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06:32en St. Louis, throat slit, then posed.
06:34That's the M.O. of muse-murder Denise Glenn.
06:36She came to the pit in 2015.
06:38Looks like she's back at it.
06:40Well, I wish it were that simple.
06:43We know exactly where she is.
06:45How?
06:46We pulled her out of the rubble a couple hours after the blast.
06:49Morales, pull up the status report for inmate number 827.
06:56Okay, but if it's not Denise,
06:59who's out there doing her kills?
07:27We'll be right back.
07:41Okay, so is it possible this is a random copycat?
07:45Well, the feelings did make a splash in the media.
07:47They were studied, written about, speculated on.
07:49So could it be like a superfan?
07:51To have a copycat emerge weeks after a mass exodus from the pit?
07:54It's too coincidental.
07:55Assuming it is just some other escaped pit inmate,
07:58why would they take on Denise's M.O. instead of returning to their own?
08:00What were her pit treatments like?
08:03One-on-one talk therapy with the pit psychologist.
08:06Okay, can we talk to the psychologist?
08:07No, we died in the blast, but we do have video of the sessions.
08:13And of something else, Denise was allowed to sculpt just her alone,
08:18closely monitored in a therapy room.
08:20What'd she make?
08:21Clay figurines.
08:23Morales, can you review those tapes and find anything,
08:26no matter how small, that might shed some light?
08:28On it.
08:28And Shane, you said all the prisoners were siloed,
08:30but were there any instances where they conversed with each other?
08:33There were rumors, like tapping on walls, passing in notes,
08:35but I never saw anything, and they're always blindfolded outside their cells.
08:38She never had contact with any other inmates.
08:40She found a way to convert someone to her cause.
08:47You've got Denise in custody.
08:48Why don't we just ask her?
08:50Look, I want to catch this killer as much as anyone.
08:53But before I make that call, I need concrete proof
08:56that this was done by an escapee and not some copycat.
08:59You know, I better get to St. Louis fast.
09:01Find that proof before a mystery enemy kills again.
09:06Why did you kill the ballerina?
09:07It wasn't about the killing.
09:09It was an act of reverence.
09:13I saw a true artist at work.
09:16The power, beauty, grace of those limbs.
09:19What I saw, I saw the embodiment of the essence of dance.
09:22It was a perfect tribute to Terpsichore.
09:24So you destroyed her.
09:26I didn't destroy her.
09:27I immortalized her.
09:30By cutting her throat?
09:31A dancer in their prime has, what,
09:34five, ten good years in her career
09:37before she withdraws into obscurity?
09:40No one is going to forget her now, thanks to me.
09:49At age 35, Denise Glenn was the youngest tenured art history professor
09:53at St. Louis University,
09:54and the only one with six homicides to the name of an underachiever, huh?
09:59Denise considered herself an artist, first and foremost.
10:03Her obsession with death and tragedy came through in her writings and lectures,
10:06but at the end of the day, her life was actually pretty boring.
10:09It came from a stable, loving home, no major abuse or trauma.
10:12Do you think some people were just born bad?
10:18I think there's some debate about that.
10:21Uh, some people aren't equipped with the ability to empathize with others,
10:24and that can evolve into sociopathy, acute narcissism, or worse.
10:29In this case, it became Denise's little art project.
10:32What's with all the different names?
10:33Each kill was an homage to a specific Greek muse.
10:36Victims were gifted high achievers at the top of their field,
10:39and their deaths were offerings to the muse
10:41that supposedly gave them these talents.
10:44Ballet starlet for the muse of dance,
10:46an award-winning author for the muse of epics,
10:48and a copycat took a page right out of her book
10:51and killed a cellist for Euterpe, the muse of music.
10:54How many muses are there?
10:55Nine.
10:56Okay, show off.
10:58My kids really love Greek mythology.
11:00Denise only made it through six of the nine muse killings
11:03before she was caught.
11:04So she never finished her, uh, project?
11:07Nope.
11:08So there's what, three left?
11:09Two, after the cellist Urania,
11:12the muse of astronomy,
11:14and Erato, the muse of mimicry.
11:15How are we supposed to get out ahead of that?
11:17Mimicry's like, uh, like mimes, right?
11:20Uh, close.
11:22It's more like mimics.
11:24That makes sense.
11:25Yeah.
11:27Denise's case file referred to as sketchbook,
11:30police broke the case off of a grainy CCTV
11:32of a hooded figure completing the six muse,
11:34and in the video, the figure is referring to a sketchbook,
11:37but post-arrest, police never found it.
