- hace 2 días
La relación entre Carmen y Francisco es cada vez más estrecha, pero nadie a su alrededor parece conforme con ello. Francisco le pide a la madre de Lucía que formalicen su unión a través del matrimonio, algo que Carmen acepta encantada. La tranquilidad de la pareja se rompe cuando a Francisco vienen a reclamarle una antigua deuda, por lo que tendrá que intentar reunir el dinero que debe antes de que sea demasiado tarde. Diego, Fiti y Santiago preparan una escapada para irse a pescar. Cuando la salida es inminente llega el ex de Lucía. Fiti le reprocha a su amigo que se marche de casa dejándole el camino libre a Sergi, pero aunque con dudas, Diego decide no variar sus planes. Las dudas no dejan tranquilo a Diego y vuelve a casa antes de lo previsto. Boliche ha perdido su perro y está dispuesto a cualquier cosa para recuperarlo. Sus amigos quieren echarle una mano en la búsqueda; todos creen que está en el cementerio y van hasta allí. Los chicos no resultan tan valientes como cabía esperar y se convencen de que están compartiendo espacio con un vampiro.
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00:00:00Every year my father, my uncle, and Citi spend a weekend in the mountains fishing.
00:00:16I think it's a great idea, but my grandmother and Candela think going fishing is just another old thing.
00:00:22Just another excuse to go around like a gorilla gang.
00:00:25The fishing rod is so close to the point of seeing the trout disappear in all its risks.
00:00:30But come on, look at the linden trees, what are you trying to fool?
00:00:33We all know you guys can't even catch a measly cold.
00:00:36Show some respect, girl, here's the Tinedine Zidane of spoon fishing.
00:00:40Yes, woman, yes. Wasn't it Citi who caught that turbot in the Pyrenees?
00:00:46Exactly, ma'am. It took me two hours to get it out, what?
00:00:49I'm not going to stir up trouble, ma'am. You have no peace. We have to live.
00:00:54Turbot is bad, man, really bad. Are you sure?
00:00:58I don't know, I'd probably swim upstream like salmon.
00:01:00Maybe it's true that men are boastful and that they love to have fun without women in a gorilla-like gang.
00:01:07But it is also true that women's greatest pleasure is criticizing and laughing at men.
00:01:12And what did I receive?
00:01:13Yes, but I wasn't there that day.
00:01:15Well, I'll tell you that it was arriving.
00:01:17But was that a salmon or a Tyrannosaurus rex?
00:01:20Oh, thank you so much!
00:01:21Help me, please. It boasts ostentatiously of what it lacks. Nine letters and it starts with bread.
00:01:27A braggart is someone who exaggerates things a little.
00:01:30And that doesn't seem too bad when you're talking about fish.
00:01:34But when it comes to talking about oneself, things change.
00:01:37Because one can believe oneself to be more and better than one actually is.
00:01:40More modern and less civilized, for example.
00:01:43And that, in the end, almost caused my father a lot of trouble.
00:01:48A station platform, under the blazing sun.
00:01:51You were talking about a skyscraper in the sky of New York.
00:01:55Come soon to see the sea and send a postcard.
00:01:58I already knew that day was the end.
00:02:02Now I have much more.
00:02:05Red, black, stop and even.
00:02:08Finally, luck brings an ace and a crystal to look through.
00:02:11And a wall to hang it on.
00:02:13That's how she looked, smiling in a passport photo.
00:02:17My stories were not about tales made by chance.
00:02:22Nobody told me that destiny was giving me this opportunity.
00:02:29One plus one equals seven.
00:02:34Who would have thought?
00:02:37That it was so easy to be happy.
00:02:43No.
00:02:45No.
00:02:46No.
00:02:59No.
00:03:00and fish a lot, if possible, for small fish, only 70 kilos allowed.
00:03:05Well, you'll see when we water all the baskets full of fish.
00:03:08He who laughs last laughs best.
00:03:10Full, absolutely full of you.
00:03:13Dad!
00:03:13Hey, Sergi.
00:03:14Hello, Diego.
00:03:15How are you?
00:03:16Hey!
00:03:17I was so looking forward to seeing you all!
00:03:19You look beautiful!
00:03:21How have you grown?
00:03:23And you, Eva, look gorgeous.
00:03:25Dad, man, what are you doing here if you don't know anything about me?
00:03:27I'm staying for three days.
00:03:28I have to go on a trip.
00:03:31I hope that bad moment doesn't come.
00:03:32No no.
00:03:33Well, we're actually going fishing for three days, but go ahead.
00:03:36Oh.
00:03:38You look a little pale.
00:03:39Well, it's just that I haven't been sleeping much lately.
00:03:42But that's why I've come, so my girls can take care of me.
00:03:44You're Marcos, right?
00:03:46How are you, Marcos?
00:03:47Okay, okay.
00:03:48Hello, Sergio.
00:03:48Hello, Lucia.
00:03:50You could have called before coming, couldn't you?
00:03:52Well, surprise.
00:03:53Marcos, are you coming?
00:03:56But what?
00:03:57So, are we going to get the clams or not?
00:03:59What are you talking about, man?
00:04:00How are you going to leave now?
00:04:01Well, why shouldn't I leave now?
00:04:02What's happening?
00:04:03In other words, we're all going after the quichillas.
00:04:04What's the problem?
00:04:05Hey?
00:04:06But, man, that's what a husband is.
00:04:07And?
00:04:08Are you going to give him free rein?
00:04:09No?
00:04:10What do you say?
00:04:10Let's see, let's see, let's see, let's see.
00:04:12Yes, he's a husband, so what?
00:04:13But he has come to see his daughters, to be with his daughters.
00:04:16Didn't you go with his daughters?
00:04:18Lucía, too, what a coincidence that she comes just now that...
00:04:20I'm really sorry, absolutely nothing came out.
00:04:22It just happened out of the blue.
00:04:23One thing, if you're going to be uncomfortable, I'll just stay here quietly and that's it.
00:04:27And nothing happens.
00:04:27Say hello, say hello, say hello.
00:04:29Wait a minute, really.
00:04:30Are we crazy or what?
00:04:31You're leaving, you've been preparing this for two weeks.
00:04:34And months talking about the subject.
00:04:36So I can already see you all leaving through the door.
00:04:38Come on, let's go.
00:04:38Come on, let's get this under control, shall we?
00:04:41Come on, let's go get the prawns, shall we?
00:04:43Shrimp, man, shrimp.
00:04:45What can I say?
00:04:46Noel, huh?
00:04:48You know you were going to be gone for three days.
00:04:50But, Santiago...
00:04:50You open the door and...
00:04:51Santiago, Fiti, are you listening to him?
00:04:54I don't know anything.
00:04:56I don't comment on people's private lives, okay?
00:04:58So I'll leave it at that, keep quiet, that's it.
00:05:00Look, Santiago, I'm going to tell you two things, I'm going to tell you two things.
00:05:02I'm a modern guy, a modern guy and I believe in understanding.
00:05:05Understanding between reasonable people, like Sergio, me, and myself.
00:05:08And one more thing, I believe in my wife and I trust her.
00:05:11So, I'm not worried about her, you understand?
00:05:13I won't tell you why you're worried.
00:05:14Is that clear?
00:05:15I believe in both of those things.
00:05:16So, come on, let's go get the prawns.
00:05:18For the prawns?
00:05:19Let's go for the prawns, yes, let's go.
00:05:21It's very nice.
00:05:21Continental breakfast.
00:05:24Table four, marching.
00:05:27This is the breakfast on the Titanic.
00:05:29Yes, yes, yes.
00:05:30That's true, but with the advantage that icebergs are scarce in these latitudes.
00:05:39Take.
00:05:40Oh, thank you.
00:05:40Okay, what are the plans for today?
00:05:42Well, I don't know, I don't know.
00:05:43Whichever one you want.
00:05:45What's wrong with you, Fish?
00:05:46Let's take a walk around Retiro Park.
00:05:51And then you're going to take me to Gran Vía.
00:05:53Ah, very good, yes.
00:05:54And what are you doing on Gran Vía?
00:05:56A job interview.
00:05:59All my life I have been a scoundrel, a wretch, a fool.
00:06:02He always played a dirty game.
00:06:04Always taking the shortcut, that's why.
00:06:06Now I want to do things right.
00:06:12And I want to work.
00:06:14And do you know why?
00:06:19Because I've fallen in love.
00:06:22Tomorrow we will talk about the apostles.
00:06:25And we'll see some images from Jesus Christ Superstar.
00:06:31Okay, okay, less fuss.
00:06:34Less fuss.
00:06:34In this short while we are going to listen carefully to our colleague José María,
00:06:38who has something very important to tell us.
00:06:40Go ahead, José María.
00:06:47Please listen.
00:06:50Listen to me for a second, please.
00:06:52Listen to me.
00:06:53Listen!
00:06:55Please.
00:06:56My dog got lost in the neighborhood yesterday.
00:06:59Well, our dog, Amelio.
00:07:00We're going to give you a picture.
00:07:04It's a dachshund.
00:07:05Golichis finished off that dog!
00:07:07Come on, a little charity, Cristiano.
00:07:11Dogs are also souls of God.
00:07:13The poor little animal may be going through a terrible ordeal.
00:07:16It's brownish.
00:07:18With droopy ears.
00:07:21And she loves chocolate.
00:07:22And play.
00:07:24He plays with all kinds of balls.
00:07:26Did you say balls?
00:07:27With all of them.
00:07:28With all of them.
00:07:31We're going to hand out some leaflets.
00:07:34He knows a photo and a phone number.
00:07:35So that you can put them near your homes.
00:07:37And thank you very much, really, okay?
00:07:41Thank you, really.
00:07:42Hey José María, give me some little signs too, I'm going to put them up around the parish.
00:07:48And don't suffer, child.
00:07:50God is tightening his belt.
00:07:51But it doesn't drown.
00:07:53Hey, did you see how he reacted?
00:07:55We could help him look for the dog, couldn't we?
00:07:57Well, let's go.
00:07:59Okay.
00:07:59This, bowling alley.
00:08:03Bowling alley, well, we wanted to tell you, well, I promise we're going to find your dog.
