Los Serrano - 7x07 - Mayormente, lo que sube, baja - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

África y Ana muestran su alegría tras conocer a Jorge. La profesora de Danza coincidió con él en la taberna, momento que aprovechó para facilitarle su teléfono. A la hermana menor de Candela se lo presentaron como el facultativo responsable de los reconocimientos médicos del Garcilaso. Sin embargo, cuando ambas descubren que se trata de la misma persona, se desatará un duro enfrentamiento entre las dos pretendientas. Las dudas amenazan el romance de Diego y Celia, en esta ocasión por la imposibilidad de consumar su primera relación íntima, algo a lo que el tabernero resta importancia hasta que escucha una conversación entre su novia y Choni. Este momento marcará un punto de inflexión en Diego, que temerá por el futuro de la relación. La organización del “Concurso de baile de Santa Justa” se encuentra en esta edición bajo la coordinación de Choni. Aprovechando la ocasión, Lourditas se apunta al certamen en compañía de Santi, pero éste lo rechazará inmediatamente, hecho que decepciona a su pareja, harta de actuar siempre según los deseos de su marido.

Transcript

00:00:05No, no, although no, if it's God's will that they don't put it in, then the guys won't put it in.

00:00:11In our house, when we men get together, we always talk about the same thing: football.

00:00:17Don't move because what's about to start is open sex.

00:00:20Everything you always wanted to know about sex, open sex, just for you.

00:00:25You won't be able to take your eyes off the screen, which is open and uncensored.

00:00:29Does that change? What channel is that? Please, change the remote.

00:00:32No, Dad, we're going to keep an eye on it.

00:00:34Fiti says that men only have two topics of conversation: football and sex.

00:00:39But in my house we never talk about the second thing.

00:00:41Oh, damn, that's what you learn, man. It's a bit of a mess, but it's still going strong.

00:00:45Hey, Dad, don't worry, I've got this figured out.

00:00:47Me too.

00:00:48You've gotten over it, but I'm the one who's over it.

00:00:51I'll get the remote ready for you.

00:00:51My father would rather talk to the dentist than about sex.

00:00:54If it were up to him, he'd explain the bee and pollen thing to us when we were 30.

00:01:01For God's sake, we've already done our first communion, damn it.

00:01:04Fiti, I know we've already done the whole first communion thing, but I'm going to explain something to you.

00:01:07I work with sensitive material, you understand.

00:01:08Who is the sensitive material? Those are the teenagers.

00:01:10And in this house, that's not something we talk about at all.

00:01:12The only thing you need to know about them here is bad sex with me.

00:01:16Bad sex.

00:01:16Off to bed, that's what you heard.

00:01:18Bad sex in bed.

00:01:20Let's go with the teddy bear, Dad.

00:01:22Celia, yes.

00:01:24Yes tell me.

00:01:25Very good, very good. And you?

00:01:27Yeah.

00:01:29Of course I'll let you use the car, whatever you need.

00:01:32Yeah.

00:01:33And for as long as it takes, of course.

00:01:36Come on.

00:01:37A little kiss.

00:01:38Come on.

00:01:40Celia, who has been left without a car.

00:01:41Ah, he's lost his car.

00:01:43Let's see here, you bastard.

00:01:44Cete, think about it.

00:01:46They don't say anything, man.

00:01:48Haven't you told us how the premiere with Celia went?

00:01:50Damn, what was that Mexico-Castilian plateau union and fusion like?

00:01:56Excuse me, what merger?

00:01:57What merger are you talking about?

00:01:58There have been things, a merger, let's not talk about a merger.

00:02:00Also, I have to pick this up because things get stuck to the plate.

00:02:02Okay, wait a minute.

00:02:03They are very difficult to remove.

00:02:04What a way, yes sir.

00:02:05He doesn't talk about these things.

00:02:07Dad, I can't find my school tracksuit.

00:02:09Right now, son, the child, the child is calling me.

00:02:12I would be here for several hours with you if I could, but of course, my duties as a father...

00:02:15They're calling me, meaning you pick me up and close the door with her.

00:02:19Yeah.

00:02:19See you later.

00:02:20Bye.

00:02:21But all my father's efforts to avoid talking about the subject were going to be for nothing.

00:02:25Because, as they say in Jurassic Park, life always finds a way.

00:02:29Come on.

00:02:31Yes, yes.

00:02:33Come on.

00:02:34Yes, yes.

00:02:35Yeah.

00:02:36On a station platform, under the blazing sun, you were talking about a skyscraper in the sky of

00:02:43New York.

00:02:44Come soon to see the sea and send a postcard.

00:02:47I already knew that day was the end.

00:02:52Now I have much more.

00:02:55Red, black, stop and even, finally luck brings an ace and a crystal to look through and a wall

00:03:01for hanging.

00:03:03Seven smiling faces in a passport photo.

00:03:06My stories were not about tales made by chance.

00:03:13Nobody told me that destiny was giving me this opportunity.

00:03:20One plus one equals seven.

00:03:23Who would have thought?

00:03:27It was so easy to be happy.

00:03:40Yesterday I was left with one thing.

00:03:42Come on, what do you say?

00:03:43That's what refers to what is essentially sex.

00:03:47Fiti, that is, it's not the right time.

00:03:48That's why it's eight in the morning and I have an empty stomach.

00:03:49Yes, it's nonsense, damn it, I know, but...

00:03:52I was left with one thought, which I'm sure you didn't have, that Celia and you didn't...

00:03:56No what?

00:03:57No what?

00:03:57Because there hadn't been a fusion yet, you hadn't reached the pleasures.

00:03:59That's it, damn it, tell me something.

00:04:02Tell me yes or no, damn it, so I can clear up my doubts.

00:04:03Don't say so much, Fiti.

00:04:05No, no, please, man, stop...

00:04:08Well no, no, that's it, no.

00:04:09What do you mean, no?

00:04:10What do you mean, no?

00:04:11What am I saying?

00:04:11Please.

00:04:13Man!

00:04:14Shepherds' meeting, dead sheep.

00:04:16What a joy to see you here, Doña Carmen, looking so beautiful, isn't it?

00:04:20You're a flatterer, aren't you?

00:04:21Tete, daughter, drink juice, walk a little.

00:04:23Here, Grandma, leave me alone.

00:04:24If you give me your MP3 player, I'll be your slave for a week.

00:04:27What do you say, a week, dude, a month, at least, come on, with a thousand?

00:04:30Please, Guille, work, Guille, work, you're brothers, please.

00:04:34Let's come in peace and have a quiet family conversation.

00:04:37What does a calm family conversation mean?

00:04:39That means it's authorized for all audiences, that's it.

00:04:41As always, right?

00:04:42As always, of course, Carmen, as always, as always.

00:04:45Yes, yes, as always.

00:04:46The juice is gone, Diego.

00:04:47Okay, everyone here is out of juice, let's get more from the pantry, come on.

00:04:51No, no, no, we don't need juice, let's keep the peace, Fiti, please.

00:04:54Yes, we need juice, we need juice, because I love juice, I can drink liters of juice.

00:04:58Come on.

00:05:01Tito, well, I'll leave it here for you, okay?

00:05:04Have you seen how beautiful that is?

00:05:07I'll eat it, I'll eat it.

00:05:08Well, you don't know, he called me yesterday, he kept calling me.

00:05:11He calls me to tell me that he has signed up for cárate.

00:05:14Oh, please.

00:05:15You can imagine, man.

00:05:17How delicious!

00:05:18He's so intelligent it's hard to believe he's your son.

00:05:24Damn, how I miss him!

00:05:28I imagine so, me too.

00:05:30Well, to tell you the truth, yesterday I bought him one of those toy toolboxes.

00:05:34What are you saying?

00:05:34Oh really?

00:05:36Yes, I saw it in a shop window, I remembered him and I couldn't resist.

00:05:40I messed up, didn't I?

00:05:42No, no, no, not at all, quite the opposite, thank you.

00:05:45Damn, I don't know, it's just that I suddenly had a... an imagining.

00:05:50Imagine if it had been our son.

00:05:56Don't worry, I'm sure you'll do it soon.

00:05:58Yes, sure, listen, I'm going to the workshop, okay?

00:06:00Okay, see you later.

00:06:01Bye.

00:06:05Oh, sorry.

00:06:08Hi, could I have a ham toast and a juice, please?

00:06:11Toast and juice.

00:06:12And could you give me another coffee, please?

00:06:15Coffee, of course.

00:06:20But what do you mean, no? What do you mean, no?

00:06:22Look, I don't like having these conversations right there with my kids in front of me, you know?

00:06:26No, I don't like it.

00:06:27Diego, please, this is very serious.

00:06:28Don't tell me nonsense.

00:06:30Now, grab your juice and let's go.

00:06:31But I don't want juice, I don't like juice, damn it.

00:06:32What I thought about the juice.

00:06:33Explain yourself.

00:06:34Because?

00:06:34Why the hell?

00:06:36Damn, with all due respect.

00:06:37Diego, damn it, Celia is a woman who is, who breaks down.

00:06:41Okay, well, I'll explain it to you.

00:06:42Because it's very easy, let me explain.

00:06:44In other words, it hasn't come up yet.

00:06:45In other words, the opportunity hasn't arisen.

00:06:45And since the opportunity hasn't arisen, well, the opportunity hasn't arisen.

00:06:47The thing is, the opportunity hasn't arisen.

00:06:48And now, if you don't mind, my family is out there and we really enjoy having breakfast together.

00:06:52So, with your permission.

00:06:53Okay, fine.

00:06:58But it's so good.

00:07:00Yes or no?

00:07:02Well no.

00:07:03Besides, you know, broad shoulders and narrow butt, that is.

00:07:08But how awful envy is.

00:07:09Envy.

00:07:13What's wrong with him?

00:07:16He's drowning.

00:07:17He's drowning.

00:07:20Yes, one moment.

00:07:22Calm down, calm down.

00:07:22Give him some space, give him some space.

00:07:23That?

00:07:25Go ahead, go ahead.

00:07:25Come on, man.

00:07:26Go ahead, go ahead.

00:07:27Go ahead, he's getting redder and redder.

00:07:28Go on, go on, go on.

00:07:30So, what's going on here?

00:07:32Leave me alone, damn it, I mean.

00:07:34Let's see.

00:07:38Have they fired?

00:07:38That's it.

00:07:39Better?

00:07:39Are you feeling better?

00:07:40Yes, thank goodness you've arrived.

00:07:41No, nothing, not even...

00:07:42Okay, disperse, please, that's it, that's it.

00:07:44Good.

00:07:45No, nothing else to see, come on.

00:07:46Better?

00:07:47Yes, yes, thank you.

00:07:48Nothing.

00:07:49I'm not dying, dude.

00:07:50No, no, what?

00:07:50That will give life.

00:07:51No, no.

00:07:52No, take it away, take it away.

00:07:53How are you?

00:07:54I'm going to be seen here, what a mess.

