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Emilio y Belén consiguen engañar al seguro y cobrar el dinero. Deciden huir y comenzar una nueva vida juntos, lejos de la comunidad de vecinos. Manolo ha vuelto con la intención de recuperar a Marisa, pero ella no quiere saber nada de él. En cambio, Vicenta sí, lo que provoca que las hermanas se enfaden, dejen de hablarse y Marisa se vaya a vivir con Mauri y Fernando. Mientras tanto, Juan sigue en la pensión Loli, e Isabel, muy arrepentida, intenta hacerle volver. Bea está llena de remordimientos porque ha destruido una familia y ahora no sabe cómo deshacerse de esa relación sin que Ana se entere.

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00:00:00Here, here, here, no one lives! Not here! Not here!
00:00:24But you, why do you put an obituary in the newspaper if you haven't cracked it?
00:00:31That's a desire to play with people's dreams.
00:00:33I wanted to find you, Marisa. I knew you'd come see me.
00:00:36Well, you've done your bit. You can go fuck yourself again.
00:00:40I knew you'd come back, Manolo. There was something inside me that told me so.
00:00:43I'm Concha. Nice to meet you.
00:00:45Don't say hello. Let's go now.
00:00:47Marisa, listen to me for a moment. I've realized I'm still in love with you.
00:00:52I want us to go back.
00:00:53Oh my God!
00:00:54Manolo, stop giving yourself the cold shoulder, Uba, it's not doing you any good.
00:00:58I know I shouldn't have left you, but I was in a mess and needed time to think.
00:01:0315 years?
00:01:04You know I think a lot about things.
00:01:07Well, now it's my turn. Come back in 15 minutes and we'll talk.
00:01:11But what do I have to do for you to forgive me?
00:01:13Go to a priest who is a professional at that.
00:01:16Give her time. She's really hurt.
00:01:20Hey, you're the same as always, huh?
00:01:22Thank you.
00:01:25Have you seen? He gave me a compliment.
00:01:28So this is the famous Manolo.
00:01:32Well girl...
00:01:33I find him more handsome now than 30 years ago.
00:01:35Vicenta, Vicenta.
00:01:37That?
00:01:38Here, here, here there is no one who lives.
00:01:42Not here, not here.
00:01:44Every day is like this.
00:01:47I couldn't imagine it when I came here.
00:01:49I was just looking for some peace.
00:01:51I wake up every day in the middle of a hurricane.
00:01:54Here, here, here there is no one who lives.
00:01:56Not here, not here.
00:01:57No, no, no.
00:01:58Here, here, here there is no one who lives.
00:02:01Not here, not here.
00:02:02No, no, no.
00:02:03The house starts to party.
00:02:05I can't find the goalkeeper.
00:02:07The neighbors dissipate me and listen.
00:02:10I can't stand this place.
00:02:13Put in a cocktail shaker.
00:02:17It was an earthquake and a volcano.
00:02:20Yeah.
00:02:21And you will have this ladder.
00:02:25Here, here, here there is no one who lives.
00:02:28Not here, not here, no, no.
00:02:30Here, here, here there is no one who lives.
00:02:33Not here, no, no.
00:02:35Here, here, here there is no one who lives.
00:02:37Not here, not here, no, no.
00:02:39Here, here, here there is no one who lives.
00:02:42Not here, not here.
00:02:44Here, here, here there is no one who lives.
00:02:46Here, here, here there is no one who lives.
00:02:49Here, here, here there is no one who lives.
00:02:51No.
00:02:52No.
00:02:55What a loss, daughter, what a loss
00:02:57It's that all the men who are worth it leave you.
00:03:01I don't know what you do to them
00:03:02Mom, leave me with my pain
00:03:04I was sorry at the funeral, father, thank you.
00:03:06A memorable sermon
00:03:08Mariano, we cry for Emilio
00:03:10But it is a joyful cry
00:03:12Because he is now in a better place
00:03:14Far from the bonds of the flesh
00:03:16His Christian soul
00:03:17There's no need to repeat it to us either.
00:03:19If we have it very fresh
00:03:20Take the goalkeeper's effects, Emilio
00:03:24If I am not the president
00:03:26Yes, but he would have liked it to be like this.
00:03:28No, I can't believe they're gone.
00:03:31I entered the goal and my soul fell to my feet.
00:03:33Well, that used to happen before too.
00:03:35And I also see the buckets there and it's not that he forgot to put them in.
00:03:38It's just that it's not there anymore
00:03:38What a loss, my God, what a loss
00:03:41Total, for a slip in the shower
00:03:43Why didn't you buy him one of those convent mats?
00:03:46It's that if I had ever raised his salary
00:03:48He could have bought it himself.
00:03:49Hey, don't make me take the responsibility now.
00:03:52His salary in the meetings was always a taboo subject.
00:03:54Poor man, what a sad end to a shitty life.
00:03:57Natalia, please
00:03:57Well, life goes on, right?
00:04:00He wouldn't like to see us so sad.
00:04:01Man, he wouldn't like to see us fooling around either.
00:04:03Fernando, that's what is said in these cases.
00:04:05There are cultures in which death is celebrated with a party
00:04:08Well, and here too
00:04:09It depends on who breaks.
00:04:11Mauri is right
00:04:12No, you have to be happy
00:04:13Come on, life goes on
00:04:14They say that after an unexpected death
00:04:16The spirit wanders around the building
00:04:19Because there are still things left to do
00:04:21Oh yeah? Well, you should have said it before and I wouldn't have put the cubes in.
00:04:23I'm going to take this to the video store.
00:04:26Yes, it's where I spent the most time.
00:04:28Wouldn't it be more logical to scatter the ashes around the yard?
00:04:31No, someone will surely complain to me later.
00:04:32Well, I'm going back to the pension, Loli.
00:04:34Dad, go up and talk to Isabel.
00:04:36She is very bad, she is very sorry
00:04:38No, Natalia, late
00:04:39In life everything is cured except disappointment
00:04:42The wound is still open
00:04:44And oozing
00:04:46Well, let's go home and see if with all this we're going to forget that we're happy.
00:04:49Ah, Mauri and Fernando, one moment, please.
00:04:51I've heard that you're getting married.
00:04:54Do you want me to officiate the ceremony?
00:04:57Father, it's a gay wedding
00:04:58Maybe the Vatican doesn't like it very much.
00:05:00Yes, that's why
00:05:01I need to be excommunicated.
00:05:03Let's see, let's go.
00:05:03I'm looking for a scandal, aren't I?
00:05:06A coup to promote my new album
00:05:08It's just that I've realized that without promotion, there's no...
00:05:10You see that we want an intimate ceremony
00:05:12And if you marry us, you're going to raise hell.
00:05:14Never better said
00:05:15No, when it's platinum I'll regret it and that's it.
00:05:19I have discarded the bolero theme, yes
00:05:21Because it's already a little past its prime
00:05:22And I think I'm going to focus more on dance music.
00:05:25My first single is going to be a hit.
00:05:28Sinning, I spend the day sinning
00:05:31Sounds good, huh?
00:05:32Oh yes
00:05:33I'm trying to track down Alaska to do a duet.
00:05:35Well, we thought about it.
00:05:37Very grateful in any case.
00:05:38Nothing, son, nothing
00:05:40Ah, if you want a premarital course
00:05:43I now give them online
00:05:45What a depressing menu
00:05:55Cold soup packet
00:05:57And where does it heat up?
00:05:58We can't have the dead on a diet of panchitos
00:06:00Shh!
00:06:01I'm taking a chance, damn it.
00:06:02Paco, do you want to close there?
00:06:04Okay, but just for a moment, okay?
00:06:05That points to it
00:06:05You're going to get into a hell of a mess.
00:06:07Are you alone?
00:06:09Can I go out?
00:06:09No, wait, we'll be right there.
00:06:11Yes, we have a little gift for you.
00:06:13Emilio, we can't collect life insurance.
00:06:21If they find out you're alive
00:06:22Don't you realize there might be detectives at the door?
00:06:25Hey, how was the funeral?
00:06:27Was it nice?
00:06:28Look what crown the community has bought you
00:06:29What a detail, but how do I put this in water?
00:06:32No, this is not put in water, this is thrown away.
00:06:34No, or you can make a dried flower centerpiece.
00:06:36To set the mood in the bathroom
00:06:36Ah, take it
00:06:37This is you
00:06:39But what have you incinerated?
00:06:401500 euros for an empty coffin
00:06:42Come on son, have your soup.
00:06:44Yes, it gets cold
00:06:45And have you missed me a lot?
00:06:47Yes, I don't understand it.
00:06:48People loved you
00:06:49You see, even I got excited.
00:06:51And I knew you were alive
00:06:52Here, I recorded it on video.
00:06:54Look
00:06:54Damn, man, you're going to see your funeral.
00:06:56Nobody does that.
00:06:57Hey, have you already decided where you're going to go when you make the money?
00:07:00I'm looking at some Caribbean island
00:07:01I don't know, the Bahamas or...
00:07:03Yes, to that triangle where all the planes crash.
00:07:06Those are the Bermuda ignorant of life
00:07:08Hey, what?
00:07:09I say that before we leave I will have to say goodbye to all the neighbors.
00:07:11But how are you going to say goodbye to anyone?
00:07:13Are you stupid or what's wrong with you?
00:07:15Emilio, you have given up your life
00:07:16You won't be able to return to this building.
00:07:18Never?
00:07:19You'll have to change your name like those who snitch on the mafia.
00:07:22But I can send you a postcard from time to time, right?
00:07:24Of course, postcards from beyond
00:07:26And in the dream who comes out?
00:07:28Saint Peter?
00:07:29Emilio, you can't just expect to lift a 25 kilo weight and continue with your life as before.
00:07:32Don't worry, I'll get you another passport.
00:07:34The one who forged it, the Vio, will not even know the country like this.
00:07:37This is going to be really tough, huh?
00:07:39Emilio, don't fuck with me now, okay?
00:07:41You told me you wanted to start a new life with me.
00:07:43With the children running around naked on the beach
00:07:46Yes, yes, it feels good, stop, and that's what I want, but it's not going to be easy.
00:07:48Hey, I'm also leaving a lot of things here for you, okay?
00:07:51Yes, but you can come back whenever you want, you're alive.
00:07:53You are not a living dead
00:07:55Cheer up, my love, if it doesn't take long, they must be about to pay me, eh?
00:07:58Hey, fugitive, what are you going to call yourself from now on?
00:08:01Man, I always wanted to name him Bartholomew, like my grandfather.
00:08:04Yeah, balls?
00:08:06Damn, the amount of slaps the book gets at school.
00:08:08Well, from now on, maximum concentration, eh?
00:08:11Let no one screw this up, for God's sake, we'll be left without the money.
00:08:13And in jail
00:08:14Scam, falsehood, it is a public document
00:08:16Currency evasion
00:08:17No, in the end I'm going to have more problems dead than alive.
00:08:20Marisa has been very hard on him
00:08:24I see a wholehearted repentance in him.
00:08:26You should also give it another chance.
00:08:27Now that I had gotten used to being without men
00:08:29The same one comes to me and is older
00:08:31Come on now
00:08:32It's also good to have a man at home.
00:08:34We already have Concha
00:08:35Of course
00:08:36Wait Marisa, wait
00:08:40He has followed us, close, close
00:08:42Come in Manolo
00:08:43You don't know my house
00:08:44No
00:08:45Thank you
00:08:47I'm reporting you for harassment, huh?
00:08:49That they now pay attention
00:08:50I remind you that legally I am still your husband.
00:08:54It's true
00:08:55How long have you been doing now?
00:08:56But you have come here
00:08:57Let's see, I didn't even remember you existed.
00:09:00What do you think?
00:09:01I remind him of this many times.
00:09:02Hey, how much did you pay for the obituary?
