- il y a 11 minutes
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09:43Je vais vous donner la chaquette de l'offre de l'enquête, je n'ai pas...
09:49Ok.
09:51Je vais vous donner.
09:53Je vais vous parler, ok?
10:01Bonjour.
10:02Bonjour, Mom.
10:04Qui est-ce?
10:06Vous savez, votre fille est une très spéciale jeune femme.
10:10Elle est très belle.
10:12Qu'est-ce que vous avez fait avec elle?
10:13Oh, j'ai beaucoup de plans.
10:16J'ai beaucoup de plans.
10:16J'ai beaucoup de plaisir.
10:18J'ai beaucoup de plaisir.
10:19J'ai beaucoup de plaisir pour moi, au moins.
10:20Elle a demandé de vous.
10:22Vous voulez parler avec elle?
10:24Elle est ici.
10:27Lily, Lily, peux-tu me entendre?
10:30Hello?
10:33Lily, je suis ici, bébé.
10:34Est-ce qu'il y a quelqu'un?
10:37Hello?
10:39Lily, Lily, Lily.
10:40No!
10:41No!
10:42No!
10:42Wait, wait.
10:43Why can't she hear me?
10:46Don't you know, sweet child?
10:48This is where I'm going to kill you.
10:50Oh!
10:51Oh!
10:52Wait, wait, wait.
10:54Oh!
10:58Morales, were you able to get a location?
11:00To town.
11:01Can you pinpoint the location?
11:02Just working on it.
11:04Almost.
11:06Got him.
11:07He's at the Brighton Motel, East 2nd Street.
11:10Oh!
11:14Oh!
11:16Oh!
11:20Oh!
11:21Oh!
11:30Oh!
11:32Oh!
11:33Oh!
11:33Oh!
11:33Oh!
11:34Oh!
11:44Ah!
11:44Get down!
11:45Get out of the bed!
11:46Hands behind your back!
11:47Put him on your back!
11:50La feature est en custody.
11:51Qu'est-ce que Lily ?
11:52Je me souviens.
11:53Où est-ce qu'elle ?
11:54Nous savons que tu as kidnappes une fille.
11:56Je me souviens qu'elle est dans le bâtiment.
11:58Lily, hold on !
12:03C'est ok, c'est ok, c'est ok.
12:05Je suis avec la police.
12:05C'est bon, c'est bon, c'est bon.
12:07C'est bon.
12:08Vex, c'est Lily ?
12:09C'est pas elle.
12:11Quoi ?
12:11Qu'est-ce que tu veux dire, c'est pas elle ?
12:13Lily n'est pas ici.
12:15Où est-ce qu'elle ?
12:16C'est bon.
12:20Qu'est-ce que tu fais avec l'autre fille ?
12:23C'est bon.
12:24Je vais te faire de là, ok ?
12:26Qu'est-ce que c'est ce que c'est ?
12:53Lily n'est pas sur ce téléphone.
12:54C'est un peu comme ça.
13:24C'est un peu comme ça.
14:03C'est un peu comme ça.
14:04Hello, Tom.
14:06We've been here before, haven't we?
14:09Which means you know how this ends.
14:14Where's Lily Jacobs?
14:16Would you believe me if I said I don't remember?
14:19No.
14:20Memory's a funny thing.
14:23I remember you being taller.
14:30Where is she?
14:31This whole thing feels so familiar, doesn't it?
14:36Almost like déjà vu.
14:40Me chained to this table.
14:42You sitting there trying to look stoic just like that.
14:51What's wrong, Lily?
14:54Do I frighten you?
14:56Don't kill me.
14:57Please.
15:02Tell me if you could call one person right now, who would it be?
15:11My mom...
15:13She's gonna be so worried about me.
15:15It's just getting to the good part.
15:18Why are you recording the conversation with Lily?
15:21That's new.
15:23Well, if you're not changing, you're staying the same.
15:27Honestly.
15:29After all those years in prison, I guess I realized I wanted more than just memories of my girls.
15:37Or maybe I'm getting sentimental in my old age.
15:42Where is Lily?
15:44Tom Beecher was on the medical ward for seven years for end-of-life care, right?
15:48But does that look like a guy who's dying to you?
15:51On the same year, he's dying, though.
15:54And his file's so thin, I'm starting to think somebody's been holding back.
16:01Hello, Oliver.
16:02I need information on an inmate.
16:04The kind that's not gonna be in a file.
16:06That's not how this works, Oliver. I am not a source.
16:10Then what are you?
