- hace 2 días
Marisa y Vicenta le cuentan a Paco, Emilio y José Miguel que hace muchos años el portero de la finca se volvió loco y prendió fuego a la casa, por lo que murió una familia que vivía en el ático. Paco decide hacer una película de miedo con protagonismo de los vecinos pero sin que ellos lo sepan. Roberto y Lucía preparan la boda, y la chica, por consejo de su padre, cree que lo mejor es hacer separación de bienes. Cuando Roberto se entera piensa que ella cree que sólo va a por su dinero. Por último, Armando y su mujer se intercambian los dos niños cada seis meses y ahora le toca estar con su hija... pero parece haber cambiado demasiado y Armando no puede con ella.
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00:30What's up, Natalia? You're going to make the kids suffer at the club, aren't you?
00:44Emilio, even if it doesn't seem like it, there is life beyond this building.
00:49Don't you get tired of being a goalkeeper?
00:51What's up? Being a goalkeeper is like being an air traffic controller.
00:53The biggest challenge of my job is staying awake.
00:58Fascinating!
00:59Yeah.
01:00See you later, Emilio.
01:01Bye bye.
01:04My goodness, how is the girl, because I have a girlfriend, if not...
01:08Doña Vicenta, pretty, let's see if we can give a little bit of care.
01:12Oh, Emilio, I got you wet!
01:14No, I sweat a lot in November.
01:16I've made you wet, he says, it's made me feel like a chicken.
01:19Emilio, open the bucket!
01:21So that?
01:21But hey, what does it do?
01:25Almost.
01:26Let's see, me.
01:28Come on, a little please, this seems like a pim pam pum at the fair.
01:31Hey, what did you think?
01:36Very well, Mr. Día Concha, a stuffed animal for you.
01:37Here, here, here there is no one who lives.
01:42Not here, not here.
01:44Every day is like this.
01:46I couldn't imagine it when I came here.
01:49I was just looking for some peace.
01:51I wake up every day in the middle of a hurricane.
01:53Here, here, here there is no one who lives.
01:56Not here, not here.
01:58Here, here, here there is no one who lives.
02:00Not here, not here.
02:01The house above me is collapsing.
02:04I can't find the goalkeeper.
02:07The neighbors watch me and listen to me.
02:09I can't stand this place.
02:12I have a cocktail shaker.
02:16A train, an earthquake and a volcano.
02:21And you will walk to this staircase.
02:25Here, here, here there is no one who lives.
02:27Not here, not here.
02:29Here, here, here there is no one who lives.
02:32Not here, not here.
02:34Here, here, here there is no one who lives.
02:36Not here.
02:47Already?
02:48But if you can't, huh?
02:52What time is it?
02:54Nine o'clock.
02:55I don't rest when I sleep with you, right?
03:00How horrible, please.
03:03I shit on the most serene.
03:07Good morning, huh?
03:09What's happening?
03:10Won't you give me a kiss?
03:11If I have to scrub the portal.
03:13Can't you stay in bed for a while?
03:16Man, if you screw it up, yeah.
03:17I say with me.
03:19So who's going to clean it up?
03:20Look, it doesn't matter.
03:23If it's my fault.
03:24Why let me sleep in this rough hovel?
03:27Man, if you want, next time I'll take you to the shovel.
03:29And why don't we sleep at your house?
03:31Well, because Alicia is there and I don't want her to see us.
03:33Look, Belén, whether you like it or not, you and I are together.
03:35You have to come out of the closet.
03:37That we are not together.
03:39If you look very caught up in it.
03:41Look, I'm leaving because this is going to end badly.
03:44Well, look, don't get angry.
03:45If you want, we can shower together and I'll rub your back, okay?
03:48I'm not going into that bathroom even if I'm drunk.
03:52But what you do is, you weren't leaving already.
03:53I'm watching, so no one sees me.
03:56Now.
03:57See you later.
03:57Now.
03:59Neither is this a relationship, nor is this anything.
04:01This is more fake than Michael Jackson's marriage.
04:04And now on top of that, scrub.
04:06Oh, what a meadow of sorrow.
04:08Mom, Roberto and I are getting married.
04:21Honey, congratulations.
04:22Have you told your father yet?
04:24No, I haven't told him yet.
04:26I was going to call him right now to tell him.
04:28What do you mean you're getting married?
04:29Why with whom?
04:30Well, who will it be with, Dad?
04:32With Roberto.
04:33Well, it's up to you.
04:34But listen, separate your assets.
04:36Well, I don't know, yes.
04:39Separation of property, take my advice.
04:41Oh, how glad I am, my life.
04:42You'll see that you're going to be very happy for me.
04:44Yes, at first it is very nice.
04:47But then what happens happens and it would be God's.
04:50Don't think about what happened to me with your father.
04:52Remember what happened to me with your mother.
04:54The divorce hit me hard.
04:56I love Roberto.
04:57I'm sure he's the man of your life.
04:59And he loves you a lot.
05:00Let it be known that I have nothing against Roberto.
05:02But doesn't that seem like a small thing to you?
05:05Well, nothing, mom.
05:06A big kiss, okay?
05:08And I call you.
05:09We are in touch.
05:10Okay, yes.
05:11Dad, we're in touch.
05:12Yeah.
05:13Separation of property, Lucia.
05:15Which is then my faithful one.
05:16Yes, a kiss.
05:18Who was he?
05:20My father.
05:21And what about it?
05:22Are you happy that we're getting married?
05:25Lot.
05:26And what's scarier than Freddy Krueger, man?
05:29What are you saying, kid?
05:30Terminator takes Freddy Krueger and come on, he lasts two minutes.
05:33And someone spits on the Terminator and melts it?
05:35Right?
05:36And what do I know?
05:37What is the movie character that scares you the most?
05:39Me?
05:39Enrique and Ana.
05:41Are you going to buy tobacco again?
05:42What did you do with yesterday's?
05:43An infusion, what do you think?
05:45Hey, what did you decorate this with?
05:48What is it?
05:48Your birthday?
05:49No, it's Halloween.
05:50That?
05:51All Souls' Day, ma'am.
05:53Come on, we forgot to go see Dad.
05:55He wasn't going to tell us anything.
05:56Maybe yes.
05:57They say it's the day the dead manifest themselves.
05:59Sure, like the ones from Sintel.
06:00Please don't joke around, I get very nervous.
06:02Do you remember the story Dad used to tell us?
06:04Yes, the doctor prescribed whiskey for him.
06:06No, the one in the attic, the fire and the girl.
06:08Yes, every year the same song.
06:12Many years ago, here in this building,
06:14The caretaker went crazy and set fire to the house.
06:16Of course, because he wouldn't have a contract like me.
06:18Ah, no, no, no, not all the neighbors managed to get out.
06:20Except for one couple who had a daughter and lived in the attic.
06:23The bodies were never found.
06:25The goalkeeper, when he found out, committed suicide in the goal.
06:27That's why sometimes you hear the voices and cries of a girl.
06:32What's the point, huh?
06:34But I didn't know that story when that happened.
06:36Many years ago.
06:37Note that Marisa was small.
06:39Don't pay any attention to him.
06:40Come on, pull.
06:40Yes it's true.
06:41The president told you not to tell.
06:45What a bad feeling, right?
06:46He couldn't see himself committing suicide anywhere else, that bastard.
06:49But this story is great.
06:50Why don't we make a scary movie?
06:52Yes, yes, come on.
