- hace 2 días
La iniciativa de Ana de reflotar la economía del Garcilaso cobrando una cuota mensual al alumnado origina un profundo malestar entre el profesorado que se salda con la dimisión de Lourditas. Para limar asperezas, la directora del centro escolar y Fernando organizan una excursión al campo en la que participarán los docentes y Diego, en calidad de presidente del APA. En el transcurso de la jornada, el tabernero descubre que Celia ha decidido fijar su nuevo lugar de residencia en Irlanda. Los Martínez preparan ilusionados la fiesta de cumpleaños del pequeño Adrián. Horas antes de la celebración del evento familiar reciben una inoportuna llamada, María, la madre del niño, anuncia que acaba de llegar a Santa Justa para llevarse consigo a su hijo. Incapaz de resignarse a perder a Adrián, Raúl intenta evitar a toda costa el momento de la separación. Teté, por su parte, libra su particular batalla con la novia de Guille, Sandrine. No contenta con robarle a Guille, ahora le coge su ropa sin permiso. La joven Capdevila se encuentra sola en esta lucha, ya que su familia considera que sus problemas son producto de sus celos. Poco después, descubre una escueta y fría nota en la que la rubia comunica a su chico que se va a la India con unos amigos. Será la oportunidad ideal para consumar su venganza.
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00:00:05Wow, what a fantastic salad! You can tell the tomatoes are from my region.
00:00:08Always?
00:00:09They can even smell each other.
00:00:10Currito, son, do me a favor, I've got you like coal, do me a favor.
00:00:14My father always says that if you can sleep in your underwear, it means the weather is still good.
00:00:19The embers, the embers first.
00:00:20Look, Santi, don't get on my nerves. Since when do you get to tell me what to put first?
00:00:24Let's see, less commenting and you'll collaborate.
00:00:26And since we've been having to wear pajamas for a few days now, my father said it was time to get dressed.
00:00:31the last barracuda of the year.
00:00:32Yes, my brother?
00:00:33Yeah.
00:00:34Why didn't you bring the Paraguayan woman with you?
00:00:36Mexican style, Santi, Mexican style.
00:00:38That's it...
00:00:38Ech, but well brought up.
00:00:40Yes, after a week, I think it was a good opportunity to see it.
00:00:44Look, you're not doing me any favors, Fiti. Go on, go get the fire extinguishers, please.
00:00:48Don't throw it away.
00:00:48And it's true that we all find it hard to say goodbye to the good life, just like Villa and Sandrín, who
00:00:52They remain at home like two marquesses.
00:00:55Wait, Tete, Tete, darling, tell Villa and Sandrín to get the steaks ready, because this is going to be...
00:00:58in a moment.
00:00:59For the steak, you have to be giving these two.
00:01:02Tete.
00:01:02We are here.
00:01:04Hello good.
00:01:05Or like the Martinez family, who, since their secret son appeared, spend all day shopping.
00:01:09with him, as if they didn't have a job.
00:01:11That little grandson, come here.
00:01:14Hello, Geyo.
00:01:16What's wrong with you? Why's your face all twisted up?
00:01:18Well, your horny nephew has had me there all afternoon trying out beds for Adrian.
00:01:22And who wants it?
00:01:23And who wants it?
00:01:23Well, he's the closest thing there is to the kid's needs.
00:01:26And we continue.
00:01:27Bring the bag here.
00:01:30I'm sure you've forgotten about the kid's baby.
00:01:33No?
00:01:34No, I haven't forgotten that she left it there at the haberdashery, where the puri is.
00:01:37sewing the initials and the shield.
00:01:39Good or not good?
00:01:40Okay, okay.
00:01:41Come on, everyone to the table, come on, sit down, let's go.
00:01:44But just when you're feeling really good about it, there's always something that ruins the plan.
00:01:50Uh!
00:01:51What do the trumpets of Jericho say?
00:01:53This is going to be trouble, I'm telling you.
00:01:55Come on, car.
00:01:56Come on, car.
00:01:58Come on, car.
00:02:00Come on, car.
00:02:00Come on, car.
00:02:02Look, be careful, man, damn it.
00:02:04A bula, in favor.
00:02:06Come on, let's go.
00:02:07Come on in.
00:02:08What's going on?
00:02:09Grab the coal.
00:02:10Grab it, it's going to get wet.
00:02:11Yes, Dad.
00:02:15Like when they score a goal against you in the last minute and then you remember all the chances you missed.
00:02:24A station platform under the blazing sun, you were talking about a skyscraper in the New York sky, come on
00:02:32Soon you'll see the sea, and you should send a postcard.
00:02:35I already knew that day was the end.
00:02:38Now I have much more.
00:02:42Now I have much more.
00:03:08No more than one equals seven.
00:03:11Who would have thought?
00:03:13That it was so easy to be happy.
00:03:27What's going on?
00:03:31What's happening?
00:03:41What's going on?
00:03:46What's going on?
00:03:46What's going on?
00:03:55What's going on?
00:04:08Patience.
00:04:11What's going on?
00:04:14What's going on?
00:04:22What's going on?
00:04:31While there is resentment, there is hope.
00:04:33Fiti, you confuse me, look, you confuse me.
00:04:36Damn, if there's no tension, there's no intention.
00:04:38Yeah, let's see, if she's mad at you, that's it, that's because there's something there, there's some real love there.
00:04:45But watch out, you'd better be walking around with your ass hanging off now, huh?
00:04:48That the girl could turn the page at any moment.
00:04:50I've decided.
00:04:51I'm leaving Garcilaso and I'm leaving Santa Justa.
00:04:54That?
00:04:56I've been offered a very good job in Ireland.
00:05:00Well, I have to answer tomorrow.
00:05:02And I plan to tell them yes.
00:05:09Absolutely.
00:05:10Don't bother me.
00:05:11With how blonde and cute you are, and how quickly you give up, girl.
00:05:15Well, yes, Chony, I give up.
00:05:17I give up on living two minutes away from him.
00:05:19From giving classes to their children.
00:05:21Having breakfast at his tavern every day.
00:05:25And the pangs, the pangs I feel in my stomach every time I see him, Chony.
00:05:30I give up.
00:05:33Celia.
00:05:35I'm just asking you to give him one last chance.
00:05:37The last one.
00:05:39One day and a half.
00:05:40What do I say one day?
00:05:4124 hours, damn.
00:05:43I'll know Diego, if as soon as you see him, he'll throw himself at you.
00:05:47Come on.
00:05:4824 hours, Chony.
00:05:50No, Fiti, I'm not going to do anything else.
00:05:51I, Zanjo.
00:05:52Me to my family and Holy Easter.
00:05:55Very good.
00:05:57Well, that's it.
00:05:58That's it.
00:05:59So, he could be with a great girl, huh?
00:06:02Now you're going to go and pass by, aren't you?
00:06:04And the rest of us here, like idiots, are accumulating love.
00:06:07What do you say you're accumulating, Fiti?
00:06:08Nothing, nothing.
00:06:10Come on.
00:06:11And time to have breakfast and wake up a little.
00:06:13That you're going to stop being at school like every day.
00:06:17What are you saying?
00:06:21That's what I'm saying, about...
00:06:23Already.
00:06:29Entering without knocking is not very normal.
00:06:30Well, she's not exactly a hippie shaving her legs, is she?
00:06:33That supposedly the mud I chihuaca.
00:06:36Oh, it's obvious we've traveled a bit.
00:06:40This isn't going to be my hair removal cream, is it?
00:06:42Ah, yes, but keep at it, just a little bit.
00:06:45This...
00:06:46Look, as I said, it's one thing for you to live in our house, okay?
00:06:49My experience is very different, it's just that...
00:06:52Is that my bra?
00:06:54Ah, yes, no, yes.
00:06:55It's because their fears are washing them away.
00:06:56No, that's my bra and it's the new one.
00:06:58Okay, then I'll wash it for you.
00:07:00No, don't wash it for me, give it to me right now.
00:07:01I'm coming, just a moment.
00:07:02Give me the bra?
00:07:03But what is my bra?
00:07:04Let's see, you don't understand, give me the bra.
00:07:06Wait.
00:07:06Look, if you don't have a bra, just bandage them, okay?
00:07:08What's the matter?
00:07:09Give me the bra?
00:07:10Hey, hey, hey!
00:07:10But what's going on?
00:07:11Hey, hey!
00:07:12Hey, hey!
00:07:12Hey, hey!
00:07:12Hey, hey!
00:07:14Hey, hey!
00:07:19What was in my bra?
00:07:21Stop, daughter, it must be because of bras.
00:07:27You see if you can stop being such a pain in the ass already, right?
00:07:37What are you looking at?
00:07:39I, I, I, I, now I've done it.
00:07:41Out.
00:07:41On.
00:07:45Can I do it now?
00:07:50Surprise!
00:07:52What's that?
00:07:53Hey, so your new bed.
00:07:55Like Fernando Alonso's.
00:07:57Fernando Alonso's?
00:07:59How did you know?
00:08:00That?
00:08:01Do you like cars?
00:08:02No, today is my birthday.
00:08:06That?
00:08:07The, the, the, the...
00:08:07Well, you see.
00:08:08What is your birthday?
00:08:10Because those things...
00:08:13These things are known.
00:08:14Okay!
00:08:14Happy Birthday!
00:08:15What a day!
00:08:16Already.
00:08:17Oh my god, come here, your aunt is going to make you look handsome, but incredibly handsome.
00:08:20To celebrate, it's just you and me.
00:08:22Come on and...
00:08:27Damn, what am I doing with my balls?