00:07:56I'm going to leave you to die right here, aren't I?

00:07:58No.

00:07:59Thanks again.

00:08:00My name is Jorge Díaz.

00:08:01Frustuoso, Martínez.

00:08:02Delighted.

00:08:03Delighted.

00:08:04Well, I owe you one, it's frustrating.

00:08:06Hey, you're going to owe.

00:08:07Thank you.

00:08:09I don't know, I don't know.

00:08:11I may have defeated something.

00:08:12I don't measure up under pressure.

00:08:14I noticed that there...

00:08:15Well, the same.

00:08:16Can I get you something?

00:08:17Come on.

00:08:18Is this better?

00:08:19Better.

00:08:19Sure?

00:08:20Sure.

00:08:20Do you want me to go with you to the doctor or something?

00:08:22No, no, no, really, it's not necessary.

00:08:23Okay.

00:08:23Really.

00:08:24Good.

00:08:25Damn, life is funny.

00:08:27Yeah.

00:08:27I almost died.

00:08:29Look, that would be a shame.

00:08:32Yeah.

00:08:34Especially because I wouldn't have met you.

00:08:37Hey, by the way, I haven't given you my phone number, have I?

00:08:42That little hen looks so good after saving a life, kid.

00:08:46Love is comforting, man.

00:08:51By the way, Afri, don't forget you have to do the shopping, okay?

00:08:54We might as well use the fridge as a shoe rack, what the heck.

00:08:57Okay, make some room for me.

00:09:00Come on, we're already starting to put up posters.

00:09:03And so?

00:09:03The Santa Justa dance competition, which we have to organize this year, right?

00:09:07Well, I've been appointed chief organizer, so you'd all need to sign up now.

00:09:11How beautiful.

00:09:12I would love that.

00:09:14Do you like to dance?

00:09:15Hey?

00:09:15A little bit.

00:09:17Well, I love it.

00:09:19My weakness is dancing.

00:09:21Well, yes, look, I'm not surprised by the calm waters sometimes.

00:09:25Okay, I'll put you on the list, first couple, Lourdes and Santi.

00:09:28Can you imagine?

00:09:29Hey, Santiago, I'm going around and around like Olivia, Newton, John and John Travolta.

00:09:33They look exactly alike, I can already imagine them.

00:09:36Well, here you are.

00:09:38The first couple, sign us up, you've already got it.

00:09:40Hello, everyone.

00:09:42Today I'm not going to the table and I'm not going to the tavern.

00:09:44Yes, hey, dear, how are you taking care of me?

00:09:46She treats me like royalty.

00:09:47Lourdes, please.

00:09:48Oh, don't be silly.

00:09:49Hey, honey, we've signed up for a dance competition.

00:09:52What do you think?

00:09:52A joke.

00:09:54No, listen, it's a competition at the school.

00:09:56I thought, come on, we've signed up.

00:09:58Well, you can delete us now because I don't do that kind of bullying.

00:10:01I'm leaving, I have an apartment.

00:10:10It's because he has a lot on his mind, because, well, running a business is very demanding.

00:10:16Already.

00:10:21Virgin at fifty.

00:10:22Okay, thirty-nine.

00:10:23And show some respect, you're talking about my brother.

00:10:25Forgive me, forgive me.

00:10:25If it's at forty-nine, then yes.

00:10:27He still has time, he's still a youngster.

00:10:29Okay, let's see.

00:10:30The thing is, Celia intimidates him, damn it.

00:10:32At some point, we all want a Ferrari, right?

00:10:35But when you sit down, okay?

00:10:37You sit down, you pick it up, there, come here.

00:10:38Damn, you're getting wrinkles.

00:10:39That's the best thing about an all-terrain vehicle.

00:10:41They raise you up, they lower you down, forwards, backwards, huh?

00:10:44They fit anywhere, yes or no?

00:10:45If you can't reach the pedals, little guy, don't show any respect, you're talking about my brother.

00:10:49I'm talking about the car.

00:10:50A utility vehicle.

00:10:51I think it will be very nice, but you never leave yourself hanging.

00:10:54Go ahead, tell him, tell him.

00:10:57It's crazy.

00:10:58Do you know how much a valet ticket costs?

00:11:00From a valet?

00:11:00Yeah.

00:11:01I don't feel like it, I don't feel like it.

00:11:02Giseye, right?

00:11:03I bought two tickets to surprise Celia, right?

00:11:05Well, he almost asked me for a guarantor.

00:11:07It doesn't matter.

00:11:07Because I know I'm going to love her.

00:11:10There are free shows that are also delightful, Diego.

00:11:13There are also free shows that are delightful.

00:11:14The goat's legumes are telling me.

00:11:16I'm talking about a Russian valet.

00:11:17They are the best.

00:11:18Remember that when these people made mistakes, they were sent to Siberia.

00:11:21Diego, Diego, Diego.

00:11:23Don't you think that would be better?

00:11:24In other words, a more classic tech screen.

00:11:26In other words, a hotel, a nice suite.

00:11:28Her beautiful lingerie.

00:11:30Her little bottle of champagne.

00:11:32City, City.

00:11:32Not that way.

00:11:33Not that way.

00:11:33No no.

00:11:34A Ferrari requires maintenance.

00:11:36And taking that into account, huh?

00:11:39What you give him.

00:11:40Not that the children.

00:11:41Not even the mother-in-law.

00:11:43Well, damn it, you've got all the red lights on, Diego.

00:11:45Okay, let me tell you something.

00:11:46I could answer you, but I'm not going to.

00:11:48And I'm not going to do it because I don't want to fall for your nonsense.

00:11:50Is that clear?

00:11:50And also, quite a lot of time to be with them.

00:11:54If she has any problems...

00:11:55No, no, no, no, it doesn't have any...

00:11:57Look, damn it, he doesn't have any problem.

00:11:58No, let's see.

00:11:59In other words, Celia and I are very happy.

00:12:01If there were any problem, I would be the first to know because I'm not a child anymore.

00:12:05A little maturity, for God's sake.

00:12:15Almost, almost.

00:12:16Well, nothing happened.

00:12:17Nothing, nothing, nothing has happened.

00:12:18Thank goodness.

00:12:19Look, I wanted to give you this.

00:12:20I came looking for you.

00:12:22Oh, we're still on the market, right, Fiti?

00:12:23No, no, not this.

00:12:25But what are you looking for?

00:12:26Hey, here, the money I owe you.

00:12:28Well, not everything.

00:12:29I can't do everything yet, but...

00:12:30Fiti, if it doesn't work for you, I can wait.

00:12:32Yes, but I'd rather give it to you.

00:12:34And next month, when he covers me again, it's all over.

00:12:36But I don't need it.

00:12:37And I remind you that we are family.

00:12:39But I know, but...

00:12:40Take.

00:12:40No.

00:12:41Please.

00:12:41No, Fiti, no.

00:12:42Ana, please.

00:12:45I can't believe it.

00:12:47It's new.

00:12:48She's new and I have a meeting now.

00:12:51Wait, I'm sorry.

00:12:52Take.

00:12:53Fiti, Fiti, no, no...

00:12:57It wasn't that new either.

00:13:00Damn, what a day.

00:13:03Oh, forgive me, forgive me, forgive me, forgive me.

00:13:05Can you tell me what you're doing here?

00:13:06And who the hell are you?

00:13:07I am Jorge Díaz.

00:13:08Hey?

00:13:09Jorge Díaz.

00:13:10Well, you haven't answered my first question, have you?

00:13:13Let's see, I haven't seen anything that would make us want to see each other the day after tomorrow.

00:13:19Sorry?

00:13:19I am the doctor who will be doing the staff check-up at the school.

00:13:22Ah, of course.

00:13:25The doctor.

00:13:26Yeah.

00:13:28Hey, that's great, isn't it?

00:13:30Doctor and comedian.

00:13:31Two in one.

00:13:32Well, you can leave now.

00:13:34Hey, close the door, okay?

00:13:36Okay, fine, fine.

00:13:37See you later.

00:13:43Asshole.

00:13:44Listen, Diego.

00:13:45No, look, that's the end of the topic, okay?

00:13:46It's over.

00:13:47In other words, don't say anything to me because it's over, José Luis.

00:13:49You guys are really annoying, damn it.

00:13:50Cut a slice of ham for the table.

00:13:53That?

00:13:53Ah, of course, damn it, well tell me.

00:13:56That's what I do, cut the ham, just tell me and that's it, no problem.

00:13:59Good morning.

00:14:00Good morning.

00:14:01How are the prettiest people in the neighborhood doing?

00:14:03Very good.

00:14:05Flatterer.

00:14:06Come on, get me a couple of sandwiches to go.

00:14:07To take away, to take to you, yes, I'll take several.

00:14:10José Luis, your sister is in front.

00:14:12Your sister is in front.

00:14:13Let's see, a couple of small sandwiches.

00:14:14Leap.

00:14:15The girls.

00:14:16I came to tell you that we've already deleted each other.

00:14:18Erased?

00:14:18Where from?

00:14:20Well, from...

00:14:21Look, just leave it.

00:14:22Yes, same.

00:14:22Ah, okay, okay.

00:14:26That's beautiful.

00:14:27That?

00:14:28Ah, your husband asks you to jump off the cliff and you jump.

00:14:32Don't overthink it, Choni, it's not that important.

00:14:34No, it is important, Lurdy.

00:14:36Yes, it is important.

00:14:37Let's see, how many times have you gone to dinner with the pickle guy?

00:14:42How many times has your husband gone with you to do something?

00:14:46It's because he doesn't like movies.

00:14:48And what a sad life, darling.

00:14:51No, not sad.

00:14:51No, sad yes.

00:14:53Sad, yes, Lurditas.

00:14:55A little bit of joy for that body that God has given you.

00:14:57But I'm doing very well, woman.

00:14:59From my house to work, with my son, my husband.

00:15:01I don't need anything else.

00:15:02Besides, he's very busy, he's emotional.

00:15:04Ah, Palomita.

00:15:05Yeah.

00:15:05We bought the Piper View to watch the game here tonight.

00:15:09Josico.

00:15:10Hey?

00:15:10Not your football, you go home.

00:15:12I don't play football, I'm going home.

00:15:15Don't respect yourself, Lurdy.

00:15:17If you don't respect yourself, we'll see who respects you.

00:15:20Hey, Choni, that's enough, okay?

00:15:21I haven't asked for your advice or your opinion.

00:15:24I'm not going to tell you what to do with your life.

00:15:27No.

00:15:28Choni.

00:15:28The montaditos.

00:15:29There.

00:15:30Takeaway, they're for taking away.

00:15:33Takeaway, they're for taking away.

00:15:36Hey, boli.

00:15:37That?

00:15:38Who's last to pay for that pen?

00:15:39Okay, okay, okay, okay, okay, okay, okay.

00:15:40Forget about the bookshelf.

00:15:41What's happening?

00:15:42You're such a bitter, crazy person.