06:53Call Pirber, go on.
06:54No, no, no, we, with the neighbors.
06:55They're not going to want to.
06:56They're not going to know.
06:58The best actor is the one who doesn't know he's acting.
07:00Wait, I'll get my camera.
07:01What does this one want to do?
07:05I don't know, but it's cool.
07:06Oh, damn, that's what he's been up to.
07:11Well, I'm here now.
07:12Where are we going?
07:14I don't know, where are we going?
07:15It's our day off, let's do something.
07:18Like what...?
07:19Well, take a walk, I don't know, a little shopping for the body.
07:22With how cold it is?
07:24Fernando is the only day we have to be together.
07:26What's happening?
07:26Are we going to stay locked up here?
07:28No, I prefer to call it domestic leisure.
07:32This is the beauty of a relationship.
07:33When over time you reach the point of complicity and trust
07:36that you would throw something at your boyfriend's head for being so unromantic.
07:39But what's going on?
07:40Since I don't want to go out and freeze, it turns out I'm not very romantic.
07:43No, for that reason and for other reasons that are not worth listing now.
07:45if we want to start the day on the right foot.
07:46Well, look, as always, you're wrong, you're ahead of your time, and you're speaking before the time.
07:50For your information, I have reserved a table at a restaurant.
07:54Oh yeah?
07:55Which?
07:57I don't know, I just don't remember.
08:00I'm going to check the agenda.
08:01Ah, how beautiful.
08:03This better be an expensive place, huh?
08:06That's the guy.
08:10Dad, I could have spent six months with each of you.
08:14I don't see the logic in it.
08:16It was Mom's idea.
08:17You know that I, to avoid arguing with Mom, give money.
08:19Plus, she's dating another guy.
08:22I think he's loaded.
08:23Take advantage.
08:24Didn't you want a motorcycle?
08:28The bug is here!
08:30Mom, Mom, please, let's try to behave like adults, okay?
08:36Hello!
08:37Hello!
08:37Okay, let's fix this quickly, I've got my car double parked.
08:42Very good.
08:43Dani, go with mom.
08:45Tielo.
08:46Rebecca, go with Dad.
08:47Hello, nana.
08:48Hello, boss and I.
08:49All I ask of you, please, is that you don't spoil it for me too much these next six months.
08:54What are you implying?
08:55That my son is a bad father?
08:57No, no, no, Mom, don't fall for it.
08:59What do you mean I'm not a good father?
09:01Dani, tell him all the things we've done together.
09:04Dad, you're never home.
09:05Mom, what about you?
09:08Son, you're right.
09:10Very good.
09:12Well, from now on I'm going to show you all that I can be a good father.
09:15Right, Rebecca?
09:16I don't know, it's too early to say.
09:19Okay, Dani, let's go.
09:21Mom, if they call me on my cell phone.
09:23Oh, of course, honey.
09:25And you read Pablo Coelho's book.
09:28Goodbye, champion.
09:30Good luck, Armando.
09:31Luck.
09:32Goodbye, Grandma.
09:33Oh, wow, so many kisses.
09:35Come on.
09:35Well, what?
09:43How is my princess?
09:45I don't like this house.
09:47Yes, yes, yes, it's the same as always.
09:50That's why I don't like it.
09:51I'm going to choose a room.
09:55I notice she has changed a little.
09:59We're off to a good start.
10:01Let's see, I already have the title.
10:02The Attic of Panic.
10:04First scene.
10:05We hide
10:06and you start scaring the neighborhood.
10:08Okay? Do you know it?
10:09Damn, this is so complicated.
10:11In the silence of my solitude,
10:12from the mysterious attic door,
10:14I have heard some sinister cries,
10:16disturbing and terrifying of a little girl.
10:18Fuck, huh?
10:18Hey, let's see if I'm going to get into trouble.
10:20with the nonsense of this movie.
10:21Hey, what about the main character, what can I tell you?
10:23No, Paquitos, I know this is an opportunity.
10:24very big for me, but...
10:25What's coming my mother?
10:26What's coming my mother?
10:26No, no, I'm going to take the hand, okay?
10:27He thinks he can shit, he said.
10:29No, Emilio, we are recording three sections.
10:30What, what?
10:33Hello, Emilio, how are you?
10:35Very bad, Mrs. Paloma.
10:37Hey?
10:37From the silence of my solitude,
10:39in the disturbing and mysterious attic,
10:41a pitiful little girl has been terrified.
10:43What are you saying?
10:45I was cleaning the stairs.
10:46and I heard some very awful wailing
10:47of the girl until she burned down many years ago.
10:49Hey, Emilio, you're not smoking any of that weird weed, are you?
10:51No, no, it was horrible,
10:52which was clearly a dead man demonstrating.
10:54Hey, a dead man? And what did the dead man say?
10:56Well, I was saying...
10:58Oh, what pain!
11:01Oh, how hot!
11:03And that he was coming for all of us
11:04and that we were all going to die
11:05and all those things that the dead say.
11:06Oh, shut up, these things make me very nervous, man!
11:09And something here between us, Doña Paloma?
11:11They're looking at us!
11:12Who's watching us? Who?
11:13The dead!
11:14Oh, get out of here!
11:15Stop talking nonsense, man, already!
11:16Well, I've already warned him,
11:17it's very good luck.
11:20Cut!
11:21Hey, how did I do?
11:22Well, bad, very bad.
11:23It's all very exaggerated,
11:25no one believes it.
11:26That whenever yes,
11:27I tell you that my mother has swallowed it.
11:31I've already hit you, damn it.
11:33Fuck the glue.
11:35Dad, what are you doing?
11:36A model,
11:37It has been recommended to me for stress.
11:38It works, huh?
11:39Works.
11:41Juan.
11:42Look, Juan,
11:43You have to talk to Emilio,
11:44Hey?
11:44Because he tried to scare me.
11:45What happened?
11:46Nothing that says he hears a girl's voices.
11:47What girl?
11:48What do I know?
11:49one that says it burned
11:50in the attic a long time ago.
11:52There it goes,
11:52How did Emilio find out about that?
11:53I'm going to say it right now.
11:54don't tell anyone.
11:55But, John,
11:56Juan,
11:56it is true.
11:57Dear,
11:57you don't pay attention
11:58of that nonsense?
11:59But did it burn or not?
12:00It is not known,
12:00not finding it in the body.
12:01Not even teeth,
12:02or anything.
12:02What do I know?
12:03if that happened 70 years ago.
12:05Well, the girl must be happy.
12:06because he told Emilio
12:07that comes for us.
12:08Hey,
12:08you're not going to tell me
12:09that you wanted that nonsense.
12:10Look, Juan,
12:11ghosts here no,
12:12Hey?
12:12No ghosts here.
12:14Of course,
12:15you calm down,
12:16whether to separate assets
12:17It's the most normal thing in the world.
12:19I don't know,
12:19It just doesn't seem very romantic to me.
12:21It's not romantic at all.
12:22Yeah,
12:22but it is the most practical.
12:24Look,
12:24This is like a contract,
12:26then if you want
12:26I'll write you some clauses
12:27and then you
12:28you show them to Roberto.
12:30Well,
12:31come.
12:32Hey,
12:33congratulations,
12:34that every time they look at you
12:35the brave ones.
12:37Bye bye.
12:37Bye bye.
12:38Bye bye.
12:39Come on,
12:40How beautiful it is to get married
12:41and you got the girl
12:42fear in the body.
