- hace 1 día
Tras ser informados de que la casa del pueblo se ha inundado, Diego y Santiago deciden acudir al lugar a valorar los daños junto a Lucía y Lourditas. Una vez allí, los hermanos encuentran el diario de su madre que revela que ésta fue infiel a su esposo y que Diego podría no ser un legítimo Serrano. Mientras Diego y Santiago están fuera de la ciudad, Fiti y Choni ofrecen su ayuda a Emilia en la taberna. Tras descubrir a la propietaria con unos libros de autoayuda, ésta explica al ex-mecánico que tiene una hija llamada Su que no desea dejar Milán para vivir con ella en Santa Justa. Fiti tranquiliza a la mujer y le ofrece todo su apoyo. Por otra parte, Guille siente celos al ver cómo Teté coquetea con su primo Manu. Aprovechando la ausencia de sus padres, Teté organiza una fiesta en casa para dar la bienvenida a Manu, iniciativa que desaprueba Guille.
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00:00:08Music
00:00:16What is this?
00:00:18What is this?
00:00:19How awful!
00:00:20He's a DJ!
00:00:21No! The ears!
00:00:22It's Marcos, when he grew up, because his uncle was a water boy.
00:00:25Hey, so you're a candidate for the best mountain man, huh?
00:00:27My father always says that humans are like cows.
00:00:31And that one is not from where one is born, but from where one passes through.
00:00:34Look, this is Guille.
00:00:35Look, how delicious!
00:00:37Wow, look at that handsome pose!
00:00:38You've been doing a bit of "luque" (a type of trick) since you were little!
00:00:40So, what do you say now?
00:00:42We'll see what kind of face he'll be left with when he grows up.
00:00:44I'm cracking up.
00:00:45Well, if one is from wherever one happens, the Martinezes and the adopted cousin
00:00:48They are as mountainous as anyone.
00:00:51Because they air out the pantry with gusto.
00:00:53I'm such a pain!
00:00:56Look, look, look!
00:00:58Hey, this is your uncle Santiago.
00:01:01Aunt Marosita, you look like the Coata.
00:01:03It's true!
00:01:04Open the hallway.
00:01:06Mom, let's see some chili peppers! And what do we drink this with?
00:01:08But hey, daughter, there are so many of you!
00:01:10that they don't give you the cutlery.
00:01:12And this, at least with the hands, look, well, it's not frowned upon.
00:01:15If even Carmen says you can eat with your hands, then anyone can become like a mountain person.
00:01:21Since you don't pay for them, why worry, right?
00:01:25Fuck...
00:01:25Let's see, let's see if I can find...
00:01:27Hey, do you have any pictures of yourself, Dad?
00:01:29No, no, son, no, no.
00:01:31Have other documents been issued or something because I don't see any photos.
00:01:34Look, look, Santi.
00:01:35Ah!
00:01:36There, take it away, take it away.
00:01:37There he is, Father, with me.
00:01:39Already.
00:01:40Father with Faust.
00:01:42And here we are, the two of us, with Fausto, just hanging around.
00:01:45Look, look.
00:01:45Who is Fausto? This one here? The one with the beret?
00:01:47No, Fausto is the pig.
00:01:48He's the father of the beret.
00:01:50Sorry.
00:01:51Look, look, look, look.
00:01:52Santi, a picture of my mother with me.
00:01:54A holy mother, yes.
00:01:55Our mother is a saint.
00:01:57And look, look how well my little ones look alike.
00:02:00Hey, let's see, let's see.
00:02:01Oh, really?
00:02:01Look.
00:02:02What are you saying, Santi? I don't look anything like him.
00:02:04Carmen makes chops.
00:02:06Santi says that Lurditas looks like his mother.
00:02:08Because you're born a mountain person, but you also become one.
00:02:11Like my father, who is a mountain man no matter how you look at it.
00:02:17A station platform, under the blazing sun.
00:02:20You were talking about a skyscraper in the sky of New York.
00:02:24Come soon to see the sea, and send a postcard.
00:02:27I already knew that day was the end.
00:02:32Now I have much more.
00:02:35Red, black, odd stop.
00:02:37Finally, luck brings an ace and a crystal to look through.
00:02:41And a wall to hang it on.
00:02:43That's how she looked, smiling in a passport photo.
00:02:46That my stories were not about tales made by chance.
00:02:53Nobody told me that destiny was giving me this opportunity.
00:03:00One plus one equals seven.
00:03:03Who would have thought?
00:03:07That it was so easy to be happy.
00:03:22Runs.
00:03:23Runs.
00:03:23Runs.
00:03:24Good morning.
00:03:25Hello, family.
00:03:26Hey.
00:03:26Come on, sit down.
00:03:27Yeah.
00:03:27Uh, I'm making breakfast, it's not turning out very well, but it'll be ready in two.
00:03:31Clau was sick.
00:03:31But I shouldn't have bothered you, Fiti.
00:03:33No, no problem at all.
00:03:34It's a pleasure to make breakfast for the mountain people, the most important meal of the day.
00:03:38Hello!
00:03:40Hello!
00:03:41Fuck!
00:03:41Winsor's Kitchen is really worth it!
00:03:44No, no, no!
00:03:44I can't get fancy!
00:03:46And sit down, go on!
00:03:47They're just superficial burns!
00:03:48I've already mentioned it!
00:03:50Yes, yes, yes!
00:03:51Even if a marquis weighed a fortune!
00:03:52You just scratch this a little and that's it!
00:03:54We're not here to mess things up!
00:03:55Come on!
00:03:55Nothing!
00:03:56Wow!
00:03:57Fresh pork belly for everyone!
00:03:58Hey, don't you guys have anything with a little mother?
00:04:01What's wrong with you?
00:04:02Let's see, let's see!
00:04:02Mr. Protein!
00:04:03Well, Mrs. Carmen, what's up?
00:04:04What do you think of the deployment?
00:04:05Milk, Fiti!
00:04:07Clear!
00:04:07I thought I was going to aim at you!
00:04:08No way!
00:04:09Your milk is leaking out!
00:04:10Let's see!
00:04:11Oh!
00:04:12Oh!
00:04:13Piti, my new shirt, please!
00:04:15Okay, fine, it's okay, honey.
00:04:17Go get changed.
00:04:18Runs!
00:04:18I'll pick it up!
00:04:19I'll be right there!
00:04:21I have quite a few things there to be.
00:04:23With so many people in this house.
00:04:24Few yet!
00:04:26Come on!
00:04:26Let's get the mop!
00:04:27Let's go to the sink.
00:04:28Yes, leave it there.
00:04:29Quite a lot of things!
00:04:29Fiti, I know you mean well, but maybe what you're doing isn't...
00:04:32cooking, right?
00:04:34A few splashes for... everyone.
00:04:37Wow, titles, you just saved my life. Come on, if it weren't for you, I wouldn't go on a fast.
00:04:40With the soul I have...
00:04:42Wait, wait for me, Curro.
00:04:43All I wanted was to help out a little, damn it.
00:04:46Honestly, since I'm already squatting here, it's clear I'm not even good enough to do a
00:04:49sad breakfast, damn it.
00:04:51Come on, Fiti, it's not that simple. Pass me that toast.
00:04:53Man, he scratches his black head and that's it, and out he goes.
00:04:56Let's see, look.
00:05:03Hello.
00:05:04Hey, do you know Diego's old bike?
00:05:06Yes, but we have to recycle, cousin.
00:05:09Huh?
00:05:10Look, this is the best way to get in shape.
00:05:12Ah, I see.
00:05:13Hey, when are you going to get around to it? You're going to have a blast, aren't you?
00:05:15I?
00:05:16Yeah.
00:05:16What are you saying? I'm not going to get a butt lift.
00:05:18Come on, let's go.
00:05:21Come on?
00:05:21No, no, no.
00:05:22Go up.
00:05:22Come on, go ahead.
00:05:22I just... I got dressed, I'm ready...
00:05:24Come on, get in, go on.
00:05:25Come on.
00:05:25Let's see.
00:05:26Wait, fix what's there.
00:05:27Put it on, put it on.
00:05:29That's it, that's it.
00:05:30What's up?
00:05:32Hey, calm down a little.
00:05:33Yeah?
00:05:33Yeah.
00:05:34A little more.
00:05:35So.
00:05:35Very good, isn't it?
00:05:38Cousin, who has taken the bike out of the garage and is recycling it.
00:05:40Good, recycle properly.
00:05:41I remember that they used to give me the mamonte from Santa Justa.
00:05:44What a time, my son.
00:05:44What a time if you've climbed all the hills.
00:05:47Don't you see anything strange?
00:05:53Ah, he's explaining to her what the position on the bicycle is.
00:05:57Being a bike with...
00:05:58So, do you understand?
00:05:59The inclination tells you.
00:06:00It's not the same on a normal bike, but on this one it's a...
00:06:02But Dad, he's starting by teaching her the bow.
00:06:04Yeah.
00:06:04He ends up teaching her what skiing is.
00:06:07What is skiing?
00:06:08Already.
00:06:09But what exactly is skiing?
00:06:11Because you said so?
00:06:12Look, I'm going to do something very important for you, my son.
00:06:14Let's see.
00:06:15You have a dirty look.
00:06:16I have...
00:06:17To teach you something that you have taught me in this life and that I value very much?
00:06:19Yeah.
00:06:20The dirty look does exist.
00:06:21It exists.
00:06:21It exists and it's there.
00:06:22There it is.
00:06:23Yes, yes, it exists.
00:06:24Of course it exists.
00:06:24You're not broadcasting me, huh?
00:06:25You don't broadcast me.
00:06:26But do you know what else exists besides the dirty look?
00:06:28The resentment.
00:06:29There is resentment.
00:06:30And that's what you have.
00:06:30You have the resentment.
00:06:31Yes, yes, yes, yes, yes.
00:06:32Let's see.
00:06:33Okay, a little more hunched over.
00:06:36And pedal hard, man.
00:06:37It doesn't have doors on its legs.
00:06:39It's just not the same.
00:06:39Look, look.
00:06:41The kid's pretty strong, huh?
00:06:42It has a certain build.
00:06:43It has as...
00:06:45Well, it's okay because they're cousins.
00:06:47And that's it.
00:06:48Dad, I'm not going to remind you of this family's incestuous past, please.
00:06:51Don't remind me, daughter.
00:06:52Don't remind me, daughter.
00:06:53So, you really think there's a potential danger between the two of them, between the cousin and Tete.
00:06:58I mean, Tete has a common inclination towards his cousin.
00:07:00Yes, well, no.
00:07:01But it exists and it's there.
00:07:24It doesn't work, brother.
00:07:25This woman is not cool.
00:07:27No, no, it's just that every teacher has their own way of doing things.
00:07:29These are different concepts from the tavern's leash.
00:07:31It's not a concept, not any concept.
00:07:33That's like seeing Hannibal Lester putting napkins in my tavern.
00:07:37It's not your bar, Santi, get that through your head.
00:07:39It's not your tavern.
00:07:40That's why bosses need to be tied down by cost.
00:07:42Because otherwise, it grows.
00:07:43The teeth must be pointed out.
00:07:45Yes, well, that's a little bit, and don't show your teeth so much because that's not how it's gone away.
00:07:48When I point to the teeth, that's not how it goes.
00:07:49What's wrong with you is that you let yourself be taken advantage of.
00:07:51You have the blood of horchata, you're not from the mountains.
00:07:53No.
00:07:53If your father were alive, he would disown you.
00:07:55Go on, leave me alone.
00:07:56Okay, leave me alone.
00:07:57Okay, okay.
00:08:17What are you doing, but what are you doing?
00:08:19Turn this off.
00:08:20Download the header, damn it, here.
00:08:22Me, me, me.
00:08:23Enriqueta's?
00:08:24Yes, Enriqueta, right?
00:08:25Give her kisses from my paw, Aunt Enriqueta.
00:08:27What's up, Aunt Enriqueta?
00:08:28How are you?
00:08:29That?
00:08:30How are you?
00:08:31Hey?
00:08:32What's flooded?
00:08:33When?
00:08:35Don't worry, we're on our way.
00:08:37We're on our way!
00:08:39What happened?
00:08:40The people's house.
00:08:41That?
00:08:41It has flooded.
00:08:41Fuck.
00:08:42We go and we go and we go.
00:08:44Don't worry.
00:08:46We lose the tavern.
00:08:47The village house is flooded.
00:08:49A wall that has given us a one-eyed look.
00:08:51Okay, calm down.
00:08:51Come on.
00:08:52We're going there.
00:08:53Let's go, let's go there.
00:08:54Listen, Eseante, we can't just leave like this, do you understand?
00:08:57What do you mean, no?
00:08:57No.
00:08:58But look, the expert is coming today.
00:09:00Yeah.
00:09:01And if we don't get there in time, it'll come back to us in the following weeks.
00:09:03Yeah.
00:09:03What's happening?
00:09:03If it doesn't affect you, it doesn't affect you.
00:09:04In the house where we were born, huh?
00:09:05Don't you mind?
00:09:06Yes, I do care about the house where we were born, but think a little and reason.
00:09:09We can't just leave like this.
00:09:10Because we are wage earners.
00:09:11What do you want, for us to be fired again?
00:09:12Should we tell the witch?
00:09:14That's what the young master prefers.
00:09:15Should we tell the witch?
00:09:16Yes, well, we'll tell the witch.
00:09:18But now he runs.
00:09:18Start warning the woman.
00:09:20We're going there.
00:09:20Come on.
