Los Serrano - 7x05 - Cuando el amor llega así de esta manera - HD 1080 - Vídeo Dailymotion

Aquellas Maravillosas Series

Tras haber dejado atrás su trabajo en el Garcilaso, Lourditas se aburre haciéndose cargo únicamente de las tareas del hogar, mientras que Santi está encantado con las múltiples atenciones que le dedica su mujer desde que está en casa. La felicidad del tabernero se trunca cuando llega a la taberna sor Luz Divina, amiga de la infancia de Lourditas, con una propuesta laboral. Al ver amenazada su armonía matrimonial, Santi tratará de convencer a la religiosa de que no mencione la oferta de empleo a su mujer. Mientras tanto, Diego trata de compaginar su romance con Celia con sus obligaciones familiares. Aconsejado por sus amigos, decide informar a sus hijos cuanto antes sobre su nueva relación sentimental para evitar así suspicacias y malentendidos. Sin embargo, sus buenas intenciones se van al traste cuando Teté descubre a la pareja besándose en la puerta de casa. Para conseguir una importante subvención, Ana pide a Fiti que ofrezca una conferencia sobre alcoholismo y conducción en el Garcilaso en la semana en la que el colegio de Santa Justa celebra la “Campaña de prevención del alcohol”. Lo que la directora del centro ignora es que su ex-cuñado, experto en materia automovilística, carece de grandes dotes para la oratoria.

Transcript

00:00:06My father has always said that there's no better plan than staying home watching football

00:00:09with their chicks, because as he says, the family that watches football together, stays together

00:00:14united.

00:00:30The Madrid-Barça match is a family classic, or in other words, one of those days

00:00:35to

00:00:35those things that a mountain person cannot do without.

00:00:51The only bad thing about having family traditions is that you can't break them whenever you want.

00:01:03And although we complain about how boring they are, customs are what make us different.

00:01:07to each family.

00:01:10What happens now?

00:01:14Please, it's about to start.

00:01:21I'll get my screwdriver and fix it myself, don't worry.

00:01:35Yes, Celia, Celia, listen, yes, no, we're going to have to cancel the date.

00:01:41Well, let me tell you that my children, who have been insisting that we watch football together, won't be watching it again.

00:01:45They don't even listen to me, but girl, today I'm really sorry, but come on, no...

00:01:52Fiti, I told you no, Fiti, no, no, no, don't insist, the children come first and the

00:01:56Kids want us to watch football together, that's all.

00:01:59Nothing, well, man, sorry, yes, but I could have warned you earlier, but...

00:02:26And if there's one custom we mountain folk have, one we respect to the letter, it's that, although

00:02:32Let's try to do things right, we always mess them up.

00:02:45On a station platform, under the blazing sun, you were talking about a skyscraper in the sky of

00:02:52New York, come soon to see the sea and you send a postcard, I already knew that one

00:02:58That day was the end.

00:03:00Now I have much more

00:03:04Red, black, stop and even

00:03:06Finally, luck brings an ace and a crystal to look through.

00:03:09And a wall to hang it on.

00:03:11Seven smiling faces in one ID photo

00:03:15My stories weren't about tales made by chance.

00:03:22Nobody told me that fate would give me this opportunity.

00:03:29One plus one equals seven

00:03:32Who would have thought?

00:03:36That it was so easy to be happy

00:03:50Take care

00:03:51But you're going to ruin Uncle Santi's kid, man.

00:03:55No way, man, I used to do this with my grandson

00:03:58That damned thing was heavy, wasn't it?

00:04:00And now that you're not working and you're home all the time

00:04:03You could have held up my trousers and that way we would have avoided an annoying

00:04:06Of course, darling

00:04:07You know I leave at three

00:04:09I'm going to take some ham as an appetizer.

00:04:12And if you're going to Supe, buy me shaving foam.

00:04:15If it's over

00:04:15Of course, my love

00:04:16Okay, and if you think of anything else, just give me a call.

00:04:19You already know where you are.

00:04:20Thank you so much

00:04:21Te, Guille, Puro, here it is

00:04:23Come on, come on

00:04:25It's very late for school

00:04:26Come on, come on

00:04:29Hello

00:04:32Hello Celia

00:04:33It's so good to see you, isn't it?

00:04:34So, so, so, how's it going?

00:04:36Celia, how are you?

00:04:37Ah, very well, I'm very well.

00:04:39How was the night, football?

00:04:41Good, very good football, very football-like

00:04:43Just like that, all night long, football

00:04:45Hey, um, can you get me a coffee to go, please?

00:04:48Of course, yes

00:04:49And speaking of carrying things, I'm going to school.

00:04:51Do you want me to give you a ride?

00:04:52Okay

00:04:52How are you handling it?

00:04:54Well then

00:04:54Okay, okay

00:04:55Well, they miss you a lot at school.

00:04:57Very good

00:04:58He has the coffee

00:05:04Ah, but, but, see you later

00:05:06See you later

00:05:07See you later

00:05:08See you later

00:05:08See you later, Dad.

00:05:09See you later

00:05:10See you later, love

00:05:19Brother, Fiti, you'll see that I loved you.

00:05:21Yes, I wanted to tell you something that will...

00:05:23You remember the other day when I was at the retreat, right?

00:05:27Uh, ah, ah, yes, yes

00:05:29Living together, yes

00:05:29And, well, what I wanted to tell you is that

00:05:35Celia and I are Nubians

00:05:38Yes, yes, sir

00:05:39It was about time, Diego, damn it

00:05:40Of course, damn it

00:05:41What a woman who takes you away

00:05:42It's the jewel she's taking with her.

00:05:44What a joy, brother!

00:05:45What a joy!

00:05:47And how was it?

00:05:48How was it?

00:05:49It was very nice, Santi

00:05:50Very beautiful and very romantic

00:05:52It was like, how do I explain it, like love movies

00:05:55That, I don't know

00:05:55What a bastard

00:05:56What a bastard

00:05:58I'm leaving, I'm leaving, I'm leaving

00:06:00I just ran into Celia

00:06:03National monument

00:06:03Because I'm married to Choni

00:06:05Otherwise, it won't get away from me.

00:06:06It doesn't escape me.

00:06:07What do you mean, no?

00:06:09You've seen the ass she has...

00:06:10You shit yourself, you shit yourself

00:06:11I'm my brother's girlfriend

00:06:13Now, you're already lying down.

00:06:15Are you Celia?

00:06:16Yeah

00:06:17No

00:06:17Yes

00:06:18No

00:06:19Yes

00:06:19Yes!

00:06:20Congratulations, damn it!

00:06:22Of course

00:06:22And sorry for something from before that...

00:06:23Come on, it's about time, isn't it?

00:06:24It was about time because...

00:06:26No problem

00:06:27But, but, well

00:06:28And the children, delighted

00:06:30Delighted

00:06:30Well, uh...

00:06:31In other words, delighted, delighted

00:06:32But I haven't told him yet.

00:06:34Okay, okay, Diego

00:06:36What? What's wrong, Fiti?

00:06:37So, what's going on?

00:06:38Nothing, nothing, nothing

00:06:38No, no, no, Fiti, what's wrong?

00:06:39Nothing, nothing, nothing

00:06:40And it scratches your head

00:06:40So, what's going on?

00:06:41Why is your head scratching?

00:06:42Tell me

00:06:43Little Dieguito, Little Dieguito

00:06:44Look, let me tell you

00:06:45A woman

00:06:46He doesn't realize you're serious

00:06:47Until you introduce him to your parents

00:06:49Well, your children in your case

00:06:50Let's see

00:06:51In other words, I know very well

00:06:52What I have to do

00:06:52Oh well

00:06:53You will be with me

00:06:57Their evidence, well

00:06:58But no

00:06:58I see that you mention it to him

00:07:00When you have to introduce him to his little brother

00:07:01That would be bad, brother

00:07:02That would be very ugly

00:07:03That would be ugly

00:07:04That would be ugly

00:07:04And let's see...

00:07:05You are right.

00:07:06I'm going to tell him.

00:07:07Calm

00:07:08What's more, let me tell you something

00:07:10I'll tell him at lunchtime

00:07:11Today

00:07:11And I tell the children about the food.

00:07:13I'll tell you.

00:07:14What is it?

00:07:14As it should be

00:07:15Of course

00:07:16We'll have a drink to wrap things up.

00:07:17No, man

00:07:18A spark

00:07:19Come on, let's make it

00:07:21Nothing

00:07:21The Cub Scout can't come to give the talk either.

00:07:23I don't know who to call anymore.

00:07:25Look, I've called Pedro, Carlos Sanz

00:07:27Fonsi Nieto, at Raze

00:07:28I've even called the people at the stairwell.

00:07:30Look, let me tell you

00:07:31And why don't you try Asturian?

00:07:33Good

00:07:34This...

00:07:35What's it called?

00:07:36The one who's married to the one with the Morpheus ear?

00:07:39You mean Fernando Alonso

00:07:41But, Cheli, how is Fernando Alonso going to come?

00:07:43Man

00:07:43He'll be busy with his competitions and his things, man.

00:07:45He competes on Sundays

00:07:47As far as I know

00:07:48He spends all week touching his belly.

00:07:49It was good that he could come

00:07:51Hey, Ana

00:07:52And did you give him the talk?

00:07:54You just can't

00:07:55It has to be someone from outside.

00:07:57Related to the automotive world

00:07:58And the deadline is eleven o'clock tomorrow

00:08:00Easy

00:08:01I don't mean to offend anyone, but I don't know

00:08:02Next time you could prepare with a little more time

00:08:04Hey, let me tell you

00:08:05How should you prepare your classes?

00:08:06Oh, well, yes.

00:08:07Sure, but that's because I'm your boss.

00:08:08So don't mess with me.

00:08:10Let me see, I forgot.

00:08:11Period, I forgot.

00:08:15You've forgotten, you've forgotten

00:08:16Well, that's it

00:08:17What can we do?

00:08:18Now, I also have to tell you that this had never happened here before.

00:08:21The Lurdicas had planned all of this six months in advance.

00:08:23What you're going to say, of course

00:08:24The creatures had to leave the way they had to leave

00:08:27Okay, let's see

00:08:28If you can't find anyone, something will happen.

00:08:30Well, if there's no talk, there's no grant.

00:08:33Well, good

00:08:34Let's see if we get lucky

00:08:36Okay, yes, see you later

00:08:38Have a good day, darling.

00:08:39Thank you, see you later

00:08:40See you later

00:08:41See you later

00:08:42See you later

00:09:04And what do you mean by "how do they tell it"?

00:09:06Damn, Diego

00:09:06So, how would you tell your parents?

00:09:09Clear

00:09:10Of course, I know what's wrong with you.

00:09:11You've never introduced a girl to your parents in your life

00:09:13The variants

00:09:14Yes, the variants

00:09:15Thank you, José Luis

00:09:15Well, no, indeed

00:09:16I mean, in my life

00:09:17I have never introduced a girlfriend to my parents in my life.

00:09:19And I'll remind you of something else.

00:09:20They're not my parents.

