,
00:14:46that I know you
00:14:47and you were able
00:14:47to keep it for the frame.
00:14:49Go now.
00:14:51Emilio,
00:14:52Pussy,
00:14:53that the taxi
00:14:53it's not going to hit
00:14:54a fine dive.
00:14:55Dad,
00:14:55I'm saying goodbye.
00:14:56Fuck,
00:14:57what a drama,
00:14:57as if you were going to Iraq.
00:14:59Hey,
00:14:59you're going to give me the move
00:15:00who left you along the way,
00:15:01Hey?
00:15:01Come on,
00:15:01let's go now.
00:15:02Come,
00:15:02come to me.
00:15:04Goodbye, Belén.
00:15:04Bye bye.
00:15:06Yeah,
00:15:23hang on a minute,
00:15:24now it is put.
00:15:25Mauri,
00:15:25It's Fernando!
00:15:26Tell him I'm not here,
00:15:27I mean,
00:15:27I'll call you later.
00:15:28Mauri,
00:15:28He's been calling you for three days.
00:15:29I have to go out for a moment,
00:15:30I'll call you later.
00:15:31Now that we have cut
00:15:31He calls me every day.
00:15:32Are you okay?
00:15:33No,
00:15:35I say yes.
00:15:36Well, you've heard it.
00:15:40No,
00:15:40No,
00:15:40don't worry,
00:15:41has not met anyone.
00:15:41He woke up feeling really weird.
00:15:45A terrible thing happened to me
00:15:46that I have to tell someone.
00:15:48Lucia is in the bathroom.
00:15:49We are going to ask for something.
00:15:50a loan from the bank.
00:15:51No,
00:15:51No,
00:15:51No,
00:15:51this is a man thing.
00:15:52Ah,
00:15:53Have you thought about me yet?
00:15:54Yeah.
00:15:54Tonight I slept with Bea
00:15:56in bed,
00:15:57in a gay and lesbian way,
00:15:58each one in its place.
00:15:59I mean,
00:15:59that is true,
00:15:59Bea is a lesbian.
00:16:01Yeah,
00:16:01but it doesn't matter,
00:16:02you listen.
00:16:02No,
00:16:02you will not care,
00:16:04who slept with my girl,
00:16:05he wanted to brush her.
00:16:06Yes,
00:16:07but we're talking about me,
00:16:08listen to me,
00:16:08listen to me,
00:16:10we have slept together,
00:16:11as friends,
00:16:12and two minutes later
00:16:13to get into bed,
00:16:16I had an erection.
00:16:20AND?
00:16:20With what?
00:16:21I get into bed with a woman
00:16:22and I go and get an erection.
00:16:24It's normal,
00:16:24It happens to me.
00:16:25Not me,
00:16:25not me,
00:16:26because I'm gay.
00:16:27Well,
00:16:27let's see,
00:16:28don't worry,
00:16:28don't worry,
00:16:28don't worry.
00:16:30What type of erection
00:16:30are we talking?
00:16:32Half or whole?
00:16:33Media up to,
00:16:33until whole.
00:16:34I mean,
00:16:34It has been a small movement,
00:16:37a previous one,
00:16:38like an orchestra tuning up,
00:16:41that you already notice that something is going to sound there.
00:16:44Already,
00:16:44already,
00:16:45It may have been a reflex action,
00:16:46like when the doctor
00:16:47hits you in the knee.
00:16:48No,
00:16:48no,
00:16:49no,
00:16:49no,
00:16:49that nothing comes as a reflex action,
00:16:50that this is very serious,
00:16:51Roberto,
00:16:52what I do?
00:16:53Let's see,
00:16:53Have you never slept together?
00:16:54with a woman?
00:16:55No.
00:16:56Maybe you're straight.
00:16:58Oh,
00:16:58God,
00:16:59that I like men,
00:17:00that there is no color,
00:17:01But why does this have to happen to me?
00:17:02Let's see,
00:17:03what you have to do
00:17:05is to sleep with Bea again.
00:17:06Yeah.
00:17:06And if you have another choice,
00:17:08that?
00:17:08Well boy,
00:17:09move forward.
00:17:09Are you ready?
00:17:11Ah, no,
00:17:11that Bea is a lesbian.
00:17:12Even if it wasn't.
00:17:13Well,
00:17:13It's to look for something.
00:17:14Hello,
00:17:14Mauri.
00:17:15How are you?
00:17:16What's up?
00:17:17Well, nothing,
00:17:17here,
00:17:18men's things.
00:17:18Yeah,
00:17:19but I was already leaving,
00:17:19Hey?
00:17:20See you later.
00:17:20See you later.
00:17:21Hey,
00:17:21Mauri,
00:17:22Why are you looking at Lucia's cleavage?
00:17:24Cut yourself a little slack,
00:17:25No?
00:17:27Oh well,
00:17:28what's happening?
00:17:29What are you up to?
00:17:30Hey,
00:17:30Lucia,
00:17:30They told me that Bea was after you.
00:17:33Well, I told you so,
00:17:34come on,
00:17:34come on,
00:17:34let's go,
00:17:35that they have to give me 40 million in the bank.
00:17:38Peaceful,
00:17:39if I'm okay.
00:17:41Well, I would take an illegal immigrant as a goalkeeper,
00:17:43Why do they come with studies?
00:17:44and you pay them four cents?
00:17:45Look how stupid you are,
00:17:46how can you say that?
00:17:47Do businessmen do it?
00:17:48Aren't we going to do it?
00:17:50Besides,
00:17:50who may not speak our language.
00:17:52What Emilio was talking about
00:17:53It cannot be considered our language either.
00:17:56But are you serious about buying that apartment?
00:17:58Are we going to get into construction again?
00:17:59Periño,
00:17:59You'll see how beautiful our attic is going to be.
00:18:01Hey?
00:18:02Oh,
00:18:02shell,
00:18:03look,
00:18:03we go to the bank,
00:18:04So if you want, we can meet with the notary tomorrow.
00:18:06I'm sorry,
00:18:07but I have another buyer
00:18:09that has improved your offer.
00:18:10Who?
00:18:11Paloma gives him 46 million.
00:18:12Oh well,
00:18:13And where is that woman going to get the money?
00:18:14That's her problem.
00:18:15As long as he pays me...
00:18:16Paloma doesn't want the apartment,
00:18:17come on,
00:18:17what he wants is to annoy me.
00:18:19Well,
00:18:19then there is no need to go to the bank anymore.
00:18:20No,
00:18:20I'll give you 47 million.
00:18:22That's what I say,
00:18:22that we are going,
00:18:23that are waiting for us,
00:18:24clear.
00:18:24But at least that's going to be the price,
00:18:25that I know Paloma.
00:18:26No,
00:18:26No,
00:18:26Tomorrow we film on the 47th.
00:18:29You'll see when the president finds out.
00:18:31I find it a little expensive.
00:18:3347 million per whore,
00:18:34Pigeon.
00:18:35Thrown away.
00:18:36This girl always looks so cute.
00:18:38This is a bargain.
00:18:39If I had known,
00:18:40I'm selling the apartment first.
00:18:42Ah,
00:18:42that you are going to sell the third one.
00:18:44What do you ask for?
00:18:4648.
00:18:46Millions interest you.
00:18:48Well, maybe yes.
00:18:50Vicenta,
00:18:50we are going to sell ours,
00:18:52that this is like the bar's slot machine.
00:18:53You have to take advantage when it's hot.
00:18:56Good,
00:18:56You want to finance 100% of the home
00:18:59and with the age they have,
00:19:00the number of years for the mortgage...
00:19:02In short,
00:19:03Are they going to give us the money?
00:19:04No.
00:19:05Oh well,
00:19:06This is a scandal.
00:19:07Juan,
00:19:08we cancel the account,
00:19:09the funds and everything, huh?
00:19:10Look,
00:19:10you already have a mortgage,
00:19:11a personal loan
00:19:12and car financing,
00:19:14all supported by a single payroll,
00:19:15that, in short,
00:19:16it is what it is.
00:19:17Well,
00:19:18at least we tried.
00:19:19Well,
00:19:20I work too.
00:19:21Ah,
00:19:21that changes things.
00:19:23Are you self-employed?
00:19:24or do you have a payroll?
00:19:25Yeah,
00:19:25Yeah,
00:19:25Yeah,
00:19:25Yeah,
00:19:26all,
00:19:26all,
00:19:26all.
00:19:27I am self-employed,
00:19:27I have a payroll,
00:19:28I have a contract,
00:19:29social security,
00:19:30all legal and compliant.
00:19:31Well, bring the payroll.
00:19:32or whatever they have
00:19:33and credit is granted within 24 hours.
00:19:35Well, you'll have it here tomorrow.
00:19:37Let's go,
00:19:37Juan,
00:19:38that I am very unhappy
00:19:39of the treatment we have received.
00:19:40Man,
00:19:40please,
00:19:41I am the president of the community.
00:19:43My husband has influences,
00:19:44a call
00:19:45and in a minute you are at the window
00:19:47ringing the bell
00:19:47to open the door.
00:19:49Strip,
00:19:49Juan,
00:19:50what did he think?
00:19:53Pigeon,
00:19:53do you want to tell me
00:19:54how are you going to get it
00:19:54a payroll for tomorrow?
00:19:56Working,
00:19:57Yes valid people like me
00:19:58it is needed everywhere.
00:20:00Well,
00:20:00don't be offended,
00:20:01but without a resume,
00:20:02natural and pregnant.
00:20:03Well, it is a lie,
00:20:04Juan,
00:20:04that in life sometimes
00:20:05you have to lie.
00:20:06Or is it that I don't pass?
00:20:07for a 39 year old?
00:20:09Man.
00:20:11Raisins,
00:20:11raisins.
00:20:12This is a community
00:20:13as God commands.
00:20:14We have made a leap in quality.
00:20:16Clear,
00:20:16dad,
00:20:16This is like signing for Madrid.
00:20:17Now I am a galactic
00:20:18of the goalkeepers.
00:20:19The rich really know how to do it.
00:20:21What a portal.
00:20:22He's going to jump out at you.
00:20:23Come on,
00:20:23come on,
00:20:24come outside
00:20:24that no neighbor sees
00:20:25that another social extraction is obeyed.
00:20:26Strip.
