Los Serrano - 7x02 - La intimidad es una puerta cerrada - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

Hace unas semanas, Diego podría haber comenzado una relación con Celia, y ahora que por fin se ha decidido, sus posibilidades con la profesora parecen disminuir. Sin embargo, su fiel amigo Fiti no piensa rendirse, sabe que la relación entre la mexicana y su marido Darío no va bien y cree que Diego puede reconquistarla. Además, la llegada de Darío no sólo traerá problemas a Diego, sino que también afectará a Ana y África, obligadas a convivir con un nuevo compañero de piso. Por otro lado, Teté se encuentra en una difícil situación, Guille pasa de ella y además le toca compartir habitación con su nueva novia, Sandrine.

Transcript

00:00:27The longest barbecue of the summer

00:00:46The longest barbecue of the summer

00:01:00The longest barbecue of the summer

00:01:15The longest barbecue of the summer

00:01:38The longest barbecue of the summer

00:01:59The longest barbecue of the summer

00:02:29The longest barbecue of the summer

00:02:41The longest barbecue of the summer

00:02:59Curro

00:03:01Are the risk zones under control?

00:03:02All under control

00:03:04Diego, for God's sake, you look like a policeman

00:03:06But Gis and Sandrín are just two kids

00:03:08Two kids, two kids

00:03:09Since they're two kids, I have to keep a close eye on them, Carmen

00:03:12And yes...

00:03:13Let's see, how would I explain it to him?

00:03:14From today's friction may come tomorrow's free will

00:03:16And I don't want to remind you that yesterday the pantry looked like a brothel.

00:03:23Damn it!

00:03:25Damn it!

00:03:25No, no, no, not even Diego

00:03:26Neither Diego, nor Diego

00:03:27They're going to find out.

00:03:28What's going on here?

00:03:31What's happening?

00:03:32No, no, no, nothing.

00:03:33Ah, that...

00:03:33Nothing, nothing, nothing

00:03:36You like capurrianas, huh?

00:03:37Yes, they're cool.

00:03:38Maybe they have cinnamon, Diego, huh

00:03:41Because with aphrodisiacs, you never get out.

00:03:43Good morning

00:03:44Good morning

00:03:44Hello hello

00:03:47Guille, the little kiss was unnecessary.

00:03:48So, with the "good morning," proof was there

00:03:50No, Mom, we're already here, please.

00:03:52Diego, but we can't even give each other a little kiss

00:03:55Look, Sandrita, daughter

00:03:56I hear you with love.

00:03:57So, that...

00:03:58Look, I don't know what the customs are in Overseas.

00:04:00I don't know, please, I'm not going to tell you.

00:04:02I don't know, frankly I don't know.

00:04:03But here in Spain, when you have breakfast, you have breakfast.

00:04:05And if it's possible to maintain a certain thirst...

00:04:07A certain safe distance

00:04:09Come on, let's go

00:04:11See you later

00:04:13Bye

00:04:13How long will he stay in my room?

00:04:15I'm going to listen to you, please, because I don't know

00:04:17I don't know how long it will stay

00:04:18But, let me tell you something, Tete

00:04:20Yes, while Sandrita is here

00:04:21Boys with boys

00:04:22And the girls with the girls

00:04:23Look, it's like saying it's for a little kiss, nothing.

00:04:26That we had already done it

00:04:27Which, by the way

00:04:31That?

00:04:32Yes, being as it is now

00:04:33No

00:04:34What's it like? What do you think?

00:04:38Are you serious?

00:04:39Yeah

00:04:39Don't you want to?

00:04:41I?

00:04:44Of course

00:04:45Of course, yes, yes

00:04:47Okay, let's see

00:04:48The truth is, I was waiting for you to be ready, wasn't I?

00:04:52I've seen that you have there, well...

00:04:54Another country, another culture

00:04:57What the hell?

00:04:58Seeing that you're ready, well, of course it was about time I said it.

00:05:02Okay, so that's settled then.

00:05:04Yeah

00:05:05See you later, okay?

00:05:06Okay

00:05:08See you later

00:05:18Sorry, sorry

00:05:19Can you tell who you are?

00:05:21Can you pass me the towel?

00:05:22Yeah

00:05:25Cover yourself up, cover yourself up, cover yourself up a little bit

00:05:26Cover yourself

00:05:27Oh, thank you.

00:05:28Sorry girls, it's...

00:05:30He's my husband, he arrived very late yesterday from Brazil and...

00:05:34I couldn't let you know, I'm sorry.

00:05:38Um...

00:05:38Dario, Cresci

00:05:40Delighted

00:05:42I am Africa, Saint

00:05:44How are you?

00:05:45Ana, Ana, Ana Blanco

00:05:47How are my girls?

00:05:48I didn't realize those bodies were starving.

00:05:50Or did he buy some chocolate McGoofy's?

00:05:54Hello

00:05:54Pussy

00:05:55Are you standing?

00:05:56No, Dario, Cresci, Celia's husband

00:05:58A pleasure

00:06:00Okay, José Luis

00:06:02A neighbor, a friend, the towel was a little short.

00:06:05Ah, yes, a little bit

00:06:09Raúl

00:06:10Get a move on, it's getting late.

00:06:12And where do you come from, Pimpollo?

00:06:15Nothing, of...

00:06:15Buying the newspaper

00:06:17Yes, the Financial Times

00:06:19And where is it?

00:06:22Hey...

00:06:22Well, it's in the trash.

00:06:23In the trash, who doesn't know how the world is, my love

00:06:25He doesn't know how he is.

00:06:26Come on, the whole balcony there, huh?

00:06:28Wow, what a little joke you're making today!

00:06:30But seriously, what are you still doing like that, Alman?

00:06:32Grief

00:06:32The child was playing with the alarm clock yesterday.

00:06:34And he tricked me.

00:06:35Okay, then, a quick shower.

00:06:36Come on, live life!

00:06:37Come on, there's work to be done

00:06:38Good morning

00:06:45Good morning, sweetheart

00:06:46But who slept here in the house tonight?

00:06:49Oh, what joy!

00:06:50Come here, Choni's gonna give it to you

00:06:51Some croissants

00:06:53That take away the meaning

00:06:55Come here, Perlita

00:06:56You sit down

00:06:57Sit down

00:06:59What are you still doing there?

00:07:01The parents called me yesterday; they were having a problem.

00:07:02Yes, they've got a nerve that could be stepped on.

00:07:04Okay, then you pick it up and we'll leave it on the way.

00:07:05No, they're coming for him this afternoon.

00:07:07Well, no, well

00:07:08So we'll leave it where Chuqui is.

00:07:09Damn, not his brother

00:07:10Come on, come on

00:07:11We have a customer waiting.

00:07:12Come on, how many spoons do we have to make, King?

00:07:14Two or three

00:07:15Two or three

00:07:18Dad, you go, you go

00:07:19Dad, it's not that...

00:07:19I woke up with a knot in my stomach...

00:07:23The entire organism

00:07:24My head hurts the most

00:07:27It's going to explode

00:07:28But let's see, Raúl

00:07:29Don't mess with me, don't mess with me

00:07:30Let's see

00:07:31What does it say here?

00:07:33What does it say there?

00:07:34Yes

00:07:35What does it say?

00:07:36Fiti and Son plays

00:07:36Fiti and Son

00:07:37No pone Fiti sin Son

00:07:38No, that would be without sound or sound

00:07:39Well, that's it.

00:07:40And I've given this name to the workshop

00:07:42It's so that you have a future

00:07:43Do you see that or not?

00:07:45Fiti says that if he sees it

00:07:47Angelico, look at the face on that creature

00:07:49I even think he has a fever.

00:07:50He has a fever

00:07:52Okay, fine.

00:07:52Well, if it's bad, it's bad.

00:07:54Okay?

00:07:54But not one more, okay?

00:07:57Look

00:07:57Another topic

00:07:59This child is sleeping with his parents tonight.

00:08:00Is that clear?

00:08:03Is that clear?

00:08:03It's clear.

00:08:04It's clear.

00:08:05Well, when the repair shop comes, I don't want to see it here.

00:08:07There, look, look, look

00:08:10Come on

00:08:11A pleasure, huh, buddy?

00:08:12Okay

00:08:13Come on

00:08:17Take it here at home, love.

00:08:20Good morning

00:08:22What's wrong with him?

00:08:23To Juan Valdés

00:08:25Hey, hey, hey

00:08:25How about me?

00:08:26Less based

00:08:27Nothing's wrong with Juan Valdés

00:08:29But I have enough to put up with.

00:08:33First, Celia's situation

00:08:34But that's not all

00:08:35In other words, the child

00:08:35The child afterwards

00:08:36And the boy and the hippie

00:08:37They're both launched

00:08:38Well, don't worry

00:08:39Fuck

00:08:40You know how it is with kids, right?

00:08:42Because there's a big difference between saying and doing.

00:08:43And the same goes for Celia, right?

00:08:44Just like Celia

00:08:46There's a lot to see there.

00:08:47Plenty to see

00:08:48What to see

00:08:49If you are married

00:08:50That

00:08:50Yeah

00:08:50You're married, okay?

00:08:51Are you married

00:08:52I admit that.

00:08:53But maybe it's one of those marriages

00:08:54Coexistence

00:08:55Those who think everything is an act

00:08:56In the end

00:08:57Well, if it's pretending

00:08:58So they can give him an Oscar, huh?

00:09:00But why do you say that?

00:09:01Let's see

00:09:02I don't mean to discourage you.

00:09:03But what are we going to do?

00:09:04I've already seen this chicken.

00:09:05To the Brazilian

00:09:06By introducing themselves to the girls

00:09:09In the bathroom itself

00:09:11Fuck

00:09:12That's exactly what I said, Santi.

00:09:13Uncle Aguarra there, stark naked.

00:09:15And Celia doing the honors

00:09:16Come on, let's have a drink!

00:09:17It was very hot this morning, Diego

00:09:18Yeah

00:09:19And this man

00:09:19As is typical of what it is

00:09:20Another hemisphere

00:09:22There wouldn't be a cooler spot anywhere else.

00:09:23I'll take it from you

00:09:24In other words, he's doing you a favor.

00:09:24I'm talking to

00:09:25Fiti, listen to me

00:09:26Worth

00:09:26Leave it

00:09:27Thank you, but

00:09:28Leave it

00:09:28In other words, that's called the pride of a being

00:09:30If Celia were to introduce her husband

00:09:31There must be a reason.

00:09:32So, it's not because...

00:09:33Well, there must be a reason.

00:09:34Good morning

00:09:35Good morning

00:09:36How are you?

00:09:37That?

00:09:38Nothing, I just came to have a coffee

00:09:40And meet Celia's friends

00:09:42She's delighted to be in Spain

00:09:43And I think you

00:09:45You have a lot to see

00:09:46Us?

00:09:47Yeah

00:09:47No, no, no

00:09:48That's Spanish hospitality.

00:09:50What are you wearing for the first time?

00:09:51No, no, no

00:09:52No, no, no

00:09:52No, no, no, no

00:09:53No, no, no, no

00:09:53No, no, no, no, no

00:09:58No, no, no, no, no, no

00:10:06Infrastructure

00:10:06They do more humanitarian aid work.

00:10:08What infrastructure, Valdano?

00:10:09The deployment, huh?

00:10:10These are the three universal maxims

00:10:12The where, the when, and the how

00:10:14And I need an operation to stop being a virgin

00:10:16You were saying something about the Virgin Mary, Matías.

00:10:20What if in Africa?

00:10:23The people believe in the Virgin of El Rocío

00:10:27The Virgin of El Rocío

00:10:28Yeah

00:10:29Well, the Virgin of El Rocío is a very well-known figure

00:10:32Like the domún, by the way

00:10:35Do you know what the domún is?

00:10:36Yeah

00:10:36Two by two and chocolate

00:10:38Oh, José María, what a sense of humor, what a sense of humor

00:10:39Well, these piggy banks are for collecting money.

00:10:42To help the most disadvantaged

00:10:43I believe the infrastructure is simple

00:10:45The gift of my home

00:10:47Of course, the only problem I see is my father

00:10:50But when he snores

00:10:52Every corner is brown

00:10:55Celia, between fame and luxury at parties

00:10:58I was losing my way

00:10:59And I've found it here, for real.