00:09:05Because the size is fine
00:09:06Marisa, you look beautiful.
00:09:08Why haven't the years passed?
00:09:10Well, you've been run over, man.
00:09:12You look like a mess
00:09:13Even if it seems like a lie to you
00:09:15I have never stopped loving you
00:09:16Why don't we try again?
00:09:19Are you hearing him?
00:09:20Yeah
00:09:20If I don't laugh out of politeness
00:09:22Marisa, all relationships have their crises.
00:09:25The second stages can be beautiful
00:09:27Let her go back to that hairdresser's whore.
00:09:29That was very good
00:09:30Please don't talk about Lali like that.
00:09:33He gave me love when I needed it most.
00:09:35Yes, when I was at bingo
00:09:37And I'm paying for the highlights.
00:09:39If it is that...
00:09:41Even if he breaks it with the mold!
00:09:43Pussy!
00:09:49Fernando, come, run
00:09:50What's happening?
00:09:52What's back Manolo?
00:09:53Ah, that's great, isn't it?
00:09:54What Manolo?
00:09:55Marisa's husband?
00:09:56But he hadn't loaded it
00:09:57Was that shell?
00:09:58But what building do you live in?
00:10:01Listen to me, Marisa
00:10:02Lali left me
00:10:03Are you screwed?
00:10:04You and I are two wounded souls
00:10:07In need of affection
00:10:08Why don't we arrive together?
00:10:10At the end of this journey?
00:10:12Wait, he's already started reading.
00:10:14Man, you have nothing to lose by trying.
00:10:16It seems that the boy likes you
00:10:18What will he want from me?
00:10:19This one has run out of money
00:10:21Well, there is some of that too.
00:10:23Look, Manolo, pretty.
00:10:24To me at this point
00:10:25The only thing I need to live
00:10:28It's this and this
00:10:30But have you started smoking again?
00:10:32Two packs and counting
00:10:34No, Manolo, don't give up.
00:10:38But you are right
00:10:39I've been shit all my life
00:10:41Come, I'll walk you to the door.
00:10:43They go to the door, run
00:10:45Oh, leave it, don't be pathetic.
00:10:48Then you complain about radiopathy
00:10:50Hey, but once something happens to them
00:10:51Vicenta
00:10:53I was so glad to see you.
00:10:55Hey, if you want tonight
00:10:57You take me to dinner
00:10:58And so we talk about things
00:11:00Well yes
00:11:01A friend is very useful to me right now.
00:11:04Manolo, I'm here for whatever you need.
00:11:06I'll always be you
00:11:07Your sister-in-law
00:11:09What a bitch
00:11:11Mauri, please, I'm embarrassed.
00:11:12Vicenta is kissing him
00:11:13What do you want?
00:11:15We are housewives and we will meet on the way
00:11:17Yes, well see you later.
00:11:18Great
00:11:19Hey, take some money because I'm...
00:11:23Yes, yes, calm down
00:11:25See you later
00:11:25Poor
00:11:29You'll see how Marisa finds out you're there.
00:11:32Shovel pick!
00:11:33Hey, if she doesn't want it
00:11:35Also, I introduced him to him.
00:11:37Before starting the meeting
00:11:44I would like us to observe a minute of silence.
00:11:47In memory of my son
00:11:48How much service he gave to this community
00:11:51Emilio
00:11:52Your memory will always be alive in our hearts.
00:11:56Thanks dad
00:11:57How do you like to play the star?
00:12:00No, come on, a minute of silence, no, let's start as soon as possible.
00:12:02If we are going to behave normally, we will soon make a Lorca drama here.
00:12:06Gays are supposed to be very sensitive.
00:12:08But Vicenta, what are you doing dressed in mourning at a meeting?
00:12:11A lady with a cart just passed by on the street and crossed herself.
00:12:13It's just that my sister is very given to drama over doses of soap operas.
00:12:17First item of business
00:12:19Approval from the owners to use a temporary employment agency to replace Emilio as the community caretaker.
00:12:30They really loved each other a lot.
00:12:32Sorry, sorry, sorry
00:12:34It's just that it's a little difficult for me to continue as president under these circumstances.
00:12:39Oh, daughter, what are you going to do?
00:12:41Onward and forward
00:12:42The slut has always been very whiny
00:12:45Oh poor thing, but someone should replace her.
00:12:47You, for example?
00:12:49No, no, no, no, I told someone
00:12:50Golfa, when my Antonio died, I continued fulfilling all my obligations
00:12:55Yes, going to bingo and reading celebrity magazines
00:12:57Of course, you have to be responsible in life.
00:13:00If she also killed him
00:13:01Don't worry, I offer myself as acting president to lead a crisis cabinet.
00:13:07That allows the community to overcome these tragic moments
00:13:10Say yes, say yes
00:13:11But, but, only until the next and imminent elections, in which I already warn that I will not present myself.
00:13:19Ah, okay, okay, okay
00:13:20Thank you Juan, thank you
00:13:22So I'm not president anymore.
00:13:26No, Mariano, let it be noted in the minutes that Belén was relieved due to force majeure.
00:13:29I'm checking it right now.
00:13:31If you'll excuse me, I'm going home to pick up some of Emilio's things that I still have to throw away.
00:13:36Fipote that Moro is throwing at Mary Estrid
00:13:39Thank you
00:13:40If you need anything
00:13:42He already has his mother
00:13:43No, it's in case you needed a loved one nearby.
00:13:46Well, I take office.
00:13:49Wait, wait, my battery is running out.
00:13:50Take, take, take
00:13:56Yes, yes
00:13:58Something that doesn't matter
00:13:58Ah, that's it.
00:13:59He said that he took office with serenity.
00:14:03From the pain of losing a very important person
00:14:07I would have liked to be able to say goodbye to Emilio
00:14:10And tell him that for me, more than an employee, he was a friend.
00:14:14Practically a son
00:14:16I would like to think that wherever you are
00:14:19He's listening to me
00:14:21He listens to you, Juan, he listens to you
00:14:23I know
00:14:24How great is this man
00:14:26Oh Juan, for God's sake
00:14:28Because if we all collapse, this will never end.
00:14:30What do we do? Do we continue with the meeting or do we move on to Questions and Crying?
00:14:37Hard drive recorder, this is amazing
00:14:39Now I can record the shows I like and then remove the ads.
00:14:42And fuck consumerist manipulation.
00:14:44Hello
00:14:45Hello
00:14:46Yago, I want to go to Africa
00:14:50Oh, okay, a Nile cruise or a trip to the pyramids?
00:14:53No, to work with an NGO, to help people in poor countries
00:14:57My love, where are you going to blow dry?
00:15:01Hey, I'm serious, I feel empty.
00:15:04As if my life didn't have much meaning
00:15:06Damn, thanks, huh?
00:15:09Very kind
00:15:09No, Yago, if it's not for you, that's all.
00:15:11I don't know, I just want to do something important before I die.
00:15:14Look, Emilio, a silly slip in the shower and it's over.
00:15:17And what important thing has he done in life?
00:15:18Nothing
00:15:19Well, well, well, not like that either, eh?
00:15:20It has also helped people
00:15:21He has taken out the trash cans, he has fixed the electrical outlets for those most in need
00:15:25Let's go to Africa together.
00:15:27Huh? Don't you think it's super romantic?
00:15:29Yes, yes, yes, yes
00:15:31And if you know that I love everything that is poverty and misery
00:15:34But I just bought the recorder and...
00:15:36Well, fuck it all, honey, we'll sell the pee and leave.
00:15:38We are leaving the NGO to a place in the world where we are needed.
00:15:41Lucia, you have to have a vocation for that, you're going to have a hard time.
00:15:45Dad, Dad
00:15:48Am I going to Africa?
00:15:50No, to live
00:15:51What a friend, Africa, Africa
00:15:53Oh, oh, I...
00:15:57It's that I think I have a problem and that is that I'm stupid.
00:16:01No?
00:16:03Yes, women are supposed to be unfaithful and keep quiet about it.
00:16:08And I have not been unfaithful, they caught me and left me.
00:16:13Man, I'm a little silly like that.
00:16:16A little bit yes, actually.
00:16:17Because cheating is like stealing from a supermarket.
00:16:20It has to come naturally to you
00:16:21If you get nervous, you've screwed up.
00:16:23The girl isn't yours, is she?
00:16:26No, it shows, right?
00:16:28Isabel, calm down
00:16:30At the beginning of a breakup there is always anguish, right?
00:16:34It's a feeling like...
00:16:36As if you're going to be alone for the rest of your life.
00:16:39Hey?
00:16:40Many times this is what ends up happening
00:16:41But you have to be positive.
00:16:43You are now entering a very beautiful age.
00:16:47Men, women who announce urine loss
00:16:51Well, they look very happy.
00:16:53But don't come giving advice from a good friend.
00:16:55If you have messed all this up
00:16:57Josime, the child is not mine either.
00:17:00No, no, things as they are
00:17:01Here we were all very calm until the pantumata arrived
00:17:04Marta's pantumata
00:17:06He has been reintegrated into society
00:17:08Now she is my friend
00:17:09Hello
00:17:13Juan
00:17:15But weren't you going to the boarding house, Loli?
00:17:18I would like to speak with Isabel for a moment.
00:17:19Can you leave us alone?
00:17:21No way
00:17:22This is a topic of family interest
00:17:23Isabel
00:17:25I've been thinking about what happened to us a little more calmly.
00:17:30Yes, and me too.
00:17:32And the truth is that
00:17:33With your hand on your heart
00:17:35I have come to a very clear conclusion
00:17:38Yes, and me, me
00:17:39Me too, yes
00:17:40Juan
00:17:41Why do I have to leave home if the apartment is mine?
00:17:46Oh, oh, well
00:17:48Well
00:17:48Very good
00:17:49I mean
00:17:50Oh, you mean me and my pipe
00:17:52Shall we go somewhere else?
00:17:54Yes, but without rushing
00:17:56You can take as much time as you think necessary.
00:17:58This relationship is over
00:18:01But we are adults
00:18:01My moderate nature also includes the sentimental sphere
00:18:05That?
00:18:13Oh what
00:18:14If he says he kicked me out
00:18:16In bad manners
00:18:17As if I were a vacuum cleaner salesman
00:18:19A Romanian assistant
00:18:20One of those that you almost always find yourself pretending to be lame.
00:18:23At a traffic light
00:18:24Well, the same.
00:18:25Come on, stop
00:18:26You're rushing things, woman.
00:18:27Don't take things out of my suitcase.
00:18:30Well, you're putting things from him in
00:18:32Oh, what a mess!
00:18:35Because you haven't told him to take your time.
00:18:38Of course, this is because he is not clear about it either.
00:18:41But hey, how am I going to be living under the same roof as Juan without...
00:18:44Without being your partner?
00:18:46Well, like Lady Di and Prince Charles
00:18:48Come on, what...
00:18:50What an example you have set!
00:18:51Come on, woman
00:18:53Hold on a little
00:18:54Juan is not ready to be alone
00:18:57It's over
00:19:00I have decided that I am going to live alone
00:19:01I have always lived for others
00:19:03And for whom?
00:19:03Not at all
00:19:04From now on single
00:19:05I'm an urban single in the prime of life
00:19:07I only intend to give an account to the Treasury.
00:19:09And because it comes out, it has to come back.
00:19:10Dad, focus.
00:19:11You're ruining my adolescence.
00:19:13And I need a grandmother for when the child is born.
00:19:15I won't have time
00:19:16Well, it doesn't matter.
00:19:16And you two are already emancipating yourselves.
00:19:18I want to make a loft.
00:19:20Well, calm down, okay?
00:19:21That by law you have to put up with me at home until I'm 18.
00:19:23You don't
00:19:24You to the street
00:19:25Dad, don't be a ghost.
00:19:26You need a woman by your side
00:19:27Lie!