11:39They looked everywhere.
11:40Well, that sketchbook sounds like a how-to manual
11:42to complete Denise's killings.
11:43Maybe, maybe she told our inmate where to find it.
11:46Oh, assuming it was an escaped inmate.
11:56All right, this Vic is a street musician.
11:59He's performed in parks all over the city.
12:01Seems like people love this guy.
12:02Can I just five, please?
12:03Of course.
12:04The killer posed him in the act, just like the others.
12:08Denise always made her victims celebrate their artistry,
12:11even in death.
12:12The attention to detail is impressive.
12:14But a superfan could get all this from the newspapers.
12:17Wait, wait, wait. Hold on.
12:27Epsilon for U-terpy.
12:28There's our proof.
12:30I don't follow.
12:31The medical examiner's report said
12:33that each victim had a Greek letter carved into them.
12:35That's not a detail that was disclosed to the press.
12:37A superfan wouldn't know that.
12:39Then an inmate with access to Denise's sketchbook would.
12:41How's that for concrete?
12:43We have to talk to Denise's honey now.
12:46I'll make the call.
12:47You go back to headquarters,
12:48you can interview the professor there.
12:49What are you guys going to do?
12:51All I have in morale is pull a local police plotter.
12:53These were breaking at the university archives
12:55a couple of nights ago.
12:55Seems more than a coincidence.
12:57Okay.
12:58Can we post it?
12:59Yeah.
13:00It's all yours.
13:03Let's go.
13:21She here?
13:24Any minute.
13:25Okay, well, I went over the court transcripts.
13:29I've never seen megalomania like this before.
13:32Denise went against the advice of attorneys
13:33and spent hours in court preaching
13:35about her place in history.
13:37She even convinced her first lawyer
13:39to help her with an unsuccessful escape attempt.
13:41Easy slam dunk for the prosecution, at least.
13:44Bex, I know that you're more than capable
13:46of handling Denise on your own.
13:48I am.
13:51Well, let's be real.
13:52Two is always better than one.
13:54Especially us two.
13:55You got my back.
13:56Always.
14:11You see?
14:13She's here.
14:16It's like riding a bike.
14:18Yeah, absolutely.
14:25Well, warden, I was really hoping that you were dead.
14:30Denise Glenn, I am Special Agent Henderson,
14:33and I see you've already met the warden.
14:36I never forget a pretty face.
14:38And yours will be one that I will certainly remember.
14:42Perfect bone structure, strong chin,
14:46and a beauty mark that draws the eye
14:48in just the right amount.
14:50Okay, let's start with...
14:51Do you guys want to take five
14:54and gather your thoughts?
14:56No, we're quite all right.
14:57Why don't you go ahead?
14:59There's a crime scene in St. Louis
15:01with your name all over it.
15:02We know the killer was a fellow pit-inmate.
15:04I would like a drink of water.
15:06Please.
15:08Should you deny my request,
15:09might I remind you of my right to water,
15:11apropos the United Nations Resolution 64.
15:13So the victim was Poe's playing a cello
15:17surrounded by sheet music
15:18that spelled out euterpe.
15:21May I?
15:23Sure.
15:27Hmm.
15:29That is very nice work.
15:32Very, very nice indeed.
15:34Who did it, Professor Glenn?
15:38Well, how am I supposed to know
15:39I've been stuck in a box?
15:41No, you converted an inmate to your cause,
15:44so who was it?
15:47It was me.
15:50I teleported out of my cell
15:52and I committed the murder.
15:53And then I jumped into my time machine
15:56and I made my merry way to Dallas
15:58where I shot JFK.
15:59Who's your apprentice?
16:02I'd rather talk about your apprentice
16:04right now, Warden.
16:07Slight age gap.
16:08Subtle deference.
16:10Yeah.
16:11You want to make him proud, don't you?
16:13But at the same time,
16:14remind him that you are as formidable as he is.
16:18Maybe even a little bit more.
16:20Hmm.
16:22That's some psychological projection right there.
16:24Yeah, it's a classic defense mechanism.
16:25I'm actually a bit bummed.
16:26I thought she would be way more original than that.
16:28What's next, turn the tables,
16:29drive a wedge between us?
16:30I think so, yeah.
16:32Call it women's intuition,
16:34but I just have this pesky feeling
16:37that that wedge is already there.