00:08:29My grandson here celebrating his birthday, growing up right in front of our noses and us
00:08:33Here, ignorance and jokes prevail.
00:08:35Fiti, don't get like that, man.
00:08:37You forgot about mine too, since I'm without a gift and without any trauma.
00:08:40What is true?
00:08:41Don't mess with me.
00:08:42And go get the calendar, okay?
00:08:43Let's see when Saint Adrian falls.
00:08:44If we're going to have such a good time on the saint's day, I'll be in trouble.
00:08:47Look, the cacha isn't going to happen.
00:08:51Yeah?
00:08:53Raul.
00:08:54Hello.
00:08:55I am Maria.
00:08:57Maria?
00:08:59Ah.
00:09:01Hello.
00:09:02Look, I was calling to tell you that I'm arriving in Santa Justa tomorrow.
00:09:08Ah, ah, ah, yes.
00:09:10Ah, well...
00:09:11Well, Adrián is going to be very happy.
00:09:13I can't wait to see him.
00:09:15Already.
00:09:17Hey, so how long are you staying?
00:09:20Just one day.
00:09:21I will arrive tomorrow at six.
00:09:23To take Adrian with me.
00:09:25How, how, how?
00:09:26Raul.
00:09:26Okay, look, we'll talk when I get there, okay?
00:09:29That?
00:09:29No no.
00:09:42I resign!
00:09:44No, no, no, Lurditas, please, don't untie yourself.
00:09:46Let's try to talk like adults, which I think we are.
00:09:49There's nothing to talk about.
00:09:50Let's see, if you're willing to charge students a monthly fee, I'm willing.
00:09:53I said I would resign as director.
00:09:55Lourdes, Lourdes, Lourdes, Lourdes, let it explain.
00:09:57He surely has a good reason for imposing that measure, right?
00:10:00Yes, look, monthly fees would eliminate the school's financial problems.
00:10:05I think that's a good reason.
00:10:06Perhaps we should consider it.
00:10:08No, this is a holy fair one, man, it's not a big car.
00:10:11But you don't know that there are parents here who have two or three children or more.
00:10:14Yes, I know, and that's why I've thought about discounts, about interesting offers...
00:10:18Beautiful.
00:10:18And what have you been thinking about, the 3x2 offer or the Garcilaso Fantastic Week?
00:10:23Come on, Ana, they're children, not yogurts.
00:10:31Okay, let's be reasonable, shall we?
00:10:34Ana has ruled out other measures that I consider fairer,
00:10:37such as reducing the budget for extracurricular activities, for example.
00:10:39What? Are we back to extracurricular activities again?
00:10:42Yes, we're back again, Africa, yes.
00:10:44Oh excellent.
00:10:45Well, be very careful, Fernando, because the last time there was talk of reducing costs, Charon came to you.
00:10:49Because I was the only one who complied with the report.
00:10:52What's lacking here is a little self-criticism and professionalism.
00:10:54Hey, sorry Fernando, we're all professionals here, right?
00:10:57That's what we have a degree for.
00:10:58That's it, that damn title came out again.
00:11:01Okay, okay, let's not start showing our insecurities.
00:11:04Nor to propose stupid things.
00:11:05But how, how, how? Me, insecure?
00:11:07Excuse me, okay?
00:11:08If the actress-turned-teacher comes up with something better...
00:11:11And that's enough for you, Ana.
00:11:13You wanted to get rid of extracurricular activities.
00:11:18No, yes, yes, no, no.
00:11:20If necessary, he'll leave.
00:11:21Well, he's leaving, it's necessary...
00:11:23In other words, if it's necessary...
00:11:24Okay, okay, okay, I'm coming. See you later.
00:11:28You're becoming odorized.
00:11:29You're becoming odorized.
00:11:31Hey Diego, if it's a problem with the tax authorities, I'm just the husband.
00:11:34No, no, it was Ana.
00:11:36It was Ana who...
00:11:37It's because there's a meeting at school, that's all.
00:11:38Date, date.
00:11:39Here's the scoop, guys.
00:11:43His stomach is in knots.
00:11:44Here's Dieguito.
00:11:45I'm letting you know.
00:11:45Do you know why?
00:11:47Because he has to come face to face with Celia there at the meeting.
00:11:50That's not it.
00:11:50Well, it's not, it's not, it's not that.
00:11:52Don't have...
00:11:52No, no, no.
00:11:53Because I'm not going to run into Celia, that's it.
00:11:54I'm going to meet with the English teacher, with the English teacher, with the principal,
00:11:58with the psychologist and with those who go.
00:11:59And that's because...
00:11:59Tape your knee, brother.
00:12:00That you're terrified of running into Celia.
00:12:02No, I'm not going to bend my knee and stop hitting myself with my little hand.
00:12:05No.
00:12:06Sometimes it just pops into my head all at once.
00:12:07I am the president of the parents.
00:12:09Moreover, from fathers and mothers.
00:12:11And that I have a responsibility, a professional responsibility that I have to assume.
00:12:13And that's it.
00:12:14That's why I'm going.
00:12:15So, you go, sit down next to Celia, and just say...
00:12:19Well, God, chatunga.
00:12:20But professional, Diego.
00:12:22Always professional.
00:12:23Yes, little sister, because I'm...
00:12:24And don't forget to ask him about his arm, okay?
00:12:26Even professionals need to be educated.
00:12:29Very good.
00:12:29Yes, very good.
00:12:30Well, you know what I say to the three of you?
00:12:33Screw you all.
00:12:34Out.
00:12:35Look, I don't know.
00:12:37Look, I don't know what he's doing with this anymore.
00:12:38I've lost my way.
00:12:39Hot babes in lingerie are fighting like dogs over a bra.
00:12:42I'm imagining it.
00:12:43Look, it's missing the mud pool to complete my definition of paradise, man.
00:12:47Hey, hey, hey, guys, okay, huh?
00:12:48Let's reset.
00:12:49With all due respect, we're talking about my girlfriend.
00:12:51Guille, can I talk to you for a moment?
00:12:53Hey, bro, one little thing.
00:12:55Come, come.
00:12:56I was going to tell you, the next fight between she-wolves...
00:12:59So I'll record it a little bit with my phone, for my friends and stuff, right?
00:13:08Okay, bye.
00:13:09See you later.
00:13:10Hey, bro, before anything else I want you to know that the friends I'm with are my own, okay?
00:13:13You're not going to jump on me or anything like that.
00:13:15Look, just so you know, it really bothered me that you didn't ask me what happened.
00:13:18And look what he's done to me.
00:13:20But I know what happened.
00:13:22Weighing carefully, I'll get you the hair cream and the hair tie.
00:13:25Seriously, some people are just born really bad, huh?
00:13:29No, it's not a question of them taking the cream away, nor is it a question of...
00:13:32The thing is, ever since Sandrine arrived you haven't stopped bothering her.
00:13:35What about me?
00:13:36Yes, yes, yes.
00:13:37Look, mate, when your cousin came to Spartacus, well, I treated him like a brother.
00:13:41What about you?
00:13:42Look, okay, maybe I played a couple of jokes on Spartacus at first, but it was to integrate him.
00:13:46And you haven't even done this much to get along with Sandrine.
00:13:48Well, that's the last thing I needed to hear...
00:13:49Look, you know what I'm saying? You know what your problem is?
00:13:52That you always try to be the queen of the party.
00:13:54And that's how you're going to have a very bad time in life.
00:13:56Get it checked out.
00:14:01No, there's a lot of grandpa love here, a lot of aunt love, but I'm the one who's going to end up crippled.
00:14:06Look, I was supposed to be working, Choni.
00:14:08I have my responsibilities.
00:14:10Come on, stop fuming, hang that up, don't leave it for a pothole, okay?
00:14:13If I don't make it.
00:14:14There, throw it.
00:14:14I won't arrive.
00:14:16Hey, what if we put up one of those Happy Birthday crosses here?
00:14:21And why don't we put up some neon lights and laser beams around the house?
00:14:25Go on, throw, throw and nail, nail.
00:14:27Let's see.
00:14:28Chiquete.
00:14:30Ah, behind that.
00:14:35Surprise!
00:14:36Oh, my old lady.
00:14:37Fuck.
00:14:39Please.
00:14:39Hey!
00:14:40How cool!
00:14:41That's outrageous!
00:14:42Look at how you're coming too.
00:14:43Look, look, look.
00:14:44If we bring a flea into the house, we'll all lose our minds, huh?
00:14:47No, no, no, I can vouch for that because...
00:14:48Sir, well, as it should be, damn it.
00:14:50Remember when Raúl turned six, huh?
00:14:52We wallpapered the house with espinete.
00:14:54Oh, yes.
00:14:54No, I still get goosebumps just thinking about it.
00:14:56How exciting, ready.
00:14:58Well, brother, it's been like that my whole life, you know?
00:15:00The kids' things have been moving.
00:15:01It's because he's sensitive.
00:15:02Yes, yes, yes.
00:15:04Thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you.
00:15:34Thank you, thank you, thank you.
00:15:37May the Pope bless him.
00:15:38Listen, when children are so young they forget about trips.
00:15:41They forget about this place, but they'll be stuck here for life, man.
00:15:44Go on, pull, bring.
00:15:45Come and help me with the flamenquines.
00:15:47Well, and your brother there...
00:15:48Raul, one thing I have to tell you.
00:15:49We took the kid to meet his classmates over the weekend.
00:15:52To those ball pits.
00:15:55Yes, yes.
00:15:56Come on.
00:15:57Is it cool or not?
00:15:58Look, your first workbench.
00:16:00Mecanique, eh?
00:16:01With his hammer, with his wrench, with his...