00:09:21They are my children

00:09:22And it's a difficult situation

00:09:23I mean, I used to do the legendary

00:09:24The mythical

00:09:25To prepare the ground

00:09:27And when they're half ready

00:09:28Zas

00:09:28Celes appears and you tell her.

00:09:30Hey?

00:09:30Not bad

00:09:31Easy

00:09:31Not bad

00:09:32Yes, man

00:09:34Man, they're sea bass.

00:09:36Oh, sea bass

00:09:38Ludivina

00:09:39Very good

00:09:40And how are you, Mom?

00:09:41How's the neighborhood?

00:09:42Well, look

00:09:43The thing is, I found out about Lurditas.

00:09:45Oh, what a disappointment!

00:09:46After a lifetime dedicated to that school

00:09:49To leave, like that

00:09:51But that's life.

00:09:52Don't worry

00:09:53I have great news!

00:09:55Hey?

00:09:57I have a little position for her at our school

00:10:00For my Lurdita?

00:10:01Yeah

00:10:02So that he can go back to work?

00:10:03Work?

00:10:04Why is he going?

00:10:04My Lurita doesn't want to hear about work anymore.

00:10:06If she's delighted at home

00:10:07She's flirting with me now

00:10:09Well

00:10:09We're going to pass

00:10:10But

00:10:11It was a great opportunity

00:10:13How much are we talking about with the upgrade, Lurdita?

00:10:15But no, man

00:10:16No

00:10:16No salary or anything

00:10:17We don't need it

00:10:18Besides

00:10:18You should have seen the whining she used to do.

00:10:20To say goodbye to the child in the morning

00:10:21And now

00:10:22They are happy

00:10:23Let's see!

00:10:48Let's see!

00:10:52and

00:11:11He absolutely loved spaghetti with tomato sauce, you'd see, man, just like that, he'd grab the bread and start scraping the plate clean.

00:11:17Man, you could give him three kilos and he'd eat them all, and what a great dad, my god!

00:11:23Give it a try, don't get attached, look Fiti, I need someone with personality, a certain amount of fame

00:11:28Where charismatic people, come on, I need you to give a talk at the school

00:11:35Like a chat, a real chat, you're going to do great, look at you, you have a golden tongue

00:11:40in

00:11:40You're a legend in the neighborhood, and you know more about the subject than anyone else, man, man who really knows what he's talking about.

00:11:44that

00:11:45The topic I have to discuss is the one that concerns me, because it's a topic you're very familiar with; it's alcoholism and

00:11:54Driving and it's titled if you drink don't drive look was it you or stevie wonder and you know much more

00:12:01Yes, I've been doing this for 16 years, it's a long time, come on, screw on, screw on, screw on, let's go, but come on, I

00:12:07mostly I'm not like you're not you're not that you're not that an imminence my brother if he carries it was

00:12:11a

00:12:11Monica, who was there with them, said that I need someone important in the sector and I

00:12:15I don't want some guy coming here and spouting nonsense, no, not someone at all, not someone like you.

00:12:20I'll tell you something right now, Anita, I have something. Right now I'm one of the very few who knows.

00:12:24Where is the joint of the trocola, for example, that exists, from there to a chat, well yes.

00:12:30Yeah

00:12:30Fiti, you just don't realize how much she needs you, don't worry if she's feeling...

00:12:36but

00:12:36Well, at some point I can do it to you too, you, you, you, let's see, shut up already, shut up

00:12:41already

00:12:41Damn, this needs planning, an understanding of things, and that's it.

00:12:47Anyone can do that, not Raúl's son. No, that doesn't mean you're going to do it.

00:12:52If a man is going to do it, of course he has to be there at six. He'll be there at six.

00:12:56over there

00:12:56Like clockwork, at six o'clock this afternoon, yes Anita, don't mess with me, really no

00:13:01I know what I would do

00:13:02Without you I have one thank you goodbye to goodbye take care Raúl see you later but who better than you for

00:13:11Who better to give that talk than you? Come on, you've known about this topic since you were a kid, and that peak of...

00:13:16gold that

00:13:17She has it and ground gold that you are, the other one, the sister, who do you think you are, has to tell her this.

00:13:21The other one isn't leaving

00:13:22To account for what she has lost, there is already much to give in the Canary Islands, but when she decides to...

00:13:26think

00:13:27Okay, Auntie, okay, okay, okay, okay, my mother too, and my sister-in-law, I've known her longer than

00:13:33you

00:13:33You're looking at the spaghetti, and you're not looking at the spaghetti, so give me two minutes with them.

00:13:39Just two and you come over so they can give each other a little kiss

00:13:47Wait a moment, before you go I wanted to talk to you about something, something I don't

00:13:51Sit down, sit down, and why don't you tell us tonight? It'll only take a minute, right? Of course.

00:13:56You might be wondering what I want to talk to you about now, this little matter I wanted to discuss, no

00:14:00Well, I'm going to tell you, and Carmen wasn't coming to eat, I don't know, to be at her house, I mean.

00:14:06I don't know if it's good

00:14:08Okay then, but anyway, I'll talk to you guys and that's it. So what I wanted to mention are...

00:14:13The reason my children are green is that in life sometimes things happen that lead you to different situations.

00:14:21These situations can be either good or, well, in bad situations I'm okay, I mean

00:14:26Are you sick or something? No, I'm not sick, I'm fine, I'm very well. He's sick, there isn't.

00:14:32No one is sick, man, no one does what I'm going to say, normal, what's good I don't say because

00:14:36Tell me, calm down, it's done, face, now I'm going, man, first and foremost I'm a father, but I'm also a man and as

00:14:51I'm going to open it and now you'll understand if you go into the execution now, it's fear

00:14:55that always

00:14:55from your father

00:15:01Bala said, "Excuse me, but we're in a meeting."

00:15:11And now it turns out my mom has a boyfriend 15 years younger than her who can't seem to find a new boyfriend

00:15:18now

00:15:20Relax, relax, because it's not bad either, I mean, your mother is first and foremost a mother, but she's also a woman.

00:15:25But what are you trying to tell me? He hasn't even asked you what you think or anything, and he'll soon be watching it.

00:15:28at home

00:15:29But there's a dad who's not going to get on with life

00:15:31if go up go up

00:15:32that can't be right

00:15:34Don't worry

00:15:35no problem

00:15:36Your father will realize that he's the good man.

00:15:38He has to stay home

00:15:39Hi Diego

00:15:40sooner too late, I hadn't calculated it

00:15:42Don't worry,

00:15:43that

00:15:44don't worry

00:15:44But I wanted to tell you

00:15:46We're not going to tell you now.

00:15:47we abort

00:15:48Well

00:15:49Don't worry, nothing's wrong.

00:15:50No, but look, I don't want you to think I'm going to pull that stunt again.

00:15:52I say, I say

00:15:53Don't worry, nothing's wrong.

00:15:55We have all the time in the world to tell him.

00:15:58Thank you very much, Celia.

00:16:00Diego

00:16:11hello

00:16:12Hello Carmen

00:16:14hello

00:16:15What's wrong with you?

00:16:20ehh

00:16:21ehh

00:16:22ehh

00:16:23ehh

00:16:24ehh

00:16:25ehh

00:16:27ehh

00:16:28ehh

00:16:33ehh

00:16:45Congratulations, Diego.

00:16:46Thanks my friend.

00:16:48Thank you.

00:16:50I go to school.

00:16:53Yeah.

00:17:02Okay, well, I'm going to take this to the kitchen.

00:17:08Thank you, Carmen.

00:17:16Well then, now to see the tomato, a little nap and then to take the child to the park.

00:17:22How lucky you are, little dove.

00:17:24Yeah.

00:17:25Well, I'm still a little weird.

00:17:26So many hours at home.

00:17:29But good, huh? Good.

00:17:30Of course, as a mother, who spent all day at home.

00:17:33But we all came away happy, right?

00:17:35That's how we've become good.

00:17:36And not like now.

00:17:37So much for modernity, and they all end up being Fermín's fodder.

00:17:41Besides, you've earned it.

00:17:43So many years working.

00:17:45Well now, let's enjoy it.

00:17:47Of course, of course.

00:17:50Oh, I hope I retire soon.

00:17:54And Santiago is growing.

00:17:55And then the two of them in slippers.

00:17:58Sitting on the sofa all day.

00:18:00Hey?

00:18:01Excellent.

00:18:01Yeah.

00:18:03Well.

00:18:04Well, I'm off to work.

00:18:06We're panting.

00:18:07Ah, well run, run.

00:18:08Don't be late, mate.

00:18:10Goodbye, little sparrow.

00:18:23Hello.

00:18:24Present here, Fructuoso Martínez.

00:18:27Manager of a leading company in the automotive sector.

00:18:31Mechanic, Dad.

00:18:33That you're a mechanic.

00:18:33It's clearly stated here.

00:18:35Just accept it, less is more.

00:18:36Damn, fictis, damn, fictis.

00:18:38And you look like Arturo Fernández.

00:18:40Of course, my dear.

00:18:42Do not touch me.

00:18:42Hey, Choni already told me.

00:18:43What exactly is the talk about?

00:18:45Because it looks like you're going to parliament, damn it.

00:18:47Either that, or he's going there to find a girlfriend.

00:18:50You guys are seriously idiots, aren't you?

00:18:52This is a serious talk, just so you know.

00:18:54This is about alcohol and driving, damn it.

00:18:57And what about you, do you wake up in cars or drunk?

00:19:01The fool.

00:19:02And leave me alone, I haven't arrived yet.

00:19:04I need to review it.

00:19:05Let's see.

00:19:05What did we say about the braking?

00:19:07What about the car?

00:19:07No, damn it, about the...

00:19:09A glass of wine delays braking.

00:19:13What the hell is wrong with you now?

00:19:15That's not normal.

00:19:16It's not normal to be this nervous.

00:19:18For 20 kids.

00:19:19It's not normal.

00:19:19Clear.

00:19:20That's true, isn't it?

00:19:21When you came to my class you weren't so nervous.

00:19:23Hey?

00:19:23And you didn't buy a book.

00:19:24Well, I'll tell you why.

00:19:25I'll tell you why.

00:19:26Because of age.

00:19:27Well, I was much younger.

00:19:28Lot.

00:19:28I took things much more lightly.

00:19:30I am more mature now.

00:19:31And I do things with knowledge.

00:19:34Besides, damn it, this isn't...

00:19:35This is no good as a father, damn it.

00:19:36If there's nothing...

00:19:38This is a government talk, huh?

00:19:40Regarding alcohol prophylaxis.

00:19:42Fuck.

00:19:43Dale.

00:19:44Go on, go on, go on.

00:19:46Hey bro, what's up?

00:19:46How are you?

00:19:47Good.

00:19:48Well, we've already told the girls.

00:19:50Well, rather than telling them, they caught us, didn't they?

00:19:52Well, call it being caught, call it X.

00:19:54The fact is, they already know.

00:19:56And what did they say?

00:19:57What did they say, brother?

00:19:57What did they say?

