Aquí no hay quien viva - Temp 4 Completa - HD 1080 de Aquellas_Maravillosas_Series - Dailymotion

Aquellas_Maravillosas_Series

Exitosa telecomedia que narra la vida de una peculiar comunidad de vecinos de la calle "Desengaño 21": tres plantas, dos pisos por planta, una portería y un local contiguo albergan a los variopintos vecinos de esta sitcom cuyo plato fuerte eran sus ágiles guiones y sus distinguibles personajes: el presidente de la comunidad, su ambiciosa mujer, las vecinas cotillas, los vecinos gays, el sufrido portero, etc.

Transcript

00:00:00Music

00:00:27Hurry up, damn it, this is heavy.

00:00:29Dad, the more you mess with my balls, the longer it will take.

00:00:31But it's even crooked.

00:00:33Sure, if it's falling, damn it

00:00:35I bet I let it go.

00:00:36Hey, I've already painted the portal three times.

00:00:39Why don't they come to an agreement first?

00:00:41How does everyone do it?

00:00:42This blue is so ugly.

00:00:44It also doesn't stick to the floor at all.

00:00:45Let's see, I remember that we all liked this color

00:00:48It's just that I don't understand with the samples.

00:00:51This portal asks for a pink

00:00:52I never tire of saying it.

00:00:54Are we going to paint it pink?

00:00:56Let's be serious, please.

00:00:57Well, that's it, it's over, paint it as it was

00:00:59Again to dismantle the mailboxes

00:01:00Well, how was it before?

00:01:01I don't remember anymore

00:01:02Black Windsor

00:01:04Before the fire

00:01:05I'm going up to the third filling, please.

00:01:06It looks and paints everything the same.

00:01:08Fuck

00:01:09The whole building should have burned down.

00:01:12And we all went to shit

00:01:14But what about this one?

00:01:14If you are mounting the attic

00:01:16That they have seized his store

00:01:17I'm going to ask him for some socks.

00:01:19Juan, when does the insurance pay us?

00:01:20Because I am putting money forward for my apartment.

00:01:22Sure, have you started changing the floor?

00:01:25It's just that it's burned, you know?

00:01:27Mr. Juan, the goal also needed a little overhaul.

00:01:29What is this that appears an advertisement of everyone against the fire?

00:01:31Emilio, each thing in its time

00:01:33First are the common areas

00:01:34We are sleeping on the floor

00:01:36I don't rest like this

00:01:37Well, rest for the rest of the day.

00:01:39Oh, and my computer burned down.

00:01:40All the photos and videos of the bellónce

00:01:42That I downloaded from the internet to shit

00:01:44How much lost work

00:01:46Let's see, the insurance is about to pay

00:01:48It is the usual bureaucratic delay in these cases

00:01:51Let's see if they register the administrator

00:01:52Because this really is...

00:01:54Wait, we'll see you and you can show us the ground.

00:01:56Hey!

00:01:58I don't know if Gregorio is going to recover from his burns, huh?

00:02:01It doesn't matter, the important thing is that the building has been recovered.

00:02:04If there are mini-installers, there are many

00:02:05Man, good morning, Mr. Cuesta

00:02:09Ana, we were just talking about insurance.

00:02:11Can you bring us the check?

00:02:12Well no

00:02:12You see, we are still waiting for the report from our little ones.

00:02:15Because there are indications that the fire may have been deliberately started.

00:02:18But who's going to provoke him if there was no one here?

00:02:20Son of a bitch!

00:02:21Just so you don't have to pay!

00:02:22Mariano, please!

00:02:23Calm down, calm down

00:02:24The neighbors have already advanced a series of expenses

00:02:27Do you know what they can do to me?

00:02:29If they find out that the insurance doesn't pay?

00:02:31Do you remember Mussolini?

00:02:32Hangs upside down in the square that...

00:02:34Yeah, look, those are company rules.

00:02:35I'll call him as soon as he gets in the box, okay?

00:02:38What did he say?

00:02:39Nothing, there is already bad

00:02:40I'm going to see Paloma at the hospital.

00:02:42How are you doing?

00:02:43I?

00:02:44Very badly

00:02:44No, Mrs. Paloma

00:02:45Well, my bad too

00:02:46There's Ida, Ida

00:02:47Isabel unknown emparadero

00:02:48I don't know anything about Natalia either.

00:02:50Very nice everything

00:02:50What a pity, he's a shadow of himself.

00:02:53I see for myself that you and I are not going to have to fix the goal.

00:02:57With what money, dad?

00:02:58Don't talk nonsense, okay?

00:03:00I'm going to the bathroom to see what I can think of.

00:03:02Belén, darling, have you sold any insurance?

00:03:10What's up?

00:03:11If I've been walking around all morning, for nothing

00:03:13But not from home, not from car, not from life, not from anything

00:03:15But how am I going to sell?

00:03:17If they don't even open the door for me

00:03:18If you are very rude, you have to smile more.

00:03:20Do my feet hurt?

00:03:22I want to go home

00:03:22Find original sites to sell

00:03:24You have to rack your brains

00:03:25What have you made?

00:03:27The one who put the stick in the candy

00:03:28The one who put wings on compresses

00:03:30Emilio, go fuck yourself a little.

00:03:32Nativity scene

00:03:32What the hell are you going to sell with your character?

00:03:37Find original sites to sell

00:03:42Want to save 20% on your car insurance?

00:03:54No, thanks, I'm going without insurance.

00:03:56Oh, sir, you're in luck.

00:03:58I'm with one right now.

00:03:59No, no, no, no, don't close me

00:04:00Don't close me, don't close me

00:04:01Look, we have some insurance

00:04:03Take

00:04:04Hey, I'm not asking, okay?

00:04:06Hey, pretty

00:04:07This is my traffic light

00:04:09Go down with the lame Romanian

00:04:11Do you want to let me work?

00:04:12Don't piss off my clients, okay?

00:04:14I'll grab you by the hair and...

00:04:15What are you going to do to me?

00:04:16What are you going to do to me?

00:04:17Go on, shoot, asshole

00:04:18That?

00:04:18What did you call me?

00:04:20That?

00:04:20But you are an idiot

00:04:21But you...

00:04:22I shit on your...

00:04:23Oh!

00:04:24Oh, Dad!

00:04:25What, dad!

00:04:25Give me the paw!

00:04:27That?

00:04:27You're a cut, a cut, I shit!

00:04:29Oh!

00:04:29No, no, no, no!

00:04:29No, no, no!

00:04:29I'm not leaving!

00:04:30Come on!

00:04:31Come on, come on!

00:04:32Come on, dad!

00:04:35Here, here, here there is no one who lives

00:04:38Not here, not here

00:04:39Every day is like this

00:04:42I couldn't imagine it when I came here.

00:04:44I was just looking for some peace

00:04:47I wake up every day in the middle of a hurricane

00:04:49Here, here, here there is no one who lives

00:04:51Not here, not here

00:04:53No, no, no

00:04:54Here, here, here there is no one who lives

00:04:56Not here, not here

00:04:57No, no, no

00:04:58The house collapses and collapses

00:05:00I can't find the goalkeeper.

00:05:02The neighbors watch me and listen to me

00:05:05I can't stand this place.

00:05:07Put in a cocktail shaker

00:05:11You in an earthquake and a volcano

00:05:15Yes, yes, yes

00:05:17And you will have this ladder

00:05:20Here, here, here there is no one who lives

00:05:23Not here, not here, no, no

00:05:26Here, here, here there is no one who lives

00:05:28Not here, no, no

00:05:30Here, here, here there is no one who lives

00:05:32Not here, not here

00:05:34Here, here, here there is no one who lives

00:05:37Not here, not here

00:05:39Here, here, here there is no one who lives

00:05:42Here, here, here there is no one who lives

00:05:44Here, here, here there is no one who lives

00:05:46But, man, what is this?

00:05:52Custom posters. You'll see what a deal it is.

00:05:55I've made several test ones. Do you want one?

00:05:57Marco, for God's sake, don't teach that to a minor.

00:05:59Hey, what are these cinematic attacks due to?

00:06:03I'm sick of working here, man.

00:06:04This year I'm going to finance a film no matter what.

00:06:06Hey, can you come out for a moment?

00:06:12No, how strong.

00:06:14When you get over these logical moments of astonishment, tell me what you think?

00:06:18One, two, three. What a bastard!

00:06:22Thank you.

00:06:24It's a V-8, 476 horsepower, turbo, navigator, television, and so on.

00:06:30I love this.

00:06:33And this too.

00:06:37Good!

00:06:38But man, where are you going with so much car?

00:06:40You can't run anymore. The DG has put radars everywhere.

00:06:43Yes. Now you're going 140 on the highway and you're a killer.

00:06:46But then you hit someone, hit and run, kill them, and no one goes to jail.

00:06:50Paradoxes of administration.

00:06:51No, but I'm settling down.

00:06:53I'm 30 years old, in a stable relationship and...

00:06:55Bon Lucía will want to have children, so we need space.

00:06:58And by the way, where is she? Hasn't she been seen for days?

00:07:00Well, in Malaga, on vacation with the family.

00:07:03No, not anymore.

00:07:04Well, darling, but...

00:07:08Look, look, look, look, look.

00:07:10Four doors.

00:07:11Now we can bring as many children as we want.

00:07:15Can we talk for a moment?

00:07:16Yes, but look, look, look.

00:07:17Look, look, what are you...

00:07:18Look.

00:07:19As?

00:07:20And the glove compartment has a cooler, to put a soft drink or a baby bottle.

00:07:24Yeah.

00:07:25Hello.

00:07:26What's up?

00:07:26Yeah.

00:07:26I have met someone.

00:07:34And voice recognition system.

00:07:36Then you tell him CD7 and he puts CD7.

00:07:39The browser.

00:07:39I have fallen in love.

00:07:41And three-position heated seats, huh?

00:07:43You memorize it and then you put the...

00:07:44Carlos, Carlos, are you listening?

00:07:47But how come you fell in love?

00:07:48If you were supposed to be in love with me already.

00:07:51It was love at first sight.

00:07:53Who is it?

00:07:54Have you slept with him?

00:07:54No, no, no, no, no.

00:07:56No, no, tell me.

00:07:57Yes I am ready.

00:07:59I met him one day and...

00:08:01No, stop, stop.

00:08:01No, no, no.

00:08:02No, no, no.

00:08:03No, no, no.

00:08:03No, I'm not ready.

00:08:04Oh, but...

00:08:05I want to die.

00:08:06But don't cry because then I'll cry.

00:08:08I had picked it up with the light broken bone upholstery, as you like.

00:08:12I'm sorry, I'm sorry.

00:08:13Seriously, how dirty it is.

00:08:16We'll talk another time, okay?

00:08:18When we are calmer.

00:08:21Goodbye, beautiful.

00:08:23Do you see it?

00:08:24Since you end up with too much car.

00:08:26Hey, if you want, we can go for a walk and that way your tantrum will go away.

00:08:33Not here.

00:08:34Not here.

00:08:35There is no one living here.

00:08:37And we have to leave here because we're getting into trouble with Belén.

00:08:43He's told us to get lost over 20 times.

00:08:45No, but they say it jokingly.

00:08:46And all because you've fallen in love with the bearded flight attendant.

00:08:48That she is not a lesbian.

00:08:50So what did he do in bed with me, Pilates?

00:08:51I was drunk.

00:08:52This has happened to me many times.

00:08:54He's coming back from Washington next week.

00:08:56But hey, look at you, your eyes open like Candy Candy's.

00:08:59How are you?

00:09:02Evil.

00:09:03But you're still here.

00:09:04There is no room for four people.

00:09:06These are very bad times, Belén.

00:09:08We couldn't find a flat.

00:09:09Do we pay you?

00:09:10200 euros each.

00:09:11It's not the money, it's the space, it's my house, I'm suffocating.

00:09:15Hey, are you going to leave me on the street, I have a child?

00:09:17Well, you go back to Maurio or ask Proyecto Lesbiana for help.

00:09:20What do I know?

00:09:20Belén, we all have problems in life, but that's why friends are there to help each other.

00:09:24You should immediately pack your fucking bags and get the hell out of here.

00:09:28Pussy.

00:09:31Look, I can't stand this anymore, okay?

00:09:33I do.

00:09:37Everything in between.

00:09:38Everything in between.

00:09:39Go on.

00:09:40Hello, Eze.

00:09:41That?

00:09:44I don't have to pay it until Monday, okay?

00:09:46That's why I came to warn you.

00:09:47Starting this month, one thousand euros.

00:09:50What are you saying?

00:09:50If they are 600.

00:09:51You had me fooled, you slut.

00:09:54That is not the market price.

00:09:55But what has happened to him?

00:09:56A ketosis?

00:09:57You can't raise me 400 euros like that all at once.

00:10:00Are you going to pay me or not?

00:10:01But how am I going to pay you a thousand euros for this, please?

00:10:05I imagined it, right?

00:10:06But what does it do?

00:10:06Where is it going?

00:10:07Where?

00:10:09I'm fed up with the sluts.

00:10:11I'm going to sell the apartment and live life.

00:10:15But the money goes away quickly here.

00:10:16He has it reversed.

00:10:17Yes, well, a thousand euros on the street.

00:10:25And I'm going to make it cheap.

00:10:27I'll sell it right away.

00:10:30Ezequiel, darling.

00:10:32We're leaving.

00:10:32But where are you going?

00:10:33You just kicked us out.

00:10:34But please, take it all as a big deal.

00:10:39Shitting milk doesn't mean it has to be now.

00:10:41It could be within a month.

00:10:43So, what did you tell me?

00:10:45200 per person, right?

00:10:46Well, 200 per person.

00:10:48You leave them in the room.

00:10:49And everyone is happy.

00:10:51The three of us, the four of us, stayed with this one.

00:10:53Look, I really appreciate your offer,

00:11:04But I'm not a gossip journalist.

00:11:06Choose the tone for me, if you please.

00:11:09No, I'm not going on a TV show.

00:11:11to drown in the private life of a celebrity.

00:11:12If I have to go buy the moldings.

00:11:14I don't want moldings.

00:11:15Yes, it looks very nice.

00:11:17No, really, no matter how much money you offer me,

00:11:19I have my dignity.

00:11:21How much?

00:11:22For a program.

00:11:24No, no, no.

00:11:26Honestly, I prefer to write obituaries.

00:11:28in a Pueblo newspaper.

00:11:29Thank you so much.

00:11:30That one, that one!

00:11:31And don't you see the grey is very dull?

00:11:33I have an apple green one there that...

00:11:35No, he paints it in grey for me.

00:11:36Well, well, well, well.

00:11:39Leave me open, okay?

00:11:40I'll go with the moldings for a moment.

00:11:42Listen, but are you listening to me?

00:11:43I don't want moldings.

00:11:45Yes, time helps you change.

00:11:51Hello.

00:11:54Fernando, when are you coming home?

00:11:55and you get this rush from seeing me

00:11:57It makes my hair stand on end.

00:11:59Sorry, I've had a bad day at the office.

00:12:01Yeah, but a little kiss when you come in, I don't know.

00:12:05No, forced, not anymore.

00:12:06I'm sorry, I've just been given an absurd case.

00:12:09I have to defend a lady

00:12:10whom her neighbor has left in charge

00:12:11to water the plants

00:12:12because he had gone on vacation

00:12:13and when he came back, well...

00:12:15his bougainvillea had died

00:12:17and they have reported her.

00:12:18And what does the autopsy say?

00:12:19Did he let her die?

00:12:20Mauri, plants are not autopsied.

00:12:23Besides, what does it matter?

00:12:23It's bullshit.

00:12:25I have to prove it

00:12:25that the cause of death

00:12:26It was not because of the lack of irrigation,

00:12:27but the bougainvillea was already sick.

00:12:29I had cottony cushion scale.

00:12:31What did he have?

00:12:32I don't know, a bug I found on the Internet.

00:12:34This is depressing me,

00:12:35It depresses me a lot.

00:12:36Fernando, in the end

00:12:37all jobs are shit.

00:12:39But the important thing is to get home

00:12:40and that death is waiting.

00:12:42Yeah, but it's just that...

00:12:43When I studied law

00:12:44I imagined myself going to jail

00:12:45to corrupt politicians.

