Los Serrano - 7x03 - Sorpresa, sorpresa - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

Choni ha conseguido unas entradas para acudir al ensayo del concierto de Camela. Tras la actuación y gracias a un descuido del personal de seguridad, la hermana de Fiti se cuela en el camerino de Ángeles, la cantante de la banda, para pedirle un autógrafo y encuentra una foto antigua que demuestra que ella y la solista madrileña son hermanas. Por otro lado, a Fiti se le cae la baba con Adrián y sus amigos bromean con lo mayor que se ha vuelto. Para poner fin a las burlas, el mecánico de Santa Justa decide demostrar a todos que él todavía posee un espíritu joven y un cuerpo capaz de conquistar a cualquier mujer. Además, Curro se comporta de una forma extraña, no quiere ir sólo al colegio y los profesores han notado su cambio de actitud. Diego piensa que su hijo le está ocultando algo, temor que se confirma cuando el joven llega a casa con un ojo morado.

Transcript

00:00:30As Carmen says, secrets are bad manners.

00:00:32Whoever finished the cereal could at least have refilled the container, right?

00:00:35Good morning, troops!

00:00:36What's happening?

00:00:37It's a quick check.

00:00:39Hotel buffet breakfast, croissants and churros.

00:00:42How about that, huh?

00:00:43What could they possibly know that we're celebrating?

00:00:44Well, Mrs. Carmen, love is in the air, we're young, we're good-looking.

00:00:49Well, some more than others.

00:00:55My son, I have fresh news about the World Cup.

00:00:59Spain vs. Mexico in the World Cup?

00:01:01This looks good.

00:01:02Which World Cup are you talking about, Fiti?

00:01:04Where are you?

00:01:05No, no, come on, hurry up, we have to go and I have to go.

00:01:08It's just that older people are afraid of you knowing what's going on with them.

00:01:11I thought it was silly because if others find out they can help you.

00:01:14Come on, let's go.

00:01:16Dad, will you take me to school?

00:01:17I can't take you, son, I'm sorry.

00:01:19And hurry everyone.

00:01:20Come on, be alert, you're coming.

00:01:21Diego, Diego, I have something.

00:01:23I need to tell you about a situation.

00:01:26Can I come with you?

00:01:27No, I've arranged to meet Yoli.

00:01:28And I haven't had my laundry done.

00:01:30See you later!

00:01:32Currito!

00:01:33Trunk!

00:01:34We already have hair on our...

00:01:35I want to say that you're all grown up now.

00:01:37You go to class alone.

00:01:38Diego!

00:01:42Here you go, little worker.

00:01:43Come on.

00:01:44I thought that when you got older you weren't afraid of anything.

00:01:47But I was wrong.

00:01:50A station platform under the blazing sun.

00:01:53You were talking about a skyscraper in the sky of New York.

00:01:57Come soon to see the sea and send a postcard.

00:02:01I already knew that day was the end.

00:02:05Now I have much more.

00:02:09Red, black, stop and even.

00:02:11Finally, luck brings an ace and a crystal to look through.

00:02:14And a wall to hang it on.

00:02:16Seven smiling faces in a passport photo.

00:02:19That my stories were not about tales made by chance.

00:02:26Nobody told me that destiny was giving me this opportunity.

00:02:33One plus one equals seven.

00:02:36Who would have thought?

00:02:38It was so easy to be happy.

00:03:06It was so easy to be happy.

00:03:08It's probably also not in your best interest that Celia has officially separated from her husband.

00:03:17Officially, you know that.

00:03:19How did you feel about that?

00:03:21How do you know?

00:03:22Because I heard it through the symphonic boombox in my house, which is like Radio Macuto.

00:03:25Ah, you heard it through the symphonic boat.

00:03:26What do you look like?

00:03:27It's not worth it, it's not worth it.

00:03:29I'm still remembering the mess we made with the symphonic bottle.

00:03:31"No symphonic boat" is good enough, "vent" is good enough, whatever you want.

00:03:34But they have signed the papers.

00:03:36And this one, Carliño Brown, has already gone to Brazil.

00:03:39As God exists.

00:03:43So Celia is free as a taxi.

00:03:46So look, let's focus and get down to business.

00:03:49Ana, please, I don't have any more towels, we're going to leave here by boat.

00:03:53Go to Africa, I'll do what I can!

00:03:54Okay!

00:03:54What's wrong? I've run out of water, and look who Laura is.

00:03:58What have they done?

00:03:59Please bring it.

00:04:04Don't even think about it, okay?

00:04:05Very good, very good.

00:04:07The pipe has burst.

00:04:09Okay, when you do the dishes, put the leftovers in the bin, okay?

00:04:11This can be avoided.

00:04:13Okay, those of us who do the dishes will take note.

00:04:15Okay, let's calm down a little, please.

00:04:18All we have to do is call a plumber, and right now.

00:04:21But this is nonsense.

00:04:23Look, I think all we'd need is a screwdriver.

00:04:27And a good plumbing course.

00:04:28Leave that alone, Ana, if you don't know him, okay?

00:04:30We're going to be late.

00:04:31How are my girls?

00:04:32But seriously, are you still like this?

00:04:35What happened here?

00:04:36No, let me look.

00:04:36Well, that's it, the gasket has come loose.

00:04:38Look at this scene.

00:04:38The board.

00:04:39Ana, leave it to me.

00:04:40No, no, no, no.

00:04:42Careful, careful, it's already here.

00:04:44I've solved it.

00:04:45Well, I've solved it for you.

00:04:46Open.

00:04:46Open the generals.

00:04:48Let's see.

00:04:50Oh!

00:04:51Fuck!

00:04:52Stop splashing around already.

00:04:54Drink it, because I've removed the foam, I've brought you the horse cup you wanted.

00:04:57I don't know what you're going to do.

00:04:58And you, Perlica, what are you going to do when you grow up?

00:05:01I'm here now.

00:05:02Come on, get a life.

00:05:03Yes, one minute.

00:05:04I want to be a mechanic, like Yayo.

00:05:07If only, if only.

00:05:08Oh, he's so cute!

00:05:09It's in their blood!

00:05:10Oh, he's so cute!

00:05:11Look at him, look at him!

00:05:12We're going to take Fiti and Son and Nye to the workshop.

00:05:15Nye, however you say it in English.

00:05:16Nye, Nye.

00:05:17Chatunga.

00:05:18Come on, girl, they've run out of water and they've come here to shower.

00:05:22Oh, how about that.

00:05:23Hey.

00:05:24You don't mind, do you?

00:05:25You really don't care.

00:05:27No, daughter, no.

00:05:28I don't care, do I?

00:05:28The only thing I see is a lot of hair for such a small thermos.

00:05:32Uh, well, I don't know.

00:05:33The three of us showered together.

00:05:34Because otherwise, we're not going to take it.

00:05:35Of course.

00:05:36Of course.

00:05:36One thing is very, very practical, the three of them together.

00:05:39Well, you have everything there.

00:05:41Uh, shampoo, towels, soap, oil.

00:05:45The only thing is that I don't buy anti-hair loss treatments for my little boy, because he gets very annoyed.

00:05:49No, no, not like that.

00:05:49Not like that, Choni.

00:05:51Not like that, because they're going to hear you.

00:05:52Fiti, tell me, I told them you were going to fix the breakdown.

00:05:56You're still bringing up the tool issue, huh.

00:06:00Don't confuse me, don't confuse me because no.

00:06:02I already have a lot of trouble in the workshop.

00:06:03Come on, let's go.

00:06:04And I also have to take this part.

00:06:13You need to talk to her and sort it out.

00:06:15Listen, kid, what a flower is really is a little dinner, you little golden-tongued one.

00:06:19Let's see, let's see if you realize that I have a history with this woman that's right there.

00:06:24So, I have a very complicated history, damn it.

00:06:27Neither...

00:06:27No, no, no.

00:06:28As?

00:06:28Come on, please, think for a moment.

00:06:30Let's see.

00:06:30So, first I stood her up about the Mexico thing.

00:06:33Then I go and break their husbands' metacarpal bones.

00:06:36And well, to top it all off, I'll tell you that he's not straightforward.

00:06:38With a pair.

00:06:39Don't revel in misfortune, brother.

00:06:41Go for it.

00:06:42There, there.

00:06:43But I'm going to tell you something that might surprise you.

00:06:45Women don't come looking for you at your house.

00:06:48No, my friend, no.

00:06:49You have to work hard for it.

00:06:49There.

00:06:50Already.

00:06:52Good morning.

00:06:53A coffee to go, please.

00:07:04Hello.

00:07:05Hello, Celia.

00:07:06How are you?

00:07:07Hello, very well.

00:07:09By the way, I need to talk to you, Diego.

00:07:11Talk to me?

00:07:11Yeah.

00:07:12Can I pick you up at the school?

00:07:13Well, yes.

00:07:14I can go to the school without any problem.

00:07:15Whenever it's needed, I'll drop by...

00:07:17080, young man.

00:07:18No, no, leave it, leave it.

00:07:19Invite to the house, invite to the house, invite to the house.

00:07:21Okay, thanks.

00:07:22You are welcome.

00:07:23See you later.

00:07:32Impressive, Diego.

00:07:32In two words.

00:07:35Felimán, who has not been...

00:07:37You went to sign the divorce papers, damn it, and show up here, for fuck's sake.

00:07:41No, uh.

00:07:41That says a lot about her, that you've got her in pole position.

00:07:43But, but...

00:07:44Yes, do you think so?

00:07:44Because, come on, me neither...

00:07:45No, no, no, no.

00:07:46He has come to the famous mountain coffee, known throughout the world for its aroma and flavor.

00:07:50It doesn't bother you.

00:07:51Has he come?

00:07:52What he came for.

00:07:52If he's told you he wants to talk to you, damn it.

00:07:55If your wife tells you that, well, you shit your pants, tell me about it.

00:07:59But a single woman told you that.

00:08:00No, no, it seemed to me that he was very interested in talking to me.

00:08:02It seemed that way to me, didn't it?

00:08:03No?

00:08:04White and in a vessel, fixed milk.

00:08:06And we've arrived at the most anticipated moment, thanks to the move by the people of El Quebrado, who are sponsoring...

00:08:11Good day.

00:08:12That's the morning.

00:08:13My morning hurts and I've only just begun.

00:08:17How I would love to be in a convent, doing spiritual exercises among the cypress trees.

00:08:24With that silence.

00:08:25You could win two tickets to the Camela concert.

00:08:29Tell us the name of Camela's latest album and we'll give you two passes.

00:08:33Go for it!

00:08:33Go ahead, I know it!

00:08:34Go ahead, I know it!

00:08:35Oh, please don't let him get ahead of me!

00:08:36Oh, please don't let him get ahead of me!

00:08:39Go, go, go!

00:08:40Come on, hurry up and dial our number now.

00:08:43Yeah!

00:08:43Yes, she's going to the contest!

00:08:45Yes, yes, yes, yes, yes!

00:08:47Wait!