00:11:01Among people like you, so...

00:11:04So...

00:11:05Normal?

00:11:06Normal

00:11:07What's happening?

00:11:08They're green there and have four eyes

00:11:11Four eyes almost all

00:11:12That is, writers, poets, artists

00:11:15We were moving in a circle...

00:11:19Snob

00:11:19Hey?

00:11:21We're not into politics.

00:11:23No

00:11:23But what we do have is a wealth of experience.

00:11:25A legacy that, whether you like it or not,

00:11:27Especially in the hospitality sector

00:11:29And from the automotive industry

00:11:30No, no, that's what I mean

00:11:31I am someone who has been very helpful to Celia.

00:11:33Authentic neighborhood people

00:11:35Until...

00:11:35You could even say it smells, huh?

00:11:38What did you do?

00:11:39What smells like?

00:11:39No, no, no

00:11:40I mean, you guys have street smarts.

00:11:43Humanity

00:11:44I am very grateful.

00:11:45So you're taking care of Celia

00:11:47No, it's okay.

00:11:48I'd do anything for the girl.

00:11:49So, relax.

00:11:50No problem

00:11:50Well, I don't know if you know

00:11:52But I am a writer

00:11:53And I would really like to invite you tomorrow.

00:11:55For the presentation of my latest novel

00:11:57The last one already

00:11:58But you're very young, man.

00:12:00Well

00:12:02It's a cocktail

00:12:03For me

00:12:04It would be an honor.

00:12:06Well, I have to go

00:12:08Thank you

00:12:08Ospero

00:12:09The coffee

00:12:10Another day, thanks

00:12:11Bye

00:12:12See you later

00:12:14Oh, and he's a writer too.

00:12:16He couldn't be a lathe and milling machine operator.

00:12:18No

00:12:22Well, I've already renewed.

00:12:23My wardrobe essentials

00:12:27Hey, by the way

00:12:28They called the maintenance crew

00:12:29Asking for you

00:12:30Oh, how annoying

00:12:31Really

00:12:32Maintenance workers

00:12:33Those made of material

00:12:33And the mother who bore them

00:12:35We have nothing more interesting.

00:12:36What to talk about

00:12:38Well, this is a school

00:12:39We are working

00:12:40Okay, fine.

00:12:41But it's not all work.

00:12:43Let's see

00:12:43We're roommates.

00:12:46That comes in handy

00:12:47From time to time

00:12:48Well, to vent

00:12:50No?

00:12:54Let's see

00:12:54What's the topic?

00:12:56I think this morning

00:12:57It hasn't been a piece of cake to pay.

00:12:58Well, I've already apologized to them.

00:13:00Because of the collision

00:13:01Well, you're forgiven, woman.

00:13:03Oh, daughter

00:13:03You don't stretch much.

00:13:04Really

00:13:05With that hunk of a husband

00:13:06What were you hiding?

00:13:08Already

00:13:09I'd love to

00:13:10To be able to tell you a little bit

00:13:12But I have to go

00:13:13I have an exam.

00:13:14With the third graders

00:13:15On another occasion

00:13:17Yes of course

00:13:18Then we continued

00:13:21Oh, hey

00:13:21And that your husband

00:13:22You can stay

00:13:23For as long as it takes.

00:13:24And the showers

00:13:25That they need

00:13:27Thank you

00:13:27You are welcome

00:13:31Hello good

00:13:32Hello

00:13:35And this?

00:13:37But what is Adrian doing?

00:13:38Still here?

00:13:40Yeah

00:13:42They called me

00:13:43His parents

00:13:44They are already arriving in Madrid

00:13:45Yes, well

00:13:46Let's see if they arrive.

00:13:46Before yours

00:13:47Adrian is here

00:13:48With the theme

00:13:48That?

00:13:49Take

00:13:49This is what you take

00:13:50One every eight hours

00:13:51What's that?

00:13:52We are?

00:13:53No, no, Auntie

00:13:53I'm fine now.

00:13:55Take it

00:13:55And you carry it in your body

00:13:56Come on

00:13:56Now then I'll...

00:13:58And what are you doing, prince?

00:14:01Okay, okay, okay

00:14:02But you're a fantastic artist!

00:14:05Who are these people?

00:14:07This is you

00:14:09Go on

00:14:09It's true?

00:14:11Sure, sure

00:14:12But oh well, oh well, oh well

00:14:13With my little fringe and everything

00:14:14Well, the hip

00:14:16You've drawn it a little too wide.

00:14:16But I forgive you

00:14:17Because you made me look beautiful

00:14:18Finish

00:14:19Handsome

00:14:20And who are these people?

00:14:21This is Fiti

00:14:22And José Luis

00:14:23Understand

00:14:24How funny

00:14:26And who is this?

00:14:28This is dad

00:14:30As?

00:14:32No, honey

00:14:33No

00:14:34This is not your dad

00:14:35This is Raúl

00:14:37Do you understand the mess the poor guy is in?

00:14:39Angelic

00:14:40Well, he says you're his father.

00:14:43No, no, no, no, no

00:14:45That...

00:14:46He must have gotten confused, man.

00:14:47How could the child say that?

00:14:48No, no, no

00:14:49It's Dad

00:14:52What a shame, he said

00:14:55We give it affection for two days

00:14:57This kid really lacks a father, huh?

00:15:00Come on, let's go

00:15:01Let's sleep for a while, okay?

00:15:03You're about to fall

00:15:04Come on, let's go

00:15:04No, it's complicated, Raúl

00:15:05It's complicated

00:15:06We have to explain it to the dear one

00:15:07Until his little penis gets all tangled up

00:15:08Don't talk nonsense, Auntie

00:15:09If he falls asleep, man

00:15:10He doesn't even know what he's saying.

00:15:11Raúl, Raúl

00:15:12Let's see

00:15:12Do it now

00:15:13Come on

00:15:14Goes

00:15:17Dear

00:15:18Listen, Raúl

00:15:19Listen to it

00:15:19Let's see

00:15:21Adrian

00:15:21That...

00:15:22Listen, listen

00:15:23You've made a mess of things.

00:15:25Know?

00:15:26You've gotten yourself into a mess

00:15:26That...

00:15:27I mean, let's see

00:15:27That I am not...

00:15:31Look

00:15:32You

00:15:34You actually

00:15:35You are not...

00:15:39Fuck

00:15:41Can't

00:15:45Tita, who...

00:15:47Yes, I am his father

00:15:55The child is yours

00:15:59Oh, Virgin of Beautiful Love

00:16:01What is your son?

00:16:04Sure, but...

00:16:05But I am being represented right now.

00:16:06You when you were a kid

00:16:09Oh, my guitar

00:16:10How could I not have noticed?

00:16:11Me before

00:16:14Oh, Sacred Heart of Jesus

00:16:15I trust in you

00:16:24A nice cold, flannel beer coming right up.

00:16:26Oh, what's wrong?

00:16:29Hey?

00:16:30Let's not let the teacher get carried away.

00:16:32The teacher

00:16:32The teacher cuts off his ponytail

00:16:35With being, there is nothing left to change.

00:16:36So no

00:16:37Fuck

00:16:37Really

00:16:38Like the lottery charge

00:16:39Spreading illusions, aren't they?

00:16:40I'll be right there, Santiago.

00:16:41Wait a minute, Diego

00:16:42I wanted to tell you something.

00:16:45I think you should go read the book.

00:16:47You have an open door there

00:16:49An open door, Fiti

00:16:50An open door to scorn

00:16:51Fiti, to scorn

00:16:52Because there has been strutting

00:16:53And on top of that, with her husband

00:16:54No, everything is lost.

00:16:55Fiti is lost

00:16:56And that's it.

00:16:56No, no, no

00:16:57Big water, Diego

00:16:58Big water

00:16:59What water?

00:17:00Shut up for a moment, okay?

00:17:01All is not lost

00:17:02Because?

00:17:02Because Celia

00:17:04Celia is like a microwave, Diego

00:17:06What's coming next?

00:17:07By electronics or...?

00:17:08Don't know

00:17:08I don't know why

00:17:09Let's see

00:17:09Try to remember a little, Diego

00:17:11What happened in Spain

00:17:12When did microwaves arrive?

00:17:14I don't know, because the prices were prohibitive.

00:17:15No, damn it!

00:17:16That there was no God to control them

00:17:17And now they've even managed to control the children, huh?

00:17:19This is what's coming, Mom

00:17:20No, it's not there.

00:17:21Be quiet when the time comes

00:17:22It's not so bad that the husband came.

00:17:24It's not so bad

00:17:24Because a husband is like an instruction manual

00:17:27You get the information out of him.

00:17:28And that's how you show Celia that you're there for her.

00:17:31Fiti, excuse me for saying this

00:17:32Does the word marriage ring a bell for you?

00:17:34Does that ring a bell?

00:17:34So, does that ring a bell?

00:17:36Until death stops?

00:17:37In health, in sickness?

00:17:38In poverty, in wealth?

00:17:39Does that sound familiar?

00:17:40It's short, but...

00:17:41It comes to you

00:17:41Let's see, calm down.

00:17:43Let's see, marriages

00:17:45What is marriage, Diego?

00:17:46What is it?

00:17:46A piece of paper, a wet piece of paper?

00:17:47That breaks

00:17:48What happened to me with Candela?

00:17:50That one did have a bit

00:17:51A little respect, Santi

00:17:52Is that a hit or a bass guitar, huh?

00:17:54I respect

00:17:54I respect what you have to have

00:17:55All my brother

00:17:56You know that with Celia

00:17:57There's nothing to it.

00:17:58Because she's married, you know.

00:17:58What do you want?

00:17:59That my brother finishes

00:18:00Refurbished in the mud?

00:18:01Hey?

00:18:02Is that what you want?

00:18:02Santi, I love you

00:18:03Okay, thanks.

00:18:05Fiti, really

00:18:05Thank you for that.

00:18:06Thank you very much

00:18:07But where there is marriage

00:18:08The sailor doesn't command.

00:18:09And I don't want to get involved.

00:18:10In those kinds of relationships

00:18:11You understand me?

00:18:12We've reached the end of this line.

00:18:13There

00:18:14Hello

00:18:16Look, maybe with me

00:18:17The mud is being renovated

00:18:18But it's going to end with you.

00:18:19Your brother, a Carthusian monk

00:18:20Carthusian

00:18:20Come, come

00:18:23Microwave

00:18:24Just as God brought him into the world

00:18:26Yeah

00:18:26But a little older

00:18:29I don't know if you understand.

00:18:30No?

00:18:31That's awful!

00:18:32Yes, that's outrageous.

00:18:33Hello

00:18:34Hello

00:18:34Are you leaving already?

00:18:36Uh, yeah

00:18:37I have an appointment with the lawyer.

00:18:38Since he's here

00:18:39Darío, let's sort out some paperwork.

00:18:41What papers, daughter?

00:18:42That he/she is going to register

00:18:43Uh, well

00:18:45Not quite

00:18:45They're the ones from the divorce.

00:18:47We're getting a divorce

00:18:49Oh, how wonderful!

00:18:53No

00:18:53It means

00:18:54No, what does that mean?

00:18:56Excellent

00:18:56That one can get a divorce nowadays

00:18:58No?

00:18:59That's very sad.

00:19:00But

00:19:01Girl, what would your reasons be?

00:19:03Yes, yes, yes

00:19:04They've been separated for a long time.

00:19:05So no

00:19:06It just doesn't make sense

00:19:07Well, I'm very sorry.

00:19:08Very sorry

00:19:09And hurry!

00:19:09Because with these officials

00:19:10Well, you never know.

00:19:11Let's see if it won't be there

00:19:12And hurry!

00:19:13See you later

00:19:15Celia, Celia, Celia

00:19:16Sorry

00:19:16Are you really Dario's wife?

00:19:18Do you think so?

00:19:18Yes, why?

00:19:20Why?

00:19:21Because she is one of the most compelling writers in contemporary fiction.

00:19:24He is a virtuoso

00:19:25He handles hyperbaton and metaphor like no one else

00:19:27Sorry

00:19:28Couldn't you introduce me to him?