00:12:47Not asking a gossip

00:12:48if your plant had mealybugs.

00:12:50Think about that poor woman.

00:12:51Maybe she was a widow

00:12:52and that plant was the last thing

00:12:53that was left to him in this world.

00:12:54Yes, but I defend the other one.

00:12:56Sorry, I didn't understand you.

00:12:58I'm about to send everything to hell.

00:13:00I'm going to take a walk to think.

00:13:02Do you want me to accompany you?

00:13:03No, Mauri, it's just that with you it's impossible.

00:13:04because you keep talking, talking and not...

00:13:06Okay, okay, okay.

00:13:07No!

00:13:07Think about it carefully!

00:13:12The topic is hot, huh?

00:13:14It seems unbelievable

00:13:15which affects work and relationships.

00:13:18Ladies, I'm going to end up covering that window.

00:13:20I don't think you can.

00:13:21It is an alteration of common elements.

00:13:23Costs!

00:13:23Mauri wants to make an enclosure!

00:13:26That I'm not going to do anything.

00:13:27Shut up!

00:13:29Hey, be careful with Fernando.

00:13:31that you might go back to London again.

00:13:33Why are you going back to London?

00:13:35I don't know.

00:13:36As it is in crisis

00:13:36maybe he'll make another of his scares.

00:13:40Fine, leave me alone.

00:13:41Fernando loves me very much.

00:13:42He's not going anywhere.

00:13:43This Comanolo thought the same.

00:13:45And look, excuse her

00:13:47that is that my mother

00:13:48her delivery was complicated

00:13:49and they squeezed hard with the forceps.

00:13:51What should I buy?

00:14:06Nothing.

00:14:06Well, if you remember, Parsley,

00:14:07but that's not it.

00:14:08Hey, if you're not happy with your job,

00:14:10become independent,

00:14:11set up your own law firm.

00:14:12With what money, Mauri?

00:14:13I partner with you and help you.

00:14:16Hidalgo and Navarro associates.

00:14:17How do you see it?

00:14:18Of course, with the savings you have.

00:14:19Sorry, but I just got offered

00:14:20a very well-paid job.

00:14:22It's not good for the couple

00:14:23have business in common, huh?

00:14:25Manolo set up a bar

00:14:26and Marisa started drinking there.

00:14:28Business sucks.

00:14:30I should have gotten in

00:14:31in Renfe like my father.

00:14:35Well, Mauri, we'll talk later, okay?

00:14:40Why do they always keep quiet?

00:14:41when do we appear?

00:14:42Hello, I'm Mauri.

00:14:45We just talked.

00:14:46Hey, I'm interested.

00:14:47Tertullian's.

00:14:50No, what happened before was

00:14:50so you can see how fake I am

00:14:52and how well I'm going to do at this

00:14:53when we recorded.

00:14:56Ah, this is being rehearsed.

00:15:01But who are you?

00:15:02If I don't recognize you.

00:15:04Yes, darling.

00:15:05I'll be right back.

00:15:06Oh, fuck.

00:15:06You still don't recognize me, doctor.

00:15:10He's losing his mind.

00:15:11His mental speech is disjointed.

00:15:13Mr. Cuesta,

00:15:14It is normal that when leaving

00:15:15from a neurovegetative state

00:15:16long-term memory

00:15:17is affected.

00:15:18That's what we call

00:15:19post-traumatic amnesia.

00:15:21But little by little

00:15:21he will remember everything.

00:15:23Everything, everything?

00:15:24Come with the family.

00:15:25That will help speed up the process.

00:15:27It's that in the family

00:15:28there have been some changes

00:15:29I don't know.

00:15:30And there is no possibility

00:15:31that it stays as it is now?

00:15:33We don't want it, huh?

00:15:34I say this to prepare us.

00:15:36Don't worry.

00:15:37You are a man

00:15:38very lucky.

00:15:39Very few people come out of a coma.

00:15:40after so long.

00:15:40Yes, how lucky.

00:15:44I don't know what we're doing here.

00:15:45If John told us

00:15:46that was not necessary

00:15:46that we came.

00:15:47In the radiopatio

00:15:48can't miss it

00:15:48the resurrection of Paloma.

00:15:50They say he doesn't remember

00:15:52you are welcome.

00:15:53That's what we're here for.

00:15:56Paloma, beautiful,

00:15:57here you are.

00:15:58Go have a few beers, drunk.

00:16:00Look how he does remember.

00:16:04But why does he hate me?

00:16:05this lady so much?

00:16:06I've been swallowing it for years.

00:16:08Without a contract,

00:16:08without me getting ready

00:16:09the washing machine.

00:16:10And now he's charging me a thousand euros.

00:16:11or sell the apartment.

00:16:12Yes, buy it for him.

00:16:13Yes of course.

00:16:14Come on, I'm going to the ATM.

00:16:15Mauri, please,

00:16:16that I have lowered

00:16:17to ask you for advice.

00:16:18No, you have gone down

00:16:18to ask me for sugar

00:16:19and then you've already rolled up.

00:16:20That I was here

00:16:21so calm with my son

00:16:22watching her little mermaid

00:16:22return to the sea.

00:16:23Okay, but what do I do?

00:16:25Buy the apartment

00:16:25and stop messing around.

00:16:26But if you have

00:16:27at three rented

00:16:28strayed

00:16:28giving you money,

00:16:29that pays for itself.

00:16:30Mauri, that to me

00:16:30They won't give me a mortgage.

00:16:32Why not?

00:16:32If you now have

00:16:33employment contract.

00:16:35It's true,

00:16:36if I forget.

00:16:37Come on, call.

00:16:39No, no, no, no, no, no, no.

00:16:40That I earn very little

00:16:41and then there are many expenses.

00:16:42Don't be afraid,

00:16:43that you have to jump in.

00:16:45Everyone

00:16:45buys houses

00:16:46with shitty jobs.

00:16:47What do you think,

00:16:47that I had money

00:16:48when did I get into this apartment?

00:16:49Well, but you had

00:16:50to Fernando.

00:16:50I am alone.

00:16:51Do you have Emilio?

00:16:52I'm alone.

00:16:53Well, prettier,

00:16:55more challenge.

00:16:55Also, that Concha

00:16:56he's not going to sell me

00:16:57the apartment is not for me at all.

00:16:58No, but what do you do?

00:16:59What are you doing?

00:17:01Tell me.

00:17:02Listen.

00:17:03Yes, yes.

00:17:04I was calling about the ad.

00:17:06apartment for sale.

00:17:08Ah, yes, yes.

00:17:11Listen.

00:17:12Oh, what?

00:17:13That?

00:17:14Well, tell me a little.

00:17:16Ah, well, the floor

00:17:17my husband bought it

00:17:19in the year 43.

00:17:20He was a Republican

00:17:22who fled with the maquis

00:17:23to the mountains.

00:17:24No,

00:17:25tell me the characteristics,

00:17:27how is the apartment?

00:17:28Very good, well perfect.

00:17:31Recently renovated,

00:17:32noble carpentry.

00:17:34How strong.

00:17:35Oh, and it has two bedrooms,

00:17:38but three can be made

00:17:40perfectly.

00:17:42Yeah, seven, you're kidding.

00:17:44Sorry.

00:17:46And how much do you ask?

00:17:47Thirty-eight million.

00:17:49Ah, well that's very good.

00:17:50Oh, sorry, sorry.

00:17:51Forty, forty.

00:17:52Listen, but...

00:17:54I give it to him with furniture.

00:17:56Are you interested?

00:17:58Wait, let me think about it.

00:18:00Made.

00:18:01I'll call her tomorrow.

00:18:03Oh, but wait.

00:18:05What's your name?

00:18:06Ma-u-aunts.

00:18:08Oh, how?

00:18:09Ah, no, no, no.

00:18:10I don't sell it to foreigners.

00:18:12Matías.

00:18:13Madam, Matías.

00:18:14Bye bye.

00:18:15Come on, come on, come on.

00:18:16Yours.

00:18:16So, but, what do I do now?

00:18:18Well now to the bank,

00:18:19go for the mortgage.

00:18:21The mortgage?

00:18:22I'm going to get pretty

00:18:23to go to the bank.

00:18:23Oh, since you're coming up,

00:18:25take this to Bea,

00:18:25I have to go to rehearsal.

00:18:27About what?

00:18:28You are welcome.

00:18:29Ah.

00:18:31Come on, let's go.

00:18:32Mauri, tell your workers

00:18:37that the newspapers I put on the floor

00:18:39They are not for consulting the billboard.

00:18:40They are for you to step on.

00:18:41Emilio, your girlfriend is going to buy the apartment from Concha.

00:18:43What are you saying?

00:18:44Wait.

00:18:45Oh, sure, so we bought it together, right?

00:18:48And so now we have a home.

00:18:49No, no, no, let's see.

00:18:50I'm buying the apartment myself.

00:18:52Belén, a mortgage brings couples together a lot.

00:18:54No, I said no.

00:18:55Also, if you don't have a penny.

00:18:57Of course, it's very easy for you.

00:18:58Since you don't have a mentally disabled parent in your care.

00:19:00Well, you can talk about this calmly.

00:19:02when you are alone.

00:19:03No, no.

00:19:04How are we going to put the house in both of our names?

00:19:06This morning they throw him out,

00:19:06They leave him on the street and he doesn't know how to do anything.

00:19:08And I'm supporting him and paying a mortgage.

00:19:10No, the house is in my name.

00:19:11If the only thing that is clear here,

00:19:13It's that I'm a piece of shit.

00:19:14Phew, he's not playing the victim.

00:19:16May I know what I told you?

00:19:17You put an end to it for me, didn't you?

00:19:19Hey, and thank you very much, huh?

00:19:20Woman, what do I know?

00:19:23Well, this child.

00:19:27Man, dad.

00:19:28How are you, mom?

00:19:29Is the hard drive still formatted?

00:19:31José Miguel, please.

00:19:32Your mother is going to recover.

00:19:34Slowly, but it will recover.

00:19:36What is this?

00:19:37Has Isabel returned?

00:19:38No, not Isabel.

00:19:39Let's see, phrases I don't want to hear.

00:19:41This was coming,

00:19:42I knew you were coming back,

00:19:43this is your place

00:19:44or any other that contains a reproach

00:19:46for my failed attempt at independence.

00:19:47My daughter, you have returned.

00:19:50Yes, but it does have to be negotiated, right?

00:19:52I love you, dad.

00:19:53Well, I'm going to have a drink.

00:19:55Hey, we'll have to sit down.

00:19:56to get your life back on track.

00:19:58Tell me your plans.

00:19:59Have something to drink right now.

00:20:00I knew about the Rastafarians

00:20:01It couldn't last, huh?

00:20:02But I don't want to overwhelm you,

00:20:03but I say you'll go back to school.

00:20:05Earn a living

00:20:06It's getting harder and harder, daughter.

00:20:07Do you have 20 euros?

00:20:08Yes, yes, of course.

00:20:09Take.

00:20:12Thanks, Dad.

00:20:14See you later.

00:20:16I see her much more focused, huh?

00:20:19But much more.

00:20:20Where are you going with your suitcases?

00:20:21Where am I going to go?

00:20:22To your room.

00:20:23But if it is decorated in my style,

00:20:24will not be comfortable.

00:20:26Damn, if you leave home,

00:20:27you're leaving home, damn it.

00:20:32José M?

00:20:33Has he returned?

00:20:34Pigeon?

00:20:34Yes, wait.

00:20:35Mother!

00:20:36What's a joke?

00:20:38It's not funny at all.

00:20:40I'm going to grab some things

00:20:41and I'm leaving.

00:20:45José Miguel,

00:20:45That's not a room, is it?

00:20:46The fact that Isabel is not here

00:20:48it doesn't give you any...

00:20:48Yes, it's here.

00:20:50You have not seen me.

00:20:51Bye bye!

00:20:52Isabel, where have you been?

00:20:54If you leave every time something happens,

00:20:55I'm breaking down.

00:20:56And what am I going to do?

00:20:57I'm going to stay here

00:20:58to welcome Paloma

00:20:59and the three of us lived together happily.

00:21:01But if Paloma has it left

00:21:02at least one month in hospital.

00:21:04Also, I love you.

00:21:05I'm going to tell him

00:21:06that I have rebuilt my life with you.

00:21:07And you will have to understand it.

00:21:08Well no,

00:21:09he won't understand it

00:21:10because it's over there.

00:21:11Isabel,

00:21:12in this life

00:21:12you have to face the problems.

00:21:14No,

00:21:15not this one.

00:21:16Goodbye, my love.

00:21:19Calm down, dad.

00:21:20Will he return?

00:21:21How do you know?

00:21:22Because she left her purse.

00:21:24Sorry.

00:21:41We should have taken advantage

00:21:42that we were in the hospital

00:21:43and make an appointment for a check-up.

00:21:44Yes of course.

00:21:45I'm in a state where I need blood drawn.

00:21:47Good afternoon.

00:21:48Good afternoon.

00:21:49Shit!

00:21:50Where are you going with that look?

00:21:53But why?

00:21:53everyone recognizes me?

00:21:55I don't understand it.

00:21:56Oops!

00:21:57Isabel!

00:21:58How has your hair grown?

00:22:01Well,

00:22:02we'll see each other another time.

00:22:03It's just that I'm in a bit of a hurry.

00:22:04Peaceful.

00:22:05We came from seeing Paloma.

00:22:06He has stayed there.

00:22:07But if you just told me, Juan,

00:22:09that he will be discharged in a month.

00:22:10They lie to him so as not to sink him.

00:22:12Apparently,

00:22:13the woman never recovers.

00:22:15He has confused Concha

00:22:16with Don Pimpón.

00:22:17What you should do

00:22:18is to return with Juan,

00:22:19that is destroyed.

00:22:20At night

00:22:21you can hear him crying in the courtyard.

00:22:22Oh!

00:22:23Ah, Juan!

00:22:24The poor thing is what is happening.

00:22:26And you abandon him.

00:22:28She is a specialist

00:22:29in abandoning people.

00:22:30And you don't prick.

00:22:32Love is another shit.

00:22:33Manolo abandoned my sister

00:22:36and look at her.

00:22:36The alcohol has been delivered.

00:22:38Well,

00:22:38I had already given myself up before.

00:22:39That's going to be the solution.

00:22:42But I love Juan.

00:22:44A lot.

00:22:44Well, run,

00:22:45go up.

00:22:45There is nothing more beautiful

00:22:47that the family.

00:22:49But safe?

00:22:51That Paloma is wrong, right?

00:22:52Yes.

00:22:55Why did you tell him that?

00:22:56If Paloma is getting better and better

00:22:58and we have brought him up to date on everything.

00:23:01It's that if he comes home

00:23:02and the herbs are not there,

00:23:03this loses all the grace.

00:23:04Marisa,

00:23:05you are a bad person.

00:23:07Oh, daughter, age.

00:23:08Here it is live!

00:23:10Let's see,

00:23:11I don't see myself as metrosexual here.

00:23:12Try gladiator.

00:23:14But when are you coming, uncle?

00:23:15If it was in Puerto Banús

00:23:16there doesn't have to be God.

00:23:18What's up?

00:23:18It's packed.

00:23:19You don't know how they pay

00:23:20the foreigners the cartoons.

00:23:22Wait.

00:23:22Ten euros for you, darling.

00:23:24What does it say?

00:23:25He's flirting.

00:23:26Hey, Josemi.

00:23:27Hey, look,

00:23:28I'm hanging up on you

00:23:28that a child

00:23:29it's eating my little caboncillo.

00:23:30Okay, okay.

00:23:32Hey, well this one

00:23:33He's doing well, huh?

00:23:34Carlos, don't torture yourself.

00:23:35He might not even come to see her.

00:23:36Yes, yes, yes he's coming.

00:23:38I just want to see his face.

00:23:41Paquito, give me some beers

00:23:42to do a favor.

00:23:43What a face,

00:23:43but what's wrong with you?

00:23:44Nativity scene,

00:23:45that is going to get into a mortgage

00:23:46and he doesn't want us to get involved together

00:23:47because I'm a piece of shit

00:23:48without future and without money.

00:23:49What a clever girl.

00:23:51But what kind of couple are we?

00:23:52and there is no trust

00:23:53not even a common project?

