Aquí no hay quien viva - 4x05 - Erase un banco en la acera - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

El Ayuntamiento coloca un banco en la acera justo delante del telefonillo del portal. Los vecinos protestan y le piden a Juan que consiga que lo retiren. Pero Vicenta, Concha y Marisa cambian de opinión cuando se convierte en el lugar de reunión y confidencias de una extraña pareja: una mujer guardia civil y un joven subsahariano que viven un amor imposible. Para Juan Cuesta todo son problemas. De un lado no sabe de donde saca Natalia tanto dinero, y, de otro, Marta, la presidenta de la otra comunidad, no cesa de mandarle mensajes de amor al móvil, y aunque él está enamorado de Isabel, no quiere dejar pasar la que puede ser su última oportunidad. Bea necesita tiempo libre para salir con Ana, y Mauri para escribir su libro. Deciden contratar una niñera y es Fernando quien, a través de internet, contrata a una monja que en principio parece ser la candidata perfecta. Desde que es propietaria a Belén se le acumulan las deudas. Entre la derrama y el dinero que debe a Lucía su vida es un infierno.

Transcript

00:00:00Here, here, here, no one lives! Not here! Not here! Not here!

00:00:24But how did I discover this before? It's so convenient!

00:00:30Dad, what did we say when I got home, huh? You weren't going to interfere in my life?

00:00:33I'm not going to get involved. I just happened to see the tag on your new coat and I'm wondering where you got the 900 euros it costs. It's the typical father question.

00:00:42I'm working with Fernando, I've already told you.

00:00:44Correct. And I've asked him how much you charge, but the numbers don't add up.

00:00:47You're making me nervous, aren't you? You're making me nervous?

00:00:48Natalia, there's no atmosphere of dialogue between us. And I say this without any bitterness, but I say it. Because my obligation as a parent is... Hey!

00:00:57What's up, Mr. Juan? Parent-child issues?

00:01:00Natalia, she's treating herself a bit. Maybe a laptop with a dual-layer recorder. Maybe one of those Dolce & Luquino bags that cost a fortune.

00:01:08And I don't know where he's getting so much money from.

00:01:10Juan, I'm your friend, and I'm telling you how it is. This girl has turned out to be a bit of a slut. What can we do about it?

00:01:16Mariano, please.

00:01:17Take off your blindfold. He got that one from Van der Becken in some library.

00:01:21Dad, go inside and eat those frostys, okay? Every time you show up like a creep, you're putting me in a difficult position.

00:01:26What a mess. As if I didn't have enough problems already.

00:01:31What's going on? Are you on a hotline with the president next door?

00:01:34Emilio, don't be a goalkeeper.

00:01:36Mr. Juan, be careful with cell phones, okay? They already destroy more relationships than TV, right?

00:01:40And so it goes. There's nothing between Mars and me.

00:01:42Of course not.

00:01:43And balls that don't. This guy really attacked himself with his finger.

00:01:49But hey, who put a bank here?

00:01:52Listen, good man, you can't feed the pigeons here, okay? They'll screw me over.

00:01:55Excuse me, but I'm just sitting here quietly and not bothering anyone.

00:01:59Yeah, but you're interfering with a natural ecosystem, aren't you? This is completely reprehensible.

00:02:04You'll see how she smells one of me in the doorway and makes a nest in a light fixture.

00:02:07Well, complain to the city council. What the hell did they notice me about?

00:02:11But what do I tell him? I don't want any pigeons here.

00:02:14I'm doing well.

00:02:15Hey, you're rude. And impolite.

00:02:18Look, Grandpa, okay? I'm really stressed out, and I don't want to get violent, okay?

00:02:22Come on, get out of here.

00:02:23Out.

00:02:24Watch out, okay?

00:02:25And don't let it rain on you again here, I've got your face.

00:02:27But who put a bank here for us?

00:02:33I don't know. The city council.

00:02:35You put this here to lie down.

00:02:37Of course. And it gives massages if there's background music.

00:02:40Doña Concha, get an MRI, there's something wrong here, huh?

00:02:43I don't think there's a bench here, huh? This place is going to be filled with bottles and poop.

00:02:47Well, let's have a complaint about the second one, okay? I'm not in the least bit involved here.

00:02:50I would apply the law of vagrants and criminals to you.

00:02:53But with her, no reason.

00:02:55Concha, they took that away 30 years ago. Let's see if we can change our mindset, okay?

00:02:59Oh, I want to change it too. Let's all go together.

00:03:02Yes, I'll order now.

00:03:03But what have I done to Don Pimpón to make him hate me so much?

00:03:07Hey, you loser, what did you say to our friend?

00:03:11Me? Nothing.

00:03:12What do you mean, nothing? He called me grandpa and tried to hit me with the broom.

00:03:16Yeah.

00:03:16You bastard! You're brave with a stick in your hand.

00:03:19And now what?

00:03:20Okay, veterans of the Battle of the Ebro, I'm going to tell you a few words to help you relax, okay?

00:03:25Osteoporosis. At your age, your bones don't heal properly anymore, and I don't want to mess things up, okay?

00:03:30Come here, man!

00:03:33Dad!

00:03:34I'm in the bathroom!

00:03:36Open the door, you bastard!

00:03:38Egg sacique!

00:03:39Get out, call there!

00:03:40Egg sacique! Come here!

00:03:42Come here!

00:03:43Even if you all break a hip, we'll keep you in the diary.

00:03:46Commercial Fantero! Please speak!

00:03:48Yes, go ahead!

00:03:49No, Mrs. Hicentra, there won't be! There won't be!

00:03:52Dad, call the police!

00:03:54Come here, you bastard!

00:03:57Where are you going? Don't chase me down the stairs, man.

00:04:01Here, here, here, there's no one living. Not here, not here.

00:04:05Every day is like this. I couldn't have imagined it when I came here. I was just looking for some peace.

00:04:12I wake up every day in the middle of a hurricane.

00:04:15Here, here, here, there's no one living. Not here, not here.

00:04:18No, no, no.

00:04:19Here, here, here, there's no one living. Not here, not here.

00:04:23No no.

00:04:24That party scene. I can't find the goalkeeper.

00:04:28The neighbors are watching and listening to me. I can't stand being here.

00:04:33Put in a cocktail shaker.

00:04:37Tuele an earthquake and a mouth.

00:04:40Dad, dad, dad, dad!

00:04:43And you will have this ladder.

00:04:46Here, here, here, there's no one living. Not here, not here, no, no, no.

00:04:51Here, here, here, there's no one living. Not here, no, no.

00:04:55Here, here, here, there's no one living. Not here, not here.

00:04:59No, no, no.

00:05:00Here, here, here, there's no one living. Not here, not here.

00:05:05Here, here, here, there's no one living. Here, here, here, there's no one living. Here, here, here, there's no one living.

00:05:12No!

00:05:17Hello!

00:05:18Oh man! Flora, fauna, and spring. What do they want?

00:05:22We're here to cheer you up because getting dumped by your boyfriend is a huge pain.

00:05:26I made you a chocolate cake that is an antidepressant.

00:05:29Thank you very much, Vicenta.

00:05:31Look, I don't know what kind of rumors you have about radiopatio, but I haven't broken up with Yago, okay?

00:05:35What's more, we are at a precious moment in our relationship.

00:05:40Hello good.

00:05:40Hello!

00:05:41I'm here for the rest of my stuff. If you still have that idiot in there, tell him to come out or I'll get him out.

00:05:46They're pretty good, huh?

00:05:48Lots of love.

00:05:49He's a jerk.

00:05:50Excuse me, it's just a moment, okay?

00:05:55Yago, Yago, Yago, please, let's talk.

00:05:57Yes, I beg you. Nothing has happened between Carlos and me.

00:06:00Look, Lucia, I've come to get in the middle of your relationship.

00:06:03There is a very strong feeling between you, you still love him.

00:06:06No, no, don't love him, he's harassing me.

00:06:08Yes, I've even filed for a restraining order.

00:06:10A little higher.

00:06:12Vicenta, please.

00:06:13There, there, perfect.

00:06:15Look, this has all been very nice, but I'm already stressed, my hair is falling out.

00:06:18So, be very happy.

00:06:20Oops, it's stuck.

00:06:29Well, you're almost going to sleep now, aren't you?

00:06:30And tomorrow we call the locksmith.

00:06:32Lucia, please.

00:06:33Very good.

00:06:38It's up to you, eh?

00:06:38It's up to you.

00:06:39But if you leave, don't come back, okay?

00:06:41Because look, I warn you that when someone does this kind of thing, they later regret it.

00:06:44Because you lose the person you love and the anguish comes.

00:06:46Yes, no, but don't they have anything else to do than stand there with their ears glued to the door?

00:06:49Yes, but we retirees have time for everything.

00:06:52Permission.

00:06:53Do something, blackmail him.

00:06:55Tell him you're going to call immigration.

00:06:57Oh, please leave me alone.

00:06:59No, you might get a downer.

00:07:00And it's very bad to be alone.

00:07:02If not, my dear, how has this one turned out?

00:07:03Come with us, there's a meeting.

00:07:04And that's how you entertain yourself.

00:07:05Of course, come and insult Arcuesta, so, so, to waste the afternoon.

00:07:10Lucía, know that we are your neighbors and that you can count on us for whatever you need.

00:07:16To her yes, to me no longer.

00:07:18Look, I have nothing to talk to you about until you give me my money back.

00:07:21And what are you doing, glued to the peephole?

00:07:23The new generations that are coming on strong.

00:07:30The timbo is warm.

00:07:33I can't stay with Ezequiel, I have to work.

00:07:36Mauri, please help out a little, you're his father.

00:07:38I have to deliver the first three chapters of the novel to my editor.

00:07:40and I still don't have even half a page, which is normal, because I don't know what to write about.

00:07:45In the end I have become a bourgeois urbanite without any kind of inner life.

00:07:49It shoots well.

00:07:49Well, I can always resort to computer error, like Ana Rosa Quintana.

00:07:53Look, I need air, okay?

00:07:54I have fallen in love.

00:07:55For the first time in a long time I have someone to share my life with.

00:07:58I'm warning you so you don't get hit later.

00:08:00I see Inga as very bisexual.

00:08:02Okay, me too Fernando.

00:08:03Oh, take it back right now.

00:08:05I deny it right now.

00:08:06Well, the truth is that I think you're being selfish.

00:08:08Sorry, but you were the one who came begging for my semen,

00:08:10that I had to get shocks in my testicles so that you could have this child.

00:08:13Shh, don't argue anymore, he understands everything.

00:08:15They grow very slowly.

00:08:17What is the minimum age to enter the Armed Forces?

00:08:19Look, we can't go on like this, okay?

00:08:21If we're both going to be very busy, we'll have to find someone to take care of the child.

00:08:26Ah, no, no, no, no, no.

00:08:27There is no need to find an office for the firm.

00:08:29And I have a mess on top of me that doesn't.

00:08:30Calto has delighted you with Natalia managing your little things.

00:08:33Go with Natalia, you're a pain, aren't you?

00:08:35Look, it's over, huh?

00:08:36We found a babysitter, split the cost, and that's it.

00:08:38Great idea, good luck.

00:08:40I'm leaving, I have meetings.

00:08:41Bea is right, you do shirk when you can.

00:08:44Sorry, but the community has reported us for not paying the assessment.

00:08:47Then you better go.

00:08:48From stress, everything, for God's sake.

00:08:50For getting to look for a babysitter, what a cherry.

00:08:54Bea, Bea, what are you saying about me being bisexual?

00:08:58Ah, well, it's just to tease him.

00:09:01Sting him?

00:09:02Yeah.

00:09:06But let's see, what do they expect me to do if the city council puts a bench on the sidewalk for people to sit on?

00:09:11I just don't understand how it affects us.

00:09:12Well, homeless people and drug addicts are going to come, rob us, and stick us with syringes.

00:09:18Wow!

00:09:18I was attacked by some retirees, right?

00:09:20A petanque ball was thrown at my head.

00:09:22And if this place fills up with pigeons, we'll all catch chicken flu.

00:09:27But do you know what that is?

00:09:29I don't understand.

00:09:31If it's a chicken flu, what do pigeons have to do with it?

00:09:34Fuck.

00:09:34Let's see if we can watch the news.

00:09:36It's bird flu in general.

00:09:38Everything that has wings.

00:09:39Then you can no longer use pads.

00:09:43Next time you leave the meeting.

00:09:45Vote in favor of sending the bank to Free Puñetas.

00:09:47It cannot be removed, it is attached with rivets.

00:09:50It is also street furniture.

00:09:52What do you want? Another fine?

00:09:53Yes, but they put it right there in front of the intercom and that, well, it bothers us.

00:09:57Juan, didn't you have a friend at the town hall?

00:10:00But this one has no friends.

00:10:01Well, I'll talk to him and request the bench be removed, citing the narrowness of the sidewalk.

00:10:06But come on, I'm not promising anything.

00:10:07Well, if there are no noises and questions.

00:10:09Yes, yes, yes, yes.

00:10:10Wait, there are.

00:10:11Oh my God.

00:10:13Juan, are you going to explain to me right now what this letter I received from the court means?

00:10:16I have another one.

00:10:17I haven't dared to open the one that says.

00:10:19He who warns is not a traitor.

00:10:20If the assessment is not paid, the community resorts to ordinary justice.

00:10:24There he files three complaints for non-payment against Mauricio Hidalgo, Belén López Vázquez, and Lucía Álvarez.

00:10:28It hurts me, because I love you as a neighbor.

00:10:30I'm not going to pay for a rehabilitation that insurance should have paid for, and for fines that aren't my fault.

00:10:35Mauricio, they're pressuring me to get paid.

00:10:37Those who have fixed the building.

00:10:39And fines must be paid.

00:10:41And the numbers don't add up anymore.

00:10:42And I can't take it anymore.

00:10:43And when I burst, I burst.

00:10:44But why should it cost me money that you're useless as president?

00:10:47And why does it have to cost me my health to chase after neighbors who are as clever as they are unsupportive?

00:10:52I officially inform the three of you that you screw yourselves and pay.

