00:01This is the sensational Chaves, played by the super comedian Chespirito, with Maria.
00:14Antonieta de las Nieves as Chiquinha, Carlos Villagrano as Kiko, Ramon Valdez as Seu
00:26Madruga, Florinda Messa as Dona Florinda, and Ruben Aguirre as Professor Girafales.
00:40And in addition to El Chavo, we offer a wonderful skit featuring the harmless thieves Chompiras.
00:47and Peteretti.
00:51A singing lesson, part 2.
01:11No, no, no, no, no!
01:14No no!
01:17How outrageous!
01:18We have to play together so that it turns out well and beautifully.
01:23Even more so you, Kiko.
01:24Is it?
01:25Well, you've lost your rhythm again.
01:28Yes, but my mother bought me a brand new one.
01:32Look how beautiful, very beautiful.
01:35No way.
01:37No way.
01:38What good were the music lessons you had in school?
01:41Remember?
01:42Professor Linguiça clearly explained the purpose of time signatures in music.
01:48Oh, yes, I remember now.
01:50There are three types of banknotes.
01:52Yes.
01:53White, black, and round.
01:56Okay.
01:56The compass is used to draw circles.
02:01And there?
02:05Look, Chavinho, explain to Kiko how many parts a song is divided into.
02:09Pay attention, you idiot.
02:10The song is divided into three parts.
02:12Music.
02:15Isn't it Rémi's?
02:17But it's incredible.
02:20In music, you don't play two identical notes.
02:23But when it comes to spouting nonsense, they're exactly alike, exactly alike, exactly alike.
02:26Well, Chiquinha, playing that guitar makes you play even worse.
02:31One moment.
02:32It's no longer said to be worse.
02:34It's said to be worse.
02:35And it's not called a guitar.
02:37It is pronounced ve-o-lão.
02:40Against Emanuel.
02:42So, are we going to keep rehearsing or not, huh?
02:45Okay, but let's do our best, okay?
02:46Look, so that it comes out more in tune and sounds better,
02:50How about we do something?
02:53Say what?
02:53Look, instead of playing what we're playing,
02:56What if everyone played the same song?
03:00Ah.
03:03What were you playing?
03:05Me, the sprint.
03:07And you?
03:08La Comparcita.
03:10And you, Kiko?
03:12Well, I was playing Tchaikovsky's Dance of the Hours.
03:17But if you want, I'll play what the riffraff plays.
03:20I sing to myself.
03:22Come on, go!
03:23Zero, one, two, three, four.
03:42Silence!
03:44Silence!
03:45Silence!
03:51Silence!
03:51Enough!
03:52Enough!
03:53Do you know what's enough?
03:55She is Bastos' wife.
03:59Especially you.
04:00Can you tell me what you're trying to do with all this noise?
04:03Kiko was playing Sabo Godisca's 24-Hour Dance.
04:09Do you know what it is, Dad?
04:11We're just playing around with being an orchestra.
04:13Playing orchestra?
04:14Well, they could play without making so much noise, couldn't they?
04:17I mean, I mean, without making all this fuss.
04:20Do you understand that a neighbor might want to sleep in a basket?
04:24Yes of course.
04:25Especially those who stayed out partying all night.
04:28You're mistaken, ma'am.
04:30Chiquinha, tell her when I got home late.
04:34Afternoon/Evening?
04:36Last night?
04:37Well, tonight I went to a wake.
04:39A friend of mine died, and I had to go to the wake.
04:41But apart from that.
04:42He also went to a wake on Saturday.
04:46I had to lose another friend.
04:48Poor thing.
04:49Oh, the wake on Thursday was for another friend?
04:52The fifth one?
04:54Oh no, the one on Thursday too.
04:56But he wasn't a very good friend of mine, no.
04:57But I had to go to the wake because I had borrowed five hundred bucks.
05:00The fifth one?
05:01Oh, daddy.
05:02Only you would lend money to a dead man.
05:06What do you think?
05:07What do you think?
05:09And besides, what does this have to do with the scandal they're creating?
05:12That's what I'm asking.
05:14Honey, you can keep making all the noise you want.
05:17Mommy will be right back, okay?
05:19Yes, Mom.
05:20When are you coming back?
05:21Well, at what time are you all going to stop playing orchestra?
05:25Perhaps...
05:26Maybe within an hour.
05:28Ah, well, then I'll be back in an hour, my treasure.
05:31Sure, because it suits you, doesn't it?
05:33Ah, Kiko.
05:34Yes?
05:35And let me know if anyone stops you from playing.
05:39Yes, Mom.
05:42Mommy!
05:44He called me, sweetheart.
05:46It was with God, Mom.
05:48Thank you, sweetheart.
05:53Dad, can we keep playing orchestra?
05:57Okay, here you go.
05:59Thanks.
06:00Thanks.
06:02Thank you, Mr. Madruga.
06:23Once again.
06:24Zero, one, two, three, four.
06:26I brought three, three, four.
06:44Opening
07:13Opening
07:28That's enough, that's enough!
07:55Why?