00:15:44But how bitter, man.

00:15:45That's boring.

00:15:45Oh, how bitter!

00:15:46What are you going to upload!

00:15:47Oops!

00:15:48Sorry.

00:15:48But where do you go against the rush?

00:15:49Nowhere.

00:15:53Good morning.

00:15:59See you later.

00:16:00See you later.

00:16:03Tete, I'm talking to you.

00:16:10Look, I don't want you to have a bad time and I know it's not easy at all.

00:16:13Blah, blah, blah.

00:16:17I'd love to have a set of instructions on how to...

00:16:19Blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah,

00:16:22Do you plan to continue with that attitude for much longer?

00:16:26Until you disappear from my life.

00:16:28Well, I think you're going to have to wait.

00:16:31You have no idea how patient I am.

00:16:40Science.

00:16:49Daughter, what a face.

00:16:51Sign up for the dance contest.

00:16:53Girl, with those curves you must make people dizzy just looking at you.

00:16:55Yes, yes, yes. I'm ready for competitions now.

00:16:57Just what I needed, a contest.

00:16:59But let's see.

00:17:01What problems do you have, queen?

00:17:02If you are a young girl who had to be comfortable like a bush, her boyfriend, her everything.

00:17:06But I'm comfortable, Choni. If it weren't for...

00:17:09For the kids.

00:17:11Tete.

00:17:14Keep in mind that it will take him some time to get over it.

00:17:18But I was already expecting that, the thing is, she hates me and that's why she won't budge.

00:17:21And why don't you talk to Diego about it?

00:17:22Are you both facing the issue?

00:17:24It's not that easy, Choni.

00:17:27Look what I'm telling you.

00:17:29That'll end your relationship, huh?

00:17:30And if not, time will tell.

00:17:32These things either need to be fixed or there's nothing that can be done.

00:17:35But if you think I don't know.

00:17:36I know that already, I just don't know how.

00:17:40Mom, doesn't Diego see that? Doesn't he realize?

00:17:42Yes, I think she does see it, Choni.

00:17:43The thing is, it's a very delicate matter.

00:17:45And I'm not going to force it either.

00:17:48My daughter.

00:17:49You have more patience than the holy leaf.

00:17:52What I think is that Diego feels powerless or can't, doesn't know, I don't know, it's that...

00:18:00What a mess.

00:18:08Now I'll tell you something else too.

00:18:11I have the baby's breast stuck in my soul, because with all that it has

00:18:14Besides, don't think for a second that it has to be easy.

00:18:17Yes, yes, I can imagine.

00:18:22How are you?

00:18:23Very good.

00:18:25How disgusting, Afri.

00:18:26Be careful with the countertop, grab a board.

00:18:28But I miss nothing.

00:18:29It's antibacterial.

00:18:30Do you want a little bit?

00:18:31No.

00:18:34It was your turn to do the shopping.

00:18:35You know, I met a guy this morning.

00:18:38Well, what am I saying, dude?

00:18:40To a god.

00:18:41And how do you do this? On the grill?

00:18:43He was in the tavern and almost choked on a piece of ham.

00:18:46So, I had to give him my phone number.

00:18:49Sure, that's normal.

00:18:52But seven hours have passed and he hasn't called me.

00:18:54So I guess he won't call me anymore.

00:18:57Well, I also met a guy today.

00:19:00How is?

00:19:00Well, but an idiot.

00:19:03It can't be the woman.

00:19:04Everyone seems like an idiot to you.

00:19:05Although I'm not interested in men right now.

00:19:07Look, listen to me carefully.

00:19:09Just forget about Diego.

00:19:10Ignore him.

00:19:11It's going to be the best.

00:19:18Just a second.

00:19:22Yes tell me.

00:19:26Well, I don't know, I'd have to look into it, but...

00:19:28I imagine nine o'clock is fine.

00:19:32Very good.

00:19:34Okay, see you later.

00:19:37Ann?

00:19:38That?

00:19:41Have we arranged to have dinner?

00:19:44Yes, yes, yes, yes.

00:19:45With a magnificent leg dance from the pivot.

00:19:47Happens.

00:19:48Kill, kill.

00:19:49I'll pass it back to your colleague.

00:19:50His teammate finishes here.

00:19:51Stop dancing and stop playing with the ball.

00:19:54Sorry?

00:19:54Sorry.

00:19:55Don't hold it against me, son, I just don't know what's wrong with me.

00:19:58I'm going, I'm going.

00:19:59I'm going, I'm working.

00:19:59Don't worry.

00:20:00Go.

00:20:00Thank you.

00:20:04I'm here now.

00:20:05Hello.

00:20:06Hey?

00:20:07How are you doing?

00:20:08How are you, my little one?

00:20:10Hey?

00:20:10You're late.

00:20:12Okay, shall we have dinner or what?

00:20:13Clear.

00:20:14Besides, I'm in a hurry.

00:20:15Because I've arranged to meet up with City to watch the game.

00:20:19Oh well, I've prepared meatballs.

00:20:21I know you love them.

00:20:23And they even have jobs, you know?

00:20:24And Diego in ballet.

00:20:25He doesn't know what he's missing.

00:20:27Diego in the ballet.

00:20:28He's probably snoring on Celia's shoulder.

00:20:30Watch out, manetero, seriously.

00:20:31Thank goodness you're cute.

00:20:32Because you've got no grace, you've got it up your ass.

00:20:35Talsosas.

00:20:37As?

00:20:39I've spent all afternoon preparing meatballs for everyone.

00:20:41And all you have to say is that they're bland?

00:20:44I go out a little.

00:20:45Just leave it alone, okay?

00:20:46You don't need to repeat it to me over and over again.

00:20:47I don't go around shouting, my life has no spice.

00:20:50Yes, my life is sad.

00:20:51Sad.

00:20:52And it is.

00:20:59Sorry, I've lost my appetite.

00:21:01But you're there for me, I've only said...

00:21:03Think about it, leave me alone.

00:21:05I just said they're a bit bland, but I'll eat them anyway.

00:21:07Let me!

00:21:14Dude, what's going on?

00:21:17Here we are, reading for a while.

00:21:21Well, that's it, I...

00:21:23Okay, see you later.

00:21:30Hello.

00:21:31Hi how are things?

00:21:32Are you alone today or what?

00:21:33Yes, I'm alone.

00:21:34Look what time it is.

00:21:35Santiago is nowhere to be seen, he was supposed to be here, and the other one, well...

00:21:38Well, with Celia, in the ballet.

00:21:43Man, wing.

00:21:44Doctor.

00:21:45Can?

00:21:46Clear.

00:21:47Oh, how strange.

00:21:48A doctor with calluses on his hands?

00:21:50I really like sports.

00:21:51Oh, really?

00:21:51Well, nothing for me.

00:21:53And what sport do you play?

00:21:54Skydiving.

00:21:56Ah.

00:21:57I'm sure you'd love it.

00:21:58Me?

00:21:59Because?

00:22:01I don't know.

00:22:02You are a strong, determined, beautiful woman.

00:22:08Of course, of course, being pretty is extremely important for skydiving, really.

00:22:14Hey, I don't know, would you like to go out for dinner?

00:22:17Capo, we've already arranged to meet tonight, but we can meet tomorrow.

00:22:20And no dinner.

00:22:22I'm going to take you to a very special place.

00:22:26What's wrong, grandma?

00:22:27Are we having trouble with our pulse or what?

00:22:28Enough of this nonsense.

00:22:30Man, I'll clean if you want.

00:22:33I'm going to have my beer somewhere else, in peace and quiet.

00:22:35Are you calm now?

00:22:36That's it.

00:22:38How are you, Fructuoso?

00:22:39Fucking great.

00:22:41Very good.

00:22:41The ballet.

00:22:42Very good.

00:22:43Very good, very good.

00:22:43He was jumping around quite a bit, wasn't he?

00:22:45And especially that little guy who was like...

00:22:47No?

00:22:48I have a little bit of...

00:22:49But the guy was in great shape, wasn't he?

00:22:51But what are you saying?

00:22:52If you didn't like it at all.

00:22:53You spent the whole time looking at the clock.

00:22:55No no.

00:22:56Sorry.

00:22:56Excuse me, Celia, but I liked it a lot.

00:22:58I liked it very much.

00:22:59No, very much so.

00:23:01One is always enough for me...

00:23:05Well, I'm leaving.

00:23:08One thing, Celia.

00:23:09Let's see...

00:23:11What I wanted was...

00:23:12I'm not sleepy.

00:23:14Come on, it's normal that since it's very late and all, you're sleepy.

00:23:17You're getting sleepy, aren't you?

00:23:19Yeah.

00:23:20I just had a coffee and I've been wide awake.

00:23:21I take it at noon.

00:23:22I don't usually stay up late, but hey, I don't know.

00:23:24It has happened to me that you are sleepy.

00:23:26No.

00:23:28Okay, so, if neither you nor I are sleepy, that is, if we're...

00:23:32I was thinking that...

00:23:34When I can't sleep, I go to the living room and...

00:23:37Diego.

00:23:38Are you trying to tell me something?

00:23:40I?

00:23:41No, let's see, no...

00:23:43So, what I'm trying to tell you...

00:23:44Diego.

00:23:46Yeah.

00:23:46The toilet is clogged again.

00:23:48You come?

00:23:49Or do I have to call an emergency plumber?

00:23:54I'm going, I'm going, I'm going.

00:23:57Uh, well, I...

00:23:58I'm leaving, I have a lot of work tomorrow.

00:24:01Yes, yes.

00:24:04See you tomorrow.

00:24:07Goodbye, Celia.

00:24:25Grandma, I want you to make me crepes tomorrow, because...

00:24:27Me, me and me.

00:24:28Maybe you'll think about others sometime, won't you?

00:24:30Oh, Gigi, but I didn't have any trouble making them.

00:24:33Well.

00:24:33I'm coming, I'm coming.

00:24:36Good morning.

00:24:38Carmen, where can we find the chamomile?

00:24:40Oh, here.

00:24:40Here, son.

00:24:41What's happening?

00:24:42No, nothing, nothing.

00:24:43You don't look well.

00:24:44Are you sick?

00:24:44No, no, no, I'm fine, I'm fine.

00:24:46I'm...

00:24:46Here you go.

00:24:47Tete, let's go.

00:24:48I'll cook it for you in a moment.

00:24:49I'm walking.

00:24:49Okay.

00:24:50Come on.

00:24:51Hello.

00:24:52Hello.

00:24:52Good morning.

00:24:54Damn, you've got quite a face, haven't you?

00:24:55Fiti, you and my father are nominated for the Mestra Alegría award.

00:24:57Oh, wow, come on.

00:25:01Fiti, one thing, let's see, is that...

00:25:06I need to talk to you.

00:25:07You remember what we were talking about yesterday, right?

00:25:10Regarding the issue...

00:25:11Topic of...

00:25:13About relationships.

00:25:14Ah, about sex.