00:10:54But Juan, for God's sake.

00:10:56No, it's just that I'm fed up with everything.

00:10:58Look, Juan, I'm telling you, okay?

00:10:59I am a pacifist.

00:11:01Are you going to get hit one day?

00:11:05Damn, with gay pride.

00:11:07Let it be recorded that the first B has physically threatened me.

00:11:11Mr. Juan, don't bother me to see if I'm going to get another one.

00:11:14The atmosphere in this building is getting better and better.

00:11:17I don't want any trouble, okay?

00:11:18I'll pay as soon as I can.

00:11:20Me too.

00:11:21As for Belén, she should return the 3,000 euros she owes me.

00:11:23How do you like to humiliate me in public?

00:11:25The Cuban has ignored her.

00:11:27And you, who have been bitter since you became an owner.

00:11:31You've turned into a hilly dove.

00:11:33She will always be with us.

00:11:35May God have her in his glory.

00:11:37A minute of silence.

00:11:38That she is not dead.

00:11:40Mr. Juan, this is getting out of hand.

00:11:42The meeting is suspended.

00:11:43Everybody out.

00:11:44Lucia, don't make excuses for not paying.

00:11:47Disillusionment 21, we are all.

00:11:49Hey, how long is this guy going to be coming to the meetings?

00:11:51Because the owner of the video store is Carlos.

00:11:53But how can he come if you've filed a restraining order?

00:11:55Damn, that hadn't leaked into the radio patio.

00:11:58Poor!

00:11:59What has Carlos done to you apart from loving you?

00:12:01Big mouth, you are a big mouth.

00:12:03I've always said that a posh girl has no heart.

00:12:06You're going to grow old alone!

00:12:09Well, like you.

00:12:10You've been very good.

00:12:15But you are very irascible.

00:12:18Is something wrong?

00:12:19Nothing to me.

00:12:20What's going to happen to me?

00:12:26Do you know something that's happening to Juan?

00:12:29I don't.

00:12:30What am I supposed to know?

00:12:32I have to clean my bins and do my things and I don't...

00:12:35Already.

00:12:36No, nothing.

00:12:36But...

00:12:37No, yes, yes, of course.

00:12:39Ask him, ask him.

00:12:40Already.

00:12:40And now, well...

00:12:42I can hear you now.

00:12:43Clear.

00:12:43Okay.

00:12:53Carlos, did you hear the shots?

00:12:56It looks like the hallway of a high school in the United States.

00:12:58But lower that, damn it.

00:12:59What do you want?

00:13:00Let the owner come here and see the apartment renovation.

00:13:03Roberto?

00:13:06Roberto!

00:13:08Uh, yeah.

00:13:09But what scandal is that?

00:13:10Eh, nothing, nothing, nothing.

00:13:12Carlos has bought a home theater system and we're here testing the wattage.

00:13:15Didn't you hang the southern speakers on the wall?

00:13:17No.

00:13:17I told you no holes.

00:13:19No, don't worry.

00:13:20Fuck.

00:13:21But what have you done here?

00:13:23Is this another floor?

00:13:24Carlos, who when he's depressed tends to spend and...

00:13:27Well, let's see what I say to my sister now.

00:13:28Because this contravenes the lease conditions point by point.

00:13:32And this, this is work.

00:13:33No, no, no, no.

00:13:34This is washable, moisture-resistant laminated plaster.

00:13:36Of course, you can say goodbye to the deposit.

00:13:42Now, that's nice, huh?

00:13:45They are problematic, but they have good taste.

00:13:51Carlos, what did I tell you?

00:13:53Don't buy things on your own.

00:13:54Here everything is half-baked.

00:13:55Okay, so the equipment cost 24,000 euros.

00:13:59If you want to give me half.

00:14:01Well, this time I'll pass it on to you.

00:14:02But let it not happen again.

00:14:04Okay, okay.

00:14:06What's happening?

00:14:07Have you bought anything else?

00:14:09Yes, but I won't show it to you, otherwise you'll get angry.

00:14:11I'm not angry.

00:14:12Show it to me.

00:14:12No.

00:14:13Carlos!

00:14:14Okay, fine.

00:14:15They installed it this morning.

00:14:16Come, come, now.

00:14:17It's not a whim, eh?

00:14:28The doctor recommended it to me for my circulation.

00:14:32Really?

00:14:33You have no remedy.

00:14:35Let's see, how's this going?

00:14:36Emilio, please don't intimidate me anymore.

00:14:46But we'll have to sit down and talk about our thing, right?

00:14:48We're not going to let a shot ruin something so beautiful.

00:14:50I don't want to talk, I have many problems.

00:14:52Well, that's what your boyfriend is here for.

00:14:54To understand you, listen to you, help you.

00:14:55That's just what a boyfriend doesn't do.

00:14:57Don't say give birth.

00:14:58Be careful, you'll fall.

00:15:00Oops, oops.

00:15:02Look, look, look.

00:15:03Stop bothering me already, man.

00:15:05Come in, come in, come in.

00:15:06Come on, Kike, look how good it is, your teacher is here.

00:15:09Hey, Belén, cheer the child up a little,

00:15:10He asks me something about some polynomials and I don't understand.

00:15:14Hey, what have you done to him now?

00:15:16I have nothing, he doesn't let himself be helped.

00:15:17She is very stubborn.

00:15:20I have to pay 9,000 euros for the branch.

00:15:23I owe Lucía 3,000 euros

00:15:24and now I have to pay 1,200 for the mortgage.

00:15:27With how well I was rented,

00:15:29bullfighting with a shell.

00:15:31I was so happy.

00:15:32Belén, weren't you happy?

00:15:33Yes, I was happy.

00:15:34The thing is, I didn't realize how happy I was.

00:15:36Belén, I don't understand this problem.

00:15:38We all have problems.

00:15:39Kike, grow up a little in life.

00:15:41Look, calm down, don't despair.

00:15:42There is always a solution for everything.

00:15:44Of course.

00:15:44We are here for whatever you need.

00:15:46Who's going to lend me money?

00:15:50Oh, I have to buy a lot of clothes for the child.

00:15:52Oh, I'm a civil servant,

00:15:54But the shoes do make a lot of money, don't they?

00:15:56Those of us who are going to be unemployed for three months, no.

00:15:58But you weren't giving private lessons now.

00:16:00Yes, but at 12 euros an hour I would have to work 10 hours a day.

00:16:03I'm going to end up disgusted by children.

00:16:05Yes, you already have it.

00:16:06With more disgust, I mean.

00:16:09Where am I going to get so much money?

00:16:11Hey, the internet has an amateur porn video contest.

00:16:15The first prize is 30,000 euros.

00:16:17And how do you know that?

00:16:18For advertising, which they send to your email.

00:16:20Clear.

00:16:21This is what they call spam.

00:16:22Hey, it's not nonsense, it's 5 kilos.

00:16:253 for me and 2 for you, I'm more worn out.

00:16:27Emilio, please.

00:16:28Who's going to be interested in a video of us just going at it?

00:16:31Yes, people no longer want to see blondes, collagen-wearing women, or Cirque du Soleil poseurs.

00:16:36People want to see sex with a normal girl.

00:16:38Are you calling me ugly?

00:16:40No, darling, you're not ugly, you're average.

00:16:43How much of a pile?

00:16:44That is, from the good bunch.

00:16:46Because there is a lot of good and a lot of bad.

00:16:48Well, you are one of the good bunch.

00:16:50Then there's the pile that you shit.

00:16:52But those are separate.

00:16:53And besides, what am I saying?

00:16:54If what I like is an intelligent woman, you're not either.

00:16:58But I like it.

00:16:59I mean, you're calling me stupid.

00:17:00Yes, I mean, no, no, no, no, honey.

00:17:02Alice was a silly aunt.

00:17:06Alicia, who was hotter than you, yes, but she was stupid.

00:17:10And then there's Lucía, who's also hotter than you and smarter.

00:17:14What are you telling me? That you like Lucía?

00:17:16No, they are examples so you can see the different types of women there are.

00:17:19You are almost smart and almost pretty.

00:17:22That is, from the heap, from the good heap.

00:17:25I think I've explained myself well, right?

00:17:26We were talking about an amateur video.

00:17:30Yes, let's get back on track a little bit.

00:17:33But let's see, how am I going to make a porn video with this guy if I'm not even dating him?

00:17:37Well, but there is trust.

00:17:38Belén, that's 30,000 euros, you pay off all your debts and you still have enough to get some highlights.

00:17:43What a lot of money.

00:17:44Of course, I'm going to ask Paquito for the camera, we have to think of a story.

00:17:47Hey, hey, hey, I didn't say yes to you, huh?

00:17:50What do you mean no?

00:17:50It wouldn't be a shame.

00:17:52No, silly, but only four sick people see that.

00:17:54You among them.

00:17:55Well, yeah, so what? The Internet belongs to everyone.

00:17:57How low I'm falling.

00:17:59What else could happen to me?

00:18:01Ah!

00:18:02Ah!

00:18:03Ah!

00:18:06Damn, what a scare.

00:18:08Are you okay down there?

00:18:10Quique!

00:18:11Quique!

00:18:12Quique!

00:18:13Quique!

00:18:14Quique!

00:18:14There, there!

00:18:15Oh, Quique, for God's sake!

00:18:17There too!

00:18:19But what are you doing up there?

00:18:22Uh, and in this little box here you put the aromatic cactus salts.

00:18:29Hey, why did you buy this for two?

00:18:31I have to worry, I had it in my order for months.

00:18:36It was going to be a birthday present for Lucia.

00:18:38I imagined the two of them sitting opposite each other, naked, talking about life while

00:18:46our pores opened.

00:18:48Fuck!

00:18:48What a failure!

00:18:49Carlos, turn the pages now, man.

00:18:52We've been living together for two weeks.

00:18:54How many women have passed through here?

00:18:57Well, your grandmother, who died, and Vicenta, who brought a cake.

00:19:02Which, by the way, is still there, because I don't like the cream.

00:19:04It can't be, man.

00:19:05We have to bring aunts.

00:19:07We are young, handsome, with money.

00:19:09Right now they should be fighting over us.

00:19:13Fuck.

00:19:14Man, you're getting hard.

00:19:15Hey?

00:19:16No, no, no, careful, careful.

00:19:18It is at rest.

00:19:19No, no, no, no, no, no.

00:19:19She's a bit of a sausage.

00:19:21And you, what?

00:19:22I?

00:19:23I have nothing.

00:19:25Look, look, look, look now, look now.

00:19:26Well, now yes, a little.

00:19:28Of course, because you bring up the subject.

00:19:30Come on, don't fuck with me.

00:19:31I'm leaving.

00:19:33How childish you are.

00:19:38And why is this now like this?

00:19:42How sexy the little neighbor across the street is.

00:19:46Oh, hello, how are you?

00:19:48Hey, are you going to the gym?

00:19:50No, no, no, no, no, no.

00:19:51It's pure genetics.

00:19:52It's just that I have a fast metabolism.

00:19:54I am going to the gym quite a lot.

00:19:56Cardio, pilates, tai chi.

00:19:59Well, well.

00:20:01This is part of an advertisement for a gay sauna downtown.

00:20:05Hey, didn't you have to go put on that day cream you have?

00:20:08No, no, those in the morning, with the shower.

00:20:11No.

00:20:11Hey, let's see if you can invite me for a drink.

00:20:13I don't know, show me the house.

00:20:16Whenever you want.

00:20:18Tonight exactly.

00:20:19Okay.

00:20:20Well, I'm going, I have an appointment.

00:20:21Pleasure or business?

00:20:23Business?

00:20:23I've been a little short on pleasure lately.

00:20:27Come on, bye.

00:20:27Hey, man.

00:20:31Well, don't do this to me.

00:20:31Don't you see he's hitting on me?

00:20:33But what are you saying?

00:20:34He was throwing us at me.

00:20:35As soon as he appeared, there was a very clear turn in the conversation.

00:20:38But you're stupid, I have a score to settle with Natalia.

00:20:40Tonight you're going to be a mess, like you're in the Azores.

00:20:43We'll see.

00:20:44For now I'm going to buy a shirt.

00:20:45Besides, you should be thinking about Lucia right now.

00:20:47Ah, now it's done, right?

00:20:49What a love you had for him, that will pass in a month.

00:20:52It took me a year.

00:20:54Well, Roberto, you've never been strong.

00:20:58But this guy is an asshole.

00:20:59That bank is in very bad shape there.

00:21:01You see?

00:21:01A poor guy has already joined.

00:21:03Get to work, parasite.

00:21:05You don't come to this country to be lazy.

00:21:07Madam, I'm from Murcia.

00:21:09You better put it on for me.

00:21:10To the garden to pick things.

00:21:12You'll see that it will soon be gone.

00:21:13Poor thing, he's homeless.

00:21:15Victim of the system.

00:21:17What are you going to do?

00:21:18Nothing.

00:21:19Water the plants?

00:21:22Oh, son.

00:21:24Hello.

00:21:24I got a bit sleepy and didn't eat the cake.

00:21:26Come in, come in.

00:21:26We're having a fight with a homeless person.

00:21:28Runs.

00:21:29Oh, son, sorry.

00:21:30But I have the pulse.

00:21:32Pieces!

00:21:32Bitch legs!

00:21:33Oops!

00:21:34What did you say?

00:21:36Give me that flower pot.

00:21:39Lucia.

00:21:40I'm going for the good chinchón that the posh girl has as a pre.

00:21:43Can we play some mus?

00:21:44There are four of us.

00:21:46No, no, no.

00:21:47It's not necessary.

00:21:47I just came to bring you the little plate.

00:21:50Oh, here, here.

00:21:51You water the next one.

00:21:53Look, look, if you have it on the egg.

00:21:56Give me a little bleach.

00:21:58Hey, what?

00:21:59Don't stand still.

00:22:00Come on, let's play mus.

00:22:01Look, the Civil Guard.

00:22:03Come on, we've saved ourselves a call.

00:22:06Damn, fuck integration!

00:22:10It's normal that everyone wants to come.

00:22:12Of course, this is what they censor on the news.