16:11I thought we were on the same site here.
16:13Is that right?
16:14Because Bex and Hassani have been asking around about Michelle Elliott's car accident.
16:19You know what? I'm done. I'm done playing these games.
16:22It's time you told Bex and Hassani everything.
16:26I'll consider it.
16:27Well, while you're doing that, I still need information.
16:32Tom Beecher was placed in the medical ward a few years before he arrived.
16:36Something tells me there's more to that story.
16:40All right.
16:42Tom Beecher was one of Dr. Dulles's.
16:46Let's call them special projects.
16:52You used to be obsessed with covering your tracks.
16:55Oh, the paranoia, the meticulous planning.
16:58And now you're calling the Jacobs family from a cell phone inside the motel where you're staying?
17:06I think the injury made you careless.
17:09Let's face it, Tom. You're not the killer you used to be.
17:12I guess a series of strokes will do that to you.
17:15Strokes?
17:18That's what they told you?
17:22Oliver, what are you doing?
17:23He can't help us find Lily. He doesn't remember where she is.
17:26What are you talking about?
17:27Oliver's...
17:28He was in the medical ward because of an experimental brain surgery.
17:33Not a stroke.
17:34He doesn't remember anything after what Dulles did to him.
17:40I tried to tell you.
17:43I have no idea where she is.
17:51Ow!
17:53Ow!
17:58Whoever performed this operation did so without any regard for ethics or humanity, this is truly barbaric.
18:05Doctor, could this kind of procedure damage someone's memory?
18:08It would destroy it.
18:10I have no doubt this person has complete and irreversible anterograde amnesia.
18:15Meaning?
18:16Their long-term memory would be intact, but their short-term memory would be wiped clean every time they enter
18:22REM sleep.
18:22Okay, can anything be done to help this individual remember what they were doing a day or two ago?
18:28There are some subjects who are able to rely on muscle memory, even some who've developed elaborate coping strategies to
18:36manage their day-to-day lives.
18:39Thank you, Doctor.
18:42Okay, so the only chance we have of getting Lily back alive is if he developed some kind of coping
18:47mechanism or some way of communicating with himself.
18:50It's a big if.
18:51Yeah.
18:52Why would Dulles do something like this to someone? Damage their memory? It just seems needlessly cruel.
18:59You know, Dulles was long gone by the time I arrived at the pit, but there was a rumor that
19:04he had Alzheimer's.
19:07So if this was some kind of off-the-book thing...
19:09Maybe he was doing it for himself to understand the disease that was coming for him.
19:13You think Dulles used Beecher as a guinea pig to try to figure out how to treat his own dementia?
19:18Or he was developing some kind of coping mechanism.
19:20Like the kind that would allow him to remember where he stashed Lily Jacobs.
19:23In fact, she said Beecher was really paranoid, right?
19:27And what are paranoid people good at?
19:30Talking in code.
19:32Alright, Shane Morales, can you go through every sticky note and piece of evidence from that motel room?
19:36If he does have a code, we're gonna crack it.
19:43Tom, this is what Dulles did to your brain. That's scar tissue.
19:46That is why you can't form new memories.
19:52Do you know why he did this to you?
19:57Do you know why he made you his little lab rat?
20:02Tom, did you know he was sick?
20:04Oh, you don't know the half of it.
20:11Back when you worked my case the first time, you never asked what I enjoyed most about killing those girls.
20:21It was their helplessness.
20:25Complete and utter helplessness.
20:29That's why I called the families. You could hear it in their voices.
20:34Just...
20:35Helpless.
20:39And I see it on you now.
20:42You know you're never gonna find her.
20:46Lily's life is slipping through your fingers.
20:50I'm the only person in the world who can help you.
20:54But I won't.
20:58Because this...
21:03Right here...
21:04Won't.
21:06Unless is the good part.
21:12Are you feeling helpless yet?
21:23Rose.
21:24You need anything?
21:25This isn't working.
21:26We're running thousands of permutations a minute.
21:28And there's not a whiff of the pattern in those sticky notes or in Tom's recordings.
21:31Hey.
21:32You're doing everything you can.
21:35We'll find her.
21:40She was planning on transferring to NYU in the fall.
21:43Do you know how hard it is to get out of a town like Casper?
21:48Everyone talks about it, but no one ever does.
21:52Well, you did.
21:54And she will too.
21:56It's not over.
22:01You're not as smart as you think you are, Tom.
22:03We know that you left yourself away to remember where Lily is.
22:06So, we will crack your code.
22:08No, you won't.