00:23:54Well, a normal one.

00:23:55Man,

00:23:55if you had something saved

00:23:56to give entry,

00:23:57and what about me?

00:23:59If I have not been able to save in my life.

00:24:00Well, as a child

00:24:01I had a mouthful of orange juice

00:24:02but this one broke it for me

00:24:03and spent it.

00:24:04It was to buy you the bike.

00:24:06And where is it?

00:24:06Because I'm still waiting for her.

00:24:08That is in charge.

00:24:10Emilio, male,

00:24:11I just don't know

00:24:11what you do with the money.

00:24:12He has no head.

00:24:14But what head?

00:24:15If I earn 513 euros.

00:24:16If for me the end of the month

00:24:17lasts three weeks.

00:24:18Well, what have you done?

00:24:19with the extra pay?

00:24:20And what is that?

00:24:21Damn, the extraordinary

00:24:22you are entitled to one

00:24:22for every six months worked.

00:24:23That wasn't the movie

00:24:24by Alfredo Landa.

00:24:25No, and here too, damn it,

00:24:26If it's by law, right?

00:24:27Let's see if I got it right.

00:24:29You have a two-year contract.

00:24:30and they haven't given you

00:24:30no extra pay.

00:24:31Me?

00:24:32If it costs me

00:24:32give me the normal ones.

00:24:34Dude, well they owe you.

00:24:35about a thousand euros.

00:24:37Damn, what a joy.

00:24:38And you can claim

00:24:38late payment interest.

00:24:40I claim them, I claim them,

00:24:41of course.

00:24:42Yes, well I'm going to tell him.

00:24:43to my father

00:24:43and you'll see how excited he is.

00:24:45Hey, what was I going to tell you?

00:24:46And you couldn't help me?

00:24:47It's that you talking balls,

00:24:48Hey?

00:24:48Since you have studies.

00:24:49Well look, yes,

00:24:50I'm going to ride precisely

00:24:50my own firm.

00:24:51Ah, a restaurant,

00:24:52how nice, huh?

00:24:54Well, look,

00:24:55you don't worry,

00:24:55that if they give you trouble

00:24:56I'll take care of everything.

00:24:57Ah, well, thank you very much, huh?

00:24:59Come on, see you later.

00:25:01Well, what?

00:25:02Suddenly I'm an important guy,

00:25:04I have a lawyer and I'm gay,

00:25:06That's what's in fashion now, huh?

00:25:07You're going to get into a garden.

00:25:09Dad, if they reciprocate my love

00:25:10those payments belong to me.

00:25:12You'll see the face

00:25:13what is Belén going to put

00:25:13when I see

00:25:14that I have more money than her.

00:25:15Hey, haven't you paid me?

00:25:17beer?

00:25:18Talk to my lawyer.

00:25:20Well.

00:25:24Hey, man!

00:25:25Ring the bell.

00:25:26Hey, what you have to do is look, right?

00:25:27Hey, which floor are you going to?

00:25:29Could that be it?

00:25:30No, it is impossible.

00:25:31That guy just stole the bike.

00:25:33Yeah?

00:25:34Lucia, I'm Yago.

00:25:35Go up, go up.

00:25:37Well, it seems so, huh?

00:25:39Hey, hey,

00:25:39You're taking my bike away from here, okay?

00:25:41Leave it there.

00:25:42And don't touch it.

00:25:43I don't understand anything.

00:25:45It's another style.

00:25:46It's that point to the aunts

00:25:47they like it.

00:25:50Iago?

00:25:50I mean...

00:25:51It doesn't even have saints' days.

00:26:00Hello.

00:26:01Hello.

00:26:01Have you found a parking space?

00:26:02No, I come by bike.

00:26:05That's why, because as you told me

00:26:07that you always moved in...

00:26:09Happens.

00:26:11Well, I brought the forms

00:26:13to become a member of Green Villages.

00:26:14Yes, yes, yes, yes.

00:26:16Yes, that's what we're here for.

00:26:17And what we had talked about

00:26:18about sponsoring animals

00:26:19in danger of extinction.

00:26:21Here you go.

00:26:23The griffon vulture.

00:26:24Yeah.

00:26:25Another one from the vulture.

00:26:26We have the capercaillie,

00:26:27the Iberian lynx

00:26:28and the vulture.

00:26:30Well, I don't know,

00:26:31the one who is more affectionate.

00:26:33Which one would you sponsor?

00:26:35Iago?

00:26:37Any.

00:26:38You all have.

00:26:39It is quoted.

00:26:42It's 20 euros a month.

00:26:44Well, everyone.

00:26:45Well, everyone, really,

00:26:46because they give me

00:26:47so much sadness.

00:26:49Because I am like you,

00:26:50green,

00:26:51that I like nature,

00:26:52the field,

00:26:52go out for a walk.

00:26:54Well, I'm glad.

00:26:54because we are

00:26:55carrying between everyone.

00:26:57The Kyoto Protocol

00:26:58it's a joke.

00:27:00Do you have any idea?

00:27:00how many tons

00:27:01of carbon dioxide

00:27:02we emit into the atmosphere

00:27:03per year?

00:27:03Phew, a lot, a lot.

00:27:05Many.

00:27:05Cars, buses,

00:27:07motorcycles,

00:27:07bicycles,

00:27:08everything, everything.

00:27:09A beer?

00:27:10Yeah.

00:27:15Is this your house?

00:27:16Do you like it?

00:27:17Well no.

00:27:18It seems typical to me

00:27:19well-off girl's house,

00:27:20superficial, excessive.

00:27:22I live across the street,

00:27:23rented.

00:27:25This house belongs to a friend,

00:27:26stewardess,

00:27:27that has gone on a flight

00:27:27and nobody has told me

00:27:28to throw water on him

00:27:29to the little plants.

00:27:30Our friend must be

00:27:31the posh girl of 15, right?

00:27:32Well, she's not that posh either.

00:27:33the truth.

00:27:33I don't know what obsession

00:27:34has given it to everyone

00:27:35so she's posh

00:27:35because deep down

00:27:36It is very normal.

00:27:37I'm sure

00:27:37which is the typical firecracker

00:27:38who leaves his salary

00:27:39in clothes.

00:27:39Well, and then

00:27:40how many of you are

00:27:41in green villages?

00:27:43My God,

00:27:44what human being

00:27:45in the world

00:27:45needs so many clothes.

00:27:48Believe,

00:27:49I think he's going to donate it

00:27:50all to an association

00:27:52charitable

00:27:53or to faces

00:27:53or something like that, right?

00:27:54And that television?

00:27:55Hey?

00:27:56That TV

00:27:57do you know how much it costs

00:27:57this TV?

00:28:00About 4,600 euros

00:28:03just by eye, let's go.

00:28:05He told me

00:28:06that has paid for it

00:28:07in three months.

00:28:08But it can't have

00:28:08a television

00:28:09from 200 euros

00:28:10like everyone else.

00:28:11If that is so

00:28:12that's what I say.

00:28:13Do you know how many children

00:28:14in Zimbabwe they would eat

00:28:15with the 4,000 euros

00:28:16what's left of that TV?

00:28:17Do you know how many children

00:28:18in Angola

00:28:19they would have education

00:28:20with the 4,000 euros

00:28:21that are left over

00:28:21of that television?

00:28:22It's that we are not

00:28:23such good friends,

00:28:24Diago,

00:28:24we are very different.

00:28:27Oh!

00:28:27I have to go.

00:28:28I have to go

00:28:29that today we chain ourselves

00:28:30nudes

00:28:30to the lions of Congress.

00:28:31Oh!

00:28:31Because?

00:28:33I don't know,

00:28:33I would have to review

00:28:34my agenda.

00:28:35Here, here.

00:28:38Are you in?

00:28:41It's just that I haven't shaved.

00:28:43But another day

00:28:44I'm definitely in.

00:28:45No, well,

00:28:45you calm down.

00:28:46That is, you fill out the forms

00:28:47and me tomorrow

00:28:48when I leave the police station

00:28:49I'm stopping by to see you.

00:28:49Okay.

00:28:50A kiss.

00:28:51Bye bye.

00:28:53Bye.

00:28:53Be careful, okay?

00:28:54Don't get cold

00:28:55that it's already refreshing.

00:28:56No, we are used to it.

00:29:00Bye bye.

00:29:01Well, I just don't understand.

00:29:02But what did you see in him?

00:29:04If he doesn't pay attention to you either.

00:29:05Carlos, have you been spying on me?

00:29:06He is a ragged man,

00:29:07a lifelong scoundrel,

00:29:08a jicho

00:29:09How do you know him?

00:29:10Well, one night

00:29:11that I was having dinner

00:29:12in a beach bar

00:29:13and he appeared

00:29:14with two companions

00:29:15of Green Villages

00:29:16throwing all the plates

00:29:17of whitebait

00:29:18of the clients.

00:29:18With good reason, of course.

00:29:20And then he came over to my table,

00:29:21He saw that I was eating

00:29:22a salad

00:29:23and it was love at first sight.

00:29:25Now, Lucia,

00:29:25This is an Aladdin thing.

00:29:27Hippie seduces rich girl

00:29:28and rich girl does stupid things.

00:29:29What they don't tell you

00:29:30is that Yasmin

00:29:31he felt dizzy on the carpet

00:29:31and that a month

00:29:32of keeping Aladdin

00:29:33got tired,

00:29:34returned to the palace

00:29:34and married her prince.

00:29:36And now Aladdin

00:29:37is being investigated

00:29:38by the CIA

00:29:38for being Arab

00:29:39and handle skillfully

00:29:40flying machines.

00:29:41This shirt is hippie, isn't it?

00:29:45Listen to me,

00:29:45but if I do too

00:29:46I am very committed

00:29:47with the environment.

00:29:49The car uses gasoline

00:29:51unleaded

00:29:51of 98.

00:29:52Carlos, look,

00:29:53I don't want to hurt you,

00:29:54really,

00:29:55but it is that Iago

00:29:56He is a very special person.

00:29:57Has

00:29:57another point of view

00:29:59life.

00:30:01Okay.

00:30:02Okay, okay, okay, okay, okay, okay.

00:30:04But you know

00:30:05that I'm not going to wait

00:30:05another 15 years

00:30:06to conquer you.

00:30:07Five,

00:30:10at most.

00:30:16Oh, this coat

00:30:17it's so cute.

00:30:18Nothing, out,

00:30:19out.

00:30:21Oh, I don't know.

00:30:23I only wear it once.

00:30:24No, nothing, out.

00:30:25It's over.

00:30:26It's just that it's wrong,

00:30:42Hey?

00:30:44Sorry.

00:30:45Please,

00:30:46deposit the objects

00:30:46metallic

00:30:47in the stream at the entrance.

00:30:48Thank you.

00:30:49Please,

00:30:57deposit the objects

00:30:58metallic

00:30:58in the stream at the entrance.

00:31:00Thank you.

00:31:00Listen,

00:31:01They are the forks,

00:31:02I don't bring anything.

00:31:11Come on,

00:31:12Nativity scene,

00:31:12What are you doing here?

00:31:14Well, nothing,

00:31:15that I came to ask

00:31:16a credit

00:31:16for a scooter.

00:31:18Oh,

00:31:18It is a beautiful breed.

00:31:21Ah, yes,

00:31:22will have a little friend

00:31:23Valentine.

00:31:23No no,

00:31:24a scooter,

00:31:25a motorcycle

00:31:25to walk faster

00:31:26around the city,

00:31:27as an independent woman.

00:31:29I always like it

00:31:30have a motorcycle,

00:31:31but it pushes me back

00:31:32the helmet,

00:31:33by the bun.

00:31:34That cushions,

00:31:35Hey?

00:31:36They might even approve it.

00:31:37If I were you

00:31:38I would talk to Federico,

00:31:39the director.

00:31:40Come,

00:31:41I'll introduce you.

00:31:42You'll see

00:31:42how fast

00:31:43does it all for you.

00:31:44To the mother

00:31:45I know her too.

00:31:46Vicente!

00:31:47How is the hernia?

00:31:52Federico.

00:31:53Holy shit!

00:31:54The only thing that is shy.

00:31:56Federico,

00:31:57I come to update

00:31:57the notebook.

00:31:58Again?

00:31:59But I updated it yesterday.

00:32:00Look,

00:32:01I bring you Bethlehem,

00:32:01a neighbor

00:32:02what does he want

00:32:02a credit

00:32:03for a motorcycle.

00:32:04She is the goalkeeper's girlfriend,

00:32:05the one I told you about

00:32:06who lived with his father,

00:32:07who wanted to hook up

00:32:07to my sister,

00:32:08who goes out naked into the courtyard.

00:32:09Yes, yes, yes, yes.

00:32:10Okay,

00:32:10very good.

00:32:11Come on,

00:32:11sit down,

00:32:11please.

00:32:18Vicenta,

00:32:19I would rather talk

00:32:20with this gentleman alone,

00:32:21as it is a matter of money.

00:32:22Oh yes,

00:32:23sorry.

00:32:24That's how I feel

00:32:25like at home.

00:32:26See you tomorrow,

00:32:27Federico.

00:32:27Come on.

00:32:30Goodbye, Vicenta.

00:32:31Well, come on,

00:32:32how much do you want

00:32:33the credit?

00:32:33Hey,

00:32:34240,000 euros.

00:32:36Fuck,

00:32:36but you,

00:32:36What motorcycle are you going to buy?

00:32:37No,

00:32:37It's not a motorcycle,

00:32:38it is a mortgage

00:32:39for a house.

00:32:40Ah,

00:32:40come on,

00:32:40240,000 euros.

00:32:42How many years?

00:32:43What is the maximum?

00:32:44How old are you?

00:32:4530.

00:32:46And one.

00:32:47Almost two,

00:32:48but it is more 31.

00:32:50Well,

00:32:50then already,

00:32:50because the maximum

00:32:51It is 25 years.

00:32:52Do you have a payroll?

00:32:53Yeah,

00:32:54and employment contract.

00:32:55Look.

00:32:57Let's see.

00:32:59Oh,

00:33:00but this won't do you any good.

00:33:01This is a contract

00:33:02of six months.

00:33:03Already,

00:33:03but it is renewable.

00:33:05Look,

00:33:05it says here

00:33:05in the fine print,

00:33:06there.

00:33:07And he doesn't have a fixed salary either,

00:33:08you go on commission.

00:33:09Already,

00:33:10but I'm working very well.

00:33:12Do you want to save money?

00:33:1230% off insurance

00:33:13of your car?

00:33:14Look,

00:33:15you're going to need

00:33:15that someone vouches for you.

00:33:16Your parents,

00:33:17your boyfriend.

00:33:18Already,

00:33:19and there is no other way?

00:33:20No.

00:33:23What are you doing tonight?

00:33:25Hey?

00:33:26What do you mean they don't pay?

00:33:27What does it mean that they don't pay?

00:33:29Yeah,

00:33:30Yes, I already know what it means,

00:33:31It was a linguistic anaphora.

00:33:34The expert report

00:33:35will say mass.

00:33:36What is the use of having insurance?

00:33:37if it is not safe

00:33:38that is charged?

00:33:39I plan to file a complaint

00:33:40to their superiors.

00:33:41I'm taking this to Brussels,

00:33:42if necessary.

00:33:44How are you?

00:33:44Good news.

00:33:45The experts

00:33:46They say that the fire

00:33:47was provoked

00:33:48and insurance

00:33:48does not cover acts of vandalism.

00:33:50Let's see how I explain it to you.

00:33:51this to the neighbors.

00:33:52Well, as soon as possible,

00:33:53This is how they save

00:33:54for the spill.

00:33:56You send them a circular

00:33:57and we threw the vestillo.

00:34:00Isabel,

00:34:00you are not supporting me,

00:34:01Hey?

00:34:02You're not supporting me.

00:34:04Shall I prepare a pipe?

00:34:06I don't want a pipe.

00:34:06Yes, silly.

00:34:11Mr. John,

00:34:11Can we talk for a moment?

00:34:12Emilio,

00:34:13what do you want?

00:34:13I'm very busy.

00:34:14You see,

00:34:15to celebrate

00:34:16my second anniversary

00:34:16of contract,

00:34:17I have done a number

00:34:18and I realized

00:34:19that I am missing

00:34:19receivable

00:34:20four extraordinary payments.