00:09:21Girl!
00:09:23Girl!
00:09:24Girl!
00:09:27Come on.
00:09:39How was I to know, Doña Carmen, that the chihuahua was in heat?
00:09:41Before I knew it, I had the dog pinned down.
00:09:44What a way to take care of dogs!
00:09:47No, I don't have it, keep that in mind.
00:09:49No sense of smell, nothing.
00:09:51No, I'm a disaster.
00:09:52I'm not good for walking a dog, making breakfast, or anything else.
00:09:56Daughter, where are you going with that suitcase?
00:09:58Where am I going?
00:09:59Aunt Enriqueta called because the house had flooded.
00:10:01And we're going to give him a hand.
00:10:03Go!
00:10:04I'm coming, girl!
00:10:06Hello good.
00:10:07What's happening?
00:10:08So many suitcases?
00:10:08Are we going on vacation or what?
00:10:10No, nephew, no.
00:10:11But let's go to the family home, which is in danger.
00:10:13The house where your father and I were born.
00:10:15Yes, because in the past children were born at home, with a midwife.
00:10:18Not like now, in hospitals, with so many fixations, so many cesareans, so many...
00:10:23Well, that's much better.
00:10:25Where will it all end?
00:10:25Tete, we'll be back the day after tomorrow.
00:10:27You have things in the fridge and if you need anything, ask Grandma.
00:10:29Okay?
00:10:30Okay.
00:10:30One thing, watch out for excessive phone usage, I'm tempted to put a lock on it so you don't...
00:10:33spend.
00:10:34Yes, Diego, don't worry.
00:10:35Okay, what is this?
00:10:36Toilet paper, right?
00:10:37Well, one for each of us.
00:10:38Come on, you know that's it, right?
00:10:39Here, take it.
00:10:40What if we have colitis?
00:10:42Well, you're going to school, son.
00:10:43And I'm going to the tavern, Milia's paying for it.
00:10:44Okay, fine, come on, I'll help you.
00:10:46Come on, me too.
00:10:48Come on.
00:10:50Because I can't, I just can't.
00:10:52Manuel, Manuel says Garbo, don't shake it so much, don't shake it so much because I'm carrying a virgin
00:10:57From Murano, for you, Enriqueta.
00:10:58Calm down, Lucita.
00:10:59Bring it, go away, I'll take it to you.
00:11:01Oh, thank you.
00:11:02Open it, Lucita.
00:11:05Thank you.
00:11:06What? Did you see the little hand?
00:11:07I've seen it, son. I've seen it and I have my doubts.
00:11:10I doubt it.
00:11:10And even in case of doubt, you know, my son, it's better to be safe than sorry.
00:11:14Okay, let's see, you'll be in charge of the house in my absence, like the head mountain man.
00:11:18You are, aren't you?
00:11:19And I'm going to take one thing, keep an eye on Teté, keep an eye on Teté because she's going through hormones
00:11:22revolts and the other one, the other one who looks like a skinny or thin guy with a build, do you understand?
00:11:25Well, I can't tell you that, Dad, I can't tell you.
00:11:27You didn't give it to me, stay still with your little hand, but I have to go, don't you understand?
00:11:29my son?
00:11:30Look, I thought I'd never say this to you in my life, but I'm going to say it to you.
00:11:33to say.
00:11:35My son, I can only trust you.
00:11:36In other words, you are my eyes, my dear eyes, you are my eyes and brushes.
00:11:39I mean, watch me, get involved, watch me, get involved, yes.
00:11:41Come on, let's get to the point.
00:11:42I'm going, ....
00:11:42Well, everyone's keeping an eye on the waste, huh?
00:11:45In other words, be careful to save, save, and watch out, watch out, watch out.
00:11:49Watch out, watch out, watch out.
00:11:49Come on, base it well, okay?
00:11:57Do you see anything?
00:11:58What am I going to see, this place is more closed than Bin Laden's villa.
00:12:01Closed?
00:12:02But seriously, what do you mean it's closed?
00:12:08Diego?
00:12:09Santiago?
00:12:13Look, look.
00:12:16Look, it seems like he's waiting for me.
00:12:19Look, it's nice and warm.
00:12:24Hey, sorry.
00:12:25Are you friends with the people from the mountains?
00:12:27Man.
00:12:28Can you explain this to me, please?
00:12:32Girl, thoroughly clean the coffee machine.
00:12:35Go to Mercamadrid first thing in the morning for more produce.
00:12:37And be careful not to be late tomorrow, or the beer guy will leave.
00:12:41We're going to the village, but we'll be back.
00:12:43Santiago.
00:12:45I don't know, but I see it very clearly, come on.
00:12:47This is what amounts to a to-do list.
00:12:50In other words, this is happening to me because I'm an idiot and naive.
00:12:53But it's never going to happen to me again, okay?
00:12:54Because as soon as I come through that door, I'm going to throw them out...
00:12:57Quiet, quiet, quiet.
00:12:58Hey, Emilia?
00:12:58You're getting really worked up, aren't you?
00:13:00And since you don't let anyone speak, there's a very clear explanation for this.
00:13:04And in general, what I'm going to give you in particular.
00:13:07Choni and I are here.
00:13:10And we are here on duty to help you in the absence of the mountain people.
00:13:14But the way you get carried away, you really get carried away, don't you...
00:13:16Please, four beers.
00:13:18In a way, I have to get all of Santa Augusta when I'm alone.
00:13:22No, queen, you're not alone.
00:13:24If, as my Fiat 60 has announced here,
00:13:26We are here to do the replacement work.
00:13:28Come on, for whatever you'd like to send.
00:13:30Of course, woman, we have experience in the sector,
00:13:32You won't even notice the difference.
00:13:34Well, we screamed less than Santa.
00:13:36Let's see, those beers.
00:13:37Yes, yes, I'll put them on now.
00:13:39I'll bring the beers, man.
00:13:45But I have no other choice, you know?
00:13:47No?
00:13:49Well, what? Don't look at me like that.
00:13:51We must help our friends.
00:13:52To friends.
00:13:53Your friends have certainly ignored you.
00:13:55Look, they've left.
00:13:56Damn, you're so good, you idiot.
00:13:58Go on, give me a peppermint.
00:13:59Let's see if I can get into the swing of things.
00:14:00Wait a little while.
00:14:01Okay, beer over here.
00:14:04A party?
00:14:05But what for?
00:14:06So that?
00:14:07Well, to welcome Manu,
00:14:08because there are no parents on the coast.
00:14:10No, please,
00:14:11I welcome you to Manu.
00:14:12He's been home for ages now.
00:14:14Look, but poor Chávez isn't in his own home,
00:14:16He is his friends,
00:14:16He doesn't know anyone here.
00:14:18And besides, he needs to be treated.
00:14:19as he deserves, because he's family.
00:14:21Well, I want a cousin from Barcelona too.
00:14:23I only have one pebble
00:14:24and not the same.
00:14:28I'm amazed.
00:14:29Honestly, I understand myself
00:14:30What do you see in that chicken?
00:14:31So, what? What's it good for?
00:14:32Yeah.
00:14:33Let's see, Rille.
00:14:34Why do you guys always think the same?
00:14:35That for the uncles
00:14:36The most important thing is not physical appearance.
00:14:38Manu is sensitive,
00:14:39It's cute.
00:14:40Yes, of course.
00:14:41How do they ride bikes?
00:14:42It's cute, isn't it?
00:14:43Look, and just leave it, really.
00:14:44Okay, then we'll have the party.
00:14:46Let's see, Tite.
00:14:47We are responsible for the house
00:14:49And if they catch us, they'll kill us.
00:14:50Don't be childish, please.
00:15:00Tite, tite, tite, tite.
00:15:01Here, here.
00:15:05Does it bother you?
00:15:05No, nothing's happening here.
00:15:07No, no, because we let it pass there.
00:15:09Everything is fantastic.
00:15:10Tite, tite.
00:15:11Tite, tite, tite.
00:15:11Tite, tite.
00:15:14Tite, how much do you have?
00:15:15Tite, old man.
00:15:18Oh, but you're so bald!
00:15:22You're like Uncle Abelino with four badly placed hairs.
00:15:25Tite, tite, tite!
00:15:30Oh, what joy!
00:15:33Hello.
00:15:35Oh, I don't know what you all do in the capital,
00:15:37But you get younger every day.
00:15:38No way, you're fine.
00:15:40Lurdita, my lady!
00:15:41Hi, aunt!
00:15:42Oh, but your mother has been enslaved.
00:15:45May he rest in peace.
00:15:46What was I telling you?
00:15:47Hey?
00:15:48Oh, but how far along are you, daughter?
00:15:52Six months old.
00:15:53Six?
00:15:53Yeah.
00:15:54Oh, of course, that's why the rush to get married.
00:15:57Oh, come on.
00:15:58Come on, you'll do it here.
00:15:59What's the rush, what's the rush!
00:16:00There was respect right up until the wedding night, huh?
00:16:02No rush at all!
00:16:03Oh, you, Lurdita.
00:16:05What a bunch of jerks!
00:16:06What an apocalypse!
00:16:07My goodness, if this is the flood, Doña Enriqueza.
00:16:09The house has been destroyed, we helped her.
00:16:11With all the wonderful memories I have of this place.
00:16:13Look, Santi, made of tiles,
00:16:15If you give your keys to a friend, even the altars will be ruined.
00:16:17You'll be left without your friend, without your home...
00:16:19And without your pear!
00:16:19Without your pear?
00:16:21A bad year...
00:16:22Praise the dead!
00:16:24If you remember, my father didn't tell us that.
00:16:26That everything we had learned in life
00:16:27It's in these tiles.
00:16:29Come on!
00:16:31Come on!
00:16:33Oh, Santiaguín!
00:16:34I see your wife and wait for your mother.
00:16:37If she turns out half as good as my mother,
00:16:40I'm going to mine now.
00:16:42Oh, well thank you very much.
00:16:44It's a decision, little dove.
00:16:46And you are just as clean and good as a mother.
00:16:48Well, what do I say anyway?
00:16:49Double the amount!
00:16:50Triple the double!
00:16:51Hey, laughter!
00:16:53What!
00:16:54Oh!
00:16:55How awful!
00:17:06Look, better face down.
00:17:10Ah, face down, face down.
00:17:12Okay?
00:17:12Okay.
00:17:16Well, there's something else.
00:17:18Look.
00:17:20We're putting this here.
00:17:22This goes here.
00:17:23Drain.
00:17:24And thus it leaves no barrier.
00:17:26Okay.
00:17:27Sure, sure.
00:17:28Thank you.
00:17:32Damn that marchioness.
00:17:34If it doesn't leave a fence.
00:17:35He's dumber than a robbing an Indian.
00:17:37I don't know, I'm starting to understand Santi.
00:17:40Okay.
00:17:41Okay.
00:17:49Hey, Emilia, what was I going to say?
00:17:53Was...
00:17:54Here, doing some calculations, what's up?
00:17:56My teenage daughter hates me.
00:17:58Rapier?
00:17:59Do they give it away with the Cosmopolitan?
00:18:00Okay, so what?
00:18:01Are you going to laugh at me now?
00:18:02Or are you waiting for Diego, Santiago, and Asío, the king, all three at once?
00:18:05No, no, no.
00:18:06I'm not going to laugh.
00:18:08Let's see.
00:18:09So, I understand the conflicts in the parent-child sector, you know?
00:18:12And I respect them.
00:18:13That I am a father.
00:18:14Father of a teenager.
00:18:16And also separated.
00:18:17Oh, really?
00:18:19Yes, ma'am.
00:18:20Okay.
00:18:22Because I know what it costs to raise a next-generation teenager.
00:18:27Well, he who says to raise, means to endure.
00:18:29But come on, let me tell you something, I'm telling you right now.
00:18:31These things, the manuals, this doesn't work.
00:18:33Come on, it doesn't even work on the Bill Colby.
00:18:35I don't know, yes, yes, I know now.
00:18:37The thing is, you know how to handle everything, except Sue.
00:18:41What is Sue, your daughter?
00:18:43I say this so that the conversation doesn't get stuck.
00:18:46Excuse me, she's my daughter, Sue, Susana.
00:18:48Susana.
00:18:49She's been living with her father in Milan, and now with the separation, she has to...
00:18:53come here with me.
00:18:54And of course, well...
00:18:55He comes at you with a knife between his teeth and you're terrified.
00:18:58Well yes.
00:18:59Besides, the girl has a temper and on top of that, she adores her father.
00:19:02I'm the bad one, the one who leaves, the one who forces her to come here...
00:19:05Yes, since it's me, the bad cop remains.
00:19:07Well, I'm the bad cop.
00:19:09Already.
00:19:11Well, I'll tell you that this has a moral, so don't worry.
00:19:15In other words, no bad cops, no good cops, nothing.
00:19:17So, the kids like us, huh?
00:19:19And in the end they realize that eating chicken breast every day also has its merits.
00:19:25But my daughter is starting to realize it.
00:19:27It will happen, don't worry.
00:19:29Now, get your helmet ready, because you've got a long way to go before he notices.
00:19:34But you just have to hang in there.
00:19:36Hang in there and be yourself...
00:19:38That girl is lazy, for sure.
00:19:45But I just don't understand it, I'm sensitive too, what about me every time I see rock music?
00:19:49But look, Guille, when a girl tells you a guy is sensitive it's because she finds him physically attractive, but
00:19:53It has to be justified.
00:19:54Otherwise, what a coincidence that the most sensitive ones are always the cutest, right?