00:19:28Paloma, I would never have cheated on you with another man.
00:19:31She always said that she would have cheated on you with Bertín Osborne
00:19:34Well, I was joking.
00:19:35Playfully?
00:19:36But if I send you 15 letters
00:19:37As?
00:19:38Bertín sent a photo dedicated to Mom
00:19:40Mom sent a photo of herself to Bertin
00:19:42And Bertín gave no sign of life again.
00:19:44And that's the story
00:19:45At least as far as I know.
00:19:47If there is no more
00:19:48Well, it doesn't matter.
00:19:49Now I'm going to start enjoying life.
00:19:52Look, tonight I'm going out
00:19:54With who?
00:19:55With my friends
00:19:55What friends?
00:19:56I don't know, I'll see.
00:19:59Federico
00:20:02Hello, I'm Belén
00:20:04Hey, look, I was calling to ask you a question.
00:20:07It turns out I'm going on a trip.
00:20:10Far away, a season
00:20:11With what money?
00:20:13Because you're in the red
00:20:14Of course, that's why, that's why
00:20:15Regarding the mortgage
00:20:18What would happen if I declare bankruptcy?
00:20:21No, no, no, don't scare me
00:20:22You don't say that to a bank manager.
00:20:24No, no, no, it's a guess
00:20:25Well, we would go against the guarantee.
00:20:28In this case, your mother would continue to pay the bills.
00:20:30Then she would stay on the floor
00:20:32No, no, your mother gave up all her rights by guaranteeing you.
00:20:34The apartment would still be yours
00:20:36Oh yeah?
00:20:37Well, starting tomorrow I'll put everything on my mother.
00:20:40That I am very bad
00:20:41Ah, but does she know?
00:20:43Yes, yes, yes
00:20:44Yes, yes, everything has been spoken about.
00:20:45Come on, goodbye, Federico
00:20:47Nativity scene
00:20:49What are you doing?
00:20:50Come here to help us
00:20:51Yes, yes, yes, I'm coming, mommy.
00:20:53Eat this now.
00:20:55I don't like torrijas.
00:20:56What do I give you another one?
00:20:58I want to go with my father
00:20:59But I also want you to go with your father.
00:21:01Yes, we all agree on that.
00:21:02Maria Jesus, please
00:21:04Let's see how you fix this.
00:21:05Because I start poisoning cereals
00:21:06And I feel so comfortable
00:21:07Bea, Bea, where is the mother?
00:21:09Looking for an apartment
00:21:10She wants us to move in together with all the children.
00:21:12Well, you're going to be the first lesbians with a large family.
00:21:15Can you apply for a grant?
00:21:17If you don't have a head
00:21:18How good you were with Inga
00:21:20I already know!
00:21:22He also missed me a lot.
00:21:23Oh, yeah
00:21:26Oh, hello Ana, pretty.
00:21:31Hello
00:21:31Hey, Bea is here.
00:21:33Wait, wait, he wants to tell you something.
00:21:36Come on, it's a moment
00:21:38Just a moment
00:21:40I know it
00:21:41I know it
00:21:42Hello
00:21:46Hello
00:21:47How are you?
00:21:49Here
00:21:49Having the clothes
00:21:50Yes, so it dries.
00:21:52Very good
00:21:53But tell her you love her, she's going to get involved.
00:21:55Mom, don't push it.
00:21:56He is the one who is stupid
00:21:57Look, look at the conversation he has
00:21:58Hey, Ana
00:21:59Hey, I love you.
00:22:01And that I'm an idiot
00:22:03And I would like you to tell me another chance
00:22:04But if you don't want it, I understand, okay?
00:22:06Because we can be friends
00:22:07And if you don't want that, I understand that too.
00:22:09Because of course, who is interested in having
00:22:10From friend to ex-idiot?
00:22:12Well, leave it, I'm going.
00:22:14No, no, no, no
00:22:15But wait until I answer you.
00:22:16Bea
00:22:16Just a moment
00:22:18What is it that he has become excited?
00:22:19That I love her too
00:22:21Of course yes
00:22:22Come up and give each other a kiss.
00:22:24Do you want me to go up?
00:22:25Yeah
00:22:26No
00:22:28I mean, yes
00:22:30But, but
00:22:30Give me ten minutes
00:22:32Okay
00:22:33I just can't believe it.
00:22:37We have made peace
00:22:38Hey, what are you going to do?
00:22:40With the Euro Junior finalists?
00:22:41Well I would save gay
00:22:42First floor
00:22:43Guys, come on
00:22:44Come on, we're leaving, okay?
00:22:46Hello
00:22:47Belén López
00:22:47We are the experts of Posidón Seguros
00:22:49Again?
00:22:51But you don't respect anything, huh?
00:22:52Please leave my daughter in her pain.
00:22:54Ma'am, we need to talk to her.
00:22:56She is the beneficiary of Emilio Delgado's policy
00:22:58Ah
00:23:00Do you want a coffee?
00:23:03There are torrijas
00:23:04Come here
00:23:05Mom, I'll take care of it.
00:23:07Hello
00:23:07Hello
00:23:08And how much are they going to pay the girl?
00:23:10The insured capital is 150,000 euros
00:23:13Can you accompany us to the goal?
00:23:15We would like to ask you a few questions
00:23:16And see the place of science again
00:23:17Yes, yes, no problem.
00:23:19Daughter, that money is going to be very useful for us.
00:23:21This is a posthumous hit
00:23:23Mom, you stay home.
00:23:25Girl, talk to the guy at the bank
00:23:26Before depositing the check
00:23:27Then they charge us a commission.
00:23:29Yes, yes, mom, yes
00:23:30Don't forget!
00:23:32Do you see it?
00:23:33Here you can clearly see the little fish that came loose.
00:23:36And caused the fatal fall of Necesina
00:23:38If you want, I'll put it in a Tupperware and we'll label it as evidence.
00:23:42No, it is not necessary
00:23:43Mariano cleaned everything up right away.
00:23:44Because, of course, he has to keep using the...
00:23:47It's that I am metrosexual
00:23:48And my hygiene comes first
00:23:50Belén, I'm going to be honest with you.
00:23:52Yes please
00:23:52It's the first time in this company
00:23:54That an insured person dies the same day he or she signs his or her life insurance policy
00:23:57And on top of that, the only beneficiary is the employee who sold it to her.
00:24:00It sounds weird
00:24:01But it is true
00:24:02He offered it to all the neighbors
00:24:04He was a pain in the ass all day long
00:24:06Up, down
00:24:07Also, I didn't know I was the beneficiary.
00:24:09I found out later
00:24:10How then?
00:24:11Hey?
00:24:12That?
00:24:12Who told you?
00:24:13Obviously the insured, right?
00:24:14No
00:24:15No, no, no, no, no
00:24:16If the poor thing was dead, as Emilio was going to say
00:24:18It was Mariano
00:24:20Yes, because he had the papers and he told me
00:24:21Oh, he put you
00:24:23I said it myself
00:24:24It's that Belén has always loved him like a daughter-in-law
00:24:27Hey, how come your son didn't name you as the beneficiary?
00:24:30He proposed it to me, but I wanted it.
00:24:31I told Emilio
00:24:32Leave it to Belén
00:24:33Who is the love of your life?
00:24:34And the mother of your children
00:24:36Oh, do you have children?
00:24:37Well
00:24:38No, not yet.
00:24:39But he left the semen frozen in case anything happened to him.
00:24:43And Belén needs the insurance money to unfreeze it and inseminate herself.
00:24:48And it's going to take a lot of attempts.
00:24:50Because the uterus is lazy and the embryo does not set easily
00:24:53And of course, you already know
00:24:55Quintuplets may come
00:24:56You know the investment in booties
00:24:59Mariano, there's no need to give these gentlemen so many details.
00:25:01And they are just routine questions
00:25:03Hey?
00:25:05What are you aiming for?
00:25:06Well, for now we have no more questions.
00:25:08If no problem arises
00:25:10They will call you to see how they will pay you the insured capital.
00:25:13Okay, okay
00:25:14But hey, what problem is there going to be?
00:25:16If everything is okay, right?
00:25:17Goodbye, boy
00:25:18Watch out for the road
00:25:19We are confident
00:25:22Belén, they have seen the fear in your eyes
00:25:24Don't hesitate, Belén
00:25:26Never doubt
00:25:27But how can I not have doubts with the nonsense he's saying?
00:25:30If I'm not here, you'll fall apart.
00:25:32They are highly trained experts in hunting down scammers.
00:25:35It's a duel of intellects
00:25:36To Karpov and Kasparov
00:25:38Well, we're in trouble.
00:25:39I'm going to the office to see if I can find out anything.
00:25:41No
00:25:42No, don't do that.
00:25:43It's a beginner's mistake
00:25:45But what do you know?
00:25:47This satas you
00:25:48Do you mind staying a while, Ezequiel?
00:25:54But woman, how could I care?
00:25:56Thank you
00:25:56Well, he's coming with some friends, huh?
00:25:58Guys, this man's name is Mauri
00:26:00And you're going to stay with him until mom comes back.
00:26:03Hey?
00:26:04Well, with him and with this other gentleman called Fernando
00:26:06Mary Poppins
00:26:08Would you mind explaining this to me?
00:26:10They are the children of Blanca, my new friend
00:26:12Already
00:26:12And why don't we have to swallow them?
00:26:15Because I just made up with Ana in the yard.
00:26:17Well, it's been beautiful
00:26:18In the style of Romeo and Juliet
00:26:20Of course, and you don't want him to find out that in the middle of a tantrum
00:26:22You got involved with a married woman with four children
00:26:23That she left her husband for you?
00:26:25Hosts
00:26:25Today she is, she is playing dead.
00:26:27But when it gets
00:26:27Hey, and he's still dating the other one?
00:26:29Yes, lesbian and polygamous
00:26:30It's about to go to hell, but in the VIP area
00:26:32Hey, this is a very difficult situation.
00:26:34Hey?
00:26:35That I have broken a family
00:26:36And let's see, how am I going to tell Blanca that I'm going to leave her now?
00:26:39Blanca, I'm leaving you
00:26:40Damn, you've known each other for three days.
00:26:42Also, you didn't tell him that the house is a husband
00:26:43But how am I going to tell him?
00:26:44I didn't even know she was married.
00:26:46Do you see it?
00:26:46That's emotional fraud, fucking around.
00:26:48But, Mauri, I can't
00:26:49It's that I feel very guilty.
00:26:50But don't you see that if Ana finds out you're going to screw up?
00:26:53Look, you're fucking Blanca.
00:26:54If you are not able to leave her yourself
00:26:55Let him leave you now
00:26:56That is done a lot
00:26:57Ah, very nice advice
00:26:59Now I understand many things
00:27:00Mauri, I saw that in a movie
00:27:02Don't start going around in circles
00:27:03No, no, no, it's just perfect.
00:27:04So, the only thing I have to do is
00:27:06It's behaving like an unpresentable person.
00:27:07Well, it's going to turn out very well for you.
00:27:08Look what you've brought into my house.
00:27:10Oh, guys, thanks so much, huh?
00:27:12Then their mother comes for them
00:27:13Well, I'm going to get the coat.
00:27:16And I'm going to work, I have a mess.
00:27:18But if you told me you had the day off
00:27:19Did I say it?
00:27:22Guys, Fernando is going to take you to play in the park.
00:27:24Because of bad people
00:27:25I'm gay
00:27:27Fixed, yes
00:27:28A little
00:27:29Pay attention, pay attention, pay attention
00:27:32The imperial troops are coming, come on.
00:27:33Damn, what did I happen to Daco?
00:27:35And it doesn't jump
00:27:36Sons of bitches!
00:27:38Come on, Paco, calm down, breathe.
00:27:39Control the dark side
00:27:41Vader is on that ship.
00:27:42I can feel it!
00:27:47Oh, logs, they are melting us.