00:25:15Yes, that's it, that's it.

00:25:17No, no, no, Diego, no.

00:25:18Also, forgive me because I went way too far.

00:25:21No.

00:25:21No, damn it, because every couple has its own idiosyncrasies and I'm not the one to talk about women.

00:25:25No, no, no, he's right, man, he's right, it's just that Celia was...

00:25:29telling Chony that, I mean, that no...

00:25:32And I was telling her that something like that, I mean, saying no, could affect our relationship.

00:25:36That's what I was telling him.

00:25:37Fuck.

00:25:39So, it's going faster than I thought.

00:25:43Perhaps it's that I, without realizing it, have put up barriers, I have put up walls.

00:25:47Because I'm rusty.

00:25:48Well, I'm rusty, but don't worry, Diego, damn it.

00:25:50We have located the fault.

00:25:52Yes, now we just need to proceed with the diagnosis.

00:25:56Celia needs to find her place in this house, okay?

00:25:59And how does he find it?

00:26:00One day I stay for dinner, another day I stay for lunch, another day I'm too lazy to leave.

00:26:03that you're not leaving, that you're staying a little longer, that I'm staying, I'm staying, I'm staying,

00:26:06and the sardine in the basket.

00:26:10Yes, I remind you that I...

00:26:12Come on, it's been a year since...

00:26:15Damn, how has it been so little time that...

00:26:18Yeah, I know, damn it, Diego, I don't know.

00:26:22But you're right, you're right.

00:26:23Yes, yes.

00:26:24No, no, no, no, no, no looking back is over.

00:26:25We have to look ahead, ahead.

00:26:27Always.

00:26:27No, but there was more...

00:26:28No, let me tell you something.

00:26:29I don't want to lose my celiac disease.

00:26:30No, no, I don't want to lose it, Citi.

00:26:32I don't want to.

00:26:33Of course not.

00:26:35Do you have a mazalía?

00:26:37No, don't leave...

00:26:38Oh no, how disgusting, right?

00:26:39It takes it away.

00:26:40That?

00:26:42Ah.

00:26:47And his life is sad, it has no salt.

00:26:49And all because I told him the meatball was bland.

00:26:51What do you think?

00:26:52But he's not wrong, his life isn't a roller coaster either.

00:26:55I don't know what mountain or what mountain.

00:26:57But grab it, grab the box, damn it.

00:26:59Because you're not exactly a fool, Santiago.

00:27:01Let's see, let's see, let's see.

00:27:02Let's see.

00:27:03Let's see, let's see, let's see.

00:27:04Sometimes with your partner, you just have to give in.

00:27:07And if Lurdita decides to dance, well...

00:27:09Well, you have to be there, dancing, Santiago.

00:27:11No, no, no, no, no, no.

00:27:11What dance? I'm telling you it was because of the sausages.

00:27:15Salvavóndigas.

00:27:16Clear.

00:27:17The dance.

00:27:17The dance they organize at school.

00:27:19That is.

00:27:20You think that's nonsense, right?

00:27:22Well, not her.

00:27:23Do you remember the saying "in sickness and in health"?

00:27:25I'll translate for you.

00:27:26In sickness, for you, it's dancing, Santiago.

00:27:28That is.

00:27:30Cuño, I don't know how to dance.

00:27:31I have less rhythm, fist, and toño.

00:27:33That you haven't...

00:27:34Well, you add a little bit of artistry to it, and if you don't know how, you learn.

00:27:36I didn't know what zarangollo was either, and now I'm eating it.

00:27:39Zarangollo?

00:27:40You should sign up for an academy, kid.

00:27:42To an academy?

00:27:43I?

00:27:44At my age?

00:27:44Have you seen me with the slow ones?

00:27:46What are you saying, man?

00:27:47That's cowardly.

00:27:48Santiago.

00:27:49You let him down about the job and now you're letting him down with this.

00:27:52Keep going like that, and your little dove will get fed up and fly away.

00:27:55That's all I'm telling you.

00:27:56Don't sink me.

00:27:58Help me.

00:28:00What do I poop?

00:28:02And that was it, so we went to have dinner.

00:28:04I'm taking away this spectacular place.

00:28:06Like him.

00:28:08It had been a long time since I'd met someone like that.

00:28:10Oh, poor thing, he's drooling.

00:28:12A bit.

00:28:12Come on, let's go.

00:28:14Well, I have a date too.

00:28:15Yeah?

00:28:16Yeah.

00:28:16Do you remember the idiot I told you about?

00:28:18Yeah.

00:28:18Well, they're not idiots.

00:28:20And we've made plans.

00:28:20We could all stay.

00:28:29Damn, Fiti.

00:28:30Damn, Fiti.

00:28:32What have you dressed me up as?

00:28:34There is nothing.

00:28:35Damn, I don't know what you find so funny, grandpa.

00:28:39No, no, nothing, nothing.

00:28:39Fiti, you're a grandpa, man, you're keeping that shirt.

00:28:42That will cut off your circulation of yielded.

00:28:44The first one I found around my house, damn it, and I've had it my whole life.

00:28:47No, mostly when I was five years old.

00:28:48But, damn it, I don't embarrass you to the max.

00:28:51It's still, damn it.

00:28:52The styling expert spoke now.

00:28:54She buys her clothes in the children's section.

00:28:56Don't mess around, little guy.

00:28:57Fiti's right, damn it, the older one is already coming to me.

00:29:00I think you're doing perfectly, perfectly.

00:29:01Perfect for going into a dark room, no kidding.

00:29:04Hey man, it looks like we had clowns for breakfast this morning.

00:29:06Let's see if we're finally going to get her wearing that damn shirt.

00:29:09Okay, okay, okay, okay, okay.

00:29:10Saul, one little thing.

00:29:12How do you put that on?

00:29:13This shirt belongs to Adri, he left it here, man.

00:29:16Well, what do I know, I was just at home, damn it.

00:29:18Yes, same.

00:29:19Look, look, I've been thinking about this for a long time.

00:29:23Look, for example, at the Manzanares River.

00:29:25Rikisurfing is not done on the Manzanares River.

00:29:27It's from stillness, in this rikisurfing, from the...

00:29:30Is there surfing?

00:29:31This.

00:29:32I don't think so.

00:29:33Because?

00:29:34It was very dirty.

00:29:35And, damn, I don't know, it's just been a long time since you and I did something like this,

00:29:39I mean, in a father-son kind of way, in terms of physical activity.

00:29:42Do you like climbing, for example?

00:29:44Sure, what does it say?

00:29:45Are you kidding me?

00:29:47No, no.

00:29:48Dad, if all you like to do is mess around, what are you telling me?

00:29:51I know, but damn it, give your father a vote of confidence.

00:29:53I know we've never been athletes, sports have never been our thing...

00:29:56But, well, you have to start somewhere, damn it.

00:30:00Okay, well, if you want to do some sport, well, we can start with something a little more...

00:30:05A mus game?

00:30:06A poker game?

00:30:06No, forget about mus, damn it, we don't play mus.

00:30:10Let's move on to another phase.

00:30:12On to another phase where we have to become adventurous and stylish, huh?

00:30:17Very good.

00:30:18And I'll tell you more.

00:30:18This afternoon we're going to review the verb tenses, but...

00:30:21One moment?

00:30:22Yeah.

00:30:22One moment?

00:30:23Wait a minute? The beer?

00:30:24No.

00:30:25Look, Diego.

00:30:26Yeah.

00:30:27Hey, could you give me one of those isotonic drinks you have lying around...

00:30:31From the...

00:30:32The mother who gave birth to me.

00:30:36I'm going to the neighborhood.

00:30:37He says he doesn't want to lose her.

00:30:38As if my mother had never existed.

00:30:40Well, don't say that.

00:30:42Hey, Oli, there are still nights when...

00:30:46I still think he's going to come in and kiss me.

00:30:50Uh, sorry.

00:30:52Celia Montenegro?

00:30:53Uh, no, not yet.

00:30:54Yeah.

00:30:55Yes, this is his office.

00:30:56Leave them here.

00:30:59Well, thank you very much, because I'm in a big hurry.

00:31:01Nothing, don't worry.

00:31:02I'll give them to you, okay?

00:31:04But what will you keep as a wife?

00:31:06Shut up!

00:31:06No...

00:31:07See?

00:31:08It belongs to Diego.

00:31:09He's inviting her over for lunch today.

00:31:11Come on, let's go.

00:31:12I'm watching him.

00:31:13No, let's go.

00:31:14I'm watching him.

00:31:16He's going to find out.

00:31:35They all come.

00:31:37I'm leaving, I'm leaving.

00:31:37They're all coming, come on, now.

00:31:39Come on, I'll go.

00:31:42If it rains, let it rain in the summer.

00:31:44Good morning.

00:31:45But wow, such beautiful roses as these, brother Lourdes.

00:31:49Truly, and what a gentleman.

00:31:50You'll see what a night awaits me.

00:31:52I'm sure they're Santi's.

00:31:53To ask for my forgiveness.

00:31:54You think?

00:31:55I don't know.

00:31:56I met up with a guy yesterday who was really into sending flowers.

00:31:59Maybe they're for me.

00:32:00Or for me, because I've also been left out.

00:32:03Well, I don't think it's Diego, because he's not very detail-oriented.

00:32:07Well.

00:32:10Fuck!

00:32:13Come see me in this, let's see you a little bit, you know your boyfriend.

00:32:16Here, daughter, roses are like little ducklings, daughters.

00:32:19Yeah?

00:32:21We were left on the street at just 10 o'clock tonight.

00:32:24With love to Diego.

00:32:26Yes, they are for me.

00:32:30Tip.

00:32:36Okay, so I'm going to teach you four dance steps to get you through, okay?

00:32:41And just so you know, I'm doing this for my sister, okay?

00:32:44Are you ready?

00:32:45Good.

00:32:46Here, thank you, José Luis.

00:32:48No, deep down you're not as bad a person as you seem.

00:32:50Thank you very much, sir.

00:32:51Thank you so much for the compliment.

00:32:52Come on.

00:32:53Come on.

00:32:53Let's get down to business, we're in a bit of a hurry.

00:32:56You have to go back to the tavern, okay?

00:32:58So, nothing.

00:32:59Look.

00:33:00This is Amparo.

00:33:01This is Santiago.

00:33:02Santiago Amparo.

00:33:03Your dance partner, okay?

00:33:05It's a mop.

00:33:06It's a mop, but what a mop.

00:33:07My feet are sensitive and I'm wearing loafers today, so...

00:33:10You're going to practice with it, okay?

00:33:12Look.

00:33:13You take her by the waist, you see her in your hand, you look into her eyes, a slight smile, huh?

00:33:20So, nothing.

00:33:21Prepared.

00:33:27AND...

00:33:27One, two, three.

00:33:28One, two, three.

00:33:30One, two, three.

00:33:31One, two, three.

00:33:32One, two, three.

00:33:33One, two, three.

00:33:35One, two, three.