00:19:57Have you ever heard an aunt say how cute Paquirrín is?
00:20:01Damn, Guille, I'm telling you how I feel, but...
00:20:04I'm not going with you.
00:20:06Fuck.
00:20:11What? Are we still walking around together like the Pilas people?
00:20:14Damn, what a face you're making, man.
00:20:17We woke up feeling sentimental, huh?
00:20:18No, it's just that I was upset about Teté, who doesn't pay attention to me, and well, anyway.
00:20:22Ah, okay.
00:20:24He's ignoring you because his cousin Hepperman is into you now, right?
00:20:26Uh-huh.
00:20:27Well, they don't cut corners with the girl either.
00:20:29Why do we deny it?
00:20:29I don't have one, and that's what really gets my goat.
00:20:31He does it right in front of my face.
00:20:32Come on in, dude!
00:20:33Of course, kid, what did you expect?
00:20:35When have you ever seen a woman cut herself with this?
00:20:37Never in my fucking life.
00:20:38Women don't respect anything, Guille, nothing at all, man.
00:20:40We guys, well, we do have a masculine code, you know?
00:20:45Call it morality, call it ethics, call it "we firefighters don't step on each other's hoses."
00:20:49And what does that mean?
00:20:50Well, it means that if a guy knows that Teté is the girl from here, well...
00:20:56Because the hyperman knows it, right?
00:20:58No.
00:21:01So what do you want, man?
00:21:03That?
00:21:04Dude, there's still so much we don't know about life.
00:21:08Small grasshopper.
00:21:10Go on.
00:21:14He got drunk.
00:21:16Raúl, Raúl, Raúl, stop it from happening here.
00:21:19It will be a much better time for Santa Justa and her sweetheart, who comes to pick her up every afternoon.
00:21:23Hey, have you called the apartment I told you about for rent?
00:21:27I couldn't, honey, I had dinner with my father.
00:21:29We've already started.
00:21:30No, no, honey, no, damn it.
00:21:32Raul, you're always the same.
00:21:33I ask you for something real and you ignore me.
00:21:35Frica, I'm really excited to move that apartment.
00:21:39I promise.
00:21:40I hope so, because I've arranged to see him tomorrow at 5.
00:21:43Well, I'll be there.
00:21:44There will be a tsunami that prevents me from being there at 5 in the morning.
00:21:47Come on, if necessary, I'll sleep in the doorway.
00:21:51You move like a mermaid, honey.
00:22:07Here is your father, with Fausto and Santiago.
00:22:11Hey, Santiago, you were so fat.
00:22:13Not fat at all, healthy and well-fed.
00:22:15Not like the kids nowadays.
00:22:17Father, as soon as we grew teeth, he fed us porridge and crumbs.
00:22:21So, the pig was terrified of him, you wouldn't believe it, right?
00:22:24Self-fear of fatherhood, but what are you saying, I loved him like a son.
00:22:26And I like him as a brother.
00:22:27It was the shiniest pig in the whole region.
00:22:30If you won a contest.
00:22:32It is true that the father was very fond of the animal.
00:22:34And I say, why don't you go out?
00:22:36And give the perico to the lathe.
00:22:37Well, because I spent more time in the kitchen with my mother.
00:22:38Since he was small, he didn't go to the countryside.
00:22:40He was small, and always very fussy.
00:22:42And the fattened cattle already smell!
00:22:44I'm going to turn the roast over.
00:22:46Oh, wait, Auntie, we'll help you.
00:22:47Yes, we helped her set the table and that's how she taught us that secret recipe.
00:22:50Oh, there's nothing secret about it, honey.
00:22:51You coat it with a kilo of butter before putting it in the oven.
00:22:55Well, I'm going to make a good fire.
00:22:57So that my popcorn is nice and warm.
00:22:59Go on, make some crumpled paper with the newspaper.
00:23:02Okay.
00:23:03Oh!
00:23:04That's good, Santi, but what's he doing?
00:23:06But look how blurred it is.
00:23:07The stove has loaded you up, hanging loose, look.
00:23:10What's that?
00:23:18What is this notebook?
00:23:22What is "mother's handwriting," Santi?
00:23:23Look, March 24, 1959.
00:23:26It's a diary, a mother's diary.
00:23:27Yes, Santiagoín tries hard with his homework, but the poor thing is a bit slow.
00:23:33Well, but I'm trying, I'm trying.
00:23:35Yes, I'll try.
00:23:37Look, you're in the picture, so don't say you're not in it.
00:23:41I'm already seven months pregnant.
00:23:44Dieguito will be born soon.
00:23:47I still don't know if my little Diego is the fruit of marriage or of the torrent of adulterous passion with the other man.
00:23:57Which torrent?
00:23:58What passion adulterates?
00:23:59What does this mean, Santi?
00:24:01What does this mean?
00:24:02It means that mothers gave them to fathers.
00:24:06What did he do to Vena?
00:24:07What are you saying, Santi?
00:24:08But how can you say that, for God's sake?
00:24:09We're talking about mothers.
00:24:10It's published, it's published.
00:24:12Guys, dinner's ready.
00:24:17So, am I?
00:24:19Bastard.
00:24:21You're a bastard.
00:24:27Oh well.
00:24:30I can't believe it.
00:24:31But what a surprise.
00:24:33Give me a kiss, my love.
00:24:37But I wanted you to come tomorrow.
00:24:39What's wrong, annoying?
00:24:41No, daughter, no.
00:24:42You're not bothering me, but you could have warned me.
00:24:44Yes, but I didn't have any credit.
00:24:46Ah, of course.
00:24:47Already.
00:24:47She never has enough credit to call her mother.
00:24:52No problem.
00:24:53It's okay because I have everything organized and that's it.
00:24:56Look, I present to you my daughter, Susana.
00:24:59Well, she's going to stay and live here with me.
00:25:02And I hope he forgets about Milan here.
00:25:06Yes, of course, Mom.
00:25:07Come on, wherever this is, Milan can take a back seat.
00:25:10And New York, if necessary.
00:25:12Where will it all end?
00:25:13Of course, woman.
00:25:15Let's see, Milan.
00:25:16What does Milan have?
00:25:17Well, Inter, escalopes, erasers.
00:25:21But that has nothing to envy in Santa Justa.
00:25:23No way, and besides, there are loads of people your age here, you're going to have a blast.
00:25:26Clear.
00:25:27Okay, I'll get my things and we'll go, alright?
00:25:32I'm going there to...
00:25:33Okay.
00:25:34Here I go.
00:25:36Hello, beautiful.
00:25:37I am Tony.
00:25:38Hello.
00:25:39What would you like to drink?
00:25:40Would you like a cappuccino?
00:25:42Are you the one drinking?
00:25:42Pull my eyes out.
00:25:43Look, look, look, listen to me.
00:25:46I was going to say that, in general, I haven't found the reception very warm.
00:25:50Okay, fine.
00:25:52But you'll see how, because of this, because of this, he wants to go back to Milan in two days and I...
00:25:56No, that's why we, the separated parents' union, are here.
00:25:59Do you trust me?
00:26:01Well, throwing a punch, yes.
00:26:03Well, for the children too.
00:26:05This guy can go from salami to cantimpalo in two days, I'm telling you.
00:26:07I'll do a little bit.
00:26:10And precisely in Milan, in Milan I was about to go and do some gigs there during the layover.
00:26:15Yeah.
00:26:17That's messed up.
00:26:19You're so cold.
00:26:20Cold, cold, I'm already feeling it in my soul.
00:26:22Close and close and close.
00:26:23For me, it oscilla.
00:26:24Close.
00:26:29That's it.
00:26:30Yeah.
00:26:31I'm thinking, brother, that maybe it would be better not to read any further.
00:26:34We have enough to deal with already.
00:26:36Come on, please.
00:26:36Please, no, but Santi.
00:26:37But don't you realize that I need to know the truth because right now I'm your half-brother?
00:26:41The other half.
00:26:42The other half is putative.
00:26:45Chio.
00:26:47Enlighten me.
00:26:49His torso is hard and hairy like the back of a donkey.
00:26:53Fuck.
00:26:54Calm.
00:26:56Calm.
00:26:56Apacio.
00:26:57And?
00:26:58Yeah.
00:26:59Yeah.
00:26:59Calm down, calm down.
00:27:02I hardly know him, but he is a hardworking and upright man.
00:27:06I hadn't noticed until now.
00:27:07Until now, I was just the one who sold olives to my husband's tavern.
00:27:14The one who sold the olives?
00:27:16The olive tree.
00:27:17Don't you remember?
00:27:18The olive tree.
00:27:20No.
00:27:21Yes, yes, yes.
00:27:22Yeah.
00:27:24God, give me strength.
00:27:26Save me from these impure thoughts, unbecoming of a married woman in boots.
00:27:32I shit on the olive tree and his whole family.
00:27:35Even if it's yours.
00:27:38On second thought.
00:27:39Yes, yes, yes.
00:27:40You do look a bit like me.
00:27:48God be with you, Francisca.
00:27:49With God, olive tree.
00:27:51And what the hell do you have to bring water to?
00:27:52Chanti.
00:27:53Shut up, damn it.
00:27:54Thank goodness it's started to rain.
00:27:56Yeah.
00:27:57It's so hot, isn't it?
00:27:57Yes a lot.
00:28:00Thank you.
00:28:00Thank you.
00:28:01What's Madrid doing getting naked?
00:28:03Cover yourself up.
00:28:04Cover up your shame.
00:28:14You see, Francisca, with respect.
00:28:17I have allowed myself...
00:28:22write you a poem.
00:28:26It's nothing, but it came from my heart, Francisca.
00:28:30The heart.
00:28:36Your face...
00:28:37It's like an olive.
00:28:40Your scent...
00:28:42It's the one with the oil.
00:28:43Come on, grain, grain.
00:28:44Let's see if we're now going to swallow the complete works of that scoundrel.
00:28:47You go and see if he's your father.
00:28:49Santiagoín.
00:28:50Yeah.
00:28:53Santiagoín.
00:28:53Come on, keep going.
00:28:57Today Santiagoín was with Fausto and said his first word.
00:29:00Splendor.
00:29:01No, damn it, you.
00:29:04Come on, keep going, keep going.
00:29:07There was a storm.
00:29:08My husband had left to see Fausto because he found him strange.
00:29:14When does colitis occur?
00:29:15Yes, I make peace down below and lose weight if there is light for you.
00:29:24Afeituno.
00:29:27Francisca.
00:29:29I've brought you a towel.
00:29:32You could get cold.
00:29:39Thank you so much.
00:29:40But you didn't have to bother.
00:29:45Francisca.
00:29:46Tell me.
00:29:48Where is your husband?
00:29:50There you'll see the pig.
00:29:51That he felt strange.
00:29:53What a pig, Fausto!
00:29:54Yes, him.
00:29:56It's a very shiny pig.
00:30:00Maybe I shouldn't be here, Francisca, because someone might see us.
00:30:03Do you want me not to go?
00:30:04No.
00:30:06Are you sure?
00:30:07I have never been more certain of anything in my entire life.
00:30:10Francisca.
00:30:11Don't call me Francisca.
00:30:12Call me Paca.
00:30:14Bale.
00:30:16You don't smell like wheat and cows to me, Paca.
00:30:27Mother and the olive tree.
00:30:30Mother.
00:30:32Father.
00:30:32That he had eyes for no one else.
00:30:34And it turns out it was veiled.
00:30:37Santi, who doesn't post anything else here.
00:30:39It doesn't say here if I am the son of a father.
00:30:40He doesn't say it.
00:30:43Now I understand everything.
00:30:45How sensitive you are.
00:30:46The magnet you've always had for women.
00:30:49And how good you are at your studies.
00:30:51And now I understand why Father preferred Faust.
00:30:53Because I knew I didn't.
00:30:56And if I am not a father's son, then I have lived my whole life in a big lie.
00:31:01I'm not a mountain man, Santi.
00:31:04You will always be a mountain man.
00:31:06And however bastard you may be, even if there is no purity of blood,
00:31:11I was willing to give the last drop of mine, brother.
00:31:14No, Santi.
00:31:15No, Santi.
00:31:16What do I need to know if I'm from the mountains or from olive groves?
00:31:26Can I repeat that they are very good?
00:31:27Yes, here you go.
00:31:28Take as many as you want.
00:31:29What a face.
00:31:29Come on, don't let her catch you.
00:31:30A.
00:31:31Here's another one for me.
00:31:33Two.
00:31:34Come on.
00:31:36They're delicious.
00:31:37Yeah.
00:31:38Look, you didn't have to bother, Manu.
00:31:40Well, if not, nothing, Mrs. Carmen.
00:31:41I felt like lending a hand with something.
00:31:43Besides, it's the least you can do, isn't it?
00:31:45Like a good hand.
00:31:47How are you?
00:31:48Hello, friends.
00:31:48How delicious.
00:31:49Hello, hello, hello.
00:31:49And that's what I was telling him.
00:31:51The girl has just arrived from Milan.
00:31:52And what do I know, he doesn't know anyone.
00:31:55And listen, what I want is for you to integrate it a little bit.
00:31:58In other words, that he feels comfortable.
00:31:59Dad, I already have an idea for a babysitter, okay?
00:32:02Which nanny?
00:32:03What are you telling me about being a babysitter?
00:32:04But he's almost your age,
00:32:07And she's a really nice girl.
00:32:10Let's see, you're asking me to integrate it.
00:32:15What type of integration are you referring to?