00:16:05It's a decision I've thought about a lot.
00:16:07And I'm not going to change it.
00:16:09Because what can't be, Nati, it can't be that nobody here realizes that the kids too
00:16:12They will have to educate the body, I say, and not just the head.
00:16:15Of course.
00:16:16Of course, it's possible.
00:16:19Hello.
00:16:20Hello, Diego.
00:16:21How's your arm?
00:16:23Okay, my arm is fine. Thank you.
00:16:25I'm glad, that's great. I'm happy. Thank you.
00:16:32Okay, everyone to your places, please, we're about to begin.
00:16:48Well, after the last meeting, I'm sure we were going to leave here happy and with the
00:16:56same point of view.
00:16:57That's the last thing I needed for today.
00:16:59Things only have one way, right?
00:17:01That's true.
00:17:03Raul.
00:17:04Yes I like it.
00:17:07Oh, sorry, sorry. We'll see each other later. Sorry.
00:17:11Okay.
00:17:13Have you seen?
00:17:15Come on, relax, we still have 18 hours ahead of us, okay?
00:17:18What? But how? How? Why did they take the child away like that?
00:17:22Well, and you? How are you?
00:17:26Well, then, fine.
00:17:29It's really tough.
00:17:32Damn, for example, my kid leaves me at the door one day just like that, and when, damn, when
00:17:41I feel like a father...
00:17:42Look, you're still going to be a father, Raúl. You're still going to be a father on weekends and when
00:17:46as needed, like many parents.
00:17:50Yes, no, I have seen it like that...
00:17:54Now let me tell you something.
00:17:56In other words, I'm not going to miss a weekend.
00:17:58They'd have to kill me to stop me from being glued to my son all day, you know?
00:18:04Hey guys, I'm watching.
00:18:06Excellent.
00:18:09Come closer.
00:18:16She's ruined us, girl. She's humiliated us. She's betrayed my little dove.
00:18:20Well, well, we all have bad days, damn it, the girl isn't bad at heart.
00:18:24There is already a stone at the bottom of the sea.
00:18:25Okay, that's enough, please, Santi, that's enough.
00:18:29Hello.
00:18:38Hello, Celia.
00:18:39Hello.
00:18:39How's your arm doing? Is it okay?
00:18:40Here it goes.
00:18:41Okay, so what? What do you want, a beer or...?
00:18:42Yes, yes, yes, a small beer, please.
00:18:44Come on, come on.
00:18:46No, by God.
00:18:47You can't just leave it like that.
00:18:49To me, Lurditas.
00:18:50Hey?
00:18:50And maybe a little tapa, just a little tapa.
00:18:53Okay, yes.
00:18:54This is not going to stay like this.
00:18:55It's not going to stay like this.
00:18:56Wow, what a reflection God has.
00:18:58Hello, good afternoon.
00:18:59Hello.
00:19:00Well, I'm leaving.
00:19:01Oh, Lurditas, please, please, I come in peace.
00:19:04Hey?
00:19:05Okay, how do I put this?
00:19:07What happened at school today is unacceptable, right?
00:19:10And I personally believe that the root of our problems lies in a lack of communication and
00:19:17of the trust that exists between us.
00:19:19So, following Fernando's advice, we've decided that tomorrow, after class, we'll all go to
00:19:26spend the night in a rural house.
00:19:28That?
00:19:29It's such a joke, right?
00:19:31As you can understand, I can't go and play in the countryside.
00:19:34I have a family to take care of.
00:19:35Well, for me.
00:19:36No, Lurditas, I said everyone.
00:19:39And you're not a director, but you're still a teacher.
00:19:42And also, a party heavily involved in this mess.
00:19:46What a mess!
00:19:46What a mess!
00:19:47What a mess!
00:19:47What a mess!
00:20:04What a mess!
00:20:05No, I can't because I have to be here at the tavern.
00:20:07What are you saying?
00:20:08What are you saying?
00:20:09Of course, Diego, of course.
00:20:10What are you before you're a tavern keeper?
00:20:12Father, father.
00:20:13What did Ana say?
00:20:13All.
00:20:14Well, everyone.
00:20:17And how handsome my Fernándico Alonso looks.
00:20:19Oh my god, your aunt is going to eat you alive.
00:20:21Do you like the suit your father gave you or what?
00:20:23Yes, Dad, I really like the suit I wanted.
00:20:26I'll get paid!
00:20:28If he's going to eat it, oh my God.
00:20:29Dry yourself with the same thing and give your father a kiss.
00:20:37Come on, do you know what we're going to do?
00:20:39Let's go for a walk, you and I, right now.
00:20:41Let the neighbors see us.
00:20:43Okay, yes.
00:20:43Come on, they're going to be shocked when they see you like this, looking like a pilot.
00:20:47Dude, that's called going bowling, you know?
00:20:49And the arm over here.
00:20:50Come on.
00:20:51Hala.
00:20:51Say goodbye to Dad.
00:20:52We're leaving.
00:20:53Bye bye.
00:20:53Goodbye, darling.
00:20:55Until next time, darling.
00:20:56Okay, okay.
00:20:57They're going to be blown away, absolutely blown away.
00:20:59They're going to be blown away by you.
00:21:01And now is when I'll see you, Celia?
00:21:14Okay, okay.
00:21:15Okay, so what happens now?
00:21:17How are you?
00:21:18Hello, Raúl.
00:21:21Hello.
00:21:23May I come in?
00:21:24Yes, yes, yes, of course.
00:21:30Weren't you coming tomorrow?
00:21:31Yes, but I just couldn't take it anymore.
00:21:33Besides it being Adri's birthday, I was really looking forward to seeing him.
00:21:36Already.
00:21:37Where is?
00:21:39Out for a walk.
00:21:40With her aunt.
00:21:43Happens.
00:21:47I'm sure Adri is having a great time here with you.
00:21:53Well, then...
00:21:53He's delighted now, to be honest.
00:21:56Pipa is having a great time with us.
00:21:58But at first I didn't even sleep.
00:22:01He was asking for his mother; he wanted to go with his mother.
00:22:04Come on, it's normal when they leave you stranded on a staircase.
00:22:08Raul, what I did wasn't the best, I know.
00:22:11But I did it for my son and for myself.
00:22:13For your son?
00:22:15Now he is your son, now he is no longer my son.
00:22:18I remind you that I raised him alone and I have raised him as best I could.
00:22:21Of course, it wasn't going to be my fault that you didn't even call me to tell me that I had a child.
00:22:24around there.
00:22:29So, where have you been?
00:22:33I got a scholarship to a very important company.
00:22:36Already.
00:22:37It was an opportunity I couldn't let slip away, that's why I left Adri with you like that, without warning.
00:22:41Sure, sure.
00:22:43You've already done your scholarship, you're finished and you're going home, right?
00:22:46No.
00:22:47Very good.
00:22:49I've been offered a good contract.
00:22:51How are they?
00:22:51In Los Angeles.
00:22:53I'm going to live there with Adri.
00:22:56As?
00:22:58Let's see, let's see, let's see, let's see.
00:23:01Are you taking the sieve to America?
00:23:06To North America?
00:23:08Yeah.
00:23:10But...
00:23:11But...
00:23:11What is the child going to do so far away?
00:23:14What, he's going to be alone?
00:23:15Well, I don't know, I'll look for a babysitter.
00:23:17What's the point of a nanny?
00:23:19Damn, he has his grandparents who don't want a thing, and he has me and he has his bed
00:23:22new.
00:23:24You can't just mess with a child's core like that.
00:23:27That...
00:23:28School starts tomorrow, damn it.
00:23:31Look, Raúl, I'm coming to pick up Adri tomorrow at six in the afternoon, okay?
00:23:34Okay, see you tomorrow.
00:23:47You have it right in front of you.
00:23:49You have it right in front of you.
00:23:50You have the opportunity right in front of you, Diego.
00:23:51You and Celia alone in the countryside.
00:23:53Damn, two words.
00:23:54Nighttime and treachery.
00:23:55Fiti, nothing's going to happen.
00:23:58I know, I know.
00:23:59Me, but you don't want to move your ass.
00:24:00But what if it happened?
00:24:01No, Fiti, no.
00:24:03No, damn it, man, no way.
00:24:04Yes, but what if it happened?
00:24:05Well, due to one of those astral conjunctions, the moon with Mars...
00:24:09No, Fiti, look, let's see, Fiti, he's driving me crazy.
00:24:12Since you don't understand the enzajamientos, I'm going to explain it to you.
00:24:14In other words, there won't be any conjunction of the moon with Mars or anything like that.
00:24:17Let me explain it to you another way.
00:24:18Nothing is going to happen.
00:24:20Because?
00:24:20Because I'm going to the countryside with Lurdita, who's angrier with Mono, with Fermín, with Ana.
00:24:24But do you think it's the right time for something to happen?
00:24:26Oh my God!
00:24:27Well, maybe now is the time.
00:24:29Oh man.
00:24:30Probably.
00:24:31And maybe it's the last moment.
00:24:34Take that, damn it.
00:24:35That?
00:24:36Do this.
00:24:37Throw this suitcase in.
00:24:38That elegance and the countryside are not incompatible.
00:24:40Look at Cayetano Rivera.
00:24:42That?
00:24:43Like a paintbrush.
00:24:44All day on the catwalk.
00:24:52Hey!
00:24:53Hey!
00:24:55That's right, Sandrin, I wanted to talk to you for a moment.
00:25:00Well, look, I know that you and I didn't get off to a very good start and that we didn't connect...
00:25:05Hey, that's my shirt.
00:25:09Well, look.
