Aquí no hay quien viva - 4x12 - Erase un vudú - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

María Jesús cada día tiene más problemas con Belén y empieza a hacerle vudú a Lucía para que le venda su piso. Juan ya no aguanta más y quiere irse a vivir a un adosado, pero ahora son los vecinos los que se preocupan por su marcha ya que a fin de cuentas es él quien siempre les soluciona los problemas. Belén empieza a trabajar de telefonista de asistencia en carretera y Emilio le gasta una broma, pero se le va a ir de las manos.

Transcript

00:00:00Here, here, here, no one lives! Not here! Not here!

00:00:24The posh little dogs are here leaving me little gifts, unwrapped.

00:00:32They're forcing us to remove the kennel from the gatehouse, and the neighbors can have whatever critters they want.

00:00:37I have to review my contract to see if I am obligated to clean this up.

00:00:41Hello! Hello! Hello! Linda, take care! Hello! Good morning!

00:00:48What's up? Hey, can't we have enough of the little animals?

00:00:51Oh no! We're so happy. They're the joy of the house.

00:00:54Yes! Linda is pregnant! Do you want a puppy?

00:00:57No, no, no. My father and I already have pets.

00:00:59Hey, what was I going to tell you?

00:01:00Would it be possible in case your pets defecated in a common area?

00:01:05that you picked up the poop with the biodegradable bags that the community has left in the portal for this purpose?

00:01:10Ow, ow! Ow!

00:01:11While studying champion.

00:01:13Emilia, I came down last night and there were no bags left.

00:01:15But how come not? I posted it this morning.

00:01:17Here, here! It's great to have these at home.

00:01:20Oh, right. That's why they sell out so quickly, ladies.

00:01:22Those little bags are for dog droppings.

00:01:25Well, they are great for freezing croquettes.

00:01:28And to take wedding leftovers with you, they take up less space than a Tupperware.

00:01:31I think it's a shame to use such good bags to store poop.

00:01:34Doña Vicenta, darling, poop isn't stored, it's thrown away. Organic waste.

00:01:38More to my advantage. That's what regular old newspaper is for.

00:01:41Well, there you have it, we'll leave you philosophizing, okay?

00:01:43Hey, Lucia, Lucia.

00:01:45Is it true that she is beautiful?

00:01:46I don't know, we'll take it to see her later.

00:01:48Come on, let's all go.

00:01:50No, Carlos, it's just that you spend foolishly.

00:01:52Then everything goes wrong for us.

00:01:53And you stop jumping on offers.

00:01:55You irritate me, you seem like a middle-class housewife.

00:01:57No, it just pisses me off having to throw away food.

00:01:59My grandfather had to eat belts in the post-war period.

00:02:01Man, how are things going for the couple when the first child is born?

00:02:03Throw that away now, it smells.

00:02:05Really, the day I win the EuroMillions?

00:02:08Son, I have some news for you.

00:02:10I was waiting for a good moment, but since there isn't one in your life...

00:02:13I'm telling you now, I'm leaving home.

00:02:16That?

00:02:17Yes, I'll leave you alone.

00:02:18Here I have covered a cycle.

00:02:20I'm going to look for something on my own.

00:02:22Dad, eat breakfast because your brain will soon run out of potassium.

00:02:25But you don't even have enough to rent a movie at the video store.

00:02:28Yes, I have sold the motorcycle.

00:02:29Besides, son, I don't want to be a burden to you.

00:02:32Okay, Dad, now seriously.

00:02:33But if you can't take care of yourself.

00:02:35Yes, I am like Fraga, a born survivor.

00:02:39Well, I'm going to pack my suitcase.

00:02:41But wait a moment, let's go to Bea's clinic.

00:02:44I'll put a joke in your ear, in case you get lost.

00:02:53Hey, watch out!

00:02:54Here, here, here there is no one who lives!

00:02:59Not here, not here!

00:03:01Every day is like this.

00:03:03I couldn't imagine it when I came here.

00:03:05I was just looking for some peace.

00:03:08I wake up every day in the middle of a hurricane.

00:03:10Here, here, here there is no one who lives!

00:03:12Not here, not here!

00:03:14No, no, no!

00:03:14Here, here, here there is no one who lives!

00:03:17Not here, not here!

00:03:18No no!

00:03:19The house falls over and collapses.

00:03:21I can't find the goalkeeper.

00:03:23The neighbors watch me and listen to me.

00:03:26I can't stand this place.

00:03:29Put in a cocktail shaker.

00:03:32Here, here, here, here there is no one living!

00:03:44Here, here, here, here there is no one living!

00:03:49Here, here, here, here there is no one living!

00:03:54Here, here, here, here there is no one living!

00:03:58Not here, not here, not here, here, here, here, no one lives here, here, here, here, here, no one lives here, here, here, here, no one lives here, no, nothing, nothing, look, a leading company in the sector is selecting a salesperson to attend to and expand its client portfolio, permanent contract, high commissions, ongoing training, I translate, exploitative businessman is looking for a loser to get around the city selling vacuum cleaners and getting doors slammed for a salary.

00:04:28Shitty. Thanks for your encouragement, it helps me a lot. I'm going to put on a load of laundry. Do you have anything to wash? Nothing, thank you very much. I tell my daughter. Do you have anything to wash? Tell my mom I don't have anything to wash. She doesn't have anything, thank you. No, I didn't say thank you. Well, tell her I'm welcome.

00:04:51Hey, Belén, honestly, I'm not trying to interfere, okay? Well, you can't keep going on like this. This is like an Israeli-Palestinian summit. You're right. Tell my mom she has a week to leave this house.

00:05:05Tell him. Yes.

00:05:16Oh, María Jesús, Belén says she's so sorry you're upset. You need to try to respect her space a little more.

00:05:23Well, tell her that all I've done is worry about her. And that she's spiteful and stingy. And damn the gyno method that failed us with her.

00:05:33Because his father and I, along with his brother Jorge, were enough.

00:05:45Belén, your mother says she loves you very much. And that you should try to be more understanding with her, okay?

00:05:53And give him time. Give him time to understand you.

00:05:57What? Tell my mom I don't want her to understand me. To leave me alone and go to hell.

00:06:09Your daughter says she loves you very much. And if she's treated you badly, she's deeply sorry and asks for your forgiveness.

00:06:15Ah! Ah! It's about time you apologized!

00:06:19But when have I ever asked you for forgiveness?

00:06:21But that's what she just told me!

00:06:23And why do you lie?

00:06:25In the ad it worked.

00:06:26Mom, Mom, I don't care that you vouched for me. You have to leave this house.

00:06:31It's just impossible for us to get along.

00:06:33Our relationship went sour the moment my umbilical cord was cut.

00:06:36Okay.

00:06:37Okay?

00:06:38Okay.

00:06:38Come on.

00:06:38Whatever you want.

00:06:40But let it be known that you're not kicking me out. I'm leaving.

00:06:44Hey, do you sell any apartments in this building?

00:06:47No, Mom, but not here. Far away.

00:06:49But what do you say if I've already put down roots on this staircase?

00:06:52I even have friends.

00:06:53Yes, yes, yes. I get along very well with the three ladies on the first floor.

00:06:56But those are not even friends among themselves.

00:06:59Hey, how's the posh girl's apartment?

00:07:01Oh, brand new. Completely renovated, beautiful.

00:07:03Look, he doesn't sell it.

00:07:05Well, look, I'm going to ask for eggs. And then I'll take a look at the layout.

00:07:08Oh, God.

00:07:13Yeah.

00:07:15Yeah.

00:07:16Yes, yes, it's me.

00:07:18Hey, hey.

00:07:20Okay.

00:07:21Now.

00:07:23No, no, no. Yes, yes, yes. It suits me very well.

00:07:25Come on, I'm going there.

00:07:26See you later.

00:07:28What's happening?

00:07:29I've received a reply regarding a resume I sent. They want to interview me.

00:07:32Oh, that's great, Auntie. And what's the company?

00:07:35I don't know, they haven't told me.

00:07:38Ah.

00:07:40Okay.

00:07:40Hello, beautiful Lucia.

00:07:46Hey, do you have balls?

00:07:47Yes, yes. Wait a minute.

00:07:50Hey, you look really cute, huh?

00:07:54Look how modern.

00:07:55And how eclectic.

00:07:57Thank you so much.

00:07:58How many eggs do you want?

00:07:59Hey, what do you have there? A bedroom and a full bathroom, right?

00:08:01Yeah.

00:08:02Where are you going?

00:08:05Hey, very good, huh? Very good.

00:08:06Yeah.

00:08:07Go on, look. Hydromassage.

00:08:09Okay, Jesus, what the hell are you doing?

00:08:11Hey, how much are you asking for the house?

00:08:14Well, I'm not asking for anything because the apartment is not for sale.

00:08:16But what does it matter where I put the yogurts?

00:08:18That has already been spoken about.

00:08:20On this shelf, skimmed soy sauce.

00:08:21And on this shelf, flavors include coconut, strawberry, berries, lemon, peach, and banana.

00:08:25Horizontally in alphabetical order and vertically by expiration date.

00:08:28Damn, this isn't a refrigerator, it's a sudoku puzzle.

00:08:30Look, it's already beeping for leaving it open.

00:08:32That the chain of... is broken

00:08:33Well, look, man, you put it there, you have a master's degree.

00:08:38What's the matter?

00:08:39Are you tense? Are you feeling unwell?

00:08:40No, I don't know what's wrong with me.

00:08:43Well, yes, yes, I know. I need a girlfriend now.

00:08:45But why?

00:08:46If this is a cool singles apartment, we're urban singles.

00:08:49Well, because yes, because I need to find someone, I feel lonely.

00:08:52So we just bought a flat together and you're already having doubts.

00:08:55All right, you're hurting me again.

00:08:56Carlos, women, do you remember them?

00:08:59Falling in love, arguing, sex, caresses, fitting rooms holding clothes...

00:09:02I don't know.

00:09:03Roberto, love shouldn't be forced.

00:09:05It will come when you least expect it.

00:09:06No, it's not coming, man. It's not coming.

00:09:09Yes, man, you'll see how it is.

00:09:11No, get rid of your pussy.

00:09:13Hello.

00:09:15But what do you have keys to here?

00:09:16I'm the goalkeeper's father. I have access to the sacred box.

00:09:20Hey, don't you have a room you can rent me as a student apartment?

00:09:23But why would we have a room? There are only two of us.

00:09:25Man, on radiopatio they say that we slept together.

00:09:29You see? I need to find a girl, right now.

00:09:31Well, what does it matter what people say about you? You need to have more personality.

00:09:34Carlos, you've been pathetic since you were little. You're used to it, but I've had a track record.

00:09:38But what need do you have to hurt me now?

00:09:40Hey, sorry, I don't want to start an argument with my partner either, okay?

00:09:43But it's not a couple's argument.

00:09:46Damn. I'll see if I fall in love with someone now, damn it.

00:09:49Look, Roberto, we all need to be in love, right?

00:09:51Everyone, even Mariano.

00:09:53Not me. I'm metrosexual. I'm on a different evolutionary level.

00:10:03Excuse me, huh? Wait, wait, wait.

00:10:05No, no, no. Calm down, right?

00:10:07Take, take, take, take.

00:10:08Look. The phone, the battery, the SIM card, and the cover.

00:10:12Sorry, huh? Okay, wait, here's how it goes.

00:10:16Leave me the card.

00:10:17Well, look, leave it, really.

00:10:19Ah, my ex was really bothering me and you almost did me a favor, you know?

00:10:24Hey, if that doesn't work for you, I have an old brick one of these at home.

00:10:29Oh, did you notice?

00:10:31This is like the typical romantic scene of two people who bump into each other, meet, and fall in love.

00:10:37Yeah, that's disgusting, huh?

00:10:39So, let's say, I don't like those messes.

00:10:41They have their audience, but not...

00:10:42No, no, me neither, right?

00:10:44I'm not one of those people who fall in love at first sight either, eh?

00:10:46No, I mean, you're not right.

00:10:49Let's see, we can all fall in love, it depends on the other person.

00:10:53That is, from me in this case.

00:10:54I'm not saying I've fallen in love, which could be the case, but no...

00:10:58Well.

00:11:00Well.

00:11:01Okay.

00:11:01See you later, okay?

00:11:02Goodbye and sorry, okay?

00:11:06Roberto, love shouldn't be forced, it will come when you least expect it.

00:11:09Hey, wait, wait, wait.

00:11:15What am I, Roberto?

00:11:16And me, Ainhoa.

00:11:21Shall we have something to drink?

00:11:23I'm just starting work now, you know?