00:19:30Yes, they are valid.

00:19:31Don't worry

00:19:32Do the first thing you do

00:19:33Thank you

00:19:37She's a goddess

00:19:39Curro, son

00:19:40Put the signal on to brown

00:19:41Okay

00:19:47You

00:19:47The clothes are ironed

00:19:49When do you plan to move it up to the room?

00:19:50Wait a moment, little

00:19:51That is about to be discovered

00:19:52That Bruce Willis is dead

00:19:53Let it burn

00:19:54Come on, now

00:19:55He is dead

00:19:57Curro

00:19:57Handle it with a little more care, son

00:20:00No no

00:20:03This is how you want to see your brother for the rest of your life.

00:20:05With their little kitchens and their little bellies

00:20:07My brother is perfectly fine.

00:20:08Tell me a gossip.

00:20:10Any day now we'll see him in his dressing gown.

00:20:11Damn, he's in love

00:20:12He'll have to fight for it

00:20:13That it still has a chance

00:20:15Fuck

00:20:16Possibilities of what?

00:20:17What are the chances?

00:20:24Please, Fiti

00:20:25Leave it now

00:20:26In other words, don't make things more difficult for me.

00:20:27I don't stand a chance with Celia.

00:20:29Not even Christ, who founded it.

00:20:30Come on, at the very least I need a miracle

00:20:32That's it

00:20:33Diego

00:20:33That?

00:20:34Diego, I have some news.

00:20:36What happened?

00:20:36Hello darling

00:20:38May God forgive me for rejoicing over something like this.

00:20:40But

00:20:42That Celia and her husband

00:20:43They are getting divorced

00:20:44That?

00:20:46Take!

00:20:46There you have the miracle

00:20:47There you have it

00:20:48Well, I don't know if God had anything to do with it.

00:20:50But that's how it is.

00:20:50Celia told me today.

00:20:52That it is separating

00:20:53Diego

00:20:54Santi what?

00:20:55Did I tell you or didn't I tell you?

00:20:56Let's go to that character, like my name is Fructuoso

00:20:58They'll be separating whatever you want.

00:20:59We'll see if we go or not.

00:21:01Okay, okay

00:21:01Look, Santi

00:21:02When I, without a most high intercessor

00:21:04Well, at least now we can be rude.

00:21:05No?

00:21:08Hey!

00:21:09Excuse me, I'm sorry

00:21:10No

00:21:11What are you doing?

00:21:12Are they looking for a draw or what?

00:21:13That wasn't my intention, really.

00:21:15Hey, hey, hey

00:21:16Since you're there, could you pass me the towel?

00:21:17Ah, yes, of course.

00:21:22Take

00:21:23Warm

00:21:24Warm?

00:21:26Dear, in Spain at this altitude I'm doing well

00:21:28Now here in Brazil I had half to spare

00:21:31It is said

00:21:33Thank you

00:21:33Oh, sorry

00:21:35It's because you don't know the language.

00:21:37But I didn't want to seem rude.

00:21:40That's rude, isn't it?

00:21:43Yes, yes, yes

00:21:44No, I do find it funny how you Brazilians are.

00:21:46Oh, how so?

00:21:48Well, with that climate and those beaches, no way...

00:21:51It's no wonder you constantly have too many clothes.

00:21:53Well, that's why the clothes don't open.

00:21:55It's mostly about throats.

00:21:59Beautiful

00:22:00Like you

00:22:05It's not that easy, Auntie

00:22:07I need to find the moment

00:22:09And choose the way

00:22:10And find the right tone

00:22:12Sure, and talk to the Pope

00:22:14Damn, Raúl

00:22:15These things are said

00:22:16How to say it

00:22:20And if he's going to castrate me, Auntie

00:22:28Fuck

00:22:29From the Maos, come

00:22:30Hello good

00:22:34Dad, dad, dad

00:22:35No, listen.

00:22:36That they have not been able to come

00:22:37That they have not been able to come

00:22:38They're taking it away tomorrow, without fail.

00:22:39Tomorrow

00:22:39You don't listen to me

00:22:40You don't listen to me when I speak to you.

00:22:41Didn't I tell you I didn't want to see the kid here?

00:22:43When I got home from work

00:22:45Okay then

00:22:46Herding

00:22:46We're taking him to his parents right now.

00:22:47And while I'm at it, I'll tell you a couple of things.

00:22:49Kiri.

00:22:50That?

00:22:50Also, that nothing bad will happen.

00:22:52The creature has to stay here one more night.

00:22:57What are you doing?

00:22:59Come on, Adrian.

00:23:01Truquete.

00:23:02Come on, let's pack our suitcase.

00:23:04We'll pick up all your things and take them to your home.

00:23:07Let's see.

00:23:08With my mom?

00:23:09Sure, and with your dad.

00:23:12Come on.

00:23:13The paintings, all the planes, everything.

00:23:18Dad, dad.

00:23:19That?

00:23:20Please, I'll take care of the kid, you won't even notice, okay?

00:23:24Let's see, Raúl, no, no.

00:23:26And again, the ones who have to take responsibility are the parents.

00:23:30You've already done enough, son.

00:23:31Damn, it seems like you're the father.

00:23:40What's happening?

00:23:41What did I say?

00:23:46Will anything help me, damn it?

00:23:48Say something, you're scaring me.

00:23:50Say something.

00:23:53You've already said it all, Fiti.

00:24:01Raul.

00:24:03For the glory of my mother,

00:24:06Don't tell me this child is yours.

00:24:11Mainly.

00:24:13What's that?

00:24:15Well, he has your blood in him.

00:24:36Okay, this...

00:24:39No, no, no, no, no, no, no, no.

00:24:48No.

00:24:53No, no, no, no.

00:24:56Not here.

00:24:58Let's see, she was here.

00:25:06That's awful, really.

00:25:14The mother who gave birth to me

00:25:59The mother who gave birth to me

00:26:07Yes, hold on tight, things are about to get interesting.

00:26:10I mean, first of all

00:26:12Just so you know, I appreciate you, but you're not my type.

00:26:14Come on, Fermín, damn it, it's eight in the morning

00:26:16Let's not start with jokes because, well

00:26:18They belong to Guille

00:26:21Yeah, so what's the problem?

00:26:25What do you mean, what's the problem?

00:26:26Fermín, I get the impression that condoms prevent you from seeing the forest for the trees.

00:26:29It's about Guille

00:26:30He's my son, my kid, remember?

00:26:33Yes, yes, I remember perfectly.

00:26:34Your kid, your boy

00:26:36But your boy also has the right to become a man, doesn't he?

00:26:39No, you're not understanding me.

00:26:41No, no, no

00:26:42That's what people believe, Guille.

00:26:44In other words, he thinks he has the situation under control.

00:26:45But he's not ready, I'm telling you.

00:26:48And how do you know that?

00:26:50Because I'm his father

00:26:51Ah

00:26:52And also because I don't want my son to suffer

00:26:55Yeah, look, Diego

00:26:56Guille wants to have sex

00:26:58It's the most normal thing in the world

00:26:59Yeah

00:26:59I think you're exaggerating.

00:27:01That I am...

00:27:01That?

00:27:02Look, let's not start with the Latin phrases.

00:27:04That is, magnifying, sodomizing

00:27:06No, no, no

00:27:06That's not the problem

00:27:07The problem is that, Guille

00:27:08It hasn't hatched yet.

00:27:09Me at his age, for example

00:27:11School was over and I went to work at the tavern

00:27:12Do you know what he does, Guille?

00:27:13He goes home and takes the sofa

00:27:14And he starts playing with his little brother

00:27:15To the little Martians

00:27:16Okay, okay

00:27:17Diego, it's just that times have changed.

00:27:18Well, times have changed.

00:27:19Yes, yes

00:27:20And other ages

00:27:20Let's see

00:27:22This girl who's at home

00:27:23Sandrita

00:27:23He is older than him

00:27:24Remember that

00:27:25She's nice

00:27:25But he's older than him

00:27:26And he has a different kind of life

00:27:27A different kind of life

00:27:28That's not the kind of life here

00:27:29From the people of Santa Justa

00:27:30No

00:27:30That one day is here

00:27:31And another day is then

00:27:32Well, in Wyoming

00:27:33Or in Wisconsin

00:27:34Or in the eastern part of the United States

00:27:35Do you understand?

00:27:36That's not...

00:27:37Look, Diego

00:27:37It's a fact of life

00:27:38Hey?

00:27:38We've all been there.

00:27:41No?

00:27:42Look, first I'm going to tell you one thing

00:27:43With all due respect

00:27:44It's obvious you're not a father.

00:27:47You're right

00:27:48I am not a father

00:27:49I am a psychologist

00:27:50And that's why you're here.

00:27:51Well, that's also true.

00:27:53Yes sir

00:27:53But for the first time, I'm going to tell you.

00:27:55And with all the love I have for you.

00:27:56Well, you know that I care about you.

00:27:57You're not satisfying me, Fermín

00:27:58You're not satisfying me at all

00:27:59And since you're not satisfying me

00:28:00This time I'm going to do things my way

00:28:02Okay, that's fine.

00:28:03This time, do them your way.

00:28:04OK?

00:28:05Well, that's what I'm going to do.

00:28:06That's it

00:28:18Hello

00:28:20Hello, prince

00:28:42Thank you so much

00:28:48Let's see, what about.

00:28:56Wait, wait, wait.

00:29:14Brother, I've been hitting you for half an hour.

00:29:16The genie from the lamp is going to appear.

00:29:19It's because of the cost of tonight, huh?

00:29:21Well, no, no, it's not because of the cost tonight.

00:29:24Hello good.

00:29:25You called me earlier, didn't you?

00:29:26Yes, I called you.

00:29:27Come in, come in.

00:29:29Any problem?

00:29:31No.

00:29:34Some?

00:29:35Yeah.

00:29:39Can you explain this to me?

00:29:41This?

00:29:42Yeah.

00:29:43This is an intrusion into privacy.

00:29:45Hey, let's leave that aside because it was already an accident.

00:29:48So, no...

00:29:49Let's see.

00:29:49Don't you think you're too young for that?

00:29:51No, Dad, maybe the problem is that I'm not that young.

00:29:53I already know...

00:29:54I know you're not stupid, but you don't know that much either.

00:29:57And that is why I am intervening, because I am your father.

00:29:58And that's why I'm talking to you, to do things right, right?

00:30:00Sure, and that's why you're spying on me, right?

00:30:01That you...

00:30:02Hey, please, don't be so stubborn.

00:30:04Listen to me, I'm your father, I just told you.

00:30:05No, Dad, I think this little speech is starting to sound familiar.

00:30:07Now comes the part about the competent authority, right?

00:30:09I'm coming with the proper authority, right?

00:30:11I'm going to remind you of something.

00:30:12As long as you live under my roof, I am the competent authority.

00:30:15Listen to me.

00:30:16I mean, it's one thing for it to happen because of Sandrita living at home and all that,

00:30:19and another one who sucks my thumb and is an idiot.

00:30:20Okay, so tell me what you're going to do.

00:30:22What am I going to do?

00:30:22Yes, yes, what are you going to do?

00:30:23Come on, you're going to put the seatbelt on me with a castle blow.

00:30:24What are you going to do?

00:30:25I'm going to tell you what I'm going to do.

00:30:27Take competent authority.

00:30:28I forbid you from doing it.

00:30:29Didn't you hear it?

00:30:29I forbid you from doing it, I absolutely forbid you from doing it.

00:30:32Have you heard it?

00:30:33Yeah.

00:30:33I forbid it.

00:30:35Guille, Guille.

00:30:40Well, Lurditas, it's great to have you here.

00:30:43You can't imagine the notation I'm bringing you, baby.

00:30:46What's happening?

00:30:46Hello good morning.

00:30:47Good morning.

00:30:49Garcilaso de la Vega, tell me.

00:30:52Hello good morning.

00:30:53Yes, just a moment, I'll put you through to the address.

00:30:55Ana, this is for you.

00:30:57You can't imagine the mess that's going on in my house.

00:30:59Yes, yes, me.

00:31:00But what's going on?