00:25:10I know you and I haven't really connected, okay?
00:25:12But I don't know if we could make an effort to get along, right?
00:25:15Even if it's just for Guille.
00:25:17What do you think?
00:25:21What are you doing?
00:25:22Leave.
00:25:23What do you mean you're leaving?
00:25:24Are you leaving?
00:25:24Where?
00:25:25Am I leaving?
00:25:26I'm leaving Santa Busta.
00:25:27I'm leaving Spain.
00:25:29Leave.
00:25:30But you can't just leave like that.
00:25:31Let's see, if I want to fix things, the problem is that...
00:25:33Auntie, I don't know, you take my clothes off, you understand?
00:25:35No, hey, don't worry, it's not about you.
00:25:37I'm leaving because I made a plan with my friends to go and pick up India.
00:25:41And that's it, and I have to leave tonight because otherwise I'll miss my flight.
00:25:45And don't worry, nothing's wrong with you, I mean, nothing's wrong, relax.
00:25:49Arguments and all that, there's no problem, seriously.
00:25:54Already.
00:25:55And Guille?
00:25:56And Guille?
00:26:00He'll find out tomorrow, won't he?
00:26:01Aren't you going to say anything to him?
00:26:04Let's see.
00:26:06Guille has always known that I have to be traveling, that's how I met him.
00:26:11So...
00:26:18Please give this as a gift.
00:26:22Oh, and tell your dad a million thanks for everything, and to your family, they were all super nice.
00:26:26Okay, to you, for your things and all that.
00:26:28Okay, everything's great. Thanks a million for everything.
00:26:30Ready.
00:26:31Bye.
00:26:32Ready.
00:27:01Daddy.
00:27:03What are you doing here, Champions? Come on, go back to the camp, it's a thousand o'clock.
00:27:08Shall we go on a hike with Grandma Choni?
00:27:11No, no, no, not at all.
00:27:14No way.
00:27:16So, what's up? Did you have a good time on your birthday?
00:27:19I want you to be like this every day.
00:27:21Clear.
00:27:23Daddy.
00:27:25Promise me you'll always be with me.
00:27:31Of course, son.
00:27:33Sure, I promise.
00:27:37Always.
00:27:39I promise you.
00:27:41I promise you.
00:27:50Hey, be careful, it's a big hug, okay?
00:27:52And she, be careful.
00:27:53I'm fed up with voicemail, you know?
00:27:54Well, he's probably around museums or something like that.
00:28:01Sandrín, darling, my father is about to leave and won't be back until tomorrow, so give me a call
00:28:06And we'll see each other later, okay?
00:28:08Come on, kisses.
00:28:11Good morning, family.
00:28:12Hello.
00:28:13Good morning.
00:28:13Beautiful.
00:28:14Good morning.
00:28:17Hello.
00:28:17Brother, you're carrying more luggage than a seven-year-old had in his tail.
00:28:21Here you go, Dad.
00:28:22My canteen, in case you need it for anything.
00:28:24Thank you very much, son.
00:28:25Hey, Dad, what was I going to say, take the boots there, right? I say that because if it's not cold,
00:28:28It gets in through your feet and it's horrible.
00:28:30It's awful, isn't it? It's awful, isn't it? What did I tell you? Get rid of that rat once and for all.
00:28:34No, Dad, please. It's pronounced Rasta.
00:28:36I couldn't care less. Well, less joking around, because I have enough to deal with just going on vacation.
00:28:40At my age, well, I don't really feel like it.
00:28:42Go for it, brother. Go for it, you've got two errands to run.
00:28:44Already.
00:28:44One, you already know, and the other, I'll agree with Virulitas on everything. Okay.
00:28:49Guille, why don't you put the phone down already?
00:28:51Oh? And you have breakfast?
00:28:52I'm coming, I'm coming.
00:28:54Grandma, will you come with me to the pantry for some plum jam?
00:28:59I don't want to, daughter.
00:29:00No, I'll bring it to you from home later.
00:29:02No, Grandma, really, come with me to the pantry.
00:29:04I'll be right there.
00:29:05No, no, no, no, my grandmother has a better eye.
00:29:08Grandmother.
00:29:09Ah, the jam.
00:29:11Yes, daughter, yes, yes, of course, let's look for it.
00:29:13The jam.
00:29:14The jam, yes.
00:29:19Since you're so stupid, you've already scalded your palate to the core.
00:29:22Yes, yes, we'll be careful.
00:29:24Just like that, plainly, just like that, like a French shave, you know.
00:29:28And poor Guille is trying to call her without having a clue.
00:29:31Oh, my poor child.
00:29:33She's so happy with her first love.
00:29:36Second.
00:29:37Grandma, okay?
00:29:38Second.
00:29:39Oh, yes, yes, of course, daughter, yes.
00:29:41The second one, the second one.
00:29:42But the worst part isn't that he's gone.
00:29:43Look, this is the note I left for him.
00:29:45And he expects me to be the one talking.
00:29:48Okay, Guille, I'm leaving.
00:29:51I had a great time.
00:29:52See you.
00:29:54XXX.
00:29:55Kisses.
00:29:58And that's it?
00:29:59Jesus, what a display of love.
00:30:01Grandma, please, you have to help me.
00:30:03The thing is, when I tell Guille about it, he stops talking to me until Currito's wedding.
00:30:05Okay, let me think, let's see how I approach the drama.
00:30:09And what do I do with the note?
00:30:11Look, hide the note.
00:30:13Because the escape, it doesn't have many nuances.
00:30:18Thank you so much, Grandma.
00:30:20You are welcome.
00:30:22Well, and I have a business with my father, Fiti Anson, which would later be called Fiti Anson Aniet when my
00:30:30Of course, my son will grow up.
00:30:31Already.
00:30:32Well, and here's the apartment rental agreement, in case it's useful to you.
00:30:37Good.
00:30:37Well, and so that he can see that the child has a home.
00:30:39Okay, fine.
00:30:42Does your wife have any problems?
00:30:43No, no, no, no, she's not my wife.
00:30:45Oh, no.
00:30:45Good.
00:30:48Does the child's mother have any mental health issues?
00:30:52No, come on, it's not like she and I are...
00:30:55So, what we had was a...
00:30:56Already.
00:30:58No, she's a love girl.
00:30:59Do you know if he has a criminal record?
00:31:02No, no, no.
00:31:03No not at all.
00:31:04Do you know if he/she is insolvent?
00:31:06No way, she was just hired in America.
00:31:08No, no, they're going to pay him a fortune, man.
00:31:10It's not a safe solvent.
00:31:12Well, I'm afraid that with this information it's going to be impossible for them to give you custody.
00:31:18As?
00:31:19What do you mean, impossible?
00:31:20Listen, we don't swim in abundance.
00:31:22Okay, we're a little tight on things, but we always keep up with everything.
00:31:27And we're good people.
00:31:28Fuck.
00:31:30And I have more than enough love for the kid.
00:31:33Damn, I mean, that has to count for something, right?
00:31:44Woman, say something to him, don't be boring.
00:31:46At least ask for the bill.
00:31:49Okay, fine.
00:31:50Hey, Diego.
00:31:51Yeah.
00:31:52Can you tell me how much I owe you?
00:31:55Nothing, invite him over.
00:31:58Thank you.
00:31:59Then, if that's the case, we'll see each other at the get-togethers and...
00:32:03Okay, okay, see you.
00:32:05Ah, that's it, right away.
00:32:08That's it, right away.
00:32:09But I already said see you later.
00:32:10My students are so corny.
00:32:12No, no, no, she accepts.
00:32:13Very good, very good, very good, very much in your place.
00:32:15Very good, very natural, baby.
00:32:16Good.
00:32:17I won't let you turn off.
00:32:19Oh yes, yes, he invites you to his house.
00:32:20The one who reads your arm is really going for it.
00:32:22Well, he's a gentleman.
00:32:23What men should be like.
00:32:24Yes of course.
00:32:25Did you hear that, brother?
00:32:26Yeah.
00:32:26Did he say goodbye?
00:32:28See you later.
00:32:29Yes, yes, yes, I heard it, I said see you later.
00:32:31I've noticed she seems a little more relaxed, like, suddenly, right?
00:32:34Oh my God, oh my God, oh my God.
00:32:37Life is such a damn mess.
00:32:39What's wrong, Fiti?
00:32:40Not me, not me, you, you.
00:32:43What's wrong with me?
00:32:44No, not really.
00:32:44I'm coming for you, Fiti.
00:32:45So, what's wrong with me?
00:32:46I'll sum it up in one word, Diego.
00:32:48That?
00:32:48Resentment.
00:32:49Don't you remember what I told you?
00:32:51While there is resentment, there is hope.
00:32:53But resentment?
00:32:54I haven't seen it burn.
00:32:55I found it very natural.
00:32:57Indeed, indeed.
00:32:58But no, I mean, yes.
00:32:58What do you mean, if there's no resentment, if there's no resentment...
00:33:02If there's no resentment, then what?
00:33:03I've lost it.
00:33:04If there's no resentment, what the hell is there?
00:33:06Indifference, Santi.
00:33:08Indifference.
00:33:09Damn, didn't I tell you?
00:33:10Hey?
00:33:10That this girl could turn the page at any moment.
00:33:13Well, there you have it.
00:33:15Come on, damn it.
00:33:15I'm sorry, Diego.
00:33:16I'm truly sorry.
00:33:17But we shouldn't give up now either.
00:33:19We need to get our spirits up and turn things around like...
00:33:21Yes, but I think it's better, much better.
00:33:23Because if I had any hope left, well, now I know there isn't any.
00:33:26That's it.