22:09Because you're not cracking my code.
22:12You're cracking his.
22:14Dr. Dull has taught it to me.
22:22Yeah, no, you're right.
22:24We can't crack your code.
22:26Not in time to save Lily, at least.
22:28That's why you're gonna do it for me.
22:32What are you talking about?
22:33You know what?
22:34Yeah, sure.
22:35I can tell you.
22:37You're not gonna remember it anyway.
22:39Will you?
22:42See, here's the thing.
22:43This is what we're gonna do.
22:44We're gonna put you back to sleep.
22:46Reset all your little memories.
22:47Then you are gonna wake up in the same exact motel room that we arrested you in.
22:50Except that you're not gonna know.
22:52You're not gonna know that you got caught.
22:55You're not gonna know that we're all watching you.
23:00And see, here's the fun part.
23:02You're gonna lead us right to Lily.
23:06You feeling helpless yet?
23:10No.
23:12Absolutely not.
23:13You're not seriously suggesting that we let a serial killer loose.
23:17He wouldn't be loose.
23:18We'd be bugging his motel, his car, everything.
23:20Tracking his every move.
23:21And he would bring us right to Lily.
23:23It's risky, but Bex is right.
23:25If we put him to sleep, he won't remember any of this.
23:28I don't like it.
23:30Well, we have to try something.
23:32We're forgetting one thing.
23:35He's not going back to Lily until he has another girl to bring to him.
23:38We can't, we can't ask Sophia to get back into the tub.
23:42No, he's right. We need another girl in that bathtub.
23:44And she has to fit the profile.
23:45Well, there's no way I'm asking someone to put themselves in that dangerous a situation.
23:49You don't have to ask.
23:50I'll do it.
23:54I'll be his victim.
24:03Let's go, let's go. We need eyes on every inch of this motel room.
24:06I want cameras up and mics hot in five.
24:11Put everything back exactly how we found it.
24:13Leave no trace that we were ever here.
24:22The team will be watching you the whole time.
24:24We'll never be more than ten seconds behind you.
24:26And we'll be able to communicate with you without Tom noticing.
24:33Marielis, you don't have to do this.
24:37Well, none of us have to.
24:39But if this is going to help bring Lily home, there's no way I'm sending it out.
24:45And this is my chance.
24:47To actually be there.
24:48To see the difference we're making.
24:51Besides, my mom's always telling me that I should stop spending so much time looking at screens.
24:57It's going to work.
24:58We'll be with you the whole time.
24:59And if anything goes wrong or you just want out, there's a camera in the ceiling panel of the van.
25:03So you just look up, shake your head, give us a signal, and we'll shut it down.
25:07Okay? Got it.
25:09Hey.
25:12So I rigged a little knife into the heel.
25:15Cool.
25:16It's an old CIA move.
25:18Hopefully you won't need to use it.
25:22You know, for an army brat, you're brave as hell, Marielis.
25:25Can't let a Marine have all the fun, now can I?
25:32Okay.
25:33We've cut into the zip ties. Tom won't notice, but if you need to break free, it'll be a lot
25:36easier.
25:38Hands back.
25:47Okay. Let's get you in the tub.
25:55Okay.
25:55You good?
25:56Yeah.
25:57We'll be watching the whole time.
26:09All right. Let's make sure feeds are good. No blind spots, no mistakes.
26:15We have sound yet?
26:15Sound's up now.
26:16Alpha team.
26:17Alpha team is in position.
26:19All right. Let's get our people out of there and start the show.
26:29No one does a sedative like that, can't they?
26:31No. He's way. He's up. He's up.
26:46Here we go. Vax, you set?
26:48All set.
26:49Hey, Marielis, he's up.
26:51You got this guy.
27:02Now what is he doing?
27:03Are you checking the weather?
27:05I don't know. This guy looks spooked.
27:08Come on.
27:10Come on, come on.
27:35They put everything back the way it was.
27:37This should work.
27:39Let's keep track of all the sticky notes he looked at.
27:50Hello?
27:53Is anyone there?
27:57Please.
27:59It's so dark, I can't see.
28:01Is anyone there?
28:04Hello?
28:06Hello?
28:08Where am I?
28:21Okay, guys, he's about to make the call.
28:23We're on it.
28:25Let it ring twice.
28:29Send it to voicemail.
28:31Hi, you've reached Sandy Jacobs.
28:33I'm sorry...
28:34Any chance he changes his plan when Lily's parents don't pick up?
28:37...your name and number and I'll call you back as I can.