00:22:15Shh!

00:22:15Shut up, let's see what they say.

00:22:16That I have been fired from the work.

00:22:18That I am undocumented.

00:22:21If they arrest me again, they'll kick me out of the country.

00:22:25Well, we're getting married, Yacubo.

00:22:27I'm breaking up with my boyfriend and then we'll see.

00:22:29No, Maria, no.

00:22:30That your father won't accept me.

00:22:31Yes, man, yes.

00:22:32If he has also been promoted to colonel.

00:22:34He is in a very good mood.

00:22:36Look, I'll talk to him tonight and then I'll tell you.

00:22:39Are you sure?

00:22:40Yes darling.

00:22:42See you right here at ten.

00:22:43Okay, I love you.

00:22:45I love you.

00:22:46I love you.

00:22:48Oh, yeah.

00:22:49But how short it has been for me.

00:22:50How entertaining.

00:22:52It's great that they put a bench here, isn't it?

00:22:55Yeah.

00:22:55They finally did something good with my taxes.

00:22:58What time are you meeting?

00:22:59You're getting deafer by ten.

00:23:01Well, we have to change the bingo time.

00:23:03Oh, how beautiful.

00:23:04With a love story and interracial.

00:23:06There are no borders for the heart.

00:23:10These stories between a local girl and an immigrant boy never work.

00:23:14How sensitive the cock is.

00:23:19Marisa, go on, you too.

00:23:21I'm too old to be tactful.

00:23:24If I can't even do it.

00:23:25But how could she not be trustworthy if she's my cousin?

00:23:29He just arrived from the village, he needs a job.

00:23:31We need a professional.

00:23:33Cronyism is sinking this country.

00:23:35Also, for God's sake, look at that face.

00:23:36You should shave your eyebrows.

00:23:38Well, if you don't like my candidate, find one yourself.

00:23:40That I can't, that I have to write my book.

00:23:42But if you don't write.

00:23:43Show me a page.

00:23:44You are a cruel lesbian.

00:23:45Come on, let's see, let's not argue anymore.

00:23:47I have found a new visitor and he is about to arrive.

00:23:49I am a very nice lady, a kind of Mary Poppins of Guadalajara.

00:23:51And where did you get it from?

00:23:52From the internet.

00:23:53www.conquiencoñodojarniño.com

00:23:55And so on, without spaces.

00:23:56I interviewed her by videoconference.

00:23:58And I loved it.

00:24:01Hello, good afternoon.

00:24:02Thank you, we already have calendars.

00:24:04No, no, no, no, it's the kangaroo.

00:24:06Hello, Esperanza, please come in.

00:24:08Happens.

00:24:08Look, this is Mauri, this is Bea and there is Zequiel.

00:24:14It's that Mauri and I were boyfriend and girlfriend and we lived together,

00:24:16But we had a kind of crisis and I went to live in London.

00:24:19Then Bea, who is a lesbian, appeared.

00:24:21and asked Mauri if she could have a child by artificial insemination,

00:24:24because she felt very lonely.

00:24:25And nothing, yes, the Zequi was born.

00:24:27And Mauri grew fond of her, Bea stayed here and I came back from London,

00:24:29since the three of us are here with this beautiful cake.

00:24:33And on Sundays at mass, right?

00:24:35Well, well, don't worry, man, it's just a joke.

00:24:38It's okay, we are all children of God.

00:24:43Jesus of great power, but, but what a precious child.

00:24:48Well, I'm hitting the gym, okay?

00:24:51Oh, Fernando!

00:24:52Just a moment, just a moment.

00:24:54One thing, does this lady like to dress loose,

00:24:58like I rode her, or is she a nun?

00:24:59She is a nun.

00:25:01And since when have you been doing these things?

00:25:03It looks like she makes pastries in the convent,

00:25:05What happens is that with this light fever they will have lost market share.

00:25:08I've been chatting with her for two hours and she's a sweetheart.

00:25:10Let's give it a try, shall we?

00:25:12Man, if we don't trust a nun, the second flood will come,

00:25:15because then humanity is no longer worth it.

00:25:17I have very bad memories of them at school,

00:25:19As soon as we approached a boy, they hit us with the ruler.

00:25:21So it's over.

00:25:22Well, that's it, we already have a kangaroo, right?

00:25:24Enjoy life, it's very short.

00:25:25And Adam said to Eve,

00:25:29don't eat the apple they throw at us.

00:25:31I've told you a hundred times,

00:25:33but she was obsessed.

00:25:35Apples on an empty stomach are supposed to help you lose weight.

00:25:37He bit her and since then,

00:25:40sinners from birth.

00:25:43Hope,

00:25:44It's probably a little early for genesis.

00:25:46Stick to the three little pigs.

00:25:48One thing, you're hired,

00:25:49But how come you've taken to babysitting?

00:25:50Well, the thing is that in the order we have economic problems

00:25:53and we are looking for other sources of income.

00:25:55Sister Blanca is a taxi driver

00:25:57and Sister Loreto install satellite dishes.

00:26:00The ways of the Lord are mysterious.

00:26:03And my life...

00:26:04Hello.

00:26:13Hello.

00:26:14Sorry for the delay.

00:26:16You're taking me for a ride, huh?

00:26:17You look like Spielberg on set.

00:26:18Marta, we need to talk.

00:26:21I am very grateful for the sharing of messages.

00:26:24It's very funny, but...

00:26:25I just like the teenage thing.

00:26:27Yeah, but Isabel is going to end up catching me.

00:26:30Well, delete them.

00:26:31If I don't know how to do it,

00:26:32has a lot of menus.

00:26:33I don't know...

00:26:34Come on, bring it.

00:26:35Bring, bring.

00:26:37Marten,

00:26:38I have a stable relationship with Isabel.

00:26:41Rare, but stable.

00:26:43Without crisis, without fissures,

00:26:45sensually acceptable

00:26:47and I don't want to jeopardize all that.

00:26:49Because you are a woman who...

00:26:51You are a lot of woman.

00:26:54And in the hypothetical case that I made the jump to you,

00:26:57the emotional leap, do you understand?

00:26:59Well, I would have to weigh up a series of pros and cons...

00:27:03Which?

00:27:03I don't want a stable relationship.

00:27:06Oh no?

00:27:06No.

00:27:07No no.

00:27:08I am divorced,

00:27:09I've been through that before,

00:27:10I'm already very selfish.

00:27:12What I want is an adventure.

00:27:14Ah.

00:27:16Hey...

00:27:17Good, good.

00:27:18But, of course, that changes the situation,

00:27:20the frame,

00:27:22the emotional context in which we...

00:27:24John, no.

00:27:25I really want to kiss you.

00:27:26No, no, no, no.

00:27:28Incorrect.

00:27:28No, it is not a good option.

00:27:30We are in a public place.

00:27:31Elderly.

00:27:32What's happening?

00:27:33My daughter is there.

00:27:36Who is that?

00:27:37Oh!

00:27:38What a beautiful daughter you have, don't you?

00:27:40But the groom is a little older.

00:27:41Hey, I'm leaving because he's going to end up seeing me.

00:27:44and I'm going to lose my authority as a father.

00:27:47I'm already reflecting on everything you've told me.

00:27:49And I'll tell you, okay?

00:27:51Nothing else.

00:27:53Who could that guy be?

00:27:54But, John.

00:27:55Juan, what are you doing?

00:27:56Hello good.

00:28:02Good news!

00:28:04Dissimilation has worked the first time.

00:28:06We are separated!

00:28:08What's happening?

00:28:09And the raw material is of good quality.

00:28:12Okay, so how's this rental business going?

00:28:15Should I find the gynecologist myself?

00:28:16No, no, no.

00:28:17We take care of everything.

00:28:19You eat well, sleep well.

00:28:21Don't smoke, don't do drugs, not after nights.

00:28:23They say sex is no problem.

00:28:25But I have read that the child then becomes more nervous.

00:28:28So well, you yourself.

00:28:30Well, nothing.

00:28:31Oh!

00:28:32That?

00:28:32Don't worry, it's going to take a long time.

00:28:38Bye.

00:28:40Bye.

00:28:40So the president just wants a quickie?

00:28:47No.

00:28:48He told an adventure.

00:28:49That is, several short stories with a vocation to last over time.

00:28:53Clear.

00:28:53The thing is that horns are a very personal thing.

00:28:56The president is hot, huh?

00:28:57But Isabel has a little something that turns me on.

00:29:00What do you mean it turns you on?

00:29:00Man, no, that makes me look like a human person.

00:29:02Don't misrepresent yourself.

00:29:04So what do you do?

00:29:05That I love Isabel very much.

00:29:06But how many more occasions like this will I have?

00:29:09My undeniable physical attractiveness is not going to last forever.

00:29:12It's the circle of life.

00:29:13That's what they already said in The Lion King.

00:29:14Acuna matata.

00:29:15Which in African means here I catch you, here I kill you.

00:29:18I don't know how I do it.

00:29:19But I always attract a type of woman who gives me problems.

00:29:22Clear.

00:29:22They see that face of San Juan de Pomuceno that you have.

00:29:25and they all open up to him.

00:29:27Of feelings.

00:29:28I mean, huh?

00:29:28Then the next day is a different story, I neither go in nor out.

00:29:32The one who has to come in and out is you.

00:29:34That...

00:29:35But not because I told you to, okay?

00:29:36That I...

00:29:38Well, look, I'm leaving because I'm not giving advice...

00:29:41Come on, see you later, okay?

00:29:42Acuna matata.

00:29:45It hurts me that instead of a true friend you turn to my son to tell him your problems.

00:29:50Don't you see that it's an emotional blow?

00:29:52Mariano, I really appreciate your interest, but...

00:29:54Look, I couldn't help but hear you because I've been listening.

00:29:57And I'm going to tell you something.

00:29:59You are at a crossroads sexual feeling.

00:30:02Hey?

00:30:02Another little message from Marta.

00:30:04This is torture.

00:30:08Delete it right now.

00:30:10You have a family and a wife who love you and that is sacred.

00:30:13And you're not going to risk it all for a fling.

00:30:16That you've already counted the choices and you owe them all to the herbs that have sacrificed their marriage for you.

00:30:22You're right.

00:30:24Thank you very much, Mariano.

00:30:25Come here.

00:30:26Give me a hug.

00:30:27Cry, damn it, you need it.

00:30:28I don't want to cry.

00:30:31Juan, can you come up to my house for a moment, please?

00:30:33What's happening?

00:30:34Nothing.

00:30:35My ceiling is falling down.

00:30:36Another one with the reforms.

00:30:37You have already hit a load-bearing wall.

00:30:38No, that's not it.

00:30:40It's the unbalanced one above.

00:30:436, 7, 6, 0, 6, 7.

00:30:46What are you signing up for there?

00:30:47The president's phone number?

00:30:49I'll do it for a Vigo or whatever.

00:30:50Don't even think about it, okay?

00:30:51Delete that number right now.

00:30:53But what if it is to have it.

00:30:54For having what?

00:30:55Give me the cell phone.

00:30:56I don't feel like it.

00:30:56Give it to me!

00:30:57This guy has accumulated so much shit that my ceiling has collapsed.

00:31:00Hey, it's not crap, it's my stuff.

00:31:02Let's see if I'm going to be to blame for the building falling to pieces.

00:31:07But the community will pay for this, right?

00:31:08No, no, no.

00:31:09Careful.

00:31:09This is an internal structural problem.

00:31:11I have nothing to do with this.

00:31:12No?

00:31:13Well, I'm reporting you.

00:31:14The community has Andrés locked up there and that attic is not habitable.

00:31:17You are threatening me surreptitiously.

00:31:19Well, I don't know what that is.

00:31:20But if we talk about my spill, I might soften my stance.

00:31:23Ah, thank goodness.

00:31:24You're not threatening me.

00:31:25It's just blackmail.

00:31:27Belén, you're taking your new owner status in a sorry way.

00:31:32Regrettable.

00:31:32Well, you think about it and then we'll talk.

00:31:35Hello.

00:31:35Looks like we already have my visit.

00:31:37Rebel, my love!

00:31:39Girls, girls, don't weigh in front of the child.

00:31:41Man, you're being disheartened.

00:31:42Oh, what's he doing with a helmet?

00:31:43Nothing.

00:31:44In case a helmet falls, we won't have any problems.

00:31:46Yeah.

00:31:47Occupational risk prevention.

00:31:53That?

00:31:53What do you mean what?

00:31:54Let me pass.

00:31:55Hey, hey.

00:31:56Respect for people's privacy, eh?

00:31:59Andrés, stop piling up junk in there.

00:32:01You're going to cause a Twin Tower-type collapse and the building is going to come down on us.

00:32:05Well, fuck everyone.

00:32:07Are you happy?

00:32:07No, that's the point.

00:32:09I'm warning you that I'm calling the fire department to evacuate you.

00:32:10Hey, don't bother me, okay?

00:32:13Let's see if I'm going to let slip in front of Isabel about your little kiss with the president.

00:32:18Are you blackmailing me?

00:32:19Uh, yeah.

00:32:21Wow!

00:32:21Keep going!

00:32:23What is milk?

00:32:26Here even Vicenta's dog is blackmailing me.

00:32:28You can't hold back your attitude.

00:32:30Belén, I don't know if this sentence is an improper passive or a reflexive passive.

00:32:34Hey?

00:32:34Quique, we're not making any progress, are we?

00:32:37I'm going to have to call your parents.

00:32:39You're going to get over your silliness, but now.

00:32:41Belén, sit down, I've already written the script for the porn video.

00:32:45Look, it's about a wild passion between an emergency doctor

00:32:48and a nymphomaniac patient who has a hernia from being too popular.

00:32:51Oh, how original!

00:32:52And what is it called?

00:32:53Genital Hospital.

00:32:54Look, you start lying down like this, right?

00:32:57Showing a butt.

00:32:58And now I come in to check you up and you tell me

00:33:00Doctor, I'm very hot, take out the thermometer.

00:33:03This is a metaphor, I don't know if it will be understood.

00:33:06Yes, I think so.

00:33:07Wait a minute, I'm not going out with my face exposed, okay?

