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00:00The end of the day.
00:03Good.
00:15Tate.
00:18Tate.
00:21Good.
00:22What is the news that you want to tell me?
00:29What is the news that you want to tell me?
00:33Tate.
00:36She will be my wife, Marcelo.
00:44You don't want to go with me.
00:46I don't want to go with something like this.
00:49But how do I do it?
00:51You say it so well.
00:56But I don't want to go with my wife.
00:59I want to go with my wife.
01:01Now he's got three, so the ударs are so strong.
01:06Good.
01:17Let me something.
01:21Say thank you, Milichak.
01:24I brought you a gift.
01:27Look how beautiful.
01:31It's beautiful.
01:32Look.
01:34I want to see you a little bit.
01:36It's very sweet, isn't it?
01:37Yes.
01:39It's the most beautiful thing in the world.
01:41I constantly see you, to look, to go, to go, to go, to go, to go, to go.
01:46A man can't be used to it.
01:50This thing is like a magnet.
01:53I feel like a magnet.
01:56Yes.
01:57Yes.
01:59Marcelino is the meaning of my life.
02:05How sweet is it?
02:07What is it?
02:08I don't know.
02:09I have a pain.
02:12I have a pain.
02:17I have a pain.
02:37I can't stand for you.
02:38I have a pain.
02:38How long is it?
02:38I can't stand for you.
02:39I can't stand for you.
02:51He's so close to him.
02:53Everything is safe.
02:56What is his name?
02:58What is his name?
03:02Look for his sweetheart.
03:04I just love his wife.
03:05Two children love him.
03:07And I love you.
03:14My mother, where is she?
03:16She feels that she is not placed in place.
03:19What kind of thing is that she is good?
03:21Yes.
03:22I'm sure not.
03:24You have to go to the doctor, Eduardo.
03:33It's not the first time.
03:35It's serious.
03:36Do you have to go to the doctor?
03:37No, mom.
03:39Stay with me.
03:41It's always going to go to the doctor.
03:43You have to go to the doctor.
03:45You don't have to go to the doctor.
03:48You don't have to go to the doctor.
03:51You don't have to go to the doctor.
03:52Mom, do you remember what I told you,
03:55when I was in the hospital?
03:57What?
03:59If something happens with me,
04:02when...
04:03...
04:03...
04:03...
04:04...
04:04...
04:04...
04:04...
04:05Do you care for Marcelino in front of me?
04:08Eduarda, how are these things?
04:11You're bleeding, and you're talking about death.
04:13Mamo...
04:14I'm going to tell you about my thought.
04:16Mamo, I know, but I'm going to tell you something.
04:19I'm going to tell you something, if something happens with me,
04:21you'll get to the end of my life, so you'll be looking for my daughter.
04:24I'm going to give you a prank.
04:49I'm going to tell you something, if something happens with me.
05:04I'm going to tell you something, I'm going to tell you something.
05:06Fryer?
05:07Do you want me to tell you how?
05:09First, I'm going to tell you something.
05:34I'm going to tell you something, if something happens with me.
05:37I'm going to tell you something, if something happens with me.
05:45Oh, hey!
05:46I'm going to tell you something, if something happens with me.
05:59Sърдя ти се, Лео.
06:01Нимаш да ме караш да те чакам на празно.
06:03Казах, че няма да дойда.
06:05Искам да отиде, Лео.
06:06Ела.
06:06Не ти ли бяха достатъчни емоциите през деня?
06:10После, да не се сърдиш, ако те сменя с някой по-галантен.
06:15Съжалявам много.
06:16Знаеш ли, пожелавам ти приятна вечер.
06:20От два стола на земята.
06:23Ел, който си няма гаджет и биеш шута.
06:26Вместо да бъдеш човек, който ти е под ръка, ти избра женен мъж.
06:32От лакомия остана без митолин.
06:37Татко, нека отида вместо теб.
06:43Къде?
06:44В Буэнос-Айрес.
06:46Да не си откачил.
06:50Леонардо, с нищо не можеш да помогнеш.
06:53Не семе си.
06:55Познавам договорите, ще дойда с теб.
06:58За Бога, Лео.
06:59Не, настоявай.
07:01Леонардо, остави баща си да работи.
07:03Нали каза, че ти се спи?