16:39But you still care about her, don't you, Warden?
16:41In fact, you would do anything for your apprentice.
16:46Just like I would do anything for mine.
16:52So tell me, why on earth would I betray them
16:56when they have just been so loyal?
17:25Welcome, traveler.
17:26Have you come to see your future?
17:29Come on in.
17:52She didn't deny it was an inmate.
17:54It's as good a confirmation as we're gonna get.
17:56But we still have no leverage.
17:57How are we gonna make her talk?
17:58We need to make her uncomfortable.
18:00Get her on her back foot.
18:02We'll need to bluff her.
18:04Carefully.
18:04We gotta tell if her pants down,
18:05there's no going back.
18:06Guys, I was reviewing Denise's sculpting videos.
18:08You need to take a look.
18:14Nothing was taken,
18:15but I had to report it
18:17because a guy busted a window to get in.
18:20Probably four or five hundred to fix.
18:23They don't make windows like that anymore,
18:24so we special ordered them.
18:26Uh-huh.
18:28So this row is all about Greco-Roman art?
18:30If you say so.
18:32I'm not a librarian.
18:34Take your time.
18:35Thank you.
18:36Thanks.
18:44Hey.
18:59Our killer knew exactly
19:01where to find Denise's sketchbook.
19:08Sous-titrage Société Radio-Canada
19:34Sous-titrage Société Radio-Canada
20:02Denise connaît tout ce qui est un énorme «if »
20:06mais ça ne explique pas comment elle a convint une de ces 12 inmates
20:09à aller accomplir son travail.
20:11Mais elle a l'a fait.
20:15Hey, nous avons un grand break.
20:17Même ici.
20:17Denise a pris un sketchbook dans la bibliothèque de la bibliothèque.
20:20Elle a pris trois jours avant d'aller.
20:22Et maintenant, nous devons juste arrêter la liste de suspectes.
20:28Six confirmés dead, six unaccounted for.
20:30Six est mieux que 12.
20:31Mais comment est-ce que la six est Denise d'apprentissage ?
20:34Denise est toujours le seul qui peut confirmer leur identité,
20:36et elle est très heureuse de avoir nous tourner
20:38de savoir qu'elle donne plus de temps pour m'aider.
20:41Donc, nous utilisons cette arrogance contre elle,
20:43de jouer à quelque chose d'un coup.
20:44Elle aimerait d'out-smart nous.
20:49Je comprends.
20:50Ok.
20:52Nous allons changer de maul.
20:54Nous allons les dédiés et les dédiés et les dédiés.
20:57Nous allons voir si nous pouvons provoquer une réaction.
21:07On a second thought, I think I would rather have a vodka martini
21:14avec un splash de vermouth.
21:16Et si vous voulez me rendre vraiment heureux,
21:18c'est une petite twiste de lemon.
21:20Vous êtes donc enjouant ce, n'est-ce pas ?
21:22Sure.
21:23Oui, c'est un temps que j'ai pu flex mon créativité,
21:26juste un petit peu.
21:27Denise,
21:28Did you enjoy being ogled through the observation window ?
21:31I always imagined that it was some bored, perverted scientist.
21:36Women have a sick sense of when they're being studied.
21:39Don't we, Agent Henderson ?
21:43Some know how to use it to their advantage.
21:45Oh, like by getting whoever was on the other side of that mirror
21:48to find your plans and carry them out, is that what you mean ?
21:50We know there were blueprints.
21:52So what was it ?
21:53A sketchbook ?
21:54Journal ?
21:55News murders for dummies ?
21:58What do you have there ?
22:02We have identified 12 suspects as your potential apprentice.
22:06Oh.
22:06Well, come on then.
22:08Let's see him.
22:10Um...
22:12Okay.
22:14Okay.
22:24Okay.
22:29Okay.
22:31Okay.
22:38You know what ?
22:40Forget the twist of lemon.
22:42I'll take it dirty.
22:45Call for you.
22:56You saw that, right ?
22:58Oh, yes.
22:58Her face said it all.
22:59That's definitely our guy.
23:01Swapping the status is genius.
23:02Craig Martin is Denise's apprentice.
23:05At least now we know who we're looking for.
23:07Problem is, can we stop him before he hurts someone else ?
23:12Hmm.
23:14Deep lines.
23:16Lines of struggle.
23:18Of survival.
23:21Of resilience.
23:23You know darkness.
23:26But there's a silver lining.
