O clássico seriado Chaves (1973) é uma das produções mais amadas da televisão, conquistando gerações com seu humor simples, personagens marcantes e situações do cotidiano. Criado e estrelado por Roberto Gómez Bolaños, o programa se tornou um fenômeno mundial, especialmente no Brasil.
A série se passa em uma vila humilde, onde vive o menino órfão Chaves, ao lado de personagens inesquecíveis como Seu Madruga, Dona Florinda, Quico, Professor Girafales e muitos outros. Com histórias cheias de confusões, brincadeiras e lições de amizade, cada episódio traz momentos divertidos e emocionantes.
Com um estilo único e atemporal, Chaves continua sendo um dos maiores clássicos da TV, garantindo risadas e nostalgia para fãs de todas as idades.
Este episódio faz parte da série completa, organizada em ordem correta para quem deseja assistir e reviver esse grande clássico.
Inscreva-se no canal Clássicos das Telas para acompanhar mais séries e desenhos antigos completos.
Tags
#Chaves
#ElChavoDelOcho
#RobertoGomezBolanos
#SerieClassica
#SeriesAntigas
#HumorClassico
#Comedia
#Anos70
#ClassicosDaTV
#SeriesDubladas
#ClassicosDasTelas
A série se passa em uma vila humilde, onde vive o menino órfão Chaves, ao lado de personagens inesquecíveis como Seu Madruga, Dona Florinda, Quico, Professor Girafales e muitos outros. Com histórias cheias de confusões, brincadeiras e lições de amizade, cada episódio traz momentos divertidos e emocionantes.
Com um estilo único e atemporal, Chaves continua sendo um dos maiores clássicos da TV, garantindo risadas e nostalgia para fãs de todas as idades.
Este episódio faz parte da série completa, organizada em ordem correta para quem deseja assistir e reviver esse grande clássico.
Inscreva-se no canal Clássicos das Telas para acompanhar mais séries e desenhos antigos completos.
Tags
#Chaves
#ElChavoDelOcho
#RobertoGomezBolanos
#SerieClassica
#SeriesAntigas
#HumorClassico
#Comedia
#Anos70
#ClassicosDaTV
#SeriesDubladas
#ClassicosDasTelas
Categoria
📺
TVTranscrição
00:01It's El Chavo, played by the super comedian Chespirito, with Maria Antonieta de las Nieves.
00:15as Chiquinha, Carlos Filagrán as Kiko, Ramon Valdés as Seu Madruga and Florinda
00:28Mesa as Dona Florinda, special participation of Ruben Aguirre as Professor Chirafales
00:36And in addition to El Chavo del Ocho, we offer a wonderful skit entitled The Rehearsal.
00:47The Mystery of the Little Fish
00:59What do you want?
01:01Kill your cat!
01:03What?
01:04That's right, it turns out that this animal is eating all my goldfish.
01:09Who said so?
01:11I said, every day there's one less fish in the aquarium.
01:14So what?
01:15So what? It was your cat Mocorongo who ate it.
01:17Look, to begin with, Mocorongo is the lord
01:22And besides, you should know that the vet forbade this cat from eating junk food.
01:28Rubbish? My little goldfish!
01:31Yes sir!
01:32And my cat doesn't need to eat junk food.
01:35Because he eats prime cuts of meat every day.
01:37Oh yes, yes! Prime cut of meat
01:42The other day the lady was at the butcher's asking the salt seller about half a kilo of skin.
01:47Isn't that true?
01:49Look, if I was asking about half a kilo of skin, it's because I wanted to know where the gentleman was.
01:54I?
01:55Well, since I said that, now when I look for you, I'll ask the butcher if he has any.
02:00chicken feet
02:02Listen, sir, have some respect for me, okay?
02:08I'm home, Mom.
02:09I'm here, Dad.
02:09I've arrived!
02:10I arrived
02:14And how was school today, sweetheart?
02:17Very good, Mom.
02:18Did you know that El Chavo made us miss recess?
02:21Yes, but it wasn't his fault.
02:23It turns out he had a seizure.
02:25What did he have?
02:26A fit of rage
02:27Yes
02:28And what is that?
02:29He just stands there as if his battery has died.
02:34It looks like a statue.
02:37Statue
02:37Yes, that's right.
02:38No, but you said estuata.
02:41And what's it like?