00:31:00Okay, okay, okay.

00:31:01I am very excited.

00:31:03That's big news.

00:31:03I think it's a beautiful thing.

00:31:05Well, thank goodness I bought some clothes.

00:31:07That I met tonight.

00:31:09Hey, would you like a coffee?

00:31:10Oh yes, please.

00:31:11I've stuck to the night.

00:31:13The thing is, well, of course, it also has its...

00:31:16Oh, sorry, Choni.

00:31:18Ana, have you seen Africa?

00:31:19The second-year students are trying to get into the changing rooms, and girl, she still hasn't shown up.

00:31:22No, I haven't seen it.

00:31:24Hey, Choni, go open it yourself, you have the keys.

00:31:26Come on, otherwise you're going to cause a ruckus in the hallway.

00:31:28Yes, it's true, Choni, baby.

00:31:29Then you can tell me about it.

00:31:30Okay, I'll tell you.

00:31:31No, because I'm telling you.

00:31:33Man, before you find out elsewhere.

00:31:35Look, I'm very happy.

00:31:36What do you want me to say?

00:31:37Very good.

00:31:37We'll talk later.

00:31:39What a night.

00:31:41I had to go out for dinner because of the mess I'd made.

00:31:44The neighbors.

00:31:45Armando Jalio.

00:31:46No, no, no.

00:31:46The neighbors didn't.

00:31:49Celia and her husband.

00:31:51In the bathroom, specifically.

00:31:54Celia and her husband in the bathroom.

00:31:56And what did they do?

00:31:57Oh, Lourdes, woman, we have to explain everything to you.

00:31:59So, what are they going to do?

00:32:01Clean.

00:32:02Lurditas?

00:32:05He...

00:32:07Love.

00:32:09In the bathroom.

00:32:13But Celia told me that they're no longer together, that they're getting divorced.

00:32:17Oh, well, if they're getting divorced like this, I don't even want to imagine what their wedding night was like.

00:32:27Awesome.

00:32:30Well, to sum it up, I'll leave it at my front door.

00:32:33I gave it to myself in commandments.

00:32:35Without a basket.

00:32:37But with a high grade.

00:32:38And you were worried that I wouldn't find out.

00:32:40With two balls.

00:32:41Standard.

00:32:41Bring it here, let me read.

00:32:44I had such a great nap.

00:32:47Clear.

00:32:48I've been fighting with the neighbors all night.

00:32:52There, the neighbors, well, the net caught everything.

00:32:56Hey?

00:32:57And that's why I'm leaving it with you for a while.

00:32:59A while.

00:33:00So?

00:33:01Grab it.

00:33:02Look, I'm not going to get involved because it's ugly to hit a father.

00:33:05I don't deserve anything.

00:33:08What plans do you have with him?

00:33:09Of course, you'll have to get him vaccinated, you'll have to go to school, and things like that.

00:33:12Don't worry, Chone has replaced him.

00:33:14Not at all, not at all.

00:33:15He's the one who has to face the music.

00:33:17Hey?

00:33:18I spent my whole life educating you so that you wouldn't make the same mistakes I did.

00:33:22Pussy.

00:33:23Well, I'll try, Dad.

00:33:24But I just can't do it.

00:33:25Well, it has to work out for you.

00:33:27You have to get it.

00:33:27Damn, because generations are meant to improve the species.

00:33:30Not to make it worse.

00:33:31Traca, traca.

00:33:34Take.

00:33:36Thanks, Yayo.

00:33:40In fact, Yayo, right?

00:33:43It's just too much for the grandson.

00:33:49Ticket! Ticket!

00:33:50In a corner, weighing one meter seventy and fifty kilos!

00:33:53The holy righteous colt!

00:33:56Well, what's up, Guillermito?

00:33:57Did you win by points or was there a rout?

00:33:59Well, more like disqualified.

00:34:01Oh dear, oh dear, oh dear.

00:34:02I think the flyweight division didn't heat up.

00:34:04Good.

00:34:04And I gave him a Ciro during the time.

00:34:05What are you saying?

00:34:09My father pricked my condoms and I'm going to bring him my hump, the face of my life.

00:34:15He forbade it, come on.

00:34:16But that can't be prohibited.

00:34:18But that's like eating, man.

00:34:19That's part of nature.

00:34:21Okay.

00:34:22Hey, Sandrín, they're going to sit down, huh?

00:34:24Guille!

00:34:27Hello, Sandrín.

00:34:29How are you?

00:34:30Good.

00:34:31You?

00:34:32Good, very good.

00:34:33Look what I bought you.

00:34:36Look.

00:34:36Ah, okay.

00:34:37A necklace with seeds from the Amazon.

00:34:40Oh, and when are we getting the loincloth?

00:34:41Oh, I'm going to be silly.

00:34:43So what are we going to do tonight?

00:34:45Hey?

00:34:46A movie theater?

00:34:47Well, a movie theater and something more, right?

00:34:51Yes, yes, yes.

00:34:52Of course, of course.

00:34:53I don't know about this, you don't see what else, huh?

00:34:55It's about time.

00:34:57Okay, then I'll see you tonight.

00:34:59Okay.

00:34:59Yeah.

00:35:00Bye.

00:35:01See you later.

00:35:03So what are you going to do now, man?

00:35:05That the second card is an expulsion.

00:35:06But will you leave me alone already?

00:35:08You guys are so annoying.

00:35:10Guys, we have to sweat it out, Guille.

00:35:12Hey, its premiere is historic, it's a symbol.

00:35:16It means that we will achieve it someday.

00:35:20So what's wrong, Ana?

00:35:21What did you take out before?

00:35:22No.

00:35:23Yes, I've escaped to see you, thief.

00:35:28No, Diego de Estensa.

00:35:30No, no.

00:35:30Relax.

00:35:31I've arranged to meet Fiti, who has to tell me what I know.

00:35:33Ah!

00:35:33I've arranged to meet Fiti.

00:35:34Hello, how are you?

00:35:36There it is.

00:35:36Come on, Diego.

00:35:37A small beer and a juice.

00:35:38Yes, a straw and juice.

00:35:40Fiti, it's not for nothing, okay?

00:35:41No, don't bother me, but there's a child right there in front of you, that's clear.

00:35:45Yes, yes, let me introduce you.

00:35:46This is Adrián, my grandson.

00:35:50Hello.

00:35:51Yeah.

00:35:52Hello.

00:35:53What are you saying, Fiti?

00:35:55Look, Adri, it's your aunt Ana.

00:35:57Okay, one thing, let's see.

00:35:58But what will this child be like, Raúl's son, man?

00:36:00That children don't grow up.

00:36:01He's an unpublished child, just like the songs the Beatles released about him.

00:36:04How will this be Raúl's son?

00:36:07Mainly.

00:36:08A child.

00:36:09Does he nail it or not?

00:36:13Okay, so what?

00:36:14Those are the faces.

00:36:15But being a grandfather is always a joy, man.

00:36:17Come on, let's celebrate properly.

00:36:19Yes, yes, yes.

00:36:20Yes, yes, yes.

00:36:20He took out some money for Charana and we'll go all out, if necessary.

00:36:23Tell me, tell me, little dove.

00:36:25Come on.

00:36:26Well.

00:36:27Don't worry, I'll go there as soon as I can.

00:36:29Come on.

00:36:30Yeah.

00:36:31A little kiss, a little kiss.

00:36:32But I don't understand why she sees that as a guide.

00:36:34If not, she's pretty.

00:36:35Won't he have it?

00:36:36Yes, elephant ankles do exist.

00:36:37Look, if you take away my accent, it's not even a bad one.

00:36:39Look, kid.

00:36:39Victor, you're being a bit objective, aren't you?

00:36:41Victor, you big pigeon.

00:36:42But anyway, we were going to see it.

00:36:43Which side are you on?

00:36:44Well, yours, but...

00:36:45Yes, yes, yes.

00:36:45It doesn't seem like it because it's better.

00:36:47But God, yes, yes, yes.

00:36:49I think taking money away from needy children is not a good idea, you know?

00:36:52Who is the money for?

00:36:53For Guille.

00:36:54And who is Guille if not a child in need?

00:36:56Listen to me.

00:36:57The ways of charity are inscrutable.

00:37:00Okay, come on, bowling.

00:37:01Wake up, because we need to at least get one that decent.

00:37:04Yes, because you don't want me to put on the cat face from REC.

00:37:06Oh, I'm going to give you something for everything.

00:37:07I'm going to give you something for everything.

00:37:08Very good, José María.

00:37:10Very good.

00:37:11Applying.

00:37:12Just like your father and your father's father did.

00:37:14Very good.

00:37:14Let's see if I have anything loose here.

00:37:16Let's see.

00:37:17Look.

00:37:17Five euros.

00:37:19Very good.

00:37:20So far, kid.

00:37:21Lourdes.

00:37:22Oh, darling.

00:37:24Look, Palomita, I've brought you your favorite little flea.

00:37:26With toasted bread and everything, just the way you like it.

00:37:29Oh, thank you, darling.

00:37:30But the thing is...

00:37:31I think I've lost my appetite.

00:37:32And so?

00:37:33With the serve you have.

00:37:35Well, some news, Santi.

00:37:36Well, it just so happens that I'm passing by here.

00:37:38Hey?

00:37:39But, Santi.

00:37:41What news?

00:37:42What news?

00:37:43Well...

00:37:44Santi.

00:37:45Look.

00:37:46I know it's a very bad habit to talk about people's lives and meddle in their affairs.

00:37:50They don't call him.

00:37:51But Ana told me that yesterday she heard Celia and Darío in the bathroom doing...

00:37:58Hey?

00:37:58That's it.

00:37:59That.

00:38:00That.

00:38:01What's that?

00:38:02That's what married couples do, Santi.

00:38:04But not what we do in the bathroom, not the other thing.

00:38:07The bedroom thing.

00:38:08Fuck.

00:38:09That?

00:38:10So what now?

00:38:10Hey?

00:38:11Look, I don't like to interfere in people's lives, but for once I

00:38:14I put in.

00:38:16Poor Diego.

00:38:18My God.

00:38:19If he finds out about this, we'll kill him.

00:38:21We killed him.

00:38:27Hey, I'll leave the door open for you.

00:38:29And it's closed, but...

00:38:30Look, look, look, look, look.

00:38:32Another little gift, huh?

00:38:34Italian cut.

00:38:35To get you to the cocktail party, take a paintbrush.

00:38:37Touch, touch, touch.

00:38:38Touch, touch.

00:38:38Thank you so much.

00:38:39Seriously, Fiti and José Luis, but I'm not going to the cocktail party, no.

00:38:42That?

00:38:43But come on, man of God, everything's already arranged, Celia's going to be there, isn't she?

00:38:46Damn, this is your chance.

00:38:48But wow, what a park! I didn't know it was 24 hours old. It's a pirate park, where did it come from?

00:38:51They're Guille's, damn it.

00:38:54From Guille.

00:38:55So as you can understand, I can't leave it at that tonight, I can't.

00:38:58Yes, he was serious, the kid, that's how generations change, isn't it?

00:39:01So much, look, look, look.

00:39:03Textured surface, stimulating, colored with deposit.

00:39:07Forest fruits.

00:39:08José Luis, shut up already, damn it, and don't read me the leaflet.

00:39:10I mean, for God's sake, the truth is that I have enough with what I have.

00:39:12Well, I was just testing the product's safety, that's all.

00:39:15Excuse me, but speaking of security, the only security there is is that I stayed here tonight keeping watch.

00:39:20Yes, yes, and on watch like the night watchmen, keeping watch and on watch like the night watchmen.

00:39:22No, no, no, they need to stay calm.

00:39:25So sit down for a moment, just sit down.

00:39:28One thing, have you spoken to Fermín?

00:39:29Yeah.

00:39:30And what did he say to you?

00:39:32Well, to put it bluntly, let the kid be the pimp.

00:39:36Damn, Fermín, what a character!

00:39:38Okay, okay, okay, okay, leaving aside Fermín's absurd approach, shall we?

00:39:44Don't overcomplicate things.

00:39:46The problem is at home.

00:39:48I know, I know, Fitio, I mean, the problem is at home.