00:33:27Okay.
00:33:28Take.
00:33:31Yes, just a second, he has to be around here.
00:33:36Choni, can you ask Lurditas where the documentation for the anti-alcohol campaign is, please?
00:33:41That's usually handled by the director.
00:33:44Oh, sorry, it's you.
00:33:46Yes, parental authorizations for the aquarium excursion.
00:33:49Yes, Nati.
00:33:50Don't forget them, please.
00:33:51No.
00:33:52Yeah.
00:33:54Hello.
00:33:55What do you want?
00:33:56The math teacher kicked us out of class and told us to come to her office.
00:34:02AND?
00:34:03What do you want me to do?
00:34:07I forgive you.
00:34:09Okay, let's go to class.
00:34:10To class.
00:34:15Yes, yes, it's me.
00:34:17Tell me.
00:34:18That?
00:34:20No.
00:34:21No, no, you can't do this to me now.
00:34:24Wait, but I had the signal turned off.
00:34:26That?
00:34:28Listen?
00:34:31What's wrong, Ana?
00:34:33Any problems?
00:34:35Well yes.
00:34:36The minivan for this afternoon's trip, as my reservation has been cancelled.
00:34:40The minivan.
00:34:42Ah, the coach!
00:34:44Girls, that's what happens when you prepare these things so hastily.
00:34:48Well, if it's not possible, we won't go, that's all.
00:34:50One less thing to worry about.
00:34:51Okay, okay, okay.
00:34:52Man, you're leaving, my name is Asunción.
00:34:53Ann.
00:34:54Ana, nothing, nothing.
00:34:55Sorry, Choni.
00:34:55Leave it.
00:34:56Leave it, really.
00:34:57No, it's you and Diego...
00:34:59Come on, we're going to the countryside, man.
00:35:02There's no need to communicate.
00:35:03Ana, let me tell you.
00:35:04I'll call my friend Fiti, he has a lot of contacts here in the industry,
00:35:07He brought a van and gave us a ride.
00:35:09No, no, no problem.
00:35:12You know what I'm saying, Choni?
00:35:14That?
00:35:15Thank you very much.
00:35:18Nothing, woman.
00:35:19Is that what we're here for?
00:35:21Put a calla lily on me, saint.
00:35:22Come on in, man.
00:35:24No, a half-sized jug.
00:35:27What's wrong with you, man?
00:35:29You're acting all twisted up.
00:35:31Nothing, nothing happens.
00:35:32This one has that rumbling sound of the kid's first day of school.
00:35:35Right, Raúl?
00:35:36Right?
00:35:37It's okay, man.
00:35:38Being a father is one thing, and being a father is another thing entirely...
00:35:40Well, to be a wimp.
00:35:41It's not a silly thing, not at all.
00:35:43The first time I let my Santiagoín off the leash at daycare,
00:35:45I spent the whole morning glued to the door.
00:35:47Well, I don't see the drama.
00:35:49The house is left empty.
00:35:50You can make use of the privacy and the kid learns to add in the process.
00:35:54It's all advantages, Santiago.
00:35:55Let's see if you understand.
00:35:56When you become a father, you want to be with your child all the time.
00:35:59And to see what his face looks like when he wakes up in the morning.
00:36:01Because every morning has a different face.
00:36:03And what do you have? A kid or a Tamagotchi?
00:36:04What do you have?
00:36:05Well...
00:36:06When a father hugs his son for the first time,
00:36:09He knows it's for night and for day.
00:36:12Lifelong.
00:36:15What time is it?
00:36:17At five o'clock.
00:36:18Is it five o'clock already?
00:36:20Boy!
00:36:21Boy!
00:36:21Hey!
00:36:22Hey, I've got enough on my plate with your brother-in-law.
00:36:24And on top of that, I have to open accounts.
00:36:26Please, the number of customers is dropping.
00:36:28He hasn't done anything.
00:36:31No, he hasn't left, man.
00:36:33Carmen couldn't leave.
00:36:34That we had plans.
00:36:35That he has not been able to leave.
00:36:36You see, honey, sometimes things happen and...
00:36:39AND...
00:36:39Well, one has to run away.
00:36:42As?
00:36:42No no.
00:36:43No.
00:36:44It's surely nothing serious, right?
00:36:45You already know.
00:36:46No news is good news.
00:36:49No, Carmen.
00:36:50No.
00:36:50The thing is, she wouldn't leave without saying goodbye, without telling me anything.
00:36:53Well, you'll see, as soon as he can he'll call you and explain everything.
00:36:57You'll see.
00:36:59I don't know.
00:37:01I got along very well with her and...
00:37:04One thought she felt the same way about me.
00:37:06Ah, well...
00:37:07Oh, darling, of course it was fine.
00:37:09You only had to look at the girl to see that she loved you very much.
00:37:13No, if he loved me, why hadn't he said goodbye?
00:37:19Well...
00:37:30Chita, listen, do you know where my father has taken the child?
00:37:34Okay, okay, I'll let you go, they're coming in.
00:37:35Okay, see you later.
00:37:36Another sandwich.
00:37:37If it's made you feel like a real jerk.
00:37:39So, where do you come from?
00:37:41Hi, Dad.
00:37:42Hello, son, how are you?
00:37:42Fuck.
00:37:44Mañón, whom I'm taking out for a snack to celebrate his first day of school.
00:37:47And where are you?
00:37:48You've been missing all day.
00:37:54Okay, damn it, huh?
00:37:56I have to take this away from the kid, it's going to get stuck in his throat.
00:37:59Why are you arguing?
00:38:00No, your father is a bit of a pain.
00:38:02But come on, we didn't argue, we didn't argue.
00:38:03We speak a little loudly and that's it.
00:38:05Okay.
00:38:06I'm leaving the keys.
00:38:09Hey, what's wrong with me, Raul?
00:38:11I've been told that...
00:38:12You're going to take him camping from school, right?
00:38:14Yes, they've run out of buses and they've taken my van.
00:38:16What time is it, by the way?
00:38:17Well, it's ten to nine already, Fiti.
00:38:19Damn, we have to go, we have to go.
00:38:21I'm coming with you, Choni has left the peppers and breaded cutlets behind.
00:38:24Come on, come on, don't worry, I'll either keep the kid or you guys can go.
00:38:27Okay, Franco, this is the goodnight one, because when I get back you'll be fast asleep, okay?
00:38:33And this other one...
00:38:34Come on, daddy, you're not going to make it.
00:38:35Fiti, you're going to make the kid dizzy, man.
00:38:36Come on, let's go.
00:38:37Come on, let me speak, the expert.
00:38:39And this one, and this one, and all of these, because I feel like it.
00:38:44Come on, come on.
00:38:45Okay, that's it.
00:38:47Come on.
00:38:48Come on.
00:38:48Come on, crazy.
00:38:49Bye bye.
00:39:01No, no, no, no way, no, we're just going for a walk.
00:39:05Come on, honey, let's go, where's your backpack?
00:39:07Ah, come on, here.
00:39:09Come, take it.
00:39:11Come on.
00:39:14Come on, darling.
00:39:23Ah, thank goodness, I thought I was late.
00:39:26No, if the van is late, with a bit of luck the excursion might be cancelled.
00:39:32That's what I say.
00:39:33No, but my infinity has to be coming soon, woman.
00:39:36In addition, I'll throw in some peppers and some breaded fillets; you'll be licking your fingers.
00:39:40Where did I put it?
00:39:41What are you looking for?
00:39:43You're a bit of a suck-up.
00:39:45The pajamas.
00:39:47Shit, I forgot my pajamas.
00:39:48And it was cool yesterday, wasn't it?
00:39:49Well, sorry for the delay.
00:39:51Okay, that's it.
00:39:51We're here, come on, let's go.
00:39:53Come on, come on, come on.
00:39:54The van is open, you can start putting things in.
00:39:57Mine, come on.
00:39:58Okay, see you later.
00:39:58Okay, see you later.
00:39:59See you later.
00:40:00See you later.
00:40:01Come on, let's go.
00:40:02Hey, Fiti, wait for me, wait for Choni, there are a lot of flies around here.
00:40:06Peppers and breaded fillets, my love.
00:40:09Breaded.
00:40:09I know I'm confused by you.
00:40:12Come on!
00:40:13Honey, the bed feels so big without you.
00:40:15We're caught up in the whole mess.
00:40:16Come on, let's go, let's go.
00:40:21Raul.
00:40:23Raúl, this is María.
00:40:26Are you there?
00:40:30Raúl, open up, please.
00:40:34Raul.
00:40:35Raul, are you there?
00:40:36Raul, open it.
00:40:39Raúl, Adrián.
00:40:40Adrian, Raul, open up.
00:40:44Raul, open it.
00:40:46The damn van, damn it, couldn't take any more.
00:40:49We've spent an hour pushing that contraption I knew, sir.
00:40:54Martelia, where will you complain about the details of the mess?
00:40:57He didn't let you push the van.
00:40:58Man, considering I only have one bra, actually?
00:41:00Okay, okay.
00:41:01At least we've all come together for something.
00:41:03Hey?
00:41:04Yes, yes, yes, to put my green on.
00:41:06Damn, you've come here to sort things out.
00:41:08Not to crush me, right?
00:41:09Well, Fiti, don't worry, you've helped us a lot.
00:41:12That?
00:41:13Shall we divide up the rooms?
00:41:14Please, Ana, come as soon as possible.
00:41:16Okay, Fernando, number thirteen.
00:41:18Celia, the fourteenth.
00:41:20Diego, the fifteenth.
00:41:24Choni, sixteen.
00:41:26Afri, seventeen.