00:33:36Simple, right?

00:33:37Okay then.

00:33:39You're going to do it.

00:33:40Grab the one by the waist, remember the hand and a big smile.

00:33:44At eye level.

00:33:45Come on, Santiago.

00:33:47AND...

00:33:48Inside.

00:33:51One, two, three.

00:33:52One, two, three.

00:33:53One, two, three.

00:33:55One, two, three.

00:33:57One, two, three.

00:34:00One, two, three.

00:34:01One, two, three.

00:34:02One, two, three.

00:34:03One, two, three.

00:34:04One, two, three.

00:34:05One, two, three.

00:34:05And one, two, three.

00:34:06Okay, okay, okay, okay, okay, okay, okay.

00:34:08That?

00:34:08Okay, okay.

00:34:09How did you do?

00:34:11How did you do?

00:34:12Hey?

00:34:13The mother who gave birth to me.

00:34:14Well, that's terrible.

00:34:15We have to keep up the pace.

00:34:16You have to listen to the music.

00:34:17Have a dizzy spider crab.

00:34:19Well, that's the end of the baby food.

00:34:21He has the area.

00:34:22I do it to give to the menorahs.

00:34:24And I am a spider crab, a spider crab.

00:34:26No, Santiago, no.

00:34:28Throwing in the towel like that, no.

00:34:29That's cowardly.

00:34:30Come on, get up.

00:34:31Come on.

00:34:31Come on, get up.

00:34:33Add a little spice to things.

00:34:36Come on, grab me by the stem.

00:34:37Come on.

00:34:38The hand here.

00:34:39That is.

00:34:40Look me in the eyes.

00:34:41Smile.

00:34:44AND...

00:34:45Accept it, Santiago.

00:34:47You're not going to learn to dance in your life.

00:34:50Neither with me, nor with Amparo.

00:34:53Pussy.

00:34:55Hello, Noelia, sweetheart.

00:34:57Well, you should point the finger at your parents.

00:34:58Tell them to be here tomorrow at six in the afternoon in the music room.

00:35:02Okay?

00:35:02All dolled up and ready to shake your body.

00:35:04Okay?

00:35:05Thank you.

00:35:06Come on.

00:35:06Tell them you've been very lucky.

00:35:08There is only one place left.

00:35:10There's only one spot left?

00:35:12Come on, we're having such success, my dear, it's not like we're giving away balls.

00:35:16Hello.

00:35:16Hi, Lore.

00:35:17Happens?

00:35:17Hi, Choni.

00:35:18How are you?

00:35:18For the dance competition here?

00:35:20Here?

00:35:20Yes, this is it.

00:35:21But there are no more places available, Lorena.

00:35:22I'm sorry.

00:35:23Too bad.

00:35:24Yes, I'm sorry.

00:35:25Tell your parents.

00:35:25We'll organize another contest one of these days, okay?

00:35:30But, Lourdes, my daughter, what's with this sudden outburst you've had?

00:35:33Well, I'm already of legal age.

00:35:34I bring my wages home.

00:35:36We are in the 21st century.

00:35:37Well, if I've decided to dance, I'm in and that's that.

00:35:40That sounds great to me, darling.

00:35:42Chaco for you.

00:35:42You have to assert yourself.

00:35:43For a little amusement I have, for a small restlessness.

00:35:47Of course.

00:35:47Not everything will be about going to Lourdes, will it?

00:35:49Well no.

00:35:52Okay, so tell me who I should point you towards, sweetheart.

00:35:55Well, I know.

00:35:58But by Saint Rita, I'll find a dance partner, even if it's under the rocks.

00:36:01I've decided to dance, and I'm dancing.

00:36:04Oh, my sister-in-law is here, yes sir, I have to kiss you.

00:36:07My goodness, my goodness, it was already my ear.

00:36:11Oh, what a struggle it's been.

00:36:13Well, Diego, you're exposed to the silver cutlery.

00:36:18To what is this honor due?

00:36:20I've invited Celia over for lunch.

00:36:22And since it's the first time, I want to make a good impression.

00:36:25Come on, I'll stretch a little.

00:36:26That's very good, son, that's very good.

00:36:29You've set the perfect table.

00:36:31You even remembered the dessert spoons.

00:36:33Well yes.

00:36:34I'll be delighted.

00:36:37Come on, grilled prawns on a Tuesday, with how hungry I am.

00:36:40Can we begin now?

00:36:40No, no, no, no, a little bit of patience, son, a little bit of patience.

00:36:44Well, let's see if, together, we can make a good impression on him.

00:36:49In other words, the family makes a good impression on him.

00:36:50Yes, yes, Dad.

00:36:50No tacos, no farting, no practical jokes, right?

00:36:53This is very good.

00:36:54I wanted to tell you all, the whole family, that this is very important to me.

00:36:58This, Diego, was going to take a long time.

00:37:00I say this because cold grilled prawns, well, they lose their appeal.

00:37:04Yes, it should be ready by now.

00:37:06Come on, in fact, I should be here.

00:37:08Good.

00:37:12No, no, I don't understand, I don't understand.

00:37:16I'm going to call again, this time.

00:37:24What is disconnected?

00:37:25He must have forgotten, Diego.

00:37:26Okay, okay, no, no, man, no, no, don't panic, okay?

00:37:28I don't know, Dad, well, all this has an explanation, maybe it fell because of a

00:37:31sewer or...

00:37:32Let's see, don't tell me you're going to a roof, let's see, don't tell me you're going through a sewer,

00:37:35please.

00:37:36Dad, can we start eating? I'm sick of eating bread.

00:37:39Oh, run, son.

00:37:40Hang on a minute.

00:37:43Leave them be, Carmen, let them eat, let them eat, Carmen, no, yes, you're right, that...

00:37:46Let's do this charge, because this has made my stomach clench.

00:37:52Thank you.

00:38:00We had to get Chon's tights and we couldn't buy some for ourselves, right?

00:38:04Well Raúl, damn it, first let's see if we're good at this, this climbing thing, and if so, well

00:38:08I'd invest later, damn it.

00:38:13This can't be right, Dad. This is happening right now, I'm hanging on, man...

00:38:19No, not yet, but it has...

00:38:20This is enough for me to do the whole system.

00:38:21This is where it fits in.

00:38:23Yes, but it holds on here.

00:38:25And let me tell you something, okay?

00:38:26We like this, huh?

00:38:28Then we tried bungee jumping.

00:38:30And then with Rikisurf, huh?

00:38:32And look, I'm going to tell you something else.

00:38:34I might as well enroll in a university and get a degree.

00:38:37Just to have it, just to have it.

00:38:39You haven't even done vocational training or anything, Dad.

00:38:41That's precisely why, damn it.

00:38:43Hey?

00:38:44It's never too late.

00:38:45That doesn't mean I'm going to stop cultivating myself and growing, okay?

00:38:48And you should take note.

00:38:50Come on.

00:38:54Wait.

00:38:57There's a lack of board dust.

00:38:59Okay, fine.

00:39:00Give yourself a little boost, won't you?

00:39:02Clear.

00:39:06Fiti?

00:39:07Hey guys!

00:39:08Oh well?

00:39:09What are you doing here?

00:39:11Climbing.

00:39:12Here, mostly.

00:39:13Climbing for a little while.

00:39:14We couldn't go to Rikisurf in Manzanares today, so we said, well, here it is.

00:39:18Damn, fruitful.

00:39:19Well, we do have things in common, don't we?

00:39:21Yeah.

00:39:22Good.

00:39:23I can't believe it, Fiti.

00:39:25But you, how long have you been climbing?

00:39:27I?

00:39:28Me, still?

00:39:30Come on, I know these walls like the back of my hand.

00:39:33Come on.

00:39:35Man, the center is me.

00:39:37Muñoz.

00:39:38You have to teach me how to dance.

00:39:41Wow.

00:39:41Yeah.

00:39:43Last night your sister only said three words to me.

00:39:45Go to the sofa.

00:39:46And today the same thing awaits me.

00:39:48I speak for myself or for her.

00:39:50Neither for you nor for her.

00:39:51Then by my feet.

00:39:52I don't feel it yet, Santiago.

00:39:53Ah, don't worry about that.

00:39:54Look.

00:39:55Look what I found in the video.

00:39:58To begin with, what is the theory.

00:40:00What is this?

00:40:03Grey.

00:40:05Flash dance.

00:40:08Irti dancing.

00:40:08That one, that one I've been told is the best.

00:40:11Santiago, you must love my sister very much, my son, to swallow all this.

00:40:15For your sister, I'm capable of learning the Bible in verse, if necessary.

00:40:19That?

00:40:19What do you say?

00:40:20Santiago, I can tell you louder, but not clearer.

00:40:22You're not going to learn to dance in your life.

00:40:25No, I don't want to win the contest, I'm happy just not to leave her alone.

00:40:29You said that giving up is for cowards, you said it.

00:40:33But why did I even speak?

00:40:34Santi, a timely retreat is sometimes a victory, so no.

00:40:39Careful.

00:40:40I'll beg you on my knees if necessary.

00:40:43You don't know what I feel inside, just thinking about how excited my Lucritas is about this.

00:40:48dance.

00:40:51Oh yes. It's just that my heart softens with age.

00:40:56That's a beautiful thing to work on, and then we'll talk.

00:41:01Strip.

00:41:01Let's see, it's still there.

00:41:08Beauty dancing.

00:41:10Beauty dancing.

00:41:11The truth is, it doesn't suit you at all.

00:41:13What, it doesn't suit me?

00:41:14No.

00:41:15What are you saying? But it's in my blood.

00:41:17Danger relaxes me.

00:41:23Town of such a hill, bro.

00:41:25Magnesium fructose.

00:41:26Magnesium.

00:41:27Magnesium.

00:41:28Magnesium.

00:41:28That's what we call it around here.

00:41:30What I mean is the extension, you know what I mean?

00:41:32Come on, I'll wait for you upstairs.

00:41:34Come here.

00:41:35Come here, Dad.

00:41:36Above.

00:41:37And up there.

00:41:40Come here.

00:41:41Come on.

00:41:43Come on.

00:41:44Hey, be careful, because you have to go down later.

00:41:46Calm down, calm down, there's a crown.

00:41:50Oh, oh, oh.

00:41:53What's happening?

00:41:55What's happening?

00:41:57What's happening?

00:41:59Beauty, relax.

00:42:00Put my right foot in the pool.

00:42:02Hey?

00:42:02What's happening?

00:42:03What's happening?

00:42:03Come here.

00:42:04Take care, stay calm.

00:42:06Hold on to the plastic and go down slowly, you're going to shit yourself, dad.

00:42:09Can't!

00:42:10I grabbed the cigarette and went downstairs!

00:42:11Come on, hang in there, it's for your own good.

00:42:13Because?

00:42:15Hey?

00:42:16I'm going to put you on, don't worry.

00:42:18Breathe.

00:42:19Breathe.

00:42:20You've arrived.