12:43Already,
12:43Mauri,
12:43but the thing is that people
12:44you end up fighting
12:44even through the doormat.
12:46Hey,
12:46if we got married
12:47Would you make me sign?
12:47a separation of property?
12:49We can't get married.
12:50I know,
12:50and look how it pisses me off,
12:51but imagine it.
12:52Okay,
12:53So we got married.
12:54Hey,
12:54And who would take you to the altar?
12:55Your father or your mother?
12:57Would we do it or not?
12:58separation of property?
12:59Of course, yes,
13:00It is the fairest thing,
13:01No?
13:01What belongs to each one
13:02it's up to each one.
13:03Very good.
13:05Are you angry yet?
13:05No,
13:06I have not been angry.
13:06What belongs to each one
13:07it's up to each one.
13:08This letter is from you.
13:13Do you want to eat already?
13:14I don't like this,
13:15It has a lot of fat.
13:16And what do you care?
13:17Grandmother,
13:18we are what we eat.
13:21Lidia,
13:22Lidia,
13:22hey,
13:23that we won't be able to meet today.
13:25No,
13:25the thing is,
13:25They've admitted my mother.
13:28What are you saying?
13:30Don't be angry,
13:32why don't you go to the movies
13:33with your husband?
13:35Come on,
13:35I'll call you tomorrow,
13:36Hey?
13:37Armando,
13:38I can't handle this kid,
13:40my sugar is rising.
13:42Eating what you eat
13:43I'm not surprised.
13:44Until you eat everything,
13:46you're not getting up from here.
13:47I want a soy yogurt
13:49and my echinacea pill.
13:50What are you saying?
13:54How to be a good father?
13:56Chapter 1.
13:57Your son,
13:58that great unknown.
14:00Marisa!
14:02I'm going shopping!
14:04Beer with alcohol
14:06and the pickled mussels!
14:09Okay!
14:09Marisa!
14:32Marisa!
14:34Marisa!
14:36Pussy!
14:37How soon you've returned!
14:38Let's see some peace and quiet
14:39that this makes no sense.
14:41Nothing strange is happening here.
14:43And the cart?
14:43My cart moved by itself.
14:45And what are you telling me?
14:45Has a ghost taken him?
14:46Well, I should have given him the shopping list.
14:48and I would have done it to you.
14:49And Mrs. Juan,
14:50we are all going to die,
14:51we are all going to die.
14:52Muyo, let me go!
14:53Hey,
14:53It's making me hysterical.
14:54Me at night
14:55I hear voices.
14:56Clear,
14:57you hear voices
14:57because you sleep
14:58with the radio on
14:59under the pillow.
15:00I also hear voices,
15:01Hey?
15:02Like a lady's moan.
15:03That's my wife
15:03when we make love.
15:04Juan!
15:05Well, it's terrifying.
15:06Oh, good Lord!
15:08Deliver us from evil spirits.
15:10We're all going to die.
15:11Emilio,
15:12will you shut up?
15:12Please,
15:13let's not go any crazier
15:14of what we already are,
15:15Hey?
15:16Are you saying
15:16who lives here among us
15:18a family of dead people,
15:19No?
15:19I think so.
15:20Well then
15:21that the community pays.
15:22Yes, man,
15:22and let them come
15:23to neighborhood meetings.
15:24And how do I count the votes?
15:25But please,
15:26that this is pure suggestion.
15:27Come,
15:27now everyone
15:28to his house to sleep,
15:29Hey?
15:29And how can you fall asleep?
15:30You will see how tomorrow
15:31we are all calmer.
15:32Yeah,
15:32if anyone lives to tell the tale.
15:33Emilio,
15:34please.
15:34Juan,
15:35Juan,
15:36I want to go live
15:37to a chalet.
15:38Please.
15:39Mess.
15:40This is going to be a bombshell,
15:42kids,
15:42I will succeed
15:43at all festivals.
15:44Sure, sure,
15:44in Eurovision,
15:45in the OTI,
15:45everywhere.
15:46It's cinema verité,
15:47the eye cinema
15:48as Berthoff said.
15:49Yes, yes,
15:49the one with the quilts,
15:50Berthoff and Gasparo.
15:51Hey,
15:52tonight
15:52something will have to be done,
15:53No?
15:54Tonight
15:54It's going to be very long.
15:56Hey,
15:57Paquito,
15:57let's see if it will give him
15:57someone a bad guy
15:58and we have an unfair one.
15:59No,
15:59that people
15:59he loves to be scared.
16:01Do you have red paint?
16:03But don't kill me.
16:04that I am the protagonist.
16:08How to be a good father?
16:09Chapter 2.
16:11Dialogue.
16:12It must be taken
16:13a great understanding
16:14towards the child
16:15and a dialoguing attitude.
16:17It is not the pattern
16:18most suitable
16:18that the father
16:19lose your temper.
16:22Cardigan.
16:24Cardigan.
16:25Why don't you leave?
16:26to paint the table
16:27and you paint on the sheet of paper
16:27that's what it's for?
16:28Because the folios
16:29they get lost
16:30while the table
16:31will always be here.
16:33It's that the furniture
16:33and you paint them
16:34they spoil.
16:35What's happening?
16:35Don't you like my drawings?
16:36No no,
16:37I didn't say that.
16:38Hey,
16:38that I am not total,
16:39that my IQ
16:40is 155.
16:42Hey,
16:42will you let me speak?
16:43If you raise your voice at me
16:45I can create a tromole
16:46read in that book.
16:48And you?
16:49And you
16:49Why are you reading this book?
16:50Is this book mine?
16:51At Mom's House
16:52everything belongs to everyone.
16:53Well, not here.
16:54You can't stand yourself,
16:55brother.
16:56Good,
16:56but call me dad.
16:57I don't want to.
16:59That?
16:59The dialogue is good, isn't it?
17:02He has learned that.
17:03from his mother.
17:07But don't you believe?
17:08that Roberto
17:08it can be taken the wrong way
17:09the separation thing
17:10of goods?
17:11Why would he take it the wrong way?
17:12Because like him
17:13has less money.
17:14Well, it was about time.
17:14that things would change.
17:16Now we
17:17we have the power
17:18that they submit.
17:19Relax, Belén,
17:20which is not your case.
17:21Well, not even yours.
17:22Yeah, but anyway,
17:23he may be offended anyway
17:23and he doesn't want to marry me.
17:24But let's see.
17:26Marriage
17:27it is very beautiful.
17:28Beautiful.
17:28But it can go wrong.
17:30It usually goes wrong.
17:31Then the thing fails
17:32and the uncle
17:33takes half
17:34of what you
17:35you have won.
17:35Yes, Lucia.
17:36That one in three
17:37couples separate.
17:38Do you know what that means?
17:39That the other two
17:40they don't know what they're wearing
17:41the horns.
17:41And when you go
17:44to turn 40
17:45the same goes
17:46with one of 20.
17:47And you come
17:48to have operations done
17:49not at all.
17:49And the skin stretches,
17:50but it has a limit.
17:52Well, what a joy, let's go.
17:53You're putting it on me
17:54phenomenal.
17:55Conclusion.
17:56Separation of property.
17:57Clearly.
17:59Come on, call Fernando.
18:01He's not gay.
18:07What is this?
18:11Oh, girl, how ugly.
18:15Oh, how unpleasant.
18:16Please.
18:18Disgusting.
18:19Oh, that gives me the creeps.