07:05Върви да си легнеш.
07:20Неистина ли не искате нищо?
07:22Мога да остана?
07:23Не, благодаря ти, Вера.
07:25Може да си вървиш.
07:27Извинете, че се месен, но ми е мъчно, че с Едуарда сте разделени.
07:33Бяхте прекрасна двойка.
07:37Ще свикнеш да ме гледаш сам.
07:39Сметам да живея тук.
07:43Тя...
07:44Често ли идва?
07:46Не, понякога идва сутрин, взима някои неща и си тръгва.
07:50Почти не разговаряме.
07:52Ще оставя бележка.
07:53Ето, тук.
08:03Довиждане.
08:04Довиждане.
08:10Довиждане.
08:14Връщам се в началото на седмицата.
08:16Ако ви потребвам спешно, обадете се на брат ми.
08:20Благодаря, Вера.
08:23Довиждане.
09:19Довиждане.
09:45Какво правиш тук?
09:47И аз това те питам.
09:49Какво правиш тук, в стаята ми?
09:51Въпреки, че не живееш вече тук.
09:54Нито ти.
09:56Да, но ти се изнесе.
09:58А, не.
09:59По-скоро ти беше изгонен.
10:00Не аз.
10:02Няма да живее повече при майка си.
10:04Ти не го ползваш.
10:06Тогава ще го ползвам аз.
10:07Купих го за семейството си.
10:09Не за Вера.
10:10Бих останала тук с сина ми, ако чувствах апартамента наш.
10:15Но ти твърдиш, че е твой, че си го купил с твои пари, така че няма как да останем.
10:21Освен това се боя, че във всеки момент може да ме изгонят с някоя заповед на собственика.
10:29Как може да си толкова глупава?
10:32А ти?
10:33Как може да си толкова циничен?
10:36Да не би, да не си чул достатъчно.
10:38Искаш още?
10:40Всеки път, когато те видя, настроението ми се разваля.
10:44Не те понасям.
10:46Не искам изобщо да те виждам.
10:49Нито да чувам гласа ти.
10:52Нито да мисля за теб.
10:53Тогава си вземи дръхите и си върви.
10:56Вече говорих с адвокат Алсел.
10:57Лъжеш.
10:59Изобщо не си говорил.
11:00Аз говорих с него.
11:01Бягаш.
11:02Искаш да спечелиш време.
11:03Надяваш се, че ще отстъпя и ще ти простя.
11:06Но не се само залъгва и ще отида до край.
11:10Кой говори за отстъпване?
11:11Той знае, че искам развод.
11:12Чудесно.
11:13Ще те чакам в кантората му в часа, който той определи.
11:16И не се оправдавай с някое важно съвещание, както направи миналия път.
11:20За да не дойдеш.
11:21Не беше оправдание.
11:22Наистина, имах важна среща в същия час.
11:25Добре, добре.
11:26Но молете, не закъснявай, защото имам ангажимент днес след обед.
11:30Какъв важен ангажимент може да имаш?
11:33Какъв ангажимент има лентяйка, като теб, освен да отиде на фризер или в мола?
11:40Не искам да си губя повече времето с теб.
11:43Явно имаш повече време за он си глупак лекаре, отколкото за бащата на детето си.
11:48Ако говориш за сесър, молете, не използвай думата глупак, защото единственият глупак в тази история си ти.
11:54И потърси отеха в обятията на Лаура.
11:56Тя знае как да реши проблемите ти, нали?
11:59Сигурно е много заета с клиентите си, но за теб прави изключение, а и за старите клиенти е безплатно, нали
12:06така?
12:08Колко ниско падаш, колко си вулгарна.
12:11А беше възпитана, финна.
12:13Но виждам, че си се променила.
12:17Но явно съм се лъгал много.
12:20Ти си жалка вулгарна жена.
12:23Напротив, Марсело.
12:25Все така съм фина и възпитана, с който го заслужава.
12:29А с теб и с унази...
12:31Знаеш тя каква е, нали?
12:33С вас двамата се отнасям така, както заслужавате вие.
12:37Не ми говори така, защото ще съжаляваш.
12:40Не ме предизвиквай.
12:41Обичаш да биеш жените ли?
12:43Когато бяхме гаджета, ми разказваха за унази жена, която обичала да я биеш.