07:57Can't you see we've already stopped the music?
08:01Who said so?
08:02I'm the one saying it!
08:04I am the conductor of the orchestra!
08:06Oh yes?
08:07In that case, I won't lend you my guitar!
08:14Chavinho, are you going to let Kiko do this to me?
08:18Yes!
08:18Ah!
08:19Ah!
08:24Ah!
08:26Ah!
08:26Ah!
08:27Ah!
08:28Ah!
08:28Daddy!
08:28Ah!
08:29Ah!
08:30Daddy!
08:31Chávez!
08:32I don't want...
08:33Ah!
08:37Ah!
08:38Ah!
08:38Daddy!
08:54Chávez!
08:56Ah!
09:02Ah!
09:02My little girl!
09:03Did you become mute?
09:11Ah!
09:13Ah!
09:13Ah!
09:15Ah!
09:17Ah!
09:33Daddy!
09:35Calm down, Mr. Madruga, calm down.
09:37I wasn't trying to take her guitar away.
09:39I just wanted to see, that's all.
09:41Hypocritical!
09:42Okay, okay, okay.
09:44But I would like to suggest something to you.
09:46It's just a suggestion, of course.
09:48They should stop playing at being an orchestra.
09:51There are many games that are better than playing orchestra.
09:55I see no reason to stop them.
09:58It's Professor Sausage.
10:00Keys!
10:02Excuse me, Professor Girafales.
10:04Oh, it had to be Chaves from number eight.
10:07How many times have I told you not to give people nicknames?
10:11Even more so when they have physical defects.
10:13That it?
10:14I say, I say, Chaves disturbs me.
10:17What were you saying?
10:18I see no reason to prevent children from playing orchestra.
10:22Few forms of entertainment can be as wholesome as this.
10:26See, Dad?
10:27Yes, yes, darling, I understand.
10:29The music is very beautiful.
10:31Of course, music has its value.
10:33But may I say something, sir?
10:34Go ahead, say so.
10:35Well, the music...
10:41You were saying...
10:42I was saying that the music...
10:47What did I say?
10:49The music...
10:52The music...
10:59The music...
11:03The music.
11:11Keep going.
11:13The music.
11:21Silence! Silence!
11:23Silence! Don't you have anything else to make a bigger fuss about?
11:27Yes, we do! We have this!
11:33Listen here. If you keep rattling that thing around, I'll beat you to a pulp!
11:37No, no, no. Just a moment, Madruga.
11:38Children should not be threatened with hitting.
11:42No. This is the first time my father has threatened me.
11:45Oh, really?
11:46Yes. He always hits without warning.
11:50Riquinha, shut your mouth. Please.
11:53As I was saying, professor, music is...
11:57You can continue.
12:02Keep it up, okay?
12:03I was trying to say that it's the music.
12:08It just escaped.
12:10It just escaped.
12:12Now your picture is you, Chave.
12:14Yes sir.
12:16The music.
12:17Key! No! Key!
12:18That!
12:20But my father didn't tell me not to talk nonsense.
12:24Ah, I'll turn it over.
12:34As I was saying, the music...
12:47I wanted to tell you that music is the art form par excellence.
12:50But to appreciate music, you need to have a good ear.
12:55I have two. One on each side.
12:59Yes, but I'm referring to knowing how to listen.
13:03Because there are people who listen to the lame mule and the wanderer from Maial and don't perceive the difference.
13:10Yes, I can see the difference.
13:12The difference is that the wanderer on the mule keeps walking, while the lame mule can no longer walk.
13:19Exactly.
13:20Exactly. But anyway, the music I like is upbeat music.
13:24Yes, it's noticeable.
13:29From what I understand, you've already listened to music.
13:31Oh yes.
13:32And what did you study?
13:33Flag bearer, guitar, piano and violin.
13:36Very good. And what did you learn?
13:38Only violin.
13:40Oh, but when she plays, she sounds exactly like Luísa Brunet, you know?
13:44To whom?
13:45Luisa Brunet.
13:45Who is that?
13:48That's the one who appears on television, who's in Playboy, and who's very poor.
13:54So how do you know you're very poor?
13:57If she's not poor, then why doesn't she have money to buy clothes?
14:00Please, which channel is she interfering with?
14:03Ask my mother.
14:05No, no, no. By the way, I came here to see your mother.
14:08From whom?
14:12From my side.
14:13Oh, she'll be back soon. She went out for a little while, but she'll be right back.
14:17Well, I'll wait.
14:18Yes. Oh, professor, since you like music, why don't you listen to our orchestra and see?
14:24How beautifully we're playing, huh?
14:26Yes, it is. Let's look at the keys. Let's rehearse.
14:30Zero, one, two, three, four.
15:02Bye, bye, bye.
15:07Bye, bye, bye, bye.
15:20I know I can't get you out of my heart.
15:46You made me leave my happy home.
16:04I know I can't get you out of my heart.
16:18Now you're going to have the honor of watching a real and hilarious content.
16:24I can't get you out of my heart.
16:28I can't get you out of my heart.
