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01:00Остани.
01:01Остани тук.
01:03Остани тук.
01:06Остани.
01:08Никъде няма да ходя.
01:10Радвам се.
01:11Сега ще остана при теб.
01:15Ще остана тук с теб.
01:18Искам те.
01:23Желая те, както никога до сега.
01:27Желая те.
01:32Желая те.
01:34Твой съм, Жума.
01:36Твой съм.
01:37От деня, в който те срещнах.
01:39Да.
01:40Говори ми.
01:42Говори ми.
01:45Обичам те.
02:06А историята за Гута и Тадео?
02:09Не завърши с брак, защото господин Зелеон си го не позволи.
02:14Харесваха ли се?
02:16Тадео, а харесваше.
02:18Що се отнася до Гута, не знам.
02:22Или не искаш да знаеш?
02:24Тя е ваша сестра.
02:27На всичкото отгоре е моя шефка.
02:29Изобщо не е моя работа.
02:30Алсидес, няма такова нещо.
02:32Може да обсъждаме каквото си искаме.
02:35Между нас казано аз не съм част от семейството.
02:42Вярвам, че...
02:43Дона Гута не харесва никого.
02:46Тя се мутае с всички, но едва ли харесва някого.
02:50Как така с всички?
02:52Предпочитам да не говорим за това.
02:55Кажи Алсидес, довери ми се.
02:57Да кажем, че...
03:00се е натискала в реката доста пъти.
03:04Преди Тадео е имало друг.
03:06Преди Тадео бе Жовентино.
03:09А преди Жовентино сигурно е имало купища още.
03:13Жовентино.
03:13Другият син на Зелеон сио?
03:15Същият.
03:16Но с него беше различно, защото той скъса с нея.
03:20И защо?
03:21Заради Жума.
03:24Маруа.
03:25Мумичето Ягуар.
03:27Да бе, Мумиче Ягуар.
03:29Серйозно.
03:30Алсидес, не вярвам в Мумичето Ягуар.
03:32Ела, ела.
03:33Повярвай ми.
03:34Добре.
03:53Добре.
03:54Не очаквах да ти видя тук.
03:56Но аз да.
03:59Трябваше да излезем с лодката.
04:01А защо не тук?
04:04Проблемът е, че другите идват.
04:06И какво от това?
04:08Не искам да те виждат тук.
04:10Не е?
04:11Не е.
04:12Страх те е, какво ще кажат за мен?
04:15Не ме е страх от нищо.
04:16Те трябва да се страхуват.
04:18Не искам никой да се меси в живота ни.
04:21Никой.
04:23Не знаеш, че мнението им би било проблем за теб.
04:27Не.
04:29За мен не е проблем.
04:31По-скоро е проблем за теб.
04:39Излез с лодката.
04:43Тво безопасно е.
04:46Добре.
04:48Тогава ще тръгвам.
05:02Да, дяволе.
05:04Въпреки, че гарантира, че е в ръцете ми,
05:08няма нужда да бързаме.
05:10Това е.
05:20Привет, Тадео.
05:22Дона Мариана.
05:23Как сте?
05:24Добре, благодаря.
05:26Моля ви, не се преуморявайте.
05:28Седнете, моля.
05:29Благодаря.
05:31Искате ли парче сладкиш?
05:33С удоволствие.
05:34Заповядайте.
05:35Here.
05:36Look at my nephew.
05:41He's gone for a long time.
05:43He's been working.
05:44Yes.
05:45On the Jaguar, right?
05:48She's going to tell you.
05:49Listen, what do you say?
05:53Phil?
05:55He's working with you.
05:57Do you have anything?
05:59No, thank you.
06:00I'm going to tell you everything,
06:02who would have needed something?
06:05Yes.
06:08Yes.
06:09Yes.
06:11Yes.
06:12Yes.
06:13Yes.
06:14Yes.
06:15Yes.
06:16Yes.
06:17Yes.
06:18Yes.
06:20Yes.
06:25Yes.
06:27Yes.
06:30Yes.
06:32No one.
06:33Yes.
06:33No one is up.
06:34You have been up to work.
06:36No one is up.
06:36No one is up to my job.
06:41No one is up to see anything.
06:48I don't want to go to work.
06:50If you have a need for something, please tell me.
