- hace 2 días
Mientras Paloma esta ingresada en el hospital, después del grave accidente sufrido, los vecinos convocan una junta especial para darle todo su apoyo a Juan.
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00:00Here, here, here, no one lives! Not here! Not here!
00:23Paloma was a great woman. We will all miss her dearly.
00:32Over time, I grew fond of him. The truth is, he had a big heart.
00:37Why do we have to speak well of people when they die? She was a witch, period!
00:41If I don't speak ill of her, let's see if the ghost comes to bother us.
00:44And during life, ghosts only appear when things have been left undone.
00:48Well, Doña Paloma was having the clothes, so she's sure to show up.
00:51If you had stopped me from giving Toi my pool, it would have softened the blow.
00:57Anyway, what's going on here? What's this?
00:59It's a small tribute we've prepared for Paloma.
01:03To give him the goodbye he deserves.
01:05And go on, my wife isn't dead. She's in very serious condition, but she's not dead.
01:08These 24 hours are crucial.
01:10And please remove this kind of mortuary monument.
01:13It is also a common area and has not been voted on at any meeting.
01:17Mr. Juan is in a bad way, isn't he?
01:18I think we should stand by him in these difficult times.
01:22Yes, let's go to his house where he's got air conditioning and it's nice and cool.
01:26Oh, damn!
01:31Here, here, here there is no one who lives.
01:37Not here, not here.
01:40Every day is like this.
01:42I couldn't imagine it when I came here.
01:44I was just looking for some peace.
01:47And the middle day of a hurricane has arrived.
01:49Here, here, here there is no one who lives.
01:51Not here, not here.
01:53Here, here, here there is no one who lives.
01:56Not here, not here.
01:57The house above me is collapsing.
02:00I can't find the goalkeeper.
02:02The neighbors watch me and listen to me.
02:05I can't stand it.
02:05In this place, they put a cocktail shaker.
02:12A thunder, an earthquake and a botan.
02:17And you will have this ladder.
02:20Here, here, here there is no one who lives.
02:23Not here, not here.
02:25Here, here, here there is no one who lives.
02:28Not here, not here.
02:30Here, here, here there is no one who lives.
02:32Not here, not here.
02:34Here, here, here there is no one who lives.
02:37No!
02:43Emilio, we need to talk.
02:45If I have to go up to Mr. Juan's house,
02:47We have set up a support board for him so that he feels comfortable.
02:49and so that he realizes that life goes on, poor thing.
02:52Already.
02:53But what are we going to do?
02:55Well, come on, a quick one gives me time.
02:57No, Emilio, no sex.
02:59I mean our thing.
03:00Are we going back or what?
03:01Yes, damn, but I'm telling you.
03:03But if we waste time on nonsense, then no.
03:05No, Emilio, I don't want to go back to how I was before.
03:08I need a commitment, emotional stability,
03:11a project for the future.
03:13Huh? What are you saying?
03:14Emilio, you never asked me to marry you.
03:16But, woman, why didn't the subject come up?
03:18But I now have a very recent attempt at marriage.
03:20and I'm going to need some time to get over the trauma.
03:22Between this and what happened with Spain in the Euro Cup,
03:24I've had a really bad month.
03:25Okay, fine.
03:26I don't care about getting married.
03:28But if we come back it is to live together.
03:30To live together?
03:31Where? The goal?
03:32No, I said live.
03:33We'll see where.
03:35Well, you think about it.
03:36Analyze your feelings,
03:37Weigh the pros and cons and that's it...
03:40You tell me.
03:41I'm home.
03:42Hey, hey, hey.
03:43A silly question.
03:45I sense that if we don't live together,
03:46there's not going to be sex.
03:47Well no.
03:49You see?
03:49If it is that since I started studying
03:51has increased my analytical ability.
03:52What are women like who don't let you live?
03:55It's almost better to be ugly.
03:57Melén!
04:02I, in honor of Paloma,
04:04I made some mortadella canapés
04:06with rancid butter,
04:08as she made them.
04:09What a detail.
04:10I in honor of Paloma
04:11I'm not going to eat these either.
04:14Attention, the president is coming.
04:15Turn off your cell phones
04:17and to give him hugs of encouragement
04:18they raise their hand to me.
04:20Neighbors,
04:22I thank you very much
04:23your expressions of support
04:24in these difficult times for me
04:26and for mine.
04:27Yes, yes.
04:28Hey, the arrow is to lower the temperature, right?
04:31Juan, we are so sorry, really.
04:32If you need anything, anything.
04:34What a stupid accident, huh?
04:36That was no accident.
04:38Paloma threw herself.
04:39It's suicide for the entire squad.
04:42Well, what nonsense are you talking?
04:44How is Paloma going to commit suicide?
04:46Man, he's never had the life he wanted.
04:48Neither the boutique nor the chalet,
04:49nor the built-in barbecue.
04:50And you have neglected a little
04:51your marriage, Juanito.
04:53My husband knows a lot about that.
04:54Marisa also neglected hers
04:56and Manolo left.
04:57The thing is, he used the door.
04:59Another one that is going to take flight
05:00no motor in the yard.
05:01I have not neglected anything.
05:02The Cuestas are an example of a united family.
05:05Mr. John, I recognize
05:06that you had many problems.
05:07Open your mouth, don't stay there with it inside.
05:10What I don't understand
05:11It's how there are men
05:12that go with these professionals
05:13having their wives in their homes.
05:15Me neither, honey.
05:17Oh, no, honey, no.
05:18Juan, I'm tired.
05:19It's that you always wait until the last minute.
05:21You're right, really.
05:22I hadn't noticed what time it is.
05:24I'm sorry.
05:24You already know that my good time is snack time.
05:27There, whatever you want.
05:28Whatever you want, my love.
05:29Where are you going?
05:31To the bathroom.
05:32That?
05:33To brush my teeth.
05:35Ah.
05:37Juan.
05:38What's the matter?
05:39Juan, I'll kill you, you son of a bitch.
05:41What a kill!
05:41I'm going to kill you.
05:42Paloma, please, what did he give you?
05:44But we weren't happy, Juan.
05:45Why did you do this to me?
05:47What are you going to tell the children now?
05:49Well, I have no idea.
05:50because I don't know what you're talking about.
05:52My children,
05:53your father is sleeping with the dick.
05:56Hey?
05:56No, no, no, no.
05:57Wrong, huh?
05:58No, no, no.
05:59What do you have to say to that?
06:00Well, I prefer not to say anything.
06:02Then you leave me without pay.
06:04Let the judge tell me
06:05who I have to go with and that's it.
06:06Paloma, listen to me.
06:07Bastard!
06:08Wrong again.
06:09What do you think you are?
06:10That I at work, at school,
06:11I don't have to resist temptation.
06:14That there are no young teachers,
06:16with patractives,
06:17with their little skirts and their low-cut tops,
06:20who are eager to learn
06:21of a mature man like me.
06:23Well there are, Emilio, there are.
06:25Yes, yes, yes.
06:26And the mothers?
06:27Because you have to see Emilio
06:28how mothers come to pick up their children.
06:30But I stand firm
06:31because I have a responsibility.
06:34There is a redhead,
06:36I know what it's about,
06:38Emilio, because he is looking for me,
06:39that is noticeable,
06:40and there is the woman,
06:42which is a...
06:42Well, that's it.
06:45The truth, Mr. Juan,
06:46that this is not going to happen again.
06:47And the one in the cafeteria?
06:49You see the one from the cafeteria
06:50and you say,
06:50my mother,
06:51here I get lost.
06:54Well, anyway,
06:55I'm going to eat,
06:56Let's see if my wife does something for me.
06:59Are you hot, my love?
07:00Yeah.
07:01Well, take this off.
07:01No, Juan, leave me,
07:02that it is very late
07:03and then I don't rest, it goes.
07:05Well, tomorrow you take a nap.
07:06No,
07:07You know that my time is snack time,
07:08and whatever you want.
07:10What's happening?
07:12Are you angry?
07:13Well, of pigeons,
07:13We haven't been having much snacking lately, have we?
07:15If I don't feel like it,
07:16Well, I don't feel like it,
07:17what do you want me to do?
07:18No, nothing, nothing,
07:18what are you going to do, of course?