00:20:26Hey,
00:20:27you are welcome,
00:20:27Hey?
00:20:27Oh,
00:20:28man.
00:20:28Good afternoon.
00:20:29Emilio Delgado,
00:20:30TRUE?
00:20:30Yeah.
00:20:30I am Almudena Moedano,
00:20:32the president of the community.
00:20:33Fuck,
00:20:34dinner is very messy.
00:20:35Hey,
00:20:35delighted.
00:20:36This gentleman is Mariano,
00:20:37my father.
00:20:38Sorry I didn't shake your hand,
00:20:39is that I carry the pans,
00:20:40the mute.
00:20:40It's my only family,
00:20:42suffered a stroke,
00:20:42That's why I see him like this.
00:20:43But it makes me sad
00:20:44to leave him in a residence.
00:20:46No problem,
00:20:47follow me.
00:20:48Rocío has given me
00:20:49great references from you.
00:20:50He has worked on farms
00:20:52of category.
00:20:53Yeah,
00:20:53Yeah,
00:20:53fine people,
00:20:54all high standing.
00:20:55This is your job.
00:20:57Here are the cameras
00:20:58surveillance
00:20:58and the intercom
00:20:59to contact the homes.
00:21:02Do you have office skills?
00:21:03No,
00:21:04I don't speak languages,
00:21:04It is my only lagoon.
00:21:05No,
00:21:05that he knows how to use computers.
00:21:07Ah,
00:21:08Yeah,
00:21:08Yeah,
00:21:08Yeah,
00:21:08clear,
00:21:08yes indeed.
00:21:09But come on,
00:21:09that if it tells me
00:21:10where is the mop
00:21:11and the cube
00:21:11to get my bearings.
00:21:12Ah,
00:21:12No,
00:21:12you don't have to clean here.
00:21:14We already have an agreement
00:21:15an external cleaning service.
00:21:17What I expect from you
00:21:18he is a discreet concierge
00:21:19and who knows how to provide
00:21:21exquisite treatment
00:21:22to our neighbors.
00:21:23That's our specialty,
00:21:24lady.
00:21:26Good,
00:21:26Well, tomorrow we will sign the contract
00:21:28and if you need anything
00:21:30contact me
00:21:31through the intercom.
00:21:32My home is the eighth H.
00:21:34OK.
00:21:34Ah,
00:21:35and put on your uniform.
00:21:37Yeah.
00:21:38Oh well,
00:21:39what a bargain,
00:21:39now I am like a deputy,
00:21:40I just have to sit down
00:21:41in the armchair
00:21:41and give it a button.
00:21:43How is Madam President?
00:21:44That would be it
00:21:45a proper braguetazo.
00:21:47Dad,
00:21:47don't be silly
00:21:47that you would do it to me,
00:21:48Hey?
00:21:48Well, if it has
00:21:49a divorced face
00:21:50that can't handle it.
00:21:51Have you seen with what lust
00:21:52was looking at me?
00:21:53Listen,
00:21:54here we are working,
00:21:55with the neighbors
00:21:55no relationships.
00:21:56What about you and Belén?
00:21:57But dad,
00:21:58it's not the same,
00:21:58I had possibilities.
00:21:59What's happening?
00:22:00That no woman
00:22:00can you notice me?
00:22:01No,
00:22:02come on,
00:22:02go unpack your suitcase,
00:22:03that I have to introduce myself.
00:22:04Hey,
00:22:04Can football be played here?
00:22:05Calm down, damn it!
00:22:06Look what you've done.
00:22:11Yeah?
00:22:14Hello,
00:22:14Don Ernesto,
00:22:15I am Emilio Delgado,
00:22:16new janitor.
00:22:17I just wanted to say hello.
00:22:18and wish you a good day.
00:22:19Thank you so much,
00:22:20Hey?
00:22:21Thank you.
00:22:21Well, there are 66 neighbors,
00:22:23Well, you have to do it
00:22:24the ball to everyone.
00:22:25Come on,
00:22:25pull now.
00:22:26What, are you less bright?
00:22:27A boat.
00:22:28Bye bye,
00:22:28illuminated.
00:22:31Look,
00:22:31sales director,
00:22:33demonstrable experience
00:22:34five years old,
00:22:35English essential.
00:22:37This position is done
00:22:38for me.
00:22:39Access,
00:22:40Excel,
00:22:40board.
00:22:41Oh,
00:22:41what name,
00:22:41This is an American company,
00:22:42No?
00:22:42They are computer programs,
00:22:44dear.
00:22:44Well,
00:22:45then I pick up the child
00:22:46and brings me up to date.
00:22:47Besides,
00:22:47you have to falsify me
00:22:48a title with the printer.
00:22:50Do you see it?
00:22:51The best opportunity
00:22:52and right next to home.
00:22:54Fuck,
00:22:54how quickly they give a mortgage,
00:22:55No?
00:22:56Clear,
00:22:56They have everything studied,
00:22:57so you don't have time
00:22:58to repent.
00:22:59Man,
00:22:59look who's here,
00:23:01I see Mrs. Ass,
00:23:01I want ass.
00:23:02Oh,
00:23:02pretty,
00:23:03if it is at this moment
00:23:04when it is demonstrated
00:23:05who really has
00:23:06class and money.
00:23:07The third B
00:23:08I'll keep it for myself
00:23:09and a period in the mouth.
00:23:11Well, nothing,
00:23:11Pigeon,
00:23:11look,
00:23:12I'm sorry to inform you
00:23:13that as I have offered you
00:23:13more money for Concha,
00:23:14he's selling the apartment to me.
00:23:16We, darling.
00:23:17Sorry,
00:23:18but Concha and I are friends
00:23:20and in this building
00:23:21we are people of our word.
00:23:23And what are you laughing at?
00:23:24No,
00:23:24the one from the bank
00:23:25that he told me
00:23:25a joke about Palazzo Fijo
00:23:26and it defeated me now.
00:23:28Well,
00:23:28I have everything above.
00:23:29Yes, yes,
00:23:29I think this is better
00:23:30that you discuss it
00:23:31among you.
00:23:32Wait,
00:23:32Juan,
00:23:32wait.
00:23:33Shell,
00:23:34Shell,
00:23:34tell the girl here
00:23:35who you sell the apartment to.
00:23:37To Isabel.
00:23:38Do you see it?
00:23:39I was telling you...
00:23:40What do you mean Isabel?
00:23:41It gives me 48 million.
00:23:43Well,
00:23:43Shell,
00:23:43we had already arrived
00:23:46up to here from Guaraná.
00:23:48And why do you want another apartment?
00:23:49Well, because I want to have
00:23:50my own space
00:23:51and because I have some money saved
00:23:53and why do I have to give you
00:23:54I give you explanations.
00:23:55Well,
00:23:56let's see,
00:23:56Shell,
00:23:56I already have the mortgage.
00:23:57Are you going to pay me?
00:23:58cancellation fees?
00:23:59And me too.
00:24:00And I have asked for 60 million
00:24:01to make the reform.
00:24:03Well, you start.
00:24:03for renovating your house
00:24:04that he needs most.
00:24:05Oops!
00:24:06Sorry,
00:24:07my apartment is like something out of a magazine
00:24:08of decoration.
00:24:09Well,
00:24:10Well,
00:24:10let's do one thing
00:24:11because I don't want to
00:24:13that you fight.
00:24:14The first one to arrive tomorrow
00:24:15with 50 million
00:24:17and the notary
00:24:17remains on the floor.
00:24:19Ah,
00:24:19has already gained another two kilos.
00:24:20Mr. Cuesta.
00:24:21What happens now?
00:24:22That is no longer necessary
00:24:23to look for a goalkeeper.
00:24:24Because?
00:24:24What happened?
00:24:25Nothing,
00:24:26that has it in front of you.
00:24:27Sorry?
00:24:28Chan,
00:24:29chan,
00:24:29chan,
00:24:29chan,
00:24:30chan.
00:24:31No!
00:24:39Well,
00:24:39What do you think?
00:24:40Does it turn you on or not?
00:24:41But how is it going to excite me?
00:24:42if you can't see anything?
00:24:43Do you record your movies?
00:24:44coded porn?
00:24:45That is seen,
00:24:46man.
00:24:47Concentrate on one point,
00:24:48you'll see.
00:24:50Look,
00:24:50Don't you see the ass sticking out there?
00:24:51But whose ass?
00:24:53Well,
00:24:53I'll do a moment
00:24:54in which it is decoded,
00:24:55don't worry.
00:24:57Oh,
00:24:58look,
00:24:58look,
00:24:58look,
00:24:58look!
00:24:59Have you seen it?
00:24:59Who have you noticed,
00:25:00in the uncle or in the aunt?
00:25:01In no one,
00:25:01nothing can be seen.
00:25:02Look,
00:25:02I'm not going to get out of doubt like that.
00:25:03Fuck,
00:25:04male.
00:25:05Wait,
00:25:05I'm going to get a magazine
00:25:06that I have saved
00:25:06from my younger years.
00:25:08You'll see that aunt,
00:25:09no silicone or anything,
00:25:10from before.
00:25:11No,
00:25:11Roberto,
00:25:11leave it,
00:25:12Yeah,
00:25:12no need,
00:25:12really,
00:25:13Yeah,
00:25:13it is very clear
00:25:14that I don't like
00:25:15women.
00:25:16What happens is that I have
00:25:17almost three months
00:25:17of mandatory celibacy
00:25:18and of course,
00:25:19there is a moment
00:25:20that the body reveals itself
00:25:21and no longer distinguishes
00:25:21and in the end,
00:25:24what do they do now?
00:25:25No,
00:25:25dad,
00:25:25I don't want to go back
00:25:26to work with you,
00:25:27I'm asking you
00:25:28three million.
00:25:30Well no,
00:25:30No,
00:25:31Roberto is not involved
00:25:32in drugs,
00:25:32is that we want to buy
00:25:33the apartment across the street.
00:25:34Already.
00:25:36Well,
00:25:36dad,
00:25:37Well, nothing,
00:25:37I'll see
00:25:38where do I get it from,
00:25:39come on,
00:25:39a little kiss.
00:25:40Mauri,
00:25:40what are you doing?
00:25:41Wait,
00:25:41that I'm just starting
00:25:42to see something.