12:47И че в една дискотека си е ударил и на нея и харесало.
12:51Искаш пак да биеш, но не и мен.
12:53Пусни ме.
12:54Не ме обиждай.
12:55Себе си ли защитаваш или любовницата си?
13:01Махни се! Махни се, страхливецо!
13:04Какво си мислиш?
13:05Че още си момиченцето на мама?
13:07Само че вече не си.
13:09Пусни ме, глупако! Не ме докосвай!
13:11Какво си мислиш? Какво си мислиш?
13:13Сигурно ще кажеш, че сесър е по-добър от мен.
13:15Да.
13:16Нима?
13:16Той е много по-добър, сто пъти по-добър във всички отношения.
13:19Тичай тогава при него, но синът ми остава при мен.
13:21Синът ми ще бъде с мен и бъди сигурен, че сесър ще се грижи за него.
13:25Мисля, че ще бъде идеален баща на детето ми.
13:28Мисля, че ще бъде идеален баща на детето ми.
13:36Нещастник!
13:37Ще те съсипя!
13:38Ще те дам подсъд!
13:40Ще те унищожа!
13:41Пусни ме!
13:42Пусни ме!
13:48Махай се!
13:56Здравей!
13:58Здравей!
14:00Разхождаш ли се?
14:02Както винаги.
14:04О, колко е сладък!
14:08Днес ти ли го гледаш?
14:09Да, Едуар да отида в апартамента да вземе някои дрехи.
14:13Тя идва и тук, нали?
14:14Да, понякога идва да си вземе някои неща.
14:16Вкъщи няма място за всичките й вещи.
14:20Но защо не остана в апартамента?
14:22Не иска, Вирджиния.
14:24Не иска.
14:25А и в апартамента ще бъде само с детето и прислужниците и няма да има дори с кого да говори.
14:30Да, но вие, Сатилю, имате нужда от уединение. Не съм ли права?
14:36Да, но какво да правим? Да затворим вратата пред приятелка, дъщеря, внук?
14:41Разбира се, че не бих направила същото.
14:45Да, знаеш ли, наскоро си спомних как се разхождахме двете тук.
14:51Вспомняш ли си? Ти с Едуарда, а аз Родриго.
14:55Бяха 3-4 годишни, а вече се караха като кучи и котка.
15:00Да, винаги беше така.
15:02Ела с мен. Отивам вкъщи.
15:04Лиза ще гледа Марселиньо.
15:06Да вървим.
15:09Хайде, ще си поговорим както в старите времена.
15:14Знаеш ли, че Рафаел е щастлив?
15:16Смята, че е намерил купувач на клиниката.
15:19Отказва се от професията си.
15:21Да, иска да пътува, да се разхожда, работил е достатъчно.
15:26Да, разбира се.
15:28Не, ти е достатъчен, Шамар. Имаш нужда от хубав бой.
15:31Тогава Елай ме удари, ако си мъж.
15:33И какво ще направиш? Ще извикаш ССР за да ме набие?
15:36Умираш от ревност, нали?
15:37Измъчвате мисълта, че ще изгубиш жена си заради друг.
15:40Но ще ти кажа нещо.
15:41Оставихте на Лаура.
15:42И дори ще поискам парична гаранция, че никога няма да те върне.
15:51Пусни ме.
15:52Пусни ме.
15:53Пусни ме.
15:55Марсело!
16:22Марсело!
16:23Марсело!
16:28Марсело!
16:32Марсело!
16:47Марсело!
16:50Hello, Fadginia, who is in the house?
16:52Is there anything?
16:54Fadginia, tell me who is there.
16:56It's easy, it's easy.
16:58Mr. Atilio, you quickly ask the question about life and death.
17:02Yes, I'm sure.
17:03Mr. Ne.
17:04Mr. Ne.
17:06Mr. Eduardo wants to speak with you.
17:09It looks like no one is dying.
17:12Hello, Eduardo, what is it?
17:19I'm sure I'll walk you down.
17:23The sorum ...
17:24algorithmic.
17:25I'm still online.
17:31Thanks, Carlos.ered어.
17:33How do you
17:34tell a question? If Helena asks
17:35question, I don't know anything. If I say
17:36it, I told you nothing. I don't
17:38know anything. Have you ever
17:38figured out and ran? Never before.