06:53Yes, I don't want to go.
06:58What a beautiful thing!
07:02I took a job of one of my money.
07:05I just want to know whether I'm registered.
07:09I'm sure everything is right.
07:12Do you show me any kind of document?
07:17I don't want to know whether I'm vaccinated.
07:20I'm sure everything will happen.
07:23I'm sure everything will happen.
07:24Mr. Tenorio.
07:26Okay.
07:28So, where do you think you are, Marcelo?
07:32I'm just trying to understand the situation.
07:36I'm trying to understand where your gratitude is.
07:40I'm not grateful.
07:41I'm trying to be honest.
07:44I'm sure you want to be honest.
07:46Then, let's be honest.
07:53I've got these things to go,
07:55instead of buying money.
07:57Because you don't want to be honest.
08:01What a client is from Tocantins?
08:03Yes.
08:03I guess you have to go on.
08:08I'll see you on Tocantins.
08:13Okay?
08:14Does the people live in Tocantins?
08:16Yeah, it's been to Tocantins.
08:23I'll see you I'll find you on Tocantins one of Tocantins.
08:30What part parts parts parts parts parts parts parts?
08:33Oh God, do you think I'll give to others what I built for you?
08:39Of course not, because you're stupid.
08:52Hey, Dana Filomena, give me a bottle of whiskey.
08:59Hey, Filomena, don't you give me a bottle of whiskey?
09:08Hey, Filomena, bring me a bottle of whiskey.
09:13Do you think you've got a bottle of whiskey?
09:32Hey, Filomena, don't you give me a bottle of whiskey?
09:38No, no, no ten.
09:40You've got a hundred.
09:41You've got a bottle of whiskey.
09:44You've got a bottle of whiskey,
09:46which is very competent.
09:52You've got a bottle of whiskey.
09:54You've got a bottle of whiskey.
10:08You've got a bottle of whiskey.
10:10You've got a bottle of whiskey,
10:12Maybe it's for aczep slides.
10:16Maybe it's just for a vintage.
10:19You have��고 a bottle of whiskey
10:22and I'm so glad you're there.
10:24You've got something out of here,
10:26whatever it is.
10:27Don't say you're here.
10:29A small as if you're rich.
10:30What are you doing for Kel?
10:32Sheik!
10:33I feel like I'm in the old movies.
10:36Your mother is your daughter.
10:38You're the king of the job.
10:40You're the king of the job.
10:41You're the king of the job?
10:44You're the king of the job.
10:47You're the king of the job.
10:47You're the king of the job.
10:48For Kel?
10:54The king of the job.
11:00The king of the job.
11:08The king of the job.
11:09If I had to do something,
11:09I would feel like I would feel like I was a little bit.
11:14Oh my God.
11:16The king of the job.
11:18The king of the job.
11:18Why did he leave the job?
11:20I'm so much work.
11:24Jesus Christ.
11:26But how is that?
11:30Caratero.
11:31You heard that?
11:34Excuse me.
11:38Madam Mariana will get an infarction when he sees it.
11:41I'm going to go to the toilet.
11:43I'm going to go to the hospital.
11:44And I'm going to go there.
11:47I'm going to go there.
11:48I'm going to help you.
11:50I'm going to help you.
11:53I can't look.
11:55You're not looking like you're like that.
11:58Take care of me, sir?塔
12:00señor? frei
12:00wa taur Baujabit
12:06Srank
12:07Hazakel
12:10Nee pravi
12:11od mucata
12:12sl Incred Le-Le Za boga
12:19What do you think, Zacchaeus?
12:22That you will come to and that your life will become a joke?
12:27That everyone will have a respect to you?
12:33Even Lord Jovet can't find the place to find the place.
12:40Yeah, I see you.
12:41What do you think?
12:46I'm sorry, gentlemen.
12:47If you were big, you would like me to find the place.
12:53How are you, Chudako?
12:55First, I'm a kid.
12:58I have a name.
12:59And it's a very nice name.
13:01I have a name.
13:02Even my name is strange.
13:04Can I ask why I'm strange?
13:08Are you serious?
13:09I have a look at you.
13:12I have a look at you.
13:14I have a look at you.
13:19I have a look at you.
13:21I have a look at you.
13:22I have a look at you.