00:19:59Well, man, say it, say it.

00:20:00It is said that...

00:20:01Bit.

00:20:02Nothing.

00:20:02Not anymore, nothing.

00:20:03They haven't said anything.

00:20:04But anyway, I'll give you an explanation tonight and tell you all about it.

00:20:08And that's it.

00:20:09Andacena.

00:20:09Well, I'm leaving.

00:20:10I'm leaving you, darling.

00:20:12Bye bye.

00:20:12Did they kiss there?

00:20:15Did they kiss?

00:20:17Who kissed?

00:20:17Damn, Diego and Celia.

00:20:19What have they...

00:20:19Come on, don't mess around.

00:20:21They were kissing.

00:20:22I'm telling you, I just saw it with my own eyes.

00:20:23Don't laugh.

00:20:24Let me see it with my own eyes.

00:20:26Well, you will not be silent.

00:20:37Hello, yes?

00:20:39Hello.

00:20:40I am Ana Blanco.

00:20:41With Fernando Alonso, please.

00:20:43Hi, Fer.

00:20:45Dear.

00:20:46How are you?

00:20:48Go to Monaco?

00:20:49Oh, it's totally out of my way.

00:20:52You see, I'm usually on the go those days.

00:20:55God!

00:20:58Kids, stop!

00:21:00Holy and mighty God.

00:21:07The mother who gave birth to her.

00:21:11Oh, what a fright!

00:21:13Are you scared?

00:21:14What are you doing here?

00:21:16Nothing.

00:21:18Since I had a little free time, I came to pick up my things.

00:21:22Very good.

00:21:24I found it on my María Hosti tape.

00:21:26My soap doesn't remind me of having seen it at all.

00:21:28Here I go.

00:21:30Weavings!

00:21:32Honey, don't get like that, we'll look for her everywhere.

00:21:34Even though it's listed, I still look for it online.

00:21:36But what...

00:21:37That's not it, Choni.

00:21:38That's not it.

00:21:40My darling, come here and tell me what's wrong.

00:21:45Choni, it's just that...

00:21:46It's because I'm selfish.

00:21:48But you're not going to be selfish.

00:21:49If you take the bread out of your mouth to give it to just anyone.

00:21:52No, I'm selfish.

00:21:54Because?

00:21:55I want to go back to work.

00:21:58Okay, so what?

00:22:00Well, what are you doing, you wretch?

00:22:01That the ham has to be counted carefully.

00:22:03Hey?

00:22:04That doesn't just look like millions.

00:22:05It's a lid, it's a popcorn lid.

00:22:07How am I going to put you?

00:22:09Tell me, little dove.

00:22:10I do two or three a day at home.

00:22:12As?

00:22:13He woke the child from his nap so he could go back to sleep.

00:22:15What's the matter?

00:22:16You can't hear me.

00:22:17Little dove.

00:22:18Why doesn't it fulfill me?

00:22:19In taking care of my family.

00:22:21That I'm a bad mother.

00:22:23And why wouldn't you?

00:22:25At the worst possible moment.

00:22:25Well, I can tell you, but I can't tell Santiago anything.

00:22:27He won't understand.

00:22:28How could she not understand, Lourdes?

00:22:30How could he not understand if you've been working your whole life?

00:22:32It's normal.

00:22:33But I'm really needing it, Choni.

00:22:35She keeps telling me how happy I am.

00:22:39I even lie to my husband.

00:22:43It's only been like this for a day, but if it's going to continue like this, I can't, Choni.

00:22:46I can't.

00:22:47Honey, listen to me.

00:22:49First things first, tell him the truth, that's for the best.

00:22:54But don't worry, I can't see you like that.

00:22:57Look, honey, I'm going to step out for a second.

00:22:59I am here to say no more.

00:23:01Darling, darling, yes, yes, yes, yes.

00:23:03What I can't do is see you like this, it upsets me.

00:23:07Fiti.

00:23:09Oh, didn't you need to dress up so much?

00:23:12The first thing I found in the closet, you know what I mean?

00:23:15Hey, one thing, are you going to be there while I'm speaking at the talk?

00:23:19Oh, well, I wasn't thinking about it, I had things to do.

00:23:22Ah.

00:23:23Yes, yes, of course I'm staying.

00:23:25Hey, calm down, okay?

00:23:27You're going to do great.

00:23:28I don't know, I don't know.

00:23:29Yes, man, and you know what?

00:23:31You are the best speaker I could have brought.

00:23:34Okay, I'll call the rest of you and we'll get started, alright?

00:23:36Okay.

00:23:37Come on.

00:23:47Fiti.

00:23:48Fiti.

00:23:49That?

00:23:49No matter how many times I find you, come here, you're not going to give the confidence.

00:23:52What are you saying?

00:23:55Fiti, listen to me.

00:23:56Anita is very clever but also very malicious.

00:23:59Okay, wait a minute, a minute, a minute.

00:24:00Are you criticizing her again?

00:24:02Damn, it's always been the same, well, you've got it right there between your eyes.

00:24:05Anger prevents you from seeing the forest for the trees.

00:24:08Calm down, okay?

00:24:08And evolve a little, Choni.

00:24:10Please.

00:24:12I haven't evolved.

00:24:14Yes, you do.

00:24:15You really do see the forest for the trees.

00:24:17But...

00:24:17You see the forest, don't you?

00:24:18Well, look.

00:24:19Look in the forest at what he has put there.

00:24:21Here in your agenda.

00:24:22Look at it.

00:24:26I don't know.

00:24:27Can you tell me what you're doing with my planner?

00:24:33That...

00:24:33That's not what I meant.

00:24:36Fiti, who...

00:24:38That's not what I meant.

00:24:43Fiti.

00:24:46Fiti, listen to me.

00:24:47I've told you before, haven't I?

00:24:49Which is made of Satan's skin.

00:24:50You don't realize when she has no other recourse, Mrs. Mabor, that you're always there.

00:24:54Okay, Raúl.

00:24:55I'm working.

00:24:56Yes, yes, please.

00:24:57Yes, yes, I'm working.

00:24:58I, Raúl.

00:25:01But I am enough.

00:25:03Oh.

00:25:04Well, it's not because of you, Santi.

00:25:06It's not because of you.

00:25:07That this...

00:25:07This is for today.

00:25:09Well, what's happening to Lordita is that the hunter has come out.

00:25:12The hunter?

00:25:13The hunter?

00:25:14Who are you talking about?

00:25:15What kind of hunter are you going to be, Santi?

00:25:16Well, the one they carry inside.

00:25:17This isn't something that just started today.

00:25:18This is from when we were primitive and the guys used to go hunting.

00:25:22What were the aunts doing in the meantime?

00:25:23Hey?

00:25:23Nothing, nothing, just stay in the cave there, cleaning, taking care of the children, that sort of thing.

00:25:27Clear.

00:25:27Until one day they jumped up and said, "Fuck the cave."

00:25:31Washing machines were invented and jackets were made.

00:25:34Which cave?

00:25:35Back when there were no electrical outlets or washing machines in the cave, they would wash clothes in the river using a board.

00:25:38mother.

00:25:40That's me, that's me.

00:25:42It's you, it's you.

00:25:43Oh, what a pair of legs for a stool.

00:25:45One with the guilt, the other with the lament.

00:25:48But, but where's the problem, Santiago?

00:25:50Where's the problem?

00:25:51Get to work, damn it.

00:25:52Okay, so that's it, where to?

00:25:56Well, that's it, with the nun.

00:26:05Damn it, Fiti, what are you doing here?

00:26:07Damn, well here I am, mostly here to support you.

00:26:10Ah, thank you very much.

00:26:11And how was the chat?

00:26:12There it is, there it is.

00:26:14You won't get stage fright.

00:26:16Fiti, you haven't tamed it.

00:26:17No way, damn it, fuck it, huh?

00:26:19Besides, damn it, the important thing now is that it's yours, right?

00:26:21Yeah.

00:26:22Were the pizzas good?

00:26:23Were the pizzas good?

00:26:24Hey?

00:26:24Today was not a day for spinach.

00:26:25No, no, I'm not going to leave you.

00:26:26That's it, just to give a little warning.

00:26:27Come on, let's go.

00:26:30Hey, I'm here!

00:26:31Hello good.

00:26:32Hey, where is everybody?

00:26:34Well, Carmen called to say she couldn't come for dinner, so I tried to stay upstairs in her room studying.

00:26:40because we have an English exam tomorrow.

00:26:43English?

00:26:44Yes, from English.

00:26:45Well, and Currito is already in bed.

00:26:47Oh, really?

00:26:47But what's wrong with him?

00:26:48That's fine, but it's very early, isn't it?

00:26:50No, no, no.

00:26:50No, no, well, he arrived to train and, well, he was exhausted, you know?

00:26:54He hasn't said a word, poor thing.

00:26:58Well, it's no big deal.

00:27:00Come on, there aren't enough days in life to talk, huh?

00:27:02Yeah.

00:27:03And how are you, son?

00:27:04How's it going, huh?

00:27:05I'm fine.

00:27:06Good, good, very good.

00:27:08Okay, I'd better go upstairs and study, alright?

00:27:10Ah, yes, yes, go up.

00:27:11Take the pizzas, I brought them for you.

00:27:14Okay.

00:27:14Come on.

00:27:15Hello.

00:27:16Good night.

00:27:17Goodbye, son.

00:27:18See you tomorrow.

00:27:23Well, watch out, right?

00:27:24Celia.

00:27:25Doesn't it include an English exam?

00:27:28Yes, no, no, it's not very fine, is it?

00:27:30The truth.

00:27:33So, what about you?

00:27:34Are you going to tell me what's wrong or not?

00:27:36Nothing's wrong with me.

00:27:38I'm sure, nothing will happen to you.

00:27:39Sure, right?

00:27:39Damn, the interrogation is like something out of the Gestapo, for fuck's sake.

00:27:41No, I'm fine.

00:27:43Can't you see that I'm fine?

00:27:44Yes, it's done.

00:27:44I can see you're fine.

00:27:46What the hell, I'm telling you that you look good.

00:27:47I mean, I see you looking good, so that's fine.

00:27:49And that's it.

00:27:49You tell me you're okay and that's it.

00:27:51I was going to ask, do you have the sofa or the bed free tonight?

00:27:56Yeah.

00:27:58I'm going to put a small bottle of wine.

00:28:33No, no, no, no, no.

00:28:44No, no, no, no, no.

00:29:27No, no, no, no, no, no.

00:29:41No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,

00:29:42na' na', no, na' na'.

00:29:42Okay.

00:29:45Damn, poor thing.

00:29:47And now I'll see what I do about the grant.

00:29:50Well, girl, I don't know.

00:29:52Call Santiago, I'm taking Carmen's stitches away.

00:29:55Or Farruquito, who, look, I know he does turn out well.

00:29:58Damn, we're already at the tap.

00:30:00I don't know what's happened to me lately, but I feel dazed.

00:30:06Diego.

00:30:08Yes, but it's over.

00:30:09Because I've come here to make this school a success.