00:08:47Oh!

00:08:48Oh my God, how exciting!

00:08:49I'm a huge fan of Camela.

00:08:50I'm a huge fan.

00:08:53They kept me going until morning, didn't they?

00:08:55I can't send that actress to me now!

00:08:56I said I'm so dusty!

00:08:58Yes, that's what they say.

00:08:59Hello!

00:08:59Tell us the name of the new album.

00:09:01Oh, Ana!

00:09:02I had forgotten to tell you.

00:09:04Fernando's child is frantically searching for you in the hallway.

00:09:06It's right there at the end of the hallway.

00:09:07Strip!

00:09:07Go see what's urgent!

00:09:09Go ahead and take a look!

00:09:12I promise you the universe!

00:09:14The album is called I Promise You the Universe!

00:09:17Correct!

00:09:17Yeah!

00:09:18And what is the name of our winner?

00:09:21Asunción Martínez de Santa Justa!

00:09:22And Asunción Martínez de Santa Justa.

00:09:24Wait!

00:09:25She's the brand-new winner of our course!

00:09:26I'm going to meet the camels!

00:09:27Look how I'm standing on end!

00:09:29Look at the chicken pot!

00:09:30Oh!

00:09:31That's great, Choni!

00:09:32Oh!

00:09:32I never win anything!

00:09:33What do you mean, no?

00:09:34You're coming with me!

00:09:35We're going together, pearl, face to face!

00:09:37Man!

00:09:38Yes, you really need to be terrified!

00:09:39Of course!

00:09:40I can't just ignore my obligations!

00:09:41I can't quit my job!

00:09:42No, Choni!

00:09:44I'm the director and I have my letter!

00:09:47Yayo!

00:09:47And why aren't you with Grandma?

00:09:49Don't you want her?

00:09:51Yes, I want her!

00:09:54But far away!

00:09:57Oh!

00:10:00No!

00:10:01No!

00:10:02It's a joke!

00:10:04Hey!

00:10:04How could I not love her?

00:10:05Of course I love her!

00:10:06I want her!

00:10:07I love her!

00:10:07When you meet Grandma Candela, she has a heart this big.

00:10:14Here!

00:10:15With a picolavis.

00:10:17Aha!

00:10:18Hello!

00:10:19Hello!

00:10:19Easy, just leave it there!

00:10:20Please!

00:10:21Wherever they can!

00:10:22Oh!

00:10:22But Fiti still!

00:10:23Yes, that's right!

00:10:24Oh!

00:10:25Thank goodness you're here!

00:10:26But supervise the work!

00:10:27Yes, well, you and I are going to eat now, okay?

00:10:29Yeah!

00:10:29Come on!

00:10:30Get down from there!

00:10:31Come on!

00:10:32Piti!

00:10:34Anything you need, any questions about the downpipe, well, you know where to find me.

00:10:40To the engineer, huh?

00:10:42Goodbye, Queen!

00:10:43Hello!

00:10:44Well, we're already losing our abilities, aren't we?

00:10:47Hey, hey, hey!

00:10:48The daughter!

00:10:49The inner workings of a house, huh?

00:10:52These arrangements have their intricacies.

00:10:54Yes, well thank goodness you don't charge me, because if I had to pay you by the hour...

00:10:57Well, you said it yourself, I don't charge you.

00:10:59Because the way the plumbing industry is these days, you'd be shocked at what they'd charge you.

00:11:06Hey, hey, hey, that key isn't too small.

00:11:10What do you women know about sizes?

00:11:12Don't distract me!

00:11:14Oh, you can't talk and tighten a nut at the same time.

00:11:19I won't charge you for the repair, but I might charge you for the plumbing lessons, okay?

00:11:22Hey, don't talk to me like a little girl, okay?

00:11:24Being a grandfather is going to your head a little.

00:11:26I was asking you that...

00:11:27And give it a look, but you're so stubborn.

00:11:29You can't tell it's in your blood.

00:11:31Open the main one, go on.

00:11:35Already.

00:11:36Now.

00:11:37Dale.

00:11:41I can't believe it.

00:11:43No!

00:11:44I can believe it!

00:11:50We'll talk next week.

00:11:52Okay, but do you think you'll pass the course?

00:11:53Well, if he keeps studying, he's putting in the effort.

00:11:55Okay, see you later.

00:11:56See you later.

00:11:58Does a 4.9 pass?

00:11:59Uh, yes.

00:12:00Yes of course.

00:12:02I'm here now, Celia.

00:12:03Hello, Diego.

00:12:03Please come in.

00:12:04No, no, you first, please.

00:12:05Thank you.

00:12:08Hey, sit down, please.

00:12:09Thank you.

00:12:12Well, I'm glad you came, because it's important that we talk.

00:12:14Yes, I'm glad I came too, because I think it's also important that we talk.

00:12:18Hey...

00:12:18Look, Diego, I don't know how to tell you this, but...

00:12:20There is something that has surprised me a lot about you.

00:12:22No, sorry.

00:12:24Don't continue, because you're absolutely right.

00:12:25And I accept it.

00:12:26In other words, you're right.

00:12:27I'm not like that, Celia.

00:12:28I am not.

00:12:28That's what I thought.

00:12:30Yes.

00:12:30I'm so glad you told me, because it's true...

00:12:32That's not who I am.

00:12:34I find it incredible, Diego, that you haven't bought the books yet.

00:12:38Because if nothing else, it's being a father...

00:12:40But what do you mean, books...?

00:12:41Which books?

00:12:43But...

00:12:43But wait, what are we talking about?

00:12:46What are we doing...?

00:12:46The books?

00:12:47Well, I don't know...

00:12:49But how come I haven't bought the books for Curro?

00:12:51But...

00:12:52Let's see, let's see, let's see.

00:12:53Of course I bought the books for Curro.

00:12:54Come on, what's more, I lined them myself with...

00:12:56With these little hands, with that plastic paper that makes little balls.

00:12:59As...?

00:12:59But let's see.

00:13:00My courier told me that you didn't want to buy the books for him.

00:13:02That?

00:13:02You wanted me to use Guille's, huh?

00:13:04What job told you that?

00:13:05So, my coworker told you that, but I didn't...

00:13:07Yes, yes, yes, he told me that and...

00:13:08AND...

00:13:09And I don't know, the truth is that lately I've noticed him acting a bit strange and distracted.

00:13:12To whom, to work?

00:13:13Yes, I don't know if you've noticed it that way...

00:13:15No, no, no...

00:13:17No no...

00:13:17Maybe it's adolescence, I don't know.

00:13:19It must be adolescence because I said I haven't noticed anything.

00:13:21I don't know, I'm going to be completely surprised that he told you that.

00:13:25Well, don't worry, I'll talk to him and see what happens...

00:13:28I don't know what's going on.

00:13:30Well...

00:13:30Glad to hear it.

00:13:34Anything else?

00:13:36Uh... well...

00:13:36Well, as far as I'm concerned, right?

00:13:38Have Curro bring the books as soon as possible.

00:13:40Yeah.

00:13:40Nothing else.

00:13:42Hey...

00:13:42If there's anything you want to tell me.

00:13:45I?

00:13:46To you?

00:13:46About work?

00:13:47Uh... well, not about work, or I don't know, or in general...

00:13:52Well, I don't know in general.

00:13:55Well, then...

00:13:56Well, that's it.

00:13:57Hey...

00:13:57If you don't mind, I have your parents waiting.

00:14:00Oh, no, no...

00:14:00I also have other things that...

00:14:05Sorry.

00:14:06Sorry.

00:14:11Girl, we've had to work our magic, for God's sake.

00:14:14Oh, yes.

00:14:33Oh, Lourdes, let's ask for an autograph, she seems very nice.

00:14:36No, we can't.

00:14:37Oh, daughter, Lourdes, please.

00:14:38You have so little fan spirit.

00:14:40With the groupies I've been, if I told you what I did to meet Leo Ramasotti...

00:14:43You did it.

00:14:46Well, I won't tell you.

00:14:47Come on, let's ask for an autograph.

00:14:48No, Tony, no.

00:14:49Oh, baby, we can do it.

00:14:49With this walk, we can be backstage as much as we want.

00:14:52Backstage.

00:14:52Come on, you follow me.

00:14:54Follow me.

00:14:54Well, once.

00:15:01You see that it's not there.

00:15:02Let's go.

00:15:03Let's go for that.

00:15:03Hey.

00:15:04Camela!

00:15:06Hey, Angeles.

00:15:07Hey, I'm your number one fan.

00:15:09Chony, Chony, for God's sake, she's not here, she's not here.

00:15:11We'd better leave.

00:15:12We're leaving.

00:15:13Woman, just take a look.

00:15:14Chony, no.

00:15:15Chony.

00:15:16Oh, Lourdes, for God's sake.

00:15:17Oh, how about that.

00:15:18Oh, how beautiful.

00:15:20Oh my God.

00:15:22Oh, Lourdes.

00:15:23But have you seen?

00:15:24Look at that, it's still going.

00:15:25It looks like Manolita Chen's.

00:15:27Oh, what a dressing room, for God's sake.

00:15:28If in my last performance I had to change in a sacristy.

00:15:31Turning around the Saint Joseph who was giving me the eye.

00:15:33Chony, I've already seen it.

00:15:34Come on, let's go, for God's sake, let's go.

00:15:35No, come, Lourdes, come.

00:15:36Give me a picture with something of his.

00:15:37No.

00:15:37No, Chony, this isn't right, it's private.

00:15:39Come on, just a moment, come here.

00:15:40No, come here.

00:15:41Ah!

00:15:43What have they seen?

00:15:45Okay, come on, just one photo, I swear we're leaving.

00:15:47No, but a little photo.

00:15:48A little photo.

00:15:48Come on, go on, go on.

00:15:50Oh, blessed of Christ, Chony!

00:15:51Damn it, Lourdes, don't complain, go and help me clean up.

00:15:54Oh, Chony, we started by skipping some classes.

00:15:57And now we're raiding, Chony, we're going to end up behind bars.

00:16:01Meet Luis.

00:16:03Runs.

00:16:04Runs.

00:16:04But can you tell me what you're doing now, Chony?

00:16:06What's up, Chony?

00:16:07What's happening?

00:16:08What's happening?

00:16:10What's happening?

00:16:11This is Ángeles, the singer from Camela.

00:16:13That?

00:16:14And this is me with my foster father.

00:16:18Oh, Lourdes.

00:16:20Oh, Lourdes.

00:16:21Someone is giving me something.

00:16:23Yayo!

00:16:24Here it goes!

00:16:25My champion is here.

00:16:27What's happening?

00:16:28Have you eaten yet?

00:16:28Yeah.

00:16:29Very good, very good.

00:16:32Hey, guys.

00:16:34That?

00:16:34Has Diego come back from talking to Celia yet?

00:16:36No.

00:16:36And that's a bad sign, because it's taking a long time.

00:16:39Maybe it's the other way around and she's really good, because she's there finishing the job.