17:42I'm going to go to the house.
18:11In your place, I'm going to pay for the police.
18:13Not only, I'm going to pay for the situation, so I'm going to pay for the girl.
18:17How do you look like?
18:19Very young, beautiful, beautiful, kind of a actress.
18:25I don't know, I'm going to pay for the girl.
18:27Not I, but the girl from one side is sweet, like a cartoon.
18:32Dona Sirlia always wanted a son, she said to Dona Elena,
18:36but he's not looking for the factory, but the factory made the other.
18:40He's not looking for the car, he's going to pay for the two,
18:43but he's going to pay for the money for the car,
18:46even for the gift of my daughter.
18:48How much?
18:50You're going to pay for the car, Teresa.
18:52We'll see you soon.
18:52We'll see you soon.
18:55Dona, here is?
18:56No, she's coming to the house with my brother.
18:59Do you need something?
19:01No, nothing.
19:03Then I'll talk with her.
19:04Okay.
19:05See you soon.
19:06See you soon.
19:10Hey, dear.
19:14I'm here.
19:19I'm here.
19:24I'm here.
19:27I'm here.
19:29I'm here.
19:30I'm here.
19:30I'm here.
19:31I'm here.
19:32I'm here, dear, that's a different place.
19:33I don't know.
19:34I'm here.
19:35It's very much.
19:36A man is staying when he is staying with children.
19:40You leave the phone at the hotel,
19:43the route of which the case is needed,
19:45but only if it is safe.
19:47It is necessary to be able to take care of every day.
19:55Yes, I'm totally right.
19:59Why did you get it?
20:01It was a bit of a bit.
20:03Rafael and Atilio are wonderful. They love music and art. They are good.
20:11Let's think.
20:17What are you doing, Elena?
20:20What are you doing?
20:24How are you doing, Elena?
20:26How are you doing?
20:26Hello, my dear.
20:29Mom, my mother, I have a drink in a bottle.
20:33I have a drink in a bottle.
20:36I have a drink with my sister.
20:39I have a drink in a bottle.
20:42I have a drink in a bottle,
20:45I have a drink.
20:51No, it's alive.
20:54We need to see what happened.
20:57You can see something in your head, so?
21:01No, nothing is happening.
21:03Help me.
21:06Help me, Ella, to sit on the couch.
21:07So.
21:09Help me.
21:10Let me see.
21:12Do you have something?
21:15I'm trying to kill you.
21:17I'm trying to kill you.
21:19And no one is going to miss you,
21:21that it's not my fault.
21:22Let me see how it's been.
21:26She will be cool.
21:28To get back to that.
21:29It's a crime.
21:31But how do you want, Marcelo?
21:33Do you leave me there?
21:34Do you do not want to me?
21:35I'll cut verses them down.
21:39Let's go.
21:40Where do you say?
21:42Let me ask you.
21:44And how do you think?
21:46I'd like you to kill him.
21:49I don't want to stay like this.
21:50Let's go.
22:00I think it's nice to be here, Marcelo, to stay in the apartment.
22:05He needs to repair it.
22:07He needs to repair it.
22:09He needs to repair it.
22:11He needs to repair it.
22:13He needs to stay here.
22:15Here is everything.
22:16Why do you think they are all good?
22:20Just so.
22:22I don't know that.
22:24I don't know why you are to imagine.
22:24What are you doing?
22:26No, girlfriend.
22:27You can't protect it, Leona.
22:31You're so happy to protect them!
22:32You can't get it.
22:32You've been wrong with these things, Leonardo.
22:38You've heard anything like this!
22:40I'm thinking.
22:41Yes, Leonardo!
22:45The way you think it's…
22:46If you say a little, if you stop thinking, you will turn into a tree.
22:52Or a tree.
22:53Or a tree.
22:56Or a tree.
22:57That's how much it is to listen to this family situation.
23:01I can't imagine that every morning I'm going to listen to this tree.
23:05No, it's different.
23:06You know what I think?
23:08That you're going to listen to your voice.
23:10You're going to listen to your voice.
23:11You're going to listen to your voice.
23:15You're going to listen to your voice.
23:22Be serious.
23:27Liebe?
23:30Unde bac Mario.
23:40Dulvam te.