00:32:17Hey?
00:32:17Because, damn it, I have a solid relationship, Dad.
00:32:20Know?
00:32:20Are you asking me to give him Spanish marzipan, Dad?
00:32:23Give him Spanish marzipan!
00:32:24Damn it, I'm saying no,
00:32:25Take her out for a walk around the neighborhood,
00:32:27so he can see your environment and all that.
00:32:30Ah, that.
00:32:32Ah.
00:32:34I'm meeting Africa today to look at an apartment, okay?
00:32:38Yeah?
00:32:39Oh, hello, Lucia.
00:32:41Hi, how's everything going over there?
00:32:43Make it compatible with me a little, son.
00:32:44Make me compatible, okay?
00:32:45What the hell, I'm asking you for a little while.
00:32:46If I'm only asking you, well, that's it.
00:32:48That's fair.
00:32:49The girl is homesick for Italy.
00:32:50Who's going to make him switch from pizza to Madrid stew?
00:32:53Raúl Martínez.
00:32:54Fuck.
00:32:56Well, you, damn it.
00:32:58Fuck.
00:32:59Pass me the phone, Carmen.
00:33:00Finally, I'm making you...
00:33:01Wait, let me put Guille on.
00:33:02A kiss.
00:33:03Hey, lots of kisses from me.
00:33:04And from me, a kiss, Mommy.
00:33:06Hello, Lucia.
00:33:06Kisses from Curvetete.
00:33:08Hey, is my dad around?
00:33:11Oh, so it can't be put?
00:33:15Okay.
00:33:16No, tell him I'm worried about his closed-mindedness.
00:33:20Don't worry, he won't understand.
00:33:22Wow, those migas look delicious!
00:33:25Good morning, thank you.
00:33:25Good morning, Diego.
00:33:26Jesus, Diego, you look terrible.
00:33:29Did you sleep well?
00:33:31Well.
00:33:32See you later, darling.
00:33:33Well, everything's fine at home, thank goodness.
00:33:36By the way, Guille told me to tell you that he's worried about the closed-mindedness.
00:33:40The closed spirit.
00:33:41Goodbye, I already opened it for him.
00:33:45Is something wrong?
00:33:47Yes, Lucia, it does happen to me, yes.
00:33:52How could I not crack?
00:33:53How can I not crack up if she's my wife, Santi?
00:33:55What's happening?
00:33:59That I'm a bastard.
00:34:01I'm an open bastard, Lucia.
00:34:03But, Diego, please, will you stop going on about the tavern issue?
00:34:06And don't be so hard on yourself.
00:34:07But no, that's not it.
00:34:08No, that's not it.
00:34:09At worst, your husband is a bastard.
00:34:12He is the son of the olive grower, of the olive tree.
00:34:16Yes, yes.
00:34:18We've learned that the mother and the olive tree were lovers.
00:34:22Maybe I'm not a father.
00:34:25Most Holy Virgin.
00:34:26Mother of Mercy.
00:34:28But wait a minute.
00:34:29Can you tell me where you got that from?
00:34:35This is a mother's diary.
00:34:36And here he explains everything.
00:34:37Well, not everything.
00:34:38It doesn't explain everything because it doesn't say who I am.
00:34:41And I can't live with this doubt because I feel lost.
00:34:43I feel lost.
00:34:43I need to know if I'm from the mountains or from olive groves.
00:34:47Let's not beg, let's not beg.
00:34:48You know, by digging around, we confirmed it.
00:34:50And then it's really the end of it.
00:34:51The end of it all.
00:34:52Good morning, enjoy your meal.
00:34:54I'll get my sewing kit, I never know where I put it.
00:34:56Oh, I forget everything.
00:34:57Oh, how beautiful my children are.
00:34:59How they eat, what a joy.
00:35:02Well, I agree with Santi.
00:35:03Who took care of you?
00:35:05Who cared about you when you were sick?
00:35:07Father, right?
00:35:08Well, in God's eyes, you are a legitimate son of your father.
00:35:12I have a hole, Lourdes, don't you understand?
00:35:14I have a horrible hole here.
00:35:15What would you do, Lucia?
00:35:17Okay, Diego.
00:35:17What matters is who treated you like a son, not who planted the seed, right?
00:35:21There you were, pineapple.
00:35:22He listens, he listens.
00:35:24Look, Santi, for example, is going to be a father.
00:35:25And the child is his.
00:35:26But even if it wasn't his, he'd still love it, wouldn't he?
00:35:29Not there, pineapple, huh?
00:35:30Not there.
00:35:31You were doing well, don't stray from the path.
00:35:32Santi, but God, he's an example.
00:35:34Yes, but it brought me here.
00:35:35I liked it halfway, I liked it.
00:35:37Okay, Diego.
00:35:38Look, someone else would let it go.
00:35:39But since I know how you are, and you're going to become obsessed with the subject, if you need to know the truth,
00:35:45I support you.
00:35:46I suppose he must know somehow, right?
00:35:48Look, but it doesn't say so here.
00:35:49It doesn't say anything here.
00:35:50So, I've read the diary from cover to cover and it doesn't say anything, right?
00:35:52Let me tell you something.
00:35:53In other words, my origin is an enigma.
00:35:55Like the Belmez faces.
00:35:57Son, please, this town is so small.
00:36:00Someone must know something, I'd say.
00:36:01No?
00:36:02Well, look, yes.
00:36:03Because, for example, my uncle Jacinto, the priest, well, he was certainly aware of everything.
00:36:06what happens.
00:36:09No no.
00:36:10But you can't do that, okay?
00:36:12The priest no.
00:36:12Not the priest, because it's a mortal sin.
00:36:15Okay, work, so when you multiply this by this, you get the result.
00:36:21Oh, sure.
00:36:23Damn, thanks a lot, man.
00:36:24Okay, I'm going quickly, otherwise I won't make it.
00:36:26Come on, go on, run.
00:36:29It's brought you good, hasn't it?
00:36:30Yes, thank you very much.
00:36:31Okay, see you later.
00:36:34Manu, Manu, can we talk for a moment?
00:36:36Yes tell me.
00:36:38Well, you see, you've been living at home for a couple of days now, haven't you?
00:36:41And the truth is, we haven't exactly started off on our feet.
00:36:43What did I do? Why did you take me out of the closet?
00:36:45For example.
00:36:47Forgotten.
00:36:48Ah, okay.
00:36:50So, how are you?
00:36:53I'm fine, thanks.
00:36:54And you?
00:36:55I'm very well, too.
00:36:56And Tete is fine, too, yes.
00:36:58Well, I'm glad.
00:36:59Well, now that you've brought up Tete, do you know that Tete is my girlfriend?
00:37:03No, I had no idea.
00:37:05Well, yes, we're together.
00:37:07Well, we're not here right now.
00:37:09We're going through a phase where couples don't know if they're still together or if they're still together...
00:37:13But whatever.
00:37:15I was going to ask you another question.
00:37:18That...
00:37:19You know the code, right?
00:37:21What code?
00:37:21Da Vinci's?
00:37:23No, not Da Vinci's.
00:37:24Oh, no.
00:37:29The male code.
00:37:31Let's see.
00:37:32We guys have a code to respect each other.
00:37:34That's how we firefighters avoid stepping on each other's toes.
00:37:37Yes, yes.
00:37:38So if you're a decent guy, you wouldn't sleep with a friend's girlfriend.
00:37:42I bet you don't!
00:37:44No.
00:37:45No matter how much you liked that girl, you would respect the code.
00:37:50Right?
00:37:51Yes of course.
00:37:53Of course, because let's see, Manu.
00:37:54The aunts don't show much respect.
00:37:56In other words, they don't even respect the fact that they don't have a code.
00:37:59But we guys do show respect.
00:38:01We do respect you, Manu, don't we?
00:38:03We respect, we respect.
00:38:05That's it.
00:38:06Did I see it right?
00:38:07Well, thank you very much, man.
00:38:08You've just taken a weight off my shoulders, haven't you?
00:38:09Come on, I feel much more relieved.
00:38:11We'll see each other and talk about it another day, okay?
00:38:14Come on.
00:38:14Okay, see you later.
00:38:15Hey, whatever you need, okay?
00:38:17Okay, thanks.
00:38:21You could also open offices for us and you can drop by whenever you want, okay?
00:38:24Well, it might take him a little while to get used to it, right?
00:38:27It's a new place, new faces...
00:38:29Alonso, we'll be keeping an eye on it.
00:38:30You'll see, you'll fit in soon, right?
00:38:32Look, Sue.
00:38:33Look.
00:38:35Know?
00:38:36I went through the same thing.
00:38:38I agree when my parents switched my pocket in third grade.
00:38:41The children laughed at me because of the glasses and because I didn't know how to play football.
00:38:47and things like that.
00:38:48And they locked me in the closet, you know?
00:38:49Excuse me, the bathroom?
00:38:52At the end of the corridor.
00:38:58And they locked me in the closet?
00:38:59Well yes.
00:39:06Close the door!
00:39:07Close the door!
00:39:08Yes, yes, yes, yes, yes, sorry, sorry, sorry.
00:39:11What's wrong with you? Have you never seen a woman peeing or what?
00:39:14Well, not like that.
00:39:16I'm sorry, damn it, I came running in, I didn't look where I was...
00:39:21No, no, no, no, wait, you're the one who made the mistake, not me.
00:39:24Uh!
00:39:25You call polio and I'll call it?
00:39:28That?
00:39:28No, no, no, he'll take it in the bathroom, it's my bathroom, come on.
00:39:32Oh, what's your bathroom?
00:39:33Clear.
00:39:34Does it have your name on it or something?
00:39:35Can you look at it for him or what?
00:39:36Are you stupid or what's wrong with you?
00:39:37That he bathed with the uncles.
00:39:38Yes, yes, I know, you idiot, I know how to read.
00:39:41But, but you, but what are you going to be about?
00:39:43Hey, you, come here!
00:39:44What are you on about?
00:39:45Man!
00:39:45Hey, Africa!
00:39:46How are you?
00:39:47Excellent!
00:39:47Hey, why don't you explain to me what a woman is doing coming out of the boys' bathroom?
00:39:51You're in...
00:39:53And with his fly down.
00:39:56Wow, she's crazy!
00:39:57Damn, it got into my bathroom!
00:39:58I swear to you, I swear to you.
00:40:01All I want to know is that you'll be at the three o'clock appointment.
00:40:05It's because you're coming, right?
00:40:07Yes, yes, yes, yes, yes, yes, honey, of course.
00:40:09I mean, I have a couple of things to do, but come on, I haven't peed.
00:40:13Fuck!
00:40:14Just so you know, just so you know, I don't think pressuring a parish priest is ethical or moral.
00:40:19What we were getting at, Don Asselmo, what we were getting at.
00:40:21I have a feeling of unease, a discomfort.
00:40:24Yes, yes.
00:40:25The food in this town is sometimes a bit hard to digest.
00:40:30No, no, no, my stomach is fine, no.
00:40:32No, what's failing me is my soul, Don Asselmo.
00:40:35And I would like it, if you could...
00:40:37He can't, he can't.
00:40:38It's not that this one has the hypochondriac oath, it's the same one that doctors have.
00:40:42And if it breaks, if it breaks, this one's going to close down.
00:40:44Okay, Dad, what we really want to know is...
00:40:47Well, what Diego wants to know is if his mother ever told him who his biological father was.
00:40:52Ah, I understand now.
00:40:54The comings and goings.
00:40:57The daily bread of the best families in this town.
00:41:01Few can be certain of their kinship.
00:41:04Don't be ashamed, Diego.
00:41:06And now he can't say anything.
00:41:08You can't.
00:41:08Doña Rufina, for example, there she is, as you can see.
00:41:10Married with three children.
00:41:13Well, none of them have the same father.
00:41:15But Mr. Asselmo, be quiet!
00:41:18This is not the tomato.
00:41:19That's a secret of confession, that's what matters.
00:41:21And if he tells, well, that's a mortal sin.
00:41:23And the fat ones.
00:41:24Daughter, we're not hurting anyone.
00:41:26If they're all dead.
00:41:27Well, almost.
00:41:29Oh, these sobaos are good.
00:41:31Eat, eat, father.
00:41:32So, what I want to know...
00:41:35Yes, what I want to know is if my mother told you if I was the son of my father or of his wife.
00:41:40olive grower.
00:41:40Also known as the olive tree.
00:41:42No!
00:41:43The olive tree.
00:41:45They've seen some things we've done in that olive grove.
00:41:50Do you remember Encarnita?
00:41:52No.
00:41:52No.
00:41:53The lame man's daughter, yes.
00:41:54Oh, damn, yes.
00:41:55She looked like a saint, didn't she?
00:41:58Well, she was involved with two at the same time.
00:42:01And then she ran away with the butcher.
00:42:04Okay, but focus, focus, Father.
00:42:06Please focus.
00:42:07So, mother and the olive tree...
00:42:09Okay, Hugo.
00:42:10We know, let's see, Hugo.
00:42:11But he told her, "Mother, who I am."
00:42:13Oh, your mother.
00:42:15How could I forget your mother?
00:42:18Very devout, yes.
00:42:20But suddenly he stopped coming to mass and to confession.
00:42:24And it was more or less when she fell head over heels for you.
00:42:30Ah, now it makes sense, of course.
00:42:33Oh my God.
00:42:34No, no, it doesn't surprise me, it doesn't surprise me that he stopped going to confession.
00:42:38You sound more like the town crier than the priest.
00:42:40And you?