00:16:42There, there, there, there.

00:16:43Damn, they'd been messing around for ages.

00:16:46Celia is ready to explode.

00:16:47And Diego, directed.

00:16:48That's right, Santi.

00:16:49A plus B.

00:16:50Equal to two.

00:16:51Very good.

00:16:51There you go.

00:16:55We're going to feed the crocodiles.

00:16:58Okay, okay.

00:16:59Be careful, eh.

00:17:00Give your father the food.

00:17:01Let's see if something happens to you.

00:17:03Oh.

00:17:03Thanks, Yayo.

00:17:05He wants to buy a live chicken to give to the crocodile, you know?

00:17:08Yayo, you tell him, please.

00:17:10No, well if the kid wants to throw a live chicken at him, then let him throw a live chicken at him.

00:17:13You see.

00:17:14Clear.

00:17:15You are listening to yourself.

00:17:16It's going to be a bloodbath.

00:17:17Is that it, man?

00:17:17What are you saying?

00:17:18You should see how grandparents react to their grandchildren, huh?

00:17:20Whatever the child says.

00:17:21Hey!

00:17:22Go on.

00:17:22Come on, let's go, Adrian.

00:17:23This must be the sane one who is killing.

00:17:25Come on, say goodbye to Yayo.

00:17:26Come on.

00:17:27Come on.

00:17:28See you later, handsome.

00:17:30A live chicken.

00:17:32He's going to give him a live chicken.

00:17:33What's happening?

00:17:34What are you going to tell yourself, Fiti?

00:17:36Grandpa, that's enough.

00:17:37Raúl and I, first-timers.

00:17:39Up.

00:17:40And others, downwards.

00:17:41Come on.

00:17:42Let's go, let's go.

00:17:43Don't worry, Fiti, Choni is going to buy you a walker this Christmas, the latest model.

00:17:47Yellowish like the car you have, so they match.

00:17:49But?

00:17:50Both.

00:17:51So you both know, I'm at the peak of my sexual fulfillment.

00:17:54Well, yes, yes, I'm like a tiger there, crouching, waiting for the prey to come.

00:17:59Don't crouch down too much, or they might see all the cardboard boxes.

00:18:02I don't know how you see it from there, because you don't have a field of vision from there.

00:18:06Okay, okay.

00:18:07Just so you know, I have fine but thick hair.

00:18:09Yes, well, don't get mad, Fiti.

00:18:11Yes, I'm telling you this mainly because you're playing in a different league now.

00:18:13There's the first one, there's the second one, and there's the elderly one, like Doña Carmen.

00:18:17Damn, the barrier you're putting up for me.

00:18:21Yes, me.

00:18:22Okay, one little thing.

00:18:23So, I'm finished, right?

00:18:25Well yes.

00:18:26Well, listen up, one thing.

00:18:27Santi, you've left everything unattended on that side.

00:18:30Let's get the beer ready.

00:18:31I'll go.

00:18:32I'll get there, because...

00:18:33I'll be right there.

00:18:34Well.

00:18:35Hello.

00:18:36Hi how are things?

00:18:39Hello.

00:18:40How are you?

00:18:41Hello.

00:18:41Gustavo Martínez, head of an automation company.

00:18:45You look like your name should be Mercedes.

00:18:47Well, look, right?

00:18:48No?

00:18:48No.

00:18:55To top it all off, the young master arrives late.

00:18:56And this is not normal.

00:18:57That's rebellion, Carmen.

00:18:58Yes, it's rebellion because Curro has always been more punctual than the news.

00:19:02Well, he must have been entertained.

00:19:04But it's sure to arrive soon.

00:19:05That's not the worst part, Carmen.

00:19:07The worst part is that we don't know what he's done with the school books.

00:19:09And you don't know where Curro might be?

00:19:11Let's see.

00:19:12Hi, I'm not hungry, okay?

00:19:14Curro, come here for a moment.

00:19:15Come, come, come.

00:19:15But how can you not be hungry?

00:19:16Come, come here.

00:19:18Diego...

00:19:18Calm down, Carmen.

00:19:19Peaceful.

00:19:20Well, I imagine you'll have some explanation.

00:19:22And look me in the face, I'm talking to you, Curro.

00:19:24Look me in the face, please.

00:19:25Curro, look me in the face.

00:19:27Ah!

00:19:27But, son...

00:19:28What happened to you, Curro?

00:19:29What's happening?

00:19:32Curro, where are you going?

00:19:39Soni, stop with those photos.

00:19:40Take this strong cup of chamomile tea and get to work.

00:19:42Come on, leave her alone.

00:19:43Yes, indeed.

00:19:43I can't, Lourdes.

00:19:44I can't, this is very strange.

00:19:46Yes, Lourdes.

00:19:47What are my father and I doing in a photo with Ángel in the Camela photo?

00:19:51Well, maybe your father...

00:19:52Your father was a friend of the family.

00:19:54No explanation was offered.

00:19:55There will be, I say.

00:19:57What's happening?

00:19:59You see it.

00:20:00It's the same photo.

00:20:04And someone has cut out Ángeles to make her disappear.

00:20:08But it can't be the same photo, Choni.

00:20:10It just can't be.

00:20:11It's the same photo, Lourdes.

00:20:13It's the same photo, look.

00:20:17Lar!

00:20:19I will resolve this case here, as my name is Asunción Martínez.

00:20:22Be careful, you're going to break it.

00:20:23No, be careful.

00:20:25What does it say?

00:20:32Friends, dear daughters...

00:20:34...of your father.

00:20:39It's my father's handwriting, Lourdes.

00:20:43Oh, Choni!

00:20:45That you and Ángeles are brothers.

00:20:49Come on.

00:21:00Let's see, Curro.

00:21:01That's enough.

00:21:01In other words, you arrive late with a black eye and on top of that you don't give any explanation of what's going on.

00:21:05It was nothing.

00:21:06I bumped into a door frame, okay?

00:21:08But you've seen your own eye.

00:21:09What were you about to take out?

00:21:10He told you.

00:21:10It was nothing!

00:21:12Well, if it wasn't anything serious, then no...

00:21:14But I'm not finished with you yet.

00:21:17Where are the school books?

00:21:21Well, at school, because I didn't have homework and I didn't need it.

00:21:27Yeah, you didn't need them.

00:21:30He just spoke with Celia.

00:21:39Okay, fine, I've lost them.

00:21:41Have you lost them?

00:21:43Do you know how much my two books cost me?

00:21:45No.

00:21:46No, no, Carago, you don't know, no.

00:21:47No, not the young master.

00:21:48It is believed that money grows on trees.

00:21:50Curro, you lied to me.

00:21:51And on top of that you've slandered me because you told Celia that I didn't want to buy the books from you.

00:21:54Oh my God!

00:21:54I'm sorry.

00:21:55I didn't want to tell you because I knew you would get angry.

00:21:58But how can I not be angry?

00:21:59Curro, I never bring new books to school.

00:22:01Never.

00:22:01I had to use Santi's books.

00:22:02Yes, I know.

00:22:03You already know that.

00:22:04But you don't care, do you?

00:22:05The problem is that young people don't go to the kings anymore.

00:22:07Well, I already told you I'm sorry, right?

00:22:10Curro, come here immediately.

00:22:11Curro, I'm talking to you.

00:22:14Maybe he needs to be alone, Diego.

00:22:18I don't know.

00:22:20These days are strange.

00:22:21He doesn't eat anything.

00:22:23It's like...

00:22:24How glum he is, despite how cheerful he usually is.

00:22:27Yes, but just today I spoke with Celia about the same thing.

00:22:29Brown told me the same thing.

00:22:30Could it be because of adolescence and...?

00:22:32Yes, adolescence and that...

00:22:35We've all had a very difficult year.

00:22:38I think we need to be patient with him.

00:22:42Luri?

00:22:44Lurrito?

00:22:46I can't, Luri.

00:22:48That I can't.

00:22:49How do I tell him/her?

00:22:50What should I say to him/her?

00:22:51If people think I'm one of those crazy, lost souls.

00:22:55No, darling, no.

00:22:56You...

00:22:56Don't worry.

00:22:57Don't worry.

00:22:58Look, breathe.

00:23:00Breathe.

00:23:00We're going to talk to her and you'll see how everything becomes clear.

00:23:03Hey?

00:23:03Will you wait for me here?

00:23:04Leave it to me.

00:23:05Wait for me.

00:23:09Sorry.

00:23:10Hi there.

00:23:12We came to talk to Ángeles.

00:23:13Autographs after the rehearsal.

00:23:16No, for God's sake, eh.

00:23:16But that's not what we came here for, right?

00:23:19Don't think we're the typical girls who would do anything to see their star, okay?

00:23:23You see, it's just that...

00:23:25She's the singer's secret sister.

00:23:27What did you say?

00:23:29That she is the singer's secret sister.

00:23:31That's all I needed.

00:23:33Autographs after the rehearsal.

00:23:36But how embarrassing.

00:23:37Well, God forgive me, but how much are we talking about?

00:23:3920 euros? 30 euros?

00:23:40Whatever it takes.

00:23:41Look, I don't have any more, but if necessary I'll stop by an ATM, okay?

00:23:44How much?

00:23:44Whatever it takes.

00:23:45Please clear the entrance.

00:23:47Okay?

00:23:48Of course it's going to happen.

00:23:51Please.

00:23:55Please help me.

00:23:55Have mercy, please.

00:23:57Have mercy.

00:23:57Run, Johnny!

00:23:58Runs!

00:23:59Runs!

00:24:13I don't know what happened, but it's all over.

00:24:20Angels!

00:24:21Stop! Stop!

00:24:23Hey! I recognize myself!

00:24:25Yes! Calm down, calm down, calm down!

00:24:27It's okay! Really, really!

00:24:28You're going to hurt her, really. It's okay.

00:24:30Nothing, don't worry.

00:24:32Calm down, woman. Do you want an autograph?

00:24:34The thing is...

00:24:35But breathe, woman, breathe.

00:24:37I'll give you an autograph, I really will.

00:24:39Did you get excited?

00:24:41How could I not be excited?

00:24:46But tell me.

00:24:47Speaks.

00:24:49What's happening?

00:24:51That we are sisters.

00:24:54Have you told yourself?

00:24:56Do you think they are sisters?

00:25:10Oh my God, Ana!

00:25:26Did you call yourself Ana?

00:25:29Did you say Ana?

00:25:30Did you say Ana?

00:25:35And you?

00:25:36And you didn't...

00:25:37No...

00:25:37My name is Elisa.

00:25:39Don't you remember?

00:25:41Elisa...

00:25:43Aseca.

00:25:44No no.

00:25:45They don't look alike.

00:25:46No.

00:25:47No.

00:25:48I've been called a lot of things in my life, but...

00:25:50Never, Ana.

00:25:53And who is your girlfriend?

00:25:54He...

00:25:55He...

00:25:56He...

00:25:56My...

00:25:57It's still around there.

00:26:13Oh no, what a chubby and handsome little boy!