18:26Come on, come on.
18:27Fast.
18:28Fast.
18:35Josemi!
18:36That is rising.
18:37Throw it to me, throw it to me.
18:39Take.
18:39Throw it to me well.
18:42Yeah, fuck, wait,
18:43that it is not so easy,
18:43I'm not Macker York,
18:44Mr. Joe.
18:45There it goes.
18:48Come on, run,
18:49put her on the couch.
18:49Runs,
18:50that is rising.
19:03Oh.
19:04The doll.
19:11Juan,
19:12Juan,
19:13is here,
19:14is here.
19:15Who?
19:15Who's here?
19:16The girl's doll.
19:17What doll?
19:18What are you saying?
19:19That I found her in the portal,
19:20I swear to you,
19:21Juan,
19:21that I threw it in the trash.
19:22And look where he is now.
19:25Where?
19:27I was here, Juan.
19:29But, Paloma,
19:30If you have thrown the doll in the trash,
19:32can't be on the couch.
19:34Well that's the strange thing,
19:35Juan,
19:35that the wrist has raised itself.
19:37But,
19:37How will the doll go up on its own?
19:39if you can't reach the elevator button?
19:41But,
19:41Well,
19:41don't joke around,
19:42Hey?
19:43And don't laugh at the spirits
19:44who get angry.
19:45But,
19:45what spirits,
19:45Pigeon?
19:46For God's sake,
19:46what spirits?
19:47Oh,
19:47Juan,
19:48the girl in the attic
19:49He wants to tell us something.
19:51Well,
19:51So leave us a note on the fridge.
19:53Oh!
19:54Oh!
19:55What happens now?
19:57I mean,
19:58that the apartment is yours,
19:58No?
19:59Yeah,
19:59Yeah,
19:59Yeah,
19:59Yeah,
20:00my name is there.
20:00Well, don't even touch that,
20:01let it be very clear there.
20:03Ah,
20:03and say that he has to make love
20:04at least three times a week.
20:06Cunnilingus included,
20:07non-negotiable.
20:08But,
20:08how are you going to put that?
20:09No,
20:09that's another kind of agreement.
20:11Well,
20:11but,
20:11what does it matter?
20:12You put it there,
20:12I'm sure you signed it without realizing it.
20:14Ah,
20:14and if you have erection problems,
20:15compensation.
20:16And if you don't remove the hair from the bathroom,
20:18out the custody of the children.
20:19Yes indeed.
20:20You're scary,
20:20Hey?
20:23Hello.
20:23Hello,
20:24dear.
20:24How are you?
20:26Good,
20:27what are you doing?
20:28Well, nothing,
20:28here,
20:28Fernando's cousin,
20:31who is going to make some flower arrangements for you
20:32for the wedding,
20:33their wedding.
20:34Yeah,
20:34is an artist.
20:35Yeah,
20:35everything is going to be beautiful,
20:37Hey?
20:37Yeah,
20:37Yeah,
20:37Yeah,
20:38Yeah.
20:39Jomacho,
20:39we have triumphed,
20:40My mother is scared stiff.
20:42Now my father remains.
20:43Your father will have to do it tonight.
20:45Hey,
20:46Do you believe there is life after death?
20:48And if there is,
20:48will be as expensive as this one.
20:50Well, I don't know,
20:50Emilio,
20:51this is just a movie.
20:52Well, because if it was an anchovy,
20:53It is known to end in vinegar,
20:54but what if it was a man?
20:55Hide the camera,
20:56the ghostbusters are coming.
20:58Well,
20:59I have seen the night of the living dead,
21:01and you?
21:02I the exorcist,
21:03I Poltergeist.
21:05Well, me,
21:05Pretty Woman,
21:06but that is not horror.
21:08What do you mean no?
21:09If Richard Gertz has a scary ass,
21:11Pussy.
21:11Well,
21:12let's see,
21:12goes,
21:12conclusions.
21:13I think this house is on top of an old cemetery.
21:15I think we should call a priest,
21:17because this is a thing of the devil.
21:19Well, in mine,
21:20the dead rose and bit.
21:22Hey,
21:22lady,
21:23lady,
21:24To me it seemed like the spirit of the old goalkeeper.
21:26Yeah?
21:27And what did he tell you?
21:28Emilio told me,
21:29how clean you have everything.
21:30Come on,
21:31man,
21:31Emilio,
21:31it's not funny.
21:33Very strange things are happening in this house.
21:34Oh,
21:35more that are going to happen.
21:36Try to get some sleep tonight.
21:38Vicenta,
21:39let's go to the pharmacy for the valerian.
21:44Well,
21:44well,
21:45home,
21:45home to do homework,
21:46goes.
21:47But I don't have one.
21:48Already,
21:48Pigeon,
21:48if the boy has no homework.
21:49But,
21:50And how do I get home alone?
21:51I'm afraid.
21:51And if the spirits come,
21:53you caught me alone.
21:53Dad's going to tell you,
21:54you'll see how I've left myself.
21:55Don't tell dad anything.
21:57Emilio?
22:19It's you?
22:27Is anyone there?
22:39How to be a good father?
22:40Chapter 3.
22:41Reverse psychology.
22:44Tell your child the opposite of what you want to achieve
22:46to do what you want.
22:50Dad,
22:50I don't want to sleep with grandma.
22:55Better,
22:55I don't want you to sleep with grandma.
22:57I sleep with grandma,
22:58I laugh a lot at the funny stories they tell me.
23:00You better sleep alone in my room.
23:03That?
23:04Where do you want to sleep now?
23:06Hey?
23:08Well, that book works well for you.
23:11This takes time, Mom.
23:14I'm not sleepy,
23:15and there is no DVD in this room.
23:16Not here,
23:18not here,
23:19there is no one living here.
23:22Marisa,
23:24come,
23:25runs,
23:25a spirit.
23:27But what are you saying?
23:28A glass,
23:29spinning in the microwave.
23:30Yes it's me,
23:31I'm heating up some milk.
23:33Ah,
23:34and where did you hit it?
23:35Why go around in circles?
23:37Come on,
23:38go to bed,
23:39go to bed.
23:40Now.
23:41Wait,
23:41I can't find my reading glasses.
23:43In the living room,
23:43grandmother,
23:44who doesn't understand.
23:44And now what's wrong with you?
23:50That pisses me off!
23:52Let's see,
23:53lady,
23:53What exactly is wrong with them?
23:55Look what came out on the wall.
23:57A stain?
23:57No,
23:58it's a face,
23:58It's dad.
23:59Come on,
24:00my mother.
24:00Don't you believe me?
24:01Look at the photo,
24:02is identical.
24:03Well, I'm not saying that it can't have an air,
24:05Vicenta,
24:05but it's that...
24:06I think that more than a problem of the afterlife,
24:08This is a humidity problem.
24:09No,
24:10no,
24:10that very strange things are happening in the building.
24:12Look,
24:12Fernando,
24:12if he is your father,
24:13This is a family matter,
24:14It's best if they sort things out among themselves.
24:16I'm going to bed.
24:17Yeah,
24:17Call a bricklayer tomorrow
24:19and surely his father
24:20may he rest in peace again.
24:22Come on,
24:23good night.
24:24I don't care about anything,
24:25but we are making fools of ourselves.
24:27Marisa,
24:28Dad is here too,
24:29Do you want to tell us something?
24:30Yeah,
24:30that we go to bed.
24:31You don't believe me either,
24:32TRUE?