23:43Good.
23:44Good.
23:47Hi, Zilla.
23:49I've made my decision.
23:51I'm going to buy the food and want to be a milk.
23:55Good.
23:57What's up, Ilena?
23:59You're right, and you're going to get the appetite.
24:01You're not getting the appetite.
24:04Yes.
24:05This is the sound of the phone.
24:07You're not getting the appetite.
24:10Exactly.
24:12Good.
24:13You're right after the conversation with Milena.
24:19I'm going to go to him.
24:21I'm going to go to him.
24:22Why are you talking about the conversation?
24:25Mom, you know that all are so loved.
24:28In school?
24:30I'm going to go to her.
24:32I'm going to go to her.
24:34I know who is.
24:36I'm going to go to her.
24:38I'm going to go to the third class.
24:40How are you talking about this?
24:42It's been a gadget.
24:43It's been a seven years old.
24:44Nine years old.
24:47Tell me the story, because my mom the didn't always всегда.
24:51They'll meet you.
24:54Everyone and they'll tell you a bit.
24:55They'll ask you a little joy.
25:01They'll tell you a happy soul.
25:02They'll tell you something.
25:05They'll be nice.
25:05They can feel so happy.
25:06They'll tell you the wish.
25:08They're so happy and Yang.
25:11The love to make people so nice.
25:13That's why I love you.
25:16Because you really love me.
25:19Hey, I'm going to go.
25:21Nando, do you want me to go with Cecilia?
25:23Okay.
25:24I don't want you to live there.
25:26Mom, I'm going to vacation.
25:28I'm going to go with you.
25:29I'm going to go with you.
25:31I'm going to go with you.
25:32I'm going to go with you.
25:35I'm going to go with you.
25:37Lydia, Nando looks so happy.
25:42You're going to arrive there.
25:43But there is no reason to follow the bar.
25:44It's beautiful.
25:46How are you, Orestes?
25:49So now I'm a nerd,
25:51who follows the characters.
25:55No, Lydia.
25:56Then how do I encourage you.
25:58I'm not going to do it.
26:00Like you say,
26:02I'm going to go with you.
26:04Lydia, my first time it's done.
26:06I'm going to go with you,
26:07I'm going to go with you.
26:08I'm going to go with you.
26:09because I got out there without me to get out of the house.
26:11See, Denise, it's your age. It's not bad for you to eat.
26:17Ella, come!
26:18Ciao!
26:19Ciao, Nando!
26:20Ciao, Mamo!
26:20Ciao!
26:21Ciao!
26:22Ciao!
26:25I decided to get out, because the sun is very cold.
26:28The sun should be on the sun after the 9 of the morning.
26:32But they could be on the sun.
26:34The water on the beach is useful.
26:35Yes, but one of them plays on top, and one of them is small to get out of the beach.
26:40Yes, I think the beach needs to be able to get out of the beach.
26:46Yes.
26:47Yes.
26:48Thank you so much, Liza.
26:49Yes.
26:51Yes.
26:53Yes.
26:55Yes.
26:55Yes.
26:58Yes.
27:05Yes.
27:06Well, my yes.
27:08Yes.
27:12But I understand what my Leg saying.
27:19Yes.
27:20Yes.
27:20It's good to get out of the to come in.
27:31Yes, effectively.
27:34Doctor, take care of me.
27:35I have to thank you, that you have to take care of me.
27:41Let's go for one night.
27:44One night?
27:46No, one night.
27:49Hello?
27:51Edward, everything is in order.
27:54No serious.
27:55I'm going to take Marcelo to Branca.
27:57Tell me, I'm going to pay for the money.
28:01I'm going to leave the money like that.
28:02Why?
28:03I'm going to take care of everyday.
28:12You're waiting for Handbookers,
28:19everybody is waiting for Monica.
28:23He almost shit.
28:24This already is a red judge.
28:25This time should we have a spouse.
28:30No.
28:32No.
28:33and that it's not like a miracle.
28:35No, I'll never break your experience for убийство, Tillyo.
28:38You're not.
28:39With your brother.
28:40You're not.
28:41I'm not.
28:42I'm not.
28:43I'm not.
28:45You're not.
28:46I'm not.
28:47You're not.
28:48I'm not.
28:49You're not.