00:30:11And not to try to sneak in for anyone or to think about nonsense.

00:30:14What does he want with her? Look, I'm glad.

00:30:15What are you happy about?

00:30:17About climate change.

00:30:19Because look, if it's hot, all the better for me.

00:30:22But how can he say that?

00:30:23And what about the poor penguins?

00:30:25Oh no, of course not from a penguin's point of view.

00:30:27How can I not know any of them?

00:30:35That?

00:30:37I don't know how to approach this.

00:30:39All I know is that I'm a mess and that I need you.

00:30:43Diego.

00:30:43Diego?

00:30:44Oh yes, I can get you some cream!

00:30:46Yes, grab it! All of it!

00:30:54Fiti, do me a favor.

00:30:55Go stretch.

00:30:56But you don't realize what I'm dealing with.

00:30:57So, what are you going to wear?

00:30:58Aren't you going to be there in your underwear with the cookie and eating the cookie?

00:31:00Okay, okay, calm down.

00:31:01Relax, Diego.

00:31:02Hey?

00:31:02Come.

00:31:03And now everything is going very well.

00:31:05Okay, yes, fine.

00:31:10Good morning, children.

00:31:11Did you sleep well?

00:31:12Yes, yes, I'm glad.

00:31:13Good morning, please sit down.

00:31:14Please sit down.

00:31:16Sit down.

00:31:22Well, you know that I find it very difficult to comment on certain types of things, right?

00:31:27And I wanted to talk to you about...

00:31:29About yesterday.

00:31:32Well, you already know about yesterday.

00:31:35I would have liked you to approach me differently, but...

00:31:37In the end.

00:31:40And yes, I know I still have an explanation to give you, an explanation that I'm going to give you.

00:31:45You'll see, children.

00:31:47Let me explain.

00:31:50These things happen.

00:31:53And if love arrives in this way, well...

00:31:56Well, it's not one's fault.

00:31:58Hey, I'll ruin it.

00:32:01What I want is for you to take away the message, right?

00:32:08Let me tell you...

00:32:10I can imagine what you're thinking.

00:32:12And I assure you...

00:32:14This won't make me forget your mother.

00:32:19I'm going to tell you something else.

00:32:21Nobody.

00:32:23Never again...

00:32:24She will replace Lucia.

00:32:26Never again.

00:32:30But, daughter, life goes on.

00:32:32And even though it hurts, we have to move forward.

00:32:37I'm sure Lucia would think the same.

00:32:44Well.

00:32:46So, if you want to ask any questions or share something, I don't know, or have any doubts...

00:32:56Nobody.

00:32:57Nobody to school.

00:33:09The thing is...

00:33:10Do I have a test, Dad?

00:33:12Yeah.

00:33:13It's the exam I had forgotten about.

00:33:14I don't want to keep you busy.

00:33:15Well.

00:33:16Have a good day.

00:33:17Luck.

00:33:19See you later.

00:33:20See you later.

00:33:20Bye bye.

00:33:24Diego.

00:33:26Have you been, man?

00:33:28You've been, well, brilliant.

00:33:30No, I don't know, I don't know, really.

00:33:31They haven't told me anything.

00:33:32Not a single adult has suggested it to me, they haven't told me...

00:33:34But what doubt can they have, damn it, he's made it crystal clear.

00:33:37No, I don't know, but I was hoping you'd say something, a comment, well, even if it was negative, but something.

00:33:41Oh my God.

00:33:42But no, man, no.

00:33:43These things are the way they are, I mean, they're...

00:33:45Delayed reaction.

00:33:47But you, you have done what you had to do.

00:33:49Damn, and now it's their turn to take the next step.

00:33:53Good.

00:33:55That?

00:33:55Iberian ham is good, isn't it?

00:33:58Divine.

00:33:58Hey, Sister Ludivina, do you remember that yesterday Santiago told you that Lurditas wasn't interested in the job offer?

00:34:04You, you...

00:34:05Hey?

00:34:06How much I have felt it, yes.

00:34:07Well, he doesn't know how much my sister loves him.

00:34:10And I to her.

00:34:11Right?

00:34:12Right?

00:34:12My sister Lurditas is a saint.

00:34:14He doesn't know how.

00:34:16Imagine that yesterday when we told you that you needed her, she said, "For Sister Ludivina's sake, whatever is needed."

00:34:21Whatever it is, whatever it is.

00:34:22That he accepts the job.

00:34:23That is.

00:34:23She's happy to be at home, but she'll accept it for your sake, okay?

00:34:25Oh, what a wonderful woman.

00:34:28Okay, but you tell him not to worry, okay?

00:34:30We already have a little girl to fill the position.

00:34:33As?

00:34:33But it illuminates it for me.

00:34:35What do you mean, a little girl?

00:34:36Yes of course.

00:34:37Since Lurdes couldn't.

00:34:39No, but now you can.

00:34:40He can and he wants to.

00:34:42He's considered it and he's excited about it.

00:34:43And besides, it's not the same for the kids.

00:34:45A little girl with no knowledge, no experience, is not the same as her great friend Lurdita.

00:34:50The divine is not the same.

00:34:51No, no, no, of course, it's not the same, but...

00:34:53He's already signed.

00:34:55Have you signed?

00:34:56Okay, okay, but that little contract could get misplaced, couldn't it?

00:35:01I can see you like the ham, huh?

00:35:04You could just as easily take one or two hams to the convent.

00:35:07Oh, I'm sorry, but no.

00:35:10He has signed a contract with us.

00:35:11And a contract with the church is the word of God.

00:35:14Also.

00:35:15Damn, thank goodness they're not going to be ironing your ironing for you, man.

00:35:17I know, I know it's not easy, but since Carmen hasn't come, who's the one who...

00:35:20He's lent a hand with this, we're nobody, really.

00:35:23And it surprises me because in five years there hasn't been a single missed breakfast, you know?

00:35:26Damn, she must have gotten lucky at bingo last night, huh?

00:35:28She sings online there, with a handsome guy, one thing leads to another...

00:35:31Fiti, don't talk nonsense.

00:35:32Come on, help me open the door, I can't do it, man.

00:35:35I'm coming, I'm coming, I'm coming, wait.

00:35:35Take it away, take it away.

00:35:45What is this?

00:35:53What broke all the photos, Fiti?

00:36:02There's the one about the molt.

00:36:04Thank you.

00:36:11Okay, let's start the exam. Please put everything away.

00:36:16Valdana.

00:36:18Well, the exam has already started; they have one hour.

00:36:31As I said, the exam has already started, so please put your books on the floor.

00:36:42It would be good if you would please look at the exam and not look elsewhere.

00:36:49Tete, I think he's caught you.

00:36:53Let's put the books on the floor, please.

00:36:55Is something wrong?

00:36:56Uh... no, nothing.

00:36:58All good?

00:36:59Yeah.

00:37:00Yes, it happens.

00:37:02Apparently, Celia is having a lot of trouble giving me a zero for copying, but...

00:37:05He doesn't have the means to break up a family, does he?

00:37:09Tete, to my office.

00:37:14Didn't you hear me?

00:37:22Celia, come when you're done.

00:37:24Yeah.

00:37:27Everyone to the exam, please.

00:37:30I slept terribly, I couldn't get any rest at all.

00:37:33Oh, the bad boy too.

00:37:35Honey, what's happening to you is what happened to Ortega Cano.

00:37:37Well, the man had to leave his house because he didn't feel fulfilled.

00:37:40He had to return to the bullring, well, you too.

00:37:42And how do I do it, Choni? How do I do it?

00:37:45Once... I resigned of my own accord.

00:37:48Well...

00:37:48With a little bit of arrogance, to be honest.

00:37:50Well.

00:37:51Besides, I'm a religion teacher, which isn't so easy, Choni.

00:37:54Daughter, if anyone has been devoted to the clergy, it's you.

00:37:57You must have some ecclesiastical contacts, I mean, come on.

00:38:00But look, I'm not trying to be negative, but I have very few contacts.

00:38:03Don't you see I'm not going out?

00:38:06Yes, but...

00:38:07So there's no one you know who can lend you a hand, woman, at this time...

00:38:11Man, my friend is divine.

00:38:14See?

00:38:14My friend loves it.

00:38:16Well, that friend of yours will call the woman.

00:38:18But cheer up, for God's sake, I don't want to see you looking gloomy.

00:38:20I don't want to see you looking downcast.

00:38:22Oh, Sonia, there's something else.

00:38:24That?

00:38:25Santiago, how do I tell him?

00:38:27He was so excited to always see me at home.

00:38:30Hey, woman, but you with affection and contact, with affection and contact.

00:38:33Things are said, and everything can be said.

00:38:36Right?

00:38:36Mom has to go back to work and leave you at daycare, and you're fed up with it.

00:38:40she.

00:38:40Look, Teté, I'm going to make it clear to you.

00:38:42One more of these and I'll kick you out.

00:38:44Okay.

00:38:45Expel me.

00:38:47Well, we'll see if you don't care so much when Diego comes.

00:38:50What do you mean Diego is coming?

00:38:53Ana, uh...

00:38:53I, I mean, I can take care of this, there's no need for Diego to come.

00:38:57I don't feel it.

00:38:58This is work, Celia.

00:38:59The protocol is very clear in these cases.

00:39:03Forgive me, Celia, I'm sorry, please forgive me.

00:39:05Hello, Diego.

00:39:06Well, you already know what happened.

00:39:08We'll leave you alone, we're outside.

00:39:09Thank you.

00:39:12AND...

00:39:12That?

00:39:14Have we spoken yet?

00:39:15Yes, we did talk.

00:39:18Okay, one thing.

00:39:19I mean...

00:39:21If you know English, why did you copy?

00:39:26It wasn't because of the English.

00:39:27Already.

00:39:30Look, Teté and I have tried to tell you what was happening, but apparently I explained myself very badly.

00:39:34The only thing I want you to know is that my children come first for me.

00:39:38And what we have between Celia and me...

00:39:41Well, that's not going to interfere with our relationship at all.

00:39:42Look, Diego.

00:39:44The only reason you need to contact me is to tell me that you've broken up with Celia.

00:39:49Nothing else.

00:39:50Teté, let's go here.

00:39:51Teté.

00:39:58Hello, Diego.

00:39:59Yes, hello, how's the date?

00:40:01We have a problem.

00:40:03Yes, no, already...

00:40:04I wasn't talking to her anymore, it's just that...

00:40:05No, no, no, that's Curro, who doesn't talk.

00:40:08It's out here.

00:40:11Curro, hey son, what's up?

00:40:12What's the matter?

00:40:14What's the matter?

00:40:17I haven't said anything in the entire class.

00:40:20Curro, son, talk to me.

00:40:22Curro, I'm asking you, please, talk to me.

00:40:25And look at me, damn it, I'm talking to you.

00:40:27Work!

00:40:30It's not to contradict you.

00:40:32But Ana is right.

00:40:33Fiti is nobody.

00:40:34He's nobody.

00:40:35So, you, my husband, the one who was supposed to love and respect me, are actually with her.