00:42:23Breathe, breathe.

00:42:24Take me.

00:42:25Come on.

00:42:25Don't worry.

00:42:27Don't worry.

00:42:28Are you OK?

00:42:29Breathe.

00:42:29Thank goodness you went to the boss, you damned thing.

00:42:32Breathe.

00:42:33Breathe.

00:42:39Breathe.

00:42:40No, Fiti, Celia hasn't come home for lunch.

00:42:42In other words, no flowers, no normalization, no milk, nothing.

00:42:44Diego, look, forgive me, but I'm not in the mood to give advice to anyone today.

00:42:48Okay?

00:42:48What do you have there?

00:42:49Nothing.

00:42:50Nothing.

00:42:52And Diego, if the soft approach doesn't suit him, attack Celia with the hard approach.

00:42:57What is the hard line?

00:42:58What is the hard line?

00:42:59Celia is over the little meals with the children, with the grandmother.

00:43:02What she wants is a little privacy.

00:43:04She needs her dose.

00:43:06What does it say?

00:43:07Isn't that doing two?

00:43:07What do you mean...?

00:43:08A little sensitivity, damn it, José.

00:43:09Look, you're talking about Celia, please.

00:43:11Don't listen to me.

00:43:11You're like your brother's crab.

00:43:13Don't listen to me.

00:43:13Very well, yes.

00:43:14Don't listen to me, by the way.

00:43:14Well.

00:43:15Nothing.

00:43:16I have to go see Santi.

00:43:18Wow, what a hailstorm I've had with you guys.

00:43:20Nothing, okay, it promises.

00:43:21Very good, it does me a lot of good.

00:43:22See you later.

00:43:23See you later.

00:43:26Viti, Viti, damn it, you spend your life giving me advice and the one time I need you, you get in my way.

00:43:31strike.

00:43:31Man, for God's sake, no.

00:43:33No, that's not it, no.

00:43:34Look, Diego, damn it, yes, the situation is critical, but there's a solution.

00:43:40Tell me, I'm listening.

00:43:42Look, Celia is home alone tonight.

00:43:44I heard it through the symphonic boat.

00:43:46And it just so happens that we have keys.

00:43:49Are you following me or not?

00:43:51No.

00:43:52No, damn it, I mean, fuck, you show up there with your little bottle of champagne, you open it with our keys, huh?

00:43:58But, Calleci, but what are you saying, Fiti?

00:44:00But you are...

00:44:00But that's called trespassing, for God's sake, which is not moral.

00:44:03That's not right, damn it.

00:44:05What home invasion or anything like that?

00:44:06That's romanticism, damn it, which is a surprise.

00:44:10I don't see it clearly, Fiti.

00:44:11No, what do you mean no?

00:44:11No, I don't see it clearly, no, because I have the impression that I don't see it.

00:44:13Damn, shock therapy.

00:44:15Damn, you go in there with the keys, you go through the first door on the right, you just let yourself go, that

00:44:20Here's bread, then glory.

00:44:23The keys are there, it's the fat one.

00:44:30I've been told he's at a parents' meeting; they've killed him with work, poor thing.

00:44:34You'll see how happy she'll be when I tell her you taught me to dance.

00:44:38Well, dancing, not really dancing either.

00:44:39You move, Santiago, you move.

00:44:40God, for a thousand little things.

00:44:42I am capable of becoming an Atleti supporter.

00:44:43Let me tell you what I mean.

00:44:45There.

00:44:46Hey, let me go, let me go.

00:44:47Yes, you tell him, you tell him, man, calm down.

00:44:53Little Saint!

00:44:54Santiago?

00:44:55Fernando.

00:44:56What are you doing?

00:44:57What are you doing, beautiful ladies?

00:44:59Well, rehearse.

00:45:00Don't you see it?

00:45:01Fernando signed me up for the competition.

00:45:03Fuck.

00:45:04But...

00:45:04Well yes.

00:45:05May God forgive me, but I've had to look outside for what I don't have at home.

00:45:08But, pretty...

00:45:09Look, Santi, I'm not a woman of great worries and I've never asked you for anything.

00:45:13The one time I've asked you, I've realized I can't count on you.

00:45:15So if you'll excuse me, I'm going to rehearse.

00:45:18Come on, Fernando.

00:45:21But, darling, please let me go.

00:45:24Come on, let's go, let's go.

00:45:25How are you?

00:45:29Okay, so if you want, we can leave it at that, okay?

00:45:32No, no, come on, I'm coming.

00:45:34No, no, no, no, no, no, no, no.

00:46:14Hello.

00:46:17Hello hello.

00:46:18How was the climb?

00:46:20In the end, you climbed over each other.

00:46:22Oh, I wish.

00:46:23No.

00:46:24We went to the climbing wall and met Fiti and Raúl.

00:46:27I won't say any more.

00:46:28Huh? But nothing suits them?

00:46:30But hey, you're all set.

00:46:32I?

00:46:32Yeah.

00:46:34With my prince charming.

00:46:35And what have you done with yours?

00:46:37We were going to have dinner, but he got a call and something came up.

00:46:42Go on.

00:46:44Well, I don't know, if you want, come with us.

00:46:47Okay.

00:46:49Give me a second, I'll get changed and I'll be there.

00:46:57Dinner!

00:46:58Look, I'm going to devour a liter of ice cream and go to bed.

00:47:01A classic.

00:47:02Well, you're doing the right thing.

00:47:03Hey, hey.

00:47:05How am I?

00:47:09Strip.

00:47:10Go ahead, you already know.

00:47:12Thank you.

00:47:12Wow!

00:47:13Enjoy!

00:47:19Call out!

00:47:19With the egg climb, buddy.

00:47:22I'm sore even in my eyelashes.

00:47:24You wouldn't believe how hard it was for me to get from the cup to the bat.

00:47:25Yes, it's terrible, Fiti.

00:47:27It's awful.

00:47:28Come on.

00:47:29This is great for muscle soreness.

00:47:32Hey, Dad.

00:47:37Why do you do all this sports stuff?

00:47:44Damn, didn't I already explain it to you?

00:47:46Damn, that's something to overcome.

00:47:47No, no, no.

00:47:48No, Dad, no.

00:47:49And I know you, damn it, you're acting really weird.

00:47:52What's the matter?

00:47:56Well...

00:47:56Look.

00:47:57Do you know about...

00:47:59that you suddenly decide to go one way

00:48:02And then you go to another one?

00:48:03So, your head thinks one thing

00:48:06And your body does another one, you know?

00:48:09Yes, I know quite a bit about that.

00:48:10Well, look...

00:48:11Go on, look at Fri.

00:48:21But what's Fri doing with that?

00:48:24With Jorge?

00:48:25Her boyfriend?

00:48:26Your what?

00:48:27Her boyfriend?

00:48:28Well, her boyfriend.

00:48:29A quickie, a bang bang bang,

00:48:32Give me what's mine, and I'll give you what's yours, in short.

00:48:34Okay, okay, okay, okay.

00:48:35I fall into myself.

00:48:37What the hell is going on?

00:48:38The girl is young,

00:48:40She's single, healthy, with her little quirks, what?

00:48:42Yes, well, yes, right?

00:48:43Seen that way, yes.

00:48:44Oh, so?

00:48:45Yes, yes, yes.

00:48:46That's how it is.

00:48:46No, no, no, no.

00:49:25Celia.

00:49:26Celia.

00:49:27What am I?

00:49:38Celia.

00:49:39Celia, this is me.

00:49:41No, no, no, calm down, don't move, no, no, don't say anything.

00:49:45You see, I wanted to surprise you, do something romantic, so buy a little champagne.

00:49:53I want to tell you that being here with you is very important to me, Celia.

00:50:04Celia.

00:50:08Diego?

00:50:09But what are you doing here in my bed?

00:50:11What do you mean, in your bed?

00:50:12Ah, but, but, but, but, but, Celia, but...

00:50:13What are you doing here in my bed?

00:50:15What are you doing here in my bed?

00:50:15Diego, what's going on?

00:50:20You see, Celia, you're going to believe this, but this, I mean, it's...

00:50:24No, no, no, Diego, don't even think about telling me that this isn't what it seems.

00:50:31That?

00:50:34That?

00:50:35I know what I thought...

00:50:36Okay, I'm going to be an advisor.

00:50:39That?

00:50:57And to top it all off, I haven't been able to sleep at all, I'm a mess.

00:51:01Well, tell me about it.

00:51:03And on top of that, I have a doctor's appointment today.

00:51:05Don't mess with me, today's the review day.

00:51:07Clear

00:51:11Celia didn't come home to sleep tonight

00:51:13It's a long story

00:51:19Hi, how are you? Are you alone?

00:51:21Yes, you're alone, you're alone, I'm going to work, see you later

00:51:23See you later, but I'm in a bit of a hurry, Fiti

00:51:26I came to talk to you about a little matter?

00:51:29You wouldn't sign up for a climbing marathon, would you?

00:51:33No, that's not it.

00:51:35You look unwell, don't you?

00:51:37Fuck

00:51:38Thank you

00:51:39No, it's just that I slept a little badly last night.

00:51:41Why the doctor?

00:51:42No way, man, no

00:51:44No, it's nonsense.

00:51:46Well, what? What were you going to tell me?

00:51:49Okay, let's see.

00:51:52Look, no hot baths, Ana

00:51:54That guy is no good for you.

00:51:56As?

00:51:57What are you saying?

00:51:58Let's see, take a look

00:51:59Seriously, please

00:52:00I don't want you coming crying to me later, damn it.

00:52:05Look, Fiti

00:52:06Just because you helped me the other day doesn't give you the right to judge my life.

00:52:09Hey?

00:52:09And I think it's in very bad taste that you're bringing it up now.

00:52:11No, no, no, nothing at all

00:52:12No, nothing

00:52:14I just didn't expect this from you.

00:52:25We're going to be really late for school because of me, Choni

00:52:28I feel like I'm suffocating, and the contest is this afternoon too.

00:52:30What are you doing?

00:52:31That's called stage fright, Lourdes, daughter.

00:52:33We have all experienced it, all of us who have gone on stage

00:52:35The big ones, the ones that most

00:52:36If they vomit some before leaving

00:52:38It's about facing reality.

00:52:42If you could see the face I left my Santi with

00:52:47Do you know that we don't talk anymore?

00:52:48Well, you leave your Santi alone, your Santi gets what he deserves

00:52:50And all of your dancing this afternoon in that competition

00:52:53But if I don't remember the steps, Choni

00:52:55And besides, the dress is really pulling at my...

00:52:57Well, and it's a bit excessive because of the neckline...

00:52:58Do you want to stop making excuses now?

00:53:00As if she were a child who didn't want to go to school

00:53:02You get tiresome

00:53:04Don't worry, I'll fix this for you with two nails.

00:53:06And let me tell you something else

00:53:09That you're going to arrive this afternoon and you're going to triumph

00:53:12And do you know why?