07:19Why don't you read at night?
07:21If you don't read anymore.
07:24That's what it's going to be.
07:25Of course.
07:25Juan,
07:26tell me the truth, okay?
07:28There is another woman.
07:30As?
07:30Tell me who it is.
07:31Are you the mother of any student?
07:33But no, no.
07:34Is she a teacher?
07:36The pre-tech one?
07:37Not that one, huh?
07:38Oh, I knew it, by God,
07:39I knew it.
07:40But it's very ugly, Juan.
07:41But, darling,
07:42calm down,
07:42How do you come up with something like that?
07:44Because you lied to me yesterday, Juan.
07:45I've been talking to Emilio.
07:47Where were you last night?
07:49Where?
07:49And with whom?
07:50And also tell me
07:50what are they doing to you out there?
07:51I'm not going to do it to you, huh?
07:52I'll see you later.
07:54Goodbye, daughter.
07:54Be careful.
07:55Hey, hey, hey!
07:56Where are you going like this?
07:58To a birthday, dad.
07:59And who are you?
07:59The one that comes out of the cake or what?
08:01Why don't you put this on, daughter?
08:02Hey?
08:03I just ironed it.
08:04Does it match you?
08:05That's pajamas.
08:06Clear.
08:07Anchito, you're going further in line.
08:08Natalia, you can't go out on the street like that.
08:10Calm down, I notice you're very tense.
08:12What you have to do
08:13is to take advantage of the fact that you are alone
08:14and go to the bedroom.
08:16And relax a little,
08:17that we haven't heard from you for a long time.
08:19Wow!
08:20See you later.
08:24What did he say?
08:25I'm already dead, Juan.
08:28Hey!
08:28What is this?
08:30Juan!
08:32What's happening?
08:33Look what I found on the girl!
08:35Natalia!
08:36Do you take drugs?
08:37No, worse.
08:38Natalia!
08:39Natalia, can you explain to me what this is?
08:41They are pills for stress.
08:43For stress?
08:44They're anti-baby pills!
08:46Well, that's it.
08:47If I get pregnant,
08:48You're going to get stressed, aren't you?
08:49Oh my God!
08:50Natalia, you're not old enough to be taking this, are you?
08:52At your age I didn't drink anything.
08:54It wasn't like that.
08:55Hey, I'm going to be 18.
08:56I'm supposed to be grown up now, huh?
08:57No, your mother is older.
08:58You are a girl.
08:59What, Juan?
09:00Let's see.
09:00I have a boyfriend, I sleep with him
09:02and the gynecologist has prescribed me the pill.
09:04What's the problem?
09:05But what do you mean, what's the problem?
09:06I'm dead, Juan.
09:07I've been left dead.
09:08Neither breakfast nor milk.
09:09We have to intercept those muffins, man.
09:11Juan, Juan, Natalia has gone to bed with the guy upstairs.
09:14What are you saying?
09:15In our own house, Juan.
09:16That they have deflowered our girl in our own home.
09:19Get in the car.
09:20And the wedding?
09:21What wedding or wedding?
09:22Go home.
09:22What a mess.
09:23I already told you.
09:24So many responsible fathers, so many responsible fathers.
09:26Hey, it's your cousin's wedding, huh?
09:27Not mine.
09:28Well, not to see me, Tadito.
09:29That you always have to give me all my whims.
09:32Let's go!
09:33Oh!
09:33But let's go backwards, backwards, Juan.
09:36Back off!
09:37Dad, Mom!
09:39This has already been heard.
09:40I'm going to the bathroom.
09:40You stay still.
09:41Stay there, stay there.
09:42He just called Álvaro and broke up with me.
09:44Can you explain to me what happened?
09:45Well, honey, we couldn't have been nicer to him.
09:51You have asked him to put three boutiques on your list.
09:52That has not been the case.
09:53Juan, tell him how things have been.
09:55I was having soup.
09:56Besides, who are you going to believe?
09:58To a stranger or to your parents?
09:59You need to answer.
10:00Natalia, that old man wasn't right for you.
10:03But why do you have to decide what's good for me?
10:05Because I'm your mother and that's it.
10:07And as long as you live under this roof, you will do as you are told.
10:09Hey?
10:09And so, explained, everything is very well understood.
10:14I have understood it.
10:15Look, that's going to stop being a problem, because I'm leaving this house.
10:18Natalia, it's not... either.
10:20Leave her, Juan, leave her.
10:21What is a lantern?
10:22Where would he be better off than with his parents?
10:24Mom, leave me the keys to the storage room, I have to bring some things down.
10:27Where are you going with that, if it's Natalia's?
10:29Man, since he doesn't live here, I'll have to organize my room.
10:32That?
10:32What does that sound good like?
10:33My room.
10:34Go on, put all that back where it belongs right now.
10:37That your sister is coming back.
10:38Mom, you're already old.
10:39There is a time when daughters leave home.
10:42Then the parents leave and the child takes control.
10:44It's the law of life.
10:45I will give you the law of life.
10:46Come on, go back to your room and study or whatever it is you do in there.
10:49Okay, but take it easy, okay?
10:51I wouldn't give you the dawn.
10:53Wait, I'm missing.
10:54But, José, where are you going?
10:55If it looks like it, it's from when they dressed him up.
10:57Dude, they're not going to let you in.
10:58Man, you have to try it.
10:59Everyone has an ugly cousin.
11:01Man, you should have worn something else.
11:02That skirt doesn't suit you.
11:03You are short-legged.
11:04Jeans look better on you.
11:05But this is my mother's.
11:07I couldn't get my head around Natalia.
11:09Well, the police will definitely stop us.
11:11Hey, wait for me.
11:12Come on, Ete.
11:15On top of that I go.
11:16But what do you think?
11:17That life is a party?
11:18Are you going to be living here as long as you want?
11:20Now that's what's in fashion.
11:22Well, you're going to get a job this summer.
11:24The supermarket needs cashiers.
11:26I don't feel like it.
11:27You work in a supermarket.
11:28Juan, the girl is raising her voice at me.
11:30I don't want arguments at the table.
11:32Mom, if you're bitter, it's not our fault.
11:34I am very happy.
11:35You are the only one who makes my life impossible.
11:37No, it's you who won't leave me alone.
11:38Forget about me.
11:39I like it that you pay attention to me.
11:40That I forget about you.
11:41Give me the deadline.
11:42To your room, grounded.
11:43No, you go to your room, I'll do whatever I want.
11:45Juan, until I get depressed and end up crying in bed all afternoon,
11:49Your daughter doesn't stop, huh?
11:50And then he'll come and tell me, Mom, I'm sorry.
11:52But by then I've already thrown myself out the window.
11:54That's full of strings.
11:55You're going to get hooked.
11:56Do you see it?
11:57She smelled something.
11:58He announced his intentions.
12:00Since the subject of ropes has come up, Paloma broke ours when she fell.
12:05The community will pay for that, right?
12:07Madam, please be a little sensitive.
12:09Of course, since you have a dryer.
12:11I have never neglected my marriage.
12:13And if I have ever done so, it has been for the good of this community of ours.
12:16I have left my skin for you.
12:18I've even risked my life.
12:19And me with you, Mr. Juan, and before I didn't even have social security or anything, eh?
12:22We didn't find out.
12:36Okay, a little please, officer.
12:39For example, this individual, who is he?
12:41Me, the goalkeeper.
12:43And do you usually walk around buildings naked?
12:45No, Juan Cuesta, president of the community.
12:47I can explain it all to you in two words.
12:49This is just a misunderstanding.
12:51No, there was no misunderstanding.
12:52These people, who don't have a life of their own, dedicate themselves to inventing one for others.
12:56And they came up with the idea of saying that my roommate and I are prostitutes.
13:01But you have proof of that.
13:04Do you want to file a complaint?
13:06Of course.
13:07Man, a complaint is not appropriate.
13:10Please accompany me to the police station.
13:11Just a moment, officer.
13:13It's that we know because this lady told us.
13:16There were men going up and down.
13:18These two, sir officer, are two sluts.
13:21I'm telling you, I'm your landlady.
13:23Can you show me the rental agreement?
13:25But what contract? He didn't give us a contract.