00:27:49Press pause
00:27:50Forgive me, my love
00:27:51I swear that jealousy and nonsense are over.
00:27:53My life, if I understand you
00:27:54If I imagine you with another
00:27:55And I go crazy too
00:27:56Yes, but that will never happen.
00:27:59I know
00:27:59Wait, I'll grab my things and go upstairs with you.
00:28:04Uh, no
00:28:04I'd better get down here, there's more room, okay?
00:28:07Roberto, you don't care
00:28:08What does it matter to him?
00:28:09If you are enchanted
00:28:10Wait, wait, wait, don't give it to him
00:28:18Wait for me
00:28:18Yeah
00:28:21I'm Iago, can you come up for a moment?
00:28:23Lucia wants to go to Africa
00:28:25That?
00:28:25But how do you want to go to Africa?
00:28:27On safari?
00:28:28No, no, to help those most in need
00:28:30Like missionaries to refugee camps and all that.
00:28:32Ah
00:28:32And where are the highlights going to be?
00:28:34I don't know, boy, I'm very confused.
00:28:36Ragged
00:28:38What kind of ideas have you put in my daughter's head?
00:28:41I'm not going to let you take her to Africa.
00:28:42Find one with hair under her arms
00:28:44It's not me, it's her who wants to help people.
00:28:47Bruno, what's the charity sale for?
00:28:48We rich people help one day a year
00:28:50For life
00:28:51Calm down, Rafael
00:28:52Lucia will be gone for a few days
00:28:53As soon as the iPod battery runs out, he's back again.
00:28:55But that place is very dangerous.
00:28:57It's full of resentful blacks with machine guns
00:28:59Well, well, no
00:29:00You can go to a school
00:29:01To teach children
00:29:02To distribute humanitarian material
00:29:03Honey, we're going to Somalia to look for landmines.
00:29:07Let's see, that's adventure tourism.
00:29:09Hello, Dad
00:29:10Did you know that there are more than 30 million buried mines in Africa?
00:29:14And almost a million are in Somalia
00:29:16That's great, isn't it?
00:29:18My daughter, I can understand you dating an illegal immigrant.
00:29:20I can understand why you turned this house into a kennel.
00:29:23Dad, I need a change in my life, now.
00:29:25Well, damn, open a boutique.
00:29:26Or jump on horseback
00:29:28Unemployed people jump on horses
00:29:29No, everything is decided.
00:29:31We already have the tickets for tomorrow.
00:29:33Yago and I are going to Mogadis, man.
00:29:34Mom, tomorrow?
00:29:35But they have failed to warn him
00:29:36No, the whole NGO organizes it.
00:29:39No problem, darling.
00:29:40I'm going to pack my suitcase
00:29:41Look, if you take my daughter to the third world
00:29:44I'll ruin your life, huh?
00:29:45I swear I'm coming for you
00:29:47And for you too
00:29:48Come for me? Why?
00:29:50For painting
00:29:50For painting
00:29:51You should be married to her now.
00:29:53And I with a grandson running around the house
00:29:54And breaking antiques with the fever chopper
00:29:56Shit, we were doing so well.
00:29:59What do I do?
00:30:00But do you want to go to Somalia to look for mines?
00:30:02Me? I bought a recorder with a hard drive and everything.
00:30:04Damn, Yago, tell him you don't want to go.
00:30:06Sincerity is the basis of the couple
00:30:08What if we hide his passport?
00:30:10Also, easier
00:30:11You see
00:30:11But where is it?
00:30:12Here, damn it
00:30:13Honey, should I pack your suitcase for you?
00:30:17No, no, no, no
00:30:18My love, I'll do it myself.
00:30:20What do I do? Should I take these jackets?
00:30:22Man, you can leave your jackets here.
00:30:25Well, I'll take it all.
00:30:26Huh? And we give it away?
00:30:28Damn, you'll see what Somalians are going to do next with Gucci heels.
00:30:32How funny, isn't it?
00:30:37Mariano
00:30:38Man, Juan!
00:30:40Hey, let's see if we speed up the issue of the substitute goalkeeper because this is very hard for me.
00:30:44Everything reminds me of Emilio
00:30:46I see the steamer and I collapse
00:30:48Yes, yes, yes, I'm on it.
00:30:49Hey, what was I going to say?
00:30:51Hey, do you feel like going out for a drink tonight?
00:30:54It's just a little early, we hardly know each other.
00:30:57Listen, I'm serious.
00:30:58Yes, damn, tonight you and I are going out.
00:31:01Hey, do you have any metrosexual clothes?
00:31:03Well, I don't know, define me as metrosexual.
00:31:06Well, it's okay, I'll leave you something of mine now.
00:31:08You're not as defined as me, but I guess he'll send you
00:31:11Okay
00:31:12Well, I'm leaving now.
00:31:14How is Isabel?
00:31:15Well imagine bad, broken
00:31:17Do you fancy meeting up for dinner tonight and talking?
00:31:21I think I can help you.
00:31:22Six of my mothers-in-law?
00:31:24It's that I have a date with Mariano
00:31:25We're going to have a drink
00:31:27But you can come with us.
00:31:29This way it's easier in libraries
00:31:31Made
00:31:32Then you call me to see how we do, okay?
00:31:34Can you send me a little message?
00:31:37Why are you inviting her?
00:31:38This is a singles party
00:31:40The last thing we need is a friend of Isabel's
00:31:42What friend?
00:31:42With a man around, women have no friends.
00:31:45It is the reproductive instinct
00:31:47The fight for the dominant male
00:31:49What are you saying?
00:31:50Does Marta want trouble with me?
00:31:51Or with me?
00:31:52I'm still not very clear about it.
00:31:54But he wants a safe topic
00:31:55I don't know, I haven't noticed anything special.
00:31:57Her body language gives her away
00:32:00Haven't you seen how he marked nipples?
00:32:02If it came with the long posts
00:32:03Well, it's cold in this portal.
00:32:05Juan, put on your single chip
00:32:08We're not going anywhere like this.
00:32:09Maite, Maite, I don't know what's wrong with this.
00:32:17It doesn't let me see the data of a policy
00:32:19Tell me the file number
00:32:205374 bar 105 dash 434 C of Cáceres
00:32:26Emilio Delgado
00:32:28The insurer has died.
00:32:30What did you want to know?
00:32:32No, nothing
00:32:32How was the topic going?
00:32:34And when was it charged and that?
00:32:36It is that the files in the process of resolution
00:32:39They go directly to the boss
00:32:40Ask him
00:32:41Ah
00:32:42Okay, I'll see.
00:32:44You're fucking him, aren't you?
00:32:46I?
00:32:47No, no, no
00:32:48What's up?
00:32:48But no, it's that
00:32:49I've heard things and
00:32:51Hello
00:33:18How are you?
00:33:20Very good
00:33:21What are you doing in my office?
00:33:22Hey
00:33:23They had asked me for the file.
00:33:25From that crash of supermarket carts
00:33:28Where a lady
00:33:28He lost a wave
00:33:30Ah, I've already fixed that.
00:33:31We haven't paid, huh?
00:33:32No, the expert proved that the cart was in poor condition.
00:33:34That was going to the left
00:33:35Ah, well, that's great.
00:33:36One less thing
00:33:37Well
00:33:38See you later
00:33:40Hey, how are you?
00:33:41Because we're going to have to pay you a fortune.
00:33:43Hey?
00:33:44Emilio Delgado's policy
00:33:4525 kilos
00:33:46You'll be happy, won't you?
00:33:47Yeah
00:33:47No, I mean
00:33:49I'm very sad about the loss of a loved one, aren't I?
00:33:52But within the dejection, then
00:33:55Okay, so what do you plan to do with all that money?
00:33:57Hmm...
00:33:58Cover holes
00:33:59The mortgage
00:34:00A hip replacement for my grandmother
00:34:03So that I can do aqua aerobics
00:34:04And when do they pay for this?
00:34:06Is anything known?
00:34:07Well, let's see.
00:34:07Because the expert is a bore
00:34:09Well, can you believe that tomorrow he's going to talk to the coroner?
00:34:11Who signed the death certificate
00:34:12To corroborate that it is authentic?
00:34:14Oh yeah?
00:34:14Yes, you see.
00:34:15These guys beat themselves up there and think they're the redhead.
00:34:17Well, then...
00:34:19Nothing, I'll get the check soon.
00:34:20Or whatever
00:34:21Wait, Belén, wait
00:34:23Let's stop this nonsense now, okay?
00:34:28Didn't you come here looking for a file?
00:34:30Yeah
00:34:30Yes, yes, yes
00:34:31I...
00:34:32Isidro
00:34:32I think you're mistaken about me, huh?
00:34:36Sorry, woman.
00:34:37It's that I had heard things
00:34:38Damn, everyone here hears things.
00:34:41Belén, don't call me on my cell phone.
00:34:49They may have tapped the line
00:34:50Tomorrow they are going to find out if Emilio's death certificate is authentic.
00:34:54Holy crap, it isn't.
00:34:56Yes, I can imagine.
00:34:57Where did you get it from?
00:34:59Paco, where did you get the death certificate?
00:35:02From Lourdes's father, who is a forensic scientist
00:35:04Ah, what a nice guy!
00:35:04They've really messed up, haven't they?
00:35:05No, I haven't told him anything.
00:35:07Well, he's a man and he forges the signature.
00:35:09You've heard it, haven't you?
00:35:10Damn, they're going to talk to him.
00:35:11Something will have to be done
00:35:12Can I go out?
00:35:14Shut up, you bore.
00:35:15Well, calm down.
00:35:16Leave it all in my hands
00:35:18But how can I be calm leaving something in their hands?
00:35:22Listen
00:35:22Listen
00:35:23God, what stress
00:35:26Hi how are things?
00:35:30What are we going to do now?
00:35:32If he finds out, my father-in-law will kill me.
00:35:33Yes, and then he does the autopsy.
00:35:35What's up, kind of sexual?
00:35:36Ingenio, do you have anything to do tomorrow?
00:35:39No, no, my wife will operate.
00:35:41I'm free
00:35:42Okay
00:35:42What does it smell like in here?
00:35:48What's happening?
00:35:49Has there been an attack at the perfumery?
00:35:51No, it's me who's going to a little bit of colony
00:35:54Vicenta, if you are going to the carnival, let us know that we will all sign up.
00:35:57No, I'm going to the dentist, my bridge is moving.
00:36:00Goodbye, Valentin, my life, goodbye
00:36:02They gave Tita Cervera her appointment quite late, didn't they?
00:36:06Don't confuse me, I don't know anything.
00:36:07Concha, damn, you're going to end up telling me
00:36:10No
00:36:10She has met up with Manolo
00:36:14Ah, very good.
00:36:16I've met up with Mariano
00:36:21I'm going for a walk
00:36:22Well, you have to explain yourself.
00:36:24We are no longer a couple
00:36:25We can do whatever we want
00:36:26In fact, you are already doing it.
00:36:28I'm not giving explanations
00:36:30I simply limit myself to transmitting information that I get
00:36:33See? Are you giving another explanation that no one asked for?
00:36:36Now when you have a moment, look in the mirror
00:36:38You will draw conclusions
00:36:39This is what I get for betting on dialogue
00:36:42I'm going out and that's it.
00:36:44Dad, don't take anything strange.
00:36:46And I want to see you at home at twelve, okay?
00:36:48Don't worry, this is the classic pathetic move of a fifty-something bachelor.
00:36:53That's how calm I am
00:36:55He'll get some fart
00:36:56They will stop you at a breathalyzer checkpoint and that's it.
00:36:58But do you think that with those clothes and with Mariano at his side?
00:37:00Are they going to let him in somewhere?
00:37:04Emilio, are you crazy?
00:37:05This is playing it cool.
00:37:06They are surely investigating
00:37:07Paquito, I can't leave forever.