02:43Statue
02:44And what did I say?
02:46Estuata
02:46And what's it like?
02:49Statue
02:49And what did I say?
02:50Oh, that's enough, that's enough.
02:52So as to
02:53But Chaves, how do you end up looking like a statue?
02:56I mean, statue
02:58When I have a fit of rage
03:00Yes, yes
03:00Yeah, I don't know.
03:02Suddenly I start to feel like I'm not feeling anything.
03:08And, and, and look, Madruga
03:11His eyes widen like this, just like a Sagui (a type of monkey).
03:15Oh, my!
03:16Maybe it's contagious.
03:18Come on, Kiko
03:18Don't associate with that riffraff.
03:20Yes, Mom
03:20Scum, scum
03:24I'm only not going to break the aquarium over your head.
03:27Because I put my little fish inside it.
03:29Look
03:31What a fit!
03:32Piripaque
03:32Oh, poor dad of mine!
03:36He was so happy with the colorful little fish that my grandmother gave him.
03:41Hey, you've never had colorful fish?
03:45No, I'm so poor I didn't even have black and white fish.
03:52Oh, Chaves
03:53There
03:55It's unbelievable, Chaves, how silly you can be sometimes.
03:59And this seizure, who told you that you have seizures?
04:02I have panic attacks because I get scared.
04:04That's what the master said, Master Sausage.
04:07Master Sausage, and what does that greased pole taste like?
04:12Ah, so you think that if he didn't know anything, he wouldn't be our teacher, is that right?
04:16But don't call him Professor Sausage, he's Professor Xirafales.
04:22But does everyone call him Master Sausage?
04:25Oh no, not me.
04:29When we went to school, the...
04:32What did Chaves say?
04:45What did Chaves say?
04:46And he had a fit.
04:48Chaves, what happened?
04:50We have to give it our all, hold on here.
04:51Yes
04:52Keys, Keys
05:02What is that?
05:04Keys
05:10I know how to solve it, I'll be right back.
05:13Chaves, what's wrong with you?
05:14Let's go again.
05:19Another heart attack.
05:20And isn't that dangerous?
05:23No, it's not dangerous, no.
05:24Yes, it's dangerous.
05:29And it served him right, so he wouldn't go around trying to deceive others.
05:35So you don't go around trying to deceive others.
05:38Look, look, look
05:44What happened, what happened?
05:47Mom, he hit me in the stomach.
05:48Yes, yes, yes, yes
05:50Ah, but you will...
05:52Yes, Mom
05:52That cat over there, that...
05:54You're going to turn into a fucking thing.
05:55Mr. Entertainment and next time
06:08Professor Girafales
06:11Mrs. Florinda
06:13Mrs. Florinda
06:15Mrs. Weed
06:18Oh, what a miracle that you appeared here!
06:22I came to bring you this humble gift.
06:25And the flowers?
06:33There's a chair way in the back, all covered in flowers.
06:36I'm referring to the bouquet of flowers.
06:39I didn't give it to him.
06:40Oh yes
06:41I put the flowers in water so they wouldn't wilt.
06:48What is that?
06:50Who put this junk here with my fish?
06:53Stay calm, stay calm.
06:54I'll be right back!
07:09Mineral kingdom, vegetable kingdom, animal kingdom
07:22Oh, it happens, it happens, it happens
07:25You won't let us study.
07:26Don't leave us
07:27Don't leave me, because I've already learned everything.
07:31Ah, yes, you know nothing.
07:32So tell me, what is the plant kingdom, huh?
07:35Oh, plant kingdom
07:37Because the name says it all.
07:38Plant kingdom
07:40The kingdom of vegetables
07:42No, Chiquinha
07:45It comes from the plants.
07:46So, oh
07:47The key knows more than you.
07:49He knows more than...
07:50Ah, since you're such a know-it-all.
07:52Tell me, what is the biggest animal you know?
07:56Kiko
07:58For you, what?
08:00No, no, no
08:02I was wrong.
08:02I wanted to say...
08:03I wanted to say donkey
08:04Ah, you see?
08:08You're doing badly
08:09Because the donkey is not the biggest animal.
08:11It's the blue whale.
08:14But no, because you asked me.
08:16What is the biggest animal I know?
08:19And I don't know the whale.
08:20Because I've never seen a whale.
08:24Oh, Chaves, don't you know the sea?