28:49Morales, he's coming towards you, alright?
28:51Just stay calm. We're right here.
28:55Come on.
28:57There you go.
29:00Don't fuss.
29:01Easy, Decker. Easy, Decker.
29:21You're doing great.
29:23You're doing great.
29:29All right, Beecher's in play.
29:30Alpha Team, hold.
29:32Do not make any move unless Bex makes the call.
29:34Keep the drone out of sight, but stay on Beecher.
29:37Alpha holding position.
29:38Drone is in stock.
29:55Just let me go.
29:57Please.
29:58Now, Lily, I've already told you I can't do that.
30:03We're about to have so much fun together.
30:06Get me out of here.
30:10I know that you'll never moan.
30:13Is he humming?
30:15What is he humming?
30:17I don't know.
30:19Beethoven Moonlight Sonata.
30:23Tell me if you could call one person.
30:27Right now.
30:28What would it be?
30:30My mom.
30:32She's gonna be so worried about me.
30:36Oh, don't worry.
30:38I'll be sure to give her a call soon.
30:42I can't do that.
30:44The light's green.
30:45Why isn't he moving?
30:46What is he doing?
30:47Let me call her.
30:50I would, but I can't trust you.
30:53You'd tell her where you are.
30:55No, I wouldn't.
30:58Call your mom.
30:59Dad.
31:02Are you sure?
31:04Come on.
31:07I don't like this.
31:08Something's off.
31:13I don't like this.
31:15You just come from my row.
31:17See you.
31:19I'm ready.
31:23I'm ready.
31:25I'm ready.
31:26I don't know what I was talking to.
31:28I'm ready.
31:34I'm ready.
31:37I'm ready.
31:40I'm ready.
31:41I'm ready.
31:43Il n'y a pas de cover ici.
31:45Il n'y a pas de cover.
31:46Il va nous suivre.
31:47Il est trop loin.
31:51Bex ?
31:52Qu'est-ce que c'est ici ?
31:54Ok, tout le temps, il faut les drones.
31:56Morales, nous nous sommes encore là.
31:57Vous êtes bien ?
31:59C'est ça.
32:01Tout le temps.
32:06Qu'est-ce que tu es waiting ?
32:08Qu'est-ce que je vais faire ?
32:10Qu'est-ce qu'est-ce qu'il y a des deux ?
32:27On le verra, ça va.
32:28Pas de casse.
32:28Non.
32:29Deuxièm-t-ça.
32:29C'est pas sur le cas.
32:29Il n'y a pas à des étudiers.
32:30Peut-être qu'il y a pas à des études ?
32:31C'est quoi un murk o un refuge ?
32:34C'est pas un mur d'une bain ?
32:35Prends-ça.
32:35C'est quoi du faire ?
32:45Sous-titrage Société Radio-Canada
33:10Move in, move in, Alpha Team, go, go, go!
33:19Who are you?
33:28Abort the mission. Morales, it's over.
33:31Get there, guys. She's running out of time!
33:35Get out of there!
33:36Do you know what this is?
33:38Morales, come on! Abort the mission!
33:40Graphite.
33:43I'm sure you already know it's used to dust for fingerprints.
33:48Who are you?
33:50I don't know what you're talking about.
33:52Who sent you?
33:53The pit?
33:55Dr. Dollis?
33:56Just please let me go.
33:58Who are you?
34:00Please, please let me go.
34:02Wrong answer.
34:21Go, go, go!
34:24Go, go, go!
34:25Where are you?
34:25It's okay. It's not my blood.
34:26Hey!
34:27Hey! Stop right there!
34:28Hands in the air! Put them up!
34:29Drop the knife, Tom!
34:32Drop the knife, Tom!
34:32I know you.
34:33That was good.
34:35That was good. You almost had me fooled.
34:37Drop the knife.
34:38Or what?
34:39You won't shoot me.
34:41There's still a girl out there, and you won't find her without me.
34:45Tell us where she is, Tom.
34:47No.
34:48She's gonna die.
34:51And you can't stop it.
34:52Put it down, Beecher.
34:54It's over.
34:58Yeah, I suppose you're right.
35:01It is over.
35:04No! No!
35:05No!
35:05No!
35:05No!
35:07No!
35:07No!
35:07No!
35:08No!
35:08No!
35:09No!
35:09No!
35:09No!
35:09No!
35:09No!
35:09No!
35:16Tom!
35:17Tom!
35:20Beecher is down.
35:22Say again.
35:23Beecher is down.
35:26Next, slow down.