00:11:24Oh, and what do you do?

00:11:26I am a bus driver, line 38.

00:11:29Ah, yeah, man, 38.

00:11:30Well, that's in the mornings, huh?

00:11:32Because in the afternoons I work on the municipal crane.

00:11:35Ah, very nice too, you meet people.

00:11:37Well, they're not good jobs to get into, are they?

00:11:41In one there is a sign that prohibits talking to me

00:11:43and in the other they insult you when you take their car.

00:11:47Are we having dinner tonight?

00:11:49Okay.

00:11:50Ah, well, give me your number and I'll call you.

00:11:54You just killed my phone.

00:11:58So you better give me your number and I'll call you.

00:12:01Yes, better.

00:12:02Okay.

00:12:03José Miguel, this is the last chance I'm giving you.

00:12:06And I tell you this with all the love of a desperate father.

00:12:08who has lost his way in the education of his children.

00:12:11Dad, I swear I've matured.

00:12:12At boarding school I learned that the most important thing in life is family.

00:12:16The pill is worshipping you.

00:12:17This guy doesn't give a damn about his family.

00:12:19At least I'm not pregnant.

00:12:21Yes, that is reassuring.

00:12:23Juan, I found a townhouse that's perfect for us.

00:12:29Look, residential, the Archduke's oak grove.

00:12:33What a nettle, I love it.

00:12:35Isabel, but why do you want to go live in the suburbs?

00:12:38It's very nice here.

00:12:39My love, the neighbors hate us.

00:12:41It's a fact and it's getting worse.

00:12:43Also, Jose has come back to me.

00:12:45Now there's not room for all five of us here.

00:12:46Well, all six, because Natalita is about to become a mother.

00:12:50And we're going to swallow that child.

00:12:53It's very clear.

00:12:54Well, Natalia is looking for a boyfriend online.

00:12:57Well, stop looking for what's getting into us here too.

00:12:59That son-grandson who is coming to us will need a garden.

00:13:05And we too, to lose sight of him.

00:13:07Isabel, the thing is that a single-family home, apart from being more expensive, is much more vulnerable to violations.

00:13:12But there is no one above or below.

00:13:14Can you imagine a life without ladies, without a radio patio?

00:13:18Well then you buy me the motorcycle and me the car.

00:13:21I don't need it, I'll take it from Marta.

00:13:23And why don't you go live with the pontumaca?

00:13:25Damn, we're getting to know each other.

00:13:27Honey, this building is like a big family.

00:13:30You know there are communities where neighbors don't even know each other.

00:13:33Oh, how wonderful!

00:13:35Where is one of those?

00:13:38But hey, what noise is that?

00:13:42We're already starting.

00:13:43Leave him, Mom, he doesn't like it.

00:13:45It's that grandpa is a troublemaker.

00:13:49Man!

00:13:50Morning potato to the statutes.

00:13:55Isabel, I'll be up to the third floor in a moment.

00:13:57But wait.

00:13:59What do we do with the townhouse?

00:14:00Well, let's see, but I can't promise anything, okay?

00:14:03I don't want to go to a terraced house.

00:14:04Yeah, but you in this family are like the mixed group.

00:14:07You have an opinion, but you don't count.

00:14:08Besides, at your age you are no longer in a position to pay for a mortgage.

00:14:10Then you die and we children take the fall.

00:14:13Hey, Jose, Emi!

00:14:14No, it's just that things do need to be thought about.

00:14:17Wow, that's great.

00:14:18That is, the air conditioner also has a heat pump.

00:14:21María Jesús, honey, my house is not for sale, okay?

00:14:25What else do you care?

00:14:26And you don't have any money problems.

00:14:28And you no longer fit in here.

00:14:29Look, look, how full your closet is.

00:14:32And now with five dogs and a Cuban.

00:14:34Come on, take it.

00:14:35Al, goodbye, eggs.

00:14:37And the ladies have told me that you have many problems with the neighbors.

00:14:40That you are very conflictive.

00:14:41Sorry, but I don't have any problems with the neighbors.

00:14:43I get along great.

00:14:44Beautiful.

00:14:45So you install air conditioning without even telling the community.

00:14:48The Virgin, but hey, what's going on today?

00:14:50In the end, what they say about you will be true.

00:14:52And what do they say about me?

00:14:53Nothing.

00:14:55Things.

00:14:57You'll come and sell me the apartment.

00:14:59Lucia, if you are going to put this house up for sale,

00:15:01first remove that device.

00:15:02Please, it makes a horrible noise.

00:15:04Juan, the external compressors make a little bit of noise.

00:15:07It's normal.

00:15:08A little bit?

00:15:09My whole house is vibrating.

00:15:10Wow!

00:15:11This affects the structure of the building.

00:15:13And even more so in a 19th-century building like this one.

00:15:15Not to mention the disastrous visual impact.

00:15:17Well, that's why I put it in the yard.

00:15:19So that it doesn't look ugly.

00:15:20The patio also has an aesthetic that must be respected.

00:15:23Yes, let's go, the UNESCO heritage courtyard.

00:15:25Look, we could organize some guided tours with the Japanese.

00:15:28We were going to get rich.

00:15:29Hey, hey, hey, don't be all ironic with me, okay?

00:15:31Because it is not appropriate.

00:15:32Look, Juan, we're freezing up here, huh?

00:15:34And if you weren't such cheapskates, you'd turn the heating on longer.

00:15:37And I shouldn't have installed air conditioning.

00:15:39It's just that I don't need the heating in the morning because I'm working.

00:15:42Hello.

00:15:43But hey, what are you doing here?

00:15:45Nothing, it's just that we heard some commotion and we said, let's take a look.

00:15:48Because maybe we have to vote on something.

00:15:50Ah, well, here we go.

00:15:51Come on, goodbye, I have a lot of things to do.

00:15:53Lie.

00:15:54If you are living off your father.

00:15:55Man, Madam President, just in time.

00:15:58I'm in a hurry, what's going on?

00:16:00Well, I don't know, this one, he's bored at home.

00:16:02I demand that the President order an expert opinion.

00:16:04to assess the impact of the vibration of that compressor

00:16:07and guarantee the integrity of the foundations of this our building.

00:16:10That, another spill.

00:16:12But what compressor does he say?

00:16:14Juan.

00:16:14Uh, come on, my love, we have to go.

00:16:17And I remember that if the structure suffers any damage that could lead to tragedy,

00:16:21The president will be held civilly liable for said accident.

00:16:25Yes, my love, go for it.

00:16:26Oh, how annoying this man has been since he's been in the opposition.

00:16:29Oh, it makes my head, like this, and my ankles.

00:16:32Belén, urgent together.

00:16:34Juan's situation needs to be dealt with now.

00:16:35Yes, but don't tell him, for God's sake.

00:16:36Well, whatever you want, but now I have a job interview.

00:16:40And you've had a problem with it because you've ruled it, haven't you?

00:16:42Come on, get us some beers and tell us about it.

00:16:44Ala, ala, goodbye.

00:16:47The cock doesn't integrate.

00:16:49No.

00:17:03Belén López, right?

00:17:04Yeah.

00:17:06I'm Isidro, the head of staff.

00:17:08Hello, Isidro, good morning.

00:17:10I am very excited about this opportunity and being able to contribute my dynamic spirit to the company.

00:17:14and my ability to work in a group.

00:17:15Oh yeah?

00:17:16Well.

00:17:17Belén, in every job interview I do, I always start with the same question.

00:17:21How much money do you want to earn?

00:17:24Hey...

00:17:24Two thousand euros.

00:17:26Well, then the interview is over.

00:17:28No, no, but...

00:17:28Next, please.

00:17:29But come on, I can charge...

00:17:32Calm down, woman.

00:17:34It was a joke to relax us, huh?

00:17:36Well, you're not getting it.

00:17:37Belén, for this position we need a positive, people-oriented, and emotionally stable person.

00:17:42Yes, yes, yes. That's me. The way you say it, it's like you know me.

00:17:46Do you have any experience in the insurance industry?

00:17:49Mmm, yeah. I've been a salesperson and...

00:17:52Well, I come from working as a Cool Hunter in a fashion company.

00:17:56Pretty well known, Doppers.

00:17:57Doppers?

00:17:58Oh, yeah? The one about that guy who died in the jacuzzi with the employee who fired the snub?

00:18:03Yes, exactly.

00:18:05Well, the position is yours.

00:18:06We really need you to join us as soon as possible.

00:18:08As far as I'm concerned, that's fine. What am I going to be doing? Marketing? Human resources?

00:18:12Almost, almost. Telephone operator. Roadside assistance.

00:18:16Ah!

00:18:21Roadside assistance. Monse here. Extension 304. How can I help you?

00:18:27Yeah.

00:18:28Yeah.

00:18:29Tell me the car's license plate.

00:18:34Yeah.

00:18:35Tell me the road and the kilometer point.

00:18:36Very well. We'll send a tow truck. Thank you for your business.

00:18:45This is what you say most of the time. Over and over again. Eight hours a day. With a half-hour for lunch.

00:18:50It's very nice.

00:18:52Ah! It's your turn. Cheer up. You can do it.

00:18:58Roadside assistance. Belén is here for you. Extension 305. How can I help you?

00:19:03Help him.

00:19:04Help him.

00:19:04Tell me your license plate number.

00:19:09Good morning.

00:19:12Hadn't you quit smoking?

00:19:14Officially, yes. But I smoke less now, right? I'm on two packs.

00:19:20Marisa, where are you?

00:19:22Throw me your cigarette butt.

00:19:24Be careful with your clothes.

00:19:25What were you doing there?

00:19:28Damn, on guard in the radio patio.

00:19:37Mauri, I'm leaving. Wish me luck.

00:19:40Luck? Why?

00:19:41I have a meeting. My first business merger.

00:19:44Yeah.

00:19:45A Japanese holding company that was to absorb a Spanish company.

00:19:47And what about? Electronics? Cars?

00:19:50Castanets. Yes. Apparently there's a flamenco boom in Japan. They can't keep up. It's been the Christmas present there.

00:19:56So you propose a comb business, so they will look taller.

00:19:59I have to do it right, right? Because my commission is 60,000 euros.

00:20:02Wow! What a surprise trip you're going to give me!

00:20:06Hello, son.

00:20:07Hello, Dad.

00:20:07How are you?

00:20:08Good.

00:20:09Mauri, dear.

00:20:11Hello.

00:20:12Where are you going with this suitcase?

00:20:14No, no, don't worry. It's my crime outfit. I'm debuting here tomorrow. We're finally performing in a big city.

00:20:20Well, how does it work? I'm leaving the law practice and dedicating myself wholeheartedly to my artistic career.

00:20:26Say yes, Enrique, that advocacy comes first.

00:20:28Yeah, well, I'm going. I have to go pick up the Japanese at the airport.

00:20:31Wait, wait, wait. There's a problem. My co-star has the flu.

00:20:35You remember, right? The dental technician.

00:20:37Yeah.

00:20:38Sinful.

00:20:38Yes, sinful. So?

00:20:40Well, I don't know anyone here who can replace him.

00:20:43No, Dad. No, no.

00:20:45Hey, the choreography is so easy. The show's strong point is the costumes.

00:20:49Well, and my monologue, of course.

00:20:52Fernando, please. Don't be like that. What's the problem?

00:20:56But you see me dressed as a drag queen. It's liberating. Go for it.

00:21:01It's going to hook you.

00:21:02Imagine that. Father and son on stage.

00:21:06But how long has it been since you did anything together?

00:21:07No, no, no way. No, one transvestite lawyer is enough in the family.

00:21:11Fernando, it's very important to me.

00:21:14Well, look, I'm so sorry.

00:21:15And you, Mauri?

00:21:21I don't.

00:21:22No, no, forgive me, Enrique. No, but I'm just really embarrassed about theater.

00:21:26When I was little at school we once performed Snow White and I had a terrible time.

00:21:29And I was playing the tree in the forest. Only for three minutes, because the dwarfs would immediately cut me down.

00:21:34It was a free version. So, in protest mode.

00:21:37But what do I do? Do I have to act? Clients of the law firm come to see me. Please.

00:21:42No, it doesn't pressure me. No, it doesn't pressure me. No, it doesn't.

00:21:50We don't usually show homes until we have the first occupancy permit.

00:21:55But because it's you.

00:21:56Yeah, come on, show it to everyone, okay? Honey, do you like it?

00:22:02Man, it's a great house, no doubt about it. But how much does this cost?

00:22:07Well, this particular corner villa with a larger plot is 420,000 euros.

00:22:1270,000 euros, to put it mildly.

00:22:14Man, that's quite a bit of money, but...