00:40:40My love, whom I love and respect.

00:40:42But let's be realistic.

00:40:43Who is Fiti compared to Carlos Sainz?

00:40:45My brother is...

00:40:47And my brother-in-law.

00:40:48AND?

00:40:50Now I'm not going to laugh much.

00:40:52I'm not going to laugh much when the inspector arrives and takes away the subsidy.

00:40:55To Anita.

00:40:56He's going to be stunned, Scottish.

00:40:58I'm not going to laugh much.

00:40:59There you have it.

00:41:00No, but that sounds great to me.

00:41:01If life is going to put everyone where they need to be, in the link they need to be in.

00:41:04be.

00:41:06Don't you want to sow the wind?

00:41:07Well, then it reaps gales.

00:41:10I'm leaving.

00:41:13I'm running late.

00:41:14Okay, see you later.

00:41:16A little kiss, drum.

00:41:18What a surprise, little dove!

00:41:20I'm going to the bathroom.

00:41:22Yes my love.

00:41:22I wanted to tell you something.

00:41:30Damn, with Anita.

00:41:32But I don't know how to start.

00:41:33For the beginning.

00:41:35You always come first.

00:41:36You see, then...

00:41:37I've been thinking about it a lot, Santi.

00:41:41It's not that I don't want to make you croquettes.

00:41:43But the thing is...

00:41:45I want to go back to work.

00:41:47That's great.

00:41:47That's fine with me if that's what you want.

00:41:50What do you think is good?

00:41:51Clear.

00:41:52No, you know how happy that makes me, Santi?

00:41:54I think that...

00:41:55I think it's good.

00:41:56And this time to your...

00:41:57He wants to go back to work.

00:42:00He wants to come back...

00:42:00But very good.

00:42:02Of course.

00:42:03Congratulations.

00:42:04Thank you, thank you.

00:42:05Very good.

00:42:06Yeah.

00:42:06Well, I had thought about calling my friend Ludivina.

00:42:08To see if she can make room for me at the Ursuline school.

00:42:10Hey?

00:42:11Hey?

00:42:11Why would you think so?

00:42:14Perfect.

00:42:14That he got emotional.

00:42:15The poor man got emotional.

00:42:16Hey?

00:42:16Doesn't that sound good to you?

00:42:18Yes of course.

00:42:19And if I don't deserve you.

00:42:20Hey?

00:42:21I really don't deserve you.

00:42:22That you are more...

00:42:23I'm going to the bathroom.

00:42:24I'm going to the bathroom and I'll call her right now.

00:42:29You did well.

00:42:30Did you kill me?

00:42:32When a woman decides something, there's no other solution, Santiago.

00:42:36Jump in front of a train?

00:42:36Well no.

00:42:37No.

00:42:38Steal his mobile phone.

00:42:39So keep an eye out and don't let them catch us.

00:42:42It's a sin.

00:42:43It's a stupid sin.

00:42:45Damn, go all out with the cup, look.

00:42:48What did I grab by mistake?

00:42:49I've told you before, things were better with you, and besides, you're a blessed soul.

00:42:52No, man, yes.

00:42:53I'm going to call her, I'm going to call her.

00:42:54I'm going with you.

00:42:56But I'll call her in a second.

00:42:59I don't have my phone.

00:43:02What a silly idiot left it at home.

00:43:04That happens to me every day when that comes up, son.

00:43:06Well, let's see...

00:43:08Goodbye, my love.

00:43:10Excellent.

00:43:13God.

00:43:18My shame, because I...

00:43:19Let's see how I tell this man now that nobody has come to give the talk.

00:43:23And on top of that, I've gotten my period.

00:43:25Well, maybe that's a mitigating factor.

00:43:30Well, look, the sooner I tell him, the better.

00:43:32Come on, come on.

00:43:33Okay, good luck.

00:43:37Hi, how are you? Is everything alright?

00:43:38Very good, very good.

00:43:41A little coffee?

00:43:42No, no, thank you very much.

00:43:43If you're ready, we can get started.

00:43:48Look, there's been a problem.

00:43:50Really...

00:43:51Hi how are things?

00:43:52Sorry for the delay.

00:43:53Fructuoso Martínez, director of the Fitian Sol workshop network.

00:43:56Are the students already gathered for the presentation?

00:43:59Yes, they're here. They're all here.

00:44:01Excuse me, would you mind if I stayed to open the conversation?

00:44:03No, no, I don't care at all.

00:44:05Forward.

00:44:12Two small glasses of wine, two small glasses of wine, delay braking in case of emergency.

00:44:18Approximately 1.2 seconds.

00:44:21I didn't pay much attention to this, you know?

00:44:23Because I, of course, I said, I'm in control.

00:44:26I'm in control.

00:44:27I drink the beer as if it were water at a given moment.

00:44:30Well, you remember Alejandro Torres, that young guy who was with you until...

00:44:39Was it the second DGB?

00:44:40Yes, second DGB.

00:44:41But that was fatter than a bowling alley.

00:44:44That's what my sandwich was eating, Fiti.

00:44:45That's right, he left halfway through the course.

00:44:47Do you remember?

00:44:48I don't know what they would have said to you guys because you were chavs, but I imagine they would have told you some tall tale or...

00:44:54Well, I'm going to tell you the story.

00:44:56I'm going to tell you the real story.

00:44:58The fact is that his father, Cifu, who was a good friend of mine, on New Year's Eve of '96,

00:45:07He went to celebrate in style, didn't he?

00:45:10And, well, I don't know, I imagine a nice dinner with friends, a shot, the wine with the dinner,

00:45:21a few drinks, etcetera, etcetera, etcetera.

00:45:25So, well, I never saw my friend again.

00:45:32And Alejandro was taken to Cuenca, to live with his grandparents.

00:45:42Damn, man, poor Alex, huh?

00:45:43After everything we went through with him.

00:45:45He already made me an egg.

00:45:47See you later.

00:45:49Fiti.

00:45:52Thank you.

00:45:54Well, as I said, I loved the class, the talk was great.

00:45:58And, well, frankly, I don't think there will be any problem with them taking two months for the grant.

00:46:05No, really, he doesn't say anything, nothing, nothing, nothing.

00:46:09Will he say anything to you, man? Does he approve of pinching him or giving him a scare?

00:46:12No, no, no, no.

00:46:14Just look, Fermín is even going to come and take a look and see what he says.

00:46:19Hello.

00:46:21Hello.

00:46:22Hi, Ana.

00:46:22Dude, can we talk for a minute?

00:46:26Santiago?

00:46:28Hey, who is this Manolo?

00:46:30Manolo mobile, Manolo home...

00:46:32But what are you doing with my mobile phone, Palmita?

00:46:35He's had enough with that time, he stole it, huh?

00:46:37You need to look here, locating, to see what, what, what...

00:46:39I'm just saying that he puts Manolo on it and he has the one at home and the mobile phone.

00:46:41So, you'll see who that Manolo is.

00:46:43Listen, before, at school, it didn't seem like the right time for us to talk...

00:46:49No, no, no, no, no, wait, first of all, I'm so sorry, okay?

00:46:52But you understand that the kids are going through a very tough time, right?

00:46:56Well, it's intolerable, I'm saying exactly that.

00:46:57No, no, no, no, I didn't come here to talk about that, I wanted to talk about something else.

00:47:02Yes, yes, yes, yes.

00:47:02Look, I don't know how...

00:47:03No, I already know, I already know, I know what you're going to say.

00:47:06Already.

00:47:07So, the children are at your school and Celia teaches there.

00:47:11Sure, I understand that one can be set up at any time.

00:47:13I'm not saying I'm not talking about the school, I'm talking about us.

00:47:18Yes, well, something happened last year.

00:47:23And apparently you're still...

00:47:30I?

00:47:31That I am still...

00:47:32No, sorry, no, I won't...

00:47:34Let's see.

00:47:35Yeah.

00:47:36I don't know how to approach this, I just know that I need you.

00:47:44Already.

00:47:44Look, no, it's just that I'm going to confess that I also feel something, I don't know...

00:47:50Ana, Ana, listen to me, listen to me.

00:47:53No, the first thing is to apologize, because...

00:47:56You'll understand, I'm really bad with new technologies, I mean, I get really confused.

00:48:00I'm very old-fashioned, then...

00:48:01It was to be celibacy, I want to tell you...

00:48:04Since you're on the agenda for the first one, well, Ana, from Ana, well, then I'll talk to her now.

00:48:08But, come on, it's normal, because, well, you're on the first try.

00:48:10No.

00:48:12Of course, of course, yes, that's what I thought.

00:48:14I think that...

00:48:14And of course, that's why I came, I came because I say, this guy gets all confused with everything about his phone,

00:48:19Well, maybe he'll send it to someone else and she'll think twice, who knows...

00:48:22Of course, that's why I'm so grateful, really, because...

00:48:25Well, thank goodness you told me, frankly, please.

00:48:31Well, that's it, thank you very much.

00:48:33I have to go, Fermín is coming home now for a...

00:48:36Yes of course.

00:48:37Thanks again for telling me.

00:48:38Nothing.

00:48:46The straw, princess?

00:48:47No.

00:48:48No.

00:48:49Something stronger.

00:48:51I?

00:48:52Maybe.

00:48:53Hey?

00:48:54See you later.

00:48:55See you later.

00:48:57No.

00:48:58They've been there for an hour and a bit, Fiti, an hour and a bit.

00:49:01Okay, okay, okay, calm down, because that's a good thing.

00:49:03That's good, because the kid is talking, he's really opening up.

00:49:07But, but, but, please, Fiti, an hour and a bit is a lot of indoors for such a little boy.

00:49:10You don't realize it.

00:49:11This is a problem, and it's a very big problem, Fiti, a very, very big problem.

00:49:15Work!

00:49:16Curro, son!

00:49:16Work!

00:49:17Work, man!

00:49:17No, Diego, leave him alone, leave him alone.

00:49:19That?

00:49:19Leave him alone, leave him alone, he's mute, not deaf.

00:49:22He's going to take a walk, I told him so.

00:49:23What did I tell him?

00:49:24That will be good for him.

00:49:24Okay, okay, okay, fine.

00:49:25You did it yourself, good.

00:49:26What, what?

00:49:27And what did he say to you?

00:49:29Well, that's it.

00:49:31But what do you mean, nothing?

00:49:31What, what?

00:49:32So, in an hour and a half, the child hasn't said anything to you?

00:49:34No.

00:49:36Well, this is very difficult, Fermín, it's very difficult.

00:49:38Before you, now the child who...

00:49:39Let's see.

00:49:40Okay, but, but, but, but, but, why isn't he talking?

00:49:42Explain to me, why doesn't he speak?

00:49:43Diego, what you need to do is stay calm.

00:49:45Yeah.

00:49:46Calm and strong.

00:49:47Because now you're the one who brings the family together, okay?

00:49:49Yes, but when, when Lucia came, well, no, nothing like that happened.

00:49:53Well, well, that's normal, because more time had passed since Marta's incident.

00:49:57In other words, maybe he had been in too much of a hurry.