00:26:16Yeah.

00:26:17It looks like the kid has come out, Santiago.

00:26:19Yeah.

00:26:19A carbon copy, daughter.

00:26:20A carbon copy.

00:26:20A carbon copy, daughter.

00:26:21Yeah.

00:26:22I'll give it to you, but...

00:26:23You have a calcon, a burtito.

00:26:25You have a calcon, a burtito.

00:26:27That?

00:26:28That?

00:26:29Hey, buddy!

00:26:31Did you talk about good relations with Mexico?

00:26:33Hey?

00:26:33Well no.

00:26:34No.

00:26:35And here, in front of the children, don't say a word, because I'm not going to tell you anything, okay?

00:26:38Well, brother.

00:26:39Give me a second.

00:26:39Sorry, I'll give you a hug.

00:26:42That?

00:26:43That?

00:26:43Dad?

00:26:43No, there's no milk from my dad.

00:26:44Andrita knows perfectly well how to eat on her own.

00:26:46And go tell your brother, go on, he hasn't come down from being.

00:26:49But Curro left for school half an hour ago.

00:26:52He said he wanted to arrive early and asked me for a sandwich to take with him.

00:26:55But what a good heart this son of mine has, really, not like others.

00:26:58What a great fund, because it does what it's supposed to do.

00:27:00It's because when they are properly trained...

00:27:02Hey brother, remember you have to go pick up the tequila.

00:27:04You don't weigh yourself with tequila, with Mexican things.

00:27:06From the tavern.

00:27:07Tequila from the tavern.

00:27:08Ah, tequila, yes, I have to go to...

00:27:10I've forgotten.

00:27:11Sorry, I'm leaving, okay?

00:27:12I have to go to...

00:27:12Oh ok.

00:27:12See you later.

00:27:34Curro.

00:27:36Dad?

00:27:37What, what, what, Dad?

00:27:38Okay, tell me what's going on here.

00:27:40Curro, I remind you that you told Carmen you were going to school

00:27:42And precisely here he didn't see any teachers.

00:27:43So, you're already giving me a good explanation.

00:27:45Already.

00:27:46Well, no, no, I have no explanation.

00:27:49But what are you saying, Curro?

00:27:50But please, are you turning into a vandal?

00:27:53What am I saying, a vandal?

00:27:54Something much worse: a liar.

00:27:55That you're lying to everyone, including your family.

00:27:57But how?

00:27:58Look, Curro, I swear if you don't tell me...

00:28:03Forgive me, son, forgive me, it's just that...

00:28:04Excuse me, let's see, let's see.

00:28:06Curro, you are a good son.

00:28:07Tell me what's going on, because you and I have always understood each other, haven't we?

00:28:10Do me a favor.

00:28:11Can't.

00:28:13What can't you do?

00:28:14Okay, let's go to school and then we'll talk at home.

00:28:16Come on.

00:28:16No.

00:28:18But how can that be?

00:28:20I can't, Dad.

00:28:21Well, this is incredible, I'm blown away.

00:28:23I mean, you're going to school right now, period, because I say so. Enough of this nonsense.

00:28:26No, Dad, I can't.

00:28:28Well, why not, okay?

00:28:29Because there's a kid who's taking my things.

00:28:33He's been waiting for me at the door all day.

00:28:38Yeah, that kid's the one who's got his eye on you, right?

00:28:41Do me a favor, give me the kid's name right now, because I'm going to the school and I'm going to punch him in the face.

00:28:44No, Dad, no.

00:28:45Because?

00:28:46That's why I didn't want to tell you, because nobody can talk to you.

00:28:54Look, you're right, son, I did lose my temper a bit...

00:28:59Forgive me, and tell me everything, please, nothing bad will happen.

00:29:03He stole my books.

00:29:06So, you didn't lose them, of course.

00:29:08So, I wanted to take them from you and you two got into a fight, I imagine, right?

00:29:12No, Dad, I'm scared of him.

00:29:14I ran away and, since I kept looking back, I ran into a lamppost.

00:29:19Fuck.

00:29:20But you're not going to do anything, promise me.

00:29:22No, I promise you, calm down, calm down.

00:29:23Come on, it's okay, man, I'm not going to do anything.

00:29:25What am I going to do, son?

00:29:28That's for sure, we're going to fix this, okay?

00:29:31First, we bought the books and some new sneakers to replace the old ones, expensive ones at that.

00:29:37Okay, you go to school and I'll go to work, okay?

00:29:39Come on.

00:29:46Hey, and Auntie, why did she leave so early?

00:29:49Because I had things to do.

00:29:52I don't know what's wrong with her, but she's been giving me a hard night, turning from side to side, kicking and turning.

00:29:56from the other.

00:29:57Okay, come on, let's go, I have to take Adrián to the hairdresser before I go to work.

00:30:02Dad, I want the scholarship hairstyle.

00:30:04Well, we've already talked about that, Adrian, please.

00:30:07Yadio, I want the scholarship hairstyle.

00:30:10Of course, let the kid cut his hair however he wants, go on.

00:30:13He's not even at Real Madrid anymore, man, come on, let's go, let's go, let's go.

00:30:17I don't know which of the two is older, honestly.

00:30:24What a face!

00:30:25Didn't you win yesterday?

00:30:27Hmm?

00:30:28Yeah.

00:30:30Yeah?

00:30:31Don't tell me any more, you couldn't do it.

00:30:33Hey, Fiti?

00:30:33Clear.

00:30:34It is not practiced and the foundation is lost.

00:30:36You say silly.

00:30:38We Martinezes don't know what that is, just so you know.

00:30:40And leave me alone, okay?

00:30:41And go now, you're going to be late.

00:30:43No, no, yes, I'm leaving, but you didn't yesterday...

00:30:45Hey?

00:30:45Not yesterday, Fiti.

00:30:48Hey?

00:30:49Good morning.

00:30:50Forward.

00:30:52Good morning, brother-in-law.

00:30:55Oh, you have such a cute face.

00:31:02What are you doing?

00:31:06What, like that?

00:31:09I've come to take a shower.

00:31:11Wow, you really struggle with mornings, huh?

00:31:14Hey, what?

00:31:14How's the elbow injury?

00:31:16Okay.

00:31:17Uh, what elbow?

00:31:18Damn, Fiti, the washroom?

00:31:20The pipe elbow you said you were going to fix today?

00:31:22Yes, I have it, I already have the elbow, I already have the elbow and I haven't put it on yet.

00:31:27Okay, so when are you going to put it up?

00:31:29Celia is using mineral water for the toilet, need I say more?

00:31:33Oh, coffee!

00:31:34No, there is no coffee.

00:31:35There's no more coffee, and go take a shower because you're going to be late for work, and so am I.

00:31:39Okay.

00:31:41Oh, look how nice, scissors.

00:31:42Help me, please.

00:31:44The tag on my bra is rubbing against me and it's making me want to cut it off.

00:31:53This one, this one, right?

00:31:55It's three o'clock.

00:31:57Yeah.

00:31:58Wait.

00:32:01You can't, wait.

00:32:02What are you doing?

00:32:03No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,

00:32:06no, no, no, no, no, there's no need, there's no need to say anything.

00:32:08Yes, you've already built it.

00:32:14He also doesn't know he has a sister, and my mother has never told me anything about my father.

00:32:18That's what you're taking with you, because what a signature, what a signature our father had, my daughter, if I told you.

00:32:24From here.

00:32:25I've never missed him, you know.

00:32:26My mother has always been a fighter, I've never lacked anything with her.

00:32:30And my mother, who has always had a heart so big it couldn't fit in her chest, will have endured this ordeal.

00:32:34cigarettes.

00:32:34But look, let's not talk about the one who doesn't deserve it anymore, let's talk about good things.

00:32:38Okay, let's talk about our lives.

00:32:40Well, I've been a fan of yours, of the group, but more of you.

00:32:44That's instinct for you, baby.

00:32:45Blood is thicker than water, I liked them all, but you're the one who's going.

00:32:48Yeah.

00:32:49Well, and I sing too.

00:32:50Oh really?

00:32:51Well, it meets modern standards without abandoning the classics.

00:32:56Seek me as the night seeks the morning.

00:32:59You're doing so hard, so hard!

00:33:03Okay, okay, okay.

00:33:04And I've covered you.

00:33:06Tears of love, I embroider it.

00:33:07I feel bad saying it, but I nail it.

00:33:09Setting aside the artistic differences, of course.

00:33:12So, sisters.

00:33:13Sisters, take note.

00:33:15I need to introduce you to the family.

00:33:17Yeah.

00:33:17Well, to your family.

00:33:19Fiti, our brother, is going to eat you, blessed glory.

00:33:22And Raúl, his son, our nephew.

00:33:24And Raúl's kid, you could just eat him up, his feet were so cute he was adorable.

00:33:28And my little joss, my husband, and your handful.

00:33:32Future father of my children and of those who will be your nephews.

00:33:35Come on, you won't lack a family that loves you, my daughter.

00:33:37Oh, sister.

00:33:39Give me a hug, this is huge.

00:33:41My heart is bursting with emotion.

00:33:45And am I thinking about fixing this?

00:33:47Or me, Sánchez?

00:33:47Because the kid, who is terrified,

00:33:50I'm imagining that Macarra is a kind of three-door wardrobe.

00:33:53Sure.

00:33:54Because a Sorriano, what you call fear.

00:33:56Fear?

00:33:56Never.

00:33:57Yes, that's right.

00:33:58But the problem, do you know what it is?

00:33:59That it's my fault.

00:34:00It's my fault, yes.

00:34:01Because the kid is going through hell and I'm stuck dealing with Celia's situation.

00:34:04What is love, what are the little bees and no.

00:34:06Don't torment yourself, brother.

00:34:07Don't torment yourself.

00:34:08That you are a very good father.

00:34:10Diego, stop punishing yourself, the kids have to learn to defend themselves.

00:34:13To make a living.

00:34:14Pussy.

00:34:14Yes, yes.

00:34:16Excuse me, José, that's easy to say.

00:34:17And it's obvious you're not a father because having a child hurts.

00:34:19But it hurts to imagine the poor little donkey, so small, alone, and hidden away.

00:34:24No, no, no, I'm clear on that.

00:34:26I'll fix this in a moment.

00:34:27In other words, I'll introduce myself and sort it out in a moment.

00:34:28Don't be an animal, Diego, they're just kids.

00:34:30Damn, they're just kids.

00:34:31Why do you want her to cross her arms?

00:34:33And what about next time?

00:34:34Are you going to be there to defend him too?

00:34:35And the other one?

00:34:36And the next one?

00:34:36And the rest of them there?

00:34:37That?

00:34:38That?

00:34:38What's a little worker going to do all alone?

00:34:39So, what's he going to do on his own?

00:34:40Explain to me.

00:34:40We have to make a living like the rest of us, damn it.

00:34:43Me too.

00:34:43Me too, of course.

00:34:45I'm going to tell you something, and please, please, don't let it leave this room.