24:33Man,
24:33Of course I believe you.
24:34To the,
24:34look,
24:35say goodnight.
24:36The strange thing is that
24:36came without mom.
24:38That's the only thing I see as normal.
24:41Look,
24:42a baliún,
24:43a sip of chinchón
24:45and to bed.
24:47I don't want to be here.
24:49Oh!
24:49What's that?
24:51I want to go home.
24:52Oh, fuck!
24:54The girl in the attic.
24:55I want to go home.
24:58I'm going to talk to the president right now.
25:00What the fuck are you going to say to him?
25:01Oh, Juan!
25:05Are you hearing it, Juan?
25:06No,
25:07I'm not hearing anything.
25:08Nobody here is hearing anything.
25:09Go to sleep.
25:10I want to go with my mom.
25:12Oh!
25:16What do you want from us?
25:18But don't talk to her.
25:20So,
25:20that you immediately start talking to anyone?
25:21It is the spirit
25:22of the girl in the attic,
25:24Juan.
25:24Well that's not from below
25:25who have left the television on.
25:27I'm sure you're watching
25:28a chapter of Heidi.
25:29Yes, man,
25:29Heidi at 12 midnight.
25:31Besides,
25:31the one who wanted to return to his mother
25:32It was Marco.
25:34I want to go back to my mom.
25:35Brotherhood!
25:36See what's happening to him now.
25:38No, Mom,
25:39no.
25:40That's fair
25:40what not to do.
25:41Look,
25:41Chapter 4.
25:43Do not give in to blackmail
25:44nor manipulations.
25:45He will not tire anymore.
25:46See if he's tired
25:49who has left home.
25:51Fuck.
25:54Let's tell him
25:55that there are some souls in pain
25:56that they want to tell us something.
26:03What, Chane?
26:04They have put it in writing for us.
26:09But, John,
26:09Are you going to leave me here alone?
26:11Do you want to come with me?
26:12No, no, no, no.
26:13I'm staying here.
26:14I'm staying here.
26:14Really, Paloma,
26:15that at this stage of life
26:16let's keep believing in ghosts,
26:17Hey?
26:24I want to go with my mom.
26:26Fuck!
26:29But,
26:30But who gave you permission?
26:31to leave home?
26:33There is a man with a beard over there.
26:35He is the president of the community.
26:36I don't like.
26:37Look,
26:38you already have something in common
26:38with your grandmother.
26:42But tell me, darling,
26:43what have you seen?
26:45I don't even know what I've seen anymore.
26:46You're driving me crazy
26:47among all.
26:48José Miguel wants to talk to you.
26:50I don't know what's wrong with him.
26:50He is in his bedroom
26:51very scared.
26:52Normal.
26:54I'll reassure you.
26:55Juan,
26:56a lot of fortitude, huh?
26:57Shows great fortitude
26:58that you are his father.
27:07Hello, champion.
27:07Let's see, what's wrong with you?
27:09Let's see, what's wrong with you?
27:11Dad,
27:12I want to tell you my secret.
27:16Okay.
27:19Sometimes
27:20I see dead people.
27:23You too, my son.
27:24Oh yeah?
27:26I just saw the girl
27:27from the attic on the landing.
27:30This...
27:31Dad,
27:32I'm afraid.
27:34What are we going to do?
27:36A neighborhood meeting.
27:39Or the living neighbors
27:40or the dead.
27:41There's not enough room for everyone here.
27:43Hey, dude,
27:43is that Garci sees this
27:44and his hair stands on end.
27:46Hey,
27:46the girl's thing
27:46It was a great idea, huh?
27:48By the way,
27:48where did you get it from?
27:49What girl?
27:50If I have not brought
27:51no girl.
27:52And then
27:53where did you come from?
27:54Hey,
27:54I'm freaking out.
27:55Come on,
27:55let's see if we're going to be there
27:55annoying the dead.
27:57Yeah,
27:57Well, my father
27:57has stayed
27:58a little over there.
27:59Hey, dude,
27:59That board of neighbors
28:00is going to be at your house?
28:01Yeah.
28:01Well, we have to record it, right?
28:02And by the way,
28:03if your sister
28:03he is taking a shower,
28:04well also...
28:05Emilio,
28:05please,
28:06that this is art.
28:07And the other thing too.
28:11Hello,
28:12how do you have it?
28:13Oh, how nice.
28:14Have you prepared breakfast?
28:15Yeah,
28:15This is my cup
28:16and that's your cup.
28:17This is my spoon
28:18and that's your spoon.
28:20But what's going on?
28:20That we still continue
28:21with the nonsense.
28:22Those are my madaleras,
28:23I bought them myself.
28:24Your cereals
28:24They are in the same closet as always
28:25that as it came with the house
28:27I don't know very well who it is.
28:28Sugar
28:28I bought it too.
28:29Yeah,
28:30but it turns out that this sugar bowl
28:31he gave it to me
28:31my mother.
28:33Here you go
28:34your sugar bowl.
28:36Hey,
28:36Don't you think so?
28:36a little childish
28:37all this?
28:38No,
28:38if the one who is obsessed
28:38with the separation of property
28:39it's you.
28:40Ah,
28:40Well, very well,
28:41Well, nothing,
28:41I'm going to see for a while
28:41my TV.
28:43Yeah,
28:43but sitting on my couch.
28:44And where do you want me to sit?
28:45On the ground?
28:46If you move my rug first.
28:48Fuck,
28:53better look,
28:54This way you save the call.
28:57Hey?
28:57No,
28:58No,
28:58No,
28:59No,
28:59No,
28:59No,
28:59No,
28:59No,
28:59No,
29:00No,
29:00No.
29:01Look,
29:02Roberto,
29:02dear,
29:02that I believe that this
29:05it's the best for both of us.
29:06We love each other very much
29:08and nothing has to happen,
29:10oh well,
29:11So that's how we stayed
29:12more calmly.
29:14Of course, yes,
29:15dear.
29:16Come on,
29:16let's see,
29:17where do I sign?
29:17Here,
29:18my love.
29:18And that's it?
29:19See how easy it is?
29:20Yes, you don't have to eat it.
29:21much head.
29:22Hello.
29:22Hello.
29:23Well,
29:25I'm leaving,
29:25that I have to iron
29:26the uniform pants
29:27of the burger,
29:28I feel like looking pretty today.
29:30Yeah,
29:31I might even put on lipstick.
29:33Ah,
29:33very good.
29:35Dear,
29:36I have been to three other restaurants.
29:38We're going to get purple
29:39testing menus.
29:40Look.
29:41Hey,
29:41Roberto,
29:41Could I talk to you for a moment?
29:43And it turns out
29:43that the son of a friend
29:44from a yoga partner
29:45my mother's
29:46he is a priest
29:47and has been offered
29:47to give us the premarital course
29:49here at home,
29:50good this afternoon.
29:51But are we going to get married?
29:52by the church?
29:52Man,
29:53clear,
29:53since we're at it,
29:54things are good for you
29:54or better not to do them.
29:56Look,
29:56I admit that at first
29:57this thing about getting married
29:57It didn't give me a bad feeling,
29:59but now I've realized
30:00that you are a wonderful woman.
30:01You want to share your life with me.
30:03Yeah.
30:04There is something more generous
30:05to share everything you have
30:06with another person.
30:08Illusions,
30:09dreams,
30:09toothpaste,
30:10the secret number
30:11of the credit card.