00:08:08This afternoon we combed Santa Justa.
00:08:11Look, that dog is going to show up, even if it's the last thing we do.
00:08:14That.
00:08:20Look, look, look.
00:08:22Look, look, look.
00:08:23Do you know who that girl is that night?
00:08:25Virginia Sánchez López, the one from second C.
00:08:27Come on, she's a total badass, I mean.
00:08:30Come on, this guy's hit the jackpot.
00:08:32Come on, it's one of those things that makes you a man, you know?
00:08:35Oh, God.
00:08:48Uncle.
00:08:49How so?
00:08:50I have it in the jar, I have it broken.
00:08:53And I haven't had to do anything.
00:08:55Zero, manage to sing.
00:08:57I saw it coming.
00:08:59Do you know what the best part of all is?
00:09:01That her parents are leaving and we've arranged to meet the next day.
00:09:06And he's practically handed it to me on a silver platter, man, he's practically handed it to me on a silver platter, you know what that means?
00:09:10Don't you know, don't you know?
00:09:11You're going to play Trippy and Bruxo.
00:09:13Dude, the final assault, the final assault.
00:09:16And my little soldier is leaving the Canary Islands family.
00:09:19Raul.
00:09:20They give it all the center exploitation, kid.
00:09:44Three days, three days, three days you left your wife with her ex-husband.
00:09:50All you needed was to put a red carpet in the bedroom.
00:09:53Stop nudging me with your elbow, you're making me angry.
00:09:54And I explained to you that he came to see his daughters, his daughters.
00:09:58And that we are civilized people, Santiago.
00:10:00And don't dwell on it anymore, it's driving me crazy.
00:10:02How could I not think about it, man?
00:10:05You are my brother, you are my brother.
00:10:08And you're throwing yourself straight off the cliff.
00:10:10That exes can't be given a chance.
00:10:13Or not?
00:10:14Hey, Fiti?
00:10:14Look.
00:10:15But what opportunity are you talking about?
00:10:17Look, look, look, how ill-conceived, old-fashioned, and...
00:10:20Okay, let me in.
00:10:21You've handed it to him on a silver platter.
00:10:23On a silver platter!
00:10:25Are you listening to him, Fiti? Are you listening to him?
00:10:28So, what's wrong with you, if I may ask?
00:10:30That you already have everything concentrated.
00:10:32Say something, at least, don't say anything.
00:10:33Don't make me talk, don't make me talk,
00:10:35I don't want to mess things up, okay?
00:10:36Hey, what's that tone of voice?
00:10:37What's with this "don't pull my tongue, don't pull my tongue" nonsense?
00:10:39What's wrong with you, damn it?
00:10:41Do you want to know what's wrong with me?
00:10:42Yeah.
00:10:42Is that what you want to know about what's wrong with me?
00:10:43Yes, man, yes, I want to know.
00:10:44Okay, but just spit it out already.
00:10:45He's an idiot, damn it.
00:10:46Your brother is right.
00:10:47That guy came for one reason only.
00:10:49Damn, you look like you've fallen off a tree, for crying out loud.
00:10:52Did you know that this is more dangerous than a box bomb?
00:10:55First he came as a winner.
00:10:57Whether it's the awards or the king.
00:10:59And then, since that didn't work for him, well, now he comes around looking sad.
00:11:02Sad, depressed.
00:11:04Yes or no?
00:11:05No, it has milk in the end, damn it.
00:11:07I didn't see the look on his face.
00:11:09Improved, languid.
00:11:12Damn, but that's really old.
00:11:14I've done that trick countless times with fire.
00:11:16And let me tell you something, okay?
00:11:18Women are into that.
00:11:19They're in!
00:11:20I'm telling you.
00:11:29Well.
00:11:31It seems there aren't many trout around here.
00:11:34Trout, barbel, or anything like that.
00:11:39Do you know what I'm saying?
00:11:42I don't know what the hell I'm doing in the middle of this river.
00:11:44I'm so pissed!
00:11:44Wait.
00:11:50I knew I shouldn't have spoken.
00:11:52As soon as he said anything, there would be no weekend, no fishing, nothing.
00:11:57They're not going to take over the store, are they?
00:11:59Have you seen anything?
00:12:00No, no, you give them away.
00:12:01Have you seen anything?
00:12:02No.
00:12:02And you?
00:12:03Neither.
00:12:04Amelio!
00:12:04Amelio!
00:12:05Amelio!
00:12:06Amelio!
00:12:06Amelio!
00:12:06Amelio!
00:12:09Amelio!
00:12:10Amelio!
00:12:11Was that it?
00:12:14Does it come from there?
00:12:15Yeah.
00:12:15No?
00:12:16Amelio!
00:12:17Amelio!
00:12:23From there?
00:12:29Yeah.
00:12:30Come on.
00:12:30Because?
00:12:36He'll have to go in, won't he?
00:12:38Entering the cemetery is illegal, isn't it?
00:12:43You're the illegal one, musta.
00:12:45But what's going on?
00:12:45What are you going to let go of now or what?
00:12:47Is it a cemetery?
00:12:48Let's see, Maritela.
00:12:49Let's think with our heads.
00:12:50Let's see what we can do to make a plan.
00:12:52Look, one, it's getting dark.
00:12:54Second, someone would have to stay and keep watch.
00:12:55That's right, I can stay here and keep watch in case someone comes...
00:12:58The thing is, I can't count on you guys.
00:13:01Come on, bowling.
00:13:02Shitters.
00:13:03Hey, brat!
00:13:04What are you on about?
00:13:05Come on, let's go, bowling.
00:13:07Guys, they don't go in.
00:13:10I just did something.
00:13:11But forever.
00:13:13He's such an idiot.
00:13:13Come on, Francisco.
00:13:22You're not going to force me to break down the door.
00:13:24It wouldn't be the first time.
00:13:33Nice house.
00:13:34What do you want, cross-eyed?
00:13:36Don't play dumb.
00:13:38It's very ugly to see a country in crisis without paying its debts.
00:13:40Already.
00:13:40Do you remember?
00:13:41$60,000.
00:13:42Yes, yes, 60,000.
00:13:43You have three days.
00:13:45Not one more second.
00:13:47Already.
00:13:47OK?
00:13:48Very good, very good.
00:13:56Who was he?
00:13:57Uh, uh, what?
00:13:58Ah, a Jehovah's Witness.
00:14:02Ah.
00:14:03Yes, yes, the damn guy almost convinced me.
00:14:06Hey, Carmen, Carmen.
00:14:08Yeah.
00:14:08No, that...
00:14:10I want to ask you for a...
00:14:12The thing is...
00:14:13I need some money to...
00:14:16Oh, please.
00:14:16No, thanks.
00:14:17The thing is...
00:14:17What things do you have?
00:14:18Sure, sure, sure.
00:14:19Whatever you want.
00:14:20Whatever you want.
00:14:24Is 50 enough for you?
00:14:27Enough.
00:14:27Yeah.
00:14:32I'm going to continue with your food.
00:14:34Because?
00:14:42Because?
00:14:43Shhh.
00:14:43Because?
00:14:44It's a card game.
00:14:45Tonight after closing time here at the tavern.
00:14:48But he'll have to talk to Diego and Santiago about that, and they're out.
00:14:50Because?
00:14:51Paquillo, no.
00:14:52Not a word to my brothers, it's something between you and me.
00:14:56Don Francisco, don't confuse me, I can't do that.
00:14:59Paquillo, paquillo, paquillo.
00:15:01Paquillo, does the word "partners" mean anything to you?
00:15:04Does the word percentage mean anything to you?
00:15:08Does the phrase "a lot of money" mean anything to you?
00:15:14Come on, speak.
00:15:16Let's talk.
00:15:16Come.
00:15:20Come.
00:15:22Let's get moving, shall we?
00:15:24I need you to find players for me.
00:15:26People who have real guts, huh?
00:15:28In cold blood.
00:15:29Let him bet a lot.
00:15:30Backwards.
00:15:32That's done.
00:15:33Yeah.
00:15:33Boss.
00:15:35Take.
00:15:38He owns the neighborhood fish shop.
00:15:39They say he has his cold storage rooms full of bundles of 500 euro bills next to the squid.
00:15:45He's your man.
00:15:47Robert.
00:15:48Owner of the Boad and Copa on the corner.
00:15:50The ear is lined.
00:15:52Every night he brings out the gin and tonic, and that's what I earn in a year.
00:15:55He's your man.
00:15:56Fermín.
00:15:57Owner of the Santa Justa funeral home.
00:16:00Sadder than a Sunday without football.
00:16:02But he makes a fortune for every death in the neighborhood.
00:16:05He's your man.
00:16:05You really are my man, Paquito.
00:16:09And I don't even leave my brothers for the floor.
00:16:12Tsssss.
00:16:14Well, anyway, my mother went and I ended up here.
00:16:17For not bringing my Mira Balleca with you.
00:16:18Why didn't you bring my Mira Balleca, dude?
00:16:20What happened?
00:16:24Saul, dude? What are you doing here?
00:16:26I have a problem, guys.
00:16:28What's the matter?
00:16:30The little soldier who won't stand at attention.
00:16:34He's had his tent taken down all day, you know?
00:16:38It won't be anything, will it?
00:16:40Something happened to me with this blow, huh?
00:16:42I think a cable has come loose or a fuse has blown or something, man.
00:16:46Don't laugh, okay?
00:16:50Fuck...
00:16:52I'm a castrato, dude.
00:16:54One of those tame ones, a baby doll.
00:16:56Dude, it can't be that bad, Raúl.
00:16:58Come on.
00:17:00Marcos, I've tried everything, man.
00:17:02Magazines and films.
00:17:04And it's there, concentrating, man.
00:17:06in all the girls I saw this summer, you know?
00:17:08And nothing.
00:17:10If I...
00:17:12I've already tagged her in a thong...
00:17:14I was already getting...
00:17:16Fuck!
00:17:17What am I going to do, man?
00:17:18What am I going to do?
00:17:19What's up, Raúl?
00:17:20So, what do you notice?
00:17:21Is it swollen or something?
00:17:22I don't know, what do you notice?
00:17:23I mean, I...
00:17:25Look, man.