00:34:22Man,

00:34:22I'll tell him about it

00:34:23because it may have passed him by

00:34:24as they are extraordinary,

00:34:25As its name suggests,

00:34:27well that's it.

00:34:27I'm sorry,

00:34:28but it's because of your type

00:34:29of contract

00:34:29it is not your responsibility

00:34:30extra pay.

00:34:31Sure?

00:34:32I think so, huh?

00:34:33Emilio,

00:34:33you don't understand

00:34:34of these things.

00:34:35Besides,

00:34:35this is not a good time

00:34:36economic

00:34:37for this community of ours.

00:34:38Next month

00:34:39if that is what I form

00:34:39a commission and that's it...

00:34:40No, no, no, no,

00:34:41just a moment

00:34:41what I want to tell you

00:34:42a few words

00:34:42to my lawyer

00:34:43which is the one that takes me

00:34:44the matter,

00:34:44as I do not understand.

00:34:46Very good.

00:34:47My client,

00:34:48Emilio Delgado,

00:34:50formalized with the community

00:34:51an annual renewable contract

00:34:52of service execution.

00:34:54Therefore,

00:34:55has the right

00:34:55at 2:00 p.m.

00:34:56stipulated per year worked.

00:34:58That is to say,

00:34:59is owed

00:34:59a total of 1026 euros

00:35:02plus late payment interest.

00:35:04If it persists

00:35:05in default,

00:35:06I will present

00:35:07a civil claim

00:35:08and I assure you

00:35:08that the judge

00:35:09may consider

00:35:09the seven years

00:35:10worked before

00:35:11of the firm

00:35:11of the current contract

00:35:12as a verbal agreement

00:35:14binding

00:35:15and celebrated

00:35:15in fraud of law,

00:35:16which would force

00:35:17to the community

00:35:18to compensation

00:35:19relevant economic,

00:35:20according to article 15

00:35:21of the Royal Legislative Decree

00:35:23by which it is approved

00:35:23the consolidated text

00:35:24by law

00:35:25of the Statute

00:35:26of the Workers.

00:35:28Is he my lawyer?

00:35:30Quite a peak, huh?

00:35:31Already.

00:35:35Oh, Mauri!

00:35:36How good it is to see you!

00:35:38Hey, do you mind?

00:35:38stay tomorrow, Ezequiel?

00:35:40I have a dinner.

00:35:41of former students

00:35:42lesbians from the faculty.

00:35:43We are five safe

00:35:44and another one that is looking for

00:35:44excuse for her husband.

00:35:46No, tomorrow is impossible.

00:35:47Hey, the kid is about to

00:35:49to start talking.

00:35:49Just as fair says dad

00:35:50and you miss it.

00:35:51I can't.

00:35:53What tomorrow I have

00:35:53a television program.

00:35:55I'm coming from the rehearsal.

00:35:55Are you going to be on TV?

00:35:57Shh!

00:35:58It's a secret.

00:35:59I'm going to a program

00:36:00from gossip.

00:36:02From Tertullian.

00:36:04I need the money.

00:36:05to set up the firm

00:36:05with Fernanda.

00:36:06Hey, I want to ride

00:36:07a clinic, huh?

00:36:08Well, let's see, little by little.

00:36:09Yeah, hey, what does Fernando say?

00:36:10Nothing.

00:36:11Why don't you know?

00:36:12It is the type of program

00:36:13that makes him hate humanity.

00:36:14Let's see what my invention is.

00:36:15to disappear tomorrow.

00:36:17Man, but tell him.

00:36:17that he will surely do to you

00:36:18very excited.

00:36:19You're going to be on TV.

00:36:20It's very strong, huh?

00:36:21Not a word about this.

00:36:22to no one, huh?

00:36:23I'm about to go up to the roof

00:36:24and remove the antenna.

00:36:26Hey, you, stick up,

00:36:27that there is a meeting today

00:36:28and the little things.

00:36:29You see it mounted!

00:36:31But good!

00:36:31What does it say?

00:36:32Do you give yourself war?

00:36:34Well, you're going to have it.

00:36:36But what happened?

00:36:37Hey, what famous person?

00:36:38are you going to give it your all?

00:36:40Why are you going all out, Leonardo?

00:36:42That's it.

00:36:44Let's see, please,

00:36:49silence

00:36:49that is going to begin

00:36:50at the meeting.

00:36:50Turn off your cell phones

00:36:51and...

00:36:52Can I come in?

00:36:54Yes, yes, yes, of course.

00:36:59With neighbors,

00:37:00sometimes life

00:37:01puts us to the test

00:37:01facing obstacles

00:37:03difficult to overcome.

00:37:04But I am convinced

00:37:05that all united...

00:37:06Juan, we have already gone

00:37:07to mass this morning.

00:37:08Walk like this, please,

00:37:09in short.

00:37:10Do you want to let him talk?

00:37:11Have you collected?

00:37:12an insurance check

00:37:12that I have to advance him

00:37:13to Hygiene or money

00:37:14for materials?

00:37:15Honey, haven't you taken out

00:37:15some canapés

00:37:16for the neighbors?

00:37:17Well, John.

00:37:19Okay, first point of the day.

00:37:21The insurance company doesn't want to pay.

00:37:23Second point of the day,

00:37:24skirting board inspection

00:37:25and chipping in general.

00:37:26What did you say?

00:37:27It is that apparently

00:37:28the fire was started arsonally.

00:37:30And that's insurance.

00:37:30because it does not cover

00:37:31acts of vandalism.

00:37:32No, it's not his fault

00:37:33John of that.

00:37:34But how come not?

00:37:35Sausage!

00:37:36So what are you laughing at?

00:37:37But how did it cause it?

00:37:38Caused by whom?

00:37:39Let's see if it was you

00:37:41that you were the only one

00:37:41that you were here

00:37:42because everyone else

00:37:43we were at the beach.

00:37:44What would he want for?

00:37:45burn down your own house?

00:37:47Oh, this boy

00:37:48has always been very strange.

00:37:49And now what do we do?

00:37:51Because we

00:37:51we are knocking down a wall

00:37:52and tiling the kitchen.

00:37:54And that too?

00:37:54was the fire to blame?

00:37:56Yes, everything has weakened.

00:37:58Well, and you have to pay

00:37:59the reforms

00:38:00of the common areas.

00:38:01Wait, that's on top of it

00:38:02comes from branch.

00:38:03Well, that's it.

00:38:04among all

00:38:04It may not be that much.

00:38:06Look how horny she is.

00:38:07Like you

00:38:07nothing has burned on you.

00:38:08The posh people in crisis,

00:38:09you have to be on the lookout.

00:38:10No, no, no, no.

00:38:11She's not the posh one anymore,

00:38:12now she's the pijipi.

00:38:13Carlos, now!

00:38:14Oh, and still

00:38:16there is an unexpected castle.

00:38:18Isabel, leave me alone.

00:38:19let me say things.

00:38:20Hey?

00:38:20But you don't say them.

00:38:22What happened now?

00:38:23This gentleman,

00:38:24who insists

00:38:24in collecting four payments

00:38:25extraordinary

00:38:26that according to him

00:38:27are owed to you

00:38:27for two years now.

00:38:29No, not according to me.

00:38:29According to the statute

00:38:30of the workers.

00:38:31That doesn't apply to you.

00:38:33That's for those who work.

00:38:35And this one?

00:38:35who told him

00:38:36your rights?

00:38:37Has he gotten in?

00:38:37on the internet or something?

00:38:39It was Fernando,

00:38:39who happens to be his lawyer

00:38:41and has threatened us

00:38:42with the courts.

00:38:43What Fernando

00:38:43represents Emilio?

00:38:44Oh, you play dumb.

00:38:46Therefore,

00:38:47we are forced

00:38:47to pay him 1026 insurances

00:38:49plus interest

00:38:50of delay

00:38:51I don't know how much it is.

00:38:52This is a gay betrayal.

00:38:55That?

00:38:55Are you going on commission?

00:38:56Do you want to pay this?

00:38:57the reform

00:38:58at your expense?

00:39:00Andrew,

00:39:01stop poking already.

00:39:03Hey,

00:39:03And why do you laugh so much?

00:39:05What can we do for you?

00:39:05to throw out of the attic.

00:39:07Yes, balls.

00:39:08Oops!

00:39:09Costs,

00:39:09This happens because you signed

00:39:10Emilio's contract,

00:39:11that you look stupid.

00:39:13He is resentful.

00:39:14Here's what you need to bring

00:39:15he is an illegal immigrant

00:39:16that come

00:39:17with great enthusiasm

00:39:18for working

00:39:19and they don't ask for things.

00:39:21Shell,

00:39:21please,

00:39:21don't talk nonsense.

00:39:22That you don't have

00:39:23the word, Lucia.

00:39:24Oh,

00:39:24since when

00:39:25is the floor requested here?

00:39:26Hey,

00:39:26but we talked about something

00:39:27that they have things.

00:39:29Order!

00:39:31Order!

00:39:31The meeting is suspended.

00:39:33And I do not beg

00:39:34if you ask.

00:39:34There are no pleas

00:39:35if you ask.

00:39:35I'm going to speak

00:39:36with Fernando

00:39:36because I don't understand anything.

00:39:39And the check?

00:39:40when will they give it to me?

00:39:41Because I haven't got it

00:39:41very light.

00:39:42Emilio,

00:39:43it is very ugly

00:39:43what you have done.

00:39:44You're going to shit yourself.

00:39:45Listen,

00:39:46Don't threaten me, okay?

00:39:47Be careful, okay?

00:39:48Because the day least expected

00:39:49you can slip

00:39:51up the stairs.

00:39:52Well,

00:39:52Well, you'll explain it to me.

00:39:53now about the pijipi.

00:39:54Well, it is said of that one

00:39:55who cheats on her boyfriend

00:39:56with a cheap environmentalist.

00:39:59Well,

00:40:00Well, nothing,

00:40:00then we are

00:40:01everyone agrees, right?

00:40:02If there is nothing,

00:40:03how to talk things over?

00:40:05Mr. John,

00:40:06that I didn't want either

00:40:07create this climate

00:40:07of tension.

00:40:08No, no, calm down.

00:40:09Tomorrow morning first thing

00:40:10you will have your check.

00:40:11Ah, okay, okay, okay.

00:40:13Goes,

00:40:13dismantle all the fixtures

00:40:14and you clean them inside.

00:40:15Yes, yes, yes.

00:40:16And sandpaper and varnish

00:40:17the railing,

00:40:17It's a shame to see her.

00:40:18Yes, yes, yes.

00:40:20Oh,

00:40:22Juan,

00:40:22Is it not necessary either?

00:40:23that you humiliate him like this?

00:40:24Sorry,

00:40:25but it was him

00:40:25who has broken our friendship

00:40:26with this treacherous stab.

00:40:27And on top of that, at the worst possible moment.

00:40:29If what you want

00:40:30it is a relationship

00:40:30president-goalkeeper,

00:40:31is going to have it.

00:40:33And here we go,

00:40:34I tell him that I had

00:40:35Here are four cans of paint,

00:40:36not three, four, here.

00:40:37But why are we going to do it?

00:40:38to be removing us

00:40:39the painting

00:40:39if we are paying for it?

00:40:40And what do I know?

00:40:41He must have counted correctly.

00:40:42Well no, sir.

00:40:43Look,

00:40:44I saw several sesame seeds

00:40:45every day

00:40:46and up to four, Diego.

00:40:47But what do you do?

00:40:48representing Emilio?

00:40:49Well, I've been

00:40:50going around,

00:40:51yes, yes,

00:40:51that I'm going to ride

00:40:52a law firm

00:40:52to help people.

00:40:53Ole,

00:40:54and it hasn't occurred to you

00:40:55another client to start with?

00:40:56You know in the mess

00:40:57that we are going to get into

00:40:57with the neighbors?

00:40:58Maury, poor man,

00:40:59that they were taking the piss out of him.

00:41:00We were,

00:41:01that we are also owners.

00:41:02But how much do you believe?

00:41:03What can you charge Emilio?

00:41:04Ah, no,

00:41:04I'm not going to charge you anything.

00:41:06Ah, very well,

00:41:07Well, you're going to be

00:41:07very good businessman.

00:41:09Listen,

00:41:09to me my neighbor

00:41:10he scratches my van,

00:41:11What can be done?

00:41:12You paint, please,

00:41:13and do not bother.

00:41:14It is that he says

00:41:14that the boats disappear

00:41:15and a rolling pin.

00:41:16Fernando,

00:41:17for lawyers

00:41:17of the disadvantaged

00:41:18Cristina Almeida is here.

00:41:19You have to represent

00:41:20to Beca,

00:41:20mammary Count.

00:41:21The low limit

00:41:22it's the cantudo.

00:41:23Hey?

00:41:23What do you have there?

00:41:24Hey?

00:41:25Is this makeup?

00:41:26No,

00:41:27Yeah,

00:41:28No,

00:41:29Well,

00:41:30Yeah,

00:41:30a bit.

00:41:31It's that I bought myself

00:41:32a colony

00:41:33and then there was

00:41:34a girl doing

00:41:35a free demo

00:41:36of a new makeup

00:41:37and no lady

00:41:37I wanted to try it.

00:41:38I felt sorry,

00:41:38I have sat down

00:41:39let's see how it goes.

00:41:40Many uncles

00:41:41they put on a base.

00:41:42And the colony?

00:41:44Pussy,

00:41:45he left it to me

00:41:45in the taxi.

00:41:46But better,

00:41:46so I change,

00:41:47because it was already there

00:41:47a little tired of her,

00:41:48that was very sweet.

00:41:55Listen,

00:41:56for me that your friend

00:41:56hides something

00:41:57and he doesn't want to tell you.

00:41:59For me,

00:41:59for me,

00:42:00I think he's gay.

00:42:02It's that we are a couple.

00:42:03Already,

00:42:04that's why...

00:42:04Ah,

00:42:05good.

00:42:06No,

00:42:06Well, I have a cousin

00:42:07whose name is Antonio

00:42:08who is also gay.

00:42:10Do you recognize?

00:42:10No.

00:42:11Already,

00:42:11well yes,

00:42:12from Albacete.

00:42:13No,

00:42:13no.

00:42:15He is short,

00:42:16with a goatee and...

00:42:17Oh,

00:42:24He's an amazing guy,

00:42:26I had never met

00:42:26no one equal.

00:42:27He is idealistic,

00:42:28fight for what you believe in,

00:42:29capable of anything.

00:42:31Well,

00:42:31has lived

00:42:31the mountains

00:42:32in very harsh conditions.

00:42:33Have you gotten tangled up?

00:42:34with Bin Laden?

00:42:35No,

00:42:35his name is Yago

00:42:36and nothing has happened yet.

00:42:38Dog name coming!

00:42:39He is one of the ringleaders

00:42:40of Green Villages

00:42:41and lived for six months,

00:42:43six months,

00:42:44on top of a hundred-year-old oak tree

00:42:46so that he wouldn't cut it.

00:42:47If the topic is

00:42:47of the house is...

00:42:48But is it good?

00:42:49or is it not good?

00:42:50Well,

00:42:50is that in your case

00:42:51the physical aspect is the least of it.

00:42:52It's ugly.

00:42:54No,

00:42:54it's perfect.

00:42:56The only doubt

00:42:56that I have

00:42:57I just don't know

00:42:57Yes, I'm your type of girl.

00:42:59Do you believe?

00:43:00that I'm posh?

00:43:02No.

00:43:03No.

00:43:04No.

00:43:04No, no, no.

00:43:05I need a change of look,

00:43:06cheap clothes.

00:43:07I don't know,

00:43:07a tattoo

00:43:08of something ecological,

00:43:09No?

00:43:10A zodiac.

00:43:11Stay with him

00:43:12next week

00:43:12and you let yourself grow

00:43:13armpit hair,

00:43:14that they love it.

00:43:15That?

00:43:16How are you?

00:43:17Do you see me conquering?

00:43:18to the director of a bank?

00:43:19Fuck!

00:43:24Nativity scene,

00:43:24Can I borrow your tracksuit?

00:43:25that old man you have?

00:43:26The one you wear

00:43:27when you are depressed.