00:22:16Can you afford a bargain? We haven't paid for this in 25 years of sacrifice and hard work.

00:22:23And it is well connected, because that is very important.

00:22:26Yes, come in, wash, it doesn't stop at the door, but hey, that always enhances the value of the inmate.

00:22:32Well, and besides, as soon as we plant the trees in the common areas, you won't even see them in the cement factory.

00:22:38Oh, I thought it was one of those modern shopping malls.

00:22:41Hey, hey, we'll need a community president here, obviously.

00:22:45Yes, yes, of course. When the keys are handed over, the first meeting is held and the governing bodies are elected.

00:22:50The first meeting. It's a wonderful project. Starting a community from scratch.

00:22:55With the pool rules, the paddle tennis rules, the no-pee signs on the grass...

00:23:00And your own garage. No more having your car at the mercy of resentful students.

00:23:04Remote control for the gate, right?

00:23:06Of course. And an alarm, and an individual satellite dish.

00:23:10Oh, and air conditioning with heat pump.

00:23:13I didn't touch on that topic.

00:23:14I know, I know. What do we do, honey?

00:23:16Well, I'd give a sign, Liaus. They're going to take it away from us.

00:23:20Seen in the entry? A couple with a face of purchasing power.

00:23:24Okay, come on, yeah. How much is the deposit?

00:23:27Three thousand euros.

00:23:27Fuck.

00:23:28Okay, but we already paid for the cleaning service. Let's go...

00:23:33Yes, we are doing well.

00:23:34This is what Paloma always dreamed of.

00:23:39Juan, please.

00:23:41Don't spoil the moment.

00:23:43Yes, sorry, sorry.

00:23:44This is too much for me.

00:23:46About me?

00:23:52Where do you go?

00:23:54You make me set up a secret meeting and then you're late.

00:23:56The neighbors are starting to throw panchitos at each other.

00:23:58Emilio, I already have a job.

00:24:00Have you seen how long it takes the market to relocate a good professional?

00:24:04What did they catch you for?

00:24:05Poseidon Insurance. It's a company with significant international reach.

00:24:09Yeah, but what about?

00:24:09Well, it's a very nice job. Creative, in direct contact with the client, and very responsible.

00:24:16Nothing you don't tell me, but what did they hire you for?

00:24:18Telephone operator, roadside assistance.

00:24:20Ah, very well, what a senior executive is.

00:24:23Sorry, but I even have a business card. Look, that's it.

00:24:28But you made this one yourself. There's a machine at the supermarket entrance.

00:24:31Look, I have another one. Emilio Delgado, table football champion.

00:24:35Well, I don't care. At least I'm doing something. Unlike you, who'll just stay here rotting.

00:24:39One day you least expect it, they'll throw you out on the street.

00:24:41Me? I have a bulletproof contract here.

00:24:44Emilio, please open your eyes.

00:24:46You goalkeepers are no longer needed. You're a waste of money.

00:24:49They are being kicked out of all the communities.

00:24:50That's in the low-class properties. Go to Moncloa and see if there's anyone at the gate.

00:24:55Or what do you think? That Zapatero takes out the trash in a bathrobe?

00:24:57Come on, come on. They're waiting for us.

00:24:59That's it, your ass is going to get so fat from sitting there all day on the phone.

00:25:03Look, who was going to speak? Mr. Spain.

00:25:07Juan has to be president again. It's the only way he'll stop bothering us.

00:25:11Of course, that's what I say. I don't have a government program or anything.

00:25:15The thing is, Juan doesn't want to be president again.

00:25:17Normally, the opposition is also engaging.

00:25:19Hey, what if we give him a little salary?

00:25:21Yes, of course. Now it's going to cost me money to leave me alone.

00:25:23Man, if we paid him we could insult him more.

00:25:26Look, there's no need. John is like Moses. He needs to part the waters with his staff.

00:25:30We just have to get the community into a really big mess for him to proclaim himself leader and not save everyone from disaster.

00:25:36Dad, what are you doing here if you're falling asleep?

00:25:39I want to rent the penthouse.

00:25:42Forgive him, it's just that until he wakes up he says it was nonsense.

00:25:44It's so well thought out. I have 600 euros here, the first month's rent, and the deposit.

00:25:49Mariano, you can't do business up there, huh?

00:25:52No, it is for personal use and enjoyment.

00:25:55Yes, guacuesta, guacuesta.

00:25:56But I wasn't at school.

00:25:58He must have played truant.

00:25:59String them, minutes, string them.

00:26:00Ah, very well. A betrayal of a board. Without warning a long-time owner.

00:26:09No, it's just that Paco wants to show us a video of his wedding.

00:26:13Sure, we all like horror movies.

00:26:15Mariano, now.

00:26:16You can believe it. This is like holding a debate on the state of the nation and not informing Rajoy.

00:26:21Don't worry. Juan and I have wonderful news for you.

00:26:25We just put down a deposit to move into a townhouse.

00:26:30Correct.

00:26:31We are not showing you the brochure because it has the address.

00:26:34So don't worry. I'm going to take advantage of this backstabbing to say goodbye to you all.

00:26:39I don't hold any grudges. Good luck to everyone.

00:26:42It has paddle tennis, a pool, well, everything, everything, everything. It's a whole other world.

00:26:49Juan, Juan, but you can't leave if we all want you here.

00:26:52Of course, you are our Moses.

00:26:56But how is Mr. Juan going to get out of here?

00:26:59Well, look, let him go if he stops bothering us, right?

00:27:03But you can't leave. How can you leave?

00:27:08Hello. I'd like to reserve a table for tonight at 9:30.

00:27:11Roberto Alonso. Two people. Thanks, huh?

00:27:17Roberto, this time I'm going to be the one to get you out of this crisis and we're both going to go out.

00:27:22I would hunt you down and burn down the city.

00:27:23No, we'll hunt another day. I have a plan tonight.

00:27:27How do I plan? With whom?

00:27:29No, let's see, it's a business dinner. I'm meeting with an agent from a publishing house who wants me to do some illustrations for some children's stories.

00:27:37Turtles, rabbits with glasses, you know, the usual.

00:27:39If you've met someone, let me know. I prefer you to be honest.

00:27:42But fuck it, why would I hide it from you?

00:27:44I don't know, but I'm starting to know your faces.

00:27:46Hey, Carlos, calm down. The day I date someone, you'll be the first to know.

00:27:49No, no, it's me. As for me, you see, I'm going to have a drink alone.

00:27:57Yes, I know people right away.

00:28:06Casa Luis Restaurant? Tell me.

00:28:08Yes, hello. Could you give me your address, please?

00:28:11Auntie, I'm going to walk the runway, you guys. I still can't believe it.

00:28:15Neither do I.

00:28:17No, since you're short and have never walked in a fashion show, well...

00:28:20No, no, but I have done my research.

00:28:22Let's see, which one do you like best? The hip-hugging style?

00:28:26Or the horse style.

00:28:29Hey, do all the models change clothes together?

00:28:32Or the girls on one side and the boys on the other.

00:28:34No, no, no, all together, but with stress.

00:28:36You don't even notice.

00:28:37Hey, buns!

00:28:39Do you remember that Belén's son was chasing after Juanjo?

00:28:42What has he reported?

00:28:42No, no, no, no, I'm meeting him tonight.

00:28:45I urgently need a pin.

00:28:46So that?

00:28:46What's the point? To puncture condoms.

00:28:49Belén has escaped, but I'll catch this one.

00:28:52Well, this is ready.

00:28:55What's that?

00:28:57Nothing, just a little something for the posh girl.

00:29:00I'm going to put it in the window so you can see it better.

00:29:02Lucia, run, run.

00:29:12Come.

00:29:14What's happening?

00:29:14Belén's mother is performing voodoo on you with a doll.

00:29:18Come on, Yayago, please, what do you say?

00:29:20Yes, Lucia, look, it's you now.

00:29:22And he put two black candles for you.

00:29:23He's looking for your misfortune.

00:29:25But don't tell me you believe in these things.

00:29:28Lucia, look.

00:29:29You've already seen it.

00:29:30There is a lot of voodoo and kids in Cuba.

00:29:32They did it to a cousin of mine one day.

00:29:33He was running along the seawall, when a wave came and swept him away.

00:29:36Until today we have not seen him again.

00:29:38Do you want to be in Miami?

00:29:39Yeah, no, dude, with these things, this is very serious.

00:29:42Ala, to suffer.

00:29:44María Jesús, don't be like that, she's a neighbor.

00:29:47But it's his fault, he doesn't want to sell me the house.

00:29:49Hey, let's see if something happens to me, I'm also blonde.

00:29:52But woman, that's nonsense.

00:29:55María Jesús, may I know what you do?

00:29:58Nothing.

00:29:59A little doll I made.

00:30:00It's just that I really like crafts.

00:30:02No, that's voodoo.

00:30:04You want to bring misfortune to my girl.

00:30:06Let her, let her, let her entertain herself.

00:30:11Torrijas, but does that really work or what's going on?

00:30:14That if it works...

00:30:17Here I have my husband.

00:30:18Tomorrow they're going to remove a kidney stone like that.

00:30:21It's a shame that we have to be taught guerrilla ladder techniques.

00:30:25Anyway, I have to look at more apartments around here.

00:30:29The one with the little piece doesn't quite do it for me, does it?

00:30:32Hey.

00:30:33Why don't we do voodoo on the slope?

00:30:35Let's see if something happens to him and he doesn't go to the daring side.

00:30:38And you don't want him to stay if you can't stand him?

00:30:40Yes, but you grow fond of it.

00:30:43Hey, how do you make one of those voodoo dolls?

00:30:46Well... I don't know.

00:30:48We search on the internet, now that we're old online...

00:30:52Lourdes has gained 5 kilos in two weeks.

00:30:56Phew...

00:30:57Well, the progression is worrying.

00:30:59Since we got married I've noticed that he's let himself go a little.

00:31:02Paco, Lourdes has not abandoned us.

00:31:04Lourdes is adrift.

00:31:06Look, look here, you idiot!

00:31:07Come on, stay still!

00:31:08Look at this, damn, you're friends, damn!

00:31:10Paquito, this woman isn't separating, huh?

00:31:12Also, if gaining weight is normal, Paquito.

00:31:14A friend of my mother gained 47 kilos in her first year of marriage.

00:31:18God!

00:31:19He beat my mother by three.

00:31:21Well, I go to the family and ask for the complaint form.

00:31:23Why do you think the wedding photo is kept?

00:31:25To remind you of what she was like.

00:31:27Of course, that's why the other day he told me we should buy a minivan.

00:31:31He's assuming it.

00:31:32Well, if you need cheap insurance, Belén can get it for you.

00:31:35Hey, I have this one too.

00:31:37Mariano Delgado, retrosexual and thinker.

00:31:39What, Belén?

00:31:40López Vázquez, roadside assistance.

00:31:42This girl is more lost in life.

00:31:47Hey, hey, hey.

00:31:48Shall we play a joke on him?

00:31:50Leave her alone, damn it, she'll be working.

00:31:52Yes, yes, call her, call her.

00:31:53No, but use a private number, otherwise you won't get caught.

00:31:57Let's see, silence here.

00:32:03Roadside assistance.

00:32:04This is Monse, extension 304.

00:32:06How can I help you?

00:32:07Damn, another girl got it from me.

00:32:09Call again.

00:32:10If that's what you're jumping from telephone operator to telephone operator.

00:32:15Roadside assistance.

00:32:16This is Monse, extension 304.

00:32:18How can I help you?

00:32:19Again.

00:32:20How annoying Monse is.

00:32:22This happens a lot.

00:32:23Sometimes they call you from a tunnel or a strange place and they get cut off.

00:32:26They get more angry.

00:32:27You are always very calm.

00:32:28Roadside assistance.

00:32:32This is Belén, extension 305.

00:32:35How can I help you?

00:32:36Help him.

00:32:37Oh, girl.

00:32:39Oh my goodness, I've gone off the road.

00:32:41Oh, I've run into a bug.

00:32:43What a big blow I've taken.

00:32:46Calm down, how are you?

00:32:47Alright?

00:32:47What's up?

00:32:48If I have killed him.

00:32:50I have it here smashed into the bumper.

00:32:53No, I say you.

00:32:54How are you?

00:32:55I'm very bad.

00:32:56Very badly.

00:32:57If it's that I'm very old.

00:32:59Oh, oh, how my leg hurts.

00:33:02Oh, oh, I have her paralyzed.

00:33:04Come on, ma'am, tell me your car's license plate.

00:33:07I don't know.

00:33:07If the car belongs to my husband.