00:33:09I put on a mask or something.

00:33:10But what are you saying?

00:33:11But how is a patient going to leave a hospital with a mask on?

00:33:14It's completely absurd!

00:33:16Well, it could be carnival.

00:33:17Or you make a science fiction movie, flash condom.

00:33:21Of course, and I'm a cybernetic robot, a big mouth.

00:33:24But you know how hard it is to write a script.

00:33:25I've been working there all afternoon with Paquito.

00:33:27Emilio, either I put on the mask or I don't.

00:33:30Hey, hey, hey, you don't give me the airs of a star, do you?

00:33:33Another protagonist, but now.

00:33:35Sure, sure, there's a queue to make a porn movie with you,

00:33:38like a casting for Operación Triunfo.

00:33:39Come on, man.

00:33:40Well, if the girl wants a mask, she'll wear a mask.

00:33:43Let's see, what time do we record it?

00:33:44Well, I don't know, at 10, for example.

00:33:46Wow, we just had dinner!

00:33:48Well, I'm going, he has to appear in the goal.

00:33:50in a hospital room.

00:33:51It doesn't matter much, right?

00:33:52As long as what has to happen happens.

00:33:55Source, I mean, seriously, you're going to record a porn video.

00:33:58Don't bother me, okay?

00:33:59I have to pay a mortgage.

00:34:00Quique, start studying.

00:34:07Lourdes is pressuring me to get married.

00:34:09He says his grandmother is very old

00:34:11and that he would be very excited to see her married.

00:34:12Man, seeing a miracle is always very exciting.

00:34:15Dude, you only have two options.

00:34:17Either you get married or you kill grandma.

00:34:19Yes, but you reach a certain age.

00:34:21that you feel like settling down and having a child.

00:34:23Hey, have you realized that this can be

00:34:28the beginning of a new species?

00:34:29Hey, look, I'm fed up with you messing with Lourdes.

00:34:32Have you seen him with long hair?

00:34:33Hey?

00:34:34Well, look.

00:34:35Paco, be careful.

00:34:36Look.

00:34:39Oil, let's see what you think.

00:34:41Hello, Marta, I'm Juan.

00:34:43I bought a new cell phone to avoid suspicion.

00:34:46Send me the messages here.

00:34:48I wish you more than for Gal, the statute.

00:34:50It's a joke to relieve sexual tension.

00:34:55Message sent.

00:34:58Hey, are you going to give my dad a lift?

00:35:00Sorry, but I'm doing you a favor.

00:35:02To him and your family.

00:35:04No, no, yes, don't worry for me.

00:35:06Also, I get really sick of weed.

00:35:08Mariano, but don't be absurd.

00:35:10How is he going to believe you're Juan?

00:35:11What do you bet I have a torrid romance?

00:35:13with Madam President?

00:35:15But it's not worth drugging her, eh?

00:35:16Well yes, I'm going to drug her.

00:35:18But with love and beautiful words.

00:35:20Then my metrosexuality will do the rest.

00:35:24You see?

00:35:25I've already taken the bait.

00:35:27Hey, and what did he answer you?

00:35:28Wait.

00:35:29Hey, hey.

00:35:30How cool is it?

00:35:30Soap opera-style move.

00:35:32Of course, you are a little bean.

00:35:33And you're Betty la Fea's boyfriend.

00:35:37Don't get angry with him,

00:35:38who has more mental speed.

00:35:42How are you?

00:35:43Have you managed to write anything?

00:35:44Yeah.

00:35:45No.

00:35:46Well, yes.

00:35:47This is of no use.

00:35:49And this other thing I have doubts about.

00:35:52No, that doesn't work either.

00:35:53Mario, writing a book can't be that difficult.

00:35:55Ricardo Bofill has two.

00:35:57If you don't want to make love tonight,

00:35:58say it directly.

00:35:59Oh, what patience.

00:36:02Hello, Hope.

00:36:03How are you?

00:36:04Secondly.

00:36:05How nice that you have arrived.

00:36:07I just put Ezequiel to bed.

00:36:09But if you want,

00:36:10you can still give him a kiss.

00:36:12Are you okay?

00:36:13Yes, yes, very good.

00:36:14I'm going to wash my hands

00:36:15and then I leave.

00:36:21She's drunk.

00:36:23Well, it's not clear, huh?

00:36:24Maybe he took an antihistamine.

00:36:26because she is allergic to rabbits.

00:36:28Fernando, who has drunk

00:36:30a Vega Sicilia from 89.

00:36:31That I had reserved it

00:36:32by the time the novel was finished.

00:36:34Well, at the rate you're going

00:36:35it was going to break down anyway.

00:36:36Do you know how Bea can get

00:36:37If you discover that your child

00:36:38Have you spent the afternoon with an alcoholic?

00:36:40No, no, no.

00:36:40Don't start blowing things out of proportion.

00:36:41Hello.

00:36:42Hello.

00:36:43How was the movie?

00:36:44Was it good?

00:36:44Or have you been groping each other?

00:36:46Both.

00:36:48Very interesting, huh?

00:36:49A reflection on the emptiness of marriage.

00:36:50Yes, but don't tell it.

00:36:51We want to go see her, come on.

00:36:52Now for a romantic walk

00:36:53through the park

00:36:54and you finish the night.

00:36:55Yes, but wait a moment

00:36:55I'm going to give Ezequiel a kiss.

00:36:56How are you, my little one?

00:37:01Hope,

00:37:02that he has had something for dinner

00:37:03that has sat badly with him.

00:37:04Poor woman.

00:37:05Of course, like in the convent

00:37:06they eat four things,

00:37:07you take it from her nun menu

00:37:08and you turn it into dust.

00:37:09Yeah, but with Ezequiel it's fine, right?

00:37:11Yes, yes, yes, yes, very good.

00:37:12Well, the kid

00:37:13he's getting attached to her,

00:37:14of course, as Batman reminds him.

00:37:16You enjoy love

00:37:17that one never knows

00:37:18how long it will last.

00:37:19Come on, come on!

00:37:20Bye bye.

00:37:26Sorry,

00:37:27the thing is

00:37:28Now I'm going to sit you down

00:37:29to my mother the baby food.

00:37:31As

00:37:31he didn't want to finish it,

00:37:33Manuel.

00:37:34Ezekiel,

00:37:34Hey, have you caught

00:37:35a bottle of wine

00:37:36from the bottle rack?

00:37:37No,

00:37:37I don't.

00:37:39Well,

00:37:40first thing tomorrow morning

00:37:41I'm here again, aren't I?

00:37:43Yes, yes, of course.

00:37:47Do you want us to accompany you?

00:37:48to a taxi?

00:37:48No no,

00:37:49thank you so much.

00:37:50I'm taking a walk like this,

00:37:52I clear my mind

00:37:52and I think about my things.

00:37:57How do you say it?

00:37:58come back tomorrow?

00:37:59I don't know,

00:37:59It makes me very sad.

00:38:00Mauri,

00:38:01you have to be understanding,

00:38:01my mother too

00:38:02had problems

00:38:03with alcohol.

00:38:03Man,

00:38:04if I were married

00:38:05with your father

00:38:05I would have them too.

00:38:06Well,

00:38:07let's give it a try

00:38:07that maybe

00:38:08has had a bad day.

00:38:09But what can happen to him?

00:38:09from evil to a nun?

00:38:10Has her boyfriend dumped her?

00:38:11Mauri,

00:38:11have a little heart.

00:38:13Sorry,

00:38:13but to my heart

00:38:13I have too much.

00:38:16Give a little tenderness

00:38:17to the woman, right?

00:38:18It certainly gives it to me.

00:38:20Me too.

00:38:21Well, that's it,

00:38:22let's give it a try.

00:38:23Well, that's what I'm saying.

00:38:24Come on.

00:38:26Ezekiel.

00:38:30Look at it,

00:38:31if I was right.

00:38:32How does it occur to you?

00:38:33open up to Natalia

00:38:34a letter from the bank?

00:38:36That's trespassing.

00:38:37from extract

00:38:37with paternity

00:38:38and it was hallucinating.

00:38:39Isabel,

00:38:39the girl is doing

00:38:40something strange.

00:38:41How many kids

00:38:42under 20 years old

00:38:42Do you know that they have

00:38:438,617 euros

00:38:45in the account?

00:38:46I don't know,

00:38:47Fernando Torres,

00:38:48Maria Isabel,

00:38:49Felipe,

00:38:49Juan,

00:38:50Freilán,

00:38:50of all saints

00:38:51and...

00:38:52Melody,

00:38:53so stony

00:38:54the Santa Justa Clan thing.

00:38:55Yes,

00:38:56I say normal people.

00:38:58Hello,

00:38:58What's wrong with you?

00:38:59Are you already moving?

00:39:00No,

00:39:01is going to start now.

00:39:01Natalia,

00:39:02I saw you in a cafeteria

00:39:03with a man.

00:39:03I'm sorry, Dad.

00:39:05I can explain it to you.

00:39:06Hey,

00:39:06no messing around,

00:39:07I'm serious.

00:39:08But what were you doing?

00:39:09in a coffee shop?

00:39:12Isabel,

00:39:12please,

00:39:13we are in what we are.

00:39:14I've seen Natalia

00:39:15with a man

00:39:16which is at least

00:39:1615 years older than her.

00:39:17I understand myself better.

00:39:18with those of 35.

00:39:19When I'm 50

00:39:20I'll like the 20s.

00:39:21It's the law of life.

00:39:22Great,

00:39:23that reassures me a lot.

00:39:24You will be 80

00:39:25and you will be more at ease with your prostate

00:39:26than to something else.

00:39:27José Miguel,

00:39:28This is a matter

00:39:28between your sister and me.

00:39:29Well,

00:39:29So go somewhere else.

00:39:31Daughter,

00:39:32what do you have

00:39:328,600 euros

00:39:34in the account?

00:39:35Have you opened me?

00:39:35a letter from the bank?

00:39:36There's an infusion.

00:39:37Well yes,

00:39:38that I have opened

00:39:38because in this house

00:39:39things are not hidden.

00:39:40For a family to function

00:39:41there must be complete trust

00:39:42and absolute transparency.

00:39:47I'll get it!

00:39:50Are you your points balance?

00:39:52Yes, yes, yes, yes.

00:39:53It's that I'm like crazy

00:39:55for changing mobile phones.

00:39:56Dad,

00:39:57I don't have to

00:39:57give you explanations

00:39:58where do I get the money, huh?

00:39:59Don't bother me

00:40:00because I take the door

00:40:00and I'm leaving.

00:40:01No,

00:40:01the one that is going to end

00:40:02taking the door

00:40:02and leaving is me

00:40:04and let's see how it survives

00:40:05This family

00:40:05and this community.

00:40:07That?

00:40:11Brainwashing yourself, aren't you?

00:40:13Have you seen how he jumped?

00:40:14when the message sounded?

00:40:16I think he has a mess

00:40:17with that lady.

00:40:19Me too.

00:40:20Thank you,

00:40:21it's just what I needed

00:40:22hear at this time.

00:40:24Man,

00:40:25mother,

00:40:25don't sink,

00:40:26counterattacks,

00:40:27makes him jealous too,

00:40:29a sentimental slap

00:40:30well done

00:40:30and the problem was solved.

00:40:32But with whom?

00:40:33Am I going to make him jealous?

00:40:34Man,

00:40:34you have your ex in the attic.

00:40:37With Andrés?

00:40:39How depressing!

00:40:41Already,

00:40:42but it is what it is.

00:40:49Well,

00:40:49What about Romeo and Juliet?

00:40:51Are they coming or not?

00:40:52Just like the poor little black boy

00:40:53she has been kicked out of the country

00:40:54and she has committed suicide

00:40:55with his service weapon.

00:40:57Forgive her,

00:40:57she's a junkie

00:40:58of the soap operas.

00:40:59Here she comes!

00:41:00Here she comes!

00:41:01Here he comes!

00:41:02Here he comes!

00:41:03But why?

00:41:04do we say it twice?

00:41:06Because you are stupid,

00:41:07Pussy,

00:41:07shut up now.

00:41:08Yeah,

00:41:08to the colloquium later,

00:41:09that this is like

00:41:10a documentary from the two

00:41:10and the bugs see the camera,

00:41:12So they leave.

00:41:12Hello,

00:41:13my love.

00:41:14Come on,

00:41:15come on,

00:41:15come here.

00:41:16Well,

00:41:17that?

00:41:18What did he say?

00:41:18your father about the wedding?

00:41:21I didn't dare

00:41:21to tell him.

00:41:23It's just that it happened

00:41:24one thing,

00:41:24already cube.

00:41:25That?

00:41:27What happened?

00:41:28I am pregnant.

00:41:29Take,

00:41:30bass drum that screams at you!

00:41:31Shh!

00:41:32But the child

00:41:33whose is it?

00:41:34Mine

00:41:34or your boyfriend?

00:41:36You and I?

00:41:36If I told Victor

00:41:37that was going to arrive

00:41:37virgin to marriage.

00:41:39How romantic!

00:41:41I am that this

00:41:42I dare not say

00:41:43only my father.

00:41:44You imagine,

00:41:45Colonel Treviño's daughter

00:41:46pregnant

00:41:47of an illegal immigrant.

00:41:48And on top of that

00:41:48I'm being unfaithful to him

00:41:49To Victor,

00:41:50who is my captain,

00:41:51you understand?

00:41:51My captain.

00:41:53And then

00:41:54what do we do?

00:41:55I don't know,

00:41:55I don't know.

00:41:56I have

00:41:57what to think about.

00:41:59See you,

00:42:00Okay?

00:42:00Tomorrow.

00:42:01Maria,

00:42:02Maria,

00:42:02wait.

00:42:05Poor Jacob,

00:42:07what an injustice

00:42:08so big.

00:42:09I'm hooked,

00:42:10Hey?

00:42:10This is passion

00:42:11of picoletos.

00:42:12My fenda is right,

00:42:13we have to do something

00:42:14to help them.

00:42:15It's that I

00:42:15that boy

00:42:16I don't like it for her.