16:30I can't get you out of my heart.
16:59What are you doing?
17:08Calm down, calm down, calm down.
17:10Can't you see it's me?
17:11Yes, I know, I know.
17:13And then?
17:14Inflation, my friend.
17:15Now is not the time to choose a parish.
17:18Explain that better.
17:20This is a robbery.
17:23So it's not a revolver?
17:25Yes, yes, I have a revolver.
17:2845?
17:29No, no, I only have one.
17:31Come on, pass all your copper.
17:34Okay.
17:35Go.
17:35Okay.
17:37That's all that covers me.
17:41Hold on here, please.
17:54And next time I'll put out a cigarette on your belly button.
18:01Did you understand?
18:02Yes.
18:03That's it.
18:04Go.
18:05Give me everything you have.
18:07Give me all the money you have in your pocket.
18:09No, I don't bring it.
18:10Doesn't it have any money?
18:11I don't carry it in my pocket, I carry it in my wallet here.
18:15Don't be a clown.
18:16He fell with his wallet.
18:17It is not?
18:18I fell here with my wallet.
18:36And next time I'll tickle your throat.
18:41Make it with wire and talk.
18:43To.
18:45Pass it over here.
18:46Go.
18:48Listen here.
18:48He speaks.
18:49Would you dare steal 20 bucks from me?
18:52Of course I do.
18:52Let's go.
18:56Do you have change for 500?
19:01Hold on.
19:04No, no, I only have thousand-dollar bills.
19:07Give me one for a thousand and I'll owe you 500.
19:10Ah.
19:11No, no, no.
19:12Wait a minute.
19:13You still owe me 400 bucks from the last time I mugged you.
19:17Ah, that's right.
19:19And now?
19:20Look, you give me 500 and I'll still owe you 100 bucks.
19:23Oh there.
19:25But...
19:25And what about the 20 bucks they were stealing from me just now?
19:28No, I'll leave that as a tip for you.
19:30That's okay.
19:31But...
19:32What is that?
19:34What is this "terraba" thing?
19:35Is this a toy banknote?
19:36Oh yes.
19:37Yes.
19:38My nephew had one of those stock trading games, and I stole it.
19:44Yes.
19:56And next time, I'll operate on your tonsils, but without anesthesia.
20:03Did you understand?
20:04You can't trust anyone anymore these days.
20:07You...
20:07Do you use real money?
20:09Of course, my friend.
20:10The money is real.
20:11Hands up.
20:14Eterraba, I already told you clearly not to try to act tough.
20:19But...
20:20It turns out you were to blame for telling me that your money isn't a toy.
20:25My money is not a toy.
20:27My money is not a toy.
20:28But the revolver is...
20:32So, if you'll excuse me.
20:42And next time, I'll shave you, but it'll be with a lawnmower.
20:51Want to know something?
20:53It's useless.
20:54We'll never be able to rob anyone.
20:56Why don't you do something?
20:58What?
20:59Try selling that little revolver.
21:00It's a very beautiful toy.
21:01Will you let me sell it?
21:02For sale.
21:03You can sell it.
21:03And to whom?
21:04To whom?
21:04Who do I sell to?
21:05Anyone.
21:05Just look.
21:06Here comes the gentleman.
21:07Oh yes.
21:08Do your best.
21:11Excuse me, sir.
21:11No, no, no.
21:12Don't kill me.
21:12Don't kill me, please.
21:13Don't kill me, for God's sake.
21:15I have many children to support.
21:16Take everything I want, but don't kill me.
21:18Please don't kill me.
21:19No, sir.
21:20No, sir.
21:21Please, no.
21:21I have three wives and a son.
21:23They need me.
21:24Please don't kill me.
21:25Let me go.
21:26Let me go home.
21:35No, no, not beetroot.
21:37Remember that you and I are very honest thieves.
21:41Give it back to him.
21:43Yes.
21:50Yes, of course.
21:50No, no, no.
21:51Please don't kill me.
21:52You can take it.
21:53You can take whatever you want, but please don't kill me, sir.
21:55Look, keep that tie.
21:56I brought her from Italy, sir.
21:57Keep her, but please don't kill me.
22:03No, no, no, no, beetroot.
22:04That's not correct.
22:05He's going to return everything to that gentleman.
22:07Yes.
22:10Young man.
22:28Oxa.
22:31That's life, beetroot.
22:33What is life?
22:34We always wanted to commit robberies with real guns, but we never managed to.
22:39And now that we're robbing with...
22:41We're robbing people with this toy gun.
22:43Wait, wait, wait, wait.
22:45Is that a toy revolver?
22:46Yes sir.
22:47But it's a very well-made toy.
22:49Because this one is the real deal.
22:59It is not.
23:01Let's go.
23:02He was.
23:02É.ğl
23:08We apologize to the National Council of numerous. Quefs.
23:10os ön monstosse horários waist, bigão? Vamos lá. findos
23:11that caught our
23:11comúvidas.ictionou. Ent o quê?
23:13We are at the height of the skidable.摯abolu.
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