00:37:09Without saying goodbye to Mr. Juan
00:37:11He's like the father you never had.
00:37:12Hey, send them a letter from the Bahamas.
00:37:14And then he tells them to destroy it.
00:37:15In the style of Mortadero and Filemón
00:37:16But if it's just for a moment, I just want to give you a hug
00:37:18Look, if Belén finds out, she'll kill you.
00:37:20Kid
00:37:22I don't see a damn thing whose glasses these are?
00:37:24From your grandmother?
00:37:25No, from Lourdes, for when they take out their contact lenses
00:37:27My goodness
00:37:28This girl has it all
00:37:30Oh, how dizzy!
00:37:31Good night
00:37:39Hello good evening
00:37:41Sorry, ma'am.
00:37:44Which floor are you going to?
00:37:45No, no, no
00:37:46Yes, it's done.
00:37:48I am Juan Cuesta's mother
00:37:50It's that I never remember if he lives in A or B.
00:37:53In A?
00:37:53In A?
00:37:54Sure, sure, sure
00:37:56Girl, A for Juan
00:37:57Well, then
00:37:59Not pretty at all
00:38:00God bless you
00:38:01Thank you
00:38:02I put the chair for you
00:38:03For me the valid ones
00:38:04Oh, no, no, no
00:38:05That's a lot of work.
00:38:07I'm doing better
00:38:08At my own pace
00:38:09Oh my goodness
00:38:13That I shouldn't have put on
00:38:14The heels
00:38:16Good night
00:38:27Good night
00:38:27Juan, please
00:38:29Emilio
00:38:30Yes, it's me
00:38:31But it's a secret
00:38:32Can I tell Mr. Juan
00:38:33What do I want to see him?
00:38:35No, don't worry.
00:38:35Yes I'm fine
00:38:36Juan
00:38:38It is not
00:38:39It has come out
00:38:40Appears
00:38:41Go somewhere else
00:38:42Kid
00:38:45I'm about to be dead
00:38:46I see gaps in it
00:38:47What's up, ma'am?
00:38:49Aren't you home?
00:38:50Uh, yeah, yeah
00:38:51But they don't hear me
00:38:53They must be having intercourse
00:38:56I'll be back tomorrow
00:38:57Don't you want me to tell them anything?
00:38:59Do I see them?
00:39:00Oh no, no
00:39:00Girl, no
00:39:01Don't be heavy
00:39:02Go now
00:39:03To your house
00:39:04To dinner
00:39:05Pussy
00:39:06Let's see, Mauri
00:39:14So much interest has Vicenta
00:39:16I knew how to dine with this gentleman
00:39:17Fernando, this is like the prince's boot.
00:39:19There are things in life that are worth seeing in person.
00:39:21Hey, what are you doing there?
00:39:23The same as you
00:39:24Gay Radio informing
00:39:25Shh, be quiet
00:39:27Here comes Mr. and Mrs. Mummy
00:39:29What a lovely evening, isn't it?
00:39:33How emotional reunions are
00:39:35Yeah
00:39:35And the very fresh crayfish
00:39:37Manolo, thank you for accompanying me to this house.
00:39:41Hey, can you lend me something for a taxi?
00:39:45I have arthritis in my knee.
00:39:47Yes, yes, yes, yes
00:39:48Of course, of course
00:39:50Here, fifty
00:39:51So you can come back tomorrow
00:39:53Well
00:39:54Well, nothing.
00:39:55See you tomorrow then
00:39:57Manolo, for God's sake
00:40:01No, you're my brother-in-law.
00:40:02If you have gone
00:40:03Well, a little bit of both.
00:40:04Hey?
00:40:06Vicenta
00:40:06There has always been something special between us.
00:40:09But we have to be strong
00:40:12If you say it for Marisa
00:40:13I've already spoken to her.
00:40:14She's already delighted that we're going out together.
00:40:16Oh yeah?
00:40:17Yes, yes, of course
00:40:17And now I'm free
00:40:18You caught me in a period between relationships
00:40:21Well
00:40:22Well, we can try.
00:40:23Hey?
00:40:24The apartment is yours, right?
00:40:26Yes, yes, yes
00:40:27Everything is already paid for
00:40:28God
00:40:33This is what documentary makers must feel
00:40:36Just when they manage to film a platypus mating or a...
00:40:40But what kind of a bitch?
00:40:42I knew it.
00:40:42I'm going to hit them with a sledgehammer.
00:40:45No, no, no
00:40:45I don't know if this or not
00:40:46That is very good
00:40:46I have it for the slope
00:40:48Killing and raising the sight now
00:40:50Hey, this is addictive, huh?
00:40:52Yeah
00:40:52Hello
00:40:54How's it going with the dentist?
00:41:01Has he fixed your bridge yet?
00:41:02No, I have to put it back on.
00:41:04He has done me a favor
00:41:05But a good fix, huh?
00:41:07I'm going to sleep, I'm very exhausted.
00:41:08What the fuck are you going to sleep for?
00:41:10You sit there and explain to me how you can be so old and so dirty.
00:41:13Oops!
00:41:14Marisa, I won't let you speak to me in that tone.
00:41:16If we saw you down below making out with Manolo's fossil
00:41:19Sorry
00:41:19I had a drop in blood pressure and he held me.
00:41:22Yes, of course, with the tongue
00:41:23Vicenta, please
00:41:25Okay, I admit it.
00:41:26We kissed and it was wonderful.
00:41:28I also have the right to be happy because I'm worth it.
00:41:31Vicenta, my god, that's my husband
00:41:33Well, I love him.
00:41:34If you already have Valentin, he snores less and aims better when peeing.
00:41:37Marisa, it's normal that you're jealous.
00:41:40But if I am younger and more attractive, it is not my fault.
00:41:42Oh, Vicenta, what do you charge?
00:41:45And you no longer accept the term "to your mother that you go"
00:41:46Get used to my relationship with Manolo.
00:41:48Because maybe I'll bring him home to live.
00:41:50I want to start a family
00:41:51It will be foot fungus.
00:41:53Sorry, but we can adopt
00:41:54Man, you're already too ready to be adopted.
00:41:57Well, don't worry, you won't have any wardrobe problems.
00:42:00Where are you going?
00:42:01Don't leave me hanging!
00:42:04What did I tell you?
00:42:05That was going to happen
00:42:06That's not done, man.
00:42:08A sacred exe is not touched
00:42:10Man, if Marisa doesn't want anything with him
00:42:12Open some cockles for a snack
00:42:14Yeah
00:42:14Marisa, what are you doing?
00:42:18Putting on a washing machine
00:42:19What do you think?
00:42:20Where are you going?
00:42:21If you have nowhere to fall dead
00:42:23I fall dead anywhere
00:42:25Get out of the way
00:42:26Let her go, she'll come back.
00:42:30Yes, when Manolo leaves you for the hairdresser
00:42:32To laugh my head off
00:42:33Come on, please
00:42:35That you are sisters
00:42:37Well, you know, my mother will be a big liar.
00:42:39You are proud and selfish
00:42:41That's why Manolo left you
00:42:42You don't prick
00:42:43Leave her
00:42:44If you're going to miss me
00:42:45Where are you going?
00:42:47Big deal, he's leaving home
00:42:49Well, move away, let me see.
00:42:50Come on
00:42:50Hey, what's coming here like this?
00:42:51How are you doing here?
00:42:52Because?
00:42:54Come on, damn it, open up.
00:42:55I'm watching your eye through the peephole.
00:42:57Man, Marisa, how are you?
00:43:01Evil
00:43:01Can I stay with you for a few days?
00:43:04What happened?
00:43:05Have you argued with Vicenta?
00:43:07No
00:43:07Hey
00:43:08If I kill my sister with a frying pan
00:43:10At 75 years old and with no criminal record
00:43:12How much does it cost me?
00:43:13Man, I'd have to look at it.
00:43:15Well, look at it, go on.
00:43:16And you open a little wine, man.
00:43:17Let's celebrate that Grandma is home.
00:43:19Let's see, Bea, let me get this straight.
00:43:24So right now you have two girlfriends.
00:43:26One son and four stepchildren
00:43:28And you move to the second floor to live with Ana.
00:43:30While you see yourself here with the other one
00:43:32No, no, no, no
00:43:33I'm going to continue with Blanca
00:43:34Ah, I mean, you're going to leave her.
00:43:34No, she's going to leave me.
00:43:36When I was young there were no lesbians
00:43:41That's from the colorants and preservatives
00:43:43What are they throwing at him now?
00:43:44Hello, is Bea here?
00:43:47I'm his girlfriend
00:43:48Hello, beautiful
00:43:49Happens
00:43:49Come in, we were talking about you just now.
00:43:52How are you, my love?
00:43:54I found a beautiful duplex with a terrace.
00:43:57Look at the photos
00:43:58Blanca, please sit down for a moment
00:44:01Children, sit over there.
00:44:03That María Jesús is going to give you dinner
00:44:05But damn
00:44:05Don't worry, I'll leave quickly.
00:44:07Okay, I'll give you a bird pill, believe it and suck it.
00:44:10Ah, Blanca, you see
00:44:12Hey, today we're finally going to make love.
00:44:15It's that I'm like crazy
00:44:17No, it's just that I have to do some tests tomorrow.
00:44:21Yeah, and then they told me I can't have orgasms for 72 hours.
00:44:24Of course, the results are falsified.
00:44:26Yes, your triglycerides are high.
00:44:29Well, it's okay, I'll wait.
00:44:31More excitement
00:44:32Hello
00:44:34Bye
00:44:36Hello, Ana
00:44:38What are you doing here?
00:44:39Do you want me to help you carry things down?
00:44:40Yeah
00:44:40Well, look
00:44:42Blanca, Ana
00:44:44Well, your children
00:44:46They are her four children that she has with her husband
00:44:49Yes, but I left him for...
00:44:50Because of being an idiot, as always happens
00:44:52Well, hey, here it is.
00:44:54Look, go, go
00:44:55Downloading this
00:44:56She's a friend of Carmen.
00:45:02That he is having a terrible time
00:45:04We are all comforting her.
00:45:05Okay, okay
00:45:06Right now I usually
00:45:07No
00:45:08Put my things in the closet
00:45:10You fold clothes very cool.
00:45:11She's so pretty, isn't she?
00:45:15Does she understand too?
00:45:16No
00:45:16No, she for now, thank God
00:45:18He doesn't understand anything
00:45:20Blanca, let's see something I wanted to tell you.
00:45:24So that there are no misunderstandings later
00:45:25Okay
00:45:25Look, I'm not faithful.
00:45:28Girl, I can't
00:45:29There are times when I do it with Carmen.
00:45:33Yes, yes, well
00:45:36Since we once showered together to save water
00:45:40Well, it's become a tradition, hasn't it?
00:45:43Every Tuesday
00:45:44Well, except yesterday for the analysis.
00:45:46Yes, yes, but this is like the primitive
00:45:48There are boats on Saturdays
00:45:50Okay, but it's okay.
00:45:51We are lesbians
00:45:52It's normal for us to be promiscuous, isn't it?
00:45:55Well, and then...
00:45:58The children
00:45:59I can't stand them
00:46:00I just can't handle them.
00:46:01Me neither
00:46:02If it was my husband who got pregnant
00:46:04My IUD failed with the first one and I said
00:46:05Yeah, total
00:46:06But don't worry
00:46:07We sent ourselves to boarding school
00:46:09I want to have a full lesbian life
00:46:11Well, and then...
00:46:14This is more subjective, huh?
00:46:18You're a little fat
00:46:20You have left
00:46:22Oh yeah
00:46:23White
00:46:23And he also told me that you dress terribly like that...
00:46:26Public type of morning program
00:46:28Say no, what takes away all your charm is that hair you have.
00:46:32What you don't like
00:46:34Oh, you start crying.