00:17:28Do you think you're going to...?
00:17:29No, man, no.
00:17:30I'm not looking at you, man.
00:17:31No, what's wrong?
00:17:32Are you going to show us the plum now or what?
00:17:33Hey, dude, look, look.
00:17:34Let's see if I have anything I can suck on, please.
00:17:35Raul, uncle.
00:17:36Please.
00:17:37I know that...
00:17:38We're colleagues, but...
00:17:39Of course we're colleagues, mate.
00:17:40Come on, please.
00:17:41Son, what age will Virginia be tomorrow?
00:17:46Hey!
00:17:47It doesn't bite?
00:17:48No, now throw it, damn it.
00:17:50I've never done this before.
00:17:51I don't know, man.
00:17:52That?
00:17:53That?
00:17:54That?
00:17:55That?
00:17:56That?
00:17:57Dude, I see an emergency room doctor, dude.
00:17:58I don't know.
00:17:59I don't see anything, Raúl.
00:18:00I...
00:18:01I don't...
00:18:02I don't notice anything.
00:18:03Man, now...
00:18:04Now that you put it that way, it was a bit crooked...
00:18:05Yeah?
00:18:06No way.
00:18:07Like a joystick.
00:18:08Do you know what it looks like?
00:18:09What are you saying, man?
00:18:10That's true.
00:18:11And the egg...
00:18:12The right egg is the same.
00:18:13You're a little crazy.
00:18:14Yeah.
00:18:15But what are you saying?
00:18:16What are you saying?
00:18:17Amelio?
00:18:18Amelio?
00:18:19Amelio?
00:18:20Amelio?
00:18:21Amelio?
00:18:22Amelin?
00:18:23Amelin?
00:18:24What was that?
00:18:26What was that?
00:18:27Is it a crow?
00:18:29Look, I think it's best if we separate, okay?
00:18:31To become strong?
00:18:32Are you crazy?
00:18:33Yes, yes.
00:18:34You're right.
00:18:35Come on, Musti, you with me.
00:18:36Violita, I'll be there.
00:18:37If you're afraid of me, of course.
00:18:38What's happening?
00:18:39What's happening?
00:18:40What's happening?
00:18:41What's happening?
00:18:42What's happening?
00:18:43What's happening?
00:18:44What's happening?
00:18:45I told him that they wasted my time.
00:18:48Hey.
00:18:49Hey.
00:18:50And wouldn't it be better if we were all...
00:18:51Hey, guys.
00:18:52Yeah.
00:18:53Hey, don't go.
00:18:54Poliche, wait for me.
00:18:56Poliche.
00:18:57Poliche!
00:18:58Poliche!
00:18:59Poliche!
00:19:00Poliche!
00:19:01Poliche!
00:19:02Amelio!
00:19:03Maybe Chucho would like to start an independent life, right?
00:19:08Shh!
00:19:09You don't hear footsteps.
00:19:10As if they were following us?
00:19:11Yes, I hear footsteps, stabbing, the crunching of bones.
00:19:15These fighters are very clever; they travel thousands of kilometers to return home.
00:19:20Maybe he's back, why don't we go look for him?
00:19:22No, it has to be here.
00:19:23Amelio!
00:19:24Shh!
00:19:25Shh!
00:19:26Shh!
00:19:27Shh!
00:19:28Shh!
00:19:29Listen.
00:19:33The barking is coming from that kennel.
00:19:36But what booth, pilot?
00:19:37It's a cemetery!
00:19:39There are a ton of dead bodies there!
00:19:56Shh!
00:19:57Shh!
00:19:58Shh!
00:19:59Shh!
00:20:00Shh!
00:20:01Shh!
00:20:02Shh!
00:20:03Shh!
00:20:04Shh!
00:20:05Shh!
00:20:06Shh!
00:20:07It's very late, isn't it?
00:20:08We won't talk tomorrow, let him leave.
00:20:09Hey, hey, hey!
00:20:10Aren't you going to invite me to the last one?
00:20:12Come on!
00:20:13It's been a long time since you and I last spoke!
00:20:16Man!
00:20:17We've talked about...
00:20:18golf,
00:20:19We have talked about economics,
00:20:21about climate change...
00:20:23Is there anything else interesting you'd like to tell me?
00:20:25You've never found it very fun, have you?
00:20:29Well, what I'm about to tell you will make you burst out laughing.
00:20:35The trip I'm going to take is to Houston.
00:20:39I'm going to have surgery for a brain tumor.
00:20:44It seems this is my last chance.
00:20:50Are you going to have surgery that...?
00:20:52But a tumor?
00:20:53But...
00:20:54But when?
00:20:55But why haven't you told me anything?
00:20:56I don't know.
00:20:58I was about to call you.
00:21:00When I was diagnosed a month ago.
00:21:04There was no one to tell.
00:21:06That?
00:21:07I don't know.
00:21:08I don't know.
00:21:11I'm very scared.
00:21:18Well...
00:21:19I'm sorry.
00:21:20I'm sorry.
00:21:21Insurance belonging.
00:21:22Lately
00:21:29I think about all those things
00:21:32I know I did wrong.
00:21:33With you
00:21:36With the girls
00:21:37And the truth is, I'd like to fix it.
00:21:42Well
00:21:45What you need to do now is not be sad.
00:21:48And you're not alone, really.
00:21:50I'm going to help you
00:21:53Count on me for anything you need
00:21:54Very good
00:22:09No messing around, let's get started strong
00:22:12First bet, 50 euros
00:22:20Nothing, nothing, nothing
00:22:32No problem
00:22:33You are from Don Francisco
00:22:35Well then
00:23:04It doesn't look like it's my night.
00:23:06If you want, we can leave it at that, Francisco.
00:23:08We understand.
00:23:10I think it will be for the best.
00:23:11Nothing, nothing, none of that
00:23:14No, no, no
00:23:15I'm betting
00:23:18150 more
00:23:22Passed
00:23:23I see them
00:23:25And another 150
00:23:30I'm not going
00:23:32Me neither
00:23:33Well
00:23:34Now it's just us left.
00:23:36Yes sir
00:23:36Yeah
00:23:37Francis
00:23:37I want those 150
00:23:41And I'm betting the rest
00:23:46What I have left
00:23:48Well, I see them
00:23:54What the hell?
00:23:55This is a game, right?
00:23:57Ah, ah, ah
00:23:57Sometimes a letter
00:23:59Well
00:24:00Three kings
00:24:02Well
00:24:05Sometimes it makes you want to
00:24:08And sometimes
00:24:11It gets lost
00:24:12What's up, man?
00:24:26It's 4 in the morning
00:24:26Go up, go up
00:24:30All night, Fiti
00:24:31All night
00:24:32Driving around in the car
00:24:34Like a madman
00:24:34Fiti has entered
00:24:36He has entered
00:24:36What has come in?
00:24:38Who?
00:24:38Who's it going to be?
00:24:40Lucia
00:24:40Lucía with Sergio
00:24:42A carrion vulture
00:24:43Disgusting
00:24:44So, I've seen them
00:24:45Saying a few things
00:24:47God
00:24:48What's happening?
00:24:51Hey?
00:24:52What is 4 AM?
00:24:53Santi
00:24:54Santi, Lucía
00:24:55Lucia, what's come in?
00:24:55What has come in?
00:24:56What has fallen into the trap
00:24:57With Sergio and this guy?
00:24:58Yes, Santi
00:24:58That I'm an idiot
00:25:00That broke his skull
00:25:01This guy
00:25:02What does he say?
00:25:03I feel very lonely.
00:25:05If we have to fix
00:25:06Things
00:25:07I knew it, I knew it
00:25:07I knew it
00:25:08It really pisses me off to say it.
00:25:09But I knew it
00:25:10Damn, I never miss a beat, man.
00:25:12I have a
00:25:13A fifth sense
00:25:15Or something
00:25:15Something like sensory
00:25:17Pussy
00:25:17So what do I do now?
00:25:19What I do?
00:25:19What I do?
00:25:21Look
00:25:21In this matter
00:25:23The one who mostly
00:25:24He has been right.
00:25:25It was me
00:25:26So
00:25:26The one who has to make decisions
00:25:28It's me
00:25:28Okay?
00:25:29Okay, right?
00:25:31Well
00:25:32Things are screwed up
00:25:34Diego
00:25:35And I say this with all my love.
00:25:36There you are, a real piece of shit.
00:25:37Oh well
00:25:38All is not lost yet
00:25:39Okay?
00:25:41It would be
00:25:41It would be about giving him
00:25:43Well, that's what it is
00:25:44A scare
00:25:45That's it, that's it
00:25:46A scare
00:25:47A scare?
00:25:48What can I say?
00:25:49But like
00:25:50Estés
00:25:50No way.
00:25:51That business of beating people up out there
00:25:53Man, no way.
00:25:53No, no, no
00:25:54What a beating
00:25:55What a beating
00:25:56What a beating!
00:25:56You said something about beatings in you
00:25:58Man
00:25:59What a beating
00:25:59This isn't about killing anyone.
00:26:01It's about giving him a scare.
00:26:03Scare
00:26:03Scare
00:26:05Scare
00:26:05Scare
00:26:05A scare, of course.
00:26:06Look
00:26:06What I do is
00:26:08Talk to Washington
00:26:10The mulatto east of the goal
00:26:13And that's it.
00:26:13And that he gives it to her.
00:26:13Which hotel is he staying at?
00:26:16The thing is
00:26:16No, look.
00:26:17No, no, no
00:26:18Neither Washington, nor a hotel
00:26:18Neither mulatto, nor anything like that
00:26:20No, no
00:26:20This is not how things are fixed.
00:26:21And that's it.
00:26:22Things won't be fixed like this.
00:26:23Look, let's all think about this together.
00:26:24Let's see if we can come up with the best idea.
00:26:25Look
00:26:25Parked
00:26:27Yes, yes, that's it.
00:26:53That would be two tickets
00:26:55Sure, I'll come pick them up this afternoon
00:26:58Thank you
00:26:59Francisco, please
00:27:08Your guts are going to spill out.
00:27:09Now, more than ever
00:27:11I need to be in shape
00:27:12I need to be ready
00:27:14For the attack
00:27:15Because soon
00:27:16They will call me
00:27:17To work
00:27:19Ah
00:27:20Come on!