13:28Let's see, you can join us too.
13:30We will take your statement.
13:31Are you stopping me? Son!
13:34Sure, mom, why are you calling him?
13:35I insist that we are taking things out of context.
13:37This is just a misunderstanding.
13:38And you shut up, okay?
13:40That yesterday he came to my house and offered me 100 euros.
13:42You too, Mr. Cuesta.
13:43But what is this girl saying?
13:44No, no, no.
13:45I, as president, affirm that at no time did I have the slightest physical contact with this young lady.
13:50That's what Clinton said, and look what came out of it.
13:53Oh, but Juan, I'm about to burst into tears.
13:55Well, you get in the car too.
13:57Listen, but not me, no.
13:58Honey, don't tell the kids anything, okay?
14:01Let's see, Emilio.
14:02Where did you last see the rat?
14:03Mr. John, but again in the trash cans.
14:06Correct.
14:06This is because the rat is an omnivorous animal.
14:08That?
14:09Who eats everything.
14:10If he has fed there, he will repeat his pattern of behavior.
14:13Of course, and where the captain commands, the sailor does not.
14:15Hey?
14:15I don't know, what do I know?
14:16Emilio, let's focus, man.
14:18Shh, shh, shh, shh.
14:21It's here.
14:22Sure, if you come over, I'll eat you.
14:23Let's draw up a plan of attack.
14:25You approach the cubes.
14:26And you scare him into running in my direction.
14:28And I deal him a mortal blow of necessity.
14:30Mr. Juan, but I see a loophole in that plan.
14:32What gaps?
14:33Man, it's better if I stay here with the racket.
14:35and you go and scare the rat.
14:36Like you, the president, that imposes on you.
14:38That's the wrong approach, Emilio.
14:40Well, why don't we wait until he finishes eating,
14:42that will have to digest,
14:43will he walk more slowly and thus it is better to accept the slap?
14:46You see? I'll tell you one thing or another.
14:47That's very well thought out.
14:48Let's wait.
14:52Wow, what neighborhoods!
14:54What a shame!
14:55But what are they doing there?
14:57Paloma, who must have kicked her out of the house.
14:59And the other one, who is a sycophant, has stayed to sleep with him.
15:15Quick, quick!
15:17We went to pick up what else weighs, damn it.
15:19Where did we leave it?
15:20Where are we going to leave it?
15:21In the goal.
15:22But how about in goal?
15:22A little please.
15:23Nobody's going to see it there!
15:25What do you mean no?
15:25I'll see it myself.
15:26No, no, no!
15:27Oh no, no, no!
15:30What is this?
15:32This...
15:32These are the skis I'm taking to White Week.
15:36I didn't tell you I was leaving.
15:41What is Mr. Navarro?
15:43But you stole a body from the funeral home!
15:45No, no, no, but I haven't been alone.
15:46They have only sent themselves.
15:47This was Mr. Cuesta's idea.
15:49Oh, take this away from here immediately!
15:51Oh my God!
15:52I'm going to end up unemployed and you in jail.
15:55Damn, enough to start a family.
15:57Hey, Berín, I think it's better if we leave it again, don't you?
16:00But this stick is the one with the zipper.
16:03I want to denounce this community for theft and vilification.
16:06And who do we report?
16:08Come on, police station, come with us.
16:10You too.
16:10Oh, you again, Juan!
16:12Mr. Cuesta, you look like you're struggling, walk or die.
16:14I reiterate my innocence and have full confidence in our judicial system.
16:18who defends honest citizens like me.
16:20And I say this without bitterness, okay?
16:21But I say it.
16:22This one won't shut up until we arrive.
16:24I'll take the car right now and go there.
16:26No, no, no, no, don't move it, it's well parked.
16:29This isn't stabilizing, I can't get it to stabilize.
16:32I'm losing control.
16:33But why does it move so much?
16:34Calm down, Juan.
16:36Take advantage of the movement.
16:38Hey, it's normal for the harness to dig into the groin area so much.
16:41Man, it has to be tight.
16:42It's for your safety.
16:44Well, I don't know if I'm going to be able to paint in these conditions, huh?
16:46What was that?
16:50No, nothing, nothing.
16:51It was nothing.
16:54Hello, I'm Juan Cuesta, president of the community.
16:57Have you brought the money?
16:58No, we came for a walk, the night is very romantic here.
17:01Emilio, please don't fool them.
17:03Approach slowly.
17:05No, I want it for my father.
17:13That's not my father.
17:14That's me, damn it.
17:15Maybe that's why he sees us as shit.
17:16Come towards us slowly.
17:22A little faster.
17:24Boy, what's the deal?
17:25Calm down, calm down.
17:26I am Juan Cuesta, president of the community.
17:28Let's try to resolve this unpleasant incident in a civilized manner.
17:31Let her go, knife, asshole, she's going to find out.
17:33And you don't have half a host.
17:34What did he say to her?
17:34Look what she said.
17:36Calm down, calm down.
17:37But what's the problem?
17:38Let's see, economical.
17:39Well, I'll give you 20 euros.
17:41Can I bring money?
17:41Yes, shut up.
17:42No.
17:43Give me 50 more.
17:4450 more, no problem.
17:46Here, here, that's it.
17:47We are all happy now.
17:49What watch?
17:50The clock, of course.
17:51Submersible to 100 meters, with new battery.
17:56This one had never been faced like this.
17:58And don't forget that violence leads nowhere.
18:01See how easy it is to avoid a robbery?
18:03Go for it!
18:04The check, Juan!
18:05The check!
18:05I got it, I got it!
18:06Close the gates!
18:10Juan, are you okay?
18:11Give me the check, you're very weak.
18:13What a mess we've made.
18:15Those two won't get out alive.
18:16Take!
18:17Right in the mouth!
18:18Oops!
18:18He was wearing a wig!
18:20Well, it wasn't noticeable at all.
18:21The important thing is that justice has been done.
18:23They have given us what is ours!
18:25There's nothing like having people on your side.
18:28Open the doors.
18:29I want to calm the mob.
18:30Hold on to the enlightened one, for in the end we all receive it.
18:33Oh, Juan, let's go eat something.
18:35That Gandhi thing is going to your head.
18:38But you're crazy.
18:40Falling in love with Emilio so I can laugh at you is all very well, but if you go live with him it loses all the charm.
18:44Alicia, I need something else now.
18:46Someone to share my problems with, someone who listens to me, someone who understands me.
18:50If you already have me.
18:52Well, that's why I need it.
18:54Belén, I'm telling you this as a friend.
18:56That is sentimental suicide.
18:58Because?
18:59Hey?
18:59Why can't I get it right?
19:02Aunt, for God's sake, we're talking about Emilio.
19:04You and Emilio think.
19:07Ah, no, not this one.
19:08This is with Belén.
19:09The typical ugly friend, who since she doesn't get anything, is bitter all day long and I don't know what.
19:15Nativity scene?
19:16Nativity scene?
19:18Another Bethlehem?
19:19There is no such thing as Bethlehem, which is beautiful to you.
19:20How are you, Belén?
19:22How are we?
19:22Brilliant.
19:23There's nothing like a good compliment to brighten her day, huh?
19:27You drink the beer straight from the bottle, otherwise I'll have to start washing up later.
19:33But what are you doing?
19:34Degenerate?
19:35You're going to do it for me for 200 euros.
19:37What am I going to do to you?
19:38What am I going to do to you?
19:40What do you think?
19:41What do you think?
19:42What is this?
19:42But what kind of way is this to treat a customer?
19:44But what client?
19:45Not even eight quarters away from here and out.
19:47The artesne house is not put.
19:48But what alterc?
19:49Are you calling me a whore, Emilio?
19:50Get out of my house!
19:51But what is a prostitute, right?
19:51What am I going to do, prostitute, Emilio?
19:53What have you done?
19:54Get out, get out of my house!
19:55You bet they're not whores, damn it.
19:59Emilio, what do you care about coming back another time?
20:01Why do I have to go?
20:02Then go.
20:02Doña Concha told me that I have to fix this and I fix it.
20:05But do you think I'm going to leave you in my house alone?
20:07What's up, you slut?
20:07You're meeting someone, aren't you?
20:08What do you care?