08:28I?
08:29The sea?
08:30Yes, the sea.
08:31Yes, I know.
08:34Do you know
08:35So tell me, how big is it?
08:36Like this
08:38That's because he only saw it on television.
08:42That's why
08:43But when I was on vacation
08:45We went to the beach.
08:46And we ate oysters.
08:50You've never eaten oysters, Chaves?
08:52Yes, yesterday
08:56Did you eat oysters yesterday?
08:59Yes, you don't remember that your father had two pies.
09:02And who got one for each of us?
09:04Oh, Chaves
09:05But it wasn't oyster pie.
09:07It was bean season.
09:09But you ate one and I ate the oyster.
09:14Yes
09:16Other
09:18Other
09:18Another little fish that that damned cat ate.
09:22Have you seen what your pig has done?
09:25It's not a pig, it's a cat.
09:27Because now she arrives
09:28That's enough.
09:29I'm going to kill him.
09:31I'm going to kill
09:31Where is my sword, daughter?
09:33Will you reminisce about your days as a bullfighter?
09:35Of course I will.
09:38And where is the cover?
09:39I think it's in the closet, dad.
09:41Very well, I will.
09:41You'll see, I'll tell my mother.
09:44No, don't go.
09:45Come back, come back here
09:47Look, no, no, don't be scared.
09:50The cat is not yours.
09:51But I think I'm going to have one...
09:54A fit of rage
09:55No, no, I've already taken care of that.
09:56Just a second, look.
09:58Here, look
09:59No, it's already over.
10:02Oh, that's a relief.
10:03Fortunately
10:05Oh, no, it's already over.
10:08Oh, no, it's already over.
10:12Not anymore
10:14Oh, stop being a clown.
10:20And when was I ever a clown?
10:22And when was I ever a clown?
10:23I came back in a fit of rage.
10:24Look, look, look
10:36Didn't you have a heart attack?
10:59What is it?
11:01I came to kill this animal.
11:03No, don't touch it.
11:04What it was?
11:07I suspect that the gentleman there is referring to the cat.
11:10Exactly
11:11Where is the cat?
11:12I'm leaving, I want to leave a message.
11:14Want to know something?
11:15He leaves
11:15I will look for it personally.
11:17He leaves
11:18He leaves
11:19He leaves
11:19Kitten
11:20No, no, no
11:22Don't look
11:22Don't look
11:24Don't worry, Mrs. Florinda
11:26Don't worry
11:27It's more likely he'll stab himself in the foot.
11:29Rather than hitting that cat
11:30Well, what if you say so?
11:34Don't you want to come in and have another cup of coffee?
11:37Because it's not very bothersome.
11:39Oh, not at all.
11:40Between
11:40First, ma'am
11:41Oh, thank you.
11:55Another 15 cups of coffee
11:57And I get a new conversation starter.
12:01Chaves, Chavinho
12:02Look, Chaves
12:04It's not good for you to see my father killing the cat.
12:07You're going to get scared and have a heart attack.
12:09But I didn't want to see how his father kills the cat.
12:12So what?
12:13Like a cat scratching its father
12:38Finally, in one fell swoop, Chaves
12:40In one fell swoop
12:47Oh, my cat!
12:50Calm down, Mrs. Florinda.
12:51Calm down, calm down.
12:53Calm down, calm down.
12:56My prince
12:58My queen
13:03I was referring to my cat.
13:08Don't worry, Mrs. Florinda
13:10I promise you I will give you one every day for two years.
13:13Word
13:15Furthermore
13:17Look at your Matruda
13:19He seems to be remorseful.
13:21It's the least he could do.
13:25I can't solve this puzzle.
13:28If there is no cat left
13:31Why do my goldfish keep disappearing?
13:35Fish breathe through organs called gills.
13:47Because it's a minute.
13:52Bye, bye.
14:19Now you'll have the honor of watching some truly rare and hilarious content.
14:25The essay.
14:28It's useless to resist. Do you want to die?
14:30No!
14:33Cut! Cut! Very bad, very bad. What's wrong with you?
14:38We weren't able to do a full rehearsal of that scene.
14:42And what about your position, Marie Antoinette?
14:44Yes, sir. I know about my position. But I have the impression that the bed is not in the right place.
14:48Okay.
14:49That's right. The thing is, the bed should be by the window, shouldn't it?