00:27:24Francisco, please
00:27:25You seem like a teenager to me.
00:27:26Come on
00:27:26And who says I'm not?
00:27:29Hey?
00:27:29And among the worst
00:27:30Man, I look like I'm 15 years old
00:27:33And who is to blame?
00:27:35No
00:27:35No
00:27:36So don't come at me now blaming me
00:27:39Who is blaming you?
00:27:42Ah, because, you see
00:27:43I'm preparing a surprise for you.
00:27:44Although I can't tell you anything yet.
00:27:46Don't tell me
00:27:48Don't tell me
00:27:49No
00:27:49Don't tell me
00:27:51We're going to be parents
00:27:52Oh, what nonsense.
00:27:54No?
00:27:57Yeah?
00:27:59Yes, yes, yes, here it is
00:28:00Yes, it
00:28:02I'll pass it on to you.
00:28:02It's for you
00:28:04For me?
00:28:04Yeah
00:28:05Yeah
00:28:06Yes, yes
00:28:08Ah, yes
00:28:10I'll stop by, yes.
00:28:11Not from...
00:28:14From the agency
00:28:15I have to fill out some paperwork for the agency.
00:28:18Because it seems that the work is
00:28:20Taking longer than expected
00:28:23Don't worry
00:28:24When it's meant to happen, it will happen.
00:28:26Yeah
00:28:26I'm going to make the bed
00:28:27Yeah
00:28:28Now I'll go and give you a little something extra.
00:28:30What a fool
00:28:31Cross-eyed
00:28:42Don't call me here again
00:28:45Understood?
00:28:48Yeah
00:28:48You'll have your money tomorrow.
00:28:51Sex has many dimensions
00:28:53And we're going to see them all.
00:28:54Understanding that each of them fulfills a function
00:28:57Yes, go ahead.
00:28:59Can?
00:29:03Well yes
00:29:03Hello
00:29:05I'm coming from the doctor.
00:29:07Here, just what I have to sing
00:29:09But what has happened to you, Mother of God?
00:29:11No, nothing, nothing
00:29:12A bit of a cold
00:29:13Okay, let's continue.
00:29:20We will develop this in the first few classes.
00:29:25An updated summary of the...
00:29:27What did the urologist tell you?
00:29:28No, well...
00:29:29What is the...
00:29:30My soldier
00:29:31That's fine.
00:29:33It's perfectly fine, let's go
00:29:34Which is yet another problem of...
00:29:36From the fourth general
00:29:37That?
00:29:41Of the...
00:29:41Intelligence service
00:29:43Does it have an integrating value?
00:29:45From the command center?
00:29:46Well, this is a riddle, Raúl
00:29:47From here, man, from here
00:29:48The orders don't reach the soldier.
00:29:50They don't arrive
00:29:51AND...
00:29:52Clear
00:29:52It's about being powerless
00:29:54I can't say that
00:29:56In your life, you hear me
00:29:57Delete that word
00:29:58It doesn't exist.
00:29:59Okay?
00:30:00The thing is...
00:30:00In other words, if not...
00:30:01Church weddings
00:30:02They began to be carried out from the 5th of...
00:30:04Damn, man
00:30:05Sorry, man.
00:30:05I should have stayed a vegetable, man.
00:30:07And what am I going to do with Virginia tomorrow?
00:30:11Which patches?
00:30:12Well, dude
00:30:12But what you have to do, man
00:30:14It's about putting yourself in the hands of real professionals, man.
00:30:17Stop being so silly.
00:30:19The block, what is your block
00:30:22No, not nonsense, I mean
00:30:23The blockade
00:30:25It was enormous, ugly
00:30:26With enormous fangs
00:30:27They turned out like that
00:30:28Okay, tell him.
00:30:29He grabbed them with superhuman strength
00:30:31It was about to bite us
00:30:32I think he was angry or something.
00:30:34But that doesn't make me say no...
00:30:34What are you saying, man?
00:30:35How is it going to bite?
00:30:37Cristilla?
00:30:38Maybe he was a vampire
00:30:39What are you saying?
00:30:41I wasn't interested, not even for all the money in the world.
00:30:42No, no, no
00:30:43We have to go back
00:30:43We have to go back to the dog
00:30:45Raúl, son
00:30:47Is your father here?
00:30:48I think I heard him arrive last night.
00:30:49But this morning when I woke up
00:30:51He was gone.
00:30:51Yes, he has forgotten something
00:30:52No, I'm not okay.
00:30:53He won't even answer my phone, you know?
00:31:07That?
00:31:09Oh, son
00:31:10Five missed career calls
00:31:16I'm feeling groggy
00:31:18What time is it?
00:31:19One afternoon
00:31:20My chubio is killing me
00:31:21Okay, I'm off to the workshop
00:31:23Hey, what should I do?
00:31:25In the end
00:31:25I call Washington
00:31:27Should I talk to him or not?
00:31:28What I do?
00:31:29Ask him for a price.
00:31:29Have him give you a quote first.
00:31:31What budget?
00:31:32No, no
00:31:33Nobody's going to hit anybody here
00:31:34We're adults, Fiti
00:31:36We are adults
00:31:37Fuck
00:31:37I am a civilized person, damn it.
00:31:40I am a human being
00:31:42All I'm saying is give him a little scare.
00:31:44And that's it, damn it
00:31:45But, Fiti
00:31:45Let's see, let's see
00:31:46This isn't Sicily.
00:31:47This is Santa Justa
00:31:48Saint Justa
00:31:49It's not Sicily, you understand?
00:31:50What were you talking about, damn it?
00:31:52Oh, and they're robbing you there
00:31:54Right under your nose
00:31:55You have to take the bull by the horns.
00:31:58Well, it's up to you.
00:32:01Stop banging on the little door.
00:32:04No?
00:32:04What do you want, to break the little door?
00:32:05Hello, Julian
00:32:07Hello, good morning, Fiti
00:32:08This is a rotifer.
00:32:11I'm going to see Sergi right now.
00:32:13I speak to him calmly.
00:32:14But firmly
00:32:15And we made things clear.
00:32:17Dialoguing, dialoguing
00:32:18But first you'll have to go to the market
00:32:21No
00:32:22But Santi, for God's sake!
00:32:25Santi, I'm telling you
00:32:26That my marriage is falling apart
00:32:27And you want me to go to the market
00:32:29Why did I even go to the market?
00:32:30Let's see
00:32:30You don't get it, you don't get it
00:32:31Weren't you going fishing?
00:32:33Yeah
00:32:33Well, you'll have to bring the fish, won't you?
00:32:35Irrigated fish
00:32:35The trails, the mole, the sturgeon
00:32:37Whatever
00:32:38And go inside
00:32:39Like a winner
00:32:40Setting the pace
00:32:41Here it is
00:32:45Vampire
00:32:46He claims to be a person who feeds
00:32:48Of human and animal blood
00:32:50He sleeps in coffins
00:32:52Allergic to sunlight
00:32:54Sunshine
00:32:57There for
00:33:10It says here that they are killed with wooden stakes
00:33:12Wooden stakes
00:33:13Water
00:33:16Soft
00:33:17Garlic
00:33:19Aldana points out
00:33:21Garlic
00:33:22Garlic
00:33:23He has to eat
00:33:24Aim
00:33:25Crucifixes
00:33:25Crucifixes
00:33:28Okay, we're ready.
00:33:32At seven o'clock at my house
00:33:34And remember
00:33:34Each of you bring what we have agreed upon.
00:33:36And be punctual because we have to hunt during the day.
00:33:39And you already know
00:33:41The truth
00:33:42It's out there.
00:33:44But you weren't fishing
00:33:46You said it, we were
00:33:47But the river was a little turbulent.
00:33:49We had to turn back
00:33:50No, that's the fishing rod you're good at.
00:33:52Not the other one, okay?
00:33:53Well, the bosses haven't shown up here yet.
00:33:55And better, huh?
00:33:59Because last night
00:34:00What happened last night?
00:34:04Fabric
00:34:04I didn't check, damn it, spit it out
00:34:08Not a word to the mountain people
00:34:11They get tangled up
00:34:12Last night here
00:34:15Poker game
00:34:16Don't mess with me
00:34:18With the robe
00:34:20The fishmonger
00:34:21The one from the funeral home
00:34:22And Don Francisco Serrano
00:34:24What do you say?
00:34:26And guess whose idea it was?
00:34:27From the funeral home
00:34:29Yes, negative.
00:34:29From Don Francisco
00:34:31From Don Francisco
00:34:31And guess who took all the money.
00:34:34Eight thousand and some euros
00:34:35Don Francisco
00:34:36Negative, rapid
00:34:37The robe
00:34:39The robe?
00:34:39Yes, you don't walk around
00:34:40What is a robe?
00:34:42Don Francisco, a fool
00:34:44He lost everything
00:34:45And he remained completely unconcerned.
00:34:46Clear
00:34:46Like, he's a millionaire
00:34:48What a shame, damn it
00:34:50The robe, but I've plucked him a bunch of times
00:34:53Well, Robe was the one who played best.
00:34:55Don't mess with me, man.
00:34:57But if it doesn't fit a precaution
00:34:58But I beat him with my eyes closed.
00:35:00What a night I choose to go fishing
00:35:03Hello, well, say it
00:35:04Hello, Fiti
00:35:05Makeup artist
00:35:06But last night I got my revenge
00:35:16I said I want a rematch
00:35:19But betting big, not like yesterday.
00:35:22Warn everyone
00:35:23Okay, okay, okay
00:35:24Don Francisco, whatever you say
00:35:26At the same time?
00:35:26At the same time
00:35:27See you later, Fiti
00:35:32Okay, see you later.
00:35:33Hey, someone else is inviting you.
00:35:41No?
00:35:44Eh, eh, eh
00:35:44Come on
00:35:45I have a fifth sense for this card thing.
00:35:47Don't lie to me, damn it
00:35:49At one o'clock, but I haven't told you anything.
00:35:53Well, don't worry.
00:35:57I'm telling Eva.
00:35:58AND...
00:36:00It's best not to tell Tete anything yet.