28:51I'm not.
28:52You're not.
28:54It's...
28:55I'm not.
28:56You're not.
28:58You're not.
28:59I'm not.
29:00I'm not.
29:01One friend, a doctor, works there.
29:03He's going to do 2-3, he's going to stay small, but he's not more.
29:07It was a family one, in which one one was born.
29:11It happens every day and in the best family.
29:14No, and in my life.
29:15And in your life, it happens to be a lot of you?
29:17Do not have to be used to get you and get you to get your head?
29:20No, of course.
29:22I'm going to say that in the fight between the man and the woman everything happens.
29:26There is a difference between the fight and the men and the woman.
29:30I think that you need to get rid of it, but not to get rid of it.
29:34He is my son. You are so like that, but I have to get rid of it.
29:38I just try to get rid of it again, but I don't want to get rid of it again.
29:43But what happens is that they don't mean that it will be repeated.
29:47Only this is left.
29:49They are dead.
29:51Zilla!
29:53Zilla!
29:53Oh!
29:54Franco.
29:55I have a trust in it.
29:56I am a trust in it.
29:58I have a trust in it.
29:59I already see you a trust in it.
30:01I see your trust in it.
30:03It's fine.
30:05I trust to be ، I have a trust in it for you.
30:07I am trust in it, but you are your own friends.
30:13I will trust you.
30:15See, Marcelo.
30:16How are you?
30:19I'm a trust in it.
30:21I'm not going to leave the office, Marcelo.
30:23No, I'll leave the advocate.
30:25Don't go. I'll talk with Eduardo.
30:27No, no. I'm not going to say that I'm going to leave.
30:29I'm going to leave the office.
30:33No, I'll leave.
30:35Marcelo, what's going on?
30:38Let's see.
30:40Marcelo?
30:42Is it a problem?
30:44Is it a problem?
30:45This is the result of the phone conversation with Eduardo.
30:48I'm going to leave the office in your name.
30:52What's up, Marcelo?
30:54How did you say?
30:56How do I like you thinking in the end?
30:56No, no, im hurry.
30:59What's going on?
31:00I'm not going to follow the office.
31:01I'm all in a bubble.
31:02To see you, Marcelo.
31:06Marcelo, what's up?
31:08I'll do it for you, Marcelo.
31:09You' want to blow me away, Marcelo?
31:11I'll do it for you, Marcelo.
31:17Marcel, do you want me to do everything you want to do?
31:21Me neither, because...
31:23...I want more than you will love in you.
31:27The truth is that I want you to do it.
31:31Exactly, I want you to do it.
31:36Even if you don't have time to do it.
31:40I want you to do it.
31:42Yes, I want you to wait for my office.
31:43I want you to wait for my friends.
31:45No way I want you to do it.
31:48I want you to do it.
31:51It's just our friends, our company.
31:56It's not serious. They love it.
32:00That's what I'm impressed with.
32:02I've already been married.
32:06Hey!
32:09You're fine!
32:11Good.
32:11Good.
32:12Good.
32:13Good.
32:13Good.
32:14Good.
32:16Good.
32:18good.
32:22Good.
32:23for your support.
32:28sweet..
32:28Good.
32:31Good as a ruler.
32:34I really feel like I'm alone.
32:39Or I'm not so happy.
32:41The two things are almost identical.
32:45I'm very close to you.
32:48I don't have a choice.
32:50You don't have a choice.
32:52You just have a choice.
32:54You have a choice.
32:55After me, only you have a choice.
32:58Now, even though I'm in the first young age,
33:02I'm sure you're sorry.
33:04I'm happy if I tell you.
33:06You don't have a choice,
33:08if it happens.
33:13Atilio!
33:15You have a choice.
33:17You have a choice.
33:18You don't have a choice.
33:20You don't have a choice.
33:22Let's go, Atilio.
33:23Let's go from here.
33:34washed your documented here,
33:38Oh, guys.
33:39You don't have time coming back.
33:41You do not have peace.
33:42No choice.
33:43I want help Dr. Wanese Haneath to Fredcho with you,
33:45of course,View
33:48by Dr. Vahe Yung Temer, you
33:53can push me back and pick me up. Yeah.
33:56It's already here, Ella. It's all over here.
33:59Let's go.
34:02For a second, it's been in front of us.