00:33:10Oh, when he finds out it's unfair, my goodness.

00:33:13You call him.

00:33:14Call me, I don't dare.

00:33:15Okay, but tell me the kilometer point.

00:33:17What road is it on?

00:33:18I don't know.

00:33:20Oh, oh, how dizzy.

00:33:24Girl, call one of those ambulances with those plates that give you cramps.

00:33:29Yes, but you have to know where it is.

00:33:31What do you see around you?

00:33:33I don't see anything.

00:33:34The blow hit me with a bag and broke my distance glasses.

00:33:39Madam, that's the Erbach.

00:33:41Oh, girl, I'm in a river.

00:33:43Water is coming in.

00:33:45Oh, my husband, he's going to give me a hard time for putting in new floor mats.

00:33:51Oh.

00:33:52Madam, but don't worry about the mats.

00:33:54Oh, girl.

00:33:55Girl, for God's sake, my battery is running out.

00:33:58Oh, this is beeping at me.

00:34:00Do something, my God.

00:34:01Oh.

00:34:02Oh.

00:34:02Listen.

00:34:07Lady.

00:34:09Damn, man, I'm stopping at the cashier.

00:34:11He swallowed it whole, huh?

00:34:13Call her, call her again.

00:34:14No, no, that's enough, poor thing.

00:34:16Yes, the last one, the last one, the last one.

00:34:17A woman who's had an accident and won't tell me where she is, or her license plate, or...

00:34:22Don't worry, you're like this.

00:34:24One day someone called me saying his wife had taken her side in the middle of the road.

00:34:27What was he doing?

00:34:28And I told him, well, push.

00:34:30Clear.

00:34:30What am I going to tell him?

00:34:32Police.

00:34:33Look, an elderly lady had an accident and fell down a ravine.

00:34:38I don't know, he doesn't tell me.

00:34:42Roadside assistance, ready to help you...

00:34:44Girl, it's me again who plugged this into the cigarette lighter.

00:34:50Oh, I can't even speak.

00:34:51Ma'am, what is your name?

00:34:54Asun.

00:34:54My name is Asun, a girl from Asunción.

00:34:57Yeah, but Asunción, what?

00:34:59Tell me, pretty, tell me, tell me.

00:35:00No, tell me, what is your last name?

00:35:02Oh my goodness, my life is becoming cloudy now.

00:35:06I'm very sleepy.

00:35:07No, no, no, ma'am, talk to me, talk, talk.

00:35:10Oh, oh, my feet, how cold.

00:35:12Oh, there's a lot of water coming in.

00:35:14Ma'am, but get out of the car.

00:35:16If I can't find the bag.

00:35:18No, leave the bag, for God's sake.

00:35:19Oh, oh, girl, I have no strength left.

00:35:23Assumption.

00:35:24Oh, I'm leaving now.

00:35:26Bye bye.

00:35:29Asuncion, listen, Asuncion.

00:35:33Look at this divine bag.

00:35:37We should have recorded it to send it to the radio.

00:35:40Son, you've gone too far.

00:35:42No, man, nothing's wrong.

00:35:43If you've done him a favor, he'll be recording the footage with his phone.

00:35:45Didn't you tell me before that goalkeepers are useless?

00:35:48Well, here it is, he swallowed this one.

00:35:50Hello, Mauri.

00:35:59Hey, do you have balls?

00:36:00Yes, dark-skinned.

00:36:02It doesn't matter, they are meant to be broken.

00:36:03Hey, your apartment is really nice too, huh?

00:36:10You don't have to go so far, woman.

00:36:11I'll get it out for you.

00:36:13What a shame this life here in the middle, isn't it?

00:36:16Can it be removed?

00:36:18Yes, it can be removed.

00:36:19The only thing is the building is falling down, but...

00:36:21Hey, one bedroom and one bathroom, right?

00:36:24Yes, you can see it in the December issue of Casas y Gays, where they did a great feature on me.

00:36:28Hey, well, what do you want for this?

00:36:32Well, I don't know, when I sell it I'll tell you.

00:36:34Really.

00:36:36You're not interested in my daughter, you don't want to sell me the house, but what have I done to you?

00:36:40María Jesús, you need to take hormones because you have a big imbalance there, right?

00:36:45Make another little doll.

00:36:47What little doll?

00:36:49He knows how to do voodoo.

00:36:50We are all learning.

00:36:52Oh, how beautiful.

00:36:52At your age, it's wonderful to have hobbies.

00:36:54Hello.

00:36:56Now.

00:36:57Yes?

00:36:57What didn't I get?

00:36:59The fact that?

00:37:00Bye bye.

00:37:02The Japanese are delighted with me.

00:37:05I've put the Jerez jerk's greatest hits on in the car.

00:37:08I've earned them.

00:37:09Perfect, I already have the trip brochures here.

00:37:12Look, mythical Egypt, wild Afghanistan, Norwegian fjords...

00:37:16Wait, I don't get paid until we sign the merger tomorrow?

00:37:19I wanted to ask you a small favor.

00:37:21It's that the Japanese want to get out there.

00:37:24Well, I have work to do all night.

00:37:26Would you mind joining them?

00:37:28Oh, my Japanese level is very basic.

00:37:31I only know the lyrics to Heidi, which Carlos sang to me the other day.

00:37:33They have interpreters.

00:37:35Ah.

00:37:35And where do I take them?

00:37:36To a tablao?

00:37:37To a tour of the metro construction?

00:37:39The Japanese like to celebrate company events in nightclubs.

00:37:44Ah, in places of...

00:37:45What do you want me to take to the whores?

00:37:46No, no, but don't worry, I'll tell you three or four places.

00:37:48And why do you know about escort sites?

00:37:51Well, from advertising, right?

00:37:52What they hit me at the traffic lights.

00:37:53Okay, okay, go.

00:37:54Don't worry.

00:37:55No problem.

00:37:56I'll take it.

00:37:57Oh, Mario, thank you very much, really.

00:37:59But tomorrow you act with your father.

00:38:01That's the only condition I'm setting for you.

00:38:03You're a bad faggot.

00:38:04Evil and vengeful.

00:38:05And I don't know why I'm dating you.

00:38:06Why do you love me?

00:38:07Come on, call your father and tell him you're going to be sinful.

00:38:10Please.

00:38:11Sinful.

00:38:13Well, now I have everything you asked for.

00:38:16A cucumber for the body, a doll's head, a magnet, a rope, liquor, a disinfected knife

00:38:22and a piece of clothing belonging to María Jesús that I took from the rope.

00:38:24Lucia, you don't play with this voodoo stuff, I already told you.

00:38:26But, darling, if she has everything to lose,

00:38:28This affects the superstitious much more than the non-superstitious.

00:38:31But if you can do something much simpler, my love.

00:38:34Look, when someone is really bothering you, you take a picture, put it in the freezer, and that's it, you delete it.

00:38:38It can't hurt you.

00:38:39Oh, well, I'm going to do that too.

00:38:40But I put a doll in the window for this one.

00:38:43Oh, Lucia, you know that in ancient times women who dedicated themselves to doing things like this

00:38:46They were burned at the stake as witches.

00:38:48Yes, they give them TV shows now.

00:38:52Well, you're right.

00:38:53Esoteric

00:38:57Malignant community

00:39:02Esoteric

00:39:04Fatal community

00:39:09I'm not a witch

00:39:12But I'll put a witch on you if you misbehave.

00:39:16I have some candles and a doll waiting for you in the community.

00:39:23Esoteric

00:39:27Malignant community

00:39:32Esoteric

00:39:34Fatal community

00:39:38Sure, look, I was kind of thinking about my own things, right?

00:39:47And I closed the back door thinking that the lady had already gotten off the bus.

00:39:51But her coat got caught and I dragged her to the next stop without realizing it.

00:39:57How good, of course

00:40:01There the lady running with the bag and screaming

00:40:05Stop, stop

00:40:05The lady died

00:40:09He was 82 years old

00:40:11He cracked his head against a wastebasket

00:40:14I'm sorry

00:40:16Silly, it's a joke.

00:40:19It's a word I always use to see if I'm with a sensitive guy.

00:40:22Roberto, but oh well

00:40:26Carlos, what are you doing here?

00:40:29Hey, I come a lot.

00:40:31And you, what?

00:40:33And you, what?

00:40:34Hey, look

00:40:35She is Ainhoa

00:40:37Is...

00:40:39Ainhoa

00:40:40Nice to meet you

00:40:40Me too?

00:40:43Uh, yeah, yeah, yeah

00:40:44This is Carlos, a colleague

00:40:46He's my ex-girlfriend's ex-boyfriend

00:40:48Ah, how nice!

00:40:50How civilized it all sounds

00:40:51Yes, yes

00:40:52Well, I'll take advantage and while you bring the second plate I'll go to the bathroom for a moment, okay?

00:41:02Come on, okay

00:41:04But you didn't have a meeting, who is this?

00:41:08She is the author of children's stories

00:41:11He's telling me how he wants the drawings.

00:41:13There is a very famous fable, that of the mite and the allergic person.

00:41:16It is very difficult to draw

00:41:19Sure, what does a mite look like?

00:41:20Clear

00:41:21He is a very complex character.

00:41:23I got a scare, man.

00:41:26For a moment I thought you had a date with this Malayan Cayo

00:41:29No, no, no, no, no, what are you saying? Don't freak out.

00:41:31Well, well

00:41:32Since you were desperate today, well, I say, my friend has lost his temper.

00:41:35But hey, don't fuck with me, man, I...

00:41:38You know me, I have some minimums

00:41:39Okay, okay

00:41:40It would be the first time that the stories are written by the ogre.

00:41:43Hey, don't let them pass you by either, right?

00:41:45It's not that bad

00:41:46Or poor thing, leave her

00:41:48Carlos, are you staying for dinner with us?

00:41:51No, he's leaving, he's staying

00:41:53Yes, yes, yes, nothing, I'll leave you alone.

00:41:56And you will have to talk about your things

00:41:57Hey, congratulations on the work, huh?

00:41:59Invented

00:42:00Thank you

00:42:00Are you hesitating?

00:42:04No, he just doesn't like cars.

00:42:06Every time he sees a tow truck, he approaches the driver and encourages him.

00:42:09Ah, your friend is nice.

00:42:12Yes, it is very sensitive

00:42:14As you all see

00:42:16Belén, how was your first day at work?

00:42:31Have you seen what a face he had?

00:42:33Maybe they fired her because of you.

00:42:34No, no, no, no, that's his face when he comes home from work.

00:42:37The thing is, you don't know her.

00:42:39I don't know, huh?

00:42:43Oh, oh, what bad luck, my love.

00:42:45A sprain on the first day of rehearsal

00:42:47You won't be able to parade in that pretty lingerie.

00:42:50And so transparent that they had made you

00:42:52It's the fault of that doll that María Jesús put in the window.

00:42:55She has done wrong and it affects all of us blondes.

00:42:57Look, pretty, it's because they put you in 20-centimeter heels.

00:43:01And there is no ankle that can withstand it

00:43:02And that's it

00:43:03Hey, where's the shirt I had hanging out?

00:43:05My cleavage doesn't look good at all with this one.

00:43:06Carmen, I sprained my ankle.

00:43:08Well, leave me those cool boots, go on.

00:43:10Oh, Bethlehem

00:43:13How was your first day as a telephone operator?

00:43:16That's how he came home from school every day.

00:43:18Oh, I got one of those déjà vu feelings.

00:43:20An elderly lady died on the phone.

00:43:23He crashed his car

00:43:24And I haven't been able to help her.

00:43:26That's the doll that the dick put in the window

00:43:29What is affecting you all?

00:43:30But if he made it for you

00:43:31Yes, but it can also affect my loved ones.

00:43:34Since when are we your loved ones?

00:43:38You guys are really stupid, aren't you?

00:43:40I don't know how you can believe all that nonsense.

00:43:42Carmen, where are you going?

00:43:44If they are too small for you

00:43:45No, woman, no.

00:43:46Now I curl my fingers like a kung fu claw.

00:43:48And that's it, you'll see what's coming

00:43:50Well, girls

00:43:51That nothing

00:43:52I'm going after Juanjo, okay?

00:43:55Don't wait up for me

00:43:57I'm doing well, huh?

00:43:59Yeah?

00:44:01Bye

00:44:02Carmen!

00:44:10Wow!

00:44:11Another misfortune!

00:44:12We are falling like flies

00:44:14My God

00:44:15Oh, but

00:44:15Why does everything always have to happen to me, huh?

00:44:18Because?

00:44:20Peaceful

00:44:20You'll see how it's nothing

00:44:21Why, Inga?

00:44:22Because?