00:36:04Seem to you?
00:36:06What's going on here in this family?
00:36:08Nobody's going to come out to greet the best fisherman in the world
00:36:11What's happening?
00:36:14Are we at a funeral or...?
00:36:16Hey?
00:36:17But hey, what are you doing here so early?
00:36:19Hey?
00:36:20Well...
00:36:20What have we been given?
00:36:22Is this all full or something?
00:36:24Well, I'm standing before the Captain Nemo of spoon fishing.
00:36:28I see you've been lucky
00:36:29Yeah
00:36:30And I see that you're very integrated into the family, Sergio
00:36:33Are you staying for lunch?
00:36:35Well, I don't know.
00:36:36Hey, we're going to have fish here for a month or more
00:36:39But you have to realize that the river was really full, really full.
00:36:42Well, we've taken everything
00:36:43Trout, salmon, sea bass...
00:36:45Isn't that a sea bream?
00:36:47Are there gilthead bream in the rivers?
00:36:50Yes, it must be that there are
00:36:51You know there are clueless people and idiots everywhere.
00:36:54Hello
00:36:54Now down
00:36:55Eva, Eva, for the gore
00:36:56What are you doing here?
00:36:58Well, there you have it.
00:36:58Just a moment, I want to talk to you.
00:37:01Okay
00:37:02Congratulations, you did well at fishing
00:37:10Yeah
00:37:11You don't think I've been doing badly either, have you?
00:37:17As?
00:37:19Hey, have you seen my stupid face?
00:37:21Do you think I don't know why you've come here?
00:37:24You came here to act sad and make Lucia feel sorry for you, didn't you?
00:37:26To deceive her
00:37:27And to take it with you
00:37:28To take it away from us and evict this family
00:37:30Diego, you're making a mistake
00:37:32What do you mean I'm wrong?
00:37:33What do you mean I'm wrong?
00:37:35Listen to me carefully
00:37:35Get out of this house or I'll rip your head off.
00:37:37I'll rip your head off!
00:37:38Make up an excuse, but disappear.
00:37:39Did you hear me?
00:37:40Dad!
00:37:42Dad!
00:37:42Why haven't they told me?
00:37:45Well, I didn't want to worry you.
00:37:47He has a brain tumor there.
00:37:50And that's why he got off and tried to stand up
00:37:52I just threw it away
00:37:53What are we doing here?
00:38:01And I talk about professionals the most.
00:38:04Well, I imagine something else.
00:38:06Know?
00:38:06I imagine something else
00:38:07AND...
00:38:09And I say that I can't tell him.
00:38:10My problems are unknown
00:38:12Man
00:38:12These aren't things to talk about, Marco.
00:38:14That's not something to talk about.
00:38:15Raúl, Raúl
00:38:16Listen to me, man.
00:38:17That...
00:38:18That...
00:38:19This man really is something else.
00:38:19He knows how to handle these topics
00:38:20That...
00:38:21I'm telling you this from experience, okay?
00:38:22Otherwise...
00:38:23Okay, okay
00:38:26What a surprise!
00:38:28How are you?
00:38:28Hi how are things?
00:38:29Hi how are things?
00:38:30Hi how are things?
00:38:31Hello, Marcos
00:38:32How are things going with you?
00:38:33Hey...
00:38:33Hey...
00:38:34Here's what I'm doing...
00:38:37Well, then...
00:38:39You will tell me
00:38:40What's the problem?
00:38:42Hey...
00:38:42Problem?
00:38:43Yeah
00:38:43Hey...
00:38:44Well, no, not even then.
00:38:45It's not like there are...
00:38:46So...
00:38:47I mean...
00:38:48A problem...
00:38:48Not exactly, is it?
00:38:51It has a lock.
00:38:52Hey...
00:38:53It has a lock.
00:38:54Come on, let's...
00:38:56That I...
00:38:57It gives me a...
00:38:59A blow, wasn't it?
00:39:01AND...
00:39:02And what is the...
00:39:04The little soldier
00:39:04Well, he doesn't stand firm
00:39:07The fucking
00:39:08AND...
00:39:10But come on, the doctor told me
00:39:11Everything's upside down
00:39:12Because that's what the little soldier is.
00:39:14It's perfectly fine.
00:39:16But he doesn't respond.
00:39:17Well
00:39:18So...
00:39:20The thing doesn't respond
00:39:21Good
00:39:22What happens to you
00:39:23It is called
00:39:24Transient erectile dysfunction
00:39:26Which?
00:39:27Let's see
00:39:28Hey...
00:39:28The problem mostly
00:39:30It's just that I can't get it up
00:39:32Okay, okay
00:39:32You can call it that too, okay?
00:39:34Well, it's a very normal thing.
00:39:35A very normal thing.
00:39:36Well, to everyone
00:39:37It's happened to us before, hasn't it?
00:39:38No no
00:39:40Well, not me.
00:39:42And is this your first time?
00:39:44What's wrong with you?
00:39:45Yes of course
00:39:45Of course, in life
00:39:46I...
00:39:48Look, doctor
00:39:48I need to fix it
00:39:50It is important
00:39:51Because I have a date
00:39:52AND...
00:39:54AND...
00:39:55Under these conditions
00:39:56Look, Raúl
00:39:57These blockades
00:39:59They arise in a tense situation
00:40:01A date
00:40:02As is your case
00:40:02And if there are also expectations
00:40:04Of a sexual nature
00:40:05Well, that can cause you
00:40:09Well, a state of anxiety
00:40:10And it manifests itself
00:40:12Well, in that way
00:40:12More unpredictable
00:40:13Good
00:40:15What you have to do
00:40:16Above all, it is
00:40:16Relax
00:40:17Because I imagine
00:40:18You probably haven't had any problems
00:40:20On other occasions, right?
00:40:21No
00:40:21Hey?
00:40:25I say that you
00:40:25You've probably already had
00:40:27Your first experiences, right?
00:40:30Yes, yes, yes
00:40:31Yes, yes
00:40:32Sure, let's go
00:40:33I mean
00:40:33What is
00:40:34Hey...
00:40:35Yeah
00:40:36Come on
00:40:36Almost
00:40:37Like almost
00:40:38If you've had more premieres
00:40:40Since...
00:40:41Yeah
00:40:41Yes, yes
00:40:42Let's see
00:40:42What we understand
00:40:44It's already been released, right?
00:40:45In the deepest sense
00:40:47From the word
00:40:47Well, listen
00:40:49We could
00:40:49Talk at length
00:40:51I've had this, haven't I?
00:40:52I mean
00:40:52That you're a virgin
00:40:53I'm blown away
00:40:54Be careful what Marcos says
00:40:55I'm not a cripple, okay?
00:40:57No, one-armed
00:40:57Sure, if you're a virgin
00:40:58One-armed
00:40:58I mean
00:40:58Something had to...
00:41:00No...
00:41:00Oh, Lord
00:41:02Bless this water
00:41:03So that he can kill Dracula
00:41:05Prince of darkness
00:41:07And bless us too.
00:41:09So that it doesn't turn us into vampires
00:41:11Urbite, Torbi
00:41:12Amen
00:41:13Okay, come on
00:41:14Shh, shh
00:41:15No
00:41:17Ah
00:41:17Going after Dracula?
00:41:27Let's get Dracula!
00:41:29Good
00:41:29This is one of the treasures of my business
00:41:32The wine
00:41:33Do you know anything about wine?
00:41:34A bit
00:41:35I certainly know that this is one of the best in the world
00:41:38And precisely from 70
00:41:40Yes sir
00:41:41Yes sir
00:41:42Hey, Sergi
00:41:43I wanted to tell you that
00:41:44You probably think I'm some kind of dim-witted hick.
00:41:47A palud
00:41:47No, but I don't want you to get that impression of me.
00:41:50And I'd like to give you the wine.
00:41:52No no
00:41:53Drink it yourself with Lucia
00:41:54No, no
00:41:54No, no, no
00:41:55Take it, take it seriously
00:41:56And I'm going to find you a little loin to cure.
00:41:59And a cheese
00:41:59Well
00:42:00Well, I have a Manchego that's enough to bring a good man back to life.
00:42:02That?
00:42:15That?
00:42:16About what?
00:42:18What is he doing with another guy's wife?
00:42:22But what is it they want?
00:42:23We'll explain that to you with affection.
00:42:25Come on, no
00:42:25Just a moment, just a moment
00:42:27Well, John, no marks
00:42:28No marks
00:42:29No marks
00:42:29Stay, you're wrong
00:42:30Why have you stopped?
00:42:32What are you doing?
00:42:33The fright
00:42:34The fright
00:42:35The scare, Fiti
00:42:36The fright
00:42:37That's how I'm going to scare you.
00:42:38If you're wrong, man
00:42:39You, Fiti, have your fifth sense up your ass.
00:42:41You have the...
00:42:42You've got it up your ass.
00:42:43Hello
00:42:57Hello
00:42:59Hello
00:43:00How is my Moorish queen?
00:43:04Good
00:43:05Good, good, good
00:43:05Very good
00:43:06You know what I told you.
00:43:10That I was preparing for you
00:43:12A surprise
00:43:14You are my surprise
00:43:15Every minute
00:43:16Every second
00:43:18Every moment
00:43:18Well, you see
00:43:20It's because your job will take a while to arrive
00:43:23I've been thinking that...
00:43:28That we could go on vacation
00:43:30You and I
00:43:31Being with you
00:43:33It's like being on vacation already.
00:43:35What a little beak you have!
00:43:37I already have the tickets.
00:43:41And the hotel
00:43:44To Fuengirola
00:43:46Like gentlemen
00:43:47Excuse me, Carmen, but...
00:43:52I cannot accept
00:43:56Oh
00:43:57Oh, how silly
00:43:59Clear
00:44:00If only...
00:44:01I haven't thought about it
00:44:02But I should have asked you about it.
00:44:04Before
00:44:04And I like it, I like it
00:44:05I really like the idea.
00:44:06But...
00:44:07But...
00:44:08I cannot accept that trip
00:44:11Unless...
00:44:14That it was...
00:44:18A honeymoon
00:44:19A honeymoon
00:44:23No
00:44:26You don't like the idea
00:44:28Yeah
00:44:30Yes, yes, of course.