00:25:42Are you watching
00:25:43a movie
00:25:43coded porn?
00:25:44Ask her
00:25:45to your boyfriend,
00:25:45that he is a sick person.
00:25:46Look,
00:25:47harvest of 89,
00:25:49These are two tetar
00:25:49really.
00:25:50Look how cool...
00:25:51Hello darling.
00:25:53Look what it brought me
00:25:54Mauri,
00:25:55is writing an article
00:25:56about women
00:25:56from the 80s,
00:25:57with the sport
00:25:58and...
00:25:59Ah,
00:26:00very good.
00:26:01Well, nothing,
00:26:01I'm going to the bedroom.
00:26:02Do you want me to give it back to you?
00:26:03to leave in the double bottom
00:26:04from the drawer
00:26:04of the socks?
00:26:06No no,
00:26:07I'll take it myself.
00:26:11What a catch, huh?
00:26:12What's up,
00:26:13I have this as bait.
00:26:15The good ones
00:26:15you don't know where they are.
00:26:16Take,
00:26:17take her,
00:26:17you glance at it
00:26:18and let's see what happens.
00:26:19No, Roberto,
00:26:20that is not necessary.
00:26:21If I need it
00:26:22It's another boyfriend
00:26:22as soon as possible.
00:26:24I'm going to tell Peña
00:26:25that we can't
00:26:25continue sleeping together
00:26:26and matter settled.
00:26:27No way, man,
00:26:28take advantage of when she's asleep
00:26:29and get his hands on it.
00:26:30Let's see what happens.
00:26:31Well, under the attic
00:26:32you don't need any more.
00:26:34Another bait.
00:26:35No,
00:26:36those are the good ones.
00:26:39Ah, Mauri,
00:26:40I wanted to tell you something.
00:26:41Me too.
00:26:42Look,
00:26:43I've been thinking
00:26:44that this thing of sleeping together
00:26:45it's not a good idea.
00:26:46I had a terrible rest today.
00:26:48I like it a lot
00:26:48move when I sleep
00:26:50and with you by my side
00:26:51because I feel self-conscious.
00:26:52Besides,
00:26:53when breathing
00:26:53you make a little noise
00:26:54that is not even a snore
00:26:55but it ends up being a little unnerving.
00:26:57Already,
00:26:58Well, it seems to me
00:26:58that today also
00:26:59you're going to have to sleep with me.
00:27:00Because?
00:27:01It's that Salva called me,
00:27:02my brother,
00:27:02the one who lives in Rome,
00:27:03who is passing through
00:27:04and would like to sleep here
00:27:05because it's been a long time
00:27:06that we don't see each other.
00:27:07It's just tonight.
00:27:08Don't you mind,
00:27:08No?
00:27:09Tomorrow he leaves for Mozambique.
00:27:10No,
00:27:10clear,
00:27:11but why don't you sleep together
00:27:12and I stay on the couch?
00:27:14Is that how you speak?
00:27:15Because I told him
00:27:16that I live with my partner.
00:27:17Come on,
00:27:18that you and I are boyfriend and girlfriend.
00:27:19Like in my family
00:27:20nobody knows anything about me,
00:27:21well...
00:27:21Your brother doesn't either?
00:27:22He's not going to understand you.
00:27:24Look,
00:27:24gay things
00:27:25I'm putting them in
00:27:25in this box, huh?
00:27:27Bea,
00:27:27that being a lesbian
00:27:28it is not a disease
00:27:29not a crime.
00:27:30Besides,
00:27:30how many years
00:27:30does your brother have?
00:27:3135.
00:27:3235 years old?
00:27:33Our age?
00:27:34Has it grown?
00:27:34with the mamachichos?
00:27:35Are you cured of fright?
00:27:37That's it?
00:27:37Besides,
00:27:38He is a man of the world.
00:27:39Tomorrow he is leaving for Africa.
00:27:40If you like,
00:27:40I'll tell you.
00:27:41Mauri,
00:27:41no.
00:27:42But how could he not understand?
00:27:43that you are a lesbian?
00:27:47Hello,
00:27:47hello good.
00:27:48Thank you,
00:27:48we already have calendars.
00:27:50Look,
00:27:50I think if you tell him
00:27:51with love...
00:27:52Open it,
00:27:52that is saved.
00:27:53That is a priest.
00:27:55That your brother is a priest.
00:27:57Clear,
00:27:57Africa,
00:27:58Rome...
00:27:59Do you want to open it now?
00:28:00Go,
00:28:01go,
00:28:01go.
00:28:04My son,
00:28:05he is not a Christian
00:28:05treat like this
00:28:06to whoever knocks at your door.
00:28:07I'm sorry,
00:28:08father,
00:28:08I didn't want to go.
00:28:09What's a joke,
00:28:10man!
00:28:11Come on, that hug,
00:28:12Mauri.
00:28:14With the desire
00:28:15that I had
00:28:16to meet you.
00:28:16You are the first boyfriend
00:28:18which introduces us to Bea.
00:28:19Yeah.
00:28:20Love
00:28:20that when it arrives,
00:28:22arrives.
00:28:26I don't know,
00:28:29but I don't see you.
00:28:31Come on,
00:28:31hang your keys
00:28:32of the pants,
00:28:32let's see if it improves.
00:28:33But these keys
00:28:34that open.
00:28:35Nobody knows,
00:28:35but they are part
00:28:36of the uniform.
00:28:37Oh yeah?
00:28:38Nativity scene,
00:28:39the letters
00:28:40we want them in hand.
00:28:41And the garbage
00:28:41you have to get it out
00:28:42at 9 pm.
00:28:43And wash the buckets
00:28:44inside daily
00:28:45that if they don't smell.
00:28:46All windows
00:28:47from the patio
00:28:47and the balconies
00:28:48you have to clean them,
00:28:49which are common elements.
00:28:51But Emilio
00:28:51did all that.
00:28:52And more things
00:28:53that we will tell you.
00:28:54When you find out
00:28:55from some gossip,
00:28:56It must be said.
00:28:57And if you don't invent it,
00:28:58because it is a creative work.
00:29:00Exact.
00:29:00Don't be overconfident
00:29:01that you are on trial.
00:29:02Thank you so much.
00:29:03I thank you
00:29:03this opportunity
00:29:04that they offer me.
00:29:05I'm excited.
00:29:10I mean,
00:29:11that I throw them from above
00:29:13and you give me one
00:29:13in the goal.
00:29:14You do it to annoy me.
00:29:16Let him shut up.
00:29:17Juan,
00:29:18you haven't spoken to him
00:29:19of salary, right?
00:29:20We pay him less
00:29:21that she is an intern.
00:29:22Oops!
00:29:22The president
00:29:23and the cow.
00:29:24There's going to be trouble here.
00:29:25The Marchioness is here
00:29:26from the chinchón.
00:29:27Oops!
00:29:27I have to go
00:29:28that I have an interview.
00:29:29An interview?
00:29:30About what?
00:29:31It's that Paloma
00:29:31wants to get to work.
00:29:38What are you doing here?
00:29:39Don't you have anything?
00:29:40what to do or what?
00:29:40Well,
00:29:41is that until now
00:29:41Emilio always
00:29:42has invited me
00:29:42a hamburger
00:29:43and we talked
00:29:44of our things.
00:29:45Already.
00:29:45It doesn't work.
00:29:46Long.
00:29:46Well,
00:29:47had to try.
00:29:48Already.
00:29:49Nativity scene,
00:29:49may I know
00:29:50what are you doing?
00:29:50Well, I'll find my way,
00:29:51Alice.
00:29:51But this is serious.
00:29:52Are you going to work as a doorman?
00:29:54It's pathetic.
00:29:55I don't have a job,
00:29:56I don't have a home.
00:29:57So in the meantime
00:29:57I swallow and get in here.
00:29:58No,
00:29:59if you swallow you will swallow
00:30:00yours.
00:30:01But I believed
00:30:01that we were going to live
00:30:02together to another house.
00:30:03Yes of course.
00:30:04And I keep paying you
00:30:04I'm paying the rent, right?
00:30:05Nativity scene,
00:30:06fame costs.
00:30:06It's not something
00:30:07what is achieved
00:30:07from one day to the next.
00:30:08Alice,
00:30:09that you are 30 years old
00:30:10and you haven't done anything.
00:30:11May your artistic career
00:30:12It's a sausage ad.
00:30:14That you don't like,
00:30:14you have no talent.
00:30:16But if they haven't caught you
00:30:16not even in Big Brother.
00:30:17Look,
00:30:18if you were to succeed
00:30:18you would have done it already.
00:30:19So disabuse yourself
00:30:20and think a little
00:30:22what are you going to do with your life.
00:30:24Well,
00:30:24you two
00:30:25You're friends, aren't you?
00:30:26Maybe I went a bit too far.
00:30:33But I want to help you.
00:30:36I don't know,
00:30:36with what you told me
00:30:37I've realized one thing.
00:30:38The truth hurts,
00:30:39but it helps.
00:30:40You're so jealous of me, aren't you?
00:30:41As?
00:30:42I'm going to tell you something, Belén.
00:30:43When they give me something
00:30:44I don't think about you anymore
00:30:45mention in my speech.
00:30:46You've screwed up,
00:30:47but good.
00:30:48But, Alice,
00:30:49where are you going to go?
00:30:50Come here with me
00:30:51a few days.
00:30:53Don't worry,
00:30:53I'll find someone.
00:30:54I'm not that desperate.
00:30:55Do you live alone here?
00:30:56Surely with you
00:30:57wants to share.
00:30:58Paco,
00:31:00Do you believe?
00:31:00that with the amount
00:31:01from people I know
00:31:01I'm going to end up living
00:31:02with the clerk
00:31:03from a video store?
00:31:04How little you know me.
00:31:06José Miguel,
00:31:07I have taken inventory
00:31:07and chocolate bars are also missing.
00:31:09Hello, Paco.
00:31:10How are you?
00:31:12Hello.
00:31:18Good morning, how are you?
00:31:23What a nice day it is, huh?
00:31:24What goes to market?
00:31:25To pilates?
00:31:27Well, nothing,
00:31:27as a souvenir.
00:31:28He hasn't even looked at me.
00:31:29I'm going to have to put
00:31:30a reflective vest.
00:31:31Emilio, darling.
00:31:32Hello, how are you doing?