00:34:48No, damn it.

00:34:49Don't let him leave here.

00:34:49No, okay.

00:34:50Don't let him leave here.

00:34:55No.

00:34:55I hadn't fully developed yet.

00:34:59Well, there was a kid, a kid at school, a real beast, an animal, who was telling him

00:35:05the impossible life.

00:35:06Lurdita found out, then told my parents, who arrived at the school and started a fight.

00:35:10a chicken that...

00:35:11There was no chicken to ride.

00:35:12What happened after that?

00:35:14What had to happen, happened.

00:35:16They branded me a snitch and a traitor, because I was considered a pest.

00:35:21And believe me, I say that's much worse.

00:35:23That's much worse.

00:35:25Yes, indeed.

00:35:25No, it's much worse.

00:35:26Yes, damn it.

00:35:27Maybe he's right, José Luis.

00:35:29Maybe the sun laughed at them.

00:35:31No, I don't know what José Luis told me, damn it.

00:35:33And besides, I've told him that I'm not going to get involved in this.

00:35:36Well, I've told him, I've promised him, so I'm not getting involved.

00:35:38That's it, you're right.

00:35:39Oh.

00:35:41Good.

00:35:42In the Stoic ideal, it is the liberation from the passions that allows the spirit to achieve

00:35:47wisdom.

00:35:48Well, for this reason self-control and detachment are seen as essential virtues for

00:35:52to reach the truth.

00:35:53In Stoicism there are two tendencies.

00:35:55One empirical and the other rationalist.

00:35:59Is something wrong, Tete?

00:36:01No, no, no, no, no.

00:36:02No problem.

00:36:04In Stoicism there are two tendencies.

00:36:05Oh man, you're so lucky, huh.

00:36:06You have to come abroad and see if I can get lucky.

00:36:08No, not even on Mars, bowling alley.

00:36:10Oh, thank you.

00:36:41And you, what about you?

00:36:41When are we going to kill him?

00:36:41We'll be spending the night out.

00:36:43That?

00:36:44Okay, so can people from outside the area sign up, even if they're foreigners?

00:36:48Yes, people from outside can sign up.

00:36:58I just don't understand what's gotten into them with this foreigner, it seems like they haven't

00:37:00seen

00:37:01an aunt in her life.

00:37:02That's what the new one has to be, making the others invisible.

00:37:06Or don't you remember when you arrived?

00:37:11Did that come with a double?

00:37:20Diego?

00:37:20That?

00:37:21What are you doing here?

00:37:22What do I do?

00:37:23What are you hiding from?

00:37:25No, no, no, no, what am I going to hide from?

00:37:27No, man, a real man...

00:37:29I'm not hiding from anything, I'm not hiding from anything.

00:37:31No, that's nonsense, isn't it?

00:37:32If you're okay, I'll leave.

00:37:33Come on.

00:37:33Oh no, no, wait, wait, wait, you'll see that I wanted to talk to you.

00:37:41Yeah?

00:37:41Tell me.

00:37:43So, what I wanted to talk about is...

00:37:48Diego?

00:37:50No, no, no, no, about the job problem.

00:37:53That.

00:37:53Ah, about work.

00:37:55Yes, that's already...

00:37:57I've already found the books because I had lost them and everything is sorted out.

00:38:01A problem of...

00:38:03I'm so glad.

00:38:05Thank you.

00:38:06Anything else?

00:38:07Anything else?

00:38:08Anything else?

00:38:08No...

00:38:09No, if you want something else, Diego.

00:38:10Oh, what if I want something else?

00:38:11Nothing else.

00:38:11I don't want anything else.

00:38:12That's it.

00:38:13I mean, well, no, frankly no...

00:38:15Yeah.

00:38:15Very good.

00:38:16Well.

00:38:16So I have to go.

00:38:17Oh no, no, no, wait, wait.

00:38:18Wait, that...

00:38:19Hey, no, I was thinking that...

00:38:22So, if you have to leave, yes, but...

00:38:23Are you in a hurry?

00:38:24Because I have my car here and I could give you a ride...

00:38:26As?

00:38:26If you're not in a hurry.

00:38:27If you're in a hurry, then no...

00:38:28No, thanks.

00:38:28I have my car and they see me in the case.

00:38:30Ah, you're going in your car, of course.

00:38:31If you have a car, why would I offer you a ride in my car? Of course, why not...

00:38:44Evil.

00:38:45It's wrong.

00:38:46I put the plate of ham down for her and I didn't even acknowledge her.

00:38:49Of course, how else would it be?

00:38:51The drill isn't getting power.

00:38:53How will it be?

00:38:54Hey.

00:38:55Don't let the rocket take off, Santiago.

00:38:57Well, damn it, explain everything to yourself.

00:38:59The kid had a premature ejaculation, he had a premature ejaculation and no...

00:39:01What premature ejaculation?

00:39:02What is the kid?

00:39:03What is the kid?

00:39:03Guys, what...

00:39:04We look bored.

00:39:05Come here for a moment.

00:39:06Let's discuss something here.

00:39:08Let's bring something up.

00:39:10One little thing.

00:39:11A hypothetical scenario that a customer of the workshop presented to me.

00:39:13Yeah.

00:39:14Okay?

00:39:15Let's chat for a bit, shall we?

00:39:16Sure, just a guess.

00:39:17And about what, Fiti?

00:39:19Well, about, for example, a human being, let's call him X, who is with another, he is there

00:39:25with another one, and let's call it Y in this case, okay?

00:39:28And, of course.

00:39:29So, X and Y are there, they're fine.

00:39:32Come on, they're very comfortable.

00:39:34They're quite comfortable there; they might even be making a lowercase Z, for example.

00:39:38Ah, exactly.

00:39:39Exact.

00:39:40And suddenly, because he makes a mistake, for whatever reason, in the moment of pleasure, X, to the

00:39:46Another person doesn't call her Y, they call her W.

00:39:49The W?

00:39:51Are you guys seeing each other?

00:39:52No, because math is simple, no, but let's...

00:39:54So, why now?

00:39:55So, what does W have to do with this?

00:39:57I mean, I don't know about...

00:39:57That is, X, Y, W...

00:39:58Well, if it says W, it says C.

00:40:00Diego, damn it, isn't that right?

00:40:01A C.

00:40:02A C, C.

00:40:03Let one thing be clear, C doesn't like it at all.

00:40:05C, C doesn't like it at all.

00:40:06It's something he really doesn't like.

00:40:08And I ask, can these things happen?

00:40:11In other words, it's not unusual.

00:40:12I mean, sometimes they happen.

00:40:14They don't happen to me, for example.

00:40:15And I'd better hope they don't get past me because, come on, if your sister catches me going in there to kill,

00:40:19shouting another name and it cuts me off...

00:40:21Me...

00:40:22No, this doesn't happen.

00:40:23That doesn't happen.

00:40:24It doesn't happen.

00:40:25How could I possibly go wrong by using the "marriage with a dove" method?

00:40:28What doesn't happen?

00:40:28No, it doesn't happen.

00:40:29It doesn't happen.

00:40:30It doesn't happen.

00:40:30I was saying, damn, that's weird, fuck.

00:40:32It's rare and it doesn't happen.

00:40:33And it doesn't happen.

00:40:34Tell him it's not happening.

00:40:35No, I'll tell you.

00:40:36Okay, see you later.

00:40:37Okay, see you later, Fiti.

00:40:39Okay, okay, okay, okay.

00:40:41Okay, okay, José Luis, why so much fine print?

00:40:45What's with all that little text?

00:40:46That's perfectly clear, Diego.

00:40:47That tonight, going in for the kill between the sheets, well, he said...

00:40:50Yeah?

00:40:50C said.

00:40:51What did C say?

00:40:51It has been said that yes.

00:40:52C.

00:40:53C.

00:40:53What, what, what, what?

00:40:54C for Candela, damn it.

00:40:56From Candela?

00:40:57Clear.

00:40:57He did not say that it makes no difference whether you say W or C.

00:41:00And another day I caught him there with his grandson, talking about Candela, you should have seen it.

00:41:04How was she putting it on?

00:41:05Come on, this guy's got Angelina Jolie in his sights.

00:41:07Look the other way, this Candela, Candela, Candela.

00:41:09C.

00:41:10C.

00:41:11Oh my God, what a disappointment!

00:41:12So, what is she telling me? That she hasn't gotten over Candela.

00:41:15Fiti has not surpassed it.

00:41:16Because?

00:41:17Because Fiti takes care of people, but doesn't take care of himself.

00:41:19Hey, I have to leave, my girl is at home waiting for me.

00:41:23As?

00:41:23With a surprise.

00:41:25Hey?

00:41:25And this, with the webbooking we have, means what it means.

00:41:28Hey.

00:41:29Hey?

00:41:30No.

00:41:30I'll be back in ten minutes.

00:41:32In ten minutes?

00:41:33I'll be back in ten minutes.

00:41:35It's not the right time, man, it's not the right time.

00:41:37No, no, no, no, no, no, no.

00:42:07The one from Camela, right?

00:42:08Well, go ahead, two kisses.

00:42:10Please tell the joke first, won't you?

00:42:11Well, yes, yes, yes.

00:42:12In this, in the show we are putting on.

00:42:15Okay, so what do you want?

00:42:16What are you doing, pigs?

00:42:17But what are you doing, you pig, with all the snacks out in the open?

00:42:20What's going on here?

00:42:21Well, that's it, that's it, Choni told you...

00:42:23Pull, pull!

00:42:24I'm going to change.

00:42:28You are?

00:42:30But?

00:42:30Yes, you are...

00:42:31Yes, yes, I do, I do, I do love you, but you are forgetting me.

00:42:37Yes, yes, yes, yes, yes, yes, of course.

00:42:40Hello.

00:42:40Hi how are things?

00:42:42Angeles, Fiti.

00:42:44Delighted.

00:42:46What's happening?

00:42:47She's your sister.

00:42:48We knew nothing.

00:42:50I saw Choni a couple of times when she was little, but I didn't know she was there.

00:42:52That?

00:42:53That?

00:42:53She's your sister, Fiti.

00:42:54What, what?

00:42:55Which angel is a collateral daughter of our father?

00:43:00Look.

00:43:02That's delicious, it's still there, it's really strong.

00:43:04Look at the photo.

00:43:05From behind him.

00:43:07This is me.

00:43:08From behind him.

00:43:10To my two beloved daughters of your father?

00:43:12Yeah.

00:43:14That can't be, Choni.

00:43:15Well, maybe, maybe.

00:43:17Just remember what your dad is like.

00:43:19I had that same look on my face, honestly, but...

00:43:21Delighted, delighted.

00:43:22Damn, I really need to process this.

00:43:25And my nephew?

00:43:26I am Raúl.

00:43:27Hello.

00:43:28Tita.

00:43:29Well, is this my son?

00:43:31Hello.

00:43:31Adrian.

00:43:32Specialist in assembly and disassembly of all types of objects.

00:43:35Oh, how handsome, huh?