00:42:41Hey?
00:42:42Did you say the ten creeds I told you to say when you were young for getting involved with the pharmacist's wife?
00:42:48Sanzi?
00:42:49With a married woman?
00:42:51It's not like the story of Little House on the Prairie has been told in installments, but not even my mother...
00:42:56pious.
00:42:57Hey, Diego.
00:42:58And why?
00:43:00And why don't we talk directly to the olive grower?
00:43:08Take.
00:43:09Hey, hey, I have to go, man.
00:43:11Are you coming or not?
00:43:12Wait a little while.
00:43:13Hello.
00:43:14Look, look, they're here.
00:43:15Hello.
00:43:22What's going on, do you know each other?
00:43:25A little wine, from the neighborhood.
00:43:28Around there, in the neighborhood.
00:43:29Okay, great, let's do...
00:43:33What do you feel like doing?
00:43:34All like that, all together, like that...
00:43:38Damn, a foosball table?
00:43:39Let's make a foosball table, come on.
00:43:41It's a foosball table.
00:43:41Come on, you with me, Emilia.
00:43:42Come on, it's a foosball table.
00:43:47Emilia, but go ahead, go ahead with that one.
00:43:49I haven't played in a long time.
00:43:51Now!
00:43:52No, no, no, no, no, they're windmills, they're windmills.
00:43:54Don't mess with me, Dad, they're windmills, they're not valid.
00:43:56Today anything goes, damn it, today anything goes.
00:43:58How could a grinder not be worth it today?
00:43:59Is the grinder okay?
00:44:00Yeah.
00:44:01Okay.
00:44:04Did you see?
00:44:05Have you seen how foosball brings people together?
00:44:07Okay, grinder.
00:44:08So you lift up my stocking.
00:44:09Look, I have no idea what a grinder is.
00:44:11What's going on, not even foosball tables in Italy or what?
00:44:19Look, look, look, look, look, look, look.
00:44:21Oh, wow!
00:44:24Ha ha ha!
00:44:266-0.
00:44:276-0.
00:44:28So, if we include this one, right?
00:44:30You pass under the foosball table.
00:44:31Now, time, time, time out.
00:44:33Come.
00:44:33Underneath the foosball table?
00:44:35Yeah.
00:44:35But isn't that a little humiliating?
00:44:37Look, damn it, that's how you motivate yourself a little.
00:44:38Furthermore, humiliation, when done with affection, also creates a sense of family.
00:44:41Oh, really?
00:44:42Look, if they pull this on us, we'll have to go under the table, okay?
00:44:45Look, I'm not going to let anything slide.
00:44:47Let's see, milanesa.
00:44:49Things might be different in Italy, but here, if they leave you with nothing, it goes below the
00:44:54table.
00:44:54Okay?
00:44:55Hey?
00:44:55Capichi?
00:44:56Well, get your act together.
00:44:58Last ball, huh?
00:45:10Yes, look, there are foosball tables in Italy too.
00:45:13Got it?
00:45:15Italians are always the same, always the same.
00:45:17They played terribly and then scored in the last minute.
00:45:20The truth.
00:45:20Okay, I'm going to prepare the topic.
00:45:24Hey, Tete, are you still doing judo or what?
00:45:27No, no, not anymore, not anymore.
00:45:29Damn, I remember you were a beast on the mat.
00:45:32Look, you were barely five feet tall and you were already beating everyone.
00:45:35Yes, and back then you were chubby.
00:45:38Well, thank goodness things have changed, haven't they?
00:45:41Well yes.
00:45:43Hey, do you have a girlfriend?
00:45:45No way, no.
00:45:50Hey, Tete.
00:45:51That?
00:45:52Can we talk for a moment?
00:45:52Yes of course.
00:45:58What's happening?
00:46:01Well, look, it was you, well, you were listening to yourself talking to Manu and...
00:46:06I don't know if you, I'm very sorry, but with me, you, I who am, you, I have to say it.
00:46:10The fact that?
00:46:12Well, let's see, Tete, Manu is an older guy, yes, he's good-looking, he's got a great physique,
00:46:16Come on, he's getting all the women by the handful.
00:46:18But they don't mess around.
00:46:21AND?
00:46:22Well, Tete, this guy plays in a completely different league than you and me.
00:46:26In other words, he's used to reaching the Champions League final.
00:46:28And I don't know if he'll want to stay in the first round with a kid like you.
00:46:32And what do you know about which round I reach?
00:46:36Okay, Tete, well I know why, I know.
00:46:41I'm sorry, I had to tell you.
00:46:55I can't belittle Italy, not at all, because Italy has its good points.
00:46:59Hey, look at Rita Pavone, look at Rafaella Carrá, Rafaella Carrá, I'm not saying she's bad.
00:47:02Now, wherever the greatest one is placed, may she be in glory, love.
00:47:05Let's see, let's see, excuse me, typical Spanish food.
00:47:08Her tortilla, her ham, and now come the skewers.
00:47:11That's great, these are paparajotes, these are from Murcia, I made them myself.
00:47:13Taste it, taste it.
00:47:14No, no, no, you shouldn't have bothered me, I've already done it.
00:47:17But it's no trouble, woman, we're celebrating Spain Day, which should be celebrated every week.
00:47:21At least twice, what there is.
00:47:23Do you think he'll be happy about it?
00:47:25Of course I had to do it, you see.
00:47:29It's just that there are other people for whom that is timeless, I mean, the greatest.
00:47:33The banderillas and now the most important thing, gentlemen.
00:47:36Ta-da!
00:47:38Marcelino Panivino.
00:47:39Oh, Marcelino!
00:47:39And a pack of linters to prevent flooding.
00:47:41Oh, Marcelino, how much I must have cried over that lad!
00:47:43Look, I've only cried at two movies in my entire life, Marcelino Panivino and Nine and a Half Weeks.
00:47:48Hey, just seeing Mickey Rooney there when he's really committed, really committed, really committed, it gives me goosebumps, this is something else.
00:47:54And aren't they a bit old-fashioned?
00:47:56What? Ancient?
00:47:57This is a classic.
00:47:58This is a classic, daughter.
00:47:59This is a classic, this never goes out of style.
00:48:01Marcelino has done more for Spain than Pantoja, come on.
00:48:04And then the tears.
00:48:05The tearful shed unites the family; the family I once was united remains united.
00:48:08It gets right here in a fist, in a fist, in a fist, it's the whole movie.
00:48:12You'll see, what a movie.
00:48:15Hey, I'm going to leave, I'm leaving you with the escape, I'm leaving with the escape.
00:48:18He'll kill you, man, man, he'll do you a favor, I'll follow you!
00:48:20It's starting!
00:48:20It's starting!
00:48:23This isn't fair, Dad, don't mess with me, man, because now, damn it, now I'm hooked.
00:48:27And this movie really gets to me.
00:48:28He's screwed up, like everyone else.
00:48:29That kid is a really good worker, he's very natural.
00:48:31I saw it a long time ago.
00:48:33Look, girl.
00:48:34Let's see if it can be exciting again.
00:48:35Okay, girl, this is a great movie.
00:48:38Marcelino, pane, e mini.
00:48:40A classic.
00:48:41A classic, girl.
00:48:42Look at the kids.
00:48:43She's got a face.
00:48:48Look around, and if you see someone who looks like me, well, someone who looks a little more worn.
00:48:53Well, I see you guys looking worn, but you don't look like a family...
00:48:56Hey, look, we'd better ask.
00:48:58It will be much better.
00:49:00Excuse me, excuse me.
00:49:01Do you see Pablo Prieto working here?
00:49:05That?
00:49:05Yes, man, do you work in the olive business?
00:49:07Let's see if we know where the olives come from.
00:49:10Ah, the olive tree, man, of course, yes, you should have started there.
00:49:12But the olive tree died a long time ago, didn't it?
00:49:15The one who's around here is the son.
00:49:18Piralo.
00:49:19Hey!
00:49:19Bird!
00:49:21Hey!
00:49:21These strangers are asking for you!
00:49:24Do you think she looks like me, Lucia?
00:49:26Well, he has a lot more hair, so he looks a bit more...
00:49:30But no, Lucia, please don't bring me down, I have enough to deal with as it is, quite a lot...
00:49:34This needs to be handled carefully, because you're touching on family matters with Hector.
00:49:38If they slap you, they'll dress you in your own skin.
00:49:40Peace be with God!
00:49:41Hello, good day.
00:49:42How are you?
00:49:43Well, look, we were asking about your father, but we know he's been killed.
00:49:47Yes, in March, ten years ago now.
00:49:50I share your feelings.
00:49:51Okay, thanks.
00:49:52And why did they want to see him?
00:49:53Well, it's a somewhat complicated matter.
00:49:55We wanted to tell you...
00:49:56If I tell you that I am Santiago Serrano, the tavern owner's son, what do you say to me?
00:50:01Are you Santiago?
00:50:03So you're Diego?
00:50:06I am, I am, yes.
00:50:07Diego!
00:50:09A cape in everything!
00:50:10I really wanted to meet you.
00:50:12This is a huge moment for me, man.
00:50:14So, you knew about me?
00:50:16But how could I not know?
00:50:17Well, my father didn't talk to me about you many times.
00:50:18But yes, he even mentioned you in his last will and testament.
00:50:22Just imagine, I did have you in mind.
00:50:25But come with me, I have something for you.
00:50:27This way, this way.
00:50:35Have you seen it?
00:50:36He made the little hand gesture.
00:50:38The little hand that made it.
00:50:40What did he do?
00:50:41No, what did he do?
00:50:44And you believe this.
00:50:58And you get tangled up in the back.
00:51:01Do you remember Raúl when he first saw her in Chinorri?
00:51:05Jo, mi está peli pa' marcao.
00:51:08And you're going to hang on too, no matter how hard the time gets.
00:51:11This...
00:51:12Everything melts the rock.
00:51:14No, it's just that...
00:51:15That's for sure.
00:51:17What are you saying to me when Jesus Christ appears?
00:51:19Let me know, go ahead.
00:51:21Tell him.
00:51:22Is it an angel?
00:51:23Yeah.
00:51:25Come on, a...
00:51:25An angel.
00:51:29I'm sending it to you.
00:51:33It's a movie that, no matter how many times I've seen it, made me cry a thousand times, daughter.
00:51:37I liked what I thought I did, you know?
00:51:39How are you, daughter?
00:51:40Are you having a good time?
00:51:41Phew, great, my love.
00:51:43The party of my life.
00:51:54Okay, so what?
00:51:55That you didn't like the plan, or the movie, or anything.
00:51:58Well, don't worry, woman.
00:51:59We'll fine-tune it too, you know?
00:52:01No, don't worry, I don't plan on staying here for long, okay?
00:52:04Already.
00:52:05If moving to a new city...
00:52:07That sucks, doesn't it?
00:52:08But of course, if your parents separate...
00:52:10Yes, but nobody has asked me what I want to do with my life, you know?
00:52:13No, I understand you perfectly, but you have to understand me, things aren't that easy.
00:52:17It's much more complicated that way.
00:52:18Me, me, the same thing happens to me with my rodón, you know?
00:52:21In other words, we were like the good guy and the bad guy.
00:52:22So, I was the good guy, right?
00:52:24John Wayne.
00:52:25And her mother, well, she was the bad one, the typical one who goes around cutting hair, the Indian one, right?
00:52:30The...
00:52:30Anyway, let me tell you.
00:52:32In the end, there are no good guys, no bad guys, nothing, okay?
00:52:35I don't know your father.
00:52:36Well, no, you don't know him.
00:52:37Why are you getting involved?
00:52:38What's wrong with you? Are you trying to be my mother or what?
00:52:40As?
00:52:41Hey, Dad, I'm off, I've been meeting up with that cold girl for two hours.
00:52:44No, I'm going with you.
00:52:49That's messed up.
00:52:50That's messed up.
00:52:52Come on.
00:52:53But what about her? Where is she going?
00:52:55From Machuqui.
00:52:56There with my kid.
00:52:57There, over there, the young people.
00:52:59It's the young one who is already starting to integrate.
00:53:01Of course, Spain is different.
00:53:02Tell me, why do so many foreigners come here?
00:53:04Who do you think you are?
00:53:04Are you saying that in their countries, in Milan, it's going to be so late at night now?
00:53:07the street?
00:53:08Yes, here we are.
00:53:10Hey man, what about you, old man? Do you know about the party or what?
00:53:12He's coming tomorrow, well, my old man will be here with the broom and he'll be
00:53:15the first one who is approaching my uncle.
00:53:29No, no, no, no, no, no, no, no.
00:53:46What a great party, huh?
00:53:47Well, I already know a lot of people.
00:53:48Yeah?
00:53:49Well, that's lucky, because I don't know half of them.
00:53:53Do you have a moment?
00:53:55Clear.
00:53:55I wanted to tell you something.
00:53:59AND...
00:54:00I don't know if you'll believe it.
00:54:02Proof?
00:54:05Well, it's just that it's a little strong and...
00:54:07Look, I don't want you to feel obligated in any way.
00:54:10If you tell me no, I will respect that and...
00:54:13And as if nothing had happened, huh? Really.
00:54:15Okay.
00:54:16Very good, tell me now.
00:54:19I was wondering if your room will be free for a little while.
00:54:25Well, because of the noise and, I don't know, a little bit of privacy.
00:54:30You know what I'm talking about, right?
00:54:32If you don't like it, we can stop, no problem, and...
00:54:36As if nothing happened, huh? Really.