13:24What do you do now?
13:26I have a look at you.
13:30I have a look at you.
13:32I have a look at you.
13:35I have a look at you.
13:42I have something.
13:52I have a look at you.
13:54You can not look at you.
14:00I have a look at you.
14:02I have a look at you.
14:07For me it is really fun to meet you.
14:10It is my pleasure to meet you.
14:12Tenorio is my friend.
14:13We had a little bit of a friend because of a few years ago,
14:17but everything is on the way to visit me.
14:20Yes, Tenorio.
14:21Yes, we have to make things together.
14:26I think you are the father of Guta.
14:29Yes, Guta.
14:30I think you are a modern and...
14:32I don't think I have to understand my mind.
14:38If you know, I am completely agree.
14:42Then what new do you want?
14:44A few things.
14:46I don't want to know.
14:46I don't want to know.
14:50I don't want to know.
14:51No, thank you.
14:53With all my respect, you need to try.
14:56Going aside, Diova!
14:59Hello!
15:01Haha!
15:04Yes, em ça, my friend.
15:04Oh, first let us put a leg...
15:13It is they can't help me.
15:14Follow the Mother...
15:15Just one thing, Dora Mariana...
15:18Yes.
15:31I can't believe that I'm going to die for the children of this village.
15:35He doesn't have a drink, Dona Maria.
15:37Dona Maria!
15:38Dona Maria!
15:39Dona Maria!
15:46Dona Maria!
15:58Da te s
16:15Zabravi li?
16:19I love you, my father.
16:25They are brothers.
16:29Did you remember?
16:34I love you.
16:41I love you.
16:46I love you.
16:47I love you, my father.
16:48I love you.
16:49I love you.
16:51I love you.
16:58I love you.
17:02We can say that we are married.
17:06Right?
17:08We are not married.
17:09We are not married.
17:11But I am your wife.
17:15Your wife.
17:16Yes.
17:26Let's get out of here.
17:31We are not married.
17:40We are not married.
17:43Yes.
17:45Yes.
17:46Yes.
17:47Yes, it is.
17:49Yes, yes, yes.
17:56Yes, yes.
18:00Yes, yes, no one is .
18:02Yes, yes, yes, yes, yes.
18:02and we left the money for our own business.
18:06I have a big interest in this business.
18:10Yes, but how is this business?
18:13With my friend Zelle Onsio, we want to build a tour in Pantanal.
18:20Tour?
18:21Tour?
18:22Tour in Pantanal?
18:23Not as one of those who are interested in, Dona Mariana.
18:27It's more about the eco-tourism
18:29and the security of the nature in the search of investments.
18:32Yes.
18:34The idea was to generate jobs.
18:37Let's go.
18:38Let's go.
18:39Let's go.
18:40My son is at home.
18:46Sin?
18:47Yes.
18:48Yes.
18:50I remember that, except Guta, I have three children.
18:55Yes.
18:56But you always hate them.
18:57No, I'm not a fan of them.
18:59You just...
19:02...
19:02...
19:03It's an inch out.
19:05This is an extremely difficult topic.
19:08No problem.
19:10You have no problem.
19:12In the past.
19:14You have to start.
19:15You have to continue.
19:17So...
19:18...
19:19...
19:19when you get to know your son, who you didn't know.
19:24Yes, I remember this conversation.
19:26Now the moment is my opportunity to meet his son at home.
19:32My son, who I can't say to anyone.
19:36Why not?
19:38Because it's from another family.
19:42Another family?
19:44Yes, I have two family.
19:47It's a little difficult, but I'll tell you.
19:50I have two women.
19:51I have two women here and three women there.
19:54That's why I'm here.
19:56How can I make a man in such a situation?
20:01Tell me, my friend, how can I make a good man in such a moment?
20:08I am...
20:09Who am I to sit?
20:11I have two women.
20:17I have two women.
20:18I have two women.
20:31I have one...
20:39You have two women.
20:43I have two women.
20:48I have one.
20:51You have two women.
20:53You have one.
20:59I have two women.
21:05I want you to have your son.
21:10I thought it would be for the future.
21:16I'm ready to put your son in my hand.
21:45I want you to have your son.
22:01Are you Mr. Eugenio, when I heard so much?
22:07The same?