00:43:28It's just that I wear it a lot.

00:43:29I'll change it for you

00:43:30for a dress

00:43:31by amaya arzuaga.

00:43:32And your coat

00:43:33by Vittorio and Luquino.

00:43:34Made.

00:43:34Okay,

00:43:35bring it to me

00:43:35I put it on

00:43:35tonight,

00:43:36Okay.

00:43:37Hey,

00:43:38I have a lot

00:43:38of clothes from the market.

00:43:40Sorry,

00:43:40pretty,

00:43:41but you don't have

00:43:41the same size.

00:43:43Tomorrow I have an appointment

00:43:43with Iago.

00:43:44You are going to meet

00:43:45to the new Lucia.

00:43:49Why all

00:43:50you have sex,

00:43:50except me?

00:43:51When is your birthday?

00:43:52I don't want to

00:43:52a vibrator.

00:43:57Clear!

00:43:59Move aside!

00:44:00This is dripping.

00:44:01Lady,

00:44:01Then another bag is put on

00:44:02that the portal is clean.

00:44:04Oh,

00:44:04how silly,

00:44:05if it wasn't closed.

00:44:07Mrs. Marisa,

00:44:07that this smells

00:44:08and then it's my turn

00:44:08it's up to me to clean it.

00:44:09Well you put it on

00:44:09an air freshener,

00:44:10since you have money now.

00:44:12Disgusting

00:44:12that they threw me here.

00:44:19Where are you going to do it?

00:44:20these hours?

00:44:21To see my grandmother

00:44:22that they have admitted her.

00:44:23What happened to him?

00:44:24Hey?

00:44:25What happened to him?

00:44:26Hey...

00:44:26I don't know,

00:44:27that's why I'm going to find out.

00:44:28Hey,

00:44:29I'm going with you

00:44:29in case you fall apart later.

00:44:30No, no, no, no,

00:44:31you stay here

00:44:31that he really dislikes you.

00:44:32I to your grandmother,

00:44:33but he doesn't know me.

00:44:34Already,

00:44:34but I have spoken to him

00:44:35a lot of you.

00:44:35You have a date with someone,

00:44:36if you have worn heels.

00:44:38Okay, fine,

00:44:39I've met up with the guy from the bank

00:44:40for dinner.

00:44:41What a mean bitch you are.

00:44:42Oh, Emilio,

00:44:42but nothing is going to happen.

00:44:44It's that the mortgage

00:44:45it is very complicated

00:44:45and I'm going to use

00:44:46my woman's weapons.

00:44:48Okay, okay, okay.

00:44:48Well, it's coming.

00:44:49a blonde like the accountants,

00:44:50Hey?

00:44:51I won't tell you any more.

00:44:51Dear,

00:44:52I'll tell you later.

00:44:53And now he calls me, darling.

00:44:55This is not a couple,

00:44:55This is nonsense.

00:44:58Son, come,

00:44:58look what he has left us,

00:45:00the grass for sleeping.

00:45:03But what did you put there?

00:45:04If that's the shower curtain.

00:45:05Pussy,

00:45:05to give him privacy,

00:45:06at least here

00:45:07your ass doesn't stick.

00:45:08Go on, pull, pull.

00:45:13But, dad,

00:45:14if that's a beach mat.

00:45:16Ignorant of life,

00:45:17if this is the last

00:45:17in teleshopping technology.

00:45:20It inflates

00:45:20and it's like a latex mattress.

00:45:22But how are you going to inflate that by yourself?

00:45:23what will it give you?

00:45:24a detached lung?

00:45:25It has an electric compressor.

00:45:28I'm going to proceed.

00:45:29Dad,

00:45:30Belén has gone to dinner

00:45:31with a guy from the bank.

00:45:33Pussy,

00:45:33It's true,

00:45:34dinner.

00:45:35How hungry.

00:45:36What do we have?

00:45:38How beautiful is the support

00:45:39of a father

00:45:39in difficult times.

00:45:43Disgusting,

00:45:45my mother.

00:45:46Dad,

00:45:47The only thing I'm telling you

00:45:47is that you do not continue bringing

00:45:49more things from the store,

00:45:49that we no longer fit here.

00:45:50And what do you want me to do, throb?

00:45:52It's all the heritage

00:45:53that I have left.

00:45:54This is your inheritance.

00:45:56Put a flea market in the doorway.

00:45:57Maybe some neighbor

00:45:58I bought you something.

00:45:58Yeah,

00:45:59shell,

00:46:00He has already given me a sign

00:46:01for the snowboard.

00:46:03Son,

00:46:04are you stupid?

00:46:05Hey,

00:46:05I know you're having a bad time,

00:46:06I just wanted to help you.

00:46:07Well, I don't need your help,

00:46:09nor yours,

00:46:10nor anyone else's.

00:46:10I'm getting better on my own.

00:46:12But if you continue isolating yourself,

00:46:13in the end you will end up

00:46:13like the castaway in the movie,

00:46:14talking to a ball.

00:46:16Hey,

00:46:16As a child, you spoke

00:46:17with clicks

00:46:18and I didn't tell you anything.

00:46:20Besides,

00:46:21you'll have to find a job,

00:46:22No?

00:46:22They're going to kick you out of here.

00:46:23Me?

00:46:24To me from here

00:46:25Not even God will kick me out.

00:46:28Scoundrels!

00:46:28I had asked for the little one.

00:46:50That's the little one.

00:46:52Ah!

00:46:54I'm going to sleep so well tonight.

00:46:56How are you?

00:46:56Do you like the place?

00:46:57Yeah,

00:46:58Yeah,

00:46:58It's very romantic.

00:47:00You look very pretty.

00:47:02Well,

00:47:03but tell me about your work

00:47:04because it must be mind-blowing.

00:47:06The booklets,

00:47:07the extracts,

00:47:08the heifers you give away.

00:47:10Yeah,

00:47:10but don't believe it,

00:47:11which is very hard.

00:47:12Once a junkie came in

00:47:13with a syringe.

00:47:14And what happened?

00:47:15I opened a pension plan for him,

00:47:16I didn't contribute much each month,

00:47:17but...

00:47:17But it has to be exciting,

00:47:20No?

00:47:20This thing about having it in your hands

00:47:21the possibility

00:47:22to make people happy,

00:47:24granting him the loans,

00:47:26mortgages...

00:47:27No,

00:47:27man,

00:47:28if that's not up to me to decide.

00:47:29Oh,

00:47:30No?

00:47:30No,

00:47:31I just fill out the forms,

00:47:32I pass them on to the risk committee

00:47:33and I am the one who gives the go-ahead.

00:47:35Ah.

00:47:38Miss,

00:47:39the check,

00:47:40please.

00:47:40What's happening?

00:47:41Hey?

00:47:42But what are you doing?

00:47:46you're stupid,

00:47:46don't unplug my console.

00:47:48You've been here for three hours,

00:47:48you're going to end up epileptic

00:47:49and I have to charge my phone.

00:47:51Well,

00:47:51calm down,

00:47:51that this room is full.

00:47:53Besides,

00:47:53I'm in charge here.

00:47:54If you leave home,

00:47:55you're leaving home,

00:47:55of all life.

00:47:56I ran out of money,

00:47:57What did you want me to do?

00:47:58Man,

00:47:59you're supposed to be hot,

00:48:00you have resources.

00:48:02Please lower your voice,

00:48:03don't waste Isabel,

00:48:04who needs to rest.

00:48:05Hey?

00:48:12Phone.

00:48:16Yeah,

00:48:17Yeah,

00:48:17I'll take it,

00:48:17my love.

00:48:19Yeah,

00:48:20Yeah,

00:48:21Yeah.

00:48:21Tell me.

00:48:23Bastard!

00:48:23Listen,

00:48:24I think you've made a mistake

00:48:25you by number,

00:48:25Hey?

00:48:25But we were not happy,

00:48:26Juan,

00:48:27why did you do this to me?

00:48:28What are you going to say to him now?

00:48:29to the children?

00:48:30Hey,

00:48:31I can't hear you well.

00:48:32I go to the living room and we talk,

00:48:33Hey?

00:48:33Man,

00:48:33yes we are going to talk!

00:48:38Who is it?

00:48:39Nobody.

00:48:39You go to sleep.

00:48:40Come on.

00:48:42Who are you talking to?

00:48:45With no one.

00:48:46With the herbs.

00:48:47Pigeon,

00:48:47can I explain it to you?

00:48:48Confess everything,

00:48:49I fall here dead,

00:48:50Juan.

00:48:51Look,

00:48:51what happened to you happened to you.

00:48:53And you were,

00:48:53but you weren't there.

00:48:54And life goes on

00:48:55and it goes around a lot

00:48:56and loneliness weighs

00:48:58and I fell in love with Isabel.

00:49:02Hello?

00:49:03Oh,

00:49:03Juan,

00:49:03I'm getting punctures

00:49:05in the stomach of disgust.

00:49:06But if you put a little

00:49:07both of you,

00:49:08Well, you can even

00:49:09become friends.

00:49:10I'll grab her by the hair there.

00:49:12and I even out the tips.

00:49:13Isabel is not to blame

00:49:14you are welcome,

00:49:14if you want to pay it with someone,

00:49:16pay it with me.

00:49:16Someone is going to die today.

00:49:18No,

00:49:18but let's not take it out

00:49:19things out of joint,

00:49:20let's try to...

00:49:21Hey,

00:49:22what was I?

00:49:23Oh,

00:49:24Juan,

00:49:26what's happening?

00:49:26Something?

00:49:27It's a radio joke.

00:49:29My schoolmates

00:49:30that they are all jokers.

00:49:31Because?

00:49:31Already.

00:49:32Stop this.

00:49:35Hey,

00:49:35let's get some sleep.

00:49:37Yeah,

00:49:37Yeah.

00:49:38Let's try it.

00:49:41Well,

00:49:41we put on a movie

00:49:42or you're going to fall asleep,

00:49:43as usual.

00:49:44I'm falling asleep.

00:49:46Why don't you gain weight?

00:49:48Because there is one thing

00:49:48which is called fucking.

00:49:49Come on,

00:49:50let's see what's there.

00:49:51No,

00:49:51wait,

00:49:51that I'm recreating myself

00:49:53in my disgust.

00:49:54How can there be people

00:49:55to watch these programs

00:49:55of the heart?

00:49:57Well,

00:49:57It is entertainment,

00:49:58they fulfill a social task.

00:50:00And these scavengers,

00:50:01recreating there

00:50:02in the lives of celebrities.

00:50:03But how can they be?

00:50:04call journalists?

00:50:05Don't you find it degrading?

00:50:06for your profession?

00:50:07But what do they do?

00:50:08Investigative journalism?

00:50:10It's that you criticize

00:50:10what you don't know,

00:50:11Fernando.

00:50:12Come on.

00:50:12But if these people

00:50:13takes more risks

00:50:14that war correspondents,

00:50:15that the famous

00:50:15they hit them in their studies

00:50:16television

00:50:17and they also throw things at them,

00:50:18they break them.

00:50:19Normal,

00:50:19If one day I find myself

00:50:20to one of these,

00:50:20I swear to you,

00:50:21is that I give it to him,

00:50:21I give myself.

00:50:22Some will be saved,

00:50:23No?

00:50:23None,

00:50:24trash.

00:50:25Come on,

00:50:25come on,

00:50:25put on the movie,

00:50:26This turned me on,

00:50:27No?

00:50:32Dad,

00:50:32come to bed now,

00:50:33I want to sleep.

00:50:34Well,

00:50:35let's see if I can,

00:50:35because with this

00:50:36beast painting...

00:50:37Clear,

00:50:37if this is so

00:50:38I don't like it

00:50:38nowhere.

00:50:39Come on,

00:50:40turn off the light now.

00:50:41Hey,

00:50:42Are you okay, son?

00:50:43I notice you're worried?

00:50:44But how am I going to be, dad?

00:50:45If they are fucking me

00:50:46the neighbors

00:50:47and all for asking

00:50:47what is mine.

00:50:48Let me warn you,

00:50:49when one reveals oneself,

00:50:50power gets angry.

00:50:52You have to swallow.

00:50:53What happened to Gandhi?

00:50:54Dead.

00:50:55Martin Luther King,

00:50:56dead.

00:50:57whitebait,

00:50:58dead.

00:51:00Whitebait against whom?

00:51:01was revealed?

00:51:01Pussy,

00:51:02had planted the ship

00:51:03in the middle of the beach.

00:51:04Someone would complain.

00:51:05That was an adjustment

00:51:06of accounts.

00:51:07No, man,

00:51:08no,

00:51:08that it was a natural death.

00:51:09Chanquete became ill.

00:51:10What were the mafias?

00:51:11of the beach bars.

00:51:12You are the one who always

00:51:13you have been naive.

00:51:14Dad,

00:51:14don't smoke me in bed

00:51:15that's punctured, huh?

00:51:16Hey,

00:51:18this is very rough, huh?

00:51:19We need to put more air in it.

00:51:21No, man,

00:51:21no,

00:51:21Be quiet

00:51:22hey,

00:51:24What if we fill it with water?

00:51:25What torture, dad,

00:51:26what torture, huh?

00:51:27You are having an old age.

00:51:28Well,

00:51:29what, what, what?

00:51:30Go to sleep.

00:51:39Oh, the bed.

00:51:41Look, I told you.

00:51:43Let's see what I tell him.

00:51:43now to Doña Isabel.

00:51:44Pussy,

00:51:45it will have been you

00:51:45that you move a lot.

00:51:47Fuck,

00:51:47what kind of man do I have?

00:51:48I'm going to have breakfast

00:51:49in the video store.

00:51:50Come on, wait,

00:51:51I'm watching you with a kiwi.

00:51:52We're already starting.

00:51:53I don't want kiwis.

00:51:54But if it's to make traffic back up for you,

00:51:56that you don't go to the bathroom properly.

00:51:57But you,

00:51:57What will you know?

00:51:58Emilio,

00:51:59It's seven minutes past nine

00:52:00and you are not at your workplace.

00:52:02I know my father has to...

00:52:03Well,

00:52:03of the presence of this gentleman here

00:52:04we'll talk later.

00:52:05But you know

00:52:06that unpunctuality

00:52:06not justified

00:52:07in work attendance

00:52:08for more than three occasions

00:52:09within a period of thirty days

00:52:10is grounds for immediate extinction

00:52:12of your employment contract.

00:52:14And if not,

00:52:14ask your lawyer.

00:52:17But Mr. John,

00:52:17How am I going to be late?

00:52:18to my workplace

00:52:19if I live here?

00:52:20We are going to put you

00:52:21a time control machine

00:52:22so you can sign in.

00:52:23Well, you see.

00:52:24what a problem.

00:52:25You get up,

00:52:25tokens

00:52:26and you go back to bed.

00:52:28They are very angry,

00:52:29this looks very bad.

00:52:30What I do?

00:52:32Hey,

00:52:33What ground can we put on this?

00:52:34to give it width?

00:52:35Dad,

00:52:38But do you hear me?

00:52:39when do I talk to you?

00:52:40Yes, damn it,

00:52:40you look like your mother.

00:52:42I'm going for a walk

00:52:43let's see if I can get some ideas.

00:52:44But get dressed,

00:52:45that they are going to scold me.

00:52:46What if this is like a tracksuit.

00:52:47A tracksuit?

00:52:48And now he comes back,

00:52:49I'm going to peel the kiwi for you.

00:52:51Good morning.

00:52:52What an early morning, huh?

00:52:53I'm going to the market.

00:52:55Fuck,

00:52:55how bad we all are.

00:52:57What's up, Lucia?

00:52:58How are you?

00:52:59Carlos,

00:52:59But what are you doing on a bike?

00:53:00Oh,

00:53:01but be careful,

00:53:02put me on my feet,

00:53:02that you kill yourself.

00:53:03They sold me.

00:53:05some sneakers

00:53:06that get hooked all the time

00:53:07on the pedals.

00:53:07The one from the store

00:53:08is that he is stupid.

00:53:08That's it.

00:53:10Carlos,

00:53:11really,

00:53:11What are you dressed up as?

00:53:12And you?

00:53:13I?

00:53:14What's happening?

00:53:14You look like Yoko Ono's cousin.