00:46:36It's what disgusts Bea the most, for God's sake.
00:46:38No, no, no, I do like you.
00:46:40Yes, yes I like you, yes I like you
00:46:41What happens is that I tell you these things so that you can see if we are not compatible.
00:46:45Because...
00:46:46Children, we're leaving
00:46:47Hey, but don't take a bad memory of me with you.
00:46:50No, no, he's already leaving.
00:46:51Bye
00:46:52Would you like a tangerine for the road?
00:46:54No, thanks
00:46:54Goodbye, Bea
00:46:55I feel like the most vile and cruel woman on the planet.
00:47:01Yes, but do you think that's better than saying...?
00:47:04Hey, look, I'm sorry.
00:47:06We're done
00:47:07That's it, it's over.
00:47:08Blanca is not here, Blanca left
00:47:10And now to enjoy a wonderful second stage with Inga
00:47:14Hey?
00:47:15Come on
00:47:15Bea, I love you
00:47:16I am willing to change
00:47:18No, no, no, Blanca
00:47:18No, no, don't suffer
00:47:19If it's not worth it, really
00:47:21I want to fight for this relationship
00:47:22Of course, let's fight.
00:47:26Let's all fight like the good friends that we are.
00:47:28Of course
00:47:28Come on
00:47:29Blanca, cheer up
00:47:31That the whole crisis passes
00:47:32Yeah
00:47:32Come on, Blanca, go now.
00:47:34Your children are going to get cold.
00:47:35I'll call you tomorrow
00:47:36Yes, yes, whenever you want
00:47:38Of course, of course
00:47:38She has a lot of problems with her husband.
00:47:42Whether now yes, whether now no
00:47:44Poor thing, he must be having a terrible time.
00:47:46All
00:47:46All
00:47:47We are not having a bad time
00:47:49This is a punishment from God for gossips
00:47:53Look at her
00:47:54Without the background of tenderness, right?
00:47:56Yeah
00:47:56It reminds me of E.T. when his husband turned so pale.
00:47:59Only no one is going to come looking for her.
00:48:01Come on, let's take her to bed.
00:48:03How to bed?
00:48:05Fernando, who is very old
00:48:06It weighs nothing
00:48:11It's incredible
00:48:13Look, take it
00:48:13Let's see, let's see
00:48:14How strong
00:48:16It's like a blow-up doll
00:48:18Be careful, you're going to drop it.
00:48:20Manolo, you bastard
00:48:22Yeah
00:48:23Yes, come to bed.
00:48:24Go to sleep, monkey
00:48:25Fernando, we have to do something to make them reconcile.
00:48:34What is between the wine and shit in the kitchen stays at home
00:48:37Yes, these can be thrown around angrily for a lifetime.
00:48:39Older people are very resentful.
00:48:41Man, I do have an idea.
00:48:42Is it good or is it bad?
00:48:44Regular
00:48:44If I had had good ideas, I would have done better in life.
00:48:47Hey, should we put some pajamas on him or something?
00:48:51Well, just you, I'm going to take out the trash.
00:48:52Go, Mauri
00:48:54No, no, I don't understand.
00:49:01The truth
00:49:01It should be around here
00:49:03I can't find my passport anymore.
00:49:04That usually happens
00:49:06When one spends a long time without traveling
00:49:07It gets misplaced
00:49:08It could be the assistant's fault
00:49:09But we don't have
00:49:10But hey, look
00:49:11You can take advantage and think about the future
00:49:13While they make your passport, I say
00:49:14Well, nothing.
00:49:15I'll go to the police station.
00:49:16They will renew it right away.
00:49:17Oh yeah?
00:49:18Damn, how fast
00:49:19Hey, you and I have it under control, right?
00:49:21Lucia, I don't know if I want to go to Somalia.
00:49:29So you don't want to go.
00:49:31No, I said I don't know if I want to go.
00:49:34No, I don't want to go.
00:49:35Diego, if you don't know if you want to go
00:49:36It's because you don't really want to go
00:49:37Because if you wanted I would say
00:49:38Yes, I want to go
00:49:39And if you don't know if you want to go
00:49:41It's actually because you don't know if you love me.
00:49:42I mean, you don't love me.
00:49:43Because if you loved me you would tell me
00:49:44Honey, I love you
00:49:45Let's go to Somalia or wherever
00:49:46Brake, brake, brake
00:49:47That in the Caribbean we reason more slowly
00:49:49Do you want to go or not?
00:49:51No
00:49:51Oh, you see!
00:49:53But one thing does not take away the other.
00:49:54I love you the same
00:49:55And you are not the environmentalist
00:49:56Wonderful and committed
00:49:57That he wanted to change the world?
00:49:58And I have tried
00:49:59But you can't
00:50:00Do you think that going there
00:50:01Are you going to fix things?
00:50:02The world is not changed by citizens
00:50:03The rulers change it
00:50:04But they don't do it
00:50:05And do you know why?
00:50:06Because everything is a big business
00:50:07And it is easier to maintain the world
00:50:08With hunger and war
00:50:09To sell more weapons
00:50:09For every mine you remove
00:50:11Another hundred are going to be manufactured
00:50:12I don't care about all that.
00:50:14If you really loved me
00:50:15Would you come with me?
00:50:16If you loved me
00:50:16You would stay here
00:50:17Well, very well
00:50:19Okay
00:50:20Well, I'm going alone.
00:50:22But you too
00:50:24Start packing your suitcase
00:50:25Are you kicking me out?
00:50:27No, I'm leaving you
00:50:28And I'm going to the police station
00:50:29To make my passport
00:50:30Iago!
00:50:35Sst!
00:50:36What's happening?
00:50:37If you hear us from here
00:50:38And from here?
00:50:39And?
00:50:39What did I say to Lucia?
00:50:40That I didn't want to go
00:50:41And he left me?
00:50:42Where do you go?
00:50:43But man
00:50:44How do you tell him that?
00:50:45But that's what you told me.
00:50:46And why do you listen to me?
00:50:48Radiopatio live
00:50:49The posh one and the tasty one
00:50:50They have broken up
00:50:51Marisa, please
00:50:53Hey
00:50:54Where has Lucia gone?
00:50:55To Caesar the passport
00:50:57Don't worry
00:50:58I'll take care of it.
00:50:59For
00:50:59But where does the dick go?
00:51:02To Somalia, madam
00:51:03To Somalia
00:51:04And what is that?
00:51:05A furniture store
00:51:07What do you think?
00:51:08Our goalkeeper is dying.
00:51:09The cock is leaving
00:51:11Vicenta gets a boyfriend
00:51:12This is over, concha
00:51:14The residence calls us
00:51:16Marten
00:51:28Marten
00:51:29Hello good morning
00:51:31No, no, good morning.
00:51:33What happened here?
00:51:35Why is it going to happen?
00:51:37So we went out, we drank
00:51:38And then we came to my house
00:51:40Let's see if we can control the decibels
00:51:46Haha and hangover
00:51:47I swear, I swear this man wasn't here.
00:51:50That this man has gotten into it later
00:51:51Mariano
00:51:52It was cold in the living room
00:51:54It was pure survival instinct.
00:51:56Like the mountaineers
00:51:57When they get lost in the snow
00:51:59But what does it do?
00:52:02Yeah?
00:52:04Yeah?
00:52:05Mariano, where is he?
00:52:07The experts have just left to go see the...
00:52:08I'm coming, I'm coming
00:52:10Have fun with some friends
00:52:12Marten
00:52:18What happened here?
00:52:19I don't remember anything
00:52:20Yes of course
00:52:21Come on
00:52:22Look how comfortable, right?
00:52:24No, I never drink.
00:52:26I'm not used to it
00:52:27And what do you care what happened?
00:52:29If you are already a single man
00:52:31Can I have my shirt back, please?
00:52:34Yes of course
00:52:35Thank you
00:52:35Right now
00:52:36Fuencisla Campillo
00:52:5287 years old
00:52:54Accident at the Inserso bullfight
00:52:57Possible cause of death
00:53:00Heart failure
00:53:03When faced with the heifer
00:53:05Hello, José Antonio
00:53:07How are you?
00:53:08Francisco
00:53:08What are you doing here?
00:53:09I wanted to see if we could have a coffee.
00:53:11I would like to talk to you
00:53:12Well, right now
00:53:14I have an emergency
00:53:15Man, urgency
00:53:16An urgent self-isolation
00:53:18The judge asked me for it
00:53:19Ah
00:53:19It's about your daughter Lourdes.
00:53:21It really has me very worried.
00:53:22He's gaining a lot of weight
00:53:23It's normal, Francisco
00:53:26Getting married is like quitting smoking
00:53:28You always put on a few kilos
00:53:29Yes, but there are already twelve
00:53:30But there are more things
00:53:31Really
00:53:32If you had a moment
00:53:33Come on, go on
00:53:34Let's go for a coffee
00:53:35Do you have any change for the machine?
00:53:37Yes, yes, yes
00:53:38Oh God
00:53:45Mariano
00:53:45It's that these places are for me
00:53:47They turn me on a little
00:53:48For horror movies too
00:53:51But to come visit
00:53:52If it's just going to be a moment
00:53:54Come on, put this here.
00:53:55It is level
00:53:56Is she dead?
00:53:59No, she's doing yoga
00:54:00What do you think?
00:54:02What happened to him?
00:54:03It's at work, José Antonio
00:54:05When the experts ask you
00:54:06Short answers
00:54:08That the liars
00:54:09They always give a lot of explanations
00:54:11Why do you think you are?
00:54:12What do politicians talk so much about?
00:54:14Fuck
00:54:14This for floating floors
00:54:16I'd be really scared, man.
00:54:17Are you listening to me?
00:54:19Yes
00:54:19Yes
00:54:20I tell them that I signed
00:54:21Death certificate
00:54:22And let me
00:54:23I'm very busy
00:54:24There we are
00:54:25Well, I'm leaving.
00:54:27José Antonio
00:54:29José Antonio
00:54:29Ask for José Antonio
00:54:30Yeah
00:54:31I am the expert for Posidón Seguros
00:54:34Could I talk to you?
00:54:35Shit, he knows me.
00:54:36One moment
00:54:38Well go, damn it.
00:54:39Yes, why does it matter?
00:54:40If there is only one
00:54:41You pate, you pate here
00:54:44You kick here
00:54:44Damn, what a joy
00:54:48Here I am, huh?
00:54:52The head
00:54:53He's already restless, huh?
00:54:55But put a label on your finger, fatso
00:54:57Or something
00:54:57Yes, I'm here now.
00:54:58Now, for you to stay
00:54:59One moment
00:55:00Yeah I know
00:55:00Forward
00:55:03Good morning
00:55:05José Antonio Ballesteros
00:55:06Yes, tell me.
00:55:07It's a moment
00:55:08Did you sign this death certificate?
00:55:11Well yes, yes, yes
00:55:11It's mine, it's mine
00:55:12Anything else?
00:55:14Because I'm really busy, huh?
00:55:16Fuck!
00:55:18No, but don't interrupt for us.
00:55:20I continue with your work
00:55:21I have to be very focused.
00:55:24You don't play with these things.
00:55:25Could you give me some more details?
00:55:27About Emilio Delgado's accident?
00:55:28Yes, head trauma
00:55:33Against the traditional faucet
00:55:35There is not much more to add
00:55:38Well, yes, yes
00:55:39He died
00:55:40Yes, but
00:55:41Why did it take so long to remove the body?
00:55:43Because it was heavy
00:55:44And on top of that it was wet
00:55:46It weighed more
00:55:47He has such a great sense of humor, huh?
00:55:52Yes, it's essential down here, you know?
00:55:55Well Antonio, wait
00:55:56We're not done yet.
00:55:57But what do you care?
00:55:58Let's have coffee here
00:55:59Achó! Achó!
00:56:03It was about time!