00:53:13Because you are a champion

00:53:14You're a fighter, Lourdes.

00:53:17You think?

00:53:18Yes, I believe it.

00:53:19And I'll tell you more

00:53:20You've already won for me, sweetheart.

00:53:22For me, you've already won.

00:53:23And do you know why?

00:53:24Because you have followed the impulses of your heart against all odds.

00:53:27Like Kilby's

00:53:28I never would have made it without you, Choni

00:53:30The truth is, I don't recognize myself.

00:53:32And I feel more modern, like I'm emancipated.

00:53:34True, because you feel good in your body

00:53:35Man, I feel more alive.

00:53:38Although I'm worried about Santi

00:53:40Let's see

00:53:40Now you leave your Santi alone.

00:53:42Do me a favor

00:53:42Enjoy this moment

00:53:44This moment is yours

00:53:45If you feel alive now

00:53:46You'll see when I get on stage

00:53:47You get something like this coming in here.

00:53:50Better than a good dessert with my son, I continue

00:53:52That says it all.

00:54:02Look, I'd pay to have seen the look on his face waiting for him at the industrial park.

00:54:06I don't know, at first I would have thought it was a surprise

00:54:08That Diego had arranged a romantic date for her

00:54:11But then...

00:54:12Well, sometimes you lose the desire to wait for little surprises.

00:54:15Aren't you ashamed?

00:54:16Look, I was stood up once and it was awful

00:54:18Grief?

00:54:19Of course I don't feel sorry for you, Yoli

00:54:20Because Celia is not like us

00:54:22She respects nothing.

00:54:24And I plan to keep cursing her out as much as I can.

00:54:26That's enough, Tete.

00:54:28That?

00:54:29What's up, Currito?

00:54:31Nothing

00:54:32But what?

00:54:35Look, leave me alone

00:54:36See you later

00:54:37Tete, haven't you seen how badly my father is suffering?

00:54:41You're selfish and you don't think about anyone.

00:54:42Yes, I think so.

00:54:43Yes, I think so, Currito.

00:54:44The problem is that she's the one interfering in our family.

00:54:48It seems to be the same as everyone else.

00:54:50What's wrong with me, am I the only one who remembers my mother or what?

00:54:52No, Tete

00:54:52We all remember

00:54:54The thing is, you're forgetting about my father.

00:55:05Yes, Citi, yes

00:55:06You have to get involved in everything

00:55:07Throughout

00:55:07That it was you who asked me for advice

00:55:10Damn it, there, come on and cough me

00:55:11Okay, okay

00:55:12That means someone has put the evil eye on us.

00:55:14Have you made the fried food?

00:55:15Things

00:55:16Good morning

00:55:18Good morning

00:55:20And those faces?

00:55:22Who died, brother-in-law?

00:55:23The symphonic boat

00:55:25It has failed again

00:55:26Here

00:55:27Hey?

00:55:27That he got into bed with Ana

00:55:29You slept with Ana, champ.

00:55:31But hey, and he seemed silly.

00:55:33Come on, come and ask for advice

00:55:35What are you saying?

00:55:35In general, what are you saying?

00:55:37Look, it was a mistake, damn it.

00:55:38It was a mistake

00:55:38So, when I realized

00:55:40But anyway, he had kissed her

00:55:42As?

00:55:43I had kissed her, but you hadn't told me that.

00:55:45Because that's not the point.

00:55:46Why are you going to tell me that's not the point?

00:55:47What do you mean it isn't?

00:55:47Of course it is, of course it is

00:55:48Damn it, I told you perfectly clearly

00:55:50I explained it to you

00:55:50The first one on the right

00:55:51The first one to the...

00:55:52No to the left

00:55:53Damn, even Mondays know that.

00:55:54Yes, yes

00:55:55You're right.

00:55:56Yes, I was wrong

00:55:57That's not the worst of it.

00:55:58So, there was more than just a kiss.

00:56:00No, Fiti

00:56:01Damn it, focus for a bit

00:56:02The worst part was when Celia came in and caught us.

00:56:05In other words, a look with pain

00:56:07No, as a souvenir.

00:56:09You know, I don't think he'll ever look at me again in his life.

00:56:12Because...

00:56:15One topic, Diego

00:56:16So, in the kiss, Diego

00:56:18How intimate did you get?

00:56:20You would say...

00:56:21Fiti

00:56:22Leave it now

00:56:26Already

00:56:26Yeah, yeah, yeah

00:56:27Tampado

00:56:29Doctor

00:56:30Doctor, could you give me some pills for my nerves?

00:56:33Look, I have a dance competition this afternoon.

00:56:35And I'm kind of like

00:56:36So, a director and also a dancer

00:56:38Yeah

00:56:39Just relax and let's see if everything turns out alright.

00:56:41Very good

00:56:42Well, may God hear him.

00:56:43Thank you very much, doctor.

00:56:43Well, nothing.

00:56:44I will entrust myself to Saint Vitus

00:56:46Who is the patron saint of dancers?

00:56:51Hello

00:56:52Finally, it's my favorite patient's turn!

00:56:55Less talk, it's not my turn yet, okay?

00:56:56I've brought you the list.

00:56:59Oh, and...

00:57:00Just so you know, I'm perfectly fine.

00:57:02That's obvious.

00:57:03And how's the heart?

00:57:05Very good

00:57:06In their...

00:57:08Hey...

00:57:08Leave

00:57:09Leave

00:57:10Good morning, doctor

00:57:13Jorge?

00:57:14But what are you doing here?

00:57:16What do you mean, what am I doing here?

00:57:17I work at this school

00:57:18What are you doing here?

00:57:19I've come to have my medical check-ups

00:57:22It's a small world, isn't it?

00:57:24Yeah

00:57:27Well, nothing.

00:57:29I am all yours

00:57:31Check me out completely and thoroughly

00:57:34Hey, Jorge

00:57:35I can't believe it

00:57:39I know, I know

00:57:41I'd like to introduce you to Jorge

00:57:43Jorge, Ana, Ana, Jorge

00:57:48Did I miss something?

00:57:50No

00:57:51No, it's Jorjito.

00:57:52Yeah

00:57:53He's the uncle I told you about

00:57:56Africa

00:58:07Wait a moment

00:58:10Celia, who is Diego

00:58:11Put on

00:58:12We can't find you

00:58:12He's calling me

00:58:14Hey...

00:58:14Please tell him

00:58:15I'm working

00:58:16I'm busy

00:58:18Diego

00:58:20Hey, look

00:58:20What is it that right now

00:58:21It cannot be put

00:58:23No, you catch her.

00:58:24That is

00:58:25With parents

00:58:26Meeting

00:58:28Yes, don't worry

00:58:29I'm telling you.

00:58:30Sure, look

00:58:31Come on, Perlica

00:58:32See you later

00:58:35He says to call him.

00:58:38Okay

00:58:38I'll call him later

00:58:42Honey, you already know

00:58:43If you need to talk

00:58:44Or whatever

00:58:45Here's my shoulder.

00:58:46For whatever you need

00:58:49Thank you, Chone

00:58:49I know.

00:58:50But now I prefer to work

00:58:52Okay?

00:58:53Of course, darling.

00:58:56I'll pick you up

00:58:57All of this

00:58:57Okay?

00:58:58It's more comfortable this way.

00:58:59Oh, if you have the trash can

00:59:01She's going on a trip

00:59:01Yeah

00:59:01Come on

00:59:04What is this?

00:59:10Fuck

00:59:11What is it?

00:59:12Clear

00:59:12What's happening?

00:59:15Celia

00:59:16I'm sorry you left so soon yesterday.

00:59:18I would like you to come and eat at my house with your family.

00:59:20Clear

00:59:20Don't miss it at three o'clock.

00:59:22I love you

00:59:23Diego

00:59:24Mari, what does she want from you?

00:59:26Yeah, Choni

00:59:27But yesterday I ended up in a run-down industrial park

00:59:28Because the card that the flowers received

00:59:30That wasn't it.

00:59:32It was Tete's

00:59:34It was probably Tete's

00:59:38Look, Dad

00:59:39Guille told me to give you this.

00:59:43Okay

00:59:45Dad, what is Guille's subtraction?

00:59:46That she has taken it off

00:59:46Yes, I see it now.

00:59:47And very well.

00:59:48And what do you want me to say?

00:59:48Let him applaud

00:59:49Or then I tell him that he's doing very well.

00:59:50Can the garbage woman throw me out?

00:59:51Or well, if you feel like putting us in frame

00:59:52Do me a favor

00:59:58Dad, are you okay?

01:00:00Yes, son, yes

01:00:01I'm very well

01:00:01I'm the same as always.

01:00:03Do you want me to help you?

01:00:04To water

01:00:06Okay, come on

01:00:07I wash the dishes

01:00:08And you take them out

01:00:13One thing

01:00:14You didn't fail again, did you?

01:00:15No

01:00:16Sure?

01:00:16Yeah

01:00:17And we've already talked about the pay.

01:00:18The price increase and all that

01:00:19Yes, Dad.

01:00:20I'm doing it to help.

01:00:21Good, very good

01:00:22That's great, son.

01:00:22Very good, very good

01:00:23And when I tell you about helping

01:00:26And lend a hand

01:00:27That?

01:00:28I'm speaking generally.

01:00:30What do you mean, "in general"?

01:00:32Yes, in general.

01:00:34With the dishes

01:00:35With the house

01:00:36And with Celia

01:00:38Ah

01:00:39Already

01:00:41Okay

01:00:42Yes, Dad, I support you.

01:00:43And if you need to talk about anything at all

01:00:49Thank you very much, son.

01:00:52And forgive me, Curro

01:00:53What is it?

01:00:53Yes, yes, I don't realize it

01:00:54That you are growing

01:00:56You're getting old, damn it!

01:00:58No

01:00:58Give me a bigger milk

01:00:59And that you're not focused on what you're doing, work.

01:01:01You're not in the right place.

01:01:01For God's sake

01:01:01You're breaking my dishes

01:01:03Do me a favor

01:01:04Do me a favor

01:01:05Because you have to be a little careful with things

01:01:08Dad

01:01:09That?

01:01:21Do me a favor

01:01:33Do me a favor

01:01:35Yes, yes, they can't answer you.

01:01:36I know that

01:01:41A bit

01:01:56Oh, Raquel, my daughter, my God, how beautiful you look.

01:01:59Don't you show each other any affection?

01:02:00Yeah.

01:02:00You look amazing.

01:02:01Thank you very much.

01:02:02Excellent, excellent.

01:02:03And does it take a picture?

01:02:04Change your expression, sweetheart, daughter, you're not going to the slaughterhouse, you're going to a dance competition.

01:02:08Yes, daughter.

01:02:08Okay, okay, pose, pose.

01:02:12Oh, how does the rose look in your slit, baby?

01:02:15Who are you looking for, darling?

01:02:16Who are you looking for?

01:02:17Nobody, why?

01:02:19Nobody.