00:41:27And number eleven is a double and it's for the director.
00:41:30Do you want it?
00:41:32I?
00:41:34But I'm not the director anymore.
00:41:35Well, I'll keep it then.
00:41:36Take.
00:41:37See you tomorrow.
00:41:38And what about my brother?
00:41:40Does he sleep in the forest?
00:41:41No, no.
00:41:41I have to go there, to where the van is, to see what's going on.
00:41:43I think it's the distribution.
00:41:45Okay, I'll be here for a little while.
00:41:46No, man, how can you go back at this hour?
00:41:48No, my room is a double and there's plenty of space.
00:41:49No, you're not coming back now, no.
00:41:50What's gotten into you?
00:41:51Are you staying?
00:41:52What are you keeping?
00:41:52Don't get angry, Fiti, because now you're not going to become yourself, you know.
00:41:54No, it doesn't matter.
00:41:56Sure, even though I didn't recommend the van, I manage just fine there, man.
00:41:59But no, besides, I didn't even come in my pajamas, or a change of clothes, and I don't have to be a
00:42:02pig.
00:42:03And what are you going to cut off now with me?
00:42:04That we are family.
00:42:05No, if it isn't...
00:42:07So, yeah, come on.
00:42:09Okay everyone, downstairs in 20 minutes.
00:42:15I got the room right next to Celia's.
00:42:18And what about me?
00:42:18In the same room as Ana?
00:42:20It's not the same, Fiti, it's not the same, man.
00:42:21How can that be the same?
00:42:22No, no, it's not the same.
00:42:24It's just not the same.
00:42:29It's not the same.
00:42:38Fernando, this business of peeling the invisible lemon, is it useful for anything?
00:42:44Yes of course.
00:42:45It helps control anxiety.
00:42:48Don't rush into anything before doing it.
00:42:51Well, Fernando, sometimes it's better to rush things.
00:42:53And not to overthink it.
00:42:57But, Diego, what are you arguing about?
00:42:59A lemon, a banana?
00:43:00Well, frankly, Fermín, I haven't a fucking idea.
00:43:02I have no fucking idea.
00:43:04Okay, let's move on to something else.
00:43:06Now I need a pure commentary that comes out in the center.
00:43:13Come on, I'll do it myself.
00:43:15What needs to be done?
00:43:16Let's see.
00:43:18You have to choose someone.
00:43:19Close your eyes and gently let yourself fall so I can catch you, okay?
00:43:23Then the chosen person will go to the center, choose another person, and so on.
00:43:26It's an exercise to foster trust within the group, okay?
00:43:28Okay?
00:43:30Okay, Ana, choose.
00:43:31Diego.
00:43:32Yes, yes, because it's stronger.
00:43:35No, no, I can't, I can't.
00:43:38Diego, please.
00:43:38I can't, I can't, because if they have to hold me down later, who among them will be able to hold me down?
00:43:42Do you understand?
00:43:43You guys need to think things through a bit, Fermín, damn it, we're all grown up now.
00:43:46Who can hold me up because of my weight?
00:43:47Not for any other reason, not because they are stronger now, but because I do have them.
00:43:50Okay, I'm coming, I'm coming.
00:43:51Okay.
00:43:59Okay, do you want to?
00:44:06The next thing they knew, they started throwing stones.
00:44:08Sorry, sorry.
00:44:10Sorry, sorry.
00:44:10I'm already two hours late.
00:44:12Okay, okay, okay.
00:44:12Sorry.
00:44:16The house is full of people all day long.
00:44:18And today, the two of us were there alone.
00:44:21I said, well then, let's go for a visit.
00:44:22And look at him there, so happy painting.
00:44:25Yes, Raúl, yes, happy and a little tired, because it's getting late, you know?
00:44:30Hello.
00:44:31Hello.
00:44:32Hello.
00:44:36Would you like me to make you something for dinner?
00:44:37You haven't eaten all day.
00:44:39No, it's not necessary.
00:44:40See you later.
00:44:41See you later.
00:44:42See you later.
00:44:43What's wrong with him?
00:44:45Well, his girlfriend has run away from him.
00:44:47And he's exhausted.
00:44:48He's been in his room all day.
00:44:55Come on, I'll run.
00:44:55To bed.
00:44:56Come on.
00:44:57It's time, come on.
00:44:58But Raúl and Adrián are still here.
00:44:59Yes, yes, they are.
00:45:00But they were already leaving, weren't they?
00:45:02Yeah.
00:45:03Yes, yes.
00:45:04Well, well, I haven't told you that today was Adrian's first day of school.
00:45:07Oh, really?
00:45:08Well, well, well, how did I get here?
00:45:09I didn't take out my backpack with her smock and pencil case.
00:45:13Well, the top one, the two-story one.
00:45:22Damn, what a party!
00:45:25The Last Supper compared to this, a bachelor party, come on.
00:45:32What was that about the fictitious car and the distribution?
00:45:36And the starter motor.
00:45:38At least you tried.
00:45:39Unlike others, who do nothing to improve things.
00:45:42Hey, speak for yourself.
00:45:45Ugh, how disgusting!
00:45:46What's happening?
00:45:48At least I've made an effort to do something for everyone.
00:45:52Don't look at me like that, we didn't come here to communicate.
00:45:54Well, I'm already in touch.
00:45:56It's better to speak frankly, without mincing words, than with all these games.
00:46:00Little games, little games, I don't know.
00:46:02In psychology.
00:46:03Everything has a beautiful time and reason.
00:46:05And a who knows what.
00:46:06Okay, that too.
00:46:16Yeah?
00:46:19Yeah.
00:46:22No, nothing.
00:46:26Hey!
00:46:27Do you know what's happening to you, Lurdita?
00:46:29I think so, huh?
00:46:30The school you have in mind is in the world of Pin and Pon.
00:46:34Well, you know what I say?
00:46:35That's closer to the children, the one you have is in the Final Sial Times.
00:46:39Oh, really?
00:46:40Well, at least I've gone to the trouble of organizing this trip to try and fix things.
00:46:45Hey?
00:46:46And not so you can laugh your heads off when I almost ruined myself.
00:46:49Let me get distracted, Ana, for God's sake, let me get distracted.
00:46:51Because you'll be a very good teacher, right?
00:46:53But to be a director, you need to have an economic vision.
00:46:56And you don't have it, nor will you ever have it in your life.
00:46:58Well, you know what I say?
00:47:00I resign!
00:47:02Focus, Lourdes, you've already done it.
00:47:04No, I resign completely.
00:47:07I'm leaving school.
00:47:12Well, I also have something to say.
00:47:21I have been offered a job in Dublin.
00:47:25And I'm leaving too.
00:47:30Okay, tell him.
00:47:31Tell him about the Formula 1 bed we bought you.
00:47:35Soft.
00:47:36Come on, Rau, Adrián should have been asleep a while ago.
00:47:39Yeah.
00:47:40And bundle him up well, okay?
00:47:41Don't catch a cold.
00:47:42Okay, yes, yes, yes.
00:47:43Bye bye.
00:47:43Come on.
00:47:44Good night.
00:47:45Good night.
00:47:45Good night.
00:47:46See you tomorrow.
00:47:47See you later.
00:47:47See you later.
00:47:48Good night.
00:48:03Come on, you.
00:48:11What are you doing here?
00:48:12What do you do with your pajamas?
00:48:13Hey?
00:48:13What are you waiting for?
00:48:14Let him go?
00:48:15Do you really have guts?
00:48:17No, Johnny, I don't have a single rennet or anything.
00:48:19I had my chance and I blew it.
00:48:21I've upset her about the plane incident.
00:48:23I haven't gone to see him since then because of his arm.
00:48:24And if she wants to rebuild her life, what am I going to do?
00:48:26Let's see.
00:48:27Diego, what are you telling me?
00:48:28Okay, let me explain.
00:48:30No, let me explain.
00:48:31Listen to me.
00:48:32That I'm not in their plans.
00:48:33I'm not in Celia's plans.
00:48:35Do you understand?
00:48:36Diego, you're very confused, son.
00:48:38You are very confused.
00:48:39No, I'm not very confused.
00:48:40You're confused, Gab.
00:48:42Yes, Celia treats me naturally, which is normal.
00:48:45Well, that's normal, isn't it?
00:48:46But if there are no hard feelings, Johnny, there is no hope.
00:48:49That's how things are.
00:48:51Let's see, my son of God.
00:48:53Who put that nonsense in your head?
00:48:56You just need to have a little bit of psychology.
00:48:59Celia is leaving for you.
00:49:01Because he loves you.
00:49:02And she can't stand you even looking at her.
00:49:04You find out.
00:49:07Okay, put on this cute little shirt and let's see if we can still fix things.
00:49:12Are you understanding what I'm saying? Come on, girl.
00:49:13Yes, well, but come out, come out, I'm going to change, come out.
00:49:19Well, what do you think about being like this without women, huh, Santiago?
00:49:22Well, I've missed mine a lot.
00:49:25I've also underestimated mine.
00:49:27But a single day like this isn't so bad, is it?
00:49:31Let's see what's on TV.
00:49:36Damn, this whole thing.
00:49:38Before, everyone was into doing police salts.
00:49:41Now, as a doctor, let him go to the doctor.
00:49:45How is your doctor?
00:49:48But what is that?
00:49:49Take that away, man, take it away.
00:49:51Socita!
00:49:53Let's get rid of the filth, man.
00:49:54What's wrong? Didn't you watch Nadiuska's videos or what?
00:49:57But he was single.
00:49:58Yes, single.
00:49:58And now my Santiagoín is watching it.
00:50:00You see it yourself.