00:44:32Of course I like it
00:44:33But...
00:44:35The thing is...
00:44:37I'm not sure if I understood correctly.
00:44:39Ask me again
00:44:43Carmen
00:44:48We're all grown up now.
00:44:53Ah, yes
00:44:54What I want is...
00:44:58To spend the rest of my life
00:44:59With you
00:45:00Will you marry me?
00:45:07Well
00:45:09If that's what it takes to get
00:45:11Come with me
00:45:12On vacation with me
00:45:14Well...
00:45:15Yeah
00:45:16Yes, yes, yes, yes
00:45:19Raúl
00:45:23But what are you doing here, Mom?
00:45:25Son
00:45:25What did I just find out?
00:45:27How can I not tell myself things?
00:45:28But...
00:45:29And what can I tell you?
00:45:30Come on, let's go
00:45:31Show it to me
00:45:31These attacks are criminal.
00:45:32What are you saying?
00:45:33What are you saying?
00:45:33Let's see
00:45:34Raúl, don't be a fool, okay?
00:45:35Have I seen you like that before?
00:45:36Come on, please, man
00:45:37Okay, let's go
00:45:38Let's look at this
00:45:39And let's see what you've done to yourself.
00:45:40Because what a load of nonsense.
00:45:41Let's see
00:45:42This is awful, isn't it?
00:45:53Yeah
00:45:53Inflamed, Raúl
00:45:55Mother
00:45:57That ten years ago
00:45:58Don't you see it?
00:45:59That's how it is.
00:46:00Ah
00:46:01Hey, is this it?
00:46:05Where do we need to go?
00:46:07No
00:46:08Yeah
00:46:09Come on
00:46:11Hey, bowling ball
00:46:14Hey, bowling ball
00:46:19It's not here
00:46:23In other words, it's best that we didn't.
00:46:37It was a mouse
00:46:44I want to stop wasting holy water.
00:46:47Look
00:46:48If the traffic
00:46:49If you are deaf or lost
00:46:50She no longer knows
00:46:51So,
00:46:52Let's all calm down
00:46:54And breathe.
00:46:55Deeply, okay?
00:46:56So
00:46:57Breathe
00:46:58Breathe
00:46:59Inspire
00:47:00Inspire
00:47:01Inspire
00:47:02Inspire
00:47:02Inspire
00:47:04Aaah!
00:47:06Aaah!
00:47:12Three, one, two, three...
00:47:20There's someone here, huh?
00:47:22Disgusting!
00:47:24There's food here, leftovers.
00:47:26What is it?
00:47:28That is...
00:47:30Sun!
00:47:34Aaah!
00:47:36Aaah!
00:47:44What are you doing?
00:47:46I'm going with Dad Giusto.
00:47:52Did he ask you to accompany him?
00:47:54No, he doesn't know yet.
00:47:56Stop, stop, stop...
00:47:58Hold on a second. You can't go with him.
00:48:00Why not?
00:48:02Because...
00:48:04Because you're 17 years old and cancer is very hard and you're not prepared to face something like that.
00:48:10Mom, this is my father, okay?
00:48:12And he has no one.
00:48:14I know.
00:48:16Okay, and if not, I'll... if I don't go with him, who will be with him?
00:48:20Huh? Nobody.
00:48:22Okay.
00:48:24Okay, but now we're talking about you.
00:48:26And you can't face something like that.
00:48:28Listen to me, really? Who do you think Dad wants you to go through something like this?
00:48:32I don't care! You can't forbid me from doing it!
00:48:36If I can.
00:48:38Mother...
00:48:40If Dad dies alone in that hospital...
00:48:42I will never forgive you for that.
00:48:46Okay, fine.
00:48:50Eve...
00:48:52Calm down, Eva.
00:48:53Okay.
00:48:54Okay.
00:48:55Okay.
00:48:56Peaceful.
00:48:57My heart is tired of waiting.
00:49:07He wants to live, chasing you to the end.
00:49:13My heart is tired of dreaming.
00:49:19She wants to go out and dance until she dies.
00:49:26Down the river, to the sea, I go looking for my opportunity.
00:49:38And if I get lost before I arrive, make a place for me in your memory.
00:49:50In your memory.
00:49:57In your memory.
00:50:02Have you heard it?
00:50:08It is the last song that Marcos has composed.
00:50:11Yeah.
00:50:12Is...
00:50:13She's beautiful.
00:50:19I run.
00:50:21Why don't you go downstairs and see if dinner is ready?
00:50:24No...
00:50:25No, please.
00:50:27Runs.
00:50:28How are you?
00:50:41My mother won't let me go to Houston with my father.
00:50:49I'm sorry.
00:50:51Well, wow.
00:50:53I'm glad you're not leaving.
00:50:55I'm so sorry about your father.
00:51:08When...
00:51:10When my mother...
00:51:12Well, when I was sick.
00:51:16I wanted us to be laughing all day, you know?
00:51:18You would scold us and we would get sad.
00:51:20Look, but...
00:51:24And why should I smile if...
00:51:27What if my father isn't even going to see me?
00:51:30Well...
00:51:32But...
00:51:33Maybe he'll smile, I don't know, because...
00:51:35By email, right?
00:51:37And so it is with every smile of yours...
00:51:39Well, with each of your beautiful smiles, well...
00:51:42Well...
00:51:43That crap he has in his head might shrink by a millimeter and...
00:51:46AND...
00:51:47So little by little, millimeter by millimeter, right?
00:52:01Well, the door is stuck and we need a crowbar now.
00:52:05Out.
00:52:07Out.
00:52:08Out.
00:52:13Porite.
00:52:15Porite?
00:52:16Are you OK?
00:52:18Let's find something that can act as leverage, okay?
00:52:21But what are you doing?
00:52:23Just a minute, Mr. Rampino's things are getting worse and worse.
00:52:26It's for...
00:52:27What's the point of this?
00:52:28That's exactly it.
00:52:30No!
00:52:31I don't care how I feel, do I?
00:52:59Oh, of course not, man.
00:53:03Friti, this is a private game.
00:53:07Ah, well, then we can call Santiago and ask him,
00:53:12because I assume he's aware that you have a casino set up here.
00:53:23One hundred more?
00:53:25And I see it. I see it all.
00:53:27No, double couple.
00:53:31Francis.
00:53:37You win.
00:53:40A little money for you, a little money for him, for you.
00:53:42What are you going to do at home tonight?
00:53:44What do you get?
00:53:46And yes, you've earned a pretty penny, huh?
00:53:49Yes, yes.
00:53:50But remember, luck doesn't last forever.
00:53:53And now that you're winning, retire, take my advice.
00:53:56Yeah, man, sure.
00:53:57And now I'm an idiot.
00:53:59I'm not moving from here as long as Saint Justa protects me.
00:54:02Saint Justita, Saint Justita.
00:54:03Very good.
00:54:03Brother, don't worry about me, okay?
00:54:04I'm on a roll.
00:54:06Come on, make a little space, okay?
00:54:07And for these gentlemen, whatever you want.
00:54:09Another one for me.
00:54:10Very good.
00:54:11Do whatever you want.
00:54:12No, no, no, no, no, no.
00:54:42No, no, no, no, no, no.
00:54:48I found it lying around and I was starving.
00:54:51Oh, God.
00:54:53I'm sorry, I'm incapable of taking anyone's dog away.
00:54:56Thank you so much for taking care of my dog.
00:55:01Why do you live here?
00:55:04Well, I live here because I have nowhere else to go.
00:55:08It's warm in winter and cool in summer.
00:55:10And here, here nobody bothers anyone.
00:55:17Four of a kind.
00:55:19Bitch!
00:55:21How beautiful I look!
00:55:23Let's see, Santa Justa, Santa Justa.
00:55:24Saint Justa.
00:55:25A bad streak, a bad streak.
00:55:27Where is my fifth sense?
00:55:29Fiti, Fiti, Fiti, I already told you that luck doesn't last forever.
00:55:36And it seems the game is over for you.
00:55:38Just a moment, okay?
00:55:43Just a moment.
00:55:46Raul.
00:55:46Who is speaking to you?
00:55:47Raul, listen, hear me.
00:55:49No, no, no, no, nothing's wrong, nothing's wrong.
00:55:50Hey, look, pay attention.
00:55:52Bring me the car's papers.
00:55:55Wake up, damn it, yes.
00:55:56Yes, bring them to the tavern.
00:55:58Okay?
00:55:59Come on, hurry up, get dressed and come here.
00:56:01Hey, listen to this.
00:56:03Don't wake your mother up, okay?
00:56:05Okay?
00:56:06Come on, champ.
00:56:07Okay, that's all for now.
00:56:07Fiti, Fiti, Fiti.
00:56:08Are you stupid or what?
00:56:09You're going to be left without a car.
00:56:11Leave me alone, damn it.
00:56:12Fiti.
00:56:12Let me do what I want.
00:56:13Come on, Saint Justa.
00:56:17Very good.
00:56:18What's that?
00:56:18What's that?
00:56:20The car key.
00:56:25Raul.
00:56:26Has it come out?
00:56:27Has it been released yet?
00:56:29Well, you go back, you go back.
00:56:31Yes, go home, please.
00:56:32Look, listen to me.
00:56:35You go to the red dresser in the living room
00:56:38And you bring the deeds to the beach apartment.
00:56:42Okay?
00:56:44Yes, damn it.
00:56:46That's right, yes.
00:56:47That folder.
00:56:48Well, here you go...
00:56:49Please don't wake your mother up, okay?
00:56:52Above all that.
00:56:53Come on.
00:56:54Okay, see you later.
00:56:55Fiti.
00:56:56Leave it.
00:56:57Pussy.
00:56:57Francisco, I'm telling you what you have to bet on.
00:57:01Let's see these cards.
00:57:05Give me two.
00:57:07One, one.
00:57:10Two.
00:57:16Three.
00:57:16I have served.
00:57:23I'm leaving.
00:57:25Well.
00:57:26I have put.
00:57:28The beach apartment,
00:57:30two bedrooms,
00:57:32kitchen
00:57:32and sea views.
00:57:35Against all of that.
00:57:36No.