00:42:18Let's go look for

00:42:18to Colonel Treviño

00:42:19and we talk

00:42:20with the.

00:42:20Say yes,

00:42:22we have done

00:42:23a signing.

00:42:24Awesome.

00:42:24If it is that the cock

00:42:25she's a big dick.

00:42:27Well the feeling

00:42:28when Lucia

00:42:29told me

00:42:29that I was in love

00:42:30from another

00:42:30it was as if

00:42:32they squeezed me

00:42:33the heart.

00:42:34Like a bottle

00:42:35of those

00:42:36of mineral water

00:42:36that are crushed

00:42:37to occupy

00:42:38little space

00:42:38in the trash.

00:42:40Poor.

00:42:41You have to have it

00:42:41past so bad.

00:42:43I have helped him

00:42:44a lot.

00:42:45The sensitive uncles

00:42:45is what we have.

00:42:47After a blow like that

00:42:48you won't even want to go

00:42:48to talk about women,

00:42:49No?

00:42:49Well.

00:42:50No, no, no, no.

00:42:51Him right now

00:42:51is not prepared

00:42:52for that.

00:42:52Yes, yes, yes.

00:42:53What do you mean no?

00:42:54Me right now

00:42:54I am free

00:42:55and I am open to love.

00:42:57He is deceiving himself.

00:42:58He told me

00:42:58that with so much sadness

00:42:59It's as if suddenly

00:43:00had no penis.

00:43:01Yes, but it is that yes

00:43:01that I have a penis

00:43:02and besides, you have seen it.

00:43:04I.

00:43:04Let's sum up,

00:43:05that you want to hook me up

00:43:06both of them, right?

00:43:08It's about to enter

00:43:09a little bit about the subject.

00:43:11Man,

00:43:12There is a certain amount of pique.

00:43:13Why are we leaving?

00:43:13to deceive?

00:43:14He is stung.

00:43:15I have more confidence

00:43:16in myself.

00:43:17Well, the truth is

00:43:18I really like you

00:43:19both.

00:43:20Have you ever considered

00:43:21have a threesome?

00:43:24Hey, hey...

00:43:25Man,

00:43:27it would be an experience

00:43:29interesting

00:43:30There's no doubt about it, right?

00:43:31Yeah.

00:43:32They say it's very good.

00:43:35Is...

00:43:36Are you up for it?

00:43:39The three of us.

00:43:41I mean, now.

00:43:42Or today.

00:43:43Or later...

00:43:45Well, think about it.

00:43:46and tell me tomorrow.

00:43:47Bye.

00:43:50Ah, the house is very pretty.

00:43:55Is this happening?

00:43:57But?

00:43:58I would put this

00:43:59a redder light,

00:44:00more morbid.

00:44:01I don't see this.

00:44:02But, man,

00:44:02it is supposed to be

00:44:03a hospital room.

00:44:04Also, what does a doctor do?

00:44:05with a mask?

00:44:06What is a mental retard?

00:44:07Well, Espinete

00:44:08was all day

00:44:08naked

00:44:09and to sleep

00:44:10he put on pajamas.

00:44:11They are nonsense

00:44:12that give it charm

00:44:12to history.

00:44:13Well, fine, it's up to you.

00:44:14It's your video.

00:44:14Well, Belén,

00:44:15are you ready or what?

00:44:16That then makes me sleepy

00:44:17and can be resentful

00:44:18the interpretation.

00:44:19Emilio,

00:44:20it's absurd

00:44:21that he goes with a robe

00:44:21from hospital garter

00:44:22and heels.

00:44:23Other.

00:44:24If it has to be that way.

00:44:25It's like a movie

00:44:26of Kung Fu

00:44:26they take away the Chinese.

00:44:28In porn

00:44:28there have to be heels.

00:44:30And that's it.

00:44:30And what is this one doing here?

00:44:32Well, what are you going to do?

00:44:32Record ourselves.

00:44:33Paquito has his short film

00:44:34if you have done

00:44:35baptisms and communions.

00:44:36No, no, no, no.

00:44:37That I'm not going to do anything

00:44:38in front of this.

00:44:39Hey, I am

00:44:39a professional, huh?

00:44:40I focus on technique.

00:44:41But let's see,

00:44:42Isn't this homemade porn?

00:44:43Well, the camera

00:44:44on top of the shelf

00:44:45of all life.

00:44:46Come on, go away.

00:44:46Because if it is that

00:44:47at the time of the weather

00:44:47I wanted to make a diving movement

00:44:49in the Amenábar style

00:44:49when the protagonist

00:44:50you jump from Torre Picasso.

00:44:51Look, leave her,

00:44:52that Nicole Kidman is

00:44:52in star mode

00:44:53and no one can stand it.

00:44:54Please.

00:44:56Hey,

00:44:57and of this

00:44:58not a word from anyone, huh?

00:45:03Come on.

00:45:04The sooner we start,

00:45:05we finished before.

00:45:07This is already recording.

00:45:09As soon as I enter

00:45:09the matter begins.

00:45:11You have learned

00:45:12your script, right?

00:45:12Yes.

00:45:14Oh, doctor, doctor,

00:45:15how it hurts me here.

00:45:17But Bethlehem,

00:45:18put on a dirty face,

00:45:18If not, this is impossible.

00:45:20Oh,

00:45:20how low I'm falling.

00:45:22Three,

00:45:23and action.

00:45:28So Natalia,

00:45:29muse of eroticism

00:45:30of Rellano par excellence,

00:45:32proposes a threesome

00:45:33and you

00:45:33you are thinking about it.

00:45:35But you don't fall

00:45:35the face of shame.

00:45:36They do well.

00:45:37Juan is now here

00:45:38as if to be defiled

00:45:39to the firstborn.

00:45:40Well, let's see,

00:45:41to have a threesome

00:45:41It's a complex thing, huh?

00:45:43Besides,

00:45:43She is the sister of a colleague.

00:45:45We must respect.

00:45:46Come on, man,

00:45:46don't make excuses.

00:45:47What happens

00:45:48you're all scared shitless.

00:45:49Would you like?

00:45:50have to do it

00:45:50with this naked guy looking on?

00:45:52Man,

00:45:52so she has

00:45:53who to talk to

00:45:53when you fall asleep.

00:45:54I, if you want,

00:45:55I will illustrate you with my experience.

00:45:57Your experience of what?

00:45:58Well yes, ready.

00:45:59I have dreamed of threesomes

00:46:00with Beñonce and Marta Sánchez,

00:46:01with Ana Rosa Quintana

00:46:02and the Campos

00:46:03and with Sergio and Estibay.

00:46:06Sergio just watched...

00:46:08Dad,

00:46:09your world scares me, huh?

00:46:10You know what I think?

00:46:11That Natalia

00:46:12he's messing with us.

00:46:13Surely if we accept the trio,

00:46:15the first one to crack

00:46:16It's her.

00:46:16It's true.

00:46:17If I wanted to get it on seriously,

00:46:18I would not have chosen

00:46:19to you.

00:46:20It's absurd, come on.

00:46:21So the girl

00:46:21wants to play.

00:46:22So let's play.

00:46:24Of course.

00:46:25Let's tell him

00:46:25that there is a theme tonight.

00:46:26Let's see what he does.

00:46:27Come on.

00:46:31Well,

00:46:32What about porn videos?

00:46:33Are the votes out yet?

00:46:34or what?

00:46:35What happened to you?

00:46:36the piece?

00:46:37No,

00:46:37that I sent it before 12,

00:46:38man,

00:46:38it has to be ready.

00:46:40What a tension, huh?

00:46:40Now I know what Rosa felt

00:46:41when he went to Eurovision.

00:46:43Hey,

00:46:43what role a copy

00:46:44for once a friend

00:46:45appears in a movie.

00:46:46Child,

00:46:46that you are very small

00:46:47to see these things,

00:46:48Pussy.

00:46:48Kid,

00:46:49I'll give you my hard drive.

00:46:50It's very bad, huh?

00:46:51Oh,

00:46:52here it is,

00:46:52Genital Hospital,

00:46:53with Rocco Delgado

00:46:54and Terelu Osborne.

00:46:55Terelu Osborne?

00:46:56And what name is that?

00:46:57Well one,

00:46:58who is a porn star.

00:46:59Look,

00:47:00you came in second.

00:47:0110,000 euros prize,

00:47:02male.

00:47:03But how seconds?

00:47:04Who won?

00:47:05Well, an orgy.

00:47:06of Japanese tourists,

00:47:07the bus blues.

00:47:08Take it down,

00:47:09let's see what it's about.

00:47:10Do you see it?

00:47:11If there is talent

00:47:12I am wasted here.

00:47:14I'm going to tell Belén.

00:47:17Message received.

00:47:18Juan,

00:47:19I need to see you tonight.

00:47:21I have the president unleashed.

00:47:23And what are you going to do?

00:47:25I don't know.

00:47:25Do you know any cheap hotels?

00:47:27that it is easy to leave without paying?

00:47:30Nativity scene,

00:47:30we were left with one second left.

00:47:32Shh,

00:47:32don't shout.

00:47:34We have won 2,000 euros,

00:47:35but keep it all for yourself,

00:47:36that you need most.

00:47:37What are 10,000?

00:47:38What have I seen?

00:47:39on Carmen's computer?

00:47:40What are you saying?

00:47:41But if in your house

00:47:42there is no internet.

00:47:42No,

00:47:42but in Juan's

00:47:43it costs like this

00:47:43and your signal doesn't come through.

00:47:45Really,

00:47:46how much damage

00:47:46is making the wiki.

00:47:47How strong,

00:47:48you tried to steal from me

00:47:49for my part,

00:47:49you are the worst.

00:47:50Well,

00:47:50but the story

00:47:50I thought of it myself,

00:47:51No?

00:47:51Creative talent

00:47:52you have to pay for it.

00:47:53Shh.

00:47:57Good morning.

00:47:58They will be for you.

00:48:04Did you see how he looked at me?

00:48:05This video has been downloaded

00:48:06and has seen it three times already.

00:48:07Nativity scene,

00:48:08that's what they only see

00:48:08four lonely paquilleros.

00:48:09Are you sure?

00:48:10that I am not recognized?

00:48:11No,

00:48:12don't get paranoid on me.

00:48:12It's just that as someone sees it

00:48:13I'm dying.

00:48:15But look on the bright side,

00:48:16Pussy,

00:48:16that you never see him

00:48:16the good side to nothing.

00:48:18We have won

00:48:18five thousand euros each,

00:48:20that's what you earn

00:48:20a president of the government

00:48:21in a month

00:48:22or Ronaldo there

00:48:23with a couple of dribbles.

00:48:24You're right,

00:48:25with that money

00:48:25I pay the mortgage

00:48:26and I'll give you your money back

00:48:27to Lucia.

00:48:27Well,

00:48:28and I have plenty left

00:48:28eight hundred euros

00:48:29for a whim

00:48:29what am I going to give myself

00:48:30right now.

00:48:31Nativity scene,

00:48:32save,

00:48:32put it in a fund

00:48:33of pensions,

00:48:34that you are no longer a child.

00:48:35Shut up already,

00:48:35heavy.

00:48:36If he doesn't have a head.

00:48:37And what should I buy?

00:48:41What does my bike change?

00:48:43I'm not leaving here!

00:48:45Leave me alone!

00:48:46Oh!

00:48:47Andrew,

00:48:48silly!

00:48:49What am I?

00:48:50Can you come out for a second?

00:48:52I don't know

00:48:53what a moment.

00:48:55What do I dress up for?

00:48:58Hello.

00:48:59How are you?

00:49:00Hey...

00:49:01Hey?

00:49:03Do you feel like it?

00:49:03that we both go

00:49:04to have dinner together

00:49:05tonight

00:49:05to a nice place?

00:49:07Have you smoked something strange?

00:49:09No,

00:49:10but that is normal

00:49:11between divorced people

00:49:13what good karma.

00:49:14Well,

00:49:15if you pay.

00:49:15That,

00:49:16very romantic.

00:49:17Well,

00:49:17Well, we meet at nine.

00:49:19sharp,

00:49:19Hey?

00:49:19Soon,

00:49:20because if not I

00:49:21then I dream strange things.

00:49:25Bye bye.

00:49:34Marten,

00:49:34I'm Juan.

00:49:35We meet at eight thirty.

00:49:38in the pension

00:49:39Loli.

00:49:41Room in name

00:49:42from Homer Simpson.

00:49:46Kisses.

00:49:48Message sent.

00:49:50Mariano?

00:49:51Yeah?

00:49:53I don't understand.

00:49:54It takes a whole day

00:49:55without receiving messages from Marta.

00:49:57Suddenly he disappeared

00:49:58without giving any explanation.

00:49:59Juan,

00:50:00understand it.

00:50:00The pain is healing

00:50:02of an impossible love.

00:50:03Am I about to send him?

00:50:04a message?

00:50:04No.

00:50:05I play it,

00:50:06people's feelings.

00:50:07But do you want something with her?

00:50:09No no.

00:50:10Well,

00:50:11No, I don't know.

00:50:12I adore Isabel,

00:50:13but I don't want to be either

00:50:14in thirty years

00:50:15in a residence

00:50:16eating porridge

00:50:17and lamenting

00:50:18of having let it pass

00:50:18this opportunity.

00:50:20Don't worry,

00:50:20at that age

00:50:21you will be more attentive

00:50:22of the prostate

00:50:23than anything else.

00:50:24Other?

00:50:24But what's wrong with him?

00:50:25to everyone

00:50:25with my prostate?

00:50:26Leave.

00:50:27Ok.

00:50:33Pussy,

00:50:34I have linked.

00:50:36Will it take Dio?

00:50:38I'll ask him.

00:50:39Man!

00:50:40The Clinton of the stairs!

00:50:42How about the pantumaca?

00:50:44Have you consummated yet?

00:50:45Please,

00:50:45Don't call Marta that.

00:50:46Why do they have

00:50:47to give him nicknames

00:50:47to everyone?

00:50:48It's more personal.

00:50:49It's that we like it

00:50:50tuning it

00:50:50to friendships.