00:39:50Guille is at home, I know the problem is at home.

00:39:52Guille no, Guille no, Guille no.

00:39:53At your house.

00:39:54At your house.

00:39:56What do you mean, at my house?

00:39:57At your house?

00:39:58What do you say about my house?

00:39:59Well, there's privacy here, Diego, there's privacy here.

00:40:01And what is intimacy?

00:40:03Well, I do know what intimacy is, but I don't know what it means.

00:40:05Intimacy is a closed door.

00:40:08What are you reading, Lorca?

00:40:10I wish I had Lorca, that's mine, eh?

00:40:12Like the destruction of the habitat, huh?

00:40:14And don't worry, I have the solution.

00:40:17You're going to that cocktail party tonight, and that's final, damn it.

00:40:24Route, what are you?

00:40:25Yes, the forest.

00:40:27Okay, so Dad isn't doing anything around the house tonight, right?

00:40:31He has a cocktail.

00:40:31Yes, so it's a PlayStation championship, right?

00:40:33Uh, no, sorry, no, no, I'm already in another life, okay?

00:40:35See you later!

00:40:37But, Chorri, isn't this cutie your nephew?

00:40:40Damn it, can't you see it?

00:40:41Martinez's face is handsome, just like the rest of the family.

00:40:45Is this going to be my school?

00:40:46Of course, man.

00:40:47Man, is it going to be your school?

00:40:48And this is the teachers' lounge.

00:40:49But you're not the only one who has to stay here, it happens to everyone, okay?

00:40:52You can come in here, because you're the nephew of the real deal.

00:40:55Well, it seems the family is delighted, huh?

00:40:58See, it wasn't so bad after all?

00:41:00Well.

00:41:02Hey, cheer up, you have to be happy.

00:41:04They took it really well.

00:41:06Already.

00:41:08It's not like I have to raise him now, Africa.

00:41:10I don't know, I don't see myself as capable, I don't want to be a father.

00:41:16That's all.

00:41:17Raúl, look, at first it's more difficult, but then you'll see that...

00:41:20Then he'll go to university and...

00:41:22But it's going to be 20 years until then, what do I do?

00:41:25Hey, Raúl, Raúl, listen.

00:41:27Look at me.

00:41:28When I thought I was pregnant, I was on the verge of considering social services.

00:41:33Social issues?

00:41:34Well, I've been shining for needy children, putting.

00:41:37I already have one, kid.

00:41:38Look, let's do one thing.

00:41:39When the shoemaker gives me the 2,500, we'll talk, okay?

00:41:41Come on.

00:41:42Come on, man.

00:41:43So.

00:41:44Guys, at this rate we won't even be able to get him a bed in a slum apartment.

00:41:48Look.

00:41:49He was looking for us.

00:41:51I bet you can't guess which one is the last one!

00:41:53Okay.

00:41:54My father is leaving home tonight and he's in the sun and it's going to be a paradise of love.

00:41:59Only!

00:42:01One, two, and three, pull the cheekbone.

00:42:03There you go.

00:42:04Come on.

00:42:05Come on, man.

00:42:05Careful.

00:42:06There.

00:42:07That's it, it's over.

00:42:07Very good.

00:42:08We already have another one.

00:42:09Can?

00:42:09That's it.

00:42:10Support here.

00:42:11That's it.

00:42:12Look, look.

00:42:13That?

00:42:14Hey, look at these views, huh?

00:42:16From this incomparable setting.

00:42:17Okay, Chiqui, but are you sure this is what we have to do?

00:42:20You're sure?

00:42:21Damn it, Diego, damn it.

00:42:21Views of the girl's room, views of your room, views of the room

00:42:25The child's grandmother is around here.

00:42:27Here, not even the Holy Spirit consumes.

00:42:30Me too, damn it, there's a lack of usefulness.

00:42:32No, not exactly, Diego, precisely for that reason, a simpleton.

00:42:36Wait, wait, wait.

00:42:38Wait, wait, wait.

00:42:38Okay, brother.

00:42:39That?

00:42:40Okay, okay.

00:42:40Wouldn't it be better not to go to the party and just stay here and keep watch?

00:42:45Well, maybe so.

00:42:46Maybe.

00:42:46But I get the impression that this time what Fiti says, well, he's right.

00:42:50Yes, those literature festivals.

00:42:51Yeah.

00:42:52And you've never read anything.

00:42:53The most you've read is the labels on hams.

00:42:56Yes, bad.

00:42:56Well, would you please not make your brother feel insecure or what?

00:42:59Furthermore, the important thing is that he will be there with Zenia.

00:43:02What is this?

00:43:03What are you doing?

00:43:04Does it say on the doors?

00:43:05Yeah.

00:43:06Ah, because why have we taken this away from them...

00:43:08Termites.

00:43:09What termites?

00:43:10Termites.

00:43:10African termites.

00:43:13Crazy African termites, huh?

00:43:14Well.

00:43:15Like cows, but in termites, huh?

00:43:16He doesn't laugh.

00:43:17But the doors are perfectly fine.

00:43:18Good point, because they seem perfectly fine, but they're not.

00:43:21Watch out, me.

00:43:21Also, one thing's for sure, but I need to get better.

00:43:23We're going to buy one of those special varnishes right now, and it's like the doors

00:43:25to get vaccinated, just in case.

00:43:27Because they seem to be there as pore plugs.

00:43:28Yes that's fine.

00:43:29But keep in mind that there are a lot of teenagers in this house, right?

00:43:33It's a problem that there are a lot of teenagers and a lot of intimacy.

00:43:35So what happens?

00:43:36If there are no doors, then they will be more covered up and there will be less privacy.

00:43:39Okay, fine, Diego.

00:43:41And is it necessary in the bathroom too?

00:43:43Because I'm getting on in years now.

00:43:45Well, you say so, Doña Carmen, please.

00:43:48Come on, silly girl.

00:43:48Come on, I have to go.

00:43:49What's ready?

00:43:50Come on, walk me to the door.

00:43:52We'll talk later.

00:43:56And this one, Tony?

00:43:58That?

00:43:59You, already, me and I on the day we take communion.

00:44:01In the Saint of Totana, in Murcia.

00:44:03Damn, Fiti, you're so handsome.

00:44:05Well, what about Raúl?

00:44:06What's happening?

00:44:06What, it hasn't arrived?

00:44:07He was having a beer.

00:44:08He says he was coming.

00:44:08Yes, he told me half an hour ago that he was coming.

00:44:10Damn, Fiti, look at it.

00:44:12There you have it.

00:44:13Hello good.

00:44:14Hi, Dad.

00:44:15Hi, Adri.

00:44:16I've been waiting for you for half an hour.

00:44:18Don't you have to make dinner for the kid?

00:44:19Yeah.

00:44:19Well, frying two eggs isn't the same to me either, or frying four.

00:44:22No, her father makes her dinner.

00:44:25Okay, fine, Dad.

00:44:26Sorry.

00:44:27I've gotten carried away having a beer with Afri.

00:44:29Oh, really?

00:44:29Well, there are very few problems now, huh?

00:44:31You haven't even had a day of peace and you're already foisting the kid on you.

00:44:34No, fuck, I'm sorry.

00:44:35Damn, I needed a break.

00:44:36Damn, this, this, this is not easy.

00:44:38For me it's a real pain, damn it.

00:44:42Come on, kid, come on.

00:44:43We're going to wash our hands before dinner, okay?

00:44:45Since you like plasticine so much...

00:44:49Well, the plastic one gives you nails that...

00:44:55Don't ever speak like that in front of your son again.

00:44:57But it's true, Dad, damn it.

00:44:58Overnight, it turns out I have a baby and my life has changed.

00:45:01Damn, this isn't fair.

00:45:03Okay, fine, it's unfair.

00:45:04It's a real pain, but that's how it is.

00:45:06What cannot happen is that the child pays the price.

00:45:07Damn, Raúl.

00:45:09You're a father and you have to deal with it.

00:45:10And I don't want to go, come on, not one more complaint.

00:45:13The child is yours, he's neither mine nor your aunt's.

00:45:15It's your responsibility.

00:45:16Is that clear?

00:45:17Is that clear?

00:45:21That's it.

00:45:23That's it.

00:45:33Well, that's it.

00:45:35My father is leaving.

00:45:36We'll put on a movie for Curro.

00:45:38So tonight is our good night.

00:45:42Come on.

00:45:47Let's see if it's true.

00:45:50And the doors.

00:45:52Hello.

00:45:53How are you?

00:45:53Hello.

00:45:57Dad, can you tell me what's wrong with the doors?

00:46:00The doors, I haven't told you about the doors.

00:46:03We have African termites.

00:46:05Yes, you know, global warming, which is a problem that causes pests to proliferate.

00:46:09I mean, there are plagues of voles, of African termites, it's terrible, terrible.

00:46:12But we bought a really good varnish and they'll stay like new.

00:46:15Yes, and that's why we have to remove them all at once, right?

00:46:18No, I'm saying it because we have a guest.

00:46:20Well, but the guest is practically family, right?

00:46:23Yes, indeed, that one right now is like family.

00:46:24And let's see, a united family can't go a month without doors.

00:46:27A month?

00:46:28One month, yes.

00:46:29What's happening?

00:46:30They also bring the varnish from Africa.

00:46:31No, no, no, no, no.

00:46:33But we're on the waiting list.

00:46:34Forgive me.

00:46:45Behave yourself, okay?

00:46:52Wait, our night is yet to break.

00:47:07What a sad house, daughter!

00:47:19The other.

00:47:20Well, well, from a ham holder.

00:47:23You're going to go there to the reception desk with the class that's there.

00:47:26That's your concept of etiquette.

00:47:28100% polyester label.

00:47:29Of course, man, with balls.

00:47:31Well, just kidding.

00:47:32I haven't changed.

00:47:34I'm not going to any of them.

00:47:35What are you saying, man?

00:47:36What are you saying?

00:47:36There's your brother, finally getting changed, happier than a clam.

00:47:41The day and the husband are reconciling.

00:47:43What did my little Lurdita tell me?

00:47:45Yesterday Ana heard them talking in the bathroom.

00:47:47Go ahead and hit me there.

00:47:48Hey, hey, hey!

00:47:49As?

00:47:49Hit it, hit it...

00:47:51They wouldn't be fixing a downpipe or anything.

00:47:54Pussy.

00:47:56Damn, of course, how come I didn't realize it before?

00:47:59Yesterday, yesterday, what, what, what?

00:48:01They heard noises coming from upstairs

00:48:03And I thought it was the neighbors, but it was this guy.

00:48:05It was the accent of the carioca who was there getting into trouble.

00:48:08What's so much about the bridge?

00:48:09And why didn't you tell me, knowing the state of the primacy?

00:48:11That's what I just realized now that you've mentioned it.

00:48:13Right now...

00:48:14What tie should I wear!

00:48:15The dark one, the light one!

00:48:21The dark one, Diego!

00:48:22The most elegant dark color!

00:48:26It's unfortunate, but this needs to be stopped now.

00:48:30That?

00:48:31That?

00:48:33Can I say no?

00:48:34Hey?

00:48:36I wanted to tell you something...

00:48:38First of all...

00:48:40One thing I wanted to tell you about Celia.

00:48:42No.

00:48:43I know, Fiti.

00:48:45I know, I know perfectly well.

00:48:48That I've been very pessimistic, very stubborn.

00:48:50Come on, I've just been stubborn.

00:48:51But I'll tell you one thing, I'm telling you all this with a lot of love.

00:48:54So, that...

00:48:56I admit that I'm in love.

00:48:57I'm going all in.

00:48:58I'm going all in, with enthusiasm, with optimism.

00:49:00I'm going all in, I mean, I'm going for it...

00:49:02But I just dive in there like...

00:49:02We have to start splurging, Diego.

00:49:04We shouldn't waste money.

00:49:05But why?

00:49:10Tie off.

00:49:11Tie off?

00:49:12Damn, yes, yes.

00:49:13What are you?

00:49:13It will take years off your appearance.

00:49:14Yes, yes.

00:49:14Much more informal that way.

00:49:15Yes, okay, okay.

00:49:17Santi, what are you doing dressed like that, man?