30:13I don't know.
30:14That confidence
30:15in each other...
30:17Come on,
30:17that excites me.
30:19And what is this?
30:20This?
30:21Nothing,
30:21nothing,
30:22nothing.
30:22Come on,
30:22silly.
30:23Come on,
30:24here is the lingerie.
30:25Yeah,
30:25Yeah.
30:26That does not bring,
30:27that nothing happens,
30:28which is nothing.
30:29Let's see,
30:29marriage settlements.
30:30But what is this?
30:31Well, nothing,
30:31This is a supplement
30:34that came in the magazine
30:35of wedding dresses.
30:36Ah.
30:37Yeah,
30:38They explain everything to you there,
30:39well the suit
30:40and all the fuss.
30:41How to be a good father?
30:42Chapter 9.
30:44Share activities
30:45with your son.
30:48In Rebecca,
30:49Did you like the doll?
30:50what has he given you?
30:51Look at that body he has.
30:54What's wrong with him?
30:54Because of dolls
30:56how are you doing,
30:56then there has been
30:57girls with anorexia.
30:59Okay,
30:59Okay,
31:00let's leave it by the wrist.
31:02Do you feel like it?
31:03that we do something together?
31:04Let's ride
31:05on horseback
31:05to the club and a bit.
31:07To the club and something?
31:09It's that I don't know
31:10horse riding.
31:10You don't know how to ride a horse,
31:12but you
31:12what kind of father you are.
31:14Wouldn't you rather?
31:15that we go to the swings?
31:16Well,
31:17if you feel like it,
31:18you are going to ride
31:19and I look at you.
31:21Fuck.
31:21Hello, everyone.
31:26We are gathered here...
31:27What is that noise?
31:28Let's see,
31:28a little please.
31:30Let's talk one by one,
31:31yes total,
31:31we are all going to die.
31:32But what does this one say?
31:34Nothing,
31:34agenda,
31:35first point.
31:36Hey,
31:36Milli!
31:37Don't touch my back
31:38without warning me,
31:39please.
31:39I forgot to say
31:40to turn off cell phones.
31:42It doesn't matter.
31:43First point.
31:44Hey,
31:45that we are all going to die
31:46It will be for the owners,
31:47No?
31:47because my sister is the owner of the apartment.
31:49Don't know.
31:50First point.
31:51Analysis and decision making
31:53about the strange events
31:55and presences from beyond,
31:56annoying and unhealthy,
31:58in this community of ours.
31:59But this is a joke, right?
32:00That?
32:01Have you brought forward the day?
32:02of the innocent?
32:03No, sir.
32:03There are beings and spirits.
32:05that speak to us.
32:05Yeah,
32:05and the father of these two
32:06has appeared to them on the wall.
32:08Well,
32:09I've been looking on the internet
32:10and I found an exorcist
32:11that seems serious.
32:12He also teaches math classes,
32:14oh well,
32:15that doesn't interest us.
32:15I have spoken to him
32:17and he told me
32:17that the house needs cleaning
32:19of negative energies
32:21and entities of the lower astral.
32:23Don't ask me
32:24what it is
32:24because I have no idea.
32:25Now,
32:26yes indeed,
32:26I warn you,
32:27exorcists are very expensive.
32:29Yeah,
32:29since they made the movie
32:30prices have skyrocketed.
32:31A spill for an exorcist,
32:33This is the last straw.
32:34Strange things are happening,
32:36we will have to do something.
32:37I, of course,
32:38I'm not putting a penny into this.
32:39Oh ok,
32:40because she is not cleaned
32:41the floor of spirits
32:41and that's it.
32:42Let's see,
32:43votes in favor
32:43to call the exorcist.
32:46Simple majority.
32:47This very afternoon
32:48They come to clean us.
32:49Really,
32:50what does not happen here.
32:52That whenever yes,
32:54that an exorcist is coming
32:55really,
32:55that my father called her.
32:56This story
32:57it writes itself.
32:58Hey, hey,
32:59and what happens now?
33:00Now people start dying.
33:02Ah, that's very good,
33:02a little bit of action.
33:04In every scary movie
33:05there is a pretty girl
33:06who shouts a lot.
33:07How are you?
33:13Hired?
33:14A movie.
33:15Hey,
33:15and what should I do?
33:17Basically,
33:17die.
33:18Only?
33:19It is that the protagonist
33:20it's me.
33:21If that is not understood.
33:22Hey you,
33:22that you're going to be the bride
33:23of a famous actor.
33:24That we are not boyfriends,
33:25Emilio,
33:26that we are nothing.
33:27Now,
33:27by list,
33:28I'm not inviting you to the premiere.
33:29Well, I don't care.
33:29How to be a good father?
33:34Chapter 25.
33:36What to do if nothing works?
33:39List of boarding schools in Switzerland.
33:43Daughter,
33:44Are you okay?
33:45I'm first class.
33:46This is a shock to me.
33:48I don't have a garden here.
33:50Clear,
33:50the thing is...
33:51Mom now lives with her boyfriend.
33:53in a very nice chalet,
33:54but we live in the center.
33:55And he had two very big dogs,
33:57Prince and Maduna.
33:59Well,
34:00If you want, we can buy a dog.
34:02It is cruelty
34:03having a dog in an apartment.
34:04So we don't buy it.
34:06Well, I'm bored here.
34:07What I do?
34:10Don't know.
34:11This house is falling on me.
34:13Look,
34:14daughter,
34:14I can't take it anymore.
34:15I'm no good as a father.
34:17If you want to go with mom,
34:18I call mom
34:19and I came to get you right now.
34:20It's humiliating,
34:21but I don't care.
34:23Come on,
34:24let's go for a walk
34:25let's see if you get some fresh air.
34:27Where are we going?
34:28I invite Nero
34:29that he hadn't sucked much money.
34:32So I don't take the wallet.
34:33But how am I going to get married?
34:34If you are already thinking
34:35what's going to go wrong?
34:36Roberto,
34:36that I didn't say that.
34:37It's just a separation of assets.
34:39Already,
34:39This is like Spain
34:40in the World Cups.
34:41We're already thinking
34:41that we are going to lose
34:42and we lose.
34:43Okay.
34:44Well,
34:45what was missing.
34:46Now the priest
34:47to give us the talk.
34:48Besides,
34:48what's that
34:48of premarital courses?
34:50Why should it be taken out?
34:50a certificate
34:51of I don't know what the fuck
34:52of attitude
34:52that if not,
34:53don't they marry us?
34:53Fuck,
34:54well what a good time.
34:55And what did I know?
34:56Change your face,
34:57come on.
34:57Change yours too.
35:03Hello.
35:05Sorry for the delay.
35:06It's that down
35:06two ladies
35:07I have been confused
35:08with an exorcist
35:08and they have insisted
35:09in which I saw
35:10a stain
35:10that they have on the wall.
35:12Happens,
35:12father,
35:13happens.
35:14I have had them
35:15to bless
35:15the microwave
35:16so they would leave me alone.
35:17Well, nothing,
35:18sit there
35:18that we are ready
35:19and very excited,
35:20right, darling?
35:21A lot,
35:21my love.
35:23Well,
35:24so Roberto
35:26and Lucia,
35:26TRUE?
35:27Yeah.
35:27Good,
35:29So let's get started.
35:30Chapter one.
35:32The courtship.
35:34The courtship
35:35it's time
35:35of preparation
35:37and knowledge
35:38of the couple.
