00:00Reels keep spinning in the light
00:07I cut the scenes to make it right
00:16Sharp silhouette tailored for the blinding screen
00:20Flawless frame designed for the public scene
00:23Cool composure commanding the entire floor
00:27Delivering the narrative they asked before
00:30Front stage freezing under intense spotlight
00:34Zero room for error in the blinding white
00:40When the lens begins to lose its focus and sway
00:47Quiet air behind the glass settles away
00:51Hands choosing everything that stays out of sight
00:57The editor's cut
01:00Between the blinding lights and dark backstage
01:03I hold the master print and turn the page
01:10The editor's cut
01:12Neither side of light both real and true
01:17Framed and finalized in my view
01:26Stripping off the mask in front of porcelain glass
01:29Watching all the heavy expectations pass
01:32In the quiet darkness where no audience stands
01:36True story breathing softly in my own hands
01:39Not a retreat just a recalibrated sign
01:46Mapping out the next sequence of design
01:52When the lens snaps back into focus so clear
01:59Taking one last breath before the lights appear
02:04Snapping every piece right into place
02:09The editor's cut
02:12Between the blinding lights and dark backstage
02:15I hold the master print and turn the page
02:22The editor's cut, neither side of lie, both real and true
02:29Framed and finalized in my view
02:35The world tries to split the front and back in too
02:39Constraint and freedom depend on what I do
02:42Doesn't matter which side, they claim to see
02:45Final rights to the film belong to me
03:01The editor's cut
03:03Between the blinding lights and dark backstage
03:07I hold the master print and turn the page
03:15The editor's cut, neither side of lie, both real and true
03:20Framed and finalized in my view
03:26The editor's design
03:31The editor's cut, neither side of lie, both real and true
03:39Except for the film belong to me
03:40The editor's cut, neither side of lie, both real and true