00:57:37No.
00:57:38No.
00:57:38No.
00:57:38No.
00:57:38No.
00:57:38No.
00:57:38No.
00:57:39No.
00:57:39No.
00:57:39No.
00:57:40No.
00:57:40No.
00:57:40No.
00:57:40No.
00:57:41No.
00:57:42No.
00:57:42No.
00:57:42No.
00:57:42No.
00:57:42No.
00:57:43No.
00:57:43No.
00:57:43No.
00:57:43No.
00:57:44No.
00:57:44No.
00:57:44No.
00:57:45No.
00:57:46No.
00:57:51Ponger de Reyes.
00:57:55Overbooking of Kings.
00:57:57This way only.
00:57:58Let's see, let's see, let's see, that's a letter, Francisco.
00:58:02Let's see.
00:58:07Ponger of Assisi.
00:58:08Ponger of Assisi.
00:58:09No.
00:58:10Because?
00:58:35Can't you sleep either?
00:58:37Well, no, because since we got into bed, it's not like we're going to move.
00:58:42I mean, it felt like some kind of tsunami and I was about to...
00:58:44Yes, forgive me, but I don't know, I can't stop thinking about Sergi.
00:58:47I do nothing but think about him all my life, surrounded by people who pat him on the back
00:58:50And when it comes down to it, look at him, more alone than ever.
00:58:53And to top it all off, Eva says she wants to go with him
00:58:56And she told him no, of course.
00:58:57Lucia, wait
00:58:58You should go to Giusto
00:59:03Yes, because Sergi needs my help.
00:59:07And I know what I'm talking about
00:59:09I already lived through this whole story with Berta
00:59:11I know.
00:59:13And he is the father of your daughters.
00:59:15So, you can't...
00:59:17Well, you can't, no, we can't leave a shot
00:59:19So, you're going to Giusto?
00:59:20Why? What am I doing to Giusto?
00:59:22So, what am I supposed to do with Giusto? If he's not English, I have no idea.
00:59:24In other words, all I know how to say is hello, hello, and of course, hello in Giusto.
00:59:26It is not enough
00:59:27I'm staying here with the children
00:59:28And we'll get through this, don't worry.
00:59:30Do you think that's the best thing to do?
00:59:34Yeah
00:59:34And you believe it too
00:59:36Thank you
00:59:39I love you
00:59:41Me too
00:59:45So you're staying tomorrow
00:59:50Okay, today
00:59:51I don't think we'll have time to go back to sleep, will we?
00:59:59Well, we'll have to say goodbye.
01:00:01Yes, we'll have to say goodbye.
01:00:06Yes, please, right?
01:00:07Well
01:00:07Don Francisco is loaded
01:00:17What does he forgive you for, even if it's just the car?
01:00:19No, no, no, no way!
01:00:21Gambling debts are debts of honor
01:00:23And I am a gentleman.
01:00:24And that's it.
01:00:25How's it going?
01:00:26Okay, okay, Fiti
01:00:27What's wrong with this?
01:00:30I don't know
01:00:30I'm going to have a row with Candela
01:00:34I have the money
01:00:37I was going to call you now.
01:00:38I have 14,000 euros
01:00:42Wait!
01:00:44And a car
01:00:45And an apartment on the beach
01:00:49More than I owed you, huh?
01:00:50What's wrong, Fiti?
01:00:52Nothing
01:00:52I've lost a few euros
01:00:54This?
01:00:55Where?
01:00:57In a gambling den, in a gambling den
01:00:58What's happening?
01:00:59In a gambling den
01:01:00Where?
01:01:03Damn, this interrogation, man.
01:01:04Well, that's about it.
01:01:05With, I don't know
01:01:06With some people around
01:01:07They confused me.
01:01:08I got jealous
01:01:09Between
01:01:10And that's it.
01:01:11A bad streak
01:01:11But how much have you lost, Fiti?
01:01:14Damn, I already told you.
01:01:15A few euros
01:01:15Nails
01:01:17Goods, materials
01:01:19Do you know how much?
01:01:19How much?
01:01:22Well, some
01:01:23A few thousand euros
01:01:26The car and the beach apartment
01:01:31But, but, but, Fiti
01:01:33But, but, for God's sake!
01:01:34How can someone be so naive?
01:01:35How should I know?
01:01:35How should I know?
01:01:36What, what, what
01:01:37I must have lost my fifth sense
01:01:38I, I'm not feeling well.
01:01:39I'm not feeling well.
01:01:40And let's see.
01:01:40What the hell?
01:01:42I'll tell Candela now.
01:01:43Hello
01:01:46Hello
01:01:46Hi, Candela
01:01:49Hello, good
01:01:50Hello
01:01:51Give me the car keys
01:01:52I have to go to the mall
01:01:53No
01:01:53The keys
01:01:54No, I don't have them right now.
01:01:57What, what is the car now?
01:01:59No, it's not available.
01:02:01Did you bump yourself?
01:02:03No
01:02:03Yes, yes, yes
01:02:05That's it
01:02:05A, a bad blow
01:02:06But that's already happening.
01:02:07It'll be fixed.
01:02:08It gets fixed.
01:02:09Yes, well, it'll be fixed.
01:02:09But are you okay?
01:02:10Yeah
01:02:11And where did you get hurt?
01:02:12Where is the car?
01:02:13Was he alone?
01:02:14Have you called the insurance company, Fiti?
01:02:15Yes, but
01:02:15No, that's already happened.
01:02:16Has your insurance company called you yet?
01:02:17Look, let me tell you, let me tell you
01:02:18Let me tell you
01:02:18The car right now
01:02:20Mainly
01:02:21Nothing's wrong with him
01:02:23Nothing's wrong with him
01:02:24Well, what if it happens to him?
01:02:25If it happens
01:02:26It's none of our business.
01:02:28Already
01:02:29Fiti
01:02:30The car keys
01:02:35Oh, and...
01:02:39This
01:02:41It's yours
01:02:43You forgot about it
01:02:45Thank you
01:02:49Watch out, Fiti
01:02:53If you see him from the car
01:02:54Thank you
01:02:54How could you have said it?
01:02:55I'm not an ogre
01:02:56What a scare!
01:02:56Can't
01:02:58Can't
01:02:58No, Marcos
01:03:00Shut up
01:03:01Tell him I had to go do a...
01:03:03Raúl
01:03:04Raúl
01:03:05Raúl, relax, man.
01:03:06No no
01:03:06So, don't listen, okay?
01:03:08You, relax.
01:03:08You
01:03:08What you have to do is
01:03:10Remember your first experiences
01:03:12Okay?
01:03:13I don't know, I don't want to.
01:03:13Look, man
01:03:15What is it that here in this movement
01:03:16Well, we can't help you, you know?
01:03:17We're a little...
01:03:19Powerless
01:03:20That story
01:03:22He's coming, he's coming, he's coming
01:03:25Come on, man
01:03:26That she has it
01:03:26It's broken, dude.
01:03:27Come on
01:03:28Give it to me hard.
01:03:28She looks beautiful
01:03:29Raúl
01:03:30Come on, come on
01:03:31Are
01:03:31Are
01:03:31Hello
01:03:32Hello
01:03:34Hello
01:03:34How are you?
01:03:39How are you?
01:03:41Good
01:03:41Today is the day
01:03:44Do you want to go for a drink?
01:03:50We'd better go home
01:03:51We have everything there.
01:03:54And don't you feel like going for a walk?
01:03:57Or can we go to the movies?
01:03:58We can go to the movies too
01:03:59No
01:03:59That there is a...
01:04:00No
01:04:00Now that we have the house to ourselves
01:04:03Better to take advantage of it, right?
01:04:06My dad has a lot of movies
01:04:09Well, the thing is, nothing beats a big screen.
01:04:11No, well...
01:04:13Trust me
01:04:14Hey?
01:04:15We certainly won't get bored
01:04:17Just a moment, just a moment
01:04:22One moment
01:04:23One moment
01:04:24I...
01:04:29Let's see
01:04:29You look great on me
01:04:33AND...
01:04:35And I like you
01:04:37But...
01:04:40We don't know each other.
01:04:42Equal...
01:04:44Maybe you think I look...
01:04:46I don't know, do I?
01:04:47But...
01:04:48I don't...
01:04:49I am not...
01:04:51So
01:04:52I mean
01:04:52Those ones, right?
01:04:54If what I want to tell you is Virginia
01:04:59The thing is...
01:05:00Yes
01:05:00Just because I give you sex doesn't mean it's going to be...
01:05:02Nobody wants it more than I do.
01:05:05But...
01:05:07But we're going to do things right.
01:05:09I love sex
01:05:11I mean, I...
01:05:12But...
01:05:14But sex...
01:05:16Of love
01:05:17Of love
01:05:19Hello?
01:05:29Hello?
01:05:29Hello?
01:05:49Uncle Francisco
01:05:52Hello, handsome son
01:05:55What? Are you coming from school?
01:05:58Yes, Santiago brought me.
01:05:59What are you doing here?
01:06:00Well, no, nothing.
01:06:02Well, look, it's just that
01:06:05I wanted to give you a little surprise
01:06:09Is it for me?
01:06:11What is it?
01:06:13It's a memory, huh?
01:06:14All I have left is when I was...
01:06:16So you never forget your Uncle Francisco
01:06:22Hey?
01:06:25Since we have the same name, it works for both of us.
01:06:27Do you like it?
01:06:30Yeah
01:06:30But you're leaving, man.
01:06:35No, no, it's just that I owed you one.
01:06:37Because you gave me
01:06:39The lucky marble
01:06:42Do you remember?
01:06:43Okay, so when's that hug happening?
01:06:46And that kiss
01:06:46That I deserve, you know?
01:06:49Work!
01:06:50Come on
01:06:50Come on
01:06:51Go put your backpack away and wash your hands
01:06:53Thank you, Uncle Francisco.
01:06:56You're welcome, Curro
01:06:57It doesn't matter
01:06:58Well
01:07:00Are you leaving?
01:07:03Yes, I'm leaving.
01:07:05Just like that, without saying goodbye or anything.
01:07:08Yes, well, as always.
01:07:09In a rude manner and...