35:39Do you think you know?
35:40to the couple?
35:40Because then you discover
35:42what she thinks
35:42that you're going after his money.
35:43Roberto,
35:44I didn't say that.
35:45Well, it says it very clearly there.
35:46Will you shut up?
35:47Yeah,
35:47Yeah,
35:48Well,
35:48as I was saying,
35:50Yeah,
35:50life as a whole
35:52is going to start
35:53and it is important
35:54seek harmony
35:56inside the core
35:57from home.
35:58Hey,
35:59and will I be able to live?
36:00here with you
36:00or I have to pay you
36:01a rental?
36:02Roberto,
36:02you're a little heavy,
36:03Hey?
36:04And I can't hear the father,
36:06Hey?
36:06Miguel,
36:07Just Miguel.
36:08Yeah.
36:09Good,
36:10As I was saying,
36:11courtship,
36:12the courtship
36:13It's time
36:14in which all expectations,
36:16all the illusions...
36:17They're going to hell
36:18because they doubt you
36:19and they sink you.
36:20Well,
36:20look,
36:20forget it already
36:21about the separation
36:21of goods.
36:22Look,
36:22bring the little note,
36:23come on,
36:23that I'm going to sign it.
36:23No,
36:24no,
36:24no,
36:24that I am like that
36:25I don't want you to sign.
36:25Give me a ride.
36:25Let's leave
36:30the chapter
36:31of courtship,
36:32because I see
36:32that you know it
36:34pretty good.
36:34Chapter two
36:36it is the family economy.
36:39Well,
36:40better this chapter
36:41I leave it to you
36:41and you look at it
36:42you alone.
36:53Look,
36:53this way it comes
36:54the exorcist.
36:54Fuck,
36:56what a look,
36:56If this is more scary
36:57that the ghost.
36:57Normal,
36:58with the scares
36:58that the man will take.
36:59Let me do the talking.
37:00Hello,
37:01good night.
37:02Good night.
37:04Ah,
37:05Well, this wasn't it.
37:05Well, he has a face.
37:06of exorcist
37:07that can't handle it,
37:08Hey?
37:08And what face
37:08it is supposed
37:09What does an exorcist have?
37:11Hello,
37:12I am the parapsychologist.
37:15I come to do
37:16a spectral cleansing.
37:18So that?
37:20Parapsychologist.
37:21I think they have
37:23a problem.
37:24Chapter four.
37:30This is a thing
37:30from your father,
37:31TRUE?
37:31Well, tell your father.
37:32that I don't need
37:33your money.
37:34Nor I yours,
37:34Hey?
37:35Where is the problem?
37:36I would emphasize
37:37in the importance
37:39to reaffirm
37:39that love so deep
37:40that is seen
37:41that you have.
37:41Because it looks,
37:42it is impossible not to see it.
37:44And the honeymoon
37:45I'll pay for it.
37:45We still have each other
37:46that we go to the basin,
37:47but I pay for it.
37:48You don't have me
37:48to pay nothing.
37:49Women,
37:50that Cuenca is very beautiful
37:51and you don't have to get vaccinated.
37:52Come on,
37:52please,
37:53Does it seem to you?
37:54normal that I
37:54do i have to sign this?
37:55I am that of couples
37:56I understand less and less.
37:57So,
37:57What are you doing here?
37:58That's what I was wondering.
38:00Do you want to leave?
38:00that he continues telling us?
38:02Behold,
38:02Behold,
38:03These talks
38:04They can also help you
38:05to realize
38:06of whether in reality
38:07the person
38:08that you have at your side
38:09is the ideal couple
38:10with which
38:10live forever.
38:12But what is he saying?
38:13this man?
38:13Hey?
38:14Don't we love each other?
38:15No,
38:15No,
38:15No,
38:16what I was saying
38:17is that perhaps
38:18getting married is a bit hasty.
38:20Because?
38:20Let's see,
38:21rushed why?
38:22Man,
38:22please,
38:23is going to come here to say
38:24if we love each other
38:24or we don't love each other.
38:25Well,
38:26I already do,
38:27I'll be back another time.
38:28You do the tests,
38:29You send them to me at the parish
38:31and I am delighted,
38:32Hey?
38:32See you later.
38:33Ah,
38:34a little thing.
38:36This is not a hidden camera,
38:37No?
38:37Of course not.
38:44Come on,
38:46bring the paper,
38:47come on,
38:47that I'm going to sign it.
38:49Sure?
38:50Sure.
39:05Thank you.
39:07What are you doing?
39:11Oh yeah?
39:12We are now at peace.
39:15Now,
39:17let's go,
39:17I'm inviting you to have a drink.
39:20No,
39:20I'll treat you.
39:22Well,
39:22Roberto,
39:22really,
39:23what day we have.
39:30Here,
39:30here it did appear to me,
39:31short,
39:32looking at me,
39:33how the children look at me
39:34when I fail them,
39:34equal.
39:35a residual entity.
39:37Yeah,
39:37that.
39:38And listen,
39:39voices could be heard throughout the house.
39:40They've even sprayed graffiti on us.
39:42They said we were all going to die.
39:43Only the owners.
39:45Well,
39:46What do you think?
39:47Evil has come to this community
39:49and it must be fought.
39:51Oh,
39:51My God.
39:52If a virgin must be sacrificed,
39:54we have this one.
39:55According to that story,
39:57where did the girl die?
39:58In the attic.
40:00That is the emitting focus.
40:02They have tried to climb.
40:03No,
40:04but you come up,
40:05that's what we pay him for.
40:06The attic has not been opened yet.
40:07at least 50 years,
40:08Hey?
40:09Emilio,
40:09you have the key,
40:10No?
40:10Yeah,
40:10but I'm not going up there.
40:11Let's go up.
40:13Listen,
40:14And to be an exorcist?
40:15you have to do the FP
40:16or this is going as a course
40:17by correspondence?
40:17Because it has to be beautiful,
40:18No?
40:21Oh,
40:22how scared I was.
40:23I miss you.
40:24Come on,
40:24go up.
40:24Listen,
40:29Listen,
40:30and us
40:30how we know
40:31that when you throw
40:32those presences
40:33they don't come back?
40:35They have a guarantee
40:37two years old.
40:39If in that interval
40:40the presences
40:41They are demonstrating again,
40:43I would return
40:44to clean their building
40:45at no additional cost.
40:47Clear,
40:48like laser hair removal.
40:49Clear,
40:49right, Cris?
40:50Pay attention.
40:52I'm going in.
40:54I'm going in.
41:02I'm coming in.
41:05I'm in now.
41:12Emilio!
41:13What a joke, damn!
41:14What a joke!
41:15And what will that gentleman do?
41:16to cast out spirits?
41:17But maybe
41:18he doesn't get out alive.
41:19Well, I've already paid him.
41:20half in advance.
41:22How are you?
41:23It's big, huh?
41:25How many meters is it?
41:2775 meters
41:27by writing.
41:29And outside, right?
41:31Yes, yes,
41:31gives everything to the street.
41:32That's important
41:33to expel
41:34to the ghosts.
41:36Fundamental.
41:37I'll have to pass
41:37all night here.
41:39Let me work.
41:41Whatever happens
41:42and whatever they hear,
41:43do not go up
41:43under no circumstances.
41:45Fuck, balls
41:50Yes, they do throw him out, yes.
41:53What was that?
41:54It comes from below.
41:55What do we do?