00:31:34Good, good, good.
00:31:36But what a pleasure!
00:31:36that someone directs you
00:31:37the word.
00:31:37Of course, here with so many listings
00:31:38They are all stuck-up.
00:31:39But you look so handsome, darling.
00:31:41Yeah.
00:31:41Look, Antonio,
00:31:42Do you want to give Emilio a kiss?
00:31:44Clear,
00:31:44that your child arrives later
00:31:45and gives you all his love
00:31:46and your sorrows are gone.
00:31:47Hey,
00:31:48let's see if he's afraid of the goatee.
00:31:49Maybe it reminds you
00:31:49to the bad from the worthy.
00:31:50You have to give it time.
00:31:51He's just shy.
00:31:52and also,
00:31:52as he was so close
00:31:53to his stepfather...
00:31:54Yeah, sure,
00:31:54that the child has a problem
00:31:55will end up calling dad
00:31:56even Madonna's clown.
00:31:57But you stay calm, okay?
00:31:58Because from now on
00:31:59you will be able to be with him
00:32:00as long as you want.
00:32:01Oh yeah?
00:32:02Yeah.
00:32:02I'm divorced!
00:32:04We can get married
00:32:04whenever we want, Emilio.
00:32:05Ah, that's very good,
00:32:06but it has to be organized on Sunday,
00:32:07which is the day I have a day off.
00:32:08But if you have 15 days
00:32:09on vacation by law...
00:32:10Oh yeah?
00:32:11Yeah.
00:32:11Damn, let's get married now,
00:32:12that summer is coming.
00:32:14Did he tell you that he remembers me?
00:32:15to you very much
00:32:16to Ursula Andres?
00:32:18And that's how it was
00:32:18a Scandinavian beauty.
00:32:20Well, my whole family
00:32:21is from Leon.
00:32:22Well,
00:32:23but in Mexico
00:32:23they became Moors
00:32:24everywhere,
00:32:25leaving no hypothesis.
00:32:26Yes indeed,
00:32:27to my father
00:32:27I have not loved her
00:32:28on honeymoon
00:32:28that if I leave him here alone
00:32:29it sinks me.
00:32:30Hello, Mrs. Almudena.
00:32:33Emilio,
00:32:34tell your father
00:32:35that he does not walk around
00:32:35through the building,
00:32:36that creates concern
00:32:37among the neighbors
00:32:38and not to play
00:32:40with the monitors.
00:32:41Excuse me,
00:32:42is that last year
00:32:42wanted to learn to swim,
00:32:44clear,
00:32:44swallowed a lot of chlorine
00:32:44in the pool
00:32:45and that has left him
00:32:45an irreversible sequel,
00:32:46but don't worry
00:32:47that will not happen again.
00:32:48Well, I hope so.
00:32:50What did he tell you?
00:32:51I've got her crazy, huh?
00:32:52Crazy,
00:32:52come on, jump in there now.
00:32:54This is already today...
00:32:55It's bad!
00:32:56I'm hallucinating,
00:32:59come on,
00:32:59What would they want for?
00:33:00those two the floor?
00:33:01They envy me
00:33:02that they can't handle her.
00:33:03And why don't we pass?
00:33:03of the topic
00:33:04and we stop messing around?
00:33:05Let them keep it
00:33:05if it doesn't make us either
00:33:06so much missing.
00:33:07No,
00:33:07which makes me very excited.
00:33:08Imagine the bedroom
00:33:09that can stay with us,
00:33:10Hey?
00:33:11And the living room is whole
00:33:12all study for you.
00:33:13Already,
00:33:14but these people
00:33:14is going to end up throwing us away
00:33:15through the elevator shaft.
00:33:16Let's see,
00:33:16tomorrow they give us 47 million,
00:33:18I'm missing three...
00:33:20Oh,
00:33:20and where can I get them?
00:33:21Well, I don't know.
00:33:22Dear,
00:33:22didn't you have
00:33:23a little money saved
00:33:24in your account?
00:33:25Hey?
00:33:26No,
00:33:27I mean,
00:33:27Yeah,
00:33:28but come on,
00:33:28which is for an emergency,
00:33:29change the car,
00:33:30I don't know,
00:33:30come on,
00:33:31important things.
00:33:32Come on,
00:33:32goes,
00:33:32if only a little help.
00:33:33My love,
00:33:33I pay the mortgage
00:33:34and you don't lose the money,
00:33:36you invest it.
00:33:36Already,
00:33:37but I'm more of a spender.
00:33:38Aren't you excited?
00:33:39It would be a flat for life.
00:33:42Yeah,
00:33:42for the kids and all that,
00:33:43No?
00:33:44Yeah.
00:33:45Come on,
00:33:45I'm going to call the notary
00:33:46and tomorrow,
00:33:47first thing in the morning,
00:33:48we take out the money
00:33:48and we signed.
00:33:52It is taxed,
00:33:53No?
00:33:59Pigeon,
00:34:00the truth is that you have
00:34:00an impressive resume,
00:34:02from what I see,
00:34:03has worked a lot abroad.
00:34:04Mostly in Germany
00:34:05and in the United States.
00:34:06Here it says,
00:34:07refloating companies in the sector.
00:34:09What happens is that now
00:34:10I want to be a prophet in my land.
00:34:12My family doesn't know anymore
00:34:13what language you speak.
00:34:14Look,
00:34:15we are looking for
00:34:16a financial director
00:34:17expert in international markets.
00:34:19Asset diversification,
00:34:20currency evolution,
00:34:21cash flow optimization.
00:34:22Yes, let's go,
00:34:23what I've always done.
00:34:24I guarantee results.
00:34:25You sign the contract for me.
00:34:26and I tomorrow
00:34:28I'm already optimizing.
00:34:30Well,
00:34:30the decision depends
00:34:31of the board of directors.
00:34:33Well, you read me now,
00:34:34because I have three other offers.
00:34:36So,
00:34:37or I get out of here
00:34:38with a contract
00:34:38or regretting it very much
00:34:40I'll have to go to the competition.
00:34:42You'll see.
00:34:46I just don't understand, Isabel.
00:34:47What do you want the top floor for?
00:34:49Well,
00:34:49I need my space.
00:34:51Don't be offended, Andrés,
00:34:52but I see you
00:34:53too many times a day.
00:34:54Besides,
00:34:55I want to set up a yoga school.
00:34:56And where are you going to get the money from?
00:34:58No one in their right mind
00:35:00he's going to lend it to us.
00:35:01My sister,
00:35:02lend me half.
00:35:04He only set me one condition.
00:35:05that you have nothing to do with it.
00:35:06But,
00:35:07Why does he have such a grudge against me?
00:35:08Because you owe him 12 million
00:35:09to the best.
00:35:10He does not forget,
00:35:11Hey.
00:35:11Look how spiteful.
00:35:12Over time,
00:35:13what does that make of it?
00:35:14Well,
00:35:14and the other half
00:35:15where are you going to get it from?
00:35:17The other half
00:35:17I'll put it there myself
00:35:18from my savings.
00:35:22What savings?
00:35:24Well,
00:35:25I have an account for myself.
00:35:26Since when?
00:35:27Since that time
00:35:28that were about to
00:35:28to put you in jail.
00:35:30Don't you remember?
00:35:30when the Sampo
00:35:31already Russian
00:35:32against hair loss?
00:35:33Let me get this straight, Mom.
00:35:35You are saying
00:35:35that they have seized our chalet,
00:35:36that we are living poorly
00:35:37in 80 square meters,
00:35:38but that you have
00:35:3925 million in the bank.
00:35:40Hey?
00:35:41Yeah.
00:35:42I hope you have
00:35:42a good explanation
00:35:43to see you silent.
00:35:46He has it, he has it.
00:35:47This is the last straw, Isabel.
00:35:49This is no longer a marriage
00:35:50nor is it anything.
00:35:51If we do not trust
00:35:52in each other,
00:35:53what is left for us?
00:35:54Well, 25 million to her.
00:35:55I don't see the joke.
00:35:57This family is sinking.
00:36:01But why?
00:36:01Did you take it so badly?
00:36:02Mother,
00:36:03because this in practice
00:36:04it is a separation.
00:36:05What's up?
00:36:05If I'm up,
00:36:06it's like a chalet,
00:36:07with the advantage
00:36:08that they do not have
00:36:09the stairs inside.
00:36:10Hey,
00:36:10if you feel alone
00:36:11can I get on
00:36:11to live with you.
00:36:13Do you want more potatoes?
00:36:15Then the floor
00:36:16you keep it for yourselves,
00:36:17No?
00:36:17Surely Lucia
00:36:18has the money.
00:36:19Three kilos were missing
00:36:20and I have to put them
00:36:20I'm on my own.
00:36:22I can already see myself cleaning.
00:36:23two kitchens,
00:36:23two bathrooms
00:36:24and with three chorumbeles.
00:36:25But that's at your age.
00:36:25It's nice, man.
00:36:26To me it's another mortgage
00:36:27It breaks me.
00:36:28That would no longer be
00:36:29creative accounting,
00:36:30it would be art and essay.
00:36:32You are talking
00:36:32about the apartment, right?
00:36:34Can you believe it?
00:36:35that Isabel has money saved
00:36:36and he hadn't told me anything?
00:36:38Yes, yes.
00:36:39Yes, it suits me very well.
00:36:40your wife, damn it.
00:36:41No, no, Isabel
00:36:41can't go live upstairs.
00:36:43He's going to realize
00:36:44that I am not needed.
00:36:45Even I realize it.
00:36:47In any case,
00:36:47for once,
00:36:48I'm not the one who's in trouble.
00:36:49To Paloma on the bench
00:36:50they have asked you for a payroll
00:36:51and how it is materially
00:36:52impossible
00:36:52that in their conditions
00:36:53find a job...
00:36:54John, John, John.
00:36:56I already have a job.
00:36:57Look, I'm a CFO.
00:36:59and I optimize, I don't know what?
00:37:01In the markets of the world.
00:37:02I start tomorrow.
00:37:04But you don't know anything about that.
00:37:05You're going to make a fool of yourself.
00:37:06But if I'm not going to go,
00:37:07so that?
00:37:08With this tomorrow,
00:37:09first hour,
00:37:09we are at the bank.
00:37:10That apartment is already ours.