00:54:37No, no, no, no.
00:54:39I mean, I don't think it's a bad thing.
00:54:40I mean, I think it's good or bad.
00:54:41Okay, yes, fine, okay?
00:54:43Okay, fine.
00:54:47But aunt?
00:54:49He's already told me what he's told me.
00:54:51Yes, I heard him.
00:54:52And what did I answer him?
00:54:54Yes.
00:54:56So what do I do, go or not?
00:54:58Damn, your life is like the Super Pop cards.
00:55:01I have some things here.
00:55:02There must be a saved copy of the father's last will and testament.
00:55:04Leave this to the man.
00:55:06What was his name?
00:55:07Aceitunín.
00:55:08I'm not saying the real name.
00:55:09What do you want me to call my brother, Aceitunín?
00:55:10And you keep going on about the same old thing, what's up?
00:55:13There is nothing official.
00:55:14The only brother he has here is me.
00:55:16Santi, give in and don't resist.
00:55:17For God's sake, don't resist.
00:55:19But I haven't noticed that we have the same build.
00:55:21And that hair, which is like the hair I had when I had bangs.
00:55:23And the little hand, the little hand.
00:55:25We thought it was from our father, but it turns out it was from our mother.
00:55:26Here it is, here it is.
00:55:28Here it is.
00:55:28No, look, I'm going to tell you something.
00:55:30And sorry, you don't need to read anything.
00:55:33Because, well, I've already made up my mind about it.
00:55:35And no, no.
00:55:35I already know what you're going to tell me.
00:55:36Diego, please let him read it.
00:55:38Come on, man.
00:55:41And no, I don't want to leave this world without settling the debt I owed to Amancio Serrano.
00:55:48the tavern keeper, with whom I made a ruinous deal 20 years ago.
00:55:53And ever since then, my head has been nagging at me.
00:55:56And that's why I want to pay his son, Diego Serrano,
00:56:00the remaining 1,500 pesetas that he owed his father for the deal to be complete.
00:56:05That's it.
00:56:06Let's see, let's see, let's see, let's see.
00:56:08So, then, what was pending was a debt.
00:56:11Yes, 1,500 pesetas of the old kind.
00:56:13Let's go, which is now nine euros.
00:56:17Wait a minute.
00:56:17I need to have it around here...
00:56:18No, I don't know if, either.
00:56:20Here, take it.
00:56:21Five.
00:56:23There it is.
00:56:23Thank you so much.
00:56:24Well, we're even, huh?
00:56:25And that's it.
00:56:26There is nothing more that your father wrote for my brother.
00:56:29Nothing else.
00:56:29No, this comes from a pig that your father sold him.
00:56:33Faust, Faust, I think that's his name.
00:56:35What are you saying, man?
00:56:37Which father didn't sell Faust?
00:56:39He says no.
00:56:40But without a menu or ham, they got it from that pig.
00:56:43We spent the whole winter eating chorizo.
00:56:45But what a vile pig that Faust is.
00:56:47But he took it to a royal field in Badajoz.
00:56:49So that she could impregnate the sows.
00:56:52He said he was tired and had already earned his retirement.
00:56:55No way, man, no way.
00:56:56That's not what my father told me.
00:56:57What my father told me happened was that one afternoon, when the heat was intense...
00:57:01Miquito, my son, stay here with Fausto.
00:57:03I need to talk to the olive tree about some things.
00:57:06Tato, keep an eye on the kid and the pig here.
00:57:10Hey?
00:57:12Hey?
00:57:14Well, that's it, man.
00:57:16Why am I bringing the pig so you can attach it to your legs?
00:57:19And isn't that pig Fausto?
00:57:21The most lustrous of the Corrado.
00:57:23Yeah, that's the one you use as a stud, right?
00:57:25He gets close to the sows like it's going out of style.
00:57:27Okay, so what?
00:57:28How much will you give me?
00:57:29One thing.
00:57:30And why do you want to sell it if it's your favorite pig?
00:57:33By Lleguito.
00:57:34For the kid I promised a bike to if he passed.
00:57:38There you are.
00:57:39Yes, man.
00:57:41Yes, man.
00:57:41I'm going to give you...
00:57:44100 euros.
00:57:45What are you saying, 100 euros?
00:57:46This pig is worth at least 2,000 pesetas.
00:57:48He impregnates sows just by looking at them.
00:57:50100 euros or nothing.
00:57:51With this you'll have enough for the bicycle.
00:58:00Okay, go on.
00:58:02Anything for the kid.
00:58:04Oh well.
00:58:05Deal.
00:58:06Deal.
00:58:07God be with you.
00:58:07God be with you.
00:58:13I'm going to miss you.
00:58:18Let's go, Lleguito.
00:58:21Well, that's it.
00:58:22Tomorrow we're going to Guadalajara and I'll buy you the red bicycle.
00:58:27Hey?
00:58:28Thank you, Dad.
00:58:29Yeah!
00:58:30What I wouldn't do for this son.
00:58:32What I wouldn't do.
00:58:33Let's go!
00:58:34The red bike, Santi.
00:58:37I've played with that red bike plenty of times.
00:58:39Brother.
00:58:40I'd eat you too, Fausto.
00:58:43Do you remember that the olive tree brought us some little ones for Christmas?
00:58:46Well, they were from Faust.
00:58:47No.
00:58:48Santi.
00:58:49Santi, brother, don't get hurt.
00:58:50I know you.
00:58:51Don't draw blood.
00:58:51But they were from Faust.
00:58:52They weren't from Faust.
00:58:53Go ahead.
00:58:53Strip.
00:58:54Strip.
00:58:55Wow, what a party, man.
00:58:57How have the kids learned?
00:58:59Yes, finally a normal party, without any nonsense.
00:59:03Well, the worst thing was Joselito's movie, huh?
00:59:06I thought I was dying.
00:59:10Marcelino Panivino is from Pablito Calvo.
00:59:14Nothing to do with Joselito.
00:59:16So you respect Pablito Calvo.
00:59:18Okay?
00:59:19Okay.
00:59:20When her aunt starts singing that song.
00:59:23That's intense.
00:59:24Hey, why don't you stop laughing at others, auntie?
00:59:27What's happening?
00:59:28Now you're going to tell me that you like all the nonsense.
00:59:30Clear.
00:59:31Easy is your thing.
00:59:32You walk around all day looking nonchalant and glum.
00:59:35At least the others try, you know?
00:59:37There's already enough wrong with what you're doing.
00:59:41Wow!
00:59:41Fuck!
00:59:42Trunk!
00:59:42Are you stupid or what's wrong with you?
00:59:44Fuck!
00:59:45Pussy!
00:59:45Look what he's done to me!
00:59:48But wait, are you sure you spoke to Manu?
00:59:51No no.
00:59:52Clearly, values have been lost here.
00:59:54Now it's the law of the jungle.
00:59:55Listen, in my time the codes in Rome were respected.
00:59:58But now it's anything goes, man.
00:59:59Damn, I don't even know what to do anymore, man.
01:00:00I've done everything.
01:00:04Hey, hey.
01:00:05Hey, what if we try something you haven't tried before?
01:00:07Dude, why don't you tell Tete how you feel, already?
01:00:10No, no, no.
01:00:12And Super Pop says that you can't let yourself be carried away by the torrent of passion.
01:00:15You need to stop and think.
01:00:18Think?
01:00:18But Auntie, how could I think that?
01:00:19I'm hysterical!
01:00:22Hello.
01:00:23Damn, we had a blast, didn't we?
01:00:26Have you seen Raúl?
01:00:27Yes, it has gone up.
01:00:27Brilliant.
01:00:29Ah, cold, cold!
01:00:30I have to tell you something, but it's very important.
01:00:34Very important.
01:00:35Already.
01:00:36Okay.
01:00:37Let's do one thing.
01:00:38I find Raúl, talk to him for a second, kill him, and come back to you.
01:00:42Am I coming back?
01:00:42Yes, it looks like your situation is going to last a while.
01:00:45Okay.
01:00:47Will you give me back my hand?
01:00:48Sorry.
01:00:51I'm sorry.
01:00:53I went too far with your father and your aunt, and the poor people are not to blame.
01:00:56Hey, I'm not your typical whiny girl, you know?
01:00:59Oh, no?
01:00:59No.
01:01:00Well, he hides it very well, you know?
01:01:04I don't know, I have my life in Italy, I'm not needed here.
01:01:06Besides, my mother doesn't want me here.
01:01:09What are you saying?
01:01:10She's frantically organizing everything for you to join.
01:01:12Yes, she always makes a great impression on everyone, but then she never has time for me.
01:01:17Look, I don't know what happened between you two, but I'd say he's mostly working hard at it.
01:01:23I don't know.
01:01:24Maybe I should give it a chance or something, right?
01:01:27Fuck.
01:01:30Fuck.
01:01:30Go away.
01:01:31Remove.
01:01:32That won't come off if you don't use soap.
01:01:35Soap?
01:01:36Sure, soap.
01:01:39Fuck.
01:01:40Thank you.
01:01:40No, take it away.
01:01:43Thank you.
01:01:44Nothing.
01:01:46Oh, damn, it's closed.
01:01:48Afri.
01:01:49If it doesn't fail.
01:01:50No, no, no, no.
01:01:53Damn, here we go.
01:01:54Africa!
01:01:56Oh, but really, daughter, I don't want to be a bother.
01:02:00But it's no trouble at all, aunt.
01:02:02That you're coming to Madrid for a few days.
01:02:04It's all filthy and you can't sleep because of the dampness.
01:02:07Well, I already turned it off for you.
01:02:09Father, father, he loved me, Lucia.
01:02:12Of course I loved you.
01:02:14Of course I loved you.
01:02:15But he loved me very, very much.
01:02:16More than Faust.
01:02:17Just imagine, he even sold it to treat me.
01:02:19Diego, for God's sake, Faust was a pig.
01:02:21Yes, yes, I know that...
01:02:22I went here.
01:02:23He's really hyping it up.
01:02:25Damn it...
01:02:27Okay, Santi.
01:02:28Hey?
01:02:29Ask if you're okay.
01:02:31How am I supposed to be okay, sister-in-law?
01:02:33How am I going to be okay?
01:02:34If on the same day I find out that my mother cheated on my father.
01:02:38What father wasn't deceived by Faust?
01:02:40He sold it to make sausage.
01:02:43Brother, our whole life is a lie.
01:02:48And again?
01:02:49And again?
01:02:50But aunt, but aunt, but aunt, where are you going with so many suitcases?
01:02:53He's only going to Madrid for a few days.
01:02:55Shut up, old man!
01:02:56Because then in the capital you have nothing.
01:02:59Yes, really.
01:03:00Did you invite me to the porch?
01:03:02Africa, Auntie, who was helping me clean my pants, Auntie, they threw a mini skirt at me, okay?
01:03:06And there I was, all tangled up with the soap and not knowing how to clean myself.
01:03:08Damn, but nothing else has happened.
01:03:10Raul, this is the second time I've seen you with this woman in the bathroom.
01:03:13I don't know if you understand me.
01:03:14You, her, and the bathroom.
01:03:15Okay, no, so what do you want?
01:03:16Should I go out to the porch to clean myself?
01:03:17Auntie, we were talking, damn it, and she started helping me.
01:03:20Africa, where there has been neither friction nor intention.
01:03:22But there has been a boycott.
01:03:23I asked you, please, to come with me to see the apartment and I find you here acting like an idiot.
01:03:27Okay.
01:03:30Okay, sorry, careful, careful with the Mini, because then...
01:03:35Africa, aunt, I'm sorry, really, damn it, my father kidnapped me to be with her.
01:03:39Have you been kidnapped?
01:03:40Yes, she comes from Italy, she's the daughter of the tavern owner.
01:03:43Hello.
01:03:43Look, my father wants me to integrate into the neighborhood, damn it.
01:03:45We even threw him a party at the tavern.
01:03:47Look, my aunt sang him a song, huh?
01:03:49My father brought it and we've been watching Marcelino Panivino.
01:03:52I swear.
01:03:53Okay, okay.
01:03:54No, yes, it has to be true, it's all very absurd.
01:03:59Of course, of course, of course it's true, honey.
01:04:01Yeah, damn it, girl, you know I can't do it, I'm not that fast.
01:04:06Already.
01:04:06Fuck.
01:04:08I mean, I was here feeling terrible for not finding out about the apartment.
01:04:16How could you think I'd want to spend the afternoon in bed with that little brat?
01:04:20Damn, if my father didn't force me to do it, what did I do?
01:04:22Why would I be there wiping the other one's nose?
01:04:25You've been with worse women, haven't you?
01:04:29Or not?
01:04:30Yes, yes.
01:04:31But you're such a pain.
01:04:33Auntie, she's been nagging me for two hours about her mother, who isn't paying any attention to her.
01:04:36Or his father, I don't know what.
01:04:37Damn, if all he wants is to get attention, he doesn't know how.
01:04:41Besides, you can expect someone who doesn't like Marcelino Panivino.
01:04:46That's one of Joselito's, isn't it?
01:04:49No?
01:04:51Ah, look, I'm going to tell you something.
01:04:54How much should I love you, or something?
01:05:11Tete, where are you going?
01:05:13Uh, I've arranged to meet Manu.
01:05:16Have you arranged to meet Manu?
01:05:18Where?
01:05:20In my room.
01:05:27Tete, Tete, wait.
01:05:30Tete, Tete, wait, you can't do that.
01:05:33Tete, please, the guy is older, he doesn't mess around.