00:44:23Well, Carmen

00:44:23Don't worry

00:44:24We'll meet another day.

00:44:25No, no, no

00:44:26Juanjo, no

00:44:26Look, don't you see that?

00:44:27You, you come with me

00:44:28Don't you see that I have private insurance?

00:44:30And I have a room to myself

00:44:31We'll have a go there, huh?

00:44:32But if they say you have a broken hip

00:44:34Well, then they give me

00:44:35What was the epidural invented for?

00:44:37Oh, you, you come with me.

00:44:38Follow us in the car, okay?

00:44:39Yes, yes, come on

00:44:40I'm following you, okay?

00:44:42I'm getting out of here

00:44:43Oh, oh, oh, oh, oh

00:44:45Hey, this voodoo thing seems to work.

00:44:48I've always said that the posh girl is a bit of a witch.

00:44:51It's that the door is very intense in it

00:44:54But hey, what happened here?

00:44:57What does it matter?

00:44:58Don't stop

00:44:58No, it's the fault of this country.

00:45:00Of cruelty, of vile

00:45:01He tried to make me a mute

00:45:03And since he doesn't know

00:45:03These poor people are not paying

00:45:05Lucia, Ana has sprained her ankle.

00:45:06Sorry, but you started it.

00:45:08Putting a doll with pins in the yard

00:45:10Well, I'm going to put six more black candles on you.

00:45:12Just so you know

00:45:12You to me?

00:45:13Come on, please, let's keep things fair.

00:45:15Juan, don't interfere.

00:45:16Control your presidential instincts

00:45:17The posh girl took a picture of me this afternoon

00:45:19And something is happening to me with her

00:45:21Yeah

00:45:21Yes, it is for an album

00:45:23From neighbors of memory

00:45:24Oh, how beautiful

00:45:25I'm going to make one too.

00:45:26It's true

00:45:27What is that they don't let her yet?

00:45:28To be a good neighbor

00:45:29Maria Jesus, why don't you throw away that blonde doll?

00:45:32Or give it some highlights

00:45:33Please, let's not start with paranoia.

00:45:35Of voodoo and nonsense

00:45:36These are nothing but absurd superstitions.

00:45:38Rooted in the collective unconscious

00:45:40Well, we have also put some little dolls for you.

00:45:43They turned out very well for us

00:45:44You look a lot alike

00:45:45But why do they have to give us anything?

00:45:47To be tested

00:45:48It's not a shame that you're leaving.

00:45:50We have been neighbors for so many years.

00:45:52So, they do voodoo on us.

00:45:53Because they love us

00:45:54Yes, ma'am

00:45:57It's a thing

00:45:58Let's see

00:45:59No, teach me

00:46:00Surely, what things do these ladies have, eh?

00:46:05Voodoo

00:46:05It is irrigation

00:46:07If it is proven that at these ages

00:46:09Well, it costs more.

00:46:10Let the blood rise

00:46:11To the brain

00:46:12Dad

00:46:13I have made a selection of five scooters

00:46:15So you can choose which one you're going to buy me.

00:46:16And you can get my car through renting.

00:46:18They have done numbers for me

00:46:19And it's a really interesting option

00:46:20And go for it

00:46:20That the townhouse is perfectly connected

00:46:22Oh, sure.

00:46:24By bus

00:46:25In fifty minutes you are in the center

00:46:28Dad

00:46:29Look

00:46:30The red one

00:46:31It's that really

00:46:36There it goes, that's all of you.

00:46:38With needles

00:46:40Mother

00:46:44What are you doing here?

00:46:46But Isabel

00:46:46I had been buying the vamps

00:46:48What's happening?

00:46:56Honey, why don't we go out for dinner?

00:46:58To a Korean grill

00:47:00To celebrate things

00:47:02No no

00:47:02I'm going to make a salad

00:47:03What did they tell me at the pharmacy?

00:47:05I have a little high bad cholesterol

00:47:08Oh!

00:47:08That?

00:47:09Shit!

00:47:09What have you done?

00:47:10I cut myself

00:47:11Bleeds

00:47:12Let's see

00:47:12Show it to me

00:47:14Wait, there's no dizziness.

00:47:16Don't worry

00:47:17Sit here

00:47:19Natalita

00:47:21Bring me the alcohol

00:47:22It's deep, huh?

00:47:23I have been interested in an artery

00:47:24Bow your head

00:47:27You're missing the neighborhood.

00:47:28If it wasn't what I was in

00:47:30Clumsy, John

00:47:31Clumsy

00:47:32Let's see if it's going to be that doll.

00:47:33What have the old women done to you?

00:47:34Hey?

00:47:35Josémi!

00:47:36Please!

00:47:38Dad

00:47:38These pans are mine

00:47:39And you're not going to take them

00:47:40I need them for my obelisks.

00:47:43And you don't use them

00:47:44No, but I have them to defend myself.

00:47:46I live in a low

00:47:47Fuck, this is it

00:47:48It's worth a divorce

00:47:49Josémi!

00:47:51What do you want?

00:47:51Turn on the teletronco

00:47:52Runs!

00:47:53What's happening?

00:47:54The old woman is being sought

00:47:55At this moment

00:47:57The search for Asunción continues

00:47:59The injured old woman

00:48:00With his car

00:48:01Somewhere on the peninsula

00:48:02Civil Guard officers

00:48:04National Police

00:48:05As well as army divers

00:48:06They track various roads

00:48:08Near Rivers

00:48:09In search of this person

00:48:10That was not able

00:48:11To indicate your position

00:48:12You kid!

00:48:13But Bethlehem

00:48:13Why have you seen anyone?

00:48:15This has gotten out of hand, huh?

00:48:17Like a motorcycle?

00:48:19Yeah!

00:48:20Emilio, turn on the news

00:48:21The one that has been read, man

00:48:22Yes, Paquito.

00:48:22Yes, I've already seen it.

00:48:23Yes

00:48:24You have the bodies and strength

00:48:26State security

00:48:28Looking for an old woman

00:48:29That does not exist

00:48:29Instead of doing

00:48:30Important things

00:48:31Stopping terrorists

00:48:33Or watching Beca

00:48:35When they take out the cords

00:48:36Well, they'll get tired of searching, won't they?

00:48:39Or not?

00:48:39It's that the jokes

00:48:40You have to know how to spend them

00:48:41It's like when your mother

00:48:42He told me

00:48:43That had become

00:48:44To get pregnant again

00:48:45That's not done

00:48:47Oh, dad.

00:48:48I'm feeling very bad

00:48:49Yes, Fernando.

00:48:50That everything is going perfectly

00:48:52They are happy

00:48:53With his champagne

00:48:54Debating international politics

00:48:56With the girls

00:48:56Well, then

00:48:59If it's today

00:49:00Let it go up

00:49:02Let's give him the castanet, right?

00:49:04Sorry?

00:49:04He

00:49:05He

00:49:05With the girls

00:49:06Party

00:49:08Party

00:49:09Party

00:49:10There, there

00:49:11This is what they tell me

00:49:12Girl for you too

00:49:16Mr. Oguma

00:49:16Invites

00:49:17No, no, no

00:49:18I don't

00:49:18Thank you so much

00:49:19No, no, no

00:49:22No, really.

00:49:23Thank you

00:49:23It's that I don't have

00:49:24Jota's body

00:49:25No, you too, woman.

00:49:27Mr. Oguma

00:49:28It offends

00:49:29No, for God's sake

00:49:31It's that I'm staying

00:49:32Here

00:49:33Having a coffee

00:49:34So richly

00:49:34Let him go up

00:49:35And have fun

00:49:36Okay, tell him yes.

00:49:40How calm

00:49:41Me too, girl.

00:49:42Me too

00:49:43You with us

00:49:44All together

00:49:45With girls

00:49:46In jacuzzi

00:49:47No

00:49:48No, I don't

00:49:49I

00:49:50I'm shy

00:49:52I apart

00:49:54Mr. Oguma

00:49:55What is your name?

00:49:58Paula

00:49:59Damn, how lucky I was.

00:50:01No, you don't know very well.

00:50:03Well

00:50:07If it wasn't necessary

00:50:09That you brought me

00:50:10To the door

00:50:10You could have left me

00:50:12The square

00:50:13I'm used to it

00:50:14I am a professional

00:50:15From the steering wheel

00:50:16Well, nothing.

00:50:17What has been

00:50:18A very beautiful night

00:50:19Well, but

00:50:21Still

00:50:24It's not over yet

00:50:26No?

00:50:28Fuck

00:50:39I do it very well

00:50:41It won't be because of what

00:50:43Train

00:50:44The truth

00:50:44Do you invite me to come up?

00:50:47To your house

00:50:48To have a drink?

00:50:48Hey

00:50:49Can't

00:50:50It's that I have

00:50:51At my place

00:50:52To my grandmother

00:50:52What has given him?

00:50:53A bad guy

00:50:54And it goes away a little

00:50:54The head

00:50:55Poor thing

00:50:56And you leave her alone?

00:50:58No no

00:50:58But nothing happens

00:50:59When you want to go to the bathroom

00:51:00Hit the ground with your stick

00:51:01And the neighbor comes up

00:51:02Hey

00:51:03If you're not going to call me back

00:51:04Well, tell me now.

00:51:05No?

00:51:05I'm used to it

00:51:06That?

00:51:07No, no, no, no

00:51:08Oh no

00:51:08Really

00:51:09If I love you

00:51:10I want to keep seeing you

00:51:12Really

00:51:12Tomorrow you could take the bus

00:51:14And we leave at night

00:51:15A vacant lot

00:51:16Hello, crane

00:51:18A voyeur

00:51:27Hey, man.

00:51:28Well, if it is here

00:51:29We are very bad

00:51:30Come on

00:51:30Talk tomorrow

00:51:31Run, go, go, go

00:51:32Bye

00:51:34Hey, I haven't said anything.

00:51:40A friend is the one who brought me home

00:51:42Don't worry

00:51:43There is less and less light

00:51:45In the libraries

00:51:46Hey, be careful, eh

00:51:47Don't be mistaken

00:51:48That I'm not dating this girl

00:51:50Don't worry

00:51:50We all have blots on our history.

00:51:53I was married to a blur for 35 years

00:51:56She's a very nice girl.

00:51:57You see it, you see it

00:51:59And I don't want Carlos and these people to find out.

00:52:00Because they might have a little fun

00:52:02A little bit, right?

00:52:03Quite

00:52:04If you want, I'll let you have my attic.

00:52:06Maximum digestion

00:52:07Nobody sees you there.

00:52:08Would you do me that favor?

00:52:11Man, I'll do whatever it takes for a friend.

00:52:12Well, I'm going to call her.

00:52:14Wait

00:52:15100 euros

00:52:17Consumptions from the refrigerator apart

00:52:20No, he already missed me.

00:52:22Hey

00:52:26Hey, Ainhoa

00:52:27Look, my grandmother isn't here.

00:52:29The neighbor took her away

00:52:30If you want, you can come.

00:52:31Come on

00:52:34Well, I'll wait for you here.

00:52:35Glue

00:52:38Oh my goodness

00:52:40I hadn't made love for months.

00:52:41Normal

00:52:43So, it's normal that you liked it.

00:52:46When one has been on a limb for so long

00:52:48The body accumulates tension

00:52:50And do you live here with your grandmother?

00:52:53Uh, yeah

00:52:53Well, but she sleeps on the floor

00:52:55By the column

00:52:56You have to work a little on the decoration, huh?

00:53:00Yeah, I just moved.

00:53:02Know?

00:53:03I'm missing some details

00:53:04The bathroom, the kitchen

00:53:06How are you?

00:53:08How did everything go?

00:53:09Do you need anything?

00:53:09But no, damn it, Maria.

00:53:10Okay, okay

00:53:11But who is that man?

00:53:17The landlord

00:53:18He is very kind, but a little heavy

00:53:20Wait, they're calling me

00:53:22Yeah

00:53:30Roberto, where are you?

00:53:32You have me worried.

00:53:33Yes, yes, yes, yes, yes

00:53:35I'm coming, I'm coming

00:53:36Well, if you're going to be late, call.

00:53:37What does it cost you?

00:53:39Fuck

00:53:39Yes, yes, man.

00:53:40I'm coming

00:53:41Come on

00:53:42Okay, any time

00:53:44Fuck

00:53:45My grandmother, who has already grown tired of playing cards

00:53:47I have to go down for her.

00:53:48Well, I'm leaving now.

00:53:50See you tomorrow

00:53:52Well, let's see how I have it

00:53:54I cut the tender eye finely

00:53:58I sauté it in a saucepan with a little oil.