00:37:13Oh!
00:37:13But in what kind of country
00:37:14we live as they believe
00:37:15what do resumes say?
00:37:16I don't bang my head
00:37:17against the wall
00:37:18because it is an alteration
00:37:19of common elements.
00:37:20What is clear
00:37:21is that we are
00:37:21in the same boat
00:37:22and is sinking.
00:37:24We are all three nominated.
00:37:26Some Palma for sure.
00:37:27And what do we do?
00:37:28Because the three
00:37:28they will have the money.
00:37:30Calm down.
00:37:31Concha is the one who has
00:37:32to sign, right?
00:37:34Well, he's not going to sign.
00:37:41He lies
00:37:42the amount of things
00:37:43that we have
00:37:43without having a penny.
00:37:44I don't know
00:37:45if they will fit me
00:37:45all down.
00:37:47Well then
00:37:47You already lower everything, right?
00:37:49And why me?
00:37:50No, since you're the goalkeeper.
00:37:51How do you leave it lying around?
00:37:52to your best friend
00:37:53for a rubbish job.
00:37:54Clear,
00:37:55is much more worthy
00:37:56to flirt with her
00:37:57to poor Paco
00:37:57in exchange for a free house.
00:37:59No.
00:37:59Sorry,
00:38:00but Paco is my friend
00:38:01many years ago
00:38:01and has had the detail
00:38:02to welcome me into his attic
00:38:03without collecting my rent.
00:38:05Normal.
00:38:05If you ask for it
00:38:06with your face
00:38:06from a sausage advertisement,
00:38:08has convinced you
00:38:09that you want to get involved with him.
00:38:11Nativity scene,
00:38:11it's not my fault.
00:38:12That's what they think
00:38:13in 99% of men.
00:38:15And 98% of them succeed.
00:38:17Well,
00:38:18I'm leaving.
00:38:19Nice to have met you.
00:38:22Likewise.
00:38:23Bye bye.
00:38:24Bye bye.
00:38:24He's coming to live with me, uncle.
00:38:31It's clear that he likes it.
00:38:32Yes, yes,
00:38:33it is clear,
00:38:33it's clear.
00:38:34In the background
00:38:34Alice has always been there
00:38:35in love with me
00:38:36and what happens is that
00:38:37he did not dare to take the step.
00:38:39She's just shy.
00:38:40It's the old story
00:38:41from Hollywood.
00:38:42The actress
00:38:43and the film director.
00:38:44Well today is the premiere,
00:38:45let's see how it goes.
00:38:48I'm here.
00:38:49Sorry for the delay.
00:38:50It's just that I was saying goodbye
00:38:52from my friend.
00:38:52Let me help you.
00:38:54Let's go for a walk, shall we?
00:38:56Don't you think so?
00:38:57what makes a night
00:38:58lovely?
00:38:59Ah,
00:39:00yes, yes, yes.
00:39:02Was your house far away?
00:39:03It's because I wear heels.
00:39:04No.
00:39:09How beautiful love is, huh?
00:39:12Hey, what's up with you?
00:39:13Are you going to be stuck?
00:39:14to me all day?
00:39:15It's that over here
00:39:15there are no more children
00:39:16and the most childish
00:39:17that I had at hand
00:39:18it was not me.
00:39:19Hey, this?
00:39:20This is great.
00:39:21Your boyfriend is a cook
00:39:22excellent.
00:39:23What a signing, huh?
00:39:24That's what made me fall in love with him.
00:39:26And how did you meet?
00:39:27At work.
00:39:28Well, I was just leaving class.
00:39:29and I from work
00:39:30and we crashed into the car.
00:39:32But Bea doesn't drive.
00:39:34Well, that's why we crashed.
00:39:35Because he left him the car
00:39:36to a friend
00:39:36and making the reports,
00:39:37hehe, ha, ha.
00:39:39And here we are,
00:39:40meeting the family.
00:39:41Does it seem appropriate to you?
00:39:42to be living together
00:39:43almost without knowing you?
00:39:44No.
00:39:45Not appropriate.
00:39:46No, besides I just said
00:39:47To Bea, I told you so, didn't I?
00:39:48It's a joke, man.
00:39:49If I have it,
00:39:50I have him overwhelmed.
00:39:52Yes, it's my brother
00:39:53has a great sense of humor.
00:39:54If instead of homilies
00:39:55does monologues,
00:39:56This is how churches become.
00:39:58To me, it seems very good to me.
00:39:59that you are living together.
00:40:00The important thing is that then
00:40:01the marriage works.
00:40:02That's right, until then,
00:40:03Well, no sex.
00:40:07Excellent.
00:40:09No sex.
00:40:09Your brother is the bomb, huh?
00:40:11He releases one after the other.
00:40:14I mean that.
00:40:16Oh, right.
00:40:17No no.
00:40:17But no sex.
00:40:19There has been no sex.
00:40:20We haven't done anything, have we?
00:40:21No, no, no.
00:40:22As far as I can remember, no.
00:40:24Well, I'm going to sleep on the couch.
00:40:26that a good trip awaits me tomorrow.
00:40:28Yes, we are going to bed too.
00:40:29and so we let you rest.
00:40:31Come on, baby?
00:40:32Come on.
00:40:33Good night.
00:40:35Good night.
00:40:36Well, he's very nice, your brother.
00:40:41I think if you told him about yours
00:40:43I wouldn't understand.
00:40:44He might even make another joke.
00:40:45But have you seen how it has become?
00:40:46When did the topic of sex come up?
00:40:48It's very traditional at heart.
00:40:49I remember once when we were little
00:40:50who returned home
00:40:52and caught my older sister with her boyfriend.
00:40:54Well, well, how did it get?
00:40:56Oh my God, she's changing right here in front of me.
00:40:57Also, I wanted to hit my sister's boyfriend.
00:40:59Calm down, it's a woman's body,
00:41:01it doesn't tell you anything.
00:41:02No, oh, she has nice breasts.
00:41:05But you don't measure them.
00:41:08Has it moved a little?
00:41:10No, calm down.
00:41:12This is like when you go nudist on the beach.
00:41:14If you get nervous, you're lost.
00:41:17Oh, mother, she's going to take off her bra.
00:41:20Think of something else.
00:41:21Rivers of Spain.
00:41:23The Ebro, the Niño, the Duero, the Tagus,
00:41:24the Guadiana, the Guadalquivir.
00:41:26He's looking again.
00:41:27My father, my sister did not leave the house
00:41:28until reaching the age of 18.
00:41:30Of course, at 25 I already had four children.
00:41:33What's up? Aren't you going to bed?
00:41:35Yes, of course, of course.
00:41:40But dressed!
00:41:42Aren't you putting on your pajamas?
00:41:42The pajamas, the pajamas.
00:41:43I felt strange.
00:41:44But I'd rather change bathrooms.
00:41:46The Tagus River is born in the Sierra del Albarrecín,
00:41:48province of Teruel.
00:41:50Mauri, are you okay?
00:41:52Damn, how does this kid play?
00:41:54He's a crack.
00:41:55Will you shut up, Dad?
00:41:56I'm here with the French Revolution
00:41:57and the musketeers haven't shown up yet or anything.
00:41:59But why do you continue studying at university?
00:42:01If here they pay you for doing nothing.
00:42:03I just don't understand.
00:42:03I haven't reached my peak yet.
00:42:05A good father's bar
00:42:05is to give your child a future.
00:42:06On the contrary, ignorant of life.
00:42:08We're aiming for a football team for this one.
00:42:10and we say that they are going to Chilean.
00:42:11Antoniño.
00:42:12You be careful what you say,
00:42:13Then Rocío gets angry at me.
00:42:15I'm going to take out the trash.
00:42:19Where are you going?
00:42:20You shut up and train.
00:42:22Damn, the flower I forgot.
00:42:23Hello, Almodera.
00:42:36But what are you doing here, Mariano?
00:42:39I'm not Mariano,
00:42:40I am the love that knocks at your door.
00:42:42The trick of filled chocolates never fails.
00:42:48Concha assures that she takes three or four
00:42:50and we have it out of service 24 hours a day.
00:42:52Just the time I need
00:42:53to fire Paloma
00:42:55and run out of credit.
00:42:56And the one I need?
00:42:57to get Isabel's account number?
00:42:59But we won't be going too far.
00:43:01We have mixed ten different pills.
00:43:03Let's see if this lady is going to stay put.
00:43:05What's up?
00:43:05If this is all herbalist,
00:43:07no problem.
00:43:07Andrés, it says Valium here.
00:43:09And where do you get that from?
00:43:11From the Valium plant.
00:43:12How do you know you haven't been on the mountain?
00:43:14And the chocolates already have liquor in them.
00:43:16It's going to be an explosive mix.
00:43:18Don't worry, if you don't have to drive.
00:43:20Come on, let's go.
00:43:21What I don't know is if Concha is going to swallow it.
00:43:22that we give him a present, eh?
00:43:23There is no precedent in our community.
00:43:26Yes, man.
00:43:27We'll come up with something original.
00:43:29Happy birthday.
00:43:33Happy birthday.
00:43:35We wish you, Concha.
00:43:40Happy birthday.
00:43:42But what do you say if my birthday has already been?
00:43:45That's why the president has realized it here.
00:43:47that we missed and couldn't be.
00:43:50Correct.
00:43:51The enomastics committee has met
00:43:52and has decided unanimously
00:43:54give her those delicious Swiss chocolates.
00:43:56Filled with liquor, also Swiss, of course.
00:43:59But we didn't vote for that, right?
00:44:00He must have ruined the community.
00:44:03Sausage!
00:44:04Hey, for once Mr. Cuesta gives us something,
00:44:06you go and complain.
00:44:07Don't be ungrateful.
00:44:09No, be careful.
00:44:10It's a gift just for Concha.
00:44:11The nuance is important.
00:44:12But if I can't eat chocolates,
00:44:14that I have very high cholesterol.
00:44:16No, these do.
00:44:17They are herbalist's lipo-chocolates.
00:44:19They are light.
00:44:20No cholesterol or anything.
00:44:22They are very sonorous.
00:44:23With trace elements, neutral pH,
00:44:25active bifidus and that of God.
00:44:26In the United States they are advertised by Cindy Crawford.
00:44:28Ah, then things change.