20:09Do you want to hurry up now?
20:10But what do you think I'm doing?
20:11Come on, I have nothing else to do but be here with my sympathy.
20:14Look, Emilio, even if he were the last man on the face of the earth, I swear that I would be
20:18lesbian.
20:18Man, he certainly looks a bit like that, Emilio.
20:20But what are you going on about?
20:21I'm telling you, you have a face.
20:22About what?
20:23I don't know, you're welcome.
20:24You don't look like anything.
20:25Look, leave me alone, I'm working, okay?
20:27It's that you make me incompetent.
20:28Come on, fix that already.
20:29No, no, no, hold back.
20:29You're going to touch me.
20:30Seven hours to fix a crappy cable.
20:32But if you're going to fix a plug, fuck yourself a cramp.
20:34You've got me fed up...
20:35Man, Belén, I finally forgot to tell you yesterday that...
20:37Who do you think you are to leave me hanging?
20:39Well, don't be like that either, because you're already used to it.
20:41Emilio, don't mess with me, okay?
20:42If you don't want to see me, tell me.
20:44But face me head on, with the truth in front of you.
20:46I'm not one of those people who have two faces.
20:48Man, I guess you're not two-faced.
20:49I wouldn't always do it with that bet.
20:51I mean, asshole.
20:53But who told me to get involved with you if I don't even like you?
20:56Oh, you don't like me.
20:57And did you have an orgasm the other day?
20:58That I had...
20:59Lie.
21:00But how can you lie?
21:01I saw it on your face.
21:02If I would give you a strange face and also do this, with my toes.
21:05Hey, hey!
21:07Let's discuss in the street.
21:09Yes, Doña Concha, yes, darling, we're done, yes.
21:11Well, of course we're done.
21:14Hey, Belén, I might have a little time tonight.
21:16If you want, what do we give?
21:17Fuck off.
21:18Emilio, have you accepted money in exchange for stopping seeing me?
21:20Well, but I haven't done it.
21:21It's nice here.
21:23How much?
21:23That?
21:24How much did he give you?
21:26Five thousand euros.
21:27And you think our love is worth five thousand euros?
21:29It's not much, isn't it?
21:30If only I had to lose more.
21:31You should have rejected it immediately.
21:34Moron!
21:36Okay, fine.
21:38It's clear that we are not the perfect couple.
21:40But there were also beautiful moments.
21:47Hey, what did you have to tell me?
21:51Hey?
21:53No, nothing.
21:55Do you know you were the first girl to enter the goal?
21:58Come on, he comes in and he stays.
21:59Have you never had a girlfriend?
22:01Yes, once, but it hurt me a lot.
22:04What's happening?
22:04What did he leave you, right?
22:05No, she hit me because I hooked up with her best friend.
22:07No.
22:08But what's happening to us is nice, huh?
22:11What are you doing?
22:12Man, cuddling with how much you like chicks after...
22:15No?
22:15Yeah, but I don't want you to hug me.
22:17I stayed here so as not to be unfriendly.
22:19No, you're already unpleasant.
22:20You see why I want you to stay here if we're already finished.
22:23But will he be rude?
22:25Look, you should thank me.
22:26No, you should give them to me.
22:28I, you.
22:28Also, I am an employee of this community.
22:30This is harassment.
22:32Emilio, please, I'll harass you.
22:34Man, you came here to hunt me, to get pregnant.
22:36But do you think I want to have your child, you wretch?
22:38Yes, the biological clock, you can hear it from here.
22:41Look, look, my grandmother, because this is the most pathetic thing that has ever happened to me in my life.
22:44But hey, have you taken the test or not?
22:45That I can't be pregnant, that she's on the pill.
22:48What for you?
22:49Well, because my gynecologist prescribed it for me.
22:51That I have some hormonal imbalances.
22:53Ah, what I thought it did was make my breasts bigger.
22:56Well, that's true for some people.
22:56Some people's boobs grow, others' asses grow.
23:00It depends...
23:01But what the hell am I doing giving you explanations of what I do and what I don't do?
23:04That's what I say, but who asked you?
23:06I never want to see you again in my life.
23:08Okay, okay.
23:09Well, that's it.
23:09Well, that's it.
23:14What's happening?
23:17Oh no.
23:18Oh, mother.
23:19Leave.
23:20What a mess, what a mess, what a mess.
23:21No, no, no, don't come out, I'll still be there.
23:24And you call that beautiful moments.
23:26Well, what's up?
23:27I was very happy.
23:28You have not been happy in your life.
23:29Yes, yes it was.
23:31The thing is, I just realized it now.
23:37What has worn down my marriage here is the neighborhood.
23:40The only one who has upset poor Paloma here is the posh girl.
23:43That's right, it's always very good, but it has a bad temper.
23:46But hey, why are you bringing me in?
23:48Do you feel it?
23:49Not having come?
23:50But you called me.
23:51If it's true, when snobs get angry, they're very mean.
23:53I've always said it.
23:54Paloma, before we declare war on them, we should make sure...
23:57It was her.
23:58I tell you it was her.
23:59This posh girl has been after us from the start because she's jealous of us.
24:04And envy is very bad.
24:05Okay, but I beg you to let me speak first because I can tell you're a little nervous.
24:09Nervous?
24:10Look how I am.
24:10If I have anxiety, the hairdresser told me so.
24:15Open up!
24:16Holy shit!
24:17They are the ones below.
24:17Oh, Mr. Cuesta.
24:18And now what do I do?
24:19That he can't see me here.
24:22I don't open it, okay?
24:23Roberto, open up.
24:23Open, open, open.
24:24Let's see what he wants.
24:26So we agreed that I'd speak, right?
24:27Yes, you are the president.
24:29Hi how are things?
24:32Hello, Roberto.
24:33We came because...
24:34Tell your girlfriend to go out if she has what it takes.
24:36Ah, well it's not there.
24:37He had to leave.
24:37What's happening?
24:38What do you mean, what's going on?
24:39Who do you think you are to cut off our electricity?
24:41Me, me nobody, Paloma.
24:43It is the building that is in very poor condition...
24:46Correct.
24:46However,...
24:47You don't know who you're dealing with.
24:48Hey, hey, but where are you going?
24:49Paloma, where are you going?
24:50Paloma, get out of my house right now.
24:52Oops!
24:52Look, what is this guy doing here?
24:53A scab, Juan?
24:54No, no, Mr. John.
24:55I am a mole.
24:56I was here incited.
24:57Paloma, I won't repeat it twice, okay?
24:58Get out of my house right now.
25:00You want war, don't you?
25:01Well, you're going to have it.
25:03But what are you doing, madam?
25:05He has an anxiety attack.
25:06Please don't hold it against him.
25:08And what's this about breaking things?
25:09All right, so let's break things.
25:11Where are you going, Juan?
25:12He will have closed the door of his house.
25:13How did you say we were only going up for a moment?
25:15But, Juan, don't let him come into the house!
25:17Don't let him in!
25:17Were!
25:18Let's see, a little please, we are human beings.
25:21Come on, fuck me.
25:22No, no, don't get upset, damn it.
25:28Hey, don't be shy, okay?
25:30You as if you were at home.
25:31If you break that to my mother, she'll catch a flycatcher.
25:33Stay, stay, stay for your father!
25:35I bought that in Almería.
25:37Man, Roberto, how are you?
25:38Paloma, do you choose?
25:40Either you leave us alone or this is going to end very badly.
25:42For God's sake, before we go on the news,
25:44we will try to reach an agreement.
25:46Do you sell or not sell?
25:47No, I sell.
25:48Well, there is no agreement.
25:49Ah!
25:50But hey, I'll fix that for you!
25:51Let me have those who are badly cut!
25:53Ordinary!
25:54Well, you are a...
25:55Let's go, please!
25:57Let's go!
25:58So, with words, with words things are fixed.
26:00You and I will do it, okay?
26:02Let me go.
26:03Paloma, please, what are the children watching?
26:05She's going to pay me back handsomely for this.
26:07Mom, you were born to be a UN ambassador, huh?
26:09And now what do I put here, eh, Juan?
26:10What do I put?
26:11I'm finishing a model.
26:15Roberto.
26:18Roberto.
26:19At the table.