00:49:58No, no, no, not that.

00:50:00You made a very calm and conscious decision, okay?

00:50:03Now all you need is a little patience.

00:50:05Left-handed, okay?

00:50:07And gradually introduce Celia to the family.

00:50:10Little by little, little by little.

00:50:11Fermín, little by little, damn it.

00:50:12I don't know about waiting so long.

00:50:14Excuse me, I'm going to get some water.

00:50:16Are you okay, buddy?

00:50:16Yes, yes, yes, I'm fine, thank you.

00:50:18Sorry.

00:50:20Fermín.

00:50:22With affection and respect.

00:50:23You're losing your abilities, damn it.

00:50:25Look, prescribing impatience, that Britishness doesn't suit Diego.

00:50:28Look, Fiti, children don't accept and take these things in overnight, you know?

00:50:33But one son won't speak to her, and the other has become a terrorist.

00:50:36Fuck.

00:50:38Diego.

00:50:39Diego, wait, look, calm down.

00:50:42You'll see.

00:50:44Well, here you go, beautiful.

00:50:46More of the same?

00:50:47Come on.

00:50:48More of the same.

00:50:50Hey, what are you doing here?

00:50:52That a lot of people at school are looking for you.

00:50:54I've taken the afternoon off, as I'm the director.

00:50:57And the thing is, I've died.

00:50:59Okay, I'll come up with something, don't worry.

00:51:01Hello, Afri.

00:51:02Hello.

00:51:03Hello, Afri, darling.

00:51:05Hello darling.

00:51:06He's looking for his phone everywhere, I can't find it.

00:51:09Are you sure he's not here?

00:51:11Not here.

00:51:12We've combed the table and it's not here.

00:51:13No, it's not here.

00:51:14It's not here.

00:51:15Well, I'm going to the convent.

00:51:17To the convent.

00:51:18To the convent.

00:51:18No, not to the convent.

00:51:20Don't go to the convent because no.

00:51:22Because?

00:51:23Because you can't just go like that without warning.

00:51:25Imagine that the nuns are there, praying or taking vows of silence.

00:51:29Who knows if that's true.

00:51:30I agree with him there, you know?

00:51:31I really hate surprise visits; they bore me to death.

00:51:35How many times have I said "I"?

00:51:36Why don't these people call five minutes earlier?

00:51:38If she's just as excited, call her.

00:51:41Call her.

00:51:41Pick up the guide at the convent headquarters, they call them, they warn them.

00:51:45Ah, well call her.

00:51:46Give me, give me the guide, José Luis.

00:51:48Let's see.

00:51:49I'm just asking.

00:51:50Thank you, brother.

00:51:50Ursulines, you said.

00:51:51The Ursulines.

00:51:51Yeah.

00:51:52Ursuline Convent.

00:51:52Look how funny, look how funny to put it on her table.

00:51:55Here it is.

00:51:56Pretty.

00:51:57The Ursuline convent.

00:51:58Ursuline.

00:51:59Yeah.

00:52:00What's so annoying?

00:52:01What a pain in the ass!

00:52:05Let's see, let's see.

00:52:06Is it giving me a signal yet?

00:52:07Thank you, brother.

00:52:08I'm going to look at the accounting.

00:52:15Yes, tell me.

00:52:17Yes, hello.

00:52:18Hello.

00:52:19Hello, this is the Ursuline convent.

00:52:21Yes, this is the Ursuline convent.

00:52:24And who do I talk to?

00:52:25Well, with the confessor, my daughter.

00:52:28Yes, tell me.

00:52:29Yes, well.

00:52:29I would like to speak with Sister Ludivina.

00:52:31Sister Ludivina is not here.

00:52:33It's not here, no, no.

00:52:35Well, it's in the garden.

00:52:37Ah.

00:52:37So, sorry, good afternoon, okay?

00:52:39Oh no, no, no, what am I waiting for?

00:52:40Yes, well, I have nothing to do to you.

00:52:45Well, I didn't quite understand myself.

00:52:47Sister Ludivina is in the garden, but...

00:52:52buried.

00:52:53As?

00:52:54Well, yes, the poor thing has died.

00:52:57That he has died.

00:52:59It is the most holy.

00:53:01No, no, don't worry, you haven't suffered, have you?

00:53:04The poor thing hasn't suffered, has she?

00:53:05I give it my full support, then, my friend.

00:53:07And, well, they'll let me know when that's what guides me.

00:53:09Thank you.

00:53:10Thank you very much, yes, don't worry, okay?

00:53:12What's happening?

00:53:13Already dead.

00:53:13Sister Ludivina, your friend...

00:53:16My daughter, for God's sake, people are dying who had never died before.

00:53:19He is already dead.

00:53:21Oh, he's dead.

00:53:23That he has died.

00:53:24Oh, oh.

00:53:24Which one, God.

00:53:25Well, look on the bright side.

00:53:27Let's see.

00:53:27He has won heaven.

00:53:28Isn't that all there is to being a nun?

00:53:29Sure, sure.

00:53:30That woman...

00:53:31José Luis, give me another one.

00:53:33And a lid to start making dough.

00:53:37No, look, Santiago.

00:53:43Another one, another one, another one.

00:53:45What's two?

00:53:46Other.

00:53:48Well, that's it.

00:53:49Next time you want to challenge me to a race, you know, you'd better prepare a little beforehand.

00:53:54Oh, with the sporty Spice Girl.

00:53:57Hey, good luck with the parents.

00:53:59Thank you, see you later.

00:54:01Celia.

00:54:02What?

00:54:03What are you doing here?

00:54:04So you wanted to talk to me, right?

00:54:06Yes, but later.

00:54:08Okay, I'm leaving now.

00:54:09If you'd like, please wait for me there in the teachers' lounge.

00:54:12Yes, but I'm in a hurry.

00:54:14Okay, wait.

00:54:15It won't take long.

00:54:17Okay, look, just leave it, alright?

00:54:19That...

00:54:19How lucky you are with your parents.

00:54:21What are you doing?

00:54:22Tete!

00:54:25Valdano, can you close the door, please?

00:54:27With eyes closed.

00:54:35Hello.

00:54:36So, are you going home?

00:54:41Donkey, mate, come here.

00:54:47What's up, Spice?

00:54:48Nothing, I was just passing by and hey, I'll take you home.

00:54:51No, no, really, where are we going, thank you.

00:54:53No, woman, what's being done...

00:54:54It's starting to get cold.

00:54:55Come on, upload it.

00:54:56Come on.

00:55:06Okay, okay, okay, okay, okay.

00:55:08Well, since we're here...

00:55:10I wanted to talk to you about something.

00:55:12Here, in the car.

00:55:14Well, mate, what better place to talk about our stuff.

00:55:18Especially since it's about cars, which is what I want to talk to you about.

00:55:21Do you know how an engine works?

00:55:24Look, Fiti, I have real things to do.

00:55:26No, no, no, no, no, no, mate, I'm serious, mate, mate, wait a moment, come in, it's going to be

00:55:30Serious.

00:55:34Okay, so an engine has spark plugs, valves, uh, all that, uh, and everything works in perfect harmony so that the

00:55:43motor rule.

00:55:44But if one of these components fails, the engine is screwed.

00:55:48What's the point of this now?

00:55:49Ah, you don't understand...

00:55:51No.

00:55:53What I mean is that the spark plugs, the valves, and the pistons, uh, all of that is part of the engine.

00:55:59that you are to Diego, eh.

00:56:01And if you're not there, well, Diego will sink on us.

00:56:03Look, Fiti, I'm not a spark plug and I'm not going to change my mind about Diego and Celia, okay?

00:56:07But look, mate, I know this isn't easy, but you'll have to accept it sometime.

00:56:11Diego, pull forward.

00:56:16And what about you? Huh? What's wrong with you? You're so quiet? You're not saying anything, are you? Very well.

00:56:23You're already... Well, however old you are, you're not five years old, you should already have an opinion.

00:56:28And that stance is very easy, you know? Very easy and very selfish.

00:56:31Gurro!

00:56:32Gurro!

00:56:33Little pig, come here!

00:56:35Gurro!

00:56:39Gurro!

00:56:44Gurro!

00:56:45Gurro!

00:56:45Open!

00:56:45Gurro!

00:56:46Open up, man!

00:56:47Open the door!

00:56:48Hey, worker, hey!

00:56:51Hey, forgive me!

00:56:53Man, I didn't mean to!

00:56:55Gurro, come on, open up, don't be silly!

00:56:57Gurro, please!

00:56:58Shit, let's see!

00:57:01Open up, work, come on, come out and we'll talk!

00:57:05Gurro!

00:57:08Diego, hey, hey, don't be scared, but...

00:57:11Come pouring milk for school!

00:57:14Yes, that's good, I think we have a problem, but don't...

00:57:17No, no, nothing's wrong.

00:57:18I'll tell you now.

00:57:19Come on, come here, quickly!

00:57:22No, Afri, I want to be alone.

00:57:25I'm going to an amazing place and I'm going to experience it with you.

00:57:30No, I'm fine.

00:57:32Come on, I'll see you later.

00:57:35Let's see.

00:57:42Chati, here you go.

00:57:46Keep the change and buy yourself a smile.

00:57:51Wow!

00:57:54Well.

00:58:02What happened?

00:58:03Little worker, little worker, come on, open up for your father.

00:58:06Is it there?

00:58:07Yes, yes, yes, but...

00:58:08Look, I don't know when I lost control.

00:58:10But I swear it was all done with good intentions.

00:58:12Curro, son.

00:58:14Curro, are you okay?

00:58:16Curro, I need you to tell me if you're okay.

00:58:18If he doesn't speak.

00:58:18We already know, ma'am, we already know.

00:58:20Curro, listen to me, if you don't want to talk, that's fine by me.

00:58:23But give me a sign, please, knock on the door.

00:58:25Curro.

00:58:26If you can't hear anything.

00:58:27Silence, please.

00:58:28We just can't hear.

00:58:30Curro.

00:58:32What if she fainted?

00:58:34No.

00:58:34That she has not fainted.

00:58:35And if he fainted, damn it, he's screwed.

00:58:37No.

00:58:38Curro, open up.

00:58:39Diego, Diego.

00:58:39Curro.

00:58:40Don't worry.

00:58:40Diego.

00:58:41Curro, open up.

00:58:41Diego, I've already tried everything.

00:58:43You're not in a position to make an effort, damn it.

00:58:47Curro.

00:58:48Curro, son, go out for whatever you want most.

00:58:50Diego, Diego, calm down, calm down, eh.

00:58:53Peru, no, but I always arrive at the door.

00:59:06Come on, let's go.

00:59:09Come on.

00:59:09Come on, let's go.

00:59:10Come on, let's go.

00:59:11Come on, let's go.

00:59:12Come on, let's go!

00:59:13Come on, let's go!

00:59:13Ambulance!

00:59:15Come on, find an ambulance somewhere, man!

00:59:17Please, there is no ambulance.

00:59:19What egg, Dad?

00:59:22Okay, I'm going then!