14:54Okay, okay. Who's in charge of set design here?
14:57Ah, Chespirito.
15:01Chespirito!
15:05Chespirito!
15:09What happened?
15:10This bed is out of place.
15:13What a lively walk, huh?
15:15Don't be a clown, don't be a clown.
15:17I asked that this bed be placed by the window.
15:20Okay, I'll put it on. Is that alright?
15:22It's OK.
15:22I held on.
15:23Throw it away.
15:32See? That guy can't even push a tricycle.
15:37You're witnessing how disrespectful they are to me, aren't you?
15:41Yes, yes, yes.
15:42Just because they're actors. That's not fair.
15:48What happened? What happened? What's going on?
15:51The thing is, you're there in my place.
15:53I'm trying to push the bed into place, right?
15:57No, also no. Also no.
15:59For this, the person in charge of set design, which is me,
16:02and the collective bargaining agreement clearly establishes
16:06What are the responsibilities that correspond exclusively to...
16:10to members of the set design field,
16:12section 49,
16:14The Unified Union of Theatrical Workers of this Our Republic,
16:18sole paragraph, article 49...
16:21Well, sir, is that all you want to tell us?
16:23Is it because we can't move the bed, is that it?
16:26Exactly.
16:27Ah, great.
16:28So move it, sir, won't you?
16:30How could we not?
16:31But it will have to be in a few moments.
16:33because the established time has already passed.
16:35at a minimum, the collective agreement for the scenography industry,
16:38section 49...
16:39Okay, okay. Stop, stop, stop, stop.
16:41Get out of here and let us continue the rehearsal, okay?
16:44Okay. But let me tell you something, okay?
16:47We're not moving the bed for anything.
16:49Very good.
16:50And one more thing.
16:51Yes, take all the time you need.
16:55And lastly...
16:56No, no, no. I don't interfere. Do whatever you want.
17:04Who moved that bed?
17:08Who moved this bed?
17:13Nobody?
17:17I'll count to three so they can tell me.
17:20Who moved this bed?
17:21If when I count to three they don't tell me
17:24who moved this bed,
17:25I'm warning you that I'm going to complain to the police chief.
17:28from the field of set design,
17:30section 49,
17:32Unified Union of Workers in Theatres and Similar Establishments.
17:34And this person will communicate it to our Secretary-General.
17:37who will report the case to the court
17:39which will determine this with the approval of the entire industry.
17:42supported by all the workers,
17:44employees, peasants and others
17:47workers of the country
17:48with support in the form of national solidarity
17:51that, two points, opens quotation marks,
17:54It will prevent, among other things,
17:56so that Catam can export the necessary nickel.
17:58which will supply the Republic of Pakistan
18:00which is counting on the support of countries
18:02like Japan,
18:04China with Xichina
18:04and will immediately declare the conflict resolved,
18:08since we are the ones who rely on support
18:10from Paraguay, from Uruguay
18:12and everyone else out there,
18:13we will not be able to prevent
18:14in no way
18:15that the United States intervene,
18:18Russia
18:18in conflict with other European countries,
18:21Asia, Africa and Oceania
18:22to bring the world to a standstill.
18:24Including,
18:26We were the ones who moved the bed.
18:33They just prevented World War III.
18:42I kill, I kill, I kill, I kill.
18:45Wait, bush.
18:48Let's continue the rehearsal, okay?
18:49Oh no, sir, we can't.
18:51And why can't we, Marie Antoinette?
18:52Because in the following scenes,
18:54I have to threaten Ramon with the bomb.
18:56remember?
18:56And where is the bomb?
18:58She should already be here.
18:59Hasn't X-Espirito brought it yet?
19:00No.
19:01I didn't say that.
19:02Why won't you let me kill him?
19:04Just a little bit.
19:05Oh, Ramon, don't talk nonsense.
19:07Look, I'll go in person.
19:08Talk to X-Spirit about the bomb,
19:10Because that way everything gets resolved quickly.
19:12Thank you, Marie Antoinette.
19:13You're welcome.
19:15Look, director.
19:17He speaks.
19:18And if you won't let me kill him,
19:19Why not just fire him, then?
19:22Because we'll have to pay him.
19:23three months' salary,
19:25twenty days a year, etc., etc., etc.
19:28No, I know, I know, I know.
19:29But wouldn't it be worth it?