26:20The food is ready.
26:22Advantages?
26:22Thanks, Mom, how delicious.
26:24Come to the darling.
26:25Thanks my love.
26:26I'm going to eat you quickly, I have to do my homework.
26:28No, no, no.
26:29No homework here, my love.
26:30No homework here.
26:32Today we're going to spend the afternoon with the family and then we're all going shopping together.
26:36Honey, you are the most wonderful woman in the world.
26:40I love that Mom and Dad love each other so much.
26:42Yes, we are so happy.
26:48Cock, damn cock.
26:50Leave my family alone.
26:52Dove, wake up, Dove.
26:53Sorry, but it's all of you who have made our lives miserable since we got here.
26:57Incorrect.
26:57We have always tried to make you feel like part of the community.
27:00That's why they've turned green, like everyone else, without making distinctions.
27:03Well, Mr. Juan, I'm going. I have to check the exam lists to see if anyone passed.
27:06They are still here supporting their neighbors.
27:10Yes, I'm leaving too, I'm starting to notice that I don't belong here.
27:12Beautiful.
27:13A neighbor's wife commits suicide and you turn your back on her.
27:16That she is alive.
27:17The president needs our support and this is what you give him.
27:21Support?
27:21Well, you're skinning him.
27:23But do we keep him company?
27:24Well, let the posh girl speak.
27:26Let's see what he has to say.
27:27No, no, no, I don't have to say anything anymore.
27:29What is clear is that you have always had a grudge against Roberto and me.
27:31It's not a mania, it's admiration.
27:34The thing is, we admire you too much.
27:41Happy Birthday!
27:44Happy Birthday!
27:48Caesar for a day!
27:53Happy Birthday!
27:55Whose birthday!
27:58What the hell are all these people doing in my house?
28:02Hey?
28:02Yes, tell me.
28:08They're going up!
28:09They're going up!
28:10If it's Vicenta, tell her there's no need to bring up the cake.
28:14No, no, we already have a good pâté here.
28:18Hey, someone's taking a shower here, huh?
28:20But you didn't tell me they were gone.
28:22I saw them leave.
28:23Of course, how does it take you so long to change?
28:25Let's go, let's go, let's go right now.
28:27We're not leaving, we're not leaving because they're coming.
28:31So who's in there taking a shower?
28:32And now what do we do?
28:34Evasive action, evasive action.
28:35But what are you saying?
28:36Let them hide, damn it!
28:46Honey, I told you the priest had to go and he's gone.
28:49Well, I had to hand in the drawings.
28:51But why do you insist on coming with me if you have to work?
28:53I call my sister and that's it, and we both go together.
28:56Okay, but I want to collaborate.
28:58I don't want you to think I'm...
28:59It just can't be.
29:02What's happening?
29:03But weren't you going to see churches?
29:09But hey, this is science fiction.
29:12Can you tell me how you got into my house?
29:14Everyone in your house is taking a shower.
29:16What's happening?
29:17Do you have a grudge against me or something?
29:18And on top of that it gets edgy.
29:20That is, it sneaks into our house.
29:22He gets in the shower, puts on my bathrobe
29:24and on top of that the aunt gets rude.
29:26You can't have that in there, can you?
29:28That's for a gym.
29:29We're going to make a joint to remove it.
29:31But Palomato, are you crazy or what's wrong with you?
29:33Get out of my house right now or I'll throw you out.
29:35You and how many more, that I have you.
29:37Hey, hey, hey, hey, please let's stay calm.
29:41But what is this guy doing here and...
29:42Come on, we're all neighbors.
29:44Hey, while you're arguing, can we take the shower?
29:46But Mr. Cuesta, are you going to cut off the water to the poor children?
29:49Emilio, as painful as it may be, when a neighbor is wrong,
29:52the duty of a good president is to make them see it.
29:55By the way, what are the leads of the third A?
29:57No, no, no, no, no, no, no, no, no.
29:58Yes, yes, yes, yes, yes, yes.
30:02Damn, what the fuck is going on with the water?
30:04Okay, great.
30:09And now where the hell are the leads?
30:11How am I putting the park?
30:13I shit myself...
30:13Fuck!
30:20Yeah!
30:21No, no, no, no, no, I was just taking a shower.
30:24Hey, do we have any candles?
30:26Yeah.
30:28Lucia?
30:30Hey?
30:31What the fuck is going on?
30:34There, there, your clothes are going to smell good.
30:39You're complaining for the sake of it.
30:41These are the little touches of living together.
30:43Man, that breaking into his house is a bit strong.
30:46It would have bothered me too.
30:47Because you've never done it before, but as soon as you try it, you're hooked.
30:50Like chinchol.
30:53Okay, you're in love with Emilio.
30:55Love is blind, what can you do?
30:57But think that it's not just Emilio.
30:58You're going to have to put up with his friends too.
31:01And what's wrong with his friends?
31:02Belén, please come into the video store.
31:04It's unfortunate.
31:05A 12-year-old boy, a 30-year-old boy, and Paco.
31:08That he is a strange, simple, and penniless sexually frustrated person.
31:10Hey, I remind you that you slept with him the other day.
31:12And what does that have to do with it?
31:14Well, but Emilio has personality.
31:16He's not going to be influenced by them.
31:18Emilio, we don't know what your problem is, but the council of wise men is listening to you.
31:22I threw you to Bethlehem.
31:23Pussy?
31:24To Bethlehem?
31:24Yeah.
31:26And who is Belén?
31:27The third one.
31:28Ah, the...
31:29No, the...
31:30Ah, phew!
31:32And so?
31:32I didn't know it was there.
31:33No, neither do I.
31:34If that's the case, I suddenly went up to fix a socket, and he didn't start arguing with me or anything like that.
31:39Emilio, champ, you've messed up, huh?
31:41Hey, you two haven't heard anything about this, huh?
31:43Nothing, nothing, don't worry.
31:45Hey, man, you must have taken precautions, right?
31:47What's up?
31:48But all I had was a screwdriver.
31:49If the only rubber there was were the kitchen gloves.
31:52Dude, this one's out to get you.
31:54But what do you say?
31:55Yes, women, as soon as they reach thirty without having a boyfriend, become overwhelmed with the idea of being a mother.
32:00And then they rush to have children and they hunt down anyone. It's the biological clock.
32:04But I don't have any clock.
32:06Emilio, man, you've screwed up.
32:08What's up, Emilio?
32:09That?
32:09What happened to the wallet last night? Did you get it wet or not?
32:12It's pathetic. I've been dating her for a week and she hasn't even given him a peck.
32:15Well, so what?
32:16So what have you been doing?
32:17Well, we've gone to the movies, for a walk, for dinner, we've held hands, we haven't shaken hands, and then he comes home and calls me on the phone.
32:22Dude, you're not dating that chick, you're wasting your time.
32:25Paquito, our relationship is deep, we're just getting to know each other.
32:27That's why you have to sleep with her before she gets to know you.
32:30No, man, seriously, be careful because you're going to fall into the zone.
32:32What area?
32:33The area.
32:34I don't know what the area is.
32:35The friend zone.
32:36When a guy has been dating a girl for a long time and nothing happens, they become friends.
32:39And then forget about it.
32:41Oh, can that happen?
32:42Look, Paco, he lives in that area.
32:43Oh, damn, right? No, no, I don't want to be there.
32:45Well then you have to kiss her.
32:47Emilio, you have to kiss her, but now.
32:48This is a countdown, huh?
32:50Well, I'll see how I can manage.
32:52Damn, you guys really stress me out and I don't know why I'm talking to you.
32:55Let me see if I understand.
32:57Natalia spent the night at your house and you didn't do anything.
32:59And you told Lucía about it like this.
33:01Yeah.
33:02But you also told him that you would have liked to cheat on him.
33:05Exact.
33:05So you don't put them on, but you tell him you would have put them on.
33:08But you're an idiot.
33:09But I don't notice you.
33:10I mean, it's called sincerity and it strengthens a couple.
33:14Belén, I have something very important to tell you.
33:20Tell me.
33:21No, sometimes I feel like cheating on you,
33:23But come on, I'm telling you this to strengthen our relationship.
33:27Hey, this works for people.
33:29I'm going home.