00:43:36She's your aunt.

00:43:37Come on, this is joy.

00:43:39Now I'm going to make some paparajotes.

00:43:40Come in, darling.

00:43:41Is she my aunt or is she his aunt?

00:43:42Sit down, sit down, we're going to go home, you know.

00:43:45Sorry, sorry about before, it was kind of unexpected, you know?

00:43:48Well, pleased to meet you.

00:43:49José Luis.

00:43:50Likewise.

00:43:51Hey?

00:43:52Well, I've added a little signature to my...

00:43:54José Luis, son, didn't you have to go to the kitchen for something?

00:43:58Yes, of course, right?

00:43:59Yes, yes.

00:44:00Go on, throw it.

00:44:04Dilacioso, terminado, nena, buscarme todo día, pim, pam, pim, pam, pico, pala, no me dejan.

00:44:08An arsenal, an unemployed person.

00:44:11But anyway, let's talk about you and me, shall we?

00:44:15Yeah.

00:44:15How much time do we have to make up, baby?

00:44:17Now it's all about gossiping, shopping, out and about all day.

00:44:20Tomorrow we're going to America.

00:44:22Are you going to America?

00:44:23The bad thing is that we won't be back together for three months.

00:44:26Three months on tour?

00:44:28My goodness, I would like to go with you.

00:44:31Do you know they spend all day together out there?

00:44:33That would be hilarious.

00:44:34Besides, being so far away, you really miss your family.

00:44:38Right.

00:44:39You won't lack for your family.

00:44:40While I'm here?

00:44:41Look, it's in Santa.

00:44:42Do you know the trouble you and I were going to cause in America?

00:44:44But hey, but hey, we were killing it.

00:44:47For sure yes.

00:44:48Right.

00:44:49Oh, what a big thing.

00:44:52Oh, what a big thing.

00:44:53But what are you waiting for to talk to your crazy friends?

00:44:55No, look, I promised Curro I wouldn't tell him anything.

00:44:59You don't understand, but the boy would rather go to school with a black eye than be a snitch.

00:45:02And that's it.

00:45:03Well, then talk to that kid's father.

00:45:06There must be something we can do, right?

00:45:08Yes, yes, yes, yes we can do something, yes.

00:45:11Respect Curro and trust him.

00:45:13Carmen, please don't look at me like that.

00:45:15I try to do things as best as I can, but it's not easy, remind me that it's not easy.

00:45:19If only Lucía were here, but no...

00:45:21But you know what I'd say.

00:45:23We need to face the problem head-on.

00:45:25Use your head, have a dialogue.

00:45:28Yes, he definitely said that about dialogue, because if nothing else, he was already talking about it.

00:45:32That's awful.

00:45:33Hello.

00:45:34Hello, Curro.

00:45:35Curro, Curro, Curro. Let's see, let's see, why the rush?

00:45:38Because I'm going to watch a series that I don't really like.

00:45:41Wait.

00:45:41Wait, yes, because I'm going to take these clothes, you know?

00:45:45Because this house with so many clothes looks like a hotel.

00:45:47Okay, fine, come on.

00:45:49Curro, come in, son.

00:45:50Okay, Curro.

00:45:50The thing is, we need to talk.

00:45:52Without losing.

00:45:55Well, now they can't find us there.

00:45:59We need to solve the problem of the Macarra.

00:46:01Will you tell me how?

00:46:02Yes, I'm going to tell you because I'm thinking about it.

00:46:06With the head.

00:46:07By headbutting him?

00:46:08I mentioned a headbutt to him, but no, no, thinking, thinking.

00:46:11In other words, using the head as a thinking organ, with intelligence.

00:46:14Yes, listen to me, listen to me.

00:46:16What is your strength?

00:46:17Come on, the news, son.

00:46:18You have no rival there.

00:46:19Do you realize that?

00:46:20So, what we have to do is lure Macarra to your territory.

00:46:24In other words, to lure him to your territory.

00:46:25That's the story.

00:46:26For example, if Guille asks me what we should do in this case, I wouldn't tell him the same thing.

00:46:29Because?

00:46:30Because Guille...

00:46:30But you have plenty of intelligence.

00:46:32Do you understand?

00:46:33And how do I bring her to my side?

00:46:35Dialoguing.

00:46:36By talking and facing the problem head-on.

00:46:38I mean, when that disgusting Macarra comes...

00:46:39Well, that's it.

00:46:40When he comes and asks for your things, you tell him no.

00:46:42Why are you saying no to him?

00:46:45Furthermore, they must be respected.

00:46:46Are you telling him that?

00:46:47Me too?

00:46:49Well, yes.

00:46:51Come on, now.

00:46:52Then we thought about it a little more and stuff.

00:46:53We shape it and bread it, but so far so good, right?

00:46:57Okay?

00:47:00Yeah.

00:47:02Hello.

00:47:03Do you know where Choni is?

00:47:05That's what I'd like to know.

00:47:06He hasn't shown up yet, and he hasn't even bothered to call.

00:47:09No?

00:47:10Ah.

00:47:11Oh, no.

00:47:12I had forgotten that I had an appointment with Dr. Choni.

00:47:15Hey, hey, wait.

00:47:16Come, come.

00:47:17That?

00:47:19That?

00:47:19Did I hear about Fiti?

00:47:21That's intense, isn't it?

00:47:22I still can't believe it.

00:47:24And how did you find out?

00:47:26Well, in Santa Justa, news travels like beer.

00:47:29Hey, how are you?

00:47:30That's bad.

00:47:31It's awful.

00:47:32This...

00:47:33This...

00:47:33The denial phase is denying.

00:47:35Yeah?

00:47:35Yes, yes.

00:47:36Oh, I didn't expect that reaction from Fiti.

00:47:38What do you want?

00:47:38It's just very strong.

00:47:39Very strong.

00:47:41Yeah, but it's really cute, isn't it?

00:47:42Tender.

00:47:43Let's see, the woman is sweet.

00:47:45And is the name Candela being with someone else in the middle of this, is that cute?

00:47:47Come on.

00:47:48As?

00:47:49What are you telling me, Candela?

00:47:50Wait a minute, a little bit of organization, because I think you're confusing me.

00:47:54What have you heard?

00:47:55Well, the singer from Camela is her sister.

00:48:01Yes, she's his sister and I'm his brother-in-law, so if you want some tickets, just give her a call.

00:48:05Hey, come, come, come, come.

00:48:06Rewind.

00:48:08Rewind...

00:48:09What did Fiti yell at Candela while she was there with another woman?

00:48:13Let's see, Ana.

00:48:16I've never been here and I've never spoken to you about this.

00:48:20In other words, never.

00:48:22Never.

00:48:26Never.

00:48:33That?

00:48:33For work?

00:48:34Yes, I'm making him a snack.

00:48:36Snack.

00:48:37We'll drive you away without fear, man, we'll drive you away.

00:48:39Remember the sandwich that didn't turn into a father.

00:48:41You are what you eat.

00:48:42He needs to build muscle, grow, and get strong.

00:48:45Yeah.

00:48:45No, no, not so much, not so much, not so much, not so much, why?

00:48:49Because he doesn't need to, you little worker.

00:48:50He's very intelligent, he's a very clever guy.

00:48:52He has arranged to meet with the thug today to talk to him and resolve things civilly.

00:48:55I've given him some basics that I've told him.

00:48:56What we need to do is like...

00:48:58But, little worker, son, what's wrong with you?

00:49:00What happened?

00:49:01I have engaged in dialogue.

00:49:02That?

00:49:03It was already done.

00:49:03That?

00:49:04Where are they? Did you leave them at school?

00:49:06He took them from me.

00:49:07Gabon!

00:49:07No, stay still, stay still, Santi!

00:49:08Please wait, stay still.

00:49:10Listen, have you spoken to him?

00:49:12You've talked to him, you've told him that I...

00:49:12Yes, I have had a dialogue, as you said!

00:49:14And she took them from me right in front of everyone!

00:49:17Don't worry.

00:49:18Forgive me, son, I'm truly sorry, but I'm just trying to do what I can with what I have.

00:49:22Lucia did it.

00:49:22But you are not Lucia.

00:49:24Work!

00:49:25Work!

00:49:30Oh, by the way, I almost forgot, don't make any plans tomorrow after class, okay?

00:49:34I want to talk about the course and what we can improve.

00:49:38Hello good.

00:49:39Hello.

00:49:39It's great to see you all.

00:49:40And isn't it great that you deigned to come to work?

00:49:44Just a second, I'm with you now.

00:49:47I wanted to tell you something very important.

00:49:50I'm leaving.

00:49:52I'm saying goodbye.

00:49:53That?

00:49:54Johnny, what happened?

00:49:55But why?

00:49:56Have you won the lottery?

00:49:57No, much better than that.

00:49:59I'm going on tour in the Americas!

00:50:05Well, I know you already know that I'm not a baby of the vocation, that I'm an artist and that,

00:50:16Well, a once-in-a-lifetime opportunity has come my way.

00:50:19So I wanted to share this with you and tell you that I'm going to miss you all very much.

00:50:26This has been a very beautiful stage in my life and I love you all very much.

00:50:30And above all, I leave behind very good memories and very good friends.

00:50:37Yes, and I wanted to tell you something too, Ana.

00:50:40And if we're going to end this conversation, all the better, sorry.

00:50:42No, Fernando, thank you.

00:50:43Thank you, just one small thing.

00:50:46I want to tell you this without any bitterness.

00:50:49Just so you can improve as a person and as a human being.

00:50:52Because I think your main problem, Ana, is the ways you're lost.

00:50:56Because deep down, I don't think you're as rude and sour as you seem.

00:51:03Think about it.

00:51:06Think about it.

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00:57:25I don't know now, I don't know, he doesn't know, he doesn't look at what I'm telling you, if you don't understand.

00:57:34I don't care, there's no need to stress about it, and I won't come back if I do.

00:57:47Please, let's do a simulation exercise. I'm going to play the thug and

00:57:51You are you, I'm acting like a thug, I'm acting like a thug, kid, give me a watch, why are you asleep?

00:57:58Damn it, focus a little and wake up, it's a drill, I'll do it again.

00:58:03Come on kid, give me the watch. You say no? What do you mean I won't give it to you? But no, let's see, no.

00:58:12you can't

00:58:12Saying that, son, you can't say I won't give it to you, no, that's a false no, no, it's not.

00:58:16Good intention

00:58:17It's good, but you can't tell me that, for God's sake, let's see, you know why I

00:58:23I have never been

00:58:24I stole the shoes, well I'll talk to you later because I don't know what you're doing here and there, not there

00:58:29Don't go there, Guille, don't go there, there's boasting, swagger, and strutting, and the little boy

00:58:32Healthy attitude, attitude is the most important thing in this business; your brother is right about that.

00:58:39I don't know why you're here, but you're right about the attitude. I was going to bring up the topic of...