00:53:16Sorry,

00:53:16but I've always had

00:53:17a little bit hippie.

00:53:18And I ride my bike every day,

00:53:19what happens is that

00:53:20you haven't given me time

00:53:21to show you all my facets.

00:53:23Oh, by the way,

00:53:23I sold the car

00:53:24and I have donated the money

00:53:25to an association

00:53:26protection of birds of prey.

00:53:27They're going to put my name

00:53:28to a feeding trough

00:53:28of necrophagous birds.

00:53:30Ah,

00:53:31Well, that's very good.

00:53:32Sorry,

00:53:33I'm going to the market.

00:53:34Lucia,

00:53:35come back with me.

00:53:36Yes, I am already an environmentalist.

00:53:38by bike,

00:53:38what does he have

00:53:38that I don't have?

00:53:39Oh, Carlos,

00:53:40common sense.

00:53:42And it's much better

00:53:43than yours.

00:53:44Has a browser.

00:53:45I do it so as not to put

00:53:46a paper map

00:53:47because I am against it

00:53:47from the felling of trees.

00:53:49And what have you done to yourself?

00:53:49Have you waxed?

00:53:51Clear,

00:53:52is more professional.

00:53:54By the way,

00:53:54you won't have a cream

00:53:55for itching.

00:53:56Carlos,

00:53:56really,

00:53:57you're losing your temper.

00:53:58Return this

00:53:58because you're going to kill yourself.

00:53:59And when a few days pass

00:54:01that you relax

00:54:01because you're going to relax,

00:54:03you'll see

00:54:03how can we

00:54:04remain friends.

00:54:05But you're going to regret it.

00:54:08And when you do,

00:54:09I will no longer be here.

00:54:11Well.

00:54:14God,

00:54:14that's it.

00:54:15That's it.

00:54:16Emilio?

00:54:18Or Mariano?

00:54:26For God's sake.

00:54:29Don't give me those scares,

00:54:30man.

00:54:30And so?

00:54:31Aren't you going to see his wife?

00:54:32No no,

00:54:32I didn't want to bother her

00:54:33because I was sleeping.

00:54:34How are you?

00:54:35No changes.

00:54:36It's still completely blank.

00:54:38Do I have blank?

00:54:38If he called me last night

00:54:39by phone.

00:54:40Sorry,

00:54:40but I was just with her

00:54:41and remembers absolutely nothing.

00:54:42Are you coming to see her?

00:54:43No, no, no,

00:54:44Yes, yes, I believe you.

00:54:45And there is no possibility

00:54:47that he leaves the hospital.

00:54:48Right now?

00:54:48None.

00:54:49I couldn't even get up.

00:54:51He still has all the rehabilitation left,

00:54:52regain muscle tone.

00:54:53Thank goodness.

00:54:55Thank goodness it's surrounded

00:54:56of a team of professionals

00:54:58like you.

00:54:59Well, if he says anything,

00:55:00they call me.

00:55:03They are doing an excellent job.

00:55:05Thank you.

00:55:07Up to date,

00:55:07the door has security,

00:55:09TRUE?

00:55:10Don't worry,

00:55:11we take care of her.

00:55:12Thank you.

00:55:18That?

00:55:19Pricoleando a little, huh?

00:55:20Let's see.

00:55:22Fuck,

00:55:22pretty ones were caught, huh?

00:55:24This,

00:55:25this is the best there is.

00:55:26It can handle anything you throw at it.

00:55:27If you can scrub it

00:55:28and it doesn't scratch,

00:55:30this is...

00:55:30It looks like real wood.

00:55:32Hey,

00:55:33And this is difficult to install?

00:55:34Nothing, nothing,

00:55:35everything is a cric abache.

00:55:36There is no need to glue,

00:55:37or anything.

00:55:38The corners are cut,

00:55:39skirting boards,

00:55:40and that's it.

00:55:41These fires, for sure,

00:55:42what they do cold.

00:55:43How do the damned run?

00:55:45I think this is German.

00:55:47They lose wars,

00:55:48but cars and floors,

00:55:50fuck.

00:55:50Well, nothing,

00:55:52to continue well.

00:55:53Come on.

00:55:53They won't give me the mortgage,

00:56:06They ask me for a guarantee.

00:56:07But why do banks

00:56:08never trust young people?

00:56:09Not even from the old ones,

00:56:10they only trust

00:56:10of people with money.

00:56:11It's that if you went with Emilio

00:56:12it would be much easier

00:56:13because they are two loose ones.

00:56:14That I don't want to buy

00:56:15the apartment with Emilio,

00:56:16Pussy.

00:56:17But why don't you call?

00:56:17to your parents to guarantee you,

00:56:19that's what they're there for?

00:56:19Clear.

00:56:20My parents have always loved me.

00:56:20considered shit,

00:56:21I'm not going to give them the satisfaction

00:56:23to crawl to ask them

00:56:24to guarantee me a mortgage.

00:56:26No way.

00:56:26Well, nothing,

00:56:27to give him a thousand euros

00:56:28to shell every month.

00:56:29Mauri,

00:56:30It's a shame because

00:56:30Now that's a mortgage.

00:56:32But let's see,

00:56:32are you listening to me?

00:56:33They won't give it to me.

00:56:34But you don't have any friends

00:56:35intimate solvent

00:56:36that can help you.

00:56:37Yeah.

00:56:38Well, that's it,

00:56:38ask him.

00:56:41Navalas.

00:56:42Clear.

00:56:43It's that we are not either

00:56:43such friends,

00:56:44we have just begun.

00:56:45You are almost more like friends.

00:56:47you.

00:56:47And also among girls

00:56:48one understands

00:56:49much better.

00:56:49Yes, yes, yes, yes.

00:56:51Lucy, Lucy.

00:56:51You have a house,

00:56:53we are friends.

00:56:54Yeah, oh,

00:56:55but I am in a moment

00:56:56now that I'm in a mess.

00:56:57Come on,

00:56:57I am able to go to Somalia

00:56:58and leave everything.

00:57:01You, you,

00:57:02you have the things

00:57:02much more established.

00:57:03Mauri,

00:57:04you have a son,

00:57:04life made.

00:57:05Yes, but you are alone.

00:57:06I would have to ask him.

00:57:07to Fernando.

00:57:08Besides, you said it,

00:57:08I have a son.

00:57:09I'm going to have to guarantee it.

00:57:10the day after tomorrow anything.

00:57:12I'm thinking

00:57:12in adopting a child,

00:57:13Hey?

00:57:15Okay, okay, okay, okay.

00:57:16I see what kind

00:57:17of friends that you are.

00:57:18Belén, understand us

00:57:19that endorse you

00:57:19It is a risk,

00:57:20that you don't have a fixed salary.

00:57:21It's that you don't sell either,

00:57:23you're not good with people.

00:57:24In the long run it is very difficult

00:57:25that you can pay

00:57:25a mortgage.

00:57:26But you have encouraged me

00:57:27you to ask for it.

00:57:28No, and I encourage you,

00:57:29and I encourage you,

00:57:30friends cheer

00:57:31and the parents endorse

00:57:32of all life.

00:57:33Yes, yes, yes.

00:57:33How easy,

00:57:34you've had everything in life,

00:57:35Hey?

00:57:35I hope you never have

00:57:36to ask anything of anyone.

00:57:38It really cost you.

00:57:39And you?

00:57:41Slut,

00:57:41you can start cleaning now

00:57:43and packing my suitcase,

00:57:44that I have the apartment

00:57:45almost sold.

00:57:47Oh yeah?

00:57:48Do you already have a buyer?

00:57:49And no, not one.

00:57:51Two.

00:57:51A gentleman who called me

00:57:52in the morning

00:57:53and a lady

00:57:54who called me

00:57:54in the afternoon.

00:57:55So you've been warned.

00:57:57Oh, God.

00:58:00Oh, Bethlehem,

00:58:01that they take away your apartment.

00:58:05What are you doing that is thrown away?

00:58:07Nativity scene.

00:58:08But what are you doing?

00:58:09What I should have done

00:58:11a long time ago.

00:58:12I look stupid.

00:58:13Look,

00:58:13There are moments in this life

00:58:14that one has to swallow one's pride.

00:58:15I was there for 16 years

00:58:16without speaking to my father

00:58:17until I need money.

00:58:18Where are you going?

00:58:19To call.

00:58:20Whom?

00:58:20To my parents.

00:58:21Good, good, good, good.

00:58:23But don't you know?

00:58:24a phone number?

00:58:25Well no,

00:58:25I break it every time

00:58:26that I get angry with them.

00:58:27But I know the page.

00:58:28Bethlehem, Bethlehem, Bethlehem,

00:58:29but you have to be affectionate

00:58:30and nice

00:58:31because the call

00:58:31of a son

00:58:32reaches the heart.

00:58:37Mother?

00:58:37I, Belén.

00:58:40No no,

00:58:41I'm not being ironic.

00:58:43No, you are being ironic.

00:58:44No.

00:58:45What was I going to tell you?

00:58:47that...

00:58:47How long ago

00:58:48that we don't see each other, mom?

00:58:50I want you to know

00:58:51how happy it makes me to see

00:58:52to my family again

00:58:53in full

00:58:54sitting at the table

00:58:54eating an environment

00:58:55of frank cordiality.

00:58:56If I don't know

00:58:57what is this doing here.

00:58:58It's a step backwards.

00:58:59Sorry,

00:58:59but there's nothing wrong with that

00:59:00return to your parents' house.

00:59:01I was just saying it for myself.

00:59:03I had big plans

00:59:03through that room.

00:59:04I hear, Semi!

00:59:05Leave the potatoes.

00:59:07Eat a little bit

00:59:07more soybean crunches.

00:59:09I'm a little

00:59:09worried about dad.

00:59:10I notice a little bit

00:59:11head illness.

00:59:12Hey, sorry,

00:59:12I am perfectly fine.

00:59:13Is this child

00:59:14that takes me out...

00:59:14Juan,

00:59:15Are you referring to Andrés?

00:59:16Pablo,

00:59:17your father always

00:59:18has had problems

00:59:18from here

00:59:19and will always have them.

00:59:20I have decided

00:59:21that I'm going to study.

00:59:22I'm going to study psychology.

00:59:23Ah, look,

00:59:23well that's what it has

00:59:24very good outings

00:59:25in this building.

00:59:26Is it going to be scary?

00:59:27Yes, but nearby

00:59:27There are many universities, aren't there?

00:59:29You have to go outside.

00:59:30To Houston,

00:59:30in something like that, right?

00:59:31Natalia,

00:59:32I am very proud of you.

00:59:33Besides,

00:59:34Don't worry.

00:59:34While you study,

00:59:35I'm going to assign you

00:59:36a weekly pay

00:59:37from 30 euros.

00:59:38Updateable annually

00:59:39based on the CPI.

00:59:41So to get

00:59:41things in this house

00:59:42you have to behave

00:59:43like a cocoon.

00:59:44José Miguel,

00:59:45don't be a smartass.

00:59:46They don't play at jobs.

00:59:48Phrases that are no longer there

00:59:48fashionable.

00:59:49What's wrong with you, smartass?

00:59:50It's in the dictionary.

00:59:52Yeah?

00:59:53Mr. Cuesta,

00:59:54Is Paloma with you?

00:59:55No.

00:59:56Because?

00:59:57Because he's not here.

00:59:58He's gone.

00:59:59As?

01:00:00What's happening?

01:00:01Nothing,

01:00:01He is the director of the school

01:00:02a theft of school supplies.

01:00:10Listen,

01:00:11you told me

01:00:11that I couldn't

01:00:11nor get out of bed.

01:00:13We are so surprised

01:00:14like you.

01:00:15We had never seen

01:00:16such a quick recovery.

01:00:17Look,

01:00:18This is medical negligence

01:00:19in all respects.

01:00:20What's happening?

01:00:21Aren't you glad?

01:00:22A lot.

01:00:22What's up, dad?

01:00:29Is everything okay?

01:00:31Yeah,

01:00:31Do you know what we're going to do?

01:00:33We're going to go together

01:00:34of the weekend.

01:00:36Where to?

01:00:37It doesn't matter,

01:00:38wherever.

01:00:39The point is that

01:00:39let us all be together.

01:00:40Come on,

01:00:40to pack our bags

01:00:41everyone.

01:00:42We're going away for the weekend

01:00:43a Tuesday.

01:00:44What's happening?

01:00:44Have you never built a bridge?

01:00:46Very good.

01:00:48What Maurice is watching

01:00:49with someone,

01:00:50I'll tell you.

01:00:51He says he has dinner

01:00:51with former students

01:00:52of the faculty.

01:00:53Go on.

01:00:53But if 15 years ago

01:00:54who doesn't talk to anyone

01:00:55and they notify him today.

01:00:56Very rare,

01:00:56very rare.

01:00:57Fernando,

01:00:58that you are not jealous.

01:00:59Yes, but not an idiot either.

01:01:00The mobile phone has rung

01:01:01five times

01:01:01and there two go to talk.

01:01:03Hey,

01:01:03have you put your ear to the ground?

01:01:04Yeah,

01:01:04but turn on the tap

01:01:05and there are droughts.

01:01:05What a bastard,

01:01:06twice as much.

01:01:07Well,

01:01:08Well, I'm here.

01:01:08How handsome have you become?

01:01:11It's that at these dinners

01:01:12there is a lot of pressure.

01:01:12Let's see who has gained weight,

01:01:14who has gone bald,

01:01:14double chins.

01:01:15You have to go divine

01:01:16to be able to criticize

01:01:17to others.

01:01:18Well,

01:01:18a kiss.

01:01:20Hey,

01:01:21Mauri,

01:01:21What if it's a dinner?

01:01:22why are you leaving

01:01:23at five in the afternoon?

01:01:24It's that we have been left

01:01:25before to have a snack.

01:01:26I'll call you back later.

01:01:28Bye.

01:01:30He sings or he doesn't sing.

01:01:31Do you see it as normal?

01:01:32Man,

01:01:32normal.

01:01:33It's Mauri.

01:01:34I'm going up for a moment

01:01:35of Ezekiel,

01:01:35Hey?

01:01:35I'll be right back.

01:01:39I don't understand.

01:01:41Now I need a platform.

01:01:43God.

01:01:44Hey,

01:01:45he is very jealous.

01:01:46He thinks you're in trouble.

01:01:47Well,

01:01:48look,

01:01:48better a whoremonger than a talk show host.

01:01:49See that Fernando

01:01:50don't turn on the television

01:01:51tonight,

01:01:51I ask you please.

01:01:52Hey,

01:01:53Mauri,

01:01:53than the one you have tonight

01:01:54a dinner is me.

01:01:55Don't be selfish,

01:01:55I gave you my semen.

01:01:56But until when?

01:01:57you're going to be rubbing me in

01:01:58your semen on my face?

01:02:00What are you looking at?

01:02:01No,

01:02:01nothing.

01:02:02Oh,

01:02:03the car is here.

01:02:04Distract him,

01:02:05but if you talk a lot.

01:02:06Mauri.

01:02:07Mauri,

01:02:07mother?

01:02:09Mother,

01:02:10hey,

01:02:10what is that in the subway

01:02:10there is no coverage,

01:02:11I'll call you now,

01:02:12Okay?

01:02:12There is no coverage.

01:02:13You were talking to him,

01:02:14TRUE?

01:02:15I'm going to follow him.

01:02:16But what are you saying?

01:02:17Come on,

01:02:17come on,

01:02:18come.

01:02:18What I do?

01:02:18Wait for him here

01:02:19like an idiot at home

01:02:20watching TV?

01:02:20No,

01:02:21No,

01:02:21No.

01:02:21I'm going to stay with you

01:02:22and we talked about it like that, like friends,

01:02:24Okay?

01:02:24You need to distract yourself.

01:02:26Let's make a cake.

01:02:27Hey?

01:02:27Yeah.

01:02:32No,

01:02:32Mauri,

01:02:33that my parents

01:02:33They will not endorse me in life,

01:02:34I don't even know why I called them.

01:02:36Well,

01:02:36They are going to come see you,

01:02:37some interest and show,

01:02:38No?

01:02:38Yeah,

01:02:39Yeah,

01:02:39they will have said,

01:02:40has called the girl,

01:02:41let's criticize her a little.