00:50:00Hey, he's very clever!
00:50:01You realize everything now!
00:50:03Who do you think you are?
00:50:03Who will it be so far?
00:50:05Hey?
00:50:07Who is it?
00:50:10Hey?
00:50:12The police.
00:50:12The police!
00:50:13But you hadn't reformed!
00:50:15What, what, what?
00:50:16What, what?
00:50:16Are you doubting me now or what?
00:50:18Come on, come on, come on, I'll open it...
00:50:22Good night.
00:50:23How are you?
00:50:23Forward.
00:50:24Good night.
00:50:24What can I get you, gentlemen?
00:50:26Raúl Martínez lives here.
00:50:28AND...
00:50:29Well yes.
00:50:29Yes, yes.
00:50:30He's my nephew, but...
00:50:32Come on, he's not here right now, okay?
00:50:33What do you mean it's not there?
00:50:34No, Raúl isn't here.
00:50:35Adrian!
00:50:37Where is my son?
00:50:38Where is?
00:50:39I don't know, I don't know, miss.
00:50:41Adrian!
00:50:43Adrian, son!
00:50:44What's happening?
00:50:45What's happening?
00:50:45We are looking for him because of the kidnapping of his son.
00:50:49Although Raúl has kidnapped Adrián.
00:50:55Fernando, what's wrong?
00:50:58I found a cockroach in my room.
00:51:01No way, it's not like it's a crocodile, is it?
00:51:03Can't.
00:51:05I have a phobia of cockroaches, you know?
00:51:06I've been in therapy and everything, but I just can't.
00:51:09I've been hyperventilating in the room for 20 minutes.
00:51:12Oh, poor thing.
00:51:13Well, I haven't found anything about mine.
00:51:14If you want, I'll give it to you.
00:51:15If you don't mind.
00:51:17Of course not, man.
00:51:24Hello, it's all yours.
00:51:25Thank you.
00:51:26Oh, and about what you talked about earlier at dinner, we'll talk about it calmly tomorrow, okay?
00:51:31No, Fernando, it's already decided.
00:51:33Thank you.
00:51:41Fiti, are you going to bed dressed?
00:51:45Yes, you know, with everything that's happened to you all, all the mess and everything, I'm feeling a bit off.
00:51:51Hey?
00:51:51No.
00:51:52But that's how it is with the van, don't overthink it.
00:51:55The van, yes, the van.
00:51:58The van, but come on, apart from the van, your thing, right?
00:52:02It's affected me too, you know?
00:52:03The van, to be honest, is beyond me.
00:52:05It's something I'm there, buzzing, buzzing.
00:52:08Oh, don't be silly.
00:52:09And don't feel guilty, you've done us quite a favor.
00:52:12Oh, hey, which side do you sleep on?
00:52:14I?
00:52:16But what am I going to sleep for?
00:52:18Uh, I don't care, okay?
00:52:19Either...
00:52:22Anyway, all in all, what good has coming here done? Look, it would have been better not to have come at all.
00:52:28Don't say that, woman, even from the worst days you can learn something...
00:52:34Well, uh...
00:52:35Come on, let's go to bed.
00:52:37Come on, let's go to bed now and...
00:52:39I'm warning you, I'm not very sleepy and...
00:52:42But hey, if we have to try, then...
00:52:45Well, try it...
00:52:46We're trying.
00:52:47Come on.
00:52:47This is a thing of...
00:52:51Oh, Fiti.
00:52:52No, no, no, no, no, look, if I...
00:52:54Look, I'm doing very well like this.
00:52:56Yeah, man, but not me.
00:52:57Fiti, take this off, please, because you're giving me the creeps.
00:53:00Stay still, stay still and go to sleep, okay?
00:53:03You have to remember that tomorrow is an important day.
00:53:13Celia.
00:53:15Celia, are you there?
00:53:16I'm Diego.
00:53:32Diego.
00:53:34Diego, are you there?
00:53:36I'm Celia.
00:53:47Celia, it's me who needs to talk to you.
00:53:49Can you hear me?
00:53:52Sorry for barging in like that...
00:53:54Come on, I don't want you to think the wrong thing, but...
00:53:56Well, I don't want that either...
00:53:57So, if I wanted to...
00:53:59Diego.
00:54:02But...
00:54:03Fermín, that is, I will be you.
00:54:07But Diego, man, how could you think that I...?
00:54:10Look, a lot has happened today, but...
00:54:12But then there was that...
00:54:15AND...
00:54:15AND...
00:54:15So why...?
00:54:17Because we've changed rooms.
00:54:19Because...
00:54:20Because?
00:54:22There was a cockroach in mine.
00:54:25They are beyond my strength, you know, Diego?
00:54:26No, I don't know.
00:54:27No, because cockroaches, as everyone knows...
00:54:29Clear.
00:54:31Well, excuse me, I have to...
00:54:32I've run into Celia, haven't I?
00:54:34Yeah.
00:54:37No no.
00:54:42Ah, the thirteenth.
00:54:45Thank you.
00:54:46And how do I tell Santiago that I'm unemployed?
00:54:49When I get a fit of rage, I go way overboard.
00:54:51Woman, you've certainly given your life a real shake-up.
00:54:54But hey, maybe it's for the best.
00:54:55But a roll in the hay...
00:54:57Good night.
00:54:58Good night.
00:54:58Diego, but where are you going, son?
00:54:59If your room is number fifteen.
00:55:01Ah, that...
00:55:01Because they are all the same.
00:55:03Yes, yes, Lurdita and I are going to sleep now too.
00:55:05Because you'll see tomorrow.
00:55:06Good night.
00:55:07Good night.
00:55:07They look different, baby, I'm telling you.
00:55:09And where is the INEM (National Employment Institute)?
00:55:10And what do I say to the episcopate?
00:55:27Celia.
00:55:29Celia, that's me, Diego.
00:55:31Celia, open the door.
00:55:35Celia.
00:55:38What is that?
00:55:40Let's give Guille the farewell letter he deserves.
00:55:45What is it like?
00:55:47If I had thought of this, you would have told me I was a hooligan and that this
00:55:50It's awful, well.
00:55:51Well yes.
00:55:53But, even though it's a white lie, anything for Guille.
00:55:57I'm already thinking that Diego can't see me.
00:56:01But, good grandmother, that one will be knowable.
00:56:03It's just that I'm without candles and without a bonfire.
00:56:05I'm not waiting.
00:56:07Let's see, let's see what you like.
00:56:11I dream about you every night.
00:56:12When we meet, my hands will give it to you.
00:56:17That one, better not.
00:56:19But, good grandmother, do you know what your grandmother wrote to you?
00:56:21Because they are a little bit subjective in tone.
00:56:22But what do you think?
00:56:23That you were 16 years old.
00:56:25At 16 years old?
00:56:26That.
00:56:27Well, look, look, here's a really nice one.
00:56:30Which he wrote when he was sent on campaign.
00:56:35Every second without you I exhale a sigh of longing.
00:56:39I hate the clock that cruelly measures my despair.
00:56:43And though fear calls to me, loneliness tears my soul apart with pain.
00:56:50She's a lovely grandmother, but this would more or less do.
00:56:53What do you mean, more or less?
00:56:54Hey, your grandmother was a wonderful writer.
00:56:57And with a much broader vocabulary.
00:56:59And in no uncertain terms.
00:57:00Not like now, with those little messages.
00:57:03Well, yes, Grandma, but it would have to be modernized a bit because otherwise this guide won't believe it.
00:57:07Well, if they have to be ruined, then ruin them.
00:57:09But maintaining its elegance, eh?
00:57:12Grandma, this is you.
00:57:14Yes, it's me.
00:57:15But how beautiful.
00:57:16Yes, she was cute.
00:57:32How are you, Celia?
00:57:33Can't you sleep?
00:57:38Me neither.
00:57:39I can't stand all this tension, can I?
00:57:42Me too.
00:57:48At least it makes for a good night.
00:57:51I'm actually cold.
00:57:53Take.
00:57:55Don't get cold.
00:57:56And the first thing we figured out was to make a big deal out of it.
00:58:01Well, the truth is that I know I've learned a lot of things.
00:58:05Already.
00:58:11Are you sure you won't be cold?
00:58:13No no.
00:58:14Sure.
00:58:21Celia, would you like to go for a walk?
00:58:25Okay.
00:58:36At least there are no sewers here, huh?
00:58:42And don't be sad.
00:58:44And even though we are far away, I will always be close to you.
00:58:47I close my eyes and you are right in front of me.
00:58:50I close my eyes and I can still feel you looking at me.
00:58:56Because if you love someone once, you carry them in your heart forever.
00:59:04Very pretty.
00:59:06This last sentence.
00:59:07Yeah.
00:59:07You're clearly your grandfather's granddaughter.
00:59:10Well, I suppose she'll like it, won't she?
00:59:12Well, that settles it.
00:59:15It turned out beautifully, didn't it?
00:59:16Now all that's missing is the signature.
00:59:17And those three XXs.
00:59:19Okay.
00:59:26How silly of me to have signed it.
00:59:31Come on, but...
00:59:32What are these people doing here at this hour?
00:59:34What's happening?
00:59:40Hello.
00:59:40Hi how are things?
00:59:41Is something wrong?
00:59:42Have you seen Raúl and Adrián?
00:59:43Yes, yes, yes.
00:59:44They've been here for a while now.
00:59:46Did they leave here a while ago?
00:59:47I said it, before going to the table and the workshop.
00:59:50We should have come here.
00:59:52Can you explain what's happening?
00:59:54It seems that Raúl has kidnapped the child and the police are looking for him.