00:58:42attitude

00:58:42Let's see, thugs are like dogs, they scare you, so it's very important that

00:58:47Even if you have it, they won't take it away, so stand tall, shoulders straight, chin up, look at the

00:58:51eyes and you tell him no, I won't give it to you, I won't give it to you, a little more of

00:58:56attitude and bring out a little bit

00:58:57plus the chin, the chin, you look into her eyes and I won't give it to you, but take it out a little bit

00:59:02plus the chest

00:59:03I won't give it to you, practice a little with your chest up high, out like that, it doesn't suit me.

00:59:08to

00:59:08Well, I don't know, you support me, he said before, because I'm his older brother, he'll be his older brother

00:59:12he

00:59:12Big brother, you really are the big brother, but I'm going to tell you something, lately I haven't

00:59:15whole ones because you're already with sandalwood and you're leaving part of the family behind

00:59:18Breakfast is ready, thanks handsome. We used to stop, Dad. I think I've got it.

00:59:22Yes, yes, yes, yes, very good, very good, they're going to kill him.

00:59:36I slept on the sofa, Santiago, and this morning he still wasn't talking to me. He's going to leave me.

00:59:44America and I

00:59:45I'm going to move on to her story, you'll see where the boss orders the sailor and the choni is a lot of choni.

00:59:51Thank you so much, Santiago! Thank you so much! They're going to give you the council of the year medal, damn it!

00:59:56You want me to give you advice? Well, you think you're so clever and have such a silver tongue.

01:00:00the others

01:00:00When it's your turn, you lose your strength because as far as I know, Chonita is no longer around.

01:00:04gone to America

01:00:04No, one, and what are you doing? What are you doing going up and down chairs like an idiot?

01:00:10Well, you know what? I'm going to fight. This isn't going to end like this if I...

01:00:14Something's going to happen, I don't know.

01:00:15I don't really know what, but something's going to come to me, damn it, it's taken me years to find it.

01:00:19a

01:00:20A woman like that, too chavvy to lose like that, so I'll think of something, don't worry, I'll fight.

01:00:24who was the bigwig the other night, less screaming, little miracles, because here each one of us has it

01:00:28ours and we don't shout so calm down no no calm down no calm down no that I don't know what the hell

01:00:32I'm not telling you anything, but about the 'w' and all that, well, I missed something.

01:00:36Don't worry

01:00:37I didn't tell her, I told her sister, her sister, her sister on top of that

01:00:42with what he has done to me

01:00:43If you're going to suffer, tell the whole family, the public figure, in the Official State Gazette (BOE). If you think that's okay, forgive me, but

01:00:47It's not for

01:00:48To get like this, sorry, no, sorry, no, you've screwed me over, really screwed me over, thank you very much, awesome, like

01:00:54yours, and all this because I told Ana that if I had told Candela

01:00:58that the

01:00:59Interested, I'm having a heart attack, damn the Martinez Martinez family

01:01:10What are you doing here? I am, for the same reason as you. I can't imagine, my general, what's happening here. Yes, indeed.

01:01:28His mother will find out, he'll find out, no, no, no, no, no, no, calm down

01:01:33What's happening? Is he capable of doing it alone? I'm here to break his teeth and his sandwich.

01:01:39I work, fear doesn't fly away, fear doesn't happen to me, chin up, look into their eyes

01:01:46You haven't told yourself you're not winning, loser, he's going to ruin it, he's going to ruin it, no, no

01:01:54I'm not going to tell you.

01:01:55I don't feel like it.

01:02:03I know that's my son, that's my son, and your brother Guille, and your brother, yes sir

01:02:07in dialogue

01:02:08have you seen that leaving talking

01:02:14And thanks for escaping work, Lourdes. No, but don't worry, darling, that's what we're here for.

01:02:21My heart aches just thinking that I'm being scolded.

01:02:23Hush, hush, hush, hush, there it is, there it is, and let me speak, I've thought it all through and

01:02:31Besides, these things need to be said little by little and without dramatizing. Very good, very good.

01:02:35That sounds great, open up, please open up, I can't take it anymore!

01:02:59Don't take my wife, please don't take her away as if she were already gone.

01:03:09I know I'm selfish, but don't take her away, because if she doesn't leave I'll die.

01:03:12I'm dying, I'm dying

01:03:13I'm dying, I took her to where, well, on tour, where are you going? I don't know where you're going.

01:03:17But you're leaving

01:03:17He turns around but he doesn't come to me, yes, yes, he leaves, because you told him to go with you.

01:03:21I do, you too

01:03:22I really said that the Virgin Mary didn't take refuge.

01:03:36Donkey, son, what happened? How did it go, Dad? Look at the books, he hasn't stolen my shoes and the

01:03:52Let's see, Curro, that's not what we've learned, no, no, no, let's see, you, you have

01:03:57spoken with him

01:03:57No, and you told him no, those dialogues, go home, I'm going to eat now, them come on even

01:04:03then

01:04:05Well, the kick would have been good; that would have stopped him from bothering people.

01:04:11give it

01:04:12Santi, let's see, what's wrong with you? Can't you get it through your head that things can be fixed?

01:04:15talking

01:04:16Santi, what I want my children to learn is that there's no need to fight, so...

01:04:19The important thing is to face your fears with courage, that's what's important, yes, to face your fears.

01:04:23You just walked in the door. Hello, good morning. Can you make me a coffee, please?

01:04:30Of course, yes, you've preached enough, haven't you? Well, now it's time to get down to business.

01:04:37Come on, I'll make the coffee.

01:04:45Today I need to talk to you. Can we go for a walk? A walk with me.

01:04:51who draws Champions League for Grandma Candela, whose family drawing wasn't coming out right.

01:04:58Well, it turned out terribly, she looks like a witch.

01:05:01Well, well, you've kind of got the hang of it.

01:05:07hello

01:05:08Hi, we finally have water, so everything is sorted.

01:05:12Great, now that there's water, now the important thing is not to wait, wait, that

01:05:21Actually, I came to offer you, yes, well look, I was thinking about what happened to you.

01:05:29another night

01:05:30Yes, and you have nothing to be ashamed of. We're adults, not just adults, we're adults, of course.

01:05:35So, if I'm going to pass this on to you, don't look any further.

01:05:40that it's up

01:05:41Okay

01:05:44Okay

01:05:45Okay

01:05:46bye

01:05:55The titan doesn't look like a witch.

01:05:59No

01:06:00No

01:06:04well need fiti

01:06:07Today, which should be one of the happiest days of my life, look at the mood I'm in.

01:06:11Yeah

01:06:19Sony, listen, I have something to tell you

01:06:21What do you have to tell me?

01:06:22You've said quite a bit already, you don't think too much, I'd say.

01:06:26Well

01:06:27Sony, Sony, listen, I'm sorry, but listen to me for a second.

01:06:30that you want me to listen to you

01:06:32joselui there are some things that can't be fixed

01:06:34And something has broken between us.

01:06:36Asunción, please don't be so dramatic.

01:06:38and please listen

01:06:40Okay

01:06:41Of course

01:06:43a lifetime of waiting

01:06:45that my dreams would come true

01:06:47And when the moment finally arrives, you're not up to the task.

01:06:51I'm sorry

01:06:51forgive me

01:06:53but

01:06:53but that

01:06:55but that

01:06:56that

01:06:58nothing

01:06:59or anything

01:06:59It doesn't matter

01:07:00I'm going to the dye shop

01:07:03already

01:07:10fiti

01:07:14fiti

01:07:15that

01:07:16I need help.

01:07:17I need help, Fiti

01:07:19so that

01:07:20What's happening in this house today?

01:07:22Fructuoso, what's happening here today?

01:07:23And that's even though the donkey issue has already been sorted out.

01:07:25I don't know what you told him, but it worked.

01:07:27Today he's back to his old self.

01:07:29Well, you already know about dialogue.

01:07:31above all dialogue and more dialogue

01:07:33They say dialogue is good.

01:07:34it's good

01:07:35That's what they say.

01:07:36Yeah

01:07:37You'll see, Celia, that I have

01:07:39I have to tell you something

01:07:40I have a lot of things to tell you

01:07:42But this time I'm not going to get distracted.

01:07:43So I'm not going to dwell on it.

01:07:44Because you're right, Celia.

01:07:46I do have that tendency to say but then I don't say

01:07:48But what I'm going to tell you

01:07:50I've thought it through very well.

01:07:52That's great, that's great

01:07:53Yeah

01:07:56I'm sorry

01:07:58I'm sorry I didn't go to Mexico with you.

01:08:01And I'm sorry for being so clumsy all this time.

01:08:03No

01:08:06and also what

01:08:07What I wanted to tell you is that

01:08:10that

01:08:13I don't know

01:08:16Well

01:08:16So, what I was going to tell you

01:08:17He had it like a very well-prepared speech.

01:08:19with his argument and all

01:08:21And it was like looking at you and my mind went blank.

01:08:25But not everything will have been erased, will it?

01:08:26no no no no no no no woman no not all no no no no

01:08:29Give me a moment to review

01:08:30Because these things happen to me, sometimes I lose my temper a little.

01:08:33So I've already apologized to you.

01:08:35yes indeed

01:08:36I was going to explain about Mexico to you.

01:08:38But the explanations came when I was about to tell you

01:08:41what was most important to me

01:08:42Ah, now I remember, you'll see.

01:08:43Celia

01:08:48Celia

01:08:49Celia

01:08:50Celia

01:08:52Celia, are you there?

01:08:54the sunflower seeds and the magazine...

01:08:57But you can't tell him, man.

01:08:58You know that breastfeeding is very sensitive

01:08:59When he finds out he's not going to be elected, he's going to have a fit, man.

01:09:01and that he wants them to find out at the airport

01:09:04no no

01:09:06Adri

01:09:07Come on, let's go.

01:09:08eh eh eh

01:09:09Where are you going? Where are you going?

01:09:10No, no

01:09:11Your aunt needs some family warmth right now.

01:09:13that when José Luis tells him

01:09:15We Martinezes have to be here, offering our support.

01:09:17as?

01:09:19I

01:09:20And that's why I have to say it.

01:09:22Let's go to the bathroom

01:09:22There goes that old lady

01:09:24look

01:09:25I'll make you a cocris

01:09:26Hey?

01:09:27because you're married to her and by contract you're entitled to it

01:09:29Also because you have a very light beak

01:09:40what's happening?

01:09:43What's going on? I mean, what's happening?

01:09:46that you're not going on tour

01:09:49the child

01:09:52But as you know, and I've just received the letter

01:09:56The letter?

01:09:58Which letter?

01:09:58my sister's letter

01:10:03dear sister

01:10:06I'm so sorry I confused you.

01:10:09This time it won't be possible

01:10:10but let him know

01:10:11that I carry in my heart

01:10:15And I'm so happy to have found you.

01:10:17Well, that's it.

01:10:18It's already a mess, I don't know what the end of the world is.

01:10:20Of course not

01:10:22which also says good

01:10:23It already says a lot of things.

01:10:26and says

01:10:26And to get you warmed up

01:10:29You have a gig at my friend Antonio's place

01:10:31with?