33:30How little you know about the couple, Belén, how little you know.
33:33It's clear you haven't had many.
33:35Hey, make me an omelet.
33:36Well, well, how I missed these meetings of the Council of Wise Men?
33:42Okay, Emilio has no personality.
33:45But I'm going to keep him away from that environment.
33:47Yes, that's what I thought with Fernando.
33:48And look, men never change, even if they're gay.
33:55I don't know how these ladies manage,
33:56with the slow ones that move and are always everywhere.
33:59It hurts me that you think that way about some poor pensioners.
34:02They are unfairly slandering us.
34:04We are always thinking about others.
34:06That's the problem.
34:08I, as Vice President,
34:09I proposed at the time for you
34:11a series of workshops on manual activities
34:13to fill your life a little.
34:14Wait, now we're going to get out
34:16the title of milling lathe operator.
34:19Let's be honest, ladies.
34:20You have always been sources of conflict.
34:22No, what is there to hear?
34:23Go away, Mr. Cuesta.
34:25Go away!
34:27There it goes.
34:31Vicenta, Vicenta!
34:42Vicenta!
34:43But what does it do?
34:45Watering the plants.
34:47Well, the rabbit had escaped us.
34:49and we were looking for him.
34:50But he's in the cage.
34:52Well, in the end it seems that he got scared.
34:54Please enter the code.
34:55I've already put it in, but I don't know where I touched it.
34:58I'm going to ask for help.
34:59No, leave it, leave it, leave it, leave it, they were sleeping.
35:01But how are they going to sleep?
35:02It seems like they are not being bombed.
35:06Are you okay? Is something wrong?
35:07Yeah.
35:08I don't know, that's what he did with the alarm.
35:10Come in, come in, son.
35:10Do you want something to drink?
35:12Let's see, tell me the code.
35:13No, no, no, no, no, no, no.
35:15It's secret.
35:15We can't tell anyone.
35:16No, ma'am, I'm your neighbor.
35:18Vicenta, for my eardrums, tell him.
35:20But what happened?
35:22Who has entered us?
35:23This?
35:23I have come to help.
35:25So you install an alarm?
35:26and they don't tell me.
35:27What was missing?
35:28It's coming out, it's coming out.
35:29Come on, let's go.
35:29It is not possible.
35:30He seems like a good boy to me.
35:32How crazy, damn, that's coming up!
35:34Hello, Mauri.
35:35How are you?
35:36Good.
35:37It goes here, to the video store.
35:38Yeah.
35:39We're going to help you a little, right?
35:41No, there's no need, okay?
35:42Man, yes.
35:42Don't let it get you too far and you'll fall again.
35:45But, madam, listen.
35:50Well it's true, I wasn't pretending.
35:53What happened?
35:57Hello, beautiful.
36:01Good night.
36:02I really liked your idea for the goal.
36:05But if you want, we can stay here.
36:08As?
36:09My son will spend the whole night out
36:11and my granddaughter is sleeping.
36:13Why don't you come in and have a drink?
36:15You see, I have to take out the trash.
36:18If you want, I can wait for you here.
36:21Hey?
36:21Uh, yeah, you'd better wait here.
36:24That's going to be the best.
36:27Don't be long, okay?
36:31Hello.
36:32Good night.
36:35Here I am.
36:36Yeah.
36:37I put on what you asked me to.
36:47Oh?
36:48I don't know how to do it, you know?
36:50But you teach me, okay?
36:52Wait, ma'am, I think there's a mistake here that...
36:55Lover.
36:55What's taking you so long?
36:57What are you doing here?
36:58What do you mean, what am I doing here?
36:59Has he stayed with me?
37:00No?
37:01What is left with me?
37:02No.
37:02Well, well, excuse me, okay?
37:03But I am retiring to rest.
37:05Yes, I've had a terrible day.
37:12Hello.
37:14Moving on from preambles, eh?
37:15But, madam, what are you doing in bed?
37:17What do you think?
37:20Marisa!
37:21What are you doing?
37:22He has a date with me, don't harass him.
37:24Thank goodness I didn't sign the contract.
37:27But where are you going?
37:28Excuse me, ma'am, but this job is very poorly paid.
37:31Good night.
37:32Look what you've achieved.
37:37Yes, another man who left me hanging.
37:39Look, look how he drinks.
37:42The protection is one of mine.
37:44Marisa, no more bullshit.
37:46It's cool.
37:48Isn't that right?
37:48Look, another round, I'll buy you.
37:51Okay, come on.
37:52A cigarette?
37:53Okay, but do we play or not?
37:55This is a joke.
37:57Hello.
37:59I'm coming for my grandmother.
38:00Hello.
38:00We have to go.
38:01Well, your grandmother is in no position to take me anywhere.
38:05Yeah, yeah.
38:06Are you OK?
38:08Yeah, yeah.
38:09Hey, look at me, tell me something.
38:11How are you like your grandfather?
38:13He has a lost look.
38:16No, no, Roberto.
38:17When I brought her she was already like that.
38:19I have warned him that drinking at this time is not good.
38:21But how do you give him anise?
38:22He is taking medication.
38:23It's nothing, man.
38:25I'll tell you that.
38:25Well, come on, honey.
38:26Now let's get some air and that's it.
38:27It's getting better.
38:28Come on, let's go.
38:29What's happening now?
38:30I have to run my parents' house and she's drunk.
38:32Lucia is drunk.
38:33You don't realize?
38:34How do I explain this to my mother?
38:35But no, no, Roberto.
38:37It's not that noticeable, to be honest.
38:38Can't you tell?
38:39Well, but it could be a drop in blood pressure.
38:43Yeah.
38:43Two.
38:44Thank you so much for taking care of my grandmother like this.
38:46Hey, not me.
38:46Well, nothing, huh?
38:47Here are some friends for whatever you need.
38:49We give him a shower and it goes away.
38:50I don't want to let my hair down.
38:52Take away the cigarette, it's making me nervous.
38:55Marisa, if you start drinking and don't realize it.
38:58Don't I realize?
39:00The ones I've caught by keeping up.
39:02I was able to obtain protection.
39:04Did you guys take my phone for something?
39:06No, no, no.
39:06Not us.
39:07What do you mean no?
39:07If you have taken a photo by accident.
39:09Oh, how pretty we are!
39:10You can reveal it to us.
39:11Sure, and if you want I can frame it for you.
39:12Can you explain to me why you've been rummaging through my phone?
39:14We wanted to call Fernando to tell him what you're doing with that one.
39:19What have they called Fernando?
39:20No, we tried, but there was no way.
39:22But hey, why are they meddling in my private life?
39:23They didn't show anything on TV.
39:25Mauri, old age is very hard.
39:28You'll get there.
39:28I hope not, like you.
39:30Am I interfering in his life?
39:31I ask you why you are a spinster?
39:32Or because your husband left you?
39:34It's just that I'm not interested in you anymore.
39:36I ask you what your husband died of?
39:38The same because he couldn't stand it, he threw himself out of a window.
39:40But I don't ask him because it's none of my business.
39:42Bea is my new roommate, period, nothing more.
39:44Have you understood?
39:44Yes, yes, yes.
39:45To interfere in my private life again?
39:46No, no, no, no, no.
39:49Well, thank you.
39:52Are you two hooking up?
39:53Otherwise, why would he be so angry?
39:55How much vicid?
39:58It is clear that it is necessary to create regulations that prevent unjustified trespassing without prior authorization from me.
40:04That's the hard law.
40:05I oppose.
40:06This goes against the fundamental rights of the neighbor.
40:10Ladies, the problem is that you are a bunch of boring and gossipy people.
40:13At least we know what we are.
40:15That's it, you're not even gay anymore, you're going to have a child with your girlfriend.
40:19But Bea is not my girlfriend.
40:21Also, how do you know about the child?
40:22The president told us.
40:24Ah, it slipped out.
40:25Come on, you're as nosy as they are.
40:27But you weren't with that boyfriend of yours from London.
40:30Also, if this one gives him everything.
40:31But what are they saying?
40:32I've always been gay and very proud of it, right?
40:34The one who had doubts was Fernando, right?
40:36No, he had no doubts.
40:37It was hard for him, but he finally came out of the closet.
40:40But hey, what do you care?