22:08And you who are you?
22:10You can call me...
22:14You can call me Zakeo.
22:18I'll go to the next station for Campo Grande, Dona Mariana,
22:23and there I'll go for Rio de Janeiro.
22:26How do you call it?
22:28Yes, I understand.
22:30Listen to me.
22:32This place is really beautiful,
22:35but I can't say that it was a lie for me.
22:40I don't want to say that it was a lie for me.
22:43But I don't want to make such a discomfort for that,
22:47which I am.
22:49Who is so treated like this with him?
22:53Maybe...
22:54I don't want to talk about the radio radio.
22:57But...
22:58I don't want to say that it was a bad way for Mr. José Leóncio,
23:08or the...
23:09on the private space.
23:18I can't stand it out there.
23:26But...
23:27...
23:29...
23:29I don't want to say that...
23:36There are three.
23:39I am sure that you will be happy there.
23:46And for not to create any problems,
23:49I don't have to name names for these farmers.
23:53I hope you will understand my motives
23:56and you will look at this situation with discreetness.
24:01I will be in your house as for your,
24:04for what time is needed.
24:08I will tell you,
24:09what I have to say about the discreetness,
24:11which I have mentioned,
24:14because I am not sure about this situation.
24:20Yes.
24:21I don't know what I have told you,
24:23so I am not sure about it.
24:25It is important that you will have your thoughts.
24:30Now, how will you make this situation?
24:33Because I told you,
24:34that you will be in your farm, right?
24:40And now I wonder,
24:42whether that is famous for the Pantanal.
24:47I don't see any reason for which I have told you.
24:52I don't know what I have told you.
24:54I don't know what I have told you.
24:59I don't know what I have told you.
25:13I don't know what I have told you.
25:16I don't know what I have told you.
25:20I don't know what I have told you.
25:23That is a secret to the people.
25:28But what do I say? I don't know what I'm saying.
25:33I don't know who I was.
25:34You should ask the workers,
25:37the facts,
25:39instead of making a brief decision for Keo.
25:44Well, because if I am,
25:47it's not a good thing.
25:50Mom!
26:00I don't know.
26:03We didn't say anything special.
26:05We had some kind of a story.
26:08Then why did you go here?
26:12I'm going to go,
26:13I'm going to go.
26:15Why did you go?
26:18Who am I?
26:18Who am I?
26:20I'm going to understand.
26:21I'm going to go.
26:23I'm going to go.
26:26I'm going to go.
26:30I'm going to go.
26:31I'm going to go.
26:36I'm going to go.
26:46I'm going to go.
26:51It's strange.
26:52Hey, we haven't had a bad idea.
26:55What about you?
26:56You never had to have a bad idea.
26:58But you never had to have a bad idea.
27:02You never had to have a good idea.
27:03But you don't have a good idea.
27:04Yes, if you'd have a bad idea.
27:07No, no, you don't have a bad idea.
27:10Even if you were a bad idea, it didn't have to change.
27:18I don't want you to protect me, because I am an idiot.
27:24You are so stupid.
27:27Like all of them, who are playing with me on Zakeo.
27:32I don't want to protect anyone here, but people here are not used to.
27:37But people here are not used to.
27:40Because of course, you have a name.
27:43This is not a homophobia.
27:48And this is a crime.
27:50So, all of us get into the door.
27:52Zoi, Nio, Trindade, and Titatko.
27:55That should happen in a serious country.
27:59All of us get into the other side.
28:02All of us get into the door.
28:05If you have a crime, all of us get into the door.
28:09I don't know.
28:11I don't know.
28:13I don't know.
28:14I don't know.
28:16I don't know.
28:29I don't know.
28:30I don't know.
28:31I don't know.
28:31I don't know.
28:32I don't know.
28:34I don't know.
28:37I don't know.
28:40I don't know.
28:41I would like to know that now, everyone who has killed someone,
28:46according to what is the reason,
28:48may be able to do things and be able to do things.
28:52I'm not sure.
28:54Even if you are your son,
28:57let's start with this thing,
28:58so we can be an example.
29:09My life is broken, right?
29:15Sometimes it looks like the incident is written
29:20as a film of a scene.
29:24Every moment, every thing, every meeting.
29:27But then you realize that there is no way to write it.