41:56Well, go down, right?
41:58Okay,
41:58any other ideas?
41:59So we get in.
42:00in the attic.
42:01We're going down.
42:03Stay together, okay?
42:04Yeah.
42:05Come on, Emilio.
42:05Calm down,
42:11only the light has gone out.
42:12We're all going to die.
42:13Oh, shut up,
42:14my son,
42:14I'll laugh at you again, huh?
42:23What's that?
42:26What have I got?
42:27How rigid the light is, hey!
42:29I'll have to find
42:29a switch,
42:30I say, right?
42:31And what are you laughing at?
42:33Don't know,
42:33I just laugh.
42:34Hey!
42:35Let's get out of here!
42:38She's dead!
42:39What do you think?
42:40But if still
42:41hasn't turned me off
42:43the iron light.
42:44We're going to fall like a pig.
42:45Oh, shut up, here!
42:46Oh, shut up, here!
42:48Let's get out of here!
42:50What, the children!
42:51Should we call him on his cell phone?
42:52Why don't we call?
42:52to the exorcist?
42:53That one who...
42:54The ghost!
42:56The dead one!
42:58What's happening?
42:59For God's sake, Armando!
43:00It's the girl from the attic!
43:01Let her go!
43:01But what are you saying?
43:02She's my daughter!
43:03Hey?
43:03That's my stupid granddaughter!
43:05Oh, I don't understand anything!
43:07You'll understand!
43:09That's why we're dead!
43:11And you bring it too!
43:12Oh, what, what, what!
43:13Oh, what, what!
43:13We're all dead!
43:14We're all dead!
43:15Oh my God!
43:16No, no, not me!
43:16I'm still paying taxes, huh!
43:17We're all dead!
43:19What, we're all dead!
43:21Okay, cut!
43:23Perfect!
43:24What a face, huh, mom!
43:27How is the state?
43:28Shall we do another one?
43:29No, no, no, no!
43:30Thank you all very much.
43:31You've been great, really, great.
43:33As?
43:34Keep this title in mind.
43:35The Attic of Panic.
43:36You were the stars of my first horror movie.
43:40You bastard!
43:41So all this was a lie!
43:43But hey, you're stupid, kid.
43:44Someone could have had a heart attack!
43:46To you, for example!
43:47You should be thanking me by now, huh?
43:49Grateful if it were up to me.
43:50You were fired right now, clown.
43:52But then, Paquito, what a son of a bitch, huh?
43:54You've had us all fooled.
44:01Aha!
44:02I was doing my TV!
44:03No, sir.
44:04I was cleaning my nightstand and you left your remote on top of my nightstand and it connected by itself.
44:08Now, it doesn't matter.
44:08Look, take a look at this.
44:13Hey, watch out!
44:14What is this?
44:16Well, it's a contract I've drawn up to regulate the financial status of our relationship.
44:20Oh, how interesting!
44:21I'll read it when I want to go to sleep.
44:22Read!
44:26Being together on one side, Fernando, why do you always have to put yourself in front?
44:29Go directly to the clauses.
44:31First clause.
44:33Everything mine is yours and everything yours is mine.
44:38So does this have any validity?
44:40For us yes, that's what matters.
44:43Do you sign or not?
44:44No, I don't sign it.
44:46But why not?
44:47Why is it not necessary?
44:49Donkey!
44:51I love being right sometimes.
44:52Come on, come on, you can do it now!
44:54Thank you.
44:55And no, you're not right.
44:56The thing is, you're more stubborn than...
44:58You have to see the beautiful things you're capable of inventing just to be able to sit and watch TV.
45:02No, no, you actually went for your muffins.
45:04Yes, muffins, yes.
45:06Come on, for football.
45:08Football.
45:08Yes, you liked it so much.
45:10Yes, Lidia, yes, I'm coming, I'm leaving, okay?
45:13You wait for me at the entrance.
45:15Come on.
45:15No need to talk nonsense, I'm not asleep yet.
45:22Look, Rebecca, your dad is very happy, very happy, but a little stressed, okay?
45:29And I'm going to step outside for a moment to have a drink, okay?
45:33And why don't you give me a story before you go?
45:36A story?
45:38Come on, okay, but a short one, okay?
45:43Let's see.
45:46Well, this one.
45:48A curious little fish was flying over the ocean.
45:52He wanted to discover so many, so many things, but what intrigued him most was the color of the sea.
45:59Tell me.
46:00Hello, is Armando here?
46:02I had arranged to meet him an hour ago.
46:04At this moment you can't say goodnight.
46:17But the exorcist said we shouldn't bother him.
46:19We'll have to warn him.
46:20If there are no ghosts, why would this man continue working?
46:23But what had he told them?
46:25Yeah, look, the thing about ghosts and spirits turned out to be a practical joke by...
46:30Anyway, you no longer need to continue with the spectral cleaning.
46:34Oh?
46:35I suppose you want to collect the rest of the money.
46:37Ah, well, he doesn't mind.
46:38Sorry.
46:39Hey, Beltrán Amorós?
46:40Yes, it's me.
46:41Hey, did you come to install the phone?
46:43Forward.
46:45Well, I'll leave you, I'm a bit busy.
46:50Well, what's going on here?
46:51I was in the bar.
46:52It seems to me that this is more of a squatter than an exorcist.
46:55Damn, Emilio.
46:57Yes, Mr. Cuesta.
46:58What a mess!
47:02Here, here, here there is no one who lives.
47:04Not here, not here.
47:06Meet my father.
47:08Nice to meet you.
47:08Belén is my girlfriend.
47:09Well, we're not really either...
47:10No, no, no, no, no, no, no.
47:11I thought you were gay, that I was gay.
47:13We're done.
47:15But how come we're done?
47:16So, we're dating.
47:17Yeah.
47:18Well, I'll leave you.
47:19When a guy you like doesn't pay attention to you?
47:20Go get his friend.
47:21Hey, those pants are new.
47:23Because?
47:23I wear the label.
47:24It makes you a very nice ass.
47:25That Alicia is pulling my eyebrows.
47:27You haven't even seen, we look like a couple.
47:33Hello.
47:34Good evening, Emilio.
47:35What a whore!
47:37He's using you to make me jealous.
47:39Two tickets to go see the website.
47:41But tomorrow I can't,
47:42because I have arranged to meet Mauri to go see an expressionist painting exhibition.
47:45But he has no idea about expressionist painting.
47:48The same as you about opera.
47:49I just don't know what to do.
47:51I like each one for a different reason.
47:52Are you going out with both of them?
47:53I'm offering 30 million pesetas for each of the homes in this building.
48:00I sell.
48:01Me too.
48:01Either everyone sells or there is no deal.
48:04Then we sell.
48:05And we bought the townhouse at your sister's.
48:0760 million.
48:08Do you know anyone who has a lot of money?
48:11We sell, right?
48:12Well, I don't sell.
48:13Neither do I.
48:13Why not?
48:15We're young, damn it.
48:16Let's go to Benidorm.
48:17I'll get at least 5 million out of this one, you'll see.
48:19The house is mine and I say it's not for sale.
48:22We stayed.
48:23Technically it's a 3-3 tie, but things are looking promising, huh?
48:25We are either winning or losing.
48:27Winning, I think.
48:27We still have 24 hours.
48:29And those two sell.
48:31I believe they sell.
48:33Come on.
48:34I would stop calling myself Paloma if those two didn't sell.
48:37Long live.
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