19:31Perhaps.
19:32Perhaps.
19:33So, if we have to liquidate it,
19:36So let's settle this.
19:37Is he around here?
19:40I don't know, but you agree with me.
19:42To rid ourselves of the X-Spirit?
19:44Yes, definitely.
19:45Very well, then,
19:47So we have to get rid of it.
19:50If not, another remedy.
19:51Look, if he offers resistance,
19:53We doubled the dose.
19:55And you'll see that he'll leave here.
19:56Like a bullet.
19:59Okay, so let's take care of everything.
20:01Come with me, please.
20:09Sir, please, no, no, no, no.
20:11What it was?
20:12What it was?
20:14They want to kill me.
20:16Who said so?
20:18I just heard it with my own eyes.
20:21They clearly said they're going to eliminate me.
20:25They've already gone to get the bullets for the revolver.
20:28so that later we can do that...
20:29Oh, don't talk nonsense.
20:32We just wanted to...
20:34It's absolutely true, you know?
20:35And furthermore,
20:37if I resist,
20:39They give me double...
20:40Twice what?
20:42Twice as many shots.
20:43Oh, gunshots?
20:44I think it's going to be a shootout.
20:47Ah, Jespirito,
20:48You should write the script for El Chapulín Colorado.
20:52That's great.
20:53And speaking of shootings,
20:54Where is the bomb?
20:55What bombshell?
20:56What bombshell?
20:58The pump we are going to use
20:59for the purpose of the next scene.
21:01Isn't she with you?
21:03Yes, yes, it's here.
21:05The bomb.
21:08But...
21:09Is this the bomb?
21:10AND.
21:11Thanks.
21:12No, no, no, no, no, no.
21:13Wait, look, look, please,
21:15No, no, no, no, don't do that to me.
21:17Please.
21:19Look, listen.
21:20What is that?
21:27He already realized.
21:28We're going to get rid of him.
21:30Please, ma'am.
21:32I am married.
21:34I have 14 children.
21:36and 5 more in the planning stages.
21:39Are you crying?
21:40Or are you bragging?
21:43Look, we're very sorry,
21:44But there's no other way, you know?
21:46Why don't you go to the checkout?
21:49Before you kill me?
21:50Sure, before what?
21:52They won't catch me alive!
21:54I'm going to run away from here!
21:56Help!
21:59Besides being stupid,
22:01He's crazy now.
22:02Forget about it, go.
22:04Let's rehearse, let's rehearse.
22:05Let's go.
22:05Wait a minute, we're still missing Marie Antoinette.
22:07Oh, that's right,
22:08When it's one thing, it's another.
22:09You know what?
22:10Furthermore,
22:11before rehearsing the shooting scene,
22:12I would like to try the weapon.
22:14Because it was X-Pirito who carried it.
22:16And you'll see that he put in a real bullet.
22:18Prevention is better than cure.
22:20Then.
22:21Go ahead, shoot.
22:22Here you go.
22:22Shoot, shoot.
22:28Okay, okay.
22:29Okay.
22:30Everything's fine, right?
22:31So, let's go.
22:32Let's go find Marie Antoinette.
22:32Let's go get it.
22:33Let's go.
22:34Let's go.
22:34Let's go.
22:34Let's go.
22:36Let's go.
22:51X-Pirito, what happened?
22:54They killed me.
22:57You're crazy.
23:04And he didn't die?
23:06I was very lucky, because they have bad aim, but if they shot, they shot.
23:11Oh, please.
23:12Look, here they come again.
23:16Oh, that's great, that's great.
23:18Where were you, Marie Antoinette?
23:20Oh, they don't remember.
23:20You asked me to get the bomb with X-Pirito.
23:24Okay, let's rehearse.
23:25Let's go.
23:26Wait a minute.
23:26Excuse me, yes.
23:28This bomb was also prepared by X-Pirito, wasn't it?
23:31He was.
23:31He gave it to me himself.
23:32Look, I don't want you to think I'm overly distrustful, but I don't trust anyone.
23:36Nothing about this guy.
23:37Remember I said the same thing about the pistol, Gamon.
23:40AND.
23:40I know, but that's just how it is.
23:41Better safe than sorry.
23:43A prepared actor is worth two.
23:46So you want to try it.
23:48Excuse me, but I'm going to try it.
24:04So you want to kill me, right?
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