01:02:42Come on,

01:02:42come on,

01:02:43Nativity scene,

01:02:43leave me the little house,

01:02:44what I told Diego

01:02:45who lives here.

01:02:45Oh,

01:02:46no,

01:02:46my parents are coming

01:02:47and I have to feel sorry for them.

01:02:48But if you are pathetic

01:02:48anywhere,

01:02:49what does it matter?

01:02:50Ah,

01:02:50man,

01:02:50thank you so much,

01:02:51Hey?

01:02:51Let's see,

01:02:52No,

01:02:52is that I have to look more,

01:02:54further,

01:02:55more you.

01:02:56Nativity scene,

01:02:56are you talking to me?

01:02:58Yeah,

01:02:58No,

01:02:59is that it is here

01:02:59Jan and Joplin giving me a hard time,

01:03:00come on,

01:03:01get out now.

01:03:01Ah,

01:03:01Okay,

01:03:02Okay,

01:03:03Hey?

01:03:03Okay,

01:03:03very good,

01:03:04Well, you know what I'm telling you,

01:03:04I'm not letting you have your coat anymore.

01:03:06No,

01:03:07but...

01:03:07Look,

01:03:09you don't get upset,

01:03:10you just have to get

01:03:11entertain your parents.

01:03:13But if my parents

01:03:14they don't give a shit.

01:03:15No.

01:03:16But if you have never gone

01:03:17to see me in rhythmic gymnastics.

01:03:19In the intercluge championship

01:03:20I dropped a sledgehammer

01:03:20and they were not there

01:03:21and I cried and cried.

01:03:22Well,

01:03:23is that they gave me nine stitches.

01:03:24Ah,

01:03:25What would you give for the first ones?

01:03:27Suturing the head.

01:03:29Ah.

01:03:31Well,

01:03:32Is there any way?

01:03:33to reach their hearts?

01:03:34Yeah,

01:03:34with a stake.

01:03:35No,

01:03:36Mauri,

01:03:36no,

01:03:36that is impossible,

01:03:37that...

01:03:39Oh,

01:03:41probably

01:03:42there is a way.

01:03:47Hey,

01:03:47that are already here,

01:03:48that...

01:03:48I'm calling you now,

01:03:49Hey?

01:03:49I'll call you back later.

01:03:50Be nice!

01:03:55But what have you done to me?

01:03:56if I look like Montiel?

01:04:01Mother!

01:04:01What's the matter?

01:04:02Is something wrong?

01:04:03You seem very strange, babe.

01:04:05No.

01:04:05That?

01:04:05No.

01:04:06No, no, why?

01:04:06What do you mean, why?

01:04:07Because you have called us home

01:04:08and that is not normal.

01:04:09Come on, come in, Mom.

01:04:10And dad?

01:04:11Dad hasn't come.

01:04:13It is that he has bought

01:04:13an X-rated movie

01:04:14of those in the...

01:04:15in the digital

01:04:16and says that if it is not seen

01:04:17money is lost.

01:04:19Look, I while he

01:04:19get distracted...

01:04:22And this child?

01:04:23Precisely about that

01:04:24I wanted to talk to you, Mom.

01:04:26He's my son,

01:04:28your grandson.

01:04:32That?

01:04:33No, no, no.

01:04:34You are wrong.

01:04:36No.

01:04:36Yes, it is not possible.

01:04:37No, baby,

01:04:38that we were here

01:04:39dining on New Year's Eve

01:04:40and there was no child

01:04:41nor were you there...

01:04:41No, no, no.

01:04:42I had it in November.

01:04:43What happens is that that day

01:04:44I was asleep

01:04:45and I didn't want to wake her up.

01:04:47So then

01:04:47He's my grandson...

01:04:48Look at him.

01:04:49Oh, what a beautiful thing!

01:04:50Right?

01:04:51Oh my goodness!

01:04:51As a grandmother.

01:04:52But he is so handsome, daughter.

01:04:55Thank goodness he didn't take it out

01:04:55your nose, huh?

01:04:57Hey, what's your name?

01:04:59Arturo, like dad.

01:05:01Arturito.

01:05:01Oh, Arturito!

01:05:03Oh well,

01:05:03and why haven't you told us?

01:05:04counted before?

01:05:05Because it's very difficult for me

01:05:06tell you things, mom.

01:05:08But darling, please,

01:05:09what nonsense.

01:05:10Go on.

01:05:12Hey, this kid

01:05:12he pooped, huh?

01:05:13Well, but then

01:05:14we changed it.

01:05:14Now let's chat.

01:05:15No, he's going to cry.

01:05:16We are going to change.

01:05:16Mom, don't tell me

01:05:17how I have to educate

01:05:18to my son.

01:05:19Ah, well, I won't tell you,

01:05:20I'm not telling you.

01:05:20But come,

01:05:21if you want to be with me.

01:05:22Listen to me, baby,

01:05:23and who is the father?

01:05:26Is it Emilio?

01:05:28Yeah.

01:05:29Yes, it's Emilio.

01:05:29What happens is that

01:05:30we have cut

01:05:32and he's not going to take charge

01:05:34of his son.

01:05:35I'm going to take charge

01:05:36me, mom.

01:05:37Just me.

01:05:38No, just you, nothing.

01:05:39Yes, mom.

01:05:40No, baby,

01:05:41baby, with our help,

01:05:43with our help.

01:05:44No, mom,

01:05:44thank you so much,

01:05:45but no, I...

01:05:46Shut up!

01:05:47My love,

01:05:48that we are your parents.

01:05:50Come on,

01:05:52ask us for whatever you need.

01:05:54Yeah?

01:05:54I already have the car

01:05:56at the door

01:05:57and the children.

01:05:58Well, he says they're not coming,

01:05:59that if they go to the movies,

01:06:00I mean,

01:06:00any other site

01:06:01that they don't want to tell us.

01:06:02Well, whatever,

01:06:03the two of us alone,

01:06:03more romantic.

01:06:05I take one last pee

01:06:05and we leave.

01:06:06Are you sure everything is okay?

01:06:07Great.

01:06:09Mr. John,

01:06:10I don't want to bother you,

01:06:11but how do I see them?

01:06:11with the suitcase,

01:06:12let's see if we can

01:06:13fix it out of my pay,

01:06:14because he told me

01:06:14that at first hour,

01:06:15but I see that here at night

01:06:16I don't have the check.

01:06:16Come this way.

01:06:17I make some sandwiches,

01:06:18or I don't know.

01:06:19No, no, no, no,

01:06:19thank you so much

01:06:20and I'm leaving right away, okay?

01:06:21I don't know if I told Juan

01:06:22that is how we are going

01:06:23travel,

01:06:24but I don't know where.

01:06:27Hey?

01:06:27Well, nothing.

01:06:29Neither,

01:06:29If you don't answer me,

01:06:30Well, nothing happens.

01:06:31Yeah, it doesn't matter.

01:06:33Man!

01:06:34I wanted to talk to you!

01:06:36Jealous!

01:06:37How do you say

01:06:38that started

01:06:38the four hands

01:06:39that has.

01:06:40Unpresentable!

01:06:41Scoundrels!

01:06:43Bastard!

01:06:44Juan!

01:06:45Juan!

01:06:46Open right now

01:06:46the door!

01:06:47Juan!

01:06:48Juan!

01:06:48Throw it down!

01:06:49Juan!

01:06:50Juan!

01:06:53And this one too

01:06:54It has turned out delicious.

01:06:55Butter makes you fat,

01:06:57but then you are left

01:06:57of a juicy that...

01:06:59The cheesecake

01:07:00It's very easy too

01:07:01and with you...

01:07:01Another day!

01:07:02Now what I want

01:07:03is to relax

01:07:04and go watch a little TV.

01:07:07Mauri loves you.

01:07:08You're suffering like a fool.

01:07:09I don't want to talk anymore

01:07:10from Mauri.

01:07:10What Vera does...

01:07:11Give me the remote.

01:07:11It's hard being so handsome, isn't it?

01:07:13Bea, are you okay?

01:07:14No!

01:07:14The truth is no.

01:07:16You think you have problems,

01:07:17but I'm going to tell you mine.

01:07:18Wait, wait.

01:07:19Let's go have a drink.

01:07:20Oh, come on, okay.

01:07:22Well, you'll see.

01:07:23how good it will be for us

01:07:24both of them, huh?

01:07:29Fernando!

01:07:30The door has closed!

01:07:32Fernando!

01:07:35The worst thing you can do

01:07:36is to stay at home, huh?

01:07:43Do you have money?

01:07:44The antenna!

01:07:47The antenna.

01:07:47Oh!

01:08:17Oh!

01:08:19Oh!

01:08:20Herbs!

01:08:21Oh!

01:08:22Herbs, come here!

01:08:24Herbs, where are you going?

01:08:25If they catch you!

01:08:26Ah!

01:08:35Hello?

01:08:38Herbs, what are you doing!

01:08:39Come here!

01:08:40But you went there by accident!

01:08:42You've seen it!

01:08:43What are they going to pile up on you, throw?

01:08:45Okay!

01:09:00Wow!

01:09:01But dodge it!

01:09:03Vicenta, call an ambulance.

01:09:06You've already had a heart attack!

01:09:08Damn tobacco!

01:09:10Damn, it's not for me!

01:09:12Shell!

01:09:13I'm in the bathroom!

01:09:15I don't understand anything!

01:09:17Look, leave it!

01:09:18I'll call!

01:09:21Look!

01:09:22A woman has been run over at the door!

01:09:23Look!

01:09:25I told you a lady!

01:09:26Grab your first aid kit or toolbox!

01:09:28I can't right now!

01:09:29I have to put the roof up!

01:09:30That?

01:09:31Hey!

01:09:32I've seen you, huh!

01:09:33Mariano!

01:09:34Call an ambulance!

01:09:36Pussy!

01:09:37But that's not a dove!

01:09:38Emilio, the only thing I tell you for the future

01:09:40It's just that I have the right administrative impulses.

01:09:42The community is bankrupt.

01:09:44You should know that this money I'm giving you

01:09:46it's out of my pocket.

01:09:47Mr. John, don't tell me that.

01:09:48Isabel!

01:09:49Please open up!

01:09:50Yes, yes.

01:09:51From my savings account.

01:09:52I had it for my retirement.

01:09:53To buy me the fishing rod

01:09:55with anti-balance rotor and beaten handle.

01:09:57But a bad atmosphere has been created

01:09:59with all this that I don't...

01:10:00I have to come to my house with a lawyer.

01:10:01You were like a son to me.

01:10:04Isabel!

01:10:05Excuse me for a moment.

01:10:09Mr. John, but that doesn't have to change.

01:10:11Yes, yes it changes because it is a betrayal.

01:10:13It's like José Miguel is taking money from my wallet.

01:10:15Well, I prefer not to get involved in that.

01:10:17What did I do with it?

01:10:18Look, we were talking about something else.

01:10:21What do you want?

01:10:22Juan, I think you should go down to the street.

01:10:24What's going on? Will my car be towed away?

01:10:26Man, something of yours and badly parked.

01:10:28What does your father say now?

01:10:29What do I know, with your promise I'm going to see Bethlehem,

01:10:31that I'm going to give him some joy.

01:10:35Why do you remove the antenna if the bad ones are the ones on cell phones?

01:10:38That Fernando can't watch Mauri on TV.

01:10:40Go on TV?

01:10:42I haven't told you anything, okay?

01:10:44Damn, the old antenna, why did you remove it?

01:10:46How about the old lady?

01:10:47Sure, if we change it.

01:10:48The good one is the other one, the little one, the one on the right.

01:10:50So, are you watching TV right now?

01:10:52Yeah.

01:10:53But why do you leave an antenna on?

01:10:54that is no longer good for anything?

01:10:55I don't touch common elements without them being approved together.

01:10:57And this is a shame, it's a resting area for birds.

01:11:00Well, look, I've done what I could, okay?

01:11:01I'm going to throw this away.

01:11:02No, no, no, no, what are you saying?

01:11:03Give it to my father.

01:11:04This is for the awesome patio.

01:11:05To have the clothes.

01:11:06Hey, look, I'm tired of always having to put up with Mauri's problems.

01:11:09Come on, Bea, don't be negative.

01:11:10Fernando is also watching TV.

01:11:12But why would he be watching that particular program?

01:11:14Help, they suspect you of pati art.

01:11:17Why is it that you don't read?

01:11:18Sorry, no.

01:11:19I have been studying all my life to be sitting here.

01:11:23and earn my place.

01:11:25And you're here playing, talking about the people you've slept with.

01:11:31Mother who gave birth to him.

01:11:32And we all know that.

01:11:33But I want to ask you a question.

01:11:34Will you let me, darling?

01:11:35You leave me, you leave me.

01:11:36No, no, no, no, no, no.

01:11:38It is very important in this country, very much so, that you have had a homosexual relationship with her.

01:11:50But it is so beautiful, my goodness.

01:11:52Of course we support you, daughter.

01:11:55At your age and with a child as precious as this one.

01:11:57You have to have an apartment in your name, even if it's this one.

01:12:00Okay, but don't worry, you'll have time to move somewhere less depressing.

01:12:04Okay, Mom, but this could be really cute.

01:12:06Hey, that idiot Emilio, what did he think he was, leaving you in the lurch?

01:12:09I'll tell you one thing, okay?

01:12:10If we report him, we can get a good pension for this precious child.

01:12:15No, no, no, mom, it's just water.

01:12:19And Grandpa? How's he doing?

01:12:21Belén, did she die?

01:12:23It's true.

01:12:25Has the doorbell rung, daughter?

01:12:27No, no, no, no. It's the doorbell across the street. Since the neighbor is deaf, she's playing it really loud.

01:12:33Belén, open up, I'm bringing you something.

01:12:35Is it Emilio?

01:12:36No, it's the commercial mail carrier who teaches them to call out for us to open the door for them.

01:12:44Belén, this is something important, don't act silly.

01:12:47It's Emilio.

01:12:48No.

01:12:49Mom, mom, mom, mom, I don't want to see him, I don't want to see him.

01:12:52No, no, but I do.

01:12:53No, Mom, the psychologist told me not to see him.

01:12:57Man, Mrs. María Jesús, what a joy.

01:12:59How are you?

01:13:00What a son of a bitch you are.

01:13:03Belén, Mr. Juan has already given me the check and I came to bring it to you.

01:13:06Would you please get out of that house, okay?

01:13:07I'm getting the urge to kick your ass, sadie.

01:13:09Mom, mom, don't stir any more, this man has already done enough harm to me.

01:13:13But what have you told your family about me?

01:13:15Look, if you walk past your son and don't even look at him.

01:13:18That?

01:13:19With this child.

01:13:20Your son, Emilio, your son, your son, your son.

01:13:22Oh, my boy, but I hadn't seen him.

01:13:24Ezequiel, nice.

01:13:25Arthur!

01:13:26If he doesn't even know his name, if he...

01:13:28Arthur.

01:13:29Go on...

01:13:30Well, I'll go later and take it with me...

01:13:33No, no, no, Emilio, don't try to fix things now.

01:13:35Gopher!

01:13:36Oh, I'm here now.

01:13:37Thanks for taking care of me, Ezequiel, huh?

01:13:38Hi how are things?

01:13:39I'm Bea.

01:13:40I, Maria Jesus, am delighted.

01:13:41Hello, come here, my love, come here, darling.

01:13:43What's this with that grandmother?

01:13:45My boy, you've missed me, huh?

01:13:47But who is this?

01:13:49She is the daughter of the neighbor across the street.

01:13:52The deaf one.

01:13:53That she had a psychological pregnancy and of course, she stayed...

01:13:57He was left feeling bad, he was left feeling bad and he believes the child is his.

01:14:00Then he takes care of it for me, he...

01:14:02Give him affection, it changes him.

01:14:03It's like a babysitter, but free.

01:14:05Then I don't have to pay.

01:14:07This is sinking, abandon ship.

01:14:09That boy...

01:14:12That child is not your son, is it?

01:14:16Hey...

01:14:17No, Mom.

01:14:18But as if it were, because we have raised it as a whole community.

01:14:21Yes, yes, it's like Mowgli, from The Jungle Book.

01:14:24Emilio...

01:14:25Man, he has an air, you leave his hair like that, like virtues...