01:05:36Damn, he's your cousin.
01:05:37And his pretty one?
01:05:40Precious.
01:05:42Go away, Tete, stop, I have to tell you something very important.
01:05:44That?
01:05:47You see, Tete, that...
01:05:50I love you.
01:05:50What?
01:05:52No, what I want to tell you is...
01:05:54Water, water!
01:05:57Ah, you're here.
01:05:59Natalia, here you go, I'd like you to meet my cousin Tete.
01:06:00I'm talking about her, right?
01:06:01Yeah.
01:06:03Hey, thanks so much for everything.
01:06:06I owe you one, right, cousin?
01:06:15Tete.
01:06:17Tete, let me in.
01:06:19Tete.
01:06:27Well, I've already taken out the trash.
01:06:32What's wrong, why aren't you closing?
01:06:33No.
01:06:34Do you want one?
01:06:41Is something wrong?
01:06:43No way.
01:06:45No, everything is going great for me.
01:06:47I'm very well.
01:06:48Nothing more than, well, I'm a disaster as a mother, I'm a shitty barmaid.
01:06:53Eh, eh, eh, well, well, well, well.
01:06:54It won't be that bad.
01:06:56Whatever it is, you'll see how much better you'll be tomorrow.
01:06:59Peaceful.
01:07:01My daughter just told me that she is going back to Milan with her father.
01:07:04Has he gone to Milan?
01:07:05But I wasn't with Raúl at a party.
01:07:06What did you say to him/her?
01:07:07Well, I haven't been able to say anything to him because he told me via text message.
01:07:10I'm shitting myself.
01:07:11And have you left her?
01:07:12Let's go for it, right now.
01:07:13Take.
01:07:15Kiti doesn't want to be with me.
01:07:18But, look, look.
01:07:19He doesn't want to.
01:07:19I can't force her.
01:07:20But what do you mean you can't?
01:07:22Hey?
01:07:22Kids this age don't have a fucking clue what they want in life, you know?
01:07:25Well, maybe we don't either, but...
01:07:28Look.
01:07:30Look, we have to mark them, okay?
01:07:31And not to give up and not to fall apart, you understand?
01:07:35Come on, let's go.
01:07:38He left a little while ago.
01:07:39He must already be at the airport.
01:07:41It's obvious you don't live in Madrid.
01:07:43If we leave now, we'll have plenty of time.
01:07:45And if I finish it at number 4, we might even have a coffee on the way.
01:07:48Raul.
01:07:48Hey, listen to me, where are you?
01:07:50At home.
01:07:51I need you now.
01:07:54Fuck.
01:07:55So, you take the girl to a party and the next thing I know, she's...
01:07:59path
01:07:59From Milan, male.
01:08:01That aunt is very strange.
01:08:03Damn, didn't you notice that he didn't even flinch when he saw Marcelino Panini?
01:08:07Nothing.
01:08:08Off or out of coverage.
01:08:10Damn it, Emilia, I'm sorry, but you have to bring out the bad cop.
01:08:13In other words, to impose yourself.
01:08:14And if the girl doesn't want to leave, then let her stay.
01:08:17Damn, when you're a father you'll eat eggs and that's it.
01:08:19No, Fiti, no.
01:08:21If he wants to go to Milan with his father, let him go.
01:08:23I don't think he hates me.
01:08:26Hey, have you thought about talking to her?
01:08:30I mean, tell her that you do care and all that.
01:08:33Damn it, Raúl, you're here to help, not to be a pain in the ass, man.
01:08:36That's what she thinks, okay?
01:08:38You told me so.
01:08:39Damn, why are you ignoring her?
01:08:43Look, I don't want to offend anyone or interfere where I'm not wanted, but I understand her, you know?
01:08:48My father has his quirks, yes indeed.
01:08:51But, damn it, when he had to close the workshop one afternoon to come out for beers with me, well, he did it.
01:08:57And maybe it wasn't to talk about important things, maybe it was, maybe it wasn't.
01:09:01Maybe it was to talk about girls or football or to play foosball, those things always happen
01:09:05They join together and make a potato.
01:09:06It's always been there.
01:09:08And in the end, that's all that matters.
01:09:12Come here, son.
01:09:13I'll make a big one for you.
01:09:17Okay, okay, okay, okay.
01:09:19Look, damn it, how's this going on?
01:09:34Come on, everyone out of my house, right now.
01:09:37We're here without a penny, while people are wasting money, really.
01:09:39Get out of here, let's go!
01:09:39Well, I'm saying that, come on.
01:09:41But what am I saying?
01:09:41No, no, don't poke around, Antti, don't poke around.
01:09:43Don't poke around, no...
01:09:43And that one!
01:09:44Get out of my way, leave me alone, leave me alone, leave me alone.
01:09:46That?
01:09:46No, you weren't coming tomorrow.
01:09:48We were coming tomorrow, but he's unfortunate, that's how he takes care of my face with all of you...
01:09:51Diego, they're all friends of TT, really.
01:09:53Something else!
01:09:54Something else!
01:09:54Something else!
01:09:55Something else!
01:09:56Something else!
01:09:56Something else!
01:10:09Something else!
01:10:10But...
01:10:10What's happening?
01:10:11Anything else?
01:10:12Nothing, nothing!
01:10:12Nothing, nothing's wrong!
01:10:13Diego!
01:10:14Wait for me!
01:10:17Get out of here!
01:10:17Get out of here!
01:10:18What's happening?
01:10:19What's happening?
01:10:20Your nephew, that satyr, is in there, defiling this house in our absence.
01:10:25Defiling!
01:10:25Shut up, you pimp, you who are a pimp!
01:10:28What are you saying?
01:10:29Chu, chu, chu, chu, chu, no way!
01:10:30No, no, no, no, I want you to host a dinner party.
01:10:33We're coming, okay?
01:10:33Are you going with him already?
01:10:34Eye.
01:10:35But what are we going to talk about, Lucia?
01:10:36You were right, my son, I was blind, I didn't want to see it, because I'm losing my faculties.
01:10:40I used to have a radar for incest, but I've lost it, I've lost it.
01:10:42Listen to me, listen to me, listen to me.
01:10:45Your nephew is in there with Tete.
01:10:47Tete?
01:10:49Both of you up, right now!
01:10:50Come on!
01:10:51Above!
01:10:52Aunt.
01:10:53I had already returned, but...
01:10:56Is something wrong?
01:10:59Let Diego explain.
01:11:00I?
01:11:00Should I explain it?
01:11:03To the question of whether something was wrong, no, nothing is wrong.
01:11:06That's the first one.
01:11:07This is what amounts to confusion.
01:11:08We've already left, we'll leave you now...
01:11:10And well, you guys just keep doing your thing, okay?
01:11:13No, you don't follow your own thing.
01:11:14No, no, no, you're still doing your own thing.
01:11:15Your relationship is over.
01:11:16It ended immediately.
01:11:17We'll leave you to it, and you can settle this matter, that's all...
01:11:20And get out as quickly as possible.
01:11:22Come on, throw it, throw it.
01:11:25Why didn't you tell me you didn't...
01:11:27That you...
01:11:27I'll kill you, I really will.
01:11:28Dad, you haven't left me.
01:11:30The fact that I haven't left you is of no concern to me.
01:11:31But I'm telling you to keep an eye on the house and I'll be right back.
01:11:33I stumbled upon a Roman bacchanal.
01:11:34What I find is a Roman bacchanal.
01:11:35Let's see for a moment.
01:11:36Can I talk to you?
01:11:37Yeah.
01:11:38You'll see, you, when you left,
01:11:39You entrusted me with the vision of taking care of Tete.
01:11:41Yeah.
01:11:42Why are we going to take advantage of it?
01:11:43Yes or yes?
01:11:45Yes, yes.
01:11:46But we must consider part of the letter of the law,
01:11:47We must attend to the spirit.
01:11:48In other words, what the generic concept is.
01:11:49Things that say generic concept.
01:11:51Of course, I've taken the generic concept.
01:11:52Yeah.
01:11:52Because Tete has been safe,
01:11:54He has been under surveillance and has not been like this at any time.
01:11:56So, yes or no?
01:11:59Well, seen from that point of view.
01:12:00That's what I understood it to mean as generic.
01:12:02Yes, but...
01:12:03Yes, but...
01:12:06We're leaving, okay?
01:12:07Yeah.
01:12:07Pleased to meet you, miss.
01:12:08See you soon.
01:12:12Look.
01:12:13Pull, pull, pull, pull, pull.
01:12:14I'll shoot for the cashiers, sir.
01:12:16Pull, pull.
01:12:18Go, fuck it.
01:12:19The fart, throw.
01:12:21But...
01:12:21But it's Asú, but it's there.
01:12:27Is it her?
01:12:29Susana!
01:12:31Susana, my daughter!
01:12:31You have an octopus eagle.
01:12:32Just a moment, okay?
01:12:34The immediate one.
01:12:34We are here.
01:12:36Okay, but what's going on here?
01:12:37Paternalism problem.
01:12:39Just a moment, take it easy.
01:12:40Put it on top of me, son.
01:12:41Man, mom, and company.
01:12:43Okay, can you explain what you're doing here?
01:12:45And what about you?
01:12:46Can't you just leave that brat alone?
01:12:48Daughter, I need to talk to you.
01:12:52Look, I've come to talk to you
01:12:54And I'm not leaving until I do it.
01:12:56In other words, it's up to you.
01:12:58What's happening?
01:12:58So now you want to talk to me, huh?
01:12:59In other words, after everyone has done it,
01:13:01Now you feel like talking, as always.
01:13:04You're right, daughter, you're right.
01:13:06I didn't know how to do it.
01:13:08I've done everything for you.
01:13:10But I just don't know how to do it.
01:13:12But anyway, from now on, self-help books are a thing of the past.
01:13:14and not having time for yourself.
01:13:17All I ask of you, daughter, is a chance.
01:13:21Damn it, Mom, my life is in Milan.
01:13:23Now you suddenly arrive and want to change everything.
01:13:25I know, daughter, I know, I know.
01:13:27Please.
01:13:30I know.
01:13:32Maybe I should try it.
01:13:35Thanks my love.
01:13:38Hey, a vibrator.
01:13:39Damn, what's mine?
01:13:40Yes, wait.
01:13:41Damn, what a scare.
01:13:42Hey, Afri.
01:13:44Hey, I'm here with my dad and Sue and...
01:13:48Uh, no, I'm not in a bathroom.
01:13:50Honey, I swear, I'm in a taxi.
01:14:00Don't worry, Auntie, we'll clean it up.
01:14:02Unless I tell him louder, he won't get it.
01:14:05Come on, let's go to bed.
01:14:06That old people need to sleep.
01:14:07Otherwise, they don't cause much trouble.
01:14:09Oh, Santiago.
01:14:13I'll talk to Manu tomorrow
01:14:15and I say a few words to him
01:14:17Because it's turning our house upside down, right?
01:14:19That one's a real mess.
01:14:21Can you drop this subject once and for all, Santiago?
01:14:24No, you're right, you're right, Lucia.
01:14:25But let me tell you something, okay?
01:14:27Let me tell you something.
01:14:29That it is not written here.
01:14:30Well, it's not written in stone.
01:14:32Father sold Faust.
01:14:34And that, for me, is the greatest proof
01:14:35that I am a mountain man.
01:14:37Oh, your mother's diary.
01:14:41But it's very intimate.
01:14:43You can't read it.
01:14:44Too late, we've already read it.
01:14:47Oh, you already know that.
01:14:50So now you know about your mother
01:14:52and the olive tree.
01:14:55Well, those things, children,
01:14:58They shouldn't know them.
01:14:59But, Aunt Enriqueta,
01:15:01You were aware of everything.
01:15:02A sister won't know.
01:15:05How much did your mother suffer?
01:15:06The one who suffered was a father.
01:15:08He was a deer without knowing it.
01:15:10Well, aunt, no, don't worry
01:15:11Because I'm telling you the truth,
01:15:13I've had my doubts,
01:15:14But now I'm calm.
01:15:15not anymore...
01:15:16And so?
01:15:18Well, because I already know I'm a mountain man.
01:15:20What do you know?
01:15:22Not even your mother ever knew.
01:15:24You'll know.
01:15:25The mother didn't know.
01:15:26Do you really think it's like it is now?
01:15:28that there is evidence and everything.
01:15:29Then no.
01:15:30But, aunt,
01:15:33then I may not be the son of a father
01:15:35but of the olive.
01:15:37So what, son?
01:15:40When your mother stayed with your father,
01:15:43To her, you were his son.
01:15:47And your father loved you for who you were.
01:15:50His son.
01:15:52And did the woman hesitate?
01:15:54So there's no doubt.
01:15:56The olive tree was very handsome.
01:15:59It had a certain something.
01:16:01As?
01:16:02Like a magnet for women?
01:16:04That.
01:16:05And that your father
01:16:07He was not an easy man.
01:16:10She hesitated until the very last minute.
01:16:14The last time she saw him,
01:16:17I was in the car with your father.
01:16:20There's a lot of pomp and circumstance.
01:16:21He clearly misses home.
01:16:23Yes, but I already told you we couldn't have it at home
01:16:25with the children and the baby in front.
01:16:28Ah, there it is.
01:16:30It moves around a lot.
01:16:31I'm going to see what's wrong with him.
01:16:36Oh, the doll.
01:16:39Hey!
01:16:41Hey!
01:16:41What's up, olive tree?
01:16:43It's overheated.
01:16:45That puppy is not meant for the countryside.