35:28What are we doing here?
35:28Lily is going to die unless we crack the code.
35:30Now, we need to go over everything, every detail.
35:32We have missed something.
35:35Okay, where do we start?
35:38Beecher was playing this recording of Lily when he was driving the van,
35:40so whatever message she left himself is on the recording.
35:43Well, if it is, he found some way to encode it.
35:45You can't crack a code without some kind of key.
35:47Not to mention, we've already run it through a dozen different algorithms.
35:49There's no pattern there.
35:50How long would this key be?
35:52Uh, just like any other password.
35:54A series of letters and numbers, it could be anything.
35:57I mean, could the key be on a sticky note?
35:59Well, whatever we need is in this room.
36:01What if it's not in this room?
36:04Moonlight Sonata.
36:06Beecher was humming that while listening to the tape of Lily in his van, right?
36:09Yeah.
36:10That has to mean something.
36:12Okay, but what would it...
36:13Like a diatonic cipher.
36:15So, a what now?
36:16A diatonic cipher?
36:17I mean, musical cryptography.
36:18It uses the seven major notes of the musical scale A through G.
36:21It's a little Victorian, but...
36:25Uh...
36:25It could totally work.
36:28So, each note corresponds to a number.
36:34A is one, B is two, and so on.
36:38Uh, in the van, Beecher was humming Moonlight Sonata over and over and over again.
36:43Yeah, while he was listening to the recording of Lily.
36:46Right!
36:47Mm-hmm, mm-hmm, mm-hmm, mm-hmm.
36:49B-E-G.
36:50B-E-G.
36:52What?
36:53It's a famous song.
36:55Why does everyone get so surprised when I know something?
36:57B-E-G.
36:58Translate to 257.
37:00The code is on the recording.
37:01I know it.
37:02This could be the key to unlocking everything, like a...
37:04Like a pin code.
37:06It would allow him to use one letter, but mean another.
37:08So, the sticky notes don't help.
37:10I know it's complex, but it's like a language.
37:12Even with his memory gone, patterns like this can be recalled with muscle and experiential memory.
37:22I need my computer.
37:25Okay, assuming Beecher left himself coded messages in his interview with Lily,
37:29we can run every word he said against our 257 key, and...
37:38Okay, uh, no problem.
37:41Uh, we'll just try the first letter of every word.
37:50Still nothing.
37:51Uh, okay.
37:53Um, the first letter of the first word in every question he asked?
38:03No, this ain't it.
38:06Um, we should try...
38:07Just, just, wait, wait, wait, wait, wait.
38:12Um, maybe we're looking at this all wrong.
38:16We're assuming Beecher encoded the questions he was asking, but...
38:21What if he hid his coat in what Lily said?
38:23How would that even be possible?
38:24He'd have to know what she was going to say.
38:27He scripted her answers.
38:28That's why she sounded so odd on the call.
38:32Well, here goes.
38:42You were right.
38:48Are those?
38:48Yeah, they're directions.
38:50Let's roll.
38:50Hell yeah, Morales.
38:52Get on the road now.
38:53We'll send you the directions.
38:55Hey, Morales?
38:57You're coming with us.
39:01Lily Jacobs!
39:02Lily, can you hear us?
39:05Lily!
39:05Lily!
39:06She's there!
39:06She's there!
39:08We're gonna get you out of here, okay?
39:29What is it?
39:32Just look at her.
39:43Same time tomorrow?
39:45Yeah.
39:50Same time tomorrow.
39:59Hey.
40:00Come in.
40:01Thanks.
40:02What's up?
40:03Your message sounded important.
40:04Yeah.
40:06I watched all of the tapes.
40:07I'm sorry.
40:08I couldn't help it.
40:09But I found something that you need to see.
40:18That's enough for today, Shane.
40:21Yeah.
40:29What do you feel?
40:31Is that really him?
40:33Yes.
40:34That's your son.
40:37Can I speak with him?
40:38Please, just one time.
40:40You know you can't.
41:05I can't believe my father would ever be a part of whatever this is.
41:14It's my mother.
41:18It's my mother.
41:25It's my mother.
41:26Oliver, you got me out here.
41:29What's this all about?
41:30You said you wanted to meet my contact.
41:34Special Agent Henderson.
41:37We need to talk about the blast.
41:39Themodel to I'm not going to be a person.
41:57I don't know.
41:58You're no.
41:58I don't.
42:03I don't know.
42:05I don't know.
42:08I'm not going to be a place of she's not going to be both of the зал.