34:04So, I'm going to find you.
34:06So, do you want me to find you?
34:08Of course.
34:10I'm Matilde.
34:12Here?
34:13Here?
34:14Here?
34:16No, no, she didn't have to go.
34:19I'm going to go.
34:20Yes, I'm going to tell you.
34:22I'm going to go.
34:23I'm going to go.
34:25Good.
34:27It's better to go here, so we'll spend time.
34:30And in this day, it's better to go.
34:33Yes, so.
34:34I'm going to go.
34:35I'm going to go here.
34:38I'm going to go here.
34:40Of course, Dona Isabel.
34:42I'm going to go here.
34:44Yes.
34:46I'm going to go to office and take a book.
34:51I'm going to go.
34:53I'm going to go.
34:54I'm going to go.
34:55I'm going to work here with you.
34:57Do you want to stay?
34:58Yes, thank you.
34:59So, you're going to go.
35:01You're going to go.
35:04No, you don't need to go.
35:05I'm going to go.
35:20I'm going to go.
35:22I'm going to go.
35:23Do you think I can go to office.
35:32I'll go.
35:38I'm going.
35:41You're coming in the car.
35:43You're going home very early.
35:44And the one day, they're going to be here.
35:47Yes, you're coming in the car.
35:48Bye bye.
35:48Bye bye.
35:49Have a good night.
35:51Bye bye bye.
35:53Yes, these are the best.
35:55Yes, these are the best.
35:57Yes, yes, yes, yes.
36:00You can't keep them in the way.
36:06Yes, you can't keep them in the way.
36:07Okay, look for yourself.
36:08Talk with an advocate.
36:09Yes, yes.
36:12Yes, yes, yes.
36:14What happened?
36:17Yes.
36:17You know what?
36:19Marcelo and Edouarda
36:20they hit it.
36:21They hit it.
36:24You have been very discreet.
36:28I?
36:29Yes, you hit it.
36:31You hit it, Marcelo,
36:33and you didn't say anything.
36:35That's a question.
36:36I'm not going to comment it.
36:38You're not going to comment it.
36:40You're not going to comment it.
36:42You're not going to comment it.
36:45How do I comment it?
36:47That you just want to know?
36:49You're not going to know.
36:50What are you doing?
36:52I'm not going to die.
36:56Why are you laughing?
36:58Why are you laughing?
36:58I'm going to tell you something.
37:00I'm talking to my son.
37:02I'm not going to...
37:04I'm not going to do that.
37:05But that's the situation.
37:06It's not going to continue.
37:08It's going to happen.
37:12You're not going to die.
37:13I'm going to die.
37:13Maybe even dead.
37:13No, there is no such a thing.
37:16She has been attacked and hit her head.
37:18She fell, she has fallen, but she is not serious.
37:22This is the only thing that she does.
37:27This is dangerous.
37:29Who am I?
37:32I'm sure she is not Eliana, because, as I know, she is a man.
37:36I'm sure she is a man.
37:40I'm sure she is a man.
37:42I'm not a man.
37:42I'm okay, I'm all a little.
37:45I'm sorry, I'm sorry, aren't you okay?
37:51I just didn't hate you.
37:53But you are a person, I don't want you to put anything in a particular way.
37:56It's like you are good.
38:01You are good, I am not enough to bite you.
38:05you are good for me.
38:07If you are a vehicle, можно for me.
38:11I'm sorry.
38:12I'm sorry, I'm sorry.
38:12I'm sorry, I'm sorry.
38:15I'm sorry.
38:17I'm sorry to tell you how to spray the scene.
38:21Yes, and despite that she's playing a lot of love with Paola,
38:27she's playing so much love.
38:28She's playing a lot.
38:31I'm sorry, it's not a problem, Isabel.
38:36I'm sure I'm very much, very long ago, when we met in 30 years.
38:43And you, Leo?
38:46Of course, I'm very much on the discrepant and great people.
38:50I'm not sure that you are here.
38:54But you have a reason for me, right?
38:58How are you?
38:59How are you doing?
39:00... a different reason.
39:07Because of the other reasons.
39:11How are you, Leo?
39:15I'm not sure if I'm not sure if I'm buying anything.
39:17I'm not sure if I'm buying things.