01:16:47It's overheated.
01:16:56Come on!
01:16:58Come on!
01:17:14Come on!
01:17:33She's crying, little dove.
01:17:37You all get so sensitive when you're pregnant.
01:17:43Don't worry, little dove, this one will come with a bun underneath.
01:17:48Thank you.
01:17:48You'll see.
01:17:58Well, what are you doing? Aren't you hungry? I have to go there!
01:18:05I'm thinking that if it's a girl, we'll call myself your girl.
01:18:10Damn grandma!
01:18:11And if it's a boy, Diego, like my uncle. What do you think?
01:18:15I think it's going to be a boy because of those kicks.
01:18:21I can't wait to see his little face.
01:18:24And how happy Paco and Santiago are going to be.
01:18:27They really want a little brother.
01:18:47Of course.
01:18:49Don Damasio, let's go home.
01:18:50The children are waiting for us.
01:19:04And your mother followed her heart.
01:19:08Did your mother love your father very much?
01:19:11Mother did the right thing.
01:19:13And if the mother followed her heart,
01:19:16You have to follow your own path, brother.
01:19:19Of course, of course, of course.
01:19:22I am Diego Serrano.
01:19:24And nobody is going to take that away from me, nobody.
01:19:27Brother.
01:19:28Come here, brother.
01:19:31Oh, I'm even sadder now.
01:19:33Don't get like that.
01:19:35I don't care about anything, not even the pig.
01:19:43Hey, Curro.
01:19:44Do your father's anger last long?
01:19:46Yeah.
01:19:47But a lot, a lot.
01:19:49Yeah.
01:19:52Hey, do you want some juice, cousin?
01:19:54I don't feel like it.
01:19:55So, what about you? Shall we play some video games later?
01:19:57Passed.
01:19:58Good morning.
01:19:59Poor brother, you've made breakfast.
01:20:01Excellent.
01:20:01You feel it here, Aunt Enriqueta.
01:20:03Leave her if you like her.
01:20:04Hello.
01:20:05Hello good morning.
01:20:06Good morning.
01:20:07How well-behaved and beautiful the children are, Diego.
01:20:10I don't know, I don't know.
01:20:11Don't trust her, aunt.
01:20:12Don't trust what.
01:20:13These deformed ones, nothing.
01:20:14They are vandals.
01:20:16Okay, everyone listen to me.
01:20:17Let's see.
01:20:18We've been thinking a lot about what punishment to give you.
01:20:21And we've decided to leave you on pay for one month.
01:20:24Diego, we haven't paid them since the tavern incident, darling.
01:20:27Oh, no.
01:20:28We don't pay them.
01:20:29Good.
01:20:29Well, you can forget what I said.
01:20:32Manu, I'm coming with you now.
01:20:34Diego, I'm sorry, uh.
01:20:35Okay, okay.
01:20:35Manu, listen to me.
01:20:36Listen to me.
01:20:37We cannot punish you.
01:20:38We can take away your pay.
01:20:39But if you want to stay in this house, free will and anarchy are over.
01:20:42Because there are rules in this house.
01:20:44And the rule, the fundamental one, is to respect the inhabitants of this house.
01:20:47In other words, neither defilement nor incest.
01:20:49Are you following me or not?
01:20:50No.
01:20:51You don't follow me.
01:20:52Diego, okay.
01:20:52Okay, well, let me explain something to you.
01:20:54Let's see, Manu, you've got the physique.
01:20:56In other words, some shapes that are there.
01:20:57In other words, some kind of shape.
01:20:57Do you understand?
01:20:58And those things, well, they bewitch, yes, the word is bewitch, they bewitch some women.
01:21:02Primarily from the youth and adolescent sector.
01:21:07Good.
01:21:08That said, this is when the concept of craftsmanship is combined with the concept of incest.
01:21:11It's very normal that Teté feels attracted to you.
01:21:14Diego.
01:21:14Diego, let's see.
01:21:16Yes, stop.
01:21:17No, nothing's wrong, Teté.
01:21:19But it's okay.
01:21:21Which is normal.
01:21:21In other words, it's normal for hormones to be altered.
01:21:24It's normal for hormones to have certain effects.
01:21:26It is scientifically proven.
01:21:27And your hormones are a little out of whack.
01:21:29Nothing, please, just tell him to shut up.
01:21:31Okay, Diego.
01:21:31I'm almost done.
01:21:32No, I'm finished, I'm finished.
01:21:34Okay, now I'm going to talk about something else.
01:21:36The concept, where the concept of containment and the concept of respect for people are combined in this
01:21:40home.
01:21:41Let's see, Manu, to make this clear.
01:21:42Don't even look at the girl.
01:21:43Even if the girl is giving you the eye, don't even look at her.
01:21:45Is that clear?
01:21:47Crystal clear.
01:21:47Well, that's it.
01:21:50Where is it valid, Dad?
01:21:51I'm already...
01:21:52Yeah!
01:21:52Okay, come on, everything's ready now.
01:21:54Come on, everyone, let's have breakfast.
01:21:55What, aunt?
01:21:56That's not it.
01:21:57Of course, Dieguito.
01:21:58Of course.
01:22:00Bring out a savory muffin.
01:22:00Please give it to me.
01:22:02Tete!
01:22:02Tete!
01:22:03Wait.
01:22:09That...
01:22:09That's good, I already know my father is a metapath.
01:22:12But that's nothing new.
01:22:14Already.
01:22:16Hey, by the way, what...
01:22:18I already know what that important thing was that you had to tell me yesterday.
01:22:23Do you know?
01:22:26You knew Manu was going to go up with someone else and you wanted to spare me the unpleasantness.
01:22:29Thank you so much.
01:22:32Yes, it was...
01:22:32That was it, yes.
01:22:34But it's a good thing...
01:22:34It doesn't matter.
01:22:37You know you're my best friend, right?
01:22:50There is no one answering.
01:22:53He's ruining the tavern, brother.
01:22:54The tavern, the Italian one, the one with the eggs, is ruining us.
01:22:57The tavern is going under.
01:22:58No, father.
01:22:59It doesn't sink it.
01:23:00It doesn't sink it.
01:23:00Do you think my father looks at me the same way?
01:23:02Because I feel like his son, but...
01:23:04Know?
01:23:05Leave it alone, father, that matter has already been settled.
01:23:07And focus now on what we are doing.
01:23:08Look.
01:23:09Look.
01:23:10Hey?
01:23:10Look, there's nobody here.
01:23:11There's nobody here.
01:23:12There's nobody here.
01:23:12Now I see that there's nobody here.
01:23:15But what are you doing?
01:23:15Here's Tete!
01:23:17Hey!
01:23:18What I don't know is what you do.
01:23:20Do you think you can just leave like that, without warning?
01:23:22How could they do it without warning?
01:23:23You read it in the note I left you.
01:23:24But how, how, how, how, in a note?
01:23:26But come on, you didn't talk to her.
01:23:28But Santi is an animal.
01:23:30Show some respect, okay?
01:23:31I made that respect very clear in writing.
01:23:33on a thin sheet of paper.
01:23:34On a sheet of paper?
01:23:35Let me.
01:23:36Emilia, I'm going to tell you something.
01:23:37Let's see.
01:23:38I swear this won't happen again.
01:23:39Since my name is Diego Serrano, it will never happen again in my life.
01:23:42Well, thanks to Fiti who has worked for both of us.
01:23:44Otherwise, you'd be in the unemployment line right now.
01:23:45Fiti has worked in my tavern!
01:23:47In my tavern!
01:23:48Santiago, one moment.
01:23:50It's my tavern.
01:23:51Let's see if we start to realize.
01:23:53Let's see, let's see, let's see.
01:23:54I, I, I have done it mostly to help.
01:23:56Neither...
01:24:01I'm going to be spending more time with my daughter now because...
01:24:04Well, I need to be with her.
01:24:06And we're going to need another waiter.
01:24:07No, no.
01:24:08I am not a waiter, nor do I want to be one, nor do I want any trouble, nor anything like that.
01:24:11No, no, wait, wait, one moment.
01:24:12Let's see, if I need another waiter, we'll think about it for a bit.
01:24:14But Fiti is unemployed and is living at my house.
01:24:16So maybe it wasn't so bad to get Fiti a place.
01:24:19I mean...
01:24:20Fiti is a conspiracy.
01:24:22A conspiracy.
01:24:24Of all of them.
01:24:27Okay, Fiti, I...
01:24:29I want to tell you something.
01:24:32That the one of...
01:24:33Oh, sorry, sorry, I'm going to change.
01:24:37Let's see if I can tell you.
01:24:39I mean, what I want to tell you...
01:24:41Yeah.
01:24:41The thing is...
01:24:42Emilia.
01:24:44You're welcome, okay?
01:24:46You are welcome.
01:24:47Nothing good.
01:24:49You're just as good at talking to your daughter.
01:24:55Daddy, thank you for the puppy.
01:24:57Dad, it's very exciting.
01:24:59I want a pet.
01:25:00What a cute little dog!
01:25:02I love you so much, daddy.
01:25:04No, that's enough, leave it, leave it, leave it.
01:25:06I love you, daddy.
01:25:09I'll take you, shit.
01:25:12Say yes, Diego.
01:25:13Say yes, these movies are really beautiful.
01:25:15No, no, they're not pretty.
01:25:17The thing is...
01:25:18Lately, when we talk about these parenthood topics, well, I'm not more sensitive.
01:25:22Diego.
01:25:24No, because I've already overcome that, Don Luciano, since I'm from the mountains.
01:25:26In other words, I'm from the mountains.
01:25:29I have a nagging feeling in the back of my mind; it makes me uneasy.
01:25:32I'm lost, Luciano, I'm lost.
01:25:34With this uncertainty, I just can't.
01:25:36I knew it, brother, that you couldn't remain in doubt.
01:25:41Here, go on.
01:25:42Take.
01:25:44What is this?
01:25:50DNA match test and this is what you see.
01:25:53These are the DNA tests of you and the olive tree's son, to find out if you are siblings.
01:25:57We've taken some samples and...
01:25:58What do you mean you took some samples?
01:25:59From what samples?
01:26:00Where did you get the samples?
01:26:01Well, from your toothbrush, for example.
01:26:04And what about the olive?
01:26:05From some hairs that I pulled out.
01:26:07Don't you remember the scream I let out when I said goodbye?
01:26:10I took a huge clump of grass with me.
01:26:11You don't believe me, Santi.
01:26:13Seriously, apparently one hair is enough for these things, right?
01:26:15You're more into the forensics series.
01:26:17But I'm more of a "look who's dancing" kind of person.
01:26:19Well, to get started, read it.
01:26:20Yes, yes, yes, I'll read it.
01:26:24The DNA samples taken from the two subjects yielded an unequivocal result of no match.
01:26:33So, this means that...
01:26:34What happened, Lucia, I don't know whether to be happy or upset.
01:26:39The lack of agreement, I don't know if it was because of nerves, but no...
01:26:42Diego, you are not brothers.
01:26:43You are not brothers, you are the son of a father.
01:26:46That I am a father's son, that I am a father's son.
01:26:49What? More relaxed?
01:26:49Yeah.
01:26:51Imagine what a mess it would be if he turned out to be the son of an olive tree.
01:26:54Well, you never would have seen that envelope in your life, brother.
01:26:58Already.
01:27:08Hey, there's one thing we don't know.
01:27:12Whose Faust is it?
01:27:14Don't poke around, sister-in-law, don't poke around.
01:27:15That Faust is sacred.
01:27:18I hate him, I hate him, I hate him.
01:27:20And I don't want them in my tavern.
01:27:22You, again.
01:27:24These glasses are clean and quick.
01:27:25Let's see, it always gets us worked up, no matter how much we save, it's not enough.
01:27:30I don't give it to him.
01:27:30Well, I'm not saying anything, but you know where I am.
01:27:33Thank you very much, Mom, but it's not necessary.
01:27:35It is needed, yes, it is needed.
01:27:37The thing is, for one reason or another, it just doesn't have the...
01:27:40No, stop looking, man.
01:27:41I can't find anything, dude.
01:27:42I don't need to work, man.
01:27:43Hello, hello, this amazing dance teacher is making her debut tomorrow.
01:27:48Enough is enough, enough is enough.
01:27:49Stop for a moment, please.
01:27:52Oh, you'll crash.
01:27:54Let him go!
01:27:56Well, if you have a mother who's a real catch, praise her, complain about her for the sake of complaining, because you don't know my mother.
01:27:59But don't tell that to Lucia.
01:28:01No, no, no, no.
01:28:01I can't help you with work, but to earn money, well, it depends.
01:28:05It depends on what?
01:28:06It depends on what you're willing to do with your body.
01:28:08These people want a hot meal.
01:28:09Why did you decide to come here? What is this? A burger place?
01:28:12Machando made one for his friend, for the little girl and the little boy.
01:28:15I think you've got a manu in your eye.
01:28:17Is it that obvious?
01:28:18You have a girl you don't deserve.
01:28:20Shall we go?
01:28:22Where?
01:28:23Let's get drunk.
01:28:24Come on, let's get drunk.
01:28:25Look, Mom, you know what I'm saying?
01:28:27If I have to put up with all this because you lend me your money, then take your money and your things and stay put.
01:28:32at your house.
01:28:33Well, very good, very good.
01:28:35This menu idea might turn out to be a good one after all, huh?
01:28:37You don't pay, damn it, you don't pay.
01:28:41Go away!
01:28:43Go away!
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