00:59:27But why don't you come in?

00:59:35I caught you.

00:59:49How are you? What have they told you? How are you?

00:59:50Okay, okay, okay. It's okay, it's okay.

00:59:53An anxiety attack. But come on, it's under control.

00:59:57Nothing, they're going to drug him, they're keeping him under observation tonight for a little while and then he'll be home tomorrow.

01:00:03Thank goodness, right? What a scare.

01:00:05Yeah. But come on, he's in good hands. He's there, if she's kept him before and all, what

01:00:12you do?

01:00:13Nothing, I'm just going to send Adrián a little gift.

01:00:18That's great, man. What a thoughtful gesture, right?

01:00:20Yeah.

01:00:21Everyone's there, even Robbins is there.

01:00:23Don't do it for me, kid.

01:00:27What's happening?

01:00:27Wretched, wretched man.

01:00:29Or at least use one of those permanent markers, damn it, you're deceiving your own son.

01:00:35Deceive, dad, deceive, deceive.

01:00:37Go on, no, no, I won't brag about that cheap thing you brought me until it got

01:00:40The lizard fell.

01:00:44That's true too, isn't it?

01:00:47Hey, come on.

01:00:49Go to bed, that's brutal.

01:00:50Yeah.

01:00:52Hey, are you okay?

01:00:54Yes, yes, I'm tired of it.

01:00:56But yes, it's fine.

01:00:57Come on.

01:00:58See you tomorrow.

01:00:59See you tomorrow.

01:01:00See you tomorrow.

01:01:01See you tomorrow.

01:01:03See you tomorrow.

01:01:04See you tomorrow.

01:01:05See you tomorrow.

01:01:06See you tomorrow.

01:01:07See you tomorrow.

01:01:31Tired of being alone.

01:01:36Yes. Yes.

01:01:45Yeah.

01:01:48Ann?

01:01:51Ann?

01:01:53Excuse me, but I have a container in my car.

01:01:59What are you saying, Ana? What are you saying?

01:02:00Ann?

01:02:03Ana? Ana?

01:02:05Hey, what's up...?

01:02:05Where are you? What's wrong?

01:02:07What are you saying?

01:02:09Hey, what...

01:02:13I've had a collision.

01:02:15But, Ana, please.

01:02:16Ana, what do you mean you're shocked? Where are you? What's wrong?

01:02:19I am in a place.

01:02:21Damn it, but let's see one thing.

01:02:24Do you see any street names around here?

01:02:27You don't even have a name.

01:02:31No.

01:02:32No.

01:02:33No.

01:02:33Oh, come on!

01:02:34Ah!

01:02:35If the school...

01:02:37School?

01:02:38Look, don't move from there, okay?

01:02:40Huh? What did you do there? I don't know, it happened in a moment.

01:02:45I can't cook for myself.

01:02:53Please, please.

01:02:57Anita, damn it. Do your part.

01:02:59Damn. Sorry,

01:03:02Fiti, sorry, okay?

01:03:06Shhh, be quiet. Hey,

01:03:08What? I already ordered

01:03:09Please forgive me. Shut up, Dad.

01:03:12And just stay still, damn it.

01:03:14You don't have to apologize to me.

01:03:26Hey, hey, hey, hey, hey,

01:03:28that I didn't want.

01:03:29Why doesn't he love me?

01:03:34How? Who?

01:03:36He.

01:03:38Don't mess with me,

01:03:39that you're like this because of a guy.

01:03:42He doesn't love me.

01:03:44He loves someone else.

01:03:47Who is it?

01:03:51I've got you in for a bad mood, Fiti.

01:03:55I'm hurting you.

01:03:57But what's wrong with you, Ana?

01:04:00Damn, yes...

01:04:01You have to be a real jerk.

01:04:03To not love you, damn it.

01:04:06Yeah, well, but you wouldn't introduce me to your mother.

01:04:11She's dead.

01:04:18I'm a horrible person, you see?

01:04:22And a son of a bitch.

01:04:25No, what are you going to do, Ana?

01:04:27For God's sake, if you...

01:04:28If you are...

01:04:30You are wonderful

01:04:32and...

01:04:33And gorgeous

01:04:35and fun

01:04:36and...

01:04:37And very clever.

01:04:41Come on.

01:04:42Calm down, okay?

01:04:45Come on, let's see if you can go to sleep.

01:04:55No, Celia.

01:04:56Don't worry, really.

01:04:58I'm fine.

01:05:00But you just brought me here,

01:05:01Have you seen it?

01:05:05And me even more.

01:05:08Come on, a kiss.

01:05:14Thank you, son.

01:05:16The pills, huh?

01:05:17Be careful, you're burning up.

01:05:19Ah, I'm used to it.

01:05:22What did you say?

01:05:24That you burn.

01:05:31What, Dad?

01:05:32Tell me.

01:05:33I'm sorry,

01:05:34that you're like this because of me.

01:05:36What are you saying?

01:05:36But it wasn't your fault, man.

01:05:38That...

01:05:38Well, nothing, just one thing

01:05:39a little bit of work stress.

01:05:40No, yes, really

01:05:41which has been...

01:05:42It was my fault.

01:05:43No, it wasn't your fault.

01:05:44In other words, it wasn't anyone's fault.

01:05:45Oh really.

01:05:48What's happening?

01:05:50Dad, well...

01:05:50I'm scared.

01:05:52But why are you scared, son?

01:05:54What are you afraid of?

01:05:55Well, that's what...

01:05:57About what?

01:05:58That Celia will also die.

01:06:00As a mother and as Lucia.

01:06:04Dad, promise me that...

01:06:06Neither you, nor Celia, nor anyone else is going to die.

01:06:15Currito, son...

01:06:18Parents should protect their children

01:06:20Of the bad things in life, right?

01:06:22But...

01:06:22Unfortunately, I haven't been able to.

01:06:27But I can't allow it.

01:06:28That's what you're asking me for, because...

01:06:30I'm sorry, donkey.

01:06:32I'm so sorry, really.

01:06:36But I can assure you, okay?

01:06:38I swear to you.

01:06:39As long as I'm here...

01:06:42I will always be by your side.

01:06:44Always.

01:06:53I shit on you.

01:06:53But, but, but, damn it...

01:06:54But, but, damn it, it hits me right in the gut, for God's sake.

01:06:57But you have to be a little careful.

01:07:11Yes, you.

01:07:13That?

01:07:23Water.

01:07:27Water.

01:07:29Water.

01:07:30Well, my brother told me that she spent it without a phone.

01:07:33And that in two days already...

01:07:35We could start working now.

01:07:37Well, thank goodness.

01:07:39Poor Ludivina cannot say the same to the poor woman.

01:07:42My funta.

01:07:44May he rest in peace.

01:07:45Already.

01:07:46What's meant to be will be.

01:07:48My brother hasn't received it yet.

01:07:50Well, thank God.

01:07:51Thank God.

01:07:54Let's see, Mary, most pure.

01:07:56Conceived without sin, Lurditas.

01:07:58What does this mean, please?

01:08:01Come in, come in, Ludi.

01:08:03Oh my God, yes.

01:08:05Oh my God, yes, I did call.

01:08:07But yes, I called to ask for a job and they told me you had passed away.

01:08:10Right, Santi?

01:08:11I'm going to see my brother.

01:08:13Well, I, I just don't understand anything.

01:08:15But who could have told you such a thing?

01:08:18And what job?

01:08:19If your husband told me you weren't interested.

01:08:22As?

01:08:23I wasn't interested in the what.

01:08:28Well, Lourdes, I think it's best if I leave.

01:08:32You need to talk.

01:08:33And I'm fine with that, okay?

01:08:34No, I'm sorry, Lourdes.

01:08:35Well, I'm very glad.

01:08:36Lourdes, I'm glad.

01:08:37Don't worry, darling.

01:08:39You already know that I'll never get along with you.

01:08:40I'm sorry, I'm sorry.

01:08:42Bye bye.

01:08:43I'll call you.

01:08:44Call me whenever you want.

01:08:45Bye, goodbye.

01:08:55Well, unintentionally.

01:08:57Unintentionally what, Santiago?

01:09:00Everything, everything.

01:09:02But I just can't believe it.

01:09:04That you turned down a job for me.

01:09:08I thought you were fine at home.

01:09:10And what about Ludivina's death?

01:09:12Oh, no.

01:09:13That was your brother.

01:09:14Your brother was the one who killed her.

01:09:15As?

01:09:16And I already told him that stealing your phone was wrong.

01:09:18You know he's got a big sticky finger.

01:09:20The mobile phone thing too.

01:09:21I mean, you steal from me, you lie to me, you kill my friends.

01:09:24But what kind of marriage do we have, Santiago?

01:09:26What kind of marriage?

01:09:27But you didn't tell me either that your house was falling down on you.

01:09:29Don't compare me, Santiago.

01:09:30Don't compare me.

01:09:35Hey bowling, did you see what happened with the principal's car?

01:09:37How did it turn out?

01:09:37I'm telling you, man, it's turned out great, huh?

01:09:39I already saw her yesterday afternoon with the drinks up and down.

01:09:42All week.

01:09:43That talk about alcohol, I don't know what, I don't know how much.

01:09:45But in the end it has been said...

01:09:45If he doesn't drink because of the opposition, he won't go.

01:09:48Good morning.

01:09:49Britney is finished.

01:09:51Ana, hey, it's so good to see you, I have a recap of you.

01:09:54The inspector has called you; he wants to speak with you as soon as possible.

01:09:58He didn't have a very good voice.

01:10:00Thank you.

01:10:06Oh, Santi, what a scare!

01:10:09I wanted to talk to you.

01:10:10No, no, I'm sorry.

01:10:12Not now.

01:10:13Yes, yes, yes, I know.

01:10:14This wouldn't have happened with your little ones.

01:10:16Because, of course, I have no idea how to drive a group...

01:10:19Of course, of course, you're doing very well, yes.

01:10:21And I value you very, very, very much.

01:10:22Look, that's why I've brought you these flowers.

01:10:25That?

01:10:25Ah.

01:10:27Hey, do you have an aspirin?

01:10:29An aspirin?

01:10:30So that?

01:10:30If they are fresh.

01:10:31They stand on their own.

01:10:33It doesn't matter.

01:10:34Tell me, Santi, what did you want?

01:10:36Well, the one that...

01:10:38My wife, well, Lurditas, ever since she left school, the house has been coming up all over her.

01:10:43See if you could talk to her and tell her to come back.

01:10:46Okay?

01:10:46Hey?

01:10:47Yeah?

01:10:47Yes, yes, I'll call her right there.

01:10:50Well, is it really that easy?

01:10:51Yeah.

01:10:51Hey, well, well, thank you very much.

01:10:55And may God repay you with...

01:10:58With a good boyfriend.

01:11:00We've been walking around alone lately.

01:11:02Hey?

01:11:04Take.

01:11:05Well, that's it.

01:11:06Oh, hey, tell him...

01:11:08Well, don't say anything to him.

01:11:10No.

01:11:10Don't tell him I've come.