01:10:32over there?

01:10:33Antonio's place?

01:10:35well

01:10:35that's it

01:10:36How are you?

01:10:37are you OK?

01:10:38Of course, very good

01:10:40it is known that there

01:10:42because of the excitement of being with her

01:10:44well

01:10:44I must have misunderstood her

01:10:46Of course, Tony

01:10:48Oh, Michon!

01:10:49if you're the best

01:10:50You are number one

01:10:51besides

01:10:52another thing

01:10:53You wouldn't want them to succeed when they do

01:10:55Go spread the word around

01:10:56who triumphs for our sister

01:10:58No

01:10:58of course not

01:10:59And now let's celebrate!

01:11:00Hey?

01:11:01What do you know about that in the Americas?

01:11:02Come on, come on

01:11:02Come on, man

01:11:04Well

01:11:06that?

01:11:07that?

01:11:07come on?

01:11:08come on?

01:11:09come on?

01:11:10Support him?

01:11:11come on

01:11:11Come on, come on

01:11:12Yes, no...

01:11:17chatunga and...

01:11:18And what about us?

01:11:21Hey?

01:11:24Tony

01:11:27Can you do something for me, Tony?

01:11:29Look, I'm going to forgive you.

01:11:31because I'm going to forgive you

01:11:34But know that when I succeed

01:11:35that I'm going to succeed

01:11:37But come on, of course

01:11:38of course

01:11:39I want you there, there.

01:11:40Yeah

01:11:40supporting me

01:11:41Come on, I'll be there first.

01:11:43Hey?

01:11:43Whatever you want

01:11:44your servant, your servant, your...

01:11:46Come on, whatever you want

01:11:48No, go to the fourth one

01:11:49punished

01:11:51I'll think of something.

01:11:52Well

01:11:55strip

01:11:56Is there dessert or not?

01:11:58strip

01:11:58Without dinner?

01:11:59Aren't we going?

01:11:59Aren't we going without dinner?

01:12:00But don't wait for me for dinner

01:12:03I can't even move it

01:12:04Well, that's it, boxed in like a cork

01:12:07I can't even move my arms

01:12:10strip

01:12:11They're not going to laugh at me

01:12:12Well, it took forever for the firefighters to arrive.

01:12:14what a donkey

01:12:17But if all this isn't done to avoid assembling the shelf, she's not very clever.

01:12:22clear

01:12:23That's what it's going to be.

01:12:24Hey, and what was Diego doing?

01:12:25Oh, oh, why not?

01:12:27She would peek out to encourage me

01:12:29And every time it peeked out, pebbles fell and got in my eyes

01:12:31And on top of that, he couldn't hear me at all.

01:12:35Hey, but

01:12:36Where were you looking?

01:12:38to fall like that

01:12:40Look, they're both idiots.

01:12:43I'm going to the take

01:12:45No, go have some tea.

01:12:46I can't take it anymore, I'm going to sleep

01:12:48Hey, but be careful

01:12:49Oh, well, now don't fall on the bat cup!

01:12:54Be very careful

01:12:58bye

01:13:02goes

01:13:06hello

01:13:08hello

01:13:09Sorry I haven't called, I should have called, it's very late and all that

01:13:12I wanted to know how Celia is doing.

01:13:13Okay, he's in bed, but I'll let him know.

01:13:15No, no, no, no, no, no, I don't want to bother you because it's very late.

01:13:18If you don't mind, give her these flowers

01:13:20I'll bring you a little something later

01:13:22This is nothing, no

01:13:24And you tell him you're very sorry

01:13:25Oh, Diego

01:13:26Well, next time you invite me to Celia's

01:13:28I'm going to take a harness

01:13:29just in case

01:13:31Okay, well, I'm really sorry, I have to go, it's very late.

01:13:35And you tell him that, that you're sorry.

01:13:36Okay

01:13:37thank you

01:13:47bye

01:13:47problem, solution

01:13:48Fiti has a problem and wants a solution

01:13:50a solution

01:13:50What am I going to give him, gentlemen?

01:13:52this round-trip ticket

01:13:53so that she can go to the Canary Islands with everything paid for.

01:13:55good, good, good

01:13:56See Candela and it will become clear

01:13:57Good, José Luis, José, very good, it was very fine.

01:13:59There it is

01:13:59Very elegant, and you look like something else, very generous.

01:14:01Because this is going to cost you, the ticket hasn't gone through yet.

01:14:02No, no, it hasn't cost, partner, it hasn't cost

01:14:04The ticket, well, the money, I took it from the tavern's till.

01:14:07I've taken out a little bit to buy the ticket

01:14:08yes

01:14:09who has put his beard in

01:14:10Fiti

01:14:12Fiti

01:14:12Fiti, can you come here for a second, please?

01:14:15come

01:14:16sit down

01:14:18sit down

01:14:18so much mystery

01:14:19What do you want?

01:14:23Hey...

01:14:23the hot patches

01:14:24we want you to face

01:14:26that is

01:14:26Nothing, we've just been talking about C

01:14:28when you were there and you told him

01:14:30even though you're taking a risk

01:14:31Let's see, let's see, let's see

01:14:33Fiti, you have a problem

01:14:34Damn, Fiti, you've got a problem.

01:14:35Well, since I had a problem

01:14:37What was happening to me? I couldn't digest it, I couldn't digest it.

01:14:39So what then?

01:14:40that was regressing

01:14:40was devolving

01:14:41and it wasn't evolving, it wasn't evolving

01:14:43Fiti

01:14:43Yes, yes, you have to talk to C

01:14:44with C

01:14:45But what about C, what about C, what about C?

01:14:46that C, that C

01:14:46What the hell, I already had it, man.

01:14:48that you shout fire in the pleasures

01:14:49There it is

01:14:50I need to lengthen it

01:14:51There it is, there it is

01:14:54C for candle, of course

01:14:55So you told Ana

01:14:57that I had shouted fire

01:14:58Fiti, Fiti, listen to me for God's sake

01:15:00embrace your fears

01:15:01Accept them, accept them

01:15:02and you're going to the Canary Islands

01:15:03And that's it.

01:15:04Of course, of course, that's why Ana

01:15:05But you are all fools.

01:15:06But how am I supposed to shout "Candela"?

01:15:08by shouting it

01:15:09or didn't you shout it?

01:15:10Hey?

01:15:13So, what did you say?

01:15:14Hey?

01:15:15What did you say?

01:15:15Call it X, call it Y

01:15:17Hey, anyway

01:15:18Thanks so much for the little trip, huh?

01:15:20It's a small detail.

01:15:20That's not it, if you don't have to travel.

01:15:22That's great, isn't it?

01:15:23no, no, no, no

01:15:24And that will be nothing.

01:15:25This will go to the travel date

01:15:27dad

01:15:28Did you know that Celia fell down a sewer?

01:15:30Celia?

01:15:31Which Celia?

01:15:32So...

01:15:33Celia, Celia, dad

01:15:34But we just love the sledgehammer

01:15:35because we don't have class tomorrow.

01:15:36says no

01:15:37Well, if I'm going to replace her, I'll do it.

01:15:38Well, it doesn't matter.

01:15:40I bet you don't know what they call Celia now.

01:15:41How? How?

01:15:43the mole because the holes keep falling out

01:15:45But Guille, for God's sake!

01:15:46How little humanity!

01:15:47I mean, man, for God's sake

01:15:48Diego, please

01:15:49You have to be clumsy.

01:15:49to fall in the middle of the street

01:15:51No, some people fall.

01:15:52Hey?

01:15:53You laugh at people who fall in the street

01:15:55Everyone has fallen down the street at some point.

01:15:56No?

01:15:57that you haven't fallen into the sea

01:15:59Well, you fall down the street

01:16:02I don't know because I don't know...

01:16:06good morning

01:16:07hello

01:16:08Fernando from the ministry

01:16:10Lourdes, darling

01:16:11the files

01:16:12Hey?

01:16:13Nobody calls the stationery store, right?

01:16:15Hey?

01:16:15I don't know how to do anything.

01:16:17like, what...

01:16:18What are you doing here?

01:16:18Well, working, daughter

01:16:20What am I going to do?

01:16:21And with the mare's nest I'm wearing?

01:16:22come on...

01:16:23I'm going to the door.

01:16:24The ones from the boiler are coming.

01:16:26And if I'm not watching.

01:16:28Oh, by the way

01:16:30that in a few days

01:16:31I have a performance at a venue

01:16:32You are all invited

01:16:33thank you

01:16:35I love your t-shirt, Ana.

01:16:38super cute

01:16:39So cute, so cute

01:16:40And it really enhances the chest, huh?

01:16:45go away

01:16:53surprise

01:16:54my old

01:16:54He messed up

01:16:55He's really screwed up

01:16:56has brought misfortune upon Maria

01:16:56has ruined her

01:16:57I catch him kissing Ana

01:16:58She stood me up in Mexico.

01:16:59And now he won't even come near me.

01:17:01It's one thing for you to live in our house

01:17:02Okay

01:17:03I have a very different one.

01:17:03It's just... that's my bra

01:17:05Hey?

01:17:06what's the matter?

01:17:08what's the matter?

01:17:10I am Maria

01:17:10Maria?

01:17:12I arrive in Santa Justa tomorrow

01:17:13Let him explain

01:17:14He surely has a good reason.

01:17:15And are you willing to charge a monthly fee?

01:17:17to the students?

01:17:17I am willing to resign

01:17:30look above

01:17:31Tomorrow after class we're all going to spend the night in a country house.

01:17:34You can't mess with a child's core without doing it nicely!

01:17:37It's going to be impossible for them to give you custody.

01:17:39What are you doing?

01:17:39I'm leaving.

01:17:40I'm leaving Santa Costa.

01:17:41And Guille?

01:17:42What's wrong with him?

01:17:43It's his girlfriend, who has run away from him.

01:17:44We had plans!

01:17:45Blanket the room, while you're at it.

01:17:46I look, I look, serious.

01:17:48Me too?

01:17:48In the same room as Ana?

01:17:49And you're going to cut me now?

01:17:51Ana, honestly, I manage very well in the van.

01:18:00Fire?

01:18:01So, I read you.

01:18:04Enough with the filth, man.

01:18:06I'll come to pick up Adri at six in the afternoon, okay?

01:18:08Say goodbye, Dad.

01:18:09We're leaving.

01:18:10Bye bye.

01:18:10Where is my son?

01:18:11Where is?

01:18:12I don't know, I don't know, miss.

01:18:14We are looking for him because of the kidnapping of his son.

01:18:16Raúl has kidnapped...

01:18:17I give up on living two minutes away from him, on teaching his children,

01:18:21from having breakfast at his tavern every day,

01:18:23of the pangs I feel in my stomach every time I see him.

01:18:31Thank you.

01:18:33Thank you.

01:18:42Thank you.

01:18:43Thanks for watching the video.

Los Serrano - 7x03 - Sorpresa, sorpresa - HD 1080

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