23:29Rarely do I see a lifeline.
23:31Double things ahead.
23:35How long is your lifeline ?
23:37Go.
23:39Tell me.
23:40How long is yours ?
23:42I'd like you to leave.
23:43Now.
23:44One more thing.
23:45First.
23:53What is that ?
23:55Your future.
23:59Want to see ?
24:10No.
24:11Please.
24:12Just go.
24:19Craig Martin.
24:20The only child of Elaine Martin.
24:21Father unknown.
24:22Elaine on top of several citations for prostitution.
24:25We struggled with a heroin addiction throughout Craig's childhood.
24:28Little Craig got a front row seat not just to her drug habit.
24:31But how she paid for it.
24:34She was a junkie man.
24:36Turning tricks for a fix.
24:37And me.
24:38I was the kid in the closet.
24:39Hiding.
24:40While she got screwed by some low life who couldn't even look her in the eye.
24:45Some of the Johns would give me a five dollar bail.
24:47A candy bar.
24:48Even they cared more than she did to her.
24:50I was just a stain on the mattress.
24:53Just imagine who I could have been if I had a mother that baked cookies.
24:56And tucked me in at night.
24:57Okay.
24:58I think we get the point.
24:59Martin grew up with a severe attachment disorder and serious anger issues towards women.
25:03At 22 he started killing women he met on dating apps.
25:08He'd obsess over them, stalk them and eventually rigged their cars with explosive slime.
25:12Charming.
25:13Yet another reason I stay away from dating apps.
25:15And men.
25:17That all tracks.
25:18Craig was a man with zero sense of self.
25:20Negatively defined by the women in his life.
25:23The psychologist knew this gave him someone to fixate on.
25:26A mother figure.
25:27Someone that he could idealize.
25:30Someone who could never reject him.
25:32For a woman like that he'd do anything.
25:49The cause of death is asphyxiation by pendulum.
25:53That's new.
26:03Urania.
26:05Muse of astronomy.
26:07There's only one left.
26:08Erato muse of mimicry.
26:17We're running out of time.
26:18So then we go in there with everything.
26:20We tell her we know it's Craig Martin.
26:22It won't change anything.
26:22Like she said.
26:23Why would I betray someone when they've been so loyal to me?
26:25Then we have to play her game.
26:28We have to drive a wedge between them.
26:32No, you're right.
26:33And I think I know how.
26:35Does anyone know Photoshop?
26:37Anyone?
26:37Photoshop.
26:40All right, Denise, I hope you've had a fun little sabbatical here.
26:43But unfortunately, it's time to send you back.
26:46What happened?
26:47Well, we know who your apprentice is.
26:49It's just a matter of time before we catch him.
26:51Oh, really?
26:51Mm-hmm.
26:52How?
26:56Seems your apprentice just couldn't resist making his own mark.
27:01H63.
27:02That's a pit inmate number, and it belongs to Craig Martin.
27:08You got it, Mario.
27:09The balls in this dude.
27:10Signing his work.
27:11Taking credit for your project.
27:13It's pretty typical of someone with his anger issues towards women.
27:17Oh.
27:19Oh.
27:20Well, hey, either way, enjoy the ride back to wherever it is they're keeping murderous psychopaths
27:24these days.
27:30You ever think about becoming an actor?
27:32Yeah.
27:33For about a day after my seventh-grade performance in Into the Woods.
27:37I killed it.
27:40Uh, but why did you leave?
27:42It seems like you guys had her on the ropes.
27:45It's all part of the plan.
27:46One-on-one makes a suspect less defensive.
27:50Now it's up to Bex to bring us over the finish line.
27:53Denise, I get it.
27:55Man, I've been taking credit for my hard work most of my career, too.
27:58I don't want to go back into a box.
28:00Yeah, uh, well, you're never getting out of prison, because the whole world thinks you're dead, so...
28:03Yeah, but you could send me somewhere else.
28:05Yeah.
28:07Maybe.
28:09You'd have to give us a little something in return.
28:12Like maybe where Craig Martin might be going next.
28:17He's signing your work, Denise.
28:19And when we catch him, because we will, someone else will be remembered for your life's work, and you will
28:26be forgotten.
28:28Okay, fine.
28:30Let your apprentice finish your work for you.
28:32Let Craig Martin get all the notoriety.
28:34If I tell you how to catch Craig, you have to guarantee me that the world never learns his name.
28:41Deal.