00:44:30Well, since they are liquor, let's toast.
00:44:33Take one each.
00:44:34No, no, no.
00:44:34For God's sake, they're for Concha.
00:44:36So that they can enjoy their privacy.
00:44:38I am the president.
00:44:39I cannot drink alcohol during working hours.
00:44:41Take one.
00:44:42That if it doesn't bring bad luck.
00:44:44Come on.
00:44:46Come on, you take it, you.
00:44:48Come on.
00:44:49Come on.
00:44:49Come on.
00:44:51Above.
00:44:52Below.
00:44:52To the center and inwards.
00:44:55Well, congratulations.
00:44:57See you.
00:44:58It's great.
00:44:59Thank you so much.
00:45:00You are welcome.
00:45:04In the end, all three will fall, but hey, they are collateral baths.
00:45:08Better.
00:45:09So tomorrow they won't even open the door.
00:45:11Hey, we didn't put anything on the squares, right?
00:45:13What do you mean no?
00:45:14Of everything.
00:45:15Damn, I swallowed it.
00:45:17It melted in my mouth.
00:45:19Well, but it's okay for one person, right?
00:45:20I don't know.
00:45:22Tomorrow we will find out.
00:45:23Shaps, irat, shaps, irat.
00:45:26I'm going to throw this away.
00:45:27But you haven't eaten it.
00:45:28I have to take care of myself.
00:45:30If we're going to Benidorm, I want to look pretty.
00:45:32They are awesome.
00:45:34Let's see this long one.
00:45:35I shouldn't do this.
00:45:37But a day is a day.
00:45:38I'm going to sin.
00:45:39You sin on this side and I on this.
00:45:45Well, here it is.
00:45:48Hey, didn't you say you lived in an attic?
00:45:50Yeah.
00:45:51It is a very charming attic.
00:45:54Well, wait a moment, I have a surprise prepared.
00:45:57I'll let you know, okay?
00:45:58If it's too much trouble, I can go sleep at my parents' house, who live right next door, 200 kilometers away.
00:46:04No, no, no.
00:46:05I'm here, I'm here.
00:46:06Come in, come in.
00:46:07What do you think?
00:46:14You didn't expect that, did you?
00:46:15No, the truth is that I don't...
00:46:17What's happening?
00:46:17There is no light either.
00:46:18No, it was to give a romantic touch to our first night together.
00:46:22Works great, huh?
00:46:23I saw it on TV.
00:46:24Hey, Paco.
00:46:25I think we should talk before because...
00:46:27Be careful with the petals, be careful.
00:46:29Oh.
00:46:29Look, it says Ali.
00:46:32From Alice.
00:46:33It's just that I didn't have enough left.
00:46:35Yes, very nice.
00:46:36Look, Paco.
00:46:37I think we need to talk...
00:46:38You're going to have to take the initiative because I'm a little nervous.
00:46:42Since it's my first time.
00:46:45As?
00:46:46That I am a virgin.
00:46:49I know it's a bit weird at 26, but it was voluntary, right?
00:46:53I was waiting for someone special.
00:46:56Someone like you.
00:46:57Ah.
00:46:58Hey, it's okay, waiting is very nice because...
00:47:02Because waiting...
00:47:03Hey, excuse me for a moment, my phone is vibrating.
00:47:06Should I take off my clothes or should we take each other's?
00:47:09You better blow out those candles while you open the curtain.
00:47:11Yes, better.
00:47:11Turn.
00:47:12Turn.
00:47:12Yeah.
00:47:13Yeah.
00:47:13Yeah.
00:47:13Yeah.
00:47:14Nativity scene.
00:47:15For the record, she's still mad at you, huh?
00:47:33But you have to listen to this, it's great.
00:47:36Paco is a virgin.
00:47:38What is virgin?
00:47:39Aunt, gran reserva, 78 vintage.
00:47:42And what are you telling me?
00:47:43No.
00:47:43Since you're the doorman, you'll be interested in some gossip.
00:47:46Oh, one more thing.
00:47:47Would you mind if I slept with you tonight?
00:47:49No way, find a way.
00:47:51Hey, we're friends, you can't do this to me.
00:47:53Don't leave me alone with...
00:47:55Alicia, I have a question about the condom.
00:48:03What do you prefer?
00:48:04Kiwi, pineapple or berries?
00:48:07Wait a minute, I'll go get some champagne and I'll be right back.
00:48:11Why are you taking your suitcase?
00:48:12It's that I have the money here.
00:48:17Dude, make the most of this night.
00:48:19Touch her when she's asleep, see what happens.
00:48:22Bea.
00:48:22Are you asleep?
00:48:39Mauri, what are you doing?
00:48:40Nothing, go to sleep, I'm checking something.
00:48:42But how do you want me to sleep?
00:48:43Were you groping me?
00:48:45Well yes, I'll explain it to you right away.
00:48:46It's just that yesterday when I got into bed with you I had an erection.
00:48:48Ah, well, thank you very much, I feel much calmer now.
00:48:50No, but it was very little.
00:48:52And now I haven't felt anything, not a bit of situation, nothing.
00:48:56It was a false alarm.
00:48:57It's all right, I'm gay.
00:48:59Shh.
00:49:00Bea, are you okay?
00:49:01Yes, yes, yes, no, it's okay, I just had a nightmare.
00:49:05But nothing happens.
00:49:06Ana, I sleep on the floor.
00:49:08But what are you doing?
00:49:09I'm not going to mess with you anymore, silly.
00:49:11Get on the bed and I'll get down to the floor.
00:49:12I'm staying here.
00:49:13Well, me too.
00:49:14Good night.
00:49:15See you tomorrow.
00:49:15Juan, hurry up.
00:49:25It's five to eight, they're about to open the bank.
00:49:27Just a minute, I'm getting dressed.
00:49:29Mom, don't you think it's immoral to spend money on another apartment?
00:49:32When your daughter has to pick up the first guy she can find to get a drink.
00:49:35And while your child is starving at recess, why don't you even give him enough for a lousy bun?
00:49:39Buns?
00:49:39There you have buns.
00:49:40And don't complain so much, that apartment will be yours one day.
00:49:43Yes, the mortgage will be ours, because you're not going to finish paying it off, no way.
00:49:47You keep that one and I'll keep this one, since I've already thought about the renovation.
00:49:51Juan, Juan, the herbs.
00:49:54He's coming out, he's going to get ahead of us.
00:49:56I am, I am already.
00:49:57Oh, I forgot to brush my teeth.
00:49:59Leave him, I'm going.
00:50:00You go find a shell and tell him I'll be right back with the money.
00:50:03But it doesn't take long.
00:50:04What the hell is wrong with you, Roberto?
00:50:05Because you've been laughing since you woke up.
00:50:08No, it's just that I'm going to spend three kilos on a house and we're going to get into construction.
00:50:11It's great.
00:50:14We're going to have children as soon as possible so they can finish paying for it.
00:50:21Hey!
00:50:22Don't run, don't worry, I'm carrying cuts.
00:50:30Yes, of course, with a pregnant woman you can do it, right?
00:50:33No, come in, come in, I'll do the washing up again.
00:50:36Damn, what energy in the morning.
00:50:41Your wife has the advantage.
00:50:43I saw him from the balcony.
00:50:44Yes, but your bank is closer.
00:50:46It's going to be very close.
00:50:46This is going to be a photo finish.
00:50:48Hey, your wife will have to take a drug test, right?
00:50:52Because what you have in the kitchen...
00:50:53Calm down, Juanito.
00:50:54If he's like this with a hottie, Concha is currently in her bed looking for life on Mars.
00:51:01Well, I found it.
00:51:03I don't know why three notaries have to come.
00:51:06They called me.
00:51:07Me too.
00:51:08I don't know what this is about, but my time is worth money.
00:51:11We go to the third one and wait for them there.
00:51:14If someone wants it for fifty-five million, it's perfect for a notary's office.
00:51:20Hey, I see it perfectly.
00:51:21Something went wrong here.
00:51:22It's impossible if all the older ladies like chocolates.
00:51:26The Jalisco conga, here it comes.
00:51:30It is clear that these two do.
00:51:32Damn, they didn't leave any for Concha.
00:51:35Do you want to tell me what we do now?
00:51:37Have a chocolate.
00:51:39You'll see how everything doesn't matter.
00:51:40I'm going to see Mauri, to see if he's successful.
00:51:43The Jalisco conga, here it comes.
00:51:50Can you pass me the jam, my love?
00:51:52Of course, sweetheart.
00:51:54Do you want me to spread your toast?
00:51:55No, I'll put it on myself, thanks.
00:51:57Well, there's no need to pretend, okay?
00:51:59I know everything.
00:52:01I heard you arguing last night.
00:52:03Save yourself, I can explain.
00:52:05You don't need to explain anything.
00:52:06You have to understand that my sister wants to be a virgin until marriage, man.
00:52:10Ah, yes, I understand.
00:52:11The thing is, it's hard for me, sometimes it's hard, because the flesh is weak and instincts...
00:52:17No, and it's hard for me too, but we have to make the effort,
00:52:20because when the moment comes it will be beautiful.
00:52:23Precious?
00:52:23Look, the important thing is that you love each other, and it shows.
00:52:27I've been looking at my calendar and I think I can marry you in the summer.
00:52:31Oh, in summer, it's because in summer I get very hot.
00:52:35It's a joke, man.
00:52:37Mom is looking forward to meeting him though.
00:52:40Oh, Mom knows about us too.
00:52:43Well, Salva must have told her because I haven't spoken to her.
00:52:46Well, I'm going to pack my suitcase because I have to go to the airport.
00:52:49Oh, wait, wait, we'll come with you.
00:52:50Honey, would you mind if we went to the bedroom for a moment?
00:52:53Uh, yeah, that's how we finished getting dressed.
00:52:56We'll be right there.
00:52:59Well.
00:53:01This is the last straw, and on top of that your soft mother.
00:53:03What's my fault if my brother is a big mouth?
00:53:04And on top of that, he has ruined my life, but he really irritates me.
00:53:07How do you put up with it?
00:53:07Well, if we can't stand her, why do you think my father put her in a seminary?
00:53:10Last time you do this to me, huh? Last time.
00:53:12Hey, do you want to change that face? Will he notice?
00:53:14But you're more rude than me.