39:20I'm not sure if I'm buying anything.
39:21I think I'm gonna have to be buying anything.
39:21I've almost been a while.
39:21Will he go and get it to escape?
39:24I'm going to die again.
39:25I.
39:26I.
39:39I.
39:42I.
39:43I.
39:43I.
39:45I.
39:45I've got enough, Elena. I'm going to know what's happening with you.
39:50God!
39:51I'm going to say, hey!
39:52I'm going to tell you, time to try to find your thoughts.
39:56I'm going to say, Elena, I'm going to wait.
39:58I'm very well. I'm going to see something that happens with you.
40:01You're going to see something, but you're going to see something, what's going on, what's going on, what's going on,
40:07what's going on.
40:09What's going on?
40:10I'm going to tell you everything else.
40:13I've got a trust.
40:13You're going to say, hey!
40:14I can't assist you.
40:14As is an reaction from your heart, I'll discuss your trust.
40:16You're going to tell me what happened with you.
40:30You're going to tell me, if you're killed a Gib Trek.
40:34You're going to prove this stress.
40:36I'm going to know you, I'm going to give you a little tank.
40:38You're going to kill yourself.
40:40I will always be with you.
40:43I will always be with you.
40:45I will never leave you from here,
40:47when you tell the truth.
40:50Tell me, what is happening?
40:53I will never be with my parents.
40:55I will never be with my parents.
40:57I will never tell you what I hear from you.
40:59Just tell me.
41:06How is it?
41:06How is it?
41:08How is it?
41:08I have another woman in your life,
41:10another woman in your life.
41:11How is it?
41:12How is it?
41:12It is because of the problem.
41:15For God.
41:16Ask me what is it?
41:18I have been in the hospital.
41:25How are you talking about it?
41:30I have been there...
41:36I have been there and met it.
41:38I have had an accident at night in my hospital.
41:40And who died?
41:41I have saved the any murder.
41:45I pushed the children twice.
41:49You passed the child twice.
41:49The children of the Sn wounded tend to breed your animals.
41:51Didn't go anything or not.
41:52The kids died was alive.
41:52How is it?
41:53I thought, you said...
41:57When I realized that my mother had a problem, I died.
42:06I died.
42:07I died.
42:09I died.
42:10I died.
42:15I died.
42:17I died.
42:18I died.
42:23But why?
42:26Why did you do that?
42:30I didn't have a lot of time to think.
42:33I felt that if I would die, I would die.
42:38I would die.
42:38I would die.
42:38Because you could not have other children.
42:42You could not have a child.
42:44You could not have a child.
42:46Elena, you have a right to have a life on your child.
42:50I wanted to help you with it.
42:53I said so much.
42:55I said that one, that one could not have a child.
42:58But she decided that she could hold you.
43:02Marcelo!
43:03You could not have a child.
43:05You could have a child.
43:07I don't think that's a bad thing.
43:09I don't think that's a bad thing.
43:11Elena!
43:13For God!
43:14That's a good thing!
43:16You didn't have a right to do that!
43:18You don't have a right to do that, Elena!
43:20I did a lot.
43:22I didn't think that I had a right to do it.
43:25I did a right to do it.
43:26I have a right to do it to help you,
43:31to save your daughter.
43:33I only can do this to do it.
43:37It's been a long time,
43:40why did you choose?
43:41It's been a long time.
43:41You could choose the other mother of your daughter.
43:45You'd choose the other one.
43:48I would choose the other two.
43:49You'd be a poor child.
43:51You'd be a lot of choice.
43:52I had to tell the truth not to.
43:57Edward and Marcelo have to learn, that they have to lose their children, as it happens with other families.
44:02It will cause them pain and страдания, but it will help them to die. This is part of life.
44:06I don't have to do that.
44:08Then I will tell you, I will tell you.
44:11I will tell you, I will tell you.
44:12I will tell you, I will tell you, I will tell you.
44:16I will tell you, I will tell you, I will tell you, I will tell you.
44:21No!
44:24I will tell you, my daughter!
44:25Only I will tell you, I will tell you!
44:28Only I will tell you!
44:32Who can tell you?
44:34Who can tell you, I will tell you or not.
44:38Who can tell me?
44:39Who can tell you?
44:40Only God can tell you!
44:54Oh, my God.
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