00:50:51Well,

00:50:52come on,

00:50:52don't get involved

00:50:52that we have

00:50:53to find that man.

00:50:54Oh yes, yes!

00:50:54We're leaving!

00:50:55What do we have?

00:50:55Operation Treviño!

00:50:59Operation Treviño?

00:51:01Juan,

00:51:03don't wait for me

00:51:04got up tonight

00:51:05that is what I'm going to go

00:51:06to have dinner with Andrés.

00:51:07With Andrés?

00:51:08Yeah!

00:51:09With Andrés.

00:51:09What's happening?

00:51:10Hey, Juan,

00:51:11for the love of God,

00:51:12don't bother me, okay?

00:51:13Because this is already a fence,

00:51:14you are overwhelming

00:51:15and I need my space.

00:51:17I can't breathe anymore,

00:51:18this because I'm drowning.

00:51:22Uh, how I felt!

00:51:25Uh, how I felt!

00:51:29Hello!

00:51:31Oh, honey!

00:51:32But what are you doing there?

00:51:32on the ground?

00:51:34Hope!

00:51:35No no!

00:51:36Oh, oh, oh!

00:51:39Oh, gang,

00:51:40what a bummer!

00:51:41I think I've been kidnapped

00:51:42to the child.

00:51:43We were both there

00:51:44in the park

00:51:44and they haven't approached me

00:51:45a moment at the kiosk

00:51:46to pour some horchata

00:51:47those of suckers

00:51:48and when I turn around...

00:51:49Ah!

00:51:50Hope!

00:51:51Oh, look!

00:51:54If you are here,

00:51:55He's already walking.

00:51:57Well,

00:51:57This child,

00:51:58This child

00:51:59he is gifted.

00:52:01You have to buy it

00:52:02a violin.

00:52:02Oh well,

00:52:02you realize

00:52:03how it comes.

00:52:04Exhausted, exhausted.

00:52:06Yeah,

00:52:06there were both of us

00:52:07in the park

00:52:08and then we got closer

00:52:09to the mall

00:52:10to put on diapers

00:52:11from now on

00:52:12disposable

00:52:13and when...

00:52:15I've already left

00:52:17in the bags

00:52:17in the elevator.

00:52:19I'll be right back.

00:52:19Hello,

00:52:21children,

00:52:21go very well.

00:52:22Hello,

00:52:23how are you?

00:52:24How are you?

00:52:25Good.

00:52:25Where are you?

00:52:26Let's see,

00:52:26how are you?

00:52:28Mauri,

00:52:29This lady

00:52:29she is drunk.

00:52:30Oh yeah?

00:52:31And you knew it?

00:52:33If you have said

00:52:33one yes,

00:52:33that there is no one who

00:52:34believe it.

00:52:34Ah, I mean,

00:52:35that you both knew

00:52:35and you hadn't told me anything.

00:52:37Ezekiel has passed

00:52:38all morning

00:52:38with an alcoholic.

00:52:39No, let's see,

00:52:40let's see,

00:52:40yesterday we noticed him

00:52:41something strange about the breath,

00:52:42but this morning

00:52:43It has come perfect,

00:52:44he spoke well

00:52:44and walked without problems.

00:52:46And also,

00:52:47Mauri has hidden

00:52:47all the bottles of wine

00:52:48in the closet.

00:52:49Well,

00:52:49But how come you haven't?

00:52:50thrown out immediately?

00:52:50I'm reporting her, okay?

00:52:52Ah, but can you report it?

00:52:53to a nun?

00:52:53I thought they had

00:52:54ecclesiastical immunity or...

00:52:55See, see,

00:52:56she is sick.

00:52:56The poor thing.

00:52:57Clear,

00:52:57since he cannot celebrate mass,

00:52:58Well, maybe it has some kind

00:52:59of trauma with wine.

00:53:00Well,

00:53:00So we write it down

00:53:01Alcoholics Anonymous,

00:53:02but he won't take care of my son.

00:53:03Of course not,

00:53:04but we can help her.

00:53:05She is very excited

00:53:06with Ezekiel.

00:53:07The point is not to leave her alone.

00:53:08and maybe like this

00:53:08manages to overcome his addiction.

00:53:10I mean,

00:53:10we make a calendar

00:53:11the three of them.

00:53:12Ah, very good.

00:53:13I mean,

00:53:13we are going to be kangaroos

00:53:14of the kangaroo.

00:53:14Very, very, very logical, huh?

00:53:16It's okay to be supportive,

00:53:17But you don't have to go too far, okay?

00:53:18Fernando,

00:53:18in this shitty society

00:53:19nobody helps anybody.

00:53:21And if someone deserves

00:53:22that he be helped

00:53:22She is a nun,

00:53:23that the poor go to Africa

00:53:24and they catch Ebola and diarrhea

00:53:25and nobody cares about anything.

00:53:27Besides,

00:53:27has given me a topic

00:53:28for my book.

00:53:28I'm going to write

00:53:29on human solidarity.

00:53:31I'll put a camera on it, okay?

00:53:32Okay.

00:53:34I'm here now.

00:53:36I'm going to change Miguel.

00:53:38Ah, no, no.

00:53:39I'll change Ezequiel, okay?

00:53:40You, relax.

00:53:43Oh, Ezekiel,

00:53:44sit down

00:53:44that he is very tired.

00:53:47Well, well, well.

00:53:48Patricia is so nice, huh?

00:53:50Oh, how lucky you were.

00:53:51You've won the lottery.

00:53:53You can take good care of her now, huh?

00:53:55Ah, no.

00:53:56Ah, no.

00:53:56Don't worry,

00:53:58sit down.

00:53:58You don't worry about anything

00:53:59and sit down.

00:54:00Hey?

00:54:01Sit down.

00:54:02Let him eat something.

00:54:03No, he throws him out.

00:54:05Here.

00:54:06That.

00:54:07Very good.

00:54:07There.

00:54:08Very good.

00:54:15So,

00:54:16Are you taking this lamp?

00:54:17It's divine.

00:54:18Total,

00:54:19she's a cutie.

00:54:21They are 687.25.

00:54:23Oh, alone?

00:54:24Yeah.

00:54:24Well,

00:54:25I'm going to take,

00:54:26look,

00:54:27these beautiful flowers here.

00:54:29You give these to yourself.

00:54:30You heard it, woman.

00:54:31How nice.

00:54:33Next week

00:54:34I get some natural sponges

00:54:36from Thailand

00:54:36that exfoliate to death.

00:54:38Yeah,

00:54:38Can you hurry up a little?

00:54:40with the card, please?

00:54:41This takes a little while, huh?

00:54:44Sorry,

00:54:45sorry,

00:54:45You are Terellus Borne, aren't you?

00:54:47Who?

00:54:48Yeah,

00:54:48the porn actress,

00:54:48that of Genital Hospital.

00:54:50Ah,

00:54:51Ah,

00:54:51Yeah,

00:54:51how are you?

00:54:52Fuck,

00:54:53how strong.

00:54:53Will you sign an autograph for me?

00:54:55Yeah,

00:54:55Can you lend us a pen?

00:54:56Hey,

00:54:57you are famous.

00:54:58Sign one for me too.

00:54:59No,

00:54:59but if,

00:54:59I'm not very either...

00:55:01Hey,

00:55:01colleagues,

00:55:01that Terellus Borne is here.

00:55:03What are you saying?

00:55:04Don't shout and it's not that bad.

00:55:06I have an aunt on the internet,

00:55:07your video is awesome,

00:55:08but what happened to you?

00:55:09Have you been injured?

00:55:10making a scene or something?

00:55:11No,

00:55:11a pull that doesn't warm up properly.

00:55:12Hey,

00:55:12colleague,

00:55:13colleague,

00:55:13take a picture of me with her.

00:55:14And how did you do that with your legs?

00:55:15when you were on your side?

00:55:16It's because I did rhythmic gymnastics when I was little.

00:55:19Does the paper come out or not?

00:55:20Now all together,

00:55:21come on,

00:55:22come on,

00:55:22but you played without a nipple or something,

00:55:24No?

00:55:24Yeah.

00:55:25I'll be back later,

00:55:26Hey?

00:55:27But...

00:55:27I'll be back later.

00:55:28Hey,

00:55:28don't go,

00:55:29that you left your card.

00:55:30Fuck,

00:55:31uncle,

00:55:31Terelo is born.

00:55:33Yeah,

00:55:33but he is a little conceited,

00:55:34Hey?

00:55:34Go on.

00:55:44If it has to be that one,

00:55:45because my father's friend from the ministry

00:55:47He told me that Colonel Treviño

00:55:48lived there.

00:55:49How nervous.

00:55:51Will it be or won't it be?

00:55:52That's easy enough.

00:55:54Trevino!

00:55:59He has turned,

00:56:02it's him.

00:56:03Well, come on,

00:56:04prick,

00:56:05bring him up to date,

00:56:05that you speak very well.

00:56:07No, no, no,

00:56:07Let's go all of us,

00:56:08that older people inspire more confidence.

00:56:09In that case you will have to speak,

00:56:11that you are the one who is most broken.

00:56:12I would like to see you

00:56:14with two hernias

00:56:15and 18-12 tension.

00:56:17Don't argue,

00:56:18I'll go.

00:56:19Oh,

00:56:19Vicenta,

00:56:20but with tact,

00:56:21Hey?

00:56:25Hello.

00:56:27Colonel Treviño?

00:56:28Yeah.

00:56:29Look,

00:56:29We are friends of her daughter,

00:56:30from the hairdresser's.

00:56:31We came to talk to you about your boyfriend.

00:56:33From Victor,

00:56:33something has happened to him.

00:56:34No,

00:56:34He is no longer Victor,

00:56:35Now her boyfriend is called Yacubo.

00:56:37He's a lovely lad,

00:56:38sub-Saharan,

00:56:39without papers.

00:56:40A great athlete,

00:56:41Pole vault champion in Melilla.

00:56:43Yeah.

00:56:44And they met

00:56:45when he bought her a Bustamante record

00:56:46in the Top Manta.

00:56:48And love arose,

00:56:49What are we going to do?

00:56:49There must be a mistake,

00:56:51because my daughter and her boyfriend

00:56:52they love each other very much

00:56:53and Victor

00:56:53is looking for a church for the wedding.

00:56:55Well, look no further,

00:56:56because Yacubo

00:56:57he has left her pregnant.

00:56:58Already,

00:56:58but we weren't going to tell him that.

00:57:00The sooner you know the better,

00:57:01which people then comment on.

00:57:03And how do you see it?

00:57:04Because it seems to me

00:57:05a disgrace.

00:57:08You see, you see?

00:57:09He doesn't like it either.

00:57:11Pull, pull,

00:57:12that the potato has exploded.

00:57:13Hey,

00:57:13but where are you going?

00:57:14That we have to call an ambulance.

00:57:15That already serves her

00:57:16the lady at the kiosk.

00:57:17It is not failure to provide assistance.

00:57:21Well, what a soldier,

00:57:23as for preserving parsley.

00:57:25Emilio,

00:57:30people have recognized me

00:57:31that they had never seen me in my life.

00:57:33Imagine those who do know me.

00:57:34It must have been a coincidence, woman.

00:57:35My mother called me.

00:57:37My father got off

00:57:38the internet video.

00:57:39Come on,

00:57:39what a family.

00:57:40You're too crazy.

00:57:42Just so you know

00:57:43that you have ruined my life.

00:57:44Belenca,

00:57:44It's nice when they ask you for an autograph

00:57:46and recognize your work.

00:57:47The public has not given itself that award.

00:57:49and fame is one thing

00:57:49that you have to know how to accept.

00:57:51So don't fall for me now.

00:57:52in Obregón style.

00:57:54You are a fool!

00:58:02Look, please, Emilio.

00:58:04But how strong.

00:58:06Hey,

00:58:07That didn't do it to me.

00:58:08It's just that it's very strong,

00:58:09but it is very clear

00:58:11which is Belen.

00:58:12Oh, come on,

00:58:12take it away from me, please,

00:58:13take it away from me, I can't see it.

00:58:14What's the matter?

00:58:15Oh, Inga,

00:58:16that I need sex,

00:58:17that nothing stands in my 50s,

00:58:19menopause,

00:58:19you stop lubricating

00:58:20and that's all,

00:58:21and that's all,

00:58:21friends.

00:58:22Well, calm down,

00:58:23now in the pharmacy

00:58:24There are some little creams that...

00:58:25Yeah.

00:58:25Careful, careful, careful.

00:58:27No, no, no,

00:58:28calm down,

00:58:29don't dissimulate.

00:58:31If that video

00:58:31more people have seen it

00:58:32than Pamela Anderson's

00:58:33and her boyfriend.

00:58:34This is a country

00:58:34of sick people.

00:58:35No, not the country,

00:58:36the planet.

00:58:37Porn is the third business

00:58:38most profitable in the world,

00:58:39after the arms sale

00:58:40and scholarship t-shirts.

00:58:43Who would think of that?

00:58:44record one of those videos?

00:58:45Inga,

00:58:46don't bother me

00:58:47I'm calling your parents

00:58:47and I tell him you're a lesbian.

00:58:49Yes, you already know.

00:58:50Have you told him?

00:58:51Yeah.

00:58:54Hello,

00:58:55I re-wolf you, it's porn,

00:58:56please.

00:58:57But you are

00:58:58Mark Jeremy,

00:58:59the porn actor.

00:59:00Well,

00:59:00I also direct.

00:59:01And how do you know?

00:59:02my address?

00:59:03It comes on your website.

00:59:04Ah,

00:59:05do I have a website?

00:59:06Matías,

00:59:07It's Mark Jeremy.

00:59:08Hey,

00:59:09I have seen your work

00:59:10and I loved it.

00:59:12Would you like to participate?

00:59:13with me

00:59:13in a movie

00:59:14professional?

00:59:15I.

00:59:16It's that you are perfect.

00:59:18Two thousand dollars

00:59:18the session.

00:59:19How do you see it?

00:59:22I don't know,

00:59:23I,

00:59:23Well,

00:59:23pass me the script

00:59:24let's see if the character

00:59:25I like it and...