00:54:00And then I make the tortilla.

00:54:01Does it fit me?

00:54:02But I like garlic better for vinaigrette.

00:54:05And how do you do it?

00:54:06Do you mash them with hard-boiled egg and parsley?

00:54:08Yeah

00:54:08But I sprinkle a little grated onion on top.

00:54:11Hey, I'm getting hungry.

00:54:13Wait

00:54:14I have muesli bars.

00:54:15Clear

00:54:16In case you get a drop in glucose

00:54:18Yeah?

00:54:22Okuma-san asks

00:54:24If everything is pleasant

00:54:25Yeah

00:54:26Phew, impressive.

00:54:27Phew, yeah.

00:54:28Ugh, I'm dead.

00:54:30And you guys are done?

00:54:32Will you accompany them to the hotel?

00:54:33No, not a hotel.

00:54:34Now

00:54:35Flamenco

00:54:36Hey, don't laugh, father.

00:54:42How is Belén?

00:54:50It's terrible

00:54:51I haven't gone to work

00:54:52Have you heard what happened to the poor thing?

00:54:54How could I not find out?

00:54:55It has even been on TV.

00:54:56I go in to see her

00:54:57He reacts the same with you.

00:54:57As always you drive her crazy

00:54:59Yeah

00:55:00Come on

00:55:02Well, I'll see what happens.

00:55:03Let's see what you say.

00:55:11That is very sad

00:55:11Belén, how are you?

00:55:15I've already found out

00:55:15That a client has died on you

00:55:17That is

00:55:18Contact

00:55:20Leave me alone

00:55:22But Belén thinks that this lady

00:55:26Now he is in a better place

00:55:27But how can the bottom of a river be better?

00:55:31But I say in spirit

00:55:32And also

00:55:33He still managed to get out of the car.

00:55:34And he came to a forest

00:55:35And has survived by eating acorns

00:55:37Until a local found her

00:55:38But who do you think he was?

00:55:40Rambo

00:55:40That she was an elderly lady

00:55:42Let's see, I just want to help.

00:55:43Emilio said goodbye to me

00:55:47He said goodbye to me

00:55:49I was the last person he spoke to.

00:55:52And I couldn't help her.

00:55:54And go for it

00:55:55Don't blame yourself.

00:55:56Why does she take her husband's car?

00:55:59And how do you know that?

00:56:01Eh, but

00:56:02Because they said it on the news

00:56:03What were they looking for?

00:56:05Divers and helicopters and...

00:56:07They are going to pull it out from the bottom of the river.

00:56:09All swollen

00:56:10Half eaten by trout

00:56:12The one who has to eat is you

00:56:14Wait

00:56:15I'm bringing you a torrica from your mother.

00:56:16I want to eat it!

00:56:17Leave me alone

00:56:18Bethlehem, heaven, courage

00:56:22We are all with you

00:56:24Come on, Emilio is coming out.

00:56:25Leave her alone

00:56:26It's very bad, huh

00:56:34He's like he's depressed.

00:56:35He has given him a break

00:56:36What for?

00:56:37Asuncion, is that

00:56:38Half of Spain is looking for you

00:56:39It's that the jokes

00:56:41You have to know how to spend

00:56:42But if you too

00:56:43You were laughing your head off

00:56:44Damn, but it's not right

00:56:46It's like the deputies

00:56:47When they hurt in Congress

00:56:48They make you laugh

00:56:50But it's enough to get pissed off

00:56:51Look, tell Belén the truth.

00:56:52That it was a joke

00:56:53That has gotten out of hand

00:56:54No, no, no, no

00:56:55He's gone to us all

00:56:56From the hands

00:56:57Let's see if I'm going to eat now.

00:56:58The brown one by myself

00:56:59Look, Josemi

00:57:00How the madman became

00:57:01That has not even appeared

00:57:01Well, that's it.

00:57:02Call her again

00:57:03As if it were that assumption

00:57:04And tell him you're okay

00:57:05Don't worry

00:57:06You see?

00:57:08That already sounds much better.

00:57:09Come on, go on

00:57:10Have some broth

00:57:11Yeah

00:57:11No, I don't want to.

00:57:13Oh

00:57:14Wait, huh?

00:57:15I'll get it now.

00:57:16Yeah

00:57:19Hello

00:57:20Is Belén there?

00:57:22It is today Asunción

00:57:23The one that crashed into the river

00:57:25Nativity scene?

00:57:26It is Asuncion

00:57:27Is she alive?

00:57:28Well, I hope so.

00:57:28Because he is calling

00:57:29Assumption?

00:57:30Oh, girl

00:57:31My goodness

00:57:32How nice to hear from you!

00:57:34Asunción is alive!

00:57:36Yeah

00:57:36My daughter

00:57:37Yeah

00:57:37It has been a miracle

00:57:39From the Most High

00:57:40And I went to the doctor

00:57:41And he told me

00:57:42That I don't have

00:57:43Nothing but fear

00:57:45See

00:57:45But how did he get it?

00:57:46Getting out of the car

00:57:47If it was sinking

00:57:47In the river?

00:57:49My daughter

00:57:50I broke the window

00:57:51With the heel

00:57:52And I grabbed

00:57:53To the spare wheel

00:57:54And then already

00:57:55A gentleman picked me up

00:57:56With a beard

00:57:57What was happening in a canoe?

00:57:59And your husband?

00:58:01He has not gotten angry

00:58:01Because of the car?

00:58:02No, no, no

00:58:03What's up?

00:58:04If you are very happy

00:58:05To see me

00:58:06We have done

00:58:07Love and everything

00:58:08Happier

00:58:09Rather

00:58:10Assumption

00:58:11Call the police.

00:58:12That everyone is here

00:58:13Looking for her

00:58:13Oh, no, no, no

00:58:15The police do not

00:58:16Here comes the TV

00:58:17And that's what I like.

00:58:18I'm very ashamed

00:58:19You call her pretty, eh?

00:58:22To the

00:58:22Kisses

00:58:23Have a great time

00:58:24In life

00:58:25No, no, no, no

00:58:26Wait, Asuncion

00:58:27This has been very hard for me.

00:58:30I

00:58:30I have to meet her in person

00:58:33Hey?

00:58:34Oops

00:58:35Oh, no, no, no

00:58:37It's that I live very far away

00:58:39Pretty

00:58:39No, no, no

00:58:40That's not it

00:58:41It can't be, huh?

00:58:42Don't worry

00:58:43Tell me

00:58:43Where you live

00:58:44And I go

00:58:45Wherever needed

00:58:45Girl, don't

00:58:47Don't be heavy

00:58:49If I don't like people

00:58:50It doesn't matter

00:58:51I have to give him a kiss

00:58:53But I thought she was dead

00:58:54Tell me where I'm going

00:58:55Well, I better go.

00:58:58To see you, huh?

00:58:59Now I tell my son

00:59:00Let's see if I can get closer.

00:59:02In the car

00:59:03I'll call you later, okay?

00:59:06I'm going to meet her

00:59:08She's alive

00:59:08Hey, and how did you get it?

00:59:10Your number?

00:59:11Did he call the central?

00:59:14I don't know

00:59:15What did he tell you?

00:59:17Well, he wants to meet me.

00:59:18The idiots have insisted

00:59:19But why do you say yes?

00:59:21What do I know?

00:59:22It's that it's been a long time lying

00:59:23This is tiring

00:59:24Let's see what you do now.

00:59:25What a mess

00:59:26Let's see where you get an old one from now.

00:59:28Don't even think about calling your mother, okay?

00:59:35Oh, but Juan

00:59:37We're going to be late to the construction company.

00:59:39Why don't you leave that for another time?

00:59:41Because the sooner we put up the sign, baby

00:59:42We sell the apartment first

00:59:43It's a hottie right in the center

00:59:45But you never know

00:59:46And we are sorry to sell the house

00:59:47With the amount of beautiful things

00:59:48That we have lived in it

00:59:49Well no, not me.

00:59:50But we have grown up here

00:59:53We have taken our first steps

00:59:55And we had our first orgasm

00:59:56Yes, I'm only accompanied.

00:59:58But why do you always end up talking about sex?

01:00:00That's true, huh?

01:00:01How curious

01:00:02Hello, Isabel

01:00:05Hey, do you have balls?

01:00:07Uh, no

01:00:07You see?

01:00:08Of course, like that, like that, yes

01:00:09That's right

01:00:10With the kitchen separated

01:00:11So that the living room doesn't smell

01:00:12Hey, Maria

01:00:13What are you?

01:00:14I don't have balls

01:00:15Ah, you're selling the apartment.

01:00:16What do you ask for?

01:00:1750 million

01:00:17Wow!

01:00:1842

01:00:1946

01:00:19Okay, I'll keep it.

01:00:20Look how good it is, see?

01:00:23So we go with another face

01:00:24To sign the mortgage

01:00:26Congratulations

01:00:27As soon as I get back

01:00:27We signed a down payment, right?

01:00:29Hey, can I see the bedrooms?

01:00:31Yes, yes, of course

01:00:32Hey, a sign of the house's qualities

01:00:33Of noble carpentry

01:00:35Single-lever faucet

01:00:36Of everything

01:00:37Hey, above all

01:00:38Don't take anything

01:00:39Oh

01:00:39Oops, you went under the ladder.

01:00:48With the bad luck that brings

01:00:49But please, ladies.

01:00:51Don't be childish.

01:00:52Oh, what happened to your finger?

01:00:55Nothing

01:00:55Good morning

01:00:56Vicenta

01:01:03They go down

01:01:04Okay, okay

01:01:05I'm ready

01:01:05Okay

01:01:06Vicenta, what have we seen of her?

01:01:14Hello good morning

01:01:15Hey, you threw a black cat at us.

01:01:17No, no, no, no

01:01:18I am taking out money

01:01:19I dropped the mirror!

01:01:22I was cleaning it!

01:01:24That's because of age

01:01:25He has no strength in his hands

01:01:27Ladies, for God's sake

01:01:28But really

01:01:29Do you think this nonsense

01:01:30Do they bring bad luck?

01:01:31No

01:01:31But it's really cool to see

01:01:32How people get scared

01:01:34Well, look

01:01:35If we are having bad luck

01:01:36That we have already sold the apartment

01:01:38And we didn't even need to put up a sign.

01:01:40And why doesn't voodoo work for us?

01:01:47Because we are good people

01:01:48We have no evil

01:01:50So, what about the handover of keys?

01:01:56When would it be?

01:01:57Signing the mortgage today

01:01:58A week or ten days

01:01:59Now all that's left is to put the swings

01:02:01And the furniture of the caretaker's booth

01:02:03I offer myself selflessly

01:02:04For the preparation of the draft statutes

01:02:06And submit it to debate at that first constituent meeting.

01:02:10But if it is not necessary, my love

01:02:11Yes, these people are very smart

01:02:12Manuela, they are going to give those documents to the city council.

01:02:14Erase, erase, eh?

01:02:15But man, Juan!

01:02:16Don't tell me we're going to buy you the chalet here.

01:02:18He is Lucia's father

01:02:19Hi how are things?

01:02:21Congratulations, which promotion have you chosen?

01:02:23What a privileged enclave, what common areas

01:02:26Well, you'll give us a discount, right?

01:02:28Yes, yes, yes, of course

01:02:29Manuela, take note

01:02:30A free microwave for the gentlemen

01:02:33Very good

01:02:33Wow!

01:02:35Well, thank you very much.

01:02:36Well, nothing, woman, nothing.

01:02:37Hey, what have you done with the disappointment floor?

01:02:39We have sold it

01:02:40But first of all, I would have bought it.

01:02:42So that the girl could have a duplex

01:02:43Judicial Police, we have a search warrant

01:02:46Yeah, but what is this?

01:02:47Rafael Álvarez

01:02:48He is accused of a crime of cheating with the urban planning councilor.

01:02:51Listen, I haven't bribed anyone.

01:02:53I'll tell you that to the judge who is waiting for you.

01:02:55But who is he? Arthur?

01:02:57But go, please, but I have studied with him

01:02:58But please, we had already given a sign

01:03:01Yes, from a corner townhouse

01:03:03It's an envelope, Frank

01:03:05Hey, what if we all go out tonight to cheer on Roberto?

01:03:09Well, if you pay

01:03:10Fuck, go ahead, I don't need anyone to encourage me.

01:03:13Of course not, leave him alone.

01:03:14If you have already found a girlfriend

01:03:16What are you saying?

01:03:17Damn, how do you keep that quiet?

01:03:20But how are you so big-mouthed?

01:03:21I've already seen it

01:03:22She's an awesome aunt

01:03:24Inga by his side for Inece, really

01:03:26So you lied to me.