00:49:19For God's sake, go change your clothes a little.

00:49:21We need to project an image, a good image.

00:49:22A good image.

00:49:28Let me think for a moment, damn it.

00:49:30Let me think.

00:49:31We're not 100% sure.

00:49:32We're not sure.

00:49:33Maybe it was a farewell caliqueño.

00:49:35Well, isn't it?

00:49:36Why would we upset your brother?

00:49:39What if we're still not sure?

00:49:40We have to go there, to the dinner, and see how the Cariocas react.

00:49:43And that's it?

00:49:45Just to test the waters?

00:49:46What do you say?

00:49:47Test the waters and act.

00:49:53Here you go, gentlemen.

00:49:54No, no, no, we don't have any change.

00:49:56And if we're just here for the cocktail...

00:49:59Sir, these are the free lootings of the promotion.

00:50:01Ah, well, if that's the case...

00:50:03Okay.

00:50:05Thank you.

00:50:07Hey, look, did I tell you or didn't I?

00:50:12Hey, the first one hit me.

00:50:13The reunion, it's called the reunion.

00:50:15Okay, okay, don't panic, Santi, damn it.

00:50:17We'll see, we'll see.

00:50:18We need to test the waters first.

00:50:22I should have worn a tie, José Luis.

00:50:24Everyone here is dressed to the nines, man.

00:50:26Come see me, no, Diego, don't worry about that.

00:50:27Look how elegant, how distinguished.

00:50:29Oh, I laughed at the Cluny.

00:50:30It's going very well, you're going to be great.

00:50:35Up high, up high.

00:50:35Are you going to back down now?

00:50:36No, no, no, no, no.

00:50:38And what is that?

00:50:39No, no, this is...

00:50:40Ah, advertising nonsense.

00:50:43Come on, let's go, let's go.

00:50:44Where to?

00:50:45Well, something like that.

00:50:55Diego, what are you doing here?

00:50:58Hey Diego, it's great that you've come.

00:51:00Yes, here we are, here we are.

00:51:02Look, Estelia, let me explain that your Darío has invited us.

00:51:06Look, look, let me introduce you.

00:51:07Yeah.

00:51:08Miguel Botea, Pedro Montero, my editors.

00:51:11Go on.

00:51:11Delighted, Diego Serrano, Santiago Serrano, businessmen, delighted.

00:51:15Hey Chu, what's up?

00:51:16How many of us are entrepreneurs?

00:51:17From the world of letters as well.

00:51:19No, no, no, we're more into ham.

00:51:22Come on, we're tavern owners.

00:51:24Yes indeed.

00:51:25Let my brother tell him.

00:51:26Come on, we don't miss a single accent mark in the letter, not one, okay?

00:51:31It has the best ham in Madrid.

00:51:34Isn't it annoying, Lia?

00:51:35Yes, yes, he's the best.

00:51:36I think they've given you my novel.

00:51:38I haven't had enough time to talk about the novel.

00:51:40What's it about?

00:51:41We were wondering what it was about.

00:51:42Well, basically it's the story of a son who disowns his father.

00:51:46But over time he realizes that he was right.

00:51:49On the back it has...

00:51:52What is this?

00:51:57No, no, I don't know, I swear.

00:51:59It was already there, the book came like that.

00:52:00No, no, no, I swear, it came like that.

00:52:02Me, me.

00:52:03It was me, it was me, Darío.

00:52:05It always happens to me with bowling, I start, I start, I get caught up in it, I start with the little mustache.

00:52:09No problem.

00:52:10That doesn't also apply to giving away a pen.

00:52:13Ah, wait a minute, wait a minute.

00:52:15I'm going to greet Carmen, the former Minister of Culture who just arrived.

00:52:18Do you agree?

00:52:19Yeah.

00:52:23Carmen.

00:52:24Danilo, wait, I'll go with you.

00:52:29You're not helping like that, Fiti.

00:52:30That's not helping me.

00:52:31No, you're not helping me.

00:52:32I mean, you do your thing and that's it.

00:52:34Hey?

00:52:34And find your niche and...

00:52:36Come here for a moment.

00:52:37Come here.

00:52:47This guy confuses me.

00:52:48And the same thing happens to me.

00:52:49Look, I have training in nonverbal communication, but I see that his arms say

00:52:52One thing, and her eyes say another.

00:52:54I have the same problem.

00:52:56Come on, he doesn't have a fucking clue.

00:52:58I have no fucking idea.

00:52:59Well then, come on, let's go to the pretty boys.

00:53:01Come on.

00:53:02Come on, I'll take the duck from you.

00:53:03It's cold.

00:53:04Is it cold now?

00:53:05We have filled and emptied the bathtub three times.

00:53:09It's nice and warm, man.

00:53:10If you're going to get fried.

00:53:11Come on, let's go.

00:53:12Come on, come on.

00:53:13Into the water!

00:53:15No, it's cold.

00:53:17I never take a bath anymore.

00:53:20Okay, okay, okay.

00:53:23I can't, I can't take it anymore.

00:53:27Africa.

00:53:31Friend.

00:53:31Already.

00:53:32Hey.

00:53:38Well.

00:53:41So, what then?

00:53:42How's everything going?

00:53:43Good?

00:53:44Yes ok.

00:53:45It seems the presentation is going well.

00:53:47Yes, yes, yes.

00:53:48That's ok.

00:53:49The presentation has to be good.

00:53:51Then you sign the book for Diego.

00:53:55A charming guy.

00:53:56Don't you think so?

00:53:57Yes, yes, Diego.

00:53:58Charming.

00:53:59Well.

00:54:06That?

00:54:07That?

00:54:08Okay, Dario.

00:54:09No beating around the bush.

00:54:12You...

00:54:13You with the girl...

00:54:15Hey?

00:54:16What are you going with her for?

00:54:16Are you serious?

00:54:18EITHER...?

00:54:20Who?

00:54:21Don't get sidetracked.

00:54:23That you were doing well.

00:54:24I'm going to tell you two things, okay?

00:54:26And you tell me the first thing that comes to mind.

00:54:30One.

00:54:31Bathroom.

00:54:32Two.

00:54:32Celia's House.

00:54:33What do you say?

00:54:35As...

00:54:35How do you know that?

00:54:37Well, because in Santa Justa the walls...

00:54:39Well, they talk.

00:54:40Yes, I see.

00:54:41But there isn't much privacy here.

00:54:42Well.

00:54:43We don't like to involve you in people's lives.

00:54:45But in this case, yes.

00:54:47That Diego is in love with her.

00:54:49Well.

00:54:49Now, I've already told you.

00:54:51Diego...

00:54:52In love with her?

00:54:53How so?

00:54:54And without wanting to know the details.

00:54:56About the bathroom.

00:54:57Was that a...

00:54:59A farewell calico?

00:55:01Hey...

00:55:02Caliqueño de...

00:55:03Of...

00:55:03To remove the pruning.

00:55:04But I had no idea.

00:55:05From removing the bark from me.

00:55:05Now that I'm wasting my time.

00:55:07Darius, king.

00:55:09Hey...

00:55:11Caliqueño.

00:55:12Farewell powder.

00:55:15No?

00:55:17What if you say goodbye to each other?

00:55:20Do you love yourself more?

00:55:21EITHER...

00:55:22Or he doesn't want any more.

00:55:24Very stuffy.

00:55:25Adalago, yes.

00:55:26Carota.

00:55:27That?

00:55:28Ah, ah.

00:55:30Ah, ah.

00:55:30Ah, yes, of course.

00:55:32That?

00:55:33Yeah.

00:55:34I understand, yes.

00:55:35AND?

00:55:35Okay, yes.

00:55:37Yeah...

00:55:37If Diego is in love.

00:55:40Ah.

00:55:41That's fine with me.

00:55:43Ah.

00:55:43I'm leaving.

00:55:44Okay, okay.

00:55:45Good.

00:55:46Okay, she gave it.

00:55:47Good.

00:55:47Well, now, as soon as you have a moment, okay?

00:55:50You tell her.

00:55:51That's just how women are.

00:55:53Movies are made.

00:55:54Movies are made.

00:55:56Hey?

00:55:57Okay.

00:55:58Okay.

00:56:01Well, then you know.

00:56:03Once you're outside,

00:56:03Lower the blind to activate the lock.

00:56:05Yes, it will automatically lock.

00:56:06Then, when they want to go out, they call me and I save them money from outside.

00:56:09You told me a thousand times.

00:56:09Stay calm.

00:56:10That's it.

00:56:13What are you doing, right?

00:56:14Look, these little pochitos have really good pincers.

00:56:16And with a can, I don't even need to tell you.

00:56:18Hey, I wrote myself off about having to wait outside all night.

00:56:20Come on, but hurry up.

00:56:21Okay, don't be a cheapskate, see?

00:56:25Sleep well.

00:56:35Well, now we're alone.

00:56:39Finally.

00:56:44What? What? What?

00:56:45Uh, there was a little problem, a tiny little one.

00:56:48Okay, what's the problem?

00:56:51Hey...

00:56:51I think I left my keys inside.

00:56:56Well, I don't give a damn about anything, I don't give a damn about anything, I don't give a damn about anything.

00:56:59My father is going to escape me, but if you're crazy, fine, right?

00:57:01I mean, look, I'm not beating you up because I can't go out.

00:57:03But I'm so pissed off.

00:57:05Are your friends kind of clumsy, or what?

00:57:08Yeah.

00:57:09Now, come on, get lost already.

00:57:11Bye bye.

00:57:12Leave?

00:57:12Yeah.

00:57:19Well, but...

00:57:19For those who stay up all night, right?

00:57:26Guille!

00:57:27Guille!

00:57:28What? What?

00:57:29Listen, there was a small setback.

00:57:32I don't know if I'm making myself clear.

00:57:34What a minor setback!

00:57:35I kept the condoms.

00:57:45I'm taking two because I'm with someone.

00:57:47Thank you.

00:57:53Celia.

00:57:55A canapé?

00:57:56I've been told they're top-notch, especially these ones with a little bit of caviar.

00:57:59No, thanks.

00:58:00Yeah, I'm not hungry anymore.

00:58:03Of course, you've already had dinner.

00:58:05Man, Diego, what a surprise.

00:58:07Hi, Ana.

00:58:08How are you?

00:58:09Well, that's all we needed.

00:58:12Well, I think I'd better go get a drink and separate because, of course, we look like twins.

00:58:17With differences.

00:58:19Yes, many.

00:58:21And how's that going, Diego?

00:58:23Good.

00:58:23Here, take a gift.

00:58:24That one is dedicated.

00:58:25It's...

00:58:25Ah, that...

00:58:26Sorry.

00:58:28What a thoughtful touch.

00:58:28Thanks a lot.

00:58:30I've read the back cover and...

00:58:31And I found it very realistic because...

00:58:33I'm going through something similar with my kid, aren't I?

00:58:36It's like this, like this...

00:58:37I'm glad you like it, Diego.

00:58:39Are you going to forgive for a second?

00:58:40Yeah.

00:58:40Yes, mate, we're going to take some photos.

00:58:42Of course.

00:58:52Are you ready?

00:58:53I'm glad, you know?

00:58:55I'm happy to see how much they love each other, even though they're separating, but I'm happy.

00:58:58Yes, yes, that's fine.

00:58:59Alright?

00:58:59Okay, okay.

00:59:00Yes, I'm going, I'm going.

00:59:02Surely.

00:59:05Well, you son of a bitch.

00:59:07And with half-fifths you won't get anywhere.

00:59:09He's not going to any of them.

00:59:10No, that's fine.

00:59:13We're not doing well.

00:59:15This isn't going well.

00:59:16Come on, we're here.

00:59:17We tell my sister what's up.

00:59:19Come on, we're here.

00:59:20What? How are you going to say it now?

00:59:22With the empty stomach he has.

00:59:23Hey, tomorrow, after a little toast, because I never jump.

00:59:27Excuse me, excuse me.

00:59:35Don't be impressed, it's not that big of a deal.

00:59:37No, woman.

00:59:39It doesn't impress me.

00:59:40No no.

00:59:42They're a bit like they're from another world.

00:59:45Come on, it's not my world, is it?

00:59:46But not.