28:44The final kill honors Erato, the muse of mimicry.
28:50Back when I was teaching, the head of my department liked to borrow content from my lectures and claim that
28:56they were his own ideas.
28:57His death was to be my piece de resistance.
29:01Here is your mimic.
29:03And whoever holds that position now is about to meet my star pupil.
29:09When you create art, you, and only you, bring something to the world that speaks to our shared experience.
29:21What is he going there to do, Denise?
29:25You'll see.
29:35Two more miles on Route 163, and you'll be at the university.
29:41The current head of SLU's School of the Arts is Professor Everett Fogarty.
29:45You're right.
29:46A narcissist like that, all we had to do was target our ego.
29:49Let's hope Shane and Asani get to him before Craig Martin does.
29:52Just got CCTV footage confirming Craig Martin's on campus.
29:55Morales, get Professor Fogarty on the phone.
29:57Tell him to call campus security and to lock himself in his office.
29:59I tried his phone, but it's off.
30:01He's teaching right now. Wilson Hall, lecture hall two.
30:05That's Denise's old lecture hall.
30:18What? What's wrong?
30:19I don't know. Something just feels too easy.
30:22Craig Martin is on campus. Our team will have him in hand any minute.
30:25Mm-hmm.
30:28What's not sitting right?
30:30She's just... she's too calm. She's smug.
30:35Something's not right.
30:41Our agents are at the lecture hall. They're gonna stop Craig Martin.
30:45All going to plan, isn't it?
30:47Yeah. You know, there's just one thing I don't understand, Denise.
30:51Just the one.
30:53Yeah.
30:55Maybe you knew people were watching you during your art therapy sessions.
30:59Maybe you didn't.
30:59But I do know that you didn't speak to Craig directly, so...
31:04How'd you get him to find the sketchbook?
31:07Socrates knew that the job of a teacher is to prompt the student to ask the right questions.
31:13Finally, we're getting somewhere.
31:16When you create art, you're contributing to the narrative of life itself.
31:22Is something wrong?
31:25Please return to...
31:27Don't be afraid.
31:29I'm here with a message.
31:31From Professor Denise Glenn.
31:35So then you did have a direct conversation with Craig?
31:40The Gestalt principle tells us that the whole is greater than the sum of its parts.
31:45Oh, I'm sorry.
31:47Put simply for a door kicker like yourself.
31:50What that means is that the true message of a final composition cannot possibly emerge until all the pieces have
31:58been placed.
31:59Hey, Denise. Okay, we went through all the recordings.
32:02You guys never spoke when the walls were...
32:06Oh.
32:11When the walls came down?
32:13Gold Star, Agent Henderson.
32:15So what? You were trapped? He came to find you?
32:18I had never seen this man before in my life.
32:21But he was like a little boy who just found Mommy.
32:25He told me the hour a week he got to watch me sculpt was his only reason for living.
32:33Tried so hard to lift that piece of wall off me.
32:37He should have seen him desperate to save me.
32:41He was kind of pathetic, really.
32:43I mean, I was his whole world.
32:49Which is how I knew that Craig Martin would never take credit for my work.
32:57It was how I knew that the photograph was a lie.
33:03Because when my Craig is finished, he will publish my book for the whole world to see.
33:22My muses grip humanity by the face and pry open their eyes, forcing their wrong.
33:30Everyone, just remain in your seats.
33:32The FBI.
33:34Craig Martin, get on the ground!
33:37Everyone get up!
33:39Stay calm, everybody!
33:40Get out!
33:40Craig, put it down. It's not worth it. It's over.
33:43Don't close the exit. Go, go, go!
33:53Craig, stop!
33:55Craig, stop!
33:58Good job. Good job.
34:01Okay.
34:04We got him.
34:05Good work, everybody.
34:10We got him.
34:11It isn't over.
34:12Craig wasn't just there to kill the professor.
34:14Zani, do you have the sketchbook?
34:16Yes.
34:17Okay, find Narato.
34:20Narato.
34:23This is a sketch of this lecture hall.
34:26But it's engulfed in flames.
34:27Craig doesn't stir fires. He builds bombs.
34:30C4 on timers.
34:31What did he have on him?
34:35Nothing except a book.
34:36Guys, when Craig arrived on campus, he was wearing a backpack.
34:39There is a bomb in that backpack. Find the backpack.
34:44We got a little bit of a problem.
34:52Florence, pull the fire alarm.
34:58Guys, come on.