00:53:15Ah, if you don't dedicate me, it's to put my hand in whenever I'm not looking.
00:53:17You're such a gay man.
00:53:18It's your fault.
00:53:19Whose idea was it for us to sleep together?
00:53:21And who asked me to pretend to be her boyfriend?
00:53:22Hey, if I give you so much trouble, I'm leaving.
00:53:24Yeah, go away. Now that I'm in crisis, leave me alone.
00:53:26Come on, go on, put on your shoes, we're going to be late.
00:53:29We appear epiblas, damn.
00:53:30All day talking, low voice.
00:53:33Mauri?
00:53:37Mauri?
00:53:39Are you there?
00:53:41How are you there?
00:53:42Hello good morning.
00:53:46Hello, is Mauri here?
00:53:47Yes, yes, he's in his room, getting dressed.
00:53:49Ah.
00:53:53Ah, you've fixed his problem, huh?
00:53:57As?
00:53:57If I already told him that I was gay, he shouldn't worry.
00:54:00But the other night he slept with Bea, his roommate.
00:54:02Do you know her?
00:54:03Yes, yes, yes, quite a lot.
00:54:05And he had an erection.
00:54:06You see, she's a lesbian.
00:54:08Yeah?
00:54:08That Bea is a lesbian?
00:54:09Doesn't it seem like it?
00:54:11Well, I was following my girlfriend, the girl didn't hold back.
00:54:13Excuse me, who are you?
00:54:15I, Roberto, a neighbor.
00:54:17Nice to meet you, and you?
00:54:19Well, I'm Salva, Bea's brother.
00:54:22Hosts.
00:54:23But you, I mean, you, Father, already knew that, didn't you?
00:54:28Well no, I didn't know.
00:54:30Well, we're ready now, huh?
00:54:33Don't fuck with me, this is a secret confession, right?
00:54:35I go home and pray ten Hail Marys.
00:54:37Come on, see you later, I'm going and I have to do something here.
00:54:39Come on.
00:54:40Come on.
00:54:41Well, shall we go?
00:54:42Well no, we're not leaving.
00:54:44Man, where's that luxury goalkeeper?
00:54:49Damn, man, how are you dressed like a loser?
00:54:52How did you leave yourself?
00:54:53Josebi, but you didn't have to be at school.
00:54:54What's up?
00:54:55I'm at the dentist.
00:54:56The advantage is knowing how to forge my father's signature.
00:54:59Hey, why are you watering this?
00:55:00If it is plastic.
00:55:00Yes, I know, but I'll have to do something here, otherwise I'll get bored.
00:55:03Hey, have they forced you to walk like that too?
00:55:05What's up?
00:55:05It's the shoes that hurt me.
00:55:07And this floor is like a skating rink.
00:55:09Hey, how are things over there?
00:55:10Do you miss me?
00:55:11Well no, Belén has become a goalkeeper.
00:55:13Bethlehem as a doorkeeper?
00:55:14Poor thing, how hurt she is.
00:55:15With so much sleeping in my bed he's capable of anything.
00:55:17And my mother, Lucia and the herbs are fighting over the third B.
00:55:21Ah, well, this isn't the best.
00:55:23Alicia has gone to live with Paco.
00:55:25Damn, I'm missing out on a fantastic community week.
00:55:28Look, I don't understand anything here.
00:55:29There is no atmosphere here, no shouting, people don't talk to me.
00:55:31and televisions, this is a pain.
00:55:33The most interesting thing I saw this morning was a dog defecating.
00:55:35And can you believe that there is a meeting once a year?
00:55:37Damn, man, these people are really weird.
00:55:38You have no place here.
00:55:40Emilio.
00:55:40Hey, President, go, go, go.
00:55:42Come on, you loser God.
00:55:44Can we talk for a moment? This is a very serious matter.
00:55:46Yes, of course, Mrs. Almudena, tell me.
00:55:48Your father came to my house yesterday with the intention of having sex with me.
00:55:53Ah, well, Doña Almudena, don't hold it against her.
00:55:55My father is a wanderer, he falls asleep with the TV on.
00:55:57and according to the last thing I saw...
00:55:58This is very serious, Emilio. It's a breach of trust.
00:56:01And furthermore, sexual harassment is a crime.
00:56:04Of course, we'll put him in jail. I'll testify.
00:56:06Look, my patience has a limit and, I'm very sorry,
00:56:11I think you're going to have to leave your job.
00:56:13Doña Almudena, but I'm very excited and I promise you that you won't come back...
00:56:15But does what your father did seem normal to you?
00:56:17No, no, no, it's from a sick mind.
00:56:19Come on, wanting to get on your nerves is disgusting.
00:56:22What's wrong? You don't find me attractive?
00:56:24Uh, yes, yes, yes, yes, come on, she's a lady of many categories.
00:56:28Let me explain. It seems like he takes care of himself and hasn't had any surgery or anything.
00:56:31Just because I rejected your father doesn't mean I'm closed off to a possible intimate relationship.
00:56:36with a younger, more desirable man who could please me with complete discretion.
00:56:44Ah.
00:56:47I'm sure we'll be able to forget that unpleasant incident.
00:56:50This is my key, in case you ever need to come up.
00:56:58The service goes to bed at twelve.
00:57:00It's that people are dirty, they are throwing away the garbage.
00:57:23Belén, I'm the first.
00:57:25Well no, because Paloma is going up the stairs.
00:57:28Run, take the elevator!
00:57:30What a mess he is on the third floor with the notaries!
00:57:32Okay, thanks.
00:57:33Nothing.
00:57:35Come on.
00:57:38You're welcome, woman, that's what friends are for.
00:57:46There you stay.
00:57:48Nativity scene.
00:57:49Belén, the elevator has stopped!
00:57:51Yes, I'll call a technician.
00:57:53But the parts come from Germany, right?
00:57:55Damn, Belén, don't be vindictive.
00:57:56Come on, start it, please.
00:57:58Don't talk too much, or you'll run out of oxygen.
00:58:00But if I was going to let you live there as long as it took,
00:58:03but you haven't let me talk to you.
00:58:04Oh yeah?
00:58:06Come on, get it going, please, Belén.
00:58:08I know how to stop it, but I don't know how to turn it on.
00:58:11Look.
00:58:12Damn, Belén.
00:58:12What if I throw myself on the ground and have a heart attack?
00:58:21They leave me doing mouth-to-mouth and they go up to sign.
00:58:24No, rule it out.
00:58:25Juan.
00:58:26Juan, help me, I'm stuck in the elevator.
00:58:29Lucia, you know perfectly well from circular 38-04 of November 15
00:58:33that this, our elevator, is not in a condition to be...
00:58:36Juan, get her out of there, damn it, she's the first one to arrive.
00:58:39Hey?
00:58:40It's true.
00:58:41The president in me comes out.
00:58:42Lucia, let's see how we unlock this security door.
00:58:46But what security door?
00:58:48If this doesn't meet any regulations at all...
00:58:50Hey, watch out!
00:58:52Come on, come on, help me out.
00:58:55I'm drowning.
00:58:56Belén, I already have the check.
00:58:59Where's Concha? Am I the first?
00:59:00Well yes, because Lucía has arrived, but she's stuck in the elevator.
00:59:04That's my intern!
00:59:06Dude, I'm going to keep the house!
00:59:08I'm going to make her cute at the good decoder!
00:59:11I'll let you through!
00:59:13Take care, take care, take care, take care.
00:59:13Come on, they're going up, they're going up.
00:59:16Come on!
00:59:16Oh, I'm suffocating!
00:59:24Wow!
00:59:28Paloma, I'll treat you!
00:59:31I'm going to get caught in the middle here.
00:59:32Jump, Juan, jump!
00:59:33But how did she get out of here?
00:59:39I don't know, I'm going up!
00:59:41Herbs!
00:59:42Wow, look at that ginseng reprise!
00:59:44Let's go to the streets to do evil!
00:59:55I play dead on the sidewalk and when they serve me, I get up.
00:59:59No.
01:00:00We are going to do things that can be done before a notary.
01:00:03A raffle.
01:00:05I'm giving away my underwear.
01:00:06Hey, excuse me, these ladies have to be here.
01:00:08Well, I don't know what's wrong with them, they woke up like this.
01:00:11I'm here now.
01:00:12Come on, the apartment is mine.
01:00:13Yes, yes.
01:00:14Sorry guys, I'm the one who's doing the stealing today.
01:00:16Oops!
01:00:17No!
01:00:17I'm not letting go!
01:00:18You let go and I'll let go!
01:00:20No!
01:00:22Let's see if you go to the hairdresser because you have some roots.
01:00:24Okay, please, a little order.
01:00:26Come on, let's sign.
01:00:27Here's the check.
01:00:27Very good.
01:00:29May I write, please?
01:00:30I challenge!
01:00:31This is not valid!
01:00:32You, my notary, say something!
01:00:34I'll send you my invoice.
01:00:36Same to you!
01:00:37Malama, you're no longer of any use here, so if we care...
01:00:40One moment.
01:00:41This apartment cannot be sold.
01:00:42What do you mean no?
01:00:43Doña Concha, it is not in your name.
01:00:45The owner of the house is Mr. Antonio Rubio Cortés.
01:00:48Of course, my husband!
01:00:50So he's the one who has to sign.
01:00:51Well, of course he has, because he's been dead for ten years.
01:00:54But, Mrs. Concha, so the apartment isn't in your name?
01:00:56Of course!
01:00:57What my husband left is mine.
01:00:59Let's see, I'll explain it to you.
01:01:00In case of intestate succession...
01:01:01Hey, hey!
01:01:02In plain English!
01:01:03We all have to find out!
01:01:04If the owner dies without making a will,
01:01:07The house is not for the widow, but for the children.
01:01:09That is, inheritance occurs in a direct descending line, not lateral.
01:01:14Do you have children?
01:01:15Yes, one, but they don't talk to each other.
01:01:17He left her at a nursing home and she got upset.
01:01:19Anyway, I took her into my house because, poor thing, she can handle it.
01:01:22That's enough.
01:01:24Doña Concha, it is your son who must decide whether or not to sell the apartment.
01:01:28The sale cannot be carried out.
01:01:30Then sell it to me.
01:01:31Madam, you can't sell Lucía, you can't sell yourself, you can't sell anyone.