00:56:04Come on, take it, take it
00:56:04Take it and finish this.
00:56:06They asked me for it for twelve
00:56:08I'm going to accompany these gentlemen.
00:56:09Come in, come this way
00:56:10Come this way
00:56:11Oh, he's always with the coffee
00:56:13See you later
00:56:14Oh well
00:56:15Who were these people?
00:56:17Damn, what a silly nod.
00:56:22To me this is
00:56:23The anti-estamerics leave me feeling evil
00:56:25Well, I'm leaving.
00:56:31Anyway
00:56:32We're going to have lunch with you on Sunday, aren't we?
00:56:35Well yes
00:56:35What's happening?
00:56:36You are welcome
00:56:36Greetings
00:56:37I don't know why I look at the clock anymore
00:56:51If I don't care anymore
00:56:52Good morning
00:56:58Oops!
00:57:00How are you?
00:57:02Too much marching?
00:57:03No
00:57:03Few people
00:57:04It shows that it is the end of the month
00:57:05And then free-to-air football
00:57:07Whether you like it or not, well
00:57:08What a time!
00:57:09You must have been caught in a traffic jam.
00:57:11Of the people who go for churros
00:57:12No, it's just that we went afterwards
00:57:14To an after hours
00:57:15And there's been a pill-popping raid
00:57:17And of course, to Mariano
00:57:17It is the first one they register
00:57:18They have confiscated my paracetamol
00:57:20It's normal
00:57:22Well, I'm going to take a shower.
00:57:24Ah, a visit
00:57:25Emilio came last night
00:57:27Asking for you
00:57:29As?
00:57:30To Emilio or a half
00:57:31One through which it was manifested
00:57:32Like in the movie Ghost
00:57:34Isabel, are you okay?
00:57:36Yes, I do, very well.
00:57:37But next time
00:57:38May you expect visits from the beyond
00:57:39Let me know in advance
00:57:41It's just a shame
00:57:47That Marisa and you
00:57:48They are angry
00:57:49At this point in life
00:57:50Tomorrow something happens to you
00:57:51Anything
00:57:52And the lamentations begin
00:57:53Oh, I would have liked it
00:57:54Ask for forgiveness
00:57:55Oh, why didn't I tell him?
00:57:56That he loved her
00:57:57If I have nothing
00:57:58Against my sister
00:57:59But I can't
00:57:59Give up on love
00:58:00No, no, no
00:58:01For God's sake
00:58:02With how long it took to arrive
00:58:03Say they are very stubborn
00:58:04The two
00:58:05I am much more tolerant
00:58:07That they
00:58:08Yes, yes
00:58:09It is seen
00:58:09Would you like to go this afternoon?
00:58:12To Patricia's Diary
00:58:12To try to make peace
00:58:13With your sister?
00:58:14What are you telling me?
00:58:16She's a friend of mine.
00:58:17I've already called her
00:58:17He says he is very interested
00:58:19His story
00:58:19I won't have time
00:58:20I'll have to go to the hairdresser
00:58:22No, woman
00:58:22If they make a bow there
00:58:23Just like Paula Vázquez's
00:58:25Hey, I'm going too, right?
00:58:27No, you have to stay here.
00:58:28To record the video
00:58:29Ah, okay, okay
00:58:31Do you think Marisa
00:58:32Are you going to want to go to that?
00:58:33Clear
00:58:33Fernando convinces her
00:58:35That's what a lawyer is for.
00:58:36Come on, let's go find the outfit.
00:58:38I do the styling.
00:58:39Oh, how nervous!
00:58:40Hey, but we
00:58:42We have video
00:58:43Fer
00:58:44Fer
00:58:45That?
00:58:47To put the Dolby Surrón
00:58:48Which button do I press?
00:58:49Marisa, they don't show the news.
00:58:51When Dolby Surrón
00:58:51Bring
00:58:52Hey, what?
00:58:56That Mauri and I are going to be in the audience
00:58:58To Patricia's Diary
00:58:58Would you like to come?
00:59:00They give sandwich and soda
00:59:01Well, I don't know.
00:59:03What's the program about today?
00:59:04Hey, gay weddings
00:59:05Yes, that's why we're going
00:59:06For
00:59:06To get ideas
00:59:08Okay, I'm in.
00:59:09I find myself in the same situation with Carlos Sobera.
00:59:11Well, the same.
00:59:11Yeah
00:59:16Vicenta, okay
00:59:17Yes, this way ok
00:59:19Also
00:59:19Marisa
00:59:21But I'm sure everything turned out well.
00:59:26I'm surprised nothing went wrong.
00:59:28I'm not used to it
00:59:29Yes, don't be heavy.
00:59:31Now I'm with the Chinese passport guy.
00:59:33What color do you want Emilio's hair to be?
00:59:35What do I know?
00:59:36Wait
00:59:37Mariano, hang up, they're calling me from the office.
00:59:40Yeah
00:59:42Hello, I'm Isidro
00:59:43Did I catch you busy?
00:59:44No no
00:59:45I'm here at home
00:59:46With medication for depression
00:59:49Tell me
00:59:50Hey, they have already authorized the payment of the insured amount.
00:59:53Yes, they are currently making a transfer to your account.
00:59:55Okay
00:59:57It's funny how little money matters.
01:00:01When you have lost a loved one
01:00:02Now take a week off, woman.
01:00:04Look, what I want is for you to return to work in top form.
01:00:06Thanks Isidro
01:00:08For your understanding and...
01:00:10And for everything
01:00:11Subscribe to the channel!
01:00:41Say, I say yes, honey, they've bitten, we've got it, they've already paid the insurance, they're
01:00:52Making the transfer, I pack my bags and go to the video store. Okay, okay, okay. Come here, I'll wait for you.
01:00:57Mr. Juan, it's me. I just didn't want to leave without saying goodbye to you. What are you doing?
01:01:16You know how upset we all are and how much money the community has spent on your crown.
01:01:20of flowers but if that is recycled you will see how soon it will be useful for one of the ladies
01:01:23From the first appearance you want to have something but dude what are you doing here you're going to screw up but what are you
01:01:31You knew it and you don't tell me anything, dads, I'm a good friend, I can keep a secret, Mr. Juan, I'm leaving.
01:01:37With Belén, who has already collected the insurance money, we are going to an island to set up a hammock business.
01:01:42or dragging tourists on the road with one of those giant bananas, I don't know if you're aware of that.
01:01:48I don't think you're getting into a mess, but everything has turned out very well, Mr. Juan.
01:01:52I will always carry you in my heart, you are very great
01:01:56you will see that it works
01:01:57It's good that Belén sends us a postcard from time to time.
01:02:05yes because you are dead
01:02:07Well, my son, call me because you have me abandoned there in the residence.
01:02:16yes yes
01:02:17Oh my boy
01:02:18good morning
01:02:21goodbye goodbye
01:02:22bye
01:02:23the granny
01:02:25good morning
01:02:36man Emilio
01:02:40how long
01:02:42you to be quiet
01:02:43you haven't seen me
01:02:44Come on, come on, come and have something to drink, you and I have to talk.
01:02:48about what
01:02:49about what
01:02:50Listen
01:02:52But he's not listening to me, he needs the passport for today because I have to go on a trip.
01:02:55Are you listening to me that it takes two days?
01:02:58Hey, come next.
01:02:59no no no no next no really it's an emergency it's been stolen from me
01:03:02Well then you have to go through that door and file a complaint.
01:03:05No, it wasn't stolen, I lost it.
01:03:07It doesn't matter, you have to file a complaint
01:03:09Oh sorry, I haven't lost it.
01:03:11deciduous
01:03:12and I threw it in the trash the dog ate it
01:03:14Please listen, we're in a hurry.
01:03:16Listen, I'm not going on vacation. I'm going to clear Somalia of landmines.
01:03:19clear
01:03:20please
01:03:21Lucia
01:03:22Lucia
01:03:23wait wait
01:03:24I have your passport
01:03:26awesome
01:03:27following
01:03:28Iago and I took it from you so you wouldn't leave.
01:03:30but why are you?
01:03:32Roberto please don't do this to me now
01:03:35already
01:03:36sorry
01:03:37It's just that I always thought we would end up together and
01:03:39Well for the first time I see that no
01:03:41yes but
01:03:42is that you and I have tried it twice
01:03:44Yes, it's all very strange but
01:03:47Well, it doesn't matter
01:03:49what good luck
01:03:54well and you already know
01:03:55If you regret it or whatever, I'm here.
01:03:58for whatever you want
01:03:59Lucia
01:04:00Okay
01:04:01what's happening
01:04:02nothing, yes, I'm going with you
01:04:04No no Yago no no you don't want to come because you want to come
01:04:06You want to come because I want you to come and if you don't want to come because you don't want to come I don't want you to come
01:04:10we've already started
01:04:11No no no I think I've got it now
01:04:13I mean, if you come and go, it's not the same.
01:04:16Well, look, no, nothing's happening.
01:04:18I'm really going to miss you and you're going to miss me.
01:04:21But well, with time all this will pass and we will be happy and that's how it works.
01:04:25Let's see, no, no, let's see, let's see, wait a moment, don't applaud because this hasn't ended well.
01:04:40I can't go on like this, eh?
01:04:42Blanca called and said she's coming here.
01:04:44and I haven't slept at all, my hands are sweating
01:04:46my breath smells
01:04:48your breath doesn't smell
01:04:49Let's see, listen to me, listen to me
01:04:50Why don't you tell Ana the whole truth?
01:04:52maybe he even understands it
01:04:53Carmen, if I lose her again I'll kill myself.
01:04:55And if I commit suicide, Belén will raise your rent.
01:04:57It's true, let's think about it better.
01:04:59girls
01:05:01Girls, I have to talk to you.
01:05:05This is a secret, huh?
01:05:07I just swindled 25 kilos from the insurance company
01:05:10And I say scam because Emilio is alive, hiding in the video store.
01:05:14I'm going to go with him to a tropical island to start from scratch.
01:05:17I leave everything
01:05:18and I'm not going to see you again
01:05:20but you are fine
01:05:21Go on, give him one of those pills with vitamins and ginseng.
01:05:24No, no, it's better to suck on a candy because this is a sugar cube.
01:05:26take
01:05:27I know this is stupid and absurd
01:05:28but it is like that
01:05:29leave
01:05:30oh but then
01:05:32Emilio is alive
01:05:33Yeah
01:05:34Hey, are you going to leave us alone with your mother?
01:05:36that is cruelty
01:05:37not to see who is going to pay the mortgage
01:05:39My mother will take that shit and the apartment is still mine.
01:05:42if it is that
01:05:43everything is going great for me
01:05:45oh thank god
01:05:46girls
01:05:47I love you
01:05:48can know what you have done with the bank
01:05:50that they have passed your mortgage to me
01:05:51Mom, I don't have any money.
01:05:53you're going to have to take care of the mortgage yourself
01:05:55not having endorsed me
01:05:56but where are you going with that?
01:05:57To the Canary Islands, where a friend invited me to see Mount Teide.
01:06:00Hey babe, what about the insurance money?
01:06:03Oh well, they don't pay me.
01:06:04I'm going to report them but from there, eh?
01:06:06bye
01:06:07bye
01:06:08You have seen how he treats me
01:06:09Well, at least I'm keeping the apartment.
01:06:11no, look at it carefully, eh?
01:06:13I think the ballista has the right to pay it.
01:06:15see
01:06:16Oh
01:06:17how about this
01:06:18you like me more
01:06:19I went to the kiosk and I got a medley of trends so as not to fail
01:06:22white
01:06:23we have to leave it
01:06:25but if it is that I
01:06:26I have a girlfriend and I love her. I haven't told you anything before because you had broken up your family because
01:06:30my
01:06:32Don't tell anyone else because it's already here, if you have to tell them once
01:06:35Hey, there's a man asking for white, he must be your husband.