01:02:20Santi isn't coming to you.

01:02:22Don't burn your blood.

01:02:24We are?

01:02:25Already.

01:02:25I'm going to look for Fernando, I don't know where the hell he's gone.

01:02:27They'll be getting rid of the dogs, I don't know, we're here now.

01:02:30Okay, okay, okay.

01:02:32Now that's a body, not mine, damn it.

01:02:34You look gorgeous.

01:02:36Gurditas, please.

01:02:37Thank you, brother.

01:02:38Very good.

01:02:39Yeah.

01:02:40Have you seen my husband?

01:02:41Uh, no, I haven't seen it.

01:02:45If it isn't a lesson.

01:02:47Santiago isn't interested in my things.

01:02:49No, I have to get used to the idea.

01:02:50You're wrong.

01:02:51Yeah?

01:02:52Yeah.

01:02:52Well, the import would be here.

01:02:54Santiago has been trying to learn to dance for two days so he can be your partner.

01:02:57And you keep criticizing him, damn it.

01:02:59That?

01:02:59Yeah.

01:03:00Is Santiago learning to dance because of me?

01:03:02Well, let's dance, let's dance, we're talking about Santiago.

01:03:04But there he is, making progress.

01:03:06And I told all of that that I didn't support it and that I didn't...

01:03:08You all look so handsome!

01:03:10Oh, mother, mother.

01:03:11This guy, who's set up a spa in the locker room, with the two slices of baby food in his...

01:03:15eyes that were...

01:03:15For the bags, for the bags.

01:03:16For the bags.

01:03:18My goodness, Luz, you look so beautiful.

01:03:21That?

01:03:22Will it prepare you?

01:03:23Yes sir.

01:03:24Well, I couldn't be happier.

01:03:27Lourdes Salgado and Fernando González can now compete.

01:03:32Okay, fine.

01:03:33No, never mind.

01:03:34Yeah, come on, fuck you both.

01:03:35Lourdes, stay strong.

01:03:36May the force be with them because they do not...

01:03:43Hello, Fructuoso.

01:03:46Man.

01:03:53Look.

01:03:55I wanted to have a few words with you.

01:03:58Savior.

01:03:59Jorge, my name is Jorge.

01:04:00Already.

01:04:01It's a real pain in the ass, doctor.

01:04:03It seems to me that you want everything.

01:04:04You fly too high, and without a license.

01:04:06And to fly through Santa Justa you need a license.

01:04:09I don't follow you, Fructuoso.

01:04:10Let's see, I saved your life and you saved mine.

01:04:13If we were in China, we would be bound to each other for life.

01:04:16But we're in Spain, damn it.

01:04:18I've seen you.

01:04:19Spiderman, I've seen you.

01:04:20And you're playing both sides.

01:04:21And one of the two bands is my sister-in-law.

01:04:22And not that way.

01:04:23What's going on? Is this in that neighborhood of street vendors or what?

01:04:25What this neighborhood has are some really great women.

01:04:27Hey?

01:04:27They'll look great on the outside.

01:04:29But they're better on the inside.

01:04:30And you don't mess with those women.

01:04:31And I'm going to tell you peacefully because I'm a peaceful guy.

01:04:34But if a tear comes out...

01:04:36So.

01:04:36Hey?

01:04:36Ana, I'll break your legs because of you.

01:04:38Hey?

01:04:39I have no attitude, but I'll break them.

01:04:40Don't worry, it won't be necessary anymore.

01:04:42It's all settled with Africa or with your sister-in-law.

01:04:45Ah, very good.

01:04:46Very good.

01:04:46It's all settled now.

01:04:48I'll call Ana now and you can explain it to her, okay?

01:04:50Everything has already been explained.

01:04:50You found me at both of them at school and they don't want to see me at all.

01:04:53Ah.

01:04:54So Ana wasn't there anymore...

01:04:56Yes, damn it.

01:04:57And if you care so much, Ana, marry her, man.

01:05:01Hey?

01:05:04Come on.

01:05:11I did the styling myself.

01:05:12You can't tell me that we've ended up with a Buenos Aires tango style, since I've added a little bit of spice there and

01:05:16Everything as it should be.

01:05:18It has already begun.

01:05:19You don't get involved, well yes, it's going to start.

01:05:20Come on, here comes the lucky one with a bill like this.

01:05:26Pretty.

01:05:28Music?

01:05:28No, wait, wait.

01:05:29Fernando, I'm sorry.

01:05:31I'm so grateful that you wanted to be my partner, but...

01:05:34My real partner is here.

01:05:36Santiago!

01:05:37The best dancer in the world and the best husband in the world.

01:05:40He forgives me.

01:05:40What, what, what, what...

01:05:41Luchita, Luchita, no, no, no, no, go with him.

01:05:44You haven't seen me dance.

01:05:45No, Ponte.

01:05:45Thank you very much.

01:05:46Please put it on.

01:05:47My God, this is suicide, for God's sake, are we going to do something?

01:05:50Or no, leave him, leave him, wet him.

01:05:51Music.

01:05:56Music.

01:06:09Music.

01:06:10Music.

01:06:11Music.

01:06:21Music.

01:06:23Music.

01:06:25Music.

01:06:34Music.

01:06:44I don't find it funny, damn it.

01:06:46Thank you.

01:06:46You have less art than more weeds in the head.

01:06:50Hey, Ale?

01:06:51Careful, careful, careful.

01:06:55Here's a delicious ham sandwich.

01:06:58You need to take vitamins to make it strong, huh?

01:07:00It has a lot of white, Diego.

01:07:02Do you want mine?

01:07:03No.

01:07:08Hello.

01:07:10Hello, Celia.

01:07:11Hello, Dino.

01:07:12Have you arranged to meet someone here or...?

01:07:13No, I've come to talk to you so we can clear up what happened last night.

01:07:17Yes, I also want to clarify what happened last night.

01:07:18Come on, I keep calling you, what happens when you answer the phone...

01:07:21Yeah, the thing is...

01:07:22I didn't go to your house for lunch yesterday because I got stuck in an industrial park.

01:07:26In an industrial park?

01:07:26Uh-huh.

01:07:27But, forgive me, Celia, but what were you doing in an industrial park?

01:07:29You really realize how dangerous it is; industrial parks are very dangerous...

01:07:31Diego...

01:07:32I got lost, I got lost because orientation is my thing.

01:07:35And, well, no matter how hard I try, I can't get my bearings.

01:07:38Good.

01:07:38As it sounds in Santa Justa.

01:07:40Clear.

01:07:41And now for the other thing.

01:07:44What, what...?

01:07:45Can you tell me what you did while in Ana's bed?

01:07:48What, what?

01:07:48I...

01:07:48Okay, that's what I wanted...

01:07:51I wanted to surprise you, but I made a mistake.

01:07:53Since it was dark, I started to remember what he had told me was in the room on the right and went to

01:07:56the right.

01:07:57But, girl, well yes, I am an idiot.

01:07:58In other words, I'm not oriented either.

01:07:59What do you want me to do?

01:07:59Well, I'm not oriented.

01:07:59We already have something in common.

01:08:00That?

01:08:01But next time, do me a favor and realize who you're getting into bed with.

01:08:04That I didn't want to.

01:08:05So, that...

01:08:05Okay, let's see, I'm okay with you, but not with Ana, because I...

01:08:08What I wanted was to solve our problem.

01:08:13What's the problem?

01:08:14The problem, Celia.

01:08:15The problem, for God's sake, the problem.

01:08:17I heard you and Choni talking about the problem.

01:08:20That you and I, that we hadn't consummated it, that I want to tell you.

01:08:24But I wasn't talking about that with Choni.

01:08:27No?

01:08:27No.

01:08:30So, you mean that for you, then, that's not a problem.

01:08:34No.

01:08:36In other words, we can't just take it lightly and when it comes up, for example.

01:08:40Yes, whenever it arises?

01:08:41When it arises.

01:08:43Or before?

01:08:44Or before.

01:08:53Yes, the more I see it, the more excited I get.

01:08:56And I'm even more pissed off.

01:08:58Look, look, face, it gives him a shock.

01:09:02Poor Santiago, the truth is that the genes I've inherited...

01:09:04I look good, right, brother?

01:09:07Yes, yes, yes, yes.

01:09:08Above all, you put a lot of effort into it, a lot.

01:09:10No, no, the beautiful thing is the story, yes, because it has a lot of merit.

01:09:13Learning to dance for love, that's true.

01:09:15And even more so in Santiago, which has the sensitivity of a shrub.

01:09:18Okay, fine, that's enough, man.

01:09:19The greatest trophy I take home is my Santiago.

01:09:22Look at the fools who have let it go to their heads to be last.

01:09:26The penultimate ones.

01:09:27Ah, yes, the second to last ones.

01:09:28The penultimate ones, now that we're all here.

01:09:30A toast to the penultimate ones.

01:09:32Wait, what's he doing?

01:09:33Oh, no, no, wait a minute.

01:09:34And Fiti?

01:09:35Look here.

01:09:39If he tells you that I saw something else on the disc again.

01:10:08Hello, is anyone there?

01:10:11There?

01:10:14What are you doing here?

01:10:16Well, the same as you

01:10:20A bad day

01:10:21No, no, no, not at all.

01:10:23I've come here to do a little exercise

01:10:27Already

01:10:28How are you going to get down from here?

01:10:31Good question

01:10:32That's what I was wondering.

01:10:35Calm down, calm down

01:10:36That...

01:10:37What goes up must come down

01:10:38No?

01:10:49I want to talk to someone

01:10:52I want to talk to a person...

01:10:57I want to go to the opera tonight

01:10:59Four tickets for tonight's game

01:11:01Oh, you're going to play football.

01:11:03They start by going to football matches with friends.

01:11:05And how does it end?

01:11:06How handsome, Diego!

01:11:08Well

01:11:09I'm looking for young people for my company

01:11:11I don't know if you'd be interested

01:11:14Celia, we need to talk

01:11:15What did I pass to someone else at the entrance?

01:11:17Whom?

01:11:18And straight to fifteen, kid

01:11:20Everything, everything searched

01:11:21Searched!

01:11:22Ah, ah, ah, ah...

01:11:24Ah!

01:11:26Hello!

01:11:26Every time I turn around

01:11:27There she is, always there she is

01:11:29Because I'm leaving the workshop

01:11:30Raúl, the business belongs to both of us.

01:11:31Go to my office

01:11:33That a businessman of this guy's caliber

01:11:35He notices my son

01:11:35Ah, Serge

01:11:37I'm like you.

01:11:38Single and unattached

01:11:39Ah, yes

01:11:40There are fireworks tonight.

01:11:42I'm telling you.

01:11:43Yes, Celia

01:11:43I wasn't with Africa yesterday

01:11:44And I wasn't with you either.

01:11:45Who am I with tonight?

01:11:49Hey!

01:12:18Hey!

Los Serrano - 7x07 - Mayormente, lo que sube, baja - HD 1080

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