40:42That's my private life.
40:43I don't have to tell you anything.
40:44Don't worry, we'll tell them.
40:46You see?
40:47Today the meeting is interesting.
40:49What's happening?
40:50Your parents are coming, aren't they?
40:52Well, I'll hide my photos and go to the movies.
40:55Auri.
40:56Don't worry, I'll tell him.
40:59The fact that?
40:59Well, you and I are a couple.
41:03Come on, I'm gay.
41:05What are you going to tell him?
41:07And I can wear whatever you want.
41:12Mauri.
41:13Yeah.
41:14That the neighbor is leaving us.
41:16Let's separate naturally.
41:19What's up, dude?
41:23How are you, ma'am?
41:25Here, learning math.
41:28Nice ones.
41:28Fernando, your father.
41:31Dad?
41:32Can I come in for a moment?
41:33Yes, taking advantage of the fact that I have to go buy it.
41:35Stay, stay.
41:37I wanted to talk to you.
41:38You're gay, right?
41:45Yeah.
41:45Me too.
41:48Me too?
41:53But, Dad...
41:54For years I have been attracted to men.
41:57But I am married and have a family.
42:00But I want you to know that I support you and understand you.
42:03One moment.
42:14And does mom know anything about this?
42:15Are you crazy or what?
42:17And now how do I explain it to him?
42:18Because we're going.
42:19That's your problem.
42:20Don't get me into trouble.
42:21Well, I'm running away or I'll miss my plane.
42:23Oh, and if you're in Palma, know that I'm performing on Thursdays at 11 and 1 at the Las Vegas Cabaret.
42:30My name is Delito.
42:35Bye bye.
42:35I'm not introducing you to my parents, okay?
42:44They're going to seem like a pain in the ass to you.
42:49Crime?
42:50Crime.
42:50I love it as a stage name, Delito.
42:53Asshole!
42:53Open up, dammit!
42:55The mother who gave birth to them all!
42:57Mauri is a fanatic.
42:58He's been waiting for this match for months.
43:00You can see it, you can see it, yes.
43:02What a double pivot he has, doesn't he?
43:03No, no, they are playing with a central midfielder and two very wide interiors.
43:06Exactly, no, I just wanted to see if he was more attentive.
43:08Eat something, damn it!
43:09Play it, damn it!
43:11You're amazed at me, I look like the girl from the surfer.
43:13I live these things, damn it.
43:15Mauri, calm down a little, Andra, I don't either...
43:18No, no, man, no, no, no, don't do that, don't do that.
43:21What a package.
43:22Which?
43:23Play it, play it!
43:25How long until break?
43:27Yes, yes, let's go, let's go, let's go.
43:30Goal!
43:30Goal!
43:31Good!
43:32Goal!
43:33Goal!
43:34Goal!
43:35Goal!
43:36Goal!
43:36Goal!
43:36Goal!
43:39Man, yeah, bullshit.
43:48Mauri.
43:55I don't know, I'll ask him.
43:57Mauri, were you also involved with this guy in the photo?
44:00No, mom, that's my brother.
44:01Well, put the album away, okay?
44:03Well, it's okay, everyone knows that gays are very promiscuous.
44:10This is humiliating, huh?
44:12We are like a circus attraction.
44:14All that's missing is for them to throw peanuts at us.
44:16And what do you think I'm doing here?
44:18Fleeing.
44:19Marisa, come, run.
44:22Look at them, together in their love nest.
44:25Well, then, I'm leaving.
44:49Wait a minute, we need to talk.
44:50Yes, yes, I want to talk to you too.
44:53Listen to me, Mauri.
44:54I promise I'll come see you next weekend, no matter what.
44:57And we could go wherever you want, to the beach.
45:00Do you remember the little face on the gallows?
45:02No, no, Fernando, please, no.
45:04This isn't working, okay?
45:06I know, it was my fault.
45:08I've been going too far on my own, but...
45:10I really promise you that from now on...
45:11No, it wasn't your fault or mine.
45:13It's just that long-distance relationships don't work.
45:16And that's it.
45:18It's best if we leave it.
45:23But you're serious.
45:24Fernando, you are living your life in London.
45:26I need to start living mine here.
45:28Yes, but I don't want us to leave it.
45:29Mauri, I love you.
45:30I love you too.
45:32But this can only get worse, if you know.
45:36Come on, go on, go.
45:37If you ever come back, call me.
45:39And we had a coffee and chatted.
45:41This is absurd, but...
45:46But how are we going to end up like this?
45:49Take care, okay?
45:52Mauri.
46:07Damn, what is this?
46:08It gives you more to Auron.
46:09That's the little dog they gave me for you.
46:11Here, take it.
46:12No, no, sorry, Vicenta, but we must not have understood each other well.
46:14Wasn't it a puppy?
46:15Yes, it was a puppy, but four years ago.
46:20Damn, he's busier than Fernando.
46:23No, no, no, no, no, Auron.
46:24Let's start setting rules.
46:26You to the living room.
46:27I sleep here in the bed.
46:28Okay, but we can take turns, I love the couch.
46:39Hey, one thing.
46:40Today, today because it's the first day, right?
46:42But tomorrow I'll get serious.
46:43Can you hear me?
46:44Yeah.
46:46Yes, it seems that I have gone, it seems that I have gone.
46:48Mauri, I'm fed up.
46:50I've been through the worst two months of my life.
46:52I called you on the phone and you didn't pick up.
46:54Wait a minute, I've spent many sleepless nights today waiting for you to pick up the phone so I wouldn't pick it up.
46:57And just when I decide to leave my job in London to come here to try to fix our relationship,
47:01Well, all I find is one lie after another.
47:04What did you say?
47:05So, I've left my job in London to try to fix it.
47:12It's fixed now, huh?
47:13No, let's not talk about it anymore.
47:14I'm going to open a bottle of wine.
47:15No, no, we'd better go out to dinner.
47:17No, it's twelve o'clock in the morning.
47:19Have you had breakfast?
47:19Mauri, calm down.
47:20Because it's fixed, isn't it?
47:21Yes.
47:22Wait, I don't trust you.
47:23Give me another kiss.
47:25They don't call from the hospital, huh?
47:27That's a bad sign.
47:29Or good.
47:29I can't stay here with my arms crossed.
47:31I turn back to Paloma's side.
47:32No, Juanito, stay here, you need to rest.
47:36If you don't let me.
47:37Let him go, while we stay here with the air conditioning.
47:42Don't let them move towards you.
47:44I have solved the riddle.
47:45The one that was missing.
47:46What enigma?
47:46What does it say?
47:47I have discovered who killed Paloma Cuesta.
47:49She's not dead!
47:51Details, details.
47:52The truth is in here.
47:55Okay, let's assume that love conquers all things,
47:58Emilio changes and separates himself from his friends.
47:59But there's something you'll never be able to get rid of.
48:03The fact that?
48:04Mariano.
48:06Mariano.
48:08Which insurance company do you use?
48:10Of...
48:10Catastrophe.
48:12Home and motor vehicle insurance and reinsurance.
48:16We do not insure bicycles.
48:17Yeah, no, now seriously.
48:18This is about hidden camera, isn't it?
48:20Hey, I'm doing my job, okay?
48:22Don't leave him if at least I get distracted.
48:24Ah, you're bored.
48:26Well, here I bring the solution.
48:29A collection of great 20th-century authors bound in leather
48:33and with a special launch offer.
48:35Look at it.
48:36But now he wants us to buy him a book?
48:40Hello.
48:40Hey, look, look, Belén.
48:42Look, meet my father.
48:44Nice to meet you.
48:45Belén is my girlfriend.
48:46Wow, damn, what a joy.
48:48Well, we're not really either...
48:49Ah, well, well, son.
48:50I thought you were gay.
48:51That I was gay.
48:53Well, nothing, be very happy.
48:56And by the way, I have a couple brain book here.
48:58which is very well priced for what I help with.
49:00Come on, come on, dad.
49:01You do your thing.
49:01Okay, fine, go for it.
49:03Ah, I'll introduce you to my wife.
49:05And smile, damn it, dad, you have a very pretty smile.
49:09If my son has gotten a girlfriend,
49:10I can perfectly sell an encyclopedia.