01:06:37Yes, I am the husband and I have the right to follow my wife.
01:06:40Blanca, come on, stop fooling around and let's go home.
01:06:44I don't want to now I'm a lesbian
01:06:46Oh, you too
01:06:47and this is your girlfriend no
01:06:48Yeah
01:06:49Well, I'll set myself on fire right here.
01:06:51and man, here inside so that I can keep all the gold, the scorch
01:06:54Here at least skip the landing, man.
01:06:56Be careful, I have fire
01:06:57Don't worry, it's water, I've already done it to myself several times.
01:07:00Come on, let's go home
01:07:01No, but don't let them blackmail you. I fight for your sexual identity.
01:07:04Don't leave her, Anna. Leave her. Listen to me, she has four children.
01:07:06may you be very happy
01:07:08and look how you've become
01:07:09and what are you dressed up as?
01:07:11If you can't be a coward, you have to face things.
01:07:14Yes, it's true that everything gets complicated later.
01:07:17Hey, how loud
01:07:19You know that Belén is going to collect the insurance and she's going with Emilio who's still alive.
01:07:22what are you saying
01:07:23as
01:07:24It was supposed to be a secret, but oh well, it doesn't matter anymore.
01:07:26oh sorry
01:07:28If it is too much accumulated tension for so few square meters
01:07:32I'm here now
01:07:33we're leaving
01:07:34Paquito is the money
01:07:35Yes, yes, one hundred and fifty thousand euros have been deposited into your account.
01:07:37Take advantage and charge our commission
01:07:40dear
01:07:41no no he's not here he's just gone out for a moment
01:07:44as if he's gone if he can't get out
01:07:46We've already told him that, but he has Ruiz Mateo syndrome and likes to dress up.
01:07:49Belén, run, let's go.
01:07:50but you can know where you were
01:07:52strip
01:07:53Come on, I'll explain it to you along the way.
01:07:55how do you do it, huh?
01:07:57and you looked like fools
01:07:59who says he wants money from Chiva
01:08:01what we do
01:08:02but you are
01:08:03silly
01:08:04it is that it is that
01:08:05But what was I thinking when I gave birth to her?
01:08:07Well, it is clear that in something else
01:08:09I know it right now
01:08:10don't worry either
01:08:12that I with thirty thousand
01:08:13I'm satisfied
01:08:14that
01:08:15but you are out of here
01:08:16Well
01:08:18I'm going to talk to the insurance people
01:08:20Let's see what you think of this one
01:08:22Resurrection
01:08:23wait
01:08:25Paquito
01:08:26You can make a transfer from there
01:08:28no no no
01:08:29transfers
01:08:30for the autonomous communities
01:08:32me
01:08:33So
01:08:34You don't have anything expired to give it to see if it bursts
01:08:37I'm going to the bank
01:08:38you stay here eh
01:08:39don't go out
01:08:40it is that it is
01:08:41But Belén, don't get angry, feet on the beach
01:08:44rape
01:08:45this track fabric
01:08:46take son
01:08:48your passport
01:08:49Antonio Rubio Cortés
01:08:51I have given you the name of Concha's husband so that you remember him well.
01:08:54not calm
01:08:55if I don't forget
01:08:57give me that
01:08:58You can't smoke here, go on
01:08:59Yes, I have seen firefighters at the door.
01:09:01thank you
01:09:02Our next guests this afternoon had been married for no less than 30 years when one day, for no apparent reason, he left home.
01:09:19Damn, that sounds familiar to me
01:09:21three years later, also for no apparent reason
01:09:23He reappeared wanting to resume the relationship, those things that men do sometimes.
01:09:28and he has taken it up again, but not with his wife but with his sister-in-law
01:09:32Hey, but this wasn't about gay weddings.
01:09:35A round of applause for Manolo and Vicenta
01:09:38I'm leaving
01:09:40Wait a moment, you'll see how beautiful
01:09:44Manolo Vicenta, good afternoon, welcome.
01:09:55Thank you Patricia, congratulations on your program, I always watch it.
01:09:59son of a bitch
01:10:01Vicenta, tell us what happened to you with your sister.
01:10:03Nothing that she rejected Manolo because she holds a lot of resentment against him and now it has arisen in life
01:10:07resentment and now love has arisen between us
01:10:09and Marisa has taken it badly
01:10:11because he has always loved me very much
01:10:13Well Vicenta, the thing is that your sister has stopped talking to you and what you want is to make peace with her.
01:10:17Yeah
01:10:18Because I cannot live this love fully if my older sister does not accept it.
01:10:21But for this we need your sister
01:10:23and although she doesn't know it and is sitting here quietly
01:10:26I know that two of your neighbors have been brought to you by treachery
01:10:28Marisa, please, I'm going to ask you to sit down and talk to your sister.
01:10:31you're going to end up
01:10:33Radiopatio is going to take more with you
01:10:35that in the copy and with shoemaker
01:10:37smile, it's Costa on TV
01:10:39Yes, be careful with the step, all of Spain can see it.
01:10:41thank you thank you
01:10:51how are you
01:10:52Marisa, here is your sister.
01:10:54What do you want to tell him?
01:10:55Well, many things, but there are children watching TV.
01:10:58Marisa, I don't want us to be angry.
01:11:00please come home
01:11:01Let's see Manolo, you are the center of this whole love triangle.
01:11:05you will have something to say no
01:11:07Manolo
01:11:09is that he just ate the sandwich
01:11:11Manolo
01:11:13If this man has always been very romantic
01:11:16Well, let Vicenta see him like that, very comfortable for him.
01:11:19and why are we going to wake him up now?
01:11:21If you don't love him anymore, Marisa.
01:11:23What do you care if Vicenta is with him?
01:11:25let's see
01:11:26But deep down I understand it
01:11:28Don't you see that she is a virgin?
01:11:29don't tell me
01:11:30Oh, if I told you
01:11:32With this you have a special
01:11:34Marisa
01:11:36you are the most important thing to me
01:11:38If I have to leave Manolo so you can come home
01:11:40I'm leaving you right now
01:11:43don't forgive me
01:11:46really
01:11:47What I want is for you to be very happy
01:11:49Marisa
01:11:54nice right?
01:11:55what reconciliations are
01:11:56If one day we get angry, we'll come.
01:11:59Excuse me for a moment because we have a call
01:12:01from someone close to you
01:12:02Good afternoon
01:12:03Who's on the phone?
01:12:04Hello Patricia
01:12:05Shell
01:12:06What do you want to say to Marisa and Vicenta?
01:12:08Where do I click on the video to record?
01:12:10John the Conqueror
01:12:21there is very
01:12:24man, John the Conqueror
01:12:27What does it feel like to put your flag on top of another castle?
01:12:30I feel terrible
01:12:31I'm going for a walk because I can't look Isabel in the face.
01:12:33look Isabel in the face. If you're not dating anymore. There we are. I don't understand,
01:12:37If there is no longer a bond, why can't I have a purely carnal relationship with
01:12:40Marta? Why this emotional torture? You love weed, don't give it another thought.
01:12:44Of course I love her, but I don't want to love her, she betrayed me. And I know myself, my wounds.
01:12:48Love wounds take a long time to heal. You're a sentimental hemophiliac. I don't know, I don't know what
01:12:53do. I'll go up and talk to her. Juan, do what I told you in my heart, but go now,
01:12:59He's stepping on my toes. Oh, yes, sorry, sorry. I was coming.
01:13:09Isabel. Juan, I had to tell him. I couldn't keep all this to myself. Come on, I
01:13:15You have mourned. You have been short of time. Isabel, darling, I feel so guilty. And
01:13:20I shouldn't have to give you any explanation, but I'm giving it to you because I love you. And you, Marta,
01:13:26I'm so sorry. Last night was great, I imagine, because I don't remember anything,
01:13:31But I have a very strong feeling towards Isabel and... Juan, we didn't do anything. That's why
01:13:37I say don't get hooked, because he... What? I got you drunk and put you in my bed to
01:13:42show you that depending on the circumstances, we can all slip up.
01:13:47I was kind of prepared. Both of us single, menopausal, and on the prowl. Imagine.
01:13:55what we can think of while smoking a pipe.
01:13:59I don't know. I feel a little ridiculous.
01:14:02Oh, I'll stick with what you said, that you love me.
01:14:08Well, this sounds like a full-blown reconciliation, doesn't it?
01:14:12Well, then, let's be happy. I'm going, because I have a date with Pablo.
01:14:19I never thought I could be grateful to the woman who sleeps with him as badly as I want.
01:14:24Oh, you're welcome, silly, you're welcome. Because you didn't do anything, right?
01:14:28No.
01:14:29Sure.
01:14:31Isabel.
01:14:32Okay, okay.
01:14:34Isabel, darling, either we trust or we don't.
01:14:39We trust. We trust.
01:14:43Uh, what puzzles me a little is what Mariano was doing in bed with you guys.
01:14:49As an observer. Like the blue helmets at the UN.
01:15:00Here, 30,000 euros. Are you happy?
01:15:02Oh, I was referring to pesetas.
01:15:09But this is better.
01:15:10No, no, but, damn, damn, damn.
01:15:13Shit, five kilos thrown down the toilet.
01:15:16No, worse, for pussy.
01:15:18It doesn't matter, I'm happy.
01:15:19I am very happy.
01:15:21Dad, we're leaving. Take care of yourself. Remember the kiwis. And be nice to the neighbors.
01:15:29Paco, goodbye. Good luck with Lourdes.
01:15:32Hey, if you're setting up a bar and need advice, you know what you're doing.
01:15:41Come on, fuck, this looks like today's magician.
01:15:43Well, goodbye, scarecrow. I'll miss you more than anyone.
01:15:46Well, come on, this seems like a Big Brother eviction gala.
01:15:49Oh, Paquito.
01:15:49No, Emilio. But check before you go out to see if there's going to be any neighbors there.
01:15:57No, but who would be there at this time?
01:16:01Well, that's how it is, all by eye.
01:16:03Dude, if there is an official farewell.
01:16:06I'm not going to cry, okay? I'm not going to cry.
01:16:08Who's crying? I'm not crying.
01:16:11Why are you going to Africa when you're doing so well here?
01:16:14You can catch dengue, typhus, malaria, Ebola, yellow fever.
01:16:18The only thing they don't have there is bird flu because there are no chickens.
01:16:21Look, he's been vaccinated against everything, aren't you being a pain?
01:16:24We love you, no matter what. Radiopatio won't be the same without you.
01:16:28Lucía, you will always be an example of punctuality in paying the dues of this, our community.
01:16:33Hey, but this isn't Emilio.
01:16:35No, no, don't worry, it's a brother of yours who's coming from Córdoba to take the ashes.
01:16:41Fuck everything. Yes, it's me, I'm alive.
01:16:44Kisses to everyone, we love you. Goodbye.
01:16:46But this is going to be a disaster.
01:16:48Come on, let's get out of the country. We already complained on the plane.
01:16:52Hey, hey, wait for me, we'll share the taxi. Bye, bye.
01:16:56Already.
01:16:56Write, darling.
01:16:57Bye bye.
01:16:58Damn, we're left in the dark.
01:17:00Juan, you'll give us back the money from Emilio's crown, won't you?
01:17:04Sausage!
01:17:04Look, this is surreal.
01:17:06Did they fake Emilio's death to avoid paying compensation?
01:17:09The only ones who still don't know anything are the insurance people.
01:17:11Hello?
01:17:27Poseidon insurance?
01:17:29Look, it's to report a fraud by a dead man who isn't dead.
01:17:34Hey, you give commission in these cases, right?
01:17:41Yes, yes, yes, yes, I hope.
01:17:43If I'm not in a hurry.
01:17:44There's no one living here, there's no one living here.
01:18:01There is no one living here.
01:18:20There is no one living here.
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