01:11:11No, no, no, no.

01:11:12Don't worry.

01:11:13Come on.

01:11:18Yeah.

01:11:24You wanted to talk to me, didn't you?

01:11:26Yeah.

01:11:28Hey...

01:11:29About what?

01:11:32Ah, yes.

01:11:33Celia's thing.

01:11:36You are suspended for three days.

01:11:48Yes, yes, don't worry, Carmen, she's better now.

01:11:51Yeah.

01:11:52Oh, just wait a minute.

01:11:54Dad!

01:11:54Dad, how do you want your juice?

01:11:56Can I sneak it in?

01:11:57Forgive me, forgive me.

01:11:58No, not stopping, and thank you very much, son.

01:12:00Heard in the kitchen?

01:12:01Yes, that's it.

01:12:02But anyway, if you want to talk to him, what's upstairs?

01:12:05Okay, okay, fine.

01:12:07A little kiss.

01:12:08See you later.

01:12:10See you later.

01:12:14What are you doing here?

01:12:16And you?

01:12:18I stayed behind to take care of my father.

01:12:20What? Have you come to finish it off?

01:12:22Look, you have no idea.

01:12:24What do you mean I have no idea, Teté?

01:12:25Of course I have an idea, I understand you perfectly.

01:12:27But look where my father is.

01:12:38Take.

01:12:39When you can, tell your father to sign that for me.

01:12:50We're dreaming, aren't we?

01:12:51What the hell?

01:12:52Really?

01:12:53What makes me sleepy?

01:12:54What do you want me to do, man?

01:12:55If I had come to sleep, this wouldn't have happened to you.

01:12:57Didn't you go to sleep?

01:12:59Didn't you come?

01:12:59Wow, what a bird, man.

01:13:01That means there's been some chatunguismo going on, huh?

01:13:02As?

01:13:03Go on, Casanova.

01:13:05Delight us with your conquests.

01:13:06Come on, come on.

01:13:06But let's see, let's see.

01:13:08But leave me alone, man.

01:13:09Am I interfering in your sex life, am I?

01:13:10So, there's been a sexual relationship, the pirate admits it, come on, tell me.

01:13:16Come on, you're giving me what I deserve, no.

01:13:17That there has been no chatunguism or anything.

01:13:19Hello good!

01:13:20Honey, give me a flea, I'll take it with me.

01:13:22I bring you the news.

01:13:24Yes, Naomi dumped the kid.

01:13:25No, I'm referring to Anita.

01:13:27The image that the young girl is projecting.

01:13:29Those at the ministry have refused the subsidy.

01:13:32But that's not all.

01:13:33The city council has filed a complaint against him for damaging furniture.

01:13:37There are all the parents gathered, demanding his head.

01:13:40As I tell you one thing, I tell you another.

01:13:41The poor thing is already giving me the actimiga.

01:13:43Because it's being seen as the filthy Pantoja union, everyone is against it.

01:13:47But look, listen, that's just how it is.

01:13:50Well, family, I'm leaving, I have things to do.

01:13:52Come on.

01:13:52Am I going to your fishing rod?

01:13:53You look unwell, Fiti.

01:13:55Won't you look unwell?

01:13:57If the girl he's with is taking advantage of him, he's going to let it go.

01:14:01What chatunga?

01:14:02What chatunga?

01:14:03I don't know what he's up to, but let's go.

01:14:05Raúl, what chatunga?

01:14:06You don't tell me anything, damn it.

01:14:09And if I have to admit it, then I'll admit it, that's all.

01:14:14Yes, I was slightly drunk.

01:14:15Well, he was a little tipsy when he took my sister-in-law's car.

01:14:18Well, at the time, the headmistress of the school.

01:14:21I was driving the car.

01:14:22Come on, I was driving the car and I crashed, okay?

01:14:25So, as I've learned that it's been formed, the one that's been formed,

01:14:31Well, I wanted to come here and explain it to you.

01:14:34And up to that point, I can tell you yes, really, that if I could turn back.

01:14:37Sure, all day in that tavern.

01:14:39Okay, whatever you want, sir.

01:14:40But anyway, what I've done is clarify the situation.

01:14:43which I think was necessary.

01:14:44And truly, thank you for coming, for listening to me.

01:14:47and for giving me your time and all that.

01:14:49Thank you.

01:14:49How wonderful.

01:14:55Fiti.

01:14:59Why did you do it?

01:15:01Because of the school.

01:15:06I love you very much, Fiti.

01:15:11You're like a brother to me.

01:15:23I have to go.

01:15:24Fiti.

01:15:33Thank you.

01:15:41No, no.

01:15:42The tail, you have to lower it more, otherwise it hasn't been right.

01:15:45But you won't shut up, shorty, I have years of experience to back me up, okay?

01:15:48Well, it's not very noticeable.

01:15:51That?

01:15:52What are you doing, son?

01:15:53Studying?

01:15:54Uh, yes, well, more like reviewing, reviewing.

01:15:57Hey, Dad, shouldn't you be in bed?

01:15:59Yes, but I was a little bored.

01:16:00I mean, damn it, why don't we play a game of Parcheesi?

01:16:02No, no, but no, no, if you're studying, keep going, that's fine.

01:16:05Okay, see you later.

01:16:07No, what a mess, that was close.

01:16:09Let's see, maybe there isn't one...

01:16:11Hey, what about a goose?

01:16:14And a goose?

01:16:16Guille, what are you hiding there?

01:16:19Hey, maybe a game of Parcheesi would work somehow...

01:16:21Yes, yes, come on, I'll take her out of the cut, right?

01:16:23Work, there, work.

01:16:24Let's see, Guille, we know each other.

01:16:26In other words, I've detected a suspicious movement.

01:16:28And with you, suspicion is a crime, it's a crime, right?

01:16:30No, Dad, don't stress yourself out because it's not good for you.

01:16:33No, no, no, I'm not stressed and nothing's wrong with my situation.

01:16:36No, no, no, Mom.

01:16:36Guille, give it to me.

01:16:37Guille, give it to me.

01:16:38Guille, give it to me somewhere else.

01:16:40But what are you doing?

01:16:41But what are you doing?

01:16:41Are you stupid?

01:16:41What's the matter?

01:16:42What are you eating?

01:16:42A pork chop?

01:16:43Come on, spit it out, spit it out.

01:16:45Spit, that's because the bitch has the mountain.

01:16:46Spit, spit, spit.

01:16:47Spit it out, it's right there.

01:16:48What are you doing?

01:16:49But what's wrong with you?

01:16:50What is there that shouldn't be said?

01:16:51Good heavens, what is this?

01:16:54School, right?

01:16:55You've been expelled?

01:16:56So, you've been kicked out again, Guille?

01:16:58Mother, who gave birth to me, really.

01:16:59What, have you been expelled?

01:16:59No, not me.

01:17:12What do you want, my Nico?

01:17:13Brother, give a little to your brother.

01:17:15Well, wine or something.

01:17:17What, Diego?

01:17:17How rude of you!

01:17:19What's the matter?

01:17:20It's true, Dad, I could have killed you.

01:17:22No, don't look at me like that.

01:17:24Don't look at me like that, you sometimes misjudge.

01:17:26What are you doing, Dad?

01:17:28But what are you doing?

01:17:29What are you doing?

01:17:31To lose your mind?

01:17:32Hey, Dad, you can't drink wine with the pill on.

01:17:34You're crazy?

01:17:35He's a little more lenient with the pill because it's so disgusting.

01:17:38We're not good enough either.

01:17:39Why not?

01:17:40That's been enough to make you wet it at once.

01:17:41But are you right?

01:17:42Here, man.

01:17:43Thank goodness someone in this house has a brain.

01:17:44That's going to be Carmen.

01:17:46One thing, I told you, do you want a little bit of ham?

01:17:49I've bought you the one you like.

01:17:51No, no, I just don't feel like it.

01:17:52Good.

01:17:56Hello, family.

01:17:57Hello.

01:17:58Oh, my nephew, my goodness, he's so handsome, he even has his little lamb with him.

01:18:02Well, I'm going to tell you something, Ana called me and asked me to come back to school.

01:18:07And I told him yes.

01:18:09Well, I'm so glad, I'm so glad.

01:18:13What I'm finally glad about at this point is justice, you know.

01:18:15I was worried about it.

01:18:17Marvita, I'm so glad.

01:18:19Already.

01:18:19And I'm sorry for everything.

01:18:22I'm very sorry.

01:18:26Oh!

01:18:28That's the one she's going to pull off.

01:18:29You have no idea how much we've missed you.

01:18:32No no.

01:18:32And what is Ana like?

01:18:33In other words, Candela is Ana's.

01:18:35It's a mix.

01:18:38Hi, Tete.

01:18:40Come see Diego.

01:18:43Well no...

01:18:44He told the doctor that he needs to stay calm and rest.

01:18:49Ah, I see.

01:18:50I brought this for you.

01:18:52I'll give it to you if you want.

01:18:54Okay, perfect.

01:18:55Okay, thanks.

01:18:56Good night.

01:19:09Who was he?

01:19:10The commercial postman.

01:19:15Candela next to her was a blessed glory.

01:19:17I have to tell you.

01:19:19Brother!

01:19:20Grandmother!

01:19:21No!

01:19:23What are you doing, animal?

01:19:25What are you doing?

01:19:25I have been expelled from my school after a few days.

01:19:26And you want to crown yourself with wings.

01:19:28And you get yourselves a wheelbarrow, dark clothes, and boots.

01:19:31This is not right.

01:19:32Celia's not doing well, is she?

01:19:34Good.

01:19:34It's just her, me, and our intimacy.

01:19:37Celia, do balls appear in the realistic one?

01:19:38It's cold, look at it.

01:19:39Don't worry, we'll fix the problem now.

01:19:41We chose her very well, Diego.

01:19:43Yes sir.

01:19:44Murcia is pursuing an organized gang in Madrid dedicated to the theft of electronic devices.

01:19:49You have to be shameless.

01:19:50It's about TT, who could go back to school.

01:19:52I think we should give it a second chance.

01:19:54And that is very interesting, yes.

01:19:56Oh my God!

01:19:59Traumatize me.

01:19:59The material has been stolen from the multinational Tecnomoni, which specializes in products

01:20:04high-end technology.

01:20:05It is an investment in leisure infrastructure.

01:20:07I'll cut ham and you, you pose while the lances are being prepared.

01:20:11A school teacher going out like that in skimpy clothing, I really don't see it.

01:20:14That's the thing about advertising.

01:20:17You've made me think you understand, haven't you?

01:20:18The director and I will have to take action.

01:20:20The police are coming up the stairs.

01:20:22The police!

01:20:23We have to surrender, okay?

01:20:24No, no, no, no, no, damn right, they're covered in a thousand fingerprints.

01:20:27The broken one at a thousand!

01:20:28You'll give them your brains now.

01:20:57Subscribe to the channel!

01:20:59Subscribe to the channel!

Los Serrano - 7x05 - Cuando el amor llega así de esta manera - HD 1080

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