01:14:28No?

01:14:29Bam, bam, bam, bam.

01:14:32That is not properly immobilized.

01:14:33There will be consequences.

01:14:35He doesn't want to let us do your work.

01:14:36I heard the knock and I thought.

01:14:38He killed her.

01:14:39What are you going to hear?

01:14:40If you were in the bathroom.

01:14:41How are you?

01:14:42It's serious.

01:14:43We're going to do our best, but wait, I see it.

01:14:45So don't worry, he'll recover.

01:14:47Andrés, please.

01:14:48And you stop recording with the camera, man.

01:14:50Juan, if it's saved he'll be happy to have it, if not I'll delete it.

01:14:52Oh, let me.

01:14:54Oh, but what happened here?

01:14:56Someone has run over Paloma and fled.

01:14:58Ah, but...

01:15:00And he had been on the high?

01:15:02No, he had escaped.

01:15:03That hospital is suing him and I'm going to get him.

01:15:05Are there any witnesses?

01:15:06Has anyone seen anything or taken the license plate?

01:15:08I do.

01:15:09I heard the knock.

01:15:10I thought it was from TV.

01:15:12Since we bought the Knight Rider DVDs.

01:15:15Officer, this outrage must have been provoked.

01:15:19There are no skid marks on the pavement.

01:15:21Vicenta!

01:15:22Don't bother.

01:15:23Let the professionals do their job.

01:15:25Sabel, let's go to the hospital.

01:15:26Okay, come on, let's go.

01:15:27No, no, no.

01:15:28You don't.

01:15:29One moment.

01:15:30And my car?

01:15:31What car?

01:15:32Mine.

01:15:33The tow truck will have taken it away so the ambulance can come.

01:15:36Yes, we're going to take a taxi.

01:15:38This street must be made pedestrian.

01:15:40And I never tire of saying it.

01:15:42Of course.

01:15:43This way there would be much more parking space.

01:15:45Well, what do we do?

01:15:47Bingo or hospital?

01:15:48Man, we can go to bingo other days.

01:15:51Sure, we'll take a taxi and let the community pay for it.

01:15:54It's an emergency.

01:15:58This shows that you have to enjoy every minute in life,

01:16:00because we don't know when it's going to end.

01:16:02You're right.

01:16:03I'm going to the bar.

01:16:05Paquito, come here.

01:16:06Look at the floor I'm laying.

01:16:10Oh, fuck!

01:16:11Hello.

01:16:12Hello.

01:16:13Sorry for the delay.

01:16:14The thing is...

01:16:15At the police station we are bothered every day.

01:16:16Nothing, nothing.

01:16:17Don't worry.

01:16:18We're going to my friend's house.

01:16:19This is mine.

01:16:20But I have it very dirty,

01:16:21Because I spend all day picking up abandoned puppies...

01:16:23Don't even talk about that topic.

01:16:24200,000 pets are abandoned every year in this country.

01:16:26I'm running away with space!

01:16:27Well, he welcomed them all.

01:16:29Yeah.

01:16:30Yeah.

01:16:31I notice you...

01:16:32I don't know, different.

01:16:33Yeah?

01:16:34Well.

01:16:35Do you want something to drink?

01:16:36I don't know, a soy shake, mineral water...

01:16:38Man, if there's beer, it's better, huh?

01:16:39Sure, sure.

01:16:40Clear.

01:16:41I don't know, how are you so...

01:16:42I thought that...

01:16:43Well, a little bag to drink.

01:16:44I don't know, a soy shake, mineral water...

01:16:46Man, if there's beer, it's better, huh?

01:16:47Sure, sure.

01:16:48Clear.

01:16:49I don't know, how are you so...

01:16:50I thought that...

01:16:51Well, a little bag to drink.

01:16:52I'm going to bring you some little olives with anchovies.

01:16:53Anchovies?

01:16:54Yeah.

01:16:55How about anchovies, Lucia?

01:16:56You don't know how bad the Cantabrian fishing grounds are due to overexploitation.

01:16:57I don't eat anchovies.

01:16:58Ah...

01:16:59Potatoes, in vinaigrette.

01:17:00Hey?

01:17:01You filled out the forms for me, didn't you?

01:17:02Yeah.

01:17:03Yes, yes, yes, yes, yes.

01:17:04Look, I have everything here.

01:17:05Well, I'm looking forward to becoming a partner.

01:17:06Here, chips, beer.

01:17:07Look, I've written it down for you.

01:17:08I've written it down for you.

01:17:09I've written it down for you.

01:17:10Yes, yes, yes, yes, yes.

01:17:11Look, I have everything here.

01:17:12Well, I'm looking forward to becoming a partner.

01:17:13Here, chips, beer.

01:17:14Look, I've written it down for you.

01:17:15Here are my details, my account number, address, name, well, everything.

01:17:18And then my phone, here.

01:17:19And behind the photos, eh?

01:17:20Of all the photos.

01:17:21Here, here, here, all of them.

01:17:22Lucia.

01:17:23Lucia, you like me.

01:17:24Hey?

01:17:25You to me?

01:17:26No no.

01:17:27Because?

01:17:28Because I like you a lot.

01:17:30That?

01:17:31That?

01:17:32That?

01:17:33That?

01:17:34That?

01:17:35That?

01:17:36That?

01:17:37That?

01:17:38That?

01:17:39That?

01:17:40That?

01:17:41That?

01:17:42I work a lot on it.

01:17:43That?

01:17:44That?

01:17:45No.

01:17:46That?

01:17:47That?

01:17:48But I have a girlfriend.

01:17:49Ah.

01:17:50Ah.

01:17:51Ah.

01:17:52We have been in a relationship for ten years.

01:17:54We founded together to see the day.

01:17:56No, no, no.

01:17:57Yes, you don't have to give me explanations.

01:17:59If you no longer want to be a member or sponsor, I understand.

01:18:03Yes, yes.

01:18:04Because I have grown very fond of all of them.

01:18:07They are very cute.

01:18:08Well, then we'll see each other at the meetings, right?

01:18:11Clear.

01:18:16Bye.

01:18:17Bye bye.

01:18:20You have a beautiful house, huh?

01:18:24Bye.

01:18:25Bye bye.

01:18:41What did I tell you?

01:18:45Clear.

01:18:46No.

01:18:54Hello.

01:18:55Hello.

01:18:56How was dinner?

01:18:57Good, good, good, very good.

01:18:58Joaquín, Lola, and Nacho, who got married and had a daughter, have come.

01:19:02Raquel, with 20 kilos more.

01:19:04And the restaurant is very good, an Argentinian one.

01:19:06We had barbecue and chimichurri for dinner...

01:19:08And Nuria Bermúdez, what has she ordered?

01:19:09Same, if that was all...

01:19:11Hey?

01:19:12What have I seen you doing on TV, Mauri?

01:19:13I'm going to talk to Bea right now, if she can't be asked to do anything.

01:19:15Leave Bea alone, she's had me baking cakes all afternoon.

01:19:18Well, you control the sweet, okay?

01:19:19At this rate, not even jogging...

01:19:20Do you want to stop going crazy?

01:19:22You lied to me.

01:19:23Yes, well, no, it's just that...

01:19:24It's that you turn everything around.

01:19:26Mauri, I thought you were cheating on me.

01:19:28Yes, Bea told me.

01:19:30Look, you're lying to me, and on top of that, to get into that shitty program.

01:19:32Aren't you ashamed?

01:19:33Listen, Bye.

01:19:34No, no, listen, how can you sink so low with the talent you have?

01:19:37Look, you haven't done anything in life worthwhile, and you know why?

01:19:40Because you don't love yourself a damn thing and you lack self-esteem.

01:19:43And you have wandered from job to job until you fell into the most miserable pit of journalism,

01:19:47of a hateful firecracker who lives off the misery of others.

01:19:49Mauri, seriously, it's just that...

01:19:50I feel sorry for you.

01:19:53I did it for the money, to help you set up the firm.

01:19:57That?

01:19:59Good night.

01:20:08Mauri.

01:20:11But what...

01:20:13You looked really handsome on TV, huh?

01:20:16You look very, very good on camera.

01:20:17Yeah.

01:20:20Don't you want to try a little bit of chocolate cake?

01:20:23It turned out richer than the other one, huh?

01:20:27Mauri.

01:20:29Mom, Mom, if I lied to you, it was because you never gave me the confidence to tell you things.

01:20:34Not even being myself.

01:20:36Unclear.

01:20:36It's my fault that my daughter lied to me to get money out of me.

01:20:40Of course, the feeling as a mother is wonderful.

01:20:43He is very selfish.

01:20:44To her the feelings of others.

01:20:45But look, what hurts me the most is not that you lied to me about the child, no.

01:20:50What hurts me the most is how I spoke to Emilio because of you.

01:20:53Poor.

01:20:54All the insults I've said to him.

01:20:55No, no, no, no.

01:20:56But you could read between the lines that there was affection, right?

01:20:58Right, son?

01:21:00Look, we're going to support you because it's our obligation as parents.

01:21:03But please, baby, trust the people who love you a little more, okay?

01:21:06No, María Jesús, it's like hitting a wall.

01:21:08We have to do a piñata to the family to help them.

01:21:10Well, I'll talk to your father tonight and we'll sign whatever's necessary.

01:21:16What is said?

01:21:18No, it's not worth it for me to buy the apartment like this.

01:21:21But if it's just that they want to complicate your life when I'm here by your side, ready to have a patrimony with you.

01:21:27Emilio, you've breathed a lot of varnish and even if we went to the bank together, they wouldn't give us the mortgage.

01:21:31What do you bet?

01:21:32Tomorrow I'll go to the bank with that check and they'll not only give me the mortgage.

01:21:35They give me a Dolby Showroom and one of those alarm clocks that shows the time on the ceiling.

01:21:38But let's see, in what language do I have to tell you that I want to buy the apartment alone?

01:21:42Buy yourself another one!

01:21:43Oh yeah?

01:21:44Well, I'm going to tell you one thing: if I'm just going to be a sex slave, this relationship won't fulfill me.

01:21:48No, no, the one who isn't satisfied is me, who has been the one who has suffered the most and who has put the most into this couple.

01:21:53Well, don't suffer anymore, because this is over.

01:21:55Of course it's over!

01:22:03Well, then tomorrow we'll run to the bank.

01:22:06Don't you listen?

01:22:07No!

01:22:09Well then this is goodbye.

01:22:11Well, goodbye, don't forget anything.

01:22:14Well, you're an idiot.

01:22:16I'll even give you a farewell orgasm.

01:22:19And who told you I had it?

01:22:20Oh, Your Excellency, that can be seen in the contractions of the vaginal bodies.

01:22:24But what are you saying?

01:22:25Hey, sorry, are you done?

01:22:27I have to put Ezequiel to bed.

01:22:29Yes, yes, yes, we're done.

01:22:32Go on, I hope your apartment goes well.

01:22:36Hey, Belén, something I was thinking about.

01:22:38Even if they give you the mortgage, how are you going to buy the apartment from Doña Concha without her knowing it's you?

01:22:42Look, don't bother me, okay?

01:22:43Look, please don't overwhelm me.

01:22:45I already have enough with what I have.

01:22:49Not even two thousand.

01:22:50Not here, not here, no one lives here.

01:22:55Oh, what a great misfortune.

01:22:59Really.

01:23:00People are going crazy.

01:23:02Thank you very much for coming, but we would like to spend these difficult times with our family.

01:23:05It's hard, we were neighbors.

01:23:07We came to say our last goodbye.

01:23:09Well, well, let's wait.

01:23:11Maybe it was nothing.

01:23:12Don't believe it, what a blow.

01:23:14But have you seen it or not?

01:23:15Man, I haven't seen it, but it has sounded.

01:23:17Relatives of Paloma Cuesta?

01:23:20Us.

01:23:21How are you feeling, doctor?

01:23:22Are you conscious?

01:23:23Did he say anything?

01:23:24We managed to stabilize her, but she suffered a severe blow to the head.

01:23:28His wife is in a coma.

01:23:29Again?

01:23:31And will he recover?

01:23:32Why is it that he is in a very light coma?

01:23:33We have to wait.

01:23:34I recommend that you go home and rest.

01:23:37We need the emergency room cleared.

01:23:39These are the patron saint festivities.

01:23:41Let's hope they get lucky and catch the unfortunate man who ran him over.

01:23:44Yes, you go, ready.

01:23:47Ch, ch, parruquita.

01:23:54Marisa, for the love of God, I'm asking you.

01:23:57Shut up, damn it, I'm not going to say anything.

01:24:00So what do you want?

01:24:01You have three euros for tobacco.

01:24:04I only have twenty euros.

01:24:06We'll do the math.

01:24:07That this is the beginning of a beautiful friendship.

01:24:11You know, darling, what you do?

01:24:12Are we leaving?

01:24:13Yes my love.

01:24:14Come on, rest, okay?

01:24:17And courage, courage.

01:24:22Children, this afternoon Mom left the hospital.

01:24:25And when he came home to surprise us,

01:24:28a careless person ran over her and fled the scene.

01:24:32Mom is in a coma.

01:24:33Again?

01:24:34Wow, that's strong!

01:24:36Tragedy has struck this family again.

01:24:38Now we have to be more united than ever.

01:24:40Juan, I'm going to bed because I'm very tired.

01:24:45Isabel, wait a moment.

01:24:46What's happening?

01:24:46I found my car parked on the next street with a dent in the trunk.

01:24:50Do you know something?

01:24:51Yeah.

01:24:52It's just that I didn't tell you before because I was nervous,

01:24:54but I took it to go to the pharmacy.

01:24:57And the blow?

01:24:58Hey?

01:25:00I don't know, once the vehicle was parked, someone must have hit it.

01:25:03What is the point of this interrogation?

01:25:05Nothing, nothing.

01:25:06It was already the fifth time that the cake was missing.

01:25:08What a day.

01:25:09What I don't understand is how someone can be run over,

01:25:12run away and then sleep at night.

01:25:15Well, me neither.

01:25:17I'm going to make another chamomile tea.

01:25:26That?

01:25:26Is it looking pretty or not pretty?

01:25:29Dad, tell me right now where you're getting these materials.

01:25:32They give them to me at the construction site down there.

01:25:34Don't you see I'm doing them a favor?

01:25:35If they are surplus.

01:25:36Hello, Emilio.

01:25:37How are you?

01:25:38I gave you the check I didn't ask for.

01:25:39Ah, yes, Fernando.

01:25:40Thanks a lot, huh?

01:25:41But you don't take out the trash.

01:25:42Leave it on the doormat and I'll get it.

01:25:44Hey, this painting is just like ours.

01:25:46Sure, sorry.

01:25:46This is pearl effect.

01:25:48Yours is clearly marked down with white.

01:25:50Well, this is our soil.

01:25:52Dad.

01:25:52Hey, Fernando, don't get so defensive, okay?

01:25:54If you want to put it the same, we don't mind.

01:25:58Do you want me to show you the bathroom?

01:25:59That is, I advise you for free, turning myself against all the neighbors.

01:26:01and you go and steal our materials.

01:26:03But, Fernando, it wasn't me, it was my father,

01:26:05that he is a man without conscience.

01:26:06Very well, Emilio.

01:26:07You are left alone.

01:26:08But wait, man.

01:26:09Hey, I'm missing a little piece of flooring like this.

01:26:12to snatch the chafron from the bed.

01:26:14If you have anything left over.

01:26:15Dad, come on, shut up.

01:26:16We put a plant.

01:26:17Shut up, shut up.

01:26:18There is no light.

01:26:18I can't photosynthesize.

01:26:20You are going to do photosynthesis,

01:26:22but in the residence I'm going to put you.

01:26:23Emilio, why don't you love me?

01:26:25Oh, damn it, I don't love you.

01:26:27I do love you, man.

01:26:28Come on, go to bed.

01:26:30Oh no, it's flat, really,

01:26:31that this is a life without living.

01:26:33Throw away the trash.

01:26:34Okay.

01:26:34And come back soon.

01:26:35There is no one living here.

01:26:44There is no one living here.

Aquí no hay quien viva - 4x01 - Erase un despertar - HD 1080

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Aquí no hay quien viva - Temp 4 Completa - HD 1080

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