01:01:33Well, before he died, Antonio told me that he was leaving the apartment to me.
01:01:37No, he told me he was leaving it to me.
01:01:39I was his lover.
01:01:41What are you saying?
01:01:41Well, it works.
01:01:43Excuse me, but I have to go to a TV contest to get a card.
01:01:45and my mother is waiting to see me.
01:01:48Good morning.
01:01:52So much running for nothing.
01:01:54Well, it's funny.
01:01:56Well, at least I'm a CFO.
01:01:58I optimize, you don't.
01:02:00Before eating you're out on the street, dove.
01:02:04But well, I just don't understand it.
01:02:05What do you have that I don't have?
01:02:07But you're listening to me, Dad.
01:02:08Because of you, the president is harassing me.
01:02:10Well, go for it, let's see if they're going to kick him out.
01:02:11But how am I going to get involved with that woman I'm in love with, that I'm going to marry?
01:02:14You didn't go up before to fix his faith.
01:02:16Well this is very similar.
01:02:17Take the toolbox and it helps you.
01:02:19Look, I'm fed up with you, the stiffs, the shoes and everything.
01:02:22If I could right now, I would go back to my goal.
01:02:24What do you say? What do you say?
01:02:25And here you earn double.
01:02:26Yes, but on the other side I felt more loved.
01:02:28If they screwed you all day.
01:02:29But it was a more affectionate bitch.
01:02:31Besides, Mr. Juan never tried to get me into bed.
01:02:33They are rich here, Emilio.
01:02:34And people with money indulge in vices.
01:02:37It's the law of life.
01:02:38Well, I don't provide that kind of service.
01:02:40Are you aware?
01:02:41Our future is in your hands, my son.
01:02:43Summer is coming and here we have air conditioning.
01:02:46You'll know what you're doing.
01:02:47You already buy a pay-pay.
01:02:50My goodness, what a mess he's made of me.
01:02:52How did it get?
01:02:52Don Angela.
01:02:54As soon as the vaccines they gave him to enter Africa take effect, he'll forget about it.
01:02:58You'll see how they tell my parents.
01:03:00It's that something might happen to them.
01:03:01Well, let them have it.
01:03:02Bea, you have to accept your sexuality.
01:03:04You are a lesbian.
01:03:05No problem.
01:03:06I told my parents I was gay when I was 18.
01:03:08And what about it?
01:03:09My mother is very well.
01:03:11My father hasn't spoken to me for 16 years.
01:03:13But you have to give it time little by little.
01:03:15The important thing is that I have always been clear about it.
01:03:17Not so clear, huh?
01:03:18I refer to the evidence.
01:03:19No, what happened last night doesn't count.
01:03:22No, there was no desire.
01:03:23It was a routine inspection.
01:03:25Ah, I was passing the MOT.
01:03:26Well, tell me how it is.
01:03:27It also saved me a visit to the gynecologist.
01:03:29Good, good, normal.
01:03:30The thing about touching breasts is that it is very relaxing.
01:03:32They are like those anti-stress balls.
01:03:34Equal.
01:03:36Yes, tell me.
01:03:37One moment.
01:03:39Your mother.
01:03:40God, he's already found out.
01:03:41Courage, Bea.
01:03:42He comes out of the closet through the big door.
01:03:45Mom, how are you?
01:03:46Have you spoken to Salva yet?
01:03:47Have you told him?
01:03:48Well, you tell him.
01:03:49Yes, yes.
01:03:51It's true.
01:03:52I'm dating a guy, Mauri.
01:03:54He's looking forward to meeting you too.
01:03:56No, I'm gay.
01:03:57No no.
01:03:57We haven't talked about a wedding yet because we just met.
01:04:00Give me that phone.
01:04:00Hey, I want to talk to my mother-in-law.
01:04:02Mother!
01:04:02I'll call you later when it's cut off.
01:04:04But how come you changed the lock?
01:04:11We know the apartment isn't yours.
01:04:12I called his son and we'll work out how to pay his rent.
01:04:15This is not going to stay like this.
01:04:17You occupy!
01:04:19Come on.
01:04:21Well, now you have your house.
01:04:23You annoying people, you didn't let me speak.
01:04:25We're friends, aren't we?
01:04:26How could he be left on the street?
01:04:27Belén, you are a dirty-minded woman.
01:04:29Well, I'm going down to try to fix the elevator.
01:04:32Are you going to continue being a midwife?
01:04:34No, Zapatero has called me to write his speeches.
01:04:37But I told him no.
01:04:38But hey, this girl is a little stressed, right?
01:04:41Lack of sex.
01:04:43This, what was I going to tell you?
01:04:46Ah, yes, Paco is a virgin.
01:04:50Hey, Ivan, they're kicking me out.
01:04:53So I have submitted my resignation.
01:04:54I brought the mouse, which is wireless.
01:04:56Paloma, I already told you that if you lied on your resume, they would notice.
01:05:00They say I don't know how to optimize.
01:05:01Well, if I've been making ends meet on your salary for 20 years, that's really optimizing.
01:05:05You'll now see the loan cancellation fees, the unemployment benefits they give us.
01:05:09Well, but we've shown the posh girl that financially we're at the top of the building.
01:05:14Hey, how did he manage to get out of the elevator?
01:05:17Well, I don't know.
01:05:19Anyway, this girl goes to the gym a lot.
01:05:21Well, I have to sign up for one.
01:05:23Concha is going to end up selling the apartment.
01:05:25And I have to be in shape.
01:05:26The ones below will break any day.
01:05:28There's the duplex.
01:05:29Yes, darling, yes.
01:05:30No, Juan, not now.
01:05:31We can't.
01:05:32We are planning for the future.
01:05:34We have the upper class there.
01:05:35We are touching it with our fingers.
01:05:37Paloma, we're not what we are at night.
01:05:39I'm just telling you that.
01:05:40Are you lacking sex?
01:05:41No.
01:05:41No, say it.
01:05:42If nothing happens.
01:05:43We are a married couple.
01:05:44I lack sex.
01:05:45Do you see it?
01:05:46I bet you feel much better now.
01:05:48It's not good to keep things inside, Juan.
01:05:51Turn off the light.
01:05:51Go on.
01:05:52If you lower the bucket like that, the steps will fall on you.
01:06:04Damn, Emilio, you scared me.
01:06:06What are you doing here?
01:06:07Nothing.
01:06:08Looking to see how this goes.
01:06:09If everything works without me.
01:06:11Well...
01:06:11Well yes.
01:06:12The truth is yes.
01:06:13That people are very happy with me.
01:06:15You see.
01:06:16And how are you?
01:06:17How's it going?
01:06:18Me?
01:06:19Good.
01:06:19I'm very well.
01:06:20Man, I'm now in the Champions League of goalkeepers.
01:06:22This next to it is third regional.
01:06:23Already.
01:06:24Well, then...
01:06:27I'm happy for you.
01:06:28And I for you.
01:06:31See you later.
01:06:32Bye bye.
01:06:39Well that's nonsense.
01:06:40Nobody cares about that.
01:06:41Do you care or not?
01:06:42Well, that's it.
01:06:44Emilio, what's up, man?
01:06:45Nothing, I was just passing by.
01:06:47Well, help me cheer this one up.
01:06:48Alicia has let her tongue slip and told everyone that Paco is a virgin.
01:06:52Are you a virgin?
01:06:53Come on, don't fuck with me.
01:06:55So nothing's wrong, you're the most normal thing in the world.
01:06:58Not at your age.
01:06:59But hey, don't worry, your time will come.
01:07:01Yes indeed.
01:07:02It's quick that from the age of 40 onwards the protagonist has her ball.
01:07:05You just don't understand me.
01:07:06What's happening?
01:07:06Are there no more romantic people in the world?
01:07:08Of course, man.
01:07:09I'm holding back too.
01:07:10You see?
01:07:11It's already been romantic.
01:07:12Come on, I'll buy you a drink.
01:07:13Hey, did you know I'm sexually harassed at work?
01:07:19Damn, what luck.
01:07:20No, not at all, she is the president.
01:07:21I am very overwhelmed.
01:07:22You shouldn't have left, man.
01:07:24This is not the same.
01:07:25Hey, is the president hot?
01:07:27Paquito is 50 years old.
01:07:28Oh, we could meet up with her one day.
01:07:30Yes, with her.
01:07:31Man, I understand about your virginity,
01:07:32but my father is there with pick and shovel, with pick and shovel.
01:07:35Honey, I've put the satellite on.
01:07:36We are going to have more than 100 channels.
01:07:37Hey, have the neighbors let you put the antenna on the roof?
01:07:40No, no, no.
01:07:40I put it on the balcony, ignoring them.
01:07:42The posh one.
01:07:43A satellite dish has been installed with all the nerve.
01:07:44Well, well, well.
01:07:46This is an intolerable alteration of common elements.
01:07:48Well, now we have a mess.
01:07:50I am going to call an extraordinary, serious and urgent meeting.
01:07:53I'm sorry, Lucia,
01:07:54but you have a period of 24 hours to remove the antenna.
01:07:56No, it's me who feels sorry,
01:07:57because that antenna is going to stay where it is.
01:07:59Oops!
01:07:59But what is it that...
01:08:00Lucia, I warn you that we might end up in court the hard way.
01:08:03Well, if you enjoy it, I'm delighted.
01:08:05Posh, damn.
01:08:06Any day now you're going to have an accident in the yard.
01:08:08Listen to what I'm telling you.
01:08:09If what I want is to propose a business to you,
01:08:12I was going to put it on,
01:08:13but I thought I'd better pay you 20.
01:08:16We ran a cable outside to my house
01:08:18and thus we save ourselves more trouble with the community.
01:08:21What if we remove the antenna.
01:08:22What are you saying?
01:08:22No way.
01:08:23To the neighbors, screw them.
01:08:25This is the invention of the century.
01:08:26It's the best decision you've made since starting the pill.
01:08:29Did you know there's a channel just for soap operas?
01:08:31Yes, but it's one of those that they use as filler.
01:08:32No, this is the best.
01:08:35I'm hooked on the spiteful one.
01:08:36It's the milk.
01:08:37The scorned one?
01:08:38Are you kidding me?
Sé la primera persona en añadir un comentario
Añade tu comentario

Recomendada