49:13But let's see, man of God,
49:14What kind of negotiation is this that now you want to charge me 120 euros.
49:18I'll give you a 10% discount,
49:19but the time I'm going to argue hasn't gone up by 30.
49:22I do this number.
49:23I declare the negotiations broken off.
49:25You are speculating with a good that is of primary necessity.
49:28And housing.
49:28It is also a basic necessity.
49:30And look at those prices.
49:32I'm going to be forced to call an extraordinary meeting.
49:33to address this issue and take urgent action.
49:36Man, if you bring me more clients, I'll give you a discount.
49:38Go fuck yourself.
49:40There is certainly no business culture in this country.
49:44Man, another submissive.
49:50Dad, please give him the grapes,
49:52that we already have many problems.
49:54150 euros per serving.
49:57It's a quarter to 12 and that's the price.
50:00These grapes are confiscated at this very moment.
50:02for the good of the community.
50:03Take them, Juan!
50:04Take them, he's smaller than you!
50:06Stay still, man!
50:08Come closer or I'll smash him into the ground.
50:10Back, back.
50:11Calm down, Mariano, calm down.
50:13Dad, I'll get you a tie.
50:15I want a car at the door with a full tank.
50:17It's a bluff.
50:18Don't pay attention to him, he won't throw them away.
50:19Oh no, huh?
50:22My grandfather was French.
50:24I have no problem throwing fruit on the ground.
50:29But hey, what does it do?
50:30Oh, what is that couch that's destroying my back?
50:35But don't worry, I'm used to sleeping with my son.
50:37Yes, but not me.
50:38Nothing's happening.
50:39As long as we respect each other,
50:42the key to coexistence is respect.
50:44Hey, I'm sorry, but I can't sleep with a stranger, okay?
50:46What do you need?
50:47Should we get married?
50:49Okay, fine.
50:50You stick close to the edge and we'll see what we do tomorrow.
50:54Look how cold my feet are.
50:55Please don't do that.
50:57Oh, please.
50:58Wait, huh?
51:01The team mascot is missing.
51:03What pet?
51:04Ah.
51:07Damn, this is so hot.
51:09But, Dad, what are you doing?
51:10They ruin my image.
51:11Damn, I want to travel to Athens too.
51:13I'll have to do something.
51:16Six euros.
51:18Thank you so much.
51:19God bless you.
51:20Hey, are you sure it's your son?
51:21That's what my wife says.
51:22If she has deceived me, it is her conscience.
51:27Madam, buy us a book.
51:28My son and I need to eat.
51:30More books and less highlights.
51:33And you, Toño, look sad.
51:34Then I'll buy you about three of those hamburgers.
51:39But, Dad, what are you doing with the child?
51:41Damn, teaching him a trade.
51:42I am making up for the shortcomings of the educational system.
51:45But I didn't tell you to take it to the park or the square.
51:47If I'm here, why am I closer to home?
51:49In case the police come.
51:51It's true that...
51:52Come on, Antonio, let's go up.
51:53I'm taking you to Aunt Belén.
51:54Give me a little more time.
51:55Let's see if I can put up an etymological dictionary.
51:57No, I don't want him to be with Grandpa.
51:59No, grandpa is bad.
52:01Grandpa poops.
52:02Hey, don't manipulate my grandson, huh?
52:06A child in your care.
52:07My goodness.
52:09Listen to me, Spielberg.
52:10You're going for it, aren't you?
52:12I quote you.
52:13The art of ham that I pay for.
52:15Come on, teacher!
52:15Hey, hey!
52:17Come on!
52:18Bull!
52:19Hey, hey!
52:21But, Paco, damn, what the hell are you doing?
52:25Fuck!
52:26The bulls are distracted when they enter the square.
52:27They are confused, disoriented.
52:29Let's not make a big deal out of it, please, we're not making any progress.
52:31Okay?
52:32Okay!
52:32Come on!
52:33Hey, handsome bull!
52:35Hey, hey!
52:36Come on!
52:36Clear.
52:37The bulls dress up because they are afraid.
52:40They sense that they are going to die.
52:42Oh, the Virgin, the philosopher bull!
52:44You go for me, damn, it's not that difficult!
52:46Okay, okay!
52:47Come on!
52:54How pretty, damn!
52:56President and president!
52:57I can't believe it.
53:00Don't stop for me, okay?
53:01This is very boring.
53:02Also, the TV is coin-operated.
53:04Will you shut up?
53:05What is the important thing I have for you?
53:07Pussy!
53:07Damn, fatal attraction!
53:09But what is your father doing naked?
53:10Nothing, when summer comes she becomes like that, like a hippie.
53:13Dad, get dressed right now, for God's sake.
53:14I don't like you.
53:15I'm not ashamed of my body.
53:17Not you, but I do.
53:18Get over there, now!
53:19Pussy!
53:19Calm down, calm down.
53:21Don't worry.
53:22Well, but he will live his life and we will live ours.
53:25Yes, the bad thing is that you're going to do it in the same place.
53:30Oh, Bethlehem!
53:31Hello, huh?
53:32I passed, I passed!
53:33Oh!
53:34How much money!
53:36If he has a brain, he has a brain.
53:37What are you saying?
53:38And they'll blow your entire exam?
53:39You're going to be a college student's girlfriend.
53:41Finally, we'll be able to play Trivial Pursuit, Tetris, and Collective Games together.
53:44That?
53:45And now what are you going to study?
53:47Well, whatever they give there.
53:49First year of university and then second, third, fourth, fifth and so on.
53:52This is a great game, huh?
53:54He's what they call a golden bachelor.
53:56Well, what about what we talked about before?
53:59Come on, now I can do it.
54:00Let's have one, but take it slow, okay?
54:02With foreplay and everything.
54:03Oh no!
54:03What, Emilio, no?
54:05About living together.
54:07Ah, that.
54:09Well, come on, we're going to live together.
54:10But have you thought it through?
54:11No, but it's better not to think about those things too much.
54:14Hey, if you're not excited, just say so, okay?
54:15Yes, yes, woman, we are going to live together.
54:17But I want to keep going out with my friends on the weekends, okay?
54:20But you never go anywhere.
54:21Well, but I feel like doing the same thing now.
54:23And don't start pestering me, okay?
54:24That you are already overwhelming.
54:25That?
54:25Am I bothering you?
54:27Yes, because you've already put the points on the chairs and I don't have the points.
54:30But what are you saying?
54:31How do people like to complicate their lives?
54:33What to say?
54:33The parabolic trajectory of the body and its position after impact with the ground
54:39clearly suggest the involvement of a third person at the scene.
54:45It will be a second one.
54:46Do you explain it or do I explain it?
54:47But hey, don't talk nonsense, you didn't see anything.
54:49No, but the crime scene has been thoroughly examined.
54:54How does my wife draw on the floor?
54:56What are those circles?
54:57That's what I wanted to get to.
54:59Two types of clamps were found at the scene.
55:04Some are made of plastic and others are made of wood.
55:07And what does that prove?
55:08No, we're wasting our time.
55:10Let's go, Andrés.
55:11Wait, this show isn't shown in any theater.
55:14What it proves is that there was someone there on the day in question.
55:19Someone who is among us and whose hands are stained with blood.
55:23And I know who it is.
55:25Alright.
55:26It was me.
55:27It was me.
55:28Don't fuck with me, I thought it was a pussy.
55:30Oh well.
55:31It's not that I threw it away.
55:33We were arguing.
55:34Paloma got heated and started throwing my clothes into the yard.
55:37Well, that was self-defense.
55:39But I didn't throw it away.
55:41He lost his balance and fell.
55:42She alone.
55:43He brainwashed him until he threw himself away.
55:45Like Hannibal Lecter.
55:46But Isabel, how come you haven't told me anything?
55:48But I don't know why I felt guilty.
55:50Great news.
55:51Killer herbs.
55:52Because!
55:54Okay, silence, please.
55:56Yes, it's from the hospital.
56:00Yes, it's me.
56:02Tell me how my wife is.
56:05As?
56:06But are you sure?
56:08What happened?
56:10How is Paloma?
56:12It's hard, say something.
56:13Thank you!
56:14Clear!
56:14Thank you.
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