00:59:46No, lots of style, but little substance.

00:59:48I'm telling you.

00:59:50Yes, you think so.

00:59:52I believe.

00:59:53You're worth a lot.

00:59:58How are you, Diego?

01:00:00Okay, okay, okay, okay, here, well, settling in.

01:00:04This is all a bit heavy.

01:00:05A little heavy, but good.

01:00:06We're getting closer.

01:00:08We're getting closer.

01:00:13Come on, let's wash our hair, shall we?

01:00:17Let's go.

01:00:18Careful, okay?

01:00:20Be careful with your eyes.

01:00:21Be careful with your eyes.

01:00:21What are you doing?

01:00:22Be careful with your eyes.

01:00:22No, wait, I'll get it out for you, I'll get it out for you.

01:00:24Get out of here.

01:00:24Okay, Adri, calm down.

01:00:26No, that's it, that's it.

01:00:28It doesn't sting anymore, does it?

01:00:31Better?

01:00:32See how great that is?

01:00:33Give me a little kiss.

01:00:37Hey, tell me how many laps this submariner does.

01:00:41Where is?

01:00:42Well.

01:00:46Raúl, please relax a little bit, come on.

01:00:48I can't, aunt, I can't, I'm not ready to be a father.

01:00:51Africa, I'm scared shitless, damn it.

01:00:53Yes, I know.

01:00:59Hey, what's this about social issues?

01:01:03Nothing, Raúl.

01:01:04Africa, please, I just want to be informed.

01:01:07Really.

01:01:08Honestly, Darío, I can see you're very knowledgeable about these two children.

01:01:11And you're not a father?

01:01:12Well, there's always documentation, observation.

01:01:15I am not a father, but I have been a son.

01:01:16That's one thing, why don't we continue the conversation somewhere else?

01:01:19I know a place that gives away meat.

01:01:21For good meat, look no further than what they put on a rolling pin in Rio.

01:01:24When you come, I'll take you.

01:01:25Well.

01:01:26Well, I think it's getting late, I'll have a drink and go home.

01:01:30Oh, what? You're leaving, Celia?

01:01:31Yeah.

01:01:33Well, yes, then...

01:01:34Okay, so we'll end the conversation.

01:01:36How can we just leave it there, darling?

01:01:38Cheer up!

01:01:38Uh, no, I'd rather go home.

01:01:40Stay if you want.

01:01:42Bye bye.

01:01:43Until.

01:01:43So far.

01:01:44Oh, well I'm leaving.

01:01:46Because my heels are killing me, you know?

01:01:48If not, have a good time.

01:01:51Chatungas.

01:01:51Inside, yes, I understand you.

01:01:52Okay, I'm coming with you, what?

01:01:54We're not going to be three together, because the truth is...

01:01:55That?

01:01:56We are focused on what we are focused on, we are not focused on what we are focused on.

01:01:58Kid, come here.

01:02:00Let's see, if not, then eight laps around the girls.

01:02:02I've heard that you're in love.

01:02:04Well, don't worry about her.

01:02:09That's no problem for me.

01:02:11Darío, frankly, this...

01:02:12So, who told you that?

01:02:14Because it's very embarrassing for me when you say this to me.

01:02:17No, no, no, no, don't worry, really.

01:02:19Who is Vía Libre?

01:02:22Thank you, Darío.

01:02:24Thank you so much, really.

01:02:25You are a person...

01:02:26Thank you.

01:02:27Mother, who gave birth to me...

01:02:28Hey, this guy doesn't take prisoners.

01:02:30No no.

01:02:31Come on, here comes that face, man!

01:02:33Man, damn it, let's burn Madrid down with Darío!

01:02:35Come on, fuck it!

01:02:36Come on, come on, come on!

01:02:40Come on, Santiago, please.

01:02:41How is it here on the right?

01:02:42And then to the first one on the left.

01:02:43Okay.

01:02:44Don't mess with me.

01:02:46Pussy.

01:02:46What am I doing with my life?

01:02:48The flat tire.

01:02:49Pussy.

01:02:49Changing tires all day long, huh.

01:02:50Today, since I'm going to Punta Blanco, it's my turn too.

01:02:54Okay, okay, it's fine, he'll get it.

01:02:56That way I forget a little about so many protocols.

01:02:58No, no, no, Dario.

01:02:59No, no, don't allow it.

01:03:00He doesn't succeed.

01:03:02I can't get it.

01:03:03No, sir.

01:03:04No, no, no, no.

01:03:05I don't consent, that's it.

01:03:06No.

01:03:06Again, here's the spare tire.

01:03:08Darío, thank you.

01:03:12That?

01:03:14Dario.

01:03:16I don't know if that cat is properly shod, huh.

01:03:18No, no, no.

01:03:19That's fine thanks.

01:03:20But we must be careful, because we can't know everything.

01:03:24Wait a minute, excuse me, Dario.

01:03:25Wait a minute, sorry.

01:03:27I'm going to tell you.

01:03:29What's happening?

01:03:30What's happening?

01:03:31Damn, I have the instruction manual open right there, for the microwave, and it's in Spanish.

01:03:34And you do nothing but curse.

01:03:36Brother, the instruction manual is pirated.

01:03:41Already.

01:03:42I know what's going on.

01:03:46You're all three of you.

01:03:50Little fluff, little fluff of the Sando Can, little fluff.

01:03:53Yes, yes, yes, you see that he's a decent guy and you don't accept it, because you don't accept it.

01:03:57Brother, he's not all he seems.

01:03:58Look, do you know what his name is?

01:04:00That's what a goalkeeper is, all three of them.

01:04:02A goalkeeper.

01:04:02Us?

01:04:03A goalkeeper, yes.

01:04:03You're always messing things up for me, always.

01:04:05First the embarrassing photo, then the whispers.

01:04:07No, you guys have him in your sights, that guy.

01:04:08I'm telling you, he's a decent guy, he's a down-to-earth guy, he's a kind guy.

01:04:11A plain guy is a guy who slept with Celia.

01:04:13Leave yourself here!

01:04:18Well, Melurditas told me, but we didn't want to tell you, so as not to upset you.

01:04:26But since you've gone off on a tangent, well, we've already told you.

01:04:30Diego, why did you spill the bar of soap and bend down to pick it up, with me?

01:04:37Is what you're telling me true?

01:04:44Thank you!

01:04:47Thank you!

01:05:00Good morning.

01:05:01Good morning.

01:05:02Hey, have you guys seen Dario?

01:05:06I don't think he came home to sleep tonight.

01:05:08Seriously, this guy.

01:05:09He has a book signing in two hours and he hasn't arrived.

01:05:13Well, I don't want to be alarmist, but you never know what might happen, José Luis.

01:05:24Yes, hello?

01:05:26Yes, yes, yes, I am his wife, he is my husband.

01:05:30As?

01:05:32Am I going there right now?

01:05:33Yeah.

01:05:34What's happening?

01:05:35Oh, I don't know, from the hospital, Darío is there.

01:05:37What? But why?

01:05:38I don't know, maybe he's had some kind of trauma, I don't know what, they haven't told me exactly.

01:05:41I'll call you later.

01:05:42Holy shit!

01:05:44What bad luck, just when they were coming back.

01:05:48As?

01:05:49So, all this talk about divorce, all this talk about divorce, but what a party they had the other day in the bathroom!

01:05:55In the bathroom?

01:05:56How do you hear that?

01:05:57And her?

01:05:58An ordinary woman, some shouts.

01:06:00He must have been so hungry.

01:06:03No, no, no, no, look, no, no, no, the one who was in the bathroom

01:06:06Another day she wasn't Celia.

01:06:07No, I'm telling you this because Celia was outside.

01:06:09Well, let me see, how can I explain it to you?

01:06:11It was you.

01:06:14I was in the bathroom and then he came in, he came in, we crossed paths and well, one thing led to another

01:06:19and the usual.

01:06:21Oh, God!

01:06:25Hey, I screamed so much.

01:06:34Family of Darío, do you want it?

01:06:37Yes, yes, us.

01:06:39Well, family, no, friends, acquaintances.

01:06:42We just put the cast on him and we can now discharge him.

01:06:46Which company are they coming with?

01:06:47And go ahead, with us.

01:06:49No, Santi, Santi, medical company.

01:06:52I am Darío Crecí's wife, what happened to him?

01:06:55Nothing, nothing, don't worry, Celia, nothing has happened.

01:06:57I mean, a minor mishap, but it's okay, what a guy.

01:07:00Well, he has several metacarpal fractures, two of them spiral, in his left hand.

01:07:05He has four scaphoid fractures in his right hand and, well, no tendons are affected.

01:07:09But he's going to have to go a while without using his hands.

01:07:12But come on, doctor, I'm not a pianist either...

01:07:14Doctor.

01:07:16Excuse me, pardon me.

01:07:16Yeah.

01:07:17Diego, please, can you tell me what happened?

01:07:20Well, we were going to get in the car and there was a flat tire.

01:07:23I, of course, offered to change the tire, but Darío insisted...

01:07:26But, but, don't you know he has a book signing today?

01:07:28Yeah.

01:07:29And well, that's the least important thing, let's see how it turns out.

01:07:31You can already hear the doctor saying that if the tendons are fine, then there's no problem.

01:07:35For...

01:07:35I'm so sorry, Celia, I really am.

01:07:38And besides, I feel especially sorry for him because he leaned against me in the car, right?

01:07:41What do you mean you leaned on the car?

01:07:42The cat jumped, Celia.

01:07:44No, he gave the car a little tap and the jack jumped out, which wasn't very well positioned, because

01:07:47TRUE.

01:07:48It was a two-way street, an accident.

01:07:49Look, Diego, honestly, I'm fed up with your excuses.

01:07:53Let's see, Celia, one thing.

01:07:55If we're being picky about the little bump he gave the car, I have to tell you that the bump was

01:07:58Because of you.

01:07:59Yes, because I don't hide like you do.

01:08:01As?

01:08:02That I don't hide, just like you don't hide.

01:08:03No, yes, what you heard, no, you heard it perfectly.

01:08:05In other words, I'm upfront and honest.

01:08:08You know what I'm saying, Diego?

01:08:10This is as far as we've come.

01:08:16Diego.

01:08:19Come on.

01:08:20Come on.

01:08:23Luis.

01:08:24Come, come.

01:08:25Come on.

01:08:27Come on.

01:08:32In there.

01:08:34Oh!

01:08:36I told you, or didn't I tell you, brother.

01:08:39We would have been better off staying home and keeping an eye on the sane ones.

01:08:43Tell me something, brother.

01:08:45What are you doing there?

01:08:47Hey?

01:08:49Come here.

01:08:49What are they going to do?

01:08:51To defile the holy saint of the tavern.

01:08:53They're stealing the keys.

01:08:53And the defiled one.

01:08:54No, no, Dad, no.

01:08:55Out of my sight.

01:08:58Dad, please.

01:08:58Get out of my sight, now.

01:09:20Pau, I'm sleepy.

01:09:22We're leaving now, okay?

01:09:24That's all.

01:09:25Thank you.

01:09:26Thank you.

01:09:28Thank you.

01:09:32Did you want something?

01:09:38Yeah.

01:09:41And where could this man have gone?

01:09:43Without a battery, what will happen?

01:09:47What about you?

01:09:48Don't you know how to call?

01:09:50Don't you know how to call?

01:09:51Choni.

01:09:52No, neither Choni nor Chona.

01:09:54Last night, what happened during this ordeal?

01:09:56Man, for God's sake, I didn't sleep a wink all night.

01:09:58Listen, little one.

01:10:00No, leave her alone.

01:10:01Leave her alone, she won't, she won't...

01:10:03What about her?

01:10:03All night at the disco.

01:10:05All night at the disco.

01:10:05What's wrong, can't I go?

01:10:07Well, this time you're wrong, Choni.

01:10:09Listen to him.

01:10:10Look, I'll tell you.

01:10:11Has Celia's husband had an accident?

01:10:14What do you say?

01:10:15But is the boy alright?

01:10:16Well, considering he doesn't play piano in the disco, then...

01:10:20And where are Raúl and the child?

01:10:22I don't know, they're probably sleeping.