00:59:27Script,

00:59:28very good.

00:59:29You think about it.

00:59:35and you call me.

00:59:36Hey?

00:59:37Yeah.

00:59:38If you like,

00:59:39co-productive,

00:59:41as you see it.

00:59:43Hey,

00:59:44that if you need them

00:59:44average girls,

00:59:45Well, listen,

00:59:46more than the usual

00:59:46that I will not find

00:59:47to none,

00:59:48because I,

00:59:48I am what I really am

00:59:49it's like from below

00:59:50from the heap,

00:59:50I don't want to say

00:59:51as of...

00:59:52as of...

00:59:52Well,

00:59:54What does it feel like?

00:59:54being a pornographer?

00:59:56Hey,

00:59:56you have not told me

00:59:57prepared a camera

00:59:58hidden or something,

00:59:59No?

00:59:59Uh,

01:00:00girls!

01:00:01I have an appointment

01:00:01with Mark Jeremy

01:00:02tonight.

01:00:03Wow!

01:00:03I'm going to wax.

01:00:04And what are you going to do?

01:00:06Well, I don't know,

01:00:07No...

01:00:08How strong.

01:00:12But it's Mark Jeremy,

01:00:14Mark Jeremy.

01:00:16Oh, how scary!

01:00:19Oh my God, Marisa!

01:00:20We have loaded

01:00:21to a colonel,

01:00:22to a father of a family,

01:00:23to a servant of the country.

01:00:24Calm down, damn it,

01:00:25that with the extreme

01:00:26they forgive you everything.

01:00:28Besides,

01:00:29it's still okay.

01:00:30The one who loves you

01:00:30I was doing it

01:00:31word of mouth.

01:00:31Yeah, but what did we know?

01:00:32us?

01:00:33That man

01:00:33had heart problems.

01:00:35What I like most

01:00:36What bothers me is that already

01:00:37at the hours that are,

01:00:38Mary and James

01:00:39they don't come.

01:00:41Tonight

01:00:41we stayed

01:00:42without passion of picoletos.

01:00:44No!

01:00:44They're here!

01:00:45They're here!

01:00:49Oh my God!

01:00:50Let's see what they say about the father.

01:00:52If we look like the Pope

01:00:53all day

01:00:54looking out over a balcony.

01:00:56Jacob.

01:01:01My father has died.

01:01:05What happened?

01:01:07Well, I don't know,

01:01:07I was so calm

01:01:08buying the newspaper,

01:01:10they approached him

01:01:10some ladies,

01:01:11I don't know what they told him,

01:01:12who fell on the spot.

01:01:13Is the police

01:01:14investigating it?

01:01:14Very sorry,

01:01:16my love.

01:01:17You must be devastated.

01:01:19What's up?

01:01:19But if my father

01:01:20It made my life miserable.

01:01:22And also

01:01:22we can get married now.

01:01:23How beautiful!

01:01:25Colonel Treviño

01:01:26has given his life

01:01:27for the love of his daughter.

01:01:28Man,

01:01:29it is a romantic vision

01:01:30of a despicable act.

01:01:31We can't get married.

01:01:33There's something I haven't told you.

01:01:34He is sick.

01:01:36You have left

01:01:36three months old.

01:01:37I'm already married.

01:01:40In Nigeria

01:01:41I have a wife

01:01:41and two daughters

01:01:43and six goats.

01:01:47Well,

01:01:48like the one who has

01:01:49an uncle in Granada

01:01:50that he is not even an uncle

01:01:51nor is it anything.

01:01:52I came to Spain

01:01:53to give to my family

01:01:53a new life

01:01:54and with the money

01:01:56that I have been sending to you

01:01:57my wife

01:01:58to buy a ticket

01:01:58by plane

01:01:59and tomorrow comes

01:02:00with the girls.

01:02:01Who have they left with?

01:02:02the goats?

01:02:03With the mother-in-law.

01:02:04What do I know?

01:02:07But not,

01:02:09don't cry.

01:02:12Look,

01:02:12look,

01:02:13tomorrow,

01:02:14tomorrow itself

01:02:14I bring here

01:02:15to my wife

01:02:15and I tell him

01:02:17that I'm in love

01:02:18of you

01:02:18and I want you to be

01:02:20your present.

01:02:21Why me?

01:02:23In case you take it the wrong way

01:02:24how do you have the gun.

01:02:28I love you.

01:02:30This thing about the snake charmer

01:02:31interactive

01:02:32it is a point,

01:02:32Hey?

01:02:33Yeah,

01:02:33tomorrow we have

01:02:34big chapter.

01:02:37What time

01:02:38are we meeting tomorrow?

01:02:39At 10.

01:02:41Come on.

01:02:43Oh,

01:02:44I don't have time

01:02:44to go to the hairdresser.

01:02:46Peaceful,

01:02:47that bun

01:02:48He can take whatever they throw at him.

01:02:49I mean,

01:03:00that is still standing

01:03:00the thing,

01:03:01No?

01:03:01Man,

01:03:02of course.

01:03:03You are going to live

01:03:04an experience

01:03:04that...

01:03:05Well,

01:03:07So I'm going to the bathroom

01:03:08just a moment.

01:03:10Nervous?

01:03:11No.

01:03:13Have you seen?

01:03:14It's fucked up,

01:03:15has asked

01:03:16a time-out.

01:03:16You see.

01:03:18Today,

01:03:18let's go to the bedroom,

01:03:19we take off our clothes

01:03:20and you'll see

01:03:21who soon runs away.

01:03:22Poor thing,

01:03:22it has to be happening

01:03:23a bad time.

01:03:28Hello.

01:03:30Hello.

01:03:32Well,

01:03:32that?

01:03:33You take off your clothes

01:03:34or you need help.

01:03:36I'm already here.

01:03:36Yeah,

01:03:40Yeah,

01:03:41us too.

01:03:42Yeah,

01:03:43it was good

01:03:43because we had seen you

01:03:45a little tense

01:03:45and that's why...

01:03:46I?

01:03:47Because?

01:03:49Hey,

01:03:49if you are going to feel

01:03:50more comfortable

01:03:51doing it one by one,

01:03:52for us

01:03:52no problem.

01:03:53Man,

01:03:53but you take away

01:03:54all the grace.

01:03:55Clear,

01:03:56clear.

01:03:56No,

01:03:56but how good

01:03:57that was for what

01:03:58work will not accumulate.

01:04:00Well,

01:04:00look,

01:04:00if you are not going to be comfortable

01:04:01I'm leaving and we're still friends.

01:04:02No,

01:04:03No,

01:04:03wait,

01:04:04wait.

01:04:04No,

01:04:05come on.

01:04:06Wait a moment.

01:04:14Hey,

01:04:15that does not crack,

01:04:16What do we do?

01:04:18Well, we'll have to throw it away.

01:04:19forward.

01:04:20Let's see,

01:04:21let's get organized.

01:04:23I'll start,

01:04:24classic style,

01:04:25preliminaries

01:04:25and standard intercourse.

01:04:27And what do I do?

01:04:28You,

01:04:29you stand to the side

01:04:30and I don't know,

01:04:31play something for him

01:04:31or you touch yourself.

01:04:33And is it on?

01:04:34or off?

01:04:35No,

01:04:35off.

01:04:36If I see you I'll block myself.

01:04:37Already,

01:04:37but if we don't see each other

01:04:38probably

01:04:39someone touches something

01:04:40that should not be touched.

01:04:42Come on,

01:04:42let's go inside

01:04:43what will be believed

01:04:43that we are nervous.

01:04:44Come on.

01:04:45I don't see this,

01:04:46Roberto.

01:04:46Me neither.

01:04:49That's it.

01:04:50What if we tell him

01:04:51that is not romantic

01:04:53and so we save a little

01:04:53pride?

01:04:54Don't be fooled,

01:04:55pride goes to shit,

01:04:56but at least

01:04:57we lose it together.

01:04:58How are you?

01:05:11All good?

01:05:12Yeah,

01:05:13Yeah,

01:05:13Yeah.

01:05:15Well,

01:05:15No,

01:05:16Carlos can't.

01:05:19He is afraid of comparison.

01:05:21How is your self-esteem?

01:05:22so low,

01:05:23No...

01:05:23No,

01:05:24No,

01:05:24look,

01:05:24I just realized

01:05:25that Roberto

01:05:26has a latent homosexuality

01:05:27and my roll has been cut off.

01:05:28Come on,

01:05:29that you back out.

01:05:30I thought you were more modern,

01:05:32I don't know,

01:05:33more advanced.

01:05:34Well, she's dressed.

01:05:36I'm already seeing it.

01:05:38What did I tell you,

01:05:39Hey?

01:05:39You owe me 50 euros.

01:05:40But look how suckers you are,

01:05:42Hey?

01:05:42They're telling you right now.

01:05:43those from the video store.

01:05:44No,

01:05:44don't even think about it.

01:05:45Josémi!

01:05:45Runs!

01:05:46Everything is so good,

01:06:03No?

01:06:04In the end we got out

01:06:05both winning

01:06:06with the divorce.

01:06:07You with a bohemian natic

01:06:09autumnal bachelor

01:06:10in the center.

01:06:12And I with a family

01:06:13and a man who does not disappoint

01:06:16tax authorities.

01:06:17Isabel,

01:06:18you didn't feel like it

01:06:19have dinner with me.

01:06:20You brought me here

01:06:21to make Juan jealous.

01:06:23No!

01:06:24No, no, no, no!

01:06:26I don't!

01:06:27Man,

01:06:27please!

01:06:28No!

01:06:29No!

01:06:31Well,

01:06:31a bit...

01:06:33If it's all the same to me,

01:06:34Hey?

01:06:34At this point

01:06:35I am here to be proud of,

01:06:37fools.

01:06:39I am convinced

01:06:40that he is cheating on me

01:06:41with the...

01:06:42the...

01:06:43and the...

01:06:45And the,

01:06:46and nothing happens.

01:06:47With that bitch

01:06:48of the president

01:06:49next door.

01:06:49No, woman,

01:06:50don't exaggerate.

01:06:51A little peck

01:06:52it means nothing.

01:06:54What do you mean, a little peck?

01:06:56But have they already kissed?

01:06:57I said a little peck,

01:06:59no, no, no, no.

01:06:59A bit.

01:07:01No, no, no, no.

01:07:02How are you going to say

01:07:03a bit

01:07:04means nothing?

01:07:05That doesn't make sense.

01:07:07Hey,

01:07:08You're thinner, aren't you?

01:07:09Don't change the subject.

01:07:11Yeah,

01:07:11I have lost...

01:07:12Again

01:07:14despite nothing.

01:07:16My God,

01:07:16I resign.

01:07:18Entry into the Poor Clares.

01:07:19Come on,

01:07:20come on,

01:07:20happiness.

01:07:21Waiter.

01:07:23Champagne.

01:07:23I don't want champagne.

01:07:26Whiskey.

01:07:28Come on.

01:07:31Off.

01:07:33On.

01:07:34Well,

01:07:36better off.

01:07:37In the middle of an orgasm

01:07:38I give the light.

01:07:41Juan.

01:07:43Correct.

01:07:43Happens.

01:07:46I love this place

01:07:48that you have chosen.

01:07:50There was nothing more depressing.

01:07:52Take off your clothes.

01:07:54Why do you speak to me in a paid voice?

01:07:56Because here the tapiques

01:07:57They are very fine.

01:07:59You won't believe it

01:08:01that I'm nervous.

01:08:04I feel like I'm traveling

01:08:05end of course.

01:08:08Don't take it.

01:08:10Let it ring.

01:08:11No,

01:08:11wait.

01:08:12I answer and turn it off.

01:08:13Yeah?

01:08:16Oh yeah?

01:08:17Marten,

01:08:18are you OK?

01:08:19How you left me

01:08:19to send messages

01:08:20I was a little worried.

01:08:22Sorry,

01:08:23who are you?

01:08:23Who's it going to be?

01:08:24Juan?

01:08:28Hey?

01:08:34Ta-da.

01:08:36This is what it is.

01:08:37Oh,

01:08:37that you leave me alone

01:08:38Please, I ask you.

01:08:39But you're going to leave me like this.

01:08:41that the road engraves in a paste.

01:08:42Marten,

01:08:43But who are you with?

01:08:44Well, with a neighbor of yours.

01:08:45who has gotten into my bed.

01:08:47Bring,

01:08:47who is my best friend

01:08:48let him find out from you.

01:08:49Don't touch my phone.

01:08:51Mariano,

01:08:52get out of there, Marta,

01:08:53get out of there.

01:08:54Yes, yes,

01:08:54now,

01:08:55now I take a taxi

01:08:56and I call you,

01:08:56Okay?

01:08:57Okay?

01:08:58It's there!

01:08:59Still!

01:09:02Oh well,

01:09:02the room

01:09:03we will pay it half and half.

01:09:04No,

01:09:05No,

01:09:06No,

01:09:07No,

01:09:08No,

01:09:09No,

01:09:10No,

01:09:11No,

01:09:13I am like that

01:09:17I can't watch the movie,

01:09:17I can't concentrate.

01:09:18I think we should

01:09:19take her to bed.

01:09:21As?

01:09:21Don't know,

01:09:22I've been thinking about it for a while.

01:09:23What we should do

01:09:24is to take her to the convent,

01:09:25because I say

01:09:26that they will miss her,

01:09:26No?

01:09:27What's happening?

01:09:27Don't they take roll?

01:09:28when do they pray the rosary?

01:09:29Fernando,

01:09:29I feel so good.

01:09:31This woman

01:09:31has made me feel

01:09:32more human,

01:09:33has inspired me.

01:09:34It's that when you do something good

01:09:35life gives it back to you

01:09:36immediately.

01:09:40I'm going to start writing.

01:09:41Go get a blanket

01:09:43let's see if he catches a cold.

01:09:49If there is no way.

01:09:55I don't understand.

01:09:57I have never heard of this happening.

01:09:59Oh no?

01:10:00With none of the 5,000 women

01:10:02that you have slept with?

01:10:03I don't know.

01:10:05Maybe it's because of the cell phone.