01:03:27You told me there weren't three people

01:03:29But no, that is, he is making it up.

01:03:32Dear!

01:03:33Hello

01:03:33Hello, Carlos

01:03:36What are you doing here?

01:03:38Well, I have a little free time to eat.

01:03:41You sign up

01:03:42I don't take the tow truck until five o'clock.

01:03:44No, no, no, no

01:03:46No, I can't

01:03:47It's just that I'm very busy

01:03:48We'll see each other later and that's at night.

01:03:51Are you OK?

01:03:51You look bad

01:03:53Yes, I didn't have much breakfast.

01:03:55Okay, okay.

01:03:57Well, nothing.

01:03:58See you later, okay?

01:04:00Nice to meet you

01:04:00Bye

01:04:01Goodbye, beautiful

01:04:02What's happening?

01:04:06I like it, okay?

01:04:08Wait, I'm just catching my breath to laugh my head off.

01:04:10Look, come here, Inver

01:04:13Come on, come on, come on, Roberto

01:04:14He laughed at Milurnes

01:04:17But if she is Miss Denmark next to this one

01:04:18Let's see, please.

01:04:20This is the typical debate that ends years-long friendships, right?

01:04:23Look, what hurts me the most is not that you lied to me.

01:04:25It's that you're sinking like this

01:04:27Okay, but why?

01:04:29To me she seems like just another girl.

01:04:31Do you like it?

01:04:32No, honestly.

01:04:33Well, I don't know.

01:04:36Well yes

01:04:37I like it the way it is

01:04:39You're going to hurt her

01:04:40One day a really good one will come

01:04:42And you're going to leave her in pieces

01:04:43Well, or not

01:04:44Yes

01:04:45We guys are embarrassed with an ugly one

01:04:47We have no personality

01:04:48I do have personality

01:04:50Besides, I don't think she's that ugly.

01:04:52And why have you been keeping quiet about it?

01:04:55Well, because you're assholes.

01:04:57There is nothing more to see than you

01:04:58Roberto, how many years do you think you have left to flirt?

01:05:00Not so many

01:05:01Take advantage of them

01:05:01Alopecia is lurking

01:05:02Do you know how many adventures I've missed?

01:05:05Because of my wife

01:05:06Thank goodness

01:05:07That I got on the metrosexuality train

01:05:09If it wasn't lost

01:05:11Oh well

01:05:11I do what I want.

01:05:13Because I have to listen to you.

01:05:14If I want to go out with her

01:05:16Well, I leave and that's it.

01:05:16Poor thing

01:05:19He is having a crisis

01:05:21I'm going to give him therapy

01:05:22Oh!

01:05:24What a feeling of satisfaction I feel inside!

01:05:26How wonderful is revenge!

01:05:28Paquito Tronco

01:05:29Pull yourself together

01:05:30Anger leads to hate

01:05:31Hate leads to suffering

01:05:33And suffering to the dark side

01:05:35This is true

01:05:36It's true

01:05:36People are so superficial.

01:05:38How insensitive

01:05:40We must look beyond

01:05:41Man

01:05:41But you've made fun of Paco millions of times.

01:05:43Clear

01:05:44It's just that laughing at others is fun.

01:05:46Friend

01:05:46But the important thing is to know how to laugh at yourself.

01:05:48But I laugh a lot at myself

01:05:50What happens is that when others laugh

01:05:51There it is already annoying

01:05:52But if you like it and don't

01:05:53What does it matter what other people think?

01:05:56But

01:05:56Do you see her as ugly?

01:05:58Fuck man

01:05:58No

01:05:59Oh really?

01:06:00A bit

01:06:00But it doesn't bother you

01:06:01It's not like Lourdes

01:06:02It doesn't hurt

01:06:03No, they are actually right.

01:06:05Maybe I was hasty.

01:06:06And I don't like it that much

01:06:07But she's a fucking great aunt.

01:06:09The last thing I want is to hurt him.

01:06:10Well then you know what you have to do.

01:06:12Better a band-aid now

01:06:13That a tourniquet in a few months

01:06:15Yeah

01:06:15I'm going to have to leave her.

01:06:17Poor thing, uncle

01:06:19But didn't you say that you didn't believe in anything anymore?

01:06:24Yes, but the nonsense has stuck with me.

01:06:26If I knew this

01:06:28If this has been given to me by the sinful

01:06:29When we went to perform in Puerto Llano

01:06:31On the train back I already felt my throat is tight.

01:06:33Dad, I'm going to call the doctor.

01:06:34You're already burning

01:06:35What a disaster

01:06:37If I premiere tonight

01:06:38The same goes for the press and everything.

01:06:39This has been the mother of Bethlehem

01:06:40He's doing voodoo to me.

01:06:41And look, I don't believe in these things.

01:06:42But he's doing it to me

01:06:43Why? What did you do to him?

01:06:45I nothing

01:06:45But since when do we have to do something in this community?

01:06:47So they can attack you?

01:06:47I'm not going to get dressed

01:06:48Crime never disappointed its audience

01:06:51The show must go on

01:06:53Show more go

01:06:54Dad, be still

01:06:55You have a fever of almost 40 degrees.

01:06:56Come on, here

01:06:56Of course, let's sweat

01:06:58Mauri replaces you

01:06:59Well, he doesn't look that bad either.

01:07:01I think with an aspirin

01:07:02Mauri, would you do me that favor?

01:07:04Sure, I'll do it.

01:07:06How could he not?

01:07:08It's that I have very wide hips

01:07:09I'm going to give him the skirt

01:07:11Mauri, imagine

01:07:11Imagine, you and me

01:07:12On stage

01:07:14How long has it been since we did anything together?

01:07:16You are a bad faggot

01:07:18Well, we don't know the choreography.

01:07:20Nor anything

01:07:21I have a video in my suitcase today.

01:07:22It's very easy

01:07:22You have plenty of time

01:07:24Hello, hello, hello

01:07:30He's six hours late

01:07:31I'm telling you this because it's the second day.

01:07:33Control yourself a little, okay?

01:07:34Because here...

01:07:35Monse, Asunción called me.

01:07:37Which Assumption?

01:07:38Asunción, the one of the river

01:07:39The one who had drowned

01:07:40Ah, so he didn't drown.

01:07:42I've met her

01:07:44I'm going to meet her

01:07:45So that?

01:07:46Well, because...

01:07:47Because it is important to me

01:07:49And I thought I was dead

01:07:50But that's not your job.

01:07:51Let an expert go

01:07:52Belén, how are you?

01:07:54Good, good, good

01:07:55Sorry for the delay

01:07:57I, Isidro...

01:07:58No, no, no, for God's sake, no

01:07:58I want you to know that the company is with you.

01:08:00The Board of Directors was very impressed

01:08:02Your humanity and your involvement

01:08:03There aren't many people earning the minimum wage.

01:08:05He puts so much effort into his work

01:08:07That's just how I am

01:08:08I am fully committed to the company

01:08:10Belén, you are wasted here

01:08:12We're going to promote you

01:08:13Sorry?

01:08:14Come, I'll teach you.

01:08:15Your new policy office

01:08:16Okay

01:08:18Well

01:08:22Monse, thanks for everything, okay?

01:08:25Hey, hey, I've suffered with her the whole time, huh?

01:08:31This chief of staff is getting on my nerves.

01:08:33Oh...

01:08:36I shouldn't have slept with him.

01:08:38Roadside assistance

01:08:41This is Monse, extension 304.

01:08:43How can I help you?

01:08:44I think it does work.

01:08:45But look at him, man, you can see that he is the one

01:08:47You have to put latex in that makeup.

01:08:49Like the orcs in Lord of the Rings

01:08:51Damn, man, what if you look like Doña Rogelia?

01:08:55Well, let's see if we can agree now.

01:08:57Am I recognized or not recognized?

01:08:59Don't take any chances, son.

01:09:00You have to try that with someone.

01:09:02Child

01:09:06Boy, could you help me cross the street?

01:09:10It's just that I can't see well with the cataracts.

01:09:12Yes, yes, of course, ma'am.

01:09:13Hold on to my arm

01:09:14Wow, that's cool, kid.

01:09:16You go to the gym, right?

01:09:18No, no, no, ma'am, it's genetic

01:09:20No, no, no, no

01:09:22Slowly, slowly

01:09:23You're touching me, Bunion

01:09:24Oh, you're a cutie, kid.

01:09:27Oops, oops, oops, oops, oops

01:09:29See how it works?

01:09:30Hey?

01:09:30Yes, I am a makeup machine.

01:09:32Well, even if it's what God wants

01:09:34Alea, yacta, est

01:09:37Hello?

01:09:39The repairing mothers?

01:09:42My cistern is leaking water.

01:09:44When would be a good time for you to come and look at it?

01:09:48They hung up on me

01:09:49Vicenta, the years go by and go by

01:09:52And yet, he manages to surprise me every day.

01:09:55I demand that you withdraw immediately

01:10:02Those cursed dolls in the window

01:10:04What happened?

01:10:05A judge who has intervened

01:10:06The builder of our townhouse

01:10:08The thing is...

01:10:09That they haven't given us anything back

01:10:11Not even the signal

01:10:12Juan, tell this lady

01:10:13Remove the doll from the yard

01:10:14And go for it

01:10:16That Juan is no longer president

01:10:17Let's see if we go

01:10:18Putting everyone's chip elsewhere

01:10:19And the Basques have arrested my father?

01:10:21Ah, yes

01:10:22If we were in the office

01:10:25I from the opposition

01:10:26I propose a progressive disarmament

01:10:28Supervised by a commission of inquiry

01:10:29In which all owners

01:10:31They commit to removing from the yard

01:10:33Those cursed dolls

01:10:34And get rid of them forever

01:10:36Look, if she takes hers away

01:10:37I take mine off

01:10:38So, do I have an apartment?

01:10:39No, not anymore.

01:10:41Juan has been left without a townhouse

01:10:42I don't care

01:10:43Now more than ever we are going to leave here.

01:10:46Well, it will be for semi-detached houses.

01:10:47The sale of the apartment is still on.

01:10:49I'm going to prepare the signal document

01:10:50And now I'm going to be the one who dedicates himself to making dolls for them.

01:10:53To all of you

01:10:55Sea, but if I look like the patio of the lunis

01:10:57Isabel, who has opened a disarmament process

01:10:59But yes, it doesn't matter

01:11:00We are moving

01:11:02Permission

01:11:02Daughter

01:11:05In the end I'm going to be your downstairs neighbor.

01:11:07Oh, well, I'm very absent-minded, huh?

01:11:09I usually leave the taps open.

01:11:11Oh, don't start with wars

01:11:13Then the leaks don't come out for us

01:11:15Peaceful

01:11:16We call on the repairing mothers

01:11:18Lord, if you get me out of this

01:11:33I promise that you have made the box to collaborate with the church

01:11:35In the income tax return

01:11:37Hello

01:11:41Belén, roadside assistance

01:11:44Extension 305, please

01:11:48Yes, yes, yes, yes

01:11:49Here

01:11:49Oh, girl, how nice to see you!

01:11:52Assumption

01:11:54Oh, careful, careful

01:11:55Don't squeeze me

01:11:56That my whole body is covered in bruises

01:11:58But, but, how are you?

01:11:59Are you OK?

01:11:59Yes, yes, yes

01:12:00I'm very well

01:12:01Nice to meet you, huh?

01:12:04Go on, keep looking so pretty.

01:12:06No, no, no, no, Asuncion, no

01:12:07But if you want something, have something to drink.

01:12:09Oh, but my son is parked in loading and ladder

01:12:11No, man, have something to drink.

01:12:13If you don't know how bad I felt thinking I could be dead

01:12:15Sit down

01:12:16Oh, what a scare, my poor thing.

01:12:19Oh yeah

01:12:19I'm so sorry, okay?

01:12:21No, don't worry.

01:12:22Yes, my roommates have helped me a lot.

01:12:24And my...

01:12:26Oh, I'm going to call Emilio.

01:12:28Hey?

01:12:29No, girl

01:12:30Don't call anyone

01:12:31What are we talking about?

01:12:32No, it's just a moment.

01:12:33That he was very worried about me

01:12:34Oh, look

01:12:43My son is calling me too.

01:12:45And he doesn't take it?

01:12:50No, no, no

01:12:50If I don't talk to him

01:12:52But it wasn't parked out there.

01:12:55Yes, well, because it takes me there and back.

01:12:58But we don't talk to each other

01:13:00He's got a girlfriend that I don't like.

01:13:03Wow, it doesn't fit me.

01:13:05With the excitement that I had telling you all this

01:13:08But, girl, what is this Emilio?