34:59Tell us something. We're looking.
35:01What color is the backpack?
35:03Dark blue or black.
35:05That's pretty much all of them.
35:09Hey.
35:10Hey!
35:11Which one is it?
35:12Tell me, are we all dying?
35:14I'm grateful for my place in history.
35:23Hey.
35:24I found it.
35:32Okay.
35:34Time to go.
35:35Look at the scumbag.
35:36Oh, oh, oh, hey.
35:38This kind of bomb can take out the whole building.
35:39There's six stories above our heads.
35:41There are dozens of classrooms and lecture halls.
35:43I'll never make it out in time.
35:46Can you defuse it?
35:47I'm gonna have to try.
35:48Go.
35:49No.
35:50There's no way I'm leaving.
35:51What?
35:52What are you doing?
35:54Do you have a family?
35:55This is what we do.
35:57Guys.
35:58I'm gonna cut this green wire.
35:59Let me take that red one out.
36:00But it needs to happen simultaneously.
36:02Okay?
36:03Copy.
36:03You know what you're doing?
36:04Well, I'm gonna find out.
36:07Ready?
36:08Three.
36:09Two.
36:10One.
36:10Go.
36:20We're clear.
36:26Come on home, boys.
36:32All the places I thought death would come for me over the years.
36:36Kabul, Peshawar, Caracas.
36:40Gotta be honest, St. Louis was never on that list.
36:45How about you?
36:46Oh.
36:49How's this guy fall asleep so fast?
36:53It's the soothing sound of your voice, buddy.
37:08Aw.
37:11How's your team?
37:13Will he be sending flowers to their families?
37:16Yeah.
37:17Let me see.
37:18Um...
37:19I think the total body count was...
37:22Zero.
37:23Because we caught Craig Martin and then we defused the bomb, so...
37:28You're lying.
37:29Am I?
37:30You sure about that?
37:31That's mine.
37:32No, no, no.
37:33This artifact belongs in the National Archives, Denise.
37:36I mean, come on.
37:37Look at this.
37:38Can't let that go to waste.
37:40Stunning work.
37:41I'm so sorry you didn't get to finish.
37:42It's amazing.
37:43You know where else this would look good, actually?
37:46It might look good right here, in the trash.
37:50Oh, but don't worry, Denise.
37:51I mean, think about it this way.
37:53Most great artists, they're not recognized in their own time anyway.
37:56And then...
37:57I don't remember it at all.
37:59Back, Professor.
38:00Get off!
38:00Wait!
38:09Okay.
38:10Not bad hand-eye coordination for a self-proclaimed nerd.
38:14Mm-hmm.
38:15No?
38:17Watch the real master at work.
38:23Are these even regulation darts?
38:25Yeah.
38:25Don't take it so hard.
38:26My dad used to own a bar, and I'd smoke all my brothers growing up, so...
38:31Huh.
38:32Hey!
38:33Hey!
38:33Nice work, you guys.
38:35Well, we couldn't have done it without our shot collars.
38:37Cheers to that.
38:39Here.
38:40Have a drink.
38:40You earned it.
38:42Yeah?
38:42Oh.
38:43Thank you.
38:44Cheers.
38:45Cheers.
38:45Cheers.
38:46Cheers.
38:46Cheers.
38:47So you're playing for money, or what?
38:49Yeah, but I gotta warn you, Shane.
38:51They're not regulation darts.
38:53Mm.
38:54Nice.
38:57Hey, got a minute?
38:59Thanks.
39:05Checked in with my people on the flight back.
39:07We found the name of the biotech firm that made the IV bag.
39:09Whitmore Sciences.
39:11Have you heard of them?
39:11Run by some heavy hitter named James Whitmore.
39:14Specializes in dual-use chemicals.
39:16Silicon Valley, backed by hedge funds, the whole shebang.
39:18But that is not what caught my attention.
39:23That is Whitmore.
39:25That's Senator Long from Wyoming.
39:26And that's...
39:28H.E. Mallory.
39:31Now we know why she wanted to keep a lid on things.
39:41Hey.
39:42Sorry.
39:43I was busy losing money to a friend.
39:44Heh.
39:48What?
39:49After we talked, I went into my dad's old office.
39:52Oh, my God.
39:56Oh, my God.
39:56I'll see you next time.
40:05Yes.
40:07Oh, my God.
40:08Yes.
40:08Oh, my God.
40:10Oh, my God.
40:12Oh, my God.
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