29:38Look at us.
29:39You see?
29:40I don't understand.
29:45You see?
29:50We, you and I,
29:52we are a plot of the endless endless facts.
29:58The things that happened,
30:02and we met.
30:06The endless number of events,
30:09from your parents to my parents.
30:14front of us,
30:16a
30:17holy gospel of 영itude.
30:25I've got one love,
30:29one,
30:30which one,
30:31It..
30:31you às and see your love?
30:34It was an incredible love.
30:38Love, which has set the standards of the society.
30:45My mother, my family and my mother, the aristocrat,
30:55met me.
31:00And from this meeting, I was born.
31:05I was born, Juma.
31:08Then you were born.
31:11Yes.
31:13The beautiful girl.
31:17And now we are here.
31:21I love you.
31:25I'm each other.
31:32I love you!
31:35I love you!
31:37I love you!
31:37I love you, Huma.
31:44I love you!
31:51When did you say that, brother?
31:55I didn't want to say that.
31:57I don't want to blame anyone, but I think I should know.
32:02It turns out that my father is in a way.
32:05And now I'm in a way.
32:07It's not a matter of stress, Deo, but a matter of respect.
32:12I think it's important to you too, Deo, but don't pay attention to me.
32:16Do you think that it's a matter of choice?
32:21Do you think a person who wants to marry and be a scam?
32:24Do you think that it will be a dad?
32:27Yes!
32:28Do you think that, Luka?
32:31Do you think that it's a career, brother?
32:34Do you think that a man is strange to prefer a friend?
32:38So, you can't use another man?
32:40That's the truth.
32:42For the sake of you, Tadeo,
32:44I'm in a public home.
32:47You should be able to do all kinds of people.
32:49And you know how I taught you?
32:52That we are those who are.
32:55That everyone has their taste.
32:57That it doesn't make us better than others.
33:00I'm not saying that it's a lie.
33:02I'm just laughing.
33:03That's what it is.
33:04That's what it is, Tadeo.
33:06That your own shagish,
33:09that's what you do, brother.
33:11So, you know what?
33:14You're not saying that it's a lie.
33:16You're not saying that it's a lie.
33:17Yes.
33:19And you don't have to be able to die.
33:24I know that you don't want to die.
33:27You know that you don't want to die.
33:28But even if we want to die,
33:32we're not going to die.
33:32We're not going to die.
33:36We're not going to die.
33:39We're not going to die.
33:43story 11 people.
33:45And as a big brother,
33:48I'm going to tell you what I'm doing.
33:51How do I do with this information?
33:54I'm going to get you more than me or my friend,
33:58who is he.
34:10Dona Mariana.
34:12If you want to see him,
34:13you can see him there.
34:15I'm going to get him there.
34:18My boyfriend is here.
34:23He's not there.
34:25Maybe he's into the house?
34:27He's dead or not.
34:29I'm coming out of my house.
34:29You are lost.
34:33Your boyfriend is a real hatch.
34:36You can see it like a farmer.
34:37And the river is like a pirate.
34:40I want to go here, to come with me, to return to Zakeo.
34:45If Zakeo was talking with someone, we would have to solve problems.
34:49We would have to take care of Zakeo.
34:51We would have to go to the security of the security.
34:53I would have to go there.
34:55I already told everyone, that who would have to play,
34:58depending on who he is, would have to go out there.
35:02And more, that he would have to go.
35:04The question is not to do that.
35:07Jose Léoncio, it's a question about the responsibility, the respect.
35:13Dona Mariana, do you want to take care of Pantanal?
35:17Do you want to take care of here?
35:19Yes, I want to take care of my uncle.
35:23He doesn't want to take care of.
35:34How do you do yourself, man?
35:38I think about life.
35:44What do you do yourself, man?
35:48What do you do that to me, man?
35:53You are a very good friend.
35:57What do you do, man?
35:59Wenya, yes.
36:00What do you want to take care of?
36:02I have a friend man.
36:03If you are with him, he tells them something that is tough.
36:07You are a friend.
36:09And you are here.
36:12I'm not a happy one.
36:14I'm not a happy one.
36:15I'm a little more than my brother.
36:18I'm a happy one.
36:21I'm a happy one.
36:22I'm a happy one.
36:24I'm a happy one.