00:59:58That?
00:59:59The police are looking for him.
01:00:00Oh, Lord.
01:00:02But where could this unconscious person be?
01:00:03That's what we say.
01:00:04Where is?
01:00:04Okay, come on in.
01:00:05Pass.
01:00:06Look, the child is still awake.
01:00:07Yeah.
01:00:08Ana, I really manage very well in the van.
01:00:10Damn, the smell of the sofa relaxes me too.
01:00:12Oh, look, you're so stubborn.
01:00:14But you were already there, it was already soup.
01:00:16You were completely...
01:00:17But how am I supposed to fall asleep with a guy fully clothed on top of the bedspread?
01:00:21No, Citi.
01:00:23I'll stay here with you until you return to the room.
01:00:27Oh.
01:00:29Damn, what's with this obsession with accompanying me?
01:00:32Okay, then we'll stay here.
01:00:42Damn, that's scratchy, isn't it?
01:00:44Come on, I have plenty.
01:00:45No, no, yes.
01:00:46Oh, come on.
01:00:48Fiti.
01:00:50Remove.
01:00:53Come on, I...
01:00:54Anyone who saw us and didn't know us.
01:00:57I would think, what a romantic couple.
01:00:59Yeah.
01:01:02Don't worry, Mrs. Carly, if we find out anything we'll get you there, okay?
01:01:06Peaceful.
01:01:07Do you want it with a key?
01:01:08Dad, I'm cold.
01:01:13Clear.
01:01:14How could you not be cold?
01:01:15Come on, come here.
01:01:17Put this on and see, how come you're not cold with this?
01:01:19Here.
01:01:22Come on.
01:01:22Very good.
01:01:24Now you're going to warm up, you'll see how good it is.
01:01:26We played camping.
01:01:28Okay?
01:01:29And we slept fully dressed and everything.
01:01:31Dad.
01:01:31Tell me, son.
01:01:32When are we going home?
01:01:35Tomorrow.
01:01:36What's wrong, don't you like this?
01:01:38No.
01:01:42Okay, let me tell you a story.
01:01:44And that's how we fall asleep faster, huh?
01:01:46Come on.
01:01:49Come on, have a drink.
01:01:51Let's see here.
01:01:55Well.
01:01:57Well, once upon a time there was a boy.
01:02:00His name is Tom Thumb.
01:02:03And he was really small.
01:02:04More than me?
01:02:06Much more.
01:02:07If you're a big guy, then yes.
01:02:08You're a Martinez, man.
01:02:10The Martinezes...
01:02:11We are great.
01:02:14Well.
01:02:16AND...
01:02:16And Tom Thumb.
01:02:19I had a problem.
01:02:21With a witch.
01:02:23A very big problem.
01:02:25And I didn't know how to fix it.
01:02:27So in the end...
01:02:31He ended up calling the Teenage Mutant Ninja Turtles.
01:02:34And them...
01:02:45A colorless color.
01:02:50This point is a real bummer.
01:02:58It's nice here, isn't it?
01:03:00Yeah.
01:03:01But I think it would be better if...
01:03:02Let's go to sleep.
01:03:05Because tomorrow...
01:03:07Diego, I'm leaving tomorrow.
01:03:10Wait, wait, wait.
01:03:11Wait.
01:03:11I have something very important to tell you.
01:03:13Listen to me.
01:03:14But I think it's too late now.
01:03:15No, no, it's not too late.
01:03:16Celia, it's not too late.
01:03:19Look, Celia...
01:03:21I thought that...
01:03:22That this would never happen to me again.
01:03:26It's like when you walk into the cave and I'm cutting ham...
01:03:29I can't even manage a straight fight.
01:03:32And what I want to tell you is that I know I'm not the best match in the world.
01:03:36Because also...
01:03:37My family always comes with me.
01:03:38If my family doesn't die.
01:03:40So, I'm...
01:03:42Better a father than a boyfriend, right?
01:03:44I also want to tell you that...
01:03:45I know I'm no Adonis, but...
01:03:47But I'm not the kind of man who looks for women just to sleep with.
01:03:51I mean, I mean, that for me...
01:03:52I don't mind going to bed.
01:03:53So, I...
01:03:54No, that...
01:03:54I mean, one isn't made of stone, I mean.
01:03:56But...
01:03:58I think I want to wake up with her.
01:04:02And I don't want you to leave, Celia.
01:04:05Because I love you.
01:04:07I love you.
01:04:44Ann.
01:04:46Ann.
01:04:47Hey.
01:04:48Come on.
01:04:49Come on, let's go.
01:04:50Let's go inside, it's freezing cold.
01:04:52Ah, finally.
01:04:54Come on.
01:04:57Come on.
01:05:18Already.
01:05:20Yes, but...
01:05:21But this poor guy...
01:05:23He might have taken a train and be on the other side of Spain.
01:05:26Oh, absolutely.
01:05:29You'll see where I spent the night with the child.
01:05:33Well, Santi, that...
01:05:34Let me know when you find out anything, okay?
01:05:37A kiss, a kiss, Santi.
01:05:39See you later.
01:05:41Good morning.
01:05:42Hello good morning.
01:05:44Hello.
01:05:44Hello.
01:05:46And her?
01:05:47I was upstairs, reading I don't know what.
01:05:49I told him to come down.
01:05:54This...
01:05:54Is there any news about Raúl yet?
01:05:56Not yet.
01:05:58What happened to Raúl?
01:05:59Nothing, nothing has happened to him.
01:06:00Come on, give us breakfast at the hatch.
01:06:03Good morning, Guille.
01:06:06Hello.
01:06:08Hello.
01:06:16Dad, my throat hurts.
01:06:37That?
01:06:39But, but, but it doesn't hurt much, does it?
01:06:41Tell me it doesn't hurt much, just a little.
01:06:42Yes, it hurts a lot.
01:06:44Yeah?
01:06:46Dad, dad, I want to see my mom, I want to see my mom.
01:06:50Dad, Mom, Mom.
01:06:56What are you reading?
01:06:57This is a wine.
01:06:59She left me a goodbye letter among her clothes.
01:07:01And what does it say?
01:07:03I mean, hatch, donkey.
01:07:06Hey, well, the letter is a nice touch, isn't it?
01:07:10He's finally done something right.
01:07:12But hey, what's wrong with you?
01:07:13Are you not going to stop bothering her even after she's gone?
01:07:16Did you know?
01:07:16That she loves me.
01:07:17Look, because if you love someone once, you carry them in your heart forever.
01:07:22That's very nice, Guille.
01:07:24Yes, I know, Carmen, it's beautiful.
01:07:26So whenever you want, I'll let you read it, in case you learn something.
01:07:28Okay, Guille.
01:07:30Okay, fine.
01:07:32Okay, let him tell me the story.
01:07:39Cheer up, Tete.
01:07:40We've finally achieved what we wanted, haven't we?
01:07:43I'm not that sure, Grandma.
01:07:45Yes, woman.
01:07:47The thing is, in this life there are victories that can never be celebrated.
01:07:52Carmen, please, my chestnut-haired dog has a very high fever.
01:07:53What's going on? Why are you here?
01:07:55Don't know.
01:07:55It's burning me up.
01:07:56Yes, I'm going to call to make you a gentleman.
01:07:57Raul, come on, raise your arms.
01:08:00Come on, that's enough already.
01:08:02Do you have that?
01:08:03Who knows where you spent the night.
01:08:05Okay, huh? And the alcohol already?
01:08:07What heads, take that.
01:08:10Man, and a little coffee.
01:08:14Good morning, if you can call it that.
01:08:23Raúl, son, what's wrong?
01:08:25No, listen to me for a moment.
01:08:26Wait, wait, wait.
01:08:27Look, is Adrian around here?
01:08:29Yes, well, let's see...
01:08:31Yes, yes, no, get on it, I want to take you shopping, let's see if I can get a move on.
01:08:35Tell me.
01:08:42Yeah.
01:08:46Already.
01:08:47Do they want to take my grandson away?
01:08:50Okay, see you later, Cecilia.
01:08:54Okay.
01:08:54See you later, goodbye.
01:08:55See you later.
01:09:00Barcelona.
01:09:02See you later.
01:09:06See you later.
01:09:12No.
01:09:13I was meant to tread the water
01:09:18But now I've gotten in too deep
01:09:25For every piece of me that wants you
01:09:31Another piece bites away
01:09:37Mommy!
01:09:39Me too
01:09:43This could be nothing
01:09:46But I'm willing to give it a try
01:09:49Please give me something
01:09:52Cause someday I might know my heart
01:10:01You've only waited all night for hours
01:10:06Just to spend a little time alone with me
01:10:10And I can say I've never bought you flowers
01:10:19I can't work out what they need
01:10:25I've never thought that I'd love someone
01:10:31That's what someone else's dream
01:10:34As you give me something that makes me scared all right
01:10:43This could be my thing
01:10:47But I'm willing to give it a try
01:11:19Please give me something
01:11:19I'll give you something for her
01:11:20In our college
01:11:21I don't want to talk to her
01:11:22I want to talk to her
01:11:24I want to talk to her
01:11:25I want to talk to her
01:11:25I want to talk to her
01:11:26I've been doing a lot of things
01:11:28I need you, I need you
01:11:29I need you
01:11:55Hey, don't panic, but get ready for school.
01:11:59Spit it out, spit it out!
01:12:11I need someone with personality, charisma, and attitude.
01:12:15You are wonderful, and gorgeous, and funny, and...
01:12:20Diego!
01:12:21Diego!
01:12:22Diego!
01:12:23An ambulance!
01:12:31Diego!
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