01:07:10But this time
01:07:12Not because of tastes
01:07:15But because I have no other choice
01:07:17You've gotten yourself into trouble again.
01:07:19You don't need to leave
01:07:21If you need anything...
01:07:23You can't help me
01:07:26It's a matter
01:07:27A bit
01:07:28I've owed money for a long time.
01:07:32Big money
01:07:33Already
01:07:34You're the one who made him money, Fiti, aren't you?
01:07:37You gave it back to her
01:07:40And now you can't pay what you owe
01:07:43I'm old now, Santiago
01:07:49And I'm becoming sentimental.
01:07:53Bye
01:07:56And Carmen?
01:07:59Are you going to run away with her?
01:08:01Carmen is a lady
01:08:04Me too...
01:08:06I can't do that to him
01:08:08Well, you're going to destroy it.
01:08:10She loves you
01:08:12Yeah, yeah, yeah
01:08:13But I'll make sure of that...
01:08:16That he stops loving me
01:08:18It will pass.
01:08:20I thought...
01:08:25This time you were going to stay forever
01:08:31But if you have to leave, then leave.
01:08:32Come on, go away now
01:08:33No, no, no, no, no, no
01:08:35Santiago, Santiago
01:08:36There's no need to...
01:08:38Invent more cards
01:08:40It's over
01:08:47Being a father is over.
01:08:49Going to university
01:08:50And break some record for little girls
01:08:52With the expectations I had
01:08:54It's all over.
01:08:55The movies
01:08:57The magazines
01:08:58Going out at night
01:08:59To live, damn it, to live
01:09:01Raúl
01:09:03From now on
01:09:05You're a meek one
01:09:06Chucky
01:09:07Say
01:09:08Stop acting like a fool
01:09:09Come on, sit down
01:09:09Well, if it's okay, almost
01:09:10Come on, sit down
01:09:11Already
01:09:12Okay, let's go
01:09:13That's it
01:09:14Eva Capdevila
01:09:15Eva Capdevila
01:09:17Your turn
01:09:18Success
01:09:27It is the core
01:09:29Of the subject
01:09:32He is article
01:09:35And from the company
01:09:38Say credit
01:09:40The company
01:09:41About going to the company
01:09:43That's it
01:09:44Your turn
01:09:45And from the company
01:09:46There it is
01:09:47That's it
01:09:48That's it
01:09:48You
01:09:49And from the company
01:09:50And from the company
01:09:51Your turn
01:09:52The company is the modifier.
01:10:22Do you realize, Marcos? I'm fine, I'm normal.
01:10:27It's just a coordination problem, a synchronization problem, whatever you want to call it.
01:10:30What are you telling me, Raúl?
01:10:32What? Look, my head goes one way and my little soldier goes another.
01:10:37My head, the command center.
01:10:40He wants a lot of aunts, that is, a lot of wars.
01:10:44And the little soldier only has enough ammunition for one.
01:10:46Okay? I mean, it only works when I think about a girl.
01:10:50One in particular, just one.
01:10:52Ah, in one, then.
01:10:55Yeah.
01:11:03Eva? So, it only works with Eva, Raúl?
01:11:05Only with Eva, dude.
01:11:08The damn woman has turned out to be a romantic.
01:11:10It's strange, isn't it?
01:11:12Is it strange?
01:11:13Yes, yes, yes. No, no, you're just weird, I mean.
01:11:18Good.
01:11:20The important thing now is that my soldier has a mission.
01:11:23Dad.
01:11:23Yeah.
01:11:24Can I come over for dinner to a friend named Jacinto?
01:11:27Yeah.
01:11:28Because he's the one who found Bali's hair.
01:11:29Very well, let him come, if he wants to come and sleep too, then let him come and sleep.
01:11:32And you stay still, I'm watching that pig.
01:11:35Guillerta, come and put your hands away and stop being so flirtatious.
01:11:38How are you again?
01:11:39Here, behind the Tupperware containers.
01:11:40Be careful with the Tupperware.
01:11:42Be careful with other hands, man.
01:11:44No, no, no, no.
01:11:44But why do we have to eat sausages again?
01:11:46Fuck.
01:11:46Why didn't you let the boys choose my luxury list?
01:11:49Pepe, please don't ruin my day.
01:11:52I'm going to miss you so much, Mom.
01:11:54I'm going to miss you so much, Mom.
01:11:57Get ready, because your mom won't be around anymore.
01:12:03Hello.
01:12:05Hello, family.
01:12:07Hello hello.
01:12:08No, one of us wins.
01:12:09Make it really nice, man.
01:12:11I have to tell you something.
01:12:12No, not that, one wins.
01:12:14Something important.
01:12:15Guillermo.
01:12:16I'm getting married.
01:12:19What's wrong with you? What's wrong with you?
01:12:22I'm getting married!
01:12:25I'm marrying Francisco.
01:12:29Not the good one, Mom!
01:12:31Not the good one!
01:12:32But what can we expect?
01:12:35My rice is getting overcooked.
01:12:36Ma'am, ma'am, let me see if I've understood correctly.
01:12:38So, from now on you're going to be my mother-in-law and my sister-in-law.
01:12:41And my brother is also going to be my father-in-law.
01:12:43Well, what if they have a child?
01:12:45What's it going to be?
01:12:45My nephew, my brother-in-law.
01:12:47Diego!
01:12:47Mother of my son, that's me, Diego, eh?
01:12:49Hey, you kept that quiet.
01:12:51I'll be your bridesmaid, please.
01:12:53What's so great, Santiago?
01:12:55Oh, this man is so delicious, my God.
01:12:57Mom, now we're talking.
01:12:58Yeah.
01:12:59Tell me.
01:12:59Just because.
01:13:00Yes, I'm telling you.
01:13:03Lady.
01:13:04Lady.
01:13:04Hello Francisco.
01:13:06Ah, that means he's going to give me another surprise.
01:13:08And call me by my first name, because we're going to be brothers-in-law.
01:13:11I'm here now.
01:13:33Hi love.
01:13:36I'm back.
01:13:39What's happening?
01:13:42Has something happened?
01:13:45No no.
01:13:47Nothing has happened.
01:13:49Simply put...
01:13:51It's over.
01:13:53That?
01:14:01Are...
01:14:03They're a bit older, aren't they?
01:14:04Well, no...
01:14:05Let's not fool ourselves.
01:14:07It's over.
01:14:10I'm leaving.
01:14:12I'm fed up with being here.
01:14:14But...
01:14:15And your family?
01:14:16And what about the plans we had made?
01:14:20The wedding?
01:14:21Look, look, look.
01:14:23My family already...
01:14:25He already knows me, yes.
01:14:27And about the wedding, well...
01:14:29What do you want me to say?
01:14:33Well, it was just a heated moment.
01:14:36We're not here for nonsense, you understand?
01:14:39No, I don't understand.
01:14:42Carmen, you are a mature woman.
01:14:45You didn't fall in love with me like a schoolgirl, did you?
01:14:49Well yes.
01:14:49Yes, yes, yes, I'm in love.
01:14:52Ah, no, no, no, no, no.
01:14:54Wait a minute, no, no, wait a minute.
01:14:55The tears act now?
01:14:57No, man, no.
01:14:58But where are you going?
01:15:01Where are you going?
01:15:03Do you look...
01:15:03Do you see yourself as a bride?
01:15:05Do you see yourself as a bride?
01:15:07But...?
01:15:07What are you telling me?
01:15:10Francisco, yes.
01:15:12Yes, I did something wrong.
01:15:13I...
01:15:13I love you.
01:15:20Wait.
01:15:22We had fun, didn't we?
01:15:23I had fun, but...
01:15:28No...
01:15:29I feel nothing.
01:15:32I don't love you.
01:15:32I don't love you.
01:15:32I don't love you.
01:16:02Mom, please, can you not be so dramatic?
01:16:19Are you going to make us all sad?
01:16:21No.
01:16:21Of course, you'll also get dehydrated.
01:16:23If you come back...
01:16:23Right away, I know.
01:16:24No, and it's nothing, it's just the emotion.
01:16:27But, Mom, why can't I go with you to Barcelona?
01:16:30Because maybe you have school.
01:16:32But how are you?
01:16:33Your father and I are going to Barcelona, we'll sort out some things regarding the deeds, we'll sell the house...
01:16:37And in two weeks I'll be here.
01:16:39Okay?
01:16:41Tete, Richi is calling you.
01:16:42Well, have a great time, Mom.
01:16:44Richi, Richi, I love you, I love you, Richi.
01:16:47Okay, please.
01:16:51Take care of them, okay?
01:16:54You're not going to say anything to him, Tete.
01:16:57Not for a moment.
01:17:02Look, the taxi is already there.
01:17:07Diego, hey, remember to pay the insurance and buy Curro the backpack.
01:17:11And even if my mother gets very stubborn, please don't let her tidy the drawers.
01:17:16Okay.
01:17:17You have your tickets and passport and all that.
01:17:20And I'm going to call you every day.
01:17:21Okay.
01:17:22And I'm going to write to you in the morning and in the afternoon.
01:17:28Come on.
01:17:29I love you.
01:17:31Come on.
01:17:37What faces.
01:17:38Hey, please, can you cheer up a little bit?
01:17:40Come on.
01:17:40No, a little more.
01:17:41Come on, come on, good luck.
01:17:43Well, and soon.
01:17:50Well.
01:17:52What time do people eat in this house?
01:17:54Come on, Eva, come with me to the kitchen.
01:17:56We'll let you go with him.
01:17:58You are not going to learn in life.
01:18:00You should be locked up in a center for irreversible idiots.
01:18:03Look, leave me alone.
01:18:04Or not?
01:18:04Let me see.
01:18:05Don't try to get me to talk, it'll only make things worse for you, okay?
01:18:06They're going to keep you, with the one from.
01:18:08Eh, their sighs.
01:18:14I know why you're crying.
01:18:16It's not a cause for sadness, it's a cause for joy.
01:18:17I've heard that you're the girlfriend.
01:18:19Down the river, to the sea, I go looking for my opportunity.
01:18:34And if I get lost before I arrive, make a place for me in your memory.
01:18:47My heart no longer wants to listen, it wants to sing, it's enough to just stay put.
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