01:13:13Your husband?

01:13:16Asunción, how funny you are.

01:13:17No, it's the goalkeeper

01:13:20The thing is, we were dating.

01:13:22And we have a relationship

01:13:23It's just that it's a little complicated.

01:13:26To define the relationship

01:13:28Yeah, but tell me, girl.

01:13:29Tell me

01:13:30If I am like

01:13:30Jesus Quintero

01:13:32What I like to listen to

01:13:33It's a very long story.

01:13:35Emilio is a very special person

01:13:38What happens is that

01:13:40When we try to be serious

01:13:42It's a disaster

01:13:43The problem is that when

01:13:45I'm not with him

01:13:46Well, I miss him a lot.

01:13:47Yes, but

01:13:48Is there love or is there no love?

01:13:52I love him a lot

01:13:53What happens is that he likes me

01:13:55Well, I don't know.

01:13:56That's why I don't tell him much.

01:13:58Of course I love you, Belén

01:14:00How could I not love you?

01:14:04That I'm stupid

01:14:05That's me

01:14:06Nativity scene

01:14:09Waiter

01:14:10A glass of water on the bill, please.

01:14:13Here I have a guy with a 6,000 euro deposit

01:14:16I took them from my husband's account.

01:14:18But as soon as he bleeds with the divorce

01:14:20Well, I'll give you the rest, right?

01:14:21Now we are going to read the signal document

01:14:23Whole?

01:14:25Maria Jesus, it is appropriate.

01:14:27Yeah?

01:14:28Juan is very picky

01:14:29For this official stuff?

01:14:31On the one hand, Don Juan Cuesta

01:14:33Adult

01:14:34Single

01:14:35Condominium on Sengaño Street

01:14:37Number 21

01:14:37Second floor

01:14:38Letter A

01:14:39From now on

01:14:40The seller

01:14:41And on the other hand

01:14:42Maria Jesus Vazquez Fuentes

01:14:44Adult

01:14:45Married

01:14:46Let's see, please.

01:14:47Above all sincerity

01:14:49Yeah

01:14:49It's meant to be a farewell

01:14:51Pretty

01:14:51May Juan take our love

01:14:54And a round of applause

01:14:55For what the contests have

01:14:56Belén, it's okay that the joke upset you.

01:14:58But you told me that you love me

01:14:59And that's the greatest thing

01:15:00What's happening?

01:15:02Have you come back?

01:15:03What do you think?

01:15:05Nothing, as if he sees you so affectionate

01:15:07And what are they all doing there?

01:15:08You're screwed today, damn it.

01:15:10That Juan is leaving

01:15:11He is selling the apartment to Belén's mother

01:15:13And the seller receives in this same act

01:15:15The amount of 6,000 euros

01:15:17As a penitential deposit

01:15:19The sign

01:15:20For the future purchase of the following property

01:15:23Juan, we have a picket line.

01:15:24No, we just came to say goodbye.

01:15:26It's been many years of meetings

01:15:28And we just wanted to say goodbye.

01:15:31Ah, well.

01:15:32I appreciate it

01:15:33You didn't expect it

01:15:35What do you want, Mr. Cuesta?

01:15:37What do you wish for?

01:15:38No, let's see.

01:15:39Juan has decided to change his surroundings.

01:15:40And you must be very sure

01:15:41Because this community has been his life

01:15:43For many years

01:15:44So we have to respect their decision.

01:15:46I made you a cake

01:15:47So you can take it home as a souvenir

01:15:49Thank you

01:15:50Tell us the bus line to your new home

01:15:53To go see you from time to time

01:15:55Oh no

01:15:56It is very poorly connected

01:15:57I think we don't even have a phone.

01:15:59Costs

01:16:00Forgive us

01:16:01If we have ever been very unfair to you

01:16:05Good shell

01:16:07You have always been like a father to all of us.

01:16:10And a true friend

01:16:11A reference

01:16:13There will never be another president like you.

01:16:15Well, already, already

01:16:16Thank you all very much

01:16:18Oh, how much love

01:16:20Mr. John, if you ever need a gardener or someone

01:16:23That can do the hedges

01:16:25Or use the pool cleaner

01:16:27Come, Emilio

01:16:28Take me with you

01:16:31Emilio, I'll be right here.

01:16:34Be good

01:16:35But oh well, but oh well

01:16:36This looks like E.T.'s farewell.

01:16:38Man, can we sign now or what?

01:16:40Yes, yes, yes

01:16:41Come on

01:16:41Come on, come on

01:16:43Juan, no

01:17:01I'm sorry honey

01:17:02Can't

01:17:02My site is here

01:17:04What kind of nonsense is this?

01:17:06José, Emilio

01:17:07You sign

01:17:08That you set limits very well

01:17:10No no

01:17:11Leave me alone with the trouble

01:17:12Cha-ra

01:17:13Cha-cha

01:17:15Cha-cha

01:17:16Roberto

01:17:20I just wanted to tell you to keep your spirits up.

01:17:22In this bitter drink

01:17:24Thank you

01:17:25And that's another 100 euros

01:17:27So that there are no misunderstandings

01:17:29Come on, damn it, Mariano.

01:17:30I'm going to leave her

01:17:30It's just going to be a moment

01:17:31I know these things.

01:17:33That if I don't cry

01:17:34What if you come back as a farewell?

01:17:35And you stay here all night.

01:17:37But, damn, what...

01:17:38Hello

01:17:40Yes, come on.

01:17:40No, don't worry.

01:17:41I'll pay you the month tomorrow.

01:17:42Come on, see you later.

01:17:44Come on, beautiful!

01:17:48Ainhoa

01:17:49We have to talk

01:17:50Yeah

01:17:51That's why I wanted to meet with you.

01:17:53Shall we sit down?

01:17:55Yeah

01:17:56Come on, come on, come on

01:17:57Roberto

01:18:00I feel that this relationship

01:18:02You have a problem

01:18:03I don't know if we'll be able to overcome it.

01:18:05Yes, yes, I know.

01:18:06It's true that everything is noticeable on me.

01:18:08And not...

01:18:09Look

01:18:09Wait

01:18:10Let me finish, okay?

01:18:11That is not easy

01:18:12I want to quit

01:18:15As?

01:18:18Oh, I like you so much.

01:18:20I really like you a lot, Roberto.

01:18:21You seem like a very nice guy to me.

01:18:23But...

01:18:24You are short

01:18:26Oh, I'm so sorry, Roberto.

01:18:29I try to get over it

01:18:31Call me shallow if you want.

01:18:33But I like much taller boys.

01:18:36I don't know, I don't feel comfortable

01:18:38They see us together

01:18:39I can't carry on a relationship on the sly.

01:18:43I've been hiding you from my friends

01:18:45Who do you think you are, Nicole Kidman?

01:18:48I had arranged to meet you so I could leave you because you were ugly.

01:18:50Because you are ugly

01:18:51Oh, look

01:18:52Attack me if it helps you get things off your chest.

01:18:54I really don't care

01:18:56You are a heaven

01:18:57And I don't want to hurt you.

01:18:59Well, I do to you.

01:19:00Ugly!

01:19:02It doesn't bother you

01:19:02That I am short

01:19:03It will be possible, if...

01:19:05Roberto

01:19:06That?

01:19:07Bye

01:19:08It has been very nice

01:19:10Come on, don't fuck with me.

01:19:15Okay, pay attention, okay?

01:19:20It's one, two, three, four

01:19:23The four above

01:19:24And now, when you turn around, be careful.

01:19:25Damn, Mauri

01:19:26If only we had to rehearse more.

01:19:28Fernando, ridicule is guaranteed

01:19:29Okay?

01:19:30Now the point is that this will be possible sooner.

01:19:32I don't know what I'm doing here.

01:19:33That's the problem

01:19:34Relax, what?

01:19:35But there are going to be four cats

01:19:36Who do you think is going to come see this?

01:19:38Mauri, it's full

01:19:39How do I fill it out?

01:19:41Oh, no, no, no, no

01:19:42I don't look

01:19:43Oh shit

01:19:44That?

01:19:45The Japanese are there.

01:19:47Bye

01:19:48Yes, and in the front row, look

01:19:49There is Mr. Oguma

01:19:50I'm not going out, okay?

01:19:51I don't go out

01:19:51Calm down

01:19:53Don't be paranoid

01:19:54That you are not recognized

01:19:55Mauri, I'm playing for a lot of money.

01:19:57And my professional prestige too.

01:19:58Don't worry

01:19:59Look, we do the dance back to back

01:20:01Which is more original?

01:20:01Count on me

01:20:02One

01:20:03Two

01:20:03What's up, guys?

01:20:06Are you ready?

01:20:07No, look

01:20:08It's just that we have a little problem.

01:20:09Fernando, think about your father

01:20:11He will be watching us wherever he is.

01:20:13But if you are at home

01:20:14Yes, but it was to add a heroic touch.

01:20:16Ah, come on, damn it

01:20:17But you are so pretty

01:20:19I'm going to introduce you

01:20:20Hey, say it's forbidden to take photos and record with cameras, huh?

01:20:23Don't worry

01:20:23We only recorded for the DVD

01:20:26Which DVD?

01:20:27But what do I know?

01:20:28Let's see if we're going to get a freebie on a Sunday.

01:20:30This can't be happening

01:20:32Wake me up

01:20:33There is something that controls me.

01:20:34No, not now.

01:20:35Not now, no, no, no

01:20:35Ladies and gentlemen

01:20:37Directly from Mallorca

01:20:40The scourge of morality

01:20:42Perversion made flesh

01:20:44The queens of the Mediterranean

01:20:48Crime and sinful

01:20:51Thank you!

01:20:52Thank you!

01:20:53Thank you!

01:20:54Thank you!

01:20:55Thank you!

01:20:56Thank you!

01:20:57Thank you!

01:21:27Thank you!

01:21:28Thank you!

01:21:29Thank you!

01:21:30Thank you!

01:21:31Thank you!

01:21:32Thank you!

01:21:33Thank you!

01:21:34Thank you!

01:21:35Thank you!

01:21:36Thank you!

01:21:37Thank you!

01:21:38Thank you!

01:21:39Thank you!

01:21:40Thank you!

01:21:41Thank you!

01:21:42Thank you!

01:21:44Mr. Aguma

01:21:45Yes, it's so kind.

01:21:46What the fuck is something?

01:21:47Thank you!

01:21:48No, no, no, no, no, no...

01:21:49Congratulations

01:21:50You have just acquired 51% of Gordillo castanets

01:21:54And my money, who gives it to me?

01:21:56Now

01:21:57Now just a moment.

01:21:58Well, let's see how we're doing with dates because we have a lot of galas.

01:22:28But how has it not been recognized?

01:22:30They have geisas. They're used to seeing people wearing makeup.

01:22:42Well, that's it, here we are again.

01:22:45Please pay attention, the goalkeeper is going to read a very important announcement.

01:22:50How cold you are to me.

01:22:51Read.

01:22:51The president informs the owners that, from now on, there are three bins in the entrance.

01:23:02Organic waste, plastics and packaging, and black magic.

01:23:06Residents are asked to deposit all voodoo dolls, black candles, pins, frozen photos, cursed cucumbers, and other harmful objects in the latter.

01:23:19And what do you do with all that? Nothing. Then he arrives in Rapel in a van and takes him away.

01:23:23The internet says that voodoo dolls have to be deactivated by an expert, like landmines.

01:23:29That's very expensive. I'm not paying.

01:23:32Well, Belén, so your mother is leaving home, right?

01:23:35Well, we're in negotiations. He's staying for now, but he has something very important to tell you.

01:23:40Sorry.

01:23:43What? You can't hear anything back here.

01:23:46What forgiveness for making voodoo dolls?

01:23:50Happy? You've already humiliated your mother, haven't you?

01:23:53You don't play with those things, because I don't believe in them, but they give off a really bad vibe.

01:23:57I propose the creation of a commission for esoteric-neighborhood issues to regulate the use of dark forces in our community.

01:24:04Everybody out, that's it.

01:24:06The session is adjourned.

01:24:09And taking advantage of this moment, I would like to open a new era for all the owners of Concordia and the Twin City.

01:24:15I, as the opposition, commit to...

01:24:18Begin.

01:24:18But it's your fault, you should wind it up.

01:24:21Sausage!

01:24:22How you missed him, huh?

01:24:24How comfortable one feels.

01:24:27Oh, what a nightmare!

01:24:29Silly, too.

01:24:30There is no one living, there is no one living here, there is no one living here.

Aquí no hay quien viva - 4x12 - Erase un vudú - HD 1080

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