36:28If you're not a happy one,
36:32you don't have to be so happy.
36:39I'm not even at all!
36:42I don't want to make a
36:47You don't care about the fight, you don't want to go.
36:52You play, Lucas, you play with the devil, but you don't want to go.
37:01Why you don't have anything?
37:14You don't care about the danger.
37:23You don't care about the devil, but you don't want to go.
37:34You don't want to go.
37:37Don't call me Princess.
37:39If I like you, I don't want to call you.
37:41I don't want to be treated like Princess.
37:48How can I serve you?
37:55I want to take care of this.
38:04Be sure, Dona Mariana, no one will be discriminated in this farm.
38:09What do you do?
38:11I don't want to make mistakes, right?
38:13I don't want to admit it.
38:15I don't want to admit it.
38:17I don't want to admit it.
38:19I don't want to admit it.
38:22I don't want to admit it.
38:33And I always loved it.
38:36But I've been told this story.
38:40And many other absurdities on Maddalene.
38:44If you want to know,
38:48I've been talking about the tragedy of the whole family.
38:53I think you have your own reasons.
38:55No, no.
38:58I've been very upset.
39:01I'm very proud.
39:04No, no.
39:06If I've been to a different way,
39:09if I've been to a certain way,
39:12if I've been to a certain way,
39:13I can't believe it.
39:18I can't believe it.
39:20I can't believe it.
39:20No, we don't know that.
39:22But one thing is,
39:25if I haven't been to a certain way,
39:28if I haven't been to a certain way,
39:30if I haven't been to a certain way,
39:32if I haven't been to a certain way.
39:33I don't know that,
39:34Dona Mariana.
39:37That's true.
39:38You have a great love in my life.
39:42You have two daughters.
39:46I said,
39:47I don't want to say that.
39:49Maddalene and Irma
39:50I have one thought about love
39:51from the first time.
39:54No, I don't want to go through this conversation.
39:56I should?
39:59Now I'm a Philo in a way.
40:01Philo.
40:02I've never experienced it as a lot
40:05as a family,
40:06I don't want to go through this conversation.
40:10I don't want to go through this conversation.
40:20In any way, Irma, she's in silence, in a way...
40:25I told you, that you didn't talk about this.
40:27You've seen it?
40:29I feel it.
40:31You've seen it, that Irma's waiting for the whole life.
40:38You've seen it.
40:42You've seen it.
40:43You've seen it.
40:43You've seen it.
40:46You've seen it.
40:49You've seen it.
40:51Irma is an extremely beautiful woman.
40:55She's a attractive woman.
40:56She's a whole respect.
40:59But the farmers are never going to be forced to do it.
41:04If you didn't expect it,
41:07nothing would be forced to do it in one of them.
41:17What would you say?
41:22It's really hard to do it.
41:29How would you have done it?
41:32I would like to see you so well.
41:32Why will you start here?
41:33I won't believe you.
41:34What will you do with you?
41:37I will let you live in the past,
41:39Or will you start a new life?
41:42But where are you, Hrumna?
41:44Where do you know that this place is important for me?
41:49What does it mean?
41:56You're right.
41:59That doesn't mean anything.
42:11I'll be right back.
42:12There's a new life.
42:14There's a new life.
42:19You're right.
42:23That's a new life.
42:29Let's get to the end of the day.
42:32Let's get to the end of the day.
42:33Let's get to the end of the day.
42:37Let's get to the end of the day.
42:44I'm going to talk to my father. I'm going to go.
42:47I'm going to go.
42:49Yes, I'm going to go and I'm going to go.
42:52For you to be with me?
42:57Yes, for you to be with me.
43:00I'm going to see how I am and I'm going to go.
43:05Right? Right? Right?
43:10Don't go.
43:11I'm going to go.
43:14I'm going to go.
43:32I'm going to go.
43:35I'm going to go.
43:46I'm going to go.
43:51I'm going to go.
43:57I'm going to go.
44:00I'm going to go.
44:04I'm going to go.
44:06I am not a problem.
44:09It's not a guy, but a man.
44:11Do you tell me?
44:13When he comes to the house, I'm trying to get him.
44:16So it's time to change the approach.
44:19If not, this Jaguar will be placed in the door of your son.
44:25The next episode is to watch.