01:10:06For carrying it in your pocket.

01:10:07Well, then

01:10:09turn it off and divert it to mine

01:10:11let's see what happens.

01:10:13Hey, what

01:10:14we chatted a little

01:10:15in what you...

01:10:17I'm getting sleepy.

01:10:20If you don't mind,

01:10:21I'm going to rest a little.

01:10:23It's that this week

01:10:24I've already made four films.

01:10:26Clear.

01:10:28Nothing, well I already

01:10:29I'm going to watch a little TV.

01:10:32This is how I amuse myself.

01:10:33Oh, fucking hell and everything.

01:10:44What is it?

01:10:45What is it?

01:10:46What is it?

01:10:47What is it?

01:10:48Nothing, I left it there.

01:10:50asleep.

01:10:50If I have put it in

01:10:51a beer or...

01:10:53Well, but, but, but,

01:10:54tell more details,

01:10:55more things.

01:10:56I don't know, how are you?

01:10:57Good, good.

01:10:57Well, very, very professional.

01:11:00Yes, yes, yes.

01:11:00A very correct technique,

01:11:03rhythm, good.

01:11:05There, pim, pam, very good.

01:11:06Yes, yes, yes.

01:11:07Remarkable high.

01:11:07I'm going to take

01:11:08twelve or thirteen cups

01:11:09to celebrate it.

01:11:10Okay.

01:11:16Hey, he says he's asleep.

01:11:18Maybe he's naked.

01:11:19Nativity scene!

01:11:20Well, daughter,

01:11:21it's curiosity.

01:11:22But how does it occur to you?

01:11:23impersonate me

01:11:24in front of Marta?

01:11:25He left me

01:11:25completely in evidence.

01:11:27Juan, I have tried

01:11:27protect you every minute,

01:11:29get away from that harpy,

01:11:30that he wanted to sink

01:11:31a family nucleus

01:11:32of those that no longer remain.

01:11:34No, no, sorry.

01:11:34You wanted to brush it.

01:11:36Alright,

01:11:36but they are synergies

01:11:38of friendship.

01:11:39Look, Juan,

01:11:39you and I are friends

01:11:40for the good

01:11:41and for the bad.

01:11:42Now it's time for the good stuff,

01:11:43but when I arrive

01:11:44the bad too

01:11:44I'll be there.

01:11:53By the way, Juan,

01:11:54I'm leaving home.

01:11:56Isabel,

01:11:57you're drunk.

01:11:58Oh yeah?

01:11:59But that only means

01:12:00that I'm going to take

01:12:02a little more

01:12:03in packing.

01:12:06Excuse me.

01:12:09Take the bill

01:12:10from dinner

01:12:10in case you want to transcribe it.

01:12:14You see?

01:12:15I wanted to protect you from this.

01:12:20It's a shame,

01:12:22he doesn't value me.

01:12:22We are going to distance ourselves.

01:12:28And what's wrong with you?

01:12:30Nothing.

01:12:32Can I help you with anything?

01:12:33No, no, no.

01:12:59That?

01:12:59Please, I just don't understand anything.

01:13:23Let's sit down and talk things over.

01:13:25Oh no, no sitting down, I'm falling asleep.

01:13:28Well, maybe that's what you need, to rest, darling.

01:13:32And tomorrow...

01:13:32Oh, John!

01:13:34Juan, tomorrow, tomorrow.

01:13:37That you are a pain.

01:13:40That time, darling.

01:13:43Oh, darling, there is no me.

01:13:45Juan, I've lost confidence in this relationship.

01:13:48Yes, when there is trust of Disgust and when there is not, well, there is nothing.

01:13:53And if there's nothing, I'm leaving.

01:13:55Oh, you have a...

01:13:57Please say goodbye to the children.

01:13:59And I want to be seen in these conditions.

01:14:09What a mess you've made, man?

01:14:11The sane people have to think things through very carefully, Dad.

01:14:13That I haven't done anything.

01:14:14Oh, good morning, it's almost time.

01:14:21How nervous, I haven't slept a wink.

01:14:24We should have rented the other balcony like the people did at the prince's wedding.

01:14:27Come on, come on, come on, hurry up, let's see if someone sits on the bench and bothers us in the chapter.

01:14:34And the bank?

01:14:35What do you mean you're thinking of making a porn movie?

01:14:41But are you serious?

01:14:42But how can I be serious?

01:14:43I've already told the guy no.

01:14:46It's also bad luck for once that I am valued professionally,

01:14:49Even my father was interested in my artistic career.

01:14:51Well, Belén, don't worry, these things happen for a reason.

01:14:54You'll see how you'll get a better job now.

01:14:55You think?

01:14:57Or maybe not, but that's what is said in these cases.

01:14:59Oh, Emilio, I'm completely lost in life.

01:15:01Well, but you have me by your side.

01:15:02No, that's what I mean.

01:15:03Look, so you can keep paying your mortgage, we can do Genital Hospital 2, Orgy at the UB.

01:15:08Please, drop the video issue.

01:15:11Yes, silly, and this summer we're going on a beach club tour.

01:15:14There's the money.

01:15:16Of course he removed the bank.

01:15:17I complained to the city council.

01:15:19Wasn't that what they wanted?

01:15:20When have we ever said that?

01:15:22Listen, yes we said it.

01:15:23Be quiet.

01:15:24Look, I'm not to blame for your dementia.

01:15:26I have enough problems already.

01:15:28My speeches gone from home.

01:15:29Normal, if you put on the pantumaca.

01:15:31I haven't screwed anyone.

01:15:32Mr. Juan, if you're looking for Doña Isabel, she's here, huh?

01:15:35It's just that I didn't want to wake her up.

01:15:37Isabel?

01:15:37And what are you doing there?

01:15:39Well, he couldn't find the second button and he must have gotten discouraged.

01:15:42Hey, it's not like this story doesn't have its point, eh?

01:15:44That she has it.

01:15:45But I prefer the other one.

01:15:46There we have 15 minutes left to find a bench.

01:15:48I know a second-hand store.

01:15:50Maybe they have something.

01:15:51Where is?

01:15:52Here in water, the cigars.

01:15:53Come on, come on, come on, come on.

01:15:54Come on.

01:15:55Juan, look at us.

01:15:57That the community does not have to pay for this.

01:15:58But what does it say?

01:15:59It doesn't matter if I know the account number from when I was president.

01:16:02Hey, don't even think about it, okay?

01:16:04Hey, Emilio, go up to Isabel's house and put her to bed.

01:16:06I'll be right back.

01:16:07Hey, hey, hey!

01:16:14Mrs. Isabel.

01:16:15Let's go to bed, beautiful.

01:16:17Emilio, leave her there, she's very happy.

01:16:18And leave it a little longer.

01:16:20I'm not going to leave him here any longer, or he'll get pneumonia.

01:16:23Look at her.

01:16:26Esperanza is preparing Ezequiel's bath.

01:16:28She looks tired, but better than yesterday.

01:16:29He's struggling.

01:16:31This woman has reconciled me with the human species.

01:16:32Look, I've almost got a chapter of my book done.

01:16:35Well, it starts when the brave alcoholic missionary

01:16:37is about to be raped by the 20 Utu guerrillas.

01:16:41Wait.

01:16:42That?

01:16:43No, I'll back off a little bit.

01:16:46Already.

01:17:00But what are you doing with my wallet?

01:17:02A donation for the surfing children of Tarifa.

01:17:04And wait, now he'll take a bottle of wine from the cupboard.

01:17:17The bathroom is ready.

01:17:21Can we talk for a moment?

01:17:23Yes, we are waiting for an explanation.

01:17:26I'm going to leave this job.

01:17:29I'm not happy.

01:17:30Sorry?

01:17:32I don't feel valued.

01:17:35Yesterday I was here for 14 hours and no one has said anything about paying me.

01:17:39Why did he spend 9 of the 2pm snoring on the couch?

01:17:42Also, if you have already collected them.

01:17:44But how can you be so ungrateful that we have gone out of our way to help you overcome your problem?

01:17:48What problem?

01:17:49Hope, admit that you have a problem with alcohol.

01:17:52Ah, no, no, no, no, no.

01:17:54The one with the problem is your boyfriend, who has more than 20 bottles of wine stored in the closet.

01:18:00So you don't drink them?

01:18:01But, man, please don't be like that.

01:18:04If these things are discussed today.

01:18:06Please leave here right now.

01:18:08Sorry, for Samuel.

01:18:10He was fucking me, baby.

01:18:11But I got a job at a custom frame shop and the conditions are better.

01:18:21I'll send you the invoice by email.

01:18:27Well, Mauri, look on the bright side.

01:18:29I have inspired you to write.

01:18:36It's blocked.

01:18:38But it can't be that difficult to write a book either.

01:18:40Ricardo Bofill has two.

01:18:41What is not clear to me is what happened to the girl's father, this colonel.

01:18:49Natural death.

01:18:50Why do they make you a chancellor?

01:18:52They are going to go somewhere else.

01:18:54I think this sofa doesn't belong here.

01:18:56Daughter, there was nothing else.

01:18:58Could this be a city council program to improve the quality of life for the homeless?

01:19:02They're coming!

01:19:03He's already leaving the subway!

01:19:06Take your seats!

01:19:07No, no, no!

01:19:07How are you with her?

01:19:13Me too?

01:19:14And girls?

01:19:15And the goats?

01:19:16Chinua, you won't miss anything.

01:19:18What did I say his name was?

01:19:20Chenoa?

01:19:21No, Chinua.

01:19:22Please, quiet us down a bit.

01:19:24I will continue sending you money.

01:19:25I don't want money!

01:19:26I work here.

01:19:27What am I Spanish for for five years, huh?

01:19:29Yudón pasmak!

01:19:30Yacubo, Adetel!

01:19:31Yudón pasmak!

01:19:32Disneyut...

01:19:32Aunópa!

01:19:34We don't know what you do anymore.

01:19:35They need to subtitle this for us.

01:19:39You can stay in Spain if you want.

01:19:41But I'm in love with Maria.

01:19:43And we're getting married.

01:19:45Do you want him?

01:19:48With all my soul, madam.

01:19:50What do you want?

01:19:51You understand, don't you?

01:19:54Yes, you're coming back from Nigeria with me.

01:19:58I'm staying in Spain with Maria.

01:19:59Of course, Yacubo.

01:20:00Be strong.

01:20:01I enunciate myself.

01:20:02You are illegal here.

01:20:03You don't have papers.

01:20:04You are illegal here.

01:20:04Hey you!

01:20:06Leave him alone!

01:20:07He is happy with Maria!

01:20:08Chinua is right.

01:20:10If you are married in Africa,

01:20:12you are married here.

01:20:13That is sacred.

01:20:15She doesn't care, Yacubo.

01:20:16He's only interested in money.

01:20:17Look, immigrants are going after you.

01:20:21Why don't you find someone else?

01:20:23Manolo also left my sister.

01:20:25And look, he hardly even remembers him anymore.

01:20:28Yacubo, what the fuck do you care about what Manolo did to me?

01:20:31Excuse me, but who are you?

01:20:33Don't worry, we're not going to let them throw him out.

01:20:35If you need a work permit,

01:20:37we hired him.

01:20:39Right?

01:20:39Yeah.

01:20:40Hey, those things have to be approved in a meeting.

01:20:42But hey, I could be an intern of Emilio.

01:20:44You vote in favor.

01:20:47Oh, you have one of those.

01:20:48A crazy mod, May.

01:20:49He says to my man.

01:20:50Hey?

01:20:50I left my nest, my man brings you.

01:20:52From a crazy mod.

01:20:53I translate.

01:20:54He is remembering all our dead.

01:20:56Where is it now?

01:20:57Oh, I think he's my man.

01:20:58Hey?

01:20:58Look, eh, the knee is semi-flexed so as not to put the weight on the kidneys.

01:21:05And the position of the arms is very important.

01:21:07Because if not, you can then get an injury called goalkeeper's elbow that can ruin your game.

01:21:11your career.

01:21:12You work hard and one day you'll be hanging keys like this.

01:21:15How beautiful!

01:21:17It already sounded more like between us.

01:21:19Yeah.

01:21:20It's incredible.

01:21:20How easy it is to change a person's life.

01:21:23I have always advocated for a supportive and interracial community.

01:21:26A melting pot of cultures where each and every one of us...

01:21:28Ah, don't spoil it, no.

01:21:29But how much will he be paid?

01:21:32Here comes the other one.

01:21:32What else do you care?

01:21:33If you are going to clean our house.

01:21:34Look, let's not confuse integration with exploitation.

01:21:37Well, everyone does it.

01:21:38Well, I'll see how you're doing.

01:21:39Let's see, he hasn't woken up yet.

01:21:41The same is also in a coma.

01:21:43Vicenta, for God's sake.

01:21:49Oh, and another fundamental part of a goalkeeper's career.

01:21:52A beer at the video store.

01:21:53You discover yourself well and I will wait for you there.

01:21:58Hey, you half-ass.

01:22:02What did you think?

01:22:03Did we forget about you?

01:22:05Colleague!

01:22:09And what did you think?

01:22:11That I wasn't going to be prepared?

01:22:13Aren't you a little old to be getting into fights?

01:22:16Hey, calm down.

01:22:17Calm down.

01:22:18Things can be talked about, right?

01:22:20Yeah.

01:22:20Nothing is opened here.

01:22:21Go for them!

01:22:22Damn, how fast he runs!

01:22:24It is the petanga that gives a lot of depth.

01:22:26One has fallen.

01:22:27Let's kick him.

01:22:28Dad, don't get carried away.

01:22:29Leave them alone, they look like they have many grandchildren.

01:22:32We could start a street gang, couldn't we?

01:22:33Like in West Side Story.

01:22:34Yes of course.

01:22:35And we make some hot drinks.

01:22:37The Latin Killers.

01:22:38Sure, sure.

01:22:39You guys are really unbalanced, aren't you?

01:22:41What a pity.

01:22:42There is no one living here.

01:22:50There is no one living here.

01:23:00There is no one living here.

Aquí no hay quien viva - 4x05 - Erase un banco en la acera - HD 1080

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