01:10:24At what hour?

01:10:25He really doesn't learn.

01:10:26I told him to wake up.

01:10:28Let's see.

01:10:29Don't you know how to give me a quick call, my son?

01:10:30I've been suffering all night.

01:10:32I won't have a battery, my daughter.

01:10:34I don't know.

01:10:35What, they're not there?

01:10:36Well, what do I know, Fiti?

01:10:37I got up a while ago, I didn't see him.

01:10:42Listen to me, you always carry it without carrying it.

01:10:44You have the name, good.

01:10:45Hello.

01:10:46Hello.

01:10:46How are you?

01:10:46I'm leaving, I'm late.

01:10:47Hello.

01:10:48Hey, is Raúl there?

01:10:49No, Raúl is there.

01:10:50And I'd like to know where he is.

01:10:55Is something wrong, Africa?

01:10:56Uh, no, no, no.

01:10:57Well, let's see, I don't know.

01:10:58He called me yesterday and I went downstairs to talk to him because he was tense.

01:11:02Was...

01:11:03What do you mean he was tense?

01:11:04Well, he was very overwhelmed by the situation.

01:11:06And well, we were talking, the topic of social issues came up and...

01:11:11Oh, he's been given up for adoption.

01:11:13Oh, Josico, come on.

01:11:15Strip.

01:11:16Come on, come on.

01:11:18That's great, that's great.

01:11:20What a night, what a night, what a night.

01:11:23What a night.

01:11:36Arrive.

01:11:37It went well.

01:11:45That?

01:11:46I can see you're not very close by.

01:11:51Well no.

01:11:53Do you know why?

01:11:54Because every time I open my mouth, I screw up.

01:11:56Yes, with Guille, with Celia, with you, with everyone.

01:12:00Already.

01:12:00He sensed that your approach with Guille hadn't worked out, right?

01:12:05That it hasn't worked.

01:12:08In the end they ended up doing it here in the tavern.

01:12:10Yeah.

01:12:11In the back room, more specifically.

01:12:12Well, what difference does one place make over another?

01:12:14Already.

01:12:16We already talked about it.

01:12:16It was already a lost battle.

01:12:18Yes, yes.

01:12:18All that has happened is that Guille has taken a step in his growth, nothing more.

01:12:22Yes, that's right.

01:12:24Hey, something like that.

01:12:25And what about your line with Celia?

01:12:27That?

01:12:27Know?

01:12:28With Celia.

01:12:29Yeah.

01:12:30Do you know what metacarpals are?

01:12:36Where have you been?

01:12:37Below.

01:12:38Because of the coffee, which...

01:12:39Where is the child?

01:12:42The child, the child...

01:12:43Yayo!

01:12:45Oh, my little pearl!

01:12:49Oh, my little pearl!

01:12:50Come with your aunt, I'll make you milk and cookies.

01:12:54What's happening?

01:12:55What do you mean, what's wrong, Raúl?

01:12:56We talked to Africa and it almost gave us a heart attack.

01:13:04I've lost my mind, Dad.

01:13:07He's about to do something stupid, damn it.

01:13:11Then, I reconsidered and...

01:13:14Okay, that's it.

01:13:15That's it, Fiti, that's it.

01:13:17Solved, huh?

01:13:18Okay, everyone to bed.

01:13:20Oh, my God.

01:13:25But what were you thinking, son?

01:13:26For God's sake.

01:13:28It's that I can't, that...

01:13:30Fuck.

01:13:31I'm so alone with all this shit.

01:13:35Fuck.

01:13:36Fuck.

01:13:37Well, me too...

01:13:39I've gotten close, I've gotten close with the issue of facing it, so much facing it.

01:13:43And that I have failed you, son.

01:13:45Damn it...

01:13:45Yes.

01:13:46No.

01:13:46Here's your family, huh?

01:13:48Let it be clear that your family is here for whatever you need.

01:13:50Yes, I already know, Dad.

01:13:51Yes, I know, but...

01:13:52Look at me, look at me.

01:13:53My fucking idea of life and suddenly you're...

01:13:56A son.

01:13:57Well, you.

01:13:58I have that recorded here.

01:13:59I'm taking it slow.

01:14:02Of course, Raúl.

01:14:04Please, but if only...

01:14:05Let that sink in and get it through your head already, man.

01:14:07You realize it over time.

01:14:09About what...

01:14:09Being a father is...

01:14:11Well, one of the best things that can happen to you in life, damn it.

01:14:15Well, when I say one, I mean...

01:14:16Damn, the best.

01:14:18Yeah.

01:14:18Come here, give me a hug.

01:14:21We're here, son, okay?

01:14:23I already know what the tiger has looked at.

01:14:26I shit on death.

01:14:29But hey, how did you become so clever?

01:14:31Hey?

01:14:32Hey?

01:14:36Can?

01:14:39Okay, Guille, son, I want to talk to you.

01:14:41Let's see.

01:14:42No, then speak.

01:14:43You're at home.

01:14:44Well, I think that's what you're going to tell me.

01:14:46Three months of punishment in my room without going out and you passing my food under the door, right?

01:14:51Oh, no?

01:14:52There are no doors.

01:14:55Okay, let's see.

01:14:56In other words, there is no privacy in this house.

01:14:58No, no, I'm saying it.

01:14:58I understand the children, Carmen, but please, do me a favor.

01:15:01No, no, I just came to ask what you'd like to eat.

01:15:05Now, now, now.

01:15:05Because this tea has stayed.

01:15:06I'll mention it now, I'll mention it now.

01:15:07TRUE?

01:15:08But I've been so annoying.

01:15:12Look, Guille, I'm not going to lie to you, okay?

01:15:15But I have felt betrayed.

01:15:17Yes, no, let me speak, let me, because...

01:15:20I'm already on board.

01:15:20And if I stop, well, I don't know how to continue.

01:15:23What had to happen, had to happen.

01:15:24And I am nobody to prevent what had to happen.

01:15:26Because if it had to happen, it had to happen.

01:15:28Because there's very little left.

01:15:29Listen to me, please, just for a second.

01:15:31I agree with you.

01:15:32Yes.

01:15:33You're older now.

01:15:34And I'm not the one to get involved in a series of issues.

01:15:36I accept it.

01:15:37I accept.

01:15:38I can't get involved in those matters.

01:15:39But we didn't do it.

01:15:41What do you mean you didn't do it?

01:15:43Didn't you do it?

01:15:46Good, Guille.

01:15:47Very good.

01:15:48That's what you have to do in life, my son.

01:15:50Think things through twice and listen to your father.

01:15:52So, when you're older, we'll talk about this same thing.

01:15:54Yes, when you're older, because you're still little.

01:15:56This is incredible.

01:15:58Guille.

01:16:03What did I say, Carmen?

01:16:04Because I was...

01:16:04What did I say?

01:16:05No, because I was thinking about what I was saying

01:16:07And I haven't said anything that could offend him.

01:16:08Diego, you're so old-fashioned, really.

01:16:11Excuse me, Carmen, but I would have liked to see you 30 years ago to see how modern you were.

01:16:14You're right about that.

01:16:16Of course I'm right, because here everyone...

01:16:18What happened to you, son?

01:16:19What do you have there?

01:16:19Sorry.

01:16:20No, nothing, nothing.

01:16:20It was an elbow while playing football.

01:16:22Already.

01:16:23Well, be careful, Curro, son.

01:16:24Be careful.

01:16:31He bites his tongue, remember.

01:16:33And then directly into the eyes.

01:16:35Very good.

01:16:37That cat was wearing bad shoes.

01:16:38He was wearing the wrong shoes.

01:16:39Don't beat yourself up anymore, Diego, man.

01:16:41That guy was asking for it, he's a smart one.

01:16:44A clever person is what he is.

01:16:45He deserved it.

01:16:46He deserved it, that's all.

01:16:47Man, you've been making fun of yourself to your face all night.

01:16:50Yeah.

01:16:50The disgusting uncle.

01:16:51Come on, I've never seen meat or worse in my life.

01:16:53Come on.

01:16:53All night long without stopping.

01:16:55Just a moment, we'll attend to you right now.

01:16:56Let's see, so, I do...

01:16:58Come on, I think I...

01:16:59I stood where I was supposed to stand with Celia.

01:17:01I think that...

01:17:02That's not even her name; she's been playing with you to keep you in the bedroom.

01:17:05And what has he done?

01:17:06What did he end up doing?

01:17:06And he met the first Brazilian he had ever encountered.

01:17:08Hey, can you listen to me for a moment, please?

01:17:11Okay, just a moment, girls.

01:17:13Now pay attention.

01:17:14You've been quite refined and elegant.

01:17:16To what you could have said.

01:17:17Come on, I'll give him two good whacks.

01:17:19Even if I have to stand on a stool.

01:17:20Okay, can you listen for a moment, please?

01:17:23Step by step.

01:17:24Already.

01:17:26Wouldn't it be better if Africa explained it?

01:17:27That probably explains it much better.

01:17:31No, come on, it's nonsense.

01:17:37No, we're not going to give it to him either.

01:17:38Greater importance.

01:17:40What happened?

01:17:41What happened?

01:17:41Nothing, no.

01:17:42The one who slept with Darío...

01:17:47It was me.

01:17:51I'm coming, Ana.

01:17:52Go.

01:18:05The information needs to be verified before...

01:18:08Well, look who's talking now.

01:18:09It needs to be verified, because otherwise what happens, happens.

01:18:11With the symphonic boat.

01:18:12Who are you for, for example?

01:18:15And now look at how he is.

01:18:16I did it with the best intentions, Diego, please.

01:18:18Do you know who messed up here?

01:18:21Your saint.

01:18:22Yes, your saint.

01:18:22You have to see me, my sister.

01:18:25They're there all day.

01:18:27Seek me, as the night seeks the morning.

01:18:30Oh, how hard, how hard, how hard, how hard, how hard.

01:18:32Estelia is free with a taxi.

01:18:34He's free.

01:18:34It's important that we talk.

01:18:42I can't believe it.

01:18:44Curro, look me in the face.

01:18:47Have you gone too far, Curro?

01:18:49Curro, where are you going?

01:18:50Here I'm going to meet the Camelo family.

01:18:51Look how my midsection is getting all tingly.

01:18:53Choni, Choni, for God's sake, you're not here.

01:18:54Are you only a minute away?

01:18:56Choni, no!

01:18:57Estelia is about to fool around.

01:18:58And Diego, directed.

01:19:00Diego?

01:19:01Royal cause?

01:19:02Never fear.

01:19:03What are you hiding from?

01:19:06Go away, what's the date for today?

01:19:08Not yet, okay?

01:19:10Well, what can you count on me for?

01:19:12I've noticed he's been acting a bit strange lately.

01:19:14You're going to school right now, period, because I say so. Enough of this nonsense.

01:19:17No, Dad.

01:19:17This is Ángeles, my singer from Camila.

01:19:20And this is me with my foster father.

01:19:22Anything else?

01:19:23Anything else?

01:19:24Anything else?

01:19:25Stop, stop!

01:19:27Angeles, she stopped me.

01:19:28Speaks.

01:19:30We are sisters.

01:19:31That's it, I mean, good, well, no, frankly no, yes.

01:19:34Very good.

01:19:36Look, I'll hold it and you put it in.

01:19:37Hey?

01:19:38Are you becoming a vandal?

01:19:39There's a kid who's taking my things.

01:19:41Give me the kid's name right now, and I'll go to the school and punch him in the face.

01:19:45I'm practically without tools.

01:19:46Having my age in front of crises all day long and not being able to...

01:19:50Ah!

01:19:51Okay, so you do it like that?

01:19:52Pig, coiso, the whole snack in the open air.

01:19:55Oh my God, Ana!

01:20:02Don't revel in misfortune, brother.

01:20:04Look at the fruit.

01:20:05I remember now, you'll see.

01:20:06Celia!

01:20:07Celia!

01:20:24Celia!

01:20:25Celia!

01:20:26Celia!

01:20:27Celia!

01:20:28Celia!

01:20:29Celia!

01:20:30Celia!

01:20:31Celia!

Los Serrano - 7x02 - La intimidad es una puerta cerrada - HD 1080

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