- hace 2 días
Desde que Marcos se fue, Raúl no encuentra excusas para oponerse a los planes de su novia y siempre acaba haciendo lo que ella le pide. Cuando se percata de que a Chuky le gusta Ruth, intentará por todos los medios que su amigo conquiste a la prima de Marcos. Sin embargo, el primer encuentro será un desastre por la torpeza del joven que en lugar de encandilar a Ruth provoca que surja un flechazo entre ella y Álex. Lucía espera la visita de John, el neurólogo que operó a su ex-marido en Houston. A Diego no le preocupa su llegada porque, aunque es muy atractivo, es gay. Todo cambiará cuando, en lugar del médico, aparece su hermano gemelo Paul. Fiti y Santiago angustian a Diego con sus dudas sobre la tendencia sexual del recién llegado. Sus inquietudes aumentan cuando el norteamericano es contratado por el colegio como monitor del campamento urbano de verano. Guille no soporta ver a Teté ilusionada con Humberto y trama un plan para acabar con la autoestima de su hermana. Para ello, hace unas fotos que manipula con el ordenador de forma que parezca que Teté tiene una nariz grande. La venganza se consuma cuando, al verse, la joven cree realmente que tiene ese defecto físico.
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00:00:30The bread by the whistle.
00:00:31Ever since he's been like this with his leg, I've had him on my back all day.
00:00:34That?
00:00:35Poor guy, he's so insecure. How can that not be fair?
00:00:37Already.
00:00:37Did rosemary return too?
00:00:38Okay, daughter.
00:00:39It wasn't exactly common practice before, was it?
00:00:42You can tell she's not married, huh?
00:00:43There it is.
00:00:44There you go.
00:00:45Pull, pull.
00:00:49Lately in my family, it's all about couples.
00:00:52Couples who get married, like my anti-Lurdite uncles.
00:00:54Couples who don't get married, but go on a honeymoon, like Marcos and Eva, and other couples.
00:01:00Do you realize how lucky the three of us are?
00:01:02What am I saying, the three of us? The six of us, having each other.
00:01:05Hey, honey?
00:01:06Oops!
00:01:08Yeah.
00:01:09Hey, John!
00:01:10Please, how long?
00:01:13John is the neurosurgeon who operated on Lucia's ex-husband in Houston.
00:01:17Oh, really?
00:01:17When Lucia was there, she lived in his house.
00:01:19And they became very good friends.
00:01:22Look, John, Mother is coming tomorrow.
00:01:24The last time John came to Madrid, he stayed at our house.
00:01:28And my father looked at him with a dirty look.
00:01:30And he had an incredible fit of jealousy.
00:01:32Although there was really no reason.
00:01:34Wreck it!
00:01:35Wreck it!
00:01:36Hey, Santiago, okay, huh?
00:01:37He says he's gay.
00:01:38Gay, it's pronounced gay.
00:01:39No, sorry, it's John, a friend.
00:01:41You don't need to specify your sexual orientation, okay?
00:01:43Exactly, because their sexual orientation is their own business.
00:01:45And I personally don't care if he's gay.
00:01:47It's so good you could dip bread in it.
00:01:48Bread?
00:01:50A whole loaf, it's perfect for dipping.
00:01:52Is all this just a nicer guy?
00:01:52But, but, but, but, but, but, what is he saying?
00:01:56So, what are you saying in front of your husband, that I am?
00:01:58No, no, no, no.
00:01:59I don't find it funny at all.
00:02:00And well, you're allowed to be because you have a different sexual orientation.
00:02:03You are being indulged.
00:02:05But according to my uncle, he was allowed that and much more.
00:02:08And that was the reason why my father Lucia's marriage went into the most serious crisis in its history.
00:02:15On a station platform, under the blazing sun, you were talking about a skyscraper in the New York sky.
00:02:23Come soon to see the sea and send a postcard.
00:02:27I already knew that day was the end.
00:02:29Now I have much more.
00:02:34Red, black, odd stop.
00:02:36Finally, luck brings an ace and a crystal to look through.
00:02:40And a wall to hang it on.
00:02:42That's how she looked, smiling in a passport photo.
00:02:46My stories were not about tales made by chance.
00:02:50Nobody told me that destiny was giving me this opportunity.
00:02:59One plus one equals seven.
00:03:02Who would have thought?
00:03:06That it was so easy to be happy.
00:03:20Just one "you" is enough for me, and I hear you.
00:03:25Yes, but I'm just tense, you know.
00:03:26I'm so tense because I can't sleep,
00:03:29I'm standing there in the living room, going around and around and around.
00:03:32And that my kidneys aren't completely destroyed.
00:03:33Oh, I really want you to be able to go upstairs and sleep.
00:03:36Well, I don't know if it's better to go upstairs because it's a soft bed
00:03:38And to see what I have, I'm not very clear about the soft bed thing.
00:03:41Come on, don't complain so much.
00:03:43Look at me, I have my own problems too, and I don't say a word.
00:03:45I told him yes, I mourn your yido.
00:03:47What happened to him? Did he break his arm?
00:03:49I?
00:03:49No, no, not at all, no.
00:03:51It's the spring-summer fashion this year, I'm telling you.
00:03:55The doll, the doll is broken, can't you see?
00:03:57And in the silliest way, because I went to get out of bed,
00:04:00I got tangled up in the sheets and, to avoid breaking my neck, I put my little hand up.
00:04:04Hey, you're going to do us all a little favor, okay?
00:04:05Let no one else fall, it seems we've been cursed.
00:04:08Yeah.
00:04:09Good morning, family!
00:04:11Donkey, open the door!
00:04:13And where are you going if it's your first day of work and you look like you're going to a party?
00:04:15Oh, I wanted to tell you this, thank you for finding me the job at the library.
00:04:18But it doesn't really suit me, does it?
00:04:22Ruth, it's a summer job and until you start the design course, you'll understand what to do.
00:04:26Sure, sure.
00:04:27In this house we don't like idle people.
00:04:29What's up, John? What's up, John? Long time no see?
00:04:40Hello, huh?
00:04:40Oh, that's great.
00:04:43Look at you, let me introduce you.
00:04:44Yeah.
00:04:45It's Ruth, a niece of Lucia, my mother-in-law, Carmen, and my brother who you already know, right?
00:04:50Well no.
00:04:51What do you mean, no?
00:04:52No, sorry, but John couldn't come, he had an emergency.
00:04:57He gave me the ticket.
00:04:58I am Paul, his twin brother.
00:05:00Which twin?
00:05:01My goodness, what your brother has told me about you.
00:05:04And as for you and your black legs, eh?
00:05:07What are you talking about, legs?
00:05:09The hams.
00:05:10Oh, well, you like ham.
00:05:12I was in Spain three times and I was eating ham the whole time, for lunch, dinner, tapas, everything.
00:05:20This is not without God, this is a godlessness.
00:05:22One arrives, another appears, and on top of that, he's asking for black legs.
00:05:24Don't mess around, dude.
00:05:25But hey, listen...
00:05:27Santi, Santi, do me a favor, go there for a moment, take the ham out of the pantry, take a little bit out.
00:05:30Yes, better.
00:05:31And see a little bit, because it's a...
00:05:32I'm not invited, Santi, a little bit of...
00:05:34Hey, and Paul, what are you?
00:05:37Are you also a doctor like your brother?
00:05:39Because, look, son, I have a problem.
00:05:41I don't know if I'm going to lose the wrist game.
00:05:43Will it get damaged or not?
00:05:44No, no, sorry, no, no, it's just that I'm not a doctor.
00:05:46I am the...
00:05:48The black sheep, is that what they say?
00:05:50Ah, well, yes, it's possible.
00:05:51Yes, yes, yes, yes.
00:05:52Well, I'm the black sheep of the family.
00:05:55Work is secondary to me; I prefer living to working.
00:05:58Don't you work?
00:05:59Yes, but only when I'm having fun.
00:06:03Enjoy yourself first, then get to work.
00:06:06Of course, the same thing happens to me.
00:06:09Hey, this library job is just sitting in a chair, right?
00:06:16Okay, let's watch this Iranian film that I've heard is great.
00:06:20Come on, Ru, come here.
00:06:22Ru, hello, hello.
00:06:23Hello, prince.
00:06:24Can you help me?
00:06:26What's the matter?
00:06:27I can't take it anymore, man, I can't take it anymore.
00:06:29I've seen all the movies on the marquee, man.
00:06:31There are some expressions I already know.
00:06:33Dude, and now let's go for the senanías, man.
00:06:35If only...
00:06:36Do you know why?
00:06:37You know why, man?
00:06:38Because I don't have the strength on my own, Chucky, dude.
00:06:39When Marcos and Eva were around, man, and we used to hang out with them,
00:06:42He and I were a close-knit group there, man.
00:06:45But now, man, we have to do whatever the girl wants.
00:06:48Hey, dude, what's that gorgeous woman doing here?
00:06:50Ah, Ru, yes, they've got her for the library, she starts today.
00:06:53Well, she's not prettier because she doesn't have a bigger face, what do you mean?
00:06:57I love it, yes.
00:07:00Sure, sure, dude.
00:07:02Why don't you try to pick her up?
00:07:04I'll hook up with her.
00:07:05Sure, man, why not, man?
00:07:06Why doesn't she have a boyfriend?
00:07:09Let's see, Raúl.
00:07:11I'm gorgeous.
00:07:13I.
00:07:14Me, gorgeous.
00:07:14Chucky, dude, hey, dude, a little self-esteem, man, please, Chucky, dude.
00:07:18Look, you don't need to be a hunk showing off your muscles to pick up girls, man.
00:07:22Hey, hey, we have our feelings too, and they know it, okay?
00:07:27Look, man, if I've gotten my African woman the greatest thing, you're going to get yours.
00:07:30Chucky, yeah, man, yeah, that would be great, dude, that would be awesome.
00:07:35Dude, it's cold and you, that you like it, that coincidentally, Ruth, great.
00:07:38Yes, I mean...
00:07:40Hey Chucky, dude, this is a challenge, okay? You have to hook up with her.
00:07:43Hey, we're going to watch the eight-person session because I've been told it's a bit long, okay?
00:07:51Ruth, wait, we'll help.
00:07:53Yes, yes, uh...
00:07:54No, no, no, no, I need it.
00:07:56Yes, yes, thank you.
00:07:57Oh, of course, it weighs so much, huh?
00:07:58Forgive, forgive, forgive, forgive, forgive, forgive.
00:08:10Are you OK?
00:08:12Are you OK?
00:08:19Very good, elf, the black ones.
00:08:20Turn the light back on, guys, I told you we have to save energy.
00:08:24And this, this is, this is the living room.
00:08:27And we use the living room, I mean, for what we use it for.
00:08:31You have a very nice house.
00:08:33Very nice.
00:08:33Very nice, yes, yes, yes, yes, what it is, above all it is nice.
00:08:36It's a house that knows...
00:08:37Hey, one thing, Paul, where are you staying?
00:08:41I don't know, it's just that I haven't brought much money and...
00:08:46But I'll find a cheap hotel.
00:08:48Ah, donkey, darling, they open the door.
00:08:52Oh boy, the whole world is going to come to this house.
00:08:54But do you know who to ask, or should we find it for you?
00:08:56Not me, no, no.
00:08:57Lucy, hello everyone.
00:08:59You're not going to believe it, are you?
00:08:59The monitor at the urban camp has fallen ill, with malaria or something like that.
00:09:02Okay, what are you saying again?
00:09:03Like I'm telling you, man, John.
00:09:05No, well, Paul Candela.
00:09:07Paul.
00:09:08Paul.
00:09:08John couldn't come, I'm his twin brother.
00:09:12Ah, twin.
00:09:14I am fruitful, Martinez.
00:09:16How are you?
00:09:16Hello.
00:09:16How are you?
00:09:18Well, it's because we have a mountain at the school because we had planned a day camp for the children.
00:09:23And it turns out that the monitor, the kid who was going to take care of them in the pool and all that, has gotten sick.
00:09:27That's awesome, man, they're identical, huh?
00:09:29And both of them were equally naive.
00:09:30He's the twin brother, because of course, that's a given with us, twin brother, because I've seen him...
00:09:34And you've seen what it looks like, haven't you?
00:09:36And how does she give kisses to the guys?
00:09:38I don't know, I don't know.
00:09:39I see him as looking at women differently.
00:09:41What do you mean, "another way of looking at women"?
00:09:42Let's see, let's see, let's see, I know you, you're getting me all worked up.
00:09:45Well, I'm going to tell you something, Santi.
00:09:46Santi, this guy is gay, period.
00:09:48And that's it.
00:09:48It had better be this way, because otherwise...
00:09:49Because if not, what then?
00:09:50That?
00:09:51Well, this one is a twin of the other.
00:09:52And what did your wife say about the other guy?
00:09:54He was the nicest guy she'd ever seen, so hot she could dip a loaf of bread in his mouth.
00:09:57He said it, he said it.
00:09:58Well, you want to turn me on too, but...
00:10:00No, let me remind you of something, Piti, I mean, the first one who told you that was your wife.
00:10:03And I'm not trying to get you all worked up, sorry.
00:10:05Well, Paul, thank you, you just saved my life, son.
00:10:07Well, guys, Candela just got Paul a job.
00:10:11He comes to school and acts as a monitor for the urban camp.
00:10:14Which monitor theme?
00:10:15We've sorted it out, let's celebrate, let's have a glass of wine.
00:10:17Oh, yes.
00:10:18I'm so pissed off.
00:10:20Let's see if you're not going in a trout boat, eh?
00:10:23And it wreaks havoc on you and me.
00:10:24No, no, I swear to God.
00:10:25I shit on myself.
00:10:25I shit on myself.
00:10:27What do you mean, no?
00:10:28You leave no room for doubt.
00:10:29You make me doubt, and I doubt.
00:10:31And since I have doubts, it must be verified.
00:10:33We need to verify whether there is fraud or not, right?
00:10:35Well, he does the trout test.
00:10:37And if a beard appears, it's Saint Anthony.
00:10:38And if not, then the Immaculate Conception.
00:10:44Hey, hey, man!
00:10:45Hey!
00:10:46Let's see that racket.
00:10:47Less shouting or you'll be in the streets.
00:10:49Come on, come on, come on, Santi, don't be grumpy.
00:10:50Let the kids enjoy themselves.
00:10:52Alright, guys, let's have a rematch, shall we?
00:10:53That's it, that's it, the rematch.
00:10:55Hey, no, Diego, not with you, you're ruining me.
00:10:57Maritere, Maritere, come on, play a game with me.
00:10:59Yeah, man, I don't have anything better to do than play foosball with kids.
00:11:02Come on, man.
00:11:05Well, I'm not saying she called us kids, that dimwit.
00:11:07Kids?
00:11:08Did he call us kids?
00:11:09This woman who's dating Osea, she's so conceited that nobody can stand her.
00:11:12Guille, guille, guille.
00:11:13In a moment.
00:11:15Johnny, put on your band.
00:11:17Come on, let's play a game.
00:11:18That one, little one, suffering for love.
00:11:21That?
00:11:22Come on, don't play dumb with the godfather, because the godfather is an old dog and sees everything.
00:11:26You like Tete.
00:11:28What are you saying, man?
00:11:29You like the bath and you like what doesn't pay attention to you.
00:11:32And why doesn't she pay attention to you?
00:11:32Because he sees you as insignificant.
00:11:34And why does he see you as insignificant?
00:11:35Because kids that age develop earlier than we do.
00:11:38They get so good that they break and go to live with the older ones.
00:11:41Yes or no?
00:11:42Posi, but come on, we're not here for the rape, anyway, Vlad, Fiti.
00:11:44Yes, yes, I see you, I see you.
00:11:46But that's what I used to say when I suffered the scorn of the cross-eyed woman.
00:11:51Did you like a cross-eyed woman, Fiti?
00:11:53Well, not a cross-eyed girl, her eye wandered a bit and all, but whatever.
00:11:56And that, that's what I took advantage of to undermine his morale.
00:12:01I don't understand anything.
00:12:02Look, girls at 13 years old seem very confident, but they are not.
00:12:07It's very easy to make them feel insecure, and when they feel insecure, that's when they're weak, and that's when we have our opportunity.
00:12:12We must seize this opportunity.
00:12:14That's what happened to me, and in the end, I got the cross-eyed look.
00:12:16And hey, Fiti, just out of curiosity, how did you manage to undermine his morale?
00:12:21Come on, just out of curiosity, right?
00:12:23Yeah, yeah, just curious, right?
00:12:25Look, do you know what I mostly did?
00:12:27Well, I took some very, very special photos of him.
00:12:30Okay, guys, in this urban camp that we've organized to make the end of the school year more bearable,
00:12:38Paul, your monitor, will be joining us.
00:12:40Hello.
00:12:40Hello.
00:12:41And well.
00:12:43Okay, okay, huh?
00:12:45Calm down, calm down, and don't make coffee with it.
00:12:47Okay, and if they make coffee with you, let me know and I'll fix it right away, okay?
00:12:50Well.
00:12:51Come on, guys, let's make groups of four to play volleyball.
00:12:54Let's go.
00:12:56Come on.
00:12:56Let's get out of here.
00:12:58Hello, Lucia.
00:13:00Ugh, look, I can't take Diego anymore, or the whistle, or my mother, or her arm.
00:13:09I'm working from home all day, seriously, you know?
00:13:11Relax, enjoy, you've arrived just in time.
00:13:15How are they behaving?
00:13:17Phew.
00:13:17Yes, uh, what a good idea.
00:13:19Wow, she's so hot.
00:13:20Very good idea.
00:13:21That's great, it's wonderful that the mother is paying for it.
00:13:24Well yes.
00:13:25He doesn't seem gay, does he?
00:13:26No, no, no, no.
00:13:26Until some idiot discovers the homosexuality gene, we're free.
00:13:29Anyway, if he's gay, so be it, you know?
00:13:32Oops, you and me.
00:13:33Oh, oh, oh, oh, oh.
00:13:35Lucia, please.
00:13:37Take.
00:13:39Thank you.
00:13:39You know what you're like when the kids throw you the ball, right?
00:13:43But what are you involved in?
00:13:45Don't you do it?
00:13:45You're not guys who throw the ball.
00:13:46From outside.
00:13:47I'm here.
00:13:48Guille, would you please put the camera down and bring Paul closer?
00:13:51Okay, I'm coming, I'm coming.
00:13:52I'm going, I'm going, I'm going.
00:13:53No, not anymore.
00:13:53Everyone into the water.
00:13:54Come on!
00:13:54Don't be negative.
00:14:01Okay, throwing your eyebrows at her isn't the best way to pick her up, dude.
00:14:07Okay, that's not going to happen.
00:14:08This dick is already starting to touch my hands.
00:14:11Well, you're not going to explain.
00:14:12Come on, under the water, shall we, gentlemen?
00:14:16Don't be negative.
00:14:18No, because, okay, throwing your eyebrows at her isn't the best way to pick her up, dude.
00:14:21But that can be fixed, you know?
00:14:22It is insisted upon and amended.
00:14:24Hello.
00:14:25Hello.
00:14:26Hi, Ruth.
00:14:27How's the library?
00:14:28Very good.
00:14:29Hey, I didn't thank you earlier.
00:14:31Nothing.
00:14:32Thanks a lot.
00:14:33Nothing, nothing.
00:14:33It has been a pleasure.
00:14:34Uh, did I miss something?
00:14:37No, no, no.
00:14:38An accident involving the stairs?
00:14:40Well, if I hadn't come for you, I might be in the hospital now.
00:14:44Imagine what a great plan for my birthday!
00:14:46Is it your birthday?
00:14:47Birthday?
00:14:47Yeah.
00:14:49Congratulations.
00:14:52Congratulations.
00:14:54And, well, I thought that since I don't know many people here, you could all come over to my house,
00:14:57We have a barbecue and celebrate.
00:15:00It's celebrated, it's celebrated, of course, it's celebrated.
00:15:02What time?
00:15:02At eight o'clock.
00:15:03Good.
00:15:04At eight o'clock.
00:15:04I'll be waiting for you.
00:15:06Hey, wait a minute.
00:15:08Uh, wait.
00:15:09At eight o'clock.
00:15:10At eight o'clock.
00:15:11Oitillas.
00:15:13But aunt, why don't you tell me it's your birthday?
00:15:16Because it's a lie.
00:15:17Hey?
00:15:18It's the first thing that came to mind to arrange a meeting with Alex.
00:15:21Will you come with me?
00:15:22Ah, but what a huge piece of lava.
00:15:24Do you like the firefighter?
00:15:26What is a firefighter?
00:15:27Yeah.
00:15:27Oh, he's a firefighter, how nice.
00:15:29Well, maybe I should just set fire to the library and have him come rescue me or something.
00:15:34Well, be patient, tonight you have it all to yourself.
00:15:37Oh, we're having such a good time, aren't we?
00:15:39Well, I'm not going to let you go to the United States, because we'll see how you handle things, you know?
00:15:44No, I'm very cautious with them.
00:15:46Yeah?
00:15:46Am I entertaining you?
00:15:46Yes, but they're not easy at all, you know?
00:15:49That's great.
00:15:50Bye.
00:15:51But then, have you noticed that when he cries to his uncle, he looks at you as if you were going to translate for him?
00:15:55The same thing all my life.
00:15:56This is disgusting, isn't it?
00:15:57Nonsense.
00:15:58Come on, guys, let's get dressed.
00:15:59It's raining.
00:16:00It's raining.
00:16:02Yes, it's going to rain on us too, thank goodness.
00:16:03We're going to the collection, see you later, okay?
00:16:05Okay.
00:16:05Oh, look, it's bad because it's so hot.
00:16:07Yes, okay.
00:16:11So, what's with the mystery of the photos?
00:16:13Why so many photos, you idiot?
00:16:14What are photos?
00:16:15I have something to calm me down.
00:16:16To bring the guy down.
00:16:18And is your uncle's tavern near here?
00:16:20Eh, yes, yes.
00:16:21And right here next door.
00:16:27Santi, look who just found me.
00:16:29Hello.
00:16:30Hello.
00:16:30It is said that he wants a Patas Negras.
00:16:34Okay, okay, okay, okay.
00:16:36Well, that's it, Paul.
00:16:38You guys really like foreigners in Spain, huh?
00:16:40Bird, with its little paellas, its sun, its black legs.
00:16:44Patas Negras is very good, isn't it?
00:16:46Uh-huh.
00:16:46Very good.
00:16:47Aha, yes, yes, I believe it.
00:16:49And the Spanish, huh?
00:16:52Do you like Spaniards?
00:16:54I love them, yes.
00:16:56That's really funny, they say.
00:16:58Hey...
00:16:59Miti!
00:17:01Come here, my tap's broken.
00:17:03Let's see if you understand this.
00:17:05Excuse my apology, thief.
00:17:09Hey, come in.
00:17:10I'm not going to get involved in the fraud.
00:17:12If he gets in.
00:17:13Damn, what...
00:17:14I think I've got him in love with me.
00:17:16I think I'm going to have to stop.
00:17:18I don't see it that clearly, you know?
00:17:19Oh, no?
00:17:19Damn, if you're not so sure, just go in there.
00:17:21I.
00:17:22I don't give the time.
00:17:23Oh, and me too?
00:17:24What are you saying?
00:17:25Do I look like a lazy bum?
00:17:25Is that what you're telling me?
00:17:26Man, more than me, Fiti, more than me.
00:17:28Yes, that's also true.
00:17:31So, what do I do?
00:17:32What the hell do I do?
00:17:34Promocale.
00:17:35Sure, but discreetly.
00:17:38Look.
00:17:47What's wrong with your tongue, Fructuoso?
00:17:50Yeah?
00:17:51Nothing, why?
00:17:53Because you're acting like this...
00:17:55erotic.
00:17:55And you, that macho stereotype.
00:17:59You like it, don't you?
00:18:00Me?
00:18:01Not at all.
00:18:03I like girls.
00:18:05Especially the blondes.
00:18:06Very sexy.
00:18:08You two are a couple, aren't you?
00:18:11Are you a couple?
00:18:12What are you saying?
00:18:13Nothing romantic about it.
00:18:14That's gay.
00:18:15No, no, no, they're gay, they're gay.
00:18:17Let's see, one little thing, Paul.
00:18:19I've been married for 18 years now, you know?
00:18:23And this man is going to get married, but come on.
00:18:25And about the ham, I mean, about the tongue.
00:18:28Let's see, let's see, let's see, let's see.
00:18:30That's it, let's see if that's the reason.
00:18:32Me, Esther Barney, of course.
00:18:34Ah, okay.
00:18:35So that's your secret, huh?
00:18:37Relax, okay?
00:18:38I am a dead man.
00:18:41Santiago, don't get married, okay?
00:18:43Come out of the closet.
00:18:44No, no, no, no, no.
00:19:14No, no, no, no, no, no, no, no.
00:19:44It seems like there are too many jokes, it's getting a bit tiresome.
00:19:47Tiresome?
00:19:48Does "Tiring" make you laugh?
00:19:50Don't mess with me, man.
00:19:51Let's see, Chucky.
00:19:53A love for humor, okay?
00:19:55To the love of humor, dude.
00:19:56Life taught me that, Chucky, okay?
00:19:58Believe me.
00:19:59You tell him the Viva Poru joke and he'll pee himself.
00:20:02I swear, he pees.
00:20:04Ah, okay, fine, okay.
00:20:07Girls, this one is great.
00:20:11A guy goes to a pharmacy, right?
00:20:13And he asks the pharmacist,
00:20:15Viva Poru and he replies to the pharmacist,
00:20:18Long live her! Long live her!
00:20:22Didn't you get it?
00:20:23Hello.
00:20:24Viva.
00:20:25Hello.
00:20:27Has Alex arrived?
00:20:28Yeah.
00:20:28Excellent.
00:20:30Hello.
00:20:30Hi how are things?
00:20:31Very good.
00:20:33Sorry for the delay.
00:20:34No problem.
00:20:35Well, I've come by to buy you a gift.
00:20:39Me?
00:20:40Yes, yes, here, here.
00:20:41For you.
00:20:42Damn, man, he brought her a gift and I didn't bring her anything.
00:20:44It wasn't necessary, was it?
00:20:45Calm down, calm down, Chucky.
00:20:46Here are some earrings.
00:20:48How beautiful.
00:20:49Do you like them?
00:20:49A lot.
00:20:52Thank you so much.
00:20:53Nothing.
00:20:56Hey, you're welcome!
00:20:59Well, well, that's a gift from the three of them.
00:21:01Okay, mine is Super Chucky.
00:21:03They're cool, aren't they?
00:21:04Well, what a babe!
00:21:07Have a cheese for me, man.
00:21:08Nothing, nothing, nothing, nothing.
00:21:08We're going that far, huh?
00:21:10Okay, guys, let's get creative, shall we?
00:21:12Let's see, putting the abrupt one.
00:21:15Ah, dude, dude, dude, that's a load of rubbish, that won't fly.
00:21:17That won't fly.
00:21:19But what is this?
00:21:20That's right, he looks like the Joker, man.
00:21:22It's funny, dude.
00:21:22It's funny, but no, dude.
00:21:26Well, it looks like that's not going to happen.
00:21:27It's my turn in this photo, it's a real show-off, man.
00:21:30This isn't going to fly, is it?
00:21:32It's my turn, if we do it discreetly, yes.
00:21:34Let's see, dude, let's go get the tombstone, okay?
00:21:37Okay, take out a few fins and put a footprint on the tip.
00:21:41What's happening?
00:21:43Oh, oh, oh, oh!
00:21:45Shh!
00:21:45Shh!
00:21:45The photos turned out really beautiful and I wanted to show them to you.
00:21:59Of course, because she's very pretty
00:22:01Oh my God, how awful!
00:22:05And that baton?
00:22:06Cheers? What cheers?
00:22:08What do you mean, "what the hell," abolish? Look, I don't have that nose anymore.
00:22:10Well, let's see, listen, we were just talking about it
00:22:13Yes, it's grown a bit lately
00:22:15But come on, it's not a big deal.
00:22:16As?
00:22:19You were talking about my nose, were you?
00:22:21Yes, but we just saw, Manitere
00:22:23There are many attractive women with large noses
00:22:25Look, Rosy de Palma
00:22:26Yes, or the one Dad likes, this Barbara Streisand.
00:22:29You're not grateful
00:22:30No
00:22:31And did Humberto notice?
00:22:34Well, that's all, that's normal
00:22:36Natural, fuck
00:22:37Says
00:22:44He says, one goes with the other
00:22:46He says, it was me and Manolo.
00:22:48And they tell him another man, it will be Manolo and me
00:22:51So what? Wasn't I going?
00:22:57It is sown today
00:22:58What a great ass, dude!
00:23:02Hey man, the meat's burning!
00:23:04Okay, let's take a look at the cheat sheet.
00:23:07This one won't fit, not a chance.
00:23:09Yes, yes, yes, yes, yes, man, yes, come in
00:23:12Otherwise, you've already shown him that you felt the humor, okay?
00:23:14Okay, now that I see you also have a sensitive spot there, that's it.
00:23:17Sensitive to what?
00:23:18Sensitive, damn it, little one, let me see you have a soft side
00:23:21Damn, girls love that.
00:23:22Soft?
00:23:24Well, since she doesn't show her ass
00:23:25Are you grilling chops?
00:23:28We're roasting your grandma
00:23:29Kids, your nose, it's going to fall
00:23:31Okay, rude.
00:23:32I put it in
00:23:34Chiquitío, why are you being so sensitive about the kid?
00:23:37If it's a boy, dude
00:23:38What's it to me?
00:23:40Sure, man, sure
00:23:41Women are mothers, dude.
00:23:43And mothers have maternal instincts.
00:23:46Know?
00:23:47That's why they love it when we're affectionate with the kids.
00:23:50Let's get tender
00:23:51Dude, think, think of something you liked when you were little
00:23:56Or something they did that you liked
00:23:58At a trot, at a trot, at a trot
00:24:02And at a gallop, at a gallop
00:24:03At a gallop
00:24:04I have to go do my homework, okay?
00:24:06Very good, buddy
00:24:07See you later
00:24:08I love children, come on
00:24:12It's always been this way, too.
00:24:13Whatever I tell you, Diego
00:24:15What I tell you, no
00:24:16In other words, no.
00:24:16We have tested the fraud.
00:24:18And it has come out mostly negative
00:24:20Nothing in Paul de Gay
00:24:22Damn, he's barking.
00:24:24He likes sexy blondes
00:24:25He said so.
00:24:26He said so.
00:24:26And what is Lucia like?
00:24:27What is Lucia like?
00:24:28Blonde, blonde, blonde
00:24:29Blonde and sexy
00:24:29In other words, wake up!
00:24:31Because for the moment
00:24:32He's gone into the school with your wife
00:24:33So, what's next?
00:24:35What's going to happen next?
00:24:36Of course, in Guille and Curro's room
00:24:37If you don't mind, okay
00:24:38Of course, for God's sake.
00:24:39Come on
00:24:40Sorry
00:24:42What, how is that?
00:24:44Paul is staying
00:24:45In Guille and Curro's room?
00:24:46I haven't told you.
00:24:46I just think it's silly.
00:24:48He should go to a hotel
00:24:48If there's room in Guille and Curro's room
00:24:50Yes, not because of this
00:24:51Come on, no!
00:24:53No, why bother?
00:24:55Paul, this isn't for you.
00:24:56You don't bother anyone.
00:24:57But, let me tell you something
00:24:58Those are the ones that will bother you
00:25:00They are my children
00:25:01Because?
00:25:02Because my children are
00:25:03My children are hateful
00:25:05Diego?
00:25:06Yes, Lucia
00:25:07No beating around the bush
00:25:08In other words, the children
00:25:08I have raised the children badly.
00:25:10I made a mistake.
00:25:10In terms of education
00:25:11I made a mistake.
00:25:11And my children have turned out strange.
00:25:12Twisted
00:25:13They turned out crooked.
00:25:14Weird and disgusting
00:25:15And, well,
00:25:16The little one less
00:25:16But Guille, especially
00:25:17Tell your fiti
00:25:18What is Guille like?
00:25:18What is Guille like?
00:25:19Guille?
00:25:19Guille
00:25:20Satan as a young man
00:25:21Yeah
00:25:22And the other
00:25:23His apprentice
00:25:23Hey, that's enough.
00:25:24What are you saying about the children?
00:25:26Man
00:25:26I think the boys are very nice.
00:25:27Of course
00:25:28They are very nice.
00:25:29And they're also delighted with him
00:25:30Come on, come and join me upstairs
00:25:32Paul
00:25:32Do something
00:25:34Do something
00:25:35Fusilián
00:25:36That the drill has come into your house
00:25:38Hey?
00:25:39You down here
00:25:40Impaired, useless, total
00:25:41And he was up there alone.
00:25:42With your wife
00:25:43Damn, Lucía is quite the woman.
00:25:45Fuck
00:25:45And now you
00:25:46Well, you're not focused on what you're doing.
00:25:47Damn, the only dick you give him is this one
00:25:48It's heavy, it's heavy
00:25:50Do you want me to cause trouble?
00:25:51Do you want me to cause trouble?
00:25:51No, no, no
00:25:52Because if you mess things up now
00:25:53For no apparent reason
00:25:55Well, your wife is going to give you a piece of her mind.
00:25:57From those of Palabismo
00:25:58Pussy
00:25:58We have to wait
00:25:59Wait and watch
00:26:01Because I'll tell you something else too, okay?
00:26:03Just as there is attraction
00:26:04Well, there can also be containment
00:26:07I'll help you
00:26:09Thank you
00:26:10The food is delicious, isn't it?
00:26:14Yes, yes
00:26:15Very tasty, very tasty
00:26:16And a day ago
00:26:17Fantastic day, isn't it?
00:26:19Yeah
00:26:19There are no cold lemons left.
00:26:22Is there nothing left?
00:26:23No
00:26:23But I look inside and it's the same, well
00:26:27On the rocks
00:26:28Yes, of course, with ice.
00:26:30We cooled it with ice
00:26:40Sweetie, sweetie
00:26:56That?
00:26:56Can you imagine having a partner again?
00:26:58To go out again, the four of us.
00:26:59Like before with Marcos and me?
00:27:01Had you thought about that too?
00:27:03They're a really great couple, man.
00:27:05Okay, yes
00:27:05Well, and it makes me incredibly happy
00:27:09What the hell?
00:27:10But, but, since when are you such, such, such good friends?
00:27:14That?
00:27:15Because?
00:27:17Look, God
00:27:18What a lovely couple they make!
00:27:20Which couple?
00:27:22Ah, the couple
00:27:23The couple
00:27:24The couple
00:27:25Afri
00:27:26Afri
00:27:27Can you help me with the cake right away?
00:27:29Sure, sure
00:27:30To the wedding
00:27:34Okay
00:27:35Okay, okay
00:27:36There, Alex
00:27:44Dude, you don't listen
00:27:47That...
00:27:48To Churri and Tronco
00:27:49I think he looks terrible.
00:27:49Yes, son
00:27:51That guy's acting all fancy, huh?
00:27:53Tell some jokes
00:27:54It's mostly, dude
00:27:55Because he's trying to overcome the situation
00:27:57She's very tough, you know?
00:27:58Yeah
00:27:58What's wrong with him?
00:27:58Well, I've been without a life for a month.
00:28:00With a severe depression
00:28:01Depression, Chucky?
00:28:04I mean, it doesn't suit me, it doesn't suit me at all, you know?
00:28:06Well, dude, he's in psychiatric treatment.
00:28:08And they've tried to cut the sentence twice, man.
00:28:09There, I've said it
00:28:10I've messed up again, as usual.
00:28:11Hey, hey, hey, hey
00:28:13Oh really?
00:28:15Yeah, man, yeah
00:28:16Very sad, man.
00:28:17Very sad
00:28:18It feels awful, man.
00:28:20He feels like a loser, a loser, man.
00:28:22Well, when did this appear to us?
00:28:23And it seems that a little bit...
00:28:25This one? Who is this?
00:28:27So, what else, Herales?
00:28:28Rude
00:28:29This guy who's totally smitten with her has appeared.
00:28:31Already
00:28:33I'm telling you this because you're giving him the eye too, huh?
00:28:36I've realized
00:28:37I observe things, okay?
00:28:39And I have a fifth sense there.
00:28:40Right?
00:28:43Yes, I like it, yes
00:28:43Yeah, I really like it, dude.
00:28:44Yeah, yeah
00:28:45Yeah, yeah, I know I messed up, Alex, dude.
00:28:48Know?
00:28:49But...
00:28:50But look at him
00:28:51Dude, hey, under normal circumstances I'm the first one to tell you that I'm a jerk.
00:28:54And may the best man win, that's it, man.
00:28:56But...
00:28:57But look at him, Alex, man
00:28:58It's a matter of life or death, you know?
00:29:01I mean, I think I've made it so that at any moment...
00:29:04And goodbye, uncle
00:29:05Yes, yes
00:29:06The cake
00:29:08The cake, the cake
00:29:09I, I'm leaving
00:29:11I'm leaving
00:29:12As?
00:29:13Ah, yes
00:29:14I'm outta here
00:29:15That...
00:29:15I'm in a real mess...
00:29:17From the opposition
00:29:18You wouldn't believe it.
00:29:19I need to accelerate.
00:29:20Now?
00:29:21Yes, yes, yes
00:29:22Now, now
00:29:22That...
00:29:23Come on
00:29:23See you later
00:29:24Come on
00:29:25Come on, good luck
00:29:26It's his birthday
00:29:38No, no, no
00:30:05Is something wrong?
00:30:26Diego, I don't know what he wants again
00:30:28Good night
00:30:30How awful
00:30:30Diego
00:30:32Diego, for God's sake, for
00:30:36You're going to wake up the whole house
00:30:38What happens now?
00:30:39Let's see
00:30:40Well, I've suddenly got a thirst attack.
00:30:41I want water
00:30:42Honey, this is the third time you've called me
00:30:44It's late
00:30:45And on top of that, you still have a full glass.
00:30:48No, no, I didn't see it because it was dark.
00:30:49How am I going to see it if it's there?
00:30:50Also, he's a little silly too
00:30:52Because...
00:30:52Hey, you didn't take long to come down
00:30:53I mean, like
00:30:55When I blew the whistle, you didn't take long to go downstairs.
00:30:57Well, it seemed to me that it was taking a while.
00:30:57But Diego, please, he's falling asleep
00:30:59How could I not take a while?
00:31:00Can you tell me what the hell you're here to ask?
00:31:02What does he ask you?
00:31:03But seriously, what do you mean...?
00:31:04Okay, okay, okay, I'm asking you because I'm your husband.
00:31:06And it seems to me that you take a long time to come down from the room
00:31:08Well, it worries me
00:31:09Because I don't really know why...
00:31:10So, what's up, Diego?
00:31:11Just because it's up there, you're already overthinking it, aren't you?
00:31:13Am I overthinking it?
00:31:15Not at all, sorry, not at all
00:31:16Look, Diego, please, we know each other
00:31:17And you start with your choirs and your truth stuff
00:31:19Which choirs?
00:31:20But what are you saying, Lucia?
00:31:21But what choirs?
00:31:22Don't twist things, because there are no choirs.
00:31:23There are no choirs
00:31:23Okay, so swear to me right now that Fiti and Santiago
00:31:26Or haven't they been warming you up?
00:31:28Swear it to me
00:31:28No
00:31:29Come on?
00:31:29No, no, no, no
00:31:30And I can't swear to it because you know I don't like to swear.
00:31:32And since I don't like to swear, I don't swear, I never swear.
00:31:34Well, just so you know, one thing
00:31:35Nothing has happened and nothing will happen with Paul
00:31:37Is that clear?
00:31:39Besides, I have no interest whatsoever.
00:31:41Okay, but you tell me that and I listen to you and it seems fine to me
00:31:44But excuse me, I called you because I was thirsty
00:31:46And since I'd suddenly got a thirst attack, well, I had...
00:31:48Okay, well, that's fine.
00:31:49The glass is there, you're there, everything is there
00:31:52So let's sleep peacefully.
00:31:53Well, we slept soundly, so give me the whistle.
00:31:56I'm confiscating it, and let's see if we can finally sleep.
00:31:59If not, if you're carrying the whistle and if I can sleep
00:32:01But you've given yourself a hard time and now you don't
00:32:02Okay, good night
00:32:03Santi!
00:32:27Santi!
00:32:28It's me, it's your brother, it's Diego
00:32:30Santi!
00:32:33Will it be, huh?
00:32:34Has anything unfortunate happened?
00:32:35No, nothing has happened yet.
00:32:36But I'm just imagining my wife upstairs with the foreigner.
00:32:39And me with the choirs, the choirs
00:32:41The choirs and the hallucinations of adultery
00:32:42Hallucinations
00:32:43Hallucinations?
00:32:45Revelations?
00:32:47But damn it, Santi, don't make me feel even more welcome.
00:32:49Do me a favor, man, please.
00:32:50I am your brother
00:32:52And I have to tell you the truth
00:32:53Otherwise, why are you calling me?
00:32:55Damn, I'm calling you because I'm useless
00:32:57I need you to lend me a hand
00:32:58Listen to me, I want you to watch over my lady.
00:33:00So we know if the foreigner respects me.
00:33:02Hey?
00:33:04Don't worry
00:33:05I'm watching her
00:33:07And that she respects it
00:33:09Hey?
00:33:10That she respects her
00:33:11Yes, respect her, that's what I'm saying
00:33:13That he respects you, that he respects her
00:33:14Hey?
00:33:15Yeah
00:33:15What are you doing, daughter?
00:33:25Mother
00:33:25How does my nose look to you?
00:33:27Well, that's normal.
00:33:28Yeah, well, but it's grown
00:33:29I mean, since last year this has grown
00:33:31A bit
00:33:31Oh my God, even you admit it, Mom.
00:33:34I have a huge baton
00:33:35What the hell?
00:33:36What the hell
00:33:37Mom, please, you look like a potato
00:33:39A potato?
00:33:40You're a real potato.
00:33:40Don't exaggerate, come on
00:33:41I just don't understand the whole genetics thing.
00:33:43Why does Dad have that little nose?
00:33:44And you?
00:33:44And Eve too?
00:33:46Who do I take after, Mom?
00:33:47Whom?
00:33:48Hello
00:33:49What's happening?
00:33:51Meeting in the bathroom?
00:33:52God, it can't be.
00:33:53It just can't be
00:33:54What's wrong with this girl?
00:33:56What's wrong with him?
00:33:57He woke up feeling silly.
00:33:58That has a big nose
00:33:59Mom, it's not silly, Grandma.
00:34:01That you understand me
00:34:01Well, daughter, no, I don't know
00:34:03I don't know what the problem could be.
00:34:04Having a slightly large nose
00:34:05I don't know, Grandma, it's a big problem.
00:34:07Yeah?
00:34:08Well, maybe, I don't know.
00:34:09When I was a child I had a very small nose
00:34:12But then, from the age of 13
00:34:14It started to grow and it's still growing today
00:34:16Because the nose is like the ears.
00:34:18That grows throughout your life
00:34:1913 years old?
00:34:20Yeah
00:34:20Grandma, I'm 13 years old
00:34:22That it's going to start growing
00:34:22And mine is going to get like yours
00:34:24Well, daughter, wear it with pride
00:34:26How interesting that you are!
00:34:27Furthermore, he who resembles his own kind
00:34:29Honor is due
00:34:30I deserve to be taken to Pinocchio
00:34:31With this nose, Grandma
00:34:32Pinocchio
00:34:32Well, I'm going to school now.
00:34:34You're wearing it, of course, beautiful
00:34:35You're already showering and going downstairs for breakfast
00:34:37Come on, Mom, help me
00:34:38Yes, yes, I'll help you
00:34:39It smells so good
00:34:45And everything looks so good!
00:34:47Yes, Polo
00:34:49You should have bothered
00:34:50No, I like it
00:34:51I love waking up early in the morning
00:34:53For jogging
00:34:54Just bring the dog
00:34:56He was very nervous.
00:34:57But hey, Pepe
00:34:59Come here, little horse.
00:35:01What nerve, huh?
00:35:03Look at it
00:35:04I have a face
00:35:04Would you like a little coffee, Mommy?
00:35:05Yeah
00:35:06Oh, my dear, what a little gem!
00:35:07What a kid
00:35:08It's a shame I didn't discover
00:35:11Before the other
00:35:11It's really good
00:35:13Good morning
00:35:16Hello
00:35:16Good morning
00:35:17And Diego?
00:35:19Hasn't he gotten up?
00:35:20Nothing, she had another bad night
00:35:22Well, he had another bad night
00:35:23And she has given it to us.
00:35:23Because he's been with his little penis
00:35:25Up and down
00:35:25That I confiscated it and everything
00:35:26I have no more
00:35:27You did very well.
00:35:28Because one is also disabled
00:35:29And it doesn't cause that much trouble.
00:35:30So, the little whistle
00:35:31Don't give it back to him.
00:35:32What do you mean, don't give it back?
00:35:33No
00:35:34My brother is disabled
00:35:35And if you have a need
00:35:36You will have to call
00:35:37And his wife will attend to him
00:35:38Excuse me, Santiago
00:35:40But your brother
00:35:41His wife takes very good care of him.
00:35:42As it should be
00:35:43That's what the head of the family is for.
00:35:44Well, I've brought some churros
00:35:46Churritos?
00:35:48Well, we have breakfast
00:35:48For a regiment
00:35:49Because Polish of everything
00:35:50Even eggs
00:35:51Eggs?
00:35:53Since when do people eat eggs for breakfast?
00:35:54In this house?
00:35:55Here, in Hispanic
00:35:56Churros, just like always
00:35:59There you have them
00:36:00But what are churros?
00:36:02That's it, that's it
00:36:03Look at it closely
00:36:04What churros
00:36:04It's delicious!
00:36:05But it's full of fat, isn't it?
00:36:06That hurts you.
00:36:08The veins
00:36:08It blocks them for you
00:36:09Oh, really?
00:36:10It blocks your veins.
00:36:11And the black legs?
00:36:12They don't block them for you?
00:36:13You eat them up!
00:36:14No, no, no
00:36:16You're right.
00:36:17Yes, but the thing is
00:36:18To die for black legs
00:36:19It's worth it
00:36:20But because of this thing
00:36:21I said nothing.
00:36:24Children
00:36:25I haven't said anything.
00:36:26American breakfast
00:36:27Breakfast!
00:36:29Look, look
00:36:29See what it's like
00:36:31Well, Currito
00:36:31What are you going to start?
00:36:32Because of what you like
00:36:33Smelling is enchanting
00:36:35If I were 30 years younger
00:36:37Mother
00:36:39You're being a bit forward.
00:36:40This morning
00:36:40Yeah
00:36:40The thing is
00:36:41Peti
00:36:47Listen to me carefully
00:36:48Paul
00:36:49He's stealing
00:36:50The family
00:36:51To my brother
00:36:52Yeah
00:36:52He's impersonating you
00:36:54He's impersonating you
00:36:55Yeah
00:36:55Okay, please.
00:36:57Don't get paranoid on me
00:36:58Okay, go ahead
00:36:59If it was sudden
00:36:59From the barbecue
00:37:00Anything you want
00:37:01But he surrendered
00:37:02Or it wasn't delivered
00:37:02When you got tangled up in the pantry
00:37:04Hey?
00:37:05It was surrendered
00:37:06It was surrendered
00:37:07Of course he surrendered
00:37:08And that's what matters.
00:37:09No?
00:37:09Well, cheer up!
00:37:10Cheer up, man
00:37:12Things aren't so bad after all.
00:37:13With Ruth, uncle
00:37:13It's going slowly
00:37:14But it goes
00:37:14No, it's not going anywhere.
00:37:16Uncle
00:37:16It's very clear
00:37:17What happens to me
00:37:18Like poop
00:37:19Hey?
00:37:19I don't have that one.
00:37:20No possibility
00:37:20Nothing.
00:37:21Because
00:37:21What he likes
00:37:24It's Alex
00:37:24Alex?
00:37:25No, no, no
00:37:26Let's see, Chucky
00:37:28Who was it with?
00:37:28All night
00:37:29Laughing at the jokes?
00:37:30To you, uncle
00:37:30But we did see it.
00:37:31All
00:37:31Did we see it or not?
00:37:33Yes, yes
00:37:33We saw it
00:37:34We didn't see it
00:37:35We didn't see it at all.
00:37:36Chucky, they're here
00:37:36Cheer up, man
00:37:37Hello
00:37:37Hello
00:37:38Hello
00:37:38Hey
00:37:39Ruth needs
00:37:41They need to lend a hand
00:37:41In the library
00:37:42Yeah
00:37:43There's a huge mess
00:37:44On the shelves
00:37:44Ah, okay.
00:37:45Don't worry, man
00:37:46Of course, Chucky and I have nothing to do.
00:37:47We'll give you a hand
00:37:47Okay
00:37:48And you, Alex?
00:37:50Okay, no.
00:37:51Why can't he?
00:37:53Well, tell him, tell him
00:37:54I
00:37:55I'm just tonight
00:37:56I've had a bad time
00:37:57AND
00:37:58And I have this kind of pain.
00:38:00A stiff neck
00:38:01That leaves me reeling
00:38:02Yes, he can't
00:38:03Because that's how it is
00:38:04With the shelves
00:38:05And the torticollis
00:38:05It's awful.
00:38:06Yeah
00:38:06And be careful if you touch me.
00:38:08Maybe
00:38:09I can still stir a little.
00:38:10Well, don't worry
00:38:13Chucky and I are your men, bro.
00:38:14Hey, we'll give you a hand there.
00:38:15What's missing
00:38:16Okay
00:38:17Hey?
00:38:17Comes back
00:38:18Thank you
00:38:19Okay, see you later
00:38:20See you later
00:38:21I'm going to give myself a scrub too.
00:38:23I need her
00:38:24Yeah, take care of that neck, man.
00:38:25May the devil have you.
00:38:27Raul, can we talk?
00:38:30Of course, my love
00:38:31Whatever you want
00:38:32Can we talk?
00:38:34I'm going to give Alex a little bit of a hard time.
00:38:36Come on
00:38:36Raúl
00:38:40What the hell are you doing?
00:38:44That?
00:38:45Don't you realize it was an excuse?
00:38:47So that Ruth and Alex could see each other?
00:38:48To see, to see him caught
00:38:53Churri
00:38:54Of course, of course, that makes perfect sense
00:38:56Fuck
00:38:57And I'm the first one who wants them to be together.
00:39:01And may they be happy.
00:39:02It's shit.
00:39:02Well, it seems unbelievable.
00:39:04Sometimes I just can't make it, Churri
00:39:07I know
00:39:08Okay, let's see
00:39:09As you all know
00:39:11This afternoon
00:39:12Early summer pool party
00:39:15See?
00:39:20When they like
00:39:20There's a bit of a mess
00:39:21There is, there is
00:39:23Well, then
00:39:23All yours
00:39:24Okay, thanks.
00:39:25So, today we're going to learn first aid.
00:39:28Our friend is going to help us
00:39:30Jimmy
00:39:31Ciado, Jimmy?
00:39:32Hello!
00:39:37Tete, tete, tete
00:39:38Do you know where Guille is?
00:39:40I had a dentist
00:39:41Wow, man, you're lucky!
00:39:42Because this lifeguarding thing is a real drag, huh?
00:39:44Oops, sorry
00:39:45Sorry
00:39:45What has he swallowed?
00:39:49Did she swallow her breast whole?
00:39:50The thing about the cape
00:39:50He's not going to swallow it, is he?
00:39:52It's not visible
00:39:52Tete has a baton, pass it on
00:39:54Tete has a baton, pass it on
00:39:57Look how I do it
00:39:59We'll do them later.
00:40:00Damn, pass it on
00:40:02Silence
00:40:03Guys, pay attention to the first aid course that counts towards your grade, okay?
00:40:07Okay, see you later
00:40:08See you later, Paul
00:40:09God
00:40:09Let's start practicing word of mouth
00:40:12Word of mouth, Lucia
00:40:15If this guy gives me mouth-to-mouth resuscitation, I'll faint.
00:40:18He has it all, he's handsome
00:40:21Sympathetic
00:40:22Charming
00:40:23The perfect friend, huh?
00:40:25The perfect friend
00:40:27Tete
00:40:28Come here
00:40:29Let's practice word of mouth with Jimmy
00:40:31Come on, Tete
00:40:33Tete, come on, let's go
00:40:35Come on, Tete, show some guts!
00:40:37Tete, sorry, it just slips out.
00:40:39Silence, okay?
00:40:44So, Jimmy has drowned
00:40:46What would you do?
00:40:48Uh, clear his airways
00:40:50Very good
00:40:50Free yourself first
00:40:51Come here, listen
00:40:56Come on
00:40:58Tete, be careful
00:40:59Don't let the nafia pop out his eye
00:41:00Tete has a baton
00:41:03Tete has a baton
00:41:05Tete has a baton
00:41:07Tete has a baton
00:41:08Tete has a baton
00:41:08Silence
00:41:09Tete has a baton
00:41:10Silence
00:41:11Tete has a baton
00:41:12Tete has a baton
00:41:13Tete has a baton
00:41:13Tete has a baton
00:41:13Tete has a baton
00:41:13Tete has a baton
00:41:13Tete has a baton
00:41:15Where are you going?
00:41:16But if you can find out what's wrong with you
00:41:17Why are you leaving class like that?
00:41:18No, Mom, you're saying I'm hallucinating about the baton thing.
00:41:19No?
00:41:20Well, everyone knows that.
00:41:21And they laugh at me
00:41:22Everyone.
00:41:23Okay, honey.
00:41:26Who is everybody?
00:41:28Well, Mom, the people in the class and anyone who has eyes.
00:41:31Any...
00:41:32All good?
00:41:34Look, Paul has eyes.
00:41:36Could you please take a look at her and tell me if she has a big nose?
00:41:39Mother.
00:41:40Well, I don't think he has a big nose, do I?
00:41:42Who? Who has a big nose?
00:41:44Me... And Mom, stop it now, please.
00:41:47But...
00:41:47Look, Tete, you're making a mountain out of a molehill.
00:41:50Don't you have a big nose, daughter?
00:41:51Well, it's a bit rough, but not big.
00:41:54Hey, you're one of a kind when it comes to cheering people up, aren't you, handsome?
00:41:57Tete, well, I think you're a very pretty girl, you know?
00:41:59See?
00:42:00Just like your mother.
00:42:01Ah, me too.
00:42:02You two look very similar, don't you?
00:42:03Well, thank you very much.
00:42:04Because if I look like her, it means I'm a stunner.
00:42:08Okay, Tete, darling.
00:42:10You're going to see Fernando and tell him what's happening to you.
00:42:12Mom, my problem isn't with a psychologist, it's with a plastic surgeon.
00:42:14I'll call my dad, ask him for money, and I'll stick it on, that's it.
00:42:16Look, Tete, you're going to see Fernando and that's an order, is that clear?
00:42:20Okay, then you'll have to come with me.
00:42:22Well, I'm going to go alone.
00:42:23Well, I can't, darling, because I've arranged to take Diego to the traumatologist.
00:42:26Ah, very well, look.
00:42:27You should be with your husband.
00:42:29Good.
00:42:29Well, if you want, I'll go with you.
00:42:31Oh, wait a minute.
00:42:32This girl has a family to take care of her.
00:42:34I would go with his father if he weren't disabled.
00:42:36But since he is disabled, he will go with his uncle.
00:42:39Understood?
00:42:39Now, come on, let's go.
00:42:41Where is Fermín's office?
00:42:42Don't let yourself get down, Rui.
00:42:45It might be true that Alex has tortillas.
00:42:47I don't know.
00:42:48To me, that sounds like an excuse not to come.
00:42:51I don't understand.
00:42:52I just don't understand it, auntie.
00:42:54Maybe she didn't like the kiss.
00:42:57You'd love the well a little, Mari.
00:42:58Hey?
00:42:59That's the dumbest thing.
00:43:02Which well?
00:43:03Which well?
00:43:04Leave it.
00:43:06Kid, there they are.
00:43:07Chucky, this is your chance, okay?
00:43:09I'm telling you that if you show him now that, apart from being a hot guy, he's also sensitive
00:43:12And there's a little intellectual element to it, huh?
00:43:14This one takes you to the next level today.
00:43:16I'm telling you, okay?
00:43:18He neglects you.
00:43:19Come on.
00:43:20Oh.
00:43:22Okay, we're done with M.
00:43:23Now let's move on to the next one.
00:43:27It's N.
00:43:29Nietzsche.
00:43:29That's Nietzsche.
00:43:32Thus Spoke Zarathustra.
00:43:34This is a super big book, huh?
00:43:37Have you read it?
00:43:39Well, yeah.
00:43:40Hundreds and hundreds of times, the uncle.
00:43:41Sometimes he's sleeping and bits of him fall out.
00:43:46Yes, I recite the superman thing.
00:43:52Look at what's there.
00:43:54Is he looking at me now?
00:43:55Is he looking at me now?
00:43:55This one is so beautiful because of your bones.
00:44:00The problem is that this medium cuts off from my audience.
00:44:02So what you have to do is send him a private message.
00:44:05Okay, anything else with the letter N?
00:44:07Yeah.
00:44:09This.
00:44:10Nabokov.
00:44:11Nabokov.
00:44:13Lolita.
00:44:14This one has artistry.
00:44:16And his mother?
00:44:17The pharaoh?
00:44:17Wow, what a star she is.
00:44:19The Pharaoh of Spain.
00:44:19About me?
00:44:23Is it possible that our daughter has developed an inferiority complex?
00:44:25Sure, sure, come in, sure.
00:44:27Come in, come in.
00:44:28Sit down.
00:44:30Look, go away, what's wrong with you?
00:44:32Well, his nose has grown and he's been traumatized by a trauma.
00:44:36If you don't mind, you can let her tell it, okay?
00:44:39Okay.
00:44:40Let's see, mate.
00:44:41Well, nothing, my nose is starting to look like my grandmother's and I'm not going to be able to resist it.
00:44:46And rightly so, huh?
00:44:47And rightly so.
00:44:48Santiago, please.
00:44:50Hey, buddy, take your hand away, let me see it.
00:44:53Take your hand away, so I can see it for myself.
00:44:58Well, adolescence is a difficult stage, isn't it?
00:45:01And, of course, your features develop and suddenly one thing grows while another hasn't.
00:45:06For example, it is very common for girls to have uneven breasts.
00:45:10Or that boys develop one testicle before the other.
00:45:12I meant to say testicle, I meant to say testicle.
00:45:14Let's see if a girl should start becoming curious about testicles now.
00:45:17He's going to dedicate himself to looking at testicles and everything related to testicles.
00:45:19Relax, you were an example, weren't you?
00:45:21Don't worry.
00:45:22Well, the same thing happens to your nose, which developed earlier than everything else.
00:45:26But don't worry, it will balance out.
00:45:28Yes, well, but until then I'm really tired and I'll wait for you.
00:45:31Because no, woman, it's not big, it's enough, it's enough.
00:45:33Just take everything Fermín told you at face value, except for the part about the testicles, okay?
00:45:36Now, and now let us be, we are lucky.
00:45:38So, you don't have any problem with your physique, huh?
00:45:41You don't need to worry, okay?
00:45:46Well.
00:45:47Well, if I have any, then you tell me how I can help you.
00:45:51This, López, is a hypothesis.
00:45:53A hypothesis.
00:45:53In the event that I met someone who was like a brother to me, which isn't to say that he is my brother or that I know him, right?
00:46:00And if his wife were to cheat on him and his lover was to steal his family and impersonate him, if that weren't just a hypothesis, I should tell him the whole truth.
00:46:10There are fans.
00:46:15There's a connection between the guy and your wife.
00:46:17Who is a fan of what?
00:46:18Curro, son, what's wrong with listening to other people's conversations?
00:46:21So, go up to the fourth floor and finish watching them, handsome.
00:46:23Well, I've finished them now.
00:46:24Well.
00:46:25If you want to talk about that...
00:46:26Wow, Teté has a huge cock.
00:46:31Tell him, tell him what you've seen.
00:46:33There's a feeling, a connection between them.
00:46:35And there are glances with a downward eye, compliments, and touches.
00:46:39What kind of touching? What kind of touching? What kind of touching?
00:46:41The silly little hand, Lorde.
00:46:44Yes, the silly little hand.
00:46:45I'm getting heated, huh?
00:46:48But why am I asking you anything? Why am I asking you anything?
00:46:50If you're right, Lucia, I have to trust you.
00:46:53She tells me that nothing will happen between Paula and her, and I trust her.
00:46:55And why won't anything happen? Because it's not in anyone's interest.
00:46:58And Paul is a good person.
00:46:59Well.
00:47:00Oh, please!
00:47:01Oh, please!
00:47:01What? What do you mean, "good"? What do you mean, "good"?
00:47:03Okay, here's the good part.
00:47:04Okay, what are you looking at?
00:47:06Look.
00:47:06That?
00:47:07Look, a picture is worth a thousand words.
00:47:09Is there a fan base or not?
00:47:10Where is he looking?
00:47:10So what happens?
00:47:11Where is your wife looking at the foreigner? Where?
00:47:12He's looking at your back, because he's giving you something in your back.
00:47:14It's already like that, on my back, yes.
00:47:15On the back, let's calculate the angle, damn it.
00:47:17We have the pet carrier here, we have everything.
00:47:19Look at the kid's stuff, look.
00:47:21Assuming your wife is the breast, well, sorry.
00:47:24You have to see where he's looking.
00:47:25The gaze directly from the eye, here.
00:47:28We marked the hypotenuse, right?
00:47:30Straight to the point...
00:47:33The ass cracks, dude.
00:47:34This guy is coming to steal your wife and family.
00:47:37He's like the Pied Piper from Amelie.
00:47:39Even the dog's sniff is following him.
00:47:41What is right?
00:47:42Pepe too, I mean, Pepe also loves a lot.
00:47:46No, look, I don't have to pay any attention to it.
00:47:48Lucía is right, you are the choir.
00:47:49You are the choir that hammers in my head and you are driving me crazy.
00:47:52And I... that you get out of here.
00:47:54No, I never want to see you again in my life.
00:47:55Get out of here, come on, get out.
00:47:56Out!
00:47:58No, I don't shit myself or anything.
00:47:59Go away!
00:47:59Strong!
00:48:03Well, this year's final history exam has four parts.
00:48:08Look, I'm full of myself for being defeatist, okay?
00:48:11But the intellectual stuff just doesn't work with a...
00:48:14Neither the intellectual nonsense, nor any kind of snob.
00:48:16Yes, yes, man, yes.
00:48:17We'll see that what we've been doing so far is sowing seeds.
00:48:21Okay, and he who sows, sows, well, in the end, whether he likes it or not, he reaps.
00:48:25But what am I going to pick, buddy?
00:48:26Yes, yes, yes, yes.
00:48:26It's clear I don't like myself, dude.
00:48:28But don't see it that way.
00:48:30Yeah?
00:48:31Excuse me, I'm here to deliver a book.
00:48:33Okay, then hand it in quickly.
00:48:35Chacón, start handing out the exams.
00:48:37Good.
00:48:38The third part of the exam will consist of relating two topics.
00:48:41My God, he's looking at you, isn't he?
00:48:43Honey, we're taking a test.
00:48:45The First and Second World Wars.
00:48:49In this section, we will need to compare these two war events, mentioning what they have in common and what distinguishes them.
00:48:55Thank you, Candela.
00:48:56I've been so good, dude.
00:48:57Do you have a signal?
00:49:01What does a note have?
00:49:03Well, just to be with you, I'll be waiting for you this afternoon at six o'clock at my house.
00:49:12Sorry, sorry.
00:49:14Africa, please, every day.
00:49:18Chucky, listen, listen to one thing.
00:49:21That?
00:49:21Listen, when you get there, no chatting or nonsense, okay?
00:49:25You go straight into the crowd, okay?
00:49:26And if it has what it takes you to, well, it takes you there, you know?
00:49:37Hello.
00:49:37But, Tete, come on, get changed, we're going to be late for the party.
00:49:41But what party, Yoli?
00:49:43I won't go to any party until my nose smells like the rest of my face.
00:49:46But, Tete.
00:49:47Yoli, don't insist, damn it, I'm completely worn out.
00:49:49Are you a callus?
00:49:50So, what am I?
00:49:51A bunion.
00:49:52Look, Tete, you have no right to complain.
00:49:54You are beautiful, nice, popular.
00:49:56Me too?
00:49:57What about me, huh?
00:49:59Okay, fine, Yoli.
00:50:00Sorry.
00:50:03But...
00:50:03But I really don't feel like it.
00:50:06Fine, then don't come.
00:50:08Lorena will probably be fooling around with Humberto.
00:50:11That's great.
00:50:13Okay, Yoli, fine.
00:50:14Okay, okay, I'm coming.
00:50:17But you would need something done to disguise your nose.
00:50:19Hi, Yoli.
00:50:22Hey, grandma, when you were young, what did you do to disguise your nose?
00:50:26Well, in my case, what was hiding it was the easel.
00:50:29But I think your case is more about narrowing.
00:50:32Okay, well, you're narrow-minded, grandma, you're narrow-minded.
00:50:34Yeah.
00:50:34But hey, what's going on?
00:50:36You've arranged to meet that guy...
00:50:37What's it called?
00:50:38Humberto.
00:50:39Ah, that Humberto.
00:50:40Well, daughter, you, hold your head high, okay?
00:50:42Because you're no spoiled brat.
00:50:45You're a cutie, look how beautiful you are.
00:50:47How beautiful.
00:50:48Wait, but why can't I have Yoli's little nose with the monkey that...?
00:50:51Daughter, we each have our own thing.
00:50:53Clear.
00:50:54You're right, Yoli.
00:50:55The Pied Piper from Amelie.
00:50:57That damn Paul is the Pied Piper from Amelie.
00:50:59With the flute.
00:51:00He has hypnotized them all and is winning them over completely.
00:51:02I'm telling you.
00:51:03Damn, even Diego is sucking his brains out, damn.
00:51:06Well, the guy goes and says he's a good person.
00:51:08Damn it...
00:51:09I'm starting to feel anxious.
00:51:11Okay, calm down, Santi, calm down.
00:51:13And to this day we also have no evidence that the fact has been defaced, right?
00:51:17But it could have been.
00:51:18It could have happened and we wouldn't even know.
00:51:21Because there are lonely people up there and he would hear us.
00:51:24And he would hear us.
00:51:26Hey.
00:51:28At one point we.
00:51:30Because here...
00:51:30Here it will be a matter of applying what is known as cutting-edge technology.
00:51:34Hey?
00:51:34Just listen to me.
00:51:37Do you make a...
00:51:37Thanks, Rubi.
00:51:39Come on, go on.
00:51:41Hi, girl, how are you?
00:51:44But hey, what are you doing here?
00:51:46And you're asking me that?
00:51:48That?
00:51:49Aren't you going to invite me in?
00:51:51Sure, Chucky, come in.
00:51:52But I'm in a bit of a hurry.
00:51:53Ah, me too.
00:51:54I have a lot of haste.
00:51:55That?
00:51:59Primitive for men.
00:52:01No...
00:52:01Doesn't it subjugate you?
00:52:02Pretty.
00:52:04Hey...
00:52:05Let's see.
00:52:06You...
00:52:07Have you come to tell me something?
00:52:09No chatting or nonsense, okay?
00:52:11You'd say everything in your ticket, huh?
00:52:12Alright.
00:52:13Yes, yes, yes.
00:52:14But...
00:52:15What are you doing, dude?
00:52:16Get out of here, you idiot.
00:52:17Let's see, what's this all about?
00:52:19Is that what I'm saying?
00:52:20Don't play dumb with me.
00:52:22Don't play dumb with me.
00:52:23What is this?
00:52:25And how did you get this grade?
00:52:26That it wasn't for you.
00:52:27What grade?
00:52:29Okay, Ruth, I'll leave the note inside a book.
00:52:31No, no, he hasn't given me any grade.
00:52:33But I didn't give you Lolita from Nabucco.
00:52:35Let's see.
00:52:36So, you first give me the book by Lola Flores' daughter with the note inside.
00:52:40Then you give me attention and then you act all prudish.
00:52:42I mean, come on, this has a very clear name in the jargon.
00:52:45So, it starts with warming up, right?
00:52:47And it ends with pots.
00:52:48No, no, it's a misunderstanding.
00:52:50I haven't been able to pay attention to you because I don't like you, okay?
00:52:52I'm not interested in you.
00:52:54How did you get this idea into your head?
00:52:57Well, what do I know, what do I know.
00:53:00I was already telling Raúl that there was no issue, and the guy keeps trying to provoke me, huh?
00:53:03And pim pam, pim pam, and Álex the same and everything.
00:53:06Wait a minute, Alex?
00:53:08Was Alex egging you on?
00:53:09Well, I've been egged on now.
00:53:11What a pig.
00:53:12He kissed me yesterday.
00:53:13I kissed her, of course I kissed her.
00:53:14But because I like it.
00:53:16But Raúl asked me to walk away, and I walked away.
00:53:18What? What did Raúl ask you for?
00:53:20No, wait, but for Chucky.
00:53:21Chucky has fallen in love with her too.
00:53:23And since the town has had such a hard time with all the depression and suicide attempts, you know?
00:53:30Clear.
00:53:31Do you know what's going on, Alex?
00:53:32What's happening?
00:53:33That my boyfriend is an idiot.
00:53:36And you're not far off the mark either, you damn man.
00:53:38You look like you've fallen out of a tree!
00:53:40Because?
00:53:42No, Lucia, don't get mad, but no.
00:53:43Look, what I'm saying is that Paul can go live in a boarding house, right?
00:53:48If he needs financial help, he gets it, that's all.
00:53:50Colo?
00:53:51Okay, fine, okay.
00:53:51Lucia, no, listen, listen.
00:53:53No, it's not because of distrust, woman.
00:53:54How can you say that?
00:53:55What distrust, yes, it's for convenience.
00:53:57So that he's more comfortable and all that?
00:53:59Whatever you say, Lucia, yes, whatever...
00:54:01See you later, a kiss...
00:54:04Oh, bad, bad, bad.
00:54:08That your wife leaves you speechless.
00:54:10But you've made yourself a pair of underwear, man, a pair of underwear.
00:54:12What are you wearing? What are you saying about wearing socks?
00:54:14I'm not a wimp, you idiot.
00:54:15A pair of panties, Diego.
00:54:16Panties.
00:54:17What? Have you come back again to stir things up?
00:54:19Why? You've come here to stir things up, haven't you?
00:54:20No, no, no.
00:54:21Be careful with your legs.
00:54:22He's taking my leg away, man.
00:54:24We've come to clear up your doubts.
00:54:27Don't you have any doubts?
00:54:28They put you back together and you consume them, you consume them.
00:54:33But we have the solution.
00:54:35This is a listening device.
00:54:37To listen to babies.
00:54:38It seems simple, but it's very complex.
00:54:40Capture the flight of a fly.
00:54:43Look, I didn't understand.
00:54:44Why didn't I understand it?
00:54:45So, are you telling me that I spy on my wife?
00:54:46Are you telling me that?
00:54:47Are you telling me I'm putting a microphone on my wife?
00:54:48Are you telling me that, Piti?
00:54:49No, no, I mean, it's not spying, damn it.
00:54:51What is it...
00:54:52It's about discarding.
00:54:58Well, it's true that I have...
00:55:00Anguish.
00:55:01I have a knot here in my stomach that grips me like anguish and lifts me to the edge.
00:55:04But no, no, Piti, no.
00:55:05How can you not get laid?
00:55:06How can you not get laid?
00:55:07Of course he'll get you.
00:55:08It's like we're talking about the defilement of the marital bed.
00:55:11Already.
00:55:12Bring it here.
00:55:12Come on.
00:55:13I reinstalled.
00:55:14Santi.
00:55:14No, no, no, no, no, no, don't let him, don't let him.
00:55:18No no.
00:55:19Santi!
00:55:27Clean.
00:55:28Hey, where should we put it so it's hidden?
00:55:30Here.
00:55:35As if it were a transistor.
00:55:37But which transistor?
00:55:38TRUE?
00:55:39Here, under the mattress.
00:55:40Help me lift it.
00:55:43Case!
00:55:44Damn, kid, arroisa.
00:55:46He almost killed me.
00:55:47Can't I hear, Luis?
00:55:48No, no, no.
00:55:49It's to listen to your father.
00:55:51The thing is...
00:55:52That way you avoid the bad vibes about the whistle.
00:55:54With this, Lucía listens to him in a moment.
00:55:56There, there.
00:55:57But this is not for listening to.
00:55:59This is the microphone.
00:56:00Be quiet, child, don't be repulsive.
00:56:01Come on, let him work.
00:56:02We were wrong.
00:56:04But now we're changing it, now we're changing it.
00:56:06Phew, phew.
00:56:09This one hasn't worked.
00:56:09This is long.
00:56:11Work!
00:56:12Work!
00:56:13Come here, come here.
00:56:15Very good.
00:56:17Twenty euros.
00:56:19And here, nothing has happened.
00:56:23Thirty.
00:56:23Go ahead, screw him over.
00:56:24I wonder, my uncle.
00:56:26Take thirty.
00:56:28Come on.
00:56:28Bye bye!
00:56:29Strip.
00:56:29See you later!
00:56:30Okay, fine.
00:56:30One, two, and three.
00:56:35Do you think that will work?
00:56:36This is a precision instrument, kid.
00:56:38Besides, you won't find it here, not a chance.
00:56:41Come on, run.
00:56:49The peeling, what a success, dude.
00:56:52You'll see, Tete.
00:56:53It's softer than a glove.
00:56:54I don't think he'll even dare to come to the party.
00:56:56In other words, the hostel is going to screw you over.
00:56:58Host!
00:57:00What's happening?
00:57:03Damn, how does your grandma know about makeup?
00:57:05You look divine.
00:57:06You think?
00:57:07You think?
00:57:08A baby.
00:57:09Hello.
00:57:10Hello.
00:57:10Hello.
00:57:10What's been going on with your dancing?
00:57:12Damn, so the operation was a success, huh?
00:57:22How are you, Tete?
00:57:24How did he get so successful?
00:57:25This...
00:57:25It's impressive.
00:57:29What's happening?
00:57:29Do you see some creeps coming back now too?
00:57:31Hey, hey, hey, don't get upset.
00:57:32Look, look, I'm not going to get under your skin.
00:57:34Okay, kid?
00:57:34Look, I'm passing the fifth one of those, girl.
00:57:39But where does the hand go?
00:57:40But where is it going?
00:57:41Come on, guillana, let's go for a walk.
00:57:42Let me handle the broadcast.
00:57:43So much that happens in Bardeña, so much that happens in Bardeña.
00:57:45Trunk, and step?
00:57:46Well, but this one has to be here already...
00:57:49Hey, hey, less wolf, dude.
00:57:50But come on, it's not like she's your girlfriend.
00:57:51That's what he would like.
00:57:53Wait, I'm going to say something very clearly, okay, bowling alley?
00:57:55I'll pass, look.
00:57:56Okay, dude, but she's my sister.
00:57:58Well, my stepmother.
00:58:00But that hand, but I don't see it, but it has disappeared.
00:58:06Humber!
00:58:06What, what?
00:58:07Where are the restrooms, dude?
00:58:10Did he/she/it, or what?
00:58:11Oh, we didn't go to class!
00:58:17Look, you.
00:58:18Yes, and the day they hand out the brains, no.
00:58:23What a phenomenon, man!
00:58:24That's great, man!
00:58:25Come on, let's go to the veranda!
00:58:26Come on!
00:58:27And let's see if the trend is going to be TT.
00:58:29No way, dude?
00:58:30Are you interested in tonic water?
00:58:31Come on, darling, let me try the tonic water, go on!
00:58:33Well.
00:58:33How are you?
00:58:37Give it to me for the orange.
00:58:39Okay.
00:58:39No, no, no, no, no, no, no.
00:58:45No, no, no.
00:58:46What's up?
00:58:46Uh, no, no, nothing.
00:58:54That?
00:58:55And this?
00:58:55Does that have a subwoofer in there?
00:58:57No no.
00:58:57In your little one?
00:58:58No.
00:58:58What does sound give you?
00:58:59No, no, no.
00:59:00Fiti, no, no.
00:59:01No, subwoofer or milk.
00:59:02No, this, this is...
00:59:03It's spying on my wife with a microphone, imagine that, you crazy woman.
00:59:05That's not right, that's not right.
00:59:06And on and on, damn it.
00:59:07I've told you a thousand times that there's no spying.
00:59:08That's what discarding means, damn it.
00:59:10It's not the same thing, think about it.
00:59:11Attacking is one thing, defending oneself is quite another.
00:59:14I say so.
00:59:14Yes, yes, that's different, yes, but no.
00:59:16Yes, but no.
00:59:16But I can't do this to Lucia.
00:59:18But no, no, no.
00:59:19No, look, Santi, go up and remove, go up and remove the microphone.
00:59:21No, no, no, no.
00:59:22Nothing's going to happen to me, Santi.
00:59:23Go up and remove it, because I can't see, I'm unable to.
00:59:25Hello.
00:59:28Hello.
00:59:29Hello.
00:59:29Hello darling.
00:59:31Go upstairs for a moment.
00:59:32Yeah.
00:59:32Will you come with me?
00:59:33Yes of course.
00:59:36The die is cast, brother.
00:59:38Don't worry.
00:59:40Take it out, what?
00:59:41Would you mind helping me turn the mattress over?
00:59:43Because it's deformed and I'd like to turn it over to see if Diego can finally come sleep with me.
00:59:49Okay, let's do it.
00:59:49I give up.
00:59:53Let's see.
00:59:53Search, but where?
00:59:54Leave me alone, leave me alone, leave me alone.
00:59:55Damn, he won't take it off, let me hear.
00:59:57No, don't make me nervous.
00:59:58Stay still, be still, wait.
01:00:02Well, there's no sound, there's no sound at all.
01:00:04So much precision, so much precision.
01:00:05As if we had put a water jug out.
01:00:07I don't know, maybe it's the coverage.
01:00:08I don't know.
01:00:10Let's see.
01:00:17What is this?
01:00:18What is this?
01:00:18The shaking, the shaking of that, is going to ruin my mattress.
01:00:25What are you doing?
01:00:30Yes, yes, yes, can you hear me clearly?
01:00:37Well, go to hell, okay?
01:00:39That?
01:00:40What are you doing?
01:00:40Yes, yes, yes.
01:00:41Can you hear me clearly?
01:00:43What are you doing?
01:00:43Hey, what are you doing?
01:00:44Come back!
01:00:45Come back!
01:00:46Come back!
01:00:46It doesn't have a hang-up!
01:00:47Come back!
01:00:48He won't kick you!
01:00:48Come back!
01:00:49Come back!
01:00:49Come back!
01:00:50Come back!
01:00:50Come back!
01:00:51Come back!
01:00:51Yes, yes, yes. Can you hear me at the keyboard? Well, go to mine. Okay?
01:01:07A kiss. Let's take it slow, finally.
01:01:12Wow, this place is so romantic, the music.
01:01:21I got something in my eye for a moment.
01:01:29The fireworks begin.
01:01:40When were we?
01:01:46Just a moment, okay?
01:01:48Just a moment, I'm going to touch up my makeup.
01:01:51Yeah, man, we have to stop that, dude.
01:01:57Let's see, how many drops did you add?
01:01:59Well, I don't know, between 100 and 200, right?
01:02:02Dude, well, you know that, right? After 10 drops it's unstoppable.
01:02:05I got myself a drink, he drank it... I don't know.
01:02:18What's wrong, the sand? And I don't know how you do it, but I turn around and there you are.
01:02:22Why is that?
01:02:23What's wrong? Is there a problem?
01:02:25Look, girl, I'm not stupid, you've been flirting with my boyfriend all day.
01:02:29No, I'm mainly doing it to keep Humberto company.
01:02:32How have you been going around all night?
01:02:35Well, he does agree with you a little bit, that's true.
01:02:42What's happening?
01:02:55Good morning, darling, how are you?
01:02:59Do we know anything about what Marcos is carrying?
01:03:04She's angry because you spied on her about the babies, right?
01:03:08Wow, if the child knows it too, that's great, wonderful.
01:03:13Curito, Curito, go to your room, go on, handsome.
01:03:17Better.
01:03:18Yes, better, yes.
01:03:22Yes, I know, spying on you was very wrong, I know perfectly well.
01:03:25But I lied to you, yes, because I told you I didn't hear choirs, but I did hear choirs.
01:03:28I mean, the choirs were going on all the time and they were really getting on my nerves.
01:03:30Well, you're going to see a psychologist, Diego.
01:03:32But I'm not going to let you watch me or drive me crazy, is that clear?
01:03:36That's not my intention, it wasn't my intention at all.
01:03:39And besides, you're right, yes, I think it's a good idea to go to a psychologist.
01:03:42That's it, I'm going to see Fermín and that's it.
01:03:44Yes, because you have pathological and unfounded jealousy.
01:03:47For no reason.
01:03:48Well, excuse me for saying so, but there is a reason.
01:03:50Yes, because I remind you that you said that Paul's twin,
01:03:54In other words, it was so good you could dip the whole loaf of bread in it.
01:03:56Not bread, no, no, I mean, what is a loaf.
01:03:58And also, something else, and I didn't want to tell you, but I'm going to tell you.
01:04:00I have photographic evidence.
01:04:02Look, you're staring at Paul's ass right now.
01:04:05Look, here.
01:04:12Okay.
01:04:14I confess, I'm looking at her ass.
01:04:17Maybe you're the one staring at women's butts, aren't you?
01:04:19Me? At women? That I look at women's butts?
01:04:21What are you saying? What the heck?
01:04:22But for God's sake, for...
01:04:24Sometimes without realizing it.
01:04:26Yes, without realizing it, but you look at it.
01:04:28And do you want something with them?
01:04:30That?
01:04:31But, Lucia, what strange things are you saying, please?
01:04:32Oh, forgive me, it's just that you have the exclusive rights to the weird stuff.
01:04:35Nothing else.
01:04:38Can you tell me what the hell you think of your wife?
01:04:41Well, good things, Lucia, maybe.
01:04:42Good things?
01:04:43I think maybe about you.
01:04:44Yes, maybe.
01:04:45Yes, yes, yes.
01:04:46Good things.
01:04:47What good things can you do, Diego?
01:04:48Look, if I thought you were going to cheat on me with the first girl who came along
01:04:51I wouldn't be with you if I were ahead of you.
01:04:52That's why I can't understand why you think that about me.
01:04:54Because I don't think that about you.
01:04:56Who told you I think that about you?
01:04:57I don't think so...
01:04:58You think about it.
01:04:59Look, the only thing I have to tell you, and I say this with all sincerity,
01:05:02It seems to me that this guy, Paul, treats you with too much familiarity.
01:05:05And there's groping there, Lucia, damn it, there's groping.
01:05:07But what kind of touching is that, Diego?
01:05:08The thing is, he's very expressive.
01:05:09Well, he's going back to his culture.
01:05:10Maybe it's the custom in California, I don't know.
01:05:13Could it be that groping is a Californian custom?
01:05:16Well, now I've told myself.
01:05:17You tell me that and I'll find out.
01:05:18Well, now you know.
01:05:19What did he know?
01:05:20And let's stop this nonsense because I don't like hair.
01:05:21Okay, then we'll stop rambling.
01:05:22I said it before so that it continues...
01:05:24That's it.
01:05:25Take a little break, okay, daughter?
01:05:26Good heavens, what diarrhea, poor creature all night.
01:05:30Oh, it's like serum.
01:05:32Did you eat anything at the party?
01:05:34No, no, not at all.
01:05:36He is conscious.
01:05:37Son, it's diarrhea, not a heart attack.
01:05:40But she is very weak, yes, and a little depressed, because of course,
01:05:43how she got upset in front of the boy she liked.
01:05:46Of course.
01:05:47Curro, come here.
01:05:50Come in and give these photos to yourself.
01:05:53Tell him these are the real ones, okay?
01:05:55Oh, but he doesn't have a baton.
01:05:57She looks so beautiful.
01:05:59That's why.
01:06:00Come on, just tell him it was all a joke.
01:06:08Guille!
01:06:13Curro, out.
01:06:15Did you retouch it?
01:06:16Little one, are you stupid and why?
01:06:20You see, you were getting a bit cocky and it was to bring you down a peg or two.
01:06:23That's good, with this diarrhea thing they've gone down quite a bit.
01:06:27Besides, the laxative wasn't for you.
01:06:29The laxative?
01:06:30Which laxative?
01:06:32Did you give me laxatives?
01:06:33No.
01:06:35Well, yes, but I threw it in the tone of a fool.
01:06:37In other words, he was getting way too carried away.
01:06:39He already...
01:06:40You won't believe what you've done to me, man!
01:06:42I'm sorry, bro.
01:06:43Forgive me.
01:06:44Forgive me?
01:06:45Look, Guillermo has made me look as ridiculous as I ever have in my life.
01:06:47With Lorena laughing.
01:06:48And then he probably also slept with my girlfriend, and it was Humberto who used me as a weapon.
01:06:50All because of you.
01:06:51Easy!
01:06:53Tete, daughter!
01:06:54What's wrong, little one?
01:07:13Hey, bro.
01:07:14As long as you're signing up, you idiot.
01:07:18What a lovely couple, Cel
01:07:23Oh, how beautiful!
01:07:26Chucky, dude, don't you listen when I tell you things?
01:07:29Dude, what did I tell you?
01:07:30Well, she's going live into the chaos, man, they won't even let her speak.
01:07:33But what commotion, what a commotion, man
01:07:35The suicidal man and his friend
01:07:36What's up, Chucky?
01:07:38They either cut your veins or let them grow long
01:07:41This sequined freak who says
01:07:43What am I saying, Raúl?
01:07:43I don't know, I don't know everything either, man.
01:07:46Well, I'll do this one now, with his exams, his competitive exams, man.
01:07:48His moves, thrombus, what I know
01:07:49No, no, no, no, no, Raúl, tell Chucky the truth
01:07:51What truth about what truth?
01:07:54He told Alex that you had tried to cut your wrists twice
01:07:56So that he would stay away from Ruth
01:07:58So, you're egging me on knowing I have no chance.
01:08:01But why wouldn't you have a chance?
01:08:03Dude, that's a really negative way of thinking.
01:08:05You're a bastard, mate, you've made a fool of yourself, man.
01:08:07You're selfish.
01:08:08Am I selfish?
01:08:10No, but the only selfish one here is Mr. Proper, okay?
01:08:12He wants it all for himself
01:08:13Selfish me
01:08:13No, Raúl, you're the selfish one, only interested in yourself.
01:08:17Mine?
01:08:17Yes, you only care about going out with your little friends because you're bored with me.
01:08:21No, no, no, no, no, I'm just saying that I'm getting bored with Chinese movies.
01:08:25Because I don't understand them, honey
01:08:27Raul, look, there might be an explanation for what you're going through.
01:08:31But what about you?
01:08:33One day you kiss me, and the next day you tell Chucky to hit on me.
01:08:36And you? And you? And you what? Why are you giving Chucky the book if it's for a date, dude?
01:08:40Ehhh!
01:08:41So you also knew that the book wasn't Daddy
01:08:43I sensed it, they weren't clear about it there.
01:08:47Was I there or not?
01:08:49You say nothing
01:08:52You've screwed me over, man
01:08:56You've screwed me over
01:08:56Well, it pissed me off too, mate.
01:09:00That's what Lucia told me.
01:09:08which apparently
01:09:09about the touching
01:09:10It's a cultural thing.
01:09:11that there in California
01:09:12because they should be more expressionistic
01:09:13further
01:09:14I mean
01:09:15which is normal
01:09:16in California
01:09:16groping the neighbor's wife
01:09:18Is that what you're telling me?
01:09:19No, I'm not saying that to you.
01:09:20No, no, what I'm telling you
01:09:21Diego, forgive me
01:09:22said with affection
01:09:23It's strange.
01:09:24How strange what I'm saying
01:09:25Diego
01:09:25no, no, no, no
01:09:26Let's see
01:09:26those of you who are weird
01:09:27It's you
01:09:27that you guys are very strange
01:09:28and very twisted
01:09:29You are a kind of
01:09:30like a twisted choir
01:09:31But I cover my ears.
01:09:32and it wasn't heard
01:09:33It wasn't heard
01:09:33It wasn't heard
01:09:34because?
01:09:34because I trust my wife
01:09:35And if he tells me to stay calm
01:09:36I am calm
01:09:37hello
01:09:41if you are all gathered here
01:09:42We're here having a beer
01:09:44and some olives
01:09:44and some gherkins
01:09:45and so?
01:09:45that you're coming from shopping
01:09:46Yeah
01:09:47It was very heavy.
01:09:48and Paul helped me
01:09:48we had brought a lot
01:09:50milk juice
01:09:51very good
01:09:52good
01:09:52And I'm also going to do something else for you
01:09:53Paula
01:09:54although some who are here
01:09:55They don't understand.
01:09:56I am very grateful to you.
01:09:57that you lend a hand
01:09:58to my lady
01:09:59to make the purchase
01:10:00and all that
01:10:00because I am disabled
01:10:01and I can't
01:10:01It's a pleasure for me.
01:10:02Stay still with your elbow
01:10:04Stop nudging him with your elbow.
01:10:05I can see you
01:10:06I'm watching you
01:10:07You know?
01:10:07Do you know what's happening?
01:10:08These come here
01:10:09They distort things a lot.
01:10:10They twist everything.
01:10:11because?
01:10:12because people of my generation
01:10:13in Spain
01:10:13we have a dirty look
01:10:15We have a dirty look
01:10:16dirty, dirty, dirty
01:10:17the dirty look
01:10:18What is the dirty look?
01:10:19Do you understand?
01:10:20And these guys come here to make me angry.
01:10:21because they come to warm me up
01:10:22Yes, yes
01:10:23No, you're here to turn me on.
01:10:25You've come to warm me up
01:10:25And I wanted to apologize to you too.
01:10:27Paul, about yesterday
01:10:28that has no name
01:10:29Diego
01:10:29It doesn't matter.
01:10:30no, no, it's not the same
01:10:31It's not the same.
01:10:32Lucia
01:10:32and also
01:10:32forgive me
01:10:33but I'm singing
01:10:34my fault
01:10:34And when I sing "My fault"
01:10:35I really sing it
01:10:36I promise you one thing
01:10:37I promise that from now on
01:10:38I'm going to have the look
01:10:40Clear as water
01:10:41Don't let your guard down
01:10:42Don't let your guard down
01:10:43What are you saying about the guard?
01:10:44Tell him honestly
01:10:44Tell him honestly
01:10:45Do you know why I'm not going to let my guard down?
01:10:47Look, look how I don't let my guard down.
01:10:48One thing, Paul
01:10:50Give my lady a kiss
01:10:54no, no, no
01:10:55Lucia, let me kiss you
01:10:56Lucia, let me kiss you
01:10:57Thanks, Paul
01:10:57It's a favor I'm asking of you
01:10:59Paul, proceed
01:11:00proceed
01:11:01proceed
01:11:01come on
01:11:02You've got hair
01:11:06that's it
01:11:10You've seen it, haven't you?
01:11:11Because you've seen it, haven't you?
01:11:12And look at me
01:11:14Has something happened to me?
01:11:15Did I become unmoved?
01:11:15Do I get upset because I kiss my wife?
01:11:16I don't flinch
01:11:17Why am I unfazed?
01:11:17because I trust my wife
01:11:18I trust my wife
01:11:20What else can I do?
01:11:21I respect Paul's customs
01:11:22the customs of that great state
01:11:24which is California
01:11:24of the United States
01:11:25Okay, well then
01:11:26I'm from Wisconsin
01:11:27Churri
01:11:31Churri
01:11:33Sweetie, I've come to...
01:11:35Raúl, let me start a little bit, okay?
01:11:36I've come to convey my love to you, Churri
01:11:38Churri
01:11:39Hey, Ruth, what's up...?
01:11:46Lower your voice
01:11:47Which book do you want?
01:11:48I don't want books.
01:11:49I need to talk to you.
01:11:50Well, I'm working
01:11:51Uh, hi
01:11:52What can I give you?
01:11:52Hemingway's Old Yelmar
01:11:54Fill in this date first
01:11:55If you don't want any books
01:11:58You're wasting your time
01:11:59But look, Ruth
01:12:00What is it that I need...?
01:12:00No!
01:12:01Alex, you don't book.
01:12:02I don't want to see you again
01:12:03Well, I didn't want to get involved
01:12:08But I'm going to have to get involved.
01:12:09Mommy, it's my fault, you know?
01:12:12And only me, aunt
01:12:13that I am selfish
01:12:15And I'm going to do my own thing, you know?
01:12:16I felt like I had no friend, you know?
01:12:19And I messed up there, okay?
01:12:21No, just in a friendly way.
01:12:22I didn't want to
01:12:22but I put it in wrong
01:12:23and manipulated
01:12:24And then the book thing happened.
01:12:25and it got out of hand
01:12:26Damn, they both screwed up
01:12:29a while with my mother
01:12:30And then be happy, okay?
01:12:31I'm talking about shitting on your mother.
01:12:32I'm in
01:12:33Hey, sweetie, sweetie
01:12:35Give us a break, aunt
01:12:36Damn, it's not all against me either
01:12:39Know?
01:12:39I'm sinking
01:12:40Honey, I'm falling apart
01:12:41Okay?
01:12:43I'm just dealing with it.
01:12:44Poor
01:12:45Well, I'm leaving.
01:12:48And I'm sorry
01:12:54Auntie, you're the ice queen.
01:12:58Ruth
01:12:59Auntie, don't talk to me anymore
01:13:00if you don't want to in life anymore
01:13:01But seeing you talking to him
01:13:02that he has done nothing
01:13:03He's completely wrecked, aunt.
01:13:04And I'm removing it for you, by the way.
01:13:06And you because of him
01:13:16What are we like, huh, babe?
01:13:19Alex! Alex!
01:13:24Damn, things are getting heated, huh?
01:13:32No, no, no, not tonight
01:13:32We're not going to eat Santa
01:13:33Exactly at four o'clock, right?
01:13:36You're reckless.
01:13:37How will Chucky take it?
01:13:41Fountain
01:13:41Damn, Schopenhauer
01:13:44Yeah, right?
01:13:45Well, a wonderful footballer
01:13:47Have you ever been told that you have
01:13:49Very pretty eyes?
01:13:51What am I going to teach you?
01:13:52the facilities of the...
01:13:53from the library?
01:13:54I built it myself
01:13:55with my own, right?
01:13:59Can?
01:14:00Hello good
01:14:00Hello
01:14:02I just don't know
01:14:04if I have to bring
01:14:04Let the boys go to the pool
01:14:05Or that one, right?
01:14:06You haven't seen Candela, have you?
01:14:07No, but I imagine
01:14:08who will be in class
01:14:09Anyway
01:14:10Here's the schedule
01:14:11and you can look at it
01:14:13Okay, what day is it today?
01:14:16Ah
01:14:16Your turn...
01:14:18It's your turn to swim...
01:14:19Oops!
01:14:22Pool
01:14:22Swimming pool, yes
01:14:23I'm going to continue with the exams
01:14:26I have a good while left
01:14:27To Lucia
01:14:29Let's see
01:14:30That one's for you.
01:14:34For me?
01:14:36By?
01:14:37That's for hospitality.
01:14:39You didn't have to
01:14:43I love
01:14:46Do you like it?
01:14:46It's beautiful.
01:14:47How beautiful
01:14:49and red
01:14:49That's why I like red
01:14:51Let's see
01:14:51Can I help you?
01:14:53I love it, yes
01:14:53Let's see
01:14:54I don't know if it will be a little...
01:14:56No, it's fine.
01:14:57Since it was a bit big
01:14:58How beautiful
01:14:58Hey
01:14:59I wanted to forgive Diego
01:15:02because of the line he's put you in
01:15:03Know?
01:15:03He's very jealous.
01:15:04and sometimes he gets heated
01:15:06It heats up
01:15:07And the worst part is that it's emotional.
01:15:08But...
01:15:10I think so.
01:15:11that...
01:15:12that has emotional
01:15:13As?
01:15:26Have you seen the state of the world, son?
01:15:28Good
01:15:29Where are you going, Paul?
01:15:32Well...
01:15:33I'm going to a hotel
01:15:34that comes out near here
01:15:35and cheap
01:15:36That way I don't bother you.
01:15:37You don't bother me
01:15:38No, look
01:15:39I'm beholden to no one, son.
01:15:40Wait, wait, Paul
01:15:41Currito, come to your room
01:15:42and do something
01:15:44We need to talk once and for all
01:15:44Come on
01:15:45Son, or anything like that
01:15:46Come on, turn it off
01:15:47And we're not going to talk about sex.
01:15:48Don't worry
01:15:49Sit here
01:15:50Sit down
01:15:50Come on
01:15:51Come on
01:15:51Here, Paula
01:15:53Let's talk
01:15:54Let's talk to you
01:15:55You'll see
01:15:55Clear
01:15:58It's my fault.
01:16:00No?
01:16:00So you're leaving...
01:16:01No, you're leaving because of me.
01:16:02because I have a dirty look
01:16:03Yeah?
01:16:03What you were saying
01:16:04The Dirty Look
01:16:05I have a dirty look
01:16:06And that's why you're leaving.
01:16:07Well, I don't intend to allow it.
01:16:08That's it
01:16:08No, Diego
01:16:09Don't worry
01:16:10That's not why
01:16:11Yes, that's why.
01:16:11You tell me no
01:16:12But yes, that's why.
01:16:13But let one thing be clear
01:16:14You're not leaving this house.
01:16:15And that's it.
01:16:16Well
01:16:16Who's not coming out?
01:16:18Paul
01:16:18What did he tell me?
01:16:19who wants to leave the house
01:16:21And I told him no.
01:16:22Because I know it's my fault
01:16:23I told him no.
01:16:23No, but...
01:16:24No, not at all.
01:16:25Everything is ready.
01:16:26So, you're staying here in this house
01:16:28Because otherwise I'm going to feel really bad
01:16:29You understand?
01:16:29You stay in this house
01:16:30And that's it.
01:16:30I don't know
01:16:32Yes, you don't know.
01:16:33But I do know.
01:16:34And as I tell you
01:16:35You stay in this house
01:16:36Come on, give me a hug
01:16:37Come on, give me a hug
01:16:38Give me a hug
01:16:38A hug
01:16:39Lucia, you too
01:16:41Give us a hug
01:16:42Yes, let's all hug each other here
01:16:43because we are happy
01:16:45If it's all because of my dirty gaze
01:16:46that I have the Dirty look
01:16:47And this cannot be.
01:16:48A hug
01:16:49I'll tell you one thing
01:16:49I'll be from the neighborhood
01:16:50But right now I feel
01:16:51Californian at heart
01:16:52Like you, Paulo
01:16:53like you
01:16:53Californian at heart
01:16:54feel
01:16:55Hey?
01:16:56If I'm ever told things
01:16:57I understand them
01:16:58Hey, grandpa!
01:16:59Hey, grandpa!
01:16:59Hey, man, grandpa!
01:17:00What are you coming for today?
01:17:01Oh well
01:17:01Junior, son
01:17:04The day he threw the first shot directly
01:17:05How are the regulations, sister-in-law?
01:17:08Go bad!
01:17:11Is this it?
01:17:11high in power
01:17:13that we have here
01:17:14That is to say
01:17:14if you don't try them all
01:17:15no trip
01:17:16Let's go for the kid
01:17:18Sometimes
01:17:19a man
01:17:20it feels
01:17:21I don't know
01:17:22has erotic dreams
01:17:23even with your mother
01:17:24could be
01:17:25No, no, no
01:17:27So I can see you
01:17:29without sharpening
01:17:31No, no, no
01:17:32No no
01:17:33I'll try to find you
01:17:35There will be no more being
01:17:36Can I see, love?
01:17:37Between a tutona and your father
01:17:39Monument
01:17:40Are they repeating the process?
01:17:41Are they repeating the process?
01:17:42Monument
01:17:44First step
01:17:44You're going to a supaya
01:17:46Second
01:17:46Bring you a coffin
01:17:48Piti, the normal thing.
01:17:49Piti means
01:17:50Piti, piti, piti, piti, piti woman
01:17:51Chocolate
01:17:55I'll leave it at that
01:17:56Hala
01:17:57Since I arrived
01:17:57I haven't done anything else
01:17:58Why complicate things?
01:17:59No?
01:17:59No, remove it.
01:18:00You're a miserable wretch
01:18:04Answer to entangle
01:18:07Answer to entangle
01:18:07Answer to entangle
01:18:08Answer to entangle
01:18:10Answer to entangle
01:18:11Answer to entangle
01:18:12Answer to entangle
01:18:13Answer to entangle
01:18:14Answer to entangle
01:18:15Answer to entangle
01:18:16Answer to entangle
01:18:17Answer to entangle
01:18:18Answer to entangle
01:18:19Answer